Tag Archives: Strange Horizons

Pixel Scroll 4/15/25 The Goldendoodle At Starbow’s End

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(1) UNFAIR USE. Charlie Stross told Bluesky followers that Sam Freedman’s Guardian article linked here yesterday – “The big idea: will sci-fi end up destroying the world?” – is a case of “recycling an article of mine from 2023 without attribution” – “We’re sorry we created the Torment Nexus”.

(2) MAY THE FOURTH BID WITH YOU. “Heritage Auctions Announces ‘Star Wars Day’ Auction” and Animation World Network explains it all to you.

Heritage Auctions has launched the “May 4 Star Wars Day Entertainment Signature Auction,” which will feature over 300 lots ranging from original Star Wars movie posters to screen-used props, high-end replicas, toys, comics, and artwork. The event will conclude with a live session on May 4.

Leading the fleet is the Star Wars Sears Exclusive Set of 12 Carded Figures, the only graded example in existence. Also up for grabs is the Star Wars Sears Exclusive Set of 9 Carded Figures, which includes the highly coveted Boba Fett. These sets, authenticated by industry expert Tom Derby and AFA, are expected to surpass six figures at auction.

“These sets represent a pivotal moment in cinematic history and were among the earliest opportunities fans had to bring the Star Wars universe into their home,” said Justin Caravoulias, Heritage’s Consignment Director of Action Figures and Toys. “Finding them in such incredible condition is exceptionally rare, and the opportunity to win treasures like these on May 4 makes this auction even more special.”

Additionally, the auction features 20 pieces of original artwork from the early days of Lucas Film, including signed Star Wars Droids C-3PO Original Line Art by Alice Carter. John Alvin’s original concept paintings for the unreleased Star Wars Concert Series poster, Greg Hildebrandt’s striking portrait of Darth Vader’s funeral pyre mask, and Olivia De Berardinis’ Grogu painting are also available….

(3) SEEKING AFROSURREALISM. Gautam Bhatia has put out a submissions call for the Strange Horizons – Afrosurrealism Special Issue. Full details at the link.

…Welcome to the Afrosurrealist Special Issue, where the boundaries between the real and the unreal blur, where reality bends, time fractures, and the living and the dead exist side by side. Afrosurrealism has long given shape to our struggles, our power, and our dreams. This special issue seeks to bring those visions to life through stories that cut deep—tales that unsettle, haunt, and liberate….

For this special issue, we are looking for:

  • Worlds that slip between the mundane and the uncanny, the ghostly and the futuristic.
  • Worlds rich with history and spirit striving to manifest—whether set in the past, present, or futures unknown.
  • Tales of hauntings, doppelgängers, liminal spaces, memories, and places that don’t stay put.
  • Give us your tales of portals that lead to nowhere, of cities that rearrange themselves overnight, of people becoming someone—or something—else.
  • Narratives that challenge traditional structures and defy linear storytelling.
  • Works that experiment with or reimagine genres like sword & soul, jujuism, cyberfunk, or Black gothic horror.
  • Visions of power, freedom, and transformation shaped by the Black experience where Blackness itself is a force that bends time, space, and destiny.

Send us your myths. Your nightmares. Your dreams wrapped in ancestral magics and spirit.

The editors for the AfroSurrealism Special invite you to submit fiction, poetry, and nonfiction.

We welcome writers who are new and experienced. The submissions call is open to writers of African descent ONLY, whether based in the diaspora or in Africa….

(4) FUNNY BUSINESS. Ira Nayman recommends “Taking Humor Writing Seriously” at the SFWA Blog.

…What makes you laugh? What tries to make you laugh and fails? How do they both work, and why does one succeed where the other doesn’t? As you grow as a comic writer, you’ll start to combine in new ways what you loved in previous works, shaping those devices into something uniquely your own.

Some writers are uncomfortable with this analytical approach. They should embrace it. I once took a course in the Social and Political Aspects of Humor. One of the first things the professor said on the first day of lectures was: “You may be under the impression that analyzing humor will kill it. Most of the students who have taken the course have found that to be untrue.” I couldn’t agree more. If anything, I found my appreciation for well-written humor increased the more I analyzed it. 

This analytical approach is especially helpful when it comes to comic dialogue. Record a conversation, then compare how real people speak to how characters in comedies speak. (Spoiler: They’re very different.) In fact, great comic dialogue is like music: Not only does it have a rhythm that can be timed with a metronome, but it usually contains motifs that it repeatedly comes back to. Listen to “Who’s on First?” by Abbott and Costello, “The Argument Clinic” by Monty Python, and “Why a Duck?” by the Marx Brothers. Note, as well, how pauses can be employed as both a comic element in themselves and to allow the audience room to laugh.

Craft can and must be learned. What you do with that craft, the stories you choose to tell, and the way you choose to tell them is the art you have to provide yourself….

(5) WHO HISTORY. Last night’s BBC Radio 4 arts programme Front Row has an item (one third of the show) on Doctor Who, which we linked to in yesterday’s Scroll. But we didn’t mention it also covered the launch of a new non-fiction book on Doctor Who, Exterminate, Regenerate.  

On screen, Doctor Who is a story of monsters, imagination and mind-expanding adventure. But the off-screen story is equally extraordinary – a tale of failed monks, war heroes, 1960s polyamory and self-sabotaging broadcasting executives. From the politics of fandom to the inner struggles of the BBC, thousands of people have given part of themselves – and sometimes, too much of themselves – to bring this unlikeliest of folk heroes to life.

This is a story of change, mystery and the importance of imaginary characters in our lives. Able to evolve and adapt more radically than any other fiction, Doctor Who has acted as a mirror to more than six decades of social, technological and cultural change while always remaining a central fixture of the British imagination. In Exterminate / Regenerate, John Higgs invites us into his TARDIS on a journey to discover how ideas emerge and survive despite the odds, why we are so addicted to fiction, and why this wonderful wandering time traveller means so much to so many.

(6) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released Simultaneous Times episode 86 with Thomas Broderick & Jenna Hanchey. Simultaneous Times is a monthly science fiction podcast.

Stories featured in this episode:

“A Love Story” by Thomas Broderick. Music by Phog Masheeen. Read by the Jean-Paul Garnier

“A Locked Box, Bound with Chains, Buried Six Feet Deep” by Jenna Hanchey. Music by TSG. Read by the author

Theme music by Dain Luscombe

(7) SHINICHIRO WATANABE Q&A. “The Creator of ‘Cowboy Bebop’ Thinks Reality Is More Dystopian Than Sci-Fi” – interview in the New York Times (behind a paywall).

Shinichiro Watanabe’s first anime, “Cowboy Bebop,” was quite an opening act. A story of space bounty hunters trying to scrape by, its genre mash-up of westerns, science fiction and noir, with a jazzy soundtrack, was a critical and commercial success in Japan and beyond. Its American debut on Adult Swim, in 2001, is now considered a milestone in the popularization of anime in the United States.

Not one to repeat himself, Watanabe followed up “Bebop” with a story about samurai and hip-hop (“Samurai Champloo,” 2004); a coming-of-age story about jazz musicians (“Kids on the Slope,” 2012); a mystery thriller about teenage terrorists (“Terror in Resonance,” 2014); an animated “Blade Runner” sequel (“Blade Runner Black Out 2022,” 2017); and a sci-fi musical show about two girls on Mars (“Carole & Tuesday,” 2019).

Now, he has returned to the kind of sci-fi action that made his name with “Lazarus,” streaming on Max and airing on Adult Swim, with new episodes arriving on Sundays. The show is set in 2055, after the disappearance of a doctor who discovered a miracle drug that has no side effects. Three years later, the doctor resurfaces with an announcement: The drug had a three-year half-life, and everyone who took it will die in 30 days unless someone finds him and the cure he developed….

Unlike your previous sci-fi projects, “Lazarus” takes place not on a distant planet or far into the future, but in our world just 30 years from now. Why was that important?

In the past, I would look at other works of fiction and get inspired by them. But this time, just watching the news and taking a look at the world, things happening right now seem more dramatic and kind of crazier than fiction. Because I was inspired by events going on in the real world, putting it too far into the future would lose that touch of reality….

The anime starts with a doomsday clock saying there are 30 days until most of humanity dies, and yet we see businesses going on like normal, talk shows interviewing artists, and more. Why did you contrast the urgency of the story with scenes like these?

That was inspired by reality and experiencing the Covid pandemic. Not everyone was acting the same way. There were people who didn’t believe in it, and there were people who didn’t wear masks. I thought the anime would be more grounded in reality if I made it so we had different reactions from the characters….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Small Change trilogy

Doing alternate history right is always hard work, but Jo Walton’s the Small Change books consisting of Farthing, Ha’penny and Half a Crown get it perfectly spot on. They’re set in a Britain that settled for an uneasy peace with Hitler’s Germany, and they are mysteries, one of my favorite genres. And these are among my all-time favorite mysteries of this niche which includes Len Deighton’s SS-GB. and C. J. Sansom’s Dominion. 

I am not going to discuss these novels in any way what so ever. Not going to do it. It’s really going to spoil it for any of you’ll who decide to read them which you really should. I can reveal that the first is a classic British manor house murder mystery complete with the proper centuries old family. Really well-crafted manor house mystery.

The audiobooks are fascinating, there being shifting narrators with Peter Carmichael whose presence is to be found in all three novels is voiced by John Keating, and Bianco Amato voicing David Kahn’s wife in Farthing, but Viola Lark being played by Heather O’Neil in Ha’penny and yet a third female narrator, Elvira, is brought to life by Terry Donnelly in Half a Crown. 

Now I’m fascinated by what awards they won (and didn’t) and what they got nominated for. It would win but one award, the Prometheus Award for Best Libertarian SF Novel for Ha’Penny which is I find  a bit odd indeed given there’s nothing libertarian about that novel. 

Now Half a Crown wracked an impressive number of nominations: the Sidewise Award for Best Long Form Alternate History, Locus for Best SF Novel, Sunburst award for a Canadian novel, and this time deservedly so given the themes of the final novel a Prometheus Award for Best Libertarian SF Novel.

Farthing had picked up nominations for a Sidewise, a Nebula, Campbell Memorial, Quill whereas Ha’Penny only picked a Sidewise and Lambda.

Not a single Hugo nomination which really, really surprised me. 

There is one short story set in this series, “Escape to Other Worlds with Science Fiction” which you can read in her Starlings collection that Tachyon published. It is in a fantastic collection of her stories, poems and cool stuff! 

(9) COMICS SECTION.

(10) WE’LL MEET AGAIN, DON’T KNOW WHERE, DON’T KNOW WHEN. “‘Big Bang’ Universe Collides As Simon Helberg & Raegan Revord Join Melissa Rauch On NBC’s ‘Night Court’” at Deadline.

NBC‘s Night Court has set up a colliding of the “Big Bang” Universe as Simon Helberg (Big Bang Theory, Poker Face) and Raegan Revord (Young Sheldon) are set to guest star in the Season 3 finale airing May 6 at 8:30 p.m. ET/PT.

Night Court star and executive producer Melissa Rauch played Helberg’s wife on the CBS smash The Big Bang Theory, created by Chuck Lorre and Bill Prady. Although who Helberg will play in the season finale is under wraps, his character is set for a game-changing cameo that could really shake things up for Abby (Rauch).

Revord will play Shelby, a teenage runaway inclined to marry her soulmate, in an homage to the Michael J. Fox episode from the original series.

Fox appeared in the second episode of the original series titled “Santa Goes Downtown,” which aired on January 11, 1984, in the role of Eddie Simms. Eddie and his girlfriend Mary (Olivia Barash) are runaway teens determined to get married, who end up in night court on shoplifting charges. The pair meet a mysterious man who claims he’s Santa Claus, or at least that’s who he claims to be, altering their lives forever. When Fox shot the guest appearance, he was a series regular on the NBC sitcom Family Ties, a few years before he would break out as Marty McFly in Back to the Future.

Additionally, Marsha Warfield will return in her iconic role as Roz from the original series. Other guest stars include Michael Urie and Ryan Hansen….

(11) UP ABOVE THE WORLD SO HIGH. [Item by Mark Roth-Whitworth.] Turning space from vacuum to vapidity, by one of my favorite columnists. “What’s more vacuous than an endless vacuum? It’s Lauren Sánchez and Katy Perry’s party in space” by Marina Hyde in the Guardian.

… In truth, how the women looked had been an overwhelming part of the buildup, and by their own design. In an Elle magazine joint interview with the passengers, Lauren showed off the hot space suits she’d personally commissioned, inquiring rhetorically: “Who would not get glam before the flight?” “Space is going to finally be glam,” agreed Perry. “Let me tell you something. If I could take glam up with me, I would do that. We are going to put the ‘ass’ in astronaut.” A former Nasa rocket scientist said: “I also wanted to test out my hair and make sure that it was OK. So I skydived in Dubai with similar hair to make sure I would be good – took it for a dry run.” Still want more? Because there was SO much of it. “We’re going to have lash extensions flying in the capsule!” explained Lauren. “I think it’s so important for people to see us like that,” explained a civil rights activist. “This dichotomy of engineer and scientist, and then beauty and fashion. We contain multitudes. Women are multitudes. I’m going to be wearing lipstick.”

Ooof. I always thought space travel was futuristic, but this was the first time it came off as travelling back in time, in this case using their little capsule to take us back to the most ludicrous inanities of 2010s girlboss feminism….

(12) SPLISH-SPLASH. The New York Times meets “The Techno-Utopians Who Want to Colonize the Sea”. (Article behind a paywall.)

…His 304-square-foot habitat was inside the underwater buoyancy chamber that helps stabilize a floating home called SeaPod Alpha Deep. An armed security guard was in the above-water part of the structure, monitoring Koch and ensuring that the pod did not have “any visitors that we don’t want.” When my boat arrived, he threw down a cable and winched me up. Then I made my way down a 63-step spiral staircase to the circular lower chamber — a dizzying process, as the SeaPod rocked in the loudly sloshing sea. I was greeted by a beaming Koch, a bald 59-year-old German engineer with a whitened beard and a Buddha belly.

He gave me a tour, pointing to a school of sardines outside a porthole. The quarters came equipped with a bed, an exercise bike, Starlink internet and a dry toilet. A digital clock on the wall was counting down toward his 120-day goal. (The previous record was 100 days, set in 2023 by Joseph Dituri at Jules’ Undersea Lodge, off the coast of Key Largo, Fla.) “I’ve enjoyed the time, actually,” Koch said in his heavy German accent, his face greenish-blue from the light pouring in. “This is what people get completely wrong. They think that I feel like a prisoner, and I’m putting marks on the wall. My food is excellent, my booze is excellent.” A person came by to clean daily.

Koch arrived here, in small part, via a San Francisco-based nonprofit called the Seasteading Institute, which promotes “living on environmentally restorative floating islands with some degree of political autonomy.” The vision, as the Institute’s president, the “seavangelist” Joe Quirk, once told Guernica, is “startup societies where people could form whatever kind of community they wanted” — a libertarian-inflected world where, it is said, you could “vote with your boat,” relocating to a community in line with your views….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 4/2/25 Oh, Pixelline, Why Can’t You Be True?

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(1) LOST BONESTELL LITHOGRAPHS COMING ONLINE FREE. You’ll soon be able to view thirty-two recently discovered industrial illustrations from Chesley Bonestell’s early career. Starting this Thursday, April 3, Michael Swanwick and Marianne Porter will be posting one new illustration every workday on Swanwick’s blog at Flogging Babel.

Most of these images have not been seen for over a century.

Chesley Bonestell was the most significant and influential astronomical illustrator of the 20th century. But before his rise to fame he worked as an architectural illustrator. In 1918, he was commissioned by the Army Corps of Engineers to document the construction of a wartime munitions plant and hydroelectric dam in Muscle Shoals, Alabama. Bonestell created 32 large-scale lithographs, showing the construction of the plant, including meticulous records of both industrial interiors, the dam and railroad being built, and the surrounding countryside. They were all signed in the stone.

The munitions factory was never a particularly successful enterprise; it came on line only a few weeks before World War One ended. But the hydroelectric dam was the first in the Tennessee Valley Authority, the massive project that made possible the economic and industrial development of the American South.

The thirty-two lithographs were stored in the Packwood House Museum in Lewisburg, Pennsylvania, where only two were actually on display to the public. This set of prints are not numbered, and it is not clear if any other prints were made. The Museum was owned and operated by John Featherstone, and his wife, Edith Featherstone, an artist in her own right, and was intended to showcase her work, as well as central Pennsylvania arts and crafts. Eventually the museum was closed and its contents liquidated. The Bonestell lithographs seem to have been included in the collection because John Featherstone was the engineer in charge of the Muscle Shoals construction project.

The lithographs were purchased by Swanwick and Porter in an auction. When all of them have been posted online, a torrent will be created, making the complete collection available at full resolution.

