Best Professional Artist Hugo: Eligible Works from 2020

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 800 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2020.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, cover reveal blog posts, and other sources on the internet. This year, Filers Martin Pyne and Karen B. also collected this information, and though we had a lot of overlap, their extra entries have greatly increased the information we are able to provide you. My profound thanks go to Martin and Karen for all of their hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2020. Clicking on the thumbnail will open a full-screen version of each work; where I could find a version of the work without titles, that is the image which is linked.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2020-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 3 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Best Professional Artist Hugo: Eligible Works from 2019

By JJ: To assist Hugo nominators, this post provides information on the artists and designers of more than 660 works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

These credits have been accumulated over the course of the year from dust jackets, Acknowledgments sections and copyright pages in works, as well as other sources on the internet. This year, Filer Goobergunch also collected this information, and though we had a lot of overlap, his extra entries have greatly increasead the information we are able to provide you. My profound thanks go to Goobergunch for all of his hard work.

You can see the full combined spreadsheet of Editor and Artist credits here (I will be continuing to update this as I get more information).

In this post I will display up to 8 images of artworks for each artist for whom I have identified 3 or more works which appeared in a professional publication in the field of science fiction or fantasy for the first time in 2019.

Please note carefully the eligibility criteria according to the WSFS Constitution:


Professional Artist

3.3.12: Best Professional Artist. An illustrator whose work has appeared in a professional publication in the field of science fiction or fantasy during the previous calendar year.

3.2.11: A Professional Publication is one which meets at least one of the following two criteria:
(1) it provided at least a quarter the income of any one person or,
(2) was owned or published by any entity which provided at least a quarter the income of any of its staff and/or owner.

3.10.2: In the Best Professional Artist category, the acceptance should include citations of at least three (3) works first published in the eligible year.


Under the current rules, artwork for semiprozines and fanzines is not eligible in this category. You can check whether a publication is a prozine or a semiprozine in this directory (the semiprozine list is at the top of the page, and the prozine directory is at the bottom).

Please be sure to check the spreadsheet first; but then, if you are able to confirm credits missing 2019-original works and the names of their artists from Acknowledgments sections, copyright pages, or by contacting authors and/or artists, go ahead and add them in comments, and I will get them included in the spreadsheet, and if the artist is credited with at least 4 works, in this post. If you have questions or corrections, please add those also. Please note that works may or may not be added to the list at my discretion.

PLEASE DON’T ADD GUESSES.

Artists, Authors, Editors and Publishers are welcome to post in comments here, or to send their lists to jjfile770 [at] gmail [dot] com.


(warning: this post is heavily image-intensive, and will probably not work well on mobile devices: flee now, or prepare to meet your doom extremely slow page download)

Only those bying stoute of heyrte and riche in bandwydthe shouldst click hither to proce’d…

Pixel Scroll 11/1/16 We Have Scrolled The Pixel, And It Is Us

Mowatt Rhino run on Christmas

Mowatt ran to Save the Rhino on Christmas

(1) ANOTHER WAY TO HELP. Jim Mowatt’s rhino-saving run is now a book: From Parkrun To London Marathon: Running The London Marathon For Save The Rhino.

Some time ago I thought it would be a jolly good idea to run the London Marathon.I was fantastically excited about it and eager to consume every blog, book and youtube video I could find that contained any tiny morsel of information about the marathon. I consumed everything I could find and wanted more. Ideally I wanted a book that would relate how someone prepared for the marathon and give me a description of what it felt like to actually run the steps it would take to get around the streets of London. I couldn’t find what I wanted so I have now written the book that I wanted to read. It is now available on Amazon for anyone who might want an insight into how it feels to train for and run a marathon. I also describe the shorter runs that I did in the rhino costume.

The book is called, From Parkrun To London Marathon. Every penny I receive after Amazon have taken their cut will be sent to Save The Rhino International.

(2) READY TO WRIMO. Kameron Hurley says she’s finally gotten past an “epic brain freeze” – just in time for “NaNoNoNoNo”.

Finally, I was able to sit at the keyboard, in the dark, with a beer and a skull candle, and just completely inhabit another world. In my mind’s eye I was surfacing back in Nasheen again, running around a contaminated desert, dodging bursts and bombs, and trying not to care about my companions too much because the world had already ended and living was so very glorious. That’s the sort of writing experience I crave, when you feel like you’re not making things up so much as dictating a story as you’re living it in your head.

(3) MINNEAPOLIS WORLDCON BID. Emily Stewart announced there will be a Minneapolis in 2023 Open Discussion about a possible Worldcon bid on November 19.

If somebody could satisfy my curiosity about who in addition to Stewart is starting up the discussion, I’d appreciation knowing.

(4) CURSED CUBS IN SFF. With the Cubs staying alive for a couple more days, an article about the Cubs and Science Fiction… The Verge has an article about sf and fantasy stories that reference the Cubs’ World Series drought, including those by Jim Butcher. Andy Weir and John Scalzi.

(5) BASEBALL SEASON. Meantime, Steven H Silver invites you to gaze in amazement at his very long bibliography of baseball-referencing science fiction.

