24 The Scroll Is Good. The Pixel Is Evil

Posted on November 20, 2024 by Mike Glyer

(1) JOHN WISWELL COVER LAUNCH. DAW Books has shared the cover of Wearing the Lion, the second novel from Nebula Award-winning John Wiswell, which will forever change how you understand the man behind the myth of Heracles—and Hera, the goddess reluctantly bound to him.

The cover, illustrated by Tyler Miles Lockett and art directed by Debbie Holmes, depicts one of the most famous myths surrounding the Greek warrior, the slaying of the Nemean lion, except that in this version of events, Wiswell’s Heracles chooses to reject expectations and care for the lion instead.

Wiswell is the author of the 2024 success Someone You Can Build a Nest In — “a heartwarming (and sometimes heartrending) fantasy romance between a monster and the monster hunter who loves her.”

Wearing the Lion is scheduled for release in hardcover on June 17, 2025 in the US and June 19, 2025, in the UK. It is available now for pre-order.

(2) SIGN OF A TREND? Add Muse from the Orb to the list of those who are happy Orbital won the Booker Award: “I Told You People About ORBITAL”.

…Exulting over industry awards is a rare thing for me. Familiarity with the business side of publishing imbues you with a deep, abiding cynicism when you learn just how many awards are corporate exercises, popularity contests, reflections of limited demographics with bespoke priorities to signal, or literally just purchased by the house.

Nevertheless, I’m delighted that Orbital by Samantha Harvey won the 2024 Man Booker Prize. It’s well deserved. I was impressed by this book — sometimes you dip into a novel and think, So — they DO still write ‘em like that anymore.

Orbital’s win is also a sign of continued success for the nonofficial genre of prestige-literary-speculative-fiction, whose prevalence in mainstream shortlists and awards like the Booker is no longer a fluke but a pattern. (See also: The Seven Moons of Maali Almeida [2022] and Prophet Song [2023]).…

Too late for Orbital to do it, but could a future book sweep the Hugo and the Booker Prize?

… Honestly, the biggest obstacle to a Hugo-Booker singularity would be the fans and demographics. The Hugo and Booker cater to very different groups of readers, with the Hugo and Worldcon crowd skewing very nerd/fandom and High Genre. (This year Dungeons and Dragons won Best Movie over Poor Things.) But at the same time, it seems that the SFF short fiction market is feeling increasingly literary and MFA-inflected, while literary fiction imprints seem to be giving a lot of deals to MFA grads who’ll write “fresh” literary takes on genre stuff like vampires. The amount of literary fiction editors/agents I’ve met who proudly announce they’re into “literary fiction with speculative elements” grows by the month. Are the conditions there? Is John the Baptist preparing the way in the wilderness?…

(3) SECOND-STAGE TAKEOFF. And the award gave Harvey’s book a sales boost: “Samantha Harvey’s Booker-winning Orbital tops UK bestseller list” reports the Guardian.

Samantha Harvey’s Booker-winning Orbital has rocketed to the top of the UK bestseller chart, becoming the first Booker novel to hit number one in the week of its win.

20,040 copies were sold in the UK last week across paperback and hardback editions, according to Nielsen BookData…

(4) UK EASTERCON 2027 BID. Since we last reported about the Glasgow bid for the 2027 Eastercon they’ve published the names of the bid committee. They’re still deciding on a venue.

Alan Fleming and David Bamford — co-chairs
Steve Cooper — treasurer
Kate Wood — secretary & timeline
Ila Khan — communications
Kirsty Wood — liaison

And we’re being assisted by Mark Meenan and Meg MacDonald in liaising with the Glasgow Convention Bureau in the search for a location.

(5) ADDING A WING TO THE HALL OF FAME. Strange at Ecbatan’s Rich Horton has some fun imagining what belongs in a hypothetical next volume of the SF Hall of Fame. As someone who has read widely, he has lots of good suggestions: “SF Hall of Fame 1989-2018” at Strange at Ecbatan.

…I have lists of “short stories” (up to approximately 10,000 words) for a rough analog to the SF HOF Volume I, and novellas (10,000 to 40,000 or so) as a rough analog to Volumes IIA and IIB. I purposely slanted the list heavily to SF and not fantasy — much as the first books were — but there is some fantasy on these lists. I stuck to the 1989-2018 timeframe. I chose 30 short stories and 22 novellas — just a bit more than the original books had. (So sue me!)…

(6) THE NEXT WAR AFTER THE WAR TO END ALL WARS. Jeremy Zenter reminds readers about “The Many Alt-Histories of World War II” at the SFWA Blog.

…Some writers have drawn from [Philip K.] Dick’s example to blend other science-fiction aesthetics with alt-history. Like Dick’s novel [The Man in the High Castle], Peter Tieyaras’s The United States of Japan involves a contraband story that imagines a world without fascism, in a US divided between Germany and Japan; only, instead of a book, a video game is the forbidden medium. The narrative priorities are different, though. This novel depicts a 1980s Japanese pop culture that rebels against the status quo, so we get more of a pulpy escapade that follows investigative tropes and uses oodles of cyberpunk technology. Tieyaras was clearly inspired by Dick, but his writing is also reminiscent of William Gibson’s Neuromancer (1984). The result is a work that honors its predecessors by creating a new world in the long shadow of genre classics….

(7) BRING ME THE HEAD OF ALBERT EINSTEIN. Andrew Porter feels yesterday’s Scroll unfairly highlighted only one lot in Christie’s “Science Fiction and Fantasy” auction, running from November 28-December 12. So he sent me this search link. It returns 49 items and not only art. There’s also two rocks from Mars (they came to the Earth on the rebound). And the head of a robot so famous Christie’s thinks it will sell for at least £100,000.

Einstein by Hanson
Robotic head, with 28 servo motors for face movements and 3 servo motors for neck movements, linked at various points with Teflon-coated nylon strings, with Hanson ‘Flubber’ covering
16in. (40.5cm.) high
created in 2005

The Einstein by Hanson robotic head, developed by Hanson Robotics in 2005: a landmark achievement in robotics and artificial intelligence.

This innovative creation blends advanced mechanics with a distinctly human-like visage modelled after the renowned physicist Albert Einstein. His likeness was constructed using Frubber, a flexible, skin-like material developed by Hanson Robotics, while various motors inside the head made it capable of performing a range of facial expressions. Indeed, with over thirty-five actuators in the head alone, the robot could mimic human facial movements with remarkable accuracy, including nuanced expressions around the eyes and mouth. The human-like facial expressiveness made Einstein by Hanson one of the first robots to evoke empathy and a sense of personality, going beyond mere mechanical functionality. This was both a hand-sculpted work of art and a work of cutting edge technological innovation, resulting in numerous patents, awards, and scientific papers on the subject of AI mechanisms for synthetic facial expressions and human-robot interactions…..

(8) CLAP A STOPPER OVER IT. “Ready to sing along at ‘Wicked’? It’s not happening in AMC movie theaters” says Yahoo! AMC isn’t telling customers,“Shut yer festering gob!” They’re saying this:

…Singing is on the list of no-nos for guests in the theater, according to an advisory being shown ahead of Friday’s release of Part 1 of the expected blockbuster.

“At AMC Theatres, silence is golden,” says the 30-second advisory, which features scenes from the movie. “No talking. No texting. No singing. No wailing. No flirting. And absolutely no name-calling. Enjoy the magic of movies.”

(9) IT’S A THEORY. [Item by Steven French.] How L. Frank Baum was influenced by his feminist (and Theosophical) mother-in-law: “The Feminist Who Inspired the Witches of Oz” in Smithsonian Magazine.

The backstories of the Wicked Witch of the West and Glinda the Good are the subject of the upcoming movie Wicked, based on Gregory Maguire’s 1995 novel and Winnie Holzman and Stephen Schwartz’s 2003 stage musical. The witch, who is unnamed in The Wizard of Oz, has a name in Wicked: Elphaba, an homage to the initials of L. Frank Baum. (His first name, which he rarely used, was Lyman.) But the real-life backstory of the witches of Oz is just as fascinating. It involves a hidden hero of the 19th-century women’s rights movement and the most powerful woman in Baum’s life: his mother-in-law, Matilda Electa Joslyn Gage.

It was likely at Gage’s urging that Baum began submitting his poems and stories to magazines. Gage even suggested putting a cyclone in a children’s story. But she was a notable figure in her own right. As one of the three principal leaders of the women’s rights movement, along with Susan B. Anthony and Elizabeth Cady Stanton, Gage was known for her radical views and confrontational approach. At the Statue of Liberty’s unveiling in 1886, she showed up on a cattle barge with a megaphone, shouting that it was “a gigantic lie, a travesty and a mockery” to portray liberty as a woman when actual American women had so few rights.

(10) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Back to the Future II (1989)

By Paul Weimer: Back to the Future, the original, was a revelation for me. Even if I am not musically inclined (for a movie that is often all about the music), the movie worked for me on a lot of levels. I was in an age and a place and a time where I could see movies in a theater, and then read about them in magazines like Starlog, anticipating and wondering what was going to happen…and then discuss them afterwards. I was still young and shy and didn’t send any letters to such magazines, but I read them all avidly.

And then came the movie itself. I’d read a bunch of time travel SF by now, and so I was delighted to see Back to the Future II use time travel in a way the first had not. The first movie used it as a device to move Marty to the past and comment on culture in the 1950’s and the present of the 1980s. Back to the Future II actually used time travel in a way that few genre movies would contemplate. Most genre movies tend toward scenarios where the time travel proves to have happened all along. History is never changed and can’t be changed.

Back to the Future II changed all that, when 2015 Biff gives 1955 Biff the Almanac, and utterly changes his future. The vision of the Biff Tannen Wins timeline is dark, horrendous and compelling. It makes Potterville from It’s a Wonderful Life look like a theme park in comparison. Back to the Future II is a “set things right where things went wrong”, but it was actual malice aforethought, not chance or circumstance, that Marty has to fix. This leads to a delightful overlapping of events in 1955 as Marty has to desperately fix the timeline…but not screw up his own future in the process. It’s a wonderfully done sequence of events, and we get a couple of extra scenes that are implied in the first movie, but never seen. It’s an attention to detail in a time travel change history movie that few have attempted, much less this well.

It occurs to me, though, that we’ve wound up in the Biff Tannen Wins timeline after all. Sobering, but undeniable in the end. And no time machine to save us.

It also occurs to me that this movie suffers from a lack of strong female characters. After Jennifer being brought along at the end of Back to the Future II, she gets knocked out first thing by Doc in Back to the Future II, in a whiplash that really doesn’t work well. The movie is even more of a young man’s adventure than the first, but with more action adventure and less sexual innuendo than the first.

But back to the plot. After seeing the movie came the aftershocks of the movie. After all, Back to the Future II lives on a cliffhanger. Doc is trapped in the past, and is doomed to die. Marty needs the help of the 1955 Doc Brown…but not to go home, but to go to the past to save him. It’s a lovely tangle of time paradoxes and foreshadowing and destiny that the second movie revelled in, and so the magazine’s endless discussions and theories on how time travel really worked, or should, gave Back to the Future II an afterlife for me after seeing it for the first time. Of course we take such things for granted, now, but Back to the Future II was one of my first real engagements with a movie’s afterlife. (I have a story about Star Trek II in the same vein, but we’ll save that for another day).

(11) EDITOR’S ENDNOTE. Incidentally, Back to the Future The Musical is doing a North American tour. It’s in LA for the rest of the month before moving on.

(12) COMICS SECTION.

Dinosaur Comics won’t give you indigestion, just regular digestion.
Eek!, meanwhile, finds a way for kaiju to keep their figures.
Off the Mark decides it is better to curse the darkness.
The Argyle Sweater did not see this coming.
Brewster Rockit shows how AI perversely makes all users happy.

(13) DENIS VILLENEUVE Q&A. “Director Denis Villeneuve On Shooting ‘Dune: Part Two’ In The Desert” at Deadline. “More faithful to Frank Herbert than to the book.”

DEADLINE: It’s also Zendaya’s film. Her Chani provides the moral compass and makes the romance feel real.

VILLENEUVE: Paul is the main character, but Chani is our moral compass. It’s a big difference. That’s where the movie differentiates itself from the book. In the book, she’s a believer, she’s in Paul’s shadow, but I decided to transform our character in order to bring this idea that the movie will be a cautionary tale and not a celebration of his ascension. When the first book was released, Frank Herbert said he was disappointed by the way the book was perceived by some readers who saw in Paul a hero, and saw the book as a celebration of Paul. Herbert wanted to do the opposite. He wanted to do a cautionary tale, a warning against the embrace of charismatic figures. In order to correct this perception, he wrote a second book called Dune Messiah, that made sure that his initial intentions will be more clear. And me knowing this, I made this adaptation having this knowledge. I tried my best to be, let’s say, more faithful to Frank Herbert than to the book…

(14) JUMP ONTO GALACTIC JOURNEY. Do you have any idea what riches are in store for fans at Galactic Journey? Thread starts here. Here are the first two posts.

1) Going OOC for a mo.What is Galactic Journey? It is so staggeringly big, so comprehensive, that I suspect even our fans don't know all of its facets. We review every SFF story that comes out, but did you know we’re also a TV station? A radio broadcaster? A LARP?Strap in—we're taking a ride:
— Galactic Journey (@galacticjourney.bsky.social) 2024-11-20T18:22:44.024Z

2) At its heart, Galactic Journey is a blog—or to use a more period term, a ‘fanzine’—written as if its authors are fans living exactly 55 years ago. We move forward, day by day, in exact parallel with modernity. It's currently 1969; next year will be 1970.
— Galactic Journey (@galacticjourney.bsky.social) 2024-11-20T18:22:44.025Z

(15) THEY’RE BAD GUYS FOR CHARITY. amNY encourages us to “Meet the Star Wars villains making a positive impact in New York City”.

In George Lucas’s Star Wars universe, the evil Galactic Empire’s iconic Stormtrooper army isn’t exactly known for doing good deeds. But, in a galaxy not so far, far away – New York City, Long Island and the Hudson Valley, to be exact – the white-armored Troopers are a much more welcome sight.

The Empire City Garrison, founded in 1999, is one of more than 80 chapters of the 501st Legion organizations worldwide. The fan-founded groups began as a means for costumes to showcase their hyperrealistic Stormtrooper replica armor, but soon expanded to include promoting broader interest in Star Wars and volunteerism.

“We’ve raised money on behalf of the Cancer Society, the Autism Society and organizations in the Hudson Valley area. We try to rotate it around,” Chris Feehan, Empire City Garrison commanding officer, said. “If it’s a very small event, we might only have one [trooper]. It only takes one to make a difference and impact whatever that organization is.”

“They’re not selling anything; they include their own costs to be here and take time off of their lives to dress up and do the things,” said Benjamin Kline, Tenacious Toy CEO, who collaborated with the Empire Garrison at New York Comic-Con by giving a customized set of Star Wars stickers. “They’re entertaining while raising money. I think that’s a really good way to be.”

Among the 130 events they participate in a year, New York Comic-Con at Javits Center is one of the most significant. This year, they raised $9,000 in donations, primarily driven by photo opportunities….

(16) TRASH OBLITERATION. “Why can’t we just launch all of Earth’s garbage into the sun?” asks Popular Science. (Didn’t Harry Harrison’s Bill, the Galactic Hero show why this kind of thing is a bad idea in the long run?)

After seeing Elon Musk send thousands upon thousands of satellites into low-Earth orbit, it’s only natural to wonder, why can’t we launch all our junk into space, too? Or even straight into the sun? (You asked. We answered.)

Aside from the moral quandaries raised by such poor stewardship of our already disheveled solar system, Earthlings probably haven’t made a habit of beaming literal garbage into space yet because we simply can’t afford to.

“It’s not cost-feasible at all. You require a lot of thrust and a lot of fuel to do that,” explained John L. Crassidis—a professor of mechanical and aerospace engineering at the State University of New York at Buffalo—in a call with Popular Science. Part of the challenge is that our junk can’t go just anywhere, although it certainly does so here on Earth; microplastics are literally everywhere and the Great Pacific Garbage Patch is around twice the size of Texas….

(17) PITCHING MORE RINGS. Ryan George takes us inside the “The Rings of Power (Season 2) Pitch Meeting”.

(18) THE RAT RACE. Steve Cutts’ 2017 cartoon “Happiness” is “The story of a rodent’s unrelenting quest for happiness and fulfillment.”

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Jeffrey Smith, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 9/27/23 Do Pixels Dream Of Electric Scrolls?

Posted on September 27, 2023 by Mike Glyer

(1) LE GUIN ON EARTHSEA. Literary Hub invites fans to “WATCH: Ursula K. Le Guin on Creating the World of Earthsea”.

The Journey That Matters is a series of six short videos from Arwen Curry, the director and producer of Worlds of Ursula K. Le Guin, a Hugo Award-nominated 2018 feature documentary about the iconic author.

In the third of the series, John Plotz reflects on “Worlds Out of Words,” in which Ursula talks about creating her most beloved fantasy world.

Ursula Le Guin’s Earthsea is both a series of books and a whole world. Perhaps its most amazing power is how it teaches readers that even here, in our own shared world, “words do make magic.”

Nobody who came to A Wizard of Earthsea as a child will ever forget Ged’s relationship to words of power. Calling down birds, or threatening a dragon with its own name, is the sort of magic that makes an overlit library fade away, that puts readers like shy solitary nine-year-old me out on the sea in a boat held together only with spells. “Making worlds out of words,” as she puts it here, is a power she felt lucky to have.

(2) THE ENEMY OF MY ENEMY? Even though Publishers Weekly says the suit doesn’t mention books, nevertheless, they report that the “Book Business Applauds Government Lawsuit Against Amazon”.

The Federal Trade Commission, supported by 17 state attorneys general, finally filed its long-awaited antitrust lawsuit against Amazon yesterday. In a 172-page complaint, the government alleged that the e-tailer “uses a set of interlocking anticompetitive and unfair strategies to illegally maintain its monopoly power.” The use of that power, the government continued, allows Amazon “to stop rivals and sellers from lowering prices, degrade quality for shoppers, overcharge sellers, stifle innovation, and prevent rivals from fairly competing against Amazon.”

The immediate industry reaction to the news of the suit was uniform: “What took so long?” Or, in the words of Melville House publisher Dennis Johnson, that it was “about fucking time.” An industry lawyer, who wished to remain anonymous, gave a more nuanced view in wondering why it took the government so long to act, pointing to the infamous buy button case in 2010, when Amazon pulled Macmillan’s buy buttons in a dispute over e-book terms. (The fight is detailed in former Macmillan CEO John Sargent’s new book, Turning Pages.)

Even with Amazon’s dominant position over the sale of e-books and print books, the suit doesn’t mention books, which, of course, were Amazon’s first line of business. The suit does, however, highlight Amazon’s hold over the companies who use its online marketplace to sell a range of products, including books, to consumers….

(3) CHENGDU WORLDCON UPDATE. [Item by Ersatz Culture.]

Video interview with Best Novelette finalist Hai Ya — https://www.bilibili.com/video/BV1bF411D73d/

He talks about his nominated story, and then about SF generally and the Chengdu Worldcon.

Before the Three Body Problem Got Famous — https://www.bilibili.com/video/BV1gh4y1P72E/

There’s a title card that says this is “Episode 1”, but I’ve not come across an episode 2. Although there’s a brief bit with Cixin Liu at the start, you see more of Yao Haijun, who is a Best Editor (Long Form) finalist this year. The video doesn’t seem to be directly tied to this year’s Worldcon or Hugos though.

(4) HISTORIC INFLUENCE. Digital Trends posits these as the “10 most influential sci-fi movies ever”. I very much agree with the decision to include this one on the list:

A Trip To The Moon (1902)

As the first science-fiction movie ever created, this black-and-white short holds great importance in the world of cinema. Based on a story by Jules Verne, this picture follows a team of astronomers who launch themselves into the eye of the Moon and encounter the alien Selenites on the lunar surface. While this film is known more for its technical achievements, A Trip to the Moon still stands out as a goofy satire of imperialism and colonialism.

(5) ED BRYANT’S BLOOD. Scott Edelman says he’s at 77% of the fundraising goal to buy new podcasting equipment for Eating The Fantastic. What will he do to move the needle now?

“I’m parting with an autographed copy of the limited edition to Edward Bryant’s Fetish — which he signed using his own blood. The letter at the listing explains how and why.” The item is here on eBay. “I bought this at an HWA charity auction during the 1995 World Horror Con … and now it’s time to let someone else own Ed’s DNA.”

(6) HANSBERRY’S FANTASTIC PLAY. Nisi Shawl’s essay “Les Blancs by Lorraine Hansberry”, part of the “Expanded Course in the History of Black Science Fiction”, can be read at the Carl Brandon Society website.

…This essay is about Les Blancs, Lorraine Hansberry’s last play.

WHERE IT FITS IN THE OEUVRE
First produced in 1970, a little over five years after the author died of cancer at the age of 34, Les Blancs never achieved the acclaim of Hansberry’s massively successful Broadway play A Raisin in the Sun, nor that of the Off-Broadway dramatic adaptation her widower Robert Nemiroff patched together from her notes and autobiographical writings, To Be Young, Gifted and Black. But though it remained unfinished at the time of her death, she considered it her most important work.

HOW TO TELL IT’S FANTASTIC
Les Blanc’s action takes place in an unnamed African country modeled on Ghana and Kenya, according to Hansberry’s biographers, and also somewhat on the Congo, according to me. (See, for instance, the reference in Act Two, Scene 2 to the Belgian King Leopold’s favorite method of mutilation, the cutting off of indigenes’ hands.) The “Kwi,” this country’s original inhabitants, are in the midst of being supplanted by English-speaking whites. The supplantation is carried out via multiple methods: a paternalistic Christian mission-cum-hospital, a white-run government supported by a white-run soldiery, and political interference with the threat of military intervention from the US. Like many SF and Fantasy authors before and after her, Hansberry is able to analyze real-life issues with lessened fear of triggering reprisals by situating them in a purely speculative location. Rather than invoking an alternate past as I do in Everfair or an extrapolated future as Nnedi Okorafor does in Who Fears Death, though, Hansberry creates a semi-imaginary present. (Now, of course, that present has passed….

