When I get older losing my hair Many years from now Will you still be sending me a Valentine Birthday greetings bottle of wine If I’d been out till quarter to three Would you lock the door Will you still need me, will you still feed me When I’m sixty-four
– John Lennon and Paul McCartney, circa 1967.
One of my earliest childhood memories occurred fifty-seven years ago this week; on Wednesday, August 28th 1963, I clearly remember parking myself in front of my grandmother’s Philco television for an afternoon of cartoons and silliness that I was accustomed to.
Instead, I saw a sea of faces. All gathered at that time by what I took to be a large lake. The faces, mostly of black people but with a sprinkling of others mixed in, all gathered near a domed building. I tried other channels. It was on all three major network stations. I was so mesmerized by this mass of humanity that was speaking and cheering that I gave up on seeing cartoons and watched for a while…
What I was witnessing of course, was the March on Washington For Civil Rights, centered around the Lincoln Memorial, was one of the most galvanizing events of American history at that time. I had just turned seven years old.
When I was that small child, I was totally oblivious to the troubles of the world: racial prejudice and strife, lynchings (still a THING back then, people), stranger danger or pedophile priests, redlining, segregation and the ongoing Cold War with various Communist entities.
I’ve been told that when I was a boy, I was very shy and often seeking solitude, either by myself or curled up with any of a number of Dr. Seuss books my parents bought for me.
There’s also this: sometimes, I would inexplicably wake up in the middle of the night and wonder about the future. Would I be alive to see it? What would it be like? Where would my parents and siblings be? I spent countless nights wrestling with these existential questions…
Now, on this end of the timeline and on the occasion of my 64th birthday, I can stand back and recall all of those struggles and how I dealt with them, one by one. There was a steep learning curve as I navigated through life; with school, dealing with other people, raging hormones, the bullies, beatings, self-doubt and several bouts of deep depression.
And against all odds, I survived, alive, well and somewhat healthy for my age.
And as I sit and write this, I see history repeating itself. This past Thursday, August 28th 2020, I again saw a sea of faces, a glorious rainbow of skin color, in high definition, all calling out for justice, equality and peace. But this gathering was concerned with the same sorts of basic issues that could have been ripped from a mid-20th century newspaper; racial strife, gun violence, police brutality, rioting in the streets and voter suppression.
America today seems more like the America of 1968, when we seemed to be a mess, politically, physically and socially divided to the point of militancy, with the added complication of a pandemic disease which has no known effective treatment, vaccine or cure.
All this leaves me wondering, after nearly sixty years, why do a substantial number of American white people still loathe, discriminate and outright hate people of color such as myself, simply because we look different or have differing attitudes and opinions. We may not have originated on this continent but neither did they!
THIS is not the science fictional future I signed up for.
And the answer is this; we, collectively, have not had a reckoning with our past history of the illegal taking of land from Native Americans, the enslavement of African natives and the combination of systemic racism that on the surface, promises an abundance of freedom and opportunity but, in fact, has created a de facto caste system of poverty and income inequality.
The ravages of the Covid-19 pandemic and the less than adequate response to the emergency (and other malicious missteps) by the current administration has shorn away the thin veneer of propaganda that the United States is a shining monument of freedom.
People, immigrants, illegal or otherwise, still want to come here. They want to come even though the President can’t string two coherent sentence together without the help of a teleprompter, the people he has chosen to guide governmental policies are incompetent or corrupt, the Majority Leader of the United States Senate deliberately subverts the process of democracy on a regular basis and a good portion of the white population doesn’t want them there.
Why? Because they have seen glimpses of how great we can be.
We have enacted civil rights legislation. Our collective efforts put twelve men on the moon and returned them all safely to Earth. Our technological innovations are still admired to a certain extent. We continue to fight against climate change and environmental reforms even when the government refuses to acknowledge it. Our athletes are showing that they are politically aware and active. Our artists still have the right to express themselves freely, through books, paintings, sculptures, music and architecture.
And when black people, like Jacob Blake, Breonna Taylor, Botham Jean, Atatianna Jefferson, Philando Castille and George Floyd and are murdered in their homes or in the street by the police, the collective outrage is felt by many more than just the Black Community alone.
And then, most notably, there are the visual arts: Star Trek. And Star Wars. The Marvel Universe of films. Babylon 5. The Expanse. The Good Place. Rick and Morty, And, yes, The Orville and Galaxy Quest as well.
These films and television shows are our true brand and main calling card; the possible futures that may not be pretty, desirable or very easy, but they are thrilling to experience and definitely show that we have some sort of future to look forward to and it is worth living for.
I still wake up in the middle of the night, moreso in the past six months. As I lie in bed, I still worry about the future. Although now I mostly wonder what will happen in the November elections, if I have taken enough precautions so I don’t become ill and what sort of future my grandchildren will inherit from us. And, more morbidly and with growing distress, how much time I may have left to live.
Somehow, some way, I still believe that there is hope for myself, our country and the world. That’s probably due to my lifelong love of science fiction and fantasy.
That spark of optimism, buried deep within even the darkest of the novels, stories and films that I have loved and enjoyed all of these years, has kept my own spirits alive and well. I have chosen to embrace the future, not be consumed by it.
Because ready or not, the future is now.
This column is dedicated to the memory of Chadwick Boseman, a splendid human being and an extraordinary actor. Best known as the Marvel Cinematic Universe’s Black Panther, he spoke the following lines, which resonates, for America and the world at large, NOW, more than ever. Rest In Peace, My King; we will always be inspired by you and the many roles you played, to make this a better world…
A Few (Pointed) Observations of the 2020 Hugo Awards Ceremony
By Chris M. Barkley: I usually don’t offer any commentary after the Hugo Awards are given out because the will of the voters has been expressed and as the song goes, “Some will win, some will lose, some of them will sing the blues.”
And when you consider what happened last Saturday morning in Wellington, New Zealand, I think what unfolded may have looked really bad, but it could have been far, far worse.
Having said that, I think the CoNZealand Hugo Awards Ceremony team deserves a modicum of credit for bringing us a telecast of the awards at all under somewhat grueling circumstances; even though there were a number of other glitches that were glaringly evident as time went on.
THE HUGO AWARDS CEREMONY
Yes, the CoNZealand Hugo Awards Ceremony will probably go down as one of the longest and most poorly executed as of now and well into the near future. I am quite sure that everyone involved, and I definitely include George R.R. Martin and the CoNZealand production team had the best of intentions.
I believe that he, and Robert Silverberg, were trying to convey to a global audience the grand, sweeping history and the importance of the award, which is still, after sixty-seven (67!) years, the only prestigious literary award given to authors and artists by readers. But they took an awfully long time to convey that.
When planning something as arduous as the Hugo Awards Ceremony, the uppermost thing to keep in mind is that brevity and conciseness are your friends and droning on and boring your audience is not what you want under any circumstances. A VERY tight script would have redeemed this broadcast.
Also, and more importantly, GRRM and the producers on his end completely misread the audience tuning in. While his folksy reminiscing and cute anecdotes about the good old days of pre-internet fandom may have been entirely appropriate on a Worldcon panel (of which I have no doubt he has done countless times beforehand) his comments were perceived by the somewhat younger crowd as meandering, problematic and boring. His stories were about as meaningful and relevant as Henry Ford regaling Elon Musk about what a genius idea the production line was.
I am rather puzzled how GRRM, a seasoned writer/producer of several tv shows, could have possibly not foreseen this Titanic-sized iceberg in the making. And with at the very least five or so months of advanced planning, it was entirely avoidable.
But there’s the rub; this fiasco was NOT entirely GRRM’s fault. He had plenty of help.
Someone in CoNZealand’s end of the production and the producer in charge of GRRM’s studio, whom I do not know and cannot readily find, should have recognized the problems at the scripting stage and should be held ultimately responsible for this fiasco. And whomever they are, they should have provided GRRM with the proper pronunciations of the nominee’s names far in advance of the start of the Ceremony.
Very little responsibility should fall on the line producers of the broadcast, Directors Alan Bond and Dragos Ruiu, who were recruited late in the process.
The script GRRM and his producers had drafted by early July had a proposed running time in excess of OVER THREE HOURS, and that was without the recipients’ speeches! That’s as long as some of the more egregious Academy Awards telecasts of recent years. The final running time of the Ceremony (including the Hugo Award recipients’ speeches) clocked in at three hours thirty-four minutes and fifty-eight seconds. (And for those of you keeping score at home, no, it was not as long as Gone with the Wind; it would have needed yet another 24 minutes to accomplish that. But it sure FELT like it…)
Several days after CoNZealand ended and the bloody autopsies of the broadcast were in full swing, I came across a Facebook post that claimed that the original tech crew had been unceremoniously sacked and had to sign non-disclosure agreements to boot.
