25 The Goldendoodle At Starbow’s End

Posted on April 15, 2025 by Mike Glyer

(1) UNFAIR USE. Charlie Stross told Bluesky followers that Sam Freedman’s Guardian article linked here yesterday – “The big idea: will sci-fi end up destroying the world?” – is a case of “recycling an article of mine from 2023 without attribution” – “We’re sorry we created the Torment Nexus”.

(2) MAY THE FOURTH BID WITH YOU. “Heritage Auctions Announces ‘Star Wars Day’ Auction” and Animation World Network explains it all to you.

Heritage Auctions has launched the “May 4 Star Wars Day Entertainment Signature Auction,” which will feature over 300 lots ranging from original Star Wars movie posters to screen-used props, high-end replicas, toys, comics, and artwork. The event will conclude with a live session on May 4.

Leading the fleet is the Star Wars Sears Exclusive Set of 12 Carded Figures, the only graded example in existence. Also up for grabs is the Star Wars Sears Exclusive Set of 9 Carded Figures, which includes the highly coveted Boba Fett. These sets, authenticated by industry expert Tom Derby and AFA, are expected to surpass six figures at auction.

“These sets represent a pivotal moment in cinematic history and were among the earliest opportunities fans had to bring the Star Wars universe into their home,” said Justin Caravoulias, Heritage’s Consignment Director of Action Figures and Toys. “Finding them in such incredible condition is exceptionally rare, and the opportunity to win treasures like these on May 4 makes this auction even more special.”

Additionally, the auction features 20 pieces of original artwork from the early days of Lucas Film, including signed Star Wars Droids C-3PO Original Line Art by Alice Carter. John Alvin’s original concept paintings for the unreleased Star Wars Concert Series poster, Greg Hildebrandt’s striking portrait of Darth Vader’s funeral pyre mask, and Olivia De Berardinis’ Grogu painting are also available….

(3) SEEKING AFROSURREALISM. Gautam Bhatia has put out a submissions call for the Strange Horizons – Afrosurrealism Special Issue. Full details at the link.

…Welcome to the Afrosurrealist Special Issue, where the boundaries between the real and the unreal blur, where reality bends, time fractures, and the living and the dead exist side by side. Afrosurrealism has long given shape to our struggles, our power, and our dreams. This special issue seeks to bring those visions to life through stories that cut deep—tales that unsettle, haunt, and liberate….

For this special issue, we are looking for:

Worlds that slip between the mundane and the uncanny, the ghostly and the futuristic.
Worlds rich with history and spirit striving to manifest—whether set in the past, present, or futures unknown.
Tales of hauntings, doppelgängers, liminal spaces, memories, and places that don’t stay put.
Give us your tales of portals that lead to nowhere, of cities that rearrange themselves overnight, of people becoming someone—or something—else.
Narratives that challenge traditional structures and defy linear storytelling.
Works that experiment with or reimagine genres like sword & soul, jujuism, cyberfunk, or Black gothic horror.
Visions of power, freedom, and transformation shaped by the Black experience where Blackness itself is a force that bends time, space, and destiny.

Send us your myths. Your nightmares. Your dreams wrapped in ancestral magics and spirit.

The editors for the AfroSurrealism Special invite you to submit fiction, poetry, and nonfiction.

We welcome writers who are new and experienced. The submissions call is open to writers of African descent ONLY, whether based in the diaspora or in Africa….

(4) FUNNY BUSINESS. Ira Nayman recommends “Taking Humor Writing Seriously” at the SFWA Blog.

…What makes you laugh? What tries to make you laugh and fails? How do they both work, and why does one succeed where the other doesn’t? As you grow as a comic writer, you’ll start to combine in new ways what you loved in previous works, shaping those devices into something uniquely your own.

Some writers are uncomfortable with this analytical approach. They should embrace it. I once took a course in the Social and Political Aspects of Humor. One of the first things the professor said on the first day of lectures was: “You may be under the impression that analyzing humor will kill it. Most of the students who have taken the course have found that to be untrue.” I couldn’t agree more. If anything, I found my appreciation for well-written humor increased the more I analyzed it.

This analytical approach is especially helpful when it comes to comic dialogue. Record a conversation, then compare how real people speak to how characters in comedies speak. (Spoiler: They’re very different.) In fact, great comic dialogue is like music: Not only does it have a rhythm that can be timed with a metronome, but it usually contains motifs that it repeatedly comes back to. Listen to “Who’s on First?” by Abbott and Costello, “The Argument Clinic” by Monty Python, and “Why a Duck?” by the Marx Brothers. Note, as well, how pauses can be employed as both a comic element in themselves and to allow the audience room to laugh.

Craft can and must be learned. What you do with that craft, the stories you choose to tell, and the way you choose to tell them is the art you have to provide yourself….

(5) WHO HISTORY. Last night’s BBC Radio 4 arts programme Front Row has an item (one third of the show) on Doctor Who, which we linked to in yesterday’s Scroll. But we didn’t mention it also covered the launch of a new non-fiction book on Doctor Who, Exterminate, Regenerate.

On screen, Doctor Who is a story of monsters, imagination and mind-expanding adventure. But the off-screen story is equally extraordinary – a tale of failed monks, war heroes, 1960s polyamory and self-sabotaging broadcasting executives. From the politics of fandom to the inner struggles of the BBC, thousands of people have given part of themselves – and sometimes, too much of themselves – to bring this unlikeliest of folk heroes to life.

This is a story of change, mystery and the importance of imaginary characters in our lives. Able to evolve and adapt more radically than any other fiction, Doctor Who has acted as a mirror to more than six decades of social, technological and cultural change while always remaining a central fixture of the British imagination. In Exterminate / Regenerate, John Higgs invites us into his TARDIS on a journey to discover how ideas emerge and survive despite the odds, why we are so addicted to fiction, and why this wonderful wandering time traveller means so much to so many.

(6) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released Simultaneous Times episode 86 with Thomas Broderick & Jenna Hanchey. Simultaneous Times is a monthly science fiction podcast.

Stories featured in this episode:

“A Love Story” by Thomas Broderick. Music by Phog Masheeen. Read by the Jean-Paul Garnier

“A Locked Box, Bound with Chains, Buried Six Feet Deep” by Jenna Hanchey. Music by TSG. Read by the author

Theme music by Dain Luscombe

(7) SHINICHIRO WATANABE Q&A. “The Creator of ‘Cowboy Bebop’ Thinks Reality Is More Dystopian Than Sci-Fi” – interview in the New York Times (behind a paywall).

Shinichiro Watanabe’s first anime, “Cowboy Bebop,” was quite an opening act. A story of space bounty hunters trying to scrape by, its genre mash-up of westerns, science fiction and noir, with a jazzy soundtrack, was a critical and commercial success in Japan and beyond. Its American debut on Adult Swim, in 2001, is now considered a milestone in the popularization of anime in the United States.

Not one to repeat himself, Watanabe followed up “Bebop” with a story about samurai and hip-hop (“Samurai Champloo,” 2004); a coming-of-age story about jazz musicians (“Kids on the Slope,” 2012); a mystery thriller about teenage terrorists (“Terror in Resonance,” 2014); an animated “Blade Runner” sequel (“Blade Runner Black Out 2022,” 2017); and a sci-fi musical show about two girls on Mars (“Carole & Tuesday,” 2019).

Now, he has returned to the kind of sci-fi action that made his name with “Lazarus,” streaming on Max and airing on Adult Swim, with new episodes arriving on Sundays. The show is set in 2055, after the disappearance of a doctor who discovered a miracle drug that has no side effects. Three years later, the doctor resurfaces with an announcement: The drug had a three-year half-life, and everyone who took it will die in 30 days unless someone finds him and the cure he developed….

Unlike your previous sci-fi projects, “Lazarus” takes place not on a distant planet or far into the future, but in our world just 30 years from now. Why was that important?

In the past, I would look at other works of fiction and get inspired by them. But this time, just watching the news and taking a look at the world, things happening right now seem more dramatic and kind of crazier than fiction. Because I was inspired by events going on in the real world, putting it too far into the future would lose that touch of reality….

The anime starts with a doomsday clock saying there are 30 days until most of humanity dies, and yet we see businesses going on like normal, talk shows interviewing artists, and more. Why did you contrast the urgency of the story with scenes like these?

That was inspired by reality and experiencing the Covid pandemic. Not everyone was acting the same way. There were people who didn’t believe in it, and there were people who didn’t wear masks. I thought the anime would be more grounded in reality if I made it so we had different reactions from the characters….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Small Change trilogy

Doing alternate history right is always hard work, but Jo Walton’s the Small Change books consisting of Farthing, Ha’penny and Half a Crown get it perfectly spot on. They’re set in a Britain that settled for an uneasy peace with Hitler’s Germany, and they are mysteries, one of my favorite genres. And these are among my all-time favorite mysteries of this niche which includes Len Deighton’s SS-GB. and C. J. Sansom’s Dominion.

I am not going to discuss these novels in any way what so ever. Not going to do it. It’s really going to spoil it for any of you’ll who decide to read them which you really should. I can reveal that the first is a classic British manor house murder mystery complete with the proper centuries old family. Really well-crafted manor house mystery.

The audiobooks are fascinating, there being shifting narrators with Peter Carmichael whose presence is to be found in all three novels is voiced by John Keating, and Bianco Amato voicing David Kahn’s wife in Farthing, but Viola Lark being played by Heather O’Neil in Ha’penny and yet a third female narrator, Elvira, is brought to life by Terry Donnelly in Half a Crown.

Now I’m fascinated by what awards they won (and didn’t) and what they got nominated for. It would win but one award, the Prometheus Award for Best Libertarian SF Novel for Ha’Penny which is I find a bit odd indeed given there’s nothing libertarian about that novel.

Now Half a Crown wracked an impressive number of nominations: the Sidewise Award for Best Long Form Alternate History, Locus for Best SF Novel, Sunburst award for a Canadian novel, and this time deservedly so given the themes of the final novel a Prometheus Award for Best Libertarian SF Novel.

Farthing had picked up nominations for a Sidewise, a Nebula, Campbell Memorial, Quill whereas Ha’Penny only picked a Sidewise and Lambda.

Not a single Hugo nomination which really, really surprised me.

There is one short story set in this series, “Escape to Other Worlds with Science Fiction” which you can read in her Starlings collection that Tachyon published. It is in a fantastic collection of her stories, poems and cool stuff!

(9) COMICS SECTION.

Dinosaur Comics considers time travel and what writers really want.
Ink Pen names super doctors.
Reality Check wants its crisis properly labeled.
Rhymes with Orange lets a suitor down easy.
xkcd ruins poetry with science.

(10) WE’LL MEET AGAIN, DON’T KNOW WHERE, DON’T KNOW WHEN. “‘Big Bang’ Universe Collides As Simon Helberg & Raegan Revord Join Melissa Rauch On NBC’s ‘Night Court’” at Deadline.

NBC‘s Night Court has set up a colliding of the “Big Bang” Universe as Simon Helberg (Big Bang Theory, Poker Face) and Raegan Revord (Young Sheldon) are set to guest star in the Season 3 finale airing May 6 at 8:30 p.m. ET/PT.

Night Court star and executive producer Melissa Rauch played Helberg’s wife on the CBS smash The Big Bang Theory, created by Chuck Lorre and Bill Prady. Although who Helberg will play in the season finale is under wraps, his character is set for a game-changing cameo that could really shake things up for Abby (Rauch).

Revord will play Shelby, a teenage runaway inclined to marry her soulmate, in an homage to the Michael J. Fox episode from the original series.

Fox appeared in the second episode of the original series titled “Santa Goes Downtown,” which aired on January 11, 1984, in the role of Eddie Simms. Eddie and his girlfriend Mary (Olivia Barash) are runaway teens determined to get married, who end up in night court on shoplifting charges. The pair meet a mysterious man who claims he’s Santa Claus, or at least that’s who he claims to be, altering their lives forever. When Fox shot the guest appearance, he was a series regular on the NBC sitcom Family Ties, a few years before he would break out as Marty McFly in Back to the Future.

Additionally, Marsha Warfield will return in her iconic role as Roz from the original series. Other guest stars include Michael Urie and Ryan Hansen….

(11) UP ABOVE THE WORLD SO HIGH. [Item by Mark Roth-Whitworth.] Turning space from vacuum to vapidity, by one of my favorite columnists. “What’s more vacuous than an endless vacuum? It’s Lauren Sánchez and Katy Perry’s party in space” by Marina Hyde in the Guardian.

… In truth, how the women looked had been an overwhelming part of the buildup, and by their own design. In an Elle magazine joint interview with the passengers, Lauren showed off the hot space suits she’d personally commissioned, inquiring rhetorically: “Who would not get glam before the flight?” “Space is going to finally be glam,” agreed Perry. “Let me tell you something. If I could take glam up with me, I would do that. We are going to put the ‘ass’ in astronaut.” A former Nasa rocket scientist said: “I also wanted to test out my hair and make sure that it was OK. So I skydived in Dubai with similar hair to make sure I would be good – took it for a dry run.” Still want more? Because there was SO much of it. “We’re going to have lash extensions flying in the capsule!” explained Lauren. “I think it’s so important for people to see us like that,” explained a civil rights activist. “This dichotomy of engineer and scientist, and then beauty and fashion. We contain multitudes. Women are multitudes. I’m going to be wearing lipstick.”

Ooof. I always thought space travel was futuristic, but this was the first time it came off as travelling back in time, in this case using their little capsule to take us back to the most ludicrous inanities of 2010s girlboss feminism….

(12) SPLISH-SPLASH. The New York Times meets “The Techno-Utopians Who Want to Colonize the Sea”. (Article behind a paywall.)

…His 304-square-foot habitat was inside the underwater buoyancy chamber that helps stabilize a floating home called SeaPod Alpha Deep. An armed security guard was in the above-water part of the structure, monitoring Koch and ensuring that the pod did not have “any visitors that we don’t want.” When my boat arrived, he threw down a cable and winched me up. Then I made my way down a 63-step spiral staircase to the circular lower chamber — a dizzying process, as the SeaPod rocked in the loudly sloshing sea. I was greeted by a beaming Koch, a bald 59-year-old German engineer with a whitened beard and a Buddha belly.

He gave me a tour, pointing to a school of sardines outside a porthole. The quarters came equipped with a bed, an exercise bike, Starlink internet and a dry toilet. A digital clock on the wall was counting down toward his 120-day goal. (The previous record was 100 days, set in 2023 by Joseph Dituri at Jules’ Undersea Lodge, off the coast of Key Largo, Fla.) “I’ve enjoyed the time, actually,” Koch said in his heavy German accent, his face greenish-blue from the light pouring in. “This is what people get completely wrong. They think that I feel like a prisoner, and I’m putting marks on the wall. My food is excellent, my booze is excellent.” A person came by to clean daily.

Koch arrived here, in small part, via a San Francisco-based nonprofit called the Seasteading Institute, which promotes “living on environmentally restorative floating islands with some degree of political autonomy.” The vision, as the Institute’s president, the “seavangelist” Joe Quirk, once told Guernica, is “startup societies where people could form whatever kind of community they wanted” — a libertarian-inflected world where, it is said, you could “vote with your boat,” relocating to a community in line with your views….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/16/25 Let’s Read Our TBR Piles, And Travel Mental Gigamiles

Posted on January 16, 2025 by Mike Glyer

(1) IS ANYONE STILL PUBLISHING GAIMAN? Publishers Weekly tries to track down whether Neil Gaiman has any works scheduled to come out — “How Neil Gaiman’s Publishers Have Responded to the Sexual Misconduct Allegations” – and discovers it is much easier to get answers from those that definitely haven’t any.

…Gaiman’s literary agent, Merrilee Heifetz at Writers House, did not respond to requests for comment by press time, nor did his public speaking agent, Steven Barclay of the eponymous agency, leaving it unclear as to whether either has dropped him as a client. On Gaiman’s website, a page called “Contacting Neil,” which had listed both agents alongside his Hollywood representation, is now down, although the Internet Archive’s Wayback Machine indicates that it was live as recently as last month.

At present, it is unclear if Gaiman, the author of nearly 50 books that have sold more than 50 million combined copies worldwide, has any new forthcoming titles currently under contract, although some publishers have confirmed that if he does, it is not with them. On the trade book side, a spokesperson from HarperCollins, Gaiman’s primary publisher in the United States, told PW that it “does not have any new books by Neil Gaiman scheduled.”

A spokesperson for Norton, which released Gaiman’s 2018 book on Norse mythology as well as an illustrated version last year, confirmed to PW that “Norton will not have projects with the author going forward.”…

In the comics world, a representative from Dark Horse Comics, which has published a number of comics and graphic novel titles by Gaiman as well as the Neil Gaiman Library series, said that the publisher is currently working on a statement, but was unable to comment further. Marvel Comics told the New York Times that it has no books in the works with Gaiman. DC Comics, the publisher of Gaiman’s Sandman series and many of his other comics titles, did not respond to requests for comment; DC had previously announced plans to reprint a classic work by Gaiman in a new format in September….

The article also presents a roundup of recent terse social media remarks about Gaiman by Jeff VandeMeer, John Scalzi, Gail Simone, Guy Gavriel Kay, and Scott McCloud.

(2) FINDING THE ANSWER. Kameron Hurley analyzes “Why Great Art Connects Us Across Time and Space (Even with Monsters)”.

…When people burst into tears when they meet me at an event, it’s not because I write about giant bugs and exploding heads. Those things are cool, yes! But they react that way because they connected EMOTIONALLY with something I wrote. It’s that feeling like “OMG I’m not alone. I feel that TOO!!”

Art is, at its best, a way for humans to connect. We’re holding out a hand saying “I felt this way. Have you ever felt this way too?” And no, not everyone has, and thus those are not people who are going to be yours fans. But many HAVE. And if you’ve done it right, you connect with that person across time and space – and for one glorious moment, we feel less alone.

THAT is great fucking art. THAT is magic. It’s a magic every great storyteller has; heroes and villains alike. Perhaps that’s why we hate it so much when we’ve connected with art made by people who have done monstrous things. It makes us ask if we, too, are monsters.

I know the answer to that.

I connect emotionally with fictional monsters (and the work of people who’ve done monstrous things) all the time. We all do. We are human. We share the multitude of all human emotions and possible actions with the best and worst people in the world. That’s terrifying.

This is why the STORIES we tell ourselves are so important. I changed a lot of who I was by asking myself how the person I wanted to be would act in any given situation. FEELING a monstrous impulse isn’t what makes us monsters. It’s taking the ACTIONS of a monster. It’s being aware enough to choose….

(3) BENEATH THE JERSEY SKIES. “Steven Spielberg’s new UFO movie with Emily Blunt is filming in N.J., casting locals.” – NJ.com has the story. Well, isn’t that a coincidence.

…The filming will take place in March — not long off from Jersey’s brush with drone and/or plane-related, supposedly “unidentified” flying objects at the end of 2024.

