AudioFile, a print and ezine, reviews audiobooks to “recommend good listening, top-notch performances and dynamic listening experiences.” The editors annually honor their choices of the best audiobooks across a variety of categories.
This year File 770 is partnering with AudioFile to announce the winners of the 2018 Best of Sci-Fi, Fantasy & Horror Audiobooks. They are listed here with links to the AudioFile reviews. To see the winners in all the other categories, page through the AudioFile 2018 Best Audiobooks ezine.
2018 Best of SCI-FI, FANTASY & HORROR Audiobooks
ARMISTICE by Lara Elena Donnelly, read by Mary Robinette Kowal
Beagle frequently subverts fantasy tropes. Prince Lir tries to win the unicorn’s heart by deeds of derring-do, but she is unimpressed. In fact, Lir does not end up with the unicorn. And in the novel, mortality is preferable to immortality; Haggard, who quests after immortality, is defeated. Schmendrick’s greatest wish is to end the curse of immortality placed on him by his mentor. The unicorn, in a brief brush with mortality, gains the ability to regret, and she is better off for it. In The Last Unicorn, it’s the earthly things, the things that make one human, that are the things worth having.
(2) KOBE’S HOLLYWOOD. In “The Revisionist”, the Washington Post’s Kent Babb reports that Kobe Bryant is hiring a staff to develop his fantasy world, known as “Granity.” A podcast about the fantasy world, “The Punies,” currently exists and YA novels and an animated series are in development.
In Bryant’s office, “affixed to panels are renderings of maps and terms from ‘Granity,’ Bryant’s imaginary world that’s not unlike the Marvel Universe or George R.R. Martin’s Westeros. There are sketches and meticulously designed artifacts that seem to make sense only in Bryant’s mind:gods of emotions, stories that blend fantasy and sports, that eternal battle not between good and evil but between love and fear.”
Also, “inside the safe in the closet (in his house) are his three most prized possessions: a first-edition Harry Potter signed by J.K. Rowling, a series of autographed books by George R.R. Martin, the ‘Dear Basketball’ score signed by John Williams.”
“If you look at all the potential stories — how the home is constructed, the family that lives there — there are infinite possibilities,” he says, and the notion struck him so profoundly, so personally, that in that moment he began imagining a fictional world in which his ideas could take shape. He would call that world “Granity,” and existing there would be characters who — like some of Bryant’s favorites: Darth Vader, Severus Snape, Jaime Lannister — are horrifying at times, charming at others.
As this flight begins its descent, he suggests no compelling character is entirely good or bad; that a storyteller’s duty is to draw out the full story and take every belief, emotion and motivation into account.
“You have things within you that are festering,” he says. “We all do.”
And so we reach the end of the first half of this project with The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery by Catherynne M. Valente. First published in issue #200 of Beneath Ceaseless Skies, Master Peek was a finalist for the 2017 Eugie Foster Memorial Award. This, in fact, is why I selected it. But will my readers agree with the taste of the Foster jury?
(4) THE FUTURE KING IN YELLOW. In “Some Achieve Greatness” at Doctor Strangemind, Kim Huett revisits the youth of a well-known sff author. Can you guess who it is before he tells you?
Let me quote from a speech made at the 1983 Disclave by one of the authors attending that con (for the record the text of this speech was reprinted in Bill Bower’s fanzine, Outworlds #34). Our mystery author begins thus:
I have been to Disclave before. Once. That was why I was so pleased when Alan Huff asked me to come east. Because it so happens that I attended the 1971 Disclave, and it so happens that it was my very first SF convention.
Interesting… Go on mystery author:
Maybe a few of you were here in ’71 too. If so, maybe you remember me. I looked a little different back then. My hair was shoulder length, just like everyone else’s, but I was still clean-shaven, I didn’t stop shaving until 1974. Even then, I was a snappy dresser. In fact, I was a hell of a lot snappier. As I recall, I wore my Psychedelic Hippie Pimp outfit to the con: ankle boots with zippers, burgundy bell-bottoms, a bright solid green tapered body shirt, a black satin scarf, and — the piece de resistance — my famous double-breasted pin-striped mustard-yellow sports jacket. Perhaps now you veterans recall me. I was the one wandering around the con suite doing permanent retinal damage
Farewell, planet hunter. Last night, the @NASAKepler space telescope received its final set of commands to disconnect communications with Earth. The “goodnight” commands were sent on the anniversary of the death of the mission’s namesake, Johannes Kepler: https://t.co/dhUCmKmvqWpic.twitter.com/TKkSk0EQ7C
The Winds of Winter has turned into a real pickle — an ambitious monster that he says is “not so much a novel as a dozen novels, each with a different protagonist, each having a different cast of supporting players, antagonists, allies and lovers around them, and all of these weaving together against the march of time in an extremely complex fashion. So it’s very, very challenging.”
But he’s really hunkering down now, and that fact should chill his legions of impatient fans. After all, he’s said that he finished A Dance with Dragons by disappearing “in a bunker,” so this may simply be business as usual.
(7) JUST LIKE THE HUGOS. [Item by Mike Kennedy.] In something of a first, ranked choice voting (which should be familiar to Hugo voters) has made a difference in a US House election. (CNN: “Democrats flip another House seat after ranked-choice runoff in Maine”). Current Representative Bruce Poliquin received a small plurality over challenger Jared Golden in Maine’s 2nd District—46.2% to 45.6%, with the remaining 8.2% split between two other candidates.
However, since no candidate had achieved a majority, Maine’s new ranked choice voting system kicked in. After progressively eliminating the fourth and third place candidates and redistributing their votes to each voter’s second choices, Golden pulled ahead and ended up winning by about one percentage point (50.5% to 49.5%).
Poliquin had sought a temporary restraining order to prevent counting the ranked-choice votes, calling into question the constitutionality of this sort of voting system. The process was put in place in Maine when voters approved a referendum in 2016, and this appears to be its first big test. Poliquin has pledged to continue his legal challenge of the constitutionality of ranked choice voting.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 18, 1923 – Alan Shepard, Pilot and Astronaut who became the first American to travel into space in 1961, in the Project Mercury flight spacecraft Freedom 7. He commanded the Apollo 14 mission, and at age 47, was the oldest person to have walked on the Moon (where he teed up and hit two golf balls). He received the Navy Distinguished Service Medal and the Congressional Space Medal of Honor. Together with the other surviving Mercury astronauts, and Betty Grissom, Gus Grissom’s widow, in 1984 he founded the Mercury Seven Foundation (now the Astronaut Scholarship Foundation), which raises money to provide college scholarships to science and engineering students. He and fellow astronaut Deke Slayton collaborated with two journalists on the book Moon Shot: The Inside Story of America’s Race to the Moon, which was made into a TV miniseries. (Died 1998.)
Born November 18, 1936 – Suzette Haden Elgin, Linguist, Writer and Poet who, for creating the engineered language Láadan for her Native Tongue science fiction series, is considered an important early contributor to constructed languages in the field of science fiction. Her other notable series are the Ozark Trilogy and the Coyote Jones series; themes in her works include feminism and peaceful coexistence with nature. In 1978 she founded the Science Fiction Poetry Association (SFPA) to promote and recognize speculative poetry; the organization continues to this day, and gives out the annual Rhysling and Dwarf Stars Awards for long, short, and micro poems, as well as the Elgin Awards named for her, which recognize poetry collections. (Died 2015.)
Born November 18, 1939 – Margaret Atwood, 79, Writer, Teacher, Poet, and Critic from Canada whose most famous genre works are undoubtedly the dystopian Clarke Award-winning The Handmaid’s Tale, which has been made into a Saturn-nominated TV series, and the post-apocalyptic MaddAddam trilogy. Her works straddle numerous literary boundaries, include various themes such as feminism and environmentalism, and have received a multitude of awards, including the Booker Prize.
Born November 18, 1950 – Michael Swanwick, 68, Writer and Critic whose career started with such a bang in 1980 that he was a finalist for Campbell for Best New Writer. He has written a number of novels and hundreds of short fiction works, winning numerous Hugo, Nebula, World Fantasy, Sturgeon, and Prix Imaginaire Awards. He has also produced several nonfiction critical works, including the Hugo nominees Being Gardner Dozois and Hope-in-the-Mist: The Extraordinary Career and Mysterious Life of Hope Mirrlees. He has been Guest of Honor at numerous conventions, including the 2016 Worldcon.
Born November 18, 1950 – Eric Pierpoint, 68, Actor who has the distinction of appearing in guest roles on Star Trek: The Next Generation, Deep Space Nine, Voyager, and Enterprise (CBS, get on that!). Other genre appearances include a recurring role on Alien Nation, and guest parts on Babylon 5, Sliders, Time Trax, Seven Days, Medium, and Surface, and the films Invaders from Mars, Forever Young, Liar Liar, and Transformers: Revenge of the Fallen.
Born November 18, 1952 – Doug Fratz, Scientist, Writer, Editor, Critic, and Fan, who was a prolific reviewer, and editor of the fanzine Crifanac and the semiprozine Thrust (later renamed Quantum), which was a 5-time Hugo finalist. Mike Glyer’s tribute to him is here. (Died 2016.)
Born November 18, 1953 – Alan Moore, 65, Writer and Graphic Novelist who is famous for his comic book work, including the renowned series Watchmen (for which he won a Hugo in 1988), the Prometheus Award-winning V for Vendetta, the Stoker Award winners The League of Extraordinary Gentlemen and Neonomicon, the World Fantasy Award-winning A Hypothetical Lizard, and the International Horror Guild Award-winning From Hell. He has received innumerable Eisner Awards, was named to the Eisner Award Hall of Fame, and was given a Stoker Award for Lifetime Achievement.
Born November 18, 1961 – Steven Moffat, 57, Writer, Director, and Producer of Doctor Who and Sherlock Holmes. His first Doctor Who script was for The Curse of Fatal Death, a Comic Relief charity production that you can find on Youtube and which I suggest you go watch right now. He also co-wrote The Adventures of Tintin: The Secret of the Unicorn, a most excellent animated film. His Doctor Who episodes have deservedly won three Hugo Awards and another 12 nominations, and the Sherlock series won a British Fantasy Award.
Born November 18, 1967 – Lyda Morehouse, 51, Writer, Critic and Fan who has written the Archangel Protocol cyberpunk series (the fourth book of which received a Philip K. Dick Special Citation) under her own name, and several fantasy mystery series under the pen name Tate Hallaway. In 2002, Archangel Protocol was the first science fiction/fantasy novel ever to win a major mystery award – a Shamus Award, given by the Private Eye Writers of America. She is a member of The Wyrdsmiths, a Minneapolis writer’s group, and was Guest of Honor at Minicon 53.
Born November 18, 1970 – Peta Wilson, 48, Actor from Australia who played Wilhelmina “Mina” Harker in The League of Extraordinary Gentlemen film, and had roles in Superman Returns and an episode of the Highlander series. Though The League of Extraordinary Gentlemen was not well-received, she received a Saturn Award for Best Supporting Actress for her role.
Born November 18, 1981 – Maggie Stiefvater, 37, Writer of YA fiction, she currently has two series, The Wolves of Mercy Falls and The Raven Cycle. With her sister, Kate Hummel, she writes and records a piece of music for each novel she publishes, which are released in the form of animated book trailers. Her works have earned numerous Mythopoeic nominations, a Stoker nomination, and a Prix Imaginaire.
(9) WORDS MATTER. Never thought of it that way.
I mean, credit to Doctor Doom, FOOLS is a gender neutral way to address an entire room.
— Max the comics guy who does comics about comics (@amadcartoonist) November 17, 2018
These stories were written, or published and conceived into existence, by the undoubtedly great and incomprehensibly peculiar John W. Campbell Jr., who single-handedly designed many of the ways we saw the future then and continue to see it now. Born in Newark, N.J., in 1910, he was raised by combative parents who embodied the extremes of their son’s divided personality: his father, an engineer with Bell Telephone, stressed rationality, planning and control over emotions, while his mother was a wild, tantrum-prone woman who couldn’t be controlled so much as fought “to a draw.” After their divorce, Campbell grew up, like many writers, unhappy, lonely and distressed; he often felt like a disappointment to his father, and his mother’s unpredictable cruelties instilled in him a deep sense of panic about a world that couldn’t be adequately rationalized or controlled.
…Despite an aimless early life, Campbell eventually stumbled onto the job he was born to do — long before anybody realized it was a job worth doing. Until Campbell came along, the pulps were edited by company men who felt little if any personal affection for the stories they published. But in 1937, when Campbell accepted the editor’s chair at Astounding Stories (which he quickly renamed Astounding Science Fiction), he became the first SF fan to shape the genre he loved; and almost immediately he discovered that exploring futuristic ideas for his stories was not nearly so pleasurable as passing those ideas onto others. “When I was a writer,” he told his youthful discovery, Isaac Asimov, “I could only write one story at a time. Now I can write fifty stories at a time.”