And then there was also this curious post from a recent File 770 comments page:
Chip Hitchcock on August 6, 2020 at 8:30 am wrote:
“@Soon Lee: I’m sympathetic to the issues brought up by having to pivot so close to curtain time. ISTM that the program book should not have been one of those, but the slow connections in the Hugo ceremony (explained in another thread as having been picked up on 3 days’ notice because the original team crumped) is understandable.”
Curious about these claims, I spent several days seeking out, contacting and speaking extensively with a source who worked on the convention. I can completely debunk and dispose both pieces of gossip:
The original technical crew did not “crump”. Nor were they sacked or forced to sign NDAs.
According to my source, the decision was made to replace the New Zealand crew by the American based production team on the evening of July 29 (the first day of the convention) at the request of the US-based producers. This request was made directly by them to the Events Division Head, Mel Duncan. The explanation that was offered was that the tech crew was too widely distributed across several time zones (AEST/NZST/PDT/EDT) and the producers wished to use a centralized crew based solely in the Pacific Daylight Time zone.
That is all fine and well in theory, BUT the original crew had already gone through several rehearsals already and may have been in a better position to handle the technical issues or difficulties that occurred. Or not. We’ll never know for certain.
One thing is certain, GRRM and the production team haven given the World Science Fiction Society a big, black eye. Needless to say, this terrible program has churned up a considerable amount of negative reactions from a wide spectrum of fans and critics. How bad? One acclaimed Hugo Nominated Best Series author, Tade Thompson, was so disgusted by the perceived racism (in praise of problematic writers and editors from generations ago) that he publicly announced on Twitter that he would no longer accept any future nominations from WSFS. So yes, really bad.
The BEST part of the broadcast was the acceptance speeches by the recipients, they were fantastic! In particular, I was especially happy for Jeannette Ng, whose speech at the Dublin 2019 Worldcon accepting the (now former) John W. Campbell Award for Best New Writer won the 2020 Best Related Work category. I was privileged to be in the room when it happened; her scathing condemnation of white privilege, fascism and racism was truly one of the most electrifying moments in modern literature and subsequently made headlines around the world. Ms. Ng’s acceptance speech was also heartfelt and stirring, too.
Of all of the fiction award winners, my only lament is that Ted Chiang’s magnificent novella, “Anxiety is the Dizziness of Freedom”, was bested by “This Is How You Lose the Time War”. But Amal El-Mohtar and Max Gladstone’s story was an epic tour-de-force and just as deserving.
THE 1945 RETRO-HUGOS
I had other concerns.
When the Retro-Hugo Awards were first established in 1996, it was generally thought that it would be a good idea to honor works of fantasy and science fiction from 50, 75 and 100 years ago. And now after honoring eight years (1938,1940, 1942-1945, 1950 and 1953), folks are having second thoughts about the whole endeavor.
The good news is that the late Leigh Brackett and artist Margaret Brundage were big winners. Brackett won twice, the first for her novel Shadow Over Mars (aka The Nemesis From Terra) and in the Best Related Work for her Writer’s Digest article, “The Science Fiction Field”. The late Ms. Brundage was honored as the Best Artist of 1944, primarily for her artwork that year for Weird Tales.
The bad news, as far as I was concerned, was yet another Short Form Editor award for John W. Campbell, Jr and a Best Series award for H.P. Lovecraft’s Cthulhu Mythos.
It seems to me it’s as though when the Retro-Hugos are handed out, the nominators and voters seem to punch Campbell’s award ticket EVERY SINGLE TIME. I freely admit that, without question, he was one of the most influential editors of 20th century sf literature. And despite being a bit of a weird, cranky, an eccentric and a virulent racist, he was revered by his peers and fans alike for decades.
And because of those beliefs, I don’t think that Campbell is held in such high regard by a majority of contemporary fans, writers and editors. But the Hugo Award is not given for a person’s beliefs and character, they are given for the work that has been done. And as much as I may dislike JWC as a person, there is no doubt he did some admirable work, in his era.
By my count, Campbell’s work has netted him fifteen Hugo Awards, eight of those being Retro-Hugos. The question I have is this; how much adulation is enough? Because it seems to me that even with some of the more recent revelations of Campbell’s true nature, there is a die-hard cadre of enthusiasts who will continue giving his surviving family members a Hugo Award in spite of those personal criticisms of his character.
Well, I stopped nominating and voting for John W. Campbell, Jr.on my Retro ballot years ago. Because there were other editors of that early era who deserve recognition, too.
As for H.P. Lovecraft, I also recognize that he has had a lasting influence in modern day fantasy and horror. He is also a very disturbing individual and racist whose writing style was admired by his contemporaries and many, many others after his death. Despite that, I have no love or admiration for his work, no matter what his personal views were.I find his works turgid, stomach-turning and generally unpleasant. So my opposition to honoring Lovecraft’s work is strictly aesthetic not personal.
In closing, I will note that Clifford Simak’s “Desertion”, the runner up in the Short Story category, was one of the most enthralling tales that I had ever read in my youth. It is a far superior story in comparison to the winner, Ray Bradbury’s “I, Rocket”. I think that Bradbury’s long literary shadow was at work here and I believe that honoring such an inferior story would shock and dismay him.
BEST SEMI-PROZONE and BEST EDITOR, LONG & SHORT FORM
Somewhere in the middle of this miasma of an awards show, both GRRM and author Robert Silverberg mused at length about the Best Semiprozine and the Long and Short Form Editing categories. Specifically, why were these awards named in such a manner.
Well, if they knew their Hugo Awards history, they would have known that the Semiprozine category was first awarded in 1984 and, according to Wikipedia, “…is given each year for semi-professionally-edited magazines related to science fiction or fantasy which had published four or more issues, with at least one issue appearing in the previous calendar year.” The award was dominated for decades by Locus Magazine (with 8 wins as Best Fanzine in the 13 years before the creation of the Semiprozine category, followed by another 22 wins until a WSFS Constitution rules change in 2012 made it ineligible in that category.)
I was so disgusted by this category and Locus’ repeated wins that I was once recruited by Discon III Fan Guest of Honor Ben Yalow to try and KILL it altogether at a WSFS Business Meeting. Obviously, we did not succeed, at least, in this timeline. But that’s another story for another day…
In the past decade, there have been meaningful attempts to draft a constitutional amendment to make this category more relevant (and ditch the unwieldy name as well).
This rather dovetails with Mr. Silverberg’s comments about how odd it was to have a long and short form award for editors. Having labored for three agonizing years in the conclave of SMOFs email lists and the Business Meetings, I can tell Mr. Silverberg that I was in the room where it happened and that he really, REALLY, doesn’t want to know how this particular sausage was made.
What I can tell you is that the intent of splitting up the Editing category was to find a way to honor magazine/anthology editors and book editors, who had been sadly neglected over the decades. How neglected, you may ask?
The last two Hugo Award winning book editors were Judy-Lynn Del Rey (1986) and Terry Carr (1987). Both were deceased by the time they were honored..
Ideally, in the 21st century, this mess can be easily solved by establishing the following categories:
Best Magazine: Any magazine (in print or online) related to science fiction or fantasy which had published four or more issues or edited volumes in the previous calendar year.
Best Anthology or Collection: Any Anthology of original stories or a single author collection related to science fiction or fantasy published in the previous calendar year.
Best Book Editor:The editor of at least four (4) novel length works primarily devoted to science fiction and / or fantasy published in the previous calendar year that do not qualify as a magazine or a website.
The only thing needed for the last category to work is the establishment of a uniform commitment by publishers to credit the novel’s editor in every book. Besty Wollheim of DAW Books has been working for the past two years to make this happen. Bravo to her!
There has been some disturbing news in the past few years that certain members of the Business Meeting might be open to abandoning the Book Editor category in favor of a Best Publisher or Imprint Award. I think that would be a terrible shame to shunt book editors back into the shadows after thirteen years in the limelight.
BEST DRAMATIC PRESENTATION LONG & SHORT FORM
One of the most egregious oversights this year was the omission of the HBO mini-series, Chernobyl from the Long Form category.
If fans had enough gumption to nominate a film like Hidden Figures, which brilliantly dramatized the work of African-American “calculators” who helped guide the Mercury spaceflight program of the 1960’s, what was the impediment to nominating the chilling and dystopian epic of the worst nuclear disaster on record?
In a similar vein, I practically shouted to anyone who would listen that fans should NOT nominate individual episodes of Watchmen, the acclaimed ten part series that served as a “indirect sequel” to Alan Moore and Dave Gibbon’s 1986 Hugo Award winning graphic novel.
And it ALMOST worked; an official statement from CoNZealnd’s Hugo Award Administrators posted on the voting results read as follows:
“Watchmen gained enough votes to qualify in this category (81), but two individual episodes also qualified for the Short Form category (“A God Walk Into Abar” 81, “This Extraordinary Being,” 54) with more votes collectively. The Administrators therefore removed Watchmen from this category.”
