Tag Archives: Disney

Pixel Scroll 3/20/25 One Ordinary Scroll With Pixels

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(1) WAS YOUR WORK PIRATED TO TRAIN AI? The Atlantic today invited readers to “Search LibGen, the Pirated-Books Database That Meta Used to Train AI”. Many sff writers have found some or all of their work listed.

LibGen contains millions of pirated books and research papers, built over nearly two decades. Court documents show Meta torrented a version of it to build its AI.

Here’s an example of what is being discovered.

But writers refuse to despair.

Search the LibGen database here, and peer inside a pirated library of millions of books and research papers used by Meta and others:

— The Atlantic (@theatlantic.com) 2025-03-20T12:57:52.007Z

(2) BORDER AROUND THE WORLDCON. Seattle Worldcon 2025 chair Kathy Bond today responded to concerns about Trump administration policies and the hazards they create for international visitors to the U.S. Here are some excerpts:

I am writing this statement in order to share the status of Seattle Worldcon’s current journey through living up to our theme of Building Yesterday’s Future—For Everyone. We have received a number of concerns asking how the convention will respond to orders and actions of the U.S. government, which we condemn, that create hostile conditions and travel barriers for LGBTQ+ members and international members….

… We do not have a list of all the steps we are going to take in light of the political landscape right now, as it continues to shift rapidly. We know this is not a particularly satisfying answer in light of the many concerns that we have heard from you about our members who need to enter the United States and what they might encounter trying to cross the border. We are not minimizing those concerns. The situation is frightening, and we encourage our members to make the best decisions for themselves even if that means that we will miss you at our convention. At the same time we are committed to not cancelling the in-person Worldcon as some have suggested because it is even more important than ever to gather with those who are able to do so to discuss our theme and celebrate the power of SFF to imagine different societies. 

We are investigating what concrete actions we can take and offer to our members. Our Code of Conduct, Diversity Commitment, and Anti-Racism Statement provide the guidelines we are using in making these determinations. We would also like to remind people about what we are already doing.  

First, we have in place a Virtual Membership for people who determine that they are no longer safe traveling to the U.S or cannot attend for other reasons…

Second, building on the work of other Worldcons and conventions, we will be having Safer Spaces Lounges available for members of marginalized communities who attend the convention in person. These spaces will be marked on convention maps.

Third, we will be drafting a resource guide to collate many of the wonderful resources that local organizations have already put together. In the interim, the ACLU of Washington has several Know Your Rights publications available, as does Northwest Immigrants Rights Project for individuals concerned about their rights while traveling.  

Fourth, we will be fundraising for the following nonprofit organizations at the convention: Books to Prisoners, The Bureau of Fearless Ideas, and Hugo House. All of these organizations do important work to promote literacy education in the Seattle area and help build community resilience.  

Finally, the political landscape is changing daily and impacting all of us in differing, but profound ways. Our staff is not immune. Many of our staff are deeply, personally impacted by the actions of the U.S. president, as his bigoted and hateful orders target our shared humanity. Many of us are federal employees who are now navigating what is happening to the civil service, terminations from our careers, and extreme uncertainty about our livelihoods. Many of us are also still dealing with the impact of the Los Angeles fires, Hurricane Helene, tornadoes, and other recent severe weather events on our families, loved ones, and friends. As citizens in the U.S. and around the world, we have many concerns, which are probably similar to yours. We all care deeply about our community and about Worldcon and are working diligently to navigate all of the waters that surround us, but we are also human with all the fallibility, blind spots, and competing demands on our time that entails. 

This is a time to support each other. If you have questions about how we can support you in deciding about your Worldcon attendance, please reach out to chair@seattlein2025.org.  

(3) ADDITIONAL COMMENTARY. Frank Catalano, journalist, past SFWA Secretary, and File 770 contributor, amplified the expressed concerns in a Facebook post.

…The climate, and practices, at the border have changed a lot since Seattle committee won its bid.

…I think it now requires even more caution if you’re a writer or artist from outside the U.S. who considers conventions like this to be part of your work.

Asked at border crossings your purpose for entering the U.S.? In the past, saying you were attending a science-fiction convention might have gotten a weird look and a wave. Now, if you also say you work in the field, it may get you denied entry without an appropriate visa. Or even detained.

This isn’t alarmism. It’s happened to Canadian and U.K. citizens trying to enter the U.S. recently whose visa paperwork, in the eyes of those at the border, was not in order.

I’m attending Worldcon. I’d love to see all of you there, especially my international colleagues.

But take care. Prepare. Based on recent events, casual answers that led to a wave of flexibility in the past may keep you from entering, or returning home, in a timely manner.

(4) END OF AN ERA. Uncanny Magazine has announced “Lynne M. Thomas Is Stepping Down as Co-Editor-in-Chief and Co-Publisher; Michael Damian Thomas Will Continue Solo in Both Roles!”

After 11 years as Co-Editor-in-Chief and Co-Publisher of Uncanny Magazine, Lynne M. Thomas is stepping down from her editorial duties starting with Issue 64, and will also be stepping down as Co-Publisher starting with Issue 67. Going forward, Co-Editor-in-Chief and Co-Publisher Michael Damian Thomas will continue solo in both of these roles.

As many of you know, Lynne worked at Uncanny Magazine while also working as a rare books librarian, most recently as the Head of Rare Books and Special Collections at the University of Illinois Urbana-Champaign. For over 15 years, Lynne has balanced rare book librarianship with an editorial and publishing career in science fiction and fantasy, but she is now shifting her focus to her day job as she works towards her rare book librarianship goals. The entire Uncanny Magazine staff warmly wishes Lynne the best of luck going forward!

Over the years, Michael gradually took over most of the editorial and publishing responsibilities at the magazine, and he is prepared for the work ahead and excited to continue sharing his vision as the sole Editor-in-Chief and Publisher of Uncanny Magazine.

(5) IT’S STORYTIME WITH WIL WHEATON. However, the Thomases have still been able to lend a hand with Wil Wheaton’s latest project, as he told a Vital Thrills interviewer in “We Chat with Wil Wheaton About His New Podcast, It’s Storytime with Wil Wheaton”.

Today, Wheaton announced a brand new weekly audiobook podcast called It’s Storytime with Wil Wheaton, in which he narrates speculative fiction stories he loves from places like Lightspeed Magazine, Uncanny Magazine, Clark’s World Magazine, and On Spec. The podcast launches on March 26, 2025, anywhere you get your podcasts.

We got a chance to chat with Wheaton about the inspiration behind it, what we’re going to experience, and getting the blessing of fellow Star Trek actor LeVar Burton.

Vital Thrills: Tell us all about “It’s Storytime with Wil Wheaton”!

Wil Wheaton: …Our first season is mostly established authors. We have a couple of multiple Hugo and Nebula finalists who have written incredible works because I just wanted to have something to show people in a few months, or however long it takes, so I could say to them, look, this is what I’m doing. This is what I want to do. Do you want to pitch us?

And that’s the ultimate goal. The thing that pushed that all from an idea into a thing that I worked on and the thing that is coming out was my love of LeVar Burton’s podcast, “LeVar Burton Reads.” When he was finishing his podcast, I was at a point where I had to decide: am I going to do this, or am I just going to record a thing for my friend? 

I asked LeVar what he thought, and I said, “This is what I’m thinking about doing, and this is how I’m thinking about doing it, and I just really want to make sure that I don’t step on your toes. You absolutely inspire it.”

And it was so awesome. We were at the Burbank airport waiting to get on an airplane to go to a convention together, and LeVar just lit up and he hugged me, and he was like, “I’m so excited for you. I love it. It’s such a great idea. I give you my blessing. If there’s anything I can do to help you, please ask.”…

VT: I love that! The book market is so different now with everything online and self-publishing and all that, so a lot of stuff gets buried. This is such a cool way to get stuff out there. Did you have specific criteria in terms of what you were picking? Were there things that you’ve seen before?

Wil Wheaton: There were a couple of things that I’d seen before. I knew, for instance, that I loved Uncanny Magazine, Lightspeed Magazine, and Clarkesworld. I’ve been reading them for years, and when I was in the beginning, I went and looked for things… I was like, I’m going to do this entirely on my own.

And I went looking for new things. I went to all the writers’ markets. I went to all the very, very, very small publications. Most of ’em are online only in the double digits only. And I’m like, I’m going to find gems here. I know there are. And it turns out that I’m not good at that. It turns out that I don’t have that editorial skill.

So I went back to, okay, I love these magazines, and I love these editors. And as it turns out, a good friend of mine has a great relationship with Lynne and Michael Thomas, who are the editors of Uncanny, and she offered to make an introduction for me. I talked to them, and I told them what I wanted to do, and they were so excited. 

They were on board before I even finished, before I got to the part of the pitch where I was like, “So, do you want to work together?” They were like, “So what do you need from us?” I was like, “Holy crap. This is amazing.” Every step of the way….

VT: The podcast launches on March 26 — where can everybody find it?

Wil Wheaton: You can get it wherever you get podcasts. I’ve asked the team to make sure that it’s in all the usual places. So Apple Podcasts is probably the biggest, most centralized place for people to find it, but it’s also on Stitcher, Pocket Casts, Pandora, iHeart, and Spotify. I have a homepage for the podcast at WilWheaton.net/Podcast. And there’s a list there with links to all the different places that it’s online at the moment….

(6) C.L. MOORE’S SHAMBLEAU. [Item by Rich Horton.] I thought this essay very interesting. There’s a paywall but you get two free per month. “The Soul Should Not Be Handled” by B.D. McClay in The Point Magazine.

… I like genre fiction for the same reason I like black-and-white film, stylized dialogue, animation, the paintings of Marc Chagall or ballet: things feel more real if they’re obviously a little fake. If somebody asked me whether I preferred literary fiction to genre fiction (or vice versa) I would say, I hope, that I prefer good fiction to bad fiction. I think that this is a good response to a silly question, but there’s another one we could ask that’s a little more interesting: Is what makes a genre story good the same thing that makes realistic fiction good? Part of what makes genre genre is its place in a certain tradition with certain conventions and stock elements. If we are reading a detective story, we have certain figures and moments we come to expect: the amateur detective, the hapless sidekick, the suspicious woman, a second crime, a red herring, a solution. Part of what makes a detective story good or bad is its use of these expectations—a use that can (and often does) include subverting them. When it comes to speculative fiction, another dimension is that the boundaries between a fan, a professional and an amateur are never very clear. The landscape is more horizontal. You could, if you wanted, start a fanzine and get important writers to contribute; you could publish your first story ever in a magazine and get a letter from one of your most famous peers. Within genre, work can be wildly experimental, but this experiment takes place in a context of shared touchstones and trust in the audience. Writers of speculative fiction want to be read, and they have a good idea of who is out there reading their work….

…So let’s go back to that old issue of Weird Tales—it’s from November 1933—and to the first entry in the table of contents: “Shambleau,” “an utterly strange story” (the table of contents says) “about an alluring female creature that was neither beast nor human, neither ghost nor vampire.”…

(7) KEEPS BANGING ON. “’The Big Bang Theory’ Spinoff Title Is Stuart-Centric” says Deadline.

The Big Bang Theory spinoff on Max is untitled no more — and it’s good news and bad news for Kevin Sussman’s Stuart Bloom character.

The series, which remains in development, will be titled Stuart Fails to Save the Universe, Deadline has learned. That puts Stuart at the center of the offshoot but also hints that the beloved sidekick, who could never quite catch a break on Big Bang, might not have better luck on his own….

…On Stuart Fails to Save the Universe, Sussman is joined by fellow Big Bang alums Lauren Lapkus, who plays Stuart’s girlfriend Denise, Brian Posehn (Bert Kibbler) and John Ross Bowie (Barry Kripke). Because the series is still awaiting a green light, the quartet are not formally cast in it but have talent holding deals with WBTV with the purpose of starring in the spinoff once it’s picked up.

(8) SEE SYD MEAD ARTWORKS IN NEW YORK EXHIBITION. “Legendary Futurist Syd Mead Gets First Major Art Exhibition” – Deadline has details.

For the first time, legendary visual futurist Syd Mead will have a major exhibition of his paintings. “Future Pastime” will run March 28-May 21 at the former Mitchell-Innes & Nash gallery space in Chelsea.

Long before the metaverse, Mead was crafting immersive future worlds that have shaped our collective imagination and became a defining force in science fiction cinema, designing iconic worlds. From the neon-drenched streets of Blade Runner (1982) to the sleek, geometric landscapes of TRON (1982), his influence on sci-fi films is undeniable. His designs also impacted Star Trek: The Motion Picture (1979) 2010 (1984), Aliens (1986), and many more. They even inspired Elon Musk’s Cybertruck.

Born in St. Paul, Minnesota, in 1933, Mead was a visionary artist who redefined how we imagine the future. After serving in the U.S. Army, he studied at the Art Center School in Los Angeles, blending inspiration from classical masters like Caravaggio with the Space Age musings of Chesley Bonestell to create a singular and unprecedented art style: visions of the future rendered wholly with classical technique. His philosophy of science fiction as “reality ahead of schedule” defined a career that bridged imagination and reality. He died in 2019….

(9) TRIBUTE TO GINJER BUCHANAN. [Written by Cat Eldridge.] I have come to honor one of our most excellent Editors ever, Ginjer Buchanan. She was the Editor-in-Chief at Ace Books and Roc Books, two sff imprints of Penguin Books, where she stayed for an extraordinary thirty years before retiring. Prior to that, she was consulting editor for the Star Trek tie-ins at Pocket Books and an outside reader for the Science Fiction Book Club which just ended its long run.

And yes, she was active in fandom from an early age which included being a founding member of the Western Pennsylvania Science Fiction Association (WPSFA, or “Woops-fa” as it was affectionately known as she noted in a Locus interview.)

Berkley president and publisher Leslie Gelbman upon her retirement said of her: “During her thirty years with Ace and Roc, Ginjer was essential in growing our science fiction and fantasy list and launching the careers of several bestselling authors. Her love for the genre and books in general and dedication to her authors is unparalleled, and she’s a key reason Ace/Roc is one of the preeminent science fiction-fantasy publishers.”

She won a Hugo at Loncon 3 for Best Editor, Long Form and was nominated for the same at Nippon 2007, Denvention 3, Anticipation, Aussiecon 4 and Renovation.

She won the Nebula Solstice Award in 2013, and the same year saw her garner the Edward E. Smith Memorial Award for Imaginative Fiction (aka the Skylark). She was nominated in 2006 for a World Fantasy Award in the Special Award, Professional category for her work Ace Books but alas did not win. 

She was the Toastmaster at the World Fantasy Convention in 1989, and a Guest of Honor at ArmadilloCon in 1988, Foolscap in 2000 and at OryCon in 2008. Ginjer was also a Guest of Honor at the Dublin 2019 Worldcon, and a GOH at World Fantasy Con in New Orleans in 2022.

And yes, she’s written fiction. Her sole novel is a Highlander series tie-in, White Silence. It’s a most excellent novel, well worth reading, especially if you are a fan of that series. Yes I am. She’s got a deft feel for the characters and the milieu they’re a part of. Yes, it’s available from the usual suspects.

She’s also penned three short pieces of fiction, “The End of Summer by The Great Sea” in the Alternate Kennedys anthology, “Cathachresis” in the More Whatdunits anthology, and “If Horses Were Wishes …” in the By Any Other Fame anthology. The first two are edited by Mike Resnick alone, the last by Resnick and Martin H. Greenberg. All three are available are to be had from the usual suspects.

So being a serious Firefly fan, she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly collection. It’s available from the usual suspects. And yes, it’s a lot of fun to read if you’re a Firefly fan. Really it is. 

And being a fan of the Buffy the Vampire Slayer series, she penned “The Journey of Jonathan Levenson: From Scenery to Sacrifice” which was in Buffy the Vampire Slayer: The Watcher’s Guide, Volume 3 edited by Paul Ruditis. This is not to be had from the usual suspects. 

Oh, and she has one published poem, “Four Views of Necon” published in Cemetery Dance’s The Big Book of Necon anthology edited by Bob Booth. No luck on this one either.

All in all, a truly amazing individual who has contributed in oh so many ways to our community, so let’s toast her now as she so richly deserves to be. 

Ginjer Buchanan

(10) COMICS SECTION.

(11) DC SHUFFLING AND REDEALING. “After 90 years of reboots, relaunches, and more, Batman & Superman and all of DC Comics continuity is getting a ‘realignment’ to be ‘one master timeline’” reports Popverse. I guess they’re going to get everything straightened out so they can get back to selling “Death of [fill in the suphero name]” megaissues.

If there’s one man who could reliably be considered to have the history of the DC Universe at his fingertips, it’d be Barry Allen — the former Flash who was the first hero to travel the multiverse and uncover the secrets behind DC’s reality. If there were two, then the other would be real-life comic book writer Mark Waid, long-time DC expert and writer of everything from The Flash and Kingdom Come to Action Comics and Justice League Unlimited. Starting this June, the two will be collaborating (well, kind of) to make fans’ dreams come true with the four-issue comic book series New History of the DC Universe.

Written by Waid and starring the erstwhile Mr. Allen, the series is intended to reveal the truth behind the DCU — including some secrets even longtime fans might be surprised by.

“This is my dream project,” Waid said in a statement about the series. “It’s a chance to realign all of DC’s sprawling continuity into one master timeline, and to be joined by some of comics’ greatest artists to make it shine. With new information for even longtime fans, plus Easter eggs galore, this series will be an essential read for DC fans.”

The first issue will feature art from Jerry Ordway and Todd Nauck, and will cover everything from the beginnings of the DCU through the origins of the Justice Society of America. Future issues will see an “all-star line-up of interior artists” contribute, according to DC, with an equally impressive group of cover artists working on the title throughout….

… This isn’t the first time DC has released an official version of its comic book canon: in 1986, the company published History of the DC Universe by Marv Wolfman and George Perez, the two creators who had just rebooted everything in the previous year’s Crisis on Infinite Earths series. It’s also not the first time that Mark Waid has worked on a project of this scope; in 2019, he wrote the six-issue History of the Marvel Universe, illustrated by Javier Rodriguez….

(12) DISNEY SHAREHOLDERS VOTE DOWN ANTI-WOKE PROPOSAL. “Disney Shareholders Reject Anti-LGBTQ Proposal at Annual Meeting” – Variety explains the issue.

Disney investors on Thursday voted down a proposal that the entertainment giant cease its participation in a prominent LGBTQ rights organization’s equality ratings program.

The proposal — requesting that Disney “cease” its participation in the Human Rights Campaign‘s annual Corporate Equality Index — was submitted by right-wing think tank National Center for Public Policy Research, through its Free Enterprise Project initiative. (The FEP calls itself “the original and premier opponent of the woke takeover of American corporate life.”)

“When corporations take extreme positions, they destroy shareholder value by alienating large portions of their customers and investors. This proposal provides Disney with an opportunity to move back to neutral,” the FEP’s proposal stated. It noted that since 2007, Disney has received a “perfect score” on the CEI, “which can only be attained by abiding by its partisan, divisive and increasingly radical criteria.”…

… Disney’s board recommended voting against the proposal to end its participation in the HRC’s Corporate Equality Index. Shareholders concurred, with only 1% of shares voted in favor the proposal, according to the preliminary tally….

(13) AI DUBBING. “‘Watch the Skies,’ First Feature Film Dubbed Entirely With AI, Sets Distribution Deal With AMC Theatres” – and this Variety writer is enthusiastic.

A foreign language sci-fi movie is headed to U.S. movie theaters this spring, but audiences won’t have to groan about subtitles. For the first time, an international feature film will look and sound as if it was made in English thanks to artificial intelligence. 

Though the supernatural Swedish adventure “Watch the Skies” was made in its native tongue, AI company Flawless has digitally altered the film’s images and sound so character mouth movements and speech will be perfectly synced for English speaking viewers. The tech uses voices of the original cast to create dubs, and is compliant with SAG-AFTRA.

