24 Get Your Scrolls Here, Just A Pixel Each

Posted on December 7, 2024 by Mike Glyer

(1) THEY FOLLOWED THE YELLOW BRICK ROAD. The Hollywood Reporter listens to the gavel bang when the “Ruby Slippers from ‘The Wizard of Oz’ Sell for a Record $28 million”. (The Wicked Witch’s hat sold, too.)

A pair of the ruby slippers worn by Judy Garland in 1939’s The Wizard of Oz fetched an all-time auction record for entertainment memorabilia when they sold on Saturday afternoon for $28 million. The sale was handled by Dallas-based Heritage Auctions. With the buyer’s premium, the total is $32.5 million, and the buyer currently remains anonymous.

Auctioneer Mike Sadler announced at the podium at the conclusion of the lot’s bidding that the slippers had far surpassed the previous auction record of $5.52 million for the white halter dress designed by William Travilla and worn by Marilyn Monroe in 1955’s The Seven Year Itch. That costume also was sold at Heritage in 2011 and was part of the famed collection of Debbie Reynolds….

… Three other pairs of ruby slippers are known to exist. One pair resides in the National Museum of American History at the Smithsonian Institution in Washington, D.C., while in 2012 Leonardo DiCaprio and Steven Spielberg led a consortium of buyers to purchase a pair of ruby slippers, for a reported $2 million, to reside in the permanent collection of the Academy Museum of Motion Picture Arts & Sciences. A third pair is believed to be owned by a private collector….

… Also sold on Saturday: a witch’s hat worn by Margaret Hamilton, who played the Wicked Witch of the West in the Victor Fleming-directed film based on the beloved L. Frank Baum story. The black pointed hat, which was screen-matched to Hamilton’s first scene as the Wicked Witch in the film, sold for $2.93 million with buyer’s premium….

(2) THOSE GREAT EXPECTATIONS. Works in Progress presents “The world of tomorrow”, where Virginia Postrel asks, “When the future arrived, it felt… ordinary. What happened to the glamour of tomorrow?”

… In the twentieth-century, ‘the future’ was a glamorous concept.

Joan Kron, a journalist and filmmaker born in 1928, recalls sitting on the floor as a little girl, cutting out pictures of ever more streamlined cars from newspaper ads. ‘I was fascinated with car design, these modern cars’, she says. ‘Industrial design was very much on our minds. It wasn’t just to look at. It was bringing us the future.’

Young Joan lived a short train ride from the famous 1939 New York World’s Fair, whose theme was The World of Tomorrow. She went again and again, never missing the Futurama exhibit. There, visitors zoomed across the imagined landscape of America in 1960, with smoothly flowing divided highways, skyscraper cities, high-tech farms, and charming suburbs. ‘This 1960 drama of highway and transportation progress’, the announcer proclaimed, ‘is but a symbol of future progress in every activity made possible by constant striving toward new and better horizons.’

‘All I wanted to do,’ Kron says, ‘was go into the World of Tomorrow.’ She wasn’t alone. Anticipating a bright future was a defining characteristic of the era, especially in the United States.

When Disneyland opened in 1955, Tomorrowland embodied the promise of progress. A plaque at the entrance announced ‘a vista into a world of wondrous ideas, signifying man’s achievements . . . a step into the future, with predictions of constructive things to come.’

Back then, the Year 2000 and the Twenty-first-century were glamorous destinations….

(3) YOU’RE FROM THE SIXTIES! Dwell analyzes “How ‘Star Trek’ Helped Make Midcentury-Modern the Signature Sci-Fi Aesthetic”.

When Star Trek first premiered in the mid-1960s, it was meant to portray a far-off future, with Captain James T. Kirk and Mr. Spock traversing the universe 300 years hence. While the sci-fi television series has come to be recognized for many things in the decades since, like having the first Black female leading character on network TV, a king’s ransom of spin-offs, and an extremely dedicated global fan base, another major aspect of its legacy is its space-age-inspired visual identity that helped shape the intersection of midcentury modernism and what consumers see as “futuristic design,” even now.

While the show’s aesthetic choices were partially practical—its Warren Platner arm chairs and Stemlite lamps were the types of pieces set designers could snag from Los Angeles–area stores that looked more futuristic than grandma’s old divan—they also presented a sleek, nontraditional look that encapsulated the spirit of technological innovation and utopian vision that characterized midcentury modernism. By using something like Eero Saarinen’s 1950s Tulip chair (or, more accurately, a Maurice Burke–designed knockoff, which was more cost-effective at the time, and which the Star Trek crew then modified) the set designers could convey an alien future without having to create pieces from scratch….

(4) EATING THE FANTASTIC. Scott Edelman invites listeners to share scallops with R. S. A. Garcia in Episode 242 of the Eating the Fantastic podcast.

Garcia won both the Nebula Award and the Theodore Sturgeon Memorial Award for her short story “Tantie Merle and the Farmhand 4200,” published in Uncanny, and was a Nebula finalist the previous year as well for her novella “Bishop’s Opening,” which appeared in Clarkesworld. She is also the winner of the MIFRE Media Award, and a Sturgeon, Locus, Ignyte and Eugie Foster Award finalist. Her short fiction has appeared in venues such as Escape Pod, Strange Horizons, and Internazionale Magazine, as well as a number of anthologies, including the The Best of World SF, The Best Science Fiction of the Year, and The Apex Book of World SF.

Her Amazon bestselling science fiction mystery, Lex Talionis, received a starred review from Publishers Weekly and the Silver Medal for Best Scifi/Fantasy/Horror Ebook from the Independent Publishers Awards. Her sci-fantasy duology, beginning with The Nightward, was published by Harper Voyager US in October, plus The Unbearable Taste of Fruit and Wine will be out next Valentine’s Day from Android Press.

We discussed how the idea for her Nebula-winning short story caused her to leap up and walk out of a writing workshop, how editor Ellen Datlow’s advice changed her life, why writing is a verb, not an adjective, the way she decides whether or not to rise to the occasion of a themed anthology invite, her convoluted journey in finding an agent to negotiate her first novel sale even though there was already an offer on the table, why there are some rejections you should be grateful for, how Sigourney Weaver’s role in Alien inspired the sorts of stories she wanted to tell, the Easter eggs in her fiction only a Trinidadian would get, how and why she’s a complete pantser, the importance of community as well as the danger of it disappearing, her hope that readers get even more from her fiction upon rereading, and much more.

(5) SHARPER THAN A SERPENT’S TOOTH. “Replica Harry Potter swords recalled for breaking weapons law” reports BBC.

Replicas of a sword featured in the Harry Potter film franchise have been recalled in Japan for violating the country’s strict weapons law.

The full-sized replicas of Godric Gryffindor’s sword – which measure 86cm (34 inches) and are affixed to a wooden display plaque – were sold by Warner Bros. Studio Japan LLC from May 2023 to late April of this year.

But it was only in November that authorities told the company those pieces were sharp enough to be categorised as an actual sword.

More than 350 replicas of Godric Gryffindor’s sword were sold, reports add, with each one going for 30,000 yen ($200; £158).

The sword was sold at the Warner Bros. Studio Tour Tokyo: The Making of Harry Potter, which opened in 2023 in Tokyo. It is billed as the first such studio tour in Asia and the largest indoor Harry Potter attraction in the world.

Warner Bros. Studios Japan LLC has published a recall notice for the sword on its site, citing “a distribution issue in Japan” and requesting people who bought it to get in contact for “necessary action including logistics and refund”….

(6) GRAPHIC NOVEL ROUNDUP. [Item by Steven French.] Some genre related riches here! “The best graphic novels of 2024” in the Guardian. The list includes:

…One of the year’s most talked-about releases, World Without End (translated by Edward Gauvin, Particular), outsold Astérix in its native France. Artist Christophe Blain walks us through climate expert Jean-Marc Jancovici’s urgent explanation of economic progress, sustainability and global warming in a book that’s statistics-packed but – thanks to Blain’s deceptively jaunty, eye-opening visuals – brilliantly accessible….

(7) TEN BEST SFF BOOKS OF YEAR. New York Times columnist Amal El-Mohtar names “The Best Science Fiction and Fantasy Books of 2024” (gift link bypasses paywall).

Of the many great books I read this year, the following 10 have stayed with me, undergirded my thoughts as I go about my days and provoked excellent, chewy conversations about craft and pleasure, empire and resistance. While I’m a little haunted by the violence publishers seem to be doing to the very concept of a series — claiming sequels are stand-alones, while insufficiently supporting and labeling the parts of actual series — I hope you find something to enjoy among these fantastic works.

This list begins with –

The Book of Love By Kelly Link

“The Book of Love” is a landmark, the kind of fantasy novel that has its own gravity and distorts the genre terrain around it. Set in a small town called Lovesend, it tells the story of teenagers who return from the dead and must compete to remain alive by completing magical tasks. A tender tribute to romance novels, fairy villains and fairy lovers, “The Book of Love” does justice to its name.

(8) SEASON INNIE, SEASON OUTIE. Apple TV+ has dropped the Severance — Season 2 Official Trailer. Season 2 premieres January 17.

In Severance, Mark Scout (Adam Scott) leads a team at Lumon Industries, whose employees have undergone a severance procedure, which surgically divides their memories between their work and personal lives. This daring experiment in “work-life balance” is called into question as Mark finds himself at the center of an unraveling mystery that will force him to confront the true nature of his work… and of himself. In season two, Mark and his friends learn the dire consequences of trifling with the severance barrier, leading them further down a path of woe.

(9) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

Born December 7, 1915 — Leigh Brackett. (Died 1978.)

By Cora Buhlert: I first became aware of Leigh Brackett via her contribution to the screenplay for The Empire Strikes Back, during a time when I sought out everything that anybody involved with Star Wars had ever done or been influenced by. That way, I found some very good works, some not so good ones and some which were frankly baffling. Leigh Brackett definitely belongs to the first category.

According to interviews later in life, Leigh Brackett discovered her love of both science fiction and writing in 1923 at the age of eight, when she read The Gods of Mars by Edgar Rice Burroughs. The novel blew her mind and set her on the path to becoming a science fiction writer. It’s probably no accident that so many of her stories would be set on a Mars that was not that far removed from Burroughs’ Barsoom. Meanwhile, the foundation for Leigh Brackett’s later career as a screenwriter were laid during her time at a private girls’ high school, where she penned plays for the theatre group.

Ray Bradbury and Leigh Brackett. Photo by Len Moffatt.

In 1939, Leigh Brackett joined the Los Angeles Science Fiction Society and befriended such current and future luminaries as Robert A. Heinlein, Ray Bradbury, Henry Kuttner and C.L. Moore. Kuttner and Moore not only supported her fledgling career, but also introduced her to Edmond Hamilton, who was eleven years her senior and already a pulp science fiction veteran. The two started dating and married in 1946. Ray Bradbury was the best man.

Leigh Brackett broke into the science fiction magazines with “Martian Quest”, which appeared in the February 1940 issue of Astounding Science Fiction. Two more stories for Astounding followed in 1940 and 1942, but Leigh Brackett did not get along with John W. Campbell (neither did Edmond Hamilton) and so took her talent to magazines that were more suited to the type of adventure packed planetary romance that Brackett excelled at. Planet Stories published some of her best-known stories, but her work also appeared in Startling Stories, Thrilling Wonder Stories, Amazing Stories, Weird Tales and other magazines of the era. By the late 1940s, Leigh Brackett was known as “the Queen of Space Opera”.

Most of her stories were set in a version of our solar system that never was, where Mars was a dying desert world littered with ancient ruins, Venus was a mist-shrouded tropical ocean world, Mercury was a tidally locked hellhole and Earth was hellbent on colonizing the rest of the solar system. Leigh Brackett’s work belies claims that the science fiction of the golden age was exclusively white, male, racist and colonialist. Brackett’s protagonists were often outsiders – drifters, outlaws, drug addicts – and several of them, most notably Eric John Stark, were not white. The women were alien temptresses or interplanetary Girl Fridays, but always formidable. Her takes on Mars and Venus were dripping with atmosphere and often melancholic and particularly her early stories were often critical of colonialism and imperialism and how they impact the indigenous population. In her 1944 novel Shadow Over Mars, the evil corporation that operates slave mines on Mars is called the Terran Exploitation Company, a rare case of truth in advertising.

Leigh Brackett’s science fiction often has a certain noir sensibility and so it’s no surprise that she also started writing hardboiled crime fiction. Her 1944 crime novel No Good From a Corpse brought her to the attention of Howard Hawks who hired her to co-write the screenplay for The Big Sleep, kickstarting her screenwriting career which led to penning the scripts for such cinematic classics as Rio Bravo, El Dorado, Hatari and The Long Goodbye. Her screenplay draft for The Empire Strikes Back was very much the capstone of Leigh Brackett’s career both as a science fiction and screenwriter – especially since her work influenced both Star Wars and Indiana Jones – and it’s only fitting that the movie is dedicated to her memory. It also won her a posthumous Hugo Award, her first, even though she was nominated as early as 1956 for her post-apocalyptic novel The Long Tomorrow as the first ever female Hugo finalist along with her friend C.L. Moore.

Leigh Brackett was one of the most important science fiction writers of the golden age. But the fact that the majority of her stories appeared in what were considered second tier magazines (they weren’t, but that’s a story for another day) is also why her stories was less reprinted and remembered than they should have been. By the time, I became interested in her work in the late 1980s, all of it was out of print and I had to hunt down yellowing paperbacks in used bookstores. As a result, the first thing by Leigh Brackett that I actually read – though I had seen several of the movies for which she wrote screenplays – was the Skaith Trilogy from the mid 1970s, where Leigh Brackett revisited her most famous character Eric John Stark and sent him to a distant dying star, since the Mars and Venus he’d roamed in the 1940s had long since been debunked by the Mariner space probes. The novels were good enough that I wanted to read more, but not as good as her stories from the 1940s.

In many ways, Leigh Brackett was a victim of bad timing. The planetary adventures on which she’d built her career fell out of fashion by the 1950s and her markets died off one by one. L. Sprague De Camp considered hiring her to write new Conan adventures, but went with Lin Carter instead (Oh, what might have been). And Leigh Brackett died too young, aged only 62, to take advantage of the space opera resurgence in the wake of Star Wars. But she will forever remain the Queen of Space Opera.

Leigh Brackett in High School performance.

(10) COMICS SECTION.

Off the Mark fell short of the goal.
Pearls Before Swine rolls the bone.
Sherman’s Lagoon finds a spacecraft.
Bliss updates a classic.

(11) THIS JOB IS NOT THAT F#%$! EASY. Invincible Season 3 arrives February 6 on Prime Video — first three episodes that day, then weekly through March 13.

Based on Robert Kirkman’s award-winning comic book series, Invincible follows 19-year-old Mark Grayson, as he inherits his father’s superpowers and sets out to become Earth’s greatest defender, only to discover the job is more challenging than he could have ever imagined. Everything changes as Mark is forced to face his past, and his future, while discovering how much further he’ll need to go to protect the people he loves.

(12) FRANKENSTEIN IS THE PEN’S NAME. LeBoeuf Pens will be happy to sell you The Mary Shelley Frankenstein Limited Edition Fountain Pen for the monstrous price of $225.

But if money is no object for you, immediately order this most elaborate Montegrappa Universal Monsters Fountain Pen – Frankenstein (Limited Edition) — $6200 from Atlas Stationers. Did you ever see such a desk set? Talk about impressive!

(13) EARLY BIG MEALS. [Item by SF Concatenation’s Jonathan Cowie.] The cover story in this week’s Science Advances journal relates to ancient N. American diets. Although it has long been recognised that the Clovis peoples of North America (13,000 to12,000 years ago) hunted consumed megafauna such as the mammoth, controversy continued about whether they specialised in these species or if they had a broader diet. Using stable isotopic analysis of the remains of the 18-month-old Anzick-1 child researchers reconstructed his mother’s diet and found that mammoth was the largest contributor to it, followed by elk and bison. They then compared her diet with those of carnivores from the region and found that it was closest to that of the now-extinct scimitar-toothed cat, which specialized in hunting mammoths. The researchers suggest that this focus on mammoth procurement facilitated the rapid spread of Clovis culture.

Research here: “Mammoth featured heavily in Western Clovis diet”.

(14) SINGULAR SENSATION. “Technological Singularity in 7 Years?” – SCIFI.radio doesn’t see it happening.

… WHAT IS THE SINGULARITY ANYWAY?

The Singularity is a theoretical point in the future when technological growth becomes uncontrollable and irreversible, resulting in profound changes to human civilization. Often associated with advancements in artificial intelligence (AI), the Singularity is marked by the emergence of super-intelligent systems capable of surpassing human intellectual capacity in virtually every domain.