With Watchmen relegated to two episodes in the Short Form Category, the beneficiary of that move was The Rise of Skywalker, who slipped into the sixth spot with 75 nominations. Next in line was Spider-Man: Far From Home with 74 nominations. (See the 2020 Hugo voting statistics here.)
And what’s this? The entire season of Russian Doll was nominated????? Russian Doll but not Watchmen? That’s the year 2020 for you; all crazy, all of the time.
So with Chernobyl nowhere to be seen and Watchmen regulated out of the Long Form competition, is anyone surprised that the adaptation of Neil Gaiman and the late Terry Pratchett’s Good Omens (also nominated as a series) was the eventual winner? A good choice, yes, But personally, I’d like to think that Watchmen would have given them a run for their money.
In the Short Form category, the same story, same show, a related result:
“Good Omens: Hard Times (Episode 3)” gained enough votes to qualify in this category (108 nominations), but the entire series of Good Omens also qualified for the Long Form category, with more votes. The Administrators therefore removed “Good Omens: Hard Times” from this category.”
The beneficiary here? The Doctor Who episode “Resolution”, which was promoted on the ballot, just ahead of an episode of The Good Place, “Pandemonium”.
And as much as I like Michael Shur’s comedy of moral philosophy and demonic manners, I heart simply aches that “The Answer” was given the nod over two of Watchmen’s incredible episodes, “A God Walks into Abar” and “This Extraordinary Being.”
This sort of heartbreak could be avoided if the WSFS Business meeting would come to its senses and adopt the common sense solution that fellow fan Vincent Docherty and I formally proposed two years ago at ConJose (and can be found in Appendix B: 2018 Report of the Hugo Awards Study Committee, on page 27).
Best Dramatic Presentation: Series – Any TV or streaming series of four 60 minute episodes or more than 240 minutes.
Best Dramatic Presentation: Episodic Form – TV or any other dramatic form, 30-89 minutes.
Best Dramatic Presentation: Long Form – For films, audio books, theatrical productions, 90 minutes or more.
Best Dramatic Presentation: Short Form – Any dramatic form of 30 minutes or less.
Yes, FOUR categories of Dramatic Presentation. If anyone has a better idea, please step forward at the Business Meeting and be prepared to be hammered down.
So, until the proposal above comes to pass (or something like it), my advice to all of you nominating voters stands; if you love this year’s series of Agents of S.H.I.E.L.D., Homecoming, Lovecraft Country or The Umbrella Academy, DO NOT, DO NOT, DO NOT nominate individual episodes, nominate the whole series. That’s what the Long Form Category was created to honor in the first place.
THE LODESTAR AWARD FOR BEST YOUNG ADULT BOOK
No one has EVER explained to my complete and utter satisfaction as to why this cannot be a Hugo Award category.
I hope it happens one day. Soon.
In the meantime, CONGRATULATIONS to Naomi Kritzer for her winning book, Catfishing on CatNet. Well Done!
THIS award should be either a Hugo Award category OR renamed to honor the works and memory of Ursula K. Le Guin. At this point, either would suit me just fine. Just Sayin’…
(2) PETITIONS AND PUBLISHING. Seanan McGuire has a quite interesting series of tweets inspired by social media petitions flogging certain authors to produce their next book now, in which she tries to open readers’ eyes about the traditional publishing process. Thread starts here.
(3) ABOUT THE GUARDIAN’S “OPEN LETTER” COVERAGE. Chris Barkley posted his letter of complaint sent to The Guardian’s Reader Service about their article.
I am writing to complain about Alison Flood’s article on the Saudi Arabian bid to hold the 2022 World Science Fiction Convention.
While Ms. Flood’s reporting was informative, it did lack ANY reaction directly from the current co-chairs of the current Worldcon in New Zealand (Kelly Buehler and Norman Cates) or any member of the Worldcon who could explain the function of the Constitution of the World Science Fiction Convention and how it relates to the multi-year bidding process works.
Nor had she any quotes or commentary from any other fans who could have offered additional information or insights about sf fandom.
It would be very much appreciated if she were to update this important story with more of these elements rather than the somewhat sensationalized version that was posted.
Chris M. Barkley Cincinnati, Ohio USA
I have worked in Worldcon Press Offices since 1983. In this day and age there is NO EXCUSE for sloppy reporting…
(4) TOASTMASTER WARMS UP THE AUDIENCE. George R.R. Martin previews the CoNZealand Hugo Ceremony in “Worldcon… Virtually” at Not A Blog.
…Anyway, here is how the Hugos are going to work… I have already pre-recorded all of my opening remarks, introductions of the guest presenters (we will have several), amusing (one hopes) anecdotes and bits of history, discussions of each category, and readings of the names of the finalists (in the cases where I am presenting myself, rather than throwing the ball to a guest presenter). ConNZealand has all those videos. The rest of it will be live streamed from my theatre in Santa Fe, the Jean Cocteau, where a member of worldcon’s tech team will be helping me Zoom. I will have the envelopes with the names of the winners sealed therein. I may actually have a Hugo to wave about.
So the drill will go like this: for each category, you will get a pre-recorded video of me as a lead-in. Then I will either read the finalists, so throw it to another presenter who will do the same. Most of their remarks are pre-recorded as well. Then back to me, this time live at the JCC, where I will rip open the envelope and announce the winner. Then we cut to the happy winner, somewhere in the world… assuming they are in front of their computers and know how to Zoom and all. (No, unlike the other major awards shows, we have no plans to show the fake smiles on the faces of the sad losers). The happy winner will make an acceptance speech, long or short as may be, that is entirely up to them. Then back to me… either live me at the JCC, or pre-recorded me for the next category.
And on and on, starting with the Lodestar and ending with Best Novel….
(5) CONZEALAND DAILY NEWZINE. Cruise Log has found a substitute for the Worldcon daily zine’s usual “warm body count” —
1400 people have logged into the CoNZealand discord server as of 09:00 Thursday morning!
The new collection of Peter Pan British Isles 50p coins have been developed in partnership with Great Ormond Street Hospital to celebrate 90 years since author, J.M. Barrie, gifted all future rights of the book to them.
The new set will be the first ever collection of its kind in the UK – but won’t be released by the Royal Mint and therefore won’t be entering circulation.
Prices start at £6.25, and for every coin sold, a donation will go directly to GOSH Charity to support the hospital’s most urgent needs: fund support services, pioneering research, equipment and refurbishment.
(7) DREAM FOUNDRY WRITING CONTEST. The Dream Foundry Writing Contest will be open for submissions from August 10 to October 11, 2020. Full guidelines here.
We’re looking for complete and finalized stories of speculative fiction of up to 10,000 words. This year, we’re proud to announce monetary prizes for 1st, 2nd, and 3rd places.
1st: $1000; 2nd: $500; 3rd: $200
There is no submission fee. All rights remain with the creators.
(8) MEDIA BIRTHDAY.