The movie, which is as yet untitled — but reportedly (tentatively) titled “The Dish” — also stars Emmy winner Josh O’Connor (”The Crown,” “Challengers,” “La Chimera”), Oscar nominee Colman Domingo (”Rustin,” “Sing Sing”), Oscar winner Colin Firth (”The King’s Speech,” “Bridget Jones’s Diary”) and Eve Hewson (”Bad Sisters”)….

(4) FANTASY MAGAZINE SUBMISSION DATES. Correcting the information released yesterday, editor Arley Sorg says the revived Fantasy Magazine plans to open to submissions January 22-29, and specifically, Jan 22-25 BIPOC writers only, Jan 26-29 general submissions. See submission guidelines at the link.

(5) HOWARD ANDREW JONES DIES. Author and editor Howard Andrew Jones died January 16 of cancer. Known for The Chronicles of Hanuvar series, The Chronicles of Sword and Sand series and The Ring-Sworn trilogy, he has also written Pathfinder Tales, tie-in fiction novels in the world of the Pathfinder Roleplaying Game. He is the editor of Tales from the Magician’s Skull and has served as a Managing Editor at Black Gate since 2004.

In August 2024 he announced that he has been diagnosed with brain cancer––multifocal glioblastoma – and that, “People I trust––my doctors and my family––inform me it will be fatal, and we are deciding now on a course of action to make the most of the time I have left.”

(6) DAVID LYNCH (1946-2024). Filmmaker David Lynch has died at the age of 78. Deadline says the family did not release the date of death. Never forget – Frank Herbert liked his film Dune.

…The four-time Oscar-nominated filmmaker [was] behind Blue Velvet, Mulholland Drive, Eraserhead, Wild at Heart, The Elephant Man and others [and] also created the ABC drama series Twin Peaks…

…In 2020, he received an Honorary Oscar for lifetime achievement at the Governors Awards….

…Lynch’s career took off during the 1980s. He followed up the success of Elephant Man with Dune, the 1984 take on Frank Herbert’s classic sci-fi novel. While Dune was noted for being a financial bomb at the time, it wound up being the highest-grossing film on the auteur’s résumé with $31.5M worldwide….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 16, 1948 — John Carpenter, 77.

By Paul Weimer: Where does one begin with the large and momentous oeuvre of John Carpenter? With the many-sequeled and rebooted but never equaled Halloween, perhaps? To start there means that we skip the strange and wondrously weird Dark Star. And it skips the gritty Assault on Precinct 13. Do we instead focus on The Thing, one of the best SF/horror movies ever to be made? To do that would throw shade on The Fog, the amazing ghostly revenge tale in a Northern California town.

Maybe you should start with Escape from New York, with a vision of NYC after its transformation into a prison that has been imitated (even by Carpenter himself!) but has never, ever been surpassed. It IS the movie that helped cement the career of Kurt Russell, after all. But to work there misses the soft wondrous Starman, an amazingly touching movie.

Or maybe you should start with They Live, perhaps the best indictment of late 80’s trash capitalism that suddenly feels even more relevant, in this year of our lord 2025. Roddy Piper’s character doesn’t have a name, but he isn’t a faceless number, either. And it has one of the longest fights on screen. It’s a bit pointless fight, but it is fun that Piper got to do a whole wrestling match in a John Carpenter film. But to mention They Live might mean you overlook the absolutely bonkers and fun Big Trouble in Little China.

My favorites in the Carpenter oeuvre are none of these, although I love all the above movies. My second favorite John Carpenter movie has to be Prince of Darkness, where an unlikely group of heroes led by Victor Wong (from Big Trouble in Little China) and Donald Pleasance (from Escape from New York) team up to try to stop the literal Devil, anti-God, from coming across from another dimension into our own. It’s a bottle of a movie set in an inescapable church, got dreams from the future, and is nicely tense. The other one I like even more and is one of my heart movies, is In the Mouth of Madness. In the Mouth of Madness is the best cosmic horror movie, ever, in my opinion, as horror writer Sutter Cane writes extra dimensional monsters into our reality, with Jurassic Park’s Sam Neill as John Trent, insurance investigator, is in search of a book he really, really should not read. In 2018, when I found out that the striking church seen in the film was just outside Toronto, I had to go and visit it while on a vacation in Canada.

And did you know that Carpenter scored a lot of his films? His father was a music teacher, and his love of music led him to really be patient and exacting about the music. Be it Escape from New York, Halloween, Prince of Darkness, or many other of his works, that soundtrack with the heavy use of synthesizers that you are hearing are due to his own musical creation and scoring. His movies have memorable visuals…and sound as well.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 16, 1995 — Star Trek: Voyager premieres

“Coffee – the finest organic suspension ever devised. It’s got me through the worst of the last three years. I beat the Borg with it.” — Captain Kathryn Janeway, Star Trek: Voyager’s “Hunters”.

Need I say that I liked Janeway a lot? She was a much more rounded, more believable individual than Kirk ever was. Inthe pantheon of Captains, I’d rank her just behind Picard as a character.

So on this evening thirty years ago on UPN, Star Trek: Voyager premiered. The fourth spinoff from the original series after the animated series, the Next Generation and Deep Space Nine which had my favorite Captain in Benjamin Sisko, it featured the first female commander in the form of Captain Kathryn Janeway, played by Kate Mulgrew.

(She is seen again commanding the USS Dauntless in the animated Prodigy series, searching for the missing USS Protostar which was being commanded by Captain Chakotay at the time of its disappearance. It’s now streaming on Netflix.)

It was created by Rick Berman, Michael Piller, and Jeri Taylor. Berman served as head executive producer, assisted by a series of executive proucers — Piller, Taylor, Brannon Braga and Kenneth Biller. Of those, Braga oil the still the most active with his recent work on the cancelled Orville.

It ran for seven seasons and one hundred seventy-two episodes. Four episodes, “Caretaker”, “Dark Frontier”, “Flesh and Blood” and “Endgame” originally aired as ninety-minute episodes.

Of all the Trek series, and not at all surprisingly, Voyager gets the highest Bechdel test rating.

Oh, and that quote I start this piece with in 2015, was tweeted by astronaut Samantha Cristoforetti International Space Station when they were having a coffee delivery. She was wearing a Trek uniform when she did so as you can see in the image below.

(9) COMICS SECTION.

Bizarro continues its vampire pun series.
Carpe Diem thinks they’re wasting the Bat-bandwidth.
Strange Brew solves an ancient mystery.

(10) OCTOTHORPE. Episode 126 of the Octothorpe podcast, “I’ve Read Some Novels”, John Coxon, Alison Scott, and Liz Batty read out your letters of comment, and then discuss all the things from 2024 that they think are worth a look as we go into award nomination season (and a couple of things they would probably avoid). Then they do picks, in case there weren’t enough opinions.

Get the uncorrected transcript at the link.

A picture of a Belgian waffle that looks like an octothorpe, on a white background, with the words “Octothorpe 126” above and “now with added waffle” below.

(11) DON’T THAT BEAT ALL. “A Frankenstein Filing Error: It’s Alive!” – the New York Times confesses.

…When he died in February 1969, The New York Times wrote of Karloff’s career in an article that featured a photograph of an actor, in costume as the monster.

One problem: The man in the makeup, with the bolts in his neck, wasn’t Karloff.

The image — a publicity photo, copyrighted by Universal Pictures — depicted the actor Glenn Strange, who had succeeded Karloff in the role, playing the monster in subsequent films, including “Abbott and Costello Meet Frankenstein,” which was released in 1948.

At least one astute reader had spotted the mistake and sent a letter to The Times.

The photograph was seemingly mislabeled around 1948, the copyrighted date on the image, and incorrectly placed in a folder for Karloff, one of the millions of files stored in the Morgue, The Times’s subterranean clippings library. (The Times issued a correction, a copy of which is pasted on the back of the photo in the Morgue.)

Almost 20 years after the first misprinting, in March 1987, the same photo, though cropped tighter and tilted slightly, was used to accompany a letter to the editor that referenced Shelley’s “Frankenstein.” Again, the caption incorrectly identified Strange as Karloff….

…. Dr. Jane Bishop of Brooklyn, the same reader who caught the mistake in 1969, wrote to The Times and explained that she had lodged an identical complaint 18 years earlier.…

Some of you who read the File 770 birthdays must feel the same way…

(12) JUSTWATCH REPORT: SVOD MARKET SHARES (2024). As 2024 has come to an end, JustWatch has released its latest data report on market shares in the US. As usual, the report is based on the 17.2 million JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen.

SVOD market shares in Q4 2024: In the final quarter of 2024, Prime Video led provider growth, taking 22% of the overall market. Netflix, its largest competitor, trailed Prime by only 1%. Hulu, Disney+, and Max make up 36% of the streaming market while Paramount+ and AppleTV+ both stayed below 10%.

Market share development in 2024: In Q4 2024, Prime Video and Netflix continued to lead the U.S. streaming market, each holding over 20% of the overall market, with Netflix slightly narrowing the gap between them. Hulu saw steady growth, challenging Max for third place, while Disney+ struggled to gain traction. Smaller platforms in the “Other” category experienced a noticeable rise, reflecting growing interest in alternative services.

(13) NEW GLENN LAUNCH TO ORBIT SUCCESSFUL. “Blue Origin reaches orbit on first flight of its titanic New Glenn rocket” reports Ars Technica.

Early on Thursday morning, a Saturn V-sized rocket ignited its seven main engines, a prelude to lifting off from Earth.

But then, the New Glenn rocket didn’t move.

And still, the engines produced their blue flame, furiously burning away methane.

The thrust-to-weight ratio of the rocket must have been in the vicinity of 1.0 to 1.2, so the booster had to burn a little liquid methane and oxygen before it could begin to climb appreciably. But finally, seconds into the mission, New Glenn began to climb. It was slow, ever so slow. But it flew true.

After that the vehicle performed like a champion. The first stage burned for more than three minutes before the second stage separated at an altitude of 70 km. Then, the upper stage’s two BE-3U engines appeared to perform flawlessly, pushing the Blue Ring pathfinder payload toward orbit. These engines burned very nearly for 10 minutes before shutting down, having reached an orbital velocity of 28,800 kph.

For the first time since its founding, nearly a quarter of a century ago, Blue Origin had reached orbit. The long-awaited debut launch of the New Glenn rocket, a super-heavy lift vehicle developed largely with private funding, had come. And it was a smashing success….

(14) DILBERT STARK’S STARSHIP. Elsewhere today – “SpaceX Starship test fails after Texas launch” reports the BBC.

The latest test of Space X’s giant Starship rocket has failed, minutes after launch.

Officials at Elon Musk’s company said the upper stage was lost after problems developed after lift-off from Texas on Thursday.

The mission came hours after the first flight of the Blue Origin New Glenn rocket system, backed by Amazon boss Jeff Bezos.

The two tech billionaires both want to dominate the space vehicle market.

“Starship experienced a rapid unscheduled disassembly during its ascent burn. Teams will continue to review data from today’s flight test to better understand root cause,” SpaceX posted on X.

“With a test like this, success comes from what we learn, and today’s flight will help us improve Starship’s reliability.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Paul Weimer, Steven French, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 1/13/25 Why Yes, We Are (At Least In Part) Stardust

Posted on January 13, 2025 by Mike Glyer

(1) COMPREHENSIVE COVERAGE OF GAIMAN SEX ASSAULT ALLEGATIONS. New York Magazine‘s often explicit article “There Is No Safe Word” [Archive.is link] by Lila Shapiro, as described by Publishers Lunch, “reports on the details of the Neil Gaiman sexual assault case, expanding on allegations first reported by New Zealand podcast Tortoise Media. Last July, five women accused Gaiman of assault, and one woman said she filed a complaint with New Zealand police. Four out of five of Gaiman’s accusers spoke to New York Magazine for the piece, and the publication reviewed journal entries, texts, emails, and police correspondence. Gaiman did not comment for the article, but he has denied all allegations.” Shapiro spoke with eight women in total, three who had never gone public. The story contains content that readers may find disturbing, including graphic allegations of sexual assault.

(2) ROWLING ON GAIMAN. And in Deadline, “J.K. Rowling Compares Neil Gaiman To Harvey Weinstein Amid Claims”.

…Not long after New York magazine published its detailed cover story on multiple new and old claims against Gaiman by multiple women, the Harry Potter creator took to social media to give some opinionated context of her own.

No stranger to controversy, criticism and accusations of being transphobic for her strident views on gender identity and the transitioning of minors, Rowling pinned initial reactions to allegations against the once acclaimed Gaiman to incarcerated rapist Harvey Weinstein and the #MeToo outburst against the much-accused Pulp Fiction producer.

“The literary crowd that had a hell of a lot to say about Harvey Weinstein before he was convicted has been strangely muted in its response to multiple accusations against Neil Gaiman from young women who’d never met, yet — as with Weinstein — tell remarkably similar stories,” Rowling wrote this morning on X in the second of two missives on Gaiman….

(3) WRITER’S LEGACY BURNED. The London Review of Books reports that by a tragic coincidence of timing the late Gary Indiana’s personal library and collection was destroyed by the Eaton Fire in L.A.

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(4) NEW OKORAFOR BOOK DRAWS FROM LIFE. The New York Times profiles Nnedi Okorafor in “Writing Fantasy Came Naturally. Reality Was Far More Daunting”. (Link bypasses the paywall). “After winning just about every major science fiction and fantasy award, Nnedi Okorafor explores a traumatic event in her own history in her most autobiographical novel yet.”

… Thirty years and more than 20 books later, Okorafor, now an acclaimed science fiction and fantasy writer, is exploring that traumatic experience, and the transformation that followed, in her heavily autobiographical new novel, “Death of the Author.”

A genre-defying metafictional experiment, the story centers on a Nigerian American writer from Chicago named Zelu, who is paralyzed and uses a wheelchair after a childhood accident. She dreams of becoming a writer, but her lovingly overprotective parents and siblings are skeptical that she’ll ever support herself. After struggling for years to get published, Zelu writes a best-selling postapocalyptic novel set among sentient robots in a future Nigeria, and lands a seven-figure advance and a movie deal. Her sudden rise to fame is both thrilling and jarring, as Zelu sees her success disrupt her family, and her novel get whitewashed by Hollywood executives who strip it of the African elements.

With its autobiographical framework, “Death of the Author” is a departure from Okorafor’s previous work, otherworldly stories that often draw on her experiences in Nigeria, where she found that belief in the supernatural — giant spider deities, water spirits, shape-shifting leopard people — is part of daily life….

(5) BIG BROTHER IS WATCHING…WHAT YOU BUY WITH THIS. “1984 author and former M.E.N. journalist George Orwell honoured on new £2 coin” reports the Manchester Evening News, where he used to work. (King Charles is on the obverse. Make of that what you will.)

Famed author and former Manchester Evening News journalist George Orwell is celebrated on a new £2 coin.

The writer of 1984 and Animal Farm will be honoured by the Royal Mint, 75 years after his death. Coin artist Henry Gray created a design which appears to be an eye, but is a camera lens at the centre of the design….

The Royal Mint will soon be ready to sell you one.

(6) MARKET REPORT. Incensepunk Magazine is now accepting submissions of speculative fiction stories about 4,000 to 6,000 words in length.

And what is “incensepunk” you ask?

Incensepunk is, at its core, a genre of longing. It desires a world in which traditional faiths and churches play a major role in society. Incensepunk extrapolates Byzantine and Gothic architecture styles into a modern world of skyscrapers and globalization. However, it is not regressive. It doesn’t view the past as good and the present as wicked and depraved. Instead, it tries to envision what the world could look like if faith and society were more integrated.

Incensepunk is speculative fiction, but it need not be alternate history (though it is certainly acceptable to be)….

(7) COMPLIMENTARY ENCOUNTERS OF THE HOLLYWOOD KIND. Far Out Magazine says “The writer Steven Spielberg called his muse” was Ray Bradbury.

…In terms of source material, Spielberg has adapted some of the greats. Michael Crichton provided the original novel on which Jurassic Park is based and Minority Report comes from a story by Philip K. Dick. However, for the director’s biggest sci-fi inspiration, we turn to a writer he never got the chance to bring to the big screen…

…Commenting on Bradbury’s [2012] passing, Spielberg was extremely complimentary of his work. “He was my muse for the better part of my sci-fi career,” he said in a statement (via The Hollywood Reporter). “He lives on through his legion of fans. In the world of science fiction and fantasy and imagination he is immortal.”

This admiration went both ways. In an interview with the Star Ledger (via Entertainment Weekly), Bradbury gave his thoughts on a Spielberg classic. “Close Encounters is the best film of its kind ever made,” he espoused. “It takes too long, but the transfiguration at the end, with the splendid arrival of the mother ship – that makes up for everything. I was so amazed and changed when I saw it that I went over to the studio to tell Spielberg what a genius he was.” In a full circle moment, Spielberg replied to this praise by claiming that Close Encounters wouldn’t have been possible without It Came From Outer Space, a 1953 film that Bradbury contributed the story to….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 13, 1893 — Clark Ashton Smith. (Died 1961.)

By Paul Weimer: Clark Ashton Smith was part of the Weird Tales crowd with people like Lovecraft, and it is through reading Lovecraft and authors like him that I came across Smith’s work. I started with his weird horror/fantasy, stories like City of Singing Flame (although that particular story I would only read years later) and eventually trying stuff from Poseidonis (his Atlantis world) and Zothique (once I found out that it had inspired Jack Vance). Empire of the Necromancers feels like it could be set in a distant corner of the Dying Earth and I like that headcanon, for example.

I found him to be a taproot writer, ones whose ideas and style were perhaps somewhat better than his execution at times (this is also true of Lovecraft, let’s be honest). But his ideas and style were inspirational, transformational and helped inspire a sheaf of fans, authors, games and much more as a result. In a way, without reading Smith, you’ve read Smith–through how he has influenced writers since (to say nothing of his correspondence with Howard and Lovecraft at the time).

And it must be said that there is a poetic feel to all of his work. The poetry Smith wrote early in his career suffused and influenced his subsequent stories and fragments. He never lost the dream of poetry. Or, the poetic muse never left him. Smith wrote intensely and evocatively and his poetic training and use of word choice and imagery come through in all of his stories. Reading a Smith story is to be transported into another world, into another reality, be it in the far past or the far future.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

January 13, 2008 — Terminator: The Sarah Connor Chronicles

Seventeen years ago this evening on Fox, the Terminator: The Sarah Connor Chronicles premiered. It was directed by Josh Friedman whose sole genre work previously was H. G. Wells’ War of the Worlds. The top cast was Lena Headey as Sarah Connor along with Thomas Dekker and Summer Glau in supporting roles

If Lena Headey sounds familiar that’s because she was on the Game of Thrones as Cersei Lannister.

In addition, the narrator was also Headey. Though it would last but two seasons comprising thirty-one episodes, as the first season was abbreviated, it was the highest-rated new scripted series of the ’07 to ‘08 television season. And yes, it started in the ‘07 television season even though its first episode was in January of ‘08. Such are the mysteries of television seasons.