AMC Theatres, the nation’s top movie chain, has committed 100 screens to the project in the top 20 markets across America. Flawless has partnered with distributor XYZ films to roll the film out to cineplexes on May 9.

(14) THE DAY OF THEIR RETURN. “Dolphins welcome SpaceX’s Crew-9 astronauts home after splashdown (video)” at Space.com.

SpaceX’s Crew-9 astronauts had some company in the water after they splashed down on Tuesday afternoon (March 18).

The Crew-9 mission returned to Earth at 5:57 p.m. EDT (2157 GMT) on Tuesday, splashing down in the Gulf of Mexico off the coast of Tallahassee, Florida. A fleet of recovery vessels soon converged on Crew-9‘s Dragon capsule, named Freedom — and so did some curious marine mammals, who wanted to check out this strange object that fell from the sky into their domain.

Freedom carried four people — NASA astronauts Nick Hague, Suni Williams and Butch Wilmore and Aleksandr Gorbunov of the Russian space agency Roscosmos — home from the International Space Station (ISS)…

…Crew-9’s splashdown was memorable and dramatic even before the dolphins showed up. It brought an end to the long space saga of Wilmore and Williams, which was a big story from the outset but became turbo-charged recently….

CNBC looks back at “NASA astronaut Suni Williams morning routine over 9 months in space”.

On April 16, 2007, Sunita “Suni” Williams ran the Boston Marathon. But she wasn’t in Boston. She wasn’t even in the United States.

Inside the International Space Station, more than 250 miles above sea level, the NASA astronaut became the first person to run a marathon in space.

Williams, now 59, found her endurance tested again in June 2024 after the Boeing capsule that brought her to the International Space Station malfunctioned. Her expected eight-day trip with fellow astronaut Butch Wilmore lasted nine months. The pair splashed down safely in Florida on Tuesday evening, and traveled to Houston that night.

While in space, astronauts must exercise two hours per day, every day, according to a NASA pamphlet, as zero-gravity conditions can cause “bone and muscle deterioration” over time. Williams worked out first thing as part of her morning routine — waking up at 5:30 a.m. GMT and “running, cycling, and weightlifting” until 7:30 a.m., according to ESPN. (NASA did not immediately respond to CNBC Make It’s request for comment on the amount of control Williams had over her schedule.)

Wilmore and Williams will now have to spend 45 days re-acclimatizing to Earth’s gravity, NPR reports. Their new routines will include a “personalized recovery program” of two hours per day that they spend exercising with personal trainers….

(15) NOW IT’S STRONGER, NOW IT’S WEAKENING. [Item by Mark Roth-Whitworth.] Last I heard, the expansion of the universe is speeding up. But… dark energy is now weakening. “Dark energy: mysterious cosmic force appears to be weakening, say scientists” – the Guardian explains.

Dark energy, the mysterious force powering the expansion of the universe, appears to be weakening, according to a survey that could “overthrow” scientists’ current understanding of the fate of the cosmos.

If confirmed, the results from the dark energy spectroscopic instrument (Desi) team at the Kitt Peak National Observatory in Arizona would have profound implications for theories about the evolution of the universe, opening up the possibility that its current expansion could eventually go into reverse in a “big crunch”.

A suggestion that dark energy reached a peak billions of years ago would also herald the first substantial change in decades to the widely accepted theoretical model of the universe….

… Dark energy has been assumed to be a constant, which would imply the universe will meet its end in a desolate scenario called the “big freeze”, when everything is eventually so far apart that even light cannot bridge the gap between galaxies. The latest findings, announced on Thursday at the American Physical Society’s Global Physics Summit in Anaheim, California, challenge that prevailing view.

Desi uses its 5,000 fibreoptic “eyes” to map the cosmos with unprecedented precision. Its latest data release captures 15m galaxies, spanning 11bn years of history, which astronomers have used to create the most detailed three-dimensional map of the universe to date.

The results suggest that dark energy reached a peak in strength when the universe was about 70% of its current age and it is now about 10% weaker. This would mean the rate of expansion is still accelerating, but that dark energy is gently lifting its foot off the pedal.…

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, N., Frank Catalano, Matthew Kressel, Rich Horton, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/15/25 I Wish I Could Pixel Like My Captain Kate (Janeway)

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(1) WE’RE NOT TALKING ABOUT A HOBBIT HOLE HERE. The Unofficial Hugo Book Club Blog has posted to Bluesky a spin on the “Omelas” tale in the voice of you-know-who. Stunningly on point. Fourteen posts long. The first one is here.

OK. My quick attempt at "My Omelas, Right Or Wrong."1/XLet me tell you about this incredible place, Omelas. It’s huge, folks, absolutely beautiful. Everybody’s happy. Everybody’s winning. The economy, it's fantastic, the best economy anyone’s ever seen, believe me.

— An Unofficial Hugo Book Club Blog (@hugobookclub.bsky.social) 2025-03-13T16:54:55.838Z

(2) SIMULTANEOUS TIMES IS SEVEN. Space Cowboy Books today launched the 7-year anniversary episode of the Simultaneous Times podcast. This episode is a collaboration with Apex Magazine.

Simultaneous Times 7 Year Anniversary Episode

Featuring stories from the pages of Apex Magazine.

  • “Then Came the Ghost of My Dead Mother, Antikleia” by Nadia Radovich. With music by Doctor Auxiliary. Read by Jenna Hanchey
  • “What Happens When a Planet Falls From the Sky?” by Danny Cherry, Jr. With music by Phog Masheeen. Read by the Jean-Paul Garnier & Jenna Hanchey

Theme music by Dain Luscombe

(3) SPECIAL ACCESS TO NATURE FUTURES STORY. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation has just posted the first of its four “Best of Nature Futures” short stories of the year. Because it is behind a paywall, non-Nature subscribers can’t access the original weekly stories. Fortunately SF² Concatenation has an agreement with Nature and the permission of respective writers to re-post four a year. The story “Cosmic Rentals” by Dave Kavanaugh concerns a rental store where you can literally hire “universes”… What’s not to like? …And if you scroll down below the story you will get the author’s ‘story behind the story’. You access it here.

(4) WHAT YOU WON’T SEE ON THE BALLOT. The Ursa Major Awards, the annual anthropomorphic literature and arts award, will shortly release their 2024 finalists and open public voting. But the administrators have decided to announce some rulings on the prospective nominees ahead of time.

We are about to present the list of nominees for 2024 and will open up voting soon. However, we thought it was best to first present a list of special considerations for a select few entries we have received this year.

In the Best Anthropomorphic Game category, Atlyss did receive enough nominations to place in the top 5, but because Atlyss has only been released as an “early access” title, it has been disqualified from the 2024 list.

In the Fursuit category, only one qualifying entry was given more than a single vote, therefore we felt it best to drop the category for 2024, as has been done in the past.

In the Best Anthropomorphic Music category, an album titled “Where Will the Animals Sleep” would have been in the top 5 nominations. However, as neither the content nor the author is anthropomorphic / furry, it has been disqualified.

(5) FEAR FACTOR. “Snow White Premiere: Dwarf Actor Responds to Rachel Zegler Movie Pivot” in The Hollywood Reporter.

One performer from Disney‘s new Snow White is sharing his thoughts amid the debate surrounding the launch for the live-action movie.

Martin Klebba — who has appeared in two previous versions of Snow White, including the 2012 feature Mirror Mirror that stars Julia Roberts and Lily Collins — provides the voice of Grumpy in the new movie and also serves as an advisor for the miner characters. Klebba tells The Hollywood Reporter that the recent controversy surrounding Snow White, which has led to the film’s Saturday premiere not inviting press onto the red carpet, has meant a less exciting celebration for those involved in the project that stars Rachel Zegler as the title character and Gal Gadot as the Evil Queen.

“It really isn’t going to be a red carpet,” says Klebba, who emphasizes that he is very proud of the movie and cannot wait for audiences to see it. “It’s going to be at the El Capitan [Theatre], which is cool. But it’s basically going to be a pre-party, watch the movie, and that’s it. There’s not going to be this whole hoopla of, ‘Disney’s first fucking movie they ever made.’ Because of all this controversy, they’re afraid of the blowback from different people in society.”

Klebba says that the premiere changes were due to “the controversy with Rachel” but clarifies that he had not been given direct information on why the event was altered. Zegler is known as an outspoken star who suggested in 2022 that she was not a fan of the original 1937 animated classic due to outdated plot points. Additionally, after President Donald Trump was elected in November, Zegler posted comments to social media that were critical of his victory before later apologizing….

(6) FREAKIER FRIDAY. They’re afraid, too, apparently. “Freakier Friday Teaser Trailer”. Movie in theaters August 8.

(7) DO FANNISH VALUES WORK IN SCALED-UP CONVENTIONS? Patch O’Furr analyzes the issues of “How to love the freedom of leaderless fandom, and fight the flipside of organized abuse” for furry fans at Dogpatch Press.

Do you know the story where several blind people try to describe an elephant by only touching small parts of it? Nobody can say what the whole animal is.

That happens when furry subculture talks about itself, and protests outside stereotypes by falling into its own… The Geek Social Fallacies….

…That’s the natural downside of the old-school fan values, but things were more personal when groups were smaller scale. They would put up with a few jerks because it was harder to kick them out and sustain groups. Now add decades of growth, and much bigger scale of members who don’t know each other. (Dunbar’s Number names a finite limit on how many relationships your brain can handle.) Put the problem on steroids with internet platforms we don’t own. It’s not YOU, it’s MATH….

…The math of escalating abuse

Rapid and unplanned growth of furry subculture has many unforeseeable effects. Straining the limits of conventions is one covered on Soatok’s furry cybersecurity blog: Furries Are Losing the Battle Against Scale. Convention attendance is doubling every few years and “the furry community is growing at a break-neck exponential speed.”

Security suffers without top-down management at impersonal scale, especially when the more we depend on net platforms, the more problems we have by policy. Social media is built to shift liability for moderation from owners to users. It’s their business model to be unaccountable! The point is to eliminate the cost of the editor/gatekeeper/mod layer by automating the labor and letting volunteers and peers fill in.

Peer moderation may feel like personal control, but meanwhile, bad actors can game the system with off-site advantage. Moderators may respond to simple individual incidents on-site, but can’t even see complex cross-platform abuse. That’s how responses can be weak, scattered, inconsistent, and lack resources for scale, no matter how much their hearts are in it.

If you can’t see abuse, it festers. Think of church scandals where abuser priests were shifted around from church to church. We have that too, but there’s no orders from the top. It’s from being nobody’s job. A long-time creep can use a newly minted fursona to jump from group to group, when it’s easy to change accounts and delete evidence, but an uphill battle to track them or get consequences. Different process, same outcome….

(8) REMEMBERING A CLASSIC HORROR AUTHOR. “Lisa Morton Discusses Dennis Etchison” in an installment of the Horror Writers Association’s blog series “Nuts & Bolts”.

Lisa Morton describes Dennis Etchison’s work as a “brain bombshell” that changed her idea of what horror fiction could do. When she was just starting out, Etchison had a major influence on both her art and her career. In this month’s edition of Nuts & Bolts, Lisa discusses Etchison’s writing technique, his influence on her own work, and what writers today can learn from the late horror legend.

Q: Can you tell us a little about Dennis Etchison and his contributions to the horror genre?

A: To me, Dennis is one of the absolute greatest craftsmen of the horror short story. His short story collection The Dark Country came out in 1982, when most of the genre was split between Stephen King’s suburban, East Coast horror on one hand and the glorious excesses of the splatterpunks on the other, and his work fit into neither camp. It was completely unique and was the first time I’d read horror set mostly in my hometown of Los Angeles; it’s not an exaggeration to say that it made me think I might be able to write horror fiction. My all-time favorite short story is his 1993 masterpiece The Dog Park, which is one of those works of fiction that’s like a magic trick — it really gets under your skin and you’re not sure how it was done. Although I also like several of his novels, especially California Gothic, his short fiction is what I think will be remembered….

Guillermo Del Toro, Peter Atkins and Dennis Etchison in back of Mystery & Imagination Bookshop in 2013.

(9) KGB PHOTOS. Ellen Datlow has posted photos on Flickr of the “Fantastic Fiction at KGB reading series March 12, 2025” gathering where Victoria Dalpe and Jedediah Berry read from their work to a very full house.

(10) LACON V HOLDING ANAHEIM MEETING. LAcon V, the 2026 Worldcon committee, told Facebook readers how to ask to attend their meeting next weekend.

LAcon V is hosting an in-person meeting on March 22nd and 23rd at the Anaheim Hilton.

This is a good opportunity to meet some of our leadership, learn more about the convention, and possibly become part of the LAcon V team!

If you are interested in participating, and plan to be in the Anaheim area, please email us at info(at)lacon.org for further details.

(11) T. JACKSON KING (1948-2025). Author and archeologist Thomas Jackson King, Jr. died December 3, 2024. SFWA’s tribute “In Memoriam: T. Jackson King” notes he was “a prolific writer of science-fiction, horror, and urban fantasy, and an award-winning journalist. He wrote articles for The SFWA Bulletin and SFWA Handbook, and served as the SFWA Election Committee Chair.” 

(12) MEMORY LANE.

[Written by Cat Eldridge.]

The Girl with Something Extra series (1976)

Networks in the Sixties liked young actresses. They were either sexy, or they were cute. So let’s talk about the lead of The Girl with Something Extra series that debuted forty-nine years ago. 

That lead actress was Sally Field which tells you how deep the story was intended to be. She was a wife who had ESP, and her husband played by John Davidson never quite understood her. It was intended to be cute, really, really cute with her giving it that cuteness. 

There was other cast, but really who cared? Not the studio. It was intended to be just a vehicle for these two to be a couple as this critic noted “The plot for The Girl With Something Extra TV show immediately brings to mind another show that ended in March of 1972 after a whopping eight seasons on the air! That series of course was “Bewitched” which also featured a young newlywed couple with the wife having super-human powers that caused many problems for her and her husband.” 

The audience apparently didn’t grasp its charms, and it was canceled after one season of twenty-two half hour episodes. 

So the Apple search engine says it’s not streaming anywhere. The Flying Nun is streaming on, errr, Tubi. Any of y’all ever subscribe to that service? 

Lancer Books published a tie-in novel by Paul Farman, The Girl With Something Extra. 

I see multiple signed scripts is for sale on eBay. Press photos too. Like the one below. Aren’t they cute? Well, aren’t they?

(13) COMICS SECTION.

(14) DWAYNE MCDUFFIE AWARD TAKING ENTRIES. Comics Beat announced that the Dwayne McDuffie Award for Diversity in Comics is accepting submissions. “Mark Waid joins 10th annual Dwayne McDuffie Award selection committee”.

…As in previous years, the event will name one winner from five honored finalists, whose work resembles a commitment to excellence and inclusion on and off the page, much like the late Mr. McDuffie’s own efforts to produce entertainment that was representative of and created by a wide scope of human experience. Moreover, prolific comic creator Mark Waid has joined joined the selection committee which includes The Beat‘s own Heidi MacDonald, and other notable comics industry figures.

The 10th annual “Dwayne McDuffie Award for Diversity in Comics” is now accepting submissions at https://dwaynemcduffie.com/dmad/. The deadline is May 1, 2025 for comics published during the 2024 calendar year.

New York Times best-selling author, Mark Waid, joins a selection committee of notable comic book professionals led by industry legend, Marv Wolfman. This prestigious prize has grown exponentially in esteem since it was established in 2015 in honor of Dwayne McDuffie (1962-2011), the legendary African-American comic book writer/editor and writer/producer of the animated Static Shock, Justice League, and Ben 10: Alien Force/Ultimate Alien, who famously co-founded Milestone Media, the most successful minority-owned comic book company in the history of the industry.

The slogan for the Dwayne McDuffie Award for Diversity in Comics is Mr. McDuffie’s own profound saying:

“From invisible to inevitable.”

Prolific writer/creator, Mark Waid, is “proud to be part of the DMADs”:

“As a medium and as a community—even removing from consideration the onslaught of bigotry and intolerance sweeping the U.S. as we speak—the world of comics has a responsibility to recognize, promote, and honor comics that not only employ great storytelling but are emblematic of the power of equality and inclusion. As creators, good work from anyone forces us to up our game. As readers, we’re all better off—and more entertained and educated—when we’re exposed to the widest possible variety of voices and viewpoints.”…

(15) AVENGERS ACADEMY. Anthony Oliveira, Carola Borelli and Bailie Rosenlund’s Avengers Academy Infinity Comic series on Marvel Unlimited comes to print for the first time this June.

Since launching last year, Marvel Unlimited’s hit AVENGERS ACADEMY Infinity Comic series by rising star Anthony Oliveira and visionary artists Carola Borelli and Bailie Rosenlund has become an online phenomenon, gaining a devoted fanbase who tune in each week to experience the adventures of Marvel’s most promising young heroes! This June, the acclaimed series comes to your local comic shop in AVENGERS ACADEMY: ASSEMBLE #1, a new one-shot collecting the first six issues in print for the first time!

From the X-Men to the symbiote hivemind, this eclectic group assembles fan-favorite characters from every corner of the Marvel Universe, including new sensations like Kid Juggernaut. Discover their journey to become tomorrow’s Mightiest Heroes in this masterful blend of teen drama and super hero adventure!

SCHOOL’S IN SESSION!

Welcome to Avengers Academy! Seeking to guide the next generation of super heroes, Captain Marvel recruits a misfit team of super-powered teens: CAPTAIN AMERICA OF THE RAILWAYS, BLOODLINE, ESCAPADE, MOON GIRL, RED GOBLIN, and new hero on the block, KID JUGGERNAUT! But classes are the least of their concerns as they fend off super-villain attacks, make new friends – and new foes – and learn what it really means to be Earth’s mightiest heroes. Featuring the first appearance of an all-new SINISTER SIX, this is one book you don’t want to miss!

Check out the all-new cover by Stephen Byrne and preorder Avengers Academy: Assemble #1 at your local comic shop today! For more information, visit Marvel.com.

(16) FARADAY UNCAGED. [Item by Mark Roth-Whitworth.] Why do we have a lot of electricity? Faraday. I think a lot of us know who Faraday was, but this is a lovely, loving article. “Unearthed notebooks shed light on Victorian genius who inspired Einstein” in the Guardian.

…When a lab assistant at the Institution got into a brawl and was fired in February 1813, Davy remembered the 22-year-old Faraday and offered him the job – which involved taking a pay cut, but gave the young man access to the laboratory, free coal, candles and two attic rooms.

Faraday later gave an account of this job offer: “At the same time that he [Davy] gratified my desires as to scientific employment, he advised me to remain a bookbinder, telling me that Science was a harsh mistress… poorly rewarding those who devoted themselves to her service.”

Despite Davy’s advice, Faraday accepted the job. It was a decision that would prove to be seminal for science. Over the next 55 years, while working for the Royal Institution, Faraday discovered several fundamental laws of physics and chemistry – including his law of electromagnetic induction in 1831, which illuminated the relative motion of charged particles.

It was thanks to Faraday’s trailblazing experiments at the institution that he discovered electromagnetic rotation in 1821, a breakthrough that led to the development of the electric motor and benzene, a hydrocarbon derived from benzoic acid, in 1825. He became the first scientist to liquefy gas in 1823, invented the electric generator in 1831 and discovered the laws of electrolysis in the early 1830s, helping to coin terms such as electrode, cathode and ion. In 1845, after finding the first experimental evidence that a magnetic field could influence polarised light – a phenomenon that became known as the Faraday effect – he proved light and electromagnetism are interconnected….

(17) PIXEL SCROLL TITLE EXPLANATION OF THE DAY. [Item by Daniel Dern.] Via “I Wish I Could Shimmy Like My Sister Kate” (1922).

Probably my favorite recording (keeping in mind I’ve only listened to a fraction of the various artists’ recordings) is from Jim Kweskin’s Relax Your Mind album (more generally one of my favorite albums): “Three Songs – A Look at the Ragtime Era (Sister Kate’s Night Out) : I Wish I Could Shimmy Like My Sister Kate”.