July 29, 1953 — George Pal’s adaptation of H.G. Wells’ The War Of The Worlds premiered in Atlantic City, New Jersey. It was directed by Byron Haskin from the screenplay by Barré Lyndon. It starred Gene Barry and Anne Robinson. It was narrated by Cedric Hardwicke. The film was both a critical and box office success earning back its budget in its first release. And it would win an Academy Award for Special Effects. Audience reviewers at Rotten Tomatoes currently give it a 71% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 29, 1876 — Maria Ouspenskaya. In the Forties, she did a run of pulp films, to wit The Wolf Man, Frankenstein Meets the Wolf Man and Tarzan and the Amazons. A decade or so earlier, she was in Beyond Tomorrow. (Died 1949.) (CE)
Born July 29, 1878 – Don Marquis. (name pronounced “mar-kwis”) At The Sun, New York, a column “The Sun Dial” 1912-1922; at The Herald Tribune, “The Tower” (later “The Lantern”); three novels; plays, poems, essays, sketches. Introduced, famously and of interest to us, a cockroach whose writings DM found in the typewriter next morning; the cockroach wrote by diving onto the keys, could not get capitals, and so is known as archy; in turn archy knew a cat, mehitabel; they, illustrated by George Herriman who meanwhile drew Krazy Kat, outcreated everything. (Died 1937) [JH]
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales. editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. (Died 1940.) (CE)
Born July 29, 1907 — Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) in the Star Trek “And the Children Shall Lead” episode. Koenig objected to his playing this role believing the role should have gone to someone who was an actor. (Died 1996.) (CE)
Born July 29, 1927 — Jean E. Karl. She founded Atheneum Children’s Books, and she edited Ursula K Le Guin’s Earthsea sequence and Susan Cooper’s The Dark Is Rising sequence. As an author, she wrote three genre novels, Strange Tomorrow, Beloved Benjamin Is Waiting and But We Are Not of Earth, and a reasonable amount of short fiction, all of which is In the Clordian Sweep series. Nine of those stories are in The Turning Point collection. (Died 2000.) (CE)
Born July 29, 1939 — Curtis C. Smith, 81. Editor of Twentieth-Century Science-Fiction Writers, plus two genre biographies, Olaf Stapledon: A Bibliography with co-author Harvey J. Satty, and Welcome to the Revolution: The Literary Legacy of Mack Reynolds. Not active since the mid-Eighties as near as I can tell. (CE)
Born July 29, 1941 — David Warner, 79. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (CE)
Born July 29, 1945 – Sharon Creech, 74. First person to win both the Newbery & Carnegie Medals. Three novels for us, many more (two, for adults, under another name). Some verse, some prose. “While teaching literature I learned so much about writing”; Website here. [JH]
Born July 29, 1948 – John Harris, 72. Two hundred covers, as many interiors. Two artbooks. Chesley for Lifetime Achievement. Commissions for NASA, Royal Caribbean cruise ships, Philips, Shell. Here is Stand on Zanzibar. Here is The Ringworld Throne. Here is Ancillary Mercy. Here is The Best of Gregory Benford. [JH]
Born July 29, 1953 – David Lee Anderson, 67. A score of covers, half that many interiors. Lately Oklahoma landmarks and landscapes. Here is the Oct 93 Tomorrow. Here is A Glimpse of Splendor (collection). Here is ISS Repairs (Int’l Space Station). Here is Rioghain (“ree-ann”) from Afterwalker (D. Glaser dir.; in post-production as of Mar 2020). Website here. [JH]
Born July 29, 1956 – Chitra Divakaruni, Ph.D., 64. Five novels for us; much more. The Palace of Illusions, her re-telling of the Mahabharata from Drapaudi’s perspective, was an India best-seller for a year; here (Web archive) is an India Reads review whose author confesses having known the Mahabharata only from television. American Book Award, Light of India Award, Pushcart Prize, Ginsberg Poetry Prize. Website here. [JH]
Born July 29, 1969 – Forrest Aguirre, 51. Two novels, five dozen shorter stories in Apex, Asimov’s, Vasterien. Edited two Leviathan anthologies (one with Jeff Vandermeer; World Fantasy Award). Speaks Swahili. Collections, The Butterfly Artist, Fugue XXIX. Ranks Thank You, Jeeves above Gorky Park (agreed). Interview at SF Site here. [JH]
…However, I realised that the Google n-gram site would provide a neat empirical confirmation of Mars bias in popular culture. I did a search on Martians and Venusians, choosing the inhabitants rather than the planets to avoid hits about astronomy or the gods….
If you’ve ever wanted to build a real and working Windows 95 PC inside Minecraft, now is the time. A new VM Computers mod has been created for Minecraft that allows players to order computer parts from a satellite orbiting around a Minecraft world and build a computer that actually boots Windows 95 and a variety of other operating systems.
The mod uses VirtualBox, free and open-source virtual machine software, to run operating systems like Windows 95. Within Minecraft you simply place a PC case block and then use it to create virtual hard drives to install operating systems from ISO files….
I like a small book. I trust a small book. I appreciate a small book for all the things it doesn’t do, for all the stories it does not tell.
Big books? They’re dangerous in their excess. Bloated (often) with words they do not need and larded (often) with detail that no one asked for. You can slip into a big book and lose your way too easily. But a small book is intimate. Close. Every word it says matters. The writer of a small book knows that every page has to count.
Cherie Dimaline wrote a small book called Empire Of Wild. It isn’t small in pages (320, give or take) or in words (it has the normal amount), but it is tiny in consequence. In the scope and reach of the story it tells.
It is about Joan, who has lost her husband. And who means to get him back. That’s all. There are no worlds to be saved, no history to be altered. Joan’s actions, and the reverberations of those actions, are felt only close by. Her family, her community, the barrooms and living rooms and Walmart parking lots of the small towns around Georgian Bay, Ontario are the only places where her footsteps are felt. And that’s enough. That’s more than enough.
…Down in its bones, Empire Of Wild is a monster story. Mythic but not epic, swimming in Indigenous medicine, not magic. Calling it urban fantasy gives it a gloss it doesn’t possess. Magical realism implies something absurdist, asynchronous, and doesn’t speak to the way that the medicine of the Métis elders is woven into every breath and line.
Here, Dimaline uses the Métis legend of the rogarou to square her narrative architecture — to give weight and nightmares to Joan’s private hurt. The rogarou is the bogeyman that scares children home before it gets too dark outside. It makes Métis girls walk home in pairs. It keeps men from doing wrong by women, each other or the community. The rogarou is part man, part dog, a wolfman that makes itself through bad choices. And Joan believes in the rogarou because she’s seen one before. She knows the smell of one when it’s close — and with a cell phone, some salt bone, her aunt Ajean’s medicine and her chubby, mopey nephew Zeus by her side, she knows that she’s going to have to meet one, fight one, slay one to bring Victor back home.
The Marine Corps is moving ahead with plans to test a wearable robotic exoskeleton that conjures up images of that power-loader suit Ellen Ripley wore to take down a space monster in the movie “Aliens.”
By the end of the year, the service will have a Guardian XO Alpha full-body robotic exoskeleton that allows one person to do the work of four to 10 people, depending on the task. The wearable suit can do hours of physical labor that would otherwise be impossible for a Marine to do alone, lifting and moving up to 200 pounds of gear repeatedly for eight hours straight.
We’re all familiar with migration: Wildebeests gallop across Africa, Monarch butterflies flit across the Americas … but did you know that forests migrate, too?
In his new book The Journeys of Trees, science writer Zach St. George explores an agonizingly slow migration, as forests creep inch by inch to more hospitable places.
Individual trees, he writes, are rooted in one spot. But forests? Forests “are restless things.” As old trees die and new ones sprouts up, the forest is — ever so slightly — moving.
“The migration of a forest is just many trees sprouting in the same direction,” St. George writes. “Through the fossils that ancient forests left behind, scientists can track their movement over the eons. They shuffle back and forth across continents, sometimes following the same route more than once, like migrating birds or whales.”
…“Putting together a spacecraft to Mars and not making a mistake is hard no matter what,” said NASA deputy project manager Matt Wallace. “Trying to do it during the middle of a pandemic is a lot harder. Everyone told us we could not have come up with a better name than Perseverance.” (Wallace and others in this story spoke during or in videos presented at a virtual June press conference.)
Despite this seismic hurdle, the Mars 2020 rover is on track for a July 30 launch toward its seven-month, 314-million-mile journey to the Red Planet. Its two-year mission is to gather samples suggesting past microscopic life for subsequent retrieval and return to Earth, explore the 4-billion-year-old geology of the Jezero Crater landing site, and demonstrate technologies for future robotic and human exploration. The mission has cost $2.4 billion from development through launch, with another $300 million earmarked for operations and surface science.
Smart glasses company North has told customers that their $600 (£460) purchases will stop working in a few days’ time.
The Canadian company, recently purchased by Google, says its Focals glasses will cease functioning on Friday.
From then, owners will not be able to use “any features” of the glasses, or connect to the companion app.
But the company has also said it will automatically refund all customers.
It promised to send the purchase price back to the original payment method, and to contact those customers whose refunds it could not process.
At the end of June, North announced it was being acquired by Google, and would not release a planned second-generation device.
It also said it would “wind down” its first generation smart glasses, released last year.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The YouTube algorithm says I should watch “The Secret Every Tolkien Nerd Knows” by Diana Glyer. What do you think of the algorithm’s judgment?
[Thanks to Rich Lynch, JJ, John King Tarpinian, Daniel Dern, Chip Hitchcock, Martin Morse Wooster, Michael Toman, Mike Kennedy, Cat Eldridge, John Hertz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
BY DANIEL DERN: Between September 2017 and mid-July 2020 (when I very-belatedly filed my own final Dublin 2019 report), File770 had, according to my searches and calculations, roughly 90 “Scrolls” (posts) either completely about, or with “Items” (sections) relating to the August 15-19 Dublin 2019 Worldcon (World Science Fiction Convention).
This included roughly thirty dedicated Scrolls with 300+ photos and roughly 12,000 words of reports (not counting comment wordage, nor this post’s) from various Filers (Chris Barkley, Cora Buhlert, yours truly, Hampus Eckerman, and Rich Lynch), some of who sported Media ribbons that gave us front-row (and line-skipping) access to events and sessions. We covered a mix of official stuff like the opening press conference, the Masquerade, panels and readings, and the Closing Ceremonies, along with pictures of fans schmoozing, wearing hall costumes, buying books, and having fun, and of and around the fair city of Dublin.
The other sixty dedicated-to-Worldcon Scrolls and non-dedicated Scrolls with one or more Worldcon-related items included everything from announcements and reminders (Hugo voting deadlines, “Program is posted!”) — of interest not only to Attending (going to/at the convention) and Supporting (can vote for Hugos) members, and to the generally-curious, along with reports regarding and from Hugo and WSFS (World Science Fiction Society) planning and meetings, along with meet-up plans, restaurant guides… and yet more reports, plus links to other reports posted to Facebook, peoples’ sites and blogs, and elsewhere. So not all might be considered “media coverage,” admittedly.