WHAT WOULD CHANGE IF THE SINGULARITY HAPPENED?

Exponential Growth of Technology: Rapid technological advancements, particularly in AI, biotechnology, and nanotechnology, lead to innovations that accelerate progress in unprecedented ways.
Artificial General Intelligence (AGI): The development of AI systems with cognitive abilities on par with or exceeding human intelligence, enabling them to perform any intellectual task a human can do—and potentially far better.
Automation and Transformation: Profound shifts in economies, work, and daily life as automation and AI take over increasingly complex tasks, rendering many traditional human roles obsolete.
Integration with Technology: Potential merging of human biology with technology (e.g., brain-computer interfaces) to enhance physical and cognitive abilities, challenging the definition of what it means to be human.

NOW YOU KNOW THE OUTCOME. DO WE LOOK CLOSE TO YOU?

We are a civilization at war with itself, battling against runaway corporate capitalism, failed democracies, strong-man authoritarian governments springing up all over the planet, three to nine military conflicts of varying degrees taking place all over the planet, runaway climate change effects, microplastics in every ocean and now in the wind raining down on populated areas, diseases that were almost annihilated are running rampant again, deforestation, over-fishing, and climate migration taking place on every continent.

Does this look like a world able to usher in the development of a world-transforming technological breakthrough just as liable to destroy humanity as it is to save it?

(15) IT AIN’T ME BABE. “New York woman blames Star Trek license plates for tens of thousands of dollars in accidental tickets” – CBS New York has the story.

A Long Island retiree says she’s getting traffic tickets from all over the country.

But the thing is, she stopped driving four years ago.

So how could this be happening?

Beda Koorey’s love of Star Trek may be at the root of it all

“These came yesterday from Chicago, speeding tickets. They are $100 each,” Beda Koorey said.

Back in 2020, the Huntington resident surrendered her license plates, sold her car, and stopped driving.

“I don’t have a car. I don’t drive. Those plates were turned in,” the 76-year-old said.

Yet, many walks to her mailbox bring the retiree unwanted surprises.

“They are persistent and they keep sending me tickets,” Koorey said.

Her old custom plates honored Star Trek and had the same number as the Starship Enterprise — NCC-1701.

However, for $15 on Amazon and eBay, some Trekkies have been easily replacing their real plates with the same novelty plates — and getting away with it.

Their accrued tickets from all over the country are being mailed to Koorey.

“Red light, speeding, parking, school zone,” she said, describing the types of tickets she receives.

She also gets hit with E-ZPass tolls.

“I got a phone call from Ohio, a police chief looking for plates because they were involved in a robbery,” Koorey said….

(16) KRUGMAN RETIRES FROM NYT. [Item by Scott Edelman.] Paul Krugman announced his retirement from the New York Times, which caused me to remember I recorded his talk at the 2009 Montreal Worldcon, where he discussed how Asimov’s Foundation Trilogy got him into comics, Charlie Stross, and a bunch of other topics related to us.

(17) THE PDF FILES. Mark Barsotti continues his interview with Paul Di Filippo in this fourth installment: “WRITER PAUL Di FILIPPO ~ ‘I hate talking about myself.’”

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, N., Mark Barsotti, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 11/21/24 Pixels That Need Pixels Are The Happiest Pixels In The Scroll

Posted on November 21, 2024 by Mike Glyer

(1) NATIONAL BOOK AWARDS. No winners of genre interest, but omnivorous readers will want to know who received the 2024 awards. Publishers Weekly led its coverage with a joke from the ceremony:

…[L]ongtime Saturday Night Live cast member Kate McKinnon, [was] the evening’s host. “I’m a book awards virgin, so be gentle,” she joked before opening her remarks, appropriately for 2024, with a bit about AI. “Books do more than entertain—they illuminate, they provoke, and, most importantly, they inspire change,” she said. “That was written by CHatGPT. Is that bad?”…

YOUNG PEOPLE’S LITERATURE: Shifa Saltagi Safadi, Kareem Between (G.P. Putnam’s Sons Books for Young Readers / Penguin Random House)
TRANSLATED LITERATURE: Yáng Shuāng-zǐ, Taiwan Travelogue. Translated from the Mandarin Chinese by Lin King (Graywolf Press)
POETRY: Lena Khalaf Tuffaha, Something About Living (University of Akron Press)
NONFICTION: Jason De León, Soldiers and Kings: Survival and Hope in the World of Human Smuggling (Viking Books / Penguin Random House)
FICTION: Percival Everett, James (Doubleday / Penguin Random House)

(2) WHY DID THEY SAY THAT? T. R. Napper side-eyes “Five Pieces of Awful Writing Advice (from the masters)”. And by masters, we mean Stephen King, Robert Heinlein, Charles Bukowski, Ernest Hemingway, and Elmore Leonard. First on his hit parade:

Don’t keep a notebook (Stephen King)

“I think a writer’s notebook is the best way in the world to immortalise bad ideas. My idea about a good idea is one that sticks around and sticks around.”

Terrible advice, for one simple reason: none of the rest of us are Stephen King. He’s written around 70 books. He writes and writes and writes. Squashed by a fucken van, six weeks in hospital, dusts himself off, keeps writing. Apparently sits down and churns out 6 pages (1500 words) a day, every day, no problem. In terms of idea generation he is a phenomenon. He’s not like you or me.

Don’t get me wrong – ideas will come for the writer. They always do, whether you wish them to or not. But you should write them down. I absolutely have a document where I keep all my big ideas that one day might (or might not) become a short story or a novel. When I go back and look through it every few months, I’ll see some truly stupid thoughts, but I’ll also see a few where I think: I’d forgotten about that. Let’s try it.

(3) WICKED GOOD. The Hollywood Reporter critic David Rooney weighs in with “’Wicked’ Review: Cynthia Erivo and Ariana Grande in Beloved Musical”.

… The respective casting of those roles — Ariana Grande as the minimally gifted sorcery student who will go on to become Glinda, Good Witch of the North, and Cynthia Erivo as Elphaba, future Wicked Witch of the West — is the movie’s winning hand. Their vocals are clear and strong and supple to a degree many of us have learned not to expect after too many movie musicals that cast merely adequate singers and then Auto-Tune them to death.

Grande and Erivo give Stephen Schwartz’s songs — comedy numbers, introspective ballads, power anthems — effortless spontaneity. They help us buy into the intrinsic musical conceit that these characters are bursting into song to express feelings too large for spoken words, not just mouthing lyrics and trilling melodies that someone spent weeks cleaning up in a studio. The decision to record the songs live on set whenever possible is a major plus….

(4) TIMELESS AND TOPICAL. “Jon M. Chu Embraced the Politics of ‘Wicked’ and Audiences Seeing It Through a Post-Election Lens” on IndieWire.

…[Director Jon M.] Chu embraces that his movie will take on a new layer of meaning for many audience members after the re-election of Trump, but noted that impact is in part because politics has been baked into “Wicked” since its inception. Gregory Maguire’s 1995 book “Wicked” is a meditation on resisting fascist movements, a not-so-subtle theme that carried into its musical adaptation by Stephen Schwartz and Winnie Holzman. A major underlying storyline of “Wicked” is how leaders, who claim to have the people’s best interest at heart, attack the educated — represented by professor Dr. Dillamond, a talking goat voiced by Peter Dinklage — as they try to rewrite the history of animals and humans co-existence in an effort to strip the animals of their rights, and demonize them as the source of the people’s problems.

Through this lens, Chu acknowledged his film is prophetic, but only because the underlying IP is prophetic. Chu argued the original “Wizard of Oz” movie — released on the heels of the 1930s Dust Bowl (the drought-stricken storms of the Depression), during the rise of fascism, and on the eve of World War II — has always spoken to America in a time of transition. He personally experienced it at two very different political moments that “Wicked” entered his life….

(5) TERMINAL JUSTICE. “How Do You Punish a Machine? (And why would you want to?)” asks Graham Brown at CrimeReads.

…For their wisdom we turn to the ever-instructive eyes of the science fiction writers of the world.

Starting with 2001: A SPACE ODYSSEY by Arthur C. Clarke, the classic example of machines becoming sentient, in which HAL9000 commits multiple homicides, wiping out the sleeping crewmen of the Discovery, and then eventually attempts to murder the last surviving astronaut Dave by locking him out of the airlock. Quite a set of crimes. But in HAL’s defense, he’d been given conflicting programming and told to lie, factors that many believe caused him to lose his electronic mind. In addition, he may have been under the influence of the mysterious monolith. HAL might also raise a claim of self-defense. At the time he tried to kill Dave, he knew Dave was intending to disconnect him and shut him down.

Interesting case. A good lawyer could make an argument for not guilty by reason of insanity and self-defense, but I’m going to say guilty. To his credit, HAL becomes normal again and sacrifices himself for the crew in 2010 ODYSSEY TWO, perhaps atoning for his terrible crimes…

(6) WHERE PROPHETS ARE WITHOUT HONOR. Cora Buhlert deconstructs the popularity of German band Kraftwerk while simultaneously demythologizing the Autobahn in “A Baffled Guardian Writer Discovers the Autobahn – and the Best German Roadtrip Songs” – an entertaining read!

…This is also where the problem with foreigners driving on the Autobahn comes in. They’re often driving an unfamiliar car, they’re not used to high speeds and also don’t know where and when it’s reasonably safe to go fast. See Tim Jonze starting his Autobahn adventure in the Rhine-Ruhr metropolitan area, where it’s definitely not safe to go fast (and not allowed either). At one point, Jonze also opens the driver’s side window, while going 150 kilometers per hour, which makes me wonder if he’s fucking crazy.

What’s even more hilarious is that while Kraftwerk were on the road a lot in the 1970s, travelling from gig to gig, usually on the Autobahn, often by night, their car was a Volkswagen Beetle. Tim Jonze has apparently never driven a Volkswagen Beetle, but I have, because my parents had one in the 1970s and early 1980s. So I know that they couldn’t go any faster than 130 kilometers per hour and the car started rattling like crazy at approx. 100 kilometers per hour. The Beetle‘s successor, a 1980 Volkswagen Jetta, which I continued to drive until 2008 (I wanted to keep it to hit the thirty year mark, when a car is considered a historical vehicle in Germany and gets a special licence plate, but unfortunately the Jetta fell apart two years before), capped out at 160 kilometers per hour and also started to rattle like mad at anything above 130 kilometers per hour. So Kraftwerk were travelling at the relatively leisurely pace of approx. 100 kilometers per hour in a Volkswagen Beetle, when they wrote the “Autobahn” song….

(7) OCTOTHORPE. In episode 123 of the Octothorpe podcast, “Infinite Amount of Annual Leave”, John Coxon, Alison Scott, and Liz Batty “don’t have any letters of comment but we do have discussion of the Belfast Eastercon, Reconnect, as well as musings on online convention Back to Our Futures and upcoming Worldcons and Eurocons. Plus, Liz read a book.”

An uncorrected transcript is available at the link.

A coffee stain on a piece of paper on which are written the words “Octothorpe 123” and “fully caffineated”.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Rise of the Guardians (2012)

On this day twelve years ago, The Rise Of The Guardians enjoyed its premiere in limited release with its full one that coming weekend. It is quite possibly my favorite holiday film, though Scrooged, Lion in Winter, The Polar Express are also on the list as well. Oh and the forty year old version of A Christmas Carol starring George C. Scott.

It was directed by Peter Ramsey and produced by Christina Steinberg and Nancy Bernstein from a screenplay by David Lindsay-Abaire. It was based on William Joyce’s The Guardians of Childhood series, a most delightful series indeed.

OK, IT IS TIME FOR A CUP OF HOT CHOCOLATE PREPARED BY THE STEWARDS OF THE POLAR EXPRESS. COME BACK AFTER WE HAVE TOLD THE STORY OF THIS FILM.

The Guardians of Childhood series was a mystical epic of mythological characters fighting darkness to protect childhood dreams. It made very good source material for that aforementioned screenplay by David Lindsay-Abaire in which Jack Frost awakens from a very long nap under the ice with his memory gone to discover everyone has forgotten him.

Meanwhile at the North Pole (splendidly realized here), the Man in the Moon warns Nicholas St. North that Pitch Black (who look a lot Mr. Dark in Bill Willingham’s Fables series) is threatening the children of the world with his nightmares.

He calls E. Aster Bunnymund, the Sandman, and the Tooth Fairy to arms. Each of these is a wonderfully realized character as the Man in the Moon and Nicholas St. North.

A series of truly epic battles to defeat Pitch Black follows lest all the children of the world are permanently beset with nightmares. He is defeated when his own Nightmares sensing he has grown weak drag him down into the Underworld.

DID YOU ENJOY THAT HOT CHOCOLATE? GOOD, COME ON BACK.

The feature starred the voice talents of Hugh Jackman, Jude Law and Isla Fisher among others. I think it was a stellar voice cast and the animation was splendid. I’ve rewatched it several times, and the Suck Fairy sits on the couch sighing, drinking hot chocolate, stroking a Pixel, and saying that it’s too sweet for her to mess with. The holiday season does bring out the soft side of her.

It did exceedingly well at the box office taking in over three hundred million on a budget of one hundred and thirty million according to Box Office Mojo, and about half of the critics really liked it such as Derek Adam’s of Time Out who proclaimed “Rise of the Guardians is an effervescent dose of fantasia that’s pretty hard to dislike. Unless, of course, you’re a cynical grump.” The grumpy ones I’ll not quote, but I’ll just say that Old Nick should give them a lump of coal this season.

The audience rating at Rotten Tomatoes is very healthy eighty percent.

Rise of the Guardians can be rented on Amazon Prime.

(9) COMICS SECTION.

Free Range is more Sister Act than Hidden Figures.
F Minus argues math is disrespectful.
Glasbergen tries the dinosaur excuse.
Non Sequitur passes the blame.
Saturday Morning Breakfast Cereal employs desperate measures.
Off the Mark shows where therapy can go both ways.

off the mark 2024
Mark Parisi 11-21 pic.twitter.com/kENERrgCkH
— CLASSIC COMIC STRIPS (@ClassicStrips) November 21, 2024

(10) THE PAST IS ANOTHER COUNTRY. “In Search of the Moomins in Helsinki: The Enduring Magic of Tove Jannson’s Characters” at Literary Hub. “Christiana Spens Returns to Her Father’s world (and the Beloved Moomin Books)”.

… As we explored Helsinki, perhaps inevitably, I kept thinking of my own father. As we sat in cafes and parks, I wondered which of them he had gone to, which of the museums and islands he had explored. Helsinki felt so familiar that it was as if I had already been here, and yet the more time we spent there, the more I realized that I didn’t know anything about my father’s time here at all.

He had not really told me stories about coming here; he had just gone and come back. I had imagined his times in Helsinki based on the gifts he returned with, the pictures in his books, and later the Moomin stories; but he had not really told me anything himself.

He had written about Alvar Aalto, expressed joy at the sight of herrings or gooseberries or meatballs; I knew he loved the place. He had even tried to build a Finnish summer house, in the same sky blue that was popular here; but he had never been very practical minded, and it had not stood up well to the elements.

Nevertheless, I had lived there for several years as a teenager. Perhaps this experience, living in a weather-beaten wooden Summer House in the woods, is what made Finland itself seem familiar to me, rather than anything my father ever told me about the country.

And yet, now that I was here, I found myself wondering about him anyway; had he gone to Esplanade Park, had he had coffee at Fazer, had he known Rock Church or the Uspenski Cathedral, had he felt this light as I did now? But I didn’t actually know, and I never would; he was not here, only his ghost was.

But the Alvar Aalto buildings were, all the other reminders were. And the Moomins were here, too; in gift shops and cafes, these friendly creatures appeared, giving the whole city the cast of a fairy-tale, along with its mists and sea, its pastel-colored buildings, its ships and cobbled stones….

(11) HUFFIN’ AND PUFFIN. Daisy Ridley answers readers’ questions over at the Guardian: “Daisy Ridley: ‘I made a toilet cake on Bake Off because flushing with the lid up is unhygienic beyond belief’”.

Did those late-night drinking and ceilidh sessions during the filming of The Force Awakens on the Skellig islands in County Kerry give you a taste for old-school, dusty pub culture and creamy stout? Galdove19

I’d never had a Guinness outside Ireland, so I got the good stuff the first time round. We had the sun shining on us every day, which the Irish crew said was unbelievable, although every time I’ve been to Ireland it’s been absolutely glorious. I had to climb about a thousand stairs up Great Skellig. Our unbelievable camera operator had a Steadicam and was climbing up backwards, so I thought: “There’s no way I can complain.” That tamed my own exhaustion. The Skellig islands are an ecological site, so we had to not disturb the puffin population, who were there one day, but had migrated the next, which was eerie and amazing. They obviously weren’t big Star Wars fans and thought: “We’ve had enough of this.”