(11) ORIGIN EPISODES AVAILABLE. YouTube’s Origin follows a group of passengers lost in space— each of them desperate to escape their past. In the first episode —
The passengers wake up on board the Origin, abandoned in space. They search for other survivors, but find something else entirely.
https://www.youtube.com/watch?v=9fUU6y5-rTc
In the second episode —
A tense showdown prompts a difficult decision. Shun and Lana realise that the threat could be nearer than any of them thought.
https://www.youtube.com/watch?v=9h4ImWR2icY
(12) IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS. Some sff goodies available now on eBay –
A Star Trek costume worn by captain James T. Kirk for the first inter-racial kiss on TV goes under the hammer with an estimate of £46,000 in California next month.
The Grecian robe, right, was worn when actor William Shatner embraced Lieutenant Uhura, played by Nichelle Nichols, in the 1968 episode Plato’s Stepchildren.
Walt Disney entered a multi-year games development partnership with leading mobile gaming company Jam City, continuing the Mouse House’s foray into gaming and heightening expectations over the booming sector.
Under the terms of a deal announced last week, Jam City will be taking over the Glendale, California-based mobile game studio in charge of Disney’s “Emoji Blitz” – a hugely popular mobile game Disney released in July 2016.
The deal also means that Jam City now holds the rights to develop new games based on elements from Disney’s Pixar and Walt Disney Animation Studio brands. The first planned collaboration between the two companies is expected to be a game based on Disney’s “Frozen” sequel.
(15) BORN UNDER LEO. Low Earth Orbit could be about to get a lot more crowded. SpaceX has an ambitious plan to put a very large constellation of LEO satellites to handle internet traffic. They’d already gotten approval to emplace thousands of them, and have recently gotten FCC approval for the remainder (The Verge: “FCC approves SpaceX’s plan to launch more than 7,000 internet-beaming satellites”). Several hurdles remain, of course.
The Federal Communications Commission has approved SpaceX’s request to launch a constellation of 7,518 satellites into orbit, a major regulatory hurdle the company needed to clear in its plans to provide internet coverage from space. The approval is in addition to one that SpaceX received from the FCC in March for a constellation of 4,425 satellites. That means the company now has permission to launch its full satellite internet constellation called Starlink, which adds up to nearly 12,000 spacecraft.
[…] SpaceX’s approvals are conditional, though. In order to bring each mega-constellation into full use, the company needs to launch half of the satellites within the next six years. That means the clock is ticking to get nearly 6,000 satellites into orbit by 2024. SpaceX says it will launch its first batch of Starlink satellites in 2019.
So far, SpaceX has only launched two test satellites for the constellation — TinTin A and B. […]
Above all, it’s clear that the satellites in these large constellations will need to be taken out of orbit — reliably and on time — in order to keep the space environment a safe place for spacecraft to operate. In a recent study, NASA estimated that 99 percent of these satellites will need to be taken out of orbit within five years of launch. Otherwise the risk of in-space collisions will increase dramatically.
(16) THINK OF THE CHILDREN. Saturday Night Live proves you can hear laughter in space.
An unexpected chain of events occurs while Captain Ed McGovern (Steve Carell) live streams from the International Space Station to children’s classrooms across America.
[Thanks to JJ, Paul Weimer, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Brian Z.]
(1) VISIONS OF WFC 44. Ellen Datlow’s photos from World Fantasy Con 2018 are up on Flickr.
(2) DESIGNING WAKANDA. Black Panther designer Hannah Beachler spoke to the CityLab Detroit conference about what went into designing the capital city of Wakanda for the blockbuster movie. Social responsibility and connection to culture were critical in her designs of everything from street plans to public transit — “The Social Responsibility of Wakanda’s Golden City” at CityLab.
… It took ten months and 500 pages to design Golden City, the thriving Afrofuturist capital of Wakanda. The result is a stunning, complex metropolis that has delighted urbanist nerds and city-dwellers alike. Behind it all is Beachler, a production designer whose job is to act as “cinematic architect” and to create the “landscape of a story.”
…“You know what’s keeping us together: the connectivity of people, not the connectivity of users. We’re not users; we’re people, but we’ve convinced ourselves that we’re users,” she said. “So I took all of that, and I just chucked it out of Wakanda, because the people were the most important thing about it, and we’re forgetting it. And I think that’s why people responded to Wakanda on this massive level: people.”
The plea went out a few weeks ago from the bookstore in a port city in southern England: “Care to lend a hand?”
Volunteers were needed for “heavy manual work” in shifts. It was “essential” that they be able to lift and carry boxes and office supplies. Among the supplies: thousands upon thousands of books.
The appeal from October Books, a nonprofit that began 40 years ago as a “radical” bookshop, came after a rent increase forced it from its old home in Southampton, Jess Haynes, a member of the collective and one of the few paid employees, said on Wednesday.
The shop was looking to move lock, stock and barrel about 150 meters (just under 500 feet) to a three-story building that used to house a bank. Would anybody respond to the call for help?
This past Sunday, the bookstore got more than a helping hand — it got hundreds. A human chain began forming from the old October Books stockroom, snaking past 54 doors to the new building. The shop stopped counting after about 250 people showed up…
(4) GLASS UNIVERSE. Dava Sobel, the author of Longitude and Galileo’s Daughter, will be talking about her latest book The Glass Universe in the Johns Hopkins University/Applied Physics Laboratory (in Laurel, Maryland) on Friday, November 9 at 2 p.m. This talk is open to the public held at the Parsons auditorium (directions here). A summary of the talk is below (taken from this link):
Edward Pickering, who took over as director of the Harvard College Observatory in 1877, was a physicist, not an astronomer. Pickering quickly moved to expand activities beyond determining the positions of stars and the orbits of asteroids, moons, and comets. He invented new instruments for studying stellar brightness to help quantify the changes in variable stars. He introduced photography as a boon to celestial mapping and a key to characterizing the spectra of stars. The images that Pickering began amassing on glass plates in the late 19th century came to number in the hundreds of thousands and are currently being digitized to preserve their enduring value. Their abundance of pictures necessitated a special building to house them and a large team of assistants – nearly all women – to analyze them.
Pickering’s glass universe gave these women the means to make discoveries that still resonate today. Williamina Fleming, Antonia Maury, Henrietta Swan Leavitt, Annie Jump Cannon, and Cecilia Payne Gaposchkin, the most famous members of the group, all played a part in the early development of astrophysics.
(5) BABY. Heath Miller and Cat Valente share their parental discoveries:
Attending Worldcon in 2010 & meeting a girl? $200. Moving 15,000+ miles to be with her? $2500. Cost of having a baby in America? You Don’t Want To Know. Unwrapping baby’s swaddle at 6am to discover his mother has secretly changed his outfit in the night? Priceless. pic.twitter.com/mcx1oQAJZR
“When I first began the series a couple of years ago, I thought it was a great idea to do an adventure about going to Mars and we should make it as real as we possibly could,” Mr Howard says.
“But I wasn’t sure I believed in the idea of going to Mars. I knew I believed in the idea of space exploration… and any show that advocated that was making a statement that was healthy and positive for human beings – to inspire their imaginations to look outward.
“But as I have gone through the process of working on the show and interviewing some of the big thinkers, I now really do believe in it strategically – I don’t mean that from a military standpoint, I mean it from the point of the ongoing evolution of the human species… I not only believe it’s viable, I’m a big supporter.”
Season one of Mars followed the crew of the spacecraft Daedalus, as the astronauts attempted to create a pioneer settlement on the Red Planet in 2033. Season two is set nine years later and follows the fortunes of the first fully-fledged colony. The script tackles the everyday challenges of the settlers, including the first births on the Red Planet, outbreaks of disease and mechanical breakdowns.
Dallas-based Heritage Auctions says the item that sold for the highest price, $468,500, at Saturday’s auction was Armstrong’s spacecraft ID plate from Apollo 11’s lunar module Eagle. Also sold were a fragment from the propeller and a section of the wing from the Wright brothers’ Flyer, the first heavier-than-air self-powered aircraft, which each sold for $275,000.
The flight suit Armstrong wore aboard Gemini 8, the 1966 mission that performed the first docking of two spacecraft in flight, brought the astronaut’s family $109,375.
(a) In a separate auction, a gold-colored Navy aviator’s helmet once owned by John Glenn, the first American to orbit the earth, sold for $46,250.
(b) It appears there were some flown artifacts in the Armstrong auction (but not the Glenn auction)
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 5, 1903 – H. Warner Munn, Writer and Poet known in genre for his early stories in Weird Tales in the 20s and 30s, his Atlantean/Arthurian fantasy saga, and his later stories about The Werewolf Clan. After making two mistakes in his first published genre story, he compensated by becoming a meticulous researcher and intricate plotter. His work became popular again in the 70s after Donald Wollheim and Lin Carter sought him out to write sequels to the first novel in his Merlin’s Godson series, which had been serialized in Weird Tales in 1939, and they published those novels as part of their Ballantine and Del Rey adult fantasy lines. The third novel in the series received World Fantasy and Mythopoeic Award nominations, he himself was nominated three times for the World Fantasy Award for Life Achievement, and he was Guest of Honor at the 1978 World Fantasy Convention. He won the Balrog Award for Poet twice in the 80s, and received the Clark Ashton Smith Award for Poetry.
Born November 5, 1938 – James Steranko, 80, Artist, Illustrator, Writer, Publisher, and Magician who is noted for his work in the comic book and graphic novel industry. His breakthough was the Nick Fury, Agent of S.H.I.E.L.D. feature in Marvel Comics’ Strange Tales, and the subsequent series, in the 60s. His design sensibility would become widespread within and without the comics industry, affecting even Raiders of the Lost Ark and Bram Stoker’s Dracula, for which he created conceptual art and character designs. He also produced several dozen covers and illustrations for genre novels and anthologies in the 60s and 70s. His two-volume history of the birth and early years of comic books established him as a historian of the field. He received and Inkpot Award and Dragon Con’s Julie Award, and was inducted into the Will Eisner Comic Book Hall of Fame in 2006.
Born November 5, 1940 – Butch Honeck, 78, Sculptor and Fan who learned mechanics, welding, machining, and metal finishing as a teenager, then went on to build a foundry and teach himself to cast bronze so he could create shapes that were too complex for welding. His bronze fantasy sculptures, which depict dragons, mythical creatures, wizards, and other fantasy-oriented themes, use the lost wax method with ceramic shell molds and are characterized by intricate details, mechanical components, humor, and surprise. He has been Artist Guest of Honor at several conventions, was named to Archon’s Hall of Fame, and won a Chesley Award for Best Three-Dimensional Art.
Born November 5, 1942 – Frank Gasperik, Writer, Filker, and Fan who was a close friend to Larry Niven and Jerry Pournelle. He was Tuckerized as a character in several novels, including in Lucifer’s Hammer as Mark Czescu, in Footfall as Harry Reddington (aka Hairy Red), and in Fallen Angels. His own genre writing in collaboration with filker Leslie Fish resulted in a novella in Pournelle’s Co-Dominium universe, and an unfinished work which Fish completed for him after his death, at John F. Carr’s request. He was a well-known filker in that community; here he is doing “The Green Hills of Earth”. He died in 2007.
Born November 5, 1944 – Carole Nelson Douglas, 74, Writer and Editor who has produced a fantasy series and several genre series which are mysteries with a supernatural twist, including one which showcases Arthur Conan Doyle’s minor Sherlockian character Irene Adler as a brilliant investigator. But I’m here to pitch to you her SJW credential series instead (and dissenters can now go elsewhere) in the form of her Midnight Louie series, which was inspired by a classified ad seeking an adoptive home for a big black cat. Each novel is told in part from the point of view of Midnight Louie; the cat himself speaks in a style which some say is like that of a Damon Runyon character. Great dearies, lovely premise.
Born November 5, 1958 – Robert Patrick, 60, Actor and Producer best known in genre as FBI Special Agent John Doggett in The X-Files series, as the T-1000, the main adversary of Terminator 2: Judgment Day, and a main role in the alien abduction movie Fire in the Sky – all of which netted him Saturn nominations. He has had a main role in the TV series Scorpion, and recurring roles in True Blood and From Dusk till Dawn. He has also appeared in a lengthy list of genre movies, including The Last Action Hero, Asylum, Future Hunters, Warlords from Hell, Alien Trespass, and Double Dragon, and episodes of Stargate: Atlantis, Lost, Tales from the Crypt, and The (new) Outer Limits.
Born November 5, 1960 – Tilda Swinton, 58, Oscar-winning Actor who is well-known to genre fans as the evil White Witch in the Chronicles of Narnia films, for which she received a Saturn nomination; roles in the films The Curious Case of Benjamin Button and Doctor Strange won her Saturn trophies. She played the long-lived main character in Orlando, computing pioneer Ada Lovelace in the film Conceiving Ada, and had parts in Constantine, Snowpiercer, The Zero Theorem, and the upcoming zombie comedy The Dead Don’t Die.