(6) CLARKE CENTER PODCAST. Launching today, Into the Impossible is a podcast of stories, ideas, and speculations from the Arthur C. Clarke Center for Human Imagination.

Early episodes will take listeners through exciting, ranging conversations with and between scientists, artists, writers, and thinkers of different stripes, on the nature of imagination and how, through speculative culture, we create our future. The first episode includes Freeman Dyson (physicist and writer), David Kaiser (physicist, MIT), Rae Armantrout (Pulitzer Prize-winning poet, UCSD professor emeritus), and Brian Keating (astrophysicist, UCSD).

(7) JUST $79,000 SHORT. Jason Davis is asking Kickstarter donors for $100,000 to fund The Harlan Ellison Books Preservation Project, “To create definitive versions of all Harlan Ellison’s writings, fiction and non-fiction, to preserve in print for posterity.”

A digital library of Harlan’s entire literary oeuvre created from thousands of papers filed in his home office.

Harlan’s preference for working on manual typewriters from the instrument’s heyday through to his latest work has resulted in an astonishing volume of paper, much of it crammed into overstuffed drawers that often require the industry of two people to extract or—even more difficult—reinsert files.

While oft-reprinted stories like “‘Repent, Harlequin!’ Said the Ticktockman” and “Jeffty Is Five” exist as formal, preferred-text documents from which all reprints are set, many of Harlan’s more obscure pieces exist only as faded carbon copies on decaying yellow pages.

Some of the never-before-reprinted stories collected in HONORABLE WHOREDOM AT A PENNY A WORD and its sequel only exist on 60-year-old carbon copies of the original typescripts and, due to fading of the carbon impressions and yellowing of the paper, are almost illegible. Though one can usually reference the published version of a faded tale in Harlan’s copy of the original pulp magazine, itself exceedingly brittle, it’s preferable to work from the original, which might contain passages excised by the original editor upon initial, and often only, publication.

Jason Davis says the fruits of the project also would include —

At least five all-new Ellison collections.

In addition to reissuing the back catalog titles, there are several more HarlanEllisonBooks.com titles in various stages of completion.

Originally, I was hired as a freelance editor for the first four HarlanEllisonBooks.com releases, but the original publisher moved on and I arranged to continue the project. Since the 2012 release of ROUGH BEASTS and NONE OF THE ABOVE, the endeavor has been a deficit-financed operation wherein I, as editor and publishing associate, used all my free time (outside of my editorial day job) to collect, edit, layout, design, typeset, publish, and market new Ellison books (12 so far), with all expenses out of pocket. Only after the books are released do I receive payment via a commission (not unlike an agent’s) paid to me by Harlan, who is paid directly by our distributor two months after each individual book sells.

(8) NEW HECKEL BOOK. The Dark Lord Jack Heckel, an author covered here by Carl Slaughter, is on sale today from Harper Voyager Impulse.

After spending years as an undercover, evil wizard in the enchanted world of Trelari, Avery hangs up the cloak he wore as the Dark Lord and returns to his studies at Mysterium University. On the day of his homecoming, Avery drunkenly confides in a beautiful stranger, telling her everything about his travels. When Avery awakens, hungover and confused, he discovers that his worst nightmare has come true: the mysterious girl has gone to Trelari to rule as a Dark Queen. Avery must travel back to the bewitched land and liberate the magical creatures . . . but in order to do so, he has to join forces with the very people who fought him as the Dark Lord.

(9) TODAY’S BELATED BIRTHDAY LAB

Eighty years ago, when interplanetary travel was still a fiction and that fiction looked like Flash Gordon, seven young men drove out to a dry canyon wash in the foothills of the San Gabriel Mountains and helped jump-start the Space Age.

They were out there on Halloween 1936 to try what few people at the time had tried: lighting a liquid rocket engine. It took them four attempts to get a rocket to fire for a glorious three seconds — though an oxygen hose also broke loose and sent them scampering for safety as it thrashed around.

The result was encouraging enough for this group — made up of five grad students studying at Caltech and two amateur rocket enthusiasts — to keep going, to build more rockets that would lead to an institution where they could do this kind of work every day.

(10)  THE CRITIC. James Davis Nicoll reprinted his list of rejected ideas for review series which includes categories like —

  • Least Believable Teenaged Girl Protagonist Written by a Man
  • Beloved Classics That Make Modern Readers Say “What the Helling Hell, Old Time SF Fans?”
  • SF Books She Wrote and He Took the Credit For
  • Hard SF Ain’t Nothing But Nonsense Misspelled

(11) FOUND IN TRANSLATION. When Newsweek invites you to “Meet the Man Bringing Chinese Science Fiction to the West”, it’s Ken Liu they’re talking about.

As Xia Jia, an award-winning sci-fi writer and lecturer in Chinese literature, puts it in the essay that closes Invisible Planets, Chinese sci-fi since the 1990s “can be read as a national allegory in the age of globalization.” But Liu argues that the everyday problems encoded by speculative stories in China apply just as much in the West. “People’s lives tend to be dominated by the same considerations…petty bureaucracy, how to make a living, how to give your children a good education…how to adjust to a radically changing society.”