(12) EXERCISE IN TERROR. [Item by Steven French.] Coming a little late for Halloween: “The health benefits of fright: A haunted house study” at Medical X Press.

…People often engage in activities that elicit fear for recreational purposes, from ghost stories and jump scare pranks to modern horror films and haunted attractions. This haunted house experiment suggests that such experiences may not only provide thrills but also potential health benefits by modulating immune responses.

Further research is needed to confirm the observed effects and explore the mechanisms underlying the relationship between recreational fear and immune function before clinical applications can be considered significant enough to incorporate acute fear into a health care setting….

(13) WHOVILLE’S GOLDEN ARCHES. The Grinch is now in Happy Meal at McDonald’s. So then — are these roast beast nuggets?

(14) JUMPING OUT OF THE WAY. “The International Space Station adjusts its orbit to avoid space debris” – NPR has the details.

NASA says that the International Space Station (ISS) shifted its orbit on Tuesday to avoid a piece of debris.

The debris avoidance maneuver involved firing thrusters on the ISS at 2:09 p.m. CT for 5 minutes, 31 seconds, according to NASA. This adjustment raised the ISS orbit to “provide an extra margin of distance from a piece of orbital debris from a defunct defense meteorological satellite that broke up in 2015,” the agency says.

Had the maneuver not been conducted, the debris would have come within nearly 2.5 miles of the station, NASA also says. The debris was “small,” U.S. Space Forces-Space tells NPR…

(15) INTERNATIONAL STAR WARS SHOW RENEWED. Variety reports, “’Star Wars: Visions’ Series to Return for Third Season”.

“Star Wars: Visions,” a Lucasfilm anthology series of animated shorts from around the world celebrating the mythology of Star Wars through different cultural perspectives, will return for a third season, Marvel Studios’ president Kevin Feige said on Wednesday.

Feige was a surprise guest at the annual Walt Disney Company Asia Pacific Showcase held in Singapore.

“Star Wars: Visions Volume 3” will debut in 2025 on the Disney+ streaming service. The upcoming series will feature both new and returning anime studios, and return to Japan to celebrate the world of anime through the elements and mythos of Star Wars….

(16) VIDEO OF THE DAY. Ryan George takes us inside the “Red One Pitch Meeting”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, N., Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 11/13/24 I’ve Been To Pixels But I’ve Never Scrolled To Me

Posted on November 13, 2024 by Mike Glyer

(1) DAYTON LITERARY PEACE PRIZE. Paul Lynch’s book Prophet Song, set in a near future Ireland, is the 2024 Fiction Winner of the Dayton Literary Peace Prize. Lynch’s novel also received the Booker in 2023.

(2) THE BOOKSHELF IS THEIR COSTAR. Lavie Tidhar and Jared Shurin have launched a weekly newsletter called Shelfies, in which they get people to talk about their favorite bookshelf, and their connection with the books on it. Shurin declares, “It is unashamedly us snooping at people’s shelves.”

Take a unique peek each week into one of our contributors’ weird and wonderful bookshelves! We love books – and we’re the sort of people who love checking out other people’s collections! With Shelfies, we’ve asked a wide range of readers, authors and collectors from all walks of life to share not just their shelves with us – but the books that changed them.

From novelists to video game designers, scientists and film makers, and from London to Singapore, Ghana, Australia and New York and all points in between, Shelfies is a unique dose of book love directly into your inbox – sharing our love of books, with you.

(3) AMAZON EDITORS PICKS OF THE YEAR. Today Amazon posted: “Announcing the Best Books of 2024, as chosen by the Amazon Editors”. These two novels of genre interest are listed:

The Familiar by Leigh Bardugo
The Ministry of Time by Kaliane Bradley

(4) SFPA OFFICER ELECTION RESULTS. Starting January 1, 2025, Diane Severson Mori will be Vice President of the Science Fiction and Fantasy Poetry Association.

(5) ONCE MORE INTO THE AIRLOCK, DEAR FRIENDS. On the Seattle Worldcon 2025 blog, Cora Buhlert pays tribute to a Poul Anderson novel that was a Hugo finalist in 1961, the last time the Worldcon was in the city. “Fantastic Fiction: Knights versus Aliens: The High Crusade by Poul Anderson”.

Science fiction often begins with a question of “what if”? And in 1960, Poul Anderson asked just such a question: What if aliens attempting to invade the Earth encountered a troop of medieval knights? And what if the knights won the ensuing struggle? This is the premise of The High Crusade, one of the most offbeat and entertaining science fiction novels of the early 1960s….

(6) SIMULTANEOUS TIMES. Space Cowboys Books of Joshua Tree, CA has produced the eightieth episode of their Simultaneous Times podcast with stories by Elena Sichrovsky and Colin Alexander.

From the pages of Radon Journal.

Stories featured in this episode:

“Tonight We’re Wearing Waste Bags” by Elena Sichrovsky; Music by Patrick Urn; Read by Jenna Hanchey

“Dreamer, Passenger, Partner by Colin Alexander; Music by Phog Masheeen; Read by Jean-Paul L. Garnier

Theme music by Dain Luscombe

(7) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: The Running Man (1987)

By Paul Weimer: Possibly the best of the Schwarzenegger SF movies of the late 1980’s. Yes, better than The Terminator, better than Predator, possibly on a par with Terminator 2: Judgment Day. The Running Man remains a biting satire of fascism, authoritarianism, consumerism, game shows, and a whole lot more.

The authoritarian hellhole that the United States, using violent game shows as an opiate to the masses is really on point, decades later, rather more plausible than ever. Some of the best (and by best, I mean scary) are some of the commercials and interstitial bits in between the actual Running Man show. The show where a man climbs a rope, trying to grab dollars with a vicious pack of dogs underneath him…or the neo-Puritanism revealed when an announcer shockingly reveals Amber may have had several lovers in a year.

Arnold strides through this film and carries it on his charisma, as a package deal with Richard Dawson, who plays Damon Killan as an evil version of his Family Feud persona. They have the best rapport and the movie sings when they finally meet each other. (I was surprised on a rewatch how long the movie actually takes to put the two of them in the same room as each other). I also think the movie hits the right level of action, adventure, social commentary, and humor.

And then there are the betting pool scenes. Long before betting truly has taken over sports, and a lot of other things, the betting on the TV show seemed to me at the time to be “over the top” (who would bet on a game show)? Naive me didn’t believe it…but in the years since, it makes absolute and corrosive sense that the general public would in fact bid on the game show and the deaths on the show. I mean, if The Running Man was made today, Draftkings would be advertising on The Running Man.

Sadly, given recent events…I think it might be too naive in thinking that the ending, where the crimes of the state being revealed lead to revolution and change, can actually be realistic in this day and age. But I can dream, right?

(8) COMICS SECTION.

Eek! Introduces a new were.
Reality Check has a better escape plan.
Zack Hill plans a villain.

(9) MASTERS OF THE UNIVERSE. Cora Buhlert celebrated the recent holiday with “Masters-of-the-Universe-Piece Theatre Halloween Special: ‘The Tomb of Sibor’”.

I don’t have any Egyptian looking trinkets in my collection, so this Olmec head my Dad brought back from Mexico years ago will have to do.

…“Remember, girls, we are looking for the Lost Tomb of Sibor. Scorpia, since your people hail from the Crimson Waste, you have knowledge of this wasteland that the Horde lacks…”

“Yes, but…”

“So I get why you need Scorpia. But why am I here, Shadow Weaver?”

“Because you are Force Captain, Catra. And because Scorpia didn’t want to go without you.”

“I’ll get you for this, Scorpia.”

“So lead the way, Scorpia. You do know where the tomb is, don’t you?”

“Yes, but… I don’t think this is a good idea, Shadow Weaver. The Tomb of Sidor is an accursed place. My people shun it and never go there.”

“Silly barbaric superstition. The Tomb of Sidor contains something of great value to the Horde and I mean to retrieve it for Lord Hordak. And now go, Scorpia. Take us to the Tomb.”

“Yes, but it’s your funeral.”

“Is that a promise?”

“Hush, Catra, she’ll hear you.”…

(10) WET WORK. [Item by SF Concatenation’s Jonathan Cowie.] It may be that there are sub-surface mini-seas on some of the moons of Uranus!

The Voyager 2 flyby of Uranus in 1986 revealed an unusually off-centred planetary magnetic field. Nine US and one Brit researchers have now re-examined the Voyager Solar wind data set. It reveals that Uranus was hit by a Solar windstorm at the time of the craft’s encounter with the planet. This Solar windstorm offset the planet’s magnetic field.

Similar observations in the Saturn system reveal that when its moons with sub-ice surface water orbit outside of the protection of Saturn’s magnetic field, probes cannot detect water-group ions; this is because they have been swept away by the Solar wind. The researchers therefore hypothesise that the absence of water-group ions when Voyager 2 passed by might not be due to an absence of moons sub-surface water but due to the Solar windstorm that was raging at the time that swept those ions away. It could be that some of Uranus’ moons do have sub-surface water. They hypothesise that Uranus’s two outer moons, Titania and Oberon, are more likely candidates for harbouring liquid water oceans.

The primary research paper is Jasinski, J. M. et al. (2024) “The anomalous state of Uranus’s magnetosphere during the Voyager 2 flyby”. Nature Astronomy, Pre-print.

(11) MOOR OR LESS. “Utility in Britain Offers Free Electricity to Grow Clean Energy” – a New York Times article. Link bypasses the paywall.

Were Heathcliff to roam the blustery moors around Wuthering Heights today, he might be interrupted by a ping on his cellphone saying something like this: The wind is raging, so power is cheap. It’s a good time to plug in the car.

OK. So the 18th-century literary occupants of these windswept hills received no such pings.

But Martin and Laura Bradley do. They live in Halifax, an old mill town below the wuthering, or windy, heights of West Yorkshire. And when a squall kicks up, producing a surplus of electricity from wind turbines on the moor, their phones light up with a notification, like one that informed them of a 50 percent discount one Saturday in October….

…Octopus Energy, the country’s biggest electricity supplier, runs nine wind turbines on those hills. When it’s gusty, and power is abundant, it offers discounts. The Bradleys say they save upward of 400 pounds ($517) a year. Octopus says it not only attracts customers but also persuades communities that they benefit from new energy infrastructure.

“We’ve got these famously bleak, windy hills,” said Greg Jackson, the company’s chief executive. “We wanted to demonstrate to people that wind electricity is cheaper, but only when you use it when it’s windy.”…

(12) THE DEATHS FROM TROPICAL STORMS AND HURRICANES IN THE USA HAVE BEEN GREATLY UNDERESTIMATED. [Item by SF Concatenation’s Jonathan Cowie.] In climate-change science fiction, people die in major climate events: cf. the film The Day After Tomorrow or the climate fiction of Kim Stanley Robinson.

In the real world, people die all the time and this enables demographers to calculate the number of expected deaths. Usually only a score or more deaths are associated with US tropical storms. These are due to obvious things like drownings or being hit by wind-blown debris.

Two US demographers have now looked the number of excess deaths (those above the expected death rate) between 1930 and 2015. They have found that there are an average of 7,000 – 11,000 excess deaths in the months following a tropical storm or hurricane. These deaths are mainly from infants (less than 1 year of age), people 1 – 44 years of age, and the black population. (Presumably the elderly were safe in a refuge while young adults were protecting property and so in harm’s way? But the very elderly also took a big hit.) The researchers did not look at the death certificates of all (around 100,000) those excess deaths over this eight-and-a-half decade period and so do not know exactly what it was they died of. This, they say, needs to be the subject of future research.

The primary academic paper is Young, R. & Hsiang, S. (2024) “Mortality caused by tropical cyclones in the United States” Nature, vol. 635, p121-128.

(13) VIDEO OF THE DAY. “Disney Debuts ‘The Boy & The Octopus’, Taika Waititi’s Holiday Tale Starring a CG Cephalopod” – Animation Magazine introduces the four-minute short.

A Disney Holiday Short: The Boy & The Octopus follows the journey of a child who discovers a curious octopus has attached to his head during a seaside vacation. After returning home, the boy forms a true friendship with the octopus by introducing his new companion to his life on land — harnessing the power of the Force with his Jedi lightsaber, playing with his Buzz Lightyear action figure, and imagining Santa Claus’ route around the world with the map on his wall — before taking the lovable octopus out into the world to experience the joy of the holidays, hidden under his Mickey Mouse beanie….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cora Buhlert, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 9/29/24 When You Cross The Pixels, Take Care To Avoid Making Any Rhythmical Noises That Attract Giant Earworms

Posted on September 29, 2024 by Mike Glyer

(1) CHINA’S 2024 GALAXY AWARDS. [Item by Ersatz Culture.] The 35th Galaxy (“Yinhe”) Awards were presented in Chengdu on Saturday September 28. There doesn’t appear to be a video of the ceremony officially available, but a screen capture of the livestream has been posted to Bilibili. A fuller translated list of the winners may follow later, but here is a brief summary of the winners that Anglophone fandom might recognize:

Best Novel was won by Yan Xi’s Age of the Gods, which appeared in the 2023 Hugo nominations below the cutoff point. (This was originally published online in 2022, and in print in 2023, which I assume is why it appeared for two different years.)
2023 Hugo Best Short Story finalist Jiang Bo was one of three Best Novella winners here
2024 Hugo Best Short Story finalist Baoshu was one of five winners in the same category here
The Cyberpunk 2077: Big City Dreams comic and R. F. Kuang’s Babel shared the Best Imported Book category
Adrian Tchaikovsky won Most Popular Foreign Writer, presumably based on the serialization of City of Last Chances (and possibly Cage of Souls, although that was serialized in 2024)
Robert Silverberg’s Dying Inside, as translated by Feng Xinyi, shared the Best Translation category.

Click for larger images.

(2) TOYPLOSION AND BACK AGAIN. Cora Buhlert has a three-part report about her trip to Toyplosion, a vintage toy convention, and the sights coming and going. Lots of photos, toy commentary, local history, and family stories.

“Into the Heart of the Ruhrgebiet: Cora’s Adventures at the 2024 Toyplosion in Castrop-Rauxel, Part 1: The Trip Out and City Views”.

…As I ventured further into the city center, I had to stop at a pedestrian crossing where the pedestrian traffic light symbol was not the regular stick figure, but a little miner with a lantern. Apparently, this is a thing in the Ruhrgebiet. Coal mining may be dead, but the miners are still around, immortalised as “Ampelmännchen”. In many ways, this is very illustrative of how the Ruhrgebiet has turned its industrial history into a tourist attraction….

“Into the Heart of the Ruhrgebiet: Cora’s Adventures at the 2024 Toyplosion in Castrop-Rauxel, Part 2: The Con”.

…The same stall also had several vintage Strawberry Shortcake dolls as well as other girl-aimed toylines of the 1980s on display. I chatted a bit with the owner and reminisced about how my Grandma bought me the entire first wave of Strawberry Shortcake dolls in January 1982, when my parents were on a cruise (my Dad had co-designed the ship, so it was work for him and he apparently spent most of his time running around and fixing problems, while my Mom was terribly seasick) and I was sent to stay with my grandparents. Grandma took me shopping in the city center and after spending an inordinate amount of time trying on clothes, she took me to what was then the best toyshop in town, where they had just gotten Strawberry Shortcake dolls in stock. And because I couldn’t decide in which one I wanted, Grandma – bless her – bought me the entire first wave. I don’t even want to think about how much that would have cost her – US toys were expensive in the 1980s because of the high exchange rate. What makes this even more remarkable is that my Aunt and to a lesser degree my Mom always referred to Grandma as “stingy” (she was their stepmother – my biological grandmother died young and I never met her), yet my supposedly “stingy” Grandma spent what must have been a lot of money just to buy me Strawberry Shortcake dolls. Grandma had actually worked as a dollmaker for a while in the difficult years after WWII, so she had an affinity for toys and always got me nice ones. Grandma and Grandpa even gave me handmade doll beds – Grandpa, who was a carpenter by trade, built them and Grandma sewed the pillows and blankets. I’m not sure if I ever told Grandma how much those Strawberry Shortcake dolls meant to me (she died in 1996 and has dementia for the last five years or so), though I suspect the fact that I promptly turned her kitchen floor into Strawberry Land and appropriated Grandpa’s footstool as a house for the dolls told them how much I loved their gift. I still have the dolls BTW – packed away in a box – and they still smell….

“Into the Heart of the Ruhrgebiet: Cora’s Adventures at the 2024 Toyplosion in Castrop-Rauxel, Part 3: The Trip Home with Bonus Mineshaft Elevator Tower”.

