Pixel Scroll 9/24/24 Tales From Scrollographic Pixels

(1) F&SF COVER REVEAL. The cover of the Summer 2024 issue of The Magazine of Fantasy and Science Fiction is by Mondolithic Studios.

(2) ADDED ATTRACTIONS. “The Obsession with Extra-Illustrating Books” discussed by The Huntington blog.

In the 18th and 19th centuries, an obsession spread among bibliophiles for extra-illustrating or grangerizing books. Readers would supplement the pages of an already published book by inserting prints and related materials acquired from other sources. This process would often result in a huge expansion of the original volume, a ballooning that could easily stretch the book to bursting, requiring rebinding into additional volumes to hold the interleaved material. Where did this practice come from? Who thought of doing it in the first place?

In 1769, a country vicar named James Granger (1723–1776) published A Biographical History of England, from Egbert the Great to the Revolution. A guide for collectors of portrait prints, the book cataloged and gave brief descriptions of significant personages in British history as well as directed readers to the most desirable engraved portraits of those subjects for their collections.

Granger’s friend Richard Bull (1721–1805), a member of Parliament and an avid collector, went well beyond using the book to find and procure the recommended prints for his collection. Instead, he dismantled and cut up Granger’s text, placing relevant passages with the corresponding engravings on large backing sheets that served as new pages, and then he bound all these pages together. This process radically altered and expanded the structure and contents of the original book.

Granger’s A Biographical History of England, published as four quarto volumes 9 inches tall, expanded in Bull’s hands to 35 folio volumes with leaves 23 to 28 inches tall, filled with 14,500 portrait prints. What had once been a work free of images—except for Granger’s portrait—became a mixed-media compendium of British historical figures. Today, it is known as the Bull Granger. The Huntington holds all 35 volumes of this first-identified project of extra-illustration, traditionally defined….

(3) HAPPY BOOK BIRTHDAY. Cat Rambo’s Rumor Has It, sequel to You Sexy Thing and Devil’s Gun, was released today.

(4) DREAMHAVEN BOOKS ACQUIRES ANOTHER STORE’S INVENTORY. Announced today on Facebook:

DreamHaven Books of Minneapolis is pleased to announce the acquisition of the remaining inventory of the 1990s Colorado bookstore, The Little Bookshop of Horrors.  The Arvada Colorado bookstore specialized in Horror, Science Fiction and Mystery books and hosted frequent signings with authors.  The owners, Doug and Tomi (Cheri) Lewis were also publishers of Roadkill Press who produced a number of chapbooks with the authors they would host.

The store closed after the death of Tomi Lewis in 1996 and Doug locked the doors and simply walked away.  The store and it’s impressive inventory would sit for many years until it was more recently moved into a storage unit.  Greg Ketter of DreamHaven Books agreed to purchase the remaining stock and has transferred it to his brick & mortar store in Minneapolis.  The books are now being integrated into the store stock and certain items listed on ABE Books and eBay.

There are many signed books by Joe R. Lansdale, Dan Simmons,  Edward Bryant, Harlan Ellison, John Dunning, Elmore Leonard, Donald Westlake and many others.  Hundreds of limited edition and small press books are also included.  Want lists are welcome (DreamHaven will not be able to quote books by phone; they are still sorting through hundreds of boxes of books).

(5) GET ON BOARD. The SFWA Blog continues its series on board game playtesting with “Playtesting TTRPG Stories”.

Don’t Help Playtesters

Give the material you’ve produced to a playtesting group without additional explanation or support. Effective game writing must stand without outside explanation.

A common error is supporting the players or gamemaster if they’re confused about how a narrative element should be presented or how some mechanics function. Observing playtests is a good source of data, but it’s best not to interfere directly. Watching someone get your game wrong is an important step in revising the text so that future customers will get it right….

(6) VIDEO GAME ACTORS STRIKE ACTION. Variety reports “’League of Legends’ Added to Actors’ Video Game Strike”.

After previously being exempt from inclusion in the ongoing video game actors strike, Riot Games‘ massively multiplayer online role-playing game “League of Legends” has been added to the list of blocked titles by SAG-AFTRA amid the union’s accusation of unfair labor practices against Formosa Interactive.

According to SAG-AFTRA, Formosa, a union signatory that provides voiceover services for “League of Legends,” is accused of trying to “cancel” one of its struck video games “shortly after the start of SAG-AFTRA’s video game strike” on July 26. SAG-AFTRA has filed a charge against the company with the National Labor Relations Board.

“When they were told that was not possible, they secretly transferred the game to a shell company and sent out casting notices for ‘NON-UNION’ talent only,” the union said. “SAG-AFTRA charges that these serious actions are egregious violations of core tenets of labor law – that employers cannot interfere with performers’ rights to form or join a union and they cannot discriminate against union performers. The unilateral and surreptitious transfer of union work to a ‘non-union’ shell company is an impermissible and appalling attempt to evade a strike action and destroy performers’ rights under labor law.”

It should be noted SAG-AFTRA is not accusing the Riot Games title of unfair labor practices, but rather calling for a strike against “League of Legends” because it is the most high profile title produced by Formosa Interactive.

In a statement Tuesday, “League of Legends” publisher Riot Games said: “‘League of Legends’ has nothing to do with the complaint mentioned in SAG-AFTRA’s press release. We want to be clear: Since becoming a union project five years ago, ‘League of Legends’ has only asked Formosa to engage with Union performers in the US and has never once suggested doing otherwise. In addition, we’ve never asked Formosa to cancel a game that we’ve registered. All of the allegations in SAG-AFTRA’s press release relating to canceling a game or hiring non-union talent relate to a non-Riot game, and have nothing to do with ‘League’ or any of our games.”…

(7) O CAPTAIN, MY CAPTAIN! “Writer David Gerrold said Star Trek held together because of William Shatner” at Redshirts Always Die.

…In The Fifty-Year Mission The First Twenty-Five Years by Edward Gross and Mark A. Altman, Gerrold was reported as having said that “all of the movies and all of the episodes hold together because Shatner holds it together.”

Gerrold pointed out that Spock [Leonard Nimoy] needed someone to play off of, and that was Captain Kirk. When Spock had scenes that didn’t involve the captain, he didn’t think they were interesting.

“The scenes where Spock doesn’t have Shatner to play off of are not interesting. If you look at Spock with his mom or dad, it’s very ponderous. But Spock working with Kirk has sthe magic and it plays very well, and people give all of the credit to Nimoy, not to Shatner.”…

(8) TERRY QUERY: WHERE’S ARNOLD? [Item by Daniel Dern.] My friend (and former boss) Paul Schindler is having no luck finding information, much less the online thing itself, of Sir Pterry’s story “Arnold, The Bominable Snowman” which is/was supposed to be published online this month (September 2024).

See Item 2 in the May 11, 2024 Pixel Scroll for more about the story proper, the onlineification, contest, etc:

(2) PTERRY SURPRISE. The Terry Pratchett website has announced “Another lost Terry Pratchett story found”

Thanks (on behalf of Paul, who I’ll advise of any follow-ups)

(9) TEDDY HARVIA CARTOON.

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born September 24, 1934 John Brunner. (Died 1995.)  

By Paul Weimer: The man who saw our future. Or multiple futures.  Yes, I know science fiction is really about the present much more than “predicting the future”, but take a look around at our year of 2024, with random violence, political instability, a kaleidoscope of fashions and trends, social divisions, global terrorism, extremism, billionaires running amok. And also, gay marriage, affirmative action, electric cars, the use of marijuana and more. 

John Brunner

Aside from the fact that the random violence in the book is NOT gun-based, we seem to be living very much in the world of Brunner’s Stand on Zanzibar. But that’s not all. In The Sheep Look Up, we get environmental degradation, a Republican President who says the answer to all our problems is “Deregulation”, a widening gap between rich and poor, and a degradation of quality of life across the board. Or The Jagged Orbit, where a cabal of Republicans are going to use computers to swing an election. Or The Shockwave Rider, showing a United Stated dominated by computer networks a la the internet, even as infrastructure crumbles and crumbles.

Reading (or rereading Brunner) in 2024 can be a lot

Beyond the gloom and doom of Brunner’s trilogy, though, there is much lighter fare if you want to try one of SF’s greatest visionaries. Out of his large oeuvre, my favorite is The Squares of the City. Boyd Hakluyt is a traffic and systems engineer who is hired by a fictional South American country to resolve a traffic and transit problem. While there, he gets wrapped up in a plot between the government and the not so loyal opposition, in a literal chess match where Boyd finds himself a piece on the board. It’s a taut and fun political thriller that might be a bit light on the SF, but high on tension, drama, and if you like chess, you will love this book. And then there is The Infinitive of Go, which is the type of multiverse novel whose implications slowly creep on you. 

(11) COMICS SECTION.

(12) DIAL THAT DOWN. [Item by Mike Kennedy.] The folks behind HBO’s new “workplace comedy” about the creation of a superhero franchise movie claim they had to take what happens in real life movie making down a notch. Otherwise, they say, no one would believe them. It would just be too silly. The Hollywood Reporter has the story of The Franchise.

There’s a situation discussed in HBO’s upcoming series The Franchise — a comedy about the behind-the-scenes struggle to make a superhero movie — that sounds rather absurd: A director laboring away on a fictional Marvel-like film gradually realizes the studio brass has changed their mind about the project’s creative direction and started secretly shooting the “real” movie somewhere else, while he continues to film scenes destined to be scrapped.

Yet this has actually happened to at least one filmmaker working on a franchise movie, according to the show’s producers. 

“All the research we did — and we did tons, we spoke to so many people — the actual chaos [on superhero films] was really surprising,” says The Franchise creator Jon Brown (Succession), who made the series along with Armando Iannucci (Veep) and Oscar-winning director Sam Mendes (1917). “People think these movies are laid out in neat phases for the next 10 years. Then you hear about a set where, in the morning, a limo literally pulls up, the window comes down, and they hand out new script pages. Or producers on set have eight versions of the same script open, and they go through each script, cherry picking lines, and then they Frankenstein a scene out of nothing. Or the studio sends an actor to the set in the morning and they basically rewrite the day’s entire scene [to accommodate the last-minute cast addition]. You would assume all this was decided two years ago, but it’s happened a lot across Marvel and DC movies.”

As a result, the writers of The Franchise found themselves in the rather odd position of sometimes making story choices for their show that were less wild than the real-life anecdotes they were hearing from industry insiders. “You think, ‘I know this is real, but it just seems too silly,'” Brown said. “So we sometimes have to take it back a step, because you don’t think people will believe it unless they know it’s true.”…

(13) COLLECTORS ITEM. Are you in the market for a complete run of Weird Tales? This one can be yours for $150,000. “RARE! Complete Set of Weird Tales” at eBay.

(14) LATEST EDITION SONIC SCREWDRIVER. “Doctor Who fans unveils Fifteenth Doctor’s sonic screwdriver – pre-order now”Radio Times tells what button to push.

While it’s been a few months since the adventures of the Fifteenth Doctor and companion Ruby Sunday, the excitement lives on, as fans can now pre-order the Doctor’s trust sonic screwdriver!

The screwdriver is available to pre-order from Character Options at £39.99….

“Doctor Who The Fifteenth Doctor’s Sonic Screwdriver Deluxe Edition” at Character Online.

The Fifteenth Doctor’s sonic screwdriver boasts a completely revamped shape and design, with its curved edges, making it the most unique rendition of his favourite bit of tech yet.

The deluxe version, available only on Character online, boasts an exclusive ‘electro plated’ finish making it look like real polished steel and brass. It features two modes of operation, Open and Closed, as well as five brand new and totally unique sound and light effects, with each accessed by a different button sequence.

On this deluxe version of The Fifteenth Doctor’s device there are many new features including a uniquely shaped, swivel-out Power Core complete with flickering Power Crystal Chamber and on/off sounds. There are also three distinctly different sounds with accompanying light FX; a standard sonic sound, a data sound, and a lifeform scan sound. The spring-out and retract Emitter section also has its own sound and finally the slide out analyser comes with its own sound completing the sound FX.

The sonic comes beautifully presented in Regeneration style packaging and is the perfect piece of memorabilia to add to any Doctor Who collection.

(15) IF PUSH COMES TO SHOVE. “Nuclear blast could save Earth from large asteroid, scientists say” – the Guardian has the story.