Michael Swanwick is an award-winning science fiction and fantasy writer. His wife, Marianne Porter, is the editor and publisher of Dragonstairs Press.  The first image to be posted is attached.

Swanwick explained on his blog today how the lithographs came into the couple’s possession: “Chesley Bonestell’s Lost Lithographs”.

“I don’t know what they are, but I hope you get them.”

That’s what the lady at the auction house said when Marianne Porter told her that all Marianne wanted were the Chesley Bonestell lithographs. There were 32 of them in the lot, and it was clear nobody at Pook & Pook knew what they were….

(2) KENNY GRAVILLIS Q&A. “Movie Poster Designer Kenny Gravillis Aims to Leave You Asking Questions” at PRINT Magazine.

…Is it common within the movie poster design industry to bid against other studios for projects? 

Especially on really big films, there will be three to four different agencies. Just to give you an example, on Game of Thrones season two, there were like 11 agencies that worked on that. It’s super competitive. For independent films that don’t have that much money, they might only be able to hire one agency to work on it. But when you start getting into the Dunes of the world, then there are multiple agencies working on it. And they’re working on it until the end, by the way. You don’t even know if you’re gonna get the final post; it’s pretty wild….

…I also think successful movie posters can exist as standalone pieces in their own right, outside of their attachment to a movie. A graphic image or design that you might want on your wall or you find compelling simply because it looks good. 

100%. The thing is, every filmmaker cares about their poster. There’s not one filmmaker that’s like, “Whatever…” Because it’s the face of the film. As great as trailers are, they’ll probably be forgotten. Nobody says, “I remember the trailer for Rosemary’s Baby or the trailer for Alien.” They’re like, “Oh, my God, the Alien poster!” …

…The other thing I’d like to say is that it never gets old. The other day, I went to see Captain America, and our poster was in the lobby. Seeing the stuff that I’ve worked on out in the world just never gets old. If it ever does, I think I’ll call it a day.

(3) CAN IT BE? “Trump Tariffs Hit Vox Day” says crusading journalist Camestros Felapton, who has found a way to leverage today’s headlines into a sff blog post. (By which I mean, dang, I wish I’d thought of it!)

…A country that surprised some in getting high tariffs was Switzerland at 31%. That’s higher than the UK (10%), EU (10%) and South Korea (25%). Sure would be a shame if some obnoxious hyper-nationalistic Trump support had invested a lot of money in printing and binding hardback books for Trump supporting fanboys in the US wouldn’t it?…

(4) A FIRST IN THE FIELD. A Deep Look by Dave Hook chronicles “’The Other Worlds’, Phil Stong editor, 1941 Wilfred Funk: The First Speculative Fiction Anthology”.

The Short: As discussed below, I believe The Other Worlds (aka The Other Worlds: 25 Modern Stories of Mystery and Imagination, 1942 editions), Phil Stong editor, 1941 Wilfred Funk, is the first speculative fiction anthology. I am glad I read it, but it’s a mixed bag and I would only recommend it to a big fan of horror, science fiction and fantasy from 1925 to 1940. It includes three essays by Stong in addition to 25 stories. My favorite story was the great “Alas, All Thinking!“, a novelette by Harry Bates (known best for “Farewell to the Master“, a novelette adapted for the movie “The Day The Earth Stood Still“), Astounding Stories, June 1935. I am not really a fan of horror, which influenced how I felt about The Other Worlds. My overall average rating is 3.45/5, or a rather anemic “Good”. It is in print, and available online…

(5) FUTURE TENSE. March 2025’s Future Tense Fiction story is “Coda,” by Arula Ratnakar—a story about computation, genetics, and cryptography.

The response essay, “Computing Consciousness”, is by computer scientist Christopher Moore, whose research actually inspired the story!

(6) TIME TO NOMINATE FOR THE CÓYOTL AWARDS. Members of the Furry Writers’ Guild are eligible to submit 2024 Cóyotl Awards nominations through April 5.

Nominations are open to all members of the Furry Writers’ Guild, though awards may be given to any work of anthropomorphic writing demonstrating excellence regardless of membership. Please see the award rules for what makes an eligible work. For a non-exhaustive list of what’s eligible, see the recommended reading list.

(7) DOUBLE-HEADER. In the first video below Erin Underwood interviews Martha Wells about her Murderbot series, with a couple of questions about the adaptation that is coming to Apple TV in May. The second video is a review of In The Lost Lands, which is an adaptation of GRRM’s short story.

Exclusive Interview with Martha Wells: Inside The Murderbot Diaries

Join me for this exclusive interview with Martha Wells, author of The Murderbot Diaries, as we explore one of science fiction’s most popular series — now being adapted into a new Apple TV series. What makes Murderbot so compelling, and how did Wells create such a nuanced, unforgettable character? Come watch on YouTube to find out!

In the Lost Lands, Movie Review – Worth the Watch?

Paul W.S. Anderson’s In the Lost Lands brings George R.R. Martin’s dark fantasy to life, but does its reliance on digital sets and AI-driven cinematography elevate or undermine the experience? With Milla Jovovich and Dave Bautista leading the charge, this film raises big questions about the future of sci-fi and fantasy filmmaking. Join me on YouTube where I break it down.

(8) ON TARGET. “’Woke’ criticism of Doctor Who proves show on right track, says its newest star” in the Guardian.

Criticisms that Doctor Who has become too “woke” prove the series is doing the right thing by being inclusive, its new star Varada Sethu has said.

Sethu plays the Doctor’s latest travelling companion, Belinda Chandra, in new episodes airing next month. With Ncuti Gatwa returning as the Doctor, the pairing marks the first time a Tardis team will comprise solely people of colour.

Speaking about the milestone, Sethu told the Radio Times: “Ncuti was like, ‘Look at us. We get to be in the Tardis. We’re going to piss off so many people.’…

And the BBC has a long profile with the actor: “Doctor Who: Varada Sethu wants to inspire young South Asian women”

When new Doctor Who companion Varada Sethu first told her family she wanted to be an actress, there wasn’t immediate support.

“They had difficulty coming to terms with it initially,” she tells BBC Asian Network News.

Varada, who will be playing Ncuti Gatwa’s sidekick, Belinda Chandra in the upcoming series, feels going into acting is “sadly still not encouraged in the South Asian community”.

“There’s an element of resistance we face,” the 32-year-old says.

But Varada wants to change all of that, and says inspiring young girls to follow their dreams is one of her big goals.

“I want to be the person that these girls can point out to and say: ‘She made it and she came from a community that looks like mine’.

“So I think I’ve gone about this with the energy of, I can’t fall flat on my face,” she says.

But the actress, who has had roles in Disney+ Star Wars series Andor, 2018 crime drama Hard Sun and Jurassic World Dominion, says change comes with challenges.

A report by the Creative Diversity Network found in 2022/23 the percentage of on-screen contributions by those who identify as South Asian or South Asian British was 4.9%.

That’s compared with the latest census data, analysed by the UK Government, that found around 8% of people from those backgrounds are in the working-age population.

“It’s a constant battle of failure isn’t an option,” says Varada.

“Because, you know, your uncle’s daughter who’s six, who might wanna go into acting when she’s a bit older, won’t be allowed to, if I become the cautionary tale.”…

(9) STRANGE NEW TREK. Gizmodo says “The First Trailer for Star Trek: Strange New Worlds Season 3 Is a Wild Trip”.

The new trailer immediately goes meta, detailing at least more than a few adventures where Strange New Worlds will take the crew of the Enterprise beyond the typical spacebound adventures and into some very meta territory–from murder mystery holoprograms, to a kitschy spin on the original Trek‘s ’60s production aesthetics. And that’s even before you get to Carol Kane’s Commander Pelia hooking up the whole ship to old-timey analogue phones!…

(10) VAL KILMER (1959-2025). Actor Val Kilmer, whose iconic genre roles included Batman Forever and Real Genius, died April 1 at the age of 65. The Hollywood Reporter tribute notes he was most famous for playing Iceman in Top Gun and Doc Holliday in Tombstone. And it also recalled some of his other sff work —

…Marlon Brando’s insane assistant in John Frankenheimer’s The Island of Dr. Moreau (1996); 

…He was married to British actress Joanne Whalley from 1988 until their divorce in 1996. They met while working together on Willow and wed months later.

…Kilmer starred as rockabilly teen idol Nick Rivers in the daffy spy spoof Top Secret! (1984) from Jim Abrahams and the Zucker brothers. 

…Kilmer also provided the voice of K.I.T.T. in a new version of TV’s Knight Rider in 2008-09

(11) MEMORY LANE(S)

[First piece written by Paul Weimer. Second piece by Cat Eldridge.]

April 2, 1968 — 2001: A Space Odyssey

By Paul Weimer: Did the “Blue Danube Waltz” play through your head just now? Or perhaps “Also Sprach Zarathrustra”?  Possibly both?  Even though I am not a music guy, both of those music pieces come to mind when I think of 2001. The music is the first thing I think of when I think of 2001: A Space Odyssey.

You know the story. Monolith uplifts Ape with the power of ultraviolence. Humans find the Monolith on the Moon, a ship heads to Jupiter to investigate where the signal went. Hal goes mad and kills most of his crew. David Bowman has an apotheosis. 

But 2001 is far more than the music and that plot. It’s visuals, really the first time I saw it, I felt that this could be what space would be like. Slow sedate visuals but one that felt accurate. (The jokes/conspiracy theories that the real moon landing was directed by Kubrick come from the visuals of 2001). Be it the apes scene, the casualness of the lounge in the space station, the investigation of the monolith, daily life on the Discovery, or the very very weird ending. I am still not quite sure I get it. But is it absolutely unforgettable? Yes. 

And that’s the fun thing about the movie. It is slow, very slow. But it doesn’t drag. It’s sedately and sedate in places, and then violently and suddenly. The movie seems to just know when to interrupt the quiet stately pace with a sudden action or point of drama. In any event, the movie holds my attention throughout. Every time I’ve started watching it, I’ve kept it on.  It is THE space movie for me. 

And it became clear to me that when I saw Star Trek The Motion Picture, just how much they tried to borrow from 2001. Maybe too much, for their own good. They learned the need for stately pacing…but not so much when to break it up.

By Cat Eldridge: Fifty-six years ago, 2001: A Space Odyssey had its world premiere on this date at the Uptown Theater in Washington, D.C., it would be nearly a month and three weeks, the fifteenth of May to be precise, before the United Kingdom would see this film. 

It was directed as you know by Stanley Kubrick from a screenplay by him and Arthur C. Clarke who wrote the novel. 

It spawned a sequel about which the less said the better. (My opinion, the critics sort of like it. Huh.)

It would win a Hugo at St. Louiscon over what I will term an extraordinarily offbeat field of nominees that year — Yellow Submarine, Charly, Rosemary’s Baby and the penultimate episode of The Prisoner, “Fallout”. 

It did amazingly well box office wise, returning one hundred fifty million against just ten million in production costs. 

So, what did the critics think of it then? Some liked, some threw up their guts. Some thought that audience members that liked it were smoking something to keep themselves high. (That was in several reviews.) Ebert liked it a lot and said that it “succeeds magnificently on a cosmic scale.” Others were less kind with Pauline Kael who I admit is not one of my favorite critics saying that it was “a monumentally unimaginative movie.” Humph. 

I was too young to see when I came out, but an arts cinema showed a few decades later which I saw it there, so I did see it on a reasonably large screen. It is extraordinarily amazing film. I don’t think the Suck Fairy would any problems with it even today

Audience reviewers at Rotten Tomatoes currently give it a most not unsurprising rating of ninety two percent. 

(12) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 2, 1948 — Joan D. Vinge, 77.

By Paul Weimer: It is fitting that The Snow Queen has her birthday just as we are getting out of winter and into Spring, and the treacherous Winters of the planet Tiamat are reluctantly getting ready to hand over the control of the planet to the Summers for a time.  The original Snow Queen novel and its sequels is where I began reading Vinge’s work. I picked it up for the same reason I picked up many books in the mid to late 90’s–it had been on an award ballot and I was filling in the gaps of my reading. (It won for Best Novel at the Hugos in 1981, and was a finalist for the Nebula the same year).  I found the worldbuilding of the novel most satisfying, and the titular Snow Queen and her grand plot to try and control the planet for its entire cycle by means of her clone I found to be a crackerjack story. 

Only after reading the story did I realize how much the story was influenced by both the Hans Christian Andersen fairy tale, and by Robert Graves (The White Goddess).  A re-read when I decided to read the entire series showed me that as much as I thought it has been rich and interesting, on a re-read the book was *even better*.  The Snow Queen is one of those novels that the more you know, the even cleverer and more intricately woven it appears to be. 

My favorite of that entire series is the standalone Tangled Up in Blue, which is really a noir mystery novel that just so happens to take place on the mean streets of Carbuncle. It’s a genre mashup that works even better than I hoped, and it works really standalone, too. You don’t need to read The Snow Queen to dive into Tangled Up in Blue. 

Besides the stories set on Tiamat, Vinge has written plenty of other stuff as well. Catspaw is a favorite of mine, although it is a case where I accidentally started with the second book in the series not even knowing there was a first book (Psion).  Vinge feels, like Julian May, like one of the last SF authors to really use and deploy telepathy in a major mainstream SF novel straight up. 

Finally, Vinge has also written a number of movie tie-in novelizations, including one (Cowboys and Aliens) that actually redeems that (IMO) very flawed movie.

Joan Vinge

(13) COMICS SECTION.

(14) DC COMICS HISTORY. BBC’s Witness History remembers “The wonder woman of DC Comics”.

In 1976, Jenette Kahn began one of the biggest roles in comic books – publisher of DC Comics, home to Superman, Batman and Wonder Woman. She was only 28 and the first female boss.

(15) WRITING WHILE DISABLED. In the second audio episode of Writing While Disabled at Strange Horizons, hosts Kristy Anne Cox and Kate Johnston “welcome Farah Mendlesohn, acclaimed SFF scholar and conrunner, to talk all things hearing, dyslexia, and more ADHD adjustments, as well as what fandom could and should be doing better for accessibility at conventions, for both volunteers and attendees.”

There’s a transcript at the link, where you can also watch the full interview on video with close-caption subtitles.

(16) VIDEOS OF THE DAY. “Oh Jeez, Rick and Morty Will Return in May” reports Gizmodo.

April Fools’ Day is upon us, but this is no joke: Rick and Morty season eight hits Adult Swim May 25, with a first look to prove it. The news came as part of Adult Swim’s annual April 1 celebration, and also included a 22-minute special of favorite Rick and Morty moments re-interpreted in appropriately and unexpectedly freaky ways. Adult Swim described it as pulling from “absurd, live-action, theater-based genres,” and frankly you just need to watch it to believe it.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Paul Weimer, Erin Underwood, Michael Swanwick, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Strange Horizons Launches Podcast Series to Celebrate 25th Anniversary

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Strange Horizons is celebrating its 25th anniversary with a new podcast series titled SH@25.

SH@25 is a series of interviews with authors, artists, poets, and former staff of Strange Horizons, charting the magazine’s 25-year trajectory from its founding in September 2000 to winning a Hugo in August 2024, as well as looking ahead at its future.

It is helmed by Kat Kourbeti and Michael Ireland, the lead podcast staff on the Strange Horizons team, and was conceived during the Glasgow 2024 Worldcon, just days before the magazine won a Hugo Award in the Best Semiprozine category. Spanning the whole of Strange Horizons’ 25th year, from September 2024 to September 2025, it is a study in how the magazine has impacted speculative fiction through the eyes of the contributors who made it what it is.

Michael Ireland and Kat Kourbeti

“At Strange Horizons, what we’re proudest of is our geographic diversity, how often we’ve been a writer’s ‘first sale’, and our non-hierarchical, anarchic structure,” says Gautam Bhatia, Managing Editor of Strange Horizons. “SH@25 will give our readers some insight into each of these elements that make us what we are.”

SH@25 can be found in the main Strange Horizons podcast feed, linked here for all podcast players. 

Listeners can engage with the podcast on Spotify by leaving comments and responding to polls, and there will be a video and audio voicemail function as well linked on the website, where listeners can leave happy birthday messages throughout the year. For the hard of hearing and everyone’s perusal, there will be full transcripts on each episode post.

The first episode where Kat and Michael announce the project is available now.

Pixel Scroll 8/2/23 One Scroll To Rule Them All

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(1) VICFA TAKING PROPOSALS. The Virtual International Conference on the Fantastic in the Arts (November 5-11) is now accepting proposal submissions. 

Organized by new Virtual Conference Coordinator and Afropantheologist Oghenechovwe Ekpeki and featuring genre-defining Guests of Honor Martha Wells, Steven Barnes, and Annalee Newitz, the week-long Virtual Conference for the Fantastic in the Arts includes the investigative insights of Guest Scholars Alec Nevala-Lee, Wole Talabi, and Jennifer Rhee. 