(7) HOUSE COLORS. You can watch the Empire State Building lit up in Harry Potter colors tonight, September 27, via this livestream.

(8) MIXING IN WITH MARVEL. The creator of the Mutts comic goes in a different direction with his new book. Patrick McDonnell’s The Super Hero’s Journey, published by Abrams ComicArts in collaboration with Marvel Comics, was released September 26.

The book begins with the Watcher as he observes Earth and the inner struggles of the Marvel heroes. He watches Doctor Doom (who has harnessed the power of the Negative Zone) slowly destroy the human spirit. The Watcher then leads Mr. Fantastic on a meta journey through the pages of classic comic books. Ultimately, our heroes come to a Zen solution in an unexpected fashion — one that aligns with Patrick’s other beloved and award-winning books — leaving us with a renewed sense of love, hope, and redemption.

Learn more about the project as Forces of Geek “Chats With Cartoonist Patrick McDonnell About ‘The Super Hero’s Journey’”.

The book features excerpts of early Marvel Comics by Stan Lee, Jack Kirby, Steve Ditko, Don Heck and Vince Colletta. Was including original Marvel art part of the plan from the beginning and when it came to your selections, were they already definitive in your mind or did Marvel make suggestions on certain images/panels to include within your narrative?

One of my first concepts for this project was to combine my art with the classic ‘60s comic panels and pages to tell a new story in a new way. It gave me an excuse to re-read all those amazing early issues. I was looking for panels that would work with my storyline, but also staying open to find happy surprises that might help shape the story. Marvel was not part of that process but were supportive and enthusiastic of the final product.

Early in the book, you mention that reading the early Marvel comics was life-altering and transformative and transported you. Can you explain how the experience changed you?

Early childhood art experiences open you up to new ways of thinking and seeing the world. Those comics made me want to explore my own imagination and creativity. The Marvel super heroes made you believe that everything and anything is possible and to strive to be the best you could be.

(9) PETE KOZACHIK (1951-2023). Cinematographer Pete Kozachik, who worked on several well-known stop-motion animation genre features, died September 12 at the age of 72 reports SFGate.

Pete Kozachik, the pioneering visual effects artist and cinematographer who brought his unique style to stop-motion animation classics including “The Nightmare Before Christmas,” “Corpse Bride,” “James and the Giant Peach,” “Coraline” and more, died Tuesday, Sept. 12, at his Bay Area home due to complications related to primary progressive aphasia. He was 72 years old….

…Kozachik decided he wanted to try his hand at making his own Harryhausen-esque movies. A family friend taught him how to shoot, develop and print photos, and after reading an article titled “Build a Movie” in one of their Popular Photography magazines, he got to work on his very first project. Earnings from his job as a paperboy with the Detroit Free Press allowed him to buy a black-and-white 8 mm camera, foam pieces snipped with scissors became crude dinosaurs and cave people, and a dark rabbit-fur purse he found in a trash can was transformed into his star: a King Kong puppet he would pit against the dinosaurs….

(10) MEMORY LANE.

1989 — [Written by Cat Eldridge.]

Terry Pratchett’s Pyramids where our Beginning is from one of the early Discworld novels, being just the seventh. It was published by Gollancz thirty-four years ago. Josh Kirby did the absolutely amazing wrap-around cover for this edition.

Pyramids was unusual for the early novels as it was split into four ‘Books’, a structure that gives it a unique position amongst the otherwise early chapterless Discworld novels. No, The Colour of Magic doesn’t really count as it’s a collection of linked novellas, not a single novel with chapters or sections. Later novels did have chapters.

The only Award that it got nominated for, a British Science Fiction Award for Best Novel, it won.

And now our Beginning…

Nothing but stars, scattered across the blackness as though the Creator had smashed the windscreen of his car and hadn’t bothered to stop to sweep up the pieces.

This is the gulf between universes, the chill deeps of space that contain nothing but the occasional random molecule, a few lost comets and . . . . . .

but a circle of blackness shifts slightly, the eye reconsiders perspective, and what was apparently the awesome distance of interstellar wossname becomes a world under darkness, its stars the lights of what will charitably be called civilization.

For, as the world tumbles lazily, it is revealed as the Discworld—flat, circular, and carried through space on the back of four elephants who stand on the back of Great A’tuin, the only turtle ever to feature on the Hertzsprung-Russell Diagram, a turtle ten thousand miles long, dusted with the frost of dead comets, meteor-pocked, albedo-eyed. No one knows the reason for all this, but it is probably quantum.

Much that is weird could happen on a world on the back of a turtle like that.

It’s happening already.

The stars below are campfires, out in the desert, and the lights of remote villages high in the forested mountains. Towns are smeared nebulae, cities are vast constellations; the great sprawling city of Ankh-Morpork, for example, glows like a couple of colliding galaxies.

But here, away from the great centers of population, where the Circle Sea meets the desert, there is a line of cold blue fire. Flames as chilly as the slopes of Hell roar toward the sky. Ghostly light flickers across the desert.

The pyramids in the ancient valley of the Djel are flaring their power into the night.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born September 27, 1920 — Henry Farrell. Novelist and screenwriter, best known as the author of the “What Ever Happened to Baby Jane?” story which was made into a film of the same name starring Bette Davis and Joan Crawford. His other genre fiction was all in the Toffee series which consisted of a novel, The Shades of Toffee, and related short stories. Any of you read them? (Died 2006.)
Born September 27, 1927 — Roberta Gellis. Though she wrote nearly a dozen novels of her own, you most likely know her writing within the Elves on the Road Universe created by Mercedes Lackey. She co-wrote the Serrated Edge prequels with Lackey, two of which were full novels — Ill Met by Moonlight and And Less Than Kind. (Died 2016.)
Born September 27, 1956 — Sheila Williams, 67. Editor, Asimov’s Science Fiction. She won the Hugo Award for Best Short Form Editor in 2011 and 2012. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing.
Born September 27, 1966 — David Bishop, 57. In the Nineties, he edited the UK Judge Dredd Megazine (1991–2002) and 2000 AD (1995–2000). He wrote a number of Dredd, Warhammer and Who novels including the Who novel Who Killed Kennedy which is a popular Third Doctor story. He’s written Big Finish stories in the Dredd, Sarah Jane and Who lines. Dredd audio dramas.
Born September 27, 1972 — Andy Briggs, 51. He started out as an uncredited writer working on story developer on the Highlander Series. I’m going to single out his writing of The Tarzan Trilogy which consists of Tarzan: The Greystoke Legacy, Tarzan the Jungle Warrior and Tarzan: The Savage Lands. Most excellent pulp. He’s written eleven scripts including a remake of The Philadelphia Experiment.

(12) COMICS SECTION.

xkcd reinvents book podcasts.

(13) IGNORE THAT BOND BALONEY. JoBlo quickly walked back its story that “Christopher Nolan could possibly direct period James Bond films”. Ain’t happening.

…Well, that was fast but a knowledgeable source has reached out to us to say that this rumour is “1000% fantasy” and not at all true. Nolan is not in discussions with EON to take on the James Bond films, and indeed, the rumour below did seem too good to be true. The fact is, with Oppenheimer having grossing over $900 million worldwide, Nolan’s next project can be – well – whatever he wants. Would he really tie himself to a franchise at this point in his career? It’s unlikely. Chalk this one up to wishful thinking as far as us James Bond fans go. Oh well, it was fun thinking about it while it lasted!…

(14) YOU HAVE TO SPEND MONEY TO STEAL MONEY. “Amazon is investing up to $4 billion in AI startup Anthropic in growing tech battle” reports AP News.

Amazon is investing up to $4 billion in Anthropic and taking a minority stake in the artificial intelligence startup, the two companies said Monday.

The investment underscores how Big Tech companies are pouring money into AI as they race to capitalize on the opportunities that the latest generation of the technology is set to fuel.

Amazon and Anthropic said the deal is part of a broader collaboration to develop so-called foundation models, which underpin the generative AI systems that have captured global attention.

Foundation models, also known as large language models, are trained on vast pools of online information, like blog posts, digital books, scientific articles and pop songs to generate text, images and video that resemble human work.

Under the agreement, Anthropic is making Amazon its primary cloud computing service and using the online retail giant’s custom chips as part of work to train and deploy its generative AI systems.

San Francisco-based Anthropic was founded by former staffers from OpenAI, the maker of the ChatGPT AI chatbot that made a global splash with its ability to come up with answers mimicking human responses….

(15) VISIT A NEARBY TOWER. The Guardian has good news about an architectural and scientific landmark: “Observatory built to represent Einstein’s theory of relativity reopens in Germany”.

A solar observatory built to substantiate Albert Einstein’s theory of relativity has been reopened near the German capital after a renovation project to preserve it for future generations.

The Einsteinturm (Einstein Tower) on Telegraph Hill in Potsdam, 16 miles (25km) south-west of Berlin, spent a year under scaffolding while work was carried out using modern techniques to seal its many thousands of cracks, cure it of extensive dampness, and to save its domed zinc roof, while retaining its authenticity.

Constructed between 1920 and 1922 by the architect Erich Mendelsohn in collaboration with the astronomer Erwin Finlay-Freundlich, the 20-metre tower, said at the time to resemble a “gawky spaceship”, has long been a lure for architectural enthusiasts and astrophysicists alike….

… The tower is very much still in operation as a working solar observatory today, run by the Leibniz Institute for Astrophysics (AIP), where it is mainly used for the study of solar magnetic fields….

(16) DO YOU HAVE PRINCE ALBERT IN A CAN? “Scientists just opened the lid to NASA’s asteroid sample canister” — Ars Technica peeked over their shoulders.

…When the spacecraft departed the roughly 1,600-foot-wide (500-meter) asteroid Bennu in 2020, engineers estimated the probe had gathered around 250 grams, or 8.8 ounces, of specimens from Bennu’s porous surface. The spacecraft sampled the asteroid by extending a robotic arm out in front of it, then essentially pogoing off the surface, only contacting Bennu for a few seconds. When it touched the asteroid, the spacecraft released a burst of gas to funnel loose rocks into a collection chamber shaped like an air filter on the end of the robot arm. This device is called the Touch-and-Go Sample Acquisition Mechanism, or TAGSAM.

Scientists discovered the collection chamber’s door was wedged open with larger rocky material, with some fragments of rock leaking out into space, so they decided to quickly stow the sampling device inside the return capsule to avoid losing more material. That led some scientists on the OSIRIS-REx team to wonder whether the spacecraft might come back to Earth with even more than the 250-gram estimate, which was four times the minimum requirement for mission success.

Researchers likely won’t know for sure how much material OSIRIS-REx brought home until next month. That will require the lab team in Houston to remove the TAGSAM sampling mechanism from its restraint inside the canister, which protected it for the journey back to Earth like a nested doll. Then they will open up the device and hopefully find larger chunks of rock. All of this should happen in the next couple of weeks….

(17) BUT DOES IT LAND JELLY SIDE DOWN? “Scientists find antimatter is subject to gravity” – the Guardian has the story.

Galileo put gravitational theory to the test by dropping balls from the Leaning Tower of Pisa. Four hundred years on, scientists have performed a higher tech version of the experiment to demonstrate for the first time that antimatter also falls downwards.

The study, by scientists at Cern, showed conclusively that gravity pulls antihydrogen downwards and that, at least for antimatter, antigravity does not exist.

“Broadly speaking, we’re making antimatter and we’re doing a Leaning Tower of Pisa kind of experiment,” said Prof Jonathan Wurtele, a theoretical physicist at the University of California, Berkeley. “We’re letting the antimatter go, and we’re seeing if it goes up or down.”…

(18) VIDEO OF THE DAY. The Daily Woo earlier this week posted a video with a “Final Look At Warner Bros Ranch As It’s Leveled – Hollywood History Gone Forever”.

…I pulled over here and parked on this street in Burbank where the Warner Ranch was. It is no longer the Warner Ranch even though there are still some buildings back in here. I was lucky enough twice to be able to get inside once like a year ago and then once like four months ago. Since then from what I am hearing there are no employees of the company of Warner, it’s not even title that anymore, and there’s just a demolition crew in there so I’m gonna see what I can find…

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Steven French, Dann, Rich Lynch, Scott Edelman, John A Arkansawyer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 8/27/21 A Very Merry And Pippin Unbirthday To You

Posted on August 27, 2021 by Mike Glyer

(1) WHERE THE BOOKS ARE. Claire North has written an open love letter to libraries in “Dear Library”.

…Hey Barbican Library, I know it’s a bit unusual, but I really love how you can stand on the edge of Crime and Thrillers and look down into the halls below, so often full of jazz and dancing; or pop downstairs to the music library that remains one of the best in the city and just lose yourself in history and sound. The Barbican was built as a social experiment – the result is a glorious maze of unhelpful painted yellow lines and mysterious corridors twisting back to unknown places. It divides travellers into two types: those who know every nook and cranny, and can find three different routes to the library’s door, and those who avoid the Barbican like the plague, knowing it to be a geographical trap from which no one can emerge unscathed. I love the Barbican, and for me the library has always been, and will always be its heart.…

(2) EATING THE FANTASTIC. Scott Edelman asks listeners to bite into a Baltimore camel burger with Michael R. Underwood in episode 152 of his Eating the Fantastic podcast.

This episode you’ll be traveling with me to the Baltimore neighborhood of Fells Point, where we’ll take a seat at a picnic table outside The Abbey Burger Bistro with writer Michael R. Underwood.
Michael’s the author of more than twelve books, including the Ree Reyes urban fantasy series (Geekomancy, Celebromancy, Attack the Geek, and Hexomancy), Born to the Blade (an epic fantasy serial with former guest of the show Malka Older, Cassandra Khaw, and Marie Brennan), as well as Shield and Crocus, The Younger Gods, and the Genrenauts novella series, which was a finalist for a r/Fantasy Stabby Award. He has also been a finalist for the Hugo Award for Best Fancast with the Skiffy & Fanty Show. And his geek cred goes way back, for he tells me he was taken to see Star Wars: The Return of the Jedi in theaters at the age of one, though his memories are murky.
We discussed how his tango past impacts his writing of action scenes, his early love for Star Wars and Spider-Man, how reading Joseph Campbell ignited his desire to write fiction, what he learned about publishing as a kid and how that affected his career expectations, the lessons the late Graham Joyce taught him about the best way to revise novels, the balance you must keep in mind when inserting Easter eggs into your stories, how he constructed his Genrenauts universe and why he returned to it after a long absence, the importance of found family, his advice for successful collaborations, and much more.

(3) THRU THE HEAVY METAL GATEWAY. A fun article by Michael Gonzalez, packed with personal details, at CrimeReads: “A Personal Journey Through the World of Alternative Comics in 1970s New York City”.

…Certainly, Heavy Metal was an introduction for many comic book fans to a world beyond Marvel and DC, but it also served as a gateway to the many alternative publications I bought a few months later at the Creation Convention in my hometown of New York City. Held over Thanksgiving weekend, I bypassed Hulk and Batman, and instead bought various underground comixs (Air Pirates, Zap) fanzines (Infinity, RBCC) and art books (Ariel: the Book of Fantasy, The Fantastic Art of Frank Frazetta). It was also at that con that I discovered the self-proclaimed “ground level” comic Star*Reach. A California-based publication that began publishing in 1974….

(4) VALUE OF JEOPARDY! Kareem Abdul-Jabbar, in a column about the “Significance of ‘Jeopardy!’ Host Mike Richards Resignation” for The Hollywood Reporter, “argues that the media focus on Mike Richards’ insensitive comments misses a deeper issue with the host search that ‘suggests the problem may not be just a bad branch, but a rotten root.’”

…Though Alex Trebek may have started hosting the show with the background of just another placid game show host, he evolved with the show and became the kindly face of the part of America that venerates knowledge. That’s why choosing the right host to replace him is about more than simple entertainment values, it’s about respecting what the show represents to American culture. It’s about acknowledging Jeopardy!’s significance as an enriching leader in promoting the joys and benefits of education.
This is especially important considering the assault against intelligence and critical thinking the country has faced in recent years. The introduction of the scientific method in the 17th century lifted humanity out of the fetid and superstitious Dark Ages into the bright and vibrant Age of Enlightenment. The simple idea that we objectively gather verifiable evidence before reaching conclusions is the infrastructure of our civilization, both in our scientific achievements and social advancements. It’s the basis of our legal code and our moral code….

(5) A REALLY BIG PATCH. Secret Los Angeles trumpets that “Tickets To Haunt O’ Ween’s 150,000-Square-Foot Halloween Playground Are Now On Sale!”

“Haunt O’ Ween LA” is wasting no time in resurrecting pre-covid traditions with a dazzling 150,000-square-foot Halloween wonderland this October. This 31-day walk-thru adventure features large-scale multi-sensory scenes, new haunting characters, pumpkin-picking with carving stations, trick-or-treating and a glowing Jack-O-Lantern tunnel.
Your journey into this haunted (but family-friendly) haven begins on Topanga Canyon Boulevard, from October 1 and will run through October 31. Get your tickets here before they vanish and the FOMO haunts you forever!

(6) MEDIA BIRTHDAY.

1993 – Twenty-eight years ago on this date, The Adventures of Brisco County, Jr. premiered on FOX. Created by Jeffrey Boam who wrote the screenplays for Indiana Jones and the Last Crusade, Innerspace and The Lost Boys, and Carlton Cuse who’d later be best known for the Lost series, but at this point had only done Crime Story. It was Indiana Jones and the Last Crusade that got this series greenlit at Fox. Cuse served as show runner and head writer. Boam, who served as executive producer, also contributed scripts for the show. It was a weird Western unlike any other Western. It starred Bruce Campbell, Julius Carry, John Astin, Kelly Rutherford and Christian Clemenson. Though the critics loved and it did very well initially in the ratings, it quickly dropped off, so FOX cancelled it after the one season run of twenty-seven episodes.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born August 27, 1922 — Frank Kelly Freas. I’ve no idea where I first encountered his unique style on a cover of a SF book, but I quickly spotted it everywhere. He had a fifty-year run on Astounding Science Fiction from the early Fifties and through its change to the Analog name — amazing! There doesn’t appear to a decent updated portfolio of his work as the last one, Frank Kelly Freas: The Art of Science Fiction, was done in the Seventies. He won ten Hugos for Best Artist or Best Professional Artist. (Died 2005.)
Born August 27, 1929 — Ira Levin. Author of Rosemary’s Baby, The Stepford Wives and The Boys from Brazil. All of which became films with The Stepford Wives being made twice as well having three television sequels which is overkill I’d say. I’ve seen the first Stepford Wives film but not the latter version. Rosemary’s Baby would also be made into a two-part, four-hour miniseries. He got a Stoker Award for Lifetime Achievement. (Died 2007.)
Born August 27, 1945 — Edward Bryant. His only novel was Phoenix Without Ashes which was co-authored with Harlan Ellison and was an adaptation of Ellison’s pilot script for The Starlost. The only short stories of his that I’m familiar with are the ones in the Wild Cards anthologies. He won two Nebulas, both for short stories, “Stone” and “giANTS”. (The latter was nominated for a Hugo at Noreascon Two.) Phoenix Without Ashes and all of his short stories are available from the usual digital suspects. (Died 2017.)
Born August 27, 1947 — Barbara Bach, Lady Starkey, 74. She’s best known for her role as the Bond girl Anya Amasova in The Spy Who Loved Me. (A Roger Moore Bond film.) One of her other genre appearances is in Caveman which her husband Ringo Starr is also in. It’s where they first hooked up. She was in The Unseen, a horror film, with Stephen Furst. She retired from acting in 1986.
Born August 27, 1952 — Darrell Schweitzer, 69. Writer, editor, and critic. For his writing, I’d recommend Awaiting Strange Gods: Weird and Lovecraftian Fictions and Tom O’Bedlam’s Night Out and Other Strange Excursions. The Robert E. Howard Reader he did is quite excellent as is The Thomas Ligotti Reader. He did a Neil Gaiman reader as well.
Born August 27, 1957 — Richard Kadrey, 64. I’m admittedly way behind on the Sandman Slim series having only read the first five books. I also enjoyed Metrophage: A Romance of the Future and The Everything Box. I’ve got The Grand Dark on my interested in listening to list. He just concluded the Sandman Slim series with the King Bullet novel.
Born August 27, 1962 — Dean Devlin, 59. His first produced screenplay was Universal Soldier. He was a writer/producer working on Emmerich’s Moon 44. Together they co-wrote and produced Stargate, the first movie to have a web site. The team then produced Independence Day, the rather awful Godzilla reboot and Independence Day: Resurgence. They’re also credited for creating The Visitor series which lasted just thirteen episodes, and The Triangle.
Born August 27, 1978 — Suranne Jones, 43. Not a long genre performance history but she shows up on the Doctor Who spin-off, The Sarah Jane Adventures as Mona Lisa in “Mona Lisa”. Yes that Mona Lisa. More importantly, she’s in “The Doctor’s Wife”, an Eleventh Doctor story as written by Neil Gaiman. She’s Idris, a woman hosting the Matrix of the TARDIS. She’s Eve Caleighs in The Secret of Crickley Hall series, an adaption of the James Herbert novel.

(8) MYTHBUSTERS PROP AUCTION FUNDRAISER. Adam Savage talks about how he is honoring Grant Imahara’s memory. “’MythBusters’ alum Adam Savage talks death of Grant Imahara” at Yahoo!