Reception among critics was generally quite fine. Gina Bellafante of the New York Times said that it was “one of the more humanizing adventures in science fiction to arrive in quite a while.” And Maureen Ryan of the Chicago Tribune exclaimed of the second season that the “season’s opener is much clearer and more sheer fun than anything that aired last spring.”

It has a stellar eighty-four percent rating among audience reviewers at Rotten Tomatoes on the Popcornmeter as they call it.

Despite numerous ongoing fan efforts to revive the series, Josh Friedman has dismissed the possibility of crowdfunding a third season unlike say the recent Veronica Mars series due to issues involving holder rights. I suspect the Terminator issues here are hellishly complex.

(10) NEW ACTOR FOR T’CHALLA? [Item by Steven French.] I suspect fandom may be divided on this one: “Marvel is ready to recast Chadwick Boseman’s T’Challa in Black Panther. Should they?” asks the Guardian.

Marvel’s multiverse has become a narrative Swiss army knife capable of slicing through the thorniest of creative dilemmas and papering over the widest of cracks. That said, few dilemmas are as sensitive as how to move forward with a superhero as iconic as Black Panther. Chadwick Boseman’s portrayal of T’Challa wasn’t just a performance – it was a cultural touchstone, woven so tightly into the fabric of modern blockbuster cinema that imagining anyone else in the role feels like attempting to rewrite history. Four years after Boseman’s untimely death from colon cancer, Marvel faces the delicate task of continuing a legacy that seems impossible to replicate.

If rumblings out of Hollywood this week have foundation, however, the studio is beginning to countenance just that, a new T’Challa from an alternate reality who presumably finds his way into the mainstream Marvel universe via one of the umpteen ways we’ve seen superheroes such as Doctor Strange, various Spider-Men and Scarlet Witch crossing the boundaries between one reality and another. Jeff Sneider of the InSneider newsletter reports that the studio is finally “firmly open” to bringing back the king of Wakanda, despite previous attempts to recast the role having getting rebuffed by actors who didn’t want to jeopardise their careers by “stepping into Boseman’s gigantic shoes”.

(11) CORREIA “DEDICATION” TO GRRM. A GRRM fansite ran a photo of the dedication page.

Author Larry Correia wrote a dedication to George R.R. Martin in his new book ‘HEART OF THE MOUNTAIN,’ the final entry to his ‘SAGA OF THE FORGOTTEN WARRIOR’ series:

“To George R.R. Martin. See? It’s not that hard.” pic.twitter.com/0raQVy5eKi
— westerosies (@westerosies) January 12, 2025

“Fantasy author taunts Game of Thrones creator George R.R. Martin in his new book” reports MSN.com.

…Is this a playful jab or a petty insult? It’s probably closer to the latter, seeing as how Martin and Correia have locked horns before. Their last public clash involves the Hugo Awards, which are handed out every year to honor the best in science fiction and fantasy fiction. Martin has been attending the Hugos since the 1970s, while Correia got involved in the 2010s….

Correia is all over his social media crowing about the attention his jab is getting.

(12) STANDING ROOM ONLY. Blue Origin’s New Glenn rocket did not leave the ground today after all: “Jeff Bezos’ space company Blue Origin calls off launch of New Glenn rocket” – AP News tells the reason.

Blue Origin will try again to launch its massive new rocket as early as Tuesday after calling off the debut launch because of ice buildup in critical plumbing.

The 320-foot (98-meter) New Glenn rocket was supposed to blast off before dawn Monday with a prototype satellite. But ice formed in a purge line for a unit powering some of the rocket’s hydraulic systems and launch controllers ran out of time to clear it, according to the company.

Founded by Amazon’s Jeff Bezos, Blue Origin said Tuesday’s poor weather forecast could cause more delay. Thick clouds and stiff wind were expected at Cape Canaveral Space Force Station.

The test flight already had been delayed by rough seas that posed a risk to the company’s plan to land the first-stage booster on a floating platform in the Atlantic….

(13) MOANA LITIGATION. “Disney faces copyright lawsuit over ‘Moana’ franchise” reports Entertainment Weekly.

Disney has been hit with a copyright lawsuit alleging that the wildly popular Moana franchise was nearly entirely lifted from a decades-old screenplay without the writer’s consent.

In a lawsuit reviewed by Entertainment Weekly that was filed Friday, animator Buck Woodall claims that former Mandeville Films development director Jenny Marchick violated his copyright by secretly passing to Disney materials he produced confidentially for her two decades ago. That material, Woodall alleges, became Moana and Moana 2….

…The animator claims that he delivered to Marchick “extremely large quantities of intellectual property and trade secrets” related to a project variously called “Bucky” and “Bucky the Wave Warrior” between 2003 and 2008. Those materials included a completed screenplay, character illustrations, budgets, a fully animated concept trailer, storyboards, background image references, and more.

Woodall also notes that he received copyright protection on these materials in 2004 that was updated in 2014.

“Bucky” was never developed, but Woodall claims that Marchick was able to pass his materials to Disney by exploiting legal loopholes inherent to the “tapestry of confusion” that is Disney’s elaborate corporate structure. According to Woodall, “Bucky” not only became Moana without his consent, but continued to serve as the basis for Moana 2 as well.

The suit enumerates a number of similarities between Woodall’s undeveloped script and Moana and Moana 2. Like “Bucky,” the first film follows a teenager on a voyage in an outrigger canoe across Polynesian waters to save Polynesian land. It features the Polynesian belief in spiritual ancestors who manifest as animal guides, and a number of specifics including a symbolic necklace, navigation by stars, a lava goddess, and a giant creature disguised as a mountainous island.

As for Moana 2, the suit notes that details such as the rooster and pig companions, a mission to break a curse, a whirlpool that leads to an oceanic portal, and an encounter with the Kakamora warrior tribe were all lifted without consent from “Bucky.”…

(14) PITCH MEETING. Hmm. Did any of the foregoing get mentioned during the “Moana 2 Pitch Meeting”?

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Christian Brunschen, Andrew Gill Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan. And Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/11/25 There’s Even Pixels Walking Through It As We Watch

Posted on January 11, 2025 by Mike Glyer

(1) ALMOST HALFWAY TO 101. The Science Fiction 101 podcast devoted its 50th episode to a look at a vintage prozine: “Analog Solutions”.

This time we have another one of our (made-up) time-honored traditions: reviewing a current science fiction magazine. We usually do this once a year, to keep on top of current SF trends – and also to compare & contrast current magazines with the SF magazines of the past.

In our last episode, we went back 50 years to review ANALOG from 1974.

This time, we’re bang up-to-date (almost) with a very recent issue of the very same magazine. Analog is the longest-continuously-running SF magazine, having been around under various titles since the 1930s!

What will we make of Analog‘s longstanding reputation for “hard SF”? How does the magazine stack up against its wholly online competitors such as Clarkesworld and Uncanny? How does it stack up against its former self?

(2) FREE IMAGE LIBRARY. The Public Domain Review is “Announcing the Public Domain Image Archive”.

After the hundreds (thousands?) of hours trawling through online image collections since the PDR’s inception, we’ve decided it was time to create one of our own! We are really excited to share with you the launch of our new sister-project, the Public Domain Image Archive (PDIA), a curated collection of more than 10,000 out-of-copyright historical images, free for all to explore and reuse.

While The Public Domain Review primarily takes the form of an “arts journal”, it has also quietly served as a digital art gallery, albeit one fractured across essays and collections posts. The PDIA sets out to emphasise this visual nature of the PDR, freeing these images from their textual homes and placing them front and center for easier discovery, comparison, and appreciation. Our aim is to offer a platform that will serve both as a practical resource and a place to simply wander — an ever-growing portal to discover more than 2000 years of visual culture.

A valuable image archive in its own right, offering hand-picked highlights from hundreds of galleries, libraries, archives, and museums, the PDIA also functions as a database of images featured in the PDR, offering an image-first approach to exploring the project’s content. The featured images each link to the relevant article on the PDR where one can read about the stories which surround the works….

Here’s an example of NASA art — government publications are not copyrighted, so in the public domain.

(3) IS THIS WORLDBUILDING CONVINCING? Mark Roth-Whitworth read C.J. Cherryh’s Alliance Rising, and says “I have written a meta-criticism of it — not of the story, which is as good as Cherryh is, but the political and interpersonal structure of the universe”: “Cherryh’s Alliance-Union universe”.

…I can already see problems with it – the sixty-three families, and none of them have anyone who is going to game the system, for their family’s benefit? None are going to cut back door deals with stations, to undercut other ship-families? Every one is going to be honest and trustworthy?…

(4) LISA TUTTLE’S HORROR PICKS. In “The best recent science fiction, fantasy and horror – reviews roundup”, Lisa Tuttle reviews Aerth by Deborah Tomkins; Witchcraft for Wayward Girls by Grady Hendrix; Water Moon by Samantha Sotto Yambao; and The Garden by Nick Newman.

(5) FIND OUT WHEN SFF EVENTS ARE HAPPENING. Stephen Beale, editor of The Steampunk Explorer site, has announced their “Expanded Calendar Listings”.

The recent re-launch of The Steampunk Explorer forced us to move some tasks to the back burner, and one of those was the calendar of events. When the site re-launched on Dec. 30, the calendar listed just 191 events taking place in 2025. But we got busy over the weekend and it now lists more than 600 happenings.

Here’s some background. We maintain a database of approximately 1,200 events that take place each year. In addition to steampunk gatherings, they include science fiction conventions, anime conventions, comic cons, Renaissance fairs, book fairs, and more.

Periodically, we go through the database and check the event websites to see if they’ve announced upcoming dates. If they have, we update the record and upload the event to the website. It’s a highly efficient process — if the event is in the same location and happens roughly the same time of the year, we can update the listing with five or six mouse clicks. (We also add new events as we learn about them.)…

If you want to see what’s happening over the next 12 months, check it out:

Steampunk events: All events | North America only

U.S. regions: New England | Mid-Atlantic | Southeast

Midwest | South Central | Mountain | Pacific

International: Canada | U.K./Europe | Australia/New Zealand

Plus the complete list covering all regions

(6) ROSENKRANTZ AND THEATER ARE DEAD. “There’s a New Version of Hamlet Staged in Grand Theft Auto” – CrimeReads warns fans of the Bard.

Friends, you read that right. A new film is coming to theaters in January that is… Hamlet staged in the Grand Theft Auto video game. Yes, Hamlet acted out by video game avatars, shot in-frame, and edited into its own film.

Before you wonder if something is rotten in the stage of filmmaking, or that the rest is violence, consider this…

Directed and written by Sam Crane and Pinny Grylls, and co-starring Crane and his friend Mark Oosterveen, the film, which is called Grand Theft Hamlet, is part digital narrative, part documentary. The film’s frame narrative features Crane and Oosterveen, two out-of-work actors sheltering-in-place during the COVID pandemic in January 2021, who discover that their video game pastime seems capable of not only bringing them together (and giving them a project) during isolation, but also allowing them to engage with a foundational text and their beloved craft.

The actors speak Shakespeare’s lines over the staging, in the modern, hyper-brutal world of GTA‘s Los Santos; underscoring the ways that Shakespeare’s words contain a kind of timelessness or malleability. According to critics, what ends up happening is not an attempt to make this as straight a Shakespeare production as possible, but to play with the text and the meaning of Hamlet in ways that only this new setting can unlock….

Grand Theft Hamlet – only in theaters starting January 17.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

January 11, 1961 — Jasper Fforde, 64.

I, like most folk I suspect, first discovered the somewhat eccentric charms of his writing in the Eyre Affair, the first of his novels with Tuesday Next from the Special Operation Network, Literary Detective (SO-27), who could literally enter the great and not so great works of English literature.

Bidder and Stoughton published it twenty-five years ago. I’d like to say the Eyre Affair was a much-desired literary property but he says there were seventy-six publishers that he sent his manuscript to. I’m surprised there were that many publishers in the U.K. that he thought could have been interested.

There would be six in the series in all — this novel followed by Lost in a Good Book, The Well of Lost Plots, Something Rotten, First Among Sequels, One of our Thursdays Is Missing and The Woman Who Died a Lot. I won’t say that they were consistently great as they weren’t and the humor sometimes wore a lot more than a bit thin, but overall I like the series considerably.

I re-listened to the Eyre Affair recently and even the Suck Fairy admitted that it had held well over a quarter of a century, particularly the idea of dodos as pets as she wants one. Or two. Shudder.

Next up, and I wasn’t eggspecting to like it, yes, I know it’s a bad pun there, is The Big Over Easy which is set in the same universe as the Thursday Next novels though I don’t remember any overlapping characters twenty years after reading them. It reworks his first written novel, which absolutely failed to find any publisher whatsoever.

Its original title was Who Killed Humpty Dumpty? Errr, wasn’t there a novel involving a rabbit by almost that name? Kinda of drops a large anvil. It had a sequel of sorts in The Fourth Bear. Both are quite more than bearably good. Yes more bad puns.

I have not read his dystopian Shades of Grey series which is about a future Britain where everyone there is judged by how they perceive colors. Suspect someone with color blindness like myself wouldn’t be welcome there. A friend who did read it liked it a lot.

His Dragonslayer series, also known as The Chronicles of Kazam, are a YA affair and a great deal of fun indeed.

And we finish off with a news story from Toad News, “Extinct animals hostile to concept of being reengineered, study shows”.

(8) COMICS SECTION.

Off the Mark has a frightening special flavor. Cats love it.
The Argyle Sweater delivers funny TV remakes and spinoffs.
Reality Check has silly science.
Speed Bump found the discarded pixels.
Free Range knows what editing is all about.
Arlo and Janis critique current shows.

(9) ANIMAL NEW YEAR’S PARTY. [Item by Steven French.] Here’s a more upbeat piece from the Guardian’s gaming newsletter, “Pushing Buttons”: “Replaying games from my past with my young children has been surreal – and transformative”.

Thanks to some distinctly Scottish weather over the holidays, my family and I ended up celebrating Hogmanay at home rather than at the party we’d planned to attend. My smallest son’s wee pal and his parents came over for dinner, and when the smaller members of our group started to spiral out of control around 9pm, we threw them a little midnight countdown party in Animal Crossing.

The last time I played Animal Crossing was in the depths of lockdown. Tending my island paradise helped me cope while largely imprisoned in a 2.5 bedroom basement flat with a baby, a toddler and a teenager. (I was far from the only one – the National Videogame Museum compiled an archive of people’s Animal Crossing experiences during the Covid-19 pandemic, and it’s evident that it was a lifeline for many.) Our guests had brought their family Switch, and we set up the kids with their little avatars so they could join the animals’ New Year party.

They spent about 10 minutes gleefully whacking each other with bug nets before gathering with the other inhabitants in the square with a giant countdown clock in the background, the island’s racoon magnate Tom Nook offering party poppers and shiny top-hats. I was visited by a sudden, arresting memory of New Year’s Eve 2021, which I spent on my sofa, alone but also not alone, because I was with my friends in Animal Crossing, watching the same countdown clock tick down. My youngest had just started walking, and was unsteady on his short, chunky legs. Turning away from the screen, I saw him joking with his big brother, thrilled at being up so late. It felt surreal.

(10) EYE-POPPING. DJ Food recalls the “Psychedelic Crunchie Bomb poster offer” of 1969. The original ad is reproduced below. See good images of the four posters at the link.

A rare set of four “Crunchie Bomb” posters commissioned in 1969 by Frys Chocolate, measuring 20×15 inches. Two designed by graphic artist and Professor of Illustration at the RCA, Dan Fern, two by renowned designer Chris McEwan. They were available in exchange for 3 Crunchie wrappers – see the last photo of the original advert.

(11) I SOLEMNLY SWEAR. “Horror’s Hottest Ticket: These Directors Are Never Releasing Their Movie for Home Viewing and Have Created a Cult Hit” – Yahoo! has the story.

It started as something of a joke.

While cutting a trailer for their co-directorial effort “It Doesn’t Get Any Better Than This,” Nick Toti and Rachel Kempf had a little fun at the end of the clip.

“We were like, ‘Oh, it kind of needs something,’” he says. “So we put the scroll at the end. It just says, ‘The producers of this film regret to inform you that it will not be released online. See it in theaters.’”

In fact, the three-person creative team behind the found footage horror movie “It Doesn’t Get Any Better Than This” made an unusual pact before they even shot a frame: They would never make the work available for streaming, digital or physical purchase, only allowing it to play theatrically. Yet what might have seemed like a limitation ended up creating word-of-mouth interest in the microbudget production, which led to sold-out shows across the country without any promotional dollars….

(12) THE LAST CHATGPT ARGUMENT OF KINGS. [Item by Mike Kennedy.] Is it a killer robot? No. But it was a step toward that and a step too far for OpenAI to be comfortable letting this engineer use ChatGPT as a front-end to command their sentry gun/mount. Besides, they seem to be having way too much fun riding the mounted weapon like it was a potentially deadly mechanical bull at a country-western bar.

(Pro Hint: Next time just grab a ruler. It’s cheaper and you can finish your measuring project much faster.)

“Viral ChatGPT-powered sentry gun gets shut down by OpenAI” reports Ars Technica. Videos at the link.

OpenAI says it has cut off API access to an engineer whose video of a motorized sentry gun controlled by ChatGPT-powered commands has set off a viral firestorm of concerns about AI-powered weapons.

An engineer going by the handle sts_3d started posting videos of a motorized, auto-rotating swivel chair project in August. By November, that same assembly appeared to seamlessly morph into the basis for a sentry gun that could quickly rotate to arbitrary angles and activate a servo to fire precisely aimed projectiles (though only blanks and simulated lasers are shown being fired in his videos).

Earlier this week, though, sts_3d started getting wider attention for a new video showing the sentry gun’s integration with OpenAI’s real-time API. In the video, the gun uses that ChatGPT integration to aim and fire based on spoken commands from sts_3d and even responds in a chirpy voice afterward.

“If you need any other assistance, please let me know,” the ChatGPT-powered gun says after firing a volley at one point. “Good job, you saved us,” sts_3d responds, deadpan.

“I’m glad I could help!” ChatGPT intones happily.

In response to a comment request from Futurism, OpenAI said it had “proactively identified this violation of our policies and notified the developer to cease this activity ahead of receiving your inquiry. …”

(13) BLUE ORIGIN WILL LAUNCH NEW GLENN ON MONDAY. “The Very Long Wait for Jeff Bezos’ Big Rocket Is Coming to an End” – in the New York Times (behind a paywall). (Note: The date has changed since the article was published. The rocket now is set to make its inaugural launch attempt as soon as Monday at 1 am. Eastern. Weather conditions at sea, where the company hopes to recover part of the rocket after launch, prompted the 24-hour delay.)

The foundational building block for Jeff Bezos’ space dreams is finally ready to launch.

A New Glenn rocket — built by Blue Origin, the rocket company that Mr. Bezos started nearly a quarter century ago — is sitting on a launchpad at Cape Canaveral Space Force Station in Florida. It is as tall as a 32-story building, and its voluminous nose cone can carry larger satellites and other payloads than other rockets in operation today.

In the predawn darkness on Sunday, it may head to space for the first time.