Scientists, as well as Hollywood movie producers, have long looked to nuclear bombs as a promising form of defence should a massive asteroid appear without warning on a collision course with Earth.

Now, researchers at a US government facility have put the idea on a firm footing, showing how such a blast might save the world in the first comprehensive demo of nuclear-assisted planetary defence.

Physicists at Sandia National Laboratories, whose primary mission is to ensure the safety and security of the US nuclear arsenal, recorded in nanosecond detail how an immense pulse of radiation unleashed by a nuclear blast could vaporise the side of a nearby asteroid.

The event is so violent that it heats the surface to tens of thousands of degrees, producing a rapidly expanding ball of gas capable of nudging the asteroid off course. Do the sums correctly and the shunt should be sufficient to put doomsday on hold.

(16) TEN YEARS OF SCIENCE AND FUTURISM. [Item by SF Concatenation’s Jonathan Cowie.] As regular Filers may have spotted, I occasionally throw a link 770’s way to Science and Futurism with Isaac Arthur’s YouTube Channel (among much other material). The video item on “Transcendence” last week on File770 actually marked the 10th anniversary of that channel but I failed to include a mention that and that that episode also happened to coincide with Isaac’s 44th birthday.

As Mike knows, but you most likely don’t, I am one of the rare, endangered western-nation species that is not on the internet at home (actually, in the UK currently some 35% UK households solely occupied by over 65s are not on the internet so actually I am not as rare a creature as many of you may suspect – so always respect digital access diversity – the recent Glasgow Worldcon was not). What happens is this, working almost next door for an hour three or four times a week at the library cybercafé, if I spot an item of likely interest to Filers and then pass it Mike’s way for him to decide whether or not to include. This is an important filter as usually I spot things without looking at them in depth (I do that later at home having downloaded whatever it is to memory stick), so some duff material can get through and Mike commendably filters that out. This survey of the landscape is no hardship on my part as I have to keep an eye out for material for the seasonal SF² Concatenation. That zine has just three principal editions a year, whereas Mike’s is daily, so it makes sense for File770 to have first dibs as it could be up to four months before anything I (and other providers) air in Concatenation. Mike only uses 0.01% of the stuff I send him, so if you want to see other SF (through more a European/British prism) & science coverage then feel free to drop in on SF² Concatenation just three times a year.

Meanwhile, back to Science and Futurism with Isaac Arthur, the previously linked “Transcendence” episode was number 465 in Isaac’s run or actually 700 in that series if you include Isaac Arthur’s shorts, live-streams and specials. Ohio-based Isaac is also currently the incumbent President of the National (US) Space Society, which I guess is the US analogue of our British Interplanetary Society. As for Isaac’s future episodes, of applied science interest is a forthcoming one on “Is Privacy Going Extinct” on 26th September (2024), and of SFnal/science interest “The Fermi Paradox: Large Moons” on 3rd October. Then, in more of an SFnal vein there will be one on “Fungal Aliens” on 13th October. You can check these out at www.youtube.com/@isaacarthurSFIA. He has more background info at www.IsaacArthur.net.

I should point out that Isaac’s channel is not the only one I monitor. His channel has a few occasional items of SF/SF interest for my catholic taste, but as for some of my other favourites there is: for pure physics I enjoy Matt O’Dowd at PBS Space-Time; for palaeo-environmental science (which is fairly close to my own specialist area) PBS Eons; for astrophysics Dave Kipping at Cool Worlds; for astronomy Becky Smethurst at Doctor Becky and for the presentation of the sheer love of finding out about SF Moid Moidelhoff at Media Death Cult and that of the joy of SF book collecting Book Pilled. There are, of course, other channels out there, and I dare say Mike would welcome your recommendations in the comments…

(17) SECRET ORIGINS OF PLOKTA, PT. 1. The Fanac Fanhistory Zoom for September 2024 is online:

This fannish group (aka the Plokta Cabal) burst on the scene in May 1996 with the fanzine Plokta, which went on to receive two Best Fanzine Hugos, 2 Nova Awards for Best Fanzine, and Hugo nominations each year from 1999 to 2008. They are energetic, quirky and very, very funny. They are writers, artists, con runners, Worldcon bidders and fan fund winners.

In part 1 (of 2), Steve Davies, Sue Mason, Alison Scott and Mike Scott, recount how they came into fandom and found each other. They tell entertaining stories of their fannish lives, from convention newsletters to the celebrated Plokta to the glories of providing a unique in-joke badge to each member of a convention. You’ll learn what a SMURF is, hear strong opinions about staples, and find out just what voodoo board spam can be. Plokta was one of the first web fanzines, and came together differently than most other fanzines. The group dynamics and interactions that created it are on full display in this recording. It’s great fun to watch, and it’s very, very clear that it was great fun to live.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Gordon Van Gelder, Paul Weimer, Michael J. Walsh, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 8/20/24 Something Pixel This Way Scrolls

(1) NEW SEATTLE WORLDCON BLOG. Seattle Worldcon 2025 has launched Yesterday, Today, & Tomorrow, a blog that will feature local Seattle food and sights, plus sff subjects in line with their theme. The first post, appropriately enough, is: “Announcing the Yesterday, Today, & Tomorrow Blog”.

Starting tomorrow and running on alternate Wednesdays, the Local Flavor column will introduce you to food traditions known to long-time residents of the Pacific Northwest, with a dose of nostalgia and the occasional recipe thrown in. On the opposite Wednesday, look for Around Seattle, written by Sophie Ding and Jason Sacks, a tourism-focused feature to educate you about opportunities for discovery and adventure during your visit to the Emerald City.

On Fridays, visit our Fantastic Fiction column for inspiration related to our theme, Building Yesterday’s Future—For Everyone. A distinguished cadre of fan writers will take you back to the 1961-1962 era of the first Seattle Worldcon and Century 21 Exposition, also known as the Seattle World’s Fair, events that cemented Seattle’s position as a global center for futurism and technological innovation. We hope immersion in the speculative fiction dreams and influences of the era will inspire you to make something—a story, costume, poem, argument, essay, panel idea, heart wish, or short film—to bring to our Worldcon. In the meantime, enjoy posts from writers including James Davis Nicoll, Rachel S. Cordasco, Cora Buhlert, and the fabulous Galactic Journey collective led by Gideon Marcus and Janice L. Newman.

(2) FANHISTORY REDISCOVERED. LASFS history features in the exhibit “Sci-fi, Magick, Queer L.A.: Sexual Science and the Imagi-Nation” which will run from August 22-November 23 at the USC Fisher Museum of Art. (Rob Hansen’s Bixelstrasse documents these beginnings as well.)

Sexual Science and the Imagi-Nation considers the importance of science fiction fandom and occult interests to U.S. LGBTQ history. Science fiction and occult communities helped pave the way for the LGBTQ movement by providing a place for individuals to meet and imagine spaces less restricted by societal norms. 

The exhibition focuses on Los Angeles from the late 1930s through 1960s and looks both forward and backward to follow the lives of writers, publishers, and early sci-fi enthusiasts, including progressive communities such as the LA Science Fantasy Society, the Ordo Templi Orientis at the Agape Lodge, and ONE Inc. 

Spanning fandom, aerospace research, queer history, and the occult, Sexual Science and the Imagi-Nation reveals how artists, scientists, and visionary thinkers like Jim Kepner, Lisa Ben, Margaret Brundage, Morris Scott Dollens, Marjorie Cameron, Renate Druks, Curtis Harrington, and Kenneth Anger worked together to envision and create a world of their own making through films, photographs, music, illustrations, costumes, and writing. 

Programming will include film screenings, panel discussions, and a Halloween cosplay event. This exhibition is made possible with support from Getty through its PST ART: Art & Science Collide initiative.

Sexual Science and the Imagi-Nation is among more than 50 exhibitions and programs presented as part of Pacific Standard Time. Southern California’s landmark arts event, Pacific Standard Time, returns in September 2024 with more than 50 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. 

(3) CAT’S CREDO. On her blog today Cat Rambo declared:“I am Cat Rambo and This is What I Believe” Cat’s credo begins:

I believe every human being has dignity and worth. That one should treat others with respect, including their pronouns and the pronunciation of their name. That people should be free to live, worship, and connect with the universe as they please. That decency, ethics, and accountability are core values. That understanding and acknowledging one’s own privilege is part of that accountability.

I believe stories matter. That they shape how people think about and understand their lives and the world at large. That they gift us with hope and empathy.

I believe that all paths to publishing – traditional, indie, small press, crowdfunded – are valid for writers and that nowadays more and more people are able to create their own art and tell their own stories in a new way that has created a wealth of great new writing, including many stories that wouldn’t have been told through traditional publishing….

The complete statement is at the link.

(4) ONE AND DONE. The Acolyte? Fuhgeddaboudit! “’The Acolyte’ Canceled: Disney’s Star Wars Spinoff Done After One Season”.

The Acolyte will not return for season two, The Hollywood Reporter has confirmed. Lucasfilm has opted not to continue the Disney+ Star Wars series, which aired its season one finale last month.

The Leslye Headland-created show earned respectable reviews from critics, but was panned by audiences, with only 18 percent on Rotten Tomatoes. The show was review-bombed from some quarters who perceived it as “woke,” with certain corners of the internet going after Headland, who is a member of the LGBTQ+ community, as well as the series’ diverse group of actors.

“Honestly, I feel sad that people would think that if something were gay, that that would be bad,” Headland told THR in June. “It makes me feel sad that a bunch of people on the internet would somehow dismantle what I consider to be the most important piece of art that I’ve ever made.”

Also in June, star Amandla Stenberg fired back at racist backlash with an original song on social media.

“It was an easy target,” said one source of the back-and-forth’s connection to the show’s cancellation. “And it hurt the public perception of the show.”…

The June article linked above is this post from The Hollywood Reporter: “’The Acolyte’ Star Releases Song Firing Back at Fan Backlash”.

…There has been some earnest debate among fans over things like canon consistency issues, but last week, the show’s backlash reached an intense level after the third episode introduced a coven of characters that have been described (wrongly, says Headland) as “lesbian space witches.” There was also uproar over Headland giving a playful answer to a junket question where a reporter asked whether The Acolyte was “the gayest Star Wars.” In addition, a 2018 quote from Stenberg regarding her film The Hate U Give has been taken inaccurately out of context. Stenberg told The Daily Show host Trevor Noah that “white people crying actually was the goal” of the film, but the quote has been mischaracterized in some conservative circles as if Stenberg was talking about The Acolyte….

(5) ANIME HELPING JAPAN’S “DIGITAL TRADE DEFICIT”. “Japan’s anime exports poised to match chips and steel” reports Nikkei Asia.

Japan’s exports of anime and other content are close to parity with steel and semiconductor devices, presenting an opportunity to develop a key sector that will prop up the economy.

U.S. sprinter Noah Lyles assumed the unofficial title of the world’s fastest anime fan when he won the 100-meter gold medal at the Paris Olympics on Aug. 4. Draped in the American flag, Lyles celebrated by assuming the open-palmed kamehameha pose made famous by the “Dragon Ball” anime franchise.

The moment demonstrated the potential for anime and other Japanese content to erase Japan’s digital trade deficit, which doubled over five years to 5.5 trillion yen ($37.4 billion) in 2023.

Driving the deficit were payments for cloud services and internet ads. But Japan’s content industry “will be the trump card in recovering from the digital deficit,” said a senior official at the Ministry of Economy, Trade and Industry.

Under the economic principle of comparative advantage, countries become rich by making the most of their strengths. Japan’s digital trade deficit is not necessarily a problem, but it is also necessary to enhance the earning power of areas where there is potential for growth, such as the content industry, according to the 2024 edition of the government annual economic white paper.

The “Jujutsu Kaisen” anime series was the world’s most in-demand TV show in 2023, according to the “Global TV Demand Awards” report from U.S.-based Parrot Analytics. The “Attack on Titan” anime series was in 2021.

Other popular anime, such as “Oshi no Ko” and “Demon Slayer,” have been very successful outside Japan.

Globally, Japan trails South Korea in live-action films and TV dramas. China has the lead in mobile games.

(6) LEGAL FLIM-FLAM CANCELLED. “Disney stops trying to use Disney Plus excuse to settle a wrongful death lawsuit”The Verge tells why.

Disney has now agreed that a wrongful death lawsuit should be decided in court following backlash for initially arguing the case belonged in arbitration because the grieving widower had once signed up for a Disney Plus trial.