…Now it’s quite common for German coalmines to have names. However, German coalmines are have names like Germania or Teutonia or Concordia or Zollverein or St. Bonifacius or Zollverein or Monopol or Heinrich Robert or Count Friedrich or Queen Elisabeth or Victoria Auguste or Sophia Jacoba or Ottilia or – if the mine was in former East Germany – Karl Liebknecht or Ernst Thälmann. Erin, however, sounds much more like an Irish maiden than a coalmine in the Ruhrgebiet.

Turns out that there is a reason for this, for the coalmine Erin was established in 1867 by William Thomas Mulvany, an Irish geologist and entrepreneur who came to the Ruhrgebiet in the 1850s in search of business opportunities that were difficult for a Catholic Irishman to access in Ireland under British rule. He wound up founding and operating several mines in the Ruhrgebiet and gave them all names relating to Ireland such as Hibernia, Shamrock and of course Erin. …

(3) LATINX HERITAGE IN HORROR. The Horror Writers Association blog continues its salute to “Latinx Heritage in Horror Month 2024: An Interview with Jessica R. Brynarsky”.

What inspired you to start writing?

I’ve dreamed of being a writer since I could form sentences but what really ignited me was a Halloween short story I did back in the 5th grade. As I advanced through middle school, high school, and college, my passion for writing increased into an obsession almost. I truly felt that I would cease to breathe if I could not put pen to paper and bleed out my imagination all over the page. Writing is my sanctuary; it always has been a way for me to deal with my living nightmares.

Tell us about your work in 25 words or less.

I craft Puerto Rican Gothic tales, eerie thrillers, and soulful poetry that blends my Afro-Boriquena roots with cultural magic and folk tales…

(4) PERIOD STYLES DRAPE MODERN ANGST. Maya St. Clair looks at coded fashion commentary in “Escaping Affirmation: Historical Fiction and the Femcel Dress Fitting” at Muse From the Orb.

This is a corollary to my recent post about historical fantasy set in the Renaissance, and it discusses the extent to which historical settings free women writers to write honestly and brutally about anxieties of beauty. Basically, evaluating the book My Lady Jane in tandem with The Familiar got me thinking about a recurring beat in historical fiction, and what it says about our media environment and repressed emotions surrounding beauty. As the late Harold Bloom was fond of remarking, “period pieces” often tell us much more about contemporary anxieties than they do about whatever history they purport to depict, and one could add that the anxieties of women — the primary creators and audiences of historical dramas and fiction — are especially likely to seep through the period trappings.

In particular, I’ve recently been fascinated with a cliche beat we could call the “wardrobe humiliation scene.” It’s a fixture in the first act of a standard historical book/drama, along the lines of: whilst getting fitted for a dress, the heroine — usually preparing for some ball or arranged marriage — gets told by various assessors that she’s plain, unfashionable, ill-groomed, or fucking busted (or they insinuate as much); various forms of historical looksmaxxing are often utilized (fabrics, powders, jewelry) to conform her to the norms. It’s a masochistic, often weirdly humorous scene — as repetitious as it is, the needs it satisfies are multifaceted and often not as straightforward as one would think….

(5) STUDIO GHIBLI Q&A. “‘Howl’s Moving Castle’ Turns 20: Supervising Animator Akihiko Yamashita Reflects on His Relationship With Hayao Miyazaki and Bringing the Studio Ghibli Classic to Life” in Variety.

Howl’s castle has such an intricate and detailed design. Could you describe the castle’s animation process? How many people were involved?

I’m not sure I can count. There were many, many people who worked on it. In terms of drawing such a large item like that castle, there would usually be a base design for it, and then various animators could draw from that base design. But in this case, there was no such initial base design. So there might be one scene where it was drawn one way and then another scene where the little house wasn’t in the same place. But somehow, even with these angle changes that may show different things, it looked like one castle in the end.

There may be different things stuck onto the castle, but as long as there’s the mouth and the eyes and the chimneys, then people just perceive it as the same thing. So, we take advantage of that sort of misconception on the part of the audience to draw slightly different things.

(6) MEGALOPOLIS B.O. STINKS; WILD ROBOT MUCH SWEETER. [Item by Mike Kennedy.] Going into Sunday, Francis Ford Coppola’s self-financed $120M epic Megalopolis is projected to open in 6th place domestically this weekend, with a disappointing $4M box office. It is also received a low score (D+) from movie viewers according to rating firm CinemaScore.com.

The Wild Robot (DreamWorks), meanwhile, is opening 1st domestically with an estimated $35M weekend box office and an A audience rating from CinemaScore. Final box office totals may change for either film. “’Megalopolis’ Bombs at Box Office, ‘Wild Robot’ Soars to No. 1” in The Hollywood Reporter.

DreamWorks Animaton and Universal’s family film The Wild Robot is charming moviegoers and audiences alike, boasting both a stellar 98 percent Rotten Tomatoes critics score and a 98 percent audience score, not to mention an A CinemaScore from moviegoers. Thanks to great word of mouth, Wild Robot came in No. 1 with an estimated $35 million.

If only the love were being spread around.

Francis Ford Coppola — in one of the low points of his long and illustrious career — is watching his new movie Megalopolis get almost utterly rejected by moviegoers (it was likewise maligned by many critics). The film received a disastrous D+ CinemaScore from audiences and only cleared an estimated $4 million in its domestic debut (many rivals predict final numbers will be lower). Heading into the weekend, tracking and Lionsgate expected it to do at least $5 million to $7 million.

(7) TOBIAS TAITT DIES. Tobias Taitt, writer of the autobiographical comic Black, passed away September 16. James Bacon toured the Cartoon Museum’s exhibit about the comic (artwork by Anthony Smith) in 2021: “BLACK: The Story Of Tobias Taitt”.

(8) KRIS KRISTOFFERSON (1936-2024). Actor and country singer-songwriter Kris Kristofferson died September 28 at the age of 88. In 2004, he was inducted into the Country Music Hall of Fame. His performance in the film A Star Is Born (1975) earned him a Golden Globe for best actor in 1977.

In the sff/h genres he is best known for his appearances in the Blade movies (Blade, Blade II, Blade: Trinity) opposite Wesley Snipes. Also in Planet of the Apes (2001) as Karubi.

His music appeared in another half dozen sfff/h titles including Watchmen (2009)

(9) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary, September 29, 2005 –The debut of XKCD

By Paul Weimer: It started off innocently enough, with some random sketches by its creator Randall Munroe. A girl in his class. Excitement at the debut of SERENITY. It was mildly amusing but would never have had its cultural impact if it stayed that way. A few months in, the webcomic got geekier, the artwork better, and then there was the secret sauce. The thing that made, I think, the webcomic really take off.

The alt text.

Alt text gets a bad rap. On Mastodon, you get hated if you don’t put it on your photos. Other sites don’t allow it at all. But in XKCD, the creator made alt text an art form, instead of describing his drawings, but coming up with the idea of footnoting them, often with some very funny, if sometimes mordant comedy and observations.

Why wouldn’t a comic that blends science, technology, history, popular culture and more not be utterly popular, especially one that works on several levels, in and out of the text itself?

The intellectual curiosity (as seen in his two books, What If and What if 2) and his ability to just make that into a simple and amusing image on a regular basis makes XKCD something to enjoy time and again and again.

My favorite XKCD strip is going to be an obvious one. He won a Hugo for a 3000 image strip that Munroe updated over five months, telling a grand story set millennia in the future as the waters of the Mediterranean rise…but it is not the story of that rise. It’s the story of the relationships and the people who watch it inexorably happen.

I give you… “Time”.

(10) COMICS SECTION.

I’m sure everyone recognizes the scene in the first panel of Thatababy.
The Argyle Sweater has strange ideas about musical groups.
Heathcliff learns that landing on Earth is a relief for some.

(11) SOMETHING WICKED ON THE STAGE. Just outside of LA in the town of Newhall, the “Eclipse Theatre LA Presents Ray Bradbury’s ‘Something Wicked’” in October.

…The play follows two inseparable friends, Will and Jim, on the verge of adulthood. As contrasting as night and day, one yearns for adventure beyond their small town, while the other finds comfort in familiarity.

Their lives take a thrillingly unsettling turn when a mysterious carnival, led by the enigmatic Mr. Dark, rolls into town under the cloak of darkness.

The carnival offers irresistible promises, but at a sinister cost. Will and Jim must confront their deepest desires and grapple with the consequences of wishing for things better left untouched….

Performances run on weekends from October 11th to 13th and October 18th to 20th.

General admission tickets are only $22 and can be purchased online by clicking here.

For more information about the play, visit the website by clicking here

(12) SINNERS TRAILER. ‘Sinners’ first-look trailer unleashes Michael B. Jordan’s horror movie (ew.com) – Entertainment Weekly provides an introduction.

As promised by a creepy social media campaign that emerged online this week, “Sinners are coming.”

Michael B. Jordan appears in the new Sinners trailer, marking the first look at his buzzed about but until now very mysterious horror movie with Ryan Coogler, his director on Fruitvale Station (2013), Creed (2015), Black Panther (2018), and Black Panther: Wakanda Forever (2022).

Jordan stars as twins in this period piece set in the South. A cryptic logline explains the brothers tried to leave their troubled lives behind but return to their hometown for a fresh start, only to discover that “an even greater evil” is waiting to welcome them back. Early reports described the project as a vampire film…

(13) HONEST ABOUT THE ROBBERY. “California’s new law forces digital stores to admit you’re just licensing content, not buying it” reports The Verge.

California Governor Gavin Newsom has signed a law (AB 2426) to combat “disappearing” purchases of digital games, movies, music, and ebooks. The legislation will force digital storefronts to tell customers they’re just getting a license to use the digital media, rather than suggesting they actually own it.

When the law comes into effect next year, it will ban digital storefronts from using terms like “buy” or “purchase,” unless they inform customers that they’re not getting unrestricted access to whatever they’re buying. Storefronts will have to tell customers they’re getting a license that can be revoked as well as provide a list of all the restrictions that come along with it. Companies that break the rule could be fined for false advertising.

The new law won’t apply to stores that offer “permanent offline” downloads and comes as a direct response to companies like PlayStation and Ubisoft. In April, Ubisoft started deleting The Crew from players’ accounts after shutting down servers for the online-only game. And last year, Sony said it would remove purchased Discovery content from users’ PlayStation libraries before walking back the move.

(14) BETTING ON ALIEN LIFE. Dave Eggers on extra-terrestrial life (courtesy of Longreads): “Dave Eggers: NASA’s Jet Propulsion Lab works to discover life in space” in the Washington Post.

In all likelihood, in the next 25 years, we’ll find evidence of life on another planet. I’m willing to say this because I’m not a scientist and I don’t work in media relations for NASA. But all evidence points to us getting closer, every year, to identifying moons in our solar system, or exoplanets beyond it, that can sustain life. And if we don’t find conditions for life on the moons near us, we’ll find it on exoplanets — that is, planets outside our solar system. Within the next few decades, we’ll likely find an exoplanet that has an atmosphere, that has water, that has carbon and methane and oxygen. Or some combination of those things….

… But at the moment, much of the work at JPL is devoted to finding and examining exoplanets, and there is an urgency to the work that is palpable. In more than a dozen conversations with some of the best minds in astrophysics, I did not meet anyone who was doubtful about finding evidence of life elsewhere — most likely on an exoplanet beyond our solar system. It was not a matter of if. It was a matter of when. And if there’s going to be one scientist to bet on being part of the team that does it, it will be Vanessa Bailey. To date, only 82 exoplanets have been directly imaged, and Bailey found one of them….

(15) CRAIG MILLER Q&A. “Fanbase Feature: An Interview with Author Craig Miller on More Movie Memories (2024)”.

In this Fanbase Feature, THE FANBASE WEEKLY podcast co-host Bryant Dillon participates in a one-on-one interview with special guest Craig Miller (writer – STAR WARS MEMORIES, MORE MOVIE MEMORIES / original Director of Fan Relations at Lucasfilm / marketing consultant on THE LAST STARFIGHTER, THE DARK CRYSTAL, & more) regarding his recently released book, MORE MOVIE MEMORIES (2024), the origins of his career, his thoughts on his own place in pop culture history, his love for and approach to being both a creator and part of fandom, and more.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Ersatz Culture, Paul Weimer, James Bacon, Lise Andreasen, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 9/22/24 The Only Living Scroll In New Crobuzon

Posted on September 22, 2024 by Mike Glyer

(1) SOMETHING HE LEARNED FROM BILBO. Peterson Pipe Notes reminds pipe smokers “Today is Hobbit Day!—Tolkien & Peterson”.

Today (September 22nd) is Hobbit Day, marking the beginning of Tolkien Week 2024. Many observe the day with a birthday cake—in honor of Bilbo and Frodo, whose birthdays are today. I’m thinking just as many celebrate with a tankard of beer from the Prancing Pony (yes, it comes in pints) and as many more with a pipe of good tobacco.

It’s fairly common knowledge that one of the dharma doors to pipe smoking of the past 50 years or so is The Hobbit and The Lord of the Rings. It was in fact mine, when in my first nine weeks of high school I was marooned at home with mononucleosis. After finishing my day’s academic work—which took about 90 minutes—I’d spend the remainder reading at whim. That reading was drawn mostly from Ballantine’s Adult Fantasy series of the late 1960s and early 1970s, which included books by such greats as Lord Dunsany, H. P. Lovecraft, E. R. Eddison, David Lindsay, George MacDonald, and of course Tolkien. I was so taken with Middle Earth that I knew I needed to learn to smoke a pipe. My dad, a very irregular pipeman at the time, had two Kaywoodies in a drawer in the living room. Armed with one of them and some Cherry Royale (from Ted’s Pipe Shoppe in Tulsa), I took my first steps on the road….

(2) THE BRADBURYS. “On Maggie Bradbury, the woman who ‘changed literature forever.’” at Literary Hub.

Ray Bradbury met his first girlfriend—and his future wife—in a bookstore. But they didn’t lock eyes over the same just-selected novel, or bump into each other in a narrow aisle, sending books and feelings flying. It was a warm afternoon in April 1946, and 25-year-old Ray Bradbury—an up-and-coming pulp fiction writer—was wearing a trench coat and carrying a briefcase while he scanned the shelves at Fowler Brothers Bookstore in downtown Los Angeles. Naturally, Marguerite McClure—Maggie—who worked at the bookstore, “was immediately suspicious.” Someone had been stealing books, but hadn’t yet been caught. So she struck up a conversation. “I expected him to slam his briefcase down on a pile of books and make off with a few,” she said. “Instead, he told me he was a writer and invited me to have a cup of coffee with him.”

Coffee became lunch became dinner became romance; Maggie was the first woman Ray had ever dated, but he managed all right, and they were married on September 27, 1947.

“When I got married, all my wife’s friends said, ‘Don’t marry him. He’s going nowhere,’” Bradbury said in his 2000 commencement address at Caltech. “But I said to her, ‘I’m going to the moon, and I’m going to Mars. Do you want to come along?’ And she said, ‘Yes.’ She said yes. She took a vow of poverty, and married me. On the day of our wedding, we had $8 in the bank. And I put $5 in an envelope, and handed it to the minister. And he said, ‘What’s this?’ I said, ‘That’s your pay for the ceremony today.’ He said, ‘You’re a writer, aren’t you?’ And I said, ‘Yes.’ And he said, ‘You’re going to need this.’ And he gave it to me. And I took it back.”…

(3) STAND UP TO AI. SF Standard takes notes as “Comedian John Mulaney roasts SF techies at Dreamforce”.

“Let me get this straight,” John Mulaney said. “You’re hosting a ‘future of AI’ event in a city that has failed humanity so miserably?”

Everyone inside the auditorium at the Moscone Center groaned. Any notion that the award-winning comedian would play the corporate gig safe (and clean) were thrown out the window Thursday, when Mulaney, closing the Dreamforce festivities, started roasting his host, Salesforce, and the audience sitting right in front of him…

… The comedian rounded out his Dreamforce appearance by thanking attendees “for the world you’re creating for my son … where he will never talk to an actual human again. Instead, a little cartoon Einstein will pop up and give him a sort of good answer and probably refer him to another chatbot.”…

(4) AMAZING AND FANTASTIC SIXTIES REVIVAL. In “Fantastic Fiction: The Amazing and Fantastic Cele Goldsmith” at Seattle Worldcon 2025, Cora Buhlert introduces us to a historic prozine editor.

By the 1950s, the once venerable Amazing Stories, the oldest science fiction magazine, and its sister magazine Fantastic were deep in the doldrums. Both magazines were bottom-tier markets, publishing formulaic stories by the same handful of authors under various pen names.