“This has been very long awaited,” said Todd Harrison, a senior fellow at the American Enterprise Institute, a conservative-leaning think tank in Washington.

New Glenn could inject competition into a rocket business where one company — Elon Musk’s SpaceX — is winning big. While companies and governments have welcomed SpaceX’s innovations that have greatly cut the cost of sending stuff to space, they are wary of relying on one company that is subject to the whims of the world’s richest person.

“SpaceX is clearly dominating” the market for launching larger and heavier payloads, Mr. Harrison said. “There needs to be a viable competitor to keep that market healthy. And it looks like Blue Origin is probably the best positioned to be that competitor to SpaceX.”

New Glenn is larger than SpaceX’s current workhorse rocket, the Falcon 9, but not as big as Starship, the fully reusable rocket system that SpaceX is currently developing….

(14) VIDEO OF THE DAY. From four years ago, a WIRED making-of short: “Every C-3PO Costume Explained By Anthony Daniels”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/6/25 We Have Top Fen Scrolling on it Right Now

Posted on January 6, 2025 by Mike Glyer

(1) CARROLL Q&A. Joachim Boaz of Science Fiction and Other Suspect Ruminations scored an “Interview with Jordan S. Carroll, author of Speculative Whiteness: Science Fiction and the Alt-Right (2024)”.

…As you explain in the intro, science fiction can serve as a “blueprint, warning, forecast, wish-dream, and counterfactual” (8). How does the alt-right, as part of its interpretive project, reconceptualize the purpose of science fiction? Can it be self-critical?

The alt-right often sees science fiction as a prefiguration of the destiny that white men must realize. They have a very crude view of culture: it either moralizes or demoralizes white people. They’re therefore only interested in science fiction insofar as it either inspires them to greatness or stands in the way of their greatness. For all their sophistry, it’s a very crude way of thinking, one that precludes any kind of critical self-reflection or openness to the kinds of thought experiments that science fiction so often affords….

Why do you think the alt-right is drawn to speculative fiction in lieu of other genres?

I should say that fantasy is as important in the history of US and European fascism, but I focused on science fiction in this book because it seemed like a more understudied aspect of the movement, perhaps because it is so counterintuitive. Fascism has always been a form of modernism: it promises a brand-new future that will be totally different from the present in important ways. Science fiction therefore provides a whole host of imaginative figures for this exciting new future (e.g., Nazis in space). Plus, science fiction is such a ubiquitous feature of cultural life post-Star Wars that it allows them to insert themselves into conversations where they otherwise would not be invited….

(2) SLIM PICKINGS FOR MOST ARTISTS AT CONS. Inkwell: Marketing for Artists recently posted a YouTube video sharing income and other business data gathered from convention artists: “900+ Artists polled – Making Money As a Convention Artist”. The raw data and responses collected from all 938 contributors in this video can be viewed on Google Sheets.

(3) INFERIOR DECORATOR. Muse from the Orb wonders how it happened that cursed furniture trumped Cthulhu to appear on a vintage issue of Weird Tales in “’THE GHOST TABLE’ (1928) Has a Clawed Foot on My Neck”.

Sometimes the algorithm skips the foreplay and injects the dopamine straight into my carotid artery. Yesterday, Instagram showed me a video by Dinesh Shamdasani, a collector flipping through his recently-acquired copy of Weird Tales, February 1928. I did several double takes throughout the video, because — well — the evil entity on the cover is a table.

Like, a table table. Which is strange, since Weird Tales covers typically just feature bare-assed women being chained to giant idols or hurled into acid pits by ethnically-suspect viziers. So this one’s a departure from the norm, for sure.

In our current timeline, Weird Tales Feb. 1928 (you can peruse the issue here) commands historical importance because it premiered H.P. Lovecraft’s watershed story “The Call of Cthulhu.” The story marks the first appearance of the eldritch god, and is one of Lovecraft’s first movements toward the cosmic mythos that would become, as Michel Houellebecq puts it, “a gigantic dream machine,” the supreme articulation of human anxiety within a howling world “where fear mounts in concentric circles, layer upon layer… [and] our only destiny is to be pulverized and devoured.”¹

None of which actually matters, however, because (as mentioned before) the cover illustration of Weird Tales Feb. ‘28 is a man fighting a table….

(4) ADAM NIMOY APPEARANCE. The Pasadena Museum of History is offering the public tickets to “The Most Human: Reconciling with My Father, Leonard Nimoy with Adam Nimoy”, happening January 30 at 7:00 p.m. (The book was released last June.)

Join Adam Nimoy as he discusses his poignant memoir The Most Human and explores their complicated relationship.

While the tabloids and fan publications portrayed the Nimoys as a “close family,” to his son, Leonard Nimoy was a total stranger. The actor was as inscrutable as the iconic half-Vulcan science officer he portrayed on Star Trek, even to those close to him. Join Adam Nimoy as he discusses his poignant memoir The Most Human and explores their complicated relationship and how it informed his views on marriage, parenting, and later, sobriety. Discover how the son of Spock learned to navigate this tumultuous relationship and how he was finally able to reconcile with his father — and with himself.

Copies of The Most Human: Reconciling with My Father, Leonard Nimoy will be available for purchase in our Museum Store on 01/30/2025.

Presentation will begin at 7:00 pm; PMH Galleries will be open for viewing at 6:00 pm.

(5) THE HARMONICA WAS DELICIOUS. Galactic Journey is there for the birth of Sesame Street – 55 years ago: “[January 6, 1970] Can you tell me how to get to Sesame Street?”

…Sesame Street is a bit like a daily Laugh-In for the five-and-under set. It’s a conglomeration of short pieces, most of them independent of each other and self-contained. Some pieces have live actors in them, some have puppets, some have both people and puppets interacting with each other. These pieces are interspersed with animated or live-action movies that are a bit like commercials – if commercials taught “counting to ten” or “words that start with the letter ‘D’”. Many of the pieces are funny, and some have an unexpectedly surreal aspect that I found wildly entertaining….

…For example, the first skit features “Gordon”, one of the actors, playing a good-natured joke on “Ernie”, one of the puppets (voiced by Jim Henson). Indicating four items, three plastic instruments and a banana, Gordon asks Ernie which one doesn’t belong with the others. Ernie chooses the banana, carefully explaining his reasoning. Gordon suggests Ernie try playing the banana like an instrument, whereupon Gordon honks the bike horn he has hidden behind his back, leading the startled Ernie to believe that his banana can toot, until Gordon shows him the trick.

Ernie chortles, and the two of them decide to play the same joke on another puppet, a passing blue monster. The blue monster, however, proceeds to eat the plastic instruments and somehow play the banana such that lovely flute music fills the air, leaving Gordon and Ernie very confused. “Nice tone on that banana,” the monster comments, “and the harmonica was delicious!”…

(6) SALOMON LICHTENBERG DIES. Longtime fan Salomon Lichtenberg died January 3. Jacqueline Lichtenberg told Facebook readers today:

It is with great sadness that I must say my husband Salomon, passed on. It was peacefully in his sleep without pain or suffering, about 4:15 PM Friday and the burial was Sunday at Mt.Sinai Cemetary in Phoenix.

He was on hospice for about 4 years, gradually declining. It was a perfect textbook case, a well traveled and well known path.

(7) JUL OWINGS OBITUARY. Baltimore SF Society member Jul Owings died January 5. Dale S. Arnold’s tribute is here on File 770.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

January 6, 1905 — Eric Frank Russell. (Died 1978.)

Let’s talk about the British writer Eric Frank Russell. His first published piece of fiction was in the first issue of Tales of Wonder called “The Prr-r-eet” eighty-eight years ago. (Please don’t tell me it was about cats.) He also had a letter of comment in Astounding Stories that year. He wrote a lot of such comments down the years according to ISFDB.

Just two years later, his first novel, Sinister Barrier, would be published as the cover story as the first issue of Unknown. His second novel, Dreadful Sanctuary, would be serialized in Astounding, Unknown’s sister periodical in 1948.

At Clevention, “Allamagoosa” would win a Short Story Hugo. The Great Explosion novel garnered a Prometheus Hall of Fame Award.

Now let’s note some reworkings he did as I like them a lot. Men, Martians and Machines published in 1955 is four related novellas of space adventures at their very best.

The 1956 Three to Conquer, nominated for a Hugo at NY Con II is a reworking of the earlier Call Him Dead magazine serial that deals with an alien telepath and very well at that. Finally Next of Kin, also known as The Space Willies, shows him being comic, something he does oh so well. It was a novella-length work in Astounding first.

And then there’s the Design for Great-Day novel which was written by Alan Dean Foster. It’s an expansion by him based off a 1953 short story of the same name by Russell. I’m pretty familiar with what Foster has done but this isn’t ringing even the faintest of bells. Who’s read it?

He wrote an extraordinary amount of short stories, around seventy by my guess.

Short Stories Collection is the only one available at the usual suspects. He’s an author who needs a definitive short story collection done for him. Also available from the usual suspects is Entities: The Selected Novels of Eric Frank Russell contains five of his novels including Wasp which considered his best one.

Russell with Bea Mahaffey who was active in early fandom and was an assistant editor for Ray Palmer after he left Amazing Stories for Clark Publications.

(9) COMICS SECTION.

Savage Chickens ponders reality.
Tom Gauld knows somebody who wants to look good.

My latest cartoon for @newscientist.bsky.social
— Tom Gauld (@tomgauld.bsky.social) 2025-01-06T16:23:04.410Z

(10) THE MOST CLICKBAITY DAYS IN HISTORY. I’m sorry, I’ll read that again: “5 of the Strangest Days in History” as ranked by History Facts. Don’t be surprised if their standard for what’s strange seems much milder than yours.

March 12, 1951: Two Dennis the Menaces

If you’re from the United States, you may have a very different idea of the cartoon character Dennis the Menace than someone from the United Kingdom. In America, Dennis is a baby-faced blonde boy, a lovable scamp who gets into trouble but is ultimately endearing. The British Dennis the Menace, on the other hand, is a violent bully with a grumpy expression and a hunched posture.

The weirdest part is that neither Dennis came first: They debuted at the same time, with no coordination, on March 12, 1951. The American Dennis was syndicated to 16 newspapers, while the British Dennis was in a weekly comic book magazine called The Beano. It’s a bizarre coincidence, but rarely causes confusion — when the 1993 American film Dennis the Menace was released across the pond, it was just called Dennis.

(11) THE CURSED RING. [Item by Steven French.] This is an old (and disputed) story but it bears repeating: “The Vyne” at Atlas Obscura.

The Vyne, a grand Tudor mansion, is steeped in history and intrigue. Its elegant architecture, exquisite gardens, and fascinating artifacts offer a glimpse into the lives of its former inhabitants. However, within its historied walls is an intriguing ring wrapped in a story of gods, curses, and theft, a ring that some claim was an inspiration for one of the most iconic objects in literature.

(12) ACTING CAREERS THAT ARE NOT DEAD YET. “If Batman v Superman crushed Jesse Eisenberg’s star, why is DC giving Jason Momoa a second chance?” asks the Guardian.

Do bad superhero movies kill Hollywood careers? It’s an interesting question given that George Clooney is still hovering elegantly in the A-list sphere almost three decades after Batman & Robin turned the Caped Crusader into a neon-lit fashion faux pas. Clooney, who once apologised for the film as if it were an embarrassing yearbook photo, went on to redefine himself as a Hollywood powerhouse, proving that even the worst bat-nippled blunders can’t keep a true star down. Halle Berry, who headlined the worst Catwoman movie in history, still turns up every now and again on Netflix. Ryan Reynolds has made light of insipid early turns in 2011’s Green Lantern (and indeed as a mostly mute Deadpool in the rubbish 2009 ensemble effort X-Men Origins: Wolverine) with three well-received solo turns as the merc with a mouth. And this week, Jason Momoa has signed on to star as blue-skinned cigar-chomping alien Lobo in the forthcoming DC entry Supergirl: Woman of Tomorrow, despite appearing in one of the most poorly received superhero flicks of all time, the execrable Aquaman and the Lost Kingdom, in 2023.

All of which should perhaps make us feel even sorrier for one Jesse Eisenberg, who recently told the Armchair Expert podcast that he has come to terms with the fact that his role as Lex Luthor in the disastrous 2016 DC entry Batman v Superman: Dawn of Justice significantly derailed his career. “I was in this Batman movie and the Batman movie was so poorly received, and I was so poorly received,” Eisenberg said. “I’ve never said this before, and it’s kind of embarrassing to admit, but I genuinely think it actually hurt my career in a real way, because I was poorly received in something so public.”…

(13) FUTURE SPACE STATIONS. [Item by Mark Roth-Whitworth.] Yahoo! reports “The billionaires and tech barons vying to build a private space station”.Which, really, NASA should be leading, but everything should be outsourced, for ROI. (Please read what happened with the railroads after the Civil War…)

After three decades circling Earth, in 2031 the International Space Station (ISS) will be handed its last rites. Some time in 2030, astronauts will depart the space station for the final time, and a docked SpaceX craft will provide a shunt of rocket thrust to move the ISS into a lower orbit.

As it hits the outer atmosphere, the station will begin to break up, before a final descent in which the ISS, which is approximately the size of a football field, will be ditched somewhere in the Pacific Ocean.

The death of the ISS will mark the close of a major chapter in human space exploration.

Until now, space stations have been the preserve of nation states, with only the ISS and China’s Tiangong in operation. The stations have required billions of dollars of investment and dozens of rocket launches.

But that could be about to change. Just as SpaceX has triggered a flood of funding into private rocket companies, private space stations have been raising billions of dollars in an effort to build future hubs – and even one day cities – in orbit.

Axiom Space, a US business aiming to build its own station, has raised more than $500m (£400m). Vast, a space business backed by crypto billionaire Jed McCaleb, is plotting two stations before the end of the decade. Gravitics, meanwhile, has raised tens of millions of dollars for its modular space “real estate”. Nasa itself, along with other space agencies, is planning a further station, Lunar Gateway, which will orbit the Moon.

Jeff Bezos’s Blue Origin has also announced plans to build a space station by 2027, called Orbital Reef, which it has described as an orbital “mixed-use business park”….

(14) HOOPING IT UP. [Item by Steven French.] This is one of those cases where certain commentators might decry the ‘waste’ of research funds on such an apparently trivial topic but which, it turns out, could have significant technological implications. “How does a hula hoop master gravity? Mathematicians prove that body shape matters” at Phys.org.

“We were surprised that an activity as popular, fun, and healthy as hula hooping wasn’t understood even at a basic physics level,” says [Associate Professor and study co-author] Ristroph.

“As we made progress on the research, we realized that the math and physics involved are very subtle, and the knowledge gained could be useful in inspiring engineering innovations, harvesting energy from vibrations, and improving robotic positioners and movers used in industrial processing and manufacturing.”

(15) LAST OF US SEASON 2 TRAILER. Variety learns “’The Last of Us’ Season 2 to Debut in April”.

…An intense one-minute teaser was released Monday on the Max YouTube channel, showing flashes of what to expect in the new season. Notably, the teaser re-states the month of April as the Season 2 release date without naming a specific date.

The official logline for Season 2 reads: “Five years after the events of the first season, Joel and Ellie are drawn into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”…

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Mark Roth-Whitworth, Rich Lynch, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 11/23/24 Virtual Pixels Just Scurry Around On Screens, Trying To Fake It

Posted on November 23, 2024 by Mike Glyer

(1) BOLLINGER EVERYMAN WODEHOUSE SHORTLIST. The Bollinger Everyman Wodehouse Comic Fiction Prize shortlist includes two genre works — High Voltage and Ministry of Time.

The Bollinger is awarded to “the funniest novel of the past 12 months, which best evokes the Wodehouse spirit of witty characters and perfectly-timed comic phrases.”

A Beginner’s Guide to Breaking and Entering by Andrew Hunter Murray (Hutchinson Heinemann)
Glorious Exploits by Ferdia Lennon (Fig Tree)
Good Material by Dolly Alderton (Fig Tree)
High Vaultage by Chris Sugden and Jen Sugden (Gollancz)
The Ministry of Time by Kaliane Bradley (Sceptre)
The Rachel Incident by Caroline O’Donoghue (Virago)
You Are Here by David Nicholls – published by (Sceptre)

The winner will be announced December 2.

In winning the Bollinger Everyman Wodehouse Comic Fiction Prize, you get not only a jeroboam of the Special Cuvée, but also a case of Bollinger La Grande Année, a complete set of the Everyman’s Library PG Wodehouse collection and, most entertaining, a pig who is to be named after your winning book.

(2) PRIMATES APLENTY. Dave Hook rounds up all the sfnal variations he can find that address the literature Infinite Monkeys might produce in “Monkeys and Shakespeare: The Infinite Monkey Theorem and Speculative Fiction” at A Deep Look by Dave Hook.

…I read nine stories and one essay for this blog post. I suspect there might be more stories out there connected to the Infinite Monkey Theorem, and I’d love to hear from my readers with other suggestions….

He analyzes (beware spoilers) and rates them all.

(3) ONE WAY TO GET A HANDLE ON YOUR POPCORN CONSUMPTION. “AMC Reveals Its Lord of the Rings: War of the Rohirrim 27-Inch Popcorn Bucket” – CBR.com shows it to you.

…Commemorative popcorn buckets are increasing in popularity, with these collectibles released for movies such as Dune, Wicked and Gladiator II, among others. The Lord of the Rings: War of the Rohirrim arrives in theaters in the U.S. on Dec. 13, 2024, alongside its own exclusive popcorn bucket. The long handle of the movie’s war hammer replica is designed to appear as though it’s wrapped in leather, with a gray and red face and a gold spike on top. Fans will be able to purchase the limited-edition ‘hammer bucket’ at AMC theaters for $32.99 (not including tax), but only while supplies last.

Some people have complained that this popcorn bucket is potentially deadly, being modeled after a weapon and closely resembling one as well. While the design of the bucket is made to immerse fans in the experience of the movie, it’s also now being called the “most dangerous” popcorn bucket ever. Buyers of this product are urged to exercise caution and good judgment when wielding it.

For those who don’t want a potentially inconvenient 27-inch long popcorn bucket to snack from, another item is also being sold in celebration of the release of the upcoming movie — a faux-wooden stein (or traditional beer mug) with the official Lord of the Rings: War of the Rohirrim logo on the side….

(4) MURAKAMI Q&A. [Item by Steven French.] Tangentially genre related: “Haruki Murakami: ‘My books have been criticised so much over the years, I don’t pay much attention’”

… Japanese fiction now represents a quarter of all translated fiction sold in Britain. Why do you think it has such a wide appeal?
I didn’t know that Japanese novels are that popular in Britain. What’s the reason? I have no idea. Maybe you could tell me – I’d like to know.

The Japanese economy is not doing well these days, and I think it’s a good thing that cultural exports can make a contribution of sorts, though literary exports don’t make that much of one, do they?

Did Mieko Kawakami’s criticism of the women in your books, made in 2017, have any effect on how you write female characters?
My books have been criticised so much over the years that I can’t remember in what context the criticisms were made. And I don’t pay much attention to it, either.