…It’s been more than a year since former MythBusters host Grant Imahara died suddenly of a brain aneurysm, and Adam Savage, who worked with him on the phenomenally popular Discovery Channel show still misses him deeply.
“Like everybody else, I was gut-punched by Grant’s passing last year,” Savage tells Yahoo Entertainment. “It felt like almost too much in the face of all the other existential crises that were going on. But those of us that were lucky enough to know Grant knew him as a lovely man of honor, who wanted to share his knowledge with everybody.”
To that end, the team behind the show about testing whether certain events could actually happen in real life is auctioning off the props used during its 15-year run, from 2003 to 2018, now through Sept. 1 in an online event hosted by Prop Store. Proceeds from the sale of all the items, including different versions of Buster, the test dummy who stood in for humans in dangerous stunts, and blueprints of many of the creations, will go directly to the Grant Imahara STEAM Foundation, whose mission is to inspire emerging talent and empower underserved youth in the areas of science, technology, engineering, arts and math education by offering mentorships, grants and scholarships….

(9) I’M READY FOR MY CLOSE-UP, MR EINSTEIN. “Hubble Captures a Stunning ‘Einstein Ring’ Magnifying The Depths of The Universe” at Science Alert.

Gravity is the weird, mysterious glue that binds the Universe together, but that’s not the limit of its charms. We can also leverage the way it warps space-time to see distant objects that would be otherwise much more difficult to make out.
This is called gravitational lensing, an effect predicted by Einstein, and it’s beautifully illustrated in a new release from the Hubble Space Telescope….

(10) SPECIAL DELIVERY. E. E. Knight knows there’s a long way to go and a short time to get there.

"Earth to the Zone for Romulan Ale and back in twenty eight hours? That ain't never been done before, not in no NX-class starship."

"That's cause *we* ain't never done it in no NX-Class. You got to stop thinkin so negative son, we aint not never made it yet have we?" pic.twitter.com/q8oRBUtoVJ
— E.E. Knight (@EE_Knight) August 27, 2021

(11) GUILALA LAND: Art by the artist Martha Womersley of the star monster from the 1967 classic The X from Outer Space.

???? From The X from Outer Space, it’s GUILALA???? who I’ve been wanting to draw for a while actually.
Thank you @DrWho42 for commissioning me! ??????? pic.twitter.com/AIhVqYYWK2
— Mars ????? (@Mars_Atax) August 27, 2021

(12) TRAILER PARK. Netflix is bringing Maya and the Three this fall.

In a mythical world, where magic is real and four kingdoms rule, there lives a brave and rebellious warrior princess named Maya. Maya embarks on a thrilling quest to fulfill an ancient prophecy but can she defeat the gods and save humankind?

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Dann, Mlex, Ben Bird Person, Daniel Dern, Michael Toman, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 7/31/21 So You Want To Be An Orc’n’Scroll Star

Posted on July 31, 2021 by Mike Glyer

(1) RETURN OF A MAN CALLED CHUCK. Chuck Tingle’s Twitter account has been restored. He tweeted thanks to some who helped him along the way.

would like to say LOVE IS REAL that was difficult battle there are so many buckaroos to thank so i will start by saying THANK YOU TO ALL OF YOU for messaging in kind way and supporting chuck THE BUCKAROOS REALLY PULLED THIS ONE OFF thats for dang sure so thanks bud
— Chuck Tingle (@ChuckTingle) July 31, 2021

next would like to thank bud @davidfarrier who talked with me and kept chuck online company in hard time. he has website https://t.co/KXPo1f26bK and you should check it out his writing is so good but he is also a VERY KIND BUCKAROO even behind scenes when he doesnt have to be
— Chuck Tingle (@ChuckTingle) July 31, 2021

also would like to thank @EFF (electronic frontier foundation) who are dedicated to helping buckaroos when their life turns into black mirror episode. they helped chuck a lot BECAUSE THATS WHAT THEY DO THEY HELP. please consider donating to them i already have
— Chuck Tingle (@ChuckTingle) July 31, 2021

(2) SMITHSONIAN FUTURES EXHIBIT. Octavia Butler, one of her typewriters, and some newly commissioned art, will be part of the Smithsonian’s “Futures That Unite” exhibit that opens in November reports Smithsonian Magazine: “The Pioneering Sci-Fi Writer Octavia E. Butler Joins a Pantheon of Celebrated Futurists”. The complete set of Nettrice Gaskins’ images can be viewed here.

…In developing science fiction writing as her craft, after disparaging a campy sci-fi flick, Butler became a master storyteller whose unique works revealed how members of the African diaspora could use their own power to shape alternative futures. Butler is one of the futurists who will be honored in the Smithsonian’s expansive “Futures” exhibition, which will mark the Institution’s 175th anniversary and will debut in the Arts and Industries Building late this year.
“Anchoring her in the exhibition in the hall that we call ‘Futures That Unite’ is really important because her books have united people across time and space and ages and identities,” says Monica Montgomery, the exhibition team’s social justice curator. While many of Butler’s works are dystopian in nature, “We know that ultimately, her work aims to unite and go from what does the future of sorrow look like to what does the future of strength look like.”…
A Smithsonian artifact—an Olivetti typewriter—from the collections of the Anacostia Community Museum will represent Butler’s life in the “Futures” show. The museum received it directly from Butler in 2004, when it went on view in the exhibition, “All the Stories Are True,” explains Jennifer Sieck, the museum’s collections researcher. “Octavia Butler was one of the invited authors, and not only did she generously share her presence, but she also donated the typewriter to the museum, along with the ribbons.”
…In addition to the typewriter, Butler will be represented by a newly commissioned work of art by digital artist Nettrice Gaskins, who uses algorithms meant to be employed in machine learning to produce artworks. She will provide a series of portraits of featured futurists, including herself. Others include author and disability rights advocate Helen Keller, American sculptor and political activist Isamu Noguchi, and National Farmworkers Association co-founders Dolores Huerta and Cesar Chavez, inventor Alexander Graham Bell, frontline researchers in the global race for a Covid vaccine Barney Graham and Kizzmekia Corbett, computer scientist Margaret Hamilton, non-binary professional skateboarder Leo Baker, the multi-disciplinary educator Buckminster Fuller and the civil rights activist Floyd McKissick.
“I used styles that corresponded with each futurist,” Gaskins says. “When I created the futurist portraits, I collaborated with the A.I. [artificial intelligence] and fed the machine different styles to see what the results would be, then I chose the ones that captured what I imagined.” Mirroring characters in Butler’s Parables series, “I’m finding ways to use A.I. to recognize my own power to affect and direct change or chance,” she says….

(3) 2022 WORLDCON HIKING MEMBERSHIP RATE. Chicon 8, the 2022 Worldcon, is raising its attending membership rate to $190 on August 1. So if you want to beat the deadline, click here: Memberships – Chicon 8. The new rate will be good until December 20, 2021.

(4) SELF-PUBLISHING DURING THE PANDEMIC. Mike Allen is interviewed by Melanie Stormm at the SPECPO blog: “The Uncertain Journey of Shirley Jackson Finalist, Aftermath…”

…“I came to horror as a way of wrestling with the darkness in human nature, the darkness in my own nature,” Mike said, speaking to the autobiographical quality of some of his poems. “I had to make peace with my understanding of the world. The fact that the things Edgar Allen Poe was writing about were not alien, but part of the human experience.”
When he announced this, it hit me and made things plain. I understood my own tendency to like dark things: they seemed to tell the truth and I turn to fiction and poetry as much for truth as I do for adventure. These sorts of work found all the things our minds want to reject as part of life and wove them into the narrative. It’s about acceptance and not only thrill. I found myself reflecting internally on the kind of catharsis that comes from reading work like Aftermath and on my own desire to escape the Jeremiad news cycle. And yet, in the middle of the pandemic, life had been stressful for me, but I found that I wasn’t suffering from the same psychological horror that others I cared about suffered from. I felt strangely spared the extent of shock and sleepless nights others had, spared the existential crisis, the headlines (and very real events) created in others. Not because I was brighter or wiser or more resilient. In fact, it felt as though the level of peace I had was gifted to me.
As though reading the new question in my mind, Mike said: “In a way, horror inoculates you. There’s an addictive quality to it as it produces a lot of chemical activity in your brain, but it also inoculates you.” Mike paused, wondering whether ‘inoculate’ was the best word given the situation the world faced. Then, after a moment, he nodded. “Yeah, it inoculates you. You come to accept that the worse can happen, and that idea maybe shocks you less than it does other people.”…

(5) STAN’S ORIGIN STORY. J. Hoberman chronicles “Marvel’s Ringmaster” at the New York Review of Books. “Under Stan Lee’s guidance, Marvel marketed not only its characters but also the men who created them.” The first part of the article is open, but the rest is behind a paywall.

…The comic book industry was largely created by first-generation Americans. Lee’s Romanian immigrant father was a fabric cutter in New York City’s garment industry; the family struggled during the Great Depression. Skipping grades, the faster to finish his education and get a job, Lee attended DeWitt Clinton, a huge all-boys public high school in the Bronx that produced many distinguished alumni. Lionel Trilling, Irving Howe, A.M. Rosenthal, and William Kunstler were graduates. Lee’s classmates might have included the future playwright Paddy Chayefsky, the disgraced studio boss David Begelman, the Get Smart actor Don Adams, and (before he dropped out) the champion boxer Sugar Ray Robinson, as well as Richard Avedon and James Baldwin. Lee worked on the school literary magazine, less as a writer or editor than a self-appointed publicity director….

(6) LEARNING FROM WRONG GUESSES. Simon Evans discusses “What Sci Fi novels can teach us about uncertainty” in The Spectator.

…Literature has no single golden age, but some genre fiction does, and Science Fiction had a long one, stretching from the mid-30s all the way up to the mid 50s – up, perhaps, to Crick and Watson and the genuinely astounding discovery of DNA with which it briefly struggled to compete. Soon, we’d been to the moon too, and the race to speculate before science could accumulate became a lot tighter.
Sci-Fi thrives off society’s sense of the unknown. The fiction of this era is worth reading as much to register the blind spots, as to applaud the bulls’ eyes. These are generally by way of under estimating the societal changes which were to sweep across the West after WW2. Many authors anticipate nuclear annihilation, and subsequent genetic mutation, but there does not appear to be a single one who saw feminism coming.
Instead, stories by Asimov, Heinlein and the like bristle with square jawed 21st century heroes, wise cracking journalists, distracted academics and Blondes, Blondes, Blondes. Some of the predicted innovations in tech are hauntingly accurate, but the action remains firmly rooted in a social milieu Raymond Chandler would recognise. But this is instructive in itself and tells us something about the business of understanding what can, and cannot change, and how quickly. Many people envisaged the rise of a global pandemic at some point in the future but not many paused to consider its social implications – plus ça change. …

(7) VAMPIRE CLEARANCE SALE. FX dropped this trailer for season 3 of What We Do In The Shadows.

An evil bucket that’s great for collecting evil. See how the vampires are decluttering for the all-new season premiering Sept 2nd on FX.

(8) MEDIA BIRTHDAY.

July 31, 1992 – Twenty-nine years ago the Buffy the Vampire Slayer film premiered. Written by Joss Whedon, it was directed by Fran Rubel Kuzui and produced by Howard Rosenman and Kaz Kuzui. The cast was Kristy Swanson, Donald Sutherland, Paul Reubens, Rutger Hauer and Luke Perry. It got middling reviews from the critics and currently holds a rating of just forty-three percent at Rotten Tomatoes. It neither made nor lost money at the box office.

It of course would spawn the later Buffy the Vampire Slayer and the Angel series as well. The former was both a critical and rating success. The Buffy the Vampire Slayer series would win a Hugo at Torcon 3.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born July 31, 1932 — Ted Cassidy. He’s best known for the role of Lurch on The Addams Family in the mid-1960s. If you’ve got a good ear, you’ll recall that he narrated The Incredible Hulk series. And he played the part of the android Ruk in the episode “What Are Little Girls Made Of?” on Trek, and provided the voices of the more strident version of Balok in the “The Corbomite Maneuver” episode and the Gorn in the “Arena” episode. In The Man from U.N.C.L.E. “The Napoleon’s Tomb Affair” episode, he was Edgar, who kidnapped, tortured, and repeatedly attempted to kill Napoleon and Illya. And failed magnificently. (Died 1979.)
Born July 31, 1951 — Jo Bannister, 70. Though best known as a most excellent British crime fiction novelist, she has three SF novels to her credit, all written in the early Eighties — The Matrix, The Winter Plain and A Cactus Garden. ISFDB lists one short story by her as genre, “Howler”, but I wasn’t at all aware that Ellery Queen’s Mystery Magazine printed genre fiction which is where it appeared first though y’all corrected me when I ran this Birthday note first several years back.
Born July 31, 1955 — Daniel M. Kimmel, 66. His essays on classic genre films were being published in The Internet Review of Science Fiction from 2005–2010 and are now in the Space and Time magazine. He is the 2018 recipient of the Skylark Award given by the New England Science Fiction Association.
Born July 31, 1956 — Michael Biehn, 65. Best known in genre circles as Sgt. Kyle Reese in The Terminator and Terminator 2: Judgment Day, Cpl. Dwayne Hicks in Aliens and Lt. Coffey in The Abyss. He was also The Sandman in a single episode of Logan’s Run. Though not even genre adjacent, he was Johnny Ringo in the magnitude Tombstone film. Likewise he was in The Magnificent Seven series as Chris Larabee.
Born July 31, 1959 — Kim Newman, 62. Though best known for his Anno Dracula series, I’d like to single him out for his early work, Nightmare Movies: A critical history of the horror film, 1968–88, a very serious history of horror films. It was followed up with the equally great Wild West Movies: Or How the West Was Found, Won, Lost, Lied About, Filmed and Forgotten. He’s also a prolific genre writer and his first published novel, The Night Mayor, sounds very intriguing. (CE)
Born July 31, 1962 — Wesley Snipes, 59. The first actor to be Blade in the Blade film franchise where I thought he made the perfect Blade. (There’s a new Blade actor though they name escapes right now.) I also like him as Simon Phoenix in Demolition Man. And he was Aman in Gallowwalkers, a Western horror film that is really, really bad. How bad? It gets an eleven percent rating by audience reviewers at Rotten Tomatoes.
Born July 31, 1976 — John Joseph Adams, 45. Anthologist of whom I’m very fond of The Improbable Adventures of Sherlock Holmes and Dead Man’s Hand: An Anthology of the Weird West which he did. He was the Assistant Editor at The Magazine of Fantasy & Science Fiction for nearly a decade, and he’s been editing both Lightspeed and Fantasy magazines since the early part of the previous decade.

(10) COMICS SECTION.

Alley Oop isn’t ready for this cosmic discovery.

(11) HAMILTON DROPS OUT OF THE TREES. Netflix dropped a trailer for the animated movie Vivo. Arrives August 6.

A one-of-kind kinkajou (voiced by Lin-Manuel Miranda), embarks on an unforgettable, musical adventure to deliver a love song to Marta (voiced by Gloria Estefan) on behalf of his owner Andrés (Buena Vista Social Club’s Juan De Marcos).
VIVO is an exhilarating story about gathering your courage, finding family in unlikely friends, and the belief that music can open you to new worlds.

(12) WELL, THAT WAS EXCITING. That new Russian module at the International Space Station got a little rowdy. The maneuvering thrusters fired accidentally, pushing the whole station out of position. The mis-orientation was bad enough that the ISS lost radio communication with ground controllers for about 11 minutes. One thinks that Roscosmos will have some explaining to do. “International Space Station briefly loses control after new Russian module misfires” at CNN.

An unusual and potentially dangerous situation unfolded Thursday at the International Space Station, as the newly-docked Russian Nauka module inadvertently fired its thrusters causing a “tug of war” with the space station and briefly pushing it out of position, according to NASA flight controllers.
Nauka — a long-delayed laboratory module that Russian space agency Roscosmos’ launched to the International Space Station last week — inadvertently fired its thrusters after docking with the International Space Station Thursday morning.
NASA officials declared it a “spacecraft emergency” as the space station experienced a loss of attitude (the angle at which the ISS is supposed to remain oriented) control for nearly one hour, and ground controllers lost communications with the seven astronauts currently aboard the ISS for 11 minutes during the ordeal. A joint investigation between NASA and the Russian space agency Roscosmos is now ongoing.

(13) HE CALLED IT. It always gives John King Tarpinian a warm feeling inside whenever Einstein is proved right. Yahoo! has the latest instance: “Einstein right, again: Researchers see light ‘echo’ around black hole”.

For the first time ever, scientists have seen the light from behind a black hole.
Black holes are regions in space-time where gravity’s pull is so powerful that not even light can escape its grasp. However, while light cannot escape a black hole, its extreme gravity warps space around it, which allows light to “echo,” bending around the back of the object. Thanks to this strange phenomenon, astronomers have, for the first time, observed the light from behind a black hole.
In a new study, researchers, led by Dan Wilkins, an astrophysicist at Stanford University in California, used the European Space Agency’s XMM-Newton and NASA’s NuSTAR space telescopes to observe the light from behind a black hole that’s 10 million times more massive than our sun and lies 800 million light-years away in the spiral galaxy I Zwicky 1, according to a statement from ESA.
The light “echo” was first predicted by Albert Einstein in his general theory of relativity, published in 1916….

(14) STRAY CAT STRUT. Nerdist says we have something to look forward to: “STRAY The Sci-Fi Game About a Stray Cat Debuts Early 2022”.

…In Stray, you play as an injured cat who has been separated from his family. He’s searching for a way back to them through the winding alleys of a decaying “cybercity.” Humanoid robots that lend an air of melancholy to the neon-lit streets are the only residents of this strange city. On his journey, the cat will find and befriend a small drone named B-12. They’ll work together to survive and get back home….

[Thanks to Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]

Pixel Scroll 5/23/21 Looking Up Out Of An Inkwell

Posted on May 23, 2021 by Mike Glyer

(1) BANDFORMER ROBOT. Daði Freyr’s (Daði & Gagnamagnið) song “10 Years” finished fourth in the 2021 Eurovision contest. The official video is entertainingly science fictional.

(2) POWELL BOOKS. Emily Inkpen was able to have “A Conversation with Gareth L. Powell”, creator of Silversands, The Recollection, and the trilogies; Ack Ack Macaque and Embers of War.

I know that for the Japanese translation of Embers of War, the title of the book was changed, can you tell us what it’s known as in Japan?
[GLP] The Japanese title translates as “Warship Girl,” which puts the emphasis firmly on the character of the sentient starship Trouble Dog.
Deciding on a title for a book can be difficult. The Japanese title switches the emphasis from the wider political context of the book, to one of the main characters. Do you think this will change the way people in Japan approach the book?
[GLP] I’m not sure. The Japanese cover has a very cool manga-style illustration of Trouble Dog’s human persona, so coupled with the title change, I think the publishers are very much positioning her as the main character/selling point. She’s young but hooked into this powerful weapon, and I think in that way perhaps they see her in the same sort of light as the main characters in Ghost in the Machine or Akira.

(3) FUTURE CRIMES. Jed S. Rakoff questions the rationale of being “Sentenced by Algorithm” at The New York Review. (Complete article is behind a paywall.)

Is it fair for a judge to increase a defendant’s prison time on the basis of an algorithmic score that predicts the likelihood that he will commit future crimes? Many states now say yes, even when the algorithms they use for this purpose have a high error rate, a secret design, and a demonstrable racial bias. The former federal judge Katherine Forrest, in her short but incisive When Machines Can Be Judge, Jury, and Executioner, says this is both unfair and irrational.
One might think that the very notion of a defendant having his prison time determined not just by the crime of which he was convicted, but also by a prediction that he will commit other crimes in the future, would be troubling on its face. Such “incapacitation”—depriving the defendant of the capacity to commit future crimes—is usually defended on the grounds that it protects the public and is justifiable as long as the sentence is still within the limits set by the legislature for the crime. But the reality is that the defendant is receiving enhanced punishment for crimes he hasn’t committed, and that seems wrong.
Nonetheless, Congress and state legislatures have long treated incapacitation as a legitimate goal of sentencing. For example, the primary federal statute setting forth the “factors to be considered in imposing a sentence” (18 U.S.C. sec. 3553, enacted in 1984) provides, among other things, that “the court, in determining the particular sentence to be imposed, shall consider…the need for the sentence imposed…to protect the public from further crimes of the defendant.”
How is the likelihood of “further crimes of the defendant” to be determined?

(4) THE MAP IS NOT THE TERRITORY. Mohammad Reza Kamali delves into “The Tale of the annotated map and Tolkien’s hidden riddles – Part Four”.

To find out whether Europe or anywhere else was really the source of inspiration for Tolkien’s work, we need to have documented evidence. The most famous evidence from Tolkien’s writings about comparing our earth to Middle-earth is his famous Letter 294:
The action of the story takes place in the North-west of ‘Middle-earth’, equivalent in latitude to coastlands of Europe and the north shores of the Mediterranean… If Hobbiton and Rivendell are taken (as intended) to be about the latitude of Oxford, then Minas Tirith, 600 miles south, is at about the latitude of Florence. The Mouths of Anduin and the ancient city of Pelargir are at about the latitude of ancient Troy.
But as we saw in detail in part 1 of this article series, Tolkien’s note on the annotated map that was discovered fairly recently helps us understand he is not saying in Letter 294 that he was inspired by Europe itself in creating his Middle-earth map, but that he was using well-known European locations to illustrate the position and dimensions of Middle-earth.
We have talked many times about Letter 294 in my article series because has long been considered the greatest enemy of my research, which considers Tolkienian influences further east than Europe. Because of this letter, for years my research has been quickly dismissed almost as a joke, and few took it seriously. But when the annotated map notes were found, the situation suddenly changed. Let’s look at the situation afresh….

(5) LONE STARS. In the Washington Post, Matt Hurwitz has a preview of Solos, a near-future original anthology series on Amazon Prime which has one performer (including Anthony Mackie and Dame Helen Mirren) in every episode. “In ‘Solos,’ Helen Mirren, Anthony Mackie and Constance Wu are part of an impressive cast. Here’s why it needed ‘true masters of the craft.’”

