Dunes Doom Anakin Skywalker Home

Sand dunes will soon bury the fictional city Mos Espa from Star Wars: The Phantom Menace, sited in the Tunisian desert.

Ralph Lorenz, from Johns Hopkins University, US, together with Jason Barnes, of Brigham Young University, and Nabil Gasmi, of the University of Sousse, Tunisia, visited the Mos Espa site in 2009, and noted that part of a nearby set used in Star Wars Episode IV: A New Hope had already been overrun.

Using satellite images of the site, they were able to determine the speed of dune movement, which is approaching the buildings once inhabited by such luminaries as Anakin, his slave owner Watto, and rival podracer Sebulba.

Moving at around 15m a year, the front edge of the barchan appears to have made contact with some of the Mos Espa buildings earlier this year, and is encroaching on Qui-Gon’s Alley.

The barchan will likely continue on its journey past the city site, which in due course will re-emerge from the sand, but it is anticipated that it will not remain unscathed.

(This is a different set than fans raised money to restore.)

 [Thanks to Petréa Mitchell for the story.]

2013 Prometheus Award Winners

The Libertarian Futurist Society has announced the winners of the Prometheus Awards for 2013.

Best Novel
Pirate Cinema by Cory Doctorow.

Hall of Fame
Cryptonomicon by Neal Stephenson

At LoneStarCon 3 during the Prometheus Award ceremony on August 30, the LFS will present Cory Doctorow with a plaque and one-ounce gold coin. A smaller gold coin and a plaque will be presented to Neal Stephenson.

[Via Amazing Stories blog.]

Marty Gear (1939 – 2013)

Marty Gear at 2009 Arisia. Photo by Daniel P. Noé.

Marty Gear at 2009 Arisia. Photo by Daniel P. Noé.

Legendary costuming fan Marty Gear, whose fanac spanned six decades, died in his sleep on July 18 at the age of 74.

Marty and his wife, Bobby (who predeceased him in 2005), won many awards in masquerade competitions. He founded The Greater Columbia Fantasy Costumers’ Guild, a forerunner of the International Costumers’ Guild, was the ICG’s first Executive Director, and was honored with the ICG’s Lifetime Achievement Award in 1991.

One of Marty’s earliest fannish experiences, when he was 14, was traveling from Columbus, Ohio to Philadelphia for the 1953 Worldcon. Marty was unprepared for what he found there, felt overwhelmed and said he would have gone back to his hotel room to hide but for “a tall, white-haired man [who] came over and began to talk to me about what I liked to read. I had just bought a copy of Skylark of Valeron in the dealers’ room… and began enthusing about this ‘new’ writer that I had just discovered, E.E. Smith, Ph.D.” He soon discovered it was Smith himself he was telling this to, and Doc and his wife took Marty in tow, introducing him to other authors and artists. “For the remainder of the weekend, whenever either of them saw me alone they made a point of checking to see if I was enjoying myself, and of somehow including me in whatever was going on.”

Despite this friendly encounter with one of the field’s most loved writers, Marty did not attend another SF con until 1977 when Page Cuddy and David Hartwell “conned” him into going to a Balticon in order to meet Philip Jose Farmer.

After that Marty rapidly developed into a fannish leader. He ran programming for Balticon 13 in 1979 and became a regular fixture as the con’s masquerade director beginning in 1981. He chaired CostumeCon 3 (1985) and Balticon 21 (1987).

He held major committee posts on 4 Worldcons. Michael J. Walsh, chair of the 1983 Baltimore Worldcon where Marty ran the masquerade, likes to tell the story – “In 1981 when I called him from Denvention to let him know we had won: ‘Marty, bad news!’ [He answered] ‘We won?’”

Marty was famous for presiding over masquerades in costume as Count Dracula. And he was infamous for filling time with terrible vampire jokes such as —

What do you get when you cross a snowman with a vampire?

Frostbite!

One of his most challenging moments came while directing the 1998 Worldcon (Bucconeer) masquerade — at the start he stumbled against a table of awards and took a four-foot fall off the stage. Quite the trouper, Marty got right back up and did his job without visible problems. He even looked in pretty good shape the morning after at the masquerade critique where he had nothing to say about his mishap except an apology for detracting from the costumers. He did use a cane for awhile afterwards, though.