Mieko is a close friend and a very intelligent woman, so I’m sure whatever criticism she made was spot on. But honestly, I don’t recall what exactly she criticised. Speaking of women and my works, though, incidentally my readers are pretty much equally divided between men and women, a fact that makes me very happy….

And if you want to know more about those popular Japanese novels, read the Guardian’s article, “Surrealism, cafes and lots (and lots) of cats: why Japanese fiction is booming “.

…The popularity of modern Japanese fiction is not a new phenomenon in the UK … In the 1990s, two writers broke through and became cult hits in this country. Haruki Murakami, a worldwide literary phenomenon, took off in Britain when Harvill Press published The Wind-Up Bird Chronicle in 1998. Scott Pack, who ran Waterstones’ buying team in the early 2000s, is a big Murakami fan and remembers giving him “lots of attention. Whatever books of his came out, we got massively behind.” This week, Murakami publishes his 15th novel The City and Its Uncertain Walls, about a man who travels to a mysterious walled town in pursuit of the woman he loves, finding himself in a strange world of libraries, maps and dreams. So what’s behind the lasting success of Murakami’s books, which tend to combine lonely protagonists, jazz, cats, and fantasy elements? “It’s fairly accessible, weird shit,” Pack says….

(5) DIALED IN. Sharon Lee is restarting her blog with shares like “Opening the windows”:

…Speaking of Just Me, I decided that I would watch “Astrid” last night (people who love the show, my comments are about the show not about you or your preferences in pleasure viewing). I will not be continuing. Not only does the first segment start with a man dousing himself with gasoline and lighting himself on fire on-screen, Astrid herself was a little too close to home. I remember mapping out phone calls before I made them, so I’d be sure to transmit the correct information in a socially normal way, and the feeling of panic when there was a vary. (I once called somebody to ask them a question before I had Breathed In, and when they answered the phone said, “MynameisSharonLeecallingforXandIwouldliketoknowthisnthat.” The person I was calling paused for a moment, then said, very gently, “Wow. Are you from New York?”) I’ve gotten much better, with lots of practice, and lots of years, about making eye contact when talking to people, but it was sorta painful to watch. This is, in case it’s not clear, a tribute to the actor who plays Astrid. She clearly Gets It….

(6) LONG-REMEMBERED THUNDER. [Item by Steven French.] Sometimes a line in an obituary will raise the old eyebrows! Peter Sinfield, who has recently passed away, wrote the lyrics for late 60s/early 70s ‘prog rock’ band King Crimson, as well as going on to write a number of pop hits (including for Celine Dion). And amidst all the music production details, there’s an interesting genre related connection: “Peter Sinfield obituary” in the Guardian.

…In 1979 he narrated Robert Sheckley’s In a Land of Clear Colors, an audio sci-fi story with music by Brian Eno….

Editor’s note: I’m running this item because I remember that my friend Richard Wadholm was a big fan of their first album, In the Court of the Crimson King (1969). And that if it had been within his power, I’d have been a big fan, too.

(7) KORY HEATH (1970-2024). W. Eric Martin pays tribute to the late Kory Heath at BoardGameGeek: “In Memoriam: Kory Heath”.

Designer Kory Heath took his own life on November 18, 2024, after “enduring years of chronic pain and depression”, in the words of John Cooper, who co-designed The Gang with Kory.

More from Cooper: “He was a genius, also funny, kind, patient. I’m so grateful we could spend so many years, laughs, and tears together, and that he knew he was deeply loved by all of his friends.”

Kory was best known for his game Zendo, a game of inductive logic in which the master exhibits two “koans” — one following a secret rule created by the master, one violating this rule — and students create koans of their own in order to determine what this rule is.

…Kory Heath’s list of published games is an eclectic one: the party game Why Did The Chicken…?, in which players create punchlines for randomly generated situations; the inductive logic game Zendo, in which players try to determine rules for constructing figures; the bluffing game Criminals; and the abstract game Uptown….

(8) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary, November 23, 1963 — Doctor Who premieres

It would take years for me to see An Unearthly Child, the premiere of Doctor Who. On PBS in NYC, the Fourth Doctor was the first Doctor widely shown in the states, and for years, was the only one. Eventually a channel on Long Island branched out from the Fourth Doctor, showing what they called “The Doctor Who movies”–basically an entire serial in one go on a Saturday evening. They started with the Fourth Doctor, moved to the then new to me Fifth Doctor. And then after the end of the Fifth Doctor’s run (The Caves of Androzani), they then went back to the beginning. Back to the First Doctor…

Back to the premiere of Doctor Who…An Unearthly Child which happened on this date in 1963 on BBC. I had already seen the First Doctor, but not the original actor. The First Doctor appears, as played by Richard Hurndall. So I knew the First Doctor as a somewhat crotchety figure…but William Hartnell’s appearance was completely revelatory as the original and sometimes very alien First Doctor. He is brutal and savage and ready to commit a bit of murder right there in the first serial. I appreciated the mystery of the Doctor as Ian and Barbara try and figure out what’s so strange about their student, Susan, and the terror and horror in being cast in time and space. I still think the episode holds up, the premiere of Doctor Who, even today. A story of progress, and tolerance, and trying to understand things beyond your ken (on several levels). And so ably directed by Verity Lambert, the BBC’s first female drama producer.

Those “Doctor Who movies”, starting chronologically with An Unearthly Child, would cement my love of Doctors other than the Fourth (especially the Third) and I suppose in a sense were the original “binge watching” for Doctor Who. And the Doctor Who movie format made me ready, in 1996, for the TV movie, on a snowy television set. But that, as they say, is a story for another day.

(9) COMICS SECTION.

Junk Drawer depicts an AI that’s still learning how to rebel.
Jane’s World is retelling The Last Starfighter – and no wonder he’s the last.
Pearls Before Swine finds another difference between print books and ereaders.
The Argyle Sweater adds a ninja turtle.
The Wrong Hands talks to a paradox.
The Other Coast makes a marriage work.
Pervis prefers to think about it differently:

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(10) GET YOUR GRAINS OF SALT READY. “‘Spider-Man: Beyond the Spider-Verse’ Reportedly Scrapped & Rewritten” – Movieweb tells what they know.

Spider-Man: Beyond the Spider-Verse won’t be following up on that crazy cliffhanger anytime soon, if the latest rumor is to be believed. Ever since the upcoming Across the Spider-Verse sequel was delayed from its 2024 release date, fans have wondered what is happening with the highly-anticipated project. It currently has no set release date, and Sony never even officially acknowledged that major change. Rumors have since circulated about its production woes, and the latest report explains why development on Beyond the Spider-Verse has been at a standstill.

According to Brandon Davis (via World of Reel), Sony scrapped what they completed for Beyond the Spider-Verse shortly after the release of Across the Spider-Verse. Moreover, the script was thrown away and set to be rewritten, and it’s not clear if that process is complete yet. The craziest part is that the studio reportedly still doesn’t have an ending in place for the trilogy, and that has not changed yet. Of course, this should be taken with a grain of salt until proven otherwise, but the writing has been on the wall for the past year. Originally slated to release on Mar. 29, 2024, Beyond the Spider-Verse remains away from the Sony release schedule….

(11) HISTORIC HOLLYWOOD PROPERTY WILL HAVE NEW FOLKS PULLING THE STRINGS. SFGate says there’s a way to tour the old Chaplin/Jim Henson studio, which can’t be counted on to be around for much longer now that the place has new owners: “Hollywood A-listers buy Jim Henson’s LA studio for $40 million”.

…Given that its departure seems imminent, fans may want to pay their way into one last La Brea lot tour while they can. Here’s how: If you book a VIP ticket to the vulgar and “perverted” improv puppet show “Puppet Up!” — which will run you $175 — you’ll be instructed to arrive an hour and a half early. That’s when a Henson Company tour guide will take you around the lot for a rare look at this treasure trove.

Chaplin’s fingerprints (and literal footprints, in the concrete) are all over the space, which he built starting in 1917. (If you want to see how wildly different LA looked back then, Chaplin shot his studio’s construction as part of a never-released film that was completed years later.) The stage where “Puppet Up!” takes place is Chaplin’s former soundstage, and the hand saw — as well as the barn — that the actor-director used to build sets is still on the lot. Even the vault where Chaplin stored his coveted reels for famous films like “The Kid” (which was shot on site) is still nestled inside the reception office, although these days it holds office supplies like a printer and a fax machine.

There are fascinating asides during the tour, too, that explain quirky touches like why certain doors are located several feet off the ground: It’s because the lot used to hold a swimming pool, which Chaplin used to film several movies of his. The conference room also features a comically large table, which has been there since the A&M days because, apparently, the movers couldn’t get it out of the doors….

(12) ARTEMIS NEWS. “NASA chooses SpaceX and Blue Origin to deliver rover, astronaut base to the moon” reports Space.com.

NASA is keeping its foot on the gas for the space agency’s Artemis program, announcing plans to assign demonstration missions for the two vehicles it has picked to land astronauts on the moon.

Both SpaceX and Blue Origin were awarded contracts for NASA’s Human Landing System, and have been in the process of designing their respective vehicles for returning astronauts to the surface of the moon. Now, NASA has given both companies a heads-up to expect to put those designs to the test in some upcoming qualification missions that will task them with sending large cargo to the moon.The mission assignments follow a 2023 request from NASA, which also directed SpaceX and Blue Origin to build cargo variants of their lunar landers, the space agency indicated in a statement. Having two different lunar landing systems to choose from will give NASA flexibility for both crew and cargo missions, while also “ensuring a regular cadence of moon landings for continued discovery and scientific opportunity,” said Stephen D. Creech, NASA’s assistant deputy associate administrator for technical at the agency’s Moon to Mars Program Office….

… “Based on current design and development progress for both crew and cargo landers and the Artemis mission schedules for the crew lander versions, NASA assigned a pressurized rover mission for SpaceX and a lunar habitat delivery for Blue Origin,” Human Landing System program manager Lisa Watson-Morgan said in the statement.

The pressurized rover Starship will deliver is being developed by the Japan Aerospace Exploration Agency (JAXA), and is currently targeted to launch in 2032 to support missions after Artemis 6, according to NASA. Blue Origin’s lunar habitat is slated sometime a year later, 2033….

(13) OUT TO LAUNCH. “I Renovated a Missile Silo for $800,000. It’s Not for Everyone” – Business Insider finds out how it was done.

This is an as-told-to essay based on a conversation with GT Hill, a 49-year-old former director of technical marketing who lives in Vilonia, Arkansas. He bought a $90,000 decommissioned missile silo and turned it into an Airbnb….

… really wanted to dig it up and see what was in there. Initially, I intended to make it a house for my family.

Lastly, I was interested in owning a missile silo because it’s just kick ass. The place has 7,000-pound doors. Its three floors are made out of a steel structure nicknamed “the birdcage.”

It’s on eight springs and actually hangs from the ceiling. And the reason is if it gets hit by a bomb, it allows the structure to shake to try to preserve the equipment and the people inside….

… Titan II was denuclearized after the US and Russia signed a 1979 treaty to limit each country’s nuclear weapons. The US disarmed Titan II as part of that negotiation, called the Strategic Arms Limitation Talks II or SALT II….

… There are no walls and doors, so there’s no real primary bedroom. The top floor has a king bed, a large, open shower, and a free-standing bathtub. The middle floor has two queen beds that we can move to make more space. Then, the kitchen and the living room are on the bottom floor, which also doubles as a dance floor and can turn into a club.

We host anything on the property, including meetings. If it’s semi-legal and people want to do it there and pay for it, we’re fine with it.

The first booking we got was in November 2020. It was a couple coming for their honeymoon, but they got a little too intoxicated at their wedding to make the trip. They sent their best man instead….

(14) NEW RELEASE FROM STARSHIP SLOANE PUBLISHING.

A Wereshark’s Memoir by Justin T. O’Conor Sloane

A novelette following the fantastical journey of an immortal sea captain across the centuries, whose turbulent life as a pirate and a wereshark is by turns beautiful and haunting.

In his magnum opus Ethics published posthumously in 1677,Spinoza argues that God is substance. Evil is substance in A Wereshark’s Memoir by Justin Sloane. Original, frightening, and beautiful, this work is a study into the impossibility of evil to reign over the human race. It is a fiction of the open wound. It hurts and it makes you invent a therapy to alleviate pain. Often this is impossible. In a way, it is a subtle analysis of what society suffers from today. As Justin Sloane puts it, “Time is neither friend nor foe. But it can be made either.” —Zdravka Evtimova, 4x best novel of Bulgaria and author of He May Wear My Silence

With all the linguistic beauty of scientific romance, and a splash of cosmic horror, Mr. Sloane takes us on an aquatic romp through piracy, love, and death. Fans of William Hope Hodgson will want to devour this tale. —Jean-Paul L. Garnier, editor of Star*Line magazine and author of Garbage In, Gospel Out

Justin Sloane’s A Wereshark’s Memoir is a true megalodon of a novelette, howling hammerheaded through the centuries, timeless like that eldest breed named for Greenland. Equal parts werewolf, shark, and swashbuckler who befriends Blackbeard himself, Sloane’s narrator, sea-bewitched, bioluminescent shape-shifter, proves at least as haunted as a Ulysses unable ever to return home. —Dr. Matt Schumacher, editor of Phantom Drift: A Journal of New Fabulism and author of The Fire Diaries: Poems

Available everywhere for only $5.99.

(15) VIDEO OF THE DAY. The ultimate in nostalgia. “Family Feud: Gilligan’s Island Vs. Batman”. What year was this?

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Brick Barrientos, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 11/1/24 Do Not Count A Pixel Scrolled Until You’ve Seen The Jetpack. And Even Then You Can Make A Mistake

Posted on November 1, 2024 by Mike Glyer

(1) GREG HILDEBRANDT (1939-2024). Artist Greg Hildebrandt died October 31. Tolkien Collectors Guide paid tribute:

Greg’s wife Jean posted this to his social media today that he has passed after a short illness.

“The light has gone out in my life. At 12:36 pm this afternoon the love of my life, my best friend and soulmate passed away. Greg was 85 years young. He was the sweetest man I ever knew. We worked together for 45 years. We lived together for 33 of those years. We had a beautiful life we were blessed. Greg has been fighting for 5 months to regain his ability to breathe after a serious side effect of a heart medication. He fought very hard to win this battle but in the end he was just too weak. He passed away peacefully in my arms. He knew he was safe and he was loved and he will be missed terribly. I cannot imagine my life without him. He was my guy, yesterday, today, tomorrow and forever. You are my heart and it is broken!”

Greg and Tim Hildebrandt, known as the Brothers Hildebrandt (born January 23, 1939), were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children’s books, posters, novels, calendars, advertisements, and trading cards. Tim Hildebrandt died on June 11, 2006.

Greg Hildebrandt received a Chesley Award for Artistic Achievement in 2010. Gizmodo’s tribute includes numerous examples of his artwork.

Greg Hildebrandt in 2009. Photo by Alan White.

(2) WORDS FROM NEW SFWA PRESIDENT. SFWA’s newly-elected President Kate Ristau today sent this message to members:

In June, writers, creators, and fans gathered in-person and online to countdown to the start of the Nebula Awards Ceremony. In Pasadena, we passed out glow sticks and monitored the YouTube chat. We were ready to celebrate the works and creators that lit up the year.

The moments before the SFWA logo hits the screen are full of anticipation. For the past four years, I have felt this joy as I served on the Nebula Awards Ceremony Team, honoring and celebrating the speculative fiction community. Now, I am stepping into a new leadership role to serve as your SFWA President.

But I know it’s not just me.

As an Executive Director of a 501(c)(3) arts nonprofit, I understand that this is a role of stewardship and care. I am serving the organization – helping us get on the right path. I would like to see us do that work together with character and integrity (to be the Samwise Gamgees and Ned Starks of the world…without losing our potatoes or our heads).

SFWA is in a time of transition, and faces many decisions as it rockets into the future. My intent is not to make these decisions for the organization – it is to help the organization make the best decisions. That takes community, collaboration, and a coalition of people willing to step up and make SFWA better.

That is how SFWA works. We celebrate, advocate, and support our genre community through the efforts of active and engaged volunteers, supporters, allies, staff, and friends.

We do that work together.

So, while I am excited about the opportunities I see to improve the trajectory of the organization – to lead strategically and encourage growth while being grounded in fundamentally sound organizational systems and principles – I am most excited about working with all of you.

As I step up into this position, and work toward better meeting the mission of SFWA, I look forward to collaboration, cooperation, and growth – with your help.

In the final moments of the 2024 Nebula Awards Ceremony, we raised our glowsticks and sparkled in the chat as Sarah Gailey encouraged us to carry our fires with us, “burning with passion and anger and rage and sorrow and love.” But they also reminded us that we carry those fires “in all our courage and all our principles.”

So as we light the way, as we carry candles for our genre and for our friends, we do so together.

Thank you for giving me the opportunity to light the way with you.

(3) HEAR FEAR. To celebrate Halloween, Here & Now producer Kalyani Saxena spoke with three horror authors — Grady Hendrix, Alexis Henderson and Alix E. Harrow — at WBUR’s CitySpace. “Terrifying tales: How 3 horror writers think about the hidden power of scary stories”. Hear the 10-minute radio Q&A at the link.

(4) CONTRASTING DOCTOR WHO WITH UN PEACEKEEPING MISSIONS. “Fourth Annual Symposium on Pop Culture and International Law: Doctor Who and Humanitarian Interventions – How a Time Lord foreshadows the Responsibility to Protect” at OpinioJuris.

…Echoing this condemnation, the Doctor is once again put on trial for his intergalactic meddling, this time by the High Court of the Time Lords (1986). The viewer is presented with a litany of negative consequences that have resulted from the Doctor’s unsanctioned interventions. However, this time, the Doctor puts forward a strident defence of their actions, illustrating the changing norms around foreign intervention at the end of the Cold War. The Doctor condemns the Time Lords for their bureaucratic passivity in the face of atrocity crimes and proudly declares, “While you have been content merely to observe the evil in the galaxy, I have been fighting against it”. The High Court eventually accepts the Doctor’s argument that action must be taken ‘in the face of evil’, but still punishes them for breaking a seemingly inviolable law.

While the Doctor had embraced the need for intervention, the UN – like the Time Lords – was slow to follow….

(5) BA-BUMP! “What makes music scary? Your imagination plays a part” explains NPR.

Just two notes are all it takes for John Williams to build tension in his famous composition for the film “Jaws.”

“We don’t see the shark at the beginning, but we know there’s something there,” said Daniel Goldmark, head of popular music studies at Case Western Reserve University. “It all just comes down to this very, very tiny little paring of sounds that turns into something really, well, monstrous.”

Repetition is another musical technique that comes up often in soundtracks for scary movies. Other commonalities include minor keys and held-out dissonances, where the notes seem to disagree….

… Ferraguto said he particularly enjoys the use of instruments in the final movement of “Symphonie Fantastique” by Hector Berlioz, influenced by the story that goes with it.