(And I’ve made some judgement calls, such as not including all of Hugo items where they weren’t also about or at the Con, and also haven’t factored comment content in.)
Here’s a list of File770’s coverage of (and from!) the Dublin 2019 Worldcon:
Pixel Scroll 8/16/19 Scrolls From Topographic Pixels (2) DUBLIN 2019 BUSINESS MEETING. “Dublin 2019 — WSFS Business Meeting Day 1” has a synopsis of the day’s machinations. (3) AS IT HAPPENS. The Hugo Awards site has a post showing where to find August 18’s live text-based coverage of the 2019 Hugo Awards.
Pixel Scroll 8/30/19 The Past Is Long And Full Of Writers (August 30, 2019) (2) DUBLIN UP. [Links to] Two more Worldcon write-ups. Noelle Ameijenda, in “The Fantastic comes Home”, tells how she juggled attending and working the con Sara at Not Another Book Blogger penned one of the sweetest conreports I ever saw: “Dublin 2019 My First Worldcon”. Lots of photos of her and her kids.
An Independent Opinion of Science Fiction: A Declaration
By Chris M. Barkley:
I have thought it my duty to exhibit things as they are, not as they might be.
-Alexander Hamilton, from a letter written on August 13, 1782
As a frequent user of Facebook, one of my daily (and habitual) delights has been posting fantasy and sf items of interest to many, MANY pages. (And YES, some of those items have been cribbed from this very website).
One of my favorite pages is simply titled Science Fiction, a private group with nearly 68,300 members. The page was established in February 2008 and describes itself as: “Science Fiction in all forms: Movies, books, t.v. shows, comics, video games and other media. Discussions of science and technology of the future in fiction.”
It is clearly stated in the Group Rules of the Forum that:
1) Be polite, courteous, friendly. Be Polite. No disrespecting each other (even via pm’s) 2) Stay on target. Posts must be Science Fiction (or close to it) in nature. Discussions & comments must be about Scifi. 3) No irl politics & religion. Polite discussion of politics & religion must be in the context of specific usage in a specific scifi I.P. No discussions of real world politics or religions are allowed here.
During my time as a member, I’ve had some general disagreements with others that all fan groups have experienced since the Big Bang. familiar with some members but it was all amiable and non-confrontational. That is, until recently…
Over the past two weeks I posted four items on the Science Fiction page which have drawn a LOT of attention:
Almost immediately, several commentators, all of them white, accused me of racism. The primary reason seemed to be that I, an African American, was openly calling attention to black authors. Why wasn’t I promoting white writers? That MUST be racist. This was a peculiar bit of illogical thinking to me since NO ONE seemed to be objecting to memes and images about white actors, writers and authors that anyone (including myself) were posting on a regular basis everyday.
In the former, I was chastised for posting about the birthday of a celebrated Black woman sf writer because, well, she’s Black and dead. What? In the latter, AGAIN, I was called to task for “just promoting” Black writers. Who the hell was I to do THAT?
Lastly, there was this Instagram post of several reimagined illustrations of a Black Wonder Woman (titled Nubia By Render Goddess), which in turn was posted on The Secret Society of Black Superheroes Facebook Page:
Again, there was a constant barrage from white commenters, who either made disparaging remarks about the images, the darkness of her skin that were overtly racist or adamant claims that Wonder Woman could be either Lynda Carter or Gal Gadot but NEVER A PERSON OF COLOR.
When I joined the Science Fiction page, it was my expressed goal to offer opinions and observations about science fiction that go beyond “what are you watching”, “what game are you excited about” and “who has the faster/cooler spaceship.” My intent was to offer an opportunity to think outside the perimeters of the culture the people were familiar with and expand people’s awareness of the larger universe of possibilities that sf literature, art and film has to offer. Because, it is generally thought, sf is supposed to be ‘fun”. Well, the moment people say something derogatory about someone’s race or gender, BOOM, you just made it VERY political
There has been a lot of support for my postings, from like-minded fans and people of color. But, as it has become readily apparent to me that there are a number of members who seriously object to discussing or considering diversity and instead have decided to reply with some rather defensive and disparaging comments on these posts.
To those members of Science Fiction forum, I have a very simple message for you: You’re WRONG. HOW WRONG? Let me quote one of our greatest fictional Presidents (and THANK YOU VERY MUCH, Aaron Sorkin), Josiah Bartlet: “No. No ‘however’. Just be wrong. Just stand there in your wrongness and be wrong and get used to it.”
Furthermore, I was very heartened by the force of those who rose in defense of my posts. The message was very clear to the detractors: your time is up. It’s over. Collectively, we will no longer “bend the knee” and passively accept your boorish stances and hate speech.
Yes, you have a right to your opinions, as incredibly uninformed and crude as they are. But as an enlightened and educated person, I and other like-minded fans don’t have to stand it.When I post a link celebrating a great author of color, it is not an invitation to say, “Why are you posting THAT? I don’t see race and it’s an insulting to me to inject the subject onto a discussion on science fiction.”
Well, when someone claims something isn’t about race or ethnicity, it’s definitely about race and ethnicity. When I see those comments, I honestly have to question their credentials to be fans of science fiction (or fantasy, for that matter).
I once attended a 2007 guest lecture given by actor and social activist Edward James Olmos (who is either Lt. Castillo or Commander Adama, depending on how old or actor savvy you are). The title of his talk was “We’re All In The Same Gang”, a meditation on how America has treated ethnic minorities over the centuries and how we can come together as a nation in these divided times. The capstone quote I remember the most was “There is only ONE race; The HUMAN race.” And he is correct, every single human that has ever lived can be traced back to a single area of land that eventually broke off and is currently the continent of Africa.
So since it is a scientific fact that we are ALL of African descent, is being colorblind to one’s race an acceptable attitude? Not in my opinion. And that was not the point of Mr. Olmos’ quote. Yes, we’re all in the same gang but as of today, not all of the gang are being treated or respected as equal. When white people, well-meaning or otherwise say that damning phrase, it is not true by any stretch of the imagination.
White people In America are, on the whole, are apt to be by default, given more of the benefit of doubt in social situations and more financial, educational and social opportunities than people of color. There’s that term, “white privilege”, that you keep hearing about. That’s what it is; an (almost) imperceptible program of racist bias running in the background of our everyday lives.
When most white people walk out their front doors, they can be relatively assured that barring some unfortunate circumstance, they’ll be home after work and catch that new episode of House Hunters on HGTV. However, I step outside my door, I am marked by the color of my skin. I can’t even walk into Target, Kroger or WalMart without having at least one set of eyes lasered in one me, assessing my six-foot frame as to whether or not I’ll be shoplifting or robbing the place. (And the fact that I’m wearing a mask against being infected by COVID-19 only adds to their anxiety.)
And while we all strive to live, work and survive together in these difficult times, there are a number of white people who conveniently forget or have chosen to ignore America’s unreconciled racist past. And to this very day, America, as a nation, has NEVER come to terms with its racist past or its untenable, unsustainable present.
That the Native Americans had their lands stolen wholesale to be plundered and that Africans were trafficked as human chattel starting four hundred and one years ago by and for white settlers from Europe. You cannot wash away or forget that much racism, terrorism, theft and genocide without acknowledging these heinous wrongs.
The lack of representation by people of color in every facet of life has been in the forefront of our swiftly evolving culture over the past generation. And the white people who have repressed their feelings about this for decades are clearly nervous by the tenor of the terrible comments my posts have garnered.
The racists CLAIM to like science fiction but only if it is populated with the safe, comforting presence of white actors portraying Luke, Leia and Han or Kirk Spock and McCoy. And if, perchance, aliens land or AI’s gain full sentience, what would happen? I firmly believe that they would be among the first to grab the nearest weapon, start firing first and asking questions late. Because if you can’t handle the thought of people of color writing popular novels, or Latinx leads on television or Asian folks in sf movies, you sure as hell aren’t the sort of material the human race needs to be picked for anyone’s “first contact” team. And when they act out their racial insecurities in this fashion, they do a big disservice to other sf fans who celebrate and welcome diversity. These racists try and hold themselves up as paragons of virtue, and talk about “saving” science fiction from those despicable liberals and progressive snobs.
Congratulations; you may like Star Trek, but your posts have proven that you are incapable of understanding the meaning and underlying philosophy behind what Gene Roddenberry, and those who followed in his wake, were actually espousing. That sf is more than cool spaceships jumping into hyperspace, blowing up planets or battling alien invaders intent on wiping out humanity. That’s only a very small part of what sf is actually about.