Marty was a fiery advocate for his beloved event. Even at a Worldcon he refused to concede first place to the Hugo Ceremony, protesting during the Bucconeer masquerade post-mortem, “To the Worldcon committee the Masquerade is not the most important event…. It’s just the best-attended, and has the most people involved, but to the committee it’s a secondary event.”

When he was feeling more mellow he’d deliver the message humorously, saying things like, “Costuming is the second oldest tradition in sci-fi fandom. The first is drinking beer.”

Marty remained an active member of the Baltimore Science Fiction Society, and at the time of his death was parliamentarian of the BSFS Board of Directors, coordinator of the Jack L. Chalker Young Writers’ Contest, and liaison to the school for the BSFS Books for Kids program.

Over the years he was a guest of honor at Unicon 87, Disclave 34, Sci-Con 8, Genericon 2, Arisia 9, and Balticon 30.

Professionally, Marty managed his own company Martin Gear Consulting Ltd.

Other than dressing as a vampire, Marty said one of his favorite costumes was “Cohen the Barbarian” a prize-winner at the 2004 Worldcon as “Best DiscWorld Entry.” His Cohen wore a fur diaper, a very long white beard and an eyepatch — and not much else. In one hand he carried a sword and in the other a walking cane.

To the end Marty continually mentored costumers and passed on his enthusiasm for the costuming arts. He told an interviewer, “I probably won’t stop costuming until I am dead, and maybe not even then.”

***

See Marty in his Dracula garb start the 2008 Balticon masquerade with a horrible joke.

In this interview at Anime USA 2012 Marty explained how he judges anime and reproduction costumes in terms that would be at home on Project Runway — “Clothes have to fit.”

AI AI Oh!

Add one more to my list of science fiction technologies under development in the real world – Artificial Intelligence.

Crystal Huff reports —

My company, Luminoso, is in the news this week for having created an artificial intelligence that is “about as smart as a 4-year-old” on an IQ test. Of course, the public version of Concept Net is the previous release, and we think the proprietary Luminoso software is much smarter (hey, it’s using ConceptNet 5, for starters).

When ConceptNet 4 was given the Weschsler Preschool and Primary Scale of Intellgence Test, an IQ test for children, the results showed it had the IQ of a four-year-old.

ConceptNet is described as a –

a semantic network containing lots of things computers should know about the world, especially when understanding text written by people.

It is built from nodes representing concepts, in the form of words or short phrases of natural language, and labeled relationships between them. These are the kinds of things computers need to know to search for information better, answer questions, and understand people’s goals. If you wanted to build your own Watson, this should be a good place to start!

According to University of Chicago at Illinois News Center, the test results in different categories varied widely:

“If a child had scores that varied this much, it might be a symptom that something was wrong,” Professor Robert Sloan, lead author on the study, explained in the report.

While the AI sailed through the vocabulary aspect of the test, it stumbled on comprehension — the so-called ‘why’ questions.

“One of the hardest problems in building an artificial intelligence is devising a computer program that can make sound and prudent judgment based on a simple perception of the situation or facts — the dictionary definition of commonsense,” Sloan explained.

Crystal Huff says she’s putting the “smart-as-a-4-year-old” software to work analyzing historical Arisia convention feedback forms. Which reminds me of the famous quote uttered by a convention chair when asked the directions to babysitting — “That child don’t need a babysitter – he needs a job!”

2013 Seiun Awards

The winners of the 2013 Seiun (Nebula) Awards were announced at the 52nd Japanese national SF convention on July 20.