“My dad always used to say, ‘If you talk to yourself, that’s fine, but if you answer yourself, it’s a problem,’?” recalls actor Anthony Mackie. In Amazon Prime’s “Solos,” however, he kind of does just that.
In fact, most of his esteemed colleagues — including Oscar winners Helen Mirren, Morgan Freeman and Anne Hathaway, along with Constance Wu, Dan Stevens, Nicole Beharie and Uzo Aduba — do as well. Each of the show’s seven episodesfeatures, with slight exception, a single actor. Going it alone.
….As a sci-fi fan, Weil gave each “Solos” tale a futuristic bent. “Just a few minutes in the future, though. Sometimes we need a little bit of distance to appreciate the experiences and emotions we’re feeling today,” he says. “What if there was an A.I. that could replace your loved one who passes away? What if, in the future, there was a fertility drug that could ensure 100 percent success? What if, in the future, we had smart homes that were a participant in our own lives?”
The concept gave him and his co-writers a chance to take some of those occasional character ideas that don’t always have a place and give them their day. “All writers have ideas we scribble on the back of a bar napkin, or that we log in on our computer at 2 a.m. and don’t know how they’re going to fit in something we’re working on,” he says. “This was a moment to pluck those characters from obscurity and give them life, a moment onstage.”…

Vogue also profiles Helen Mirren and her character’s Dior wardrobe.

Helen Mirren's character ("Peg") on the new Amazon series Solos is self-doubting and shy. She's spent her life apologizing for existing, but when an opportunity to see the galaxy comes around, Peg decides to take a chance: https://t.co/BNnpgTSu1d
— Bigtrendsguy (@bigtrendsguy) May 23, 2021

(6) STOKER CEREMONY. You can hear the deeply touching speeches and acceptance remarks while viewing yesterday’s online 2020 Bram Stoker Awards® Ceremony at YouTube.

(7) GET YOUR CARD PUNCHED. Scott Edelman followed last night’s ceremony with an induction of his own.

Another Bram Stoker awards ceremony means — there are new winners — but also new losers. Some of them who like me are in the Never Winner category said they’re looking forward to having me give a new punch to their “It is an honor to be nominated” cards when we meet next year in Denver. But if there are any *new* Never Winner losers out there who’d like this Susan Lucci of the HWA to mail you one — just ask!

(8) MEDIA ANNIVERSARY.

May 22, 1957 — On this day in 1957, Quatermass 2 premiered In the U.K. It was produced by Anthony Hinds, and directed by Val Guest. It’s a sequel to The Quatermass Xperiment. Screenplay was by Nigel Kneale and Val Guest. It stars Brian Donlevy, John Longden, Sid James, Bryan Forbes, Vera Day, and William Franklyn. Like the first film, some critics thought it was a lot of fun, some were less than impressed. Audience reviewers at Rotten Tomatoes currently give it a respectable sixty percent rating.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born May 23, 1915 – Oliver Butterworth. Four decades a Professor of English at Hartford College; staged a yearly Shakespeare’s Birthday party. Six children’s books: we can claim The Enormous Egg which won the Lewis Carroll Shelf Award, two more. The egg was enormous because it had to hatch a triceratops, eventually named Uncle Beazley. Egg was made into a play, produced on television by NBC Children’s Theater. (Died 1990) [JH]
Born May 23, 1915 – William Timmins. A run of 46 Astounding covers including for The World of Null-A, six more; here’s his last; fifty interiors. Outside our field, All Aces, The Boy Scout Handbook, Clues, Dime Sports, Family Circle, Liberty, The Shadow, Western Story; oils, watercolors. (Died 1985) [JH]
Born May 23, 1921 — James Blish. What was his best work? Cities in Flight? A Case of Conscience? I’d argue it was one of those works. Certainly it wasn’t the Trek pieces of fiction though he certainly pumped them out with nearly ninety all told if I’m reading ISFDB right. And I hadn’t realized that he wrote one series, the Pantropy series, under a pen name (Arthur Merlyn). (Died 1975.) (CE)
Born May 23, 1934 – Phil Castora. Quiet and unassuming fan, joined us in 1951 at Pittsburgh, then Washington, D.C., then Los Angeles where I met him. Quiet, that is, unless something struck him as really funny, when he would collapse laughing, rolling on the floor and startling the cat. I was like that in law school. His letters to File 770 in paper days were gems, as Our Gracious Host has told us. And OGH should know; he too served as LASFS (L.A. Science Fantasy Soc.) Secretary. Luckily PC left a memoir, Who Knows What Ether Lurks in the Minds of Fen? (Died 2009) [JH]
Born May 23, 1935 – Isidore Haiblum. City College of New York with honors. Eighteen novels, a good number; thirteen are ours, a good number for those of us among whom eighteen is a good number. Roger Zelazny called Interworld a mix of hard-boiled and zany, and he should know. Faster Than a Speeding Bullet (with Stuart Silver) about Golden Age radio. Interviewed Isaac Bashevis Singer in Rod Serling’s Twilight Zone Magazine. (Died 2012) [JH]
Born May 23, 1941 – Brenda Seabrooke, age 80. Six novels for us. “Believably weaves the supernatural elements into the story,” said one reviewer. Here is the Dutch edition of The Vampire in My Bathtub. [JH]
Born May 23, 1967 — Sean Williams, 54. Australian author who has been the recipient of a lot of Ditmar and Aurealis Awards. And I mean a lot. Most of his work has been co-authored with Shane Nix (such as Emergence and Orphans series, Star Wars: New Jedi Order novels) but I’d recommend The Books of the Cataclysm series wrote solely by him as it’s most excellent. He’s deeply stocked at the usual digital suspects. (CE)
Born May 23, 1974 – Sarah Beth Durst, age 47. A score of fantasies. Alex Award from American Lib’y Ass’n. Mythopoeic Fantasy Award. Drink, Slay, Love made into a Lifetime movie. About The Reluctant Queen, here’s her Big Idea. [JH]
Born May 23, 1979 — Brian James Freeman, 42. Horror author. Novels to date are Blue November Storms, This Painted Darkness and Black Fire (as James Kidman). He’s also done The Illustrated Stephen King Trivia Book (superbly done) which he co-authored with Bev Vincent and which is illustrated by Glenn Chadbourne. He publishes limited edition books here. (CE)
Born May 23, 1986 — Ryan Coogler, 35, Co-writer with Joe Robert Cole of Black Panther which he also was Director for as he will be for Black Panther 2. Producer, Space Jam 2 (pre-production) producer of the forthcoming Wankanda series on Disney+. (CE)

(10) COMICS SECTION.

Ziggy makes a cartoon from an idea that goes back to the early days of television.

(11) THIS IS NOT THE BBC. Get a few more giggles from the pages of fandom’s antiquity while you listen to this recording of the broadcast spoof “1960 TAFF RACE: ELECTION NIGHT” at Rob Hansen’s THEN site.

Relive the excitement of the 1960 election courtesy of the Liverpool group as results for candidates Mal Ashworth, Eric Bentcliffe, and Sandy Sanderson pour in from across the country.
**********
Script by John Roles and Stan Nuttall.
Cast: Marjorie Dendon, Eddie Jones, Pat Milnes (formerly Doolan), Stan, Norman and Ina Shorrock, Norman Weedall, John Roles and Stan Nuttall.

(12) FASHION STATEMENT. In case you ever wondered, here are “All of Batgirl’s Costumes, Ranked” by Nerdist’s Eric Diaz.

Batgirl is finally getting her own feature film, coming to us from the Bad Boys for Life directing duo Adil El Arbi and Bilall Fallah. Barbara Gordon is one of DC Comics’ most famous heroes, and it’s about time she got her due. But just which costume is the heroine going to use when protecting Gotham City on screen?
Since 1967, Batgirl has worn several variations of her world-famous costume. Both in the comic book pages, and in other media. We’re sure her live-action suit will take inspiration from her entire wardrobe spanning the last five decades. And we’re here to rank them all, from least favorite to greatest…

In last place –

11. DC Super Hero Girls (2015)
The DC Super Hero Girls cartoon and toyline came out in 2015 and successfully sold the concept of DC heroines to young girls. All of their costumes were reinvented. Some more successfully than others. In the initial concept, Batgirl loses her famous cowl and cape, and replaces them with a hoodie and mini bat wings. It’s totally cute, but loses too many essential elements of the original costume’s silhouette. So for that reason, it comes in last.

(13) AUCTION SURPRISE. “Handwritten example of famous Einstein equation fetches $1.2 million” reports the Los Angeles Times.

A letter from Albert Einstein in which he writes out his famous E = mc2 equation has sold at auction for more than $1.2 million, about three times more than it was expected to get, Boston-based RR Auction said Friday.
Archivists at the Einstein Papers Project at Caltech and the Hebrew University of Jerusalem say there are only three other known examples of Einstein writing the world-changing equation in his own hand.
This fourth example, the only one in a private collection, became public only recently, according to RR Auction, which had expected it to sell for about $400,000.
“It’s an important letter from both a holographic and a physics point of view,” said Bobby Livingston, executive vice president at RR Auction, calling the equation the most famous in the world.
The equation — energy equals mass times the speed of light squared — changed physics by demonstrating that time was not absolute and that mass and energy were equivalent.
The one-page letter, written in German to Polish American physicist Ludwik Silberstein, is dated Oct. 26, 1946. Silberstein was a well-known critic and challenger to some of Einstein’s theories.
“Your question can be answered from the E = mc2 formula, without any erudition,” Einstein wrote in the letter on Princeton University letterhead, according to a translation provided by RR Auction.

(14) SECRET INGREDIENTS? “$100 Disneyland sandwich ranks as one of the world’s most expensive” – the Orange County Register may let you read the story if you do it very fast before the paywall crashes down. Maybe it’s a test of your superhero qualifications to eat this sandwich. (Even then, you’ll need Tony Stark to float you a loan.)

The new $99.99 Quantum-sized Pym-ini Sandwich coming to the Pym Test Kitchen when Avengers Campus debuts June 4 at Disney California Adventure ranks among the world’s most expensive sandwiches.
What’s in the sandwich? For that price, it better come with super powers and side of immortality.

(15) BOOK LOVE. Lela E. Buis does a “Review of ‘Little Free Library’ by Naomi Kritzer”, a 2021 Hugo finalist.

…So, this is absorbing and really entertaining. Most of the story is made up of Meigan’s loving preparation and stocking of the library (attractive for book lovers), and the increasingly strange results as her books disappear and the odd gifts and correspondence begin to appear in their place….

(16) VIRGIN TEST FLIGHT. “Virgin Galactic rocket ship ascends from New Mexico” – a local CBS affiliate has the story.

Virgin Galactic on Saturday made its first rocket-powered flight from New Mexico to the fringe of space in a manned shuttle, as the company forges toward offering tourist flights to the edge of the Earth’s atmosphere.
High above the desert in a cloudless sky, the VSS Unity ignited its rocket to hurtle the ship and two pilots toward space. A live feed by NASASpaceFlight.com showed the ship accelerating upward and confirmed a landing later via radar.
Virgin Galactic announced that its VSS Unity shuttle accelerated to three times the speed of sound and reached an altitude of just over 55 miles (89 kilometers) above sea level before making its gliding return through the atmosphere.
… Virgin Galactic has reached space twice before. The first time was from California in December 2018.
The flights are designed to reach an altitude of at least 50 miles (80 kilometers) as the rocket motor is turned off and the crew prepares to reenter the atmosphere and glide to a landing.
As part of the return trip, a feathering system slows and stabilizes the craft as it re-enters the atmosphere.
New Mexico taxpayers have invested over $200 million in the Spaceport America hangar and launch facility, near Truth or Consequences, after Branson and then-Gov. Bill Richardson, a Democrat, pitched the plan for the facility, with Virgin Galactic as the anchor tenant.

(17) DON’T GET LOST. “Europe plans sat-nav and telecoms network at the Moon” – BBC has the plan.

The European Space Agency is proposing a precise navigation system at the Moon, much like the sat-nav technology we have here on Earth.
It would enable spacecraft and astronauts to know exactly where they are when moving around the lunar body and to land with precision.
The initiative, known as Moonlight, would also incorporate a telecommunications function.
A large flotilla of lunar missions will be launched this decade.
Chief among them will be the US space agency-led successor to Apollo. Called Project Artemis, this will put crews on the Moon for the first time in more than 50 years.

(18) VIDEO OF THE DAY. Netflix’s anime division dropped a trailer for Trese, based on an acclaimed Flilipino comic series.

[Thanks to Cat Eldridge, John Hertz, Mike Kennedy, Andrew Porter, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jeffrey Jones with an assist from Anna Nimmhaus.]

Pixel Scroll 4/29/21 Who Am I To Scroll Against The Wind?

Posted on April 29, 2021 by Mike Glyer

(1) ALT-FACTS. The Hugo Book Club Blog contends “Alternate facts make bad alternate history”.

… Even one of the better Alternate History works written by a very conservative author, Another Girl, Another Planet by Lou Antonelli, only really works when it avoids history altogether. When it is a big outer space adventure, it’s relatively engaging. But the version of history depicted in the novel involves weird depictions of Barack Obama as a feckless Marxist ideologue; not so much a counterfactual as a motivated smear job….

(2) NETFLIX TRAILER. Sweet Tooth is “a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure.” All episodes of Sweet Tooth premiere on June 4, only on Netflix.

(3) #FINISHINFINITYTRAIN TRENDING WORLDWIDE. There’s an avalanche of tweets from people calling for a studio to finish the Infinity Train series.

OVER 70K TWEETS WE CAN GET TO 100K!! #FinishInfinityTrain pic.twitter.com/cehKtLOalm
— saph ? MOV PYSCHO OS3 (@lumityvalentine) April 29, 2021

5 years ago, Infinity Train was dead in the water. No one picked it up at CN Studios. Then, they released the pilot to the public online that November, and it blew up.

Interest and support brought the show to life, and it can keep it going. #FinishInfinityTrain https://t.co/lIs979beBY
— kev (@AwestruckVox) April 29, 2021

Why you should watch Infinity Train:

each season handles a deeper topic than cartoons usually cover. It's always done in an interesting and thought provoking way. the concept is a train that appears when you're at your worst and makes you solve your problems#FinishInfinityTrain pic.twitter.com/jb8bq2nYke
— Fairy ???? ???? (@Fairy527) April 29, 2021

https://twitter.com/OweeeeenDennis/status/1387788414653632515

Rose has an entire thread that starts here.

Why Infinity Train is so special and important to me: a thread#FinishInfinityTrain pic.twitter.com/tK1JJYZXcl
— Rose | CEO of Mikaylip (@passenger_rose) April 29, 2021

Fan art, too!

I loved this show with all of my heart, please #FinishInfinityTrain !! ???? ??#RenewInfinityTrain #SaveInfinityTrain pic.twitter.com/J0MMW5bqQy
— najaa???? (@sourypeach) April 29, 2021

(4) THREE’S COMPANY. Kevin Standlee has some extended comments about the new Winnipeg bid and the rules governing whether it should appear on the published site selection ballot in “And Then There Were Three” on his Livejournal.

…Speaking theoretically, there are probably only about six cities in Canada that have the facilities to host a Worldcon. Two of them are in the east (Toronto and Montréal), and they’re both within 800 km of DC, which makes them ineligible to file (even as a write-in bid) under WSFS Constitution Section 4.7. (I’ve not looked at Ottawa or Quebec City’s facilities; if they have enough, then there might be eight potential sites rather than six. Also, any city I name includes anything in that city’s general area.) There’s little point in bidding for a site that’s ineligible in all but the most highly-unlikely scenarios — even more unlikely than the combination of circumstances that crashed the site selection at the 2011 Westercon, because Westercon’s rules are subtly different from Worldcon’s, and anyway, it seems unlikely to me that the existing bids would drive away so many supporters that None of the Above would win.

There are two plausible sites in western Canada (Vancouver and Calgary), but they have a somewhat less obvious political flaw, in that they’re less than 800 km from Seattle, which is bidding for 2025, The 2025 Worldcon will be selected at the 2023 Worldcon. A Worldcon selected for one of those cities would automatically disqualify Seattle’s bid. Bidding is hard enough without borrowing trouble by creating a group (Seattle’s supporters) that automatically would be biased against voting for you.

That leaves only two significant sites: Edmonton and Winnipeg. CanSMOF selected Winnipeg’s proposal, but I’m sure that Edmonton (and Calgary, and Vancouver) would make good places for a Worldcon someday….

(5) ELLISON WONDERLAND. Dread Central eavesdropped on Mick Garris’ podcast and learned “How Clive Barker Found Inspiration in Harlan Ellison’s House”.

…“[Harlan] had such an incredible collection of fantastic paintings,” Barker says on a new episode of Post Mortem with Mick Garris. “They were classics—covers of Weird Tales and all that wonderful ’30s, ’40s, and ’50s stuff.”
Garris recalls his own visit to “Ellison Wonderland” just as fondly. He didn’t, however, get a look inside Ellison’s bomb shelter, as Barker did when he was there. (“I do know that you had to go through a hobbit door to get into it,” Garris says.)
“Behind [the door] was a locked room which he said would survive three atom bombs,” Barker says. “This is all very Harlan, right? Maybe if that’s true, then you’re just saying ‘Hello’ to the cockroaches when you get out! But it was an incredible room, because in there, he had the books that he’d collected over the years that he would want to survive the apocalypse. I don’t have a bomb-proof room, but I’ve got those books, too—the books that I feel bespeak our culture.”

(6) EASY MONTHLY PAYMENTS. Vox’s Terry Nguyen dissects the changing attitude in favor of multiple subscriptions to creators and entertainment streams: “Netflix, Amazon Prime, and Disney+: Why we might never reach subscription fatigue”.

…A self-described avid budgeter, Mason currently spends about $120 per month on 11 subscriptions, from streaming services to Substacks and artist Patreon accounts — up from last year’s average of $94 per month.
Quarantine and the demise of digital media were driving factors in Mason’s decision to support more independent artists and writers. The pandemic is partly responsible for facilitating a subscription boom over the past year, but it’s also contributed to the growth of the creator economy, as more people make things from home. “I’m 32 with no kids, no student loans, and no plans to buy a house again,” Mason, the editorial director for the New York Times’s Games team, said. “I’m very much someone who will pay an artist for a thing that they’ve made.”
The monthly $5, $10, and $15 credit-line charges add up, though. When the subscription business model was pioneered by news publishers in the 17th century, there was little competition. Within the past two decades, all sorts of businesses have begun clamoring for a slice of the subscriber pie, from consumer product startups and retailers like Dollar Shave Club to media organizations and internet personalities.
A few major players have become so integral to people’s buying or streaming patterns, like Netflix or Amazon Prime, that consumers approach them almost as a sort of utility….

(7) MEDIA BIRTHDAY.

April 29, 2005 –On this day in 2005, The Hitchhiker’s Guide to the Galaxy film premiered in the USA after premiering a day earlier in the U.K. it was based loosely off the series by Douglas Adams, and it was directed by Garth Jennings with production by a not insignificant multitude of individuals. The screenplay was credited to Douglas Adams and Karey Kirkpatrick which is a neat trick indeed given that he’d died some years before. It had a rather stellar cast of Martin Freeman, Sam Rockwell, Mos Def, Zooey Deschanel, Bill Nighy, Alan Rickman, Anna Chancellor and John Malkovich. Critics mostly liked it and it scores an excellent sixty five percent rating among audience reviewers at Rotten Tomatoes. It did not figure in the Hugo nominations the following year.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 29, 1880 – Lillian Jones. Her one novel I know of is the first (1916) Utopia published in America by a black woman. A century later came Karen Kossie-Chernyshev ed., Recovering “Five Generations Hence” (2013) with the text, annotations, and essays. Here is a note from the Southwestern Historical Quarterly. (Died 1965) [JH]
Born April 29, 1908 — Jack Williamson. I’ll frankly admit that he’s one of those authors that I know I’ve read a fair amount by can’t really recall any specific titles as I didn’t collect him either in hard copy or digitally. A quick bit of research suggests the Legion of Space series was what I liked best when I was reading him. What did y’all like by him? (Died 2006.) (CE)
Born April 29, 1919 – Elmer Perdue. One story in Stirring. Founding member of the N3F (Nat’l Fantasy Fan Fed’n). Long before aluminum cans and even Country Club malt liquor – ahem – he could crush a tomato-juice can in one hand. Active in FAPA (Fantasy Amateur Press Ass’n). Fan Guest of Honor at Quakecon. More here. (Died 1989) [JH]
Born April 29, 1924 – Paul S. Newman. A novel and a shorter story; beyond that, or besides, or something, Guinness World Record for most prolific comic-book writer: 4,100 stories, 36,000 pages. Comic-book version of Yellow Submarine. Tom Corbett, Space cadet. (Died 1999) [JH]
Born April 29, 1943 — Russell M. Griffin. Author of but four novels as he died far too young of a heart attack. The Makeshift God, his first novel, I remember that novel as being a rather decent dystopian affair, and Century’s End was even bleaker. He wrote but nine stories. He alas has not made it into the digital realm yet. (Died 1986.) (CE)
Born April 29, 1946 — Humphrey Carpenter. Biographer whose notable output includes J. R. R. Tolkien: A Biography; he also did the editing of The Letters of J. R. R. Tolkien, and is responsible for The Inklings: CS Lewis, JRR Tolkien, Charles Williams and their Friends. He also wrote the engaging Mr. Majeika children’s series which is most decidedly genre. (Died 2005.) (CE)
Born April 29, 1955 — Kate Mulgrew, 66. Captain Kathryn Janeway on Star Trek: Voyager and she’ll be voicing that role again on the animated Star Trek: Prodigy. Other genre roles include voicing Red Claw on Batman: The Animated Series, the recurring role of Jane Lattimer on Warehouse 13 and Clytemnestra in Iphigenia 2.0 at the Signature Theatre Company. Finally she voiced Titania in a recurring role on Gargoyles. (CE)
Born April 29, 1956 – Alexander Jablokov, age 65. Six novels, four dozen shorter stories. Contributor to NY Review of SF. John Clute says AJ’s first novel has darkly suave competence, the most recent is exuberantly gonzo. AJ innocently says “In my work, I like good prose, interesting details, and as much humor as I can comfortably fit in.” [JH]
Born April 29, 1960 — Robert J. Sawyer, 61. Hominids which is quite excellent won the Hugo for Best Novel at Torcon 3, and The Terminal Experiment won a Nebula as well. Completing a hat trick, he won a John W. Campbell Memorial Award for Mindscan too. Very impressive. And then there’s the FlashForward series which lasted for thirteen episodes that was based on his novel of that name. Interesting series that ended far too soon. (CE)
Born April 29, 1969 – Julia Knight, age 52. Eight novels, a couple of shorter stories. Has read The Great Gatsby, Gone with the Wind, Tales of the Dying Earth. “When not writing [likes] motorbikes, watching wrestling or rugby…. incapable of being serious for more than five min –” oops. [JH]
Born April 29, 1970 — Uma Thurman, 51. Venus / Rose in The Adventures of Baron Munchausen (Kage’s favorite film alongside Time Bandits), Maid Marian in the Robin Hood film that starred Patrick Bergin which I highly recommend, Poison Ivy in Batman & Robin. (CE)
Born April 29, 1976 – Micol Ostrow, age 45. Five novels, one shorter story for us, also a book (with Steven Brezenoff) classified as nonfiction being The Quotable Slayer i.e. Buffy. Fifty books all told. Earlier, ten years a children’s-book editor. “I live and work in Brooklyn, NY, alongside my Emmy Award – winning husband and our two daughters. It’s pretty much the best.” [JH]

(9) VISIT TO THE COMIC SHOP. [Item by Daniel Dern.] Marvel (and, I presume, DC) are seriously younger-izing some of their characters/stories… I took a pic of the back of the book, because IMHO it’s funnier in context of other titles.