Born November 5, 1964 – Famke Janssen, 54, Actor who started out as a fashion model, and then had an acting career breakthrough as an unknown in an episode of Star Trek: The Next Generation. This was followed quickly by appearances in genre films Lord of Illusions, Deep Rising, and House on Haunted Hill, then her 15-year genre role as Jean Grey / Phoenix in the numerous X-Men films, for which she won a Saturn Award. Since then, she has had main roles in the horror series Hemlock Grove and the supernatural social media film Status Update.
Born November 5, 1968 – Sam Rockwell, 50, Oscar-winning Actor who is probably best known as !Spoiler alert! (just kidding) Guy Fleegman, a redshirt in the Star Trek homage Galaxy Quest, whose character initially simply exists for comic relief but transcends that casting by the end of the Hugo-winning film. He also played Zaphod Beeblebrox in The Hitchhiker’s Guide to the Galaxy, had parts in The Green Mile, Iron Man 2, Teenage Mutant Ninja Turtles, and Cowboys & Aliens, and voice a lead role as a guinea pig in the animated Disney film G-Force.
(9) COMICS SECTION.
Off the Mark cleverly juxtaposes James Bond and Poe to trigger this punchline.
(11) LOOKING FOR THE GOLDEN AGE. David M. Barnett (@davidmbarnett) of the UK-based Independent newspaper uses Alec Nevala-Lee’s Astounding as a jumping-off point to explore the ongoing diversification of science fiction authorship and audiences. In “Out of this world: The rise and fall of Planet Sci-fi’s ‘competent man’” he offers a perspective on John W. Campbell’s legacy, both negative and positive, and puts recent events in science fiction fandom in context for a popular audience. Registration required.
Campbell was what he was, and he did what he did. He didn’t create science fiction, nor did he own it. It was an important period in history, but one that has passed. Science fiction today is new and wondrous and inclusive, and perhaps, in years to come, historians will be referring to this, not the Campbell era, as the true Golden Age.
…The above cataloguing of recent atrocities isn’t exhaustive. If the world isn’t truly ending, it’s certainly in the midst of several significant crisis. And in moments of crises, we at The Rumpus find solace in, and draw strength from, literature. Below is a list of books our editors think are especially appropriate to read right now, in this fraught political moment….
Who Fears Death by Nnedi Okrafor
In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. A woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert, hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her Onyesonwu, which means “Who fears death?” in an ancient language. Even as a child, Onye manifests the beginnings of a remarkable and unique magic. As she grows, so do her abilities, and during an inadvertent visit to the spirit realm, she learns something terrifying: someone powerful is trying to kill her.
(13) ARE YOU TRACKING WITH ME? There will be a Traincon to the 2019 NASFiC / Westercon / 1632 Minicon happening in Layton, UT next July. Well, two Traincons might be more accurate, since organizers want to have one running to the con from Chicago and another from the San Francisco Bay Area (and return). More information at the link.
Join your fellow fans on Amtrak for the trip to Spikecon and then back home. We’ll have fun on the train, getting together periodically to discuss SF, the con, or anything that comes to mind. Games and filk, too, if anyone is so inclined – all with old friends and new. While you’re at it, don’t forget to enjoy the beautiful scenery. The train from the Bay Area (Traincon West) crosses the Sierra Nevada, the one from Chicago (Traincon East) crosses the spectacular Rockies, both in full daylight.
There will be no group reservation for this Traincon; members will need to make their own individual Amtrak reservations; early reservations are recommended for the best prices…..
The organizers are Bill Thomasson and Nancy Alegria.
(14) HOTEL WATCHING IN NZ. The Comfort Hotel in Wellington (venue for some recent NZ NatCon’s and about a km from WorldCon venues) will be renamed and refurbished.
Renovations for the 115-room Comfort Hotel will begin after March 2019 with expected completion at the end of that year, for rebranding as Naumi Heritage Wellington.
The Quality Hotel renovations will also be completed about the same time, and be rebranded as Naumi Suites Wellington with 62 rooms.
…The theme of the hotel refurbishments in Wellington will be “romantic Edwardian age meets literary bohemian”, according to a Naumi media statement – “a space that embraces diversity and steadfastly refuses to be boring”.
While some may accuse the genre of being formulaic (fools), romance does indeed have some of the greatest tropes of any kind of story. Enemies to lovers, fake dating becoming real, the good old “oh no there’s only one bed in this hotel room I guess we have to share,” all of these tropes are at once familiar and thrilling. The building blocks may be the same, but each swoony outcome has its own sense of magic.
In particular, time travel and other time-related complications pop up again and again. Whether they’re communicating via time bending mailbox (The Lake House), kept apart by centuries as a plastic centurion (Doctor Who), or powered by genetic anomalies both charming (About Time) and devastating (The Time Traveler’s Wife), this obstacle has long been a popular stalwart in the romantic canon.
Astronomers in Hungary say they’ve detected a pair of what some call “ghost moons” orbiting our planet not far from the moon we all know.
The hazy clouds of dust — tens of thousands of miles across but too faint to be seen with the naked eye — were first detected almost 60 years ago by a Polish astronomer, Kazimierz Kordylewski. But the patches of light he found were too indistinct to convince some scientists that the clouds were really there, and the existence of the “Kordylewski clouds” has long been a matter of controversy.
Now the astronomers, Gabor Horvath and Judit Sliz-Balogh of Eötvös Loránd University in Budapest, have obtained clear evidence of the clouds using a specially equipped telescope in a private observatory in western Hungary.
Midway through Christopher Nolan’s 2008 movie The Dark Knight, the Joker gets himself arrested so that he can then break out of his holding cell and continue his grand experiment in human darkness. While he’s locked up, he’s placed in the custody of the Major Crimes Unit, the police force that’s supposedly been devoted to locking up Batman. In the movie, people keep referring to the Major Crimes Unit as the MCU. As in: “There’s a problem at the MCU!” Watching it today, you might hurt your neck doing double-takes at those initials every time. The Dark Knight, as it happens, came out at the last moment that “MCU” could possibly refer to anything related to Batman.
Today, of course, we know the MCU as the Marvel Cinematic Universe, the steamrolling blockbuster-generating engine that has become the dominant commercial force in all of moviemaking. It was never a given that the Marvel Cinematic Universe would work. By the time the people at Marvel got around to establishing their own movie studio, they’d already sold off the rights to many of their most-famous characters: Spider-Man, the X-Men, the Fantastic Four. Only the relative dregs were left over, and nobody knew whether a relatively minor character like Iron Man could anchor a whole movie, let alone a franchise. It was a gamble.
It was a gamble, too, to cast Robert Downey Jr., a faded star who’d spent years battling his personal demons. […]
Breihan lavishes much praise on Iron Man and notes how well it set up much of the Marvel Cinematic Universe that followed, but in the end he picks The Dark Knight as the more important movie. His reasoning may surprise you and you may or may not agree with it. In part, he say:
[…] The Dark Knight made money, too; it was the highest-grossing movie of 2008. But it didn’t just make money. It was, in its moment, widely hailed as something resembling a masterpiece. When, for instance, the Academy of Motion Picture Arts And Sciences failed to nominate The Dark Knight for a Best Picture Oscar, there was such a wide public outcry that the Academy changed its roles to allow for more nominees. That is an impact.
It should probably be noted that Breihan doesn’t believe The Dark Knight actually was a masterpiece, but that doesn’t diminish the impact such a perception may have had in the moment. Some of Breihan’s highest praise goes to Heath Ledger’s performance (sadly, his last) as the Joker.
[…] Ledger is legitimately disgusting: dirty and scarred-up, with yellow teeth and a tongue that’s constantly darting in and out of his mouth, like a lizard’s. But he’s magnetic, too. He tells different stories about his scars, just so we’ll know that he’s always lying. He confounds criminals as badly as he does police. He dances his way through a hospital explosion and intimidates a roomful of mob bosses. His voice—the best description I can manage is a tweaked-out Richard Nixon impression—is chilling and alien. And he seems to be in love with Batman in ways that make even Batman uncomfortable: “Don’t talk like you’re one of them. You’re not.”
Besides Iron Man and The Dark Knight, Breihan devotes a fat paragraph to a handful of other superhero movies from 2008, plus a sentence or two to several others. Finally, he promises a look at 2009’s Watchmen in the next Age of Heroes installment.
When Neil Gaiman first envisioned the Sandman, the supernatural dream lord he created 30 years ago, he thought about prison. “Before I even knew who he was,” Gaiman writes in the afterword to The Sandman Vol. 1: Preludes and Nocturnes, he had the image of “a man, young, pale and naked, imprisoned in a tiny cell, waiting until his captors passed away, willing to wait until the room he was in crumbled to dust.”
Dreams and imprisonment? It’s not a connection most would make. True, dreams are just about the only thing a prisoner has of his own, but it seems odd to imagine the bringer of dreams himself trapped in a cell. As so often happens with Gaiman, though, meditating upon one of his intuitions leads you to a whole new way of thinking
(19) TUNING UP DEADPOOL. Daniel Dern recommends “Deadpool The Musical 2 – Ultimate Disney Parody!”. “The songs aren’t the best… but, among other things, it’s arguably one of the best representations of the X-Men (about halfway in), and many of the Avengers. And the last minute or two is great.”
[Thanks to Chip Hitchcock, Cat Eldridge, JJ, John King Tarpinian, Olav Rokne, Errolwi, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, Michael J. Walsh, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
Complex lexical items generally have analogical historico-semantic accretions similar to those in the X-punk domain. This includes phrases like red tide, solar energy, or historical fiction, as well as compounds like jumpsuit, ski lift, or break room. In the other direction, proper names are far from being semantically arbitrary in practice — to quote from a Decopunk work, Catherynne Valente’s Radiance…
(2) THE MATTER OF ENGLAND. One people, divided by a common tongue…
(5) THE MEANING OF IT ALL. Bow Tie Writer asked an array of fans at Worldcon 76 to answer his question. I recognized Judy Bemis, Kevin Standlee, and Michelle Pincus among them.
Worldcon 2018 was held in San Jose August 15th – 20th. I went around and I asked people one simple question: What does Worldcon mean to you. This video is my homage to fandom, to internet friends, and to all the good people who come together to celebrate the things we love.
(6) RSR’S WORLDCON REPORT. At Rocket Stack Rank, Greg Hullender has an interesting set of “WorldCon 76 Takeaways” (including coverage of the Filer meetups).
…The audience for this panel had lots of people with many decades of experience with fanzines, so we had a lively but always cordial discussion. I was pleased to learn that even the folks who’d done fanzines back in the days of mimeograph machines all seemed to agree that online publications were definitely the future, particularly in terms of their ability to immediately involve fans via comments that don’t need to wait a month or more for publication. They worried that blogs in particular lack some of the feel of a fanzine, which has an arrangement of related stories. (At RSR, we’ll think about how a content-management system might capture that for an online publication.)
I was very pleased when someone in the audience told me that Rocket Stack Rank fit into a long tradition of “Review Fanzines,” of which Tangent is another surviving example. That made me feel a lot less like an impostor….
(7) TRUESDALE’S WORLDCON 76 PHOTO GALLERY. Dave Truesdale’s Worldcon 76 report for Tangent, “Photos from Worldcon 76, the 76th World Science Fiction Convention”, begins with coverage of Saturday’s alt-right demonstration, and ends by explaining what a raw deal he got when his 2016 Worldcon membership was revoked. In between there are a quite a few fine author photos. Here are the captions from one set —
Below Left: Lezli Robyn, helping out at the Galaxy’s Edge dealer’s table. Below Right: Galaxy’s Edge Publisher Shahid Mahmud. Both Lezli and Shahid are two of the most delightful people I’ve met in a long time. Shahid’s enthusiasm and love of SF is infectious. We talked for quite some time about this and that, and his intelligence and sense of humor shone through everything. I can’t imagine anyone not liking Shahid once they’ve met him.
(8) PROMETHEUS SPEECH. The Libertarian Futurist Society presented the Prometheus Awards at Worldcon 76. The author of the Prometheus Award-winning novel, Travis Corcoran, was unable to attend, so his acceptance speech for Powers of the Earth was read by Chris Hibbert. Its message is conveyed with classic libertarian subtlety.
…Since the first Worldcon in 1939 science fiction has been a libertarian territory under attack from authoritarians. Futurian Donald Wollheim was a communist, and argued that all of science fiction “should actively work for the realization of the . . . world-state as the only . . . justification for their activities”.
Wollheim failed with his takeover in 1939—he was physically removed from Worldcon—but he started a Gramscian long march through the institutions, and it worked. In the current year conventions, editors, and publishing houses are all cordy-cepted. The sociopaths have pushed the geeks out and have taken over the cultural territory.
“You made this? <pause> I made this.”
When the state tries to take your home, they come with guns, and you have to fight them with guns, if at all.
When a subculture tries to take your home, they come with snark and shame and entryism . . . and you fight them by making better art….