Here’s the first version I’ve run into (yesterday!) that shows there’s a long intro section: “Sister Kate” – song and lyrics by Vi Wickam, Paul Anastasio, Albanie Falletta | Spotify.

Lots of (current/recent) popular covers!

Dave Van Ronk “Sister Kate”.

Here’s the Nitty Gritty Dirt Band “Sister Kate”.

And here’s an unexpected cover (from the From Liverpool To Hamburg 2CD set) — The Beatles – “i wish i could shimmy like my sister Kate” (live).

(18) VIDEO OF THE DAY. [Item by Arnie Fenner.] This “Frazetta Fridays” episode about the creation of Vampirella includes some fun history featuring Harlan, Forry, and Trina Robbins.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Arnie Fenner, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/13/25 Quick Get An Exorcist! Our Scrolls Are Being Possessed! By Pixels!

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(1) GROUP DROPS 2026 SMOFCON BID FOR DC. John Pomeranz, Corresponding Secretary of the Baltimore Washington Area Worldcon Association (BWAWA), yesterday announced that in response to the “current political situation” in the U.S. the group is no longer bidding to host the 2026 SMOFcon in Washington, DC.

At its meeting on March 9, the Baltimore Washington Area Worldcon Association (BWAWA) decided to end its bid to host the 2026 SMOFcon.

Since we announced the bid at SMOFcon last year, it has become clear that the current political situation in the United States would significantly reduce the willingness of fans from outside the United States to participate, even in the fully hybrid convention that we were proposing. In light of this, it seemed the best course of action was to end our bid. Unfortunately, we expect that similar problems are likely to confront any US bid for SMOFcon for the time being.

(2) SEATTLE 2025 ROOM BLOCK FILLED. The current political situation has not kept the Seattle Worldcon’s hotel room blocks from immediately filling. A newsletter sent to members today says —

We are glad to have so many of you coming to Worldcon. Unfortunately our hotel room blocks, which initially seemed large and were subsequently increased, have sold out. It is possible some of these blocks may reopen from time to time on our hotel page, but in the meantime please be aware there are 14 hotels inside of a five-block, half mile radius of the Seattle Convention Center Summit Building where rooms can be secured using a common booking service, such as Google, hotels.com, bookings.com, or kayak.com.

Many of these are just as close, or closer, than our room block hotels. It may also be possible to secure rooms at our room block hotels, but outside the room block. 

(3) MEET THE SF STARS OF 1933. Next month the creators of First Fandom Experience will release “The Ultimate COSMOS: How a 1933 Serial Novel Reshaped Science Fiction”.

Why should modern readers of science fiction care about a mashed-up novel from 1933 – generally deemed terrible as a work of fiction?

Why should anyone care about a stunt pulled off by a band of early science fiction fans hoping to promote their struggling amateur publication?

The creators of The Visual History of Science Fiction Fandom bring you the story of Cosmos – a remarkable serial novel from 1933, with chapters by sixteen well-known authors. Even more astonishing is the tale of how this extravagant space-opera came to be. Orchestrated by a scrappy, ambitious cadre of young fans – mostly teenagers – the creation of Cosmos is a seminal episode in the history of science fiction. The impact on the novel’s editors and authors echoed through the decades that followed.

(If you’re curious who wrote it, Fancyclopedia 3 supplies the Table of Contents here — Cosmos – The Serial Novel.)

The Ultimate COSMOS will be launched at the Windy City Pulp and Paper Convention, April 4 – 6, 2025 in Chicago. Thereafter the book will be available for purchase on the First Fandom Experience site and via print-on-demand.

(4) ABOUT THAT LIVE-ACTION REMAKE OF SNOW WHITE. “Snow White: Disney holds small-scale European premiere amid controversy” – and the BBC explains the beef.

…The movie is being released amid a debate about how the seven dwarfs are represented on screen, while Zegler has made headlines for critical comments about the original 1937 film.

The European premiere was held on Wednesday at a castle in Northern Spain, instead of a more traditional and high-profile location such as London’s Leicester Square.

Dwarfism debate

The debate around the film began making headlines in January 2022, when Game of Thrones star Peter Dinklage, an actor with Dwarfism, described the decision to retell the story of “seven dwarfs living in a cave” as “backward”.

Disney has used computer-generated dwarfs in the remake and said it would “avoid reinforcing stereotypes from the original animated film”.

But this week, other actors with Dwarfism have said they would have liked the opportunity to play the roles.

Speaking to the Daily Mail, performer Choon Tan said the decision to use CGI was “absolutely absurd and discriminating in a sense”.

“There really is nothing wrong casting someone with dwarfism as a dwarf in any given opportunity,” he said.

“As long as we are treated equally and with respect, we’re usually more than happy to take on any acting roles that are suitable for us,” he added…

(5) OCTOTHORPE. John Coxon is working, Alison Scott is plugging and Liz Batty is ghosting in Episode 130 of the Octothorpe podcast, “I Am Scalison Ott”. An uncorrected transcript of the episode is available here. 

The words “Octothorpe 130: Handwriting Analysis Special” appear three times in the three hosts’ handwriting.

(6) OSCARS AFFECT ON STREAMING PREFERENCES. JustWatch, the world’s largest streaming guide, has analyzed how the Academy Awards influenced streaming preferences in the U.S. Following Hollywood’s biggest night, audiences turned to their favorite platforms to catch up on the most celebrated films, leading to significant shifts in streaming rankings.

While several top contenders remained popular, the post-Oscars data reveals noticeable changes in audience preferences. New titles surged in viewership, while others saw renewed interest based on award wins, nominations, and critical buzz.

*Note: Anora was not included in our ranking as it has no current streaming offers in the US, but it was the second most popular after “The Substance”

Key Takeaways from the Post-Oscars Streaming Shift

  • Newcomers Enter the Rankings – The Brutalist, Wicked, I’m Still Here, and A Complete Unknown emerged in the top ten after the Oscars, reflecting fresh audience interest.
  • Shifts in Viewer Attention – While Dune: Part Two, Alien: Romulus, Inside Out 2, and Gladiator II ranked highly before the awards, they were replaced by new titles post-Oscars, possibly due to shifting critical conversations and winner announcements.
  • Sustained Success for The Substance & Conclave – These two films held their positions as the most streamed, proving their long-lasting appeal to audiences.
  • Surging Interest in Indie and Arthouse Films – Flow and Nosferatu gained traction after the Oscars, suggesting a growing curiosity in artistic and unconventional storytelling.

(7) PRATCHETT RETROSPECTIVE. Christopher Lockett marks the tenth anniversary of the author’s death in “The Magical Humanism of Sir Terry Pratchett”, a discussion that ranges from Pratchett’s expressed views of the right-to-die to his literal characterization of Death.

…Sir Terry’s Death is thus something close to a benevolent figure: a guide into whatever afterlife the deceased’s beliefs and conscience create for them. And his pervasive presence throughout the Discworld series produces a thematic iteration on humanity as defined by mortality—which itself produces a thematic iteration on how this relationship defines a moral and ethical humanism. For one of the great allegorical gestures of the Discworld novels is an expansive humanism that extends to cover all sentient beings….

(8) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

March 13, 1966 — Alastair Reynolds, 59.

By Lis Carey: Alastair Reynolds is an interesting writer—really good writer, with (what I find to be) an unfortunate tendency to write very dark stories. This means I’m stuck with reading his work very, very selectively.

Which gives me a sad.

Reynolds is Welsh, studied physics and astronomy, and has a PhD in astrophysics from University of St. Andrews. He graduated in 1991, and moved to the Netherlands to take a job at the European Space Agency, where he worked until 2004.

He started writing science fiction short stories while still a grad student, with his first publication in Interzone in 1990.

Alastair Reynolds

Reynolds says he doesn’t like writing stories that he doesn’t believe are within the realm of the possible, which is, no doubt, why the Revelation Space universe is truly hard sf, including relativistic space travel. He’ll depart from that stricture if he believes the story requires it, but those stories are not in Revelation Space.

I’m especially fond of the Prefect Dreyfus Emergencies, a subseries within the Revelation Space universe, which I otherwise avoid. Tom Dreyfus is a field prefect, part of the Panoply, a sort of let’s not call them police officers, charged with ensuring that each of the 10,000 or so habitats within the Glitter Band has reliably functioning, untampered-with democracy. As long as they are properly functioning democracies, the habitats can have any set of laws they choose to have. 

A vital part of that is keeping the machines that tabulate votes working smoothly and ensuring that they’re not tampered with. But if they didn’t also have rogue AIs, charismatic preachers against Panoply, a mysterious contagion that seemingly leaps all protective measures, and bigotry against uplifted, genetically modified pig people, where would the fun be? Over the three books published (Aurora Rising, Elysium Fire, and Machine Vendetta, it’s intricate, layered, has very well-developed characters, and plots that really don’t let go.

Another Reynolds work I’ve enjoyed is Eversion, in which a sailing ship in the 1800s crashes on the coast of Norway, in the 1900s a Zeppelin runs into serious difficulty in crevasse in the Antarctic, and in the far future, a spaceship visits an alien artifact. Dr. Simon Coade is the physician on these voyages, and he knows something really weird is happening, that no one else is noticing. Yes, it’s science fiction. Again, intricate, layered, and with excellent characterization and plot.

I’ve also read Terminal World, and Century Rain. They’re dark enough that I’m not sure why I picked up the second after reading the first, or why I picked up anything else by Reynolds, because they are the dark and grim that I’m not looking for in fiction.

Possibly because he’s a very good writer, and I’m glad I did find the Prefect Dreyfus books, Eversion, and a few others. So there’s two lessons here. 1. You do not have to read fiction that is not for you. You’re not going to be taking a test on it. 2. Don’t automatically write off a write just because they don’t seem to be writing for you. If they’re good, keep an eye open for works that might be for you anyway.

(9) COMICS SECTION.

(10) GRINCH YOU WIN, TAILS YOU LOSE. A collectible Dr. Seuss coin collection has launched with “The Grinch – Month 1”.

The titular character from Dr. Seuss’s iconic 1957 book, How the Grinch Stole Christmas! is widely recognized around the world. The Grinch may be green and mean, but he’s found his way into the heart of collectors as one of the most celebrated Dr. Seuss characters. Whether or not his heart grows three sizes, we love the Grinch’s strange enterprises!  

(11) WHILE WE WERE IN THE NEIGHBORHOOD. “Passing probe captures images of mysterious Mars moon” in the Guardian. Photo at the link.

A European spacecraft has taken photos of Mars’s smaller and more mysterious second moon during its flight past the planet en route to a pair of asteroids more than 110m miles (177m km) away.

The Hera probe activated a suite of instruments to capture images of the red planet and Deimos, a small and lumpy 8-mile-wide moon, which orbits Mars along with the 14-mile-wide Phobos.

The European Space Agency probe barrelled past Mars at more than 20,000mph and took shots of the lesser-seen far side of Deimos from a distance of 620 miles.

Michael Kueppers, Hera’s mission scientist, said: “These instruments have been tried out before, during Hera’s departure from Earth, but this is the first time that we have employed them on a small distant moon for which we still lack knowledge.”…

(12) PITCH MEETING. [Item by Andrew (not Werdna).] “Back to the Future Part III Pitch Meeting” — my wife notes that the description of how Doc and Clara fell in love seemed awfully familiar.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Lis Carey, Andrew (not Werdna), David Ritter, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 3/7/25 How Many Files To Pixelscroll? Three Score Files And Ten

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(1) FRANK R. PAUL AWARDS TAKING ENTRIES. Administrator Frank Wu has announced the Frank R. Paul Awards are open for submissions until April 15. Full details are available here.

There are two categories: Best Magazine Cover Art, and Best Book Cover Art. Prizes include a trophy (with a 3D-printed recreation of FRP’s tiger-robot-monster from the Sept. 1935 Wonder Stories) plus $500 in each category.

Artwork for any publication (pro, semi-pro, fanzine or online) is eligible, as long as the art was first published anywhere in 2024.

Artists are encouraged to submit (to me, Frank Wu, at FWu@FrankWu.com) on their own behalf up to 5 items they had published last year, with a note that the art was NOT generated using an AI program. 

Authors and publishers are also encouraged to submit on behalf of artists they’ve worked with, and anyone else can submit on behalf of any artwork that pleased them in the last year.

Trophy photo by Rich Lynch

(2) BOOK CURATION AS FREE SPEECH. “ABA Goes Into Damage Control After Contentious WI2025 Community Forum” reports Publishers Weekly.

A week after Winter Institute 2025 wrapped up in Denver on February 26, the American Booksellers Association dedicated Thursday’s issue of its weekly Bookselling This Week newsletter to respond to criticisms raised at a contentious WI2025 community forum. During that forum, booksellers criticized the ABA leadership and board for their refusal for more than a year to take a clear stand in support of indie booksellers who have been attacked for selling books about Palestine, as well as authors who are Palestinian and/or have spoken out against the Israeli military campaign in Gaza. Other speakers raised concerns about double standards, some related to compensation, in the organization’s treatment of its members. Booksellers had raised similar concerns at the community forum at WI2024 in Cincinnati.

Perhaps John Evans, a past ABA board member who currently owns Camino Books in a San Diego suburb, summed it up best, when he said at the WI2025 community forum: “We aren’t asking you to come out with a stance on the Israeli war. We are asking you to support booksellers in a censorious environment by making this statement publicly that it is not antisemitic to provide books to people who want them. All of this falls within the framework of a bookselling organization. This is not a political statement. This is a consensual, understood, fundamental principle of what we all do, and it’s hurting us. You not supporting that. It’s offending us.”

In a letter signed by all 12 ABA board members that appeared in BTW, the board emphasized that it, “along with the staff of American Booksellers for Free Expression and ABA, condemns all attacks on bookstores, in particular the targeting of bookstores who have chosen to highlight Palestinian books and authors in their stores. Each bookstore’s curation is their own expression of their freedom of speech, and verbal attacks, demands to carry or not carry certain titles, and threats to stores are not acceptable.” The board also promised to support any booksellers “during times of persecution, harassment, curation challenges, and other attacks on booksellers and stores.”

The ABA wrote in a separate statement, which also appeared in BTW, that booksellers have been offered support, resources, education, crisis counseling, and provided with a hotline by ABA staff. “This is the work that ABA is empowered to do by our ends policies and allowed to do as a 501(c)(6) nonprofit trade association,” the ABA declared. “We cannot make a political statement on behalf of our members, but we can and do support our members in their right to express those views.” The organization added: “Book curation is a form of speech, and it must remain free. We condemn any harassment or threat to our members that aims to abridge this freedom.”…

(3) STATE DEPARTMENT’S LATEST CULTURAL DAMAGE. The University of Iowa’s International Writing Program shared some bad news with Facebook readers:

Dear Friends: We write today with a difficult update. On Wednesday, Feb. 26, the International Writing Program (IWP) learned that its grants with the U.S. Department of State, Bureau of Educational and Cultural Affairs, were being terminated. This notification explained that the IWP’s awards “no longer effectuate agency priorities,” nor align “with agency priorities and national interest.” The immediate result was the cancellation of Between the Lines (the IWP’s summer youth program), and the dissolution of Lines and Spaces Exchanges, Distance Learning courses, and Emerging Voices programs. The overall Fall Residency cohort will be reduced by around half due to the loss of federally funded participants; the IWP’s other long-time funding partners, including a combination of donors, grants, foreign ministries of culture, and NGOs, will continue to support writers.

We are devastated by the abrupt end of this 58-year partnership and are working closely with University of Iowa General Counsel and Grant Accounting to review the terminations, understand their full impact, and respond in the best interest of the organization. Despite this disappointing turn of events, the IWP’s mission to promote mutual understanding through creative writing and literature remains unchanged; with the help of a limited number of other partners, we will still hold a 2025 Fall Residency even while pursuing new sources of funding. To support the IWP as we begin to rebuild, please visit this website: bit.ly/support-iwp

(4) TUTTLE ON FIVE NEW BOOKS. Lisa Tuttle’s “The best recent science fiction and fantasy – review roundup” for the Guardian covers The Unworthy by Agustina Bazterrica; Dissolution by Nicholas Binge; The River Has Roots by Amal El-Mohtar; When the Moon Hits Your Eye by John Scalzi; and The Foot on the Crown by Christopher Fowler.

(5) BOOKLESS IN BLIGHTY. But the Guardian immediately leaves you wondering who in Britain might take advantage of Tuttle’s recommendations: “New poll finds 40% of Britons have not read a book in the past year”.

According to new a polling by YouGov 40% of Britons have not read or listened to a book in the past year.

The median British adult has read or listened to three books in the past year, the survey found.

Women seem to be bigger readers than men, with 66% of women reading at least one book in the last year, compared with 53% of men.

There was a political split: while 72% of remain voters said they’d picked up a book in the past 12 months, 54% of leave voters reported doing so. Labour voters were most likely to have read in the last year (70%) when compared with Lib Dem (64%), Conservative (63%) and Reform (51%) voters.

A class divide also emerged, with 66% of respondents in middle-class households reporting having recently read a book compared with 52% of those in working-class households.

(6) EYE ON GUY. Andrew Porter has shared the photo he took of Brother Guy Consolmagno at Boskone.

Brother Guy Consolmagno, right, and Kielan Donahue at Boskone. Photo by and (c) Andrew Porter.

(7) JEOPARDY! Then, Andrew Porter relayed the results of genre interest from tonight’s episode of Jeopardy!

Final Jeopardy: Category: Science Fiction

Answer: Name shared by a groundbreaking magazine launched in April 1926 & a TV anthology series that premiered in September 1985

Wrong questions: What is Popular Science (crossed out; no actual question).

What is Outer Limits?

What is Unsolved Mysteries?

Correct question (obviously) is Amazing Stories.

(8) GENE HACKMAN FOLLOW-UP. Authorities in Santa Fe, NM held a press conference today where they revealed — “Gene Hackman Died From Alzheimer’s & Heart Disease; Wife Died Days Before” – Deadline has the story.

A February 27 autopsy of Gene Hackman reveals the 95-year-old Oscar winner died of a combination of “advanced Alzheimer’s disease” and severe heart disease, the New Mexico Chief Medical Examiner announced today.

“It is reasonable to conclude that Mr. Hackman died on February 18,” Dr. Heather Jarrell said in a press conference with Santa Fe Sheriff Adan Mendoza and other county officials. “He was in very poor health,” Dr. Jarrell also noted of Hackman, adding that there was evidence that he hadn’t eaten for a number of days. Ms. Arakawa is assumed to have died on or around February 11, officials estimated….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

Weyr Search (1967) and Anne McCaffrey’s Dragonriders of Pern series 

Anne McCaffrey’s Dragonriders of Pern series has a fascinating Hugo history.

She won a Hugo the first time she was nominated, for the novella “Weyr Search”, in 1968 at Baycon (tied with Philip José Farmer’s “Riders of the Purple Wage”.) It was published in Analog Science Fiction / Science Fact, October 1967. 

It’s in A Dragon-Lover’s Treasury of the Fantastic anthology which was edited by Margaret Weis, available from the usual suspects at a very reasonable price. 

It would be the only win for the Dragonriders of Pern series but by far is not the only nomination for the series. 

Next up would be the “Dragonrider” novella which was nominated a year later at St. Louiscon. Three years later, her Dragonquest novel would get a nod at the first L.A. Con showing that con had impeccable taste. Are you surprised they did? I’m certainly not. 

At Seacon ‘79, The White Dragon was nominated. (I really love that novel.) 

The next L.A. Con (1984) would see another novel be nominated, Moreta: Dragonlady of Pern. The final nomination, also for a novel, was at MagiCon (1992), for All the Weyrs of Pern.

The series did win a number of other awards including a Nebula for Dragonrider, a Ditmar and Gandalf for The White Dragon, a Balrog for Dragondrums and The Science Fiction Book Club’s Book of the Year Award for The Renegades of Pern. It is, after all, an expansive series. Really expansive. 