(10) FANTASTIC COLORS. WIRED explains “How Pixar Uses Hyper-Colors to Hack Your Brain”: “But at Pixar the virtual cameras can see an infinitude of light and color.”

… In a way, every filmmaker is really just playing with moving light and color on surfaces. That’s the whole ball game, a filmic given. But Pixar takes it further, or perhaps just does it more self-consciously and systematically. Its emotionally weighty, computer-generated animated films deploy precisely calibrated color and light to convey narrative and emotion—from the near-total absence of green in WALL-E (until postapocalyptic robots find the last plant on Earth) to the luminous orange marigolds that symbolize Miguel’s trip to the magical Land of the Dead in Coco through the contrast between the cool blue luminosity of the afterlife with the warm, snuggly sepia of New York City in last year’s Soul.
In fact, almost every Pixar movie works within a specific color palette, a story-specific gamut that filmmakers like Feinberg pull from and use to plan the look of each scene, a road map known as the color script. But Coco complicated that process. When its story moves to the Land of the Dead, it cranks up all the dials, colorwise. Those scenes look made out of neon, like a bio-organic version of Tokyo’s Shinjuku District at night. “When it came time to do the color script, it was like, ‘The Land of the Dead has every color. All of it takes place at night, so we can’t use time of day to elicit emotion. There is no weather in the Land of the Dead, so we can’t use weather to elicit emotion.’ Those are three pretty typical things we use to support the story,” Feinberg says….

(11) OCTOTHORPE. In Episode 30 of the Octothorpe podcast “Try to Always Use Chaps in a Gender-Neutral Way”, “John Coxon can’t make a poll, Alison Scott knows the religious forms, and Liz Batty has one more games thing (sorry). We chat about Swancon, DisCon III, FIYAHCON and the Hugo Awards.”

(12) GOOD CAT. “Kid’s Science Fair Project Answers the Eternal Question: ‘Do Cat Butts Really Touch All the Surfaces in Your Home?’” at Popsugar. Highly scientific answer at the link.

…For his homeschool science fair project, Kaeden [Griffin] tackled one of the most perplexing questions stumping pet owners: “Does your cat’s butthole really touch all the surfaces in your home?”
Kaeden, like many others out there, assumed that if his cat sits on a surface, then their “butthole will also touch said surface,” and to test his hypothesis, he and his mom, Kerry, applied nontoxic lipstick (bright red lipstick, in fact!) to the buttholes of their two well-behaved cats. The cats were then given a series of commands — including sit, wait, lie down, and jump up — and were compensated with praise and treats. The lipstick was removed with a baby wipe once they collected the necessary data, which took place in less than 10 minutes….

(13) BAD DOG. Or so the narrative goes. “The NYPD is sending its controversial robot dog back to the pound” – The Verge has the story.

The New York Police Department has canceled its trial of a robot dog made by US firm Boston Dynamics after receiving fierce criticism regarding the “dystopian” technology.
“The contract has been terminated and the dog will be returned,” a spokesperson for the NYPD told the New York Post. John Miller, the department’s deputy commissioner for intelligence and counterterrorism, told The New York Times that the machine was “a casualty of politics, bad information and cheap sound bytes.” Said Miller: “People had figured out the catchphrases and the language to somehow make this evil.”
The NYPD began leasing the machine nicknamed Digidog last year. “This dog is going to save lives, protect people, and protect officers and that’s our goal,” said the NYPD’s Frank Digiacomo in an interview with ABC7. The robot was deployed roughly half a dozen times during its tenure, mostly acting as a mobile camera in potentially hostile environments…

(14) SPACE AS SEEN FROM THE BOTTOM OF A LAKE. A high-tech project is“Hunting ghost particles beneath the world’s deepest lake” says DT Next.

A neutrino-spotting telescope beneath the frozen Lake Baikal in Russia is close to delivering scientific results after four decades of setbacks. A glass orb, the size of a beach ball, plops into a hole in the ice and descends on a metal cable toward the bottom of the world’s deepest lake.
Then another, and another. These light-detecting orbs come to rest suspended in the pitch-dark depths down as far as 4,000 feet below the surface. The cable carrying them holds 36 such orbs, spaced 50 feet apart. There are 64 such cables, held in place by anchors and buoys, two miles off the southern coast of this lake in Siberia with a bottom that is more than a mile down.
This is a telescope, the largest of its kind in the Northern Hemisphere, built to explore black holes, distant galaxies and the remnants of exploded stars. It does so by searching for neutrinos, cosmic particles so tiny that many trillions pass through each of us every second. If only we could learn to read the messages they bear, scientists believe, we could chart the universe, and its history, in ways we cannot yet fully fathom.
“You should never miss the chance to ask nature any question,” said Grigori V. Domogatski, 80, a Russian physicist who has led the quest to build this underwater telescope for 40 years. After a pause, he added: “You never know what answer you will get.” It is still under construction, but the telescope that Dr. Domogatski and other scientists have long dreamed of is closer than ever to delivering results. This hunt for neutrinos from the far reaches of the cosmos, spanning eras in geopolitics and in astrophysics, sheds light on how Russia has managed to preserve some of the scientific prowess that characterised the Soviet Union.
The Lake Baikal venture is not the only effort to hunt for neutrinos in the world’s most remote places. Dozens of instruments seek the particles in specialised laboratories all over the planet. But the new Russian project will be an important complement to the work of IceCube, the world’s largest neutrino telescope, an American-led, $279 million project that encompasses about a quarter of a cubic mile of ice in Antarctica….

(15) THE GOTHA OF DELIVERY DRONES. In the Washington Post, Dalvin Brown reports on a new drone by the German company Wingcopter that can deliver three packages on one flight whereas existing delivery drones can only deliver one package at a time. “Wingcopter is mass producing ‘triple-drop’ drones to deliver more packages, faster”.

… “Today, in order to deploy three packages at one time, companies would have to buy or lease three drones,” Plümmer said. “Price-wise, you’re not going to want to have three of them when you can have one. And no one wants thousands of drones flying above their heads.”
The start-up’s new device is central to its broader vision of providing drones to firms seeking ways to distribute hot meals, groceries, medical supplies or other lightweight goods. It was created to “power logistical highways in the sky,” Plümmer said.
The company says the eight-rotor air vehicle is capable of level-four autonomy, which means it is mostly autonomous but requires a human for some tasks.
It has a 5.8-foot wingspan and measures under 4.5 feet from nose to tail….

(16) AVOIDING THE END. The original attempt to stop global warming! “Did Vikings Host Ragnarök Rituals at Surtshellir?” in Smithsonian Magazine.

…The team’s findings, published in the Journal of Archaeological Science, show that the eruption that formed the cave, known as Surtshellir, occurred in the late ninth century A.D., soon after the first Viking settlement of Iceland.
Per the paper, this incident was probably the first major volcanic eruption witnessed by people in northern Europe since the end of the last Ice Age more than 10,000 years prior. The explosion covered about 90 square miles of fertile land in volcanic rock.
“[T]he impacts of this eruption must have been unsettling, posing existential challenges for Iceland’s newly arrived settlers,” write the authors in the study.
According to Owen Jarus of Live Science, the Vikings entered the newly formed cave soon after the lava cooled. They constructed the boat structure, placing ritual offerings inside and burning the bones of animals, including sheep, goats, cattle, horses and pigs. Historical records show that the Vikings associated the cave with Surtr, a giant responsible for battling the gods during Ragnarök and bringing about the end of the world in Norse mythology….

(17) BOOK TRAILER. An appetizer to get you interested in Einstein – The Fantastic Journey of a Mouse Through Time and Space by Torben Kuhlmann. More about the book as well as a sneak peek here.

Time is relative! Award-winning, illustrator Torben Kuhlmann’s brilliant new book bends time and imagination! When an inventive mouse misses the biggest cheese festival the world has ever seen, he’s determined to turn back the clock. But what is time, and can it be influenced? With the help of a mouse clockmaker, a lot of inventiveness, and the notes of a certain famous Swiss physicist he succeeds in traveling back in time. But when he misses his goal by eighty years, the only one who can help is an employee of the Swiss Patent Office, who turned our concept of space and time upside down….

Suppose Albert Einstein’s famous theories first came into being through an encounter with a little mouse.

[Thanks to Rob Thornton, Mike Kennedy, JJ, Martin Morse Wooster, N., Hampus Eckerman, Daniel Dern, Andrew Porter, Cat Eldridge, John Hertz, James Davis Nicoll, Olav Rokne, Michael Toman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 4/20/21 Because A Pixel Softly Filing, Left More Books As I Was Whiling

Posted on April 20, 2021 by Mike Glyer

(1) A LITTLE SMACK, BUT WHERE? Andrew Hoe advises about “Spec-Fic-Fu: How to Make Aliens and Robots Fight Better” at the SFWA Blog.

…The prevalence of human-to-humanlike alien combat in sci-fi has even been lampooned in Star Trek: Lower Decks, where First Officer Jack Ransom needs only his barrel roll and double-handed swinging-fist to throw down–good-natured pokes at the limited repertoire Captain Kirk demonstrates when fighting an anthropomorphic Gorn (TOS, “Arena”) Yet people in the speculative fiction galaxy aren’t cookie-cutter humanoid, and their fighting styles shouldn’t be either.
Enter: Spec-Fic-Fu—the art of using martial philosophy to create enhanced sci-fi battles.
Primary Targets:
First, consider an attacker’s primary targets. What must be protected? What should be attacked? Do your alien characters have the equivalent of Kung Fu paralysis points? Is your robot’s CPU located in its abdomen, making that a primary area to attack?…

(2) WHY AREN’T THERE MORE NOVELLAS? Lincoln Michel’s previous three posts in this series are quite interesting. The latest one is, too, but has definite flaws and oversights. “Novels and Novellas and Tomes, Oh My!” at Counter Craft. (You probably know Connie Willis wrote the 2011 award winner named in the excerpt.)

…So why are most novels published in a relatively narrow range of 60k to 120k words?
Or to put it another way: why doesn’t anyone publish novellas in America? Novellas as a form thrive in many parts of the world. They’re very popular in Latin America and Korea, and hardly uncommon in Europe. Yet it’s almost impossible to find a book labeled “a novella” in America outside of small press translations or classics imprints….
…Three quick notes on this chart. In 2012, the Pulitzer board refused to pick a winner from the finalists (justice for Train Dreams!). In 2019, the Booker co-awarded Bernardine Evaristo and Margaret Atwood so I averaged their page lengths. The 2011 Nebula and Hugo winner was Blackout / All Clear by Jo Walton, a single novel published as two books of 491 and 656 pages individually. Since the two were awarded as one book, I’ve combined the page count.
To be honest, I expected the page counts to be a bit more bloated than they are. Although the average (mean) for each award was in the tome territory of low 400s for the lit awards and high 400s for the SFF awards, excepting the NBA which came in at a longish-but-not-a-tome average of 321 pages.
The chart does add a data point to the anecdotal evidence that SFF books tend to be longer than literary fiction ones. Although the average (mean) lengths weren’t that different, there is far more variation of length in the lit awards including many shorter books below 300 pages. Between the Hugo and Nebula, only one book—Jeff VanderMeer’s Annihilation—is under 300 pages versus seven from the three lit world prizes. The median lit award novel was 336 pages vs. 432 pages for the SFF awards….

(3) HURLEY COLLECTION COMING NEXT YEAR. Apex Publications announced the acquisition of Future Artifacts: Stories by Kameron Hurley, the award-winning author and trained historian specializing in the future of war and resistance movements. Her books include The Light Brigade, The Stars are Legion, and The God’s War Trilogy, among others.

Future Artifacts is Kameron Hurley’s second short fiction collection and is comprised of 18 stories, many of which were previously only available through her Patreon. These stories include:

“Sky Boys”
“Overdark”
“The Judgement of Gods and Monsters”
“The One We Feed”
“Broker of Souls”
“Corpse Soldier”
“Leviathan”
“Unblooded”
“The Skulls of Our Fathers”
“Body Politic”
“We Burn”
“Antibodies”
“The Traitor Lords”
“Wonder Maul Doll”
“Our Prisoners, the Stars”
“The Body Remembers”
“Moontide”
“Citizens of Elsewhen”

Future Artifacts: Stories is slated to be released in the first quarter of 2022.

(4) BALTIC RESIDENCY. The BALTIC, an art gallery in North East England, released its “BALTIC Writer/Curator Residency Announcement 2021” yesterday.

We’re pleased to announce that Alice Bucknell will participate in BALTIC’s Writer/curator Residency in Alnmouth, Northumberland in collaboration with Shoreside Huts.
Alice Bucknell’s interdisciplinary practice spans writing, video, and 3D design to develop ecological world-building strategies. Drawing on the work of feminist science fiction authors including Octavia E. Butler and Ursula K. Le Guin, she is interested in the potential of emerging technologies including artificial intelligence and game engines in building alternative more-than-human futures.
Bucknell is currently a staff writer at Elephant Magazine and the Harvard Design Magazine, and her writing is published in titles including Flash Art, frieze, Mousse, PIN-UP, and The Architectural Review. During the BALTIC Writer/curator Residency, she will be laying the groundwork for ‘New Mystics’, a hybrid curatorial-editorial project that draws together the expanded practices of twelve artists fusing properties of mysticism and magic with advanced technology. The project will continue to be developed at Rupert in Lithuania in May and launched in summer 2021.

(5) HE LOOKED INSIDE. Rich Horton makes “A Delightful Discovery Inside an Old Book” at Black Gate. Let’s not spoil the surprise, but here’s a tiny clue:

…I have an ongoing interest in Twayne Triplets*, even though only two were ever published, so I grabbed my used copy of Witches Three eagerly many years ago. But while I’ve leafed through it before, I haven’t read it, partly because I already had copies of the other stories….

(6) Q&A ABOUT EARLY STAR TREK FANDOM. Fanac.org’s Edie Stern outlines what was discussed in April 17’s interview with two founders of Star Trek fandom. See the hour-plus video on their YouTube channel.

In this Fan History Zoom (April 2021), fan historian Joe Siclari interviews Ruth Berman and Devra Langsam about early Star Trek fandom. Ruth and Devra speak candidly about their introductions to fandom, the origins of their seminal fanzines T-Negative, Spockanalia and Inside Star Trek, and how the first Star Trek convention came to be. Hear the first hand stories of the reactions of science fiction fandom to Star Trek, before, during and after the run of the original series. How did fan fiction become so prominent in Trek fandom? Where did slash fiction come from? How did clips from the show make their way into the community? With contributions by Linda Deneroff, and others, along with an excellent Q&A session, this recording provides an entertaining and informative look at the beginnings of the first real media fandom, and how it grew.

(7) ALL IN THE SKYWALKER FAMILY. “Darth Vader ‘Star Wars’ script reveals how huge secret was preserved” – CNN says it will be auctioned on May the Fourth—“Star Wars Day”

A script for “Star Wars: Episode V — The Empire Strikes Back” reveals how a pivotal plot twist in the movie franchise was considered to be such a secret that it was not reflected in the lines provided to actors.
The script, which belonged to Darth Vader actor David Prowse, will be auctioned next month by East Bristol Auctions in the UK. The actor died in November aged 85.
Prowse wore the black suit and helmet to play Vader in the original “Star Wars” trilogy.
But it was the actor James Earl Jones who provided the character’s voice — and who delivered one of Vader’s most famous lines to Luke Skywalker, telling the young Jedi: “I am your father.”
However, the script provided to Prowse omits this key revelation and shows different lines in its place.
“Luke, we will be the most powerful in the galaxy. You will have everything you could ever want… do not resist… it is our destiny,” the script given to Prowse reads….
Prowse’s incomplete copy of the “The Empire Strikes Back” script, which is marked “Vader” at the top of each page, is expected to sell for between £2,500-4,000 ($3,490-5,580) at auction alongside other “Star Wars” memorabilia.

(8) SHOOTING PROMPTS ANOTHER LOOK AT BRONIES. EJ Dickson, in a Rolling Stone article reposted by Yahoo!, asks: “Do Bronies Have a ‘Nazi Problem’? FedEx Shooting Shines Light on Faction of Subculture”.

It is a sad reflection of the times we live in that mass shootings in the United States tend to follow a specific pattern. In the hours after a shooting, reporters tend to comb through the shooter’s social media presence, usually revealing a lengthy history of anonymous message-board postings and far-right indoctrination. Following the April 15th attack on the FedEx ground facility in Indianapolis, which resulted in the deaths of nine people including the gunman, there was a slight variation on this pattern: The 19-year-old gunman was revealed to be affiliated with the brony subculture.
According to The Wall Street Journal — which cited internal memos circulated by Facebook in the wake of the attack — the gunman primarily used his Facebook accounts to discuss his love for My Little Pony: Friendship Is Magic, a children’s cartoon series featuring magical ponies; male fans of the show are often referred to as “bronies.”
Though the memo was quick to state that there was no indication that brony culture played a role in the attack, the gunman posted about his love of a tawny pony named Applejack, one of the main characters of the franchise, less than an hour before the rampage. “I hope that I can be with Applejack in the afterlife, my life has no meaning without her,” he wrote. “If there’s no afterlife and she isn’t real then my life never mattered anyway.” The gunman also reportedly had a history of posting far-right content, such as a meme suggesting Jesus had been reincarnated as Hitler, the memo stated.
It’s important to note that the brony fandom is highly misunderstood, and it is not inherently racist or white supremacist; the majority of members of the fandom are simply fans of My Little Pony: Friendship Is Magic. Members of the community have also rallied to raise money for the victims with various GoFundMe campaigns circulating on social media. Yet the shooter’s social-media presence has drawn renewed attention to a disturbing trend within the community, which has been infiltrated by far-right forces since its beginning….

(9) CATASTROPHIC LIBRARY LOSSES. “Wildfire Deals Hard Blow to South Africa’s Archives” reports the New York Times.