Whether you are interested in the academic track or the creative track, they welcome your contribution.

The deadline for proposal submissions is September 15th, and acceptance notifications will be sent out on September 30th. For more detailed information, please see the attached CFP or visit the International Association for the Fantastic in the Arts website. 

The Virtual International Conference on the Fantastic in the Arts (November 5th-11th) is currently accepting proposal submissions! This year, we are excited to convene about the theme: AAAA! – AI, Algorithms, Automata and Art. The International Association for Fantastic in the Arts will be hosting several phenomenal Guests of Honor, including Steven Barnes, Annalee Newitz, and Martha Wells. Additionally, our Guest Scholars are Alec Nevala-Lee, Jennifer Rhee, and Wole Talabi!

To submit your proposals, please see the links below. Please note that there are two links, one for academic track and one for creative track. 

(2) SEND A CARD. Bjo Trimble is turning 90 on August 15! Her daughter Lora reminds anyone who wants to send a card that her address is:

Bjo Trimble
California Veterans Home
700 East Naples Court
Chula Vista CA 91911

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present C.S.E. Cooney and Steve Berman on Wednesday, August 9. Starts 7:00 p.m. EDT at the KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

C.S.E. COONEY

C. S. E. Cooney is the World Fantasy Award-winning author of Bone Swans: Stories. Other books include The Twice-Drowned Saint, Saint Death’s Daughter, Dark Breakers, and Desdemona and the Deep. Forthcoming from Outland Entertainment is Negocios Infernales, a TTRPG she co-designed with her husband Carlos Hernandez.

STEVE BERMAN

Steve Berman is the Lambda Literary Award-winning editor of over forty anthologies including His Seed and Burly Tales. He is also author of the Andre Norton Award finalist, Vintage, and four short story collections, the most recent being Fit for Consumption. Most of his work is queer speculative fiction and horror. He resides in Western Massachusetts.

(4) WARNER BROS. NOPOLOGY FOR BARBENHEIMER. Entertainment Weekly headlines its story “Warner Bros. apologizes for Barbenheimer posts amid backlash in Japan” but Google Translate says the release is worded, “We apologize to those who were offended by this series of inconsiderate reactions.” 

Warner Bros. is apologizing after its Japanese branch criticized the company’s decision to publicly support the Barbenheimer craze on social media. 

“Warner Brothers regrets its recent insensitive social media engagement,” the company said in a statement to EW. “The studio offers a sincere apology.”

Its remarks come one day after the Barbie Japan Twitter account posted a statement denouncing the online movement that links Greta Gerwig‘s fun and fashionable Barbie with Christopher Nolan‘s Oppenheimer — which chronicles the creation of the atomic bomb that killed at least 225,000 people in Hiroshima and Nagasaki — amid growing backlash in Japan that the trend trivializes the mass destruction caused by atomic bombs. The hashtag #NoBarbenheimer has recently been trending in Japan as a result….

[Previously] the Barbie U.S. Twitter account positively interacted with several Barbenheimer-inspired posts, including a fan-created poster that featured Barbie star Margot Robbie sitting on Oppenheimer actor Cillian Murphy‘s shoulder in front of a plume of orange smoke. The Barbie account commented on the fan-made image, writing, “It’s going to be a summer to remember.” 

(5) THOUGHTS ABOUT PEMMI-CON. Ralston Stahler’s Pemmi-Con report is a public Facebook post here. Following discussion of many areas of the con, noting the problems and the successes, Stahler concludes:

…All in all it wasn’t the best con, and it wasn’t the worst. I think out of all the NASFiC’s it is the second lowest attended. Maybe covid or being a pretty distant location had something to do with it.

 (6) MAKE THOSE RINGS SING. If File 770 readers happen to be in Berkshire, the Guardian has a recommendation: “The Lord of the Rings: A Musical Tale review – the greatest show on Middle-earth”.

…First seen in the UK in 2007 at London’s Theatre Royal Drury Lane – a 1996-seat theatre – the show is revived at the 220-capacity Watermill. This means that Simon Kenny’s design and Anjali Mehra’s choreography are a theatrical equivalent of stunts designed to find how many people can fit in a Mini.

The creative team ought to be listed in a Guinness book of theatrical records. During the long sections inside the tiny theatre, they cram in battles, orc attacks, treks across land, over mountains or through caves and lavish production numbers involving 20 actors or musicians (several performers also play instruments)….

(7) CRISTINA JURADO DEAL. Apex Book Company has acquired first North America English rights to the novella Chlorophilia by Spanish author Cristina Jurado. The deal was brokered by agent Hannah Bowman of Liza Dawson Associates.

Kirmen is different from everyone else in the Cloister. Due to the doctor’s endless experiments on Kirmen, his skin, his eyes, even his organs are changing. Kirmen wonders if he even belongs with the other inhabitants of the dome that protects the last remnants of humanity from the forever storm raging against the glass. Kirmen’s dreams of love, of acceptance, slip away with every treatment. What will happen when the doctor’s transformations are complete? What will Kirmen be then?

Cristina Jurado is a bilingual author, editor and translator of speculative fiction. In 2019 she became the first female writer to win the Best Novel Ignotus Award (Spain’s top sff Award) for Bionautas. Since 2015 she runs the Spanish multi-awarded magazine SuperSonic. In 2020 she was recognized with the ESFS’s Best SF Promoter Award and started to work as a contributor of the bilingual quarterly Constelación magazine.

(8) CON OR BUST. Applications are being taken for Con or Bust’s Goldman Fund initiative to assist Palestinian creators and fans of speculative fiction in attending the 2024 World Science Fiction Convention.

We’ll be assisting self-identified citizens of Palestine and members of the Palestinian diaspora to pay for travel and membership expenses to five Worldcons beginning in 2024. If you qualify for the Goldman Fund and would like assistance attending 2024’s Worldcon, apply here. The preferred application window runs from 31 July through 5 November, 2023. Applications received after the window closes will be considered for any remaining funds. 

(9) WHERE THE THREE RIVERS MEET. Pulpfest’s Mike Chomko appeared on local CBS affiliate’s TALK Pittsburgh show to provide “An introduction to the 50th anniversary of PulpFest”. The con starts tomorrow. Video at the link.

Mike Chomko, the marketing and programming director of PulpFest, joined the show to talk about the festival’s dedication to a special form of fiction magazines.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

1995 — Our Beginning is taken from Jane Yolen’s The Wild Hunt. It was released as a hardcover edition twenty-eight years ago by Harcourt Brace with copious illustrations and cover art by Francisco Mora, a pupil of Diego Rivera, who was deep into the Mexican political scene making posters for trade unions and government literacy campaigns.

It’s not — if one takes into account the illustrations — a novel really. I’ve got my personally signed copy on hand (yes, she is on the chocolate gifting list. She prefers no more than seventy percent chocolate.) and I’d say it’d be a novella if judged by length alone.

It is that rare wonderful work where the text and the illustrations (see the cover illustration below of The Wild Hunt as a turning clock) are truly intrinsic to each other. I cannot imagine it as just text, though I can imagine it as a spoken work as Yolen’s language here is brilliant.

So let’s have just the introduction to it as our Beginning…

A wild winter storm rages around a large house that is isolated from the rest of the world. Traditionally, the Wild Hunt appeared around the time of Epiphany— January 6 in the Church Calendar—when winter was at its most severe in Northern Europe. No country is specified, but this is, after all, a fantasy world. The house is both a comfortable dwelling with a large library in keeping with Jerold’s quiet personality, and a parallel setting that matches Gerund’s much more active one. A hundred yards from the house is a granite outcrop where the Hunt gathers: “This rock might have been a thousand miles away. Or a thousand years.” 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 2, 1917 — Wah Chang. Co-founder in the late 1950s, with Gene Warren and Tim Baar, of the special effects company Project Unlimited Inc. They provided the effects for numerous George Pal productions, including *The Wonderful World of the Brothers Grimm*, *Jack the Giant Killer*, and *The Time Machine* (for which they won an Academy Award, although Chang’s name was erroneously omitted). Wang and his fellow Projects coworkers did essentially all of the effects for the original *Outer Limits* television series. Perhaps most famously, Chang created some of the best-known effects for the original *Star Trek*, including the communicator, the tricorder, the Romulan Bird of Prey, the Tribbles, and numerous aliens, although he did not receive screen credit for any of this work. A talented artist, later in life he gained renown as a wildlife sculptor. (Died 2003.) [PhilRM]
  • Born August 2, 1920 — Theodore Marcuse. He was Korob in “Catspaw”, a second season Trek episode written by Robert Bloch that aired just before Halloween aptly enough. He had appearances in The Twilight Zone (“The Trade-Ins” and “To Serve Man”), Time Tunnel, Voyage to the Bottom of the Sea, Wild Wild West and The Man from U.N.C.L.E. in the episodes “The Re-collectors Affair”, “The Minus-X Affair”, and “The Pieces of Fate Affair”. (Died 1967.)
  • Born August 2, 1932 — Peter O’Toole. I’m tempted to say his first genre role was playing King Henry in A Lion in Winter as it is alternate history. It really is despite some of you saying it isn’t. Actually before that he’s got an uncredited role in Casino Royale as a Scottish piper. Really he does. His first genre role without dispute is as Zaltar in Supergirl followed by being Dr. Harry Wolverine in Creator. He’s Peter Plunkett in the superb High Spirits, he’s in FairyTale: A True Story as a very credible Arthur Conan Doyle, and Stardust as King of Stormhold. Not surprisingly, he played in a version of Midsummer Night’s Dream as Lysander. (Died 2013.)
  • Born August 2, 1948 — Robert Holdstock. Another one who died far too young. His Ryhope Wood series is simply amazing with Lavondyss being my favorite volume. And let’s not overlook his Merlin Codex series which is one of the more original takes on that character I’ve read. The Ragthorn, co-written with Garry Kilworth, is interesting as well. (Died 2009.)
  • Born August 2, 1954 — Ken MacLeod, 69. Sometimes I don’t realize until I do a Birthday note just how much I’ve read of a certain author. And so it was of this author. I’ve read the entire Fall Revolution series, not quite all of the Engines of Light Trilogy, just the first two of the Corporation Wars but I’ve got it in my to-be-finished queue, and every one of his one-off novels save Descent. His Restoration Game is quite chilling.  I should go find his Giant Lizards from Another Star collection as I’ve not read his short fiction. Damn it’s not available from the usual suspects! Hugo Award wise, he didn’t win any but had some nominations. The Sky Road was nominated at the Millennium Philcon, Cosmonaut Keep at ConJosé and Learning the World at L.A. Con IV. 
  • Born August 2, 1955 — Caleb Carr, 68. Ok, I’ll admit that this is another author that ISFDB lists as genre that I don’t think of as being as genre. ISFDB list all four of his novels as being genre including The Alienist and The Angel of Darkness which are not even genre adjacent by my reading. So is there something in those novels that I missed? 
  • Born August 2, 1970 — Kevin Smith, 53. Well-loved comics writer who’s worked for DC, Marvel and other venues. He was involved with both Daredevil and Green Arrow. He directed the pilot for the CW supernatural comedy series Reaper, produced and appeared in a reality television series, Comic Book Men, and appeared as a character in the animated Superman: Doomsday. He’s also the showrunner for Masters of the Universe: Revelation animated series and the sequel Masters of the Universe: Revolution which will stream early next year. 
  • Born August 2, 1976 — Emma Newman, 47. Author of quite a few SF novels and a collection of short fiction. Her Planetfall series was nominated for the Best Series Hugo Award 2020. Also of interest to us is that she co-created along with her husband Peter, of the Hugo Award winning podcast Tea and Jeopardy which centers around her hosting another creator for a nice cup of tea and cake, while her scheming butler Latimer (played by Peter) attempts to send them to their deaths at the end of the episode. 

(12) COMICS SECTION.

(13) WILL HER LOVE OF ANIME AND MANGA PROVE CONTAGIOUS? Ada Palmer launches a new column in Strange Horizons with “A Mitfreude of Anime and Manga’s Relationship with Anglophone Science Fiction (Or, This Essay WILL NOT Try to Get You into Anime and Manga!)”

… Once upon a time an atomic-powered robot boy dodged censorship to talk about racism, and fifty years later Japan issued the first legal birth certificate granting citizenship to an AI. Once upon a time in a small Japanese town flourished Earth’s glitteriest, rose-petal-y-est, most gender-bending form of theater, and ninety years later a comics shop owner in Cambridge, Massachusetts, exclaimed to me, “Girls are coming into the store now! There were none before!” And once upon a time kids gathered in the streets of Tokyo to hear a storyteller with hand-drawn illustration cards narrate a battle between a crime boss in a robot suit and a thousand-year-old superhero from Atlantis, and fifty-five years later a Japanese-built surgical robot took life-saving samples of my intestines.

Enjoying anime and manga has a high learning curve: you need to invest time learning their visual vocabulary, and many of the best works depend on knowing earlier tropes and patterns. But anyone can enjoy the history of anime and manga, how these media have shaped science, medicine, genre fiction, gender, and how—as twentieth century English was rising to dominance through music and TV around the globe—anime and manga managed to become the biggest body of modern media that gets translated into English instead of the other way around….

(14) THIS WOULD MAKE ME START WRITING LETTERS AGAIN. “Mr. Spock On A Stamp: Adam Schiff Urges U.S. Postal Service To Honor Leonard Nimoy” reports Deadline.

…In a statement, Schiff called Nimoy, who died in 2015, “an extraordinary activist, actor and friend.”

“Nimoy’s legacy includes his lengthy acting career — including his beloved and iconic role as ‘Spock’ in the Star Trek universe — and his many generous contributions to the arts and sciences, and his beautiful family.”

On Monday, Schiff sent a letter to the Citizens Stamp Advisory Committee, asking them to recommend Nimoy to the Postmaster General. The committee selects individuals who have made “extraordinary and enduring contributions to American society, history, culture or environment.” Living people are not currently eligible, and those who are deceased are considered at least three years after his or hear death. Stamps also are planned two- to three- years in advance….

(15) OVERVIEW OF JOHN WILLIAMS’ COMPOSITIONS FOR CINEMA. Forbes talks to Mike Matessino, one of the foremost experts in the music of John Williams, who has produced numerous Williams soundtrack albums over the years, in “Re-Listening To John Williams, The Maestro Of The Movies”.

What are your thoughts on “How to Steal a Million” — often cited as a highlight of Williams’ ‘60s work?

Mike: If one looks at the earliest feature films John Williams scored, you see some fairly prominent director names that today are mostly known only among cinephiles — Frank Tashlin, Andrew McLaglen — and then Frank Sinatra, for whom John scored the only movie the actor/singer directed, “None But the Brave.”

But then comes “How to Steal a Million” and three-time Oscar winner William Wyler. So this is the first project for a truly A-list director, and it remains, I think, the most sophisticated of the comedies that John Williams scored during that important period where he was based at 20th Century-Fox Studios.

I once asked Ian Fraser, who worked with Williams on “Goodbye, Mr. Chips” a couple years later, if had any sense on that project of just how great a composer Williams would become, and he said, “I knew it when I went to the sessions for ‘How to Steal a Million,’” as Fraser was at 20th at that time working on ‘Doctor Dolittle.’ The “Million” score is a mixture of comedic elements and some terrific half-tongue-in-cheek suspense writing that showed just how versatile John Williams could be. It’s also significant in that it is the first time he was given the opportunity to completely re-record music from the film for his own soundtrack album, so it really was a significant career milestone.

(16) HYVILMA. Gideon Marcus’ new release Hyvilma is celebrated at Queer Sci Fi. Includes an excerpt from the book.

QSFer Gideon Marcus has a new queer YA sci-fi book out (bisexual): Hyvilma.

A damaged ship, a dying shipmate–can she save both?

Under attack! The flight back to Hyvilma should have been the easy part for the crew of the Majera–until a deadly ambush by pirates sends them reeling through hyperspace. Now getting to the planet in time is the only way Captain Kitra Yilmaz can save her dying friend.

But landing at Hyvilma may be impossible: war has broken out on the Frontier.
With illustrations by Hugo Finalist Lorelei Esther.

(17) AI EFFECTIVE IN BREAST CANCER SCREENING. [Item by Steven French.] Good to have some positive news about AI! The Guardian reports “AI use in breast cancer screening as good as two radiologists, study finds”.

…But the latest study, which followed women from Sweden with an average age of 54, compared AI-supported screening directly with standard care.

Half of the scans were assessed by two radiologists, while the other half were assessed by AI-supported screening followed by interpretation by one or two radiologists.

In total, 244 women (28%) recalled from AI-supported screening were found to have cancer compared with 203 women (25%) recalled from standard screening. This resulted in 41 more cancers being detected with the support of AI, of which 19 were invasive and 22 were in situ cancers.