What is a good definition of science fiction? The best quote I ever read came from my friend, the late SFWA Grandmaster Frederik Pohl: “Science Fiction is the very literature of change.” SF also concerns itself with the wonder, terrors and fears of the human, or alien, condition. It is an adventure into the soul of existence, that we may, if we’re lucky, get to know the unknowable with a judicious application of wisdom, compassion, empathy and experience.
Change is unavoidable. Change is inevitable. Change is happening, whether you like it not.
In the distant past, societal change, such as democracy, the Civil Rights Movement, artistic and scientific advances were incredibly glacial. Sometimes centuries would pass before anything meaningful would happen to change the human condition. But not in this day and in this age. Changes today can occur faster and with more meaningful impact than ever before. On May 25th, a Black man was murdered in the streets of Minneapolis and died right before our eyes. A month later, millions of people from all over the world, of all races, genders and political persuasions were shouting his name in those same streets, calling out for justice and to hold the responsible parties of systemic racism to be held to account for their tyranny.
We all know the name of George Floyd because he died horribly and became a martyr on the altar of racial injustice and intolerance. But you have seen what has happened in the wake of his death. Change is coming.
In fact, some change has already been felt on the Science Fiction page: more than a dozen people have been removed from the group for gross violations of the page’s policies by the administrators of the page. I have no doubt that the administrators of the Science Fiction page were shocked by these wretched and volatile comments. These removals weren’t done because of “political correctness”, they were done because “free speech” is not a license to be irresponsible or cruel. They were vile. They were indecent by any measure of the word. Because the freedom to post comes with responsibilities and consequences as well.
To my fellow page members, I say this: Continue to post what you like and what you love about sf. Whether it be online, in bookstores, in the streets, at parties or at conventions, we all should welcome diverse political, scientific and philosophical viewpoints and debates. But irrational hate speech, insensitivity towards the racial identity, gender or sexual preferences of others is not welcome, now, or ever.
“I have decided to stick with love. Hate is too great a burden to bear.” – Martin Luther King, Jr.
“Won’t it be wonderful when Black history and Native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.” — Maya Angelou
On this, the 155th anniversary of the reading of the Emancipation Proclamation in Galveston Texas, the one word that is uppermost in my mind is…endurance.
Endurance can be the only word that can be applied to my African ancestors, brought here involuntarily, the Native Americans of this continent, and all those others who have migrated or immigrated here from other lands.
For we have endured despite the numerous and myriad attempts by, let’s just say, other, richer, less melanin enhanced Americans, who have done their damnedest to dominate, assimilate, and commit waves of genocidal acts and otherwise erase us from history.
And, for long stretches of our mutual history, they succeeded. But the funny thing about history is that it can never completely be erased or forgotten, especially by those who are the ones being oppressed.
Juneteenth, also known as Freedom Day, Liberation Day and Jubilee Day, started out as a regional celebration in Texas state holiday. Though it was somewhat eclipsed by the Civil Rights movement in the 1950’s and 60’s, the celebration began anew in the 70’s, particularly in the American South.
I first became acquainted with Juneteenth in the 1990’s when National Public Radio’s All Things Considered did a lengthy feature story about it. Having grown up in a Catholic grade and high school, I was never taught about the contributions of people of color to American History, with one single exception, the death of Crispus Attucks, an African-American stevedore who was killed by British troops at the Boston Massacre of 1770. He is widely regarded as the very first casualty of the American Revolution.
As I progressed through high school and into college, I discovered even more tidbits of hidden Black History, explorers like Matt Henson, journalist Ida B. Wells, scientists and engineers such as George Washington Carver, Granville Woods, and Willie Hobbs Moore. This was during a time when the hidden figures of Black History were being rediscovered and elevated by revisionist historians at universities all over America.
This was also the era when I discovered sf fandom.
I had been reading sf authors like Bradbury and Asimov since the eighth grade and had discovered the first two volumes of The Hugo Winners (the book club edition) when it was first published during my sophomore year in high school.
As I recounted in File 770 over twenty years ago, I was puzzled by the mention of conventions where the Hugo were given out but there were practically no information on how to attend them. Little did I know that I was living in one of the hotbeds of sf fandom at the time, Cincinnati, Ohio.
When I came across a notice of Cincinnati’s annual convention, Midwestcon, in an issue of Analog in the summer of 1976, I persuaded my best friend and neighbor, Michaele Jordan, to come with me to a small hotel less than five miles from our homes.
It just so happened that Midwestcon 27 had a rather high number of professional writers and fans attending that weekend. I not only found myself surrounded by writers whose books I had read, I also were with people, for the very first time in my life, who did not judge me by the color of my skin but by the content of my character.
In the forty-four years since that joyous weekend, I have been to nearly two hundred conventions (YES, I saved ALL of my badges) including twenty-nine Worldcons.
I did notice that unlike today, there were not a lot of African Americans attending conventions in those days. As I made my way around the east coast conventions I did encounter three African-Americans I looked up to and admired from afar.
Samuel R. “Chip” Delany still walks among us. We met in 1986 when I chaired and organized a one-shot sf convention, Cinclave, which was done in conjunction with the University of Cincinnati. Despite my best efforts, the convention was a financial disaster for me but Chip Delany was a delight to converse with and he graciously signed all of my books. I recently made it a priority to spend some of my COVID-19 stimulus cash on acquiring all of his most essential works. You know them; Babel-17, The Einstein Intersection, Dhalgren, Triton, Nova, Distant Stars. A tremendous writer, he was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2014.
Elliot K. Shorter (April 2, 1939 — October 1, 2013) was an impressive looking man; an ex-marine MP, he stood at 6’4” he was easy to spot. He won a TAFF race against Charles N. Brown and Bill Rotsler and was the Fan Guest of Honor at Heicon in West Germany, the first Worldcon held on mainland Europe. He was a regular conrunner at many east coast conventions and very active in the Society for Creative Anachronism. When I found out who he was and how accomplished he was, I wanted to be just like him.
D Potter (who died October 25, 2017) was a very tall, funny and effusive soul, who ALWAYS seemed to be having a good time wherever she was. She was an avid and prolific fanzine writer and apazine editor. I never got to know her very well and that was my loss. But I remember her vividly as a welcoming and good soul.
My time in fandom, has, for the most part, been a very good journey. It has not been without a few controversial moments and bruised toes but overall, there are very few things that I regret doing or experiencing.
My first volunteer effort was a brief stint in the Iguanacon Art Show in 1978. I started appearing regularly on Worldcon panels starting at Noreascon 2 in 1980. I have mostly been either staffing or running Worldcon Press Offices starting with ConStellation in 1983 to MidAmericon 2 in 2016.
In addition, there was the twenty-year odyssey at the Worldcon Business Meetings, wherein I labored to persuade members to change, modify or create new Hugo Award categories. Although I have been the subject of derision and abject scrutiny because of my efforts, I am quite proud of the work I and the like-minded fans who either supported these efforts and gave up their precious time at various Worldcons to come and vote on measures, motions and amendments.
So, where does fandom stand today?
Goodness knows we can safely say, we are in VERY INTERESTING TIMES. Most cons have been either canceled or postponed due to the COVID-19 pandemic and there is no end in sight.
Add on the uncertain and unsteady leadership in our government, the economic crisis that came as a result of the disease and the incredible social upheaval in the wake of the murder of George Floyd by Minneapolis Police, every branch of fandom has reason to worry about their future endeavors.
Which brings me back to that word.
Fandom has been here before. In 1968. In 1972. In 1980. In 2001. In 2016.
Oh yes, we have been here before and we will endure, as we have always have.
Fandom has never been more diverse, more aware and as WOKE as ever.
On this Juneteenth, I may be wary of what may lie over the horizon but I do know that we, as fans, writers, editors, artists and conrunners are ready to weather almost anything that may be coming.
Right now, our institutions, fan groups and individuals are rallying around the victims of COVID-19, economic distress, police murders and riot damaged businesses. And we didn’t need to be told that Black Lives Matter, we ALWAYS knew that.
More than ever, like the generations of black and other minorities we call our allies and brethren, we cannot be silenced. We will not obey. We will not comply. We will always ask the next question. We will always question authority.
We will endure. No matter what comes next.
“If you know whence you came, there is really no limit to where you can go.” — James Baldwin
Recorded and Archived by Chris M. Barkley: In October 2019, I was invited by Tammy Coxen to be a program participant at Capricon 40, an annual sf convention held in the Chicago area. The author Guest of Honor was Tobias Buckell and the 2020 theme was “The Tropics of Capricon” – exploring SF from Central and South America and other balmy climes, and the science of climate change.
Among the most exciting items on the schedule was a panel on the 40th anniversary of The Empire Strikes back, considered by many to be the best of all the Star Wars films AND one of the finest movie sequels of all time.
I remember the memorable evening I saw a preview of Empire in a local Cincinnati, packed with fans, radio station ticket winners and local media. It was a rollicking, fun night as the audience was thrilled amazed…and then ultimately shocked by a story revelation that, so far in my opinion, no filmmaker has managed to match in the decades since.