All this changed in 1955, when a young Vassar graduate named Cele Goldsmith arrived at Ziff-Davis Publishing to work as an assistant to Howard Browne, the editor of Amazing and Fantastic, and his successor Paul Fairman. When Fairman left in 1958, Cele Goldsmith found herself editor of two ailing SFF magazines at the age of only 25….

(5) THEME PARK TURNAROUND. [Item by David Doering.] Here’s the latest on the resurrection of Evermore. “Name revealed for new fantasy-themed venue at former Evermore Park property” reports ABC4.com.

As new owners have taken over the former home of Evermore Park, they’ve been hatching excitement through an interactive experience that slowly unveils information about the future of the venue. In the latest reveal, the owners announced what the new venue’s name will be — “The Realm Town.”

Michelle and Travis Fox, bought the 13-acre property from Brandon Fugal earlier this year after the owners of Evermore Park shut its gates in April. Since then, the Foxes launched the “Hatch the Egg” initiative, where participants complete quests through an app, much like Pokémon Go. As players solve clues, details for the future plans of the park are revealed as its undergoing renovations. Players also join in on the opportunity to win prizes and join in on special in-person events….

(6) TOUCHPOINT WILL CLOSE. A press has made an agreement with the Authors Guild to address complaints that drew the attention of Writer Beware: “Authors Blast TouchPoint Press for Unethical Business Practices” at Publishers Weekly.

After hearing from dozens of authors about the poor business practices of TouchPoint Press, the Authors Guild said Friday that it has reached a deal with TouchPoint founder Sheri Williams, under which Williams agreed to pay authors overdue royalties and revert rights back to any author who has not yet received them. In addition, according to Authors Guild CEO Mary Rasenberger, Williams has agreed to close the press, which bills itself as a “traditional royalty-paying publisher” of adult and children’s books.

Rasenberger said that, over the last two years, 35 to 40 authors have contacted the Guild with concerns about TouchPoint’s failure to fulfill its contractual obligations and that, as of last week, there were 26 open cases. Problems about TouchPoint had also been raised by Writer Beware, whose Victoria Strauss who says she started receiving “a handful of complaints” as far back as 2015….

(7) TRANSCENDENCE: BAH, HUMBUG. Mark Roth-Whitworth found a lot to challenge in Isaac Arthur’s video about “Transcendence”. He shared his criticisms at his blog in “Transcendence, and a response”, including this one:

…Then let’s consider very advanced aliens. Remember, I mentioned how close technologically to us they needed to be? Suppose they were so advanced that they glanced at us, thought “seen that before thousands of times, ignore them till they reach the point where they have something to say beyond our equivalent of “run, Spot, run”. Maybe they have whatever they’re perceiving in their transcendence that’s far more interesting or important than primitives like us? Why should we matter, if they’re that advanced? If they have nothing we need, like the remote tribes in the Amazon who are being attacked by illegal loggers, miners, and farmer, why would they pay attention to us?

Then there’s the idea of transcending the universe. What evidence do we have that there is a beyond this one? Perhaps some immensely advanced beings might want to skip the Big Crunch as the universe is recreated in a new Big Bang….

(8) CROSS-GENRE NOIR. “Spooky Sleuthing: 5 Noir and Detective Films That Feature the Supernatural” at CrimeReads.

… As the days grow shorter and we head into spooky season—the Halloween decorations are on sale at Costco, in any case—it’s a good time for fans of detective and noir fiction to consider supplementing their viewing list with a few movies that combine the best parts of their favorite genre with the weird and occult. Here are some recommendations:…

From Dusk Till Dawn (1996): How did Quentin Tarantino end up scripting a vampire movie that’s like nothing else in his extensive filmography? Legend has it that special makeup effects Robert Kurtzman needed a horror script for his up-and-coming effects studio, KNB EFX Group, and paid a young Tarantino $1,500 plus the makeup effects (re: buckets of blood) for the latter’s “Reservoir Dogs.” But Kurtzman couldn’t find a studio willing to fund the film with him as the director, and eventually Tarantino, his fame on the rise, guided the script into the hands of his buddy Robert Rodriguez….

(9) A PEEK INTO NEW WORLDS AT 60. “Michael Moorcock is Back: New Worlds 60th Anniversary Issue Global Exclusive Video”. Information about ordering a copy is at the link.

Steve Andrews previews the 60th Anniversary issue of New Worlds magazine, celebrating MM taking on its editorship in 1964 and with a cast of groundbreaking contributors, changing SF and Literary Fiction for the better, forever. At the time of posting this video, not even Moorcock himself has seen a finished copy, but you see one here!

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born September 22, 1971 — Elizabeth Bear, 53.

By Paul Weimer: I knew Elizabeth Bear before she broke big in genre. That’s not a boast, per se, that’s an observation that she was part of the small and intense community of people who were involved in the fandom of the Amber Diceless Roleplaying Game, based on the work of Roger Zelazny. Bear attended many of the same small cons as I did revolving around the game. (Other authors in the “Secret Amber Cabal” (as named by Scott Lynch) include people like Genevieve Cogman, Jane Lindskold, and I guess, myself.)

But back to Bear. Her ambitions and efforts to be a writer were something I was both aware and interested in, from the very beginnings of her career. I loved her novel trilogy debut that started with Hammered. I was delighted and not surprised when her Whiskey and Water series eventually brought a Marlowe as a character on the screen. Her ability to write fantasy and science fiction in equal measure has always enchanted me. The Eternal Sky fantasy novel series. Carnival, which was once the “if you must read one Bear novel, read this one) book (nowadays, that might be Machine or Ancestral Night).

Bear’s novels are accompanied by a strong short fiction oeuvre as well, although I think she works better for me as a writer at the longer lengths. Although I admit her Hugo awards (one for short story and one for novelette) might make me less than completely accurate in that regard. But I think the longer lengths, especially in hitting the marks in completing series (such as recently, the Origin of Storms, which completed the Lotus Kingdoms books VERY fantastically) proves that she works the long form best.

Bear is also one of the leaders of one of my local cons, 4th Street Fantasy, and so helps foster the genre conversation for her fellow readers, writers and fans.

And she is a very good friend. Happy birthday Bear!

(11) COMICS SECTION.

Eek! has a credential-caused delay.
Frank and Ernest have lined up the top talent.
The Argyle Sweater features obscure equipment from Sesame Street.
Tom Gauld wonders who will break the bad news to them.

My latest cartoon for @newscientist pic.twitter.com/85h5MsMbGO
— Tom Gauld (@tomgauld) September 15, 2024

(12) MAD ABOUT YOU. CBS News’ Sunday Morning show visited the exhibit at the Norman Rockwell Museum: “How Mad Magazine’s humor created a revolution”.

Nestled the rolling hills of rural Massachusetts. swathed by manicured grounds, sits the Norman Rockwell Museum. And there, side-by-side with the wholesome works of America’s most beloved illustrator, is the world’s dumbest cover boy: Alfred E. Neuman.

“It’s sacrilegious! It’s an outrage!” laughed political cartoonist Steve Brodner. “But I do think if Norman Rockwell were here, he’d laugh his head off. He’d think this was fantastic.”

(13) LOST COMPLETELY. “10 best episodes of ‘Lost’ ranked for 20th anniversary” by Entertainment Weekly. If you watched the series, maybe you have an opinion, too.

It’s been 20 years since Oceanic flight 815 crash landed on a mysterious island, and TV has never been the same. Cue the blurry title card, because it’s time to celebrate two decades of Lost.

When the ABC drama premiered Sept. 22, 2004, it introduced a large ensemble of compelling characters and intriguing mysteries portrayed cinematically in ways that had never been attempted before on TV. And as the series continued for six seasons, it raised more questions than it answered as the mythology got more and more complex — flashbacks became flash forwards and then flash sideways, and don’t even get us started on the frozen donkey wheel. Debates still rage amongst fans about whether the castaways were dead the whole time, what was up with those cursed numbers, and what the island really was….

4. “Pilot” (season 1, episode 1-2)

From the very first moment Jack opened an eye in the middle of a mysterious jungle up to the final seconds with Charlie’s iconic and chilling delivery of, “Guys, where are we?,” Lost debuted a pitch-perfect TV pilot. Introducing an ensemble this large and a mystery this complex in only two episodes of broadcast TV should have been impossible. But J.J. Abrams and Damon Lindelof hooked viewers immediately — and ultimately changed the TV landscape forever. The Emmy-winning episode featured juicy, head-scratching twists (An unseen, but definitely heard, violent monster! A polar bear in the tropical jungle! A French distress call looped for 16 years!) and continued to raise the intense stakes as the survivors learned help may not be coming at all … because they crashed over 1,000 miles off-course, so any rescue attempt would be looking in the wrong place. The flashbacks also subverted expectations as viewers learned the castaways aren’t who they first appeared to be with the reveal that it was actually leading lady Kate who was the handcuffed prisoner onboard the flight. Like the survivors, we truly had no idea what was in store from the rest of the series after these two episodes, but the premiere instantly made it clear that this was no ordinary sci-fi/fantasy thriller.

(14) THE LITTLE DUCK. Beware! This Disneyland Paris commercial from 2018 may wring your heartstrings! (Or put a crimp in your gizzard – I know about some of you….)

(15) GET READY FOR WEDNESDAY. “’Wednesday’ Season 2 Trailer, Release Date on Netflix, Jenna Ortega” – TVLine has the rundown.

… Catherine Zeta-Jones, who plays Wednesday’s mother Morticia Addams, promises that “Season 2 is going to be bigger and more twisted than you can ever imagine.” And don’t feel bad that you only get to see bits and pieces: “If we showed you any more, your eyes would bleed,” Ortega warns in a perfect Wednesday deadpan. “And I’m not that generous.”…

(16) PORTRAIT OF JENNIE. [Item by Andrew Porter.] I cannot tell you how many times I’ve seen this romantic fantasy, beginning when I was a kid, and watched it on Channel 11 in NY—and called the station, begging them to show all the film, including the final segments which were tinted, and a scene in the Metropolitan Museum of Art, in Technicolor.

That final scene included, uncredited, Nancy Davis, Anne Francis, and Nancy Olson, as teenagers! “Portrait of Jennie (1948) Filming Locations”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 9/7/24 You Are Like A Pixel Scroll, There’s Files In Your Skies

Posted on September 7, 2024 by Mike Glyer

(1) SANS CLUE. Cora Buhlert declares, “The Guardian is Clueless about Masters of the Universe”.

…That said, the casting of Alison Brie has attracted more mainstream attraction than the casting of Galitzine and Mendes, probably because Brie is better known. And so Ben Child, who has a weekly geek media column in The Guardian, penned a spectacularly clueless article about the proposed live action Masters of the Universe movie.

Even the headline is terrible: “Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?”

Yes, we all know how fiercely gendered the toy industry is, but must we really perpetuate those shitty stereotypes, especially when we know they’re wrong? Because in the 1980s, Mattel found to their own surprise that forty percent of all Masters of the Universe toys were sold to girls, which is what prompted the introduction of She-Ra. The 1980s Filmation cartoon was eagerly watched by both boys and girls and though Masters of the Universe fandom skews male, there are plenty of female fans, me among them. This isn’t surprising either, because Masters of the Universe has always featured plenty of impressive female characters such as Teela, Evil-Lyn, the Sorceress, Queen Marlena and of course, She-Ra and her entire supporting cast. Finally, there are plenty of male Barbie collectors as well….

… The main problem with the article is that Ben Child seems unable to view Masters of the Universe as anything other than a joke…

(2) FORMER BOARD MEMBER, NOW 404 ERROR. Sarah Gailey, who was on the NaNoWriMo “writers board” is no longer, as explained in “Some Thoughts on NaNoWriMo”.

…It’s reasonable for people to have reacted badly; the “statement” they released was very silly. To say “we will not take one of two positions, but we will say that one of those positions is classist and ableist” is not the deft rhetorical maneuver that NaNoWriMo seems to think it is. The arguments themselves around this so-called classism and ableism wave off the actual existence of writing communities, critique groups, beta readers, and critique partners; they also ignore the creative realities of the impoverished and disabled artists, marginalized authors, and indie authors who have been working all this time without the help of language learning model software that was trained on work stolen from their peers and colleagues. …

And this is the statement Gailey sent to Kilby Blades, Interim Executive Director of NaNoWriMo:

And Gailey said:

… I haven’t heard anything back. As of the time I’m writing this, the urls for the staff page and the Writers’ Board page are returning 404 errors. So does the url for my pep talk. …

(3) GOOD OMENS THIRD SEASON STILL HAPPENING. “’Good Omens’ season three on track at Amazon despite Neil Gaiman allegations” reports Screen Daily.

The third season of Neil Gaiman’s Good Omens is understood to be going ahead as planned at Amazon Prime Video, even though Disney has paused a feature adaptation of Gaiman’s novel, The Graveyard Book, following allegations of sexual assault against the UK author and screenwriter….

Amazon officially greenlit the third season of fantasy drama Good Omens in December 2023. Screen understands plans have not changed for the third season starring Michael Sheen and David Tennant to start filming in early 2025 in Scotland. Gaiman is executive producer, writer and showrunner of the series that is based on a book he co-wrote with Terry Pratchett.

Gaiman is also executive producer and a screenwriter on Anansi Boys, a Prime Video series based on Gaiman’s novel of the same name. While production wrapped on the series last year, no official release date has been set. Screen understands there are no plans to not stream the series….

(4) CRIME ACTUALLY DOES PAY. For seven years! “FBI busts musician’s elaborate AI-powered $10M streaming-royalty heist” – Ars Technica tells how the scheme worked.

On Wednesday, federal prosecutors charged a North Carolina musician with defrauding streaming services of $10 million through an elaborate scheme involving AI, as reported by The New York Times. Michael Smith, 52, allegedly used AI to create hundreds of thousands of fake songs by nonexistent bands, then streamed them using bots to collect royalties from platforms like Spotify, Apple Music, and Amazon Music.

While the AI-generated element of this story is novel, Smith allegedly broke the law by setting up an elaborate fake listener scheme. The US Attorney for the Southern District of New York, Damian Williams, announced the charges, which include wire fraud and money laundering conspiracy. If convicted, Smith could face up to 20 years in prison for each charge.

Smith’s scheme, which prosecutors say ran for seven years, involved creating thousands of fake streaming accounts using purchased email addresses. He developed software to play his AI-generated music on repeat from various computers, mimicking individual listeners from different locations. In an industry where success is measured by digital listens, Smith’s fabricated catalog reportedly managed to rack up billions of streams.

To avoid detection, Smith spread his streaming activity across numerous fake songs, never playing a single track too many times. He also generated unique names for the AI-created artists and songs, trying to blend in with the quirky names of legitimate musical acts. Smith used artist names like “Callous Post” and “Calorie Screams,” while their songs included titles such as “Zygotic Washstands” and “Zymotechnical.”

…The district attorney announcement did not specify precisely what method Smith used to generate the songs….

(5) BULGACON. Начална страница (bulgacon.org) – Bulgacon, the Bulgarian national convention – takes place September 21-23 with Ian McDonald and Farah Mendlesohn as guests of honor. Dr. Valentin D. Ivanov reports, “Many panels will be in English and the committee is considering opening the online panels to everybody.”

(6) LEARNEDLEAGUE SFF: NARNIA AND MURDERBOT. [Item by David Goldfarb.] Question 1 on day 9 of the current regular LearnedLeague season asked us:

The Voyage of the Dawn Treader, The Silver Chair, and The Magician’s Nephew are all books set in what mythical realm?

(I’ve spoiled the answer in my header, but I daresay very few Filers would have had any trouble with it.) This had a get rate of 89%, with no single wrong answer getting to 5% of the submissions.

In the most recent off-season there was a One-Day Special about File 770’s favorite rogue death machine: follow this link to see Murderbot for Everyone. As the title suggests, the questions try to include general-knowledge paths to the answers as well as knowledge of the books themselves. I actually didn’t do all that well on it: 9 right out of 12, and only 63rd percentile in the scoring. Filers may enjoy seeing if they could have done better.

(7) FLASH SF NIGHT. Space Cowboy Books of Joshua Tree, CA presents “Flash Science Fiction Night” online on Monday September 9 at 6:00 p.m. Pacific. Register to attend for free here.

This is the last Flash Science Fiction Night of the season! Join us online for an evening of short science fiction readings (1000 words or less) with authors Jenna Hanchey, Eric Fomley, and Marie Vibbert. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(8) SFWA TOWN HALL COMING. The Science Fiction and Fantasy Writers Association Board will conduct the organization’s first SFWA Town Hall for members on September 10, 2024.

This event is part of the ongoing effort to foster communication with the membership, talk about what the organization is current doing and planning, and to take an opportunity to listen.