The use of AI did not generate more false positives, where a scan is incorrectly diagnosed as abnormal. The false-positive rate was 1.5% in both groups.

(18) WHAT WERE PEOPLE STREAMING IN JULY? JustWatch offers their monthly Top 10 streaming lists for July 2023.

(19) STORY FEEDBACK IN REALTIME. Apex Magazine presents Snap Judgment Episode 7, their “rapid-fire, live-streaming critique series.” 

Every quarter, industry professionals Jason Sizemore, Lesley Conner, and a special guest offer live feedback on the first page (up to 250 words) of genre short stories or novels. These first pages are read aloud by our talented host and narrator, Aly Grauer.

We are pleased to announce that our special guest editor for this event is author and editor Nick Mamatas! 

HOW IT WORKS. Our host reads the title, genre, and text of the submission aloud without identifying the author. If at any point our panelists feel they would stop reading and reject the piece from their slush pile, they raise their hand. If all three hands are raised, our narrator stops reading.

Each panelist then gives their feedback on the opening: what works for them, what doesn’t, and what could be done to improve it. Don’t expect our panelists to be a mean group, but do expect them to be honest when it comes to assessing the work.

NICK MAMATAS. Special guest editor for this event is author and editor Nick Mamatas! Nick Mamatas is the author of several novels, including I Am Providence and The Second Shooter. His short fiction has appeared or will soon appear in Best American Mystery Stories, Asimov’s Science Fiction, Tor.com, McSweeney’s, and many other venues. Much of it was recently collected in The People’s Republic of Everything. Nick is also an anthologist; his latest book is Wonder and Glory Forever: Awe-Inspiring Lovecraftian Fiction.

(20) VIDEO OF THE DAY (OR POSSIBLY TWO MONTHS AGO). Did we run this before? Well, it’s always news to someone. Karen Gillan shares “A week in the life of playing Nebula in Guardians Of The Galaxy Vol 3”.

Come spend a week with me filming Guardians of the Galaxy Vol 3

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Kathy Sullivan, Steven French, PhilRM, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day JeffWarner.]

Pixel Scroll 7/6/23 The Felix Felis Flattus Sat On The Mat

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(1) DRAGON PRESERVATION SOCIETY? A Twitter user with 90K followers who goes by the handle Aristophanes claims to be incensed that works like John Scalzi’s Kaiju Preservation Society become Dragon Award finalists. As a remedy he is calling for people to band together and nominate all the works on his ticket. Can the Dragon Awards be saved? How would we know if they aren’t? Thread starts here.

The Dragon Award’s policy is to encourage people to campaign for fan support. Always has been. So this appeal violates no rule, written or otherwise. My only question about his list is — can it really be a Dragon Awards slate without a book by Declan Finn on it? This will be the first one without him I’ve ever seen!!

(2) FOUNDATION. Apple TV+ has released a second trailer for “Foundation — Season 2”.

More than a century after the Season 1 finale, tension mounts throughout the galaxy. As the Cleons unravel, a vengeful queen plots to destroy Empire from within. Hari, Gaal, and Salvor discover a colony of Mentalics with special abilities that threaten to alter psychohistory itself. Meanwhile, the Foundation and Empire are on a collision course for war with the fate of humanity in the balance.

(3) HOW MANY NAMES? Best Semiprozine finalist Strange Horizons tells how this year’s Hugo Administrator clawed back the progress SH had made in getting their full team listed. (They weren’t the only ones affected by the policy change, of course.) Thread starts here.

(4) JMS AT SDCC. “Babylon 5 Cast Set for San Diego Comic-Con 2023” reports the SDCC Unofficial Blog.

…While writer and series creator J. Michael Straczynski has been teasing for months that he will be at the convention with lots to talk about the new animated film, Babylon 5: The Road Home, we’ve got our first look at just what that appearance will likely entail.

The upcoming animated film continues the story of the 1990’s space opera series, as John Sheridan unexpectedly finds himself transported through multiple timelines and alternate realities in a quest to find his way back home. Most of the cast is returning for the film, including Bruce Boxleitner as John Sheridan, Claudia Christian as Susan Ivanova, Peter Jurasik as Londo Mollari, Bill Mumy as Lennier, Tracy Scoggins as Elizabeth Lochley and Patricia Tallman as Lyta Alexander.

Patricia Tallman revealed on Instagram that she will indeed be at the convention — and so will most of her castmates.

Bruce Boxleitner, Claudia Christian, Tracy Scoggins, and Patricia Tallman will be signing in the Sails Pavilion on Saturday, July 22 from 11am-12pm, which certainly ups the odds of a panel with cast in appearance.

Patricia Tallman will also be signing on her own from 2:30pm-7pm on both Thursday, July 20 and Friday, July 21, and fans can pre-order her Pleasure Thresholds, a Babylon 5 Memoir, for $30 (or $40 if you purchase at the con). Copies can be autographed and personalized…. 

(5) IO9 COLLIDES WITH THE UNPLEASANT FUTURE. “‘F*cking Dogsh*t’: G/O Media Editor Tears Into Management Over ‘Embarrassing’ AI-Generated Article ‘Riddled With Basic Errors’” at Mediate.

James Whitbrook, the deputy editor of G/O Media’s Gizmodo and its subsection io9, tore into management on Wednesday after the company published a “shoddily written” AI-generated article “riddled with basic errors.”

After it was revealed last week that G/O Media would begin rolling out articles generated by artificial intelligence, GMG Union — which represents many of the news outlets under G/O Media’s banner, including Gizmodo — protested the introduction of “computer-generated garbage” which “erodes trust in us as journalists, damages our brands, and threatens our jobs.”

Despite the protests of the union, however, G/O Media moved forward with its controversial decision this week.

“A Chronological List of Star Wars Movies & TV Shows” by “Gizmodo Bot” appeared on G/O Media’s tech and science news website on Wednesday, only to be swiftly ridiculed by social media users for messing up the chronological order of the franchise.

In a Twitter post, the deputy editor of the site revealed he had only been “informed approximately 10 minutes” before the article went live and that “no one at io9 played a part in its editing or publication.” In his own “personal comment,” Whitbrook added, “It’s fucking dogshit.”

Whitbrook also published the letter he sent to the management of G/O Media, which read:

“For 15 years, io9 has grown an audience that demands quality coverage of genre entertainment, from critical analysis, to insightful explainers, to accurate news and industry-shaping investigative reporting. These readers have grown io9 into one of the best performing desks at Gizmodo, G/O Media’s flagship site in terms of traffic, and they have done so by rigorously holding this team and the colleagues that came before us to a standard of expertise and accuracy that we have been proud to achieve. The article published on io9 today rejects the very standards this team holds itself to on a daily basis as critics and as reporters. It is shoddily written, it is riddled with basic errors; in closing the comments section off, it denies our readers, the lifeblood of this network, the chance to publicly hold us accountable, and to call this work exactly what it is: embarrassing, unpublishable, disrespectful of both the audience and the people who work here, and a blow to our authority and integrity. It is shameful that this work has been put to our audience and to our peers in the industry as a window to G/O’s future, and it is shameful that we as a team have had to spend an egregious amount of time away from our actual work to make it clear to you the unacceptable errors made in publishing this piece.”

(6) BURP! The Guardian, meanwhile, is there when “Authors file a lawsuit against OpenAI for unlawfully ‘ingesting’ their books”. One of them is Paul Tremblay.

Two authors have filed a lawsuit against OpenAI, the company behind the artificial intelligence tool ChatGPT, claiming that the organisation breached copyright law by “training” its model on novels without the permission of authors.

Mona Awad, whose books include Bunny and 13 Ways of Looking at a Fat Girl, and Paul Tremblay, author of The Cabin at the End of the World, filed the class action complaint to a San Francisco federal court last week.

ChatGPT allows users to ask questions and type commands into a chatbot and responds with text that resembles human language patterns. The model underlying ChatGPT is trained with data that is publicly available on the internet.

Yet, Awad and Tremblay believe their books, which are copyrighted, were unlawfully “ingested” and “used to train” ChatGPT because the chatbot generated “very accurate summaries” of the novels, according to the complaint. Sample summaries are included in the lawsuit as exhibits….

(7) MEMORY LANE.

2010 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Catherynne M. Valente’s an amazing individual. I’m proud to say that I’ve had coffee with her as she lives here in this city. And her writing is just as stellar as she is. 

No Hugos so far but she has won Otherwise and Mythopoeic Awards for The Orphan’s Tales: In the Night Garden (both Awards) and The Orphan’s Tales: In the Cities of Coin and Spice (Mythopoeic). She also has won an Andre Norton Award.

Her other great series is the Fairyland series centered around twelve year-old September. And that’s all I’m saying about this delightful affair. Our Beginning is from the debut novel, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. 

It was first published online on her site but she’s taken that down. The first print edition was by Feiwel and Friends thirteen years ago. It was an independent publisher that has since been acquired by Macmillan.

So here’s our Beginning…

EXEUNT ON A LEOPARD In Which a Girl Named September Is Spirited Off by Means of a Leopard, Learns the Rules of Fairyland, and Solves a Puzzle 

Once upon a time, a girl named September grew very tired indeed of her parents’ house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her and flew to her window one evening just after her twelfth birthday. He was dressed in a green smoking jacket, and a green carriage-driver’s cloak, and green jodhpurs, and green snowshoes. It is very cold above the clouds in the shantytowns where the Six Winds live. 

“You seem an ill-tempered and irascible enough child,” said the Green Wind.

“How would you like to come away with me and ride upon the Leopard of Little Breezes and be delivered to the great sea, which borders Fairyland? I am afraid I cannot go in, as Harsh Airs are not allowed, but I should be happy to deposit you upon the Perverse and Perilous Sea.

“Oh, yes!” breathed September, who disapproved deeply of pink-and-yellow teacups and also of small and amiable dogs.

“Well, then, come and sit by me, and do not pull too harshly on my Leopard’s fur, as she bites.” 

September climbed out of her kitchen window, leaving a sink full of soapy pink-and-yellow teacups with leaves still clinging to their bottoms in portentous shapes. One of them looked a bit like her father in his long coffee-colored trench coat, gone away over the sea with a rifle and gleaming things on his hat. One of them looked a bit like her mother, bending over a stubborn airplane engine in her work overalls, her arm muscles bulging. One of them looked a bit like a squashed cabbage. The Green Wind held out his hand, snug in a green glove, and September took both his hands and a very deep breath. One of her shoes came loose as she hoisted herself over the sill, and this will be important later, so let us take a moment to bid farewell to her prim little mary jane with its brass buckle as it clatters onto the parquet floor. Good-bye, shoe! September will miss you soon.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1945 — Burt Ward, 78. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two recent animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 77. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the film which was something the second film, which had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect. 
  • Born July 6, 1950 — John Byrne, 73. A stellar comic book artist and writer. He’s done far too much to detail here so I’ll just single out that he scripted the first four issues of Hellboy: Seed of Destruction, was the writer and artist on the excellent Blood of the Demon from 1-17 and responsible for Spider-Man: Chapter One which took a great deal of flak. 
  • Born July 6, 1951 — Rick Sternbach, 72. Best-known for his work in the Trek verse starting with ST: TMP where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 and Voyager. He also pretty much designed every starship during that time from the Cardassian and Klingon to the Voyager itself. He would win the Best Professional Artist Hugo at SunCon and IguanaCon II.
  • Born July 6, 1951 — Geoffrey Rush, 72. First genre role is like the Mystery Men series which I’ll bet everyone has forgotten, followed by House on Haunted Hill, Finding Nemo and some other genre work as well with his major genre role being as Barbossa in the Pirates of the Caribbean franchise. And I’ll include his role in Shakespeare in Love as Philip Henslowe even if strictly speaking it’s not genre related as I really, really love that film. 
  • Born July 6, 1952 — Hilary Mantel. Though best remembered as the author of the Wolf Hall franchise, she’s actually written some genre fiction. The Mysterious Stranger involves supernatural occurrences in a small British town in the Fifties; and Beyond Black is about a psychic who sees more than she wants to. She also indulged in alternative history in the short story, “The Assassination of Margaret Thatcher – August 6th 1983”. (Died 2022.)
  • Born July 6, 1980 — Eva Green, 43. First crosses our paths in Casino Royale as Vesper Lynd followed by Serafina Pekkala in The Golden Compass, and then Angelique Bouchard Collins in Dark Shadows. Ava Lord in Sin City: A Dame to Kill For (weird films those definitely are) with a decided move sideways into being Miss Alma Peregrine for Miss Peregrine’s Home for Peculiar Children. And she was Colette Marchant in Dumbo. She’s got two series roles to her credit, Morgan Pendragon in Camelot and Vanessa Ives in Penny Dreadful.

(9) TITAN COMICS GOODIES AT SDCC. The Titan Booth #5537 at San Diego Comic-Con 2023 will be the place to get some limited availability merchandise. Some of it looks pretty cute, like these pins.

  • Doctor Who: Thirteen Piece TARDIS Enamel Pin Collection

Titan Booth #5537 at SDCC 2023 is the only opportunity for US Doctor Who fans to buy this EXCLUSIVE Thirteen Piece TARDIS Enamel Pin Collection. Please note: this beautiful, one-of-a-kind TARDIS collection will be available from Titan Booth #5537 from Preview Night (Wednesday July 19th). Numbers are EXTREMELY LIMITED. First come, first served.

And there will be some collectible figures available, too.

  • Doctor Who: Fourteenth Doctor 3″ Kawaii TITAN Vinyl Figure
  • Doctor Who: Fourteenth Doctor 3″ Classic TITAN Vinyl Figure

David Tennant’s upcoming Fourteenth Doctor arrives in San Diego as a pair of separately-packaged, separately-available EXCLUSIVE 3” TITANS Vinyl Figures. Both releases (3” Kawaii Fourteenth Doctor and 3” Classic Fourteenth Doctor) are available from Titan Booth #5537.

  • My Hero Academia: Dabi 3″ Glow-In-The-Dark Kawaii TITAN Vinyl Figure
  • My Hero Academia: Shigaraki 3″ Glow-In-The-Dark Kawaii TITAN Vinyl Figure

My Hero Academia TITANS Viny Figures return to Titan Booth #5537 as a pair of separately-packaged, separately-available San Diego EXCLUSIVE 3” Kawaii TITANS Vinyl Figures. Both releases (Dabi and Shigaraki) feature Glow-In-The-Dark effects and are available from Titan Booth #5537.

(10) CARVING UP THE STREAMING MARKET. JustWatch has shared their graphs about the market shares of streaming services for the second quarter in 2023.

SVOD market shares in Q2 2023
Prime Video continues to hold down the streaming crown in the US with a 1% lead over global giant, Netflix. Major players: Max and Disney+ also face similar challenges with a 2% gap separating the two.

Market share development in 2023
Newly rebranded streaming giant: Max (formerly HBO Max) displays positive development, gaining +1%; Paramount+ also won with a +1% increase in shares. On the other hand, Disney+ and Hulu drop in shares, suffering -1% losses each.

(11) SURF’S UP. Nature reports “Monster gravitational waves spotted for first time”. “Using beacon stars called pulsars, a decades-long effort has found space-time ripples that are light years wide.”

Gravitational waves are back, and they’re bigger than ever.

After the historic first detection of the space-time rattles in 2015 using ground-based detectors, researchers could have now rediscovered Albert Einstein’s waves with an entirely different technique. The approach tracks changes in the distances between Earth and beacon stars in its Galactic neighbourhood called pulsars, which reveal how the space in between is stretched and squeezed by the passage of gravitational waves.

Whereas the original discovery spotted waves originating from the collision and merger of two star-sized black holes, the most likely source of the latest finding is the combined signal from many pairs of much larger black holes — millions or even billions of times the mass of the Sun — slowly orbiting each other in the hearts of distant galaxies. These waves are thousands of times stronger and longer than those found in 2015, with wavelengths of up to tens of light years. By contrast, the ripples detected since 2015 using a technique called interferometry are just tens or hundreds of kilometres long.

(12) VIDEO OF THE DAY. Ryan George shows the many advantages that would come our way “If We Stopped Using Numbers”

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 2/5/23 He Said, “First!” And Exited Stage Left To A Swirl Of Scrolling Pixels

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(1) TOLKIEN SOCIETY AWARDS NEWS. The Tolkien Society invites the public to submit nominations for The Tolkien Society Awards 2023 through February 26. Membership is not required to participate in the first round. Once the shortlist is compiled, however, only members will be eligible to vote on the winners, who will be announced April 1.

(2) WHAT HAS IT GOT IN ITS GARBAGE TRUCKS? “Refuse firm Lord of the Bins ordered to change its name by Tolkien franchise” reports the Guardian.