Personal note: I really wanted to enjoy this series all the way through as I came to it later. They were great, they really were, but something happened in the stories early on for me that I can say but I won’t as it’s a MAJOR SPOILER.  

I read the first trilogy of Dragonquest, Dragonflight and The White Dragon plus Harper Hall trilogy of Dragonsong, Dragonsinger and Dragondrums, and I did read on through maybe, let me check ISFDB, through All the Weyrs of Pern, That’s when that MAJOR SPOILER occurs which makes me say why McCaffrey, oh why? 

(10) COMICS SECTION.

(11) HAPPY DEMENTED BIRTHDAY. Dr. Demento (Barry Hansen) turns 84 on April 2 and will celebrate his birthday at the LA Breakfast Club. Dr. Demento will take the audience through his 55 year career as America’s most unusual disc jockey and play some of his favorite songs. Tickets available here: “Celebrate The Doctor’s Career & 84th Birthday!”

ABOUT THE SPEAKER: Dr. Demento has been celebrating “mad music and crazy comedy” on the airwaves playing everything from Spike Jones to Frank Zappa for over five decades. He is responsible for introducing the world to the Dr. Demento Show’s #1 most requested song of all time, “Fish Heads”, and launching the career of “Weird Al” Yankovic. Throughout the years, the world-famous Doctor’s influence on pop culture has earned him induction into the National Radio Hall of Fame, an hour long Anniversary special on Comedy Central, featured guest appearances on Late Night with David Letterman, Larry King Live, and countless others including The Simpsons.

(12) A BIGGER SLICE OF THE CHEESE, PLEASE. “Disney Animation Production Management Workers Ratify First Union Contract” reports Animation Magazine.

After two years of determined effort, the production management workers at Walt Disney Animation Studios (WDAS) have officially ratified their first union contract with the studio, The Animation Guild announced today. This landmark agreement comes after an intense organizing effort that saw a supermajority of production workers vote to unionize in February 2023, a move that was initially met with resistance from studio leadership.

The organizing effort proceeded to a National Labor Relations Board (NLRB) hearing, culminating in a decisive ruling on September 27, 2023. The ruling affirmed the eligibility of full-time production coordinators, production supervisors and production managers to unionize with the International Alliance of Theatrical Stage Employees (IATSE) and The Animation Guild, IATSE Local 839 (TAG).

“It’s been an uphill journey, but at long last, we’ve reached the mountaintop. We are standing in our breakthrough — stronger, bolder, and united,” says production coordinator Tamara Lee….

(13) DOOM WITHOUT END, AMEN. The Guardian’s Stuart Jeffries adds to our amusement in “A Brief History of the End of the F*cking World by Tom Phillips review – apocalypse not”.

…The serious purpose of Phillips’s jolly doomscroll through the apocalyptic sex cults, pandemics, nuclear armageddons, rapture-fetishising fruitloops, numerologically obsessed nincompoops, swivel-eyed preppers waiting out zombie apocalypses in their Utah silos, not to mention the Bible’s (spoiler alert!) troubling last act, is to work out quite why, after so many failed prophesies, doom-mongery still thrives….

(14) SPACEX “STARSHIP” #GOBOOMFALLDOWN…AGAIN. [Item by Mike Kennedy.] “SpaceX’s Starship explodes in space, which Musk calls a ‘minor setback’” – Reuters has details.

SpaceX’s massive Starship spacecraft exploded in space on Thursday minutes after lifting off from Texas, prompting the FAA to halt air traffic in parts of Florida, in the second straight failure this year for Elon Musk’s Mars rocket program.

Several videos on social media showed fiery debris streaking through the dusk skies near south Florida and the Bahamas after Starship broke up in space shortly after it began to spin uncontrollably with its engines cut off, a SpaceX live stream of the mission showed.

The failure of the eighth Starship test comes just over a month after the seventh also ended in an explosive failure. The back-to-back mishaps occurred in early mission phases that SpaceX has easily surpassed previously, a setback for a program Musk had sought to speed up this year….

… The Federal Aviation Administration briefly issued ground stops at the Miami, Fort Lauderdale, Palm Beach and Orlando airports because of “space launch debris.” It said it had opened a mishap investigation into the incident…

(15) VIDEO OF THE DAY. Ryan George smuggles us inside “The Gorge Pitch Meeting”.

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Dan’l.]

Pixel Scroll 1/31/25 I Will Not Be Pixeled, Scrolled Or Filed

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(1) GAIMAN CLICKBAIT. I clicked, so you don’t have to. Despite the Variety headline – “Neil Gaiman’s The Sandman Canceled at Netflix After Season 2, Allegations” – the showrunner says Season 2 was intended to be the series’ last, and it’s apparently still going to air, so what about that is a “cancellation”?

Netflix’s adaptation of Neil Gaiman‘s “The Sandman” will end with its upcoming second season.

“The Sandman” Season 2 has been a long time coming. The first season debuted in August 2022, and it wasn’t renewed at Netflix until November of that year. At that time, Netflix was also hesitant to label it as a second season at all, choosing instead to say it was “a continuation of ‘The Sandman’ world,” and wouldn’t commit to an episode count. Variety has confirmed the second season was intended to be the last prior to filming.

“‘The Sandman’ series has always been focused exclusively on Dream’s story, and back in 2022, when we looked at the remaining Dream material from the comics, we knew we only had enough story for one more season,” “The Sandman” showrunner Allan Heinberg said in a statement to Variety Friday. “We are extremely grateful to Netflix for bringing the team all back together and giving us the time and resources to make a faithful adaptation in a way that we hope will surprise and delight the comics’ loyal readers as well as fans of our show.”…

(2) COURTHOUSE KRYPTONITE. “Warner Bros. Sued Over International Superman Rights” – The Hollywood Reporter briefs the case.

Warner Bros. Discovery has been sued over the rights to Superman in a lawsuit seeking to block the release of the studio’s tentpole film in several countries ahead of its July debut.

The estate of Joseph Shuster, the co-creator of Superman, alleges that WBD lost its international rights to the character and story years ago but continued to exploit them without its permission or compensation. In a complaint filed in New York federal court on Friday, it seeks a share of profits from all works attributable to the alleged copyright infringement — including Zack Snyder’s Justice League, Black Adam and Shazam! — in key countries such as Canada, the U.K. and Australia.

The legal action marks a potential hitch in WBD’s rollout of Superman, which arrives July 11 as the first solo movie for the character in more than a decade since Man of Steel. …

DC’s ownership of Superman dates back to 1938, when writer Jerome Siegal and Shuster, a graphic artist, sold their rights to the character and story for $130. The hero’s first appearance under DC’s banner was in Action Comics No. 1, which detailed his backstory, secret identity as newspaper reporter Clark Kent, and powers of super strength and speed (his first time flying came in 1943 in Action Comics No. 65).

Since then, it’s frequently been the target of litigation, starting in 1947 when the duo sued to invalidate DC’s ownership of the rights to Superman. The case settled, with a $94,000 payout to Shuster and Siegel to resolve the case.

Under U.S. copyright law, Shuster would typically be able to reclaim his domestic rights to Superman under a provision in intellectual property law that allows authors to claw back ownership of their works after a certain period of time. But his sister and brother reached a deal with DC in 1992 that terminated that right in exchange for $25,000 per year. A federal appeals court later upheld that determination.

This time, Shuster’s estate looks to take advantage of U.K. copyright law, which automatically terminates copyright assignments 25 years after an author’s death. By its thinking, it reclaimed the rights to Superman in 2017 since the graphic artist died in 1992.

Also at play: the possibility that Shuster’s sister didn’t have the authority to bind the estate to the agreement that purportedly surrendered its right to terminate DC’s ownership of Superman. In that case, the court stated that the issue is a “complex one” and punted on deciding it.

The lawsuit claims infringement of copyright laws in the U.K. Australia, Canada and Ireland….

(3) SCUTTLEBUTT. “Disney’s Star Wars hotel jumps from deep space to office space” – The Verge explains what that means.

Disney’s extraordinarily expensive Star Wars hotel isn’t coming back. The building that housed the Galactic Starcruiser is being converted into office space, scuppering hopes that it could be reborn or repurposed into a new interactive attraction.

The Wrap reports that the hotel will be converted into an office for Walt Disney Imagineering, the creative arm of the company responsible for its theme parks, retail, and cruise ships. The team located there will reportedly work on upcoming expansions for Florida’s Walt Disney World resort, including a Latin American section of the Animal Kingdom and a Monsters Inc. area within Hollywood Studios.

Galactic Starcruiser was an immersive hotel experience set in the Star Wars universe, where the minimum stay cost $4,800 for two people over two nights. It opened in March 2022 but ran for just a year and a half, shutting in September 2023. It returned to headlines in May 2024 when YouTuber and theme park superfan Jenny Nicholson’s four-hour video on its “spectacular failure” went viral, amassing 11 million views…

(4) IT’S PEOPLE! Inverse reviews Companion: “The Wildest Sci-Fi Thriller Of The Year Flips The Killer Robot Movie On Its Head”. BEWARE SPOILERS.

It’s a tale as old as time: boy meets girl, boy falls in love with girl, girl turns out to be a killer robot. Except Companion isn’t exactly the typical take on the classic sci-fi horror story. Instead, Drew Hancock’s cleverly constructed sci-fi horror movie is a fun takedown of the AI cautionary tale we know so well. And in the process, it may have given us the most sneakily feminist social horror movie this side of Gone Girl….

…The reason it all works, aside from Hancock’s admirably deft script, is because of Sophie Thatcher’s wonderfully malleable performance as Iris. Right off the bat, we sense that something is off with Iris — she’s a little too demure, a little too smiley, a little too doe-eyed. However, Thatcher seeds in tiny human quirks that spark some recognition for us: the way her mouth twitches uncomfortably when Josh’s friend Kat (Megan Suri) treats her with contempt, the way she glances down sadly when Josh brushes her off, and, of course, the way she would do anything to survive. By the time Companion drops its robot reveal (which again, happens very early on), we’re already primed to root for Iris, even as she starts to accumulate quite the body count….

(5) AFROFUTURIST SHORT FICTION. The Black Fantastic: 20 Afrofuturist Stories edited by andré m. carrington will be released in bookstores on February 4, and is available immediately from Library of America.

Inspired by Afrofuturist pioneers like Octavia E. Butler and Samuel R. Delany, a new generation of Black writers is fashioning a renaissance in speculative fiction. Edited and introduced by SF expert andré m. carrington, The Black Fantastic brings together Hugo, Locus, Nebula, Bram Stoker, Tiptree/Otherwise, and World Fantasy Award winners with emerging voices to showcase this watershed moment in American literature.

Here are twenty beguiling, unsettling, and visionary stories spanning the cosmos and a dazzling array of alternate timelines. Phenderson Djèlí Clark and Alaya Dawn Johnson stare down the specters of history in their haunting fictions, set, respectively, on a Founding Father’s brutal plantation and in the vampire-built internment camps of a dystopian Hawai‘i. Violet Allen’s would-be superhero stories turn to searing metafiction when her main character is repeatedly shot and killed by the police. Nana Kwame Adjei-Brenyah and Rion Amilcar Scott explore otherworldly forces at play in a small-town barbershop and in a young writer’s ambitions, while Victor LaValle tells the story of a man living on the streets of New York City, his bag of deposit bottles and cans bearing urgent messages from another dimension.

Other stories are by turns comic, provocative, and terrifying: Thaddeus Howze delivers a crowd-pleasing tall tale about a battle with aliens over the fate of Earth, by way of an epic baseball game; Maurice Broaddus spins a coming-of-age fantasy about an American girl in a utopian future Africa; Craig Laurance Gidney offers a Lovecraftian tour of the ballroom drag scene; Tara Campbell weaves a spell of ecofeminist horror; and much more.

Reimagining the past and laying claim to the future, these writers are bringing forth kaleidoscopic new visions of Black identity and creative freedom.

(6) POWER COUPLE. At One Geek’s Mind, John Grayshaw puts a spotlight on Edmond Hamilton and Leigh Brackett with the help of a Luna Monthly interview from 1975: “Interview about Edmond Hamilton and Leigh Brackett”. (The well-known sff writers wed in the 1940s; Ray Bradbury was Hamilton’s best man.) The interview touches on many different fandoms: classic movies, Star Wars, sff books, and comic books. As well as what it was like for female writers in the Forties. 

Wesley Grubb: Edmond Hamilton is one of those bridge-authors, who began writing before the “Golden Age” and continued to write into the “New Wave” era. How well did his writing develop, and how well did his stories mature, from his early career compared to his later career in the 50s and 60s? 

In a 1975 interview with Luna Monthly, Hamilton talked about how quickly he was writing stories back in the pulp era. He said:

“How do I feel about the rapid, high-production way we oldtime pulp writers employed in our work? I can’t speak for others, but for me it was the best way in the world to work. I might have been a more polished writer had I worked in more leisurely fashion, but I might too have been the centipede who didn’t know which leg to lift first.

One of the most ghastly stories I ever wrote was “Outside the Universe,” a wild tale of three galaxies at war. I wrote that in 1928, over 50,000 words of it first draft. I used a very small portable typewriter on a big, flat-top inherited desk. In writing those hectic space-battles, my hard pounding made the little typewriter creep all over the desk, and I would stand up and follow it in my burning enthusiasm.”

(7) THEY CAME FROM MILES AROUND. “Rebecca Yarros’s ‘Onyx Storm’ Is the Fastest-Selling Adult Novel in 20 Years” – the New York Times covers a personal appearance by the author, with quotes and comments by several of the fans on hand. (Link bypasses the paywall.)

….When Yarros became a fixture on the best-seller list, with the release of “Fourth Wing,” she had already published around 20 contemporary romance novels. But sales from book to book were largely stagnant, and she struggled with a chronic illness, Ehlers-Danlos syndrome, a genetic connective tissue disorder.

Her illness, though debilitating at times, inspired her to write “Fourth Wing,” she said. Yarros grew up loving fantasy, but had never read a fantastical novel with a protagonist who had physical limitations like she did. She decided to write about a young woman named Violet, who enrolls in an elite military academy for dragon riders, and is determined to succeed despite a chronic illness that makes her weak and physically frail….

…Fans’ fervor was palpable at the event, which was held in a huge auditorium in St. Paul. Many in the crowd were dressed up in sweatshirts, T-shirts and hats that said “Basgiath War College,” the military academy of the series. Some were fully decked out in costume, dressed as Violet, in leather body armor, or as dragons….

…At the start of the event, Yarros was introduced by the romance writer Abby Jimenez, who noted that the Empyrean series had taken over the top three slots on the New York Times best-seller list.

Yarros uttered an expletive to express her surprise and gratitude. “Thank you,” she said to the crowd. “You guys did that.”

(8) GRUMPY BUT NOT DOPEY. The star of this event is rather less thrilled to be there than the celeb in the previous item. “Grumpy Harrison Ford, a mystery asterisk and AI gone wild: everything from Disney’s new slate presentation” in the Guardian.

There are moments in life when you expect to be confronted by greatness: hearing a live orchestra swell into the opening notes of John Williams’ Star Wars theme; standing at the edge of the Scottish Highlands; watching a dog somehow open a fridge and retrieve a beer for its owner. And then there are moments when greatness sneaks up on you in the form of an 82-year-old Hollywood legend, materialising like a grumpy mirage, one metre from your face, during what you thought was a routine Disney presentation of new movies and TV shows.

Harrison Ford is not a man one simply stumbles upon. He is a force of nature, a living relic of an era when leading men didn’t have to spend six months on a chicken-and-rice diet before taking their shirts off. And yet, here he is, looking suitably nonplussed with the entire concept of being on a stage, fielding questions alongside his Captain America: Brave New World co-stars in an impromptu Q&A with all the enthusiasm of a guy who somehow finds himself trapped in the world’s most boring hostage video….

…The assembled audience is also treated to an exclusive clip of the new film, out 14 February, in which we already know Ford will end up transforming into the Red Hulk. It’s an action-packed set piece in which Wilson (Anthony Mackie) infiltrates an enemy base, and showcases the new winged Captain America suit, which we’re told was given to Sam by those helpful Wakandans. . Marvel has always been a franchise built on increasingly wobbly physics, but even the most generous audience might struggle to believe that a bloke with no serum and no billionaire gadgets could stand toe-to-toe with a bad guy whose brain is so large it requires its own postcode….

(9) JOHN ERWIN (1936-2025). “John Erwin Dead: ‘He-Man,’ ‘Archie’ Voice Actor Was 88” – The Hollywood Reporter summarizes his career —

John Erwin, the reclusive actor who provided the voices for the heroic title character in He-Man and the Masters of the Universe and the vain frenemy Reggie Mantle in a series of Archie cartoons, has died. He was 88.

Erwin died of natural causes “around Dec. 20” in his home in Camarillo, California, his reps at the PR firm Celebworx announced.

For nearly a decade starting in 1969, Erwin was heard in dozens of TV commercials as the snarky Morris the Cat, the finicky orange tabby who would eat nothing but the 9Lives brand of cat food. The hugely successful campaign was created by the Leo Burnett advertising firm.

…For Filmmation, Erwin voiced the blond, muscular He-Man (and his alter ego, Prince Adam) on He-Man and the Masters of the Universe from 1983-85 and on She-Ra: Princess of Power from 1985-87. He also played the villain Beast Man and other secondary characters on the syndicated shows that were based on a line of Mattel toys….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Roger Zelazny’s This Immortal

Fifty-nine years at Tricon where Isaac Asimov was Toastmaster, Roger Zelazny’s This Immortal won the Hugo for Best Novel in a tie with Frank Herbert’s Dune. 

It was first published as “…And Call Me Conrad” in The Magazine of Fantasy and Science Fiction in October and November 1965, then as This Immortal in 1966 by Ace Books, and in 1967 by UK publisher Hart-Davis in hardcover. 

So it was only in the magazine that it had that title? So why the name change? Marketing having one of their not so genius ideas? 

Algis Budrys in Galaxy Bookshelf was fond of this novel saying it was “an extremely interesting and undeniably important book” with “a story of adventures and perils that is utterly charming and optimistic.”

(11) COMICS SECTION.

(12) COPYRIGHT OFFICE RELEASES ANOTHER PAPER ON AI. “New Government Report Addresses ‘Copyrightability’ of AI Works” – Publishers Weekly gives a quick rundown. (Download the full report here.) 

The U.S. Copyright Office has released the second installment of what is envisioned as a three-part report on copyright and artificial intelligence. The most recent release addresses the issue of “copyrightability of outputs generated by AI systems.” Its recommendations are based on the comments the Copyright Office received after it posted a Notice of Inquiry in August 2023 seeking public input on the full range of copyright issues raised by AI.

Based on an analysis of copyright law and policy and comments from the public, the Copyright Office made the following conclusions and recommendations:

  • Questions of copyrightability and AI can be resolved pursuant to existing law, without the need for legislative change.
  • The use of AI tools to assist rather than stand in for human creativity does not affect the availability of copyright protection for the output
  • Copyright protects the original expression in a work created by a human author, even if the work also includes AI-generated material
  • Copyright does not extend to purely AI-generated material, or material where there is insufficient human control over the expressive elements
  • Whether human contributions to AI-generated outputs are sufficient to constitute authorship must be analyzed on a case-by-case basis
  • Based on the functioning of current generally available technology, prompts do not alone provide sufficient control
  • Human authors are entitled to copyright in their works of authorship that are perceptible in AI-generated outputs, as well as the creative selection, coordination, or arrangement of material in the outputs, or creative modifications of the outputs
  • The case has not been made for additional copyright or sui generis protection for AI generated content

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch on pepper chicken masala with Larry Hama” in Episode 246 of the Eating the Fantastic podcast.