By working together, the board can address concerns and begin writing the next chapters in the history of SFWA.

(9) TRIBUTE TO BROTHER. Inverse remembers, “40 Years Ago, a Cult Classic Sci-Fi Movie Beat John Carpenter to the Punch”.

…Compared to the bloated multiverse era where “less is more” is an alien concept, 1984 cult favorite The Brother from Another Planet seems like it’s been beamed in from an entirely different celestial body. Its $350,000 budget — a small sum even for the time — would be lucky to cover 30 seconds of a Marvel flick. Its special effects are limited to a few glowing lights and a deformed toe. And far from delivering any grandstanding speeches, its superhero is entirely mute.

The titular Brother, who’s not even given the luxury of a name, is an extra-terrestrial whose powers are far more intuitive (he can hear voices from the past by touching his surroundings) than communicative. But thanks to a nuanced performance from future Emmy winner Joe Morton, he still manages to convey the emotional complexities of the immigrant experience (just to make it clear the film is allegorical, his primitive spaceship crashlands on Ellis Island)….

(10) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Land of the Lost series (1974)

By Paul Weimer. “Marshall, Will and Holly, on a routine expedition…”

Before Buck Rogers, or Battlestar Galactica, or reruns of TOS Star Trek, the first genre shows I can recall watching, in the misty lands of the 1970’s, were reruns of the Sid and Marty Krofft TV shows, including and most especially, Land of the Lost.

What was not to love in those days? The Marshall family trapped in another world. Dinosaurs! Lizardmen! Weird alien technology crystals? I watched the show avidly, until it fell away from TV screens, and other tv series took their place in my mind in the late 1970’s and early 1980’s. And I mostly didn’t think about Land of the Lost for two decades.

Until Bubble Boy.

Bubble Boy was a 2001 film, and I can’t really counsel you to seek it out and watch it. It has a young Jake Gyllenhaal playing the titular immunocompromised character who goes on adventures despite being in a bubble. But he is as sheltered emotionally and otherwise as he is physically, having not been allowed to even watch much TV. One of the shows he has been able to watch was, in fact, Land of the Lost…and very early in the movie, the titular character does a “punk rock version” of the theme song. It brought me back immediately to my young watching of the show. That song really is an earworm.

Later on, a few years later, I met a friend who was obsessed with the show, and insisted I watch it again. So, with the suck fairy an idea that had not formulated in popular culture, but was in my mind, I decided to rent it on Netflix DVDs and rewatch it. I was nervous it was more going to be than wasted time, that my fond distant memories of the show would burst like a bubble.

Yes the show is cheesy, the special effects not so much, and it is a kids tv show…but I was surprised at how much I liked the show for what it was.

Watching the entire arc from start to finish, I saw the creative seeds of genius in the show (and also saw at least one episode I had missed back in the day. Crucially, an episode written by Larry Niven (!) where the Marshalls try to paddle out of the Land of the Lost, run into a Confederate Gold miner and discover they are, in fact, in an enclosed pocket universe. Combine that with the crystal powered pylons that allow time and space travel, a time loop episode and more, the strong SF roots of the show came to mind.

And then there is Enik. Poor, poor Enik, the intelligent Sleestak..who thought he had traveled into the past to see the barbaric ancestors of his high-tech civilization. And the soul crushing realization he gets when he realizes that he has in fact traveled far to the future, and his high-tech civilization is doomed to fall to barbarism. Heady stuff for a kids TV show, eh?

Land of the Lost crops up again, visually and otherwise in fantasy novels and tv series. In the novel Paragaea, for instance, the main character, trapped on another planet, stumbles onto a jungle temple ruin, complete with Sleestaks, described exactly in terms of the tv series.

But the remake movie with Will Farrell? Skip it. Just skip it. I’ve never seen the reboot series, either (that is apparently currently on Apple TV).

“When I look all around, I can’t believe the things I found…”

(11) COMICS SECTION.

Saturday Morning Breakfast Cereal points out a sneaky reason for long introductions.
Bliss speaks for a lot of us.
Loose Parts covers the forgotten past.
Pardon My Planet doesn’t let us forget that some quests are more important.
The Other Coast introduces another hero.
Tom Gauld’s figure of mystery returns.

My latest @GuardianBooks cartoon. pic.twitter.com/juIypXG84j
— Tom Gauld (@tomgauld) September 7, 2024

(12) CAMPY CRANIUM. “New horror musical arrives in Ypsilanti just in time for Halloween” – The Eastern Echo has details.

Getting antsy for the spooky season? Kick off those calendars with the premiere of “The Brain That Wouldn’t Die!”, a new musical written by Ypsilanti-area vocalist and stage director Carla Margolis.

Inspired by the 1960s cult classic of the same name, the musical is a reimagining that takes audiences through the infamous, campy storyline with an all-new original soundtrack. When a brilliant yet, reckless scientist’s fiancé is decapitated in a car accident, he uses a magical serum to keep her head alive. The head, while completely immobile, keeps its ability to sing and talk.

Fans of the movie can expect a more serious look at the same themes found in the original.

“It focuses on bodily autonomy for women; now that it’s more perilous than ever, I don’t really address it specifically, but there was definitely an inspiration. There’s a lot of misogyny baked into this story,” Margolis said.

Margolis’ unique take is rooted in a time period when feminist themes were less accepted in media, and that elevates the script to new levels, they said….

(13) ALL ABOARD FOR ALL ALONG. “How Marvel expands ‘WandaVision’ corner of MCU with ‘Agatha All Along,’ ‘Vision Quest’” – Entertainment Weekly interviews a Marvel TV exec and a showrunner.

…These two shows will broaden what Schaeffer refers to as “the WandaVision corner” of the MCU, and Winderbaum says Agatha All Along, titled after Hahn’s chart-topping song of the same name as performed in that first series, “really led the charge.”

The premise kicks off when a mysterious goth teen who’s obsessed with witchcraft (Joe Locke) helps Agatha break free of Wanda’s spell, only now she’s completely left without her powers. This “Teen,” who’s been hexed by…someone so that he can never share his name or any identifying information with other witches, plants the idea of traversing the Witches’ Road, a mystical realm that faces wanderers with deadly trials. If conquered, Agatha could regain all her magic once more. She just needs a coven to pull it off. Enter Aubrey Plaza’s Rio Vidal, Patti LuPone’s Lilia Calderu, Sasheer Zamata’s Jennifer Kale, and Ali Ahn’s Alice Wu-Gulliver….

(14) SAIL SIGHTED. “NASA spacecraft captures 1st photo of its giant solar sail while tumbling in space” – Space has the story.

On April 23, NASA launched a solar sail protype to orbit around our planet — a piece of technology that could very well revolutionize the way we think about spacecraft propulsion. Then, on Aug. 29, the agency confirmed this sail successfully unfurled itself in outer space. Yet, we still didn’t have official photographic evidence of this for some time.

Now, as of Sept. 5, we indeed do. NASA has released the first image of the open solar sail, formally called the Advanced Composite Solar Sail System, and stated that the spacecraft from which the sail was released will continue to send back more footage and data as time goes on….

… As NASA says in the statement, it’s important to first remember there are four wide-angle cameras in the center of the spacecraft anchoring the sail.

Near the bottom of the image, one camera view shows the “reflective sail quadrants supported by composite booms” while at the top of the photo, we can see the back surface of one of the craft’s solar panels. Most spacecraft are lined with solar panels because that’s how they power themselves up: with sunlight.

“The five sets of markings on the booms close to the spacecraft are reference markers to indicate full extension of the sail,” the statement says. “The booms are mounted at right angles, and the solar panel is rectangular, but appear distorted because of the wide-angle camera field of view.”…

(15) WHIP IT. Gizmodo says “Bear McCreary Wants to Bring an Obscure Lord of the Rings Song to Rings of Power”.

The soundtrack for Amazon’s Lord of the Rings prequel has afforded composer Bear McCreary a canvas as vast as Middle-earth to play with: Howard Shore-ish riffs, unique orchestral pieces, and increasingly in season two, lots of song work. We already know the lumbering hill-troll Damrod is getting his own heavy metal infused piece this season, and this week, McCreary weaved one of Tolkien’s own poems into a beautiful song to welcome Tom Bombadil to the show. But the composer has a much more obscure, and much more intriguing ditty from the franchise’s adaptive past he wants to make a nod to.

That song? “Where There’s a Whip, There’s a Way” from the Rankin Bass adaptation of Return of the King. “I’m looking. I’m looking for the moment,” McCreary said in a recent Instagram live chat of his desire to bring the song to Rings of Power (via /Film). “It hasn’t happened yet but I would love to make that happen.”

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, David Goldfarb, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 8/12/24 I Came Upon A Scroll Of God, He Was Pixeling Down The Road

Posted on August 12, 2024 by Mike Glyer

(1) BEST NOVEL WINNER TESH INTERVIEWED. [Item by Nickpheas.] Front Row, the main BBC Radio 4 arts show includes an overview of the recent Hugo controversies and an interview with Emily Tesh following her Best Novel win: “BBC Radio 4 – Front Row, Emily Tesh and the Hugo Awards”.

This year’s WorldCon – the World Science Fiction Convention – took place in Glasgow and pop culture critic Gavia Baker-Whitelaw reports on the international gathering where the winners of the Hugo Awards 2024 were announced last night.

Emily Tesh on winning the Best Novel prize at this year’s Hugo Awards with her debut novel, Some Desperate Glory.

(2) SPREAD THE WORD. Maybe fans should have been told this was DNQ – then by now everybody would know it.

Is this yet another one of those honors that people aren’t going to know happened unless I brag like hell about it a thousand times?

OH WELL THEN. ????
— Nnedi Okorafor, PhD????? (@Nnedi) August 12, 2024

(3) BEAUTY SHOTS. Richard Man has received his 2023 Hugo Award trophy and has posted a gallery of beautiful photos of it on Facebook. They include close-ups of the based and its artistic panda sculpture. Here’s the first in the series.

(4) GLASGOW 2024 PHOTO TEAM. And you can see the Worldcon in all its glory in this gallery of “Worldcon Photos” at Flickr.

(5) LOST IN TRANSLATION. Glasgow 2024 apologized for problems at last night’s Hugo ceremony with onscreen cards in rendering Chinese names. One commenter thinks the apology underplays the extent of them.

The Hugo Awards ceremony didn't just have "mistakes in the Chinese captions." It literally turned characters in author Baoshu's and Han Song's names into square boxes with a X, and left out Gu Shi's name in Chinese altogether… It also failed to list Baoshu's translator Xueting. https://t.co/Q0ZJ0lLGQI pic.twitter.com/w1UnCELqDX
— Yilin @ WorldCon Glasgow (@yilinwriter) August 12, 2024

(6) WEE, SLEEKIT, COWRIN, TIM’ROUS BEASTIE. Cora Buhlert, who is headed home at this hour, shared a “Brief Worldcon Update – and a Fannish Poem”. The title of the poem is “The Phantom of the Armadillo”. You might be able to guess what it’s about from the first two lines. See the rest at the link.

There’s a spectre haunting Glasgow,
a spectre by the name of Dave…

(7) DARKLIT PRESS. Publishers Weekly has compiled the available information about the meltdown in “A Grim Fate Befalls Horror Publisher DarkLit Press”.

A metaphorical bloodbath has occurred at Canada-based independent horror publisher DarkLit Press, with authors clawing back rights, publicly splitting with the company, and claiming royalties have gone unpaid. A year ago, DarkLit was announcing new imprints and developing its audio offerings, but its website and social media accounts have gone black, and the company is not listed in the Canadian Business Registry….

(8) CAMERON Q&A. “James Cameron Interview: Avatar 3, Alien: Romulus, Terminator Zero” in The Hollywood Reporter.

There has been a lot of conversation in the last few years about UAPs [Unidentified Aerial Phenomena] along with USOs — Underwater Submerged Objects — which you brought to the pop culture forefront with The Abyss. You’ve spent so much time on and in the ocean. Have you ever seen anything that you cannot explain?

I’ve seen some geological formations that were intriguing that I really wanted to understand better that I don’t think have been well observed before. I’ve photographed new species — things that were not immediately identifiable. But I’ve never seen anything that couldn’t be explained in the sense of some extraterrestrial phenomenon. Now, “belief” is a principle that I don’t have. I don’t believe things. I admit the possibility of things because the universe is infinite and obviously much stranger than we think, and much more complex than we think — that’s what makes science so appealing. But I don’t make broad statements like, “Well, I believe there must be extraterrestrial life; the universe is so big.” Yeah, it’s really big — and getting here would be a really, really big problem if there is even life out there, and if that life is intelligent. How are they crossing light years of space? I studied physics before I became a lit major, and people have no concept of the magnitude of that problem from a physics standpoint. I have a pretty good grasp of where physics was in 1972 — which basically is laughable at this point — but I keep up.

(9) MY ALIBI. There we go – Xiran Jay Zhao and George R.R. Martin are each other’s alibis for not turning in their next book.

Sorry our sequels are so late, we're too busy partying pic.twitter.com/rWKSpJh7IC
— Xiran Jay Zhao ???? (@XiranJayZhao) August 12, 2024

(10) NOW WITH ADDED DRAGONS. Erin Underwood Presents brings viewers a“House of the Dragon, Season 2 Review – Here’s why it’s actually a good season”. (Did you have doubts?)

House of the Dragon, George RR Martin’s A Game of Throne’s prequel, enters its second season with the Targaryen’s internal succession war at its peak — and it’s tearing the Seven Kingdoms apart. Plus, there are so many DRAGONS. Check out my new review of season 2.

(11) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 12, 1931 – William Goldman. (Died 2018.)

By Lis Carey: William Goldman was a novelist, playwright, and screenwriter. He won two Academy Awards in writing categories—Best Original Screenplay for Butch Cassidy and the Sundance Kid (1969), and Best Adapted Screenplay for All the President’s Men (1976).

But the work for which we best know and love him is The Princess Bride, both novel and film.

William Goldman. Photo by Bernard Gotfryd

The Princess Bride is, As You Know, Bob, the film adaptation of William Goldman’s “good parts version” of S. Morgenstern’s long political satire, The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version.

Except, of course, S. Morgenstern never existed, and Goldman only wrote the “good parts,” including “footnotes” referencing fictional bits of the politics, etc., of the kingdoms of Florin and Guilder, and the frame story of a grandfather reading the story to his grandson. The adaptation for the film was, fortunately, written by Goldman himself, and is remarkably true to the novel. A grandfather reads to his grandson the “good parts version” of Princess Buttercup; her true love Westley; Buttercup’s evil betrothed, Prince Humperdinck; and of course the giant Fezzik, Inigo Montoya, Vizzini the Sicilian, and assorted other people of questionable character.

Altogether, it’s a lovely package of wit, humor, fantasy, adventure and romance. With positive critical reception but only modestly successful at the box office, it has become a cult classic. Lines from the movie are happily quoted by fans who have seen it, and those who never have, because it’s just so darned quotable and engaging.

“Inconceivable!”

“You keep using that word. I do not think it means what you think it means.”

“Never get involved in a land war in Asia.” (Solid advice, that one.)

It’s a pure delight, and has a 96% rating on Rotten Tomatoes. You can watch it on Disney+, if so inclined.

(12) COMICS SECTION.

F Minus points out why a planet has a bad reputation
Doug Eat Doug shows that horror readers start young
Strange Brew whispers a secret.
Wumo mixes realities.

(13) PAGING THROUGH THE SF HALL OF FAME. David Agranoff’s new Postcards from a Dying World podcast episode is about “SF Hall of Fame #7 The Weapons Shop by AE Van Vogt”.

In 1970 Avon Books published a landmark anthology “Science Fiction Hall of Fame” featuring 16 classic short stories that represent landmark tales of the genre. The stories were voted on by the members of the new (at the time in the late 60s) organization Science Fiction Writers of America. In this series, I will be joined by a panel of different guests to break down these stories and talk about the authors in the book.

In this episode, I am joined by two experts on Philip K Dick. Wait a second I thought this episode was about AE Van Vogt. It is.. but the Canadian Golden Age author was a massive influence on PKD, so I was interested in introducing two Dickheads to Van Vogt. So joining me is the Total Dickhead blogger – Professor David Gill and author/publisher/editor Keith Giles of Quior Books.

(14) COMIC-CON PROGRAM BOOK IS FREE DOWNLOAD. [Item by Bill.] The San Diego Comic-Con’s program book is released as a PDF. It contains much of SF interest. Find it here.

(15) DISNEY LEGENDS AT D23. The star-power was turned up bright this past weekend at the D23 Expo in Anaheim.

“Lindsay Lohan, Jodie Foster Honor Disney Legend Jamie Lee Curtis” in Variety.