“With such unique circumstances as the ones in this case, we believe this situation warrants a sensitive approach to expedite a resolution for the family who have experienced such a painful loss,” chairman of Disney experiences Josh D’Amaro said in a statement to The Verge. “As such, we’ve decided to waive our right to arbitration and have the matter proceed in court.”

The lawsuit was filed in February by Jeffrey Piccolo, the husband of a 42-year-old woman who died last year due to an allergic reaction that occurred after eating at a restaurant in the Disney Springs shopping complex in Orlando. The case gained widespread media attention after Piccolo’s legal team challenged Disney’s motion to dismiss the case, arguing that a forced arbitration agreement Piccolo signed was effectively invisible.

As noted by Reuters, Disney initially made no mention of arbitration when it first addressed the case in April, instead arguing it wasn’t liable because it merely serves as the landlord for the Raglan Road Irish Pub and Restaurant and had no control over the restaurant’s operations. Disney then later argued in a filing in May that Piccolo had allegedly entered an agreement to arbitrate all disputes with the company by signing up for a Disney Plus trial in 2019, and using the Walt Disney Parks’ website to buy Epcot Center tickets.

(7) MAURICE BROADDUS LEADS PAUL LAURENCE DUNBAR LIBRARY RESTORATION. “First Indianapolis library to serve Black community reopens at school” reports Chalkbeat Indiana.

Maurice Broaddus was a writer by trade and became a middle school librarian by accident.

The award-winning Afrofuturist and sci-fi author once filled in at The Oaks Academy middle school, where he was also a teacher, for the librarian going on maternity leave. The librarian never came back.

“Six, seven years later I’m still covering her maternity leave,” he joked.

But what started as mere chance has become an opportunity to mentor young writers, support artists of color, and restore a historic Indianapolis library that was the first in the city established specifically for Black residents.

“It’s been a lesson in collaboration, a lesson in building relationships, a lesson in dreaming alongside our neighbors,” said Broaddus, who is Black. “Ultimately, what does it look like to restore a space and then it be true to its purpose?”

Broaddus led the project to reopen the Paul Laurence Dunbar Library, established within the now-closed John Hope School No. 26 in 1922, to students at The Oaks Academy middle school, a private Christian school in the Martindale-Brightwood neighborhood. The library originally existed to serve Black residents in a de facto segregated part of the city. Its restoration after nearly 30 years of disuse will give Oaks students their own library collection, Broaddus said, while memorializing its place in Indianapolis history.

“We are honoring the past, but we’re doing present work,” he said.

The restored library opened last week on the first day of school at The Oaks. Many shelves are still empty — Broaddus is waiting on a major 1,000-book order — but he’s started curating three special collections on the Harlem Renaissance, the Black Arts Movement, and Afrofuturism….

(8) ESSAYS ON WOMEN AND GENDER IN TOLKIEN. At Writing From Ithilien, Robin Anne Reid shares a “Call for Proposals: deadline March 15, 2025” for an anthology titled ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. Full details at the link.

We invite submissions for an anthology focused on women and gender in Tolkien’s writings. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

(9) MARS CALLING? “In 1924, a radio receiver built for the battlefields of World War I tested the idea that humans were not alone in the solar system, heralding a century of searches for extraterrestrial life.” “Scientists Seeking Life on Mars Heard a Signal That Hinted at the Future” – an unlocked article that bypasses the New York Times paywall.

…During that weekend [in 1924], Earth and Mars were separated by just 34 million miles, closer than at any other point in a century. Although this orbital alignment, called an opposition, occurs every 26 months, this one was particularly captivating to audiences across continents and inspired some of the first large-scale efforts to detect alien life.

“In scores of observatories, watchers and photographers are centering their attention on that enigmatic red disk,” the journalist Silas Bent wrote on Aug. 17, 1924. He added that it might be the moment to “solve the disputed question of whether supermen rove his crust, and whether those lines, which many observers say they have seen, really are irrigation canals.”

Scientists plotted for years to make the most of the Martian “close-up.” To aid the experiments, the U.S. Navy cleared the airwaves, imposing a nationwide period of radio silence for five minutes at the top of each hour from Aug. 21 to 24 so that messages from Martians could be heard. A military cryptographer was on hand to “translate any peculiar messages that might come by radio from Mars.”

Then, lo and behold, an astonishing radio signal arrived with the opposition.

A series of dots and dashes, captured by an airborne antenna, produced a photographic record of “a crudely drawn face,” according to news reports. The tantalizing results and subsequent media frenzy inflamed the public’s imagination. It seemed as if Mars was speaking, but what was it trying to say?

“The film shows a repetition, at intervals of about a half hour, of what appears to be a man’s face,” one of the experiment’s leaders said days later.

“It’s a freak which we can’t explain,” he added….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 20, 1951 Greg Bear. (Died 2022.)

By Paul Weimer.

I first encountered the work of Greg Bear through, predictably, Blood Music, in its original shorter publication in Analog, and then its longer novel format. I then bounced around various of his works (Eon enchanted me, being a multiverse novel, particularly) and I followed his work until his period of technothrillers, which frankly left me cold.  Darwin’s Radio, interestingly enough, was in 1999, one of the very first ARCs I ever received, as I started to get into the whole idea of fan writing and reviewing. Hull Zero Three was a good mystery set on a generation ship.  While I had issues with a different author’s Foundation novel, I liked Foundation and Chaos pretty well. 

Greg Bear in 1993. Photo by and (c) Andrew Porter.

There are still some Greg Bear works I have not touched that I want to (besides those technothrillers). I am still not sure what to make of or what the Mongoliad even is, even back when it was apparently a thing. But what I want to go with here, is that Bear clearly liked to invent, reinvent and try stuff that didn’t always work, but was at least interesting. The Infinity Mage and The Serpent Concerto are a fascinating pair of portal fantasy novels that I adored. The City at the End of Time is dreamlike, surreal and long but deeply moving.  Even his last work, The Unfinished Land, which I kind of bounced off, I later learned from a colleague that Bear was tapping into a strain of 17th and 18th century novels, a key to the text I completely and utterly missed. 

And I think that’s true of a bunch of Bear, for everyone. There is going to be stuff in his oeuvre that is Not for You and that’s okay. The strong writing and ideas may be across his oeuvre, but the diversity of his work may mean that there are Bear novels you will eat like candy (again, hello Eon) and stuff that you might stay well away from.  Dinosaur Summer might be one to hand to teenage readers getting into SFF, because, well, dinosaurs in a YA-like novel. People who like disaster novels might try Forge of God (goodbye Planet Earth!).  Moving Mars is an audacious novel about, well, it’s right in the title. And he’s done tie-in novels for Star Wars and Star Trek. It’s impossible to encapsulate all of the stuff he has done. Go forth and read one. 

(11) YESTERDAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 19, 1950  Mary Doria Russell, 74.

By Lis Carey: Mary Doria Russell was born in Elmhurst, Illinois, and has a degree in biological anthropology from the University of Michigan, and taught anatomy at the Case Western Reserve University School of Dentistry. I mention this so explicitly because Wikipedia seems to believe she only graduated high school. Wikipedia is very useful, but it’s a starting point, not a source.

Mary Doria Russell

It’s also interesting to note that she was raised Catholic, left the Church at fifteen, and in adulthood, became interested in Judaism and ultimately converted. She’s seen religion from several angles, and that, too, contributes to her fiction.

Ms. Russell has written two books that are clearly science fiction, The Sparrow, and its sequel, Children of Grace. In The Sparrow, in 2019, the radio telescope at Arecibo receives a signal that proves there is intelligent life on a planet that humans will be able to reach. While the UN is arguing about what to do, the Jesuits organize and launch their own 8-person scientific expedition. It’s led by Father Emilio Sandoz, a linguist, and he’s in for what will be first a delightful experience, and then a harrowing one, physically, emotionally, intellectually, and spiritually. It was a very successful book when published in 1996, and won several awards, including the Arthur C. Clarke Award, the JamesTiptree Jr. Award (now the Otherwise Award), and the British Science Fiction Association Award. I loved the book myself, and it’s got 4.14 rating on Goodreads, but from looking at the reviews there, it’s perfectly clear, and no surprise, really, that such a high-profile book found some readers who were really looking for a different book, and would have preferred not to find this one.

Children of God is the sequel. Emilio Sandoz finds his return to Earth almost as harrowing in some respects. He leaves the priesthood, planning to marry. He agrees to teach the language of the planet Rakhat to Jesuits planning a return expedition to help the oppressed servant species on the planet, but refuses to return himself. Things don’t go as he intends, and he learns that the impact of the first Jesuit expedition was as harrowing for everyone he left behind as for himself and the members of the expedition who did not survive. It’s another fascinating and rather harrowing story.

In both cases, the story benefits from Ms. Russell’s anthropological studies, helping to ground the stories and give the alien cultures some depth.

These are Mary Doria Russell’s only science fiction books, but that same anthropological background is at play in her historical fiction. I think that her two books about Doc Holliday and the Earp brothers, Doc and Epitaph, might particularly interest some sf fans.They’re different and deeper stories than Hollywood ever led us to expect.

(12) COMICS SECTION.

(13) IF YOU CHECK THESE BOOKS OUT, YOU MAY CHECK OUT. “Evidence stacks up for poisonous books containing toxic dyes” says Phys.Org.

… If you come across brightly colored, cloth-bound books from the Victorian era, you might want to handle them gently, or even steer clear altogether. Some of their attractive hues come from dyes that could pose a health risk to readers, collectors or librarians.

The latest research on these poisonous books used three techniques—including one that hasn’t previously been applied to books—to assess dangerous dyes in a university collection and found some volumes may be unsafe to handle….

… “These old books with toxic dyes may be in universities, public libraries and private collections,” says Abigail Hoermann, an undergraduate studying chemistry at Lipscomb University. Users can be put at risk if pigments from the cloth covers rub onto their hands or become airborne and are inhaled.

“So, we want to find a way to make it easy for everyone to be able to find what their exposure is to these books, and how to safely store them.” Hoermann, recent graduate Jafer Aljorani, and undergraduate Leila Ais have been conducting the study with Joseph Weinstein-Webb, an assistant chemistry professor at Lipscomb.

The study began after Lipscomb librarians Jan Cohu and Michaela Rutledge approached the university’s chemistry department to test brilliantly colored 19th- and early-20th-century fabric-covered books from the school’s Beaman Library. Weinstein-Webb was intrigued to hear about how the Winterthur Museum, Garden & Library had previously examined its own 19th-century books for the presence of an arsenic compound known as copper acetoarsenite….

(14) NEWS FROM THE CIRCULAR FILE. Variety is watching things roll out at gamescom. “Indiana Jones and the Great Circle’ to Launch on Xbox, PS5”.

…“Indiana Jones and the Great Circle” has received a release date for Xbox with plans to launch on PlayStation 5 next year.

Xbox announced out of video game convention gamescom on Tuesday that the Bethesda Game Studios-produced game will drop Dec. 9 for Xbox Series X|S, Windows PC and Steam and arrive on Sony’s PlayStation 5, main rival console to Bethesda parent company Microsoft’s Xbox, in Spring 2025.

The release of the game on PS5 is a significant step in Xbox’s strategy to rollout some of its exclusive games across competitor devices, and a break from Microsoft Gaming CEO Phil Spencer’s comments back in February that “Indiana Jones and the Great Circle” would not be among those titles.

… Per Microsoft’s description for the game, “From MachineGames, in collaboration with Lucasfilm Games, set between the events of ‘Indiana Jones and the Raiders of the Lost Ark’ and ‘Indiana Jones and the The Last Crusade,’ ‘Indiana Jones and the Great Circle’ immerses players in an all-new single-player, narrative driven adventure. Blending cinematic set-pieces, puzzle-solving, and hand-to-hand combat, players will embark on an authentic Indiana Jones™ experience around the world to try and defeat the sinister forces working against them.”…

(15) HERE’S THE BEEF. Another Variety report from gamescom is about Amazon Games’ launch of King of Meat, “which allows players to fight weird and wonderful creatures, and build treacherous dungeons.”

Amazon’s description for the King of Meat game says:

Set in the mystical world of Loregok, King of Meat takes players to a place of dragons, trolls, skeletons, and, of course, corporate commercialism – where high fantasy meets the glitz, glamor, and media-infatuation of modern-day celebrity. The focus of this obsession is the wildest survival game show imaginable, “King of Meat”.