A refuse firm in Brighton called Lord of the Bins has been ordered by lawyers to change its name after being accused of breaching trademark laws.

The two-man waste collection business was contacted by Middle-earth Enterprises, which owns the worldwide rights to The Hobbit and the Lord of the Rings trilogy.

Nick Lockwood and Dan Walker run the company, which collects household, building and office waste across East Sussex and West Sussex.

The pair said they have been issued with a cease and desist notice after it was claimed they were in breach of the well-known franchise’s trademarks.

As well as changing the firm’s name and website, they have been forced to ditch their company slogan – “One ring to remove it all”.

(3) TWEET DECAY. Ursula Vernon speaks for many in a remark that went viral on Twitter.

(4) CHEESE PLEASE. In “An AI app walks into a writers room” Charles Stross passes along ChatGPT’s answer to an inventive question.

Question to ChatGPT: What is the plot of the unpublished script Charles Stross wrote for Wallace and Grommit?

(5) GUNN CSSF BOOK CLUB. The Gunn Center for the Study of SF’s (CSSF) monthly virtual book club has chosen for the month of February to read Akwaeke Emezi’s YA novel, Pet. 

Set in the utopian town of Lucille, Emezi’s novel portrays a society that has taught children that monsters and evil no longer exist. Jam, the protagonist, soon questions the beliefs of her society when she is faced with a real monster, who is nothing like the stories she has heard. Winner of the Stonewall Book Award for LGBTQ+ writing in 2020, Pet contemplates the classic societal conception of good versus evil. 

Readers are invited to join the virtual event on Friday, February 24 at Noon (Central). Register here.  

(6) FREE READ. Sunday Morning Transport offers Yoon Ha Lee’s “The Ethnomusicology of the Last Dreadnought” as an encouragement to subscribe.

It is not true that space is silent.

The darkness between stars is full of threnodies and threadbare laments, concertos and cantatas, the names of the dead and the wars that they’ve fed. Few people are unmoved by the strenuous harmonies and the strange hymns. Fewer people still understand their significance, the decayed etymologies and deprecated tongues….

(7) TRIBUTE TO A CRITIC. The Strange Horizons – 30 January 2023 issue is devoted to the late Maureen Kincaid Speller. (Via Ansible.)

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much. In the couple of months that followed, we made grand plans for future projects, and even started a podcast.

The criticism special was also the last major project the three of us worked on together, before Maureen’s cancer diagnosis. We lost her in September.

We’d already been toying with the idea of doing another criticism special in 2023; when the subject of a tribute issue to Maureen was broached, the only way we could envision it was through the critical work that she loved.…

(8) MEMORY LANE.

2014 — [Compiled by Cat Eldridge.]

So let’s talk about Kristine Kathryn Rusch’s Spade/Paladin Conundrums which got their start in the “Stomping Mad” story.

I’m very fond of our community and equally fond of mysteries as y’all well know by now. So you will not find it at all surprising that I really love these stories. They’ve got a perfect central character as you’ll see below, a great setting as they’re all set at various Cons and the stories are all fascinating. What’s not to like? 

Rusch for a long time only did short stories set here,  really great ones, a fair number of them, mostly collected in Early Conundrums, and those exist in a stellar audio version which is narrated by Rish Outfield, but two years ago Ten Little Fen: A Spade/Paladin Conundrum came out. It’s a superb mystery and a even better look at Con culture. 

Here’s the Beginning of the series in that story. 

SHE CALLED HERSELF the Martha Stewart of Science Fiction, and she looked the part: Homecoming-queen pretty with a touch of maliciousness behind the eyes, a fakely tolerant acceptance of everyone fannish, and an ability to throw the best room party at any given Worldcon in any given year.

So when a body was found in her party suite, the case came to me. Folks in fandom call me the Sam Spade of Science Fiction, but I’m actually more like the Nero Wolfe: a man who prefers good food and good conversation, a man who is huge, both in his appetite and in his education. I don’t go out much, except to science fiction conventions (a world in and of themselves) and to dinner with the rare comrade. I surround myself with books, computers, and televisions. I do not have orchids or an Archie Goodwin, but I do possess a sharp eye for detail and a critical understanding of the dark side of human nature.

I have, in the past, solved over a dozen cases, ranging from finding the source of a doomsday virus that threatened to shut down the world’s largest fan database to discovering who had stolen “the Best Artist Hugo two hours before the award ceremony. My reputation had grown during the last British Fantasy Convention when I—an American—worked with Scotland Yard to recover a diamond worth £1,000,000 that a Big Name Fan had forgotten to put in the hotel’s safe.

But I had never faced a more convoluted criminal mind until that Friday afternoon at the First Annual Jurassic Parkathon, a media convention held in Anaheim.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 5, 1906 — John Carradine. I’m going to count Murders in the Rue Morgue as his first genre appearance.  After that early Thirties film, he shows up (bad pun I know) in The Invisible Man, The Black Cat, Bride of Frankenstein, Ali Baba Goes to Town, The Three Musketeers and The Hound of the Baskervilles. Look, that’s just the Thirties. Can I just state that he did a lot of genre work and leave it at that? He even had roles on The Twilight Zone, The Munsters, Lost in Space, Night Gallery and the Night Strangler. (Died 1988.)
  • Born February 5, 1919 — Red Buttons. He shows up on The New Original Wonder Woman as Ashley Norman. Yes, this is the Lynda Carter version. Somewhat later he’s Hoagy in Pete’s Dragon followed by being the voice of Milton in Rudolph and Frosty’s Christmas in July.  He also played four different characters on the original Fantasy Island. (Died 2006.)
  • Born February 5, 1922 — Peter Leslie. Writer in a number of media franchises including The Avengers, The New Avengers (and yes they are different franchises), The Man from U.N.C.L.E., The Girl from U.N.C.L.E. and The Invaders. ISFDB also lists has writing in the Father Hayes series but I don’t recognize that series. (Died 2007.)
  • Born February 5, 1924 — Basil Copper. Best remembered for Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth. I’m also fond of The Great White Space, his Lovecraftian novel that has a character called Clark Ashton Scarsdale has to be homage to Clark Ashton Smith. Though I’ve not seen them them, PS Publishing released Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper, a two-volume set of his dark fantasy tales. (Died 2013.)
  • Born February 5, 1934 — Malcolm Willits, 89. Author of The Wonderful Edison Time Machine: A Celebration of Life and Shakespeare’s Cat: A Play in Three Acts which he filmed as Shakespeare’s Cat. He also co-edited Destiny, an early Fifties fanzine with Jim Bradley.
  • Born February 5, 1940 — H.R. Giger. Conceptual designer in whole or part for Aliens, Alien³, Species and Alien: Resurrection to name a few films he’s been involved in. Did you know there are two Giger Bars designed by him, both in Switzerland? And yes they’re really weird. (Died 2014.)
  • Born February 5, 1941 — Stephen J. Cannell. Creator of The Greatest American Hero. That gets him Birthday Honors. The only other genre series he was involved with was The 100 Lives of Black Jack Savage thirty years ago which I never heard of. He also created the Castle series with Nathan Fillion of Firefly fame and was one of the actual players at the poker games on the series. View one of them here. (Died 2010.)
  • Born February 5, 1964 — Laura  Linney, 59. She first shows up in our corner of the Universe as Meryl Burbank/Hannah Gill on The Truman Show before playing Officer Connie Mills in The Mothman Prophecies (BARF!) and then Erin Bruner in The Exorcism of Emily Rose. She plays Mrs. Munro In Mr. Holmes, a film best described as stink, stank and stunk when it comes to all things Holmesian. Her last SF was as Rebecca Vincent in Teenage Mutant Ninja Turtles: Out of the Shadows.

(10) COMICS SECTION.

  • Tom Gauld passes along advice about what women writers need.

(11) WAKANDA WORD STUDY. Dictionary.com has a rather interesting article about “The Names Of Black Panther & Wakanda: Their Meaning & Significance”. (Spoiler warning.)

Comic book creators and filmmakers pick some superhero names just because they sound cool. Other names, though, are chosen for their deep connection with a character or setting. Many of the names from Wakanda, the home of Black Panther, are especially rich in symbolism and significance.

Join us as we answer these questions and more:

  • Is there a real Wakanda that inspired the name of the technologically advanced supercountry?
  • What is Black Panther’s real name?
  • What does Namor’s name mean?

(12) BEST DRESSED. The New York Times reviews “A Murder Mystery With Clothes to Die For”.

“The Traitors,” a new reality game show, hinges on startling revelations. In episodes of the series, which is framed as a whodunit, cast members are regularly “murdered” (kicked off). Others are “banished” (also kicked off). But some of the most astonishing reveals have nothing to do with the plot — and everything to do with what outfit the show’s host, the actor Alan Cumming, will appear in next.

There are pink plaid suits. Herringbone tweed capes. Sleek little kilts. “Perhaps, rather alarmingly,” Mr. Cumming said, “the vast majority of the clothes were mine.”…

(13) CARROLL AT NYRSF. A video of Jonathan Carroll’s NYRSF Reading has been posted.

(14) VIDEO OF THE DAY. Matt Mitchell plays all the parts in “When ‘The Balloon’ Comes South”.

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Steven French, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day by Cat Eldridge.]

Pixel Scroll 1/26/23 First, They Came For The Pixels, But I Was Not A Pixel, So I Scrolled Nothing

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(1) REVISED 2025 WORLDCON BID DEADLINE. The Chengdu Worldcon has recalculated the deadline for 2025 Worldcon bids to file in order to appear on the printed ballot. They tweeted:

According to Section 4.6.3 of the WSFS Constitution, the new deadline for any bidding party to have its name appearing on the printed ballot for the 2025 Worldcon Site Selection is April 21, 2023. For any inquiry, please contact siteselction@chengduworldcon.com

(2) TWO DC TV SERIES WHACKED. “Doom Patrol, Titans canceled at HBO Max after four seasons” reports SYFY Wire.

The DC TV slate is getting thinner by the day. Both Doom Patrol and Titans have been canceled at HBO Max, with each DC-based series set to end for good when their current seasons are done. 

Reported at the same time, news of each cancelation on Wednesday elicited a rapid followup tweet from James Gunn, the recently-hired co-CEO (alongside Peter Safran) of the rebranded DC Studios. Gunn clarified that the move to end both Doom Patrol and Titans was decided before he was elevated to the studio’s top position, while Deadline reported that each show is building toward planned ending episodes aimed at delivering series finales that won’t close things out with any cliffhangers….

(3) EKPEKI Q&A. Kristy Anne Cox, in Strange Horizon’s “Writing While Disabled” column, speaks with Oghenechovwe Donald Ekpeki: “Writing While Disabled By Kristy Anne Cox, By Oghenechovwe Donald Ekpeki”.

… KAC:  So, how do you fit into the Disabled community? 

ODE:  I only started to refer to myself as Disabled after publishing my novelette “O2 Arena,” so I’m approaching the Disabled community in baby steps. Though, I’ve been Disabled all my life. Regarding speculative fiction, my current story, which was nominated for the Hugo Award, the Nebula, and the BSFA, is the first where I’ve identified as Disabled.

KAC:  Yeah. I mean, that’s common for Disabled people like us, right? Some of us use the word Neurodiverse instead. You may not even understand you are Disabled until you get your diagnosis—and depending on which disability you have, you may or may not have access to a Disabled community. 

Chovwe, do you mind if I ask you what disabilities you have? I do that so our Disabled and Neurodiverse readers can relate their experiences to yours.

ODE:  Sure. Since birth, I have had chronic sinusitis—it’s a respiratory illness. I have perforated ear drums from the sinusitis infection, which means I’m hearing impaired. It’s all connected, like a network of disabilities springing from one. 

That’s respiratory and hearing. Then, because of my chronic sinusitis, I am more susceptible to respiratory illnesses, so I had pneumonia and tuberculosis somewhere along the line. It sort of leaves your lungs a little scarred, you know? I have weaker lungs, and an entire network of respiratory problems.

From my tuberculosis, I got damage to my spine, so I have chronic back pain, too. Chronic sinusitis, hearing loss, chronic back pain, and general breathing difficulties—that’s about it for now.

KAC:  I mean, that’s enough, right? Well, I welcome you into my Disabled communities….

(4) HARPERCOLLINS STRIKE NEWS. “HarperCollins, HarperUnion Move to Solve Labor Dispute with Independent Mediator” – details at Publishers Weekly.

In a company-wide memo sent on January 25, HarperCollins announced that it has reached an agreement with its employee union to have a mutually-agreed-upon independent mediator take over labor negotiations. With more than 200 union employees on strike since November 10, the company said that it hopes a mediator will be able to clear “a path forward” for employees to return to work.

“We entered negotiations eager to find common ground, and we have remained committed to achieving a fair and reasonable contract throughout this process,” reads the memo from HC’s v-p of human resources, Zandra Magariño. “We are optimistic that a mutually agreed upon mediator can help find the solutions that have eluded us so far.”

The memo seemed to strike a different tone than the open letter from CEO Brian Murray published early last month, in which he argued that the union’s demands for livable wages “failed to account for the market dynamics of the publishing industry” and the company’s “responsibility to meet the financial demands” of its business stakeholders. In contrast, Magariño’s memo said that HarperCollins is “optimistic that a mutually agreed upon mediator can help find the solutions that have eluded us so far. HarperCollins has had a union for 80 years, with a long history of successful and fair contract negotiations. The company has the exact same goal now, and is actively working to achieve it.”

The union confirmed the mediator on Twitter, and in its own press release, this morning. “We are hopeful the company will use this opportunity to settle fairly and reset our relationship,” it wrote, adding: “This means our pressure campaign is working. The strike will continue until we reach a fair contract agreement. Please continue to hold the line.”

(5) A DUEL OF WITS WITH AN UNARMED OPPONENT. Camestros Felapton continues his explorations of Larry Correia’s In Defense of the Second Amendment.

…Larry Correia will get to the “tired proposals” that he believes can’t work in Chapter 4 but logic is not going to play a big role.

Chapter 1 “Guns and Vultures” sets out Correia’s broad argument and covers briefly several of the themes that he will discuss at greater length in later chapters. Numerous points are made but I think it is reasonable to say that the overarching theme of the chapter is about who the true victims of American gun violence are from Correia’s perspective….

Which is to say, gun owners.

Imagine a public debate on transport policy, with a focus on increased pedestrianisation of town centres. Fewer cars, fewer accidents, safer streets and a more congenial place to shop or visit a library. Not everybody will be in favour of such a plan and maybe a guy write a book about why we should actually have more cars in town. After all, you can’t get run over by a car when crossing the road if you are already in a car! We’ll call this author Lorry Career….

(6) IS THE ORVILLE MEETING A MALIGN FATE? In ScreenRant’s news about the series, never is said an encouraging word: “The Orville Season 4 Gets Bleak Update From Hulu Exec”

…Hulu Originals and ABC Entertainment president Craig Erwich gave a bleak update for The Orville season 4. The popular Star Trek-inspired science-fiction comedy follows Captain Ed Mercer (Seth MacFarlane) as he leads the crew of USS Orville on adventures across the galaxy. Although season 1 faltered, garnering middling reviews from critics and audiences alike, The Orville rebounded with season 2 and 3, both scoring 100% Fresh ratings on Rotten Tomatoes.

Erwich recently spoke to TVLine and gave a bleak update regarding The Orville season 4. The executive did not share any new details, avoiding any confirmation that The Orville will return. Instead, Erwich praised the work MacFarlane had done on the latest season. Read all of what Erwich said below:

“We don’t have anything to share right now. It’s a great show and I know that the fans loved having it back in their lives. And Seth [MacFarlane] did a great job, uniquely as he can, in front of and behind the camera. But we don’t have anything to share right now.“

CinemaBlend says another cast member finds waiting is hard: “The Orville’s Penny Johnson Drops Humorously Relatable Video About Waiting For Season 4 Renewal At Hulu”.

Meanwhile, Seth MacFarlane has been building up his positive karma: “Seth MacFarlane adopts the rescue cat Arthur after feline was dumped at a shelter with a broken leg” at Daily Mail Online.

… ‘POV: you are a black cat with a broken leg dumped at a vet clinic to be euthanized but you were finally rescued by the amazing team @perrys_place-la. Then you waited 7 months to find your forever home and now you live with the legend @macfarlaneseth.’  …

(7) WASH ME. RadioTimes did a roundup about “Doctor Who fans think they’ve spotted a key change to the TARDIS”.

Doctor Who fans are always searching for clues about possible developments in the Whoniverse – and it looks like some eagle-eyed viewers have spotted a change to the TARDIS during filming for the show’s 14th season.

Yesterday (Tuesday 24th January) Twitter user Darren Griffiths posted some snaps he had taken when he stumbled upon the set of the sci-fi show while “wandering along a coastal path in Welsh Wales”, and other fans were quick to point out some interesting alterations to the iconic Police Box.