I’ve known writer/editor/artist Larry Hama for at least half a century now, but his career started long before that, when he sold his first cartoon to Castle of Frankenstein magazine in 1966. He’s probably best known as a writer and editor for Marvel Comics, where he wrote the licensed comic book series G.I. Joe: A Real American Hero, based on the Hasbro toy line, writing nearly every issue of the book’s 13-year run.

Larry Hama

He’s also written for the series Wolverine, Nth Man: The Ultimate Ninja, and Elektra. He worked as an editor at both DC and Marvel, and at the latter edited the humor magazine Crazy, as well as Conan, The ‘Nam, and Peter Porker, The Spectacular Spider-Ham. He co-created the character Bucky O’Hare, who not only appeared in comic books, but as a television cartoon. Last year, he was inducted into the Harvey Awards Hall of Fame.

We discussed how cataract surgery changes the way an artist perceives the page, what really happened at a mid-’70s penthouse comic book party, Bernie Krigstein’s anger at being asked questions about comics, why Wally Wood felt it was so important for his assistants to learn how to letter, what it was like being part of the famed Crusty Bunkers inking collective, why getting to edit Crazy was the fulfillment of a lifelong dream,  which Marvel Comics Bullpenner was the visual inspiration for Obnoxio the Clown, why getting his freelancers to hit their deadlines was never a hassle, the editing advice Archie Goodwin gave him early on, the real reason he needed to create that famous silent issue of G. I. Joe, the differing zeitgeists of Marvel vs. DC during the ’70s, his approach to taking over the editing of legacy characters, our joint confusion over memes of previous generations, and much more.

(14) TODAY’S THING TO NOT WORRY ABOUT? “Asteroid 2024 YR4 Could Strike Earth, Researchers Say, But the Odds are Small” in the New York Times (bypasses paywall).

You may hear about a large asteroid headed toward Earth. Don’t panic.

Just after Christmas Day, astronomers spotted something zipping away from Earth: a rock somewhere between 130 feet and 330 feet long that they named 2024 YR4. Over the next few weeks, they simulated its possible future orbits. They now say, based on the most up-to-date information, that there is a 1.3 percent chance that this asteroid will strike somewhere on Earth on Dec. 22, 2032.

Should this keep you up at night?

“No, absolutely not,” said David Rankin, a comet and asteroid spotter at the University of Arizona.

The object’s current odds of striking Earth may sound scary — and it’s fair to say that an asteroid in this size range has the potential to cause harm. Should it strike a city, the damage would not cause anything close to a mass extinction, but the damage to the city itself would be catastrophic.

But a 1.3 percent chance of a hit is also a 98.7 percent chance of a miss. “It’s not a number you want to ignore, but it’s not a number you need to lose sleep over,” Mr. Rankin said….

(15) A LONG WAY FROM THE BEACH. [Item by Mike Kennedy.] The roads must roll. Or the sand must flow, anyway. Meet the Dune Express, the second-longest conveyor belt in the world. At 42 miles in length, it’s built to take the place of trucks in moving sand from a quarry to an oil field where it’s used in fracking.

The Dune Express is the Texas-sized, if risky, baby of Atlas Energy Solutions. And, yes, the company is named after that book. “The World’s Second-Longest Conveyor Belt Comes to West Texas” in Texas Monthly.

I rapped my knuckles on the galvanized aluminum exterior to make sure it wasn’t some sort of desert mirage. It was solid: $400 million worth of concrete, electronics, and steel assembled to rotate a thick rubber belt along roughly 66,000 metal rollers. Something on the order of 13 million tons of sand can be carried the entire length of the machine—42 miles—each year. If all of that were used to build sandcastles, you could have a couple of dozen the size of Buckingham Palace, with more than enough left over for a Taj Mahal.

But this sand isn’t for beachside amusement. It’s for fracking. When drillers crack open subterranean rock in the Permian Basin to allow oil to flow out, sand rides alongside the injected fluid to prevent the spider’s web of new fractures from closing up again. Each grain of sand functions like a tiny support beam in a minuscule mine shaft. Fracking a single well can consume more than four hundred truckloads of sand…

(16) ELIXIR OF YOUTH. [Item by SF Concatenation’s Jonathan Cowie.] They say change is good, but I am totally with Sheldon Cooper in that it rarely is… And now we have under-reported news that could really shake things up for the planet…!

One of science’s greatest successes/failures is that the technology it spawns has benefited humanity so well that our global population has soared from a billion in 1804 to two billion in 1927 to 8 billion in 2024!  The resulting pollution, the loss of wildlife habitat to agriculture, is disrupting the Earth system…  And if that was not bad enough, now comes news that we may soon have a drug that can significantly (by a decade) extend human life spans….!

Yes, you read that correctly: ‘life extension’!  Our planet’s population could soar? Inequality could increase? 

The news was reported in this week’s issue of Nature. It seems that injecting old mice with an RNA molecule seems to reverse some signs of ageing – helping them to live longer, regrow hair and maintain their physical and mental abilities.

They used mice aged between 20 and 25 months, which is akin to between about 60 and 70 in human years. They went on to live for about 4.5 months longer, on average. They regrew hair that had become sparse, maintained a higher body weight, could stay balanced on a rotating rod for longer and had better grip strength for their weight

Now, don’t get too excited/worried just yet as the mouse may not be a good model for humans when it comes to RNA treatment, however this is still something of a breakthrough…

Primary research here.   

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John Grayshaw, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/18/25 “All These Pixels Are Just For Us” Said Tom Clickishly

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(1) CLOCK NOT RUNNING OUT ON TIKTOK? Yesterday’s Deadline’s article “Supreme Court Upholds Law Banning TikTok In U.S.” initially reported —

…the U.S. Supreme Court on Friday upheld a lower court ruling that the app owned by China’s ByteDance must sell itself or be banned in the U.S. on January 19 due to national security concerns….

…Read the Supreme Court’s full TikTok opinion here….

…The ban would take effect under a new bipartisan law, the Protecting Americans from Foreign Controlled Applications Act, signed by President Joe Biden last year….

However, the incoming President said he will probably delay the ban: “Trump says he will ‘most likely’ give TikTok 90-day extension to avoid ban” at NBC News.

President-elect Donald Trump told NBC News’ “Meet the Press” moderator Kristen Welker in a phone interview Saturday that he will “most likely” give TikTok a 90-day reprieve from a potential ban in the U.S. after he takes office Monday….

And Deadline subsequently added this update to its article:

TikTok’s CEO has responded to a Supreme Court ruling today that paves the way for the app to be banned on Sunday, thanking the incoming president. “On behalf of everyone at TikTok and all our users across the country, I want to thank President Trump for his commitment to work with us to find a solution that keeps TikTok available in the United States,” said chief executive Shou Chew in a video posted to the platform.

“We are grateful and pleased to have the support of a president who truly understands our platform, one who has used TikTok to express his own thoughts and perspectives, connecting with the world and generating more than 60 billion views of his content in the process,” he said. “As you know, we have been fighting to protect the constitutional right of free speech for the more than 170 million Americans who use our platform every day to connect, create, discover and achieve their dreams.”

(2) WHY WE FIGHT. CrimeReads’ fascinating analysis of “Pride and Prejudice and Nazis: On Aldous Huxley’s Wild Wartime Jane Austen Adaptation” teases out its threads of pre-WWII propaganda.

…But underneath its thick, saccharine coating; the film is something else: a contrived, convoluted morsel of political propaganda. Filmed by on American soil by Metro Goldwyn Mayer, this British adaptation shot directly after the French surrender to the Nazis, released during the Battle of Britain, and co-screenwritten by depressed British idealist Aldous Huxley, managed to transform that famous English book Pride and Prejudice into a partisan plug relying on Depression-era escapism, thematic idealization of a nationalistic Anglocentric tradition, the depiction of highly distracting romantic merriment, and a reassuringly happy ending to prepare and energize Americans for the inevitable: the United States’ joining the Allied Forces overseas to fight in World War II….

…Austen, Jerome, and Huxley place the same emphasis on class, however, in that all three versions have the same classless ending—Jane and Mr. Bingley marry, and Elizabeth and Mr. Darcy marry, despite their class and financial differences.  The concept of any Pride and Prejudice adaptation is that is possible to climb up a social ladder, because everyone is equal—or rather, everyone has the ability to be equal. Most of the characters belong in many social circles, and it is possible to find love or friendship somewhere else.  Perhaps this is the dominant reason why Huxley chose the Pride and Prejudice story for his anti-war-but-if-you-have-to-fight-then-fight-with-these-guys-esque opus instead of another classical novel (after all, many of other elements of the film Pride and Prejudice that make it jingoistic lie in plot alterations, or aesthetics —changes that could applied to any other story in the adaptation process): Pride and Prejudice is, at its core, a story about good, smart everyday people who make mistakes but learn their lessons just as much as it is a story about how important it is not to form judgments. Huxley nearly abuses this tone by exaggerating it in his own, though; any shred of mystery about the moral of the story is completely detonated throughout.  For example, in the film, Mr. Darcy comforts Elizabeth after Caroline Bingley insults her.  Elizabeth is shocked, and informs him, “At this moment, it’s difficult to believe that you are so proud.”  Mr. Darcy smiles vainly and answers back, “at this moment, it’s difficult to believe that you are so prejudiced.” Huxley spells out the main paradox of the story, killing the main thematic mystery – the only thing left for the audience to wonder is how they can get shipped off to fun, idyllic England.  Austen’s tone is inclusive, it’s happy, it’s insightful, and it’s open-minded—so now it fights fascism.

Of course, the aesthetics of the film Pride and Prejudice hide these anti-Nazi sentiments under tons and tons of poofy dresses and behind maypoles. For example, in the script, Huxley and Murfin manage to turn the extravagant Netherfield Ball into a garden party, which the film then turns into a frothy visual circus—where everything appears to be made out of cotton candy and wishes….

(3) LIU CIXIN MUSEUM. “Museum dedicated to sci-fi writer opens” from Chinadaily.com in October 2024.

China launched its first literary museum dedicated to Liu Cixin, a renowned science fiction writer and Hugo Award winning novelist, in Yangquan, Shanxi province, on Sunday.

While accepting the nation’s honor and unveiling the Liu Cixin Sci-fi Museum, Liu, author of the acclaimed sci-fi novel trilogy The Three-Body Problem who grew up in Yangquan, said that he hopes the museum can help the general public gain a better understanding of the sci-fi literature and develop an interest in the genre.

Located at a cultural park, the 700-square-meter museum educates visitors about Liu’s growth, his books and awards, and cultural and creative products derived from his works. Immersive projectors also create an atmosphere mimicking interstellar voyages described in Liu’s novels….

… Yan Jingming, vice-president of the China Writers Association, said that the establishment of the museum is not only an homage to Liu and his works but also serves as a beacon for China’s sci-fi writers and fans.

He said he hopes it will bring like-minded sci-fi novelists together and spark more inspiration and works.

The launch was part of a weeklong sci-fi promotional event in Yangquan that also included a symposium on sci-fi literature and real-world productivity, where Liu shared his thoughts on potential immigration to Mars.

“I would love to go to Mars if it were a round trip,” Liu said, explaining that a one-way journey would not suit him as he had work to do and family members to be with on Earth….

(4) WHAT’S THAT SMELL? Neil Baker returns with more horrible dino movies in “Prehistrionics, Part III” at Black Gate.

We’re off on another adventure filled to the brim with disappointment. 20 films I’ve never seen before, all free to stream, all dinosaur-based.

First on his list, last in his heart:

The Jurassic Dead (2017) Tubi

Just how bad is the CG? Rubbish.

Sexy scientist? Nope.

Mumbo jumbo? Reanimation, dinosaurs, zombies, asteroids.

Just in case you thought I might try to start the year on a high note, might I present this tripe. The premise is simple: a Herbert West type (complete with glowing green reanimating fluid and dead cat) loses his job and decides to destroy the world. Somehow he has a T-Rex, which he zombifies, and then he turns into Immortan Joe and sets off an EMP just as asteroids wipe out some cities. A crack, sorry crap, team of commandos based on 80s action figures must team up with a group of hugely unlikeable civilians to survive.

Everything ends in nuclear devastation. Effects-wise, the dinosaur is a cute, Walking with Dinosaurs puppet, but everything else is shockingly awful green screen composites. Just terrible.

3/10

(5) GAIMAN: ART AND ARTIST. NPR’s popular culture commentator Glen Weldon speaks as “One longtime Neil Gaiman fan on where we go from here”.

…While we don’t know whether these disturbing allegations are true, learning of them naturally leads to a deeply personal, complicated question: How do we deal with allegations about artists whose work we admire — even revere?

I should note: It’s a complicated question for most of us. It’s not remotely complicated for those who rush to social media to declare that they never truly liked the creator’s work in the first place, or that they always suspected them, or that the only possible response for absolutely everyone is to rid themselves of the now-poisoned art that, before learning of the allegations against the creator, they loved so dearly.

Nor is it complicated for those who will insist that a creator’s personal life has no bearing on how we choose to respond to their work, and that the history of art is a grim, unremitting litany of monstrous individuals who created works of enduring, inviolate beauty.

Most of us, however, will find ourselves mired in the hand-wringing of the in-between. We’ll make individual, case-by-case choices, we’ll cherry-pick from the art, we’ll envision ourselves, in years ahead, sampling lightly from the salad bar of the artist’s collected works, and feeling a little lousy about it.

Here’s my personal approach, whenever allegations come out about an artist whose work is important to me: I see the moment I learned of them as an inflection point. From that very instant, it’s on me.The knowledge of the allegations will color their past works, when and if I choose to revisit them in the future. It won’t change how those works affected me back then, and there’s no point in pretending it will. But my newfound understanding of the claims can and will change how those works affect me today, and tomorrow.

To put that in practical perspective: If I own any physical media of their past work, I feel free to revisit it, while leaving plenty of room for the new allegations to color my impressions. But as for any future work — that’s a door I’m only too willing to shut….

(6) HINT: IT’S ZELAZNY. Grammaticus Books asks is he “The MOST DISRESPECTED Science Fiction author of ALL TIME ???” How could you not click on that?

An indepth analysis of the works of science fiction and fantasy author Roger Zelazny. With a focus on his lack of recognition as one of the greats of the SF field. Worthy of mention alongside Robert A. Heinlein, Isaac Asimov, Arthur C. Clarke, and Frank Herbert.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 18, 1953 — Pamela Dean, 72.

By Paul Weimer: One of the legends of Minneapolis fantasy writing, Pamela Dean’s work first came to my attention in the same season that also brought such novels as War for the Oaks to my attention. From my perch in New York, work by people like Bull and Dean and Brust (among others) enlightened me to the fact that the Twin Cities was a hotbed of fantasy and science fiction writing. 

I started reading her with her classic Tam Lin, which I picked up not long after the aforementioned Bull novel. (I was on a kick to read novels set in Minnesota at that point, you seem, especially by this community).  It’s an excellent adaptation and exploration of the Scottish-English story. You know the one. Young man taken by a Queen or noble of Faerie, and the titular Tam Lin must thus be rescued by the love of his life, Janet. You can see the appeal, it is an empowering fantasy that puts a woman in a forward, protagonist position. Since the original reels and songs, it’s been adapted many times by many authors. Dean’s version has the story take place, predictably in Minnesota, setting it at Blackrock College. 

But it is the Secret Country trilogy that I think of as her best work, or at any rate my favorite. It’s a conceit that was not new to her, as far as I am aware, it dates back to Joel Rosenberg’s Guardians of the Flame series: the idea that a group of people, playing a game with and imagining a fantasy world, find themselves transported into the realm of the very game that they thought was fiction. The idea is the same, but the Secret country is on the brink of war, there’s a dragon afoot, and so there is far more urgency and threat to the realm than wandering about as in Rosenberg’s series. It is one of the classic portal fantasies into a realm you think you already known. 

I’ve gotten to meet Pamela Dean many times at local cons. She might even be able to pick me out of a line up. Happy birthday, Pamela!

Pamela Dean

(8) MEMORY LANE

[Written by Cat Eldridge.]

Six Million Dollar Man (1973)

Fifty-two years ago, The Six Million Dollar Man premiered on ABC. It was based on Martin Caidin’s Cyborg. Executive Producer was Harve Bennett, who you will recognize from the Star Trek films. It was produced by Kenneth Johnson who would later do The Bionic Woman spin-off and the Alien Nation film. 

Its primary cast was Lee Majors,  Richard Anderson and Martin E. Brooks. Majors had a successful second series shortly after this series was cancelled, The Fall Guy, about heart-of-gold bounty hunters. The Six Million Dollar Man would run for five seasons consisting of ninety-nine episodes and five films. The Fall Guy would run five seasons as well. 

Reception by media critics is generally positive. Phelim O’Neil of The Guardian says, “He was Superman, James Bond and Neil Armstrong all rolled into one, and $6M was an almost incomprehensibly large amount of money: how could anyone not watch this show?” And Rob Hunter of Film School Reviews states “The story lines run the gamut from semi-believable to outright ludicrous, but even at its most silly the show is an entertaining family friendly mix of drama, humor, action, and science fiction.”

It’s streaming on Peacock. 

(9) MEMORY LANE, TOO.

[Written by Cat Eldridge.]

The Demolished Man (1952)

Seventy-three years ago, Alfred Bester’s The Demolished Man was first published in three parts starting in the January 1952 issue of Galaxy Science Fiction. Although he had been writing short fiction since 1939, this was Bester’s first novel.

The novel is dedicated to Galaxy‘s editor, H. L. Gold, who made suggestions during its writing. 

Bester’s preferred title was Demolition! but Gold convinced him it was not a good one. Anyone know where the published title came from? Bester or Gold? 

The Demolished Man would be published in hardcover by Shasta Publishers the next year. Shasta Publishers was formed by a group of Chicago area fans in 1947.

Critics at the time really loved it. 

Anthony Boucher and J. Francis McComas in their Recommended Reading column for The Magazine of Science Fiction and Fantasy said it was “a taut, surrealistic melodrama [and] a masterful compounding of science and detective fiction.” And Groff Conklin in his Galaxy 5 Star Shelf column exclaimed that it is “a magnificent novel as fascinating a study of character as I have ever read.”

As you know The Demolished Man would win the first Hugo for Best Novel at PhilCon II. It was also nominated for the International Fantasy Award. 

(10) COMICS SECTION.

  • Off the Mark has a frightening brand name.
  • Pardon My Planet knows you could explain this vampire’s problem.
  • Tom Gauld’s editor is like Cosby’s refrigerator light – “How do it know?”

My cartoon for this week’s @theguardian.com books.

— Tom Gauld (@tomgauld.bsky.social) 2025-01-18T10:35:58.069Z

(11) YOU HAVE TO BE EITHER OH-SO-SMART, OR OH-SO-NICE. [Item by Mike Kennedy.] In a twist, the words coming from the Merc with a Mouth are just fine. It’s what Nicepool said that Justin Baldoni finds offensive. And has filed a lawsuit over. “How Deadpool Entered Justin Baldoni-Blake Lively Feud With Nicepool” at The Hollywood Reporter.

Half a century ago, a defining question of the Watergate scandal was, “What did the president know and when did he know it?” Today, a surprising question has emerged in the Blake Lively-Justin Baldoni legal saga: “What did Nicepool say, and when did he say it?”

On Tuesday, a letter from Baldoni attorney Bryan Freedman to Disney landed in the hands of the media. Freedman’s legal hold letter to Disney CEO Bob Iger and Marvel Studios boss Kevin Feige — in which he addressed them as “Bob” and “Kevin” — asked the studio to preserve any documents regarding Baldoni and the creation of Nicepool, a minor character in Deadpool & Wolverine that internet sleuths (and Freedman himself) say star-writer-producer Ryan Reynolds used to mock Baldoni….

… Freedman suggests work on Nicepool came as Reynolds’ wife, Lively, was in the midst of a contentious shoot with her It Ends With Us director-star Baldoni. She later filed a sexual harassment lawsuit against him, while on Thursday, Baldoni sued Reynolds, Lively and Lively’s publicist, Leslie Sloane.