Terraforming is, of course, the hypothesized art of converting an uninhabitable rock into a habitable world. Jack Williamson coined the term in his Seetee-related short story, “Collision Orbit”, published under the pen name Will Stewart in the July, 1942 issue of Astounding Magazine. While Williamson invokes non-existent super-science in order to make the task seem doable, he probably felt confident that terraforming would someday make sense. In the short run, we have seen humans shaping the Earth. In the long run—well, Earth was once an anoxic wasteland. Eons of life shaped it into a habitable planet. Williamson suspected that humans could imitate that process elsewhere…and make it happen in centuries rather than eons. Perhaps in even less time!
(10) AUGUSTULUS: With the help of a belated July issue, Jason has compiled a diminutive list of notable reading in Summation: August at Featured Futures:
This month has been doubly strange. Despite reading 42 stories of about 201K words from the August magazines, I’m in the unprecedented and unpleasant position of only being able to note one story (and that’s not even fully recommended). Counting a late July story and things for a couple of Tangent reviews, I read 59 stories of about 324K words this month and can at least add two recs and another honorable mention, all from the July/August Black Static, but only one of those is even speculative with the other two being straight horror.
(11) GIDDINGS OBIT. Sff writer and critic Joseph “Joe” Giddings passed away from ALS at the age of 45 on August 16. He was born April 6, 1973. His criticism appeared in Bull Spec and Tangent Online (among others). His fiction appeared in Mystic Signals and Dark Stars (more information in his entry at Internet Science Fiction Database.) Giddings blogged at “The Clockwork Pen”.
Joseph Giddings
(12) TODAY’S MEMORIAL DAYS
[Compiled by Cat Eldridge. Who looked at the wrong ISFDB page today — but waste not, want not!]
Died September 2, 1973. J.R.R. Tolkien. It’d be extremely silly of me to list what he’s done given what the group knows, so instead I’ll ask instead what’s your favourite work by him. Mine’s still The Hobbit, a book I delight in re-reading in the Autumn as I think of him as being of that season.
Died September 2, 2000 – Curt Siodmak. He is known for his work in the horror and science fiction film genres, with such films as The Wolf Man and Donovan’s Brain with the latter being adapted from his novel of the same name. Siodmak is credited with creating the legend that only silver can kill a werewolf. He also wrote the screenplays for include Earth vs. the Flying Saucers, I Walked With a Zombie and The Beast With Five Fingers.
Died September 2, 2013 – Frederik Pohl. Obviously needs no introduction here. His first published was a 1937 poem “Elegy to a Dead Satellite: Luna”. Noted work include the Heechee series whose first novel, Gateway, was the winner of the Campbell Memorial, Hugo, Locus SF, and Nebula Awards, Man Plus , and The Space Merchants with Cyril M. Kornbluth. I won’t say that any of the short story collections thrill me but Platinum Pohl is a decent collection.
As every good Harry Potter fan knows, the Hogwarts Express departs from Kings Cross station, London, platform nine and three-quarters at 11.30am on September 1. This year Professor Dumbledore and Newt Scamander themselves, aka Hollywood stars Jude Law and Eddie Redmayne, were there to kick off the new year.
(15) AND WHILE WE’RE HOGWARTING. Gwynne Watkins, in the Yahoo! Entertainment story “A ‘Harry Potter’ neophyte watches all 8 movies for the first time: Here’s what happened” says that “my cred as a film nerd and a nerd nerd has been threatened by a shameful omission”– she had never seen a Harry Potter movie (not literally – she’d seen the first one in its initial theatrical release.) So she decided to watch them all over a 24-hour binge. Some notes are better than others. Is Harry Potter and the Order of the Phoenix really about the problems of standardized testing? On the other hand, she had an interesting response to this 20-years-after rewatch of the very first movie —
What surprised me most on my second viewing of Sorcerer’s Stone was how much I loved Emma Watson’s Hermione. The first time around, I remember thinking that her show-offish, know-it-all nature was borderline unbearable. Now I love how unapologetic she is about her intelligence, how confidently she wields it in a room full of boys. (Seriously, where are the Hogwarts girls? Hermione needs some female friends!) Maybe as a girl who grew up downplaying her intelligence, Hermione made me uncomfortable in some primal, fourth-grade part of my subconscious. If that’s true, it only makes me more grateful that my daughter will grow up in a post-Hermione world.
(16) THE HORROR. From Agouti (@bitterkarella) comes news of the horror genre’s Midnight Society of writers. Dean Koontz, HP Lovecraft, Clive Barker, Edward Lee, Stephen King, and Edgar Allen Poe trade inspirations for their next novels. The thread starts here.
John Bellairs: Submitted for the approval of the Midnight Society, I call this the Tale of the Spooky Robot King: sure sounds fun Bellairs: so this guy invents a robot Koontz: i like robots C: Bellairs it needs to eat human eyes to work King: wait what
— Lesbian Death Bed: The Bed that Eats Pussy (@bitterkarella) August 20, 2018
(17) NED KELLY AWARDS. My internet wanderings brought me the results of the Australian Crime Writers Association’s 2018 Ned Kelly Awards, and far be it from me to turn down literary award news…
2018 Ned Kelly Awards
Best Crime
Crossing the Lines by Sulari Gentill
Best First Crime
The Dark Lake by Sarah Bailey
Best True Crime
Unmaking A Murder: The Mysterious Death of Anna Jane Cheney by Graham Archer
(18) NGAIO MARSH. Likewise, I learned the 2018 Ngaio Marsh Awards for the “very best in Kiwi Crime” were recently presented in New Zealand.
Best Crime Novel
Marlborough Man by Alan Carter (Fremantle Press)
Best First Novel
All Our Secrets by Jennifer Lane (Rosa Mira Books)
Astronomers are engaged in a lively debate over plans to rename one of the laws of physics.
It emerged overnight at the 30th Meeting of the International Astronomical Union (IAU), in Vienna, where members of the general assembly considered a resolution on amending the name of the Hubble Law to the Hubble-Lemaître Law.
The resolution aims to credit the work of the Belgian astronomer Georges Lemaître and his contribution – along with the American astronomer Edwin Hubble – to our understanding of the expansion of the universe.
While most (but not all) members at the meeting were in favour of the resolution, a decision allowed all members of the International Astronomical Union a chance to vote. Subsequently, voting was downgraded to a straw vote and the resolution will formally be voted on by an electronic vote at a later date.
(20) BEWARE BENNU. The NASA mission to visit and sample Bennu — a “potentially hazardous asteroid” — has entered a new phase (“NASA’s OSIRIS-REx Begins Asteroid Operations Campaign”). The spacecraft has begun approach operations:
After an almost two-year journey, NASA’s asteroid sampling spacecraft, OSIRIS-REx, caught its first glimpse of asteroid Bennu last week and began the final approach toward its target. Kicking off the mission’s asteroid operations campaign on Aug. 17, the spacecraft’s PolyCam camera obtained the image from a distance of 1.4 million miles (2.2 million km).
…The spacecraft has traveled approximately 1.1 billion miles (1.8 billion km) since its Sept. 8, 2016, launch and is scheduled to arrive at Bennu on Dec. 3.
…During the mission’s approach phase, OSIRIS-REx will:
regularly observe the area around the asteroid to search for dust plumes and natural satellites, and study Bennu’s light and spectral properties;
execute a series of four asteroid approach maneuvers, beginning on Oct. 1, slowing the spacecraft to match Bennu’s orbit around the Sun;
jettison the protective cover of the spacecraft’s sampling arm in mid-October and subsequently extend and image the arm for the first time in flight; and
use OCAMS to reveal the asteroid’s overall shape in late-October and begin detecting Bennu’s surface features in mid-November.
Ultimately, the craft will map the asteroid, then perform a sampling “touch-and-go” maneuver. The sample will be dropped off at Earth in a Sample Return Capsule in September 2023. OSIRIS-REx itself will end up in a solar orbit.
(21) LOX WARNING. It used to be a thing — and may still be in some fannish circles — to whip up fresh ice cream at room parties using liquid nitrogen. The US Food and Drug administration has issued a safety alert about the danger of drinks and food prepared with LN2 at the point of sale (CNN: “FDA issues warning about liquid nitrogen on food”):
“The FDA has become aware of severe — and in some cases, life-threatening — injuries, such as damage to skin and internal organs caused by liquid nitrogen still present in the food or drink,” the FDA said in issuing its safety alert. “Injuries have occurred from handling or eating products prepared by adding liquid nitrogen immediately before consumption, even after the liquid nitrogen has fully evaporated due to the extremely low temperature of the food.”
In its warning, the FDA said inhaling the vapor “released by a food or drink prepared by adding liquid nitrogen immediately before consumption may also cause breathing difficulty, especially among individuals with asthma.”
…The FDA did not say how many reports of injuries it has received or provide details on life-threatening cases.
The life story of Neil Armstrong, the first person to walk on the moon, is so full of astounding courage, tragedy and triumph that it is just begging for an old-school Hollywood biopic, with all the inspiring speeches, swelling orchestras and grand themes that the genre entails. First Man is not that biopic.
Directed by Damien Chazelle (La La Land) and scripted by Josh Singer (Spotlight), the film is an understated, economical drama which, like a rocket that has to escape from the Earth’s gravity, jettisons absolutely everything it doesn’t need. Dialogue is kept to a minimum. Exposition is edited out. Extraneous characters are stripped away to the point that you see almost nothing of Buzz Aldrin (Corey Stoll), who moonwalked with Armstrong, and even less of Mike Collins (Lukas Haas), who piloted the orbiting craft. You don’t hear about Armstrong’s Korean War heroics, for that matter, and the space-race politics that were behind Nasa’s Apollo programme remain in the background. And yet, as restrained as First Man is, this riveting, exhaustively researched and utterly believable film manages to shake you, take your breath away and even pull a few tears from your eyes.
For a country which will soon assume the mantle of the world’s largest cinema audience, China comes out with a surprising number of big budget B-grade flops.
Some blame this on censorship, others on a lack of creativity but there are also those who see a more sinister force at work, which has nothing to do with film-making.
It also has nothing to do with selling tickets: at least not real ones.
Some investors are apparently financially backing movies with the sole goal of boosting their stock price that can shift on the perception of a movie’s performance, irrespective of its true popularity.
(24) VIDEO OF THE DAY. “The Bridge Tongues” on YouTube is a look back at our times from the 25th century, where no one argues with each other and everyone lives in their own digital bubble.
[Thanks to JJ, Mark Hepworth, John King Tarpinian, Samuel Montgomery-Blinn, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Gregory Benford, Martin Morse Wooster, Bill Burns, Dann, James Davis Nicoll, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
(1) JEMISIN ON CNN. N.K. Jemisin is on episode 6 of W. Kamau Bell’s CNN program United Shades of America. In this episode he goes back to Mobile, Alabama, and brings her along for one of the segments.
Dinosaur-loving fans eagerly anticipate the arrival of Jurassic World: Fallen Kingdom this Friday, but now they can get in on the action a bit closer to home. Like … right at the breakfast table.
Kellogg’s has partnered with Universal Studios to develop limited-edition boxes of Keebler Fudge Stripes and Kellogg’s Frosted Flakes that come with a digital screen embedded into the box. Each screen airs an exclusive five-minute video of behind-the-scenes footage from the flick, showing fans how the dinosaurs are brought to life as well as additional special effects from the movie.
Universal and Amblin have claimed Hollywood’s fourth-biggest opening ever in China.
Universal and Amblin’s Jurassic World: Fallen Kingdom opened with a roar at the Chinese box office over the weekend, earning $111.9 million.
It was Universal’s second-biggest debut ever in the market, behind only The Fate Of The Furious. The opening was also considerably better than the $99.2 million that the first Jurassic World film earned in its first full week in Chinese cinemas in 2015 (openings were tallied by the week rather than weekend back then).
The dino tentpole also pulled in $10 million from 520 Imax screens. Altogether it claimed over 75 percent of the weekend’s total ticket revenue in China.
Tom Krall lives on St. John in the U.S. Virgin Islands on the west end of the island, high on a ridge. That’s where he was in September when Hurricane Irma roared through.
“We had the full blast,” Krall says. “Twenty of the 30 houses in my neighborhood lost their roofs or worse.”
The National Hurricane Center says Irma had sustained winds of 185 mph when it hit the Virgin Islands with gusts of 200 mph or higher. They were the most powerful winds ever recorded in that part of the Caribbean.
In his more than 30 years on St. John, Krall has hunkered down for many hurricanes, including other Category 5 storms. He says Irma’s winds were dramatically worse than other hurricanes. He knows what winds are like at 150 mph.
Frankenstein has been popular for two centuries because every era since has felt like the end times to those in it, so every era needs a story unafraid to discuss annihilation.
The World Health Organisation’s classification of gaming disorder as a condition which is capable of debilitating addiction is an important moment in the shifting relationship between technology and society.
Concern among parents about the impact of smartphones in particular, and the response of technology firms to those concerns, has become a staple of the news agenda.