The Best Japanese Long Story
The Empire of Corpses
Priject Itoh X Enjoe Toh
Kawade Shobo Shinsha

The Best Japanese Short Story
Ima Shuugouteki Muishikio
Chohei Kanbayashi
Hayakawa Publishing Corporation

The Best Translated Long Story
The Android’s Dream
John Scalzi / Masayuki Uchida
Hayakawa Publishing Corporation

The Best Tranlated Short Story
Pocketful of Dharma
Paolo Bacigalupi / Hiroshi Kaneko
Hayakawa Publishing Corporation

The Best Dramatic Presentation
Bodacious Space Pirates
Director: Tatsuo Sato
Studio: SATELIGHT Inc.
Original work: Yuichi Sasamoto / Asahi Shimbun Publications Inc.
Production: Project Mo-retsu

The Best Comic
Inherit the Stars by Yukinobu Hoshino,
Original Author James Patrick Hogan of “INHERIT THE STARS”,”THE GENTLE GIANTS OF GANYMEDE”,”GIANTS’ STAR”,
Japanese comic adaptation rights arranged with Spectrum Literary Agency through Japan UNI Agency, Inc.,
Tokyo, Shogakukan Inc.

The Best Artist
Kenji Tsuruta

The Best Nonfiction
Offprint of “The Present and Future of CGM: The World Opened up by Hatsune Miku, Nico Nico Douga, and PIAPRO” from the May 2012 issue of IPSJ Magazine
Guest Editor: Masataka Goto (AIST)
Publisher: Information Processing Society of Japan (IPSJ)
Information Processing Society of Japan (IPSJ), Masataka Goto

“Free” Section
iPS cells
CiRA ?Center for iPS Cell Research and Application, Kyoto University

Mel Smith (1952-2013)

Mel Smith: British writer, director, comic actor; died 19 July 2013, aged 60 (suspected heart attack). Movie appearances include Morons From Outer Space (1985), The Princess Bride (1987) and The Wolves of Willoughby Chase (1989). In the sitcom Colin’s Sandwich (1988-90), he played a struggling horror writer. He and comedy partner Griff Rhys Jones became millionaires when they sold their production company Talkback.

[Thanks to Steve Green for the story.]

2013 Scribe Awards

The International Association of Media Tie-in Writers announced the winners of the 2013 Scribe Awards, honoring excellence in licensed tie-in writing, on July 19 at Comic-Con.

Original Novel

  • Tannhäuser: Rising Sun, Falling Shadows, Robert T. Jeschonek (Fantasy Flight Games)

Adapted Novel

  • Clockwork Angels, Kevin J. Anderson (ECW)

Audio

  • Dark Shadows: The Eternal Actress, Nev Fountain (Big Finish)

A. C. Crispin received the IAMTW’s Grandmaster Award and wrote in her acceptance remarks —

When I heard the name of the IAMTW’s Grandmaster Award, it struck me as ironic that it’s officially the “Faust Award.” I know this title refers to Frederick Faust, who wrote as Max Brand, but to those of us who work in media universes, it sometimes comes down to making a deal with the devil, doesn’t it? Some members of the writing profession look down on those who take on media tie-in projects as having sold out, or assume they’re lazy and can’t do the work to create “real” fiction. Those of us here all know, of course, that nothing could be further from the truth. It is every bit as challenging to write a good tie-in story as it is a good original novel. When you throw in tight deadlines, unreasonable and clueless studio minions, and the rules of story canon, it can be even more difficult than writing an original book.

But a good story is a good story, no matter what universe it is written in.

My dear friend Andre Norton once listened to me complaining about how tie-in writers aren’t respected the way they should be, and remarked, “Being a storyteller is one of the oldest and most valued professions. Without stories to lift us out of life’s problems and doldrums, where would we be? Be proud of what you do.”

Andre was a very wise lady, and her words stuck with me over the years.

Crispin’s full acceptance speech appears on her blog.

 [Via ComicMix Twitter feed.]

2013 Will Eisner Award Winners

Eisner Awards 25th AnniversaryThe winners of the 2013 Will Eisner Comic Industry Awards were announced at Comic-Con on July 19.

Best Short Story: “Moon 1969: The True Story of the 1969 Moon Launch,” by Michael Kupperman, in Tales Designed to Thrizzle #8 (Fantagraphics)

Best Single Issue (or One-Shot): The Mire, by Becky Cloonan (self-published)

Best Continuing Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best New Series: Saga, by Brian K. Vaughan and Fiona Staples (Image)

Best Publication for Early Readers (up to age 7): Babymouse for President, by Jennifer L. Holm and Matthew Holm (Random House)

Best Publication for Kids (ages 8–12): Adventure Time, by Ryan North, Shelli Paroline, and Braden Lamb (kaboom!)