So, how (and when) did Nicepool end up in the movie?

The character was developed before the rift between Lively and Baldoni, but sources tell THR that scenes involving Nicepool were shot late in the game following the November 2023 conclusion of the SAG-AFTRA strike.

“It was all added post-strike,” says one knowledgeable source of the shooting schedule, who says the scenes were filmed in the final days of principal photography, which wrapped up in January 2024. 

In other words, the scenes were shot during a high point of tension between Lively and Baldoni….

(12) WHAT WE DID IN THE SHADOWS. “U.S. Reveals Once-Secret Support for Ukraine’s Drone Industry” in the New York Times (behind a paywall).

The Biden administration declassified one last piece of information about how it has helped Ukraine: an account of its once-secret support for the country’s military drone industry.

U.S. officials said on Thursday that they had made big investments that helped Ukraine start and expand its production of drones as it battled Russia’s larger and better-equipped army.

Much of the U.S. assistance to the Ukrainian military, including billions of dollars in missiles, air defense systems, tanks, artillery and training, has been announced to the public. But other support has largely gone on in the shadows….

… Last fall, the Pentagon allocated $800 million to Ukraine’s drone production, which was used to purchase drone components and finance drone makers. When President Volodymyr Zelensky of Ukraine visited the White House in September, President Biden said another $1.5 billion would be directed to Ukraine’s drone industry.

American officials said on Thursday that they believe the investments have made Ukraine’s drones more effective and deadly. They noted that Ukraine’s sea drones had destroyed a quarter of Russia’s Black Sea fleet, and that drones deployed on the front lines had helped slow Russia’s advances in eastern Ukraine….

(13) STARSHIP TEMPORARILY SUSPENDED. “F.A.A. Temporarily Halts Launches of Musk’s Starship After Explosion” reports the New York Times. (Behind a paywall.)

The urgent radio calls by the air traffic controllers at the Federal Aviation Administration office in Puerto Rico started to go out on Thursday evening as a SpaceX test flight exploded and debris began to rain toward the Caribbean.

Flights near Puerto Rico needed to avoid passing through the area — or risk being hit by falling chunks of the Starship, the newest and biggest of Elon Musk’s rockets.

“Space vehicle mishap,” an air traffic controller said over the F.A.A. radio system, as onlookers on islands below and even in some planes flying nearby saw bright streaks of light as parts of the spacecraft tumbled toward the ocean.

Added a second air traffic controller: “We have reports of debris outside of the protected areas so we’re currently going to have to hold you in this airspace.”

The mishap — the Starship spacecraft blew up as it was still climbing into space — led the F.A.A. on Friday to suspend any additional liftoffs by SpaceX’s Starship, the largest and most powerful rocket ever built.

The incident raises new questions about both the safety of the rapidly increasing number of commercial space launches, or at least the air traffic disruption being caused by them….

(14) BIG BOY REMEMBERS DAVID LYNCH? For some reason there’s a David Lynch memorial at the Bob’s Big Boy in Burbank – Patton Oswalt posted photos. (Is there some reference involved? Maybe one of you can explain it to me.)

The marginal details of the David Lynch memorial at the Burbank Bob’s Big Boy are what make it.

— Patton Oswalt (@pattonoswalt.bsky.social) 2025-01-18T19:55:32.073Z

Just saw this one earlier.

— Sam Ebbets (@samebbets.bsky.social) 2025-01-18T21:34:55.074Z

Hold the phone – John King Tarpinian sent me the answer.

(15) VIDEO OF THE DAY. Retired Disney Imagineer Jim Shull tells how “Toy Story Land went from a one and done to a Disney- land built in four separate parks. How the toys were Imagineered is the subject in this episode of Disney Journey.” “Imagineering Toy Story Land”.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/15/25 Merry Pippins, Halfling Nanny For Hire

Posted on by
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(1) COSTS OF BOOK/JOURNAL PIRACY. “New Government Report Cites Ongoing Concern Over Pirate Sites” — Publishers Weekly counts the losses.

Several international websites that publishers argue continue to actively pirate copyrighted material were included on the U.S. Trade Representative’s frighteningly named Notorious Markets List (NML). NML is the centerpiece of the USTR’s annual Review of Notorious Markets for Counterfeiting and Piracy, the goal of which is to “motivate appropriate action by the private sector and governments to reduce piracy and counterfeiting.”

The 2024 report features a list of sites that are violating the copyrights of companies across a wide range of industries. Rather than try to document that monetary loss to American companies caused by these websites (though the report does cite a study which found that digital piracy cost the U.S. economy $29.2 billion in 2019), NLM reviews what actions, if any, companies have taken to stop their sites from engaging in piracy.

The two companies that drew the most attention from the Association of American Publishers are Library Genesis, commonly known as Libgen, and Sci-Hub. As part of a series of actions against Libgen, in 2023, textbook publishers filed a copyright infringement lawsuit against the company. Libgen, which is believed to operate from Russia and has been used by Meta to train its AI efforts, hosts 80 million science magazine articles, 2.4 million nonfiction books, 2.2 million fiction books, and 2 million comic strips. According to the report, Libgen sites are “subject to court orders in Belgium, Denmark, France, Germany, Italy, Portugal, Russia, Spain, Sweden, the United Kingdom, and the United States.”…

(2) FANTASTIC NEWS. Fantasy Magazine has officially returned, with a new publisher.

Co-Editors-in-Chief Arley Sorg and Shingai Njeri Kagunda will curate a wonderful selection of short fiction, flash fiction, poetry, and more in quarterly issues for publisher Psychopomp (known for Psychopomp.com, Psychopomp novellas, and of course, The Deadlands magazine, edited by E. Catherine Tobler)!

Kagunda and Sorg both bring engaging visions and eclectic, sharp sensibilities to the field, as well as a history of positive involvement in the genre community. Kagunda’s writing has earned her Ignyte and British Fantasy Award nominations, and her work as co-editor at PodCastle made her a two-time Hugo Award finalist. Sorg has received two community service awards, and his work as co-editor at Fantasy made him a three-time Locus Award finalist and a two-time World Fantasy Award finalist.

The first issue of Fantasy with Psychopomp is scheduled for June 2025 publication. Fantasy plans to open to submissions February 1 – 7. See submission guidelines at the link.

Subscribe to Fantasy Magazine via email for $5 per quarter. Use this link to subscribe. Psychopomp will publish Fantasy content on the Fantasy Magazine website after an exclusive to-subscribers period. Digital issues will also be available at their Grave Goods store and on WeightlessBooks.com.

For more information, see publisher Sean Markey’s blog post.

(3) THANKS FOR THE STAR WARS MEMORIES. Craig Miller will do a Q&A and signing in conjunction with a showing of Star Wars Episode IV: A New Hope at The Frida Cinema in Santa Ana on January 19 at 4:00 p.m. Address: 305 E. 4th St, STE 100, Santa Ana, CA 92701. Craig hears that a small number of droids will be present…

You’re invited to a special screening of the 1997 Special Edition of Star Wars Episode IV: A New Hope with special guest Craig Miller! Craig was director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks as well as being a producer for Lucasfilm Ltd. 

Craig will be appearing for an on-stage discussion about his experiences at Lucasfilm and his time during Star Wars! The discussion will be moderated by Scott Zilner. Craig will also be available to meet fans, and also be signing his book Star Wars Memories.

(4) SFWA ADDITIONS. The Science Fiction and Fantasy Association (SFWA) has announced a new office assistant, and that two past presidents of the organization are taking on new volunteer service roles.

Office Team: Misha Grifka Wander (he/they) joined operations this week.

You might recognize Misha as our Nebula Awards Commissioner. He is stepping down from that position after participating in a competitive round of hiring. Thank you to all the candidates who applied. Misha is a game designer, writer, artist, and academic from the American Midwest. He obtained his PhD in English from Ohio State University and has worked in nonprofits and office management. Misha will be joining our Interim Executive Director Russell Davis in the virtual office from 10:00 AM to 6:30 PM EST. Welcome, Misha!

Historian: Michael Capobianco will be stepping into the volunteer role of Historian. As Historian, Capobianco will be supporting the board and organization, providing historical perspective and guidance when needed.

Past President Advisor: Mary Robinette Kowal has been appointed Past President Advisor. 

(5) STOP THAT TRAIN(ING)! [Item by Steven French.] “British novelists criticise government over AI ‘theft’” reports the Guardian.

Kate Mosse and Richard Osman have hit back at Labour’s plan to give artificial intelligence companies broad freedoms to mine artistic works for data, saying it could destroy growth in creative fields and amount to theft.

The best-selling novellists spoke out after Keir Starmer a national drive to make the UK “one of the great AI superpowers” and endorsed a 50-point action planthat included changes to how technology firms can use copyrighted text and data to train their models….

(6) PERSONAL DEFINITIONS OF SPECPO. Seattle Worldcon 2025 poet laureate Brandon O’Brien has launched a department on the Worldcon’s website called “Con-Verse”. He picked a logical topic for his first post.

…What better place to start this blog, then, by trying to ask and answer the one question that comes up often from people outside the space: what is a “speculative” poem? But like most things in art, and poetry in particular, there are as many answers as there are poets and readers themselves. Hopefully, with enough of them we may notice some patterns of understanding, so I figured it was only right for you to hear from a multitude of expert voices on the matter. Here’s what some members of the Science Fiction and Fantasy Poetry Association (SFPA) had to say…

Read the quotes he compiled from 16 poets at the link.

(7) NYT NOTES DISNEY SUPPORT FOR FIRE-AFFECTED EMPLOYEES. The New York Times explains how “Hollywood’s Filmmaking Continues Despite L.A. Wildfires”.

…With thousands of homes destroyed, many of them in neighborhoods favored by producers, executives, agents and stars, and roughly 300,000 people under evacuation orders or warnings, little work got done at studio headquarters. Some studios closed entirely, and others encouraged employees to work remotely.

Consider the impact of the fires on Disney alone. As of Monday, 64 Disney employees had lost their homes and hundreds more had been evacuated, including Robert A. Iger, the chief executive, and three members of his senior leadership team.

Mr. Iger has been overseeing Disney’s relief effort from a hotel, approving $15 million for community services and rebuilding efforts, arranging for Disney employees who have lost their homes to receive two months of free furnished housing and opening Disney’s studio wardrobe warehouses to employees who need clothes and shoes. He has also been calling Disney employees who lost their homes.

“I want them to know that people at the top of the company are looking after them, that we care,” Mr. Iger said by phone on Monday. “We’re going to go through some really tough times here, but we’ll get through it together.”

Meanwhile, Disney’s movie assembly lines — like the rest of Hollywood’s — have been almost completely unaffected.

Disney has seen some flurries of ash on its Burbank lot, but no flames. Pixar and Lucasfilm, both owned by Disney, are based in Northern California.

Sony Pictures is in Culver City, far from any of the fires. Paramount Pictures and Netflix are in Hollywood, the neighborhood, which is 40 minutes by car from the two biggest fires. The sprawling Warner Bros. and Universal Pictures lots in the San Fernando Valley have been untouched.

For the most part, live-action movies are no longer shot in the Los Angeles region. It’s too expensive. Instead, movie production has moved to states like Georgia, New York, New Jersey and New Mexico and countries like Britain and Australia — all of which offer generous tax incentives.

Only two movies from major studios were affected by the fires. Filming was halted on “The Hand That Rocks the Cradle,” a 20th Century Studios remake of the 1992 thriller. The third “Avatar” movie, also from 20th Century, which Disney owns, briefly paused production, too….

(8) TODAY’S DAY. [Item by Daniel Dern.] According to The Kitchn’s article “National Bagel Day Deals 2025: What You Need to Know”:

The holiday was originally celebrated on February 9, which coincided with National Pizza Day…

Some bagelries and we-also-sell-bagellers have bagel freebies/deals, lists online or ask wherever you get your bagels.

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born January 15, 1935 — Robert Silverberg, 90.  

Editor’s note: Robert Silverberg is ninety years old today!  

By Paul Weimer: A legend of science fiction whose work I came to in an oblique way. 

In a short story, “Half-Baked Publisher’s Delight”, in a collection of “great short short stories”, I first came across the name Robert Silverberg. It was a weird little story where Isaac Asimov (a name I knew well at that point) and someone named Robert Silverberg, competed to be the most prolific SF author.  I had no idea who Silverberg was, but I was intrigued that the story had put him up against Asimov. Clearly, I needed to read his work.

Robert Silverberg. Photo by Allen Batson.

My first Silverberg was, as it so happens, the science fantasy Lord Valentine’s Castle. I thought it was a simple fantasy novel, but imagine my delight as, we follow the story of the titular Valentine and the troupe of entertainers he has joined with, that the narrative mixed science fiction elements, particularly the psionics, and the old Earth technology still on the planet. The novel is long and sprawling and concentrates heavily on the worldbuilding and the wandering across the landscape. Aside from the deceptively young Valentine, the other characters recede into the background somewhat to focus on the world presented. In other words, it was perfect for me as a teenaged reader. 

I would only later find out that it was slightly atypical, and that the interior life of Silverberg’s characters, his concentration on their inner lives and problems, and depth of their plights, is really the more typical Silverberg.  I admire and enjoy both sides of Silverberg’s writing. (Kingdoms of the Wall is much more like Majipoor in this regard, for instance, too, than his character-oriented novels and stories.)

I’ve read a lot of Silverberg, as you might tell, including novels, now and again, since. I enjoyed his work in the Heroes in Hell series. I enthused to his historical fiction turn in Gilgamesh. His variety of time travel stories, from Up the Line to the heartbreaking Sailing to Byzantium, have always enthralled me. Nightwings, taking place on a far future Earth, I first encountered in an incomplete graphic novel edition that inspired me to go and find the original and complete story. I meant to, but never found the Mouth of Truth in Rome, which features in the story.

I have a lot of favorite Silverberg stories.  If I had to go with one story, it is going to be a story I’ve mentioned before. “Enter a Soldier, Later, Enter Another”. It’s the story that starts his Timegate sequence of historical personages brought back as artificial intelligences, and it has the programmers have Francisco Pizarro encounter Socrates, to memorable and sometimes very funny results. The story shows Silverberg’s skill at dialogue, at character, and using history. 

If I had to go with one longer work, I am going to cheat again and not name one of his novels, and instead go with his Roma Eterna sequence. A series of short stories set in a world where the Roman Empire wound up in a dynastic cycle of rises and falls but never complete collapses, the stories in the collection explore a variety of themes of empire, of renewal and destruction, and lenses of looking at our own history by showing a funhouse version of it in his alternate historical path.

I’ve seen Mr. Silverberg at a couple of Worldcons…but have not actually exchanged any words with him.

(10) TODAY’S BIRTHDAY, TOO.

[Written by Paul Weimer.]

Born January 15, 1944 — Christopher Stasheff. (Died 2018.)

By Paul Weimer: Back in the 1990’s, Christopher Stasheff seemed to be everywhere in my fantasy and my science fantasy reading. I kept encountering his work again and again, and in a variety of contexts.  Trying to remember what was actually first is a murk of memory, because I seem to recall being bombarded with several different early Stasheff’s that I read.  

Her Majesty’s Wizard starts off as a portal fantasy. Matthew Mantrell, graduate student, finds a strange piece of paper in a copy of the sagas. He translates it, and it translates him to an alternative magical medieval Europe. He falls in love with the Princess he rescues, teams up with an unlikely set of companions, and has to face the dark lord Malingo.  Matt might know Shakespeare for his poetry based magic, but it might not be enough.   

Christopher Stasheff

The Enchanter Reborn and The Exotic Enchanter were compilations edited by Stasheff of additional stories of L Sprague De Camp’s Harold Shea, aka The Incompleat Enchanter. Stasheff not only was the co editor of the two volumes, but he also contributed stories to each volume. The quality of the stories vary according to the author but Stasheff’s entries “Sir Harold and the Hindu King” and “Sir Harold and the Monkey King” help expend Harold’s adventures beyond the usual Western Canon. 

Stasheff contributed to one of my favorite shared world verses, the Time Gate stories created by Robert Silverberg. In an age here and now where LLMs are being labeled as AI, talking about true AI is a bit tricky. But in this verse of the shared world, in the 22nd century, real sentient AI recreations of historical personages are created (Silverberg’s “Enter a Soldier, Later, Enter another” with Pizarro and Socrates, kicks that all off).  So, Stasheff writes a story where a couple of the AIs decide to create one of their very own. 

Stasheff also did a shared world of his own, called “The Gods of War”. The Gods of War supposes that Gods of conflict and battle fight throughout history, and sometimes they are created from the minds of men, tulpa style. Tek, the God of technological battle, is the newest God of War.  Needless to say, this young and energetic God gets the ire and the attention of much older Gods of War and strife.

What I remember was definitely not first, but I read a little later, was Stasheff’s turn into science fantasy, The Warlock in Spite of Himself. Rod Gallowglass works for an interstellar agency in a polity looking for lost and forgotten colony planets. He might be a cynic and a grump, but even Rod is a bit stumped when he finds the planet of Gramarye. Rod doesn’t believe in magic, magic can’t possibly exist, his mindset is completely and utterly scientific and rational. And yet he is confronted with witches, warlocks, elves and monsters. There has to be a rational explanation for all of it…doesn’t there?  I read a few of these, but there are well over a dozen of novels in this setting.

A very fun writer. 

(11) COMICS SECTION.

  • Bizarro continues variations on vampire names.
  • Bliss introduces a strange new breed.
  • Dinosaur Comics is skeptical about the Vader reaction.
  • Eek! is about a different Vader reaction.
  • Rubes knows there no place like this home.
  • Strange Brew is the problem.

(12) TODAY’S THING TO WORRY ABOUT. “World Monuments Fund Puts Moon on List of At-Risk Sites” reports the New York Times. (Story behind a paywall.)

…With a growing number of wealthy people going to space and more governments pursuing human spaceflight, the group warns that more than 90 important sites on the moon could be harmed. In particular, some researchers are worried about Tranquillity Base, the Apollo 11 landing site where the astronaut Neil Armstrong first stepped onto the moon’s surface.

Protections for cultural heritage are typically decided by individual countries, which makes the task of taking care of important international sites like the moon more difficult.

Since 2020, the United States and 51 other countries have signed the Artemis Accords, a nonbinding agreement that outlined the norms expected in outer space. The rules included a call to preserve space heritage including “robotic landing sites, artifacts, spacecraft and other evidence of activity on celestial bodies.” A separate binding United Nations agreement provided for the protection of lunar sites, but there has been little progress in getting key countries to sign it.

“The moon doesn’t belong to anybody,” de Montlaur said. “It is a symbol of hope and the future.”

For almost 30 years, the World Monuments Fund has received nominations for its watch list of endangered sites from heritage experts around the world. The list is an educational and promotional tool serving the nonprofit’s other efforts to preserve cultural heritage.

A division of the International Council on Monuments and Sites devoted to aerospace heritage nominated the moon for the nonprofit watch list. Gai Jorayev, president of that division, said that members wanted to see sustainable management because of the “sheer number of human artifacts on its surface.”

Beyond the lunar orbiters and rangers scattered across the moon’s surface that express scientific achievements, there are also artifacts of human culture. Apollo 11 astronauts left a golden olive branch to symbolize peace, while a SpaceX rocket lifted a lander that carried 125 miniature sculptures by the artist Jeff Koons to the moon’s surface last year….

(13) THAT NUMBER SOUNDS FAMILIAR. Indianapolis station WTHR reports “FEMA isn’t giving California wildfire victims just $770”.

… Multiple viral posts imply that the Federal Emergency Management Agency (FEMA) is giving the victims just $770 in federal assistance. Some of the posts also compare the disaster relief spending to the government’s spending on foreign aid….

…Fact checking dispels the rumor that FEMA is giving Los Angeles wildfire victims just $770. Where did that number come from? President Joe Biden announced that people will receive a “one-time payment of $770 so they can quickly purchase things like water, baby formula and prescriptions” under the Serious Needs Assistance program. But that is not the only disaster relief available. People can apply for additional assistance.