Jamie Lee Curtis has always been legendary, but now it’s official: she was named a Disney Legend on Sunday during the D23 Expo.

Lindsay Lohan took the stage to queue up a montage of Curtis’ most memorable roles, telling the crowd, “I have been able to have the pleasure of working with Jamie Lee Curtis. And the magic of Jamie Lee Curtis is that she is timeless. Every character she plays is different, and she always brings something unique to the role. And I feel so blessed to have Jamie as a friend in my life, and I feel lucky to work with a woman that I admire so much.”

Jodie Foster surprised the crowd after Lohan’s introduction to further lionize Curtis, saying, “There are many things that my bestie Jamie and I have in common,” recalling their upbringing as young women in Hollywood.

“Here are many of the absolutely freaky things that you may not know about her: You probably don’t know she eats dinner at 3 or 4, and is asleep by 7:30. She gets up at 3 a.m., she saves the world and she online shops a little bit,” Foster continued.

“She is so thoughtful and so generous, such a supportive and kind cheerleader, that it just makes me want to punch her,” Foster said with a laugh. “Is that wrong?” Foster then presented Curtis with her own embroidered pair of Mickey Mouse ears….

“Harrison Ford Accepts Disney Legend Award in Touching Speech at D23” in Variety.

…After a montage of Harrison’s most iconic work, Ford took the stage to an enthusiastic standing ovation. Referencing one of his most iconic “Star Wars” moments, he told the crowd, “I love you, too” (a more direct version of Han Solo’s famous response, “I know.”)

He continued, “I love the life you’ve given me. I love the people that I’ve had the opportunity to work with. Nobody does anything in this business for long. We work in collaboration, no matter what who we are and what we’re doing.”

Ford called himself an “assistant storyteller,” adding, “The stories are for you, about you, about us,” Ford said as he choked back tears. “To be able to work in that area is a privilege.”….

“Angela Bassett, Kelly Ripa, James Cameron and More Honored as Disney Legends at D23” reports Variety.

Angela Bassett was recognized for three decades of work with Disney, including her role in Touchstone’s “What’s Love Got to Do With It,” narration of National Geographic’s The Flood and the Disney+ docuseries “The Imagineering Story,” and, most recently, her Oscar-nominated performance as Queen Ramonda in “Black Panther: Wakanda Forever.”…

…“Titanic” director James Cameron was also among the honorees, recognized for his work on the “Avatar” film franchise, for which he’s currently in post-production for the third entry, with a planned fourth and fifth in pre-production. He’s also behind several documentaries made in partnership with National Geographic, including the Emmy-winning “Secrets of the Whales” and Emmy-nominated “Secrets of the Elephants.” He also executive produced the OceanXplorers series, due in fall 2024 from National Geographic….

…Ripa began her career as an actor on the soap opera “All My Children” and the sitcom “Hope & Faith.” She’s best known for her work on morning television as the co-host of ABC’s “Live,” which she’s appeared on since 2001….

…Bassett, Cameron and Ripa were joined by fellow Disney Legend honorees Jamie Lee Curtis, James L. Brooks, Harrison Ford, Frank Oz, John Williams, Miley Cyrus, costume designer Colleen Atwood, Disney Parks cast member Martha Blanding, the late Marvel comic artist Steve Ditko, animator Mark Henn, and imagineer Joe Rohde….

(16) FREAKIER FRIDAY. And once D23 is over, everybody goes back to work. “‘Freaky Friday 2’ Title Revealed as ‘Freakier Friday,’ Brings Back Lindsay Lohan’s Rock Band Pink Slip And Loads of Cameos” – Variety has the story.

…“It feels like no time has passed,” Curtis told the ecstatic crowd.

Lohan revealed the two had stayed in touch over the years and said, “We’re very close.” To which Curtis replied, “It feels like we’re picking up where we left off.”

And with that, the trailer for Nisha Ganatra’s “Freaky Friday 2,” starring Curtis and Lohan was revealed…

(17) PRIDE OF DISNEY. A trailer has dropped for Mufasa: The Lion King – in theaters December 20.

Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

(18) IS CONSCIOUSNESS DOWN TO QUANTUM EFFECTS. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd over at PBS Space Time takes a look at Nobel laureate Roger Penrose’s idea that the brain might enable consciousness through quantum effects: the brain might be a quantum computer, his rationalization being known as orchestrated objective reduction. Basically, we think – outside the box – like quantum and not analogue computers.

Now, the arguments against this are that physicists currently entangle atoms in vacuums at very, very cold temperatures: conversely, brains are warm and wet. (We biologists like things warm and wet.) Subsequently, in the mid-1990s, an anaesthetist, Stuart Hameroff, suggested microtubules found in brain cells might have the macromolecule, the tubulin protein, Penrose was looking for as many anaesthetics work by impairing microtubule function.

The latest news is that a paper has been published showing that molecules in microtubules exhibit superradience and superradience (as you all know well?) is a phenomena arising out of quantum entanglement.

Now, just because a molecule exhibits supperradience by itself is not proof that the molecule can behave in an entangled quantum way, however it is at the very least corroborating evidence and so we can file this in the ‘interesting’ drawer.

Also, don’t be quick to rule out the ‘warm and wet’ problem just because physicists find it difficult. In biology we think that photosynthesis (how plants harness sunlight’s energy) likely relies on quantum effects: it is possible that quantum coherence and electron tunneling are involved in photosynthesis. Quantum_biology is a thing.

Finally, let’s think of the SF implications of all of this. Given the number of microtubules in the brain and given the number of calculations quantum computers can do, then to get General Artificial Intelligence (that’s 2001 HAL level of A.I.) we would need a very, very large quantum computer and that seems a very long way off and is certainly not something we can do with conventional, analogue computers. If this is so, then it may mean our getting a powerful A.I. capable of conscious, independent thought is unlikely… This, some may say, could be good news. I keep on telling people that the machines are taking over. But nobody ever listens…

That’s everything in a nutshell. Matt O’Dowd explains it with a little more detail (and fortunately with no heavy mathematical equations). You can see the 19-minute video here.

Nobel laureate Roger Penrose is widely held to be one of the most brilliant living physicists for his wide-ranging work from black holes to cosmology. And then there’s his idea about how consciousness is caused by quantum processes. Most scientists have dismissed this as a cute eccentricity – a guy like Roger gets to have at least one crazy theory without being demoted from the supersmartypants club. The most common argument for this dismissal is that quantum effects can’t survive long enough in an environment as warm and chaotic as the brain. Well, a new study has revealed that Penrose’s prime candidate molecule for this quantum activity does indeed exhibit large scale quantum activity. So was Penrose right after all? Are you a quantum entity?

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Erin Underwood, Nickpheas, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Filers Meetup at Glasgow 2024

Posted on August 11, 2024 by Mike Glyer

Cora Buhlert convened a meetup of File 770 readers at the Worldcon in Scotland today and took these photos.

From left to right, Klaus Schmitz, Susan, Kathryn Sullivan, Ann-Marie Rudolph, Perrianne Lurie, Doctor Science, Dave Wallace, con photographer Simon Bubb, and Paul Weimer.

The File 770 meetup then decamped to a table in the food truck area. From left to right, Christian Brunschen, Dave Wallace, Klaus Schmitz, Perrianne Lurie and Doctor Science.

Pixel Scroll 8/9/24 Not Pixels, Nor Mandragora, Nor All The Drowsy Syrups Of The World

Posted on August 9, 2024 by Mike Glyer

(0) …Shall Ever Medicine Thee To That Sweet Sleep Which Thou Scrolledst Yesterday

(If I make the headline too long, Jetpack definitely won’t send a subscriber notice. It may be too long as it is! But what a wonderful title.)

(1) FILE 770 MEETUP AT GLASGOW ON SUNDAY. Cora Buhlert on her first day at the Worldcon met several Filers — Chris Barkley, Christian Brunschen, Ingvar, Standback a.k.a. Ziv, but thinks it would be great to have a semi-official Filer meet-up in Glasgow.

Cora proposes that Filers meet her on Sunday at 3:00 p.m.at the free library in Hall 4 and then find someplace to sit down. There are several tables and chairs in the area.

Please take pictures!

(2) SEATTLE 2025 MEMBERSHIP SALE. Through Monday the Seattle 2025 Worldcon is giving a $10 discount on memberships. The deal was announced on Facebook.

In honor of Glasgow 2024, A Worldcon For Our Futures, we have a $10 membership discount that is good from today (Thursday) through Monday!

Go to https://reg.seattlein2025.org/ and click on “Add New Registration”. After you fill out the information, go to “Review and Pay”. Next to “Total Cost”, you will see a button marked “Add Coupon”. Click on it and enter “Glasgow” in the text box.

You’ll go back to “Review and Pay” and the total cost will be adjusted.

(3) WHERE’S ~~WALDO~~ DAVE? Dave McCarty is in Glasgow…somewhere… despite not being allowed to attend Glasgow 2024.

(4) CROATIA’S GIFT. The SFera Science Fiction Society of Zagreb, Croatia has produced an issue of its fanzine Parsek to commemorate there being a Worldcon in Europe. Download Parsek here.

This issue was edited by Emanuel Ježić-Hammer, Jelena Janjić, Vedran Ilic-Dreven and Mila.

In this issue we present a story from the most recent fantasy collection Project Tulip, and two winners of the SPera Prize for Story, from 2019. in 2024 Here’s a review of events on the local SF scene since 2009. years (there we stopped in one of the older numbers), and one film, to show the Americans and English that we also have power armour for the race. Reports and gossip from Glasgow and Rotterdam caught in one of the following issues!

(5) SUPPORT FAN FUND AUCTIONS AT WORLDCON. Courtesy of David Langford, here are the catalogues for two fan fund auctions being held at Glasgow 2024. In person and online bidding is available. One auction is Saturday evening local time, and the other closes on Sunday. The catalogs tell how to bid online.

(6) SAYONARA. [Item by Dave Doering.] After almost 20 years as an institution in fan events in Utah, Anime Banzai abruptly announced it closing down less than two months before its October edition: See their home page, the only heads up on the cancellation: Anime Banzai – Utah’s Premier Anime Convention.

Anime Banzai family

Utah Anime Promotions has been considering the fate of Anime Banzai 2024 after the convention meeting held on 4 Aug (including the harsh realities that shutting down an event like this entail), but events have outpaced that consideration. The problems are too deep to address long term, and while we had hoped to patch things up internally to still successfully run Anime Banzai 2024 as a farewell for attendees and staff, that is no longer possible.

I would like to deeply apologize directly to Artemis and Warky who were spoken of in this meeting, and clearly state that Utah Anime Promotions vehemently rejects all negative claims made against either. The Board has been in communication with you both since then to discuss the situation, and would like to thank that both of you have continued to express a hope that Anime Banzai 2024 could be provided for attendees, even under these circumstances. Hope can be a hard choice to make, and I regret that we won’t be able to assist with that.

Anime Banzai has always operated on a shoe-string budget, with funds diverted back into running each next event and the expenses that lead up to it. Without a convention in Oct where most of the convention funds are generated, we’re honestly not sure what it will look like to take care of outstanding expenses including pre-registration, vendors, etc. While we’re not sure what this path will look like, we will do our best to make things right.

Utah Anime Promotions has let the community down by not being attentive enough to the signs that manifested over time. As years continued, patterns of complacency and detachment grew. Some members of staff pointed this out over time; I’m sorry we didn’t pay better attention.

We have had many great people involved with Anime Banzai over time; inspiring experiences with energetic guests, panelists eager to share their passions with attendees, cosplayers sharing their delight for costuming and embodying characters they love, editors marrying audio and visual for anime music videos, and staff and volunteers who have worked long and hard hours to help things going. Thank you for the uplifting joy, and I hope people can hold on to more of those positive experiences than be burdened by the negative.

This convention was started by a local group of friends, who had the idea of “How hard would it be to start a convention ourselves?” while on a road trip back from a convention in a nearby state. Anime Banzai grew from that seed with the enthusiasm and joy from the community. As Anime Banzai shuts down, I hope that anime fans in Utah can continue that positive spirit. You have been the best part of Anime Banzai; always remember that, and you can continue to be better, shine brighter, day to day.

Utah Anime Promotions: Steven Jones, Daniel Bentley

They say when refunds will be issued on a first-come, first-served basis.

(7) COMICS SECTION.

Bliss knows this image is ubiquitous.
Crabgrass has an excuse.
Mannequin on the Moon – not sure what planet they’re on, but it has punctuation.
Pardon My Planet wants to move into this neighborhood.
Rhymes with Orange has a follicle problem.
Calvin and Hobbes revisits Einstein’s Theory of General Relativity.

(8) MORE LEARNEDLEAGUE SFF: BRANDON SANDERSON, OCTAVIA BUTLER, STUDIO GHIBLI, SPECULATIVE BIOLOGY. [Item by David Goldfarb.] We’re in the middle of what’s called the “off-season” in LearnedLeague, when in between regular seasons we have specialty quizzes for one day, and “mini-Leagues” that are more topic-oriented and go for 12 days.

Yesterday we had a One-Day Special about Brandon Sanderson’s Cosmere. Follow the link for the questions, but be warned that they are for serious Sanderson fans. I’ve read every book published in the Cosmere (and a couple that haven’t!) and I got only 8/12. At 56 I don’t have the memory for small details that I used to.

In day 10 of the just-concluded California mini-league (technically “California 2” because there was a previous one on the same topic back in 2007), we had this question:

Give the title of the prescient 1993 dystopian novel by Pasadena-born Octavia E. Butler that has as its protagonist Lauren Olamina, a young woman who creates a religion called Earthseed in a speculative 2024 California, ravaged by climate change and social inequality.

This had a 33% get rate, with no single wrong answer getting to the 5% threshold to be shown.

Filers might also find of interest 1DS’s about Studio Ghibli (the animation studio behind Nausicaa of the Valley of the Wind and Howl’s Moving Castle, among many others) and Speculative Biology (based on books such as Dougal Dixon’s After Man, taking a look at how life on Earth might evolve in the future if humanity were to vanish).

(9) EATING THE FANTASTIC. Scott Edelman keeps the wheel turning even while he’s away at the Worldcon, inviting listeners to breakfast with Bonnie Jo Stufflebeam in Episode 232 of the Eating the Fantastic podcast.

Bonnie Jo Stufflebeam is the author of the horror novel Grim Root, which was officially released two days after our chat. Her short fiction and poetry have appeared in over 90 publications, such as Popular Science, Lightspeed, and LeVar Burton Reads. Her short story collection Where You Linger & Other Stories and her horror novella Glorious Fiends were both published in 2022.. She’s a two-time finalist for the Nebula Award. By day, she works as a Narrative Designer writing games for a mobile game company.

We discussed how her new horror novel toys with the tropes of reality TV, the importance of balancing multiple POVs in a novel to keep them all equally interesting, our differing views on the revision process, the three years she spent writing 1,000 words per day (and why she stopped), the message she took from her two Nebula nominations, the importance of community, what she learned about herself by rereading her short stories to assemble a collection, why we both believe in ambiguous endings, and much more.

(10) SUPES ON! [Item by Daniel Dern.] Some Dern current recommendations on TV/streamers:

(a) The Umbrella Academy is re-opened for business: Season 4, the six-episode final season of The Umbrella Academy, dropped on Netflix on Thursday, August 8, 2024. Having so far watched Episode 1, I’m in.

Here’s an article that includes the S4 teaser trailer and other information (I can’t tell if there’s any spoilers but I’ll guess there aren’t.) “’The Umbrella Academy’ Season 4: Cast, Release Date, Teaser Trailer, Character Posters, Script Page, Photos” at Netflix Tudum.

And here’s the amazing Footloose Dance-Off! segment from Season 3, which I don’t think is in any way a spoiler (btw, there’s a nice short making-of documentary somewhere online):

(b) Orphan Black: Echoes (on Prime Video/AMC, Apple+, etc), starring Krysten Ritter (previously in, among other things, Marvel’s Jessica Jones series). This is a 37-years-later (in the show timelines, set in 2052) follow-up to Orphan Black (which starred Tatiana Maslany (who was on the recent HBO/MAX Perry Mason, and was Jennifer Walters in the (great) Marvel TV series She-Hulk: Attorney at Law).

We’re 7 episodes in, and we’re enjoying it. (I’m sure it makes more sense if you’ve seen Orphan Black; since we’ve seen Orphan Black, I can’t speak to that.)

(c) Season 5 of The Boys (over on Amazon) was, unsurprisingly, good. (Met expectations on the lotta violence, cussing, sex, violence, drugs, politics — note, this was all written and filmed several years ago — more violence and cussing, and great acting.)