The panel was held on Thursday, February 13 at 3:30 p.m., which was very early in the programming schedule. I and the other panelists, our moderator, Shaun Duke, and local fans Toni Bogolub and Megan Murray, were worried that the attendance would be sparse, at best.
But, as it turned out, we all underestimated the interest in this panel and had well over fifty people in attendance.
What has been documented here is the wild and undying love for Star Wars and our unbridled opinions about the best and worst of things about it.
So, when I first started wearing a mask a few weeks ago, I could not stop thinking about one of Nikolai Rimsky-Korsakov’s best known compositions, “The Flight of the Bumblebee”, which was also adapted and famously used as the theme music for the radio and television versions of The Green Hornet.
When I was gifted with a black mask by a relative, I made it a priority to buy a classic patch and sew it on myself.
I get a few off looks but that’s ok. When I put it on along with my fedora and jacket, I feel like the outlaw vigilante I was always meant to be…
“The Green Hornet! He matches wits with racketeers and saboteurs, risking his life so that criminals and enemy spies will feel the weight of the law by the sting of the Green Hornet!”
If you want to see this series continue, send photos of your mask and social distancing reads to mikeglyer (at) cs (dot) com
(1) THE TEN DOCTORS. The BBC’s Big Night In fundraising telethon broadcast April 23 included “The Doctors’ inspiring message to all frontline workers” delivered by regiment of actors who have played Doctor Who — Jodie Whittaker, Peter Capaldi, Matt Smith, David Tennant, Paul McGann, Sylvester McCoy, Colin Baker, Peter Davison, Tom Baker, and Jo Martin.
Doctors, past and present, unite together to send a powerful message to all frontline workers in the fight against coronavirus. Comic Relief and Children in Need join forces for the first time to deliver a very special night of television during these unprecedented times.The Big Night In brings the nation an evening of unforgettable entertainment in a way we’ve never seen before. More importantly, it will also raise money for and pay tribute to those on the front line fighting Covid-19 and all the unsung heroes going that extra mile to support their communities.
An excerpt from the YouTube transcript:
…We have all come together together together together together together together together for one important reason to praise salute and give the heartfelt thanks to real-life special doctors nurses and everyone everyone working on the phone lines in our NHS and care homes and hospices what you all do and have done for all of us is amazing it’s crucial phenomenal…
(2) HOLLAND CON DELAYED. Kees Van Toorn’s Reunicon 2020, a 30th anniversary celebration of the Worldcon in The Hague, has been postponed until August 2021.
Due to official regulations enforced by many countries worldwide concerning the covid-19 virus, all public events and travelling restrictions have been scrapped or postponed. That includes REUNICON 2020, alas. However, we have rescheduled the convention in August 20-22 in 2021. We are confident we will be able to host REUNICON next year, making it a good place to come to and share memories of CONFICTION 1990 as well as to remember all those we have lost in the past years and the grim period we now face. In the meantime, be well, stay healthy and take care of each other. And stay tuned for more information!
We discovered what seems to be a bug in Minecraft. Named mobs are not supposed to despawn when the chunk unloads, but named villagers that are turned into (named) zombie villagers end up despawning too.
.. My named villager “Bait” was turned into a named zombie villager all right, but he also immediately despawned when the chunk unloaded.
If you want to spend 90 seconds you can watch it happen – yes, I admit I did…
On Monday, April 27 at 4 p.m. Eastern, they’ll have another virtual event on Zoom with Chinelo in conversation with Robert Evans, a conflict journalist and host of the podcasts Behind the Bastards and The Women’s War about the story “When We Call a Place Home” and the real-world community in Northern Syria that inspired the tale.
(6) REASONS REVISITED. [Item by Chip Hitchcock.] In a free reprint from 2001, The London Review of Books’ Jenny Turner discusses “Reasons for liking Tolkien” — long, meaty, and balanced.
A writer, born around 1890, is famous for three novels. The first is short, elegant, an instant classic. The second, the masterpiece, has the same characters in it, is much longer and more complicated, and increasingly interested in myth and language games. The third is enormous, mad, unreadable. One answer is Joyce, of course. Another – The Hobbit (1937), The Lord of the Rings (1955), The Silmarillion (1977) – is J.R.R. Tolkien.
A writer, born around 1890, raged against ‘mass-production robot factories and the roar of self-obstructive mechanical traffic’ and ‘the rawness and ugliness of modern European life’. Instead he loved the trees and hedgerows of the English Midlands he had known as a boy, and the tales of ‘little, ultimate creatures’ he came across in the legends of the North. Clue: it wasn’t D.H. Lawrence.
A writer, born around 1890, worked bits of ancient writings into his own massive masterwork, magnificently misprising them as he went. Clue: it wasn’t Pound.
…A writer, born around 1890, declared himself a monarchist and a Catholic; and no, it wasn’t Eliot. In form, in content, in everything about it, The Lord of the Rings is the most anti-Modernist of novels. It is really very funny to think about how similar it is in so many ways to the works of the great Modernists.
As the first world war dragged on, volunteer women’s groups of all kinds formed in aid of the troops in the trenches: bandage rolling, preserved foods box packing, knitting. My grandmother joined a knitting group in rural Nova Scotia. You started on washcloths, progressed to scarves; then, if you were sufficiently adroit, you moved on to balaclavas and socks, and ultimately – the pinnacle! – to gloves. My grandmother was a terrible knitter. She never got beyond washcloths.
I’ve often wondered about these knitting groups. What were they for, really? Were they providing much-needed knitted items, or were they boosting morale by giving a bunch of otherwise very anxious civilians, whose sons and husbands were in jeopardy, something to do with their hands while waiting, waiting, endlessly waiting? I can see the socks and gloves making it to the frontlines, but the washcloths? Photographs of muddy, cramped, stinky trench life don’t show much washing going on. And my grandmother’s wonky, hole-filled washcloths in particular – were they sent to a secret depot where they were unraveled, and their wool reclaimed for something more functional?
So, in the spirit of my grandmother’s washcloths – not ultimately useful, perhaps, but let’s hope they focused the mind and gave a sense of accomplishment – I present some of my more bizarre self-isolation activities. You can do some of them at home. Though perhaps you won’t wish to.
…Another activity I’ve been doing lately is squirrel foiling. Hear a gnawing sound in the ceiling? These are your choices, in this part of the world: raccoons, possums, rats, squirrels, Google Earth. Probably squirrels, I thought, and so it proved to be. At first I foiled them by playing hot jazz and acid rock right under their gnawing station, but they got used to the wailing and screaming, so I climbed up a stepladder, placed a large steel bowl against the ceiling, and whacked it with a big metal serving spoon. Yes, I know, I shouldn’t have been doing that alone at night – the Younger Generation will scold when they read this – because people my age fall off ladders and break their necks, especially when not holding on because you need two hands for steel bowl banging. I won’t do it again, promise. (Until next time.)…
(8) MANDALORIAN MAKERS. Here’s a two-minute teaser for the next season of The Mandalorian, with appearances by Jon Favreau (creator/writer/executive producer), Dave Filoni (writer/director/executive producer), Deborah Chow (director), Bryce Dallas Howard (director), Taika Waititi (director/IG-11), Pedro Pascal (Din Djarin), Gina Carano (Cara Dune), and Carl Weathers (Greef Karga). Starts starts streaming May the 4th, on Disney+.
(9) MILLER OBIT. Ryder W. Miller (1965-2020) passed away March 15 after a six-month fight with pancreatic cancer. A critic, poet, writer, and journalist, he was a regular contributor to The Mythic Circle, Beyond Bree, Mythprint, EGJ, and Rain Taxi, and also appeared in Mythlore. He published stories at The Lost Souls website. He is the author of Tales of Suspense and Horror, co-author of San Francisco: A Natural History, and editor of From Narnia to a Space Odyssey: The War of Letters Between Arthur C. Clarke and C.S. Lewis (ibooks, 2005).
The unofficial annual holiday celebrates the day in 2011 when the first episode of the sixth season of the series was aired in the United Kingdom, United States, and Canada.
Doctor Who is a sci-fi series that first aired on the British Broadcasting Corporation (BBC) in 1963. The show follows the adventures of the Doctor, a time-travelling alien, who travels through time and space in a time machine and spacecraft called Time and Relative Dimension in Space or TARDIS. The TARDIS looks like a London police box from the 1960s.
Called The Impossible Astronaut, the episode became one of the most appreciated and watched episodes of the series.
(11) TODAY IN HISTORY.