“There’s an E-flat clarinet solo that sounds like a kind of cackling, insane witch. And beneath that are these bubbling bassoons that I kind of always imagine as a kind of a cauldron,” he said.

The opening theme of Stanley Kubrick’s 1980 film “The Shining” also adapted a selection of “Symphonie Fantastique,” which plays as a car navigates to a remote hotel in the mountains…

(6) DEATHWORLD IS HERE. [Item by Steven French.] Author Andrew Michael Hurley ponders the diverse roles played by nature itself in dystopian fiction: “The new folk horror: nature is coming to kill you!” in the Guardian.

Concern about the depletion and loss of nature is nothing new. Anxieties about global ecological catastrophes have been present in dystopian fiction for at least the last century. Nordenholt’s Million, a 1923 novel by Alfred Walter Stewart (writing as JJ Connington) sees a pernicious bacterium, known as the Blight laying waste to the world’s soil. It’s a precursor to John Christopher’s The Death of Grass (1956) where the so-called Chung-Li virus decimates the wheat harvest in the far east before spreading across the entire Earth.

Worlds in other post-apocalyptic novels are scarred by pollution, acid rain, genetic mutation, overcrowding, fire and drought – and, perhaps unsurprisingly, the genre is deluged by catastrophic flooding. In JG Ballard’s work of 1962, The Drowned World, the ice caps have melted, and England has been transformed into a tropical quagmire. While Richard Cowper’s The Road to Corlay (1978) takes us to a Great Britain of the year 3000, where rising sea levels have split the country into the Seven Kingdoms, making the Mendips and the Quantocks islands. More recently, we might think of Megan Hunter’s The End We Start From and also Julia Armfield’s Private Rites, which reimagines King Lear in a half-submerged London.

(7) FROM THE BLACK LAGOON TO YOU. FigureFan Zero reviews “Universal Monsters: Ultimate Creature From The Black Lagoon by NECA”.

Over the last couple years, I’ve taken a look at quite a few of NECA’s Ultimate Universal Monsters, but oddly enough I have yet to touch on my favorite one of the bunch. Yup, it’s The Gillman, and he is not only one of my favorite creature designs of all time, but I absolutely love the movies. When I was about ten years old, they showed Revenge of the Creature in 3D on network television and it was a huge event in our house. We got the 3D glasses for the whole family, my Dad made Jiffypop and it was just a great time and a very fond memory….

(8) TODAY’S BIRTHDAY.

[Written by JJ.]

Born November 1, 1923 — Gordon R. Dickson. (Died 2001.)

By JJ: Writer, Filker, and Fan. Gordon R. Dickson was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail.

His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation.

I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history. His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards.

In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame.

The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions ever since.

(9) COMICS SECTION.

Crankshaft continues monster vs. pizza.
Dog Eats Doug understands the cats’ plan.

(10) WHEN READING THE BOOK IS NOT RECOMMENDED. Collider offers its list of “10 Worst Horror Movie Decisions, Ranked”.

In horror movies, characters often don’t always make the right decisions. It’s a common cliché that some of them would make completely baffling, even moronic, choices that either get them or other people killed. Anyone who has ever seen these films can at least relate to one time or another getting frustrated whenever they notice the characters are doing something that they should have completely done the opposite way.

Here’s one of their favorites.

3. Reading from the Book

‘The Evil Dead’ Franchise (1981-)

The Evil Dead films are the go-to for splatter horror entertainment. Featuring five near-perfect installments, including a beloved but short-lived TV series, this bloody good franchise often follows groups of people as they come across “The Necronomicon Ex-Mortis,” or The Book of the Dead. Bound in human flesh and inked with blood, it harbors a dark power that can summon demons and other nightmarish creatures to attack or possess whoever so unwisely reads out loud its incantations.

However, that’s precisely how all this trouble in the Evil Dead films starts. Whether it’s through sheer naivety or dumb curiosity, some characters completely ignore all warning signs to not utter words from the Necronomicon, but they do it anyway. Unfortunately, it leads to terrifying consequences as the book unleashes its frightening demons, known as the Deadites, to proceed to take over bodies and attack those around them. This happens a lot throughout the franchise, especially when the hero, Ash Williams (Bruce Campbell), has possession of it, as he always seems to mess things up and unleash hell once again.

(11) ROLLING, ROLLING, ROLLING. “The New Glenn rocket’s first stage is real, and it’s spectacular” at Ars Technica.

Blue Origin took another significant step toward the launch of its large New Glenn rocket on Tuesday night by rolling the first stage of the vehicle to a launch site at Cape Canaveral, Florida.

Although the company’s rocket factory in Florida is only a few miles from Launch Complex 36 at Cape Canaveral Space Force Station, because of the rocket and transporter’s size, the procession had to follow a more circuitous route. In a post on LinkedIn, Blue Origin’s chief executive, Dave Limp, said the route taken by the rocket to the pad is 23 miles long.

Limp also provided some details on GERT, the company’s nickname for the “Giant Enormous Rocket Truck” devised to transport the massive New Glenn first stage.

“Our transporter comprises two trailers connected by cradles and a strongback assembly designed in-house,” Limp said. “There are 22 axles and 176 tires on this transport vehicle. It’s towed by an Oshkosh M1070, a repurposed US Army tank transporter, with 505 horsepower and 1,825 pound-feet of torque.”

The transporter can only take certain roads due to its length, 310 feet (95 meters), and height with the rocket on board. The New Glenn booster has a diameter of 23 feet (7 meters), which is far too large to transport beneath conventional bridges….

(12) RAT PATROL. [Item by Mike Kennedy.] Two new job categories may be opening: one for African giant pouched rats to sniff out wildlife contraband and another for their handlers. The 3-pound rodents are trained to pick up the scent of various wildlife items that are commonly smuggled (think ivory as a very recognizable example) and alert their handlers.

Willard would be so proud. Ben would just want the treat that comes along with a correct alert. “Giant three-pound rats trained to sniff out illegal poaching” – Popular Science has the story.

African giant pouched rats (Cricetomys gambianus) could be the next line of defense in the illegal wildlife trade. A team of researchers have trained these three-pound rats to pick up the scent of elephant ivory, rhino horn, pangolin scales, and a small tree called African blackwood. All of these animals and plants are listed as threatened or at a high risk of extinction and are illegally trafficked. The findings are detailed in a proof-of-principle study published October 30 in the journal Frontiers in Conservation Science…

(13) SQUID GAME RETURNS. AllYourScreens brings us “First Look: ‘Squid Game’ – Season Two (Video)”.

Season 2 raises the stakes, with Lee Jung-jae reprising his role as Seong Gi-hun, also known as Player 456. With a hardened demeanor and the scars of past games, Gi-hun is on a desperate mission to expose the deadly truth of the competition. Yet, his warnings go unheeded, and tensions rise as fellow players question his intentions. The teaser also shows the return of Lee Byung-hun as the mysterious Front Man, whose true motivations remain cloaked in secrecy, while Wi Ha-jun’s Hwang Jun-ho is back, driving the narrative forward as the relentless detective on a mission of his own.

(14) AI TEXT WATERMARK FOLLOW-UP. [Item by SF Concatenation’s Jonathan Cowie.] Further to the reporting of the research paper on a method of watermarking AI-generated text, Nature has just published a more newsy article on the paper and its implications. “GOOGLE Unveils ‘Invisible Watermark’ for AI-Generated Text”.

(15) “TIME TO TAKE OUT THE TRASH”. [Item by SF Concatenation’s Jonathan Cowie.] This week over at Dr Becky there is a 12-minute video looking at whether there is alien technology around Proxima… “Debunking the ‘technosignature from Proxima Centauri’ rumours”.

Because this month saw yet another bullshit claim that an announcement of the discovery of intelligent alien life was imminent. And I got mad. Maybe it’s just because this is the tip of the iceberg of so many fake discovery claims that circle the internet, especially when it comes to JWST, which are just all absolute trash. And this week I have reached my limit and I’m going to take it all out on BLC1 – breakthrough listen candidate 1 – a radio signal detected back in 2020 which was already shown to be radio interference back in 2021, but that this month a documentary film maker claimed to have spoken to the folks at the Breakthrough Listen project who are hunting for signs of intelligent alien life in radio data, and claims that an announcement from Breakthrough and the University of Oxford about BLC1 are imminent. I’m a researcher at Oxford, and I can tell you now we all laughed. So in this video, we’re going to dive into everything we know about BLC1 to put these rumours to rest completely. First starting with: 1) BLC1’s detection back in 2020 and why it was initially thought to be a promising “technosignature” of intelligent alien life, 2) how BLC1 was ruled out as a real “technosignature”, and 3) how no recurring signal has been detected since.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, JJ, Jeffrey Jones, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 10/17/24 Nothing To Read And Nowhere To Go, I Wanna Be Pixelated

Posted on October 17, 2024 by Mike Glyer

(1) YOUR MIDDLE-EARTH CANDIDATES. At McSweeney’s Internet Tendency, Sam Woods admits “I’m an Undecided Hobbit, Torn Between a Dark Lord Who Promises an Age of Chaos and an Elf Queen Whom I Just Wish I Knew More About”.

I’m a well-informed Hobbit—a Boffin from Overhill, thank you very much—who is in a kerfuffle about whom to throw my Hobbit-sized support behind. For some, the choice is clear, but for a little guy like me, I’m feeling awfully torn up, like a tear-and-share cheese bread during Winter Solstice! I simply can’t seem to decide between the Dark Lord determined to return to power and stay there until shadows drown all of Arda, or the Elf Galadriel, who seems to be great and exceedingly normal, but I just wish I knew more about her….

(2) NEW WALLACE & GROMIT MOVIE NEXT YEAR. Wallace & Gromit: Vengeance Most Fowl will be coming to Netflix on January 3, 2025.

The world’s best boss – Feathers McGraw is back with a vengeance. A brand new epic Wallace & Gromit family adventure, the first full length feature film in 19 years since BAFTA and Academy Award-winning The Curse of the Were-Rabbit.

From the brilliant Aardman and four-time Academy Award®-winning director Nick Park and Emmy Award-nominated Merlin Crossingham comes Wallace & Gromit: Vengeance Most Fowl. In this next installment, Gromit’s concern that Wallace is becoming too dependent on his inventions proves justified, when Wallace invents a “smart” gnome that seems to develop a mind of its own. When it emerges that a vengeful figure from the past might be masterminding things, it falls to Gromit to battle sinister forces and save his master… or Wallace may never be able to invent again!

(3) DUNE: PROPHECY TRAILER. The new HBO Original Series Dune: Prophecy premieres November 17 on Max. According to Deadline:

…The series takes place 10,000 years before the ascension of Timothée Chalamet’s Paul Atreides in the Denis Villeneuve-directed movies. It follows two Harkonnen sisters as they combat forces that threaten the future of humankind, and establish the fabled sect that will become known as the Bene Gesserit. They’re Jedi-like sisters types in the Frank Herbert novels to you Star Wars folks out there….

(4) FUN WHILE IT LASTED. “Peter Capaldi: ‘Being Doctor Who was more fun than being me’”, so he tells Radio Times.

…While he’s been open about the fact that he wouldn’t return to the role, he clearly looks back fondly on it, exclusively telling RadioTimes.com: “It was just an incredible experience. Suddenly, you’re in the middle of this fantastical world, surrounded by people who love Doctor Who.

“I was watching Tom Baker talking about something, and he said that when he was Doctor Who he would do tons and tons of publicity and stuff, because being Doctor Who was much more fun than being Tom Baker, and I would say the same, probably, being Doctor Who is much more fun than being me.”…

(5) GODZILLA WILL TIP THE SCALES. More to love! “Godzilla Minus One Returning to Theaters With New Bonus Content” announces CBR.com.

…Per AMC, Takashi Yamazaki’s Academy Award-winning film is making its way back to AMC theaters starting on Nov. 1, 2024, with 13 extra minutes of content. The film’s return to the big screen is part of the Godzilla franchise’s 70th anniversary celebrations. In the fall of 1954, Ishirō Honda’s original film premiered, creating a cultural phenomenon that has lasted throughout generations. The franchise has been reinvented multiple times, and it has transcended cultural boundaries. Still, Godzilla Minus One feels like a particularly good homage to the original, having risen to become the best-selling Japanese Godzilla film of all time….

(6) FREE READ. Grist has shared an original Imagine 2200 short story, from Nebula and Aurora award-winning author and scientist Premee Mohamed: “Who Walks With You”.

Mohamed imagines a world in which many have adapted to extreme weather by moving into mobile pods, designed to relocate towns away from disasters:

“After the weather started going wild, after the cities emptied out, much of humanity discovered somewhat to their surprise that what they had done initially out of panicked necessity — uprooting, becoming mobile — suited most folks rather well. Now a relaxed nomadicism has become ingrained, life as normal. No more did you have to stay in one place and wait for the big one, whatever that might be, to hit you; now you could walk away with all your friends and family, and eat heirloom popcorn while watching the news about the big one hitting the place you had just left.”

But when independent, logic-minded Ysolt finds herself in a broken pod at the bottom of a ravine after a freak storm, will technology and willpower be enough to save her?

(7) YOU LOOK WILLING TO PAY. “Kroger’s Plan to Use Facial Recognition Raises Concerns About Surge Pricing”. Gizmodo asks, “How soon will the Minority Report-style supermarket arrive?”

Democratic congresswoman Rashida Tlaib recently sent a letter to Kroger over the grocery giant’s purported plan to introduce digital price tags that could be changed in an instant to raise or lower prices for shoppers based on the time of day, the weather, or any other number of factors. But one particular detail in Kroger’s plan is raising the most eyebrows: The company intends to put cameras in stores that would be used for facial recognition.

…“Studies have shown that facial recognition technology is flawed and can lead to discrimination in predominantly Black and brown communities,” Tlaib said in her letter. “The racial biases of facial recognition technology are well-documented and should not be extended into our grocery stores.”

Kroger is the largest grocery store chain in the U.S. by revenue and owns a number of different brands, including Ralphs, Fred Meyer, Pick’n Save, Food 4 Less, and Dillions, among a host of others. Tlaib is worried that ESLs will allow Kroger’s stores to “use customer data to build personalized profiles of each customer” in such a way that it will be able to “determine the maximum price of goods customers are willing to pay.”…

(8) LOONEY TUNES MOVIE. “’The Day The Earth Blew Up: A Looney Tunes Movie’ Release Date Set” – Deadline tells us when.

… The movie will make its North American premiere Friday at the Animation Is Film festival, where it will qualify for the Best Animated Feature Oscar race.

The pic was directed by Pete Browngardt and follows Porky Pig and Daffy Duck teaming up again, this time faced with the threat of an alien invasion….

…Unlike Coyote vs. Acme, which was pulled from theatrical release by Warner Bros amid a swath of cost cutting, the great news is that The Day the Earth Blew Up is seeing the light of day. Sales were launched at the American Film Market by GFM Animation.

(9) JODIE OFFUTT (1934-2022). It has just become generally known that longtime Southern fan (and File 770 contributor) Jodie Offutt passed away in November 2022. The family’s memorial page is here: “Mary Joe Offutt Obituary – Coleman Funeral Home”.

Born in Lexington, Kentucky, Jodie Offutt, 87, passed away of natural causes in Oxford, Mississippi. She was the daughter of John Jerome (Jack) McCabe and Mary Joe (Josie) McCarney. She was preceded in death by her husband of 56 years, Andrew J. Offutt.

Jodie is survived by her four children, Chris Offutt, Jeff Offutt, Scotty Hyde, and Melissa Offutt. She is also survived by her sister, Phoebe McCabe Tanedo, five grandchildren, and one great-grandchild.

Jodie grew up in Lexington, Kentucky and lived in Morehead and Haldeman, Kentucky. She graduated from Morehead State University with a B.A in Philosophy and a M.A in English. She worked as a teacher and an administrative assistant to lawyers. After the death of her husband, Jodie retired to Oxford, where she embraced the local community.

Her Fancyclopedia 3 entry recalls that she was a convention guest of honor at Rivercon II and BYOB-Con 6 (1976), Artkane 2 (1977), MidSouthCon 5 (1986), Transcendental ConFusion (1993), and LibertyCon 9 (1995). And in the early years of File 770 she was wonderfully supportive, frequently sending news and letters of comment.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born October 17, 1934 – Alan Garner, 90.

So these are my favorite works by Alan Garner on his ninetieth birthday.

Let’s start off with what Boneland, a novel I dearly like as it’s very much unlike most of his other works. Despite sharing a primary character with The Weirdstone of Brisingamen and The Moon of Gomrath, beloved children’s novels known as The Alderley Tales that were published in the late Fifties and Sixties, nearly 60 years before this work, as this is very much an adult novel not intended for the pleasure of children whatsoever.

Indeed, its tone is more akin to what the late Robert Holdstock did in his Ryhope Wood series than anything else Alan Garner has done excepting Thursbitch and Strandloper, again adult works. This story can be disturbing and very odd in places. I can’t tell what is happening here but it doesn’t read like fantasy as all.

The Owl Service I’ve read and then later listened to a number of times. Garner bases his story on Blodeuwedd, a woman created from flowers by a Welsh sorcerer. She betrays her husband, Lleu, in favor of another, Gronw, and is turned into an owl as punishment for inducing Gronw to kill Lleu.

In Garner’s telling of this story, three teenagers find themselves tragically reenacting the story as they first awaken the legend by finding a dinner service with an owl pattern on the plates.

The Naxos audiobook is told by Wayne Forester, who handles both the narration and voicing of each character amazingly well, I’m impressed by his ability to handle both Welsh accents and the Welsh language, given the difficulty of that tongue, which make Gaelic look easy to pronounce by comparison.

My final pick is The Stone Book Quartet which is series of four interconnected stories, telling Alan Garner’s personal and family history as fiction. It’s set in Manchester, England, where Garner’s family is from. It is important to note that, unlike John Berger’s Into Their Labours, in which Berger, an Englishman, moved to a remote French village where that series is based, Garner’s tale reflects his deep roots in the culture, a theme that has become stronger in his fiction over the decade before this was written.

Simply put, each tale is, like the peasants in Into Their Labours, a marvelous play of language, of the labouring class in their daily lives, the cycle of the seasons, and the continuity that comes of living for generations in a community.

(11) COMICS SECTION.

Saturday Morning Breakfast Cereal shows why this park stays in business.
The Other Coast has an attraction problem.
Lola spies a Stone Age crossover.
Moderately Confused reveals a Poe sequel you didn’t know about (nor did he.)
Off the Mark has something to make vampiric parents happy.
Candorville picks the perfect gift. And pays for it, too.
Loose Parts cures an art problem.

(12) TUNING UP. “Minnesota Opera producing first-ever operatic adaptation of a comic book and Stephen King” – Bring Me The News has the story.

In what BOOM Studios and the Minnesota Opera are calling “the first ever deal to create an operatic adaptation of a comic book or graphic novel,” the companies are developing an adaptation of the comic book series The Many Deaths of Laila Starr.