In the Komstruct Koliseum, YOU are the entertainment; a contender desperately seeking glory, gold and fame. Race through chaotic, unhinged dungeons battling all manner of monsters, all while trying to impress the bloodthirsty crowd with your combat skills and showmanship. But that’s not all! Dare to imagine lava filled rooms, spinning blades, flaming balls of fire, rotating spikes… and that’s still not all! There’s giant horse hooves, inter-dimensional black holes, exploding ducks and sausage-meat gym jocks. Nothing is off the table in King of Meat, and whether you’re crowned victorious or you perish anonymously, you’ll need to play with style to satisfy your audience.

Think that’s all, now? Think again! Further glory awaits those who create their own devious dungeons. What traps, tricks and trials are hidden in that dastardly brain of yours? Use all your cunning and creativity to build the most fun and outrageous dungeons for other King of Meat contenders to face, and the best will be famed and celebrated across all of Loregok.

(16) STONE CIRCLES. [Item by SF Concatenation’s Jonathan Cowie.] Having reported Nature’s paper on Stonehenge’s Altar Stone coming from Scotland (see Pixel Scroll 8/15/24 item 16) that revealed Neolithic Britain was far more connected than thought, I forgot to say that I recently (this month) had a break, visiting old friends of SF² Concatenation, in Britain’s Peak District National Park. There we visited three Neolithic and Bronze Age stone circles and a barrow. I have an interest in current human ecology and also one in palaeoclimatology [three university textbooks under my belt that include these disciplines] and so have a casual fascination [I have no expertise here] in the way folk lived thousands of years ago.

Two of the stone circles I visited were at Barbrook (see picture). Which is a real tiddler compared to Stonehenge but fairly typical of Neolithic Britain.

Jonathan at Barbrook One centre stone. Note: the hill on the skyline immediately to the left of Jonathan’s head is the site of Gardom’s Edge stone that Jonathan visited in 2022.

But my favourite stone circle visited this month was Arbor Low (see picture) even though its stones have all fallen over. (Von Daniken types might blame the exhaust from an ancient UFO taking off too quickly… Ahem… I digress into loveable Bob Shaw/Von Donegan territory.)

The Arbor Low stone circle

The thing is, that Arbor Low, Gardom’s Edge and Barbrook, though distant, are all visible from one to each other. The Neolithic humans in the Peak District landscape were more connected than it might seem. Similarly, the Nature’s paper on Stonehenge’s alter stone coming from Scotland suggests that Neolithic Britain as a whole was more connected.

(Even when I take a break, it seems I am shadowing current science…)

Finally, let’s put this all in a present-day context. It was arguably from the Stone Age that we began our technological march over thousands of years through to today. I keep telling folk today that the machines are taking over, but nobody ever listens…

Of course, the other thing to say about having a casual interest in the Neolithic as well as SF is that I have never really forgiven the dinosaurs for what they did to Raquel Welch. But that’s another story for another time…

(17) VIDEO OF THE DAY. [Item by Lise Andreasen.] Math history! Computer science history! Science fiction history! Stand Up Maths leads us on “The search for the biggest shape in the universe”. Features a visit to a highly historic computer.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Paul Weimer, Linda Deneroff, Lise Andreasen, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/12/24 I Came Upon A Scroll Of God, He Was Pixeling Down The Road

(1) BEST NOVEL WINNER TESH INTERVIEWED. [Item by Nickpheas.] Front Row, the main BBC Radio 4 arts show includes an overview of the recent Hugo controversies and an interview with Emily Tesh following her Best Novel win: “BBC Radio 4 – Front Row, Emily Tesh and the Hugo Awards”.

This year’s WorldCon – the World Science Fiction Convention – took place in Glasgow and pop culture critic Gavia Baker-Whitelaw reports on the international gathering where the winners of the Hugo Awards 2024 were announced last night.

Emily Tesh on winning the Best Novel prize at this year’s Hugo Awards with her debut novel, Some Desperate Glory.

(2) SPREAD THE WORD. Maybe fans should have been told this was DNQ – then by now everybody would know it.

(3) BEAUTY SHOTS. Richard Man has received his 2023 Hugo Award trophy and has posted a gallery of beautiful photos of it on Facebook. They include close-ups of the based and its artistic panda sculpture. Here’s the first in the series.

(4) GLASGOW 2024 PHOTO TEAM. And you can see the Worldcon in all its glory in this gallery of “Worldcon Photos” at Flickr.

(5) LOST IN TRANSLATION. Glasgow 2024 apologized for problems at last night’s Hugo ceremony with onscreen cards in rendering Chinese names. One commenter thinks the apology underplays the extent of them.

(6) WEE, SLEEKIT, COWRIN, TIM’ROUS BEASTIE. Cora Buhlert, who is headed home at this hour, shared a “Brief Worldcon Update – and a Fannish Poem”. The title of the poem is “The Phantom of the Armadillo”. You might be able to guess what it’s about from the first two lines. See the rest at the link.

There’s a spectre haunting Glasgow,
a spectre by the name of Dave…

(7) DARKLIT PRESS. Publishers Weekly has compiled the available information about the meltdown in “A Grim Fate Befalls Horror Publisher DarkLit Press”.

A metaphorical bloodbath has occurred at Canada-based independent horror publisher DarkLit Press, with authors clawing back rights, publicly splitting with the company, and claiming royalties have gone unpaid. A year ago, DarkLit was announcing new imprints and developing its audio offerings, but its website and social media accounts have gone black, and the company is not listed in the Canadian Business Registry….

(8) CAMERON Q&A. “James Cameron Interview: Avatar 3, Alien: Romulus, Terminator Zero” in The Hollywood Reporter.

There has been a lot of conversation in the last few years about UAPs [Unidentified Aerial Phenomena] along with USOs — Underwater Submerged Objects — which you brought to the pop culture forefront with The Abyss. You’ve spent so much time on and in the ocean. Have you ever seen anything that you cannot explain?

I’ve seen some geological formations that were intriguing that I really wanted to understand better that I don’t think have been well observed before. I’ve photographed new species — things that were not immediately identifiable. But I’ve never seen anything that couldn’t be explained in the sense of some extraterrestrial phenomenon. Now, “belief” is a principle that I don’t have. I don’t believe things. I admit the possibility of things because the universe is infinite and obviously much stranger than we think, and much more complex than we think — that’s what makes science so appealing. But I don’t make broad statements like, “Well, I believe there must be extraterrestrial life; the universe is so big.” Yeah, it’s really big — and getting here would be a really, really big problem if there is even life out there, and if that life is intelligent. How are they crossing light years of space? I studied physics before I became a lit major, and people have no concept of the magnitude of that problem from a physics standpoint. I have a pretty good grasp of where physics was in 1972 — which basically is laughable at this point — but I keep up.

(9) MY ALIBI. There we go – Xiran Jay Zhao and George R.R. Martin are each other’s alibis for not turning in their next book.

(10) NOW WITH ADDED DRAGONS. Erin Underwood Presents brings viewers a“House of the Dragon, Season 2 Review – Here’s why it’s actually a good season”. (Did you have doubts?)

House of the Dragon, George RR Martin’s A Game of Throne’s prequel, enters its second season with the Targaryen’s internal succession war at its peak — and it’s tearing the Seven Kingdoms apart. Plus, there are so many DRAGONS. Check out my new review of season 2.

(11) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

Born August 12, 1931 William Goldman. (Died 2018.)

By Lis Carey: William Goldman was a novelist, playwright, and screenwriter. He won two Academy Awards in writing categories—Best Original Screenplay for Butch Cassidy and the Sundance Kid (1969), and Best Adapted Screenplay for All the President’s Men (1976).

But the work for which we best know and love him is The Princess Bride, both novel and film.

William Goldman. Photo by Bernard Gotfryd

The Princess Bride is, As You Know, Bob, the film adaptation of William Goldman’s “good parts version” of S. Morgenstern’s long political satire, The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version.

Except, of course, S. Morgenstern never existed, and Goldman only wrote the “good parts,” including “footnotes” referencing fictional bits of the politics, etc., of the kingdoms of Florin and Guilder, and the frame story of a grandfather reading the story to his grandson. The adaptation for the film was, fortunately, written by Goldman himself, and is remarkably true to the novel. A grandfather reads to his grandson the “good parts version” of Princess Buttercup; her true love Westley; Buttercup’s evil betrothed, Prince Humperdinck; and of course the giant Fezzik, Inigo Montoya, Vizzini the Sicilian, and assorted other people of questionable character.

Altogether, it’s a lovely package of wit, humor, fantasy, adventure and romance. With positive critical reception but only modestly successful at the box office, it has become a cult classic. Lines from the movie are happily quoted by fans who have seen it, and those who never have, because it’s just so darned quotable and engaging.

“Inconceivable!”

“You keep using that word. I do not think it means what you think it means.”

“Never get involved in a land war in Asia.” (Solid advice, that one.)

It’s a pure delight, and has a 96% rating on Rotten Tomatoes. You can watch it on Disney+, if so inclined.

(12) COMICS SECTION.

(13) PAGING THROUGH THE SF HALL OF FAME. David Agranoff’s new Postcards from a Dying World podcast episode is about “SF Hall of Fame #7 The Weapons Shop by AE Van Vogt”.

In 1970 Avon Books published a landmark anthology “Science Fiction Hall of Fame” featuring 16 classic short stories that represent landmark tales of the genre. The stories were voted on by the members of the new (at the time in the late 60s) organization Science Fiction Writers of America. In this series, I will be joined by a panel of different guests to break down these stories and talk about the authors in the book.

In this episode, I am joined by two experts on Philip K Dick. Wait a second I thought this episode was about AE Van Vogt. It is.. but the Canadian Golden Age author was a massive influence on PKD, so I was interested in introducing two Dickheads to Van Vogt. So joining me is the Total Dickhead blogger – Professor David Gill and author/publisher/editor Keith Giles of Quior Books.

(14) COMIC-CON PROGRAM BOOK IS FREE DOWNLOAD. [Item by Bill.] The San Diego Comic-Con’s program book is released as a PDF.  It contains much of SF interest.  Find it here.

(15) DISNEY LEGENDS AT D23. The star-power was turned up bright this past weekend at the D23 Expo in Anaheim.

Jamie Lee Curtis has always been legendary, but now it’s official: she was named a Disney Legend on Sunday during the D23 Expo.

Lindsay Lohan took the stage to queue up a montage of Curtis’ most memorable roles, telling the crowd, “I have been able to have the pleasure of working with Jamie Lee Curtis. And the magic of Jamie Lee Curtis is that she is timeless. Every character she plays is different, and she always brings something unique to the role. And I feel so blessed to have Jamie as a friend in my life, and I feel lucky to work with a woman that I admire so much.”

Jodie Foster surprised the crowd after Lohan’s introduction to further lionize Curtis, saying, “There are many things that my bestie Jamie and I have in common,” recalling their upbringing as young women in Hollywood.

“Here are many of the absolutely freaky things that you may not know about her: You probably don’t know she eats dinner at 3 or 4, and is asleep by 7:30. She gets up at 3 a.m., she saves the world and she online shops a little bit,” Foster continued.

“She is so thoughtful and so generous, such a supportive and kind cheerleader, that it just makes me want to punch her,” Foster said with a laugh. “Is that wrong?” Foster then presented Curtis with her own embroidered pair of Mickey Mouse ears….

…After a montage of Harrison’s most iconic work, Ford took the stage to an enthusiastic standing ovation. Referencing one of his most iconic “Star Wars” moments, he told the crowd, “I love you, too” (a more direct version of Han Solo’s famous response, “I know.”)

He continued, “I love the life you’ve given me. I love the people that I’ve had the opportunity to work with. Nobody does anything in this business for long. We work in collaboration, no matter what who we are and what we’re doing.”

Ford called himself an “assistant storyteller,” adding, “The stories are for you, about you, about us,” Ford said as he choked back tears. “To be able to work in that area is a privilege.”….

Angela Bassett was recognized for three decades of work with Disney, including her role in Touchstone’s “What’s Love Got to Do With It,” narration of National Geographic’s The Flood and the Disney+ docuseries “The Imagineering Story,” and, most recently, her Oscar-nominated performance as Queen Ramonda in “Black Panther: Wakanda Forever.”…

…“Titanic” director James Cameron was also among the honorees, recognized for his work on the “Avatar” film franchise, for which he’s currently in post-production for the third entry, with a planned fourth and fifth in pre-production. He’s also behind several documentaries made in partnership with National Geographic, including the Emmy-winning “Secrets of the Whales” and Emmy-nominated “Secrets of the Elephants.” He also executive produced the OceanXplorers series, due in fall 2024 from National Geographic….