Firefighters in Cape Town battled a wildfire on Monday that had engulfed the slopes of the city’s famed Table Mountain and destroyed parts of the University of Cape Town’s library, a devastating blow to the world’s archives of Southern African history.
… the fallout from this fire was also felt across the region after towers of orange and red flames devoured Cape Town University’s special collections library — home to one of the most expansive collections of first-edition books, films, photographs and other primary sources documenting Southern African history.
“We are of course devastated about the loss of our special collection in the library, it’s things that we cannot replace. It pains us, it pains us to see what it looks like now in ashes,” Mamokgethi Phakeng, vice chancellor of the University of Cape Town, said on Monday. “The resources that we had there, the collections that we had in the library were not just for us but for the continent.”
She added: “It’s a huge loss.”
By Sunday evening, a special-collections reading room at the university’s library had been gutted by the blaze, according to university officials. The reading room housed parts of the university’s African Studies Collection, which includes works on Africa and South Africa printed before 1925, hard-to-find volumes in European and African languages and other rare books, according to Niklas Zimmer, a library manager at the university.
A curator of the school’s archive, Pippa Skotnes, said on Monday that the university’s African film collection, comprising about 3,500 archival films, had been lost to the fire. The archive was one of the largest collections in the world of films made in Africa or featuring Africa-related content.
The library will conduct a full assessment of what has been lost once the building has been declared safe, university officials said.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 20, 1848 – Kurd Laßwitz, Ph.D. First major SF writer in German. One novel, seven shorter stories available in English; poetry; a dozen nonfiction books; four dozen essays; four hundred twenty works all told. Eponym – swell word, that – of the Kurd Laßwitz Award. (Died 1910) [JH]
Born April 20, 1914 – Karel Thole. (“tow-leh”) Best known as cover artist for Urania 233-1330; seven hundred sixty more covers, five dozen interiors. Here is Urania 247 (L’altra faccia di Mister Kiel “The other face of Mister Kiel” is J. Hunter Holly’s Encounter). Here is Do Androids Dream of Electric Sheep? Here is The End of Eternity. Here is The Long ARM of Gil Hamilton (tr. as “The third hand”). Here is White Queen. (Died 2000) [JH]
Born April 20, 1917 – Terry Maloney. Twoscore covers. Here is Sinister Barrier. Here is The Last Space Ship. Here is New Worlds 50. Here is the Apr 57 Science Fantasy. Here is New Worlds 62. (Died 2008) [JH]
Born April 20, 1926 – June Moffatt. First fannish career with husband Eph (“eef”) Konigsberg, then flourishing with 2nd husband Len Moffatt: TAFF (Trans-Atlantic Fan Fund) delegates, Fan Guests of Honor at Loscon 8, Evans-Freehafer Award (service to LASFS, Los Angeles Science Fantasy Soc.), co-editors with me of Button-Tack; First Fandom Hall of Fame; next door in detective-fiction fandom, co-founders of Bouchercon, named for Anthony Boucher who excelled there and in SF. Our Gracious Host’s appreciation of JM here; mine here and here. (Died 2018) [JH]
Born April 20, 1935 – Mary Hoffman, age 86. A score of novels, two dozen shorter stories, a dozen collections for us; seven dozen books all told. Outside our field Amazing Grace was a NY Times Best-Seller (1.5 million copies sold); its 2015 ed’n has an afterword by LeVar Burton. Here is Quantum Squeak. Here is Women of Camelot. Website. [JH]
Born April 20, 1937 — George Takei, 84. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again. He also was Kaito Nakamura on Heroes. And later he got to play his character once again on one of those video fanfics, Star Trek New Voyages: Phase II. (CE)
Born April 20, 1939 — Peter S. Beagle, 82. I’ve known him for about fifteen years now, met him but once in that time. He’s quite charming. (I had dinner with him here once several years back. His former agent is not so charming.) My favorite works? A Fine and Private Place, The Folk of The Air, Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has the World Fantasy Award for Lifetime Achievement. (CE)
Born April 20, 1943 — Ian Watson, 78. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and recently for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for his charmingly-titled “The World Science Fiction Convention of 2080”. (CE)
Born April 20, 1949 — John Ostrander, 72. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in The Spectre, Martian Manhunter and the late Eighties Manhunter as well. His run on the Suicide Squad isavailable on the DC Universe app as is his amazing work on The Spectre. (CE)
Born April 20, 1951 — Louise Jameson, 70. Leela of the Sevateem, companion to the Fourth Doctor. Appeared in nine stories of which my favorite was “The Talons of Weng Chiang” which I reviewed here. She segued from Dr. Who to The Omega Factor where she was the regular cast as Dr. Anne Reynolds. These appear to her only meaningful genre roles. And she like so many Who performers has reprised her role for Big Finish productions. (CE)
Born April 20, 1959 — Carole E. Barrowman, 62. Sister of John Barrowman. John and Carole co-wrote a Torchwood comic strip, featuring Jack Harkness, entitled Captain Jack and the Selkie. They’ve also written the Torchwood: Exodus Code audiobook. In addition, they’ve written Hollow Earth, a horror novel. She contributed an essay about her brother to the Chicks Dig Time Lords anthology which is lot of fun to read. (CE)
Born April 20, 1971 – Ruth Long, age 50. Author and librarian. Half a dozen novels, three shorter stories, some under another name. Spirit of Dedication Award from Eurocon 37. [JH]

(11) ACTIVITY IN SPITE OF IT ALL. In the Washington Post, Steven Zeitchik looks at the Paramount Plus series No Activity and all the technical problems when it went from being a live-action comedy to an animated series as a result of the pandemic. “The Paramount Plus show No Activity has gone animated for a fourth season because of the pandemic”.

… After all, to make animated TV, actors needed equipment that would normally be at the studio. So kits containing boom microphones, advanced screens and other digital implements were sent to dozens of them around the world, complete with a snake’s den of colorful wires they had to untangle.
“It was a suitcase full of tech with Ikea-level instructions,” Farrell said.
“Actors aren’t usually the head of IT,” said Danny Feldheim, senior vice president of original content for ViacomCBS’s Paramount Plus, who oversees the show.
Hollywood stars decoding Fig B and Input C was only the start of the trouble. Producers and the animation company they hired, Flight School Studio from Dallas, needed to turn around eight half-hour episodes of animation in 11 months to make the Paramount Plus launch. (It can often take 18 months to do that.) The budget also couldn’t grow even though animation can be expensive….

(12) SET YOUR COURSE. At Psychology Today, Zorana Ivcevic Pringle Ph.D. extracts “Creative Leadership Lessons from Female Star Trek Captain Janeway”.

… Captain Janeway’s leadership style is different from other captains in the Star Trek universe. She is more measured than Captain Kirk and less aloof than Captain Picard. She is an immensely successful leader, succeeding in bringing Voyager home and solving problems never seen before. How she did it offers four main lessons about creative leadership.
1. Leading with emotional intelligence
Emotionally intelligent leaders are skilled in four ways related to dealing with one’s own and others’ emotions. First, they are skilled at accurately reading emotions, such as realizing when someone is frustrated or disappointed. They are not only aware of emotions but acknowledge them explicitly. Second, emotionally intelligent leaders help their staff channel feelings, even difficult ones, toward achieving important goals. They inspire enthusiasm and lead by hearing and considering both optimistic and pessimistic voices (or, concerns and hopes behind them). Third, emotionally intelligent leaders understand how their decisions or other events affect staff. And finally, they successfully manage their own emotions, as well as help staff when they are discouraged….

(13) TREK DOCUMENTARY FILMMAKERS. There will be a Zoom panel “Star Trek Deep Space Nine What We Left Behind Documentary Filmmaking with 455 Films and G-Technology” on May 20 from 5:00-6:00 p.m. Eastern. Click on this link to join the webinar. Passcode: 599833?

The production team at 455 Films will be discussing and showcasing the process behind the scenes in creating their recent documentary film “What We Left Behind” about the legacy of the Star Trek Deep Space Nine television series. Come learn how they created this documentary, from start to finish. They will be discussing how they came up with the idea, crowdsourced the financing, obtained legal approvals and contact with the actors and producers for filming, developed the film’s story and content throughout the whole process, and used G-Technology storage solutions during the filming and editing phases. There will also be a sneak peak of the current documentary they are working on for the Star Trek Voyager series. And there will be a raffle at the end of the event for a G-Technology hard drive.

(14) WORF NEWS. [Item by rcade.] Michael Dorn set all the planets of the federation ablaze with a tweet Monday afternoon.

Just got the news, being summoned back into action. Starfleet calls. #ad
— Michael Dorn (@akaWorf) April 19, 2021

Dorn played Worf for 272 episodes of Star Trek: The Next Generation and Deep Space Nine as well as four movies. But the project doesn’t involve anything for Paramount+, according to TrekMovie.Com: “Confirmed: Michael Dorn’s Cryptic Tweet About Starfleet Return Isn’t For A Star Trek Show Or Movie”.

While Dorn’s tweet about being summoned back into action by Starfleet could be seen as a hint related to his Captain Worf show, or possibly one of the three live-action or two animated Star Trek series currently in development, it appears that isn’t the case. TrekMovie has confirmed with sources that whatever this is, it isn’t related to a Paramount+ Star Trek project.

It probably doesn’t involve a movie either. Go back to your lives, citizens.

(15) RISE AND SHINE. Yahoo! advises, “The Lyrid meteor shower will leave ‘glowing dust trains’ across the sky on Thursday. Here’s how to watch.”

… The best time to glimpse the Lyrids is in the wee morning hours on Thursday, April 22, before the sun rises.
Waiting until the waxing moon sets – about 4 a.m. on the US East Coast – will make it easier to spot the meteors and their dust trains. Otherwise, the bright glow from the almost-full moon (it’ll be 68% full on Thursday) may obscure the meteor streaks.
Head to an area well away from a city or street lights, and bring a sleeping bag or blanket. No need to pack a telescope or binoculars, since meteor showers are best seen with the naked eye….

(16) BEAUTIFUL BALLOON. “The First Flight On Another World Wasn’t on Mars. It Was on Venus, 36 Years Ago” at Air and Space Magazine.

The world was thrilled this week as NASA’s Ingenuity helicopter pulled off something truly novel (see video above)—the first powered, controlled flight on another planet. But if you paid close attention, the precise wording of that accomplishment included qualifiers. Like the Wright brothers’ airplane, the Mars helicopter was preceded by balloons. In Ingenuity’s case it was a pair of aerobots that rode along with the Soviet Vega 1 and 2 Venus spacecraft and flew through the Venusian atmosphere in 1985. The episode is recounted in Jay Gallentine’s lively 2016 history of planetary exploration, Infinity Beckoned, from which the following excerpt is adapted….

(17) VIDEO OF THE DAY. You can speak to a digital Albert Einstein thanks to UneeQ’s “digital human platform.”

On the 100th year anniversary of Albert Einstein winning the Nobel Prize for Physics, one of the smartest minds and most recognisable personalities in modern history is stepping back into the fray. Digital Einstein is a realistic recreation of his namesake, embodying the great man’s personality and knowledge – multiplied by the power of conversational AI and powered by UneeQ’s digital human platform.

(18) VIDEO OF THE NIGHT. In “Honest Game Trailers: Balan Wonderworld” on YouTube, Fandom Games says that Balan Wonderworld is so weird that it has “the deeply cursed vibes of a failed Kickstarter” and “might drive you insane H.P. Lovecraft-style if you play it too long.”

[Thanks to Meredith, John Hertz, Mike Kennedy, Lorien Gray, Steven H Silver, Andrew Porter, Martin Morse Wooster, Michael Toman, JJ, rcade, John King Tarpinian, Jason Sizemore, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Joe H.]

Pixel Scroll 5/24/19 Timeo Filers Et Dona Pixeles

Posted on May 24, 2019 by Mike Glyer

(1) NIXING BREXIT. In a letter to The Guardian, “John le Carré and Neil Gaiman join writers warning Brexit is ‘choosing to lose'”.

Dozens of writers have put their names to a letter to the Guardian that urges UK voters taking part in Thursday’s European parliament elections to use their franchise to support the European Union, “unless they know what they are choosing to lose, for themselves and everyone they know, and are happy with that”.
The authors, who also include Neil Gaiman, Nikesh Shukla, Kate Williams and Laurie Penny, go on to say: “It seems to us that the same question is facing every industry and every person in the UK: what will you choose to lose? Because we used to hear about advantages in Brexit. We used to hear about the bright future, the extra money, the opportunities. Now the advocates of Brexit just assure us that it won’t be as bad as the last world war.”

(2) EATING THE FANTASTIC. Episode 96 of Scott Edelman’s podcast let you listen to him crunch into a crab cake sandwich with leading Aussie author Kaaron Warren.

We met at the Freer Gallery, and then wandered over for lunch at the Capitol Hill branch of Hank’s Oyster Bar, which opened in 2012.
I first met Kaaron slightly less than 10 years ago, at the 2009 Montreal Worldcon, where her novel Slights was one of the inaugural titles from Angry Robot Books. The publisher even had a robot rolling around the launch party! (It was not angry, however.) She’s published many more novels and stories since then, with one novel, The Grief Hole, winning all three of Australia’s genre awards — the Aurealis Award, the Ditmar Award, and the Australian Shadows Award. Her most recent novel is Tide of Stone. She’s published seven short story collections, the most recent being A Primer to Kaaron Warren.
We discussed how her recent Rebecca reread totally changed her sympathies for its characters, the disturbing real-life crime related to the first time she ever saw The Shining, the catalyst that gave birth to her award-winning novel Tide of Stone, how she came up with new angles for tackling stories about such classic characters as Sherlock Holmes and Frankenstein, the way flea market bric-a-brac has led to some of her best ideas, the only correct method for preparing fairy bread, her go-to karaoke song, and much, much more.

(3) TAKING A BITE OUT OF SONIC’S SCHEDULE. ComicsBeat explains why “Character design changes push SONIC THE HEDGEHOG movie release date to 2020”.

…The first trailer for the upcoming Sonic the Hedgehog movie definitely got people talking…just probably not the way the studio intended. Reaction to Sonic’s design—his muscular legs, his regularly-proportioned head, his teeth—was swift, loud, and overwhelmingly negative. The filmmakers heard the cries of the masses, and they responded with action, as director Jeff Fowler tweeted a few days after the trailer’s release that they would be working to tweak the design of the character…

(4) DRAGON RECOMMENDATIONS. Red Panda has created a “Dragon Awards 2019 Eligible Work” based on Renay’s Hugo recommendation’s spreadsheet. She says, “We’re trying to get folks to pay attention to the Dragon Awards to prevent them from becoming puppy awards by default. Here is a spreadsheet of eligible works – and people are welcome to add to it as long as works fit the Dragon award rules.”

(5) AFTERMATH. Cora Buhlert wrote a blog post about the Nebula Awards kerfuffle involving 20Booksto50K: “Some Reactions to the 2018 Nebula Award Winners and a Post-mortem on the 20Booksto50K Issue”.

…Most of [Craig] Martelle’s post seems to be extolling the virtues of the 20Booksto50K group and the idea behind it which was developed by Martelle’s business partner and occasional collaborator Michael Anderle. For those who don’t know, the basic idea behind 20Booksto50K is is basically “write fast, publish fast and create a ‘minimum viable product’ in highly commercial genres”. For more information, you can also read their manifesto or watch videos of their conferences. They also have a Wiki with more background information here.
Now I don’t have a problem with either the 20Booksto50K group or their system. I don’t doubt that the group or their conferences help a lot of indie writers. And while their approach to writing and publishing isn’t mine, there are a nuggets of useful information in there.
Alas, the rest of the Martelle’s post engages in same tired “indie versus traditional publishing” rheotric that we’ve been hearing since 2010. “Traditional publishing is slow” – yes, it is, because their model is different, but that doesn’t make it bad. “Awards don’t matter, but whether stories resonate with readers does” – okay, so why are you so desperate to win an award then?

(6) ROTTEN TOMATOES REVAMP. The movie ratings site makes changes in the wake of their experience with people who lowballed Captain Marvel’s pre-release score: “We’re Introducing Verified Ratings and Reviews To Help You Make Your Viewing Decsions”.

In February we ditched our pre-release “Want to See” percentage in favor of a more straightforward Want to See tally (kind of like the “likes” you see on social media). We also removed the function that allowed users to write comments about a movie prior to seeing it. You can read about these changes here.
What’s next? Today, we’re excited to introduce new features to our Audience Score and user reviews with the addition of Verified Ratings and Reviews.
So, let’s get to it.
Rotten Tomatoes now features an Audience Score made up of ratings from users we’ve confirmed bought tickets to the movie – we’re calling them “Verified Ratings.” We’re also tagging written reviews from users we can confirm purchased tickets to a movie as “Verified” reviews.
… The first Audience Score you see on a movie page – that’s it next to the popcorn bucket just to the right of the Tomatometer – will be the score made up of Verified Ratings. As with the current Audience Score, when the score is Fresh (that is, above 60%), you’ll see a red popcorn bucket; when it is Rotten (59% and below), the bucket will be green and tipped over (you can read more about that here). If you want to see a score that incorporates all included ratings – both verified and non-verified – simply click “more info” where you can toggle between the two….

(7) TODAY’S THING TO WORRY ABOUT. Amazing Stories’ Steve Davidson says “The trouble with streaming: It could fragment fandom”.

…All this is a reminder that genre tales now dominate the entertainment landscape. The people behind all these platforms are fighting to attract the attention of us, the SF, fantasy and horror fandom.
But they are also fighting for our wallets. And while is is technically possible for one household to receive all these services, it is unlikely that very many households could afford to.
Once, producers essentially had two ways of monetising their entertainment. They could charge for it – for movie tickets, videotapes or discs; or they could give it to us via free-to-air television and sell our eyeballs to advertisers.
Now, we have a new eco-system where the producers are charging us, not for individual works, but for whole bundles of content. So we can get the Netflix package, the HBO package or the Hulu package, but not everything….

What is this in contrast to? Sure, things are different than when all TV was free, however, not so different from periods when there were five or eight or ten printed prozines coming out that you could only get by subscription, unless you were lucky enough that your local library subscribed to some (never all) of them.

(8) KERR OBIT. British children’s book writer and illustrator Judith Kerr died May 22 aged 95. Cora Buhlert comments —

In spite of the title, her most famous work (at least in Germany) When Hitler Stole the Pink Rabbit is not genre, but about the Kerr family’s escape from the Nazis in the 1930s. The pink rabbit of the title was young Judith Kerr’s beloved toy, which she lost en route. But a lot of her children’s picture books are at least genre-adjacent and several feature SJW credentials. Besides, she was married to Nigel Kneale, British TV writer and creator of Professor Quatermass:

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 24, 1925 — Carmine Infantino. Comics artist and editor, mostly for DC Comics, during the late 1950s know as the Silver Age of Comics. He created the Silver Age version of the Flash (with writer Robert Kanigher) and the Elongated Man (with John Broome). He also introduced Barbara Gordon as a new version of Batgirl. Infantino wrote or contributed to two books about his life and career: The Amazing World of Carmine Infantino and Carmine Infantino: Penciler, Publisher, Provocateur. (Died 2013.)
Born May 24, 1945 — Graham Williams. Producer and script editor. He produced three seasons of Doctor Who during the era of the Fourth Doctor. He went to be one of the producers of Rould Dahl’s Tales of the Unexpected. (Died 1990.)
Born May 24, 1946 — Jeremy Treglown, 63. Author of Roald Dahl: A Biography and Roald Dahl: Collected Stories. Amateur actor who met his first wife while both were performing Romeo and Juliet at University.
Born May 24, 1949 — Jim Broadbent, 70. He played Horace Slughorn in Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows – Part 2. He joined the cast of A Game of Thrones, playing a role of Archmaester Ebrose, in the seventh season. His genre credits include Time Bandits, Brazil, Superman IV: The Quest for Peace, The Borrowers, The Avengers, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe and Indiana Jones and the Kingdom of the Crystal Skull (well somebody had to be in it).
Born May 24, 1952 — Sybil Danning, 67. Her rise to fame began with her role in Roger Corman’s space opera cult classic, Battle Beyond the Stars. She went on to star in Hercules, Howling II: Your Sister Is a Werewolf (which bears the charming alternative title of Howling II: Stirba – Werewolf Bitch), a faux trailer directed by Rob Zombie titled Werewolf Women of the SS for Quentin Tarantino’s Grindhouse (I couldn’t make this stuff up!), the Halloween remake and finally she as in a horror film called Virus X. Series, She appeared in recurring roles of the The Lair as a vampire out for revenge.
Born May 24, 1953 — Alfred Molina, 66. His film debut was on Raiders of The Lost Ark as Satipo. He was an amazing Doctor Octopus on Spider-Man 2, and he also provided the voice of the villain Ares on the outstanding 2009 animated Wonder Woman. Oh and he was a most excellent Hercule Poirot on Murder on the Orient Express. I know, not genre, but one of my favorite films no matter who’s playing the character.
Born May 24, 1960 — Doug Jones, 59. Among his roles, I’ll single out as Abe Sapien in the Hellboy films, the Faun and the Pale Man in Pan’s Labyrinth, the ghosts of Edith’s Mother and Beatrice Sharpe in Crimson Peak, and the Amphibian Manin The Shape of Water.
Born May 24, 1965 — Michael Chabon, 54. Author of one of the great baseball novels ever, Summerland. Then there’s The Amazing Adventures of Kavalier & Clay which is the best look I know of at the comics industry during the Golden Age. And The Final Solution: A Story of Detection may be an awesome home to the Greatest Beekeeper Ever.

(10) COMICS SECTION.

Wondermark takes fan disappointment about Game of Throne’s final season in a hilarious new direction.

(11) REVISITING THE ENCHANTED DUPLICATOR. The highlights from February’s two-day conference on The Art of the Mimeograph at the University of Westminster include an appearance by fanhistorian Rob Hansen beginning around the 8:54 mark.

(12) OVERFLOWING LID. Alasdair Stuart says his Full Lid for May 24 2019 “takes a look at DJ Kirkbride and team’s excellent SF/crime/comedy comic series Errand Boys. I’ve also got a breakdown of the 2014 Godzilla in the first of two briefings in the run up to Godzilla: King of the Monsters. There’s a look at the excellent documentary Knock Down The House and the one thing about its structure that bothered me. Finally, special guest Sarah Gailey drops by to do the Hugo Spotlight feature, which, this week, features me.”

…The creative team behind Errand Boys is a who’s who of people whose work I pick up, sight unseen. DJ Kirkbride and Adam P Knave are two of the best writers and editors in the business and Frank Cvetkovic is one of the best letterers. They’re joined by a raft of artists whose work is unfamiliar to me but is all massively impressive, kinetic and fun.

(13) RETRO REVIEWS. The link takes you to Evelyn C. Leeper’s Comments on the 1944 Retro Hugo Finalists and to her Retro Hugo Novel Reviews Part 1 and Part 2.

I am pretty sure this is the first time someone has been a finalist both in a fiction category and in an art category (Antoine de Saint-Exupery). It is also the first time a father and son appeared on the same ballot–well, sort of. Fritz Leiber, Jr., is a finalist for three works of fiction; Fritz Leiber, Sr., (the actor) appeared as Franz Liszt in PHANTOM OF THE OPERA (1943), a Dramatic Presentation (Long Form) finalist.

(14) ALADDIN’S LAMP DOES NOT SHINE BRIGHTLY. NPR’s scott Tobias finds “Aladdin to be A CGI World, Neither Whole Nor New”.

As Disney plunders its archives for live-action remakes of animated classics, the question of “Why?” continues to be less evident on the screen than it is on the company ledger. The one quiet exception was Pete’s Dragon, which succeeded because it had no fidelity to the second-rate slapstick and songcraft of the original, and could re-imagine the premise from the ground up. When the catalog titles get as massive as Aladdin, however, the mission becomes to replicate it as closely as possible, which inevitably leads to stilted facsimile. No matter how sophisticated CGI gets, the speed and fluidity of animation is hard to reproduce.
The new Aladdin mostly has the beat-for-beat quality of the live-action Beauty and the Beast, the current standard-bearer for pointlessness, but there are elements of it that really pop, even for being bizarre missteps. Foremost among them is Will Smith’s Genie, whose entire look is a Violet Beauregarde nightmare of bright blue and CGI-inflated swole, with a top-knot/goatee combination that suggests 10,000 years away from the fashion pages. Yet Smith is the only member of the cast who’s bothered to rethink the original character: He doesn’t bother to imitate Robin Williams’ manic schtick, but draws on his own ingratiating silliness and kid-friendly hip-hop flavor instead. If everyone else had followed suit, this Aladdin wouldn’t necessarily be any better, but at least it would be its own thing….