Apple’s much covered Digital Health initiative was derided in some quarters, with analysts and punters alike sceptical about the desire of that company to in any way reduce smartphone usage, given its still heavy reliance on smartphones for revenue.
(8) CAT OBITS. Condolences to three Filers who recently suffered the loss of a beloved cat. Two of these venerable SJW credentials featured in Cats Sleep on SFF.
Steerpike, by then having celebrated his 18th birthday, developed lymphoma and was wasting away before being put to sleep. He had a good innings and is missed.
Anne Sheller
Pepper, my oldest, died about 2 hours ago. I found her unconscious and unresponsive earlier in the evening. I opted not to make an emergency visit to the vet since she didn’t seem to be suffering but seemed too far gone to revive. It took her a few hours to stop breathing.
She was a tiny dark tabby, 15 years and about 7 1/2 months old. She’d been diagnosed with diabetes just over a year ago, and been to the vet for a checkup just this past week. I wasn’t expecting her to live a whole lot longer, but her death tonight was unexpected. I’ve had her since she was about 5 months old, and loved her very much.
(9) TODAY IN HISTORY
June 18, 1983 — Sally Ride became the first American woman in space.
TODAY’S BIRTHDAYS
Born June 18 – Carol Kane, 66. Valerie in The Princess Bride, Myth in The Muppet Movie which looks to be her first genre role, Ghost of Christmas Present in Scrooged, and more recently as Gertrude Kapelput in Gotham.
Born June 18 – Isabella Rossellini, 66. Thar in the ‘05 Earthsea series, Nimue in the ‘98 Merlin series, Athena in the ‘98 The Odyssey series and a number of other genre roles.
Born June 18 – Paul McCartney. Writer: “Come Together” episode of the Justice League animated series, actor in Pirates of the Caribbean: Dead Men Tell No Tales.
Born June 18 – Barbara Broccoli, 58. Producer or Director credit in at least fourteen Bond films which or may not be genre depending on how you view them. Her only acting role is as an uncredited Opera patron in The Living Daylights.
Born June 18 – Kim Dickens, 53. Currently Madison Clark in Fear the Walking Dead, Jake’s Mom in Miss Peregrine’s Home for Peculiar Children, and roles in Flashforward and Lost.
Born June 18 — Richard Madden, 32. Rob Stark in Game Of Thrones and Agent Ross in Philip K. Dick’s Electric Dreams.
…[W]e find a substantial probability that we are alone in our galaxy, and perhaps even in our observable universe (53%–99.6% and 39%–85% respectively). ’Where are they?’ — probably extremely far away, and quite possibly beyond the cosmological horizon and forever unreachable.
Note that since this is a preprint article it has not been peer-reviewed yet. Motherboard summarized their own take on the paper as:
These are sobering results, but the researchers caution against any kneejerk cosmic pessimism. “This conclusion does not mean that we are alone, just that this is very scientifically plausible and should not surprise us,” the researchers wrote. “It is a statement about our state of knowledge, rather than a new measurement.”
In other words, there’s no reason to despair—yet. The more we learn about the universe and our own planet, the more we will decrease the uncertainty latent in the Drake equation. For example, our inability to detect extraterrestrial civilizations over the decade can increase our certainty that we’re alone, but then again, the universe may be awash in extraterrestrial signals and we simply haven’t learned how to recognize them yet. For now, however, the researchers suggest that if there are aliens, they are “probably extremely far away and quite possibly beyond the cosmological horizon and forever unreachable.”
(12) WITHDRAWAL PAINS. JDA advertised on Twitter he was “Off Social Media Til 6/21” but he must have noticed we were enjoying it more than he was. Today he broke his fast early by posting “The White Male Initiative For Worldcon 76” [Internet Archive link] on his blog.
I, Jon Del Arroz, the leading Hispanic voice in science fiction, will review submissions and select recipients. Please keep your statements under 500 words. I may ask follow-up questions, however. If you’re a professional, links to examples of your work would be helpful.
We realize that marginalized majority groups have felt reticent about joining us, and understandably so. But we need more representation from the white male community in science fiction fandom! Bring it!
As you know, I urged my fans and friends who are supporting this blog and my fiction work on a subscription basis to switch their pledges from Patreon to Freestartr because Patreon was removing right wing political commentators over their content.
This weekend, Freestartr was shut down by Stripe, the collections company used to process credit card transactions– a company set up as a paypal alternative because the latter was already known for trying to deplatform right wing personalities through demonetizing. From their website:
FreeStartr currently has lost the ability to collect funds for our creators. CEO Charles C. Johnson’s comments can be found here.
(14) REVERSE PSYCHOLOGY. Wouldn’t The Verge have done more to discourage people from buying this by ignoring it altogether, instead of cleverly badmouthing it? Survey says – Yes! “This unlicensed Harry Potter battery pack makes a bad pun out of an even worse product”. (Wait, was this frame actually written by the same guy who introduced the last two Scroll items?)
If you’ve read Harry Potter and the Deathly Hallows — which I generally assume is most of the global population — you’re probably familiar with the Elder Wand, a powerful wand wielded by both Dumbledore and the dark wizard Voldemort over the course of the series.
The CELLder Wand is not the Elder Wand. Where one is a fictional, legendary magical artifact of ultimate power, the CELLder wand is a Kickstarter campaign for a possibly fictional hunk of plastic that surrounds a fairly ordinary 3,200 mAh USB battery pack.
There are lots of incredible things you can do with data. Like make this incredible animation of the Martian surface, for example.
This animation is the latest from visual artist Seán Doran, using real data taken by the HiRISE camera on the Mars Reconnaissance Orbiter. (MRO) Of course, it’s not actual video footage, and required a lot of processing to achieve the realistic effect. But it does give the exciting impression that one is flying just above the Martian surface.
(16) VIDEO OF THE DAY. “DIY–Behind the Scenes” on Vimeo explains how an animated film is made.
[Thanks to John King Tarpinian, JJ, Doug Bissell, Cat Eldridge, Mike Kennedy, Iphinome, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Jon Del Arroz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
(1) LICENSE TO THRILL. Steven H Silver spotted an unusual collectible in traffic the other day —
I was unaware that Illinois issued such event specific license plate until I saw this one today (June 6). The text around Superman indicates it is for the 40th Annual Superman Festival in Metropolis, Illinois from June 7-10. On the right you can see that the plate expires on June 10, 2018.
To which the answer is, because talking about Space Opera gives me an opportunity to point out a glaring lacuna in almost all the works we’ve discussed so far—the way that nearly every one of them leaves out the centrality of culture, and particularly popular culture, in shaping a society and reflecting its preoccupations.
When I say “culture”, I’m talking about several different things, each integral to the believability of any invented world. Culture can mean shared cultural touchstones, classic and modern, that give people a common frame of reference, like humming a pop song or quoting the Simpsons. It can mean characters who are artists, professional or amateur. It could refer to the way that culture can become a political battleground, as we were discussing just a few days ago in response to the news that conservatives want their own version of SNL. Or it could be a discussion of material culture—fashion, design, architecture—and how it allows people to express themselves in even the most mundane aspects of their lives.
It’s very rare, however, to see science fiction try to engage with any of these aspects of culture. Even as it strives to create fully-realized worlds, art—high and low, functional and abstract, popular and obscure, ridiculous and serious—tends to be absent from them. So are artists—try to remember the last time you encountered a character in a science fiction or fantasy story who had an artistic side, even just as a hobby. Even worse, few characters in SFF stories have any kind of cultural touchstones.
(3) KILL YOUR DARLINGS. Delilah S. Dawson tells what she thinks is the real meaning of that traditional writerly advice “kill your darlings.” The thread starts here —
The earliest Worldcon masquerades were more like informal costume contests, with several well known authors of the time participating. The costumes worn were a mix of original designs, interpretations of literary characters and what would come to be known as media recreations. 1940 – Chicon I
Following the novelty of Ackerman’s and Douglas’ costumed appearance the previous year, a “Science Fiction Masquerade Party” was featured as part of the convention programming.(1) By Forrest Ackerman’s count, there were 25 people in costume there. The co-host masters of ceremonies were fans and writers Jack Speer and Milton Rothman. Judging from the accounts of the party, the occasion was informal – there was no stage, but there were one or two skits, including one by Ackerman and “Morojo” (Douglas) wearing their outfits from the previous year.
There were several reports of who was there for the first official costumed event. Among that first group of convention costuming contestants were…
(5) ICG IN PASSING. The International Costuming Guild’s in memoriam video, presented at Costume-Con 36 (2018) to recognize those in the community lost in the previous year, is posted on YouTube.
(6) WITH CAT IN HAND. Yoon Ha Lee will be doing an Ask Me Anything on June 12.
(7) THIEVES LIKE US. A recent movie premiere inspires B&N Sci-Fi & Fantasy Blog’s listicle “12 Fantasy Heist Novels”.
There are genre tropes, and then there are those archetypes that are mainstays of not just science fiction and fantasy, but of popular culture in general. One of the best examples is the character of the Gentleman Thief (who doesn’t always have to be a gentleman). These rogues are witty, engaging, and will rob you blind with a rakish wink and a smile. You can’t help but be charmed by them. From Robin Hood to Danny Ocean, the character is a permanent favorite in books and on film….
The Holver Alley Crew, by Marshall Ryan Maresca
Maresca’s interconnected Maradaine books (multiple series examining life in the same fantasy city) are a real treat. The latest series is about the Holver Alley crew, a ragtag group of formerly retired thieves are forced to return to a life of crime when their new, respectable shop burns down. When they learn the fire was no accident, they are forced to take desperate measures. All of the Maradaine books are a treat, but this one really stands out because of the especially strong characters. In fine Oceans tradition, Asti and Verci are both brothers and ringleaders, and must assemble a skilled crew to pull of a job to rob a gambling house that took everything from them.
The public is being offered the chance to attend a service of thanksgiving for Professor Stephen Hawking, who died in March aged 76.
It will take place in Westminster Abbey on 15 June and up to 1,000 tickets are available in a ballot.
During the service, the scientist’s ashes will be interred between Sir Isaac Newton and Charles Darwin.
His daughter, Lucy Hawking, said she wanted to give some of her father’s admirers the chance to remember him.
(9) LAST DAYS. Christopher Stasheff’s son, Edward posted the following to his Facebook page on June 9:
My father, Christopher Stasheff, is currently in hospice and expected to die from Parkinson’s Disease within the next two weeks, quite possibly this week. If anyone would like to say goodbye to him, post it as a response here, and I’ll read it to him the next time I see him (I visit him in the nursing home daily). Thanks.
The most recent reports are suggesting that he may only have a day or so left.
My father Christopher Stasheff died at 6:45 PM on June 10th, 2018, surrounded by his wife and two of his children. The other two were able to phone in and say goodbye before he passed. He is survived by hundreds of his students and uncountable fans, and his legacy will live on in all the lives he touched.
(10) TODAY’S BIRTHDAY
Born June 10, 1952 – Kage Baker
(11) VOLLEYED AND THUNDERED. Edmonton’s Hugo Book Club just put out a new blog post, “Is that The Canon in your pocket or are you just happy to see me?”, in which they muse about literary awards and their relation to posterity and questions of enduring value. Is science fiction the new Western Canon?
It is worth noting that Harold Bloom’s 1993 list of The Western Canon included only two works that are traditionally categorized as science fiction: Ursula Le Guin’s Hugo Award winner The Left Hand of Darkness and George Orwell’s 1984.
But of Bloom’s list, I would argue the majority of the works cited are less relevant to the broad public – and to a concept of cultural literacy – than the recent Hugo Award winners and popular works of science fiction.
For example, references and allusions to Wolfram von Eschenbach’s 13th century poem Parzival are lost on the broader public, while Ernest Cline’s Ready Player One protagonist Parzival is familiar to many.
When a friend lent Kurt Vonnegut Jr.’s newest novel, Cat’s Cradle to me, I thought, “Oh, I know this book!” because I saw, as I flipped through it, the “ice-nine” and “Bokonon” I’d heard people buzzing so much about. So I was glad to read it and understand the phenomenon.
But that’s where my joy ended. Vonnegut is a fine writer. His style is idiosyncratic, askew; this is a novel novel. But no one would accuse him of being optimistic or hopeful about the human future. No Pollyanna he….
(13) BBC RADIO STAR TREK DOCUMENTARY. BBC Radio 4 has just re-broadcast “Star Trek – The Undiscovered Future”, first aired December 2017. It’s available to listen to online right now.
How far have we voyaged towards Star Trek’s vision of the future and what of it is likely to be fulfilled or remain undiscovered in the next 50 years?
Kevin Fong presents archive material of the likes of Leonard Nimoy (Spock) and Nichelle Nichols (Lieutenant Uhura) talking about the inception and filming of the original Star Trek series, and their thoughts about Roddenberry’s vision of the future and its impact in the United States at the time.
For example, Nichols relates how she had a chance encounter with Martin Luther King the day after she had told Roddenberry that she intended to leave Star Trek after the first series. King told her he was her number fan and almost demanded that she didn’t give up the role of Uhura, because she was an uniquely empowering role model on American television at the time.