…Ripa began her career as an actor on the soap opera “All My Children” and the sitcom “Hope & Faith.” She’s best known for her work on morning television as the co-host of ABC’s “Live,” which she’s appeared on since 2001….

…Bassett, Cameron and Ripa were joined by fellow Disney Legend honorees Jamie Lee Curtis, James L. Brooks, Harrison Ford, Frank Oz, John Williams, Miley Cyrus, costume designer Colleen Atwood, Disney Parks cast member Martha Blanding, the late Marvel comic artist Steve Ditko, animator Mark Henn, and imagineer Joe Rohde….

(16) FREAKIER FRIDAY. And once D23 is over, everybody goes back to work. “‘Freaky Friday 2’ Title Revealed as ‘Freakier Friday,’ Brings Back Lindsay Lohan’s Rock Band Pink Slip And Loads of Cameos”Variety has the story.

…“It feels like no time has passed,” Curtis told the ecstatic crowd.

Lohan revealed the two had stayed in touch over the years and said, “We’re very close.” To which Curtis replied, “It feels like we’re picking up where we left off.”

And with that, the trailer for Nisha Ganatra’s “Freaky Friday 2,” starring Curtis and Lohan was revealed…

(17) PRIDE OF DISNEY. A trailer has dropped for Mufasa: The Lion King – in theaters December 20.

Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa: The Lion King” enlists Rafiki to relay the legend of Mufasa to young lion cub Kiara, daughter of Simba and Nala, with Timon and Pumbaa lending their signature schtick. Told in flashbacks, the story introduces Mufasa as an orphaned cub, lost and alone until he meets a sympathetic lion named Taka—the heir to a royal bloodline. The chance meeting sets in motion an expansive journey of an extraordinary group of misfits searching for their destiny—their bonds will be tested as they work together to evade a threatening and deadly foe.

(18) IS CONSCIOUSNESS DOWN TO QUANTUM EFFECTS. [Item by SF Concatenation’s Jonathan Cowie.] Physicist Matt O’Dowd over at PBS Space Time takes a look at Nobel laureate Roger Penrose’s idea that the brain might enable consciousness through quantum effects: the brain might be a quantum computer, his rationalization being known as orchestrated objective reduction. Basically, we think – outside the box –  like quantum and not analogue computers.

Now, the arguments against this are that physicists currently entangle atoms in vacuums at very, very cold temperatures: conversely, brains are warm and wet. (We biologists like things warm and wet.) Subsequently, in the mid-1990s, an anaesthetist, Stuart Hameroff, suggested microtubules found in brain cells might have the macromolecule, the tubulin protein, Penrose was looking for as many anaesthetics work by impairing microtubule function.

The latest news is that a paper has been published showing that molecules in microtubules exhibit superradience and superradience (as you all know well?) is a phenomena arising out of quantum entanglement.

Now, just because a molecule exhibits supperradience by itself is not proof that the molecule can behave in an entangled quantum way, however it is at the very least corroborating evidence and so we can file this in the ‘interesting’ drawer.

Also, don’t be quick to rule out the ‘warm and wet’ problem just because physicists find it difficult.  In biology we think that photosynthesis (how plants harness sunlight’s energy) likely relies on quantum effects: it is possible that quantum coherence and electron tunneling are involved in photosynthesis. Quantum_biology is a thing.

Finally, let’s think of the SF implications of all of this. Given the number of microtubules in the brain and given the number of calculations quantum computers can do, then to get General Artificial Intelligence (that’s 2001 HAL level of A.I.) we would need a very, very large quantum computer and that seems a very long way off and is certainly not something we can do with conventional, analogue computers.  If this is so, then it may mean our getting a powerful A.I. capable of conscious, independent thought is unlikely…  This, some may say, could be good news. I keep on telling people that the machines are taking over.  But nobody ever listens…

That’s everything in a nutshell. Matt O’Dowd explains it with a little more detail (and fortunately with no heavy mathematical equations). You can see the 19-minute video here.

Nobel laureate Roger Penrose is widely held to be one of the most brilliant living physicists for his wide-ranging work from black holes to cosmology. And then there’s his idea about how consciousness is caused by quantum processes. Most scientists have dismissed this as a cute eccentricity – a guy like Roger gets to have at least one crazy theory without being demoted from the supersmartypants club. The most common argument for this dismissal is that quantum effects can’t survive long enough in an environment as warm and chaotic as the brain. Well, a new study has revealed that Penrose’s prime candidate molecule for this quantum activity does indeed exhibit large scale quantum activity. So was Penrose right after all? Are you a quantum entity?

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Erin Underwood, Nickpheas, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Detecting Warp Drives

By SF Concatenation’s Jonathan Cowie: This piece comes a couple of months ahead of appearing in next season’s SF2 Concatenation.

The pre-print of a rather dry, but fun – with a sprinkling of Star Trek references – “What no one has seen before: gravitational waveforms from warp drive collapse” — looks as to whether a warp drive would be detectable. The way to do it would be to use a gravity wave detector, and here a lot has happened the past decade or so.

Back in 2012 we inferred gravity waves by seeing the orbital decay a couple of tightly orbiting dwarf stars (JO651), some 3,000 light years away. Under Newtonian physics, this should not happen but under General Relativity such an orbiting system would generate gravity waves and so lose energy and the stars’ orbits about each other would decay. And this was what was observed.

Then in 2015 a laser inferometer (LIGOfirst detected gravity waves. However, these types of detector can only detect gravity waves in a window limited mostly to frequencies in the range of around 100–1,000 hertz with a wave period of milliseconds. Now, there are other ways to detect gravity waves and in 2016 a new way was theorised using the change in frequency of pulsars (a gravity wave travelling through a pulsar would change the rate of its pulsing). It took just a decade to develop a detector but its first release of data in 2022 did not reveal any gravity waves. Fortunately, not long later (2023), a detection was made this way with wave lengths of many light years long and a frequency of hundredths of a microhertz. Such gravity waves are caused by orbiting supermassive black holes of the type commonly found in the centre of large galaxies.

That then is the background. So, what of the gravity waves generated by a theoretical warp drive? A small collaboration of European-based physicists (two in Great Britain and one in Germany) have just theorized what to look for. They hypothesized a one-kilometer diameter warp bubble (big enough for most self-respecting Federation starships) using an Alcubierre warp drive that was accelerating or decelerating (say due to warp containment failure) from a velocity of one-tenth the speed of light. Such a starship in our galaxy, or even as far away as Andromeda, would generate gravity waves with a frequency of around 300 kilohertz and a strain (equivalent to a movement) of 10-21. Now, the latter (the strain) would be (hypothetically) detectable by LIGO but, alas, the former (the frequency) would not.

So, that’s their theoretical calculation. So, could we in reality detect such waves any other way? The bad news is, sadly, not yet, as such waves are outside current methods of detecting gravity waves of this frequency. The good news is that there are theoretical/hypothetical ways of detecting such gravity waves using Bose-Einstein condensates (matter in either a very cold or highly compressed state).

Of course, the other problem is for a variety of reasons – not least the necessity of some exotic physics – in realising (with our current understanding) an Alcubierre warp drive as that entails physics that may perhaps confine such drives purely to the realm of science fiction. This exotic physics includes negative energy and mass, something of which we bioscientists are a tad wary, but which some physicists think they may have detected in 2017. So maybe there is hope? If only the energy needed was not so prohibitive: the energy of the gravity waves generated by such a starship would have 1/100 times the mass-energy of the Sun… No wonder Scotty was always a tad on edge when the engines went critical: though I always had a nagging suspicion that William Shatner never really understood this! Having said that, it would be interesting to see if there were such gravity waves, especially if there were loads of them as there would be with an interstellar, Star Trek type Federation at war with the Klingons or Borg as there would bound to be loads of collapsing warp bubbles, or if it were possible to safely rapidly switch off an Alcubierre warp at a journey’s end. If there were loads of such detections we would need some alternative explanations for them otherwise we might have to turn to the science fiction…

Fortunately, while the pre-print paper is rather dry, its abstract is understandable and its end a little fun…

Despite originating in science fiction, warp drives have a concrete description in general relativity, with Alcubierre first proposing a space-time metric that supported faster-than-light travel. Whilst there are numerous practical barriers to their implementation in real life, including a requirement for negative energy, computationally, one can simulate their evolution in time given an equation of state describing the matter. In this work, we study the signatures arising from a warp drive ‘containment failure’, assuming a stiff equation of state for the fluid. We compute the emitted gravitational-wave signal and track the energy fluxes of the fluid. Apart from its rather speculative application to the search for extraterrestrial life in gravitational wave detector data, this work is interesting as a study of the dynamical evolution and stability of space-times that violate the null energy condition. Our work highlights the importance of exploring strange new space-times, to (boldly) simulate what no one has seen before.

See Clough, K., Dietrich, T. & Khan, S. (2024) “What no one has seen before: gravitational waveforms from warp drive collapse”. Preprint at arXiv.

Pixel Scroll 7/20/24 There’s A Barsoom On The Right

(1) HELLO FROM CHINA. The Hugo Book Club Blog has a guest post from Chinese fan RiverFlow: “Guest Post: Unite Sci-Fi Fans Around The World”.

Hello science fiction fans attending the 2024 World Science Fiction Convention in Glasgow. First of all, have you heard of Chinese sci-fi fandom? If so, what examples can you give?

Science fiction fans in China were excited when Zero Gravity News won the Hugo Award for Best Fanzine last year. See “Introducing Chinese sci-fi fanzine Zero Gravity News” to learn more about the fanzine.

Yes, in fact, there is a very large group of science fiction fans in China, but few people have collected and collated their materials. I have been working on this since 2020, and have written some articles to introduce the collection.

The earliest Chinese Fanzine was born in 1988. In the 1990s, many science fiction fans were employed and writing in their leisure time, but in the 21st century, these contributions were mainly completed by students. Because workers are busy with their lives and families, it is difficult to find time to organize related activities. So I wrote a book, History of Chinese University Science Fiction Association, to introduce Chinese science fiction fans to the rest of the world. The thousands of photos and hundreds of thousands of words are enough to prove the rich history of this group….

(2) LOCAL GROUP FOCUS – NORTHUMBERLAND HEATH SF. [Item by SF Concatenation’s Jonathan Cowie.] This is the Northumberland Heath SF’s group meet recently when a Mandalorian visited. 

This is just half its regular membership of a score or so who turn up to at least two or three meets a year: work shift rotas, familial and other commitments, etc., mean that it is rare that all regulars attend the same meet.  In addition, the group’s Facebook has some 260 followers of which half are local, but 120 of these have never physically attended a meet. (Is this typical of other local groups?) Of the non-local remainder FB followers, a good proportion are familiar names on some Worldcon registrant lists. Some of its members belong to other specialist regional and national SF groups and one of its members is the daughter of a former Worldcon fan GoH.

The group is only several years old but has some heritage connection with the former NW Kent SF group of the 1980s and ’90s that used to meet in nearby Dartford.  N. Heath SF is located in southeast London, on its border in Kent, which means that in addition to local social gatherings and cinema outings, it is easy to have trips to central London events, such as the annual Sci-Fi London film fest, or one-offs, such as the Loncon 3 Worldcon. It meets the second Thursday of each month so as not to clash with the first Thursday London SF Circle (as it used to be called) gathering.

EDITOR’S NOTE: Jonathan adds, “I for one would be interested to see potted summaries of local SF groups across different countries” and I enthusiastically second the idea. I’d love to run people’s introductions to the sf groups they’re in.

(3) DOWNLOAD THE 2019 GUFF TRIP REPORT. Simon Litten’s 2019 GUFF Trip Report Visiting Nearly Kiwiland has been published. Copies can be downloaded at the Australian Fan Funds website.

There’s no charge to download the report but interested fans may wish to make a donation to GUFF (via PayPal to guffeurope@gmail.com).

(4) THE SELF-PUBLISHING BUSINESS. Dave Dobson offers a deep dive into the numbers in his “Anatomy of a free BookBub featured deal”. A lot to learn here about Amazon, free book campaigns, and ratings.