Chip Hitchcock notes: “My local paper wasn’t quite so harsh, but did give it just 2.5 stars.”

(15) EINSTEIN? NEVER HEARD OF HIM. BBC remembers “The man who made Einstein world-famous”.

It is hard to imagine a time when Albert Einstein’s name was not recognised around the world.
But even after he finished his theory of relativity in 1915, he was nearly unknown outside Germany – until British astronomer Arthur Stanley Eddington became involved.
Einstein’s ideas were trapped by the blockades of the Great War, and even more by the vicious nationalism that made “enemy” science unwelcome in the UK.
But Einstein, a socialist, and Eddington, a Quaker, both believed that science should transcend the divisions of the war.
It was their partnership that allowed relativity to leap the trenches and make Einstein one of the most famous people on the globe.
Einstein and Eddington did not meet during the war, or even send direct messages. Instead, a mutual friend in the neutral Netherlands decided to spread the new theory of relativity to Britain.
Einstein was very, very lucky that it was Eddington, the Plumian Professor at Cambridge and officer of the Royal Astronomical Society, who received that letter.
Not only did he understand the theory’s complicated mathematics, as a pacifist he was one of the few British scientists willing to even think about German science.

(16) FAKEBOOK. According to NPR, “Facebook Removed Nearly 3.4 Billion Fake Accounts In Last Six Months”. Over half a century ago, Clarke suggested what’s now become a truism: that the Internet would be a haven for porn. But he didn’t foresee the other abuses….

Facebook says it removed 3.39 billion fake accounts from October to March. That’s twice the number of fraudulent accounts deleted in the previous six-month period.
In the company’s latest Community Standards Enforcement Report, released Thursday, Facebook said nearly all of the fake accounts were caught by artificial intelligence and more human monitoring. They also attributed the skyrocketing number to “automated attacks by bad actors who attempt to create large volumes of accounts at one time.”
The fake accounts are roughly a billion more than the 2.4 billion actual people on Facebook worldwide, according to the company’s own count.

(17) SPIKING THE CANON. James Davis Nicoll diagnoses the waning popularity of once-beloved works in “The Sad But Inevitable Trend Toward Forgotten SF” at Tor.com.

Love your beloved classics now—because even now, few people read them, for the most part, and fewer still love them. In a century, they’ll probably be forgotten by all but a few eccentrics.
If it makes you feel any better, all fiction, even the books people love and rush to buy in droves, is subject to entropy. Consider, for example, the bestselling fiction novels of the week I was born, which was not so long ago. I’ve bolded the ones my local library currently has in stock.

[Thanks to Cora Buhlert, Daniel Dern, John King Tarpinian, JJ,. Mike Kennedy Cat Eldridge, Standback, Martin Morse Wooster, Chip Hitchcock, Rob Hansen, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor Peer.]

Pixel Scroll 10/25/17 Blue, Blue Pixels Behind The Stars, Yellow Scroll On The Rise

Posted on October 25, 2017 by Mike Glyer

(1) TRAINING WHEELS. Travel from Chicago to next year’s San Jose Worldcon as part of Traincon 4. The organizers now have a FaceBook page. Here’s the URL.

Janice Murphy forwarded the basic info posted by Bill Thomasson, saying the cost is around $400 one way.

We’ll be taking sleeper cars as a group To Worldcon 76 From Chicago’s Union Station. We’ll be riding Amtrak to San Jose and back via the Chief, the Zephyr and the Coastal, but that means we have to reserve roomettes as a group for the discount, and we have to do it before November 21 — THIS year. Roomettes have two beds, two person occupancy. A note on the down payment from Bill:

“I am asking everybody who signs up to pay me the basic fare up front. For the outbound trip that is $214.20 for adults and $202.30 for seniors (62+). For the return trip, it is $171 for adults and $161.50 for seniors. As previously mentioned, Amtrak’s roomette prices go up as you add more rooms, so the average price — which is what Traincon members will be asked to pay — will depend on the number we ultimately take. This won’t be known until the final payment is made, so I won’t be asking for roomette payment until then.”

Janice Murphy adds this pitch:

True, you could fly for less BUT — ALL meals are included with the fare, plus Amtrak has a VERY liberal luggage policy. No need to mail those signed books home from the Convention. You can take an empty suitcase out and bring it back filled with memories.

Frankly, this is about as close as some of us are going to get to traveling cross-continent on a train, and I’m not going to miss it.

We’ve got enough folks going out to make the sleeper reservations, though there is room for more so we are encouraging folks to get on board. We definitely need more folks to take the trains back to Chicago in order to meet the minimum 15 bodies.

…So the thing is, if you would like to take advantage of the fact that you can have a couple of large bags to haul stuff back from the Con, just taking the trip back would be a hell of a lot of fun.

Because it’s a convention on the rails.

(2) THE ROAD TO LUNA. Newsweek says “India Is Going to Beat Us Back to the Moon—Here’s Their Plan”. And the India Space Research Organization (ISRO) is going to do it for less than a billion dollars. However, it’s not a manned mission.

And without an atmosphere on the Moon to keep the dust in check, it gets everywhere. So a key piece of Chandrayaan-2’s mission is to study the force that moves the dust around, an envelope of highly charged particles circling the Moon’s surface. Other tasks include taking the Moon’s temperature near its poles. The mission is also developing a new way to land more softly on the Moon’s surface. The entire project is supposed to cost just $93 million. Yes, with an M.

Although many Americans likely don’t think of India as a spacefaring nation since it doesn’t take part in the International Space Station, ISRO was established in 1969, less than a month after the first astronauts walked on the Moon.

(3) CHEKHOV’S LGBTQ. (A phrase invented here, by the way.) Chuck Wendig unpacks why “Not Being Inclusive Is Also A Political Choice” at Terrible Minds.

My response was:

everything is forced in a story because they’re not magic

stories are not a natural state and so nothing occurs naturally within them, nor can they “call for” anything

inclusivity is part of good storytelling

not being inclusive is also a political choice

This person deleted his tweet and went on to clarify that he in fact totally supported a pairing like, say, Finn/Poe, but he wanted it to have a purpose in the story and not simply be included for political purposes. Abstractly, what he’s saying is, he’s not a bigot, not a homophobe, he just cares about storytelling. Which is fine, in theory, and I’m not suggesting this person is worthy of excoriation. I’m sure he means well. But I think it’s really worth shining a big, bright-ass light on this, because I think there’s a soft, unacknowledged prejudice at work.

It assumes that there exists a default in storytelling — and that default is one way, and not the other. The default is straight relationships, or cisgendered characters, or able-bodied white dudes, or whatever. One of the criticisms Aftermath received was this very special kind of softball phobia, right? “I don’t mind LGBT characters, but these were forced into the narrative for a political agenda,” assuming that the characters are somehow not characters at all, but rather protest signs or billboards advertising THE WONDERS OF GAYNESS or THE FABULOSITY OF THE NON-BINARY SPACE PIRATE LIFE. The complaint then becomes that these characters are political levers, identified as such because their natures (be it LGBT characters like Sinjir Rath Velus and Eleodie Maracavanya, or a character of color like Admiral Rae Sloane, or women characters like Norra Wexley and Jas Emari) do not somehow factor into the plot. Like, Sinjir’s homosexuality is not a plot point. He doesn’t shoot gayness out of his eyes to blow up the Third Death Star, oh no, he’s only there as a commercial for GAY PEOPLE EXISTING.

(4) WHERE THE MERCURY’S HIGHEST. Look for the launch of the ‘Orson Welles on the Air’ website at Indiana University tomorrow.

Indiana University will launch its highly anticipated new website, Orson Welles on the Air: Radio Recordings and Scripts, 1938-1946, on Thursday evening, October 26, at https://orsonwelles.indiana.edu/

The university is very excited to finally be sharing the new audio files with the world, said Erika Dowell, Associate Director & Curator of Modern Books and Manuscripts at Lilly Library.

… In May 2016, Indiana University Libraries announced receipt of a $25,000 grant from the National Recording Preservation Foundation, which would be used to preserve original Welles recordings and establish a website where users could stream audio, search Welles’ radio scripts and access expert commentary on the broadcasts.

Mike Casey, the university’s director of technical operations for the Media Digitization and Preservation Initiative, has said the grant would be used toward the preservation of 324 master sound recordings in the form of lacquer discs and about 100 accompanying paper scripts. The script pages show tangible evidence of Welles’ creative process in their dramatic deletions and seemingly last-minute rewrites.

(5) SCIENCE’S COMPATABILITY WITH POETRY. SPECPO, blog of the SF and Fantasy Poetry Association, brings us “Atoms and Imagination: An Interview with Magdalena Ball”.

Some people think themes of science don’t go well with poetry, but you’ve written several books demonstrating a tremendous intersection between these and the imagination, including Sublime Planet, Repulsion Thrust, and Quark Soup. How do you explain your approach to poetics to others surprised at these possibilities?

I’ve always been poetically charged by science – even as a child (and I’m afraid I spent rather too much time in the Haydn Planetarium). It’s probably as much due to my lack of mathematical capability as to anything else. I’m able, for example, to look at a formula – let’s say Euler’s Prime, and see the visual beauty without having a clue how it’s applied or what might be created from it. I can read about the collision of two neutron stars (!), and feel like something is opening up in me – a sense of possibilities and ways of seeing and perceiving and exploring both human emotion and the broadest picture of what we’re all made of, without being able to map the process in any experimental sense. So it’s possible that my poetry is a kind of limitation spurred by not quite understanding. That said, I do feel that all science is spurred on by not quite understanding and that many hypotheses have their basis in poetic wonderment. I wrote about 10 poems through my reading of A Brief History of Time. I usually get at least one poem from each issue of New Scientist. I mean, and again, this is partly just my ignorance and playing with the semantics rather than accurate meanings of words, but how exciting and visceral is the idea of quarks having “flavours” (just one example).

(6) REDROBE. Sci-Fi Design would love to sell you one of these “Star Trek TNG Robes”. Are people brave enough to order the red ones?)

Step out of the shower and into the future when you wear this Star Trek TNG Robe. That way you can go straight from the shower and onto the bridge and not look too out of place. You can choose Blue (Science), Gold (Operations), or Red (Command). These robes are super soft and comfy and no worries, they are Starfleet regulation, I’m sure.

(7) LEACH OBIT. Rosemary Leach (1935-2017): British actress; died 21 October, aged 81. Genre appearances include Worlds Beyond (one episode, 1987), The Tomorrow People (five episodes, 1995), Chiller (one episode, 1995), Frighteners (one episode, 1997), Afterlife (one episode, 2005), The Great Ghost Rescue (2011), May I Kill U? (2012). Received the 1983 ‘best actress’ Olivier Award for her performance in ’84 Charing Cross Road’.

(8) COMICS SECTION

JJ finds that ancient puns are the best ones.

Cartoon update: Rocky Horus Picture Scroll. Better title & I woke up with the solution of fixing the lyric heiroglyhps to fit better. Enjoy! pic.twitter.com/wLCX7JKw9u

— Lar (@lartist) October 21, 2017

Andrew Porter likes physics humor.

(9) THERE WILL BE A QUIZ. According to Motherboard, “The Most Scientifically Accurate Animation of a Sperm Cell Is in a ‘Star Wars’ Parody”.

As detailed in a paper published today in ACS Nano, Don Ingber and Charles Reilly, the founding director and a staff microbiologist at the Wyss Institute, respectively, teamed up to create a scientific animated short film called The Beginning. The film details the journey of a sperm cell to an egg, framed as a parody of Star Wars. While this might sound like the recipe for a trying-too-hard-to-connect-to-the-kids cutaway in a middle school sex education video, it actually led to a scientific discovery. In this case, it showed how energy is distributed through a sperm cell at the molecular level to propel the cell toward an egg.

(10) ALL GLORY IS FLEETING. Editors at Vox Day’s Infogalactic are continually at work reshaping the mirrored Wikipedia content – or making up for its absence. For example, Wikipedia has no article about Jon Del Arroz, but Infogalactic does. The only flaw is that the article’s link to JDA’s entry on the Internet Speculative Fiction Database takes you to John C. Wright’s entry instead.

Here’s a copy of the article at the Internet Archive — https://web.archive.org/web/20171025183844/https://infogalactic.com/info/Jon_Del_Arroz

(11) GIVES ME GAS. Atlas Obscura runs down “The Brief, Wondrous, High-Flying Era of Zeppelin Dining”. S.M. Stirling’s Peshawar Lancers also has a nice riff on this.

Zeppelins flew so much lower than modern planes do that they did not have the same cold, dry, pressurized cabin air that dulls taste and smell today. Airship food would therefore have been much more flavorful than what we eat aloft today — even if the menu didn’t include fattened duckling with champagne cabbage. No expense was spared. In The Great Dirigibles: Their Triumphs and Disasters, John Toland describes the Hindenburg’s larder: turkeys, live lobsters, gallons of ice-cream, crates of all kinds of fruits, cases of American whiskey, and hundreds of bottles of German beer. The Graf Zeppelin allowed for 7.5 pounds of victuals per passenger, per day, whether fresh or in specially prepared cans, with labels hand-affixed by the chef’s sister.

(12) SO LET IT BE WRITTEN. Beyond embedded ID: “How a graphene tattoo could monitor your health” (BBC video).

A graphene-based tattoo that could function as a wearable electronic device to monitor health has been developed at the University of Texas.

Gold is often used in electronic components, but graphene is more conductive, can be hundreds of times thinner and allows the tattoo to wrinkle naturally with skin.

It is hoped that as the cost of graphene falls, such tattoos will become affordable for medical use.

(13) IT’S SUPPOSED TO PAY TO BE A GENIUS. Collection craze: “Albert Einstein’s happiness note sold for $1.6m”.

Einstein gave the note to a courier in Tokyo in 1922 instead of a tip.

He had just heard that he had won the coveted Nobel prize for physics and told the messenger that, if he was lucky, the notes would become valuable.

Einstein suggested in the note that achieving a long-dreamt goal did not necessarily guarantee happiness.

The German-born physicist had won the Nobel and was in Japan on a lecture tour.

When the courier came to his room to make a delivery, he did not have any money to reward him.

(14) MAGIC DIRT. Using satellites to search for rare-earth elements: “An eco-friendly wat to make smartphones”.

A team of researchers at Cambridge may have found a safer way to extract rare earth elements (REEs) – the vital material in our smartphones – that could end up saving the planet.

When you think about where your smartphone comes from, the first thing that comes to mind is normally the shop that you bought it from, the stranger who sold it to you online, or maybe even the lovingly wrapped present you received from a doting relative last year.

But in tech terms, that’s the equivalent of thinking that you came into the world because a stork flew to your parents’ house and delivered you straight to their door. The reality is a lot more complicated.

The truth is that the fundamental material your smartphone is made of probably came from one mine in China. The Bayan Obo mine produces more than 95% of the world’s rare earth elements; the uniquely multivalent metals that make your phone ‘smart’. Lanthanum, for example, gives smartphone screens their smoothness and colour pop; neodymium’s super-high magnetism puts microphones, speakers and vibration units all in the palm of our hands. But to have such a luxury has come at a heavy environmental cost.

(15) STOP WASTING TIME. “Neil deGrasse Tyson’s new viral video is straight-up scientific fire.” The video is on Facebook here.

Most of all, though, Tyson is done — completely and utterly done — messing around when it comes to people who don’t take science seriously.

There are solutions. Take climate change, for instance. We could fight climate change with a carbon tax, or increased regulations, or more nuclear power plants, or solar energy plants. Heck, we could do all of the above! But nooooo, instead we have a Congress that literally throws snowballs around.

You can just hear in his voice how sick and tired he is of it.

“Every minute one is in denial, you are delaying the political solution that should have been established years ago,” says Tyson.

(16) THE HORROR. The B&N Sci-Fi & Fantasy Blog wants to add a few books to your TBR pile: “10 Hair-Raising Horror Novels Not Written by Stephen King”.

Every October, blogs near and far give the horror genre a bit of extra love, and that’s fantastic—but one can get the impression the genre suffered an unceremonious death two decades back as one list after another trots out the same (undeniably worthy) names. Sure, Stoker, Shelly, Shirley Jackson, and Lovecraft’s books are considered classics for a reason. And no, you can never go wrong with Peter Straub’s Ghost Story, or William Peter Blatty’s The Exorcist, or Stephen King’s [insert ’80s King novel here].

But as times change, so too do the things that unsettle us. Horror is all about readers taking an unflinching look into a dark reflection of the world around them. These 10 contemporary horror novels offer a great introduction to a genre that’s never truly left us—and find more terrifying reads on our list of 2016’s best horror novels.

First on their list —

Occultation, by Laird Barron Technically, Occultation is not a novel, but a short story collection. Before you head for the hills, know that this is widely considered one of the best horror collections since Clive Barker’s Books of Blood. Barron is a modern master of the New Weird genre and plays with the best bits of Lovecraft’s mythos: dark, cosmic forces punching their way into our reality and reminding humans just how puny they are. An Alaskan native, Barron infuses many of his stories—like the award-winning “Mysterium Tremendum”—with wilderness settings that host profound dangers, bone-deep isolation, and an inevitable violence that blots out even the smallest spark of certainty or hope. It’s heady, horrible, and a voice that’s oft-imitated by less skilled storytellers.

(17) BACK SO SOON? The Beyond Official Trailer. The movie is coming January 9, 2018.

Set in 2019, The Beyond chronicles the groundbreaking mission which sent astronauts – modified with advanced robotics, through a newly discovered wormhole known as the Void. When the mission returns unexpectedly, the space agency races to discover what the astronauts encountered on their first of its kind interstellar space journey.

(18) ARM’S LENGTH TRANSACTION. Could it be…bad breath? The Verge warns, “Radius starts with an unbeatable science fantasy premise, then gets weird”.

And then along comes something unheralded, under-the-radar, and authentically strange, like the Canadian movie Radius. Suddenly the audience is on a fast-paced trip into the unknown, with no idea where this premise could possibly lead. And Radius, the latest collaboration between married writer-director team Caroline Labrèche and Steeve Léonard, does start with an unbeatable premise that feels like a solid Stephen King horror story. A man wakes up in a wrecked truck and goes looking for help. His memory is completely gone. He can’t even remember his name. And slowly, he starts to realize that anything that comes within a certain radius of him — animals or people — instantly drops dead….

Radius will have a limited theatrical release on November 9th, and will appear on VOD services and Netflix on the same day.

(19) WINDOWS. Adweek comments on a PSA that, coincidentally, shows lots off SJW credentials — “See What’s Hiding in This Video About Putting Your Damn Phone Down”.

How do you get 18- to 24-year-olds to put their phones down while driving? Maybe not with the supernatural. But who doesn’t love cats and music?

For the Department of Transport, London agency AMV BBDO created “Pink Kittens.” Directed by We Are From LA, it feels more like a pop-oriented lifestyle shoot than a public service announcement.

At its start, a busy city scene scrolls by from a driver’s perspective (assuming you’re looking out your side window … which, incidentally, is another thing you shouldn’t really be doing).

Then comes the question: Did you see the pink kitten? Look again.

(20) FLEET SCHOOL SERIES. Orson Scott Card returns to the Enderverse in his new Fleet School series. The first book, Children of the Fleet, came out October 10.

Children of the Fleet is a new angle on Card’s bestselling series, telling the story of the Fleet in space, parallel to the story on Earth told in the Ender’s Shadow series.

Ender Wiggin won the Third Formic war, ending the alien threat to Earth. Afterwards, all the terraformed Formic worlds were open to settlement by humans, and the International Fleet became the arm of the Ministry of Colonization, run by Hirum Graff. MinCol now runs Fleet School on the old Battle School station, and still recruits very smart kids to train as leaders of colony ships, and colonies.

Dabeet Ochoa is a very smart kid. Top of his class in every school. But he doesn’t think he has a chance at Fleet School, because he has no connections to the Fleet. That he knows of. At least until the day that Colonel Graff arrives at his school for an interview.

(21) THE MAITRE’D RECOMMENDS. This year’s Hugo Administrator Nicholas Whyte feels enough time has passed that it’s safe for him to tell us where he ranked “The 2017 Hugo Best Novel finalists” on his own ballot. Hmmm. So he voted the winner in practically last place? Talk about marching to the beat of a different drummer! However, there certainly wasn’t anything wrong with his first-place choice —

My first vote went very clearly to All the Birds in the Sky, by Charlie Jane Anders. Second paragraph of third chapter:

The first week of school, Patricia smuggled an oak leaf in her skirt pocket—the nearest thing she had to a talisman, which she touched until it broke into crumbs. All through Math and English, her two classes with views of the east, she watched the stub of forest. And wished she could escape there and go fulfill her destiny as a witch, instead of sitting and memorizing old speeches by Rutherford B. Hayes. Her skin crawled under her brand-new training bra, stiff sweater, and school jumper, while around her kids texted and chattered: Is Casey Hamilton going to ask Traci Burt out? Who tried what over the summer? Patricia rocked her chair up and down, up and down, until it struck the floor with a clang that startled everyone at her group table.

I really loved this from the first chapter on, a sort of Jo Walton / Neil Gaiman mashup which really worked for me. It was the first of the Hugo finalists that I got (I was given an ARC in late 2015) but in fact the last that I read. Interestingly it has by far the most owners on both Goodreads and LibraryThing, but also the lowest ratings on both. It missed winning the award by 43 votes, the second closest of any result on the night, and won second place.

[Thanks to John King Tarpinian, JJ, Steve Green, Martin Morse Wooster, Janice Murphy, Chip Hitchcock, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson, who will be along shortly to explain it.]

Pixel Scroll 10/17/17 If I Have Scrolled Further Than Others, It Is Because I Stood On The Pixels Of Filers

Posted on October 17, 2017 by Mike Glyer

(1) NOW YOU KNOW. Ron Howard says the movie will be called Solo: A Star Wars Story.