If you are affected by the Los Angeles wildfires and in need of assistance, please contact FEMA at https://www.disasterassistance.gov.

(14) MUPPET APPEARANCE. “Kermit the Frog Sings for Hoda Kotb on Her Final ‘Today’ Show” on January 10 reports ToughPigs.

As journalist and television personality Hoda Kotb said goodbye to Today, the show she’s been part of since 2007, she got a visit from a very special guest: Kermit the Frog.

Kermit’s appearance had a special significance, as Hoda brought on her daughters, Hope and Haley. During the broadcast, it was revealed that Hoda sings one of Kermit’s signature songs to her children [Hope and Haley] every night… “Rainbow Connection.” And if you thought that was a perfect excuse for Kermit to sing “Rainbow Connection,” you must be psychic, because that’s exactly what he did! 

View Kermit’s performance at the Today website: “See Kermit the Frog sing ‘Rainbow Connection’ for Hoda Kotb”.

(15) SF2 CONCATENATION SPRING EDITION. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation now has its spring (northern hemisphere academic year spring) up. It has the usual large, seasonal news page together with articles and convention reports, plus some 40 standalone book reviews. Table of contents…

v35(1) 2025.1.15 — New Columns & Articles for the Spring 2025

v35(1) 2025.1.15 — Science Fiction & Fantasy Book Reviews

v35(1) 2025.9.15 — Non-Fiction SF & Science Fact Book Reviews

(16) GRRM FILM ADAPTATION ARRIVING IN MARCH. A trailer has been released for In the Lost Lands, based on the George R.R. Martin short story. Entertainment Weekly reported that the project, starring Milla Jovovich and Dave Bautista, is directed by Paul W.S. Anderson and will premiere March 7. 

A queen, desperate to find happiness in love, takes a daring step: she sends the powerful and feared witch Gray Alys to the “Lost Lands” to give her the magical gift of turning into a werewolf. With the mysterious hunter Boyce, who supports her in the fight against dark creatures and merciless enemies, Gray Alys roams an eerie and dangerous world. And only she knows that every wish she grants has unimaginable consequences.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Tom Becker, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/13/25 Why Yes, We Are (At Least In Part) Stardust

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(1) COMPREHENSIVE COVERAGE OF GAIMAN SEX ASSAULT ALLEGATIONS. New York Magazine‘s often explicit article “There Is No Safe Word” [Archive.is link] by Lila Shapiro, as described by Publishers Lunch, “reports on the details of the Neil Gaiman sexual assault case, expanding on allegations first reported by New Zealand podcast Tortoise Media. Last July, five women accused Gaiman of assault, and one woman said she filed a complaint with New Zealand police. Four out of five of Gaiman’s accusers spoke to New York Magazine for the piece, and the publication reviewed journal entries, texts, emails, and police correspondence. Gaiman did not comment for the article, but he has denied all allegations.” Shapiro spoke with eight women in total, three who had never gone public. The story contains content that readers may find disturbing, including graphic allegations of sexual assault.

(2) ROWLING ON GAIMAN. And in Deadline, “J.K. Rowling Compares Neil Gaiman To Harvey Weinstein Amid Claims”.

…Not long after New York magazine published its detailed cover story on multiple new and old claims against Gaiman by multiple women, the Harry Potter creator took to social media to give some opinionated context of her own.

No stranger to controversy, criticism and accusations of being transphobic for her strident views on gender identity and the transitioning of minors, Rowling pinned initial reactions to allegations against the once acclaimed Gaiman to incarcerated rapist Harvey Weinstein and the #MeToo outburst against the much-accused Pulp Fiction producer.  

“The literary crowd that had a hell of a lot to say about Harvey Weinstein before he was convicted has been strangely muted in its response to multiple accusations against Neil Gaiman from young women who’d never met, yet — as with Weinstein — tell remarkably similar stories,” Rowling wrote this morning on X in the second of two missives on Gaiman….

(3) WRITER’S LEGACY BURNED. The London Review of Books reports that by a tragic coincidence of timing the late Gary Indiana’s personal library and collection was destroyed by the Eaton Fire in L.A.

(4) NEW OKORAFOR BOOK DRAWS FROM LIFE. The New York Times profiles Nnedi Okorafor in “Writing Fantasy Came Naturally. Reality Was Far More Daunting”. (Link bypasses the paywall). “After winning just about every major science fiction and fantasy award, Nnedi Okorafor explores a traumatic event in her own history in her most autobiographical novel yet.”

… Thirty years and more than 20 books later, Okorafor, now an acclaimed science fiction and fantasy writer, is exploring that traumatic experience, and the transformation that followed, in her heavily autobiographical new novel, “Death of the Author.”

A genre-defying metafictional experiment, the story centers on a Nigerian American writer from Chicago named Zelu, who is paralyzed and uses a wheelchair after a childhood accident. She dreams of becoming a writer, but her lovingly overprotective parents and siblings are skeptical that she’ll ever support herself. After struggling for years to get published, Zelu writes a best-selling postapocalyptic novel set among sentient robots in a future Nigeria, and lands a seven-figure advance and a movie deal. Her sudden rise to fame is both thrilling and jarring, as Zelu sees her success disrupt her family, and her novel get whitewashed by Hollywood executives who strip it of the African elements.

With its autobiographical framework, “Death of the Author” is a departure from Okorafor’s previous work, otherworldly stories that often draw on her experiences in Nigeria, where she found that belief in the supernatural — giant spider deities, water spirits, shape-shifting leopard people — is part of daily life….

(5) BIG BROTHER IS WATCHING…WHAT YOU BUY WITH THIS. “1984 author and former M.E.N. journalist George Orwell honoured on new £2 coin” reports the Manchester Evening News, where he used to work. (King Charles is on the obverse. Make of that what you will.)

Famed author and former Manchester Evening News journalist George Orwell is celebrated on a new £2 coin.

The writer of 1984 and Animal Farm will be honoured by the Royal Mint, 75 years after his death. Coin artist Henry Gray created a design which appears to be an eye, but is a camera lens at the centre of the design….

The Royal Mint will soon be ready to sell you one.

(6) MARKET REPORT. Incensepunk Magazine is now accepting submissions of speculative fiction stories about 4,000 to 6,000 words in length.

And what is “incensepunk” you ask?

Incensepunk is, at its core, a genre of longing. It desires a world in which traditional faiths and churches play a major role in society. Incensepunk extrapolates Byzantine and Gothic architecture styles into a modern world of skyscrapers and globalization. However, it is not regressive. It doesn’t view the past as good and the present as wicked and depraved. Instead, it tries to envision what the world could look like if faith and society were more integrated.

Incensepunk is speculative fiction, but it need not be alternate history (though it is certainly acceptable to be)….

(7) COMPLIMENTARY ENCOUNTERS OF THE HOLLYWOOD KIND. Far Out Magazine says “The writer Steven Spielberg called his muse” was Ray Bradbury.

…In terms of source material, Spielberg has adapted some of the greats. Michael Crichton provided the original novel on which Jurassic Park is based and Minority Report comes from a story by Philip K. Dick. However, for the director’s biggest sci-fi inspiration, we turn to a writer he never got the chance to bring to the big screen…

…Commenting on Bradbury’s [2012] passing, Spielberg was extremely complimentary of his work. “He was my muse for the better part of my sci-fi career,” he said in a statement (via The Hollywood Reporter). “He lives on through his legion of fans. In the world of science fiction and fantasy and imagination he is immortal.”

This admiration went both ways. In an interview with the Star Ledger (via Entertainment Weekly), Bradbury gave his thoughts on a Spielberg classic. “Close Encounters is the best film of its kind ever made,” he espoused. “It takes too long, but the transfiguration at the end, with the splendid arrival of the mother ship – that makes up for everything. I was so amazed and changed when I saw it that I went over to the studio to tell Spielberg what a genius he was.” In a full circle moment, Spielberg replied to this praise by claiming that Close Encounters wouldn’t have been possible without It Came From Outer Space, a 1953 film that Bradbury contributed the story to…. 

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 13, 1893 — Clark Ashton Smith. (Died 1961.)

Clark Ashton Smith

By Paul Weimer: Clark Ashton Smith was part of the Weird Tales crowd with people like Lovecraft, and it is through reading Lovecraft and authors like him that I came across Smith’s work. I started with his weird horror/fantasy, stories like City of Singing Flame (although that particular story I would only read years later) and eventually trying stuff from Poseidonis (his Atlantis world) and Zothique (once I found out that it had inspired Jack Vance).  Empire of the Necromancers feels like it could be set in a distant corner of the Dying Earth and I like that headcanon, for example. 

I found him to be a taproot writer, ones whose ideas and style were perhaps somewhat better than his execution at times (this is also true of Lovecraft, let’s be honest). But his ideas and style were inspirational, transformational and helped inspire a sheaf of fans, authors, games and much more as a result. In a way, without reading Smith, you’ve read Smith–through how he has influenced writers since (to say nothing of his correspondence with Howard and Lovecraft at the time). 

And it must be said that there is a poetic feel to all of his work. The poetry Smith wrote early in his career suffused and influenced his subsequent stories and fragments. He never lost the dream of poetry. Or, the poetic muse never left him.  Smith wrote intensely and evocatively and his poetic training and use of word choice and imagery come through in all of his stories. Reading a Smith story is to be transported into another world, into another reality, be it in the far past or the far future.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

January 13, 2008 — Terminator: The Sarah Connor Chronicles

Seventeen years ago this evening on Fox, the Terminator: The Sarah Connor Chronicles premiered. It was directed by Josh Friedman whose sole genre work previously was H. G. Wells’ War of the Worlds.  The top cast was Lena Headey as Sarah Connor along with Thomas Dekker and Summer Glau in supporting roles

If Lena Headey sounds familiar that’s because she was on the Game of Thrones as Cersei Lannister.

In addition, the narrator was also Headey. Though it would last but two seasons comprising thirty-one episodes, as the first season was abbreviated, it was the highest-rated new scripted series of the ’07 to ‘08 television season. And yes, it started in the ‘07 television season even though its first episode was in January of ‘08. Such are the mysteries of television seasons.

Reception among critics was generally quite fine. Gina Bellafante of the New York Times said that it was “one of the more humanizing adventures in science fiction to arrive in quite a while.” And Maureen Ryan of the Chicago Tribune exclaimed of the second season that the “season’s opener is much clearer and more sheer fun than anything that aired last spring.”

It has a stellar eighty-four percent rating among audience reviewers at Rotten Tomatoes on the Popcornmeter as they call it.

Despite numerous ongoing fan efforts to revive the series, Josh Friedman has dismissed the possibility of crowdfunding a third season unlike say the recent Veronica Mars series due to issues involving holder rights. I suspect the Terminator issues here are hellishly complex. 

(10) NEW ACTOR FOR T’CHALLA? [Item by Steven French.] I suspect fandom may be divided on this one: “Marvel is ready to recast Chadwick Boseman’s T’Challa in Black Panther. Should they?” asks the Guardian.

Marvel’s multiverse has become a narrative Swiss army knife capable of slicing through the thorniest of creative dilemmas and papering over the widest of cracks. That said, few dilemmas are as sensitive as how to move forward with a superhero as iconic as Black Panther. Chadwick Boseman’s portrayal of T’Challa wasn’t just a performance – it was a cultural touchstone, woven so tightly into the fabric of modern blockbuster cinema that imagining anyone else in the role feels like attempting to rewrite history. Four years after Boseman’s untimely death from colon cancer, Marvel faces the delicate task of continuing a legacy that seems impossible to replicate.

If rumblings out of Hollywood this week have foundation, however, the studio is beginning to countenance just that, a new T’Challa from an alternate reality who presumably finds his way into the mainstream Marvel universe via one of the umpteen ways we’ve seen superheroes such as Doctor Strange, various Spider-Men and Scarlet Witch crossing the boundaries between one reality and another. Jeff Sneider of the InSneider newsletter reports that the studio is finally “firmly open” to bringing back the king of Wakanda, despite previous attempts to recast the role having getting rebuffed by actors who didn’t want to jeopardise their careers by “stepping into Boseman’s gigantic shoes”.

(11) CORREIA “DEDICATION” TO GRRM. A GRRM fansite ran a photo of the dedication page.

 “Fantasy author taunts Game of Thrones creator George R.R. Martin in his new book” reports MSN.com.

…Is this a playful jab or a petty insult? It’s probably closer to the latter, seeing as how Martin and Correia have locked horns before. Their last public clash involves the Hugo Awards, which are handed out every year to honor the best in science fiction and fantasy fiction. Martin has been attending the Hugos since the 1970s, while Correia got involved in the 2010s….

Correia is all over his social media crowing about the attention his jab is getting.

(12) STANDING ROOM ONLY. Blue Origin’s New Glenn rocket did not leave the ground today after all: “Jeff Bezos’ space company Blue Origin calls off launch of New Glenn rocket” – AP News tells the reason.

Blue Origin will try again to launch its massive new rocket as early as Tuesday after calling off the debut launch because of ice buildup in critical plumbing.

The 320-foot (98-meter) New Glenn rocket was supposed to blast off before dawn Monday with a prototype satellite. But ice formed in a purge line for a unit powering some of the rocket’s hydraulic systems and launch controllers ran out of time to clear it, according to the company.

Founded by Amazon’s Jeff Bezos, Blue Origin said Tuesday’s poor weather forecast could cause more delay. Thick clouds and stiff wind were expected at Cape Canaveral Space Force Station.

The test flight already had been delayed by rough seas that posed a risk to the company’s plan to land the first-stage booster on a floating platform in the Atlantic….

(13) MOANA LITIGATION. “Disney faces copyright lawsuit over ‘Moana’ franchise” reports Entertainment Weekly.

Disney has been hit with a copyright lawsuit alleging that the wildly popular Moana franchise was nearly entirely lifted from a decades-old screenplay without the writer’s consent.

In a lawsuit reviewed by Entertainment Weekly that was filed Friday, animator Buck Woodall claims that former Mandeville Films development director Jenny Marchick violated his copyright by secretly passing to Disney materials he produced confidentially for her two decades ago. That material, Woodall alleges, became Moana and Moana 2….

…The animator claims that he delivered to Marchick “extremely large quantities of intellectual property and trade secrets” related to a project variously called “Bucky” and “Bucky the Wave Warrior” between 2003 and 2008. Those materials included a completed screenplay, character illustrations, budgets, a fully animated concept trailer, storyboards, background image references, and more.

Woodall also notes that he received copyright protection on these materials in 2004 that was updated in 2014.

“Bucky” was never developed, but Woodall claims that Marchick was able to pass his materials to Disney by exploiting legal loopholes inherent to the “tapestry of confusion” that is Disney’s elaborate corporate structure. According to Woodall, “Bucky” not only became Moana without his consent, but continued to serve as the basis for Moana 2 as well.

The suit enumerates a number of similarities between Woodall’s undeveloped script and Moana and Moana 2. Like “Bucky,” the first film follows a teenager on a voyage in an outrigger canoe across Polynesian waters to save Polynesian land. It features the Polynesian belief in spiritual ancestors who manifest as animal guides, and a number of specifics including a symbolic necklace, navigation by stars, a lava goddess, and a giant creature disguised as a mountainous island.

As for Moana 2, the suit notes that details such as the rooster and pig companions, a mission to break a curse, a whirlpool that leads to an oceanic portal, and an encounter with the Kakamora warrior tribe were all lifted without consent from “Bucky.”…

(14) PITCH MEETING. Hmm. Did any of the foregoing get mentioned during the “Moana 2 Pitch Meeting”?

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Christian Brunschen, Andrew Gill Smith, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan. And Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/17/24 Pixel Yourself On A Boat On A Riverworld, With Tatooine Trees And Mesklin Skies

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(1) READY FOR WHO CHRISTMAS? Bleeding Cool is on hand when “Doctor Who Christmas Special: ‘Joy to the World’ Gets New Trailer”.

… Earlier today, we took a look at what #WhoSpy had to share on the long-running show’s Instagram “subwave network” about the upcoming special. Now, we’re getting a new look that should definitely help you piece together your speculation puzzle – a shorter second official trailer!…

(2) DISNEY BAILS ON TRANS STORY LINE. “’Win Or Lose’ Transgender Actress Speaks Out After Disney Cuts Back Role” – Deadline has the story.

In 2020, Chanel Stewart was scrolling through X when she happened upon a post about how Pixar was looking for an authentic, 14-year-old transgender girl to voice a transgender teenager in a new animated series.

Stewart, who at 14 had already logged a few commercials, knew instantly that it was her role of a lifetime.

“I was exactly what they wanted to a T, and that’s why it felt so right. It felt just so right,” says Stewart, who is a transgender girl from Los Angeles. “I immediately asked my mom if I could do it, because I just felt like if I don’t do this, it wouldn’t make sense. You know what I mean?”

Stewart eventually scored the voiceover job in Win or Lose, which revolves around a co-ed softball team at a middle school named the Pickles in the week leading up to their big championship game. Stewart couldn’t wait to share the news with her friends.

“Oh my God, it was crazy,” the now 18-year-old recalls. “I wore it as a badge. I wore it with pride. I wore it with honor because it meant so much to me. The thought of authentically portraying a transgender teenage girl made me really happy. I wanted to make this for transgender kids like me.”

So when Disney called Monday night to tell her mom, Keisha, that Win or Lose would no longer include a transgender storyline, both she and Chanel were heartsick. (Disney released a statement that said “when it comes to animated content for a younger audience, we recognize that many parents would prefer to discuss certain subjects with their children on their own terms and timeline.”)…

… By cutting the transgender storyline, Disney eliminated “a few lines of dialogue” from an episode that references a character’s gender identity. Stewart was not at liberty to share details with Deadline about her character, but was told by Disney that she’s “still a part of the show heavily.”

“It’s just that my character would now be a cis girl, a straight cis girl,” says Chanel Stewart, who is repped by KEY Talent Management and Innovative Artists. “So yeah, that’s all they really told me and that I was still a part of the show.”

But there’s one thing that Disney can’t take away from Stewart. “I’m definitely one of the first [transgender girls] to do this!” says Stewart of her voiceover gig. “It’s a true honor to be a part of queer history.”…

(3) TUNES OF MIDDLE-EARTH. [Item by Steven French.] Thijs Porck is a medievalist and Tolkien scholar at the University of Leiden and in a recent blog post he offers an interesting and detailed analysis of the songs in the anime film, War of the Rohirrim: “The Medieval in Middle-earth: Old English Songs in LOTR: The War of the Rohirrim (2024)”.

“Where is the horse? Where is the rider?”, the opening lyrics of “Hama’s Song” in The War of the Rohirrim (2024) will remind many a Tolkien fan of “The Lament of the Rohirrim” which Aragorn recites in the chapter “The King of the Golden Hall” in The Lord of the Rings: The Two Towers. In Aragorn’s poem, the opening lines run as follows: “Where now the horse and the rider? Where is the horn that was blowing?”. Tolkien, a Professor of Anglo-Saxon (Old English) at the Universities of Leeds and Oxford, based Aragorn’s poem on the Old English elegy The Wanderer, which uses the so-called ubi sunt motif (‘where are they now?’) to express the fleeting nature of worldly pleasures (the answer to the rhetorical questions being “they are no more”). As it turns out, “Hama’s Song” of the new movie is closer to the Old English original poem, which has the line: “hwær cwom mearg, hwær cwom mago” [Where is the horse? Where is the man?].’

The context of “Hama’s Song” makes clear that “the rider” referred to is the movie’s heroine Héra, who is also the subject of the movie’s credits song by Paris Paloma called “The Rider”. If you listen carefully to this song, you will notice that there is a very clear Old English lyric at 0:41 (and again at 2:01 and 3:01): “Heo is se wind, heo is se wind” [she is the wind, she is the wind]…

(4) UNHOLY ICON. [Item by Steven French.] Atlas Obscura delved into the essence of Krampus (in Milwaukee!): “Krampus Is the Christmas Icon We Need—And Maybe the One We Deserve”.