Also, the intangibles – the sales rank, the visibility, the (I hope) new fans, the glut of new ratings and reviews – all of those are things I’d gladly have paid a couple hundred bucks pursuing. So, I’m going to call this a clear win, and I’d do it again in a heartbeat.

(5) OCTOTHORPE. In episode 114 of Octothorpe, “Tastemaker Batty”, John Coxon, Alison Scott and Liz Batty discuss the Hugo Awards. Uncorrected transcript is available here.

We cover all the categories except Best Novel, which we covered in a previous episode. The deadline is today (20 July 2024 at 21:17 Glasgow time). Don’t forget to vote beforehand. 

The value for “today” is a now-expired deadline. But that comes to us all sooner or later.

”Octothorpe 114” is at the top, and the word ”Octothorpe” is written on a series of lottery balls. Below that, a bingo card, and below that, the words ”Worldcon Community Group Bingo Card". The items on the card are as follows: - Can I convert pounds to Scottish money? - Does anyone have any opinions on...? - Do you know my Scottish cousin? - This list is too long to read so can someone... - Is the programme out yet? - Can I swim in the Clyde? - Can I visit Stonehenge for the day? - Asks question answered in PR5 - Does Glasgow Zoo have live haggis? - Volunteering is the best way to have fun - What's with all the armadillos? - Shouldn't the subway be a Digital Orange now? - Free! - Is the con organising an aurora viewing? - Is it too late to get on the programme? - Will Nessie be doing a signing? - Mention of Glasgow, England - Can anyone go to the Hugo Awards? - Why don't we do this the way we did in 1956? - Can I fly from Glasgow to Edinburgh? - Will there be any authors there? - Can I bring my Emotional Support Moose? - Are tartan and/or kilts compulsory? - What I reckon... - Mention of deep-fried Mars Bar

(6) PLUTO STILL NOT ONE OF THE COOL KIDS. “Astronomers Propose New Criteria to Classify Planets, but Pluto Still Doesn’t Make the Cut” in Smithsonian Magazine.

Nearly two decades after Pluto got kicked out of the planet club, astronomers are proposing an updated way to define “planet” based on more measurable criteria. The current definition is “problematic” and “vague,” they write in a paper published Wednesday in The Planetary Science Journal.

Unfortunately for fans of the dwarf planet, however, Pluto would remain excluded, even if the proposal is approved….

… “Jupiter’s orbit is crossed by comets and asteroids, as is Earth’s,” Gladman points out in a university statement. “Have those planets not cleared their orbit and thus, aren’t actually planets?”

In a bid to correct for this ambiguity, Gladman and his two colleagues propose a more measurable definition. According to their model, a celestial body is a planet if it: orbits one or more stars, brown dwarfs or stellar remnants; is more massive than 1023 kilograms (a size big enough to clear its orbit of debris); and is less massive than 2.5 x 1028 kilograms (equivalent to 13 Jupiter masses).

Pluto’s mass is 1.31 x 1022 kilograms, so it would remain excluded—but our current eight planets would retain their classification….

New Horizons photo of chaos region on Pluto.

(7) TOP SCI-FI MOTORBIKES. SlashGear praises “10 Of The Coolest Motorcycles In All Of Science Fiction”.

…When making this list, we looked at motorcycles that specifically had a sci-fi bent to them. The 1990 Harley-Davidson Fat Boy in “Terminator 2: Judgement Day” is definitely cool, but that’s a bike that already exists. We wanted motorcycles that pushed the boundaries of transportation in the future and perhaps even inspired folks to design their own bikes that look similar in real life. These are the sci-fi motorcycles that show that while society might change in the future, riding around on a cool motorcycle never gets old. …

The list includes —

Kaneda’s bike in Akira

Kaneda’s bike in “Akira,” one of the most influential anime films of all time, isn’t just cool-looking — it inspired the famous “Akira Slide,” which has entered meme status and has been referenced in a wide range of projects, from “Batman: The Animated Series” to Jordan Peele’s “Nope.” Even when it’s not sliding, the bike is beautifully drawn. 

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 20, 1938 Dame Diana Rigg. (Died 2020.)

By Paul Weimer:

I was introduced to Diana Rigg thanks to Roger Zelazny’s Amber.

It’ll make sense, trust me.

As you know, I am and have been an enthusiastic player of the Amber Diceless Roleplaying Game, set in the endless multiverse of the novels.  Lots of players and GMs like to import ideas from other books, shows and series. (I am no exception in that regard, mind you).

Diana Rigg

One of these GMs I played with was a big enthusiast of The Steed and Peel Avengers series from the 1960’s. I was not yet familiar with the series, but after playing a session where Steed turned out to be a secret Amberite, I had to know more! Who was Steed and who was the mysterious Mrs. Peel he was looking for (as part of the plot)?  (She did not actually appear on screen). The GM encouraged me to seek out The Avengers.

And thus, I discovered the original Avengers TV series, and thus, Diana Rigg. I was enchanted immediately, of course, by a beautiful kick-arse actress with skill, verve, and action. I avidly watched all the episodes of The Avengers, finding Rigg the best of the partners for McNee by a long way. The DNA of some notable action heroines with skill, verve, intelligence and independence definitely can be traced back to Rigg’s Mrs. Peel.

Later on, she was proven delightful in things such as Game of Thrones (Olenna Tyrell was a great major character for her late in her career) and, when I discovered, the weird and wonderful steampunk movie The Assassination Bureau.

But in the end, yes, for me Diana Rigg IS Mrs. Peel.  Now, if only Moorcock could confirm that Peel is actually an aspect of the Eternal Champion…

(9) COMICS SECTION.

(10) MONSTERPIECE THEATRE. “Godzilla Takes on the Great Gatsby in Monsterpiece Theatre Comic” at The Wrap. Cover art and preview pages at the link.

Godzilla’s been on a resurgent streak, from the MonsterVerse franchise and “Godzilla Minus One” in theaters to “Monarch” on Apple TV+. Now, TheWrap can exclusively share that acclaimed writer and artist Tom Scioli is delivering comic book “Godzilla’s Monsterpiece Theatre” from IDW, with the giant lizard taking on figures from throughout literary history — including the Great Gatsby, Sherlock Holmes, H.G. Wells’ Time Traveller and a mystery man with vampiric fingers and a “D” on the back of his cape (want to take a guess?).

The three-issue series is set in 1922, with one of Jay Gatsby’s legendary parties luring the attention of the giant lizard himself. Rather than being able to woo Daisy Buchanan, he has to deal with Godzilla absolutely demolishing his estate. Gatsby follows up on the destruction by teaming with the aforementioned 20th century literary icons to take his revenge….

(11) POINT OF NO RETURN? [Item by SF Concatenation’s Jonathan Cowie.] Bad news in this week’s Science editorial: “Go/no-go for a Mars samples return”.

Last month’s return to Earth of China’s lunar lander Chang’e-6 with samples from the far side of the Moon is a reminder that there are “firsts” in robotic space exploration still to be achieved. Unfortunately, this year has seen a major set-back for the prospects of an even more extensive plan to collect samples from Mars. In April, the US National Aeronautics and Space Administration (NASA) made clear that the ballooning cost for the US Mars Sample Return mission to around $11 billion was too much and the 2040 return date was too distant. NASA has been told to look for ideas to lower costs and shorten the timeline. Shock and anger are palpable in the astronomy community.

The challenge of an exploratory robotic mission to Mars to collect samples and return them to Earth for study dates back to the post-Apollo era, 50 years ago. Twenty-five years ago, a breakthrough occurred when France and the US announced a joint Mars sample return program. Sadly, that foundered on financial grounds. Fifteen years ago, the goal of a joint project between NASA and the European Space Agency (ESA) was vetoed at a high level in NASA, possibly an echo of the previous experience.

Nonetheless, the last two US National Academy of Sciences planetary science decadal surveys gave the Mars Sample Return mission a high priority, thereby encouraging federal agencies to fund it. Then, last year, after the critical design phase and external review, the program’s price turned out to be way above expectations, leading NASA to apply brakes to the project…

The figures quoted for cost escalation of the Mars Sample Return mission are a reminder that NASA’s JWST project grew from less than $1 billion to around $10 billion. However, most of the JWST cost increases came after the design phase, the point where the Mars project is now caught. The sub[1]sequent steady growth in the cost of JWST was due to a different cause— namely, the year-by-year NASA budget negotiation in Congress. Once the design phase is completed, a large development team is formed. European collaborators watched in frustration as the annual US budget, cycle after cycle, drip-fed just enough money to sustain the JWST mission’s team but not enough to allow efficient progress. The multiyear funding of the ESA Science Programme by member states mitigates this.

NASA is now told to look for a solution to the Mars Sample Return mission, but the agency is likely caught at a tricky crossroads. A quicker, cheaper swoop to grab Mars dust and get it back to Earth could win the exploration “first,” but that will not satisfy the US National Academy decadal goals….

(12) FARM ROBOTS. [Item by Mark Roth-Whitworth.] “Could robot weedkillers replace the need for pesticides?” in the Guardian. I’m sure they will, and I expect smaller ones for gardens.

On a sweltering summer day in central Kansas, farm fields shimmer in the heat as Clint Brauer watches a team of bright yellow robots churn up and down the rows, tirelessly slicing away any weeds that stand in their way while avoiding the growing crops.

The battery-powered machines, 4ft (1.2 metres) long and 2ft (0.6 metres) wide, pick their way through the fields with precision, without any human hand to guide them….

His Greenfield agricultural technology company now builds and programs its robots in a shed behind an old farmhouse where his grandmother once lived….

…Farmers have been fighting weeds in their fields – pulling, cutting and killing them off with an array of tools – for centuries. Weeds compete with crops for soil moisture and nutrients and can block out sunlight needed for crop growth, cutting into final yields. Over the last 50-plus years, chemical eradication has been the method of choice. It is common for farmers to spray or otherwise apply several weedkilling chemicals on to their fields in a single season.

But as chemical use has expanded, so has scientific evidence that exposure to the toxic substances in weedkillers can cause disease. In addition to glyphosate’s link to cancer, the weedkilling chemical paraquat has been linked to Parkinson’s disease. Another common farm herbicide, atrazine, can be harmful to reproductive health and is linked to several other health problems.

Weedkilling chemicals have also been found to be harmful to the environment, with negative impacts on soil health and on pollinators and other important species. 

… North Dakota-based Aigen Robotics has raised $19m to date. Its compact robots are powered by solar panels fixed to the top of each machine and are designed to work autonomously, sleeping and waking up on farm fields….

… Still, many farmers and academic experts are skeptical that farm robots can make a substantial difference. They say that there is simply too much farmland and too many diverse needs to be addressed by robots that are costly to make and use. The better path, many say, is for farmers to work with nature, rather than against it.

The model of regenerative agriculture – using a variety of strategies focused on improving soil health, including limiting pesticides, rotating crops, planting crops that provide ground cover to suppress weeds and avoiding disturbing the soil – is the better path, they say….

(13) ELEMENTARY. According to ScienceAlert, “Curiosity Cracked Open a Rock on Mars And Found a Huge Surprise”.

A rock on Mars has just spilled a surprising yellow treasure after Curiosity accidentally cracked through its unremarkable exterior.

When the rover rolled its 899-kilogram (1,982-pound) body over the rock, the rock broke open, revealing yellow crystals of elemental sulfur: brimstone. Although sulfates are fairly common on Mars, this is the first time sulfur has been found on the red planet in its pure elemental form….

“But do they smell like rotten eggs?” asks John King Tarpinian.

(14) SF IN 1958. [Item by SF Concatenation’s Jonathan Cowie.] Grammaticus Books has continued his deep dive into some golden age editions of SF pulps. This time he looks at a1958 edition of Fantasy & Science Fiction that saw Heinlein’s “Have Spacesuit Will Travel” which if memory serves was short-listed for a Hugo. There’s also a Richard Matheson in the mix…

(15) VIDEO OF THE DAY. [Via Cat Rambo.] “We Didn’t Start the Fire (Bardcore|Medieval/Renaissance Style Cover)” from Hildegard von Blingin’.