April 23, 1974 — Planet Earth premiered. Created by Gene Roddenberry, written by Roddenberry and Juanita Bartlett, it was — not surprisingly – also based on a story by Roddenberry. It starred John Saxon as Dylan Hunt. The rest of cast was Diana Muldaur, Ted Cassidy, Janet Margolin, Christopher Cary. Corrine Camacho and Majel Barrett. It was intended as a pilot for a new weekly television series, but that never came to be. It was the second attempt by him to produce a weekly series set on a post-apocalyptic future Earth with Genesis II being the previous pilot. Roddenberry recycled both the concepts and characters used in Genesis II. Some of the characters here would show up in the Andromeda series such as Dylan Hunt. It was generally well-received by critics at the time, and it currently has a 45% rating among audience reviewers at Rotten Tomatoes. You can watch it here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 23, 1879 — Talbot Mundy. English-born, but based for most of his life in the States, he also wrote under the pseudonym of Walter Galt. Best known as the author of King of the Khyber Rifles which is not quite genre and the Jimgrim series which is genre, much of his work was published in pulp magazines. (Died 1940.)
Born April 23, 1923 — Avram Davidson. Equally at home writing mystery, fantasy or science fiction, he wrote two splendid Ellery Queen mysteries, And on the Eighth Day and The Fourth Side of the Triangle. I’m fond of his Vergil Magus series if only for the names of the novels like The Phoenix and the Mirror or, The Enigmatic Speculum. (Died 1993.)
Born April 23, 1935 — Tom Doherty, 85. Publisher of Ace Books who left there in 1980 to found Tor Books. Doherty was awarded a World Fantasy Award in the Lifetime Achievement category at the 2005 World Fantasy Convention for his contributions to the fantasy field.
Born April 23, 1946 — Blair Brown, 74. Emily Jessup In Altered States (based on the Paddy Chayefsky novel) was her first genre role. Later roles include Nina Sharp, the executive director of Massive Dynamic, on Fringe, an amazing role indeed, and Elizabeth Collins Stoddard in the 2004 television remake of Dark Shadows. Her last genre role was Kate Durning on Elementary.
Born April 23, 1955 — Paul J. McAuley, 65. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won a Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. He was Toastmaster along Kim Newman at Interaction,
Born April 23, 1956 — Caroline Thompson, 64. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family.
Born April 23, 1962 — John Hannah, 58. Here for being Jonathan Carnahan in The Mummy, The Mummy Returns, and there was apparently a third film as well, The Mummy: Tomb of the Dragon Emperor. In a more meaty role, he was the title characters in Dr. Jekyll and Mr. Hyde, and of late he’s been Holden Radcliffe on Marvel’s Agents of S.H.I.E.L.D. series.
Born April 23, 1973 — Naomi Kritzer, 47. I saw that her 2015 short story “Cat Pictures Please” had been a Hugo Award winner at MidAmeriCon II, so I went and purchased Cat Pictures Please and Other Stories off iBooks so I could read it. It was superb as is her newest novel Catfishing on CatNet which is nominated for a Lodestar Award for Best Young Adult Book at this year’s Hugos.
(14) STILL IN THE DUGOUT. Last year Chris Barkley sent retiring Cincinnati Reds baseball broadcaster Marty Brennaman a copy of his “So Glad You (Didn’t) Ask” column full of advice about how to improve Major League Baseball, and he was ecstatic to finally receive an answer.
(15) EARTH DAY. Brain Pickings will celebrate Earth Day on April 25 with its The Universe in Verse event, a charitable celebration of science and nature through poetry, streaming on Vimeo.
“I don’t think it would have been conceivable to me when I was seventeen that science would ever need defending, let alone by a poet,” the poet Jane Hirshfield says in her beautiful and poignant meditation on her memory of the first Earth Day in 1970, prefacing her reading at the 2020 Universe in Verse, celebrating 50 years of Earth Day. (Tune into the global broadcast at 4:30PM EST on Saturday, April 25, to hear Hirshfield and a constellation of other radiant minds.
…Expect readings of Walt Whitman, Emily Dickinson, Adrienne Rich, Pablo Neruda, June Jordan, Mary Oliver, Audre Lorde, Wendell Berry, Hafiz, Rachel Carson, James Baldwin, and other titans of poetic perspective, performed by a largehearted cast of scientists and artists, astronauts and poets, Nobel laureates and Grammy winners: Physicists Janna Levin, Kip Thorne, and Brian Greene, musicians Rosanne Cash, Patti Smith, Amanda Palmer, Zoë Keating, Morley, and Cécile McLorin Salvant, poets Jane Hirshfield, Ross Gay, Marie Howe, and Natalie Diaz, astronomers Natalie Batalha and Jill Tarter, authors Rebecca Solnit, Elizabeth Gilbert, Masha Gessen, Roxane Gay, Robert Macfarlane, and Neil Gaiman, astronaut Leland Melvin, playwright and activist V (formerly Eve Ensler), actor Natascha McElhone, entrepreneur Tim Ferriss, artists Debbie Millman, Dustin Yellin, and Lia Halloran, cartoonist Alison Bechdel, radio-enchanters Krista Tippett and Jad Abumrad, and composer Paola Prestini with the Young People’s Chorus. As always, there are some thrilling surprises in wait.
So little is known about them and the image hints at a path to a higher-resolution image and more and better data
Billions of people worldwide marveled at the first image ever captured of a black hole. The photo of the glowing, blurry doughnut, taken by the Event Horizon Telescope (EHT) team, showed the massive dark region, a monster the size of our solar system, that, like its peers, gobbles up everything — even light — that ventures too close.
“I definitely got shivers down my spine,” said Alexander Lupsasca, a junior fellow in Harvard’s Center for the Fundamental Laws of Nature, remembering the moment he saw the photo for the first time. It was thrilling because so very little is known about black holes. And now, Lupsasca and a team of scientists at Harvard’s Black Hole Initiative say the image may help provide more answers: Hidden within the glowing ring are an infinite number of sub-rings that offer a way to capture an even higher-resolution image and more precise data on the massive enigmas of the universe.
“They’re paradoxical objects. They’re the epitome of what we don’t understand,” said Andrew Strominger, the Gwill E. York Professor of Physics at Harvard. “And it’s very exciting to see something that you don’t understand.” Black holes are one of the great puzzles of modern physics — where Einstein’s Theory of Relativity and quantum mechanics collide. Scientists still know so little about them — their mass, how fast they spin, what’s inside their warped space-time. Until the EHT produced the first actual image, Strominger could only investigate their mysteries with complex mathematics, pencil, and paper. “I cried when I saw their picture,” he said. Then, he asked: “What can we learn from this?”
…“As we peer into these rings, first, second, third, etc., we are looking at light from all over the visible universe; we are seeing farther and farther into the past, a movie, so to speak, of the history of the visible universe,” said Peter Galison, the Joseph Pellegrino University Professor of the History of Science and of Physics, in the Black Hole Initiative’s press release.
(17) A DREAM WITHIN A DREAM. [Item by Mike Kennedy.] A new project at MIT may allow one to control lucid dreams (those in which you’re aware you’re dreaming)… at least a bit. As one drops into hypnagogia, that liminal state between being awake and being asleep, a wearable in development detects this and triggers a pre-selected one-word audio cue. In theory this may help the wearer to be like David Beckham and bend a lucid dream to follow a desired trajectory.
People across the world are drawing images of a mythical Japanese spirit believed to help ward off plagues.
In Japan, as parts of the country declare a state of emergency, people here have been reacting to the Covid-19 pandemic in a unique way: by sharing images online of a mystical, mermaid-like being believed to ward off plagues.
Largely forgotten for generations, Amabie, as it’s known, is an auspicious yokai (a class of supernatural spirits popularised through Japanese folklore) that was first documented in 1846. As the story goes, a government official was investigating a mysterious green light in the water in the former Higo province (present-day Kumamoto prefecture). When he arrived at the spot of the light, a glowing-green creature with fishy scales, long hair, three fin-like legs and a beak emerged from the sea.
Amabie introduced itself to the man and predicted two things: a rich harvest would bless Japan for the next six years, and a pandemic would ravage the country. However, the mysterious merperson instructed that in order to stave off the disease, people should draw an image of it and share it with as many people as possible.
Spot, the famous robot dog from Boston Dynamics, has been conscripted into service to work on the front lines helping medical professionals battling the COVID-19 pandemic.
Engineers at the company, which was formerly a subsidiary of Google before being purchased by Softbank, have been working for the past six weeks to develop the means for Spot to help reduce the exposure of healthcare workers.
So far Spot has been working with Boston’s Brigham and Women’s Hospital, where robots outfitted with a special payload are deployed in triage tents and parking lots to help staff receive patients suspected to have COVID-19 and perform initial assessments.
“With the use of a mobile robot, hospitals are able to reduce the number of necessary medical staff at the scene and conserve their limited PPE supply,” explains a release from Boston Dynamics.
(20) VIDEO OF THE DAY. A video on YouTube as “vol. 5 Utagawa Kuniyoshi (1798/1861)” is an animation by Pasquale D’Amico of works by a 19th-century macabre Japanese artist.
[Thanks to Andrew Porter, Cat Eldridge, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day StephenfromOttawa.]