One commenter noted that “the windows are dirty at the bottom”, while Griffiths himself added that “the Police Box sign at the top was also dulled down”. Meanwhile, fan page The Post Monument wrote, “I like how they’ve aged the TARDIS.”

Quite why the TARDIS has been given a new weathered look is not immediately clear – and it remains to be seen whether this will be a specific plot point or just an altogether new look for the Doctor’s trusty vehicle – but it is sure to cause all sorts of speculation amongst the fanbase as they wait for the show to return for its 6oth anniversary celebrations later this year.

(8) AFTER THE AFTERLIFE. “Bill Murray, Sigourney Weaver, Dan Aykroyd set for roles in Ghostbusters: Afterlife sequel” reports Yahoo!

…A source told The Sun newspaper’s Bizarre column: “Studio bosses are taking a classic franchise, setting it in a new location but keeping the magic of the original. It’s going to be brilliant.

“’Ghostbusters’ has always been synonymous with New York, but to mix things up this time the team was thinking of other great cities with a haunted history.

“London is perfect. It gives so much license to look back at classic landmarks and British history, but still in an urban setting.

“The plans look very cool, and getting the original stars interested wasn’t difficult. They all love the movies and look back at them very fondly.”

The news comes a month after it was announced Gil Kenan will be directing the sequel, with ‘Ghostbusters Afterlife’ filmmaker moving into a writer-producer role….

(9) SAL PIRO OBITUARY. The president of the Rocky Horror Picture Show Fan Club died January 24. Deadline paid tribute: “Sal Piro Dies: Original ‘Rocky Horror’ Role-Playing Superfan And Subject Of Upcoming Movie Was 71”.

Sal Piro, who played a pivotal role in creating the audience participation routines that turned The Rocky Horror Picture Show into a multi-decade, world-wide phenomenon, died at his home in New York City Jan 21.

His death was announced by The Rocky Horror Picture Show Fan Club, which he founded in 1977 and served as its president until his death, becoming a major figure in creating the movie’s cult classic status.

“Sal was the defacto face of Rocky Horror fandom for decades,” the fan club said in a tweeted statement. “He will be sorely missed.”

Opening to terrible reviews in 1975, The Rocky Horror Picture Show soon became a staple of the midnight movie screenings at New York City’s Waverly Theater in Greenwich Village. Surprisingly, the film quickly drew the devotion of young fans, including Piro, who shouted humorous responses to much of the film’s dialogue. As the responses became more elaborate into a sort of viewing ritual, Piro helped shape a floor show of audience members playing out the movie beneath the screen….

(10) MEMORY LANE.

1996 — [Compiled by Cat Eldridge.] Terri Windling’s The Wood Wife

Terri Windling’s The Wood Wife which won the Mythopoeic Award for Novel of the Year is without doubt one of my favorite novels. 

It was supposed to be based off one of Brian Froud’s faerie paintings which is on the British cover of the first edition of the novel, as opposed to the Susan Sedden Boulet art for the American first edition. What you see below is Froud’s original artwork.

Of the books that wound up comprising Froud’s Faerieland series—Charles de Lint’s The Wild Wood, Patricia A. McKillip’s Something Rich and Strange, and Midori Snyder’s Hannah’s Garden, the first two, plus this in the British edition, got his artwork. 

Maggie Black is the artist who’s the central character in this novel and an amazing woman she is. She’s a poet, who comes to the Southwest desert upon learning that a friend, Cooper, has left his estate to her. I won’t say more as some of you may not have read it yet.

Here’s my extended quote from The Wood Wife as she prepares breakfast shortly after getting there. 

Maggie woke early, with a wrenching sense of dislocation. She stared at the water-stained ceiling above her and tried to recall just where she was. On a mountainside, in Davis Cooper’s house. The sky outside was a shade of violet that she’d never quite seen before.

She got up, washed, put her bathrobe on and padded into the kitchen. She’d always been an early riser; she felt cheated if she slept too late and missed the rising sun. She cherished the silver morning light, the stillness, the morning rituals: water in the kettle, bitter coffee grounds, a warm mug held between cold hands, the scent of a day unfolding before her, pungent with possibility.

As the water heated, Maggie unpacked the bag of provisions she’d brought along: dark Dutch coffee, bread, muesli, vegetables, garlic, a bottle of wine. In the small refrigerator were eggs, cheese, fresh pasta from Los Angeles, green corn tamales from downtown Tucson. The only strange thing about the unfamiliarity of this kitchen was the knowledge that it was hers now, these pans, these plates, this old dented kettle, this mug decorated with petroglyph paintings. For years she’d been travelling light and making herself at home in other people’s houses. Having an entire house of her own was going to take some getting used to.

She made the coffee, grilled some toast, and sat down at the kitchen table with yesterday’s edition of the Arizona Daily Star, too unsettled to actually read it. Davis’s kitchen was the heart of the house, with a rough wood table in the center that could have easily seated a family of twelve and not just one elderly poet. The kitchen hearth held a woodstove—the winter nights were probably cold up here. Fat wicker rockers were pulled close to it, covered by faded old serapes. The walls were a mottled tea-colored adobe with shades of some brighter tone showing through and wainscotting up to waist-height stained or aged to a woodsy green. The window frames were painted violet, the doors were a rich but weathered shade of blue. Mexican saints in beaten tin frames hung among Davis’s pots and pans; folk art and dusty tin milagros hung among strings of red chili peppers, garlic, and desert herbs. The windowsills were crowded with were crowded with stones, geodes, fossils, clumps of smoky quartz, and Indian pottery shards.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 26, 1918 — Philip Jose Farmer.  I know I’ve read at least the first three Riverworld novels (To Your Scattered Bodies Go, The Fabulous Riverboat and The Dark Design which are all stellar) but I’ll be damned if I recognize the latter ones. Great novels those are. And I’ll admit that I’m not familiar at all with the World of Tiers or Dayworld series. Anyone read them? I know, silly question. I do remember his Doc Savage novel Escape from Loki as being a highly entertaining read, and I see he’s done a number of Tarzan novels as well which I admit I’ve not read. Who here has? (Died 2009.)
  • Born January 26, 1923 — Anne Jeffreys. Her first role in our end of things was as a young woman on the early Forties film Tarzan’s New York Adventure. She’s Jean Le Danse (note the name) around the same time in the comedy Zombies on Broadway (film geeks here — is this the earliest zombie film?). And no, I’ve not forgotten she had the lead role as Marion Kerby in the Topper series. She also had one-offs in The Man from U.N.C.L.E., Fantasy Island and Battlestar Galactica. (Died 2017.)
  • Born January 26, 1928 — Roger Vadim. Director, Barbarbella. That alone gets a Birthday Honor. But he was one of three directors of Spirits of the Dead, a horror anthology film. (Louis Malle and Federico Fellini were the others.) And not to stop there, he directed another horror film, Blood and Roses (Et mourir de plaisir) and even was involved in The Hitchhiker horror anthology series. And Don Juan, or If Don Juan Were a Woman is at least genre adjacent… (Died 2000.)
  • Born January 26, 1929 — Jules Feiffer, 94. On the Birthday list as he’s the illustrator of The Phantom Tollbooth. Well, and that he’s also illustrated Eisner’s Spirit which helped get him into the Comic Book Hall of Fame. Let’s not overlook that he wrote The Great Comic Book Heroes in the Sixties which made it the first history of the superheroes of the late Thirties and Forties and their creators. 
  • Born January 26, 1943 — Judy-Lynn Del Rey. After first starting at Galaxy Magazine became an editor at Ballantine Books, and eventuallywas given her own imprint, Del Rey Books, Dick and Asimov were two of her clients who considered her the best editor they’d worked with. Wife of Lester del Rey. She suffered a brain hemorrhage in October 1985 and died several months later. Though she was awarded a Hugo Award for Best Professional Editor after her death, her widower turned it down on the grounds that it only been awarded because of her death. (Died 1986.)
  • Born January 26, 1949 — Jonathan Carroll, 74. I think his best work by far is The Crane’s View Trilogy consisting of Kissing the Beehive, The Marriage of Sticks and The Wooden Sea. I know de Lint liked these novels though mainstream critics were less than thrilled. White Apples I thought was a well crafted novel and The Crow’s Dinner is his wide ranging look at life in general, not genre at all but fascinating.
  • Born January 26, 1966 — Stephen Cox, 57. Pop culture writer who has written a number of books on genre subjects including The Munchkins Remember: The Wizard of Oz and Beyond, The Addams Chronicles: Everything You Ever Wanted to Know about the Addams Family, Dreaming of Jeannie: TV’s Primetime in a Bottle and The Munsters: A Trip Down Mockingbird Lane. I’ll admit to being puzzled by his Cooking in Oz that he did with Elaine Willingham as I didn’t remember that much for food in the Oz book until I started doing the current essays on food in genre literature and discovered there indeed was! 

(12) WHO NOVELS IN 2023. “Doctor Who Target books add 5 new novelisations for 2023” noted RadioTimes.

…Each of the authors for the 2023 Target books are the original screenwriters of the TV episodes so fans can expand their Doctor Who collections with these new, iconic novelisations….

(13) ONLINE ECONOMICS DISTILLED. Cory Doctorow calls it “The ‘Enshittification’ of TikTok” at WIRED.

… This is enshittification: Surpluses are first directed to users; then, once they’re locked in, surpluses go to suppliers; then once they’re locked in, the surplus is handed to shareholders and the platform becomes a useless pile of shit. From mobile app stores to Steam, from Facebook to Twitter, this is the enshittification lifecycle.

This is why—as Cat Valente wrote in her magisterial pre-Christmas essay—platforms like Prodigy transformed themselves overnight, from a place where you went for social connection to a place where you were expected to “stop talking to each other and start buying things.”…

… By making good-faith recommendations of things it thought its users would like, TikTok built a mass audience, larger than many thought possible, given the death grip of its competitors, like YouTube and Instagram. Now that TikTok has the audience, it is consolidating its gains and seeking to lure away the media companies and creators who are still stubbornly attached to YouTube and Insta.

Yesterday, Forbes’s Emily Baker-White broke a fantastic story about how that actually works inside of ByteDance, TikTok’s parent company, citing multiple internal sources, revealing the existence of a “heating tool” that TikTok employees use to push videos from select accounts into millions of viewers’ feeds.

These videos go into TikTok users’ For You feeds, which TikTok misleadingly describes as being populated by videos “ranked by an algorithm that predicts your interests based on your behavior in the app.” In reality, For You is only sometimes composed of videos that TikTok thinks will add value to your experience—the rest of the time, it’s full of videos that TikTok has inserted in order to make creators think that TikTok is a great place to reach an audience….

(14) CRIMINAL CHARGES AGAINST A ‘RICK AND MORTY’ PRODUCER. “Adult Swim Severs Ties With ‘Rick And Morty’ Co-Creator Justin Roiland After Domestic Violence Charges; Voice Roles Will Be Recast” – Deadline tells about the case and his fate.

Justin Roiland, co-creator, executive producer and star of Adult Swim’s flagship animated series Rick and Morty, is no longer in business with the Warner Bros Discovery brand on the heel of serious domestic violence allegations against him coming to light earlier this month.

“Adult Swim has ended its association with Justin Roiland,” a spokesperson said in a statement Tuesday.

Following Roiland’s exit, Rick and Morty will continue, with the title roles, which had been voiced by Roiland, recast.

Co-created by Roiland and Dan Harmon, the hit series received a massive 70-episode order in 2018 when Adult Swim also signed new long-term deals with Roiland and Harmon. The show, which has been renewed through Season 10, has completed six seasons, with four more to go as part of the pickup.

Roiland is also co-creator/executive producer and voice cast member of Hulu’s animated series Solar Opposites as well as a performer on the streamer’s animated comedy Koala Man. News on his involvement in those shows would be coming shortly, I hear.

Roiland has been charged with one felony count of domestic battery with corporal injury and one felony count of false imprisonment by menace, violence, fraud and/or deceit by the Orange County District Attorney’s office. The incident in question against a Jane Doe allegedly occurred in January 2020, according to a May 2020 complaint. He pleaded not guilty to the charges in October 2020. The semi-sealed case was kept out of the public until a hearing January 12, 2023. Roiland, who was present, also is required to attend a scheduled April 27 hearing….

(15) COLLABORATIVE MEAL. Kelsea Yu, a Taiwanese Chinese American writer, posts abut food in “Huǒguō” at Sarah Gailey’s Stone Soup.

…It’s loud and chaotic. Everyone talks over one another. Spoons cross, sauces are passed around, broth occasionally splashes out, and at any given time, some people are eating while others are serving food or adding ingredients to the pot.

It’s the kind of meal that requires participation, collaboration, consideration. The kind you can’t have alone, because then it would just be soup. It’s like stone soup, except no one’s reluctant to share.

It’s the kind of meal that helped me learn the value of how we care for each other….

(16) VIDEO OF THE DAY. SYFY released a sneak peek of the first five minutes of its forthcoming series The Ark.

The Ark takes place 100 years into the future when humans must go on missions to colonize other planets. But what would you do if you woke up from cryogenic sleep to your spaceship suffering disaster? Watch the first five minutes of the premiere episode of The Ark. Watch the premiere of The Ark, February 1 at 10/9c on SYFY.

(17) VIDEO OF LAST WEEK. “Kenan Thompson Does an Interview as Science Fiction Writer Pernice Lafonk” on Late Night with Seth Meyers.

Kenan Thompson talks about former Saturday Night Live intern Aubrey Plaza returning to host the show before leaving the set and coming back as his alter ego, science fiction writer Pernice Lafonk.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, John A Arkansawyer, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 9/21/22 She Took The Midnight Train To Arcturus

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(1) ANTHEM LAUNCH. [Item by Martin Morse Wooster.] In the Washington Post, classical music critic Michael Andor Brodeur discusses the new Space Force anthem by Jamie Teachenor and Sean Nelson, and lets his father make a dad joke that the tune was written by “Buck Rogers and Hammerstein.” “New Space Force anthem aims to land the military branch on your radar”.

On Tuesday, the United States Space Force entered its anthem era, announcing the release of its own official song at the Air Force Association Air, Space and Cyber Conference at National Harbor in Maryland.

The song, “Semper Supra” (“Always Above”), joins the ranks of “The Marines’ Hymn,” “The Army Goes Rolling Along” and other staples of the American military anthem repertoire. It’s also … Wait. Why are you laughing?

I knew as soon as I said “Space Force” this would happen.

Because the Space Force is, for the foreseeable future, the New Guy among military branches. Because its sudden and ham-handed public rollout in 2019 was largely entrusted to the writers’ rooms of late-night shows. And, yes, because it’s called the Space Force, so there remains a lingering temptation not to take it seriously (and a tacit cultural authorization to proceed).

… I guess for a song that’s destined to orbit around this branch of military in perpetuity, I was hoping for something … I don’t know, spacier?

Over the past century, the cosmos has supplied us with such a rich musical mood board: Gustav Holst gave us his standard-bearing model of the solar system, “The Planets,” back in 1916. Stanley Kubrick’s use of Johann Strauss’s antigravity waltzes and the monolithic motif taken from the other Strauss’s “Also sprach Zarathustra” have informed our perception of deep space since “2001” arrived in 1968. John Williams has also memorably distilled his visions of the vastness of space into universal themes — think the “five tones” of “Close Encounters of the Third Kind.”…

(2) FLIP THE SCRIPT. Camestros Felapton supplies the answer to the question, “Could you rewrite the Lord of the Rings as a techno-thriller?” (Did you doubt it for a moment?)

…Part of the issue is that much of what makes LotR a compelling story, are not the things that make it genre distinctive. Attempts to make a clear distinction between science fiction and fantasy can founder when we consider how LotR would change if it had to conform to proposed rules about science fiction. If, as the thought experiment goes, Tolkein’s elves were aliens, would the story now be sci-fi? The role of magic in fantasy versus materialist explanations in science fiction has also been offered. However, LotR has an odd take on magic. Much of the overt magic we see is attached to made objects (the Ring obviously, but also the palantir, the doors of Moria, Sting, the vial of light gifted to Frodo by Galadriel, or delving deeper into the mythos, the Silmarils themselves). We don’t know how those things work (magic!) but of course we don’t know how phasers, tractor beams, replicators or warp drives work either. To quote the overused quote from Arthur C. Clarke “Any sufficiently advanced technology is indistinguishable from magic”. Clarke was making a point about technology rather than genre distinctions but the insight works almost symmetrically…. 

(3) HOPKINSON ZOOM. The Feminist Futures Forum, organized by the Emily Taylor Center for Women & Gender Equity at the University of Kansas, presents a conversation with Brown Girl in the Ring author Nalo Hopkinson facilitated by Anthony Boynton, a Ph.D. candidate in the KU English Department in September 22 at 6:30 p.m. Central, They will explore Black speculative fiction, Afrofuturism, and Black feminisms. Register here. This year’s Forum is planned in conjunction with the Gunn Center’s Sturgeon Symposium.