It’s the Fifth Annual Milwaukee Krampusnacht, an event that has taken over the city’s historic Brewery District. Milwaukee is a city with deep German roots, and this neighborhood, centered around the atmospheric 19th-century Pabst Brewery, with narrow streets and castellated facades, is particularly evocative of the Old World. It’s a fitting backdrop for the horde of Krampusse emerging from the shadows to mete out punishment to the naughty. Evolved from Central Europe’s pagan past and reimagined by Church elites as a kind of unholy enforcer, Krampus is now a global icon for the digital age. But what explains the ascent from obscure Alpine tradition to a 21st-century celebrity that has inspired Krampusnachten around the world? What brings people out of their warm homes, on a night when temps flirt with freezing, to stand on a sidewalk and hope to get thrashed by a masked demon? And what do the people behind the masks get out of transforming into the cool ghoul of Yule? To understand the Krampus, I must become the Krampus.

(5) KSR Q&A IN NATURE. “Sci-fi icon Kim Stanley Robinson: ‘anything can be climate work’” he tells Nature.

As climate change and artificial intelligence reshape the world, some say that reality is starting to look a lot like science fiction. A book that people often point to is Kim Stanley Robinson’s The Ministry for the Future (2020).

The novel opens in 2025, with a deadly heatwave in India — a topic that turned out to be eerily prescient earlier this year, when the country faced extreme heat and humidity. In the book, the heatwave triggers a haphazard rallying of society to protect living creatures from climate catastrophe.

Robinson talked to Nature about how the climate crisis is causing younger generations anxiety, but also offering them existential meaning, and why he thinks that AI is a poor choice of name.

Why do you think The Ministry for the Future has garnered attention?

The novel is trying to say that, if we apply ourselves, we have the tools to avoid causing a mass-extinction event. And ordinary processes of humanity — science, diplomacy, treaties, the nation-state system, even capitalism itself — could be used to escape the crisis. That’s a very reassuring message.

(6) FUTURE TENSE. This month’s installment of Future Tense Fiction is “A Healing at the Triple B Trophy Lodge,” by Daily Show writer Scott Sherman—a story about fringe psychological treatments, human cloning, and violent catharsis.

The three-and-a-half-hour drive from Portland Jetport to the former site of Baxter State Park reminded Zayna of her midnight scrambles through the Jammu and Kashmir territory while embedded with the Indian light infantry. Just with fewer IEDs and more abandoned pawn shops. She flipped through her frustratingly thin research file on Parker Rodion as the white rental van cruised north past Bangor. There was essentially zero record of his existence before he became synonymous with kill therapy, and to make the research even more confusing, his aesthetic was so consistent it looked as if all the images of him from the last 10 years were taken on the same day. 

 The response essay, “Sorry, Clone”, is by the bioethicist Josephine Johnston.

The most compelling case for reproductive cloning is often made by infertile people or those who have lost a child. In the early days of 2001, a US congressional hearing on human reproductive cloning heard from two grieving parents. One man’s words were read aloud by a scientist working with couples interested in cloning. The man’s 11-month-old son had died after heart surgery, and in a letter to the committee the man wrote that he “hoped and prayed that my son would be the first; I could do no less for him. He deserves a chance to live … I would never stop until I could give his DNA—his genetic make-up—a chance.”…

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born December 17, 1944 — Jack Chalker. (Died 2005.)

By Paul Weimer: Jack Chalker may have had a “bit”, but he worked that bit rather well.

His bit was transformation. I have a friend, he’s not much into reading SFF books. He loves SFF movies, though and he loves physical transformations. Give him a werewolf transformation or something else, and he is there for it.  If he ever decided to try science fiction or fantasy, I would hand him a Jack Chalker novel and let him go to town on it.

Because Jack Chalker and his works were all about transformation. 

This is most evident in his most popular series, the Well World novels. The Well World itself, shorn of the transformational aspects, is one of the most interesting concepts for a SF novel or series.  A supercomputer that, in effect, stabilizes and controls our universe, posing as a planet that is cut up into 1500 hexagons. If you use one of the gates from our universe (available in old ruins on various worlds) to enter a hex of the Well World, you are usually automatically transformed into a form appropriate for that hex — because normal oxygen-nitrogen land hexes are not the only hexes to be had.  The partial maps of the Well World show all sorts of intriguing things such as the “Sea of Chlorine”, “Sea of Storms” and other intriguing bits. Even more intriguing is that given the reality warping available to the computer in the well world, the hexes can and do enforce levels of technology that work in a hex. It’s an amazing setting (but the RPG made from it was terrible).  This all puts Chalker’s Well World firmly in the realm of science fantasy. 

The real comp for that would be Farmer’s World of Tiers, which has plenty of gates and artificial worlds…but without the transformational elements therein. 

Much of the rest of Chalker’s oeuvre is more science fictional than science fantasy, but as noted before, people winding up in new bodies (long before things like Altered Carbon, sorry Richard Morgan) were de rigueur in Chalker’s books. Although he did not do as much with it as some might like, winding up in a body of a being of different gender (or genders) was par for the course for Chalker. Unfortunately, I can think of multiple times where women (and it seemed to be frequently women) who wound up in new bodies of lesser intelligence and usually higher sex appeal in combination (you don’t need a further picture than that) . That wasn’t so great. 

Chalker grew more enthusiastic with his world the longer he wrote, right up to his unfortunate passing. Midnight at the World of Souls is a lean and mean book, the books grew longer and longer as that series went on, and he went to other books.  But I think that first novel still holds up, especially if you don’t know the answer to the question of who or what Nathan Brazil really is. I think the revelation of that deflates the works, just a little bit. But still, in the end, Chalker had his bit and he worked his bit to a fine edge. If transformation is your thing, Chalker is here for you.

Jack Chalker

(8) COMICS SECTION.

A @newscientist.bsky.social cartoon for Christmas

— Tom Gauld (@tomgauld.bsky.social) 2024-12-17T15:34:22.610Z

(9) CAN YOU DIG IT? [Item by Steven French.] We haven’t been there that long but already there are concerns about preserving our archaeological footprint on Mars! “Anthropologists call for tracking and preservation of human artifacts on Mars” at MSN.com.

Are human spacecraft, landers, rovers and other space-exploration debris little more than trash littering the surface of Mars, or the modern equivalent of Clovis points—treasured artifacts marking Homo sapiens’ lust for new frontiers?

A new paper by University of Kansas anthropologist Justin Holcomb argues physical artifacts of human Martian exploration deserve cataloging, preservation and care in order to chronicle humanity’s first attempts at interplanetary exploration.

The paper, “Emerging Archaeological Record of Mars,” appears in Nature Astronomy.

“Our main argument is that Homo sapiens are currently undergoing a dispersal, which first started out of Africa, reached other continents and has now begun in off-world environments,” Holcomb, its lead author, said.

“We’ve started peopling the solar system. And just like we use artifacts and features to track our movement, evolution and history on Earth, we can do that in outer space by following probes, satellites, landers and various materials left behind. There’s a material footprint to this dispersal.”

Much as archaeologists use “middens” (or, ancient garbage dumps) to reveal secrets of past societies here on Earth, Holcomb argues that much of the material deemed “space trash” actually has great archaeological and environmental value.

“These are the first material records of our presence, and that’s important to us,” he said….

(10) EX-WRESTLER BEAMING UP. “Star Trek’s Next Series Casts a Major WWE Star as Part of the Bridge Crew” reports Comicbook.com.

WWE star Becky Lynch is set to embark on an Earth-bound adventure in Star Trek: Starfleet Academy.

Earlier this afternoon, the former multi-time WWE Women’s Champion announced the news on her social media pages. “You know, when you’ve already been champion of the world there’s really only one place to go next and that’s to the stars,” Lynch said in a video. “I am so excited to share with all of you that I am joining Star Trek: Starfleet Academy as part of the bridge crew! Lads, this has been the most incredible experience acting alongside just a spectacular cast and crew. I cannot wait for all of you to check it on when it comes out on Paramount+ and hey, live long and prosper.”…

(11) VIDEO OF THE DAY. [Item by Mike Kennedy.] Ryan George talks with “The Guys Who Designed Airplane Interiors”. Yes, yes, you’re right, the content is not genre related. BUT, attending many large conventions involves flying for a lot of people. And it sucks just as much as this video implies.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, N., Joey Eschrich, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 12/15/24 Deck Us All With Barsoom Charlie

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(1) NEW FUTURE UP. [Item by SF Concatenation’s Jonathan Cowie.] Just posted SF² Concatenation’s fourth and final “Best of Nature Futures stories” of the year, just in time to hold you over the Christmas break. The originals are behind a pay-wall so these re-postings (with permission of Nature and the respective authors) are the only way for the broader public to see these rather neat little SF stories.

The latest is “Fear of the Dark” by Stephen Battersby.  When the nature of dark matter is elucidated, it comes with a problem…

(2) DISNEY FOUGHT THE LAW AND THE LAW WON. “Disney agrees to $233-million settlement in wage theft case” – the LA Times has the story (behind a paywall).

Five years after workers first took Disneyland to court for allegedly skirting an Anaheim minimum wage law, resort owner Walt Disney Co. has agreed to settle a class-action lawsuit for $233 million.

The company approved the preliminary settlement Friday, which accounts for back pay with interest as the Anaheim law is set to increase wages in January to nearly $20.50 an hour.

“What we believe is the largest wage and hour class settlement in California history will change lives for Disney families and their communities,” said Randy Renick, an attorney representing the workers in the class-action suit.

Back pay owed to workers from Jan. 1, 2019, when the wage law first took effect, until the date Disney adjusted wages at the end of the court fight last year, accounts for roughly $105 million of the total settlement….

…The company reached an agreement last summer with four unions representing 14,000 workers that raised base pay to $24 an hour….

(3) SEATTLE 2025 COMMUNITY FUND. The Seattle Worldcon 2025 Community Fund is dedicated to helping fans from diverse backgrounds participate in Worldcon by providing financial support for travel, accommodations, and memberships.

They are now taking applications for Community Fund grants. Full guidelines are at the Community Fund – Seattle Worldcon 2025 webpage. They are focusing on assisting fans who are:

First time attendees from the Pacific Northwest (Washington, Idaho, Oregon, Alaska, British Columbia)
LGBTQIA+ attendees
BIPOC/AANHPI attendees
Attendees from the Global South

If you belong to one of these groups and would like to apply for assistance, please submit your application here. We are approving applications in waves, with the first wave deadline set for January 17th. Though priority for the first wave will be given to people engaging in foreign travel, feel free to apply at any time if you fit into one of these focus groups.

(4) SEW THAT HAPPENED. Seattle Worldcon 2025 is also running a “Single Pattern Contest”. Contest Administrator Kevin Roche explains:

The Single Pattern Contest has been a tradition at Norwescon for nearly a decade, but the competition has a much longer history in costume/cosplay fandom. As the person who invented the contest (for Costume-Con 12 in 1994), I’m thrilled to have been asked to introduce it to the larger Worldcon audience.

This year there will be two options for patterns: 

  • A vintage-style bowling shirt
  • A 60s-style slip or sheath dress

In some years, a pattern selected for a single pattern contest has gone out of print or been difficult to locate, so a garment style rather than specific pattern number will avoid that difficulty. If you prefer a pattern, however, here are some suggested patterns:

Bowling Shirt: McCalls M7206* (available as PDF), Simplicity S9279, Simplicity S9157, Vogue V1622,  (unisex), McCalls M8459, McCalls M6972

60s-Style Dresses: McCalls M8466*, Simplicity S9848, Butterick B6990, McCalls M8402 (PDF), Simplicity S1609

More information at the website.

(5) AND WAIT, THERE’S MORE. Here’s the Seattle Worldcon 2025 presentation from last weekend’s “SMOFCon 41 – Worldcon QA”.

(6) I’LL BE DIPPED – IN BRONZE. Gothamist invites us to “Meet the sculptor tricking New Yorkers with art dedicated to the city’s fake history”. (See more at the “Compelling Mysteries and Forgotten Tragedies – NYC Urban Legends” website.)

Joseph Reginella has been building and installing legitimate-looking monuments across the city that commemorate legendary local events that never actually happened.

His most recent creation memorializes Nathaniel Katz, who introduced rats to New York City and was “catapulted into the Hudson River” as punishment, according to the weathered plaque beneath his pompous-looking, rat-covered bust.

Never heard the legend of old Katz?

It’s because he never existed. Reginella, a freelance artist who specializes in mold-making, imagined the tall tale and built the bust in the image of his pigeon-loving neighbor.

But many people both on and offline believed it to be true, according to Reginella and several news reports…

… The way Reginella sees it, the monuments are not meant to be “gotcha” pranks but escapist delights and gateways into a sci-fi version of New York history he has lovingly built and displayed for public consumption. (In addition to the monuments, he creates extensive backstories and even documentaries for his tall tales.)…

(7) DAVID A. MCINTEE (1968-2024). David A. McIntee, author of many spin-off novels based on Doctor Who, reportedly has passed. McIntee has written about many other franchises, too, including Final Destination and Space: 1999. His first full-length Star Trek novel, Indistinguishable from Magic, was released in 2011.  

He has written a non-fiction book on Star Trek: Voyager and one jointly on the Alien and Predator movie franchises.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 15, 1951 – David Bischoff. (Died 2018.)

Our community is blessed with many amazing writers of which David Bischoff was one. So let’s talk about him.  

His first writings were in the Thrust fanzine where he did a mix of commentary and criticism. (Thrust got one Hugo nomination as a fanzine and four as semi-prozine.)  Editor Doug Fratz would later convert it into a semiprozine where Bischoff along with John Shirley and Michael Bishop were regular contributors. 

His first novel, The Seeker, which was co-written with Christopher Lampton was published by Laser Books forty-seven years ago. He was extremely prolific. No, I don’t mean sort of prolific, I mean extremely prolific. He wrote some seventy-five original novels which is to say not within of any of the many media franchises that he wrote within plus another thirty-five or so novels falling within those media franchises.

What franchises? Oh, how about these for a start and this is not a full listing by any means — Aliens, Alien Versus Predator, Farscape, Gremlins 2: The New Batch, Jonny Quest, SeaQuest DSV, Space Precinct and War Games. And no, I never knew there were Jonny Quest novels. 

David Bischoff. Photo by and (c) Andrew Porter.

Oh, and I must single out that he wrote two Bill, the Galactic Hero novels, Bill, the Galactic Hero on the Planet of Tasteless Pleasure and Bill, the Galactic Hero on the Planet of Ten Thousand Bars which is either a great idea or maybe not. Not having read them I have no idea. A Planet of Ten Thousand Bars? Do they clone livers there? 

And he wrote for the Trek universe, two most excellent episodes at that. He co-wrote the ”Tin Man” episode from Next Generation, a Nebula nominee, with Dennis Putman Bailey, and the “First Contact” episode from the same series written with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller. 

Almost none of his extensive fiction has been collected save that which is in Tripping the Dark Fantastic from a quarter of a century ago which collects a few novelettes and some short stories. 

Very little of his fiction is available from the usual suspects, and even Tripping the Dark Fantastic is not available. 

(9) COMICS SECTION.

  • Foxtrot alibis the missing LOTR cookie.
  • Reality Check remembers why Santa’s sled is no longer pulled by these.
  • Working Daze hasn’t solved all the tree-trimming challenges.

(10) MUPPET HISTORY SITE RUNNER CHARGED WITH HARASSMENT. “Muppet History was a bright spot online — now it’s embroiled in a sexual harassment scandal” reports The Verge.

For years, a fan-run account called Muppet History has been central to the Muppets fandom. It shared little-known facts, memes, and wholesome messages, amassing half a million followers on Instagram and more than 280,000 on X. Publicly, it was a wholesome and sweet platform, a passion project that took off. It became an unofficial ambassador of Jim Henson’s iconic cast of characters — inside and outside the world of diehard fans.

But on Monday night, a post on the account’s Instagram page had an ominous tone. “Good Evening,” the message started. “We wanted to take a moment to address some concerns that have arisen as of late.” The vague post — on which comments had been disabled — mentioned “overstepped” boundaries, the “harm” caused, and that people were made “uncomfortable.” It did not specify exactly what had happened.

Since that post, however, a rough sketch has come into focus. Fans claim that Muppet History’s co-runner Joshua Gillespie, who operates the account with his wife, Holly, was sending unwanted sexual messages to other people. Now, it’s gone from a bright spot on the internet to another soured piece of online culture, leaving a small community navigating the fallout….

…A few weeks after receiving the message, Maloney shared the screenshot of the conversation with a small group of close friends on Instagram. The screenshots were leaked and reposted publicly on X. After that, she says, “the floodgates opened” in her inbox.

“People found out that I was talking about this, and they just started coming to me and confiding in me,” Maloney says. They said they received messages “begging for nude pictures to depicting sexual acts and telling them they would like it … just really nasty comments from a Muppet account, and from [Joshua Gillespie’s] personal account.”…

(11) BOOTS. [Item by Steven French.] A pretty horrific cherry, to be honest: “Exceedingly good needle drops: why a 1915 reading of a Kipling poem is the cherry on top of the 28 Years Later trailer” in the Guardian.

The US Navy operates something called Survival, Evasion, Resistance and Escape, a training programme designed to equip military personnel with the necessary skills to survive in hostile environments. Part of this involves detaining them in a small cell while being repeatedly played the scariest thing that staff have to hand: a 1915 recording of actor Taylor Holmes reciting the Rudyard Kipling poem Boots.

The poem itself is terrifying enough, the percussive chant of an infantryman marching towards battle, trying to overcome his grinding sense of impending doom. But Holmes’s rendition almost defies definition. It begins haunted, but gradually rises to a possessed roar, as Holmes wails over and over again: “There’s no discharge in the war.” By its climax he’s screaming at the top of his voice, a prisoner of his own madness. It’s a scarring listen. It is also the soundtrack to the 28 Years Later trailer.

(12) TODAY’S THING TO NOT WORRY ABOUT. Although Gizmodo has learned “Tiny Black Holes Could Have Left Tunnels Inside Earth’s Rocks”, they say “A pair of imaginative cosmologists have great news for everyone: If a primordial black hole tunnels through your body, you probably won’t die.”

… “Familiar” black holes, if you can call them that, typically form in the wake of dying stars that collapse inwards. Primordial black holes, on the other hand, might have formed shortly after the Big Bang, when areas of dense space also collapsed inwards, before stars even existed—hence the primordial part.

Scientists have theorized the existence of PBHs for decades, but have never actually observed one. According to the study, some scholars even suggest that PBHs might be dark matter itself (the mysterious substance that makes up 85% of the universe’s mass). “Small primordial black holes (PBHs) are perhaps the most interesting and intriguing relics from the early universe,” the researchers wrote in the study…

(13) SALINE CREEP. “Saltwater Could Contaminate 75% of Coastal Freshwater by 2100” says a study reported by Gizmodo.

…New research from NASA’s Jet Propulsion Laboratory (JPL) and the U.S. Department of Defense (DOD) suggests that that seawater will contaminate underground freshwater in roughly 75 percent of the world’s coastal areas by the end of the century. Their findings, published late last month in Geophysical Research Letters, highlight how rising sea levels and declining rainfall contribute to saltwater intrusion.

Underground fresh water and the ocean’s saltwater maintain a unique equilibrium beneath coastlines. The equilibrium is maintained by the ocean’s inland pressure as well as by rainfall, which replenishes fresh water aquifers (underground layers of earth that store water). While there’s some overlap between the freshwater and saltwater in what’s known as the transition zone, the balance normally keeps each body of water on its own side.

Climate change, however, is giving salt water an advantage in the form of two environmental changes: rising sea level, and diminishing rainfall resulting from global warming. Less rain means aquifers aren’t fully replenished, weakening their ability to counter the saltwater advance, called saltwater intrusion, that comes with rising sea levels….

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]