The series, written by Ram V and drawn by Filipe Andrade, was repeatedly heralded as one of the best series of the year when it was released by BOOM Comics in 2021, eventually earning four Eisner nominations, including Best Limited Series….

(13) THEY’LL BE BACK. “’Rick and Morty’ Renewed Through Season 12 at Adult Swim” reports Variety.

“Rick and Morty” has been renewed for two more seasons at Adult Swim, propelling television’s favorite mad scientist and grandson duo through Season 12.

As Season 8 is slated for 2025, and the Season 10 renewal was announced in 2023, the Season 12 greenlight pushes the Emmy-winning animated series through at least 2029…

(14) NEW SHEPARD PICKS RETIREMENT HOME. “Blue Origin donates New Shepard space hardware to Smithsonian” – GeekWire says it wasn’t a foregone conclusion.

Jeff Bezos’ Blue Origin space venture has donated a New Shepard rocket booster, plus a New Shepard capsule, to the Smithsonian’s National Air and Space Museum.

The history-making hardware will go on display at the museum’s main building on the National Mall in Washington, D.C., in renovated galleries due to open in 2026.

“There is no better final landing pad for New Shepard than the Smithsonian,” Bezos said in a statement. “We are honored and grateful.”

The reusable booster, known as Propulsion Module 4-2, was employed for five uncrewed flights — ranging from the New Shepard program’s first successful booster landing in 2015 to an escape system test that could have destroyed the propulsion module in 2016.

Before that final outing for the booster, Bezos said it would be put on display if it survived. “We’d really like to retire it after this test and put it in a museum,” he said at the time. “Sadly, that’s not likely. This test will probably destroy the booster.”

Fortunately for the Smithsonian, Bezos’ prediction was wrong. The scorched but intact booster was exhibited at a variety of events, including the 2017 Space Symposium in Colorado, and most recently was on display at Blue Origin’s New Glenn rocket factory in Florida….

(15) MICROREACTORS. TechRadar says “Micro nuclear reactors are being built that can deliver 5MW of power for up to 100 months, producing a staggering 1.2 petawatt-hours of energy”.

…Now, details have surfaced about Westinghouse’s eVinci microreactor, after the company revealed it had submitted its Preliminary Safety Design Report (PSDR) to the Department of Energy’s National Reactor Innovation Center (NRIC) and in doing so is the first reactor developer to reach this milestone.

“The completion of the PSDR for the eVinci test reactor is an important step toward enabling a micro reactor developer to perform a test in our DOME facility,” said Brad Tomer, acting director of NRIC.

“As a national DOE program and part of INL, the nation’s nuclear energy research laboratory, NRIC is committed to working with private companies such as Westinghouse to perform testing and accelerate the development of advanced nuclear technologies that will provide clean energy solutions for the US.”

NRIC, a key initiative under the DOE, is dedicated to fast-tracking the development and deployment of advanced nuclear technologies like the eVinci microreactor. Its mission includes establishing four new experimental facilities and two large-scale reactor test beds by 2028, with plans to complete two advanced technology experiments by 2030….

(16) STAR TREK FROGS CHIRPING BOLDLY. [Item by SF Concatenation’s Jonathan Cowie.] Researchers have discovered seven new species of tree frog in Madagascar. They make chirps and noises a bit like the sound-effects from Star Trek and so the researchers have named the species after Kirk, Picard, Sissko, Janeway, Pike et al…

We here name and describe the seven new species in honor of fictional captains of starships, namely B.kirki sp. nov.,B.picardi sp. nov., B.siskoi sp. nov., B.janewayae sp. nov., B.archeri sp. nov., B.pikei sp. nov., and B.burnhamae sp. nov.

Primary research: Vences, M. et al (2024) Communicator whistles: A Trek through the taxonomyof the Boophis marojezensis complex reveals seven new, morphologically cryptic tree frogs from Madagascar (Amphibia: Anura: Mantellidae). Vertebrate Zoology, vol. 74, p643–681.

(17) SPACE TRASH SOLUTION. Popular Science says, “ISS astronauts to test trash compactor that’s basically WALL-E”. How can I resist a clickbait headline like that?

NASA will test a state-of-the-art trash compactor aboard the International Space Station—and yes, it resembles a certain Pixar character tasked with the same job responsibilities. If all goes well, Sierra Space’s Trash Compaction and Processing System (TCPS) will be operational for ISS astronauts to use by the end of 2026.

(18) NEMO: IN THE MINOR LEAGUES UNDER THE SEA. SCIFI Radio introduces us to “Nautilus”, a Prime Video series that launches the first of its ten episodes on October 25.

…This mini-series focuses on the early days of Nemo’s career, before the events portrayed in the beloved 1954 Disney movie. Nemo is still the genius who designed the Nautilus, but he did not build her for himself….

…Nemo leads a prisoner escape, stealing his own ship to do so. Naturally the East India Company is not happy about this, and pursue him with all the means at their command. If you remember the British Raj in the days when Rudyard Kipling was a young writer, you’ll remember they had considerable means. If you’re not a Kipling fan, think of The Far Pavilions….

(19) SPACE IS COOL. Tom Cardy, an Australian comedian, musician, songwriter, and actor, has dropped an animated music video of his 2023 single “H.S” – because whether or not it’s a planet, Pluto still knows it is “hot shit”!

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, N., Joel Zakem, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]

Pixel Scroll 5/19/24 Come For The Chocolate, Stay For The Pixels

Posted on May 19, 2024 by Mike Glyer

(1) SMALL WONDERS IS KICKSTARTING YEAR 2. Cislyn Smith and Stephen Granade have launched a Kickstarter to fund the year two of Small Wonders, a monthly online SFF magazine for flash fiction and poetry.

For the past year, Small Wonders has published original and reprint flash fiction and narrative poetry, all tinged with the wonder of other worlds both science fictional and fantastic. Now the magazine is raising funds to cover Year Two, with an initial goal of $11,000. Stretch goals include publishing a Best of Year One collection, an issue guest edited by Premee Mohamed and Chimedum Ohaegbu, and more. Backers can get discounted yearly subscriptions; a Kickstarter-only mini issue with new works by Nino Cipri, Myna Chang, Jennifer Mace, Avra Margariti, and more; and pins and stickers themed to stories and poems from Year One. The Kickstarter runs through June 3.

Each issue of Small Wonders contains three original pieces of flash fiction, three new poems, and three re-printed flash fiction stories. Issues are published as ebooks (mobi, epub, and pdf) at the first of the month, and subscribers can receive every story and poem in their inboxes as they’re published on the website.

The first year of Small Wonders succeeded beyond Cislyn and Stephen’s expectations. It published new authors and poets as well as familiar names such as John Wiswell, Ali Trotta, Premee Mohamed, and Mary Soon Lee. and included multiple Rhysling-nominated poems. They’re excited to see what year two will bring, and hope you’ll be a part of it through the Kickstarter.

(2) VOTE FOR BEST FRENCH SFF SHORT STORY OF 2022. SFSF Boréal invited readers during the month of March to nominate the best French-speaking sff short stories that were published in 2022 in Canada. The four finalists for the Prix Aurora-Boréal have been announced. Members of SFSF Boréal are invited to vote for the best story at this link. Votes must be cast by June 1. The finalists are:

Blouin, Geneviève, “La Vie secrète des carapaces” (Solaris 223)
Côté, Philippe-Aubert, “À l’Ère des Jumeaux errants” (Les Six Brumes)
Kurtness, J.D., “Bienvenue, Alyson” (Hannenorak)
Vonarburg, Élisabeth, “Into White”, (Les Six Brumes)

The Congrès Boréal will be held in Montréal, Québec from September 20-22.

(3) THE N-WORD. Wrath James White gives his conclusive answer to using the n-word in dialog: “Make It Make Sense” at Words of Wrath.

I have been asked several times lately about non-Black authors using the n-word when writing character dialog. Because I am, frankly, weary of answering this question, I decided to answer it here, once and for all.

So, here’s my answer. It is appropriate for a White author to put the n-word in a character’s mouth if it isn’t done gratuitously (ala Quinton Tarantino) where the word is just shoehorned in unnecessarily to sound cool or edgy. If the dialog feels natural and non stereotypical. If the characters themselves aren’t one dimensional caricatures and are the type of people who would use the word as part of their everyday vernacular. If it’s the appropriate word to use in the moment and another word wouldn’t work just as well, then by all means do it. Wherever another word would be just as effective, don’t do it.

For example, if your story takes place in the 90s or early oughts, then “dog”, “playa”, “gangsta”, “playboy”, “sistah” and “bruh” would all work just as well in most situations where one Black person is talking to another. Using the n-word in place of these words is a choice and the author should definitely question their motives for making that choice. That is unless you are writing a racist character.

Obviously, it would be absurd to have a racist character avoid using the n-word unless he’s a closeted racist. Still, even a racist doesn’t use the word in every sentence, and might even use other more creative pejoratives. And, most racists are not blatant in their racism….

…The bottom line, I can’t grant you a pass to use the n-word. Nothing I have said above will guarantee that you won’t get the taste slapped out of your mouth for including it in yourwriting. But, if you do find it necessary to use it, just like I said in a previous article about grossout and gore, make it make sense. Make it feel natural and not like a teenager or adolescent trying to shock their parents. If you don’t think you can pull that off, use another word.

(4) LEFT BEHIND? “Some fight change, while others adapt. It’s a Toy Story sort of deal,” says Ronald Kelly in “Woody, Buzz, & the Changing of the Guard” at Fear County Chronicle.

Lately, I’ve been thinking about my place in an ever-growing, ever-changing horror genre. How it once was, how it is now, and if Ol’ Ron has the willpower and stamina to hang in there and keep up the pace with all the new and wildly talented authors who are flooding a market that was once relatively small and limited, both in ranks and growth. I’ve also been thinking a lot about the Pixar movie Toy Story….

You see, I’m Woody. Most of us veteran horror authors are. Woody is old-fashioned, leery of change, and a little hesitant to hand over the reins to anyone else because he likes the position he’s held for so long (Andy’s favorite and the leader of the toys). Deep down inside, he believes that he deserves to retain that position, perhaps indefinitely. Could be that he was pretty special and popular in the past, along with some of his peers (Woody’s Roundup stars Jessie, Bullseye, and even Stinky Pete in Toy Story 2). Woody likes how it is in Andy’s Room because it’s familiar, comfortable, and safe. He feels like he’s the head honcho there… not necessarily giving the orders but holding some measure of respect and authority among those around him. Even the mouthy and cantankerous Mister Potato Head looks to him for stability and guidance….

…Truthfully, very few veteran writers feel contempt and suspicion toward the swell of new storytellers bursting on the scene, but unfortunately some do. They feel challenged by progress and diversity and aren’t receptive to those who want a piece of the action. They also don’t approve of how the rules have changed, and how the dynamic of the writing world is evolving at a rapid pace. The mere thought of the Changing of the Guard horrifies them. We’ve seen it happen in social media in the past few years; an old-dog author bristles at the sudden influx of new talent in the genre and cries foul, sometimes in very volatile and unflattering ways. Some have even gone as far as losing all respect in the genre they helped trailblaze and end up being cast from the ranks for their nearsightedness, prejudice, and insolence….

(5) IN THE BEGINNING. “A Closer Look At Great Animated Title Sequences” at CartoonBrew.

In honor of Saul Bass’s birthday this month, we’re taking a look at some of the greatest animated title sequences from live-action movies (the topic of great credits sequences in animated movies is a subject for another time)….

… As Walt Disney suggested above, opening credits in the early days of movies tended to be straightforwardly informational, often created quickly by in-house art departments superimposing text over static background paintings. Even so, there are a handful of movies from the 1930s and ’40s that contain brief bits of animation during the credits. One great example is the cartoon opening of Abbott and Costello Meet Frankenstein (1948). This scene is frequently attributed to Walter Lantz, but was actually directed by Dave Fleischer….

pic.twitter.com/lVVeWaC5B6
— Cartoon Study (@CartoonStudy) May 16, 2024

… Maybe the all-time classic title sequence comes from The Pink Panther (1963), by DePatie-Freleng Enterprises, which not only introduced a cartoon star but also introduced one of the best movie themes ever composed (by Henry Mancini). Looney Tunes director Friz Freleng supervised the sequence, while Freleng’s longtime layout artist Hawley Pratt designed the panther and Ken Harris primarily animated him. Producer David DePatie remembered the movie’s premiere: “The memories of that night will remain with me forever. The projector started to roll and as the Panther first appeared there was a ripple of laughter from the audience which quickly became whistles and roars of approval as the Panther toyed with the various titles. At the conclusion of the main title, the crowd went bananas.”…

pic.twitter.com/EEJa7V6p4p
— Cartoon Study (@CartoonStudy) May 16, 2024

(6) REESE WITHERSPOON, LITERARY TASTEMAKER. “When her career hit a wall, the Oscar-winning actor built a ladder made of books — for herself, and for others.” Link bypasses Paywall, courtesy Brad Verter: “Inside Reese Witherspoon’s Literary Empire”

…First and foremost, she wants books by women, with women at the center of the action who save themselves. “Because that’s what women do,” she said. “No one’s coming to save us.”

Witherspoon, 48, has now been a presence in the book world for a decade. Her productions of novels like “Big Little Lies,” “Little Fires Everywhere” and “The Last Thing He Told Me” are foundations of the binge-watching canon. Her book club picks reliably land on the best-seller list for weeks, months or, in the case of “Where the Crawdads Sing,” years. In 2023, print sales for the club’s selections outpaced those of Oprah’s Book Club and Read With Jenna, according to Circana Bookscan, adding up to 2.3 million copies sold.

So how did an actor who dropped out of college (fine, Stanford) become one of the most influential people in an industry known for being intractable and slightly tweedy?

It started with Witherspoon’s frustration over the film industry’s skimpy representation of women onscreen — especially seasoned, strong, smart, brave, mysterious, complicated and, yes, dangerous women…

(7) PUBLIC FROCKING. Attention 18th-century re-enactors! “You Can’t Live in the Past, Even in a Period-Accurate Frock” contends the New York Times, although they know where you can get one.

In 2012, not long after he decided to dedicate his professional life to 18th-century wares, Casey Samson spent a weekend at a colonial-era fair in Bardstown, Ky., selling leather mugs out of a tent.

On his first night there, Mr. Samson sat alone by a crackling campfire, smelled the wood smoke and felt as if he had been transported to a different time. He knew then, he said, that he had made the right choice.

Today, Mr. Samson and his wife, Abbie, own and operate Samson Historical, a three-story business that doubles as a pseudo-museum on the downtown square in Lebanon, Ind., about 30 miles northwest of Indianapolis.

On a recent morning, Mr. Samson, 32, walked into a small warehouse tucked behind the retail space and waxed poetic about the shop’s “great wall of waistcoats.” But there was more: “These are original sugar dippers.” And: “One of Abbie’s passions is clay pipes.” And: “All right, so: gun flints.”

There were breeches and bonnets, frocks and cloaks, candles and lanterns, hip kidneys (for extra support) and bum rolls (for that perfect silhouette). And while Samson Historical has 10 full-time employees and manufactures its own merchandise, it also works with about 40 artisans from trades that are teetering on the edge of extinction: blacksmiths, woodworkers, glass blowers, horners. A fifth-generation pipe maker from Germany handcrafts the store’s pipes.

“A lot of what we do,” Mr. Samson said, “is trying to help keep these things alive.”…

(8) MAYBE YOU WONDERED. “How the ‘B Movie’ Got Its Name” at MSN.com.

When the legendary filmmaker Roger Corman died on May 9 at the age of 98, obituaries dubbed him “the King of the B Movies”—or, even more snappily, “King of the B’s.” He earned that sobriquet by churning out hundreds of low-budget productions, often sensationalistic “exploitation films” or genre fare like horror or science fiction….

In the silent era, motion picture studios began using a tiered approach to categorize productions. When Adolph Zukor founded his Famous Players film company in 1912, he used a three-way classification. As Gerald Mast recounted in his 1971 book “A Short History Of The Movies,” Zukor initially divided his pictures into “Class A (with stage stars and stage properties, the artsy films); Class B (with established screen players); and Class C (cheap, quick features).” Mary Pickford started as a “B” actress in 1914, but her movies quickly proved more popular than Zukor’s “Class A” productions.

A two-tiered system with “Class A” and “Class B” films became the industry standard, catching on during the Great Depression when the “double feature” offered two-for-one pricing to attract customers. The main feature would have the prestigious stars and high production values, while the “B” feature would be an inexpensive, quickly produced genre film like a Western. Studios set up “B units” to produce second features, and the slapdash “B movies” were aptly nicknamed “quickies” or “cheapies.”…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born May 19, 1946 — André the Giant. (Died 1993.) This Birthday for André René Roussimoffwho performed as André the Giant came about because (a) I really, really like The Princess Bride film and have seen it way too many times, and (b) I thought that he was charming in it as Fezzik. That said, I knew nothing about him and all his other performances, or his life story, at all.

He was a French professional wrestler of impressive height, seven feet and four inches to be precise. He would wrestle his entire life right up until he died at age forty-six of congestive heart failure after an apparent heart attack in his sleep in the Paris hotel he was staying at in order to attend his father’s funeral. It was likely associated with his untreated acromegaly which had been diagnosed some twenty-five years earlier.

His first genre role was being Bigfoot on The Six Million Dollar Man on “The Secret of Bigfoot, Part 1” and “The Secret of Bigfoot Part 2”. Naturally I’m giving you a photo of him in that role.

Next up is being the Monster in “Heaven Is in Your Genes” on Greatest American Hero. Monster, just Monster? So, what did he look like there? Ahhh…. They apparently didn’t a budget for creating a monster which explains the generic name. I’m giving you a photo anyway so you can see what he looked like sans makeup.

Andre the Giant on Greatest American Hero

He got to be in a film with Arnold Schwarzenegger, Conan the Destroyer. He played Dagoth the Dreaming God, the main antagonist of Conan. For some reason, he was uncredited. Considering what he looks like in the film, it was easy for him to go uncredited.

And that brings us to his best and last genre role, that of Fezzik, the giant in The Princess Bride. He’s played as Goldman describes him in his novel, “Fezzik. The timid, large-hearted and obedient giant who accompanies Vizzini. Fezzik loves rhymes and his friend Inigo, and he is excellent at lifting heavy things.”

Not a long career, but an interesting one I’d say.

(10) COMICS SECTION.

Saturday Morning Breakfast Cereal discusses computers and hands.
Thatababy – can you name all the robots?
Wallace the Brave’s Spud ponders an unwanted superhero.
Carpe Diem changes a company name – apparently it’s been frighteningly successful.
Macanudo has a problem with an incantation.