For a perspective from today, Kevin also talks to George Takei who played Mr Sulu. Takei laments the ethnically divisive politics of the United States in 2016.
He meets Charles Bolden – the first African American to both command a shuttle mission and lead NASA as its chief administrator. In the age of the International Space Station, he compares himself to the ‘Admiral of Star Fleet’. But the former astronaut also talks about the anger he first felt in 1994 when he was asked to fly the first Russian cosmonaut ever to board an American space shuttle.
Kevin also talk to cultural broadcaster and Star Trek fan Samira Ahmed about the sexual and racial politics of the Original series.
(14) ST:D SEASON TWO. Comedian and new Star Trek: Discovery cast member Tig Notaro opened her set on The Late Show with Stephen Colbert poking fun at her inability to understand any of the tech talk from her Trek dialog. See “‘Star Trek: Discovery’: Tig Notaro Talks Technobabble” at Comicbook.com.
Tig Notaro is one of the new additions to the cast of Star Trek: Discovery in the show’s second season and while she’s excited to be a part of the Star Trek universe she doesn’t exactly speak the language.
Notaro was a guest on The Late Show with Stephen Colbert to promote her new comedy special Happy to be Here. She greeted Colbert by saying his theater was “like a room full of pleasant subspace particles wrapped in a tachyon field of good vibes.”
The comment is obviously a reference to her role on Discovery, though she admits “I have no idea what I’m saying on that show…I can’t even picture what I’m talking about.”
She revealed that her character is human and that she plays Commander Jet Reno, a name she got to choose for herself. As for how she got the job, “They just asked if I wanted to do it” she says.
More female directors on Marvel pics: Captain Marvel is the first Marvel title to have a female director at the helm Anna Boden (who is co-helming with Ryan Fleck. And having more female directors behind his superhero pics is a trend he plans to maintain, “I cannot promise that (the next) 20 Marvel movies will have female directors but a heck of a lot of them will,” he said in response to an audience member’s question. The Marvel boss mentioned that agencies are sending more female directors than men for Marvel directing jobs.
On the $1.3 billion success of Black Panther, Feige said that Marvel “wanted to destroy the myth that black movies don’t work well around the world,” and being at Disney with its platinum marketing department allowed the comic book studio to swing for the fences.
“The budget for Black Panther was bigger than Doctor Strange, Ant-Man, Captain America: Civil War, and you can’t do that without the support and encouragement from the leaders of the company,” he said.
Feige also applauded Black Panther director Ryan Coogler’s championing his diverse below-the-line team in Hannah Beachler as production designer, Ruth Carter’s costumes, and DP Rachel Morrison. Their resumes, like Marvel’s directors, didn’t scream tentpole experience, but Feige is grateful he heard them pitch rather than rely on his regular team.
“We can’t imagine the movie without them, and the future movies we hope to make with them,” he said.
After their wildly successful first dino film in 2015, the pair reunited last year to film much of Fallen Kingdom on the Kualoa Ranch in Oahu, Hawaii. But even surrounded by tropical paradise, they faced more than a few challenges on camera, from filming in a chlorinated pool that fried Pratt’s hair and skin to riding in a zero-gravity gyrosphere that made Howard nauseous. And Pratt had to do some awkward face-offs with a velociraptor that wasn’t really there—until the special-effects department created it. He acts out how he’d say to the air in front of him, “Get back, get back . . .” and then “Whoa!” as he’d throw himself on the ground. The camera crew, watching on monitors nearby, “didn’t want to say how stupid it looked!”
Aster said he deliberately amped up the drama in the film slowly. “I’m not affected by anything in a film unless I’m invested in the people at the center of it,” he said. “I wanted to take my time and immerse people in this family’s life and their dynamic, which is quite complicated. I just wanted to make a film in the tradition of the horror films I grew up loving, like ‘Rosemary’s Baby,’ ‘Don’t Look Now’ and ‘The Innocents.’ Films that take their time are very much rooted in character.”
Setting also plays an important role in the creepiness in “Hereditary.” The family’s luxury cabin in the woods has the right dark corners and haunted attics to make it feel like a trap where its inhabitants are left to slowly die. Annie’s miniature houses become a motif. “The miniatures just struck me as a potent metaphor for the family’s situation,” Aster said. “They have no agency, and they’re revealed over the course of the movie to be like dolls in a dollhouse, being manipulated by these outside forces.”
(18) SPONGEBOB TONY. In “How ‘SpongeBob SquarePants’ invaded our brains”, Washington Post writer Sonia Rao interviews the cast and creators of SpongeBob SquarePants: The Broadway Musical, which is up for 12 Tonys as best musical tonight and is making a lot of Millennials very happy.
Tom Kenny never thought SpongeBob SquarePants, a character he originated on the children’s program almost 20 years ago, would one day end up on Broadway. Why would he have? Parents clamp their hands over their ears whenever they hear SpongeBob’s helium voice, let alone his nasal laugh. The anthropomorphized sponge is no Hugh Jackman.
And yet, “SpongeBob SquarePants: The Broadway Musical” is up for 12 Tonys on Sunday, tied with “Mean Girls” for the most nominations. Its resonance with serious theatergoers is surprising until you consider that even as adults, those of us who watched the series can’t shake its omnipresent songs, references and memes. Somehow, it became a cultural earworm.
[Thanks to Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Lexica, Olav Rokne, John King Tarpinian, Cat Eldridge, Carl Slaughter, Jonathan Cowie, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
If you want to do something that would be meaningful to me, drop a tip in RWA’s perseverance fund. It’s for romance authors who need help paying membership dues—whether they’re current members or not.
“One of the strengths of the collection is Clarke’s manuscripts,” says curator Martin Collins. “Clarke had working notes as he prepared things for publication. It really highlights his deep belief and attention to making his fictional stuff as close to scientific fact as he could.”
The majority of the correspondence dates from the 1960s on. Tucked inside one folder, a letter from Wernher von Braun cordially invites Clarke to the October 11, 1968 launch of Apollo 7. “The rocket will carry [Wally Schirra, Donn Eisele, and Walter Cunningham] on a ten day earth orbital flight,” writes von Braun. “This mission will demonstrate the performance of the Saturn IB launch vehicle, the spacecraft’s command and service modules, and the crew and support facilities.” (Von Braun helpfully attached a list of motels in the Cape Kennedy area, which ranged in price from $5 to $18 a night.) A year later, Clarke, at Walter Cronkite’s side, covered the Apollo 11 mission for CBS.
(3) YE ROUND PEG IN YE ROUND HOLE. The BBC covers a study that shows “Every story in the world has one of these six basic plots”, applying Vonnegut’s graphing theory to some of the recent “100 stories that shaped the world”, including a few genre.
“Thanks to new text-mining techniques, this has now been done. Professor Matthew Jockers at the University of Nebraska, and later researchers at the University of Vermont’s Computational Story Lab, analysed data from thousands of novels to reveal six basic story types – you could call them archetypes – that form the building blocks for more complex stories. The Vermont researchers describe the six story shapes behind more than 1700 English novels as:
Rags to riches – a steady rise from bad to good fortune
Riches to rags – a fall from good to bad, a tragedy
This is one of my all-time favorite books and I can never not recommend it. It takes time travel and all the tropes inherent to it to a whole new level of emotional resonance, humor, and philosophy. It’s light on plot (and linearity) and heavy on meaning, but the whole thing is so deeply human, and at the same time, takes its science fiction so seriously that it’s no surprise author Charles Yu went on to write for Westworld.
Have you digested last episode’s Nebula Awards Donut Jamboree yet? I hope so, because following up on that lightning-round event, it’s time for the first of five one-on-one interviews over meals with writers recorded during this year’s Nebula Awards weekend in Pittsburgh—starting with nominee Kelly Robson, who 48 hours after we dined at Union Standard, became a winner!
Before winning this year’s Best Novelette Nebula for “A Human Stain,” she was also a finalist for the 2017 John W. Campbell Award for Best New Writer. Her novella “Waters of Versailles” won the 2016 Aurora Award and was also a finalist for the Nebula and World Fantasy Awards. Her short story “The Three Resurrections of Jessica Churchill” was a finalist for the Theodore Sturgeon Award, and her short story “Two-Year Man” was a finalist for the Sunburst Award. Her most recent publication is the time travel adventure Gods, Monsters and the Lucky Peach.
I’d hoped to visit Union Standard shortly after they opened for one of last year’s batch of Nebula Awards weekend episodes, but sadly, it wasn’t to be, so I’m thrilled I was able to host Kelly there. As for the reason why I was so anxious to eat at that restaurant—Chef Derek Stevens has been called one of the foundational figures of Pittsburgh’s culinary boom. In fact, Pittsburgh magazine has written of him—”If you like dining out in Pittsburgh, you should thank Derek Stevens.” If nothing else, I’ve got to thank him for the Jamison Farm Lamb Sirloin with Anson Mills polenta and grilled asparagus—of which Kelly kindly allowed me a nibble.
We discussed how the first Connie Willis story she read changed her brain, the way a provocative photo got her a gig as a wine reviewer at a top national magazine, what she learned from the initial Taos Toolbox writers workshop, why completing Gods, Monsters and the Lucky Peach was like giving birth to a watermelon, how reading a Battlestar Galactica tie-in novel helped teach her how to write, where she would head if time travel were real, why she’s contemplating writing a “frivolous” trilogy (and what that really means), the reason the story of hers she most likes to reread is professionally published James Bond fanfic, and much, much more.
It’s been a while, but we’re back with an incredible 7-story issue! I really appreciate your continued support after the switch to the new semiannual schedule. This issue starts with James Rowland’s “Top of Show”, a metastory about the art of creating stories (5948 words). Our second story is “Targeted Behavior” by J.D. Moyer. In it, someone wants the homeless to leave San Francisco. A young girl has other ideas. (4600 words). The third story this issue, Adam R. Shannon’s “Redaction,” is a story about medics who use technology to deal (or not deal) with their own traumatic experiences (4953 words). Next we have “Cold Draft” by John Derderian. This is a short one about how a radical politically motivated law surprises a teenage boy (2900 words). Our fifth story is “Dreams of the Rocket Man” by C. Stuart Hardwick. This is a beautiful reprinted story about a child learning rocketry from an enthusiastic mentor (7600 words). Story number six, “Driving Force” by Tom Jolly, is the shortest of the lot. In the future, AIs may not only be tasked with driving (1300 words). Our final story is “Don’t Play the Blues”, by Bruce Golden. A musician wrestles with experiences from his military days (6040 words).
(7) TODAY’S BIRTHDAYS
Born June 1 – Actor Jonathan Pryce, 71, The Bureaucrat in The Adventures Of Baron Münchhausen and currently in The Game Of Thrones.
(9) LISTENING IN. Remember that Star Trek scene where Kirk says something odd, to which Spock replies, “I can’t believe my ears, Captain”? Mad Genius Club’s Jonathan LaForce has some things to say in “Verified!” [Internet Archive link] that I haven’t heard from that blog before.
This conflict over culture has consequences. It demands that we not give in to the base instinct of lying, dehumanizing, and othering those with whom we quarrel. Such is dishonorable. Such will not be tolerated. I don’t want you to my left or right, I don’t want you laying down suppressive fire from behind me as I charge forward, if I can’t trust you to do the right thing.
This means not lying about people like Irene Gallo, Moshe Feder, Scalzi, Glyer, or anybody else in this conflict. Such actions destroy our credibility and integrity.
This means that when a panelist says something rude about Tolkien, and SFWA is merely live-streaming the event, don’t claim SFWA said those things about Tolkien.
When Tor writer Elise Ringo says “This is what I crave from female villains: women who are extended the same complexity and depth- and, potentially, sympathy- as their male counterparts, and also women who are really truly bad… Dark Lords are all very well, but the world needs more Dark Ladies…” your reply should not include the words “Tor.com calls on writers not to write female villains.”
When a fellow author says they don’t want to be included in your drama on Twitter, then blocks you on rather preemptively, don’t go “declare war” on them. That’s not just rude, that’s unprofessional.
When Brandon Sanderson announces that he’s going to be making some very carefully thought-out decisions about his involvement with a con just because he’s trying to be careful about his professional relationships, and you scream “MUHVIRTUESIGNALING!” you’re not impressing anybody but your own echo chamber and stroking your ego.
Fast-forward a few years and this story isn’t as unusual as you might think. In January 2017, workers at CBC, the Canadian Broadcasting Corporation, threw a retirement party for five mail robots. Rasputin, Basher, Move It or Lose It, Maze Mobile and Mom had been pacing the company’s hallways for 25 years – delivering employee mail, making cute noises and regularly bumping into people.
There was cake. There were balloons. There was a nostalgic farewell video. There was even a leaving card with comments like “Thanks for making every day memorable” and “Beep! Beep! Beep!” The robots will likely spend their final years relaxing at one of the many museums that have requested them.