There are many covers of Billy Joel’s We Didn’t Start the Fire that adapt it to different times, but we wanted to give it the bardcore treatment. *Unlike the original, the list is not chronological, and jumps around in time a lot. It very loosely spans from around 400 to 1600, and is from a rather Eurocentric point of view. Thank you to my brother, Friar Funk, for devising the lyrics and providing the majority of the vocals. Many thanks as well to his new wife and our dad for joining us in the chorus at the end.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “CCR” Dern.]

Pixel Scroll 7/9/24 We Also Walk Cats (But Not Through Walls)

(1) FIRST LAWS OF ROBOTICS. South China Morning Post has a few details —  “China’s Laws of Robotics: Shanghai publishes first humanoid robot guidelines”.

Shanghai has published China’s first governance guidelines for humanoid robots, calling for risk controls and international collaboration, as tech giants like Tesla showed off their own automatons at the country’s largest artificial intelligence (AI) conference.

Makers of humanoid robots should guarantee that their products “do not threaten human security” and “effectively safeguard human dignity”, according to a new set of guidelines published in Shanghai during the World Artificial Intelligence Conference (WAIC) on Saturday.

They should also take measures that include setting up risk warning procedures and emergency response systems, as well as give users training on the ethical and lawful use of these machines, according to the guidelines.

The document was penned by five Shanghai-based industry organisations including the Shanghai Law Society, Shanghai Artificial Intelligence Industry Association and the National and Local Humanoid Robot Innovation Centre.

…China has made it a goal to have mass production of humanoid robots by 2025 and wants global leadership in the sector by 2027, according to a plan published by the Ministry of Industry and Information Technology (MIIT) in November last year.

By 2027, humanoid robots should become “an important new engine of economic growth” in China, the MIIT urged. Robots are expected to be popularised in industries including healthcare, home services, agriculture and logistics, according to the document….

(2) 3RD ANNUAL STURGEON SYMPOSIUM REGISTRATION. Registration is now open for the 3rd Annual Sturgeon Symposium, Oct 24-25, celebrating the groundbreaking work of author and critic Samuel R. Delany. The symposium will include a reading by the winner of the Sturgeon Award for best speculative fiction story published in 2023, scholarly panels, and appearances by Delany himself. Fee waiver available for students and others with financial need. Join us!

Register here: Sturgeon Symposium | Stars in Our Pockets: Celebrating Samuel R. Delany Tickets, Thu, Oct 24, 2024 at 9:00 AM | Eventbrite T-shirt, lunch, and Thursday reception are included with registration.

More information here, including updates to schedule: 

(3) VIRTUAL STOKERCON PANEL REPORTS. Lee Murray has put together highly informative summaries of two panels convened during the Horror Writers Association’s 2024 Virtual StokerCon event.

Trigger Warning: This article addresses issues of grief, loss, and mental health.

Moderated with compassion by Mo Moshaty, an author-producer with experience working closely with death doulas, the panel commenced with a round-robin of introductions, including the panellists’ relevant work, and also their particular interest in the topic of grief horror. 

Panelists included Mark Mathews, Clay McLeod Chapman, Nat Cassidy, Katherine (Kat) Silva, Ally Malinenko, and Laura Keating.

From the opening comments, it was clear that this was going to be a confronting and also humbling session, with panelists sharing their own experiences of trauma and grief, with their specific experiences discussed in more detail over the course of the panel. 

Moshaty kicked off the discussion by stating that grief, as a universal emotion, touches everyone in society, so it follows that we would want to represent grief in our horror literature. Mark Matthews and Nat Cassidy agreed that horror is a genre that is grounded in grief. Clay McLeod Chapman admitted to feeling inspired and intimidated to talk frankly about the topic, but also that he expected the discussion to be eye-opening and cathartic. He was especially interested in how we move through grief while also tackling it in our work….

Striking a sustainable work-life balance for the long-game in horror takes time and experience. Eric LaRocca, Christa Carmen, Ace Antonio-Hall (Nzondi), Pamela Jeffs, and EV Knight offer their insights in a panel moderated by L. E. Daniels on how to protect our bodies and minds as we navigate dark fiction.

Recently, I had the pleasure to attend the Self-Care for Horror Writers panel offered in the virtual space at StokerCon 2024. Given the close alignment of the topic to the work of the HWA Wellness Committee and our Mental Health Initiative, this panel was a must-view for me, and I wasn’t disappointed. Expertly moderated by Bram Stoker-nominee and Wellness Committee member L. E. Daniels, the discussion was wide-ranging and engaging, with speakers offering insightful gems and tried-and-true strategies for maintaining well-being. Key points are summarised in this report.   

Daniels began by asking her panelists how they have developed a sustainable work-life balance for the long game that is writing, publishing, and writers’ events….

(4) SCOTS GOTHS. [Item by Steven French.] For those who might be in the Edinburgh area in September, here’s an interesting event at the National Library of Scotland – and it’s free! “Treasures: Mary Shelley, Frankenstein, and the Scottish Gothic Tradition”, Thursday, September 5 at 17:30 at the National Library of Scotland in Edinburgh.

Hear from Dr. Emily Alder and Professor Daniel Cook, both leading experts in the field of Gothic literature, as they consider the ways in which Frankenstein and the Gothic permeate Scottish fiction to this day. Chaired by one of our foremost cultural commentators and interviewers, Dr. Alistair Braidwood.

With the recent success of the film adaptation of Alasdair Gray’s ‘Poor Things’, and the debt Gray’s novel owes to ‘Frankenstein’ and Gothic fiction, how might we consider the influence of Mary Shelley’s masterpiece on subsequent writers and their work? Where does James Hogg’s ‘Justified Sinner’, Robert Louis Stevenson’s ‘Jekyll and Hyde’, or more recent works by Muriel Spark, James Robertson, Alice Thompson, A. L. Kennedy, and Alasdair Gray fit into a Scottish Gothic tradition?

This event celebrates our new Treasures display, featuring items relating to Byron and Mary Shelley.

(5) RETRO PIXEL. [Item by SF Concatenation’s Jonathan Cowie.] Regarding the July 5 Pixel Scroll’s “(9) SCIENCE EXHIBITION IN LONDON” by Steven French, who wrote, “If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society…”

Actually, it lasted the previous four weekdays too. I usually go and was, indeed, there this year wearing my climate science hat.

Jonathan Cowie at the Royal Society exhibition

At the exhibition, I am pointing to a graph of past temperatures as revealed by a 900,000 year Antarctic ice core at a particular point called the Mid-Brunhes Event before which glacials were less cold with interglacials being more cold, and after this point where – like today – glacials are colder and interglacials warmer. ‘Why is this so?’ you may well ask. Alas, we don’t know, though theories abound.

Antarctic ice core drilling continues. We are currently looking at another location where the ice hopefully has a record going back over a million years: ideally to 1.5 million years so as to cover the Mid-Pleistocene Transition which saw a major change to glacial-interglacial cycles that was possibly due to the arrival of large, long-term ice over Antarctica and substantive northern hemisphere glacial ice sheets. (At least, that’s the working hypothesis I go with.)

This year, six of us went to the Royal Society’s Summer Exhibition, including another member of the SF² Concatenation team.

If you like science – and many science fiction fans do – then this annual event is worth checking out.

If you need post-exhibition sustenance, the near-by Golden Lion pub is sufficiently off the tourist track that while it is usually busy Mondays to Fridays up until 7.45 it then quietens down. It has hand-pump beers and reasonable hot pub food but note it closes early Mon-Thurs at 10pm. On the way there, you can see typical 19th century West-End London architecture.  Some old buildings have been demolished, but the past decade or so has seen developers knock down buildings but keep the frontage walls: so the building looks the same from the outside but is completely modern inside.

The Royal Society (Britain’s Science Academy) is housed in Germany’s former London embassy up to World War II.  Its (the Society’s) President’s office today has a marble swastika in the floor (under a carpet but conserved as the swastika apparently has a heritage preservation order on it).

Keep an eye out next year in early July for another Royal Society summer exhibition. Avoid the weekend day as that is very crowded (Dublin Worldcon levels of crowding) with parents bringing children.

(6) THE INSTALLMENT PLAN. Eugen Bacon offers an intriguing alternative at Reach Your Apex: “What if you wrote your novel story-by-story, using your strength as an author of short stories?” — “For Writers: Writing the Novel – For Short Story Authors”.

…Maybe you’ve even won or been a finalist in awards with your short story, you’ve been killing it in anthologies—as in editors have you on speed dial, critics raving about your short story (you kinda hog the lot, you’re getting a bit self-conscious about it—maybe not, it’s fucking awesome). And you have a short story collection or three… But your mate, your family, maybe a literary agent… has been on your case, as in: “So where’s that novel?”

And imposter syndrome is creeping in, and you feel you gotta write that effin novel.

Or maybe you’ve written a short story you like so much, you want it as a starting point for a novel. Perhaps more characters are popping up, too many to contain in a short story. Or maybe you want to stretch the story—by timeline or theme or view point. The start is the same, the closing is the same, but the inside of the story is becoming longer. It demands more history, more world-building, a deeper look. Now you really need that novel.

But short stories are your strength. You don’t want to get entangled in a tortured story or a runaway plot. What if the short story is just what it is—the point of it could be lost in expanding it. Who wants a bloody novel? You do. What if the short story has told itself out: do you really need that novel? Yes, bloody yes, every inch of you shouts.

But you do love the energy in a short story—yes, Carver: Get in, get out. Don’t linger.   

So what if you could retain all that you love about the short story, and still write that novel? What if you could write about a moment in time, something experimental and decentralized, something flexible, economic, dynamic, mimetic, metaphoric, immediate, intense—and it’s still a novel?

This is how it happens: What if you wrote your novel story-by-story, using your strength as an author of short stories?…

(7) PIDGIN DROPPINGS.  “Preliminary Notes on the Delvish Dialect” by Bruce Sterling at Medium.

…Also, the human owners/managers of Large Language Models have extensively toned-up and tuned-down these neural network/deep learners/foundation-platforms, so that these “writers” won’t stochastically-parrot the far-too-human, offensive, belligerent, and litigous material that abounds in their Common-Crawl databases.

The upshot of this effort is a new dialect. It’s a distinct subcultural jargon or cant, the world’s first patois of nonhuman origin. This distinctive human-LLM pidgin is a high-tech, high-volume, extensively distributed, conversational, widely spoken-and-read textual output that closely resembles natural human language. Although it appears as words, it never arises from “words” — instead, it arises from the statistical relationships between “tokens” as processed by pre-trained transformers employing a neural probabilistic language model.

And we’ll be reading a whole lot of it. The effort to spread this new, nonhuman dialect is a colossal technical endeavor that ranks with the likes of nuclear power and genetically modified food. So it’s not a matter of your individual choice, that you might choose to read it or not to read it; instead, much like background radioactivity and processed flour from GMO maize, it’s already everywhere.

Technically, this brave-new-world dialect is actually a wide number of different Language-Model idiolects, which arise from different databases and different LLM training methods. Machine-translation AIs speak a thousand human languages at once. Consumer-facing chatbots speak with courtly circumlocutions. LLMs exist that are specially trained for marketing, warfare, cooking, legal boilerplate, code generation, website design. And so on….

(8) HALF PAST HUMAN… [Item by SF Concatenation’s Jonathan Cowie.] In recent years I have moved more from the current climate change issue into looking at the deep time evolution of the Earth system as well as that of life. (This is the ‘co-evolution of life and planet’ narrative in case any of you were wondering.) It is a big topic, but one of the things I have been looking at is not just where we have come from (and how) but where we are going. One instance (of a number) is that across deep-time both geology and biology have seen increasing ‘information’: each key step in deep-time evolution has seen increased information (in the geological record) and increased information processing (in the case of biology). However, we (modern humans) are now using technology, starting with using new alloys not found in nature to make ploughs which in turn helped us sustain a larger population and a non-agrarian population which could do things like science (as well as paint pretty pictures etc). And now our technology itself is processing more information.  If DNA were represented as information (and we have already coded all the sonnets of Shakespeare as DNA) then the amount of computer information we hold globally now rivals (if not exceeds – my last data point for this was over half a decade ago) the DNA in life planet-wide….

The other thing that has happened across deep time is that we have seen earlier stages of life incorporated into more advanced stages: for example prokaryotes became incorporated into eukaryotes through endosymbiosis. Which begs the question of whether we will merge with information processing technology…

Here I venture possibly ‘yes’ but not necessarily (biomedical treatments aside) with a huge load of invasive technologies embedded in our bodies like the Star Trek’s Borg.