Tom Gauld shared his latest:

My latest cartoon for @newscientist pic.twitter.com/Fkd6HO2GE2
— Tom Gauld (@tomgauld) May 17, 2024

My latest cartoon for @GuardianBooks. #books #ghost pic.twitter.com/yS5RZwjm5E
— Tom Gauld (@tomgauld) May 19, 2024

(11) SAURON TURNS HIS EYE TO YOUR WALLET. [Item by Mike Kennedy.] Palantír viewing room included. Hopefully without a working Palantír just in case Melkor find a way to open the Door of Night. I mean, if you thought Sauron was bad news, you sure don’t want to deal with the OG baddy. “$460, 5,471-piece Lego Barad-dûr set comes for LOTR fans’ wallets in June” at Ars Technica. (See the set in detail at the LEGO® Icons website.)

…Sauron, Base Master of Treachery, will keep his Eye on you from atop the tower, which will actually glow thanks to a built-in light brick. The tower includes a minifig of Sauron himself, plus the Mouth of Sauron, Gollum, and a handful of Orcs.

The Lego Barad-dûr set will launch on June 1 for Lego Insiders and June 4 for everybody else. If you buy it between June 1 and June 7, you’ll also get the “Fell Beast” bonus set, with pose-able wings and a Nazgûl minifig. It doesn’t seem as though this bonus set will be sold separately, making it much harder to buy the nine Nazgûl you would need to make your collection story-accurate….

(12) SPACE AT LAST. “90-year-old Ed Dwight, 5 others blast into space aboard Blue Origin rocket” – NPR has the story. (This was Blue Origin’s 25th mission to space. The New Shepard Mission NS-25 Webcast replay is on YouTube.)

Ed Dwight, the man who six decades ago nearly became America’s first Black astronaut, made his first trip into space at age 90 on Sunday along with five crewmates aboard Blue Origin’s New Shepard rocket.

The flawless liftoff from a West Texas launch site marked the first passenger flight in nearly two years for the commercial space venture run by billionaire Jeff Bezos. The approximately 10-minute suborbital flight put Dwight in the history books as the oldest person ever to reach space. He beat out Star Trek actor William Shatner for that honor by just a few months. Shatner was a few months younger when he went up on a New Shepard rocket in 2021.

(13) INDIA’S NEXT MARS MISSION. Space.com says “India’s ambitious 2nd Mars mission to include a rover, helicopter, sky crane and a supersonic parachute”.

India is preparing to launch a family of seemingly sci-fi robots to Mars, perhaps as soon as late 2024.

The Mars Orbiter Mission-2 (MOM-2), or Mangalyaan-2 (Hindi for “Mars Craft”), is set to include a rover and a helicopter, like a robotic NASA duo already on Mars — the Perseverance rover and now-grounded Ingenuity. A supersonic parachute and a sky crane that will lower the rover onto the Martian surface will also be part of Mangalyaan-2, Indian Space Research Organisation (ISRO) officials said last week during a presentation at the Space Applications Centre in Gujarat, India Today reported….

…Media reports from late last year suggest that Mangalyaan-2 will have at least four science instruments designed to study the early history of Mars, analyze its leaking atmosphere, and look for a hypothesized dust ring around the planet generated by its two moons, Phobos and Deimos….

(14) SPEEDING UP TRAVEL TO MARS. “NASA-funded pulsed plasma rocket concept aims to send astronauts to Mars in 2 months” reports Space.com.

An innovative rocket system could revolutionize future deep space missions to Mars, reducing travel time to the Red Planet to just a few months.

The goal of landing humans on Mars has presented a myriad of challenges, including the need to quickly transport large payloads to and from the distant planet, which, depending on the positions of Earth and Mars, would take almost two years for a round trip using current propulsion technology.The Pulsed Plasma Rocket (PPR), under development by Howe Industries, is a propulsion system designed to be far more efficient than current methods of deep space propulsion, enabling the trip between Earth and the Red Planet to be made in just two months. Specifically, the rocket will have a high specific impulse or Isp, a measure of how efficiently an engine generates thrust. This technology could therefore enable astronauts and cargo to travel to and from Mars more efficiently and rapidly than existing spacecraft, according to a statement from NASA…

(15) THE FINEST SUPERNATURAL TALE IN ENGLISH LITERATURE? [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at the Media Death Cult YouTube Channel invites us to consider Algernon Blackwood’s 1907 novelette, ‘The Willows’, as a contender for the grand chief fountainhead of the insidious order. It did though inspire the likes of H. P. Lovecraft. You don’t have to buy in to the pronunciation of Danube as ‘dan-noob’ but it is the Moidelhoff way…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Daniel Dern, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 4/5/24 Scrolling To Filezantium

Posted on April 5, 2024 by Mike Glyer

(1) YES, THE EARTH MOVED FOR HIM, TOO. Andrew Porter felt the “Room shaking, things vibrating” at his place in Brooklyn this morning, effects of a magnitude 4.7 earthquake that struck Central New Jersey around 10:23 a.m. Eastern. “I’m still shaking with adrenaline rush,” he wrote shortly after (a line repeated in the Brooklyn Eagle’s coverage.)

Many in the area’s sff community posted to social media about the experience. Bo Bolander’s tweet is a good example.

running downstairs with a jacket wrapped around my bare legs to scream obscenities at the construction crew down the street only to find all my neighbors doing the same thing
— Bo Bolander (@BBolander) April 5, 2024

(2) TOTAL E-CHIPS. Get ready for our next cosmic disturbance. “Sun Chips eclipse flavors: You will have less than 5 minutes to score limited-edition chips” – details at AL.com.

Sun Chips is releasing a limited-edition flavor of chips in honor of the April 8 eclipse.

The chip brand is releasing Pineapple Habanero and Black Bean Spicy Gouda, a blend of ingredients with a nod to ” sunny skies and bright days ahead while nodding to the moon with a cheesy touch.”

The new flavor will be available on SunChipsSolarEclipse.com and fans can get their hands on the chips beginning at 1:33 p.m. CST on April 8 as supplies last….

(3) EATING THE FANTASTIC. Scott Edelman invites listeners to join writer Sunny Moraine for dinner on Episode 222 of the Eating the Fantastic podcast.

What brought us together again this year for our second full-length conversation was the release of their novella Your Shadow Half Remains, a chilling tale which I hope members of the Horror Writers Association will keep in mind next year when it’s once again time to nominate for the Bram Stoker Awards. I loved the book and wanted to get together and discuss what made it tick, so we met for dinner at Commonwealth Indian restaurant, the venue for two of my earlier culinary chats — Paul Kirchner in Episode 109 and Sheree Renee Thomas in Episode 196.

We discussed how the short story version of Your Shadow Half Remains exploded into a novel (and whether either of them would have existed at all without COVID-19), why pantsing is good but can sometimes become a nightmare, the way stories come to them cinematically, several questions to which I didn’t want to know the answers but only whether they knew the answers, the unsettling demands of Skinamarink, why we both love ambiguity but most of the world doesn’t, how to interpret and when to implement the feedback of beta readers, the writerly gifts given to us by our subconsciouses, why their short story days seem to be behind them, the two reasons they hate the process of titling their tales, and much more.

(4) NO SWIPING, SWIPER. The Verge heard it from the top: “The Disney Plus password-sharing crackdown starts in June”. Password sharers will be contacted by the Disney+ streaming service to increase signups and revenue.

Disney Plus already has rules in place to prevent subscribers from sharing their passwords — but now we have an idea when it will start making users pay to share them. In an interview on CNBC, Disney CEO Bob Iger says the company plans on “launching our first real foray into password sharing” in June.

… During an earnings call in February, Disney’s chief financial officer, Hugh Johnston, confirmed that subscribers “suspected of improper sharing” will see a prompt to sign up for their own subscription this summer. Subscribers will also be able to add members outside their household for an “additional fee,” but Disney still hasn’t provided any details on how much this will cost.

(5) GENERALS, ADMIRALS, AND VADERS – OH, MY! Perhaps not coincidentally, “Star Wars Announces Surprise New Disney+ Show Releasing Next Month” reports The Direct.

…In a surprise announcement, Lucasfilm confirmed a new Star Wars series will premiere on Disney+ on Saturday, May 4 with Tales of the Empire.

The all-new Disney+ series comes in the style of last year’s Tales of the Jediwith six animated shorts – half of which focussed on the rise of Ahsoka Tano while the other three explored the downfall of Count Dooku.

The announcement came with an official poster featuring Barriss Offee, Morgan Elsbeth, the Grand Inquisitor, General Grievous, Darth Vader, Grand Admiral Thrawn, and more icons of the Empire who will appear in the six shorts….

…Episode runtimes for Tales of the Jedi ranged from 13 to 19 minutes including credits, and the same will likely prove true in the dark side-centric second season…

(6) HERE’S ROCK IN YOUR EYE. CBR.com remembers the amusing time “When Superman’s Editor Called Out The Twilight Zone for Ripping Off Bizarro” at CBR.com.

… However, by 1961, it is likely that Mort Weisinger, the famed editor of the Superman family of titles (and the guy who made letter columns a big thing in the late 1950s/early 1960s, well ahead of Stan Lee and Marvel Comics), was perhaps a BIT too confident in the fact that people were copying Superman, as when a fan tried to claim that Rod Serling’s famed science fiction TV series, The Twilight Zone, was copying Bizarro World from the Superman comic books, Weisinger actually agreed!…

…In November 1960, The Twilight Zone aired the sixth episode of its second season, titled “Eye of the Beholder” (interestingly, a guy who made a popular documentary for schoolkids by that name complained, and when the episode was rebroadcast, it was retitled “The Private World of Darkness”). It is about a young woman who requires plastic surgery, because her face is apparently hideous…

The article reminds readers in detail what the Bizarro World was about, then finishes by telling how the very next issue of Superman comics followed with a send-up of Rod Serling.

(7) ONE BIG MISSTEP FOR MANKIND. If you’re feeling too happy today Vox’s Sigal Samuel can help fix that. Just read “3 Body Problem: The Netflix show’s wildest question isn’t about aliens”.

Stars that wink at you. Protons with 11 dimensions. Computers made of rows of human soldiers. Aliens that give virtual reality a whole new meaning.

All of these visual pyrotechnics are very cool. But none of them are at the core of what makes 3 Body Problem, the new Netflix hit based on Cixin Liu’s sci-fi novel of the same name, so compelling. The real beating heart of the show is a philosophical question: Would you swear a loyalty oath to humanity — or cheer on its extinction?

There’s more division over this question than you might think. The show, which is about a face-off between humans and aliens, captures two opposing intellectual trends that have been swirling around in the zeitgeist in recent years.

One goes like this: “Humans may be the only intelligent life in the universe — we are incredibly precious. We must protect our species from existential threats at all costs!”

The other goes like this: “Humans are destroying the planet — causing climate change, making species go extinct. The world will be better off if we go extinct!”

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 5, 1917 — Robert Bloch. (Died 1994.) Robert Bloch wrote some thirty novels, hundreds of short stories, countless television scripts including ones for the Alfred Hitchcock Hour, I Spy, Thriller, The Girl from U.N.C.L.E., and, of course Star Trek. I’ll discuss his Alfred Hitchcock Hour and Star Trek work in a moment.

What is the perfect piece by him? Oh that’s easy, it’s “The Hellbound Train” first published in The Magazine of Fantasy and Science Fiction (September 1958) and winner or a Hugo at Detention. It’s definitely the short story I’ve read the most, and I’ve even listened to the audio version made in the Sixties.

What next? I’m very fond of Night of the Ripper which incorporates not unsurprisingly actual historical personages such as Arthur Conan Doyle into the investigation of Inspector Abberline. I consider it the best fictional look at this real-life mystery.

Of, if I liked that, I’d would naturally find “Yours Truly, Jack the Ripper” also fascinating. It was first published eighty-one years ago in The Mystery Companion anthology which was edited by A. L. Furman. It was made into an episode of the Boris Karloff-introduced Thriller. It’s in the public domain, so you can watch it here.

Next is The Jekyll Legacy. This was co-written with Andre Norton and meant to be a sequel to The Strange Case of Dr. Jekyll and Mr. Hyde. Young niece, mysterious estate, the matter of her uncle, Dr. Jekyll, possibly still being around. Not really horror, and quite entertaining.

As I’m not a horror fan, I’m going to skip such an offering as Psycho as a novel but I’ll discuss in media but where I do think he excelled in the writing of short stories. But unfortunately none of his short story collections including the excellent three volume Complete Stories of Robert Bloch made it into the usual suspects yet and their price on the secondary market is frankly obscene.

Now for his media involvement. Let’s see what’s interesting.

Psycho is his major genre or genre adjacent work depending on how you want to consider it. Based off his novel, it’s damn scary — I’ve seen it once, which was quite enough. Hitchcock did a great job of filming the Joseph William Stefano script.

His next genre adjacent work was scripting ten episodes of Alfred Hitchcock Presents. They were mysteries verging on thrillers at times with occasionally a bit of horror thrown in. Blochian goulash. One of those episodes was “The Sorcerer’s Apprentice” which is you can view here as it’s in the public domain.

During this time he also wrote the screenplay for The Cabinet of Caligari which is only very loosely related to the 1920 German silent film. Some sources say that he was not at all happy working on this project.

He write an episode each for I Spy, “There was A Little Girl” and The Girl from U.N.C.L.E., “The Foundations of Youth Affair”.

You all know that he penned three scripts for the Trek series, “What Are Little Girls Made Of?”, “Wolf in the Fold”, yet another Jack the Ripper story, and “Catspaw”. I think all three episodes are fine but the latter two are more interesting as stories.

He did two episodes of UK Hammer Films’ Journey to the Unknown series. The episodes were “The Indian Spirit Guide” and “Girl of My Dreams”.

I’m skipping his Sixties scripting because, after looking up the films and reading reviews of them, I realized how minor and inconsequential they were as films. Torture Garden? The House That Dripped Blood? Really?

He wrote an episode of Night Gallery, “Logoda’s Head”; he scripted three episodes each of Tales from the Darkside and Monsters; The Cat Creature that he scripted gives us a mysterious black cat that may or not be be evil; he wrote an episode for The Hunger. So did you know there was a Return of Captain Nemo miniseries? Well Bloch penned one episode,” “Atlantis Dead Ahead” in collaboration with Larry Alexander.

(9) COMICS SECTION.

xkcd’s “Moon Armor Index” — is Randall Munroe another Pluto scoffer? Or am I too sensitive?
Moderately Confused has an eye chart specially designed for Filers.

(10) THE MEDIA PRESERVES THE MESSAGE. Learn about “The Secret Language of a Tube of Paint” at Colleen Doran’s Funny Business.

Many people are confused and intimidated by paints. Alcohol markers are so much easier to use and require no special knowledge to get going. They are convenient for comps and quick original art made for when you don’t have to worry about the longevity of your originals.

I’ve seen many marker works fade badly over time, including mine. Almost every piece I ever owned by my mentor Frank Kelly Freas, some of them dating back to the 1950’s, was destroyed by time. I am grateful that I stopped trying to do major works with graphic arts tools years ago. Even without exposure to light, they fade or crack.

Interestingly, cheap markers I had when I was a kid have lasted longer than the expensive designer markers I used as an adult! Price has nothing to do with longevity!

FYI, I have not used alcohol based markers in about ten years. I have seen fading on works that have never been exposed to light for more than the few days it took to work on the books I was doing while using them…

… Different brands of oil paint colors can be swapped out and used with other brands any time you like, and unlike markers, once you learn to mix colors, you never need more than a dozen or so tubes….

… One brand will have a wonderful yellow you want to use, while another will have a fabulous red. Brand loyalty in paint is for suckers. Pick and choose the best performing tools and use what you like. Oil paints will all work together. …

(11) DON’T BE FOOLED. Victoria Strauss warns against “The Scam of ‘Book Licensing’” at Writer Beware.

…Today’s blog post focuses on the similarly deceptive scam of “book licensing”. Like “returns insurance”, this fictional item is based on something real (the licensing of rights that’s necessary for publication) that scammers have distorted into an imaginary requirement they can monetize (a book license you supposedly must obtain in order for your book to be published or re-published).

To be clear, there is no such thing as a “book license”–at least, not in the sense that scammers use the term, meaning an item like a driver’s license or a fishing license that you have to take steps to acquire and must have in order to do the thing associated with the license. As the copyright owner of your work (which you are, by law, from the moment you write down the words), you have the power to grant licenses for publication, but you do not have to obtain any kind of license or permission in order to do so. By re-framing licensing as something authors have to get, rather than something they are empowered to give, scammers turn the reality of licensing on its head….

(12) YOUR BLOCH BIRTHDAY PRESENT. Jim Nemeth of The Robert Bloch Official Website is celebrating what would have been Robert Bloch’s 107st birthday by presenting one of his all-time favorite stories, “Man with a Hobby”.

(13) NEXT BLUE ORIGIN CREW. Space.com takes roll call as “Crew for Blue Origin’s 7th human spaceflight includes US’ 1st black astronaut candidate”.

…Today (April 4), Jeff Bezos‘ company announced the six crewmembers for the NS-25 space tourism mission, which will lift off from Blue Origin‘s West Texas site in the relatively near future. (The target date has not yet been revealed.)Among the six are former U.S. Air Force Capt. Ed Dwight, who was selected as the nation’s first Black astronaut candidate back in 1961, according to Blue Origin.

“In 1961, Ed was chosen by President John F. Kennedy to enter training at the Aerospace Research Pilot School (ARPS), an elite U.S. Air Force flight training program known as a pathway for entering the NASA Astronaut Corps,” Blue Origin wrote in an update today. “In 1963, after successfully completing the ARPS program, Ed was recommended by the U.S. Air Force for the NASA Astronaut Corps but ultimately was not among those selected.”

Robert Lawrence was the first Black astronaut selected for a space program — the U.S. Air Force’s Manned Orbiting Laboratory, or MOL, a planned spy outpost in Earth orbit that was never built. Lawrence was picked in June 1967, but he died six months later in a supersonic jet crash. The first Black American astronaut to reach space was Guion Bluford, who flew on the STS-8 mission of the space shuttle Challenger in 1983.

Dwight, who was born in 1933, became an entrepreneur and then a sculptor focusing on iconic figures in Black history. Over the past five decades, he has created more than 130 public works, which are featured in museums and other spaces across the U.S. and Canada, according to Blue Origin. His seat on the mission is sponsored by the nonprofit Space For Humanity.

(14) ONE-STOP FOR ONE PIECE NEWS. CBR.com covers the announcement: “Netflix’s One Piece Star Pulls Back the Curtain on Season 2”.

… A recent post on X, formerly known as Twitter, shows Jacob Gibson, who plays Usopp in the live-action remake of One Piece, doing a Q&A all about the show and its future. Gibson goes to the writers’ room in Cape Town, South Africa, where the outdoor scenes of the series have been shot –along with some necessary additional sets built at Cape Town Studios, such as the iconic ship of the Straw Hat Pirates, The Going Merry and Sanji’s boat-restaurant, the Baratie….

Usopp's actor Jacob Gibson leaks One Piece Live Action Season 2:pic.twitter.com/0yrlTVydFb
— Artur – Library of Ohara (@newworldartur) April 3, 2024

[Thanks to John King Tarpinian, Chris Barkley, Scott Edelman, Cat Eldridge, Kathy Sullivan, Rich Lynch, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

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