Though they’re often portrayed as calculating job-stealers, it seems that there’s another side to the rise of the robots. From adorably clumsy office androids to precocious factory robots, we can’t help bonding with the machinery we work with.
After an epic trek through the Solar System that took nearly a decade, New Horizons sped by at a speed of 58,536 km/h (36,373 mph), gathering data as it passed.
In their study, the researchers explain how they studied pictures of a plain known as Sputnik Planitia, parts of which are covered with what look like fields of dunes.
They are lying close to a range of mountains of water ice 5km high.
The scientists conclude that the dunes are 0.4-1km apart and that they are made up of particles of methane ice between 200-300 micrometers in diameter – roughly the size of grains of sand.
Personal effects – such as Tolkien’s briefcase, the colour pencils he used to create the artwork for Lord of the Rings and boxes of poster paints that he used for water colours in The Hobbit – have been lent to the Bodleian by his family.
Tolkien’s tobacco pipes are also included.
… There are previously unseen letters sent to Tolkien from famous fans such as poet WH Auden, novelists Iris Murdoch and Terry Pratchett and singer-songwriter Joni Mitchell.
“This is a very exciting part of the exhibition,” Ms McIlwaine said.
“These are letters that people haven’t seen before and haven’t been published and I think it’s going to be very surprising to visitors to see the range of people who loved Tolkien’s work, and loved it so much that they wrote to him.”
It’s mildly ironic that a Bodleian archivist would speak admiringly about someone’s smoking materials. Readers have to sign this well-known pledge before being allowed to use the Library:
“I hereby undertake not to remove from the Library, or to mark, deface, or injure in any way, any volume, document, or other object belonging to it or in its custody; not to bring into the Library or kindle therein any fire or flame, and not to smoke in the Library; and I promise to obey all rules of the Library.”
(13) VIDEO OF THE DAY. “Tergo” is a good short film, directed by Charles Willcocks, about a street cleaning robot who dreams of better things that he can’t have.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Scott Edelman, Mike Kennedy, Cat Eldridge, Carl Slaughter, ULTRAGOTHA, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Stoic Cynic.]
Universal Pictures has optioned Catherynne M. Valente’s science fiction novel Space Opera, which Marc Platt will produce for his Universal-based Marc Platt Productions with Adam Siegel, along with Colin Trevorrow producing.
Poor Timothy is still having problems with human faces. I don’t know what fraction of science-fiction authors have beards but I’d guess 30%? Sometimes feels like more!
Can you match the beard-style (numbered) to the author (lettered) so Tim can tell which is which?
(4) BREAKING IN. Congratulations, Buzz Dixon! He told Facebook readers —
I finally cracked Analog after 50 years of trying!
(Not that Buzz hasn’t enjoyed a highly successful writing career in the meantime.)
Analog Editor: What is the story behind “While You Sleep, Computer Mice Earn Their Keep”?
Buzz Dixon: Often I’ll hear an idiom or phrase and think to myself, “What does that mean literally?” In this case, the phrase was “computer mouse,” and I asked myself how mice could actually interact with a computer. Immediately the old fairy tale of “The Cobbler and the Elves” popped into mind.
AE: How did this story germinate? Was there a spark of inspiration, or did it come to you slowly?
BD: If the Computer Mice represent the force of order, then the wild female rat represents the force of chaos. I remember reading Robert Chilson’s “Ecological Niche” in the December 1970 issue of Analog when I was in high school and was struck with his portrayal of wildlife finding a way to be both wild and alive even in the middle of an extremely complex technology. Once I had my opposing points of view, the actual writing went very quickly.
One of my favorite pieces of the most recent fantasy novel, Hearts of Tabat, didn’t actually get into the final version, which was a set of chapter headers defining which Trade God each chapter belonged to. The Trade Gods of the city of Tabat embody various economic forces of one size or another, ranging from the large Anbo and Enba (Supply & Demand) to the more particular, like Zampri, who oversees Advertising, or Uhkephelmi, God of Small Mistakes.
In other words, my friends, Donadio & Olson does not have the financial resources to make up for a theft of $3.4 million, let alone any more potential losses that the forensic accountant might turn up.
The complaint alleges that Webb stole money as far back as 2011. However, according to Law360, he worked for the company since 1999. Did he start this behavior then? Or after Candida Donadio died? (Which seems likely. Agencies go off the rails when their founders leave or die.)
It’s pretty easy to steal from writers’ estates. I worked with a number of them on some projects in 2015 and 2016, and with one exception, the agencies or the organizations in charge of the estates didn’t give a crap about resale, about payment, about anything. Most of them weren’t even familiar with the story I wanted to reprint, and only one of them had an author’s preferred version that they sent to me. (I asked.)
I probably could have reprinted those stories and never paid any of the estates. I probably would not have been caught in most cases. And that’s rather minor theft.
Now, imagine what’s going on with estates like [Mario] Puzo’s, which includes all of the monies still coming in from the movies, from licensing, from the books (which are still in print). These are multimillion dollar ventures, handled every year by Donadio & Olson, with no one overseeing the day to day running of the finances.
Oh, my. The money was simply there for the taking.
The thing is, Donadio & Olson is a “reputable” agency. The New York Post used the word “prestigious” in describing the agency. Donadio & Olson was, until last week, a gold-standard agency, one that most young writers might have aspired to have as representatives….
Then she shares some firsthand experiences.
Sadly, I am not surprised by any of this. As I have blogged about before, literary agencies are not regulated. Prestigious agencies embezzle. I’ve personally had one of the biggest boutique agencies in the world embezzle from me. (And I suspect they still are, although I can’t prove it. But there are licensed properties—tie-ins—that I wrote whose royalty statements I cannot get my hands on because no one at the licensor will cooperate with me. The books have been in print for 25-30 years and I have never seen a dime in royalties. Ever.) I’ve also had one of the biggest fraudsters in the industry steal from me. I speak from hard-earned life lessons here.
(7) AUREALIS AWARDS TAKING ENTRIES. The Aurealis Awards, “Australia’s premier awards for speculative fiction,” is taking entries until December 7.
The awards are for works created by an Australian citizen or permanent resident, and published for the first time in 2018.
We strongly encourage publishers and authors to enter all works published in the first half of the year by August 2018, then subsequent publications as they are released; our judges appreciate having time to consider each entry carefully.
The same group is also running the Sara Douglass Book Series Award for series ending between 2015-2017, this year. Entries for this special award close on August 31, 2018. More information is available at the link.
Finalists of all award categories will be announced early in 2019 and winners announced at a ceremony to take place in Melbourne in the first half of the year. For more information contact the judging coordinator Tehani Croft at aajudges@gmail.com
‘Back when I was a kid, there was no space program,’ Peterson said in an interview. ‘In fact, I was old enough to know about airplanes before there were jet airplanes.
‘My earliest interest came from science fiction. I read a lot of things as a kid, but I read some science fiction and got interested. As I got older, I started reading real things
A trading card featuring Peterson:
(9) IN A SOCIAL MEDIA FAR, FAR AWAY. (Found with the help of Nicholas Whyte.)
"General Kenobi. Years ago you subscribed to my father's mailing list. Now he begs you to help him by confirming you wish to continue receiving email updates relating to his struggle against the Empire." pic.twitter.com/500ZKcvn0F
(10) COMICS TO BE PRESERVED. Michael Cavna, the Washington Post’s “Comic Riffs” columnist, says that the Library of Congress has acquired most of Steven Geppi’s comics collection, including most of the contents of the Baltimore-based Geppi Entertainment Museum, which will close after this weekend: “Library of Congress acquires its largest donation of comic books ever”.
The impressive acquisition, which is set to be announced Wednesday, comes courtesy of Baltimore-based collector and entrepreneur Stephen A. Geppi, who is donating more than 3,000 items from his holdings, many spanning the eight-decade history of the American comic-book industry. His Mickey Mouse storyboards are from the Jazz Age animated short “Plane Crazy,” which was inspired by Charles Lindbergh. Other items include printing blocks from Richard Outcault’s fin-de-siecle comic-strip character the Yellow Kid, Beatles memorabilia and a No. 2 Brownie camera model F from Eastman Kodak, the library says.
The donation — which the library says it is valuing “in the millions” — was born out of months of conversations between Librarian of Congress Carla Hayden, a champion of giving the public new ways to view the library’s scope, and Geppi, who opened Geppi’s Entertainment Museum in Baltimore in 2006.
The Crown City played a major part in her development, both for its major role in the space race via Caltech, JPL and the Carnegie Observatories, and because of the fact it was racially integrated long before much of the nation. Her archives are collected at the Huntington Library in San Marino, having formed the basis of a popular exhibition in 2017 and remaining one of the hottest collections for researchers there.
“Pasadena was a major inspiration, and part of that has to do with JPL being in her backyard, right over the hill and being so close to the space race and growing up with that had to have piqued her interest,” says Theresa Russell, assistant curator of literary collections at the library. “I think Butler felt it was a very diverse place. She talks about her novels not just being filled with black people, but people of all colors. There were white, black, Asian students at Caltech, and it seemed natural to her that the future would be the world she was seeing, filled with diversity.”
Russell also notes that the Pasadena area or a version of it appears in some of Butler’s works. Her novel “Kindred” offers a particularly strong example, as it focused on a writer living in Altadena amid an early career as a writer, and the novel “Mind of My Mind” features a city called Forsyth that was modeled after Pasadena. Yet Russell notes that the dystopian novel “Parable of the Sower” has the most intriguing connections of all to the City of Roses.
(12) STORIES THAT ADMIT THEY ARE ABOUT POLITICS. The Kickstarter for Cat Rambo’s “IF THIS GOES ON – Political SF Anthology” has raised $3,736 of $10,000 at this writing, with 28 days to go.
Looking at the state of the world today, we are clearly at a nexus of inflection points. Global relations and power structures are changing more rapidly than they have since the cold war. The divide between the haves and have nots is broadening and we are at the start of a new gilded age of robber barons and crippling poverty. Racial, social, and class relations are stretched to a point of breaking. Global climate change threatens to remake our planet.
The choices we make today; the policies of our governments and the values that we, as people, embrace are going to shape our world for decades to come. Or break it.
IF THIS GOES ON asks a very straightforward question – what happens if things continue to be like this and what happens next?
We asked thirty writers to put their minds to it and show us what the future may hold a generation or more from today. To show us the promise of a better world if we embrace our better angels or the cost of our failures if we give in to the demons of divisiveness, if we allow politicians and pundits to redefine truth, and if we continue to ignore the warnings all around us.
Truth matters, stories matter.
The full Table of Contents, organized alphabetically by the author’s last name is:
Cyd Athens – Welcome to Gray
Steven Barnes – The Dayveil Gambit
Rachel Chimits – Dead Wings
Paul Crenshaw – Bulletproof Tattoos
Beth Dawkins – Tasting Bleach and Decay in the City of Dust
Andy Duncan – Mr. Percy’s Shortcut
Chris Kluwe – The Machine
Kitty-Lydia Dye – Three Data Units
Scott Edelman – The Stranded Time Traveler Embraces the Inevitable
Judy Helfrich – A Pocketful of Dolphins
Langley Hyde – Call and Answer
Gregory Jeffers – All the Good Dogs Have Been Eaten
Jamie Lackey – Fine
Jack Lothian – Good Pupils
Nick Mamatas – Hurrah! Another Year, Surely This One Will Be Better Than The Last; The Inexorable March of Progress Will Lead Us All to Happiness
Lynette Mejía – A Gardener’s Guide to the Apocalypse
Aimee Ogden – Twelve Histories Scrawled in the Sky
Sarah Pinsker – That Our Flag Was Still There
Conor Powers-Smith – The Sinking Tide
Zandra Renwick – Making Happy
Kathy Schilbach – Counting the Days
Nisi Shawl – King Harvest Will Surely Come
Priya Sridhar – Mustard Seeds and the Elephants Foot
Marie L Vibbert – Free Wi-Fi
Calie Voorhis – The Editor’s Eyes
Tiffany E. Wilson – One Shot
James Wood – Discobolos
Sylvia Spruck Wrigley – Choose Your Own Adventure
E. Lily Yu – Green Glass: A Love Story
Hal Y. Zhang – But for Grace
Cover art by Bernard Lee. Design by Michael Altmann.
A rare, redesigned version of the starship Enterprise NCC-1701 will go on auction in L.A. (and online) Thursday, with bidding starting at $40,000. The model was designed by Ralph McQuarrie and Ken Adam in 1976 for the ill-fated film Star Trek: Planet of the Titans, which was the first plan for a motion picture after the original series was cancelled. But after months of writing and rewriting the script, it was ultimately shelved, and the redesigned Enterprise was shelved with it. Shortly after, Paramount began working with Star Trek creator Gene Roddenberry on what would eventually become Star Trek: The Motion Picture.