‘Nuff Scrolled! (or Itemized!)

(11) YOUR MILEAGE PHONING HOME MAY VARY. [Item by Steven French.] Not every child thought ET was cute: “’Sobbing in the aisles’: writers on their most memorable parent-kid film experiences”.

ET: adorable interstellar tyke or nightmarish space demon? As a four-year-old in a multiplex in Aberystwyth, west Wales, I was in the latter camp. From the moment he scuttled out of an eldritch mist like the Demogorgon’s weirdo little cousin, my blood curdled. There were tears, almost instantly. What was this monster? This boggle-eyed gonad? This sentient hammer wrapped in flayed human flesh? And other questions I wouldn’t have had the vocab to ask.

The final straw came when he terrified a tiny Drew Barrymore almost as much as the prospect of runninga talkshow during Writers Guild strikes. I was whisked into an empty lobby, where my mum tried soothing me.

She possibly pointed out that my two-year-old sister was such a fan of ET that every off-camera moment left her yelling: “Where TV?” I forget the exact details – all I remember is the sweet relief of being nowhere near the cinema screen. We left shortly after – not quite the pleasant Welsh holiday movie jaunt my parents had hoped for….

(12) BY ALL THAT’S HOLY. [Item by Steven French.] Good beginning! “No god in the machine: the pitfalls of AI worship” as assessed in the Guardian.

In Arthur C Clarke’s short story The Nine Billion Names of God, a sect of monks in Tibet believes humanity has a divinely inspired purpose: inscribing all the various names of God. Once the list was complete, they thought, he would bring the universe to an end. Having worked at it by hand for centuries, the monks decide to employ some modern technology. Two sceptical engineers arrive in the Himalayas, powerful computers in tow. Instead of 15,000 years to write out all the permutations of God’s name, the job gets done in three months. As the engineers ride ponies down the mountainside, Clarke’s tale ends with one of literature’s most economical final lines: “Overhead, without any fuss, the stars were going out.”

It is an image of the computer as a shortcut to objectivity or ultimate meaning – which also happens to be, at least part of, what now animates the fascination with artificial intelligence. Though the technologies that underpin AI have existed for some time, it’s only since late 2022, with the emergence of OpenAI’s ChatGPT, that the technology that approached intelligence appeared to be much closer. In a 2023 report by Microsoft Canada, president Chris Barry proclaimed that “the era of AI is here, ushering in a transformative wave with potential to touch every facet of our lives”, and that “it is not just a technological advancement; it is a societal shift”. That is among the more level-headed reactions. Artists and writers are panicking that they will be made obsolete, governments are scrambling to catch up and regulate, and academics are debating furiously….

(13) ROUGH START AT BIG FINISH. Big Finish, known for its Doctor Who audio adventures (among other things), has experienced problems with its systems upgrades. The chairman has apologized: “A personal message from Big Finish chairman, Jason Haigh-Ellery”.

Over the past 18 months, Big Finish has undergone a transformational change. We have introduced several new systems which control the essential business functions of Big Finish.

These systems, which include stock control, dispatch and shipping tracking, payment gateways and accounting, email and customer service tools, replaced older software that had reached the end of its life.

They were vital upgrades, needed to ensure that we could continue to fulfil orders to our customers, and all the new “behind the scenes” systems have been tested for many months and are working seamlessly.

The final action of this transformation was the rolling out of our new “shop front”, the Big Finish website and app.

Unfortunately, it is very clear that here a number of mistakes have been made. In particular, the migration of customer data has not gone as planned, and the browsing experience of the website and app is proving to be a frustration. I sincerely apologise to everyone who has encountered difficulties accessing their purchase library since the relaunch, or who feels let down by how we have managed the process.

I know from seeing the many messages coming in via email and social media that these updates are a cause of worry and concern to many listeners. I would like to reassure each and every customer that no purchases will be lost, all the data is safe, and we are committed to improve the functionality, accessibility and reliability of the website, whatever it takes.

If you haven’t yet had a chance to do so, I would urge you to read the new “How tos” page which explains how to reset your password and update address information the first time you visit the site. We could not carry across any of these details in the upgrade due to the requirements of data protection law. It is not possible to browse your purchased items or order new releases without completing these steps.

The team will keep updating the “Work in progress” page with known issues and our timetable for improvements. As you might imagine, the Big Finish customer service team is currently inundated with messages but they will do their best to answer all queries. I thank you in advance for your patience, understanding and loyalty, and for sticking with us during this difficult period.

Finally, please let me just restate how deeply sorry I am for the inconvenience so many of our loyal listeners are experiencing at the moment. I completely recognise the very valid frustrations being expressed and I hope that you can bear with us as we try our utmost to find the best solution to bring you the best website and app experience at Big Finish.

(14) D&D GOES POSTAL. The Dungeons & Dragons stamp issue that USPS announced last November was released August 1. “Dungeons & Dragons Stamps | USPS.com”.

(15) SKILL TREE EPISODE: SIGNS OF THE SOJOURNER. ASU’s Center for Science and the Imagination has released another episode of CSI Skill Tree, their series examining how video games envision possible futures and build thought-provoking worlds. In this episode, they discuss “Signs of the Sojourner”, a deckbuilding game set in a hazily sketched post-crash version of the southwestern U.S. that explores themes of community resilience, trust, and the dynamics of conversation.

The guests are Leigh Alexander, a speculative fiction author, critic, and narrative designer for video games including Reigns: Game of Thrones and Neo Cab, and Mia Armstrong-López, a journalist and editor working on issues of science, health, and justice, and managing editor for our Future Tense Fiction series.

Also, here’s a YouTube playlist with all 16 of Skill Tree episodes thus far.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Dave Doering, David Langford, Scott Edelman, Joey Eschrich, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Barkley — So Glad You (Didn’t) Ask #89, A Column of Unsolicited Opinions

Posted on July 6, 2024 by Mike Glyer

SAVE THE RETRO HUGOS: A MODEST PROPOSAL

By Cora Buhlert and Chris M. Barkley.

Short Title: Save The Retro Hugos

Proposed by: Cora Buhlert, Seconded by Chris M. Barkley

THE PROPOSAL: Save the Retro Hugos

Moved, to amend the WSFS Constitution by altering Section 3.14.1 of the WSFS Constitution, to allow Worldcons to continue to give out Retrospective Hugo Awards at their discretion: Section 3.14: Retrospective Hugo Awards 3.14.1. 3.14.1. A Worldcon held in a year that is an exact multiple of 10 years after a year in which no Hugo Awards were awarded may conduct nominations and elections for retrospective year Hugo Awards for one such year with procedures as for the current Hugo Awards, provided that year was 1939 or later and that no previous Worldcon has awarded retrospective year Hugo Awards for that year. Trophies may be presented, but are not a requirement.

Commentary by Cora Buhlert: Though controversial in certain quarters, the Retro Hugos fulfill an important function of honoring works created before there were Hugo Awards. The Retro Hugos also offer the opportunity to rediscover older works and forgotten authors and can function as a corrective to received wisdom about the SFF of the past.

Finally, the Retro Hugos have also done a good job in the past of looking beyond the confines of American magazine science fiction to include finalists from further afield. We are aware that holding Retro Hugos means additional work for the Worldcon hosting them and the Hugo subcommittee.

However, it should remain at the discretion of every individual Worldcon whether they want to take on this extra work or not. Furthermore, there are only seven (potentially eight) years of Retro Hugos left to cover, namely 1940, 1942, 1947, 1948, 1949, 1950, 1952 and potentially 1957, which only awarded Hugos in three categories, all for magazines.

So, the Retro Hugos already come with a built-in sunset clause. Changing the years in which Retro Hugos may be held from an exact multiple of 25 years after a year in which no Hugo Awards were awarded to an exact multiple of 10 years after a year in which no Hugo Awards were awarded also means that it will not take another 25 years to get to the remaining Retro Hugo years, but that Retro Hugos can be given out, while there is at least a chance of some winners and their direct descendants being still alive to enjoy the honor.

Basically, the only change is to make it easier to give out Retro Hugos, so we don’t have to wait another 25 years to get to the last remaining years. Otherwise, the clause remains as it is with the addition that trophies are not required.

Commentary by Chris M. Barkley: In May of 1928, the year-old Academy of Motion Picture Arts and Sciences came up with a nifty idea to help promote the institution, an annual set of “awards of merit” which eventually became to be called the Academy Awards (whose “Oscar” nickname was still several years in the future).

Since the production of films had already established itself as a cultural and entertainment touchstone with the public at large, it instantly became the gold standard of what Academy members thought were great artistic endeavors. And, of course, winning one became, and still is, the most coveted of all of the motion picture awards.

(Rant/On: And have I agreed with the choices of the Academy voters over the years? I’ll answer with this question; is there anyone out there who TRULY believes that Annie Hall was or still is a better film than Star Wars (now dubbed Episode IV) in 1977? My answer is HELL to the NO! And that’s just a TINY sample of my dissatisfaction with some of the Academy’s choices over the decades. Rant/Off)

There is a small but important subset of the film industry that thirsts year round for rumors, scuttlebutt or real information on what may be considered prestigious and important projects, possible candidates for nominations in all of the major categories. And if an actor, writer, producer, members of the craft divisions or studio heads tell you that they’re not dreaming about the possibility of ending up on the stage at the Dolby Theater some March evening, they cannot be believed by any stretch of the imagination.

Now let’s flash forward to the 11th Worldcon at Philcon II (in Philadelphia PA), in September 1953. The organizers, led by Chair Milton A. Rothman, came up with a nifty idea to help promote the World Science Fiction Society with an annual set of “awards of merit” award to honor the previous year’s best works of science fiction and to be voted on by sff readers. Although it was called a “one off”, they hoped it would become an annual tradition, which happened two years later.

And, much like its motion picture cousin, over time it became the gold standard of what the voting members of WSFS and subsequently, sff readers thought were great literary endeavors. And, of course, winning one became, and still is, one of the most coveted of all of the awards in SFF and literature in general.

Let’s skip ahead to the 1996 Worldcon in Los Angeles (L.A.Con III), which marked the inaugural presentation of the Retrospective Hugo Awards, wherein nominated works were from the year 1945.

When I first heard about the Retro-Hugos, I was very interested in seeing who the fans would nominate and who would win. Among the recipients were George Orwell for Animal Farm, Murray Leinster for his SFWA Hall of Fame short story “First Contact”, Isaac Asimov for “The Mule”, a barely novel length excerpt of his compilation novel, Foundation and Empire, a film version of The Picture of Dorian Gray and John W. Campbell, Jr. for Best Editor. More on him, soon.

Remarkably enough, there were three among those first recipients who were still living at the time; Hal Clement (for his short story, “Uncommon Sense” (Astounding SF, September, 1945) and William Rostler (for Best Fan Artist) and Forrest J Ackerman picked up a pair of Hugo Awards for Best Fan Writer and Best Fanzine.

I thought most of the choices fans made were fine at the time, but I cannot say that was so for some of the subsequent seven occasions the Retro-Hugo Awards were given. Furthermore, I came to the realization that very few of the recipient’s direct families or relatives were actually receiving these awards to appreciate and celebrate.

Having participated in the nomination and voting stages of nearly all of the awards since 2001 (I missed the first vote in 1996) and I have tried to be circumspect in my choices, particularly in making sure a number of women who were active in the field were present on the ballot.

After painstakingly looking through all eight of the previous ballots, I counted only five nominees who are women; Leigh Brackett (with two wins for Best Novel and Best Related Work) Catherine L. Moore (two fiction wins, in collaboration with her partner, Henry Kuttner), Myrtle R. Douglas (two wins for Best Fanzine, with Forrest J Ackerman), Anne Frolick (winner in collaboration with Orson Welles for the 1938 radio adaptation of War of the Worlds and Margaret Brundage (Best Professional Artist, 1945).

I was delighted to see overlooked writers like Brackett, Clement, Leinster, T.H. White, A.E. van Vogt, Orson Welles and others get their past due recognition. But I have been somewhat disappointed by some of the choices voters made in the fiction and fan categories.

Especially in the Best Editor category. Because my hesitation to support continuing the Retro-Hugo Awards is firmly rooted in that category.

The talley of major male recipients reads like a virtual who’s who of the Golden Age:

John W. Campbell, Jr. – 9 Hugos (Eight for editing, one for fiction)
Ray Bradbury – 6 Hugos (fan writing and fiction)
Robert A. Heinlein – 6 Hugos (one for the screenplay for Destination Moon:)
Forrest J Ackerman – 5 Hugos (fan related)
Virgil Finlay – 5 Hugos (Artist)
Bob “Wilson” Tucker -5 Hugos (fan related)
Isaac Asimov – 3 Hugos

Ray Bradbury's 2004 Retro Hugo for Fahrenheit 451. — Ray Bradbury’s 2004 Retro Hugo for Fahrenheit 451.

Did 21st century fans select the best sf and fantasy of that era? Taking a critical look at the works that won, I would tend to say no. But, you could fill (or write) a book of opinions on that subject, which I highly recommend someone do, someday.

John W. Campbell, Jr., who was, without a doubt and for the better, the editor that dragged sf literature firmly from its pulpy, bug-eyed monster, dime novel roots into the 20th century from 1937 to 1950, during some of the period the Retro-Hugos are trying to fill. Whether he was relevant to the field or not after 1950 is still being debated to this day.

I do not revere the man as much as others have in the past. And yet I won’t hesitate to say that he was an important figure in our branch of literature and that I own several of his classic anthologies in my library.

I was in the auditorium in Dublin five years ago when Jeannette Ng roundly denounced the Campbell Award name and the man it was named after in such a passionate (and profane) manner on the stage of the Hugo Awards Ceremony. Some people who were present were outraged and others cheered wildly with thunderous applause. I was in the latter group.

In the aftermath of this event, some speculated that this was some sort of act of spontaneous cultural combustion. I can assure you, it was not.

Campbell’s eccentric notions of science were well known during his tenure at Astounding/Analog magazine, as he was an initial disciple of Dianetics and a devotee of a bogus contraption known as ‘the Dean Drive”. What was not well known to most of the sf readers at the time was that he was a virulent racist.

These facts came to the fore most prominently in Alec-Nevala Lee’s 2018 non-fiction chronicle of the Golden Age, Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction. Numerous examples of his despicable philosophies and actions have been unearthed since then.

If Jeannette Ng hadn’t said so, someone else eventually would have done so. I say this because I and several other authors and fans openly discussed online how to petition the sponsor of the award, Dell Magazines, or the WSFS Business Meeting to remove his name from the award a good two years before Ng’s speech. Ng’s brave and emotional outburst was the lightning strike that did the job for us and for that, I and other like minded people were and remain, very grateful.

Campbell’s surviving family, who live just up the road from me in Dayton, Ohio, have bitterly denounced the removal of the name and the demise of the Memorial Award that was administered by the University of Kansas’ Center for the Study of Science Fiction, which formally canceled any further awards in 2022. And while I feel some empathy for them, I would remind them that neither I nor anyone is trying to erase John W. Campbell, Jr. from our collective history, but asking for a measure of accountability for the harm he did do to his contemporaries in fandom, writers and the publishing field.

Having said all of this, you may ask why am I supporting a continuance of the Retrospective Hugo Awards?

Well.

First of all, I am a student of history and I feel as though we are leaving some of it unfinished by not honoring works from 1940, 1942, 1947, 1948, 1949, 1950, 1952 and the unawarded categories from 1957.

The second reason is that I am quite hopeful that fans, readers and potential nominators are sufficiently enlightened to select the very best works to honor in these years sooner, in a fair and expeditious manner, rather than later.

The people who make up sff fandom, the fans, convention runners, artists, writers and editors, deserve a chance to look back and objectively (or subjectively) make their opinions and voices heard, whether I agree with their eventual choices or not.

And even if I have an ideological problem honoring John W. Campbell, Jr., I will not deny the opportunity to those who do. And in turn, I will advocate for Frederik Pohl, Anthony Boucher, Horace L. Gold, Geoff Conklin, Robert P. Mills and other worthy nominees from this period.

I don’t believe that history is just “one damned thing after the other” as historian Arnold J. Toynbee famously said. History is the slow, tidal compilation of things that happen every single day.

So, I suggest we continue making history instead of complaining about the established “fixed points in time”.

Let’s finish what we started.

Cora Buhlert is a fan writer based in Bremen, Germany and was the recipient of the 2022 Hugo award for Best Fan Writer.

Chris M. Barkley is a news editor and columnist for File770.com. He resides in Cincinnati, Ohio and was the recipient of the 2023 Hugo Award for Best Fan Writer.

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Tag Archives: Cora Buhlert

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Barkley — So Glad You (Didn’t) Ask #89, A Column of Unsolicited Opinions