(4) FIRST STURGEON SYMPOSIUM. Speaking of which, the 1st annual Sturgeon Symposium, a hybrid in-person/online event hosted by the Gunn Center for the Study of SF, takes place next Thursday and Friday, September 29-30. 

Sessions include presentations on Fan Fiction, Indigenous Speculative Fiction, Eastern European SF, Latin American Dystopias, Gender & The Black Fantastic, Pedagogical Approaches, and much, much more.

Visit their website for the full program: Sturgeon Symposium.

(5) HOW DO YOU TURN THAT OFF? Sarah A. Hoyt explains why “Words Are Our Profession” at Mad Genius Club, though it is this paragraph that has me nodding in agreement:

…I will also straight up admit that I must be very odd in my relationship with text, because I never understand why anyone highlights or clips certain excerpts from books. When I got my latest kindle, I had the “show other people’s markings” setting on and couldn’t figure out how to turn it off. This made me glare a lot, as I couldn’t figure out why people were highlighting completely mundane sentences. Of course, it’s entirely possible that all these highlights and clipping of sentences happen the way they happen to me: Kindle starts falling, grab it with my off hand, and suddenly I’ve saved a clipping of “Hi, I am looking for my cat” as though it were some kind of life altering message. (As is, I had to turn the dictionary off, otherwise, by the same process, I was continuously having the meaning of “hand” or “parasol” explained to me.)…

Hoyt’s column is mainly about when it’s a good idea to eschew surplusage, and successful tactics for so doing.

(6) STEP BY STEP TO PUBLICATION. [Item by Martin Morse Wooster.] Amit Gupta sold a short story to Tor.com.  Here, he discusses how long it took and all the rejections he accumulated. “Short stories: How much do you make? How do you sell one? How long does it take to write?” And you can read his story “India World” at Tor.com.

What’d I learn looking back through all this?

  • Writing takes forever, even if it’s a just a few thousand words. Way longer than I thought.
  • Submitting takes even longer. This tracks with other areas of my life. Selling is always less fun for me than making things.
  • SO MANY people helped! I’m blown away by how many people took time to read drafts and offer their feedback.

(7) DEUTSCHER BOOK PREIS. The only longlisted genre work didn’t make the Deutscher Buch Preis shortlist. If you want to know what did, click here.

(8) IT BECKONS. Kelly McClymer encourages writers to ask “Is Your Book Cover Doing the Job or Does It Need to Be Fired?” in the “Indie Files” series at the SFWA Blog.

… For authors, the cover is a double-edged sword. We need one that calls to our readers and makes them pick our book out of a crowded line up.

I remember the first time I realized would have to change the cover for an indie book. I didn’t want to pay for another cover design, so I delayed making the obvious decision. I kept telling myself that the book was good, so the cover couldn’t make that much difference.

I should have known better. I’ve been a voracious reader since I learned to read and my personal book choice algorithm is simple: favorite author first, then intriguing title, then intriguing cover. That personal algorithm hasn’t changed in decades. As a reader, I am easily seduced by title or cover.

As an author, I hate spending money on new covers and agonizing over the design. What got me to stop pinching pennies in this critical area of marketing? Evidence, of course. My indie author friends weren’t afraid to change their covers. Multiple times. And it (usually) helped their sales significantly. Even better, some of them were able to do so on a budget by using pre-made covers that were on sale. …

(9) WHAT’S THE MESSAGE? Scifihistory.net seriously doubts 2001 deserves a reputation for greatness: “Stardate 09.21.2022.A: Warp Core Breach: Science Fiction’s Biggest Circle Jerk – 2001: A Space Odyssey (1968)”.

Circle jerk = a situation in which a group of people engage in self-indulgent or self-gratifying behavior, especially by enforcing or reinforcing each other’s views or attitudes.
 
A long time ago in a galaxy far, far away (snicker snicker) I attended a small private college in Anytown, USA.  In one of my several classes talking about film, a professor (who shall be nameless) took the occasion one day to wax on eloquently about “mankind’s claim” that Stanley Kubrick’s 2001: A Space Odyssey was not only the greatest Science Fiction film ever made but very well was considered the best film ever made.
 
Now, at this juncture in my cognitive development, I was a firm supporter of Citizen Kane’s rightful claim to that title.  Not one to keep silent, I spoke up, asking where it was written that 2001 was ever considered a greater accomplishment than Kane was … to which I got an earful.  Pushing back as politely as I could, I argued that I’d never heard of anyone making such an assessment, and – while I didn’t doubt the instructor had read or perhaps thought such a ranking possible – I wanted to know which experts felt that way so that I could go out and read their analysis.  Essentially what I was told was that 2001 was, clearly, the superior film because of its central message.
 
Get ready, folks.
 
I asked, “What is 2001’s central message?”…

(10) SPELLER TRIBUTES CONTINUE. Strange Horizons’ Aishwarya Subramanian and Dan Hartland mark the loss of their colleague and friend: “In Memoriam: Maureen Kincaid Speller”.

…Maureen Kincaid Speller was capable of producing among the best criticism SFF has to offer. Now she has left us, our understandings of the genre will be poorer and less complete. We will know our favourite texts less well, and we will struggle sometimes to express a reading she would have worked into prose of wit, clarity, and pith. We will miss her because, as a critic, she helped us be better readers; because, as an editor, she made us better writers; and because, as herself, she was fearless in achieving these ends. But most of all, we will miss her because she was our friend—was the friend of all readers, and all authors, and all books. She showed us this every time she attended to a text and asked not just why she liked it, but why she—or why we—might not. Friends make us better, and they often do so via the unvarnished truth….

(11) MEDIA BIRTHDAY.  

1969 – [By Cat Eldridge.] Randall And Hopkirk Deceased (1969)

Yes, I know it had multiple premiere dating back fifty-three years ago, so I’ve picked the London Weekend Television broadcast of the pilot two days after the ATV broadcast. No reason, but that’s my choice. Well, and it’s today.

Randall and Hopkirk (Deceased) is a somewhat comical British PI series that starred Mike Pratt and Kenneth Cope respectively as the private detectives Jeff Randall and the quickly quite dead and just as rapidly ghostly Marty Hopkirk. Annette Andre as Jeannie Hopkirk, secretary at the Randall and Hopkirk private investigation office, and widow of Marty, was the only other regular cast member. 

(Note: beautiful woman here as well. The trope holds true!) 

In the United States possibly because the word deceased would be offensive, it was called My Partner the Ghost. Or because the syndicators here were utterly lacking in imagination and had to be sickeningly cute. You pick. 

It was created by Dennis Spooner who did a lot of writing for Doctor Who, a spot of writing for The Avengers and quite a bit later for the New Avengers, and was the creator of Department S. 

It would last one run of twenty-six episodes. In the year 2000 it was remade by the BBC starring Vic Reeves as Hopkirk (once again in a white suit) and Bob Mortimer as Randall, with Emilia Fox as Jeannie. Two series were made lasting just thirteen episodes.

A decade ago, SyFy announced that it had secured the rights to Randall & Hopkirk (Deceased) and were looking to develop a pilot, and in January 2011, Entertainment Weekly announced that Jane Espenson and Drew Z. Greenberg would be writing a pilot for SyFy. Given SyFy’s record for rebooting series, guess what happened to it? Well did you see a pilot? 

It does not appear to streaming anywhere for free right now.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 21, 1904 — Alexander Key. American writer primarily of children’s books. His novel Escape to Witch Mountain was made into by Disney into a film three times 1975, 1995, and again in 2009. (Originality isn’t one of Disney’s stronger suits.) The sequel novel was made into another film in 1978. The Incredible Tide novel became the Seventies Future Boy Conan anime series. (Died 1979.)
  • Born September 21, 1912 — Chuck Jones. Looney Tunes and Merrie Melodies creator (think Bugs Bunny). His work won three Oscars, and the Academy also gave him an honorary one in 1996.  I’ve essayed him more that once here, so you know that I like him. What’s your favorite one of his? Though perhaps culturally suspect these days, I’m very fond of “Hillbilly Hare”. (Died 2002.)
  • Born September 21, 1935 — Henry Gibson. I’m going confess upfront that I remember best him as a cast member of Rowan & Martin’s Laugh-In. You know what role that was. In regards to his genre work, he showed up on the My Favorite Martian series as Homer P. Gibson, he was in Chitty Chitty Bang Bang as an uncredited dancer, in Bewitched twice, once as Napoleon Bonaparte, once as Tim O’ Shanter, he was the voice of Wilbur in Charlotte’s Web, in The Incredible Shrinking Woman as Dr. Eugene Nortz, and even in an episode of Star Trek: Deep Space Nine, the “Profit and Lace” episode to be exact in which he was Nilva, a ferengi. (Died 2009.)
  • Born September 21, 1960 — Mary Mara. Best remembered as Inspector Bryn Carson on Nash Bridges but she had a number of genre appearances including Mary in K-PAX from Gene Brewer’s novel of the same name, and her best role though animated was — and don’t blame the messenger — Alice Kerchief/Geisha in Spicy City is an adult animated erotic cyberpunk television series which was created by Ralph Bkashi for HBO that ran for six episodes. It was a really fascinating role. I’d rate the series a strong R. (Died 2022.)
  • Born September 21, 1964 — Andy Duncan, 58.  If I were to start anywhere with him, it’d be with his very excellent short stories which fortunately were published in two World Fantasy Award-winning collections Beluthahatchie and Other Stories, and The Pottawatomie Giant and Other Stories, and another WFA nominee, An Agent of Utopia: New & Selected Stories.  I’ve read his novels, so what you recommend?  He has garnered some very impressive Awards — not only World Fantasy Awards for the two collections, but also for the “Wakulla Springs” novelette (co-authored with Ellen Klages), and a Nebula for the novelette “Close Encounters” (2013). He has three Hugo nominations, for his “Beluthahatchie” short story (1998), the novella “The Chief Designer” (2002), and “Wakulla Springs” (2014). 
  • Born September 21, 1974 — Dexter Steven, 48. He wrote interesting novels, the first being The Dream of Perpetual Motion which is based off The Tempest, with steampunk, cyborgs and airships as well; the second being Version Control, a media-saturated twenty minutes into the future America complicated by time travel that keep changing everything. He wrote these and that was it. 
  • Born September 21, 1990 — Allison Scagliotti, 42. One of the primary cast of Warehouse 13, a show that I really, really loved. Her first genre role was as Jayna, one of the Wonder Twins, on the Smallville series. And she showed in a crossover episode of Eureka, “Crossing Over”.  She was in Camille Engelson on Stitchers which I must watch soon. 

(13) COMICS SECTION.

  • Bizarro  shows mythical beasts need therapy, too.

(14) WHO DAT? The Bookseller’s Joe Phelan knows there’s always an audience for anyone prepared to tell us, “What happened to Sad Puppies?”

The Sad Puppies era is arguably the bleakest passage in the history of the Hugo Awards. The Puppies’ campaigns gave rise to smears, vitriol, conspiracy and hostility; they can be regarded as an early skirmish in publishing’s now-pervasive “culture wars”, where suspicion, belligerence and an unwavering conviction in one’s own position routinely permeate discourse.

There are quotes from Kevin Standlee and Neil Gaiman which Phelan presents as recently obtained, and another from this laughably “anonymous” pro-Puppy figure:

…The anonymous Sad Puppies advocate we spoke to fully disputes suggestions that the campaigns should be branded failures. They are adamant the Hugos remain just as unrepresentative and biased as they considered them to be in 2013, and they believe Sad Puppies played an important role in raising awareness of this apparent issue.

“No, it was not unsuccessful. The campaign(s) proved to any onlookers who care to look that the modern Hugos are awarded solely for reasons of political correctness. A casual perusal of the lists of candidates and winners over the past four years is a sufficient confirmation of this. The Hugo Awards, in effect, burned themselves to the ground for the sole purpose of avoiding my work being recognised. The fans had selected an author that the insiders did not prefer – despite that I myself was a Tor author at the time. Those who hoped sobriety would prevail, and the Hugos return to the dignity they once knew, had their hopes dashed.”…

If you know any ex-Tor authors who were on the Sad Puppy slates that weren’t named John C. Wright, please do refresh my memory.

(15) PURE WROUGHT. Speaking of Mr. Wright, his recent “Note on Christian Science Fiction” contains this wonderful passage scoffing at some familiar genre works:

…People would go mad at the sight of stars, Mr. Asimov? Really? Eyewitnesses to the Crucifixion would immediately convince the world without any fuss that all religion was bunk, Mr. Clarke? Say you so? One should sleep with whores out of courtesy to one’s hosts when visiting whoreland, Mr. Heinlein? Really? Adultery is lawful for persons truly in love, Mrs. Rand? Honestly? Or, my personal favorite, if Captain Kirk is split into a good and evil pair, a la Jekyll and Hyde, the bad side is filled with passion and energy rather than filled with vice, and the good side is indecisive and weak rather than virtuous? Really, Mr. Roddenberry? Honestly, is that the way good and evil works, or have you simply been reading too much Freud, and it has warped your brain?…

(16) SEEMS MORE RELEVANT NOW. [Item by Todd Mason.] A quote from an old sff magazine:

“The Ukraine had had a number of serious attacks in the previous week, which refuted the theory that the metal locusts were a Russian weapon being used in preparation for a mobilisation of forces.”

“The Locusts” by R. Whitfield Young, Science-Fantasy, April 1958.

Apparently the only published story by Young under that byline, and one might guess why from the bulk of the story.

(17) AGAIN. CBR.com decides “Kaley Cuoco & Pete Davidson’s Meet Cute Is a Clever, Affecting Sci-Fi Rom-Com”.

When Sheila (Kaley Cuoco) approaches Gary (Pete Davidson) in a New York City bar at the beginning of Meet Cute, it seems like the moment referenced in the title — the romantic-comedy staple of the main characters first encountering each other in an adorable, amusing manner. For Gary, that’s what it is. He’s won over by Sheila’s offbeat charms, including ordering the exact same drink as him and toasting in the exact same way. For Sheila, though, this isn’t her first time meeting Gary, or even the fifth time. As she tells him almost immediately, she’s a time traveler, and she’s experienced this moment multiple times already. It’s a disarmingly direct way for the movie to introduce its sci-fi concept, which is indicative of the clever, surprising, and emotionally affecting story to come….

(18) LONGER AGO THAN YESTERDAY. Neil Gaiman, Ian Rankin, and Denise Mina are featured in this 2009 BBC piece about graphic novels that dropped today.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Adam Savage reports from the convention he holds (Silicon!) and how a fabricator he calls “evil Ted” gave him a very realistic foam space helmet.

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Todd Mason, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/4/22 This Is The File Primeval, The Murmuring Scrolls And The Pixels

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(1) LOOK AT A HUGO NOMINEE. Abigail Nussbaum reviews “She Who Became the Sun by Shelley Parker-Chan” at Strange Horizons.

The twenty-first century has seen a tremendous flowering in the subgenre of epic fantasy. What was once largely a monoculture of vaguely medieval, vaguely Western European settings has seen an influx of writers (or perhaps more accurately, of publishers willing to platform those writers) who look beyond the template set by Middle Earth. From more specific European settings (Naomi Novik, Katherine Arden) to the Middle East (S.A. Chakraborty), and Africa (Marlon James). Perhaps most especially, there have been a slew of epic fantasies set in East Asian-inspired worlds, drawing on the varied cultures of the region and its storied history.

At first glance, Shelley Parker-Chan’s debut novel, She Who Became the Sun,seems like it would sit comfortably on the shelf beside these works. It is a fantasized, fictionalized account of the rise to power of Zhu Yuanzhang, the peasant-turned-monk-turned-general who drove the descendants of Genghis Khan out of China and established the Ming dynasty. It is blatantly inspired by the Chinese historical melodramas that have populated our TV screens in recent years. And it features enough battle scenes and political scheming to fill a whole season of Game of Thrones.

On this level, the novel delivers handsomely, and is a thoroughly enjoyable fantasized adventure (though its actual fantasy elements are on the thin side, and not very central to its story). But the further one gets into this gripping, thoughtful novel, the more obvious it becomes that this is first and foremost a novel of character—and that the lens through which it interprets character is that of gender. Not for nothing was Parker-Chan awarded an Otherwise (then Tiptree) fellowship for an earlier draft of this book: at the heart of She Who Became the Sun is an analysis of how two cultures define themselves through—and are weakened by—rigid gender roles, and how specific individuals—by subverting, defying, and most of all queering those roles—can discover an unexpected path to power….

(2) MAY THE FOURTH ETC. National Public Radio celebrates the day: “On May the 4th, let’s remember the time NPR had a ‘Star Wars’ radio drama”.