Best Publication for Teens (ages 13–17): A Wrinkle in Time, by Madeleine L’Engle, adapted by Hope Larson (FSG)

Best Humor Publication: Darth Vader and Son, by Jeffrey Brown (Chronicle)

Best Digital Comic: Bandette, by Paul Tobin and Colleen Coover (Monkeybrain)

Best Anthology: Dark Horse Presents, edited by Mike Richardson (Dark Horse)

Best Reality-Based Work (tie): Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert (Center for Cartoon Studies/Disney Hyperion); The Carter Family: Don’t Forget This Song, by Frank M. Young and David Lasky (Abrams ComicArts)

Best Graphic Album—New: Building Stories, by Chris Ware (Pantheon)

Best Adaptation from Another Medium: Richard Stark’s Parker: The Score, adapted by Darwyn Cooke (IDW)

Best Graphic Album—Reprint: King City, by Brandon Graham (TokyoPop/Image)

Best Archival Collection/Project—Strips: Pogo, vol. 2: Bona Fide Balderdash, by Walt Kelly, edited by Carolyn Kelly and Kim Thompson (Fantagraphics)

Best Archival Collection/Project—Comic Books: David Mazzucchelli’s Daredevil Born Again: Artist’s Edition, edited by Scott Dunbier (IDW)

Best U.S. Edition of International Material: Blacksad: Silent Hell, by Juan Diaz Canales and Juanjo Guarnido (Dark Horse)

Best U.S. Edition of International Material—Asia: Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer: Brian K. Vaughan, Saga (Image)

Best Writer/Artist: Chris Ware, Building Stories (Pantheon)

Best Penciler/Inker (tie): David Aja, Hawkeye (Marvel), Chris Samnee, Daredevil (Marvel); Rocketeer: Cargo of Doom (IDW)

Best Painter/Multimedia Artist (interior art): Juanjo Guarnido, Blacksad (Dark Horse)

Best Cover Artist: David Aja, Hawkeye (Marvel)

Best Coloring: Dave Stewart, Batwoman (DC); Fatale (Image); BPRD, Conan the Barbarian, Hellboy in Hell, Lobster Johnson, The Massive (Dark Horse)

Best Lettering: Chris Ware, Building Stories (Pantheon)

Best Comics-Related Periodical/Journalism: The Comics Reporter, edited by Tom Spurgeon, www.comicsreporter.com

Best Comics-Related Book: Marvel Comics: The Untold Story, by Sean Howe (HarperCollins)

Best Educational/Academic Work: Lynda Barry: Girlhood Through the Looking Glass, by Susan E. Kirtley (University Press of Mississippi)

Best Publication Design: Building Stories, designed by Chris Ware (Pantheon)

Hall of Fame: Lee Falk, Al Jaffee, Mort Meskin, Trina Robbins, Spain Rodriguez, Joe Sinnott

Russ Manning Promising Newcomer Award: Russel Roehling

Bob Clampett Humanitarian Award: Chris Sparks and Team Cul deSac

Bill Finger Excellence in Comic Book Writing Award: Steve Gerber, Don Rosa

Will Eisner Spirit of Comics Retailer Award: Challengers Comics + Conversation, Chicago, IL

July 20

Man landed on the moon on July 20.  In the 1950’s Ray Bradbury predicted we’d land on the moon on August 22, 1969.  Why was he off?  August 22 is his birthday.

[Thanks to John King Tarpinian for the story.]

Mythopoeic Award Winners Speak

Acceptance remarks made by winners of the 2013 Mythopoeic Awards have been posted.

Ursula Vernon, who won for Digger, said in part —

When I was quite young, my mother got me a boxed set of the Narnia books by C.S. Lewis. I couldn’t pronounce “Narnia” but that didn’t stop me from reading the series until the bindings came unglued. These books were not like anything else I’d read, and they mattered in a way that most of the books in the school library didn’t. They made me want to write books with Talking Beasts in them. (My mother tried to explain copyright and plagiarism and that I couldn’t actually call them Talking Beasts. She suggested “Verbal Varmints” as an alternate. I recall being unamused.)

Comments by other winners Sarah Beth Durst, Verlyn Flieger and Nancy Marie Brown are also online.