Hey #Twitterville we just wrapped production so here's a special message #StarWars pic.twitter.com/8QJqN5BGxr

— Ron Howard (@RealRonHoward) October 17, 2017

(2) ATOMIC AGE LORE. Tony Rothman kicks off his American Scientist article “The Forgotten Mystery of Inertia” with – of all things – a Worldcon anecdote.

In days of yore, at a World Science Fiction Convention in Boston, a Harvard graduate student polished his reputation as a brilliant mad scientist by roaming the convention halls, brandishing what at first glance appeared to be a rather peculiar steel bowling ball. Portholes perforated its surface, providing a glimpse of electronic hardware inside; tangled wires sprouted from the same holes, and a gear train surrounded the mysterious object’s equator.

“What’s that?” I asked him.

“It’s the gyro platform for an intercontinental ballistic missile,” he replied. “If you put it on a Titan rocket, it will fly to Kiev.”

“How do you know?”

“It’s an inertial guidance system, stupid. It knows where Kiev is.”

“I know how inertial guidance systems work, but how do you know it knows where Kiev is?”

“Oh, that. It was stamped on the box.”

This sorcerer’s apprentice had discovered that for $900 you could buy a surplus intercontinental ballistic missile, 10 years before the electronics were declassified. His Titan was delivered on two railway cars, “Kiev Titan Missile” stamped on the crates. He junked the body, donated the engines to an art museum, and saved the electronics for his research. A tall tale? Sounds like one, but the gyro platform was there for all to see.

That is the question. At what, exactly, is the gyroscope pointed? According to the law of inertia, objects tend to continue doing what they’ve been doing: If at rest, they remain at rest; if moving, they continue moving at the same speed in the same direction. The gyroscope also bends to inertia’s will, but in confounding ways. Touch it, and the gyro opposes you by veering in unexpected directions. If it is spinning extremely rapidly, the gyroscope remains rigidly locked in the direction it has been set, its sights fixed on…Kiev—hence the term inertial guidance systems. If a rocket veers off the gyro’s fixed course, a sensor detects the error, and a servomechanism realigns the missile with the gyroscope axis.

Was that Russell Seitz? When I first got into fandom that was the story going around about him, of which the following is one version:

In the late 70’s, when most of our nuclear arsenal was converted from liquid to solid fuel, the U.S. Government auctioned off a number of obsolete missile silos and their contents. Mostly the silos got bought by local farmers who converted them for grain storage. I only know what happened to one of the missiles. It was offered at sealed bid auction and a friend of mine, Russell Seitz, bought it. When you bid on something like this, you have to send in a check for 10% of your bid as a deposit. He looked at his bank account, and figured he could spare about $300 that month, so that’s what he sent. When he discovered that he’d won the bid, he had to scrounge up the rest. Now the buyer must pick up the goods himself, but he can request that his purchase be delivered, at government expense, to the nearest military base. Being an undergraduate at M.I.T. at the time, he had the missile shipped to Hanscom Airforce Base, about 12 miles away. He then arranged for a truck, and donated the missile to a local modern art museum (I forget which one). Tax laws were a little different in those days, and if you donated something to an art museum, you could deduct not the just the purchase price, but the original value of the object, which was considerable. Income averaging allowed him to spread the “loss” out over a number of years so that he didn’t have to pay taxes for a long time! He was legendary at M.I.T. for quite a while, and acquired the nickname “Missile” Seitz.

(3) ED KRAMER BACK IN THE NEWS. Ed Kramer, Dragon Con founder and convicted sex offender, has sued the producers of The Disappearance of Natalee Holloway, claiming they owe him for his work in creating and developing the program. The Huffington Post has the story: “Sex Offender Claims Responsibility For Natalee Holloway TV Series”.

Just when it seemed the Natalee Holloway case couldn’t get more peculiar, HuffPost has uncovered another twist in the teenager’s 2005 disappearance: A registered sex offender is claiming responsibility for a recent television series about the mystery.

Edward Kramer is suing producers of “The Disappearance of Natalee Holloway,” a TV series that began in August on the Oxygen Network, alleging he is “co-owner, developer and writer,” according to his lawsuit, filed in U.S. District Court in California. Kramer wants unspecified “just compensation” for his work, plus punitive damages.

Kramer’s personal website claims:

Edward E. Kramer is the creator and developer of the six-part series, The Disappearance of Natalee Holloway for Brian Graden Media (BGM) and NBC Universal’s newly re-branded Oxygen Crime Network. This landmark series, featuring Dave Holloway and Private Investigators T. J. Ward, Kathy Wainscott, Trace Sargent and Eric Bryant, Detective Frank Karic and Forensic Scientist Jason Kolowski, which finally puts to rest the 2005 murder of Natalee Holloway.

The defendants in the lawsuit, Brian Graden Media and Lipstick Inc., filed an answer to the suit, denying they owe anything to Kramer.

He wasn’t “named as a writer, screenwriter, or co-creator,” they said, and was working as an “employee or agent of T.J. Ward,” a private investigator who appeared on the series with Holloway’s father, Dave Holloway.

Read a copy of the original lawsuit filing and the defendants’ answer here.

(4) MARVEL EXEC’S COMICS COLLECTION LOOTED. Marvel’s Joe Quesada is looking for help to recover or reacquire comics and other art stolen from his collection. He gives the background in a long public post on Facebook, leading up to recent discoveries of his artwork for sale, and the arrest of the culprit.

In early June I was contacted by a longtime friend, he was looking at some comic art auctions and was curious as to why I was auctioning a piece that he knew was part of my personal collection and something I would never, ever sell. He sent me a link where I discovered 24 pieces in total from my private collection up for auction including pieces I did long before I was a working professional. While at the moment I’m not at liberty to give the details, investigating this further it turns out that the artwork that was up for auction was all originally purchased from a Mr. Francesco Bove.

Further investigation uncovered that, since the time he was thrown out of my house, at least 185 more pieces of my stolen art were sold at auction and all of it originally purchased directly from Mr. Bove. That’s 185 pieces, sold and gone! How much more was sold privately is unknown at the moment but I’m not feeling optimistic.

So why is this news breaking now? As the case was being investigated the Detective in charge discovered Mr. Bove had left the country and had gone to Italy. Upon his return he was arrested which brings us to right now. From what I know so far it’s believed that Mr. Bove has sold portions of my art to comic shops, dealers and collectors in Manhattan, Brooklyn, The Bronx, as well as parts of Long Island and New Jersey. It could be wider spread than that but I’m not at liberty to say.

And here’s the thing that keeps me up at night. These were pieces that I was never intending to sell, art that had deep personal meaning to every member of my family. There was an enormous collection of Archie art from various artists like Stan Goldberg, Harry Lucey, Sam Schwartz but the majority of it by Dan DeCarlo. There were also Laugh Comics pages by Bill Woggon, The Adventures Of Pipsqueak by Walt Lardner as well as Pat The Brat and Shrimpy by Joe Harold and a huge assortment of other artists from the 50s and 60s to today. I lost pages of my own professional art as well as art I purchased from dear and talented friends. But what stings the most is that Mr. Bove took artwork that I had discovered many years ago stored in my father’s home after he had passed away. Drawings and paintings I did in elementary school, high school and college. Practice sample pages I had done before ever seriously thinking I could be in comics. This was art I was leaving behind for my daughter just as my father had left it for me. It kills me to think that I’ll never get this stuff back now that it’s been scattered to the four winds perhaps bought and sold more times than I care to imagine… or possibly even destroyed. So yes, heartbreak after heartbreak. Not only was the thief someone who I trusted, allowed into my home and helped during rough times, but the items he stole in order to keep himself afloat once he realized he irreversibly burned his bridge with me were the ones most irreplaceable and of personal importance.

Now here’s the part where I could use your help.

While I’m hopeful that now in custody Mr. Bove may lead the Detectives to the people and locations where he sold the art, perhaps some of you reading this might be able to point the Sparta New Jersey Police Department in the right direction. If you’ve purchased any art from Mr. Francesco Bove and have it in your possession or know someone who does please contact

Det. Jeffrey McCarrick at (973) 726-4072

Or the Sparta New Jersey Police Department spartanj.org or on their FB page https://www.facebook.com/sparta.police/

You can also reach out to me here on FB as well. Please know that I understand completely that this was sold under false pretenses and I fault no one for not knowing that. All I want is to retrieve as much of the art as I possibly can especially the attached Dan DeCarlo cover for Archie #322 which means the world to me and my family. Unfortunately it has been sold at least twice over that I’m aware of but if you know where I can find it I will gladly purchase it back.

(5) BOOTS ON THE GROUND. The Planetary Society reports on the first meeting of the newly reconstituted National Space Council in “We choose to go to the Moon and do the other things”.

Returning to the Moon

The biggest news to come out of today’s meeting was [Vice President] Pence’s authoritative declaration that Americans will return to the lunar surface.

“We will return American astronauts to the Moon, not only to leave behind footprints and flags, but to build the foundation we need to send Americans to Mars and beyond,” Pence said.

This wasn’t unexpected, considering prior statements by Pence, other administration officials, and the backgrounds of space council executive secretary Scott Pace, and NASA administrator nominee Jim Bridenstine.

Very few details were given on how a return to the lunar surface would work, or when it would occur. Pence did not say whether the Americans on the surface would be government or commercially-employed astronauts. And the agency’s exploration goals already include a return to lunar space via the Deep Space Gateway, a small space station in lunar orbit, which would provide a test-bed for closed-loop life support, deep space maneuvering, and other technologies necessary for travel to Mars.

In a statement, NASA acting administrator Robert Lightfoot said the agency has “highlighted a number of initiatives underway in this important area (cislunar space), including a study of an orbital gateway or outpost that could support a sustained cadence of robotic and human missions.” That implies the Deep Space Gateway is still on the table, and could theoretically fit within the broad plans outlined by Pence.

The fate of the Space Launch System rocket and Orion crew capsule have been a perennial point of discussion among space advocates, particularly during the transition to this new, business-friendly administration. Though it wasn’t stated explicitly, today’s discussions seemed to assume the continuation of SLS and Orion, at least for now. The programs have always had strong congressional support, and were intended to be destination-agnostic, both by design and congressional directive. NASA can thus shift its focus without a drastic restructuring of its major hardware programs.

(6) TAKE A SHOWER. Space.com tells you — “Orionid Meteor Shower 2017: When, Where & How to See It”.

One of the year’s best sky shows will peak between Oct. 20 and 22, when the Orionid meteor shower reaches its best viewing. The meteors that streak across the sky are some of the fastest and brightest among meteor showers, because the Earth is hitting a stream of particles almost head on.

The particles come from Comet 1P/Halley, better known as Halley’s Comet. This famous comet swings by Earth every 75 to 76 years, and as the icy comet makes its way around the sun, it leaves behind a trail of comet crumbs. At certain times of the year, Earth’s orbit around the sun crosses paths with the debris.

(7) NOTABLE SIGNATURES. Michael Burstein posted copies of some historic letters his grandfather received from Einstein, Teller and Isaac Asimov.

Among other things, my grandfather Rabbi Abraham Burstein was secretary of the Jewish Academy of Arts and Sciences. One of his tasks was reaching out to various luminaries to see if they would be interested in joining the academy. Sometimes he reached out to people whom he knew were Jewish but who might not be very public about it; joining the academy was a way to express solidarity without becoming too public. From what I understand, the academy had annual meetings with speakers.

I do not know what was in the letters my grandfather sent out to these three recipients, but we can see what they said back.

The earliest letter is from Albert Einstein, dated June 7, 1936. The next letter is from Edward Teller, dated December 21, 1962. The last letter is from Isaac Asimov, dated October 21, 1965.

(8) HONOR AN AUSTRALIAN SFF CONTRIBUTOR. The A. Bertram Chandler Award is calling for nominations.

So why is a person awarded this honour? It’s because the recipient has demonstrated over many years untiring commitment and selfless work within Australian fandom or the Aussie SF scene in general. Work such as convention running, local club activities, publishing, writing of merit in the genre whether that be blogs, fanzines, short stories or novels, artistic endeavours such painting, graphics or other such forms. The criteria is not limited to any one activity; but mostly it is for activities that are visible and evident to the Aussie SF community.

So, do you know someone who has made a significant contribution to Australian science fiction and/ or Australian fandom, not just over the last year, but year in, year out? Feel that they should be honoured / recognised for this work? Then why not nominate them for the A Bertram Chandler Award. It is really easy to do: just write to the ASFF and outline why you think that the person is deserving of the award. No forms to fill out, no entrance fee, nothing but a simple few paragraphs outlining the person’s achievements.

For more information about the A Bertram Chandler Award and the Australian Science Fiction Foundation visit our website ( www.asff.org.au )

To nominate a worthy person, send to awards@asff.org.au

(9) EBOOK TIDE RECEDING? A Wall Street Journal blogger relates what publishers had to say at the Frankfurt Book Fair in “Book Publishers Go Back to Basics”.

Book publishers are giving an advance review of the industry’s future, and it looks a lot like the past. After a decade of technological upheaval and lackluster growth, executives at the top four U.S. consumer book publishers say they are done relying on newfangled formats to boost growth.

It has been nearly 10 years since Amazon.com Inc. introduced its Kindle e-book reader amid the financial crisis, destabilizing publishers and challenging their well-honed business models.

Now, e-book sales are on the decline, making up a fraction of publishers’ revenue, and traditional book sales are rising. The consumer books industry is enjoying steady growth in the U.S., with total revenue increasing about 5% from 2013 to 2016, according to the Association of American Publishers.

Executives gathered in Frankfurt for the industry’s biggest trade fair said they are returning to fundamentals: buying and printing books that readers want to buy—and they are streamlining their businesses to get them out faster than ever before.

It is about “knowing what [readers] want,” said Markus Dohle, chief executive of Bertelsmann SE and Pearson PSO -1.91% PLC’s joint venture Penguin Random House, “to drive demand at scale.”

The shift is a surprise reversal for an industry that experts just a decade ago predicted was facing radical change, if not a slow death, because of digitization and changing reading habits. Instead, e-book sales in the U.S. were down about 17% last year, according to the AAP industry group, while printed book revenue rose 4.5%.

…Mr. Murray blamed flagging e-book sales on “screen fatigue,” and said HarperCollins was upping investment in printed books, “the value anchor” for the entire business. Printed books are “more beautiful now,” he said. “You’ll see endpapers [and] a lot more design sensibility going into the print editions because we recognized that they can’t be throwaway.”

(10) IT’S THE PRICE. Amanda S. Green’s opinion about the above news is that trad publishers constantly talk around the real obstacle to e-book sales, which she identifies in “The delusions continue” at Mad Genius Club.

…Simon & Schuster CEO Carolyn Reidy claims that nothing “went wrong” with e-books. It seems she believes people have gotten tired of reading on their screens. Again, a complete disconnect from reality. People don’t want to pay as much — or more — for an e-book as they will for a print copy. But the laugh out loud moment comes further down in the article when Reidy says she firmly believes “a new version of the book based on digital delivery will come eventually, though she does not know what it might look like.”

Blink.

Blink. Blink.

Hmm, wouldn’t that be an e-book? The bells and whistles might be a bit different, but it if walks like a duck and quacks like a duck and looks like a duck, isn’t it a duck?

And what about her argument that e-book sales have leveled off because we are tired of reading on our screens?

It constantly amazes me the way these folks continue to tie themselves into knots trying to explain how e-books are bad, or are a passing fad or a way for writers not good enough for traditional publishing to get their works into the hands of readers. All I know is that the real numbers, the numbers that look at more than the Big 5 titles, tell a different tale. As a reader, I know I find myself picking up more and more books from indie authors because they are writing stories I want to read and they are doing it at prices that allow me to read two or three or more books for the price of a single Big 5 title. When is the point going to come where an accountant who isn’t afraid of rocking the boat says they can actually sell more — and make more money — if they lower their prices to something reasonable?

(11) SPLATTERPUNK AWARD SEEKS NOMINATIONS. As announced recently on Episode 136 of The Horror Show with Brian Keene, the SplatterPunk awards are now taking nominations for works of horror. The categories are:

BEST NOVEL (for works of more than 50,000 words)
BEST NOVELLA (for works from 15,000 to 50,000 words)
BEST SHORT STORY (for works from 500 to 14,000 words)
BEST COLLECTION (for single-author works over 50,000 words)
BEST ANTHOLOGY (for multiple-author collections over 50,000 words)

Anyone registered to attend next year’s KillerCon is eligible to nominate. Early registration is $89.99 until the end of 2017. Registration is capped at 250 attendees.

Dann sent the link along with an observation, “The nomination form is a little unusual in that there is only one space provided for a nomination. The attendee is supposed to indicate the appropriate category in one box and the work being nominated in a second box. It isn’t clear how an attendee is supposed to nominate works in more than one category.”

Guests of honor at next year’s Killer Con include Brian Keene, Edward Lee, and Lucy Taylor. Special Guests include author Matt Shaw and freelance editor Monica J. O’Rourke.

The 2018 Splatterpunk Awards jurors are David J. Schow, Gerard Houarner, Monica J. O’Rourke, Mike Lombardo, and Tod Clark.

The Founders of the SplatterPunk Awards, Wrath James White and Brian Keene, will select the Lifetime Achievement Award winner.

(12) TODAY IN HISTORY

October 17, 1937: Huey, Dewey, and Louie (Donald Duck’s nephews) first appeared in a comic strip.

(13) TODAY’S BIRTHDAY BOYS

Born October 17, 1914 – Jerry Siegel, co-creator of Superman.
Born October 17 – Michael J. Walsh, publisher, Old Earth Books, and former Worldcon chair (1983)

(14) THE NEIGHBORS’ HALLOWEEN DISPLAY. That would be a two-story tall Star Wars Imperial Walker — “‘The Force’ is strong in Parma as residents unveil towering Star Wars’ robot”.

Everyone wants to see Nick Meyer’s latest Halloween decoration.

“That is an imperial armored transporter from (‘Star Wars: Episode V – The) Empire Strikes Back,’” said Meyer.

Star Wars’ fans would know the official name for the towering rover: an AT-AT (All Terrain Armored Transport).

Seven years ago, Meyer and his family started the tradition of building a Halloween display in the front yard.

“I love it, I encourage it,” said Nick’s wife Becky Meyer.

It gets bigger every year.

“I liked the clowns we did one year. Last year we did ‘Friday the 13th’ cabin, that was one of my favorites,” Becky said. “Last year was pretty awesome, and he topped it,” said next door neighbor, Amber Johnson.

One would think some neighbors might not want to stare at a two-story Star Wars robot for a few weeks, you’d be wrong.

“No, this is our fourth year living next door to them, and we love it,” Johnson said.

(15) IN MEMORY YET GRAY. Lawrence Schoen asks the inevitable question of Vivian Shaw, author of Strange Practice, in “Eating Authors: Vivian Shaw”.

LMS: Welcome, Vivian. What’s your most memorable meal?

VS: If you’d asked me this two years ago, I would have had no difficulty whatsoever in coming up with the best meal I’d ever eaten. That was in 2004, in Chicago, the same day I met Scott McNeil and George Romero: I was at a Transformers convention and decided to take myself to an actual steakhouse for an actual steak, and I can still so clearly remember the gorgeous rich mineral taste of that first-ever filet mignon, the way it almost dissolved in my mouth. The vivid greenness of the two asparagus spears on the plate, the peppery kick of the Shiraz that accompanied it — even thirteen years later it’s incredibly easy to recall.

(The most memorable, however, was the time on British Airways in the 1990s where for reasons known only to themselves somebody had decided to add bits of squid to the fruit salad. Memorable doesn’t equal pleasant.)

(16) LECKIE’S PROVENANCE Camestros Felapton reviews the new novel Provenance by Ann Leckie.

The people of Hwae (or at least the high-ranking ones) obsess over social status in a way that the Radch obsesses over rank (and tea). Central to this cult-like obsession is the veneration of ‘vestiges’ – artifacts that demonstrate the age of a family and possible connections to historical events. Vestiges can be anything from physical objects to letters and postcards or ticket stubs.

When we first meet Ingray she is off planet, embroiled in a scheme that is within her cognitive capacity to execute but for which she is not temperamentally prepared. As events unfold, a prison break, stolen spaceships, a murder of foreign dignitary and an invasion plot unfold around Ingray in a story that has elements of a mad-cap caper along side space-opera and Leckie’s trademark examination of the potential variety of human culture.

Above all Ingray is an honest person caught in a story in which most people she meets (both the good and the bad) are liars. This is such a clever trick by Leckie, as she manages to encapsulate Ingray very quickly as a character very early in the book, while giving her a backstory that gives her reasons to attempt a devious scheme (returning a notorious exiled criminal/disgraced vestige keeper to Hwae to embarrass her parent’s political rival). Ingray’s basic niceness wins her some useful allies and her naturally bravery pushes her further into the events.

(17) VIDEO OF THE DAY. Andrew Finch tells the inspiration for his short film Others Will Follow.

But Why?

Thanks for watching, Others Will Follow was inspired by this speech written for President Nixon to deliver in the event that the Apollo 11 astronauts were stranded on the moon. Fortunately they never used it, so I figured I would. NASA has parked its space ships in museums in the decades since the contingency speech was written. Most humans alive today didn’t exist the last time humanity left low earth orbit. I wanted to make something that would outline the importance of human space flight by imagining a brute-force mission to Mars in the early 2000s that, despite disastrous circumstances still manages to pass the torch of inspiration. I spent 4.5 years making this short and attempted to do every aspect of its creation myself, from pyrotechnics to music composition. Many of the disciplines were completely new to me like designing and building the space ship and constructing the space suit, others like VFX and cinematography I had a background in.

The lone survivor of the first mission to Mars uses his last moments to pass the torch of inspiration.

Making of: Others Will Follow

VFX Breakdowns and funny funny stuff from the set of Others Will Follow

[Thanks to John King Tarpinian, JJ, Mark-kitteh, Dann, Michael J. Walsh, Steve Davidson, Cat Eldridge, Andrew, and Rose Mitchell for some of these stories. Title credit goes to File 770 contributing editor of the day Brad J.]

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