The model would have changed the iconic look of NCC-1701. The model did appear briefly (though not as the Enterprise) in Star Trek: The Next Generation’s two-part episode “The Best of Both Worlds.” It was in the Starfleet armada which was destroyed by the Borg in the Battle of Wolf 359.
(14) HOT TIP: PLASTICS. NASA now has a combination plastic recycler and 3-D printer to test on the International Space Station. The Tethers Unlimited, Inc. device is about the size of a mini-fridge and was built as part of the Small Business Innovation Research program. It was certification tested at the Tethers Unlimited lab in Bothell WA and at Huntsville AL’s Marshall Space Flight Center. The plan is to deliver it to the ISS on a SpaceX Dragon supply run later this year.
The Refabricator uses a process called “Positrusion” for recycling plastic parts into fresh filament for 3-D printing.
“Traditional plastics recycling and 3-D printer filament manufacturing techniques involve grinding and extrusion steps that could pose safety concerns on the ISS and often require a lot of adjustment to keep them running reliably,” [Tethers Unlimited CEO Rob] Hoyt explained.
“To create a recycling system that is safe and doesn’t demand a lot of astronaut time, we developed a new method for recycling plastic parts into 3-D printer filament, and integrated it together with a 3-D printer to create a highly automated recycling-and-manufacturing system,” he said.
(15) WATER WATER EVERYWHERE. BBC reports “Two different forms of water isolated for first time”. Not polywater (a hoax) let alone ice-nine (though both have been topics of sf stories), but physics-level differences leading to different chemical behavior.
Scientists have isolated the two different forms of water molecule for the first time.
Water molecules were known to exist as two distinct “isomers”, or types, based on their slightly different properties at the atomic level.
By separating out the two isomers, researchers were able to show that they behave differently in the way that they undergo chemical reactions.
Whether they are historical or contemporary, who are some of the writers whose work has been most influential on, or important to, your own, and what have you taken from their writing?
I think it all boils down to Poe and Tolkien, the first is probably kind of obvious, the second I imagine less so for any readers out there that might know me only through my creative work.
Those two writers set me on the path. A well-meaning third grade teacher read “The Tell-Tale Heart” and “The Raven” to our class for Halloween, and while the other kids just giggled it away I was traumatized, with night terrors that lasted for years. Yet instead of staying away from all things horror, I became consumed with morbid curiosity, constantly coming back to this type of story-telling that held so much power over me, leading me to devour stuff by H.P. Lovecraft, Stephen King, Peter Straub and Clive Barker.
With Barker, my favorite writer when I was in my teens, I experienced a paradigm change. I became a gleeful participant in the land of imaginary horrors, rather than a frightened victim. I ended up consuming so much horror that I essentially inoculated myself from the night terrors.
I would bet the idea that I’m best known for horror stories would be a big shock to 10-year-old me. Around 4thgrade or so my dad made me read The Lord of the Rings, because he thought it was the greatest novel ever written and because he was sure I would like it. On that second part, absolutely, he was right. Maybe the first one, too? But anyway, I developed this hunger for all things Tolkien. We lived at the time in Wise, Virginia, a coal town high in the Appalachians. There was no bookstore. There were a couple of other kids who liked fantasy, but didn’t share my obsessive need for it, or at least not my precise interests — as I recall, one buddy was a huge Larry Niven fan.
(17) FELINES AND FANTASY. Can you believe it? Long before the idea was codified by File 770, authors independently recognized the association of cats and SFF. For example, see these Martha Wells LiveJournal posts.
(19) SILVERBERG ADAPTED AS OPERA. This is from an interview with composer Emily Howard by Richard Fairman in the May 26 Financial Times (behind a paywall).
Howard, 39, tells how she was working with her librettist, Selena Dmitrijevic, on a story about a person being shunned by society. A draft scenario, in which that character was arrested and sentenced to being ‘invisible,’ was already well advanced when they discovered it came from a short story that Dmitrijevic had on her shelf at home, Robert Silverberg’s ”To See The Invisible Man.’
There is a strong flavour of Kafka, or perhaps Margaret Atwood. ‘In our opera you never know exactly what the Invisible’s crime was,’ says Howard. ‘We assume we are dealing with some authoritarian regime, where society is forced to operate within very narrow parameters of human behaviour. It is a wonderfully constructed story, because it opens with the Invisible’s crime of coldness, and then(when the Invisible is apprehended for trying to help another Invisible in distress) closes with the crime of warmth.’
Note that Silverberg’s ‘Invisible Man’ has become the gender-neural ‘Invisible.’ It is one of Howard’s most eye-catching ideas that the role of this person is to be sung by two singers: a soporano and a bass. When the Invisible is alone, they will sing it together, but out in society, where he/she is unable to be themselves, only one voice will be heard.
[Thanks to John King Tarpinian, Bill, JJ, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Carl Slaughter, Tehani Croft, and Andrew Porter for some of these stories, Title credit goes to File 770 contributing editor of the day Peer.]
The Pulitzer prize-winning author was accused of sexual misconduct by author Zinzi Clemmons after revealing last month he had been raped as a child.
…The acclaimed Dominican American novelist Junot Díaz has been feted for his powerful literary expression of the pain of sexual violence. In 2008 he was awarded the Pulitzer prize for his book The Brief Wondrous Life of Oscar Wao, the story of a young boy growing up amid abuse in New Jersey, and last month he was widely applauded for writing a confessional essay about being raped when he was eight years old.
But this weekend Díaz has cancelled his scheduled appearances at the Sydney Writers’ festival following a public accusation of sexually inappropriate behaviour….
(3) DINO TAKEOFF. Robot Dinosuar Fiction! has launched —
ROBOT DINOSAURS! Over the summer, we will be publishing a flash fiction about robot dinosaurs each Friday (May 4th through August 31st 2018)….
Your parents first activate your bionosaur when they bring you home from the hospital. The bionosaur was a baby shower gift from your mom’s favorite aunt. They were nervous about its size, the stainless steel maw, the retractable razorclaws inside its stubby little arms, but the aunt had insisted. She’d programmed it herself, covered its titanium-alloy skeleton in top-grade synthskin featherscales, and pre-loaded it with educational apps.
When your bionosaur’s eyes first flare to life, it scans tiny, squalling you and reaches out a stubby claw to rock you. When it starts humming a jazzy rendition of the Batman theme, you quiet down and sleep….
I’ve been having huge fun reading about JD fiction and looking at the outrageously titillating covers in Girl Gangs, Biker Boys, and Real Cool Cats, an anthology edited by two Australians, Iain McIntyre and Andrew Nette. What was once reviled as rubbishy reading is now collected, curated and revered as retro chic.
…Many of these books would make even Quentin Tarantino cringe, I suspect: they sound truly awful. But here and there I came across someone churning out quick books for cash who went on to make a more respectable name for himself. One was the science-fiction writer Harlan Ellison, who went undercover and joined a street gang as research for more than 100 stories and his 1958 debut novel.
He describes how he was later working as a reviewer and picked up a book from a box a publisher sent him. “It’s got this horrible, garish juvenile delinquent coming at you with a switchblade knife and it says Rumble. I thought ‘What is this piece of shit?’ and then I looked at the author and it was me.”
If you’re experiencing symptoms like tightness and pain in your chest and possible heartburn, that may be because you absolutely need the Chestburster plush to explode into your life. 48 inches of alien protoplasm is going to love you so much that it will literally not be able to contain itself once it’s fully developed from feeding off your innards.
I guess they’re pretty used to this sort of thing around the ThinkGeek’sheadquarters —
If there’s one thing the internet needs it’s more cat pictures, so researchers from Nvidia and Cornell University developed an algorithm that will turn pictures of dogs into pictures of cats.
This neural network—a type of computing architecture loosely modeled on the human brain—was developed by a few of the same researchers behind the algorithm that can turn winter into summer in any video and employs similar principles.
(7) VOLZ OBIT. German actor Wolfgang Völz died yesterday. He was in a lot of genre films and TV shows over the years. Cora Buhlert pays tribute to him in “Remembering Wolfgang Völz (1930 – 2018)”. This is just part of his resume —
Wolfgang Völz was a German TV legend. If you watched TV in Germany at some point in the past sixty years, you have seen Wolfgang Völz and you have definitely heard his voice, because Völz was also a prolific voice actor, lending his distinctive voice to Walter Matthau, Peter Ustinov, Peter Falk, Mel Brooks, Majestix, the Gallic chieftain from the Asterix and Obelix films, as well as dozens of puppet and cartoon characters. It’s certainly fitting that Wolfgang Völz’s last credited role was the voice of God in the 2012 movie Der Gründer (The Founder).
(8) TODAY’S BIRTHDAY
Born May 5 – Catherynne M. Valente
One of my birthday gifts was the Infinity Stone eyeshadow palette…I think if I use all of them at once I can wink and have a REALLY big night pic.twitter.com/eh5ckBkXTF
A study of more than 2m books has revealed that titles by female authors are on average sold at just over half the price of those written by men.
The research, by sociologist Dana Beth Weinberg and mathematician Adam Kapelner of Queens College-CUNY, looked titles published in North America between 2002 and 2012. The authors analysed the gender of each author by matching names to lists of male and female names, and cross-referenced with information about price, genre and publication.
Books by women released by mainstream publishers, they found, were priced on average 45% lower than books by men….
(11) DON’T BE COCKY WITHOUT A LAWYER. Chuck Tingle sorted this crisis in no time and moved on to bigger challenges –
I have made emergency return to BILLINGS as man name of chuck after learning that ted cobbler has copywritten the word “butt” and will now sue anyone who uses it in book titles (or daily speak). weighing my options. he has also copywritten words cocky and cummingintoownbutthole
heckin dang nevermind it was just a mean lady sayin she owned words that everyone uses (what the heck ever). now going back fishing as BORSON REEMS please let me solve this case of the mysterious alaskan fishing village (ps i think they are all fishmen we will see)
…There were enough Darths in the list that at the very lowest-creativity settings, everyone was a Sith lord. Here are some of my favorites:
Darth Teen
Darth Tannin
Darth Ben
Darth Toes
Darth Teena
Darth Darth
Dorth Darth Darth
Mon Darth
Man Darth
Darth Sans
Darth Band
Darth Mall
Darth Tall
Grand Moff Darth Salt
I would like to see the costumes for some of these….
(13) REDWOMBAT SALES REPORT. And Ursula Vernon says her book sales are keeping the house warm —
THANK YOU. Our A/C and heat went out a couple weeks ago and the people are coming in today to tell us how much that's gonna cost and I'm just…really, really grateful you all liked the books so much. 'Cos god knows, it wasn't MY word of mouth that got us here.
(15) THE SCARIEST. Victoria Nelson’s picks for the “10 Scariest Horror Stories” were listed in Publishers Weekly. Number one is —
1. “The Trains” by Robert Aickman
Virtually unknown in the U.S. outside a small coterie of dedicated fans, the British writer Robert Aickman (he died in 1981) is a virtuoso of the sophisticated “strange story,” as he dubbed his tales. The scares in an Aickman story come not from gore or violence but from the way he perversely bends reality right before your startled eyes. Not just once but again and again—and still again, all in the same story. In this little masterpiece of Gothic indirection, two young women stranded on a walking trip in the north of England seek shelter in a remote Victorian mansion adjacent to a train track. There is a handsome host, a menacing servant, a mad aunt who died mysteriously, even a murder, but all this is beside the point. The real scares come from the trains that scream loudly past every few minutes on this “main, important line” in the middle of nowhere and their unseen engineers, who always wave at girls. Curiously, the trains pass by less often on the third floor than on the ground level. As a child, it should be noted, Aickman liked to invent imaginary kingdoms complete with meticulously constructed railroad schedules.
For most people born before the 90’s, a “3 1/2 inch floppy” was once a crucial part of their technological lives; securing and transporting important files and data. Of course nowadays, the 1.44 MB storage space is far from adequate and no new computers come equipped with an appropriate drive for the disks. Little surprise then that the majority of children today have no idea what one is (despite the fact that ubiquitous software such as Word and Excel still use a floppy disk symbol for their ‘save’ buttons).
As a recent survey by YouGov has shown, 67 percent of the 6 to 18 year olds in the UK don’t know what a floppy disk is. Other essentially obsolete tech such as overhead projectors (once present in almost every classroom), and pagers were recognised even less….
(17) DID WE MENTION? Patton Oswalt’s Parks and Recreation appearance in 2015 is a Star Wars-fueled filibuster.
(18) VIDEO OF THE DAY. Martin Morse Wooster recommends “Seder-Masochism Trailer April 2018,” where animator Nina Paley previews her latest project, a look at the Book of Exodus.
[Thanks to JJ, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Andrew Porter, Carl Slaughter, Dann, Cat Eldridge, Brian Z., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kyra.]
She may not understand prepositions, but Small (inherited from Stephanie Clarkson ) is definitely a diva. So, when she saw the title of my current read, she had to check it out.
Plus, a more posed photo so everyone can better admire her. 🙂
Photos of other felines resting on genre works are welcome. Send to mikeglyer (at) cs (dot) com