(12) DRAGON AWARDS TAKING NOMINATIONS.  Thanks to Camestros Felapton, we know the Dragon Awards site has been updated its to accept nominations for the 2017 awards. Eligible works are those first released between 7/1/2016 and 6/30/2017.

Welcome to the second annual Dragon Awards! A way to recognize excellence in all things Science Fiction and Fantasy. These awards will be by the fans, for the fans, and are your chance to reward those who have made real contributions to SF, books, games, comics, and shows. There is no qualification for submitting nominations or voting – no convention fees or other memberships are needed. The only requirement is that you register, confirm your email address for tracking nominations and voting purposes, and agree to the rules. This ensures that all votes count equally.

Once you have submitted a nomination for a category you cannot change it. If you are not sure about a category, then leave it blank. You can come back at a later date and add nominations for any category you leave blank using this same form. Make sure your name (First and Last), and the email address match your original submission. No need to fill in your original nominations, the form will append the new nominations to your prior list.

Nomination Deadline: July 24, 2017. We encourage you to get your nominations in early.

(13) LATE ADOPTER. Is TV narration for blind people really a thing?

(14) AIRBRUSHED COSTUME. This is what it looks like when it’s Halloween and your dad is Dan Dos Santos.

I introduced Uno to ‘Akira’ a few weeks ago, and we both immediately thought he’d make a great Tetsuo. He doesn’t care that none of his friends will know who he is.

uno-by-dan-dos-santos

[Thanks to John King Tarpinian, Tom Galloway, JJ, Steven H Silver, and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Describe Your Favorite Cover Art

By Carl Slaughter: Roaming publisher and agency catalogs in search of interesting/impressive books/series to feature or authors to interview/profile, I estimate I’ve seen the cover art for 5,000 science fiction, fantasy, and horror books. Few have caught my attention. Fewer still have compelled me to study them in detail. Take, for example, Todd Lockwood’s cover for Visitor, by Hugo winning author C.J. Cherryh, the latest in her long-running Foreigner universe series.

visitor-enlarge

  • The aliens are considerably taller than the visitor.
  • The aliens have dark skin, the visitor has light skin.
  • The aliens have dark hair, the visitor has blond hair.
  • The aliens are muscular, the visitor has a smallish, plain physique.
  • The aliens are wearing soldier uniforms and armor, the visitor is wearing a diplomacy/business suit.
  • The aliens are dressed in solid black, the visitor is dressed in solid white.
  • The aliens are carrying weapons, the visitor is carrying a book (folder? laptop?).
  • The aliens are looking left and right, as if they are wary of their surroundings (are they in enemy territory, are they bodyguards for the visitor?), the visitor’s attention is fixed straight ahead, as if focused on the task he will accomplish when he reaches his destination (or is he departing the building in the background and thinking about the meeting he just attended?).
  • There are 4 aliens, one visitor.
  • The visitor is enclaved within the aliens. Again, are they guarding him? Who is he negotiating with/for? Which side wants to assassinate him?

What caught my attention about the cover art for Visitor is that it’s so vivid, making the vast majority of its competition look crude by comparison. Something about the other covers in the Foreigner series caught my attention and I didn’t realize what until I studied them: They have distant shots of multiple characters. Most speculative covers have closeups of one or two characters. Half the covers of the Foreigner series don’t have the characters in a battle-ready pose. The typical speculative cover has a character clutching a gun/sword ready to slay the nearest dragon, zombie, or imperial trooper.

Daniel Dos Santos cover art for Misfortune Cookie by Laura Resnick

Daniel Dos Santos cover art for Misfortune Cookie by Laura Resnick

Another example of a cover that grabbed my attention and intrigued me is Daniel Dos Santos’ cover for Misfortune Cookie, one of Laura Resnick’s Esther Diamond paranormal mystery novels. Rather than a scene, there are numerous items depicting various elements of the plot. I count at least 4 hands sticking out of that giant fortune cookie. Esther is a striking pose and portrayed as being perpetually on the move as she solves the case. The other art in the Esther Diamond series is almost as good.

What about you? What cover art has caught your attention and why?

The Cream Rises

All five nominees for the 2010 Best Professional Artist Hugo are strutting their stuff at Tor.com this week. Art Director Irene Gallo has lined up screensavers from Shaun Tan, Dan Dos Santos, Stephan Martiniere, John Picacio, and Bob Eggleton. She’s posting one each day.

Gallo led off with Shaun Tan on Monday:

To celebrate AussieCon’s (home of this year’s Hugo ceremony) artist Guest of Honor, Shaun Tan, we decided to kick-off the week with this lovely “Eric” drawing from one of my favorite stories in Shaun’s short story picture-book collection, Tales from Outer Suburbia.

This example makes it easy to understand why the sig line reads: “Irene Gallo is in love with every piece of paper Shaun Tan touches.”

She followed with Dan Dos Santos’ contribution on Tuesday, an incredible portrait of an elf painted during the 2009 Illustration Master Class.

I’m looking forward to seeing more breathtaking art at Tor.com as the week progresses.