On this May the 4th, we want to take you back to 1981, when NPR turned its attention to Star Wars. That’s right: Some of you may have forgotten (and some might not even know) that the network created three radio dramas based on George Lucas’ original three movies.

NPR figured it could maybe get more listeners by reviving the radio drama, which had been out of fashion for some 30 years. So the network called Richard Toscan, then-head of the theater program at the University of Southern California. He remembers asking a colleague for advice on what story to dramatize: “There’s this long pause, and he says, ‘Create a scandal.’ “

Toscan was at a loss. Then he mentioned the problem to a student. “And he said, ‘Oh, why don’t you do Star Wars?’ ” Toscan recalls. “There was the scandal.”

See, Star Wars was a commercial juggernaut. And as Toscan puts it, “Folks working at NPR thought, ‘Oh good grief, we’re selling out to Hollywood.’ “

But if this was selling out, it sure came cheap. George Lucas had graduated from USC and was a fan of the campus NPR station. So after a little prodding, he gave away the radio rights to Star Wars for $1 — a public radio budget if there ever was one….

(3) BY GRABTHAR’S HAMMER, WHAT A BARGAIN. “‘Star Wars’ Icon James Earl Jones Only Made $7,000 to Voice Darth Vader in ‘A New Hope’” recalls The Hollywood Reporter.

The actor also says when he first read the script for ‘The Empire Strikes Back,’ he thought for sure Vader was lying to Luke Skywalker about being his father.

James Earl Jones was paid only $7,000 to voice Darth Vader in Star Wars: A New Hope — but the actor says for him at the time, it was a huge score.

To celebrate Star Wars Day, The Hollywood Reporter looked back at some interviews Jones gave through the years, in which he talked about voicing the legendary sci-fi villain….

(4) FOR TEN YEARS WE’VE BEEN ON OUR OWN. Disney Plus dropped this Obi-Wan Kenobi trailer for Star Wars Day.

The story begins 10 years after the dramatic events of “Star Wars: Revenge of the Sith” where Obi-Wan Kenobi faced his greatest defeat—the downfall and corruption of his best friend and Jedi apprentice, Anakin Skywalker, who turned to the dark side as evil Sith Lord Darth Vader. The series stars Ewan McGregor, reprising his role as the iconic Jedi Master, and also marks the return of Hayden Christensen in the role of Darth Vader.

(5) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Grady Hendrix and Alex Irvine on May 18.

Grady Hendrix

Grady Hendrix is a New York Times bestselling novelist and screenwriter who makes up lies and is mean to babies. He has written terrible books like My Best Friend’s Exorcism, The Final Girl Support Group, The Southern Book Club’s Guide to Slaying Vampires, and Paperbacks from Hell. Currently, he has an unhealthy fixation on gothic romances.

Alex Irvine

Alex Irvine would write nothing but short stories if he thought he could get away with it, but in this fallen world he has also written novels, comics, games, and various forms of interactive narrative. Recent work includes Anthropocene Rag, The Comic Book Story of Baseball, New York Collapse, and stories in F&SF, Asimov’s, and Tor.com. He lives in Maine.

IN-PERSON at the KGB Bar on May 18, starting at 7:00 p.m. Eastern.  KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs)

(6) THE COLOSSUS OF BED BATH AND BEYOND. There’s a story that explains how it landed here: “The Captain America Statue at Brooklyn’s Bed Bath & Beyond” at Untapped New York.

Shoppers going in to grab one of the innumerable home products on sale at Bed Bath & Beyond or discount fashion garb at the Saks Off 5th outlet may be surprised to see a 13-foot-tall bronze Captain America statue upon entering Liberty View Industrial Plaza in Industry City, Brooklyn. Captain America is so tall, his shield reaches into the mezzanine level of the building’s atrium. He holds his iconic star shield aloft with his left hand, with his right hand clenched into a fist. On the top of the bronze plinth are the words “I’m just a kid from Brooklyn,” a line from the 2011 film Captain America: The First Avenger. In this modern era, it seems rare for any statue to arrive without controversy and this one was no different….

(7) MEDIA BIRTHDAY.

1999 — [By Cat Eldridge.] Remember that fan letter I just wrote to Heinlein’s Rocket Ship Galileo? Well certain films have the same effect upon me. Such is true of The Mummy and the first sequel, The Mummy Returns. (I shall not mention the third film in the series in pain of, well, something horrible happening to all of us. Yes, it is that bad a film.) Both are perfect popcorn films worthy of repeated viewing which I’ve certainly done in the last two decades. 

I know I saw the first one in the theater not long after it came out. It was directed by Stephen Sommers who wrote the screenplay and it claims to be a remake of a 1932 American pre-Code horror film called, errr, The Mummy. It’s out of copyright and you see it here. Boris Karloff was The Mummy.

The 1999 version stars what I think is one of the great movie pulp couples of modern times in Brendan Fraser as Rick O’Connell and Rachel Weisz as Evelyn Carnahan. A librarian? Huh?  Are they completely believable in their roles? Well no, but they look like they’re have a lot of fun in a really absurd undertaking and that counts for quite a lot. John Hannah as Jonathan Carnahan is just the right amount of comic relief. The secondary characters, good and bad, are great characters  — Arnold Vosloo as Imhotep, Oded Fehr as Ardeth Bay and even Patricia Velásquez as Anck-su-namun add a great deal to the film.

The production values are very high and the look of the film, be London or the pulpish Egypt they create is quite amazing. The original script was a Terminator-style Mummy but no one was interested in that. Clive Barker wrote a screenplay next that was so dark and violent everyone cringed. (I want to see that one!) Sommers is, well I can’t count that high, the Director who eventually found a screenplay that worked.

The studio needed a hit after a series of film failures so they gave Sommer an actual budget and turned him loose, one of eighty million dollars. The film would make four hundred and twenty million dollars in its initial showing. Not bad at all. (The first director was offered ten million dollars as his budget.) And of course it gout a Sequel (yes I capitalized that), The Mummy Returns which earned just over four hundred million against a budget of a hundred million. 

Now let’s see how it was received by critics. 

You know I really, really like the reviews of Roger Ebert who wrote for the Chicago Sun-Times so let’s start with his rather nice summation: “There is hardly a thing I can say in its favor, except that I was cheered by nearly every minute of it. I cannot argue for the script, the direction, the acting or even the mummy, but I can say that I was not bored and sometimes I was unreasonably pleased.”

Next up is David Hunter of Variety who was more ambivalent: “Far more ambitious than its predecessors but a notch or two below the unique event-movie experience it might have been, Universal’s The Mummy is undermined by weak writing. Overall, though, it should erect pyramids of moola and not sink into the quicksand when Star Wars: Episode 1 — The Phantom Menace opens 12 days into its run.”

Finally let’s end with these words from Bob Graham of the SF Gate: “This comic horror movie emphasizes the comic, and Brendan Fraser is in his element. With his exaggerated features — big eyes, big nose, big lips — Fraser already looks like a comic-book hero. More importantly, he’s got the flair and know-how to bring it off.  “The Mummy” digs up both laughs and chills from timeworn material.     From the gilded bodies of ancient priests about to die — they are going to be “mummified alive” — to the hokey subtitles in the prologue — what do they think they are speaking, anyway, old Egyptian? — this looks as if it’s going to be big-time fun. It is.”

It has an excellent rating at Rotten Tomatoes among audience reviewers of seventy five percent.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 4, 1920 — Phyllis Miller. She co-wrote several children’s books with Andre Norton, House of Shadows and Seven Spells to Sunday. Ride the Green Dragon, a mystery, is at best genre adjacent but it too was done with Norton. I’m not seeing any of them being available at the usual suspects. (Died 2001.)
  • Born May 4, 1926 — Christine White. Forever known for appearing in one episode of the Twilight Zone, to wit “Nightmare at 20,000 Feet” alongside William Shatner as Bob Wilson. She played Julia Wilson, his wife. She, like Shatner, had appeared on the Twilight Zone earlier, though not with him; she had the lead as Kitty Cavanaugh in “The Prime Mover”.  I’m reasonably sure that her only other genre appearance was on One Step Beyond as Nancy Lloyd Chandler in “The Haunting” episode. (Died 2013.)
  • Born May 4, 1943 — Erwin Strauss, 79. I’m not sure I can do him justice. Uberfan, noted member of the MITSFS, and filk musician. He frequently is known by the nickname “Filthy Pierre” which I’m sure is a story in itself that one of you will no doubt tell me. Created the Voodoo message board system used at a number of early cons and published an APA, The Connection, that ran for at least thirty years. Still does the event calendar for Asimov’s. Do tell me about him. 
  • Born May 4, 1949 — Kim Mohan, 73. Editor and author of the Cyborg Command RPG based on an outline by Gary Gygax. He was Editor of TSR’s The Dragon magazine for several years which led to his becoming editor of Amazing Stories from 1991 to 2000. 
  • Born May 4, 1974 – James Bacon, 47. He’s a 16-time Hugo nominee, as a fan writer and as co-editor of The Drink Tank and Journey Planet, and a two-time winner — one Hugo with each fanzine. James was the 2004 Trans-Atlantic Fan Fund delegate: download his trip report at the unofficial TAFF website, WorldConNomicon. In addition to working on Irish convention Octocon, he ran his own conventions: Aliens Stole My Handbag, Damn Fine Convention, and They Came and Shaved Us. Ultimately, he chaired the Dublin 2019 Worldcon. He ran Sproutlore—the Robert Rankin Fan Club. With fellow fans he established The James White Award, an annual short-story competition. And he often contributes to File 770! (OGH)
  • Born May 4, 1976 — Gail Carriger, 46. Ahhhh such lovely mannerpunk she writes! I think I first noticed her with the start of the Finishing School series which she started off with Etiquette & Espionage some six years ago. Moirai Cook does a delightful job of the audiobooks so I recommend that you check them out. I also love the two novellas in her Supernatural Society series as well. And let’s not overlook Souless getting a nomination for BSFS’s Compton Crook Award’s Best First Novel. 
  • Born May 4, 1995 — Shameik Moore, 27. He voices Miles Morales, the teen-ager who would become Spider-Man in Spider-Man: Into the Spider-Verse which I review here. It’s by far the best film I saw while in-hospital that year for fifty days straight and I urge you to go see it now. Yes, I know it deservedly won a Hugo at Dublin 2019.  And the sequel is coming up soon! 

(10)  RETAILING SCIENCE. [Item by Bill Higgins.] Many’s the time I’ve toured a museum along with fellow SF fans, so when we get to the gift shop, we usually find ourselves exchanging views on the merchandise offered there. In “Outer Space in the Museum Shop,” Dr. Eleanor Armstrong, an expert on space science communication and museums, contemplates messaging, merchandising, and visitors’ experiences. “Outer Space in the Museum Shop” from EASST Review Volume 41(1) 2022 (that is, the European Association for the Study of Science and Technology).

…Purchasing an item from the shop at a science museum will make that object part of the visitor’s everyday science learning, both at the time of purchase and after the museum visit[…] n this instance, the item comes home from the museum with the visitor, bringing science learning into a different sphere of a visitors’ life, and arguably allowing the item to influence secondary communities, such as family members and larger school groups. Science (and by extension, everyday science learning) never happen in a vacuum, but instead reflect and magnify broader social and political issues in the society in which the museum sits….

(11) LEGENDS BUT NO TOMORROW. CBR says “DC’s Legends of Tomorrow Proved Taking Risks Can Pay Off”. It’s going away anyhow.

…While many of the CW shows — and superhero shows in general — stick to that single format, Legends of Tomorrow created entirely new scenarios that existed throughtout time. Seeing the team track down an alien in the 1930s or fight with magicians in the Wild West helped to make each episode special. The show allowed fans to experience their heroes in so many different eras that the plotlines were continually refreshed.

…While fans are upset to see the end of the series — especially with the cliffhanger ending to Season 7 — they can be happy with the impact it had. Legends of Tomorrow evolved from a show featuring other series’ guest characters to one of the longest-running Arrowverse series. The actors, writers, and directors all worked tirelessly to provide a different superhero experience, and it was those risks and differences that kept the series on the air for the better part of a decade.

(12) CARTOONIST KEEPS GOING. [Item by Martin Morse Wooster.] Nathan Fitch profiles New Yorker cartoonist George Booth, still active at 95.  This dropped about a week ago.

(13) EDGAR ALLAN POE NEWS. This 2008 adaptation of Poe’s “The Tell-Tale Heart,” starring Carrington Vilmont, is directed by Robert Eggers, whose current feature is The Northman.

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Bill Higgins, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny SIchel.]

Pixel Scroll 3/10/22 No Pixels Were Harmed In The Production Of This Scroll

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(1) ANALYZING SANDERSON’S KICKSTARTER SUCCESS. Kristine Kathryn Rusch has an in-depth commentary about a seismic event in self-publishing, “Business Musings: Brandon’s Kickstarter”.

… If the past is any indication, however, these big Kickstarters increase the people who watch  the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.

That’s the small picture.

The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.

Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.

And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.

Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.

His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.

There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.

If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?

The rest of you should watch what happens next. This is a very big deal. For all of us.

(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.

https://twitter.com/PhilipJBeaufoy/status/1502016704037240835

(3) LOVE IS ALL AROUND. The SFWA Blog’s “Romancing Sci-Fi & Fantasy” series begins with Alex Chantel’s “I See Romance … Everywhere!”

… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters. 

We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…

(4) DISNEY RECORD ON LGBTQIA+ SET STRAIGHT. Deadline reports a “Internal Pixar Letter Disputes Disney’s Support Of LGBTQIA+ Employees & Questions Company’s Commitment to Change”. (The full text of the letter is quoted at the end of Variety’s coverage.)

Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.

“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”

The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.

“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.

The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….

… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”

It reads [in part]:

“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”

(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.

Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….

On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…

In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…

(6) REVIEWING SFF. Strange Horizons hosts “The Author and the Critic I: Christopher Priest and Paul Kincaid”, featuring the two named figures discussing the present and future of sff criticism. They begin at the beginning.

Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.

Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom…. 

(7) MORE FROM THE WORLDCON. Morgan Hazelwood posts her notes about another DisCon III panel: “The Nuts and Bolts of Chapters”. (She also presents the material in a YouTube video.)

The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.

The panel description was as follows:

Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!

While the panelists didn’t address all of these, they shared some valuable tips.

(8) UNMADE HITCHCOCK PROJECT. “Alfred Hitchcock once planned a sci-fi epic, which he envisaged as ‘a projection into the life of a generation ahead’” – BFI looks back at “Hitchcock’s sci-fi movie, ‘a forecast of days to come’”.

… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…

(9) MEDIA BIRTHDAY.

1964 — [Item by Cat Eldridge]

“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao

“No sir.” – Mike 

“Wise answer.” – Dr. Lao

Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won. 

The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.

Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed. 

Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been. 

Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former. 

Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.

So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.

I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 10, 1891 — Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
  • Born March 10, 1905 — Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on Bewitched, Shirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
  • Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.”  Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
  • Born March 10, 1921 — Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
  • Born March 10, 1938 — Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
  • Born March 10, 1938 — Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious George, G.I. Joe, George of the Jungle, Hardy Boys, Highlander, Superman, and Wizard of Id, and that’s hardly a complete listing.  He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
  • Born March 10, 1951 — Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer. 
  • Born March 10, 1956 — Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask. 

(11) AFROFUTURISM. The Schomburg Center’s 10th Annual Black Comic Book Festival in partnership with Carnegie Hall’s Afrofuturism Festival! Presents “Black Feminist Futures Series: Planting for the Future”.

The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.

(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.

 Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.

Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.

(13) STAR WARS FAN NEWS. “’Star Wars’ fans are raising money for transgender youth” – Yahoo! Life has the details. (The direct link to the GoFundMe is here: “Fundraiser by The Amidala Initiative (A Community Effort) : The Amidala Initiative for Equality Texas”. They have raised $8,292 of their $25,000 goal as of this writing.)

…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.

It’s the latter that inspired the Amidala Initiative, a group of Star Wars fans and content creators who have joined … forces … to raise money for Texas advocacy organization Equality Texas after Texas Governor Greg Abbott directed the Texas Department of Family and Protective Services to investigate the parents of trans children who have had or are seeking elective gender-affirming procedures or treatments.

“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…

(14) DOES NOT PLAY WELL WITH OTHERS. Radio Times listens in as “Christopher Eccleston rules out Doctor Who multi-Doctor story return”.

…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.

He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.

“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”

Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.

He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”

(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.

Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)

(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world. 

(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”

…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.

But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….

There’s a demonstration in this tweet:

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Arthur C. Clarke chats with Dick Cavett about 2001, life on other planets, and perpetual motion machines in this clip from a 1972 Dick Cavett Show. “Arthur C. Clarke on Why Aliens Would Be Superior To Humans”.

English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.

[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]