Instead, we will increasingly interact with technology, and we can all see how our society is (in one sense sadly) increasingly digital.  We increasingly carry technology around with us (smartphones) and even wear it, for example, joggers these days can wear a watch that keeps track of their pulse.

Are we becoming more like cyborgs????

Well, you have had a taste of my musings (if you want more, you’ll have to ask for a talk at a con). But I’m a bio-/geoscientist.  The SF view of cyborgs tends to be more engineering orientated. Witness the $6 million man… we can build him faster, better… Though none of the ladies thought to tell Steve Austin that faster is not always better. But if you do want a more engineering/physics approach to the cyborg trope then it’s Isaac Arthur to the rescue…

It was, this last weekend, sci-fi Sunday over at “Science Futures with Isaac Arthur” where he looked at “Cyborg Civilizations”. Is this where we are heading? Isaac thinks that cyborgs may be a way to colonise the galaxy…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 9, 1944 Glen Cook, 80.

By Paul Weimer: Glen Cook is a trailblazer whose fingerprints are all over modern fantasy in two separate subgenres.

Let’s put aside some of his interesting single novels  such as Tower of Fear, which is an interesting standalone fantasy novel, and A Matter of Time, where he shows that he can do twisty time travel in a Cold War setting. 

Glen Cook in 2011. Photo by Harmonia Amanda.

First up, Glen Cook doesn’t get enough love, I think, for his Garrett PI series. I’ve seen more prominent authors take up his mantle, but Garrett is the true heir to Lord Darcy (but in a secondary fantasy world) of a private investigator doing his job on the mean streets of TunFaire. The Titular Garrett is a character out of mystery fiction (and really the novels lean more heavily into mystery than the fantasy, for all being in a city of multiple species and magic). Garrett follows a lot of tropes that readers of, say, Raymond Chandler will see right away. Garrett isn’t overly ambitious, he just wants enough to get by day by day, but trouble keeps finding him (and yes, this is hardboiled detective fiction, so the trouble includes the cops (the watch), the mob (the outfit), femme fatales) and much more. I get the sense that Cook had a hell of a lot of run writing them (a dozen or so at this point).  Great literature? No.  Entertaining? If you are a fan of the Chandler school of writing and also like SFF, get thee to a bookseller. I’ve seen the fingerprints of Garett in other characters and authors, but few really capture the idea as well as Cook does.

But it is epic fantasy where Cook really sings and really has had his influence. Even beyond some of his other fantasy series, I am referring here to The Black Company.  Grimdark before Grimdark was ever a thing, the story of a band of mercenaries who get caught up in wars to decide the fate of the world, grey protagonists in a world of black to white and all the shades, The Black Company is one of the ur-texts for writers like Abercrombie, Erikson, and their ilk. (I could see the fingerprints of The Black Company as inspiration for Adrian Tchaikovsky’s House of Open Wounds, for instance). The Black Company members are caught in intrigues between themselves and their superiors, desperately try to survive hopeless battles they are thrown in, and slowly start to learn about their own origins and history. The cast shifts and changes across the series (and sub series), but the core of the idea of an elite mercenary unit working mostly for rather disreputable and treacherous powers is one that holds up to this day. The Bridgeburners, Caul Reachey’s Men, and many others owe their existence to Croaker and his crew.

(10) COMICS SECTION.

(11) CAGE MATCH. Variety reports “Spider-Man Noir Series at Amazon, MGM+ Casts Brendan Gleeson”.

Brendan Gleeson has joined the cast of the upcoming Spider-Man Noir series at Amazon, Variety has learned from sources.

This marks one of Gleeson’s first announced project since his Academy Award and Golden Globe nominated turn in “The Banshees of Inisherin.” Gleeson will star in the series opposite previously announced series lead Nicolas Cage as well as the recently cast Lamorne Morris. The show, now titled “Spider-Noir,” was formally ordered to series in May with Cage in the lead role. As previously reported, the show will debut domestically on MGM+’s linear channel and then globally on Amazon Prime Video….

(12) OVERTIME. Futurism takes notes while “Former Astronaut Explains How the Astronauts Stranded in Space Might Be Feeling”.

NASA astronauts Suni Williams and Butch Wilmore are still stranded on the International Space Station after Boeing’s plagued Starliner spacecraft finally managed to drop them off last month.

Since then, technical issues affecting the spacecraft have delayed their return journey indefinitely, with multiple helium leaks kicking off an investigation.

Williams and Wilmore were originally meant to return on June 14 — over three weeks ago — and NASA has yet to announce when its latest attempt will be to bring them back down to Earth.

It raises an interesting question: how are Williams and Wilmore feeling about the delay? One former colleague says that the extended stay on board the orbital outpost could actually be a blessing rather than a curse.

“Well, my first reaction was it’s probably good news for the two Boeing astronauts,” retired Air Force colonel and NASA astronaut Terry Virts told NPR. “They’re, you know, they get a few bonus weeks in space. And you never know when your next space flight is going to happen, and so I’m sure the astronauts are happy to get some bonus time and space.”

Virts also argued that the rest of the station’s crew would be “happy” to get some “free labor.”…

… Virts also took the opportunity to send a message to Williams and Wilmore.

“I would just say enjoy it,” he told NPR. “And stay busy. You don’t want to, you know, just sit around. But I know these two, they’re not going to sit around. And I’m sure NASA will have plenty of work for them to do.”

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Astrophysicist Dr Smethurst at Dr. Becky YouTube Channel takes a look at some of the science portrayed in the SF series Battlestar Galactica. 12-minute video below.

In this episode of Astrophysicist reacts we’re watching Battlestar Galactica season 1 episode 1 “33” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, special relativity including time dilation and length contraction, and Newton’s third law of motion.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Technology and the Silent Pandemic

Introduction: A review piece in this week’s Nature provides a sobering picture. As usual, SF² Concatenation’s Jonathan Cowie has gotten a tad worried…

By Jonathan Cowie: In SF we are always bigging up the benefits of technology. The counter SF trope to this is technology running amok (as in Terminator) or abused (as in Nineteen Eighty-Four and recent Worldcon publication policies) but what if things were more insidious? One thing the 21st century has seen is the wide use (almost to the point of overly chronic use) of the internet. Here, it is not so much the information (fake news etc.) that is the concern but the way we use it: the very act of surfing the internet. Very often it is accessed on small screens, and here the past one-and-a-half decades has seen the dramatic rise of the smartphone.

All well and good, but what has this to do with a “silent pandemic’? Well, rates of myopia (short-sightedness) have been steadily increasing and it is not welcome news. Study after study show this. And the CoVID-19 pandemic itself has not helped. One study from Hong Kong has shown a near doubling of myopia among six-year olds above pre-pandemic levels (research here).

One academic paper widely circulated among ophthalmologists suggests that this century will see a rise in incidence of myopia to around half the world’s population by 2050 (research here). Some others say that the situation is worse!

So what to do? Studies have suggested that less screen time and more outdoors time for children would help (research here and here).

Children are particularly prone to myopia since the eye grows as we grow and if it is more used to looking at very short distances it will grow accordingly and out of shape. This should not be much of a surprise as we evolved over many millennia outdoors: who knew?

Of course, getting children to spend less time on-screen and more time outdoors is difficult despite being outdoors having other benefits, such as: healthy physical activity, human social contact and other well-being benefits. But even so, it is a challenge. So, some researchers are bringing the outside indoors suggesting bright lighting, well-illuminated blackboards and classroom walls depicting outdoor scenes and the ceilings the sky (research here).

Other research looks at shining light into children’s eyes. One study looks at three-minute red light laser sessions twice a day: a routine analogous to brushing your teeth twice a day. The idea is that this stimulates eyes’ blood circulation (research here). However, it has to be said that there is considerable debate as to what frequencies of light to use. (And even one incidence of harm for a 12-year old girl (research here).)

So, while there is much benefit to the internet and screen time, do try to limit your online time and focus on those really useful websites (such as the daily File770, the monthly Ansible and the seasonal Science Fact & Science Fiction Concatenation (other worthy SF sites are around)).

Meanwhile, (especially your kids) keep watching the skies: it’ll help stave off myopia… (Let alone warn us of ‘the Thing’, as who knows who goes there?)

Without all the SFnal references and even more science, the full Nature piece is here. A separate but related article is here

Pixel Scroll 3/18/24 We Cannot Do With More Than 16, To Give A Tentacle To Each

(1) HOLLY BLACK Q&A. “Holly Black interview: The Cruel Prince author on the boom in faerie fantasy novels, BookTok, and sex scenes” at Slate.

What does it feel like now to be surrounded by all these other faerie fantasy books and, consequently, readers who potentially read only fantasy, who are not coming into the genre for the first time?

[Black] As a person who writes and reads a lot of fantasy, it’s been extremely gratifying to see fantasy move into a mainstream place. There are a lot of people who’ve grown up watching Lord of the Rings at a young enough age that it’s become part of their vocabulary of how the fantasy world works. Game of Thrones too. I think, for a lot of people, that barrier to entry is much lower than it was when there wasn’t so much exposure to fantasy.

I think the rise of romantasy is certainly in part because people do have the vocabulary of fantasy. Romance is one of the biggest genres in the world, so of course people want to see, or are able to read, fantasy romances in a way that might not have been true before. Romantasy is really two different genres kind of mushed together, probably in the same way that urban fantasy was. You have two streams: the romance-forward fantasy, where it’s really a romance novel with fantasy, and then you have fantasy that has romance. They’re paced really differently, and they have different focuses, but they live in the same genre. Then you had urban fantasy that came out of fantasy, and often those were the faerie books; for a long time urban fantasy was faerie, in the late ’80s.

(2) NEW WORLDS TURNING 60. Richard Glynn Jones told the New Worlds Facebook group on March 13 that an anniversary issue is in the works:

Michael Moorcock and some associates are preparing a new issue of New Worlds to commemorate the 60th anniversary of his becoming its editor. This will be in magazine format as before (A4, saddle-stitched) for publication in mid-summer. The contents are pretty much finalised, so please don’t send any unsolicited material: it’s by invitation only. A second book-format New Worlds is due from PS Publishing later in the year. More info soon.

(3) SOMETHING IS ROTTING IN HOLLYWOOD BITS. [Item by Mike Kennedy.] Digital is forever. Except when it isn’t. The movie industry has a data migration problem. From The Hollywood Reporter: “’It’s a Silent Fire’: Decaying Digital Movie and TV Show Files Are a Hollywood Crisis”.

Industry pros sweat the possibility that many digital files will eventually become unusable — an archival tragedy reminiscent of the celluloid era.

While David Zaslav and Bob Iger’s tax-optimization strategy of deleting films and TV shows from their streamers has triggered plenty of agita among creators, the custodians of Hollywood’s digital era have an even greater fear: wholesale decay of feature and episodic files. Behind closed doors and NDAs, the fragility of archives is a perpetual Topic A, with pros sweating the possibility that contemporary pop culture’s master files might be true goners, destined to the same fate as so many vanished silent movies, among them Alfred Hitchcock’s second feature, The Mountain Eagle, and Ernst Lubitsch’s Oscar-winning The Patriot.

It’s underscored by initiatives such as Martin Scorsese’s Film Foundation. “The preservation of every art form is fundamental,” the industry icon says on a video on the organization’s web site. For the business, these are valuable studio assets — to use one example, the MGM Library (roughly 4,000 film titles including the James Bond franchise and 17,000 series episodes) is worth an estimated $3.4 billion to Amazon — but there’s a misconception that digital files are safe forever. In fact, files end up corrupted, data is improperly transferred, hard drives fail, formats change, work simply vanishes. “It’s a silent fire,” says Linda Tadic, CEO of Digital Bedrock, an archiving servicer that works with studios and indie producers. “We find issues with every single show or film that we try to preserve.” So, what exactly has gone missing? “I could tell you stories — but I can’t, because of confidentiality.”

(4) FADING SCHOLARSHIP. [Item by SF Concatenation’s Jonathan Cowie.] The same fear holds true for scholarly publications. Nature this week has rung an alarm bell.  SF fans should note: this is another reason why fandom’s move away from paper publications is to be deplored. Digital is simply not for evermore. We need plurality and a diversity of solutions…. “Millions of research papers at risk of disappearing from the Internet” at Nature.

An analysis of DOIs suggests that digital preservation is not keeping up with burgeoning scholarly knowledge.

DOIs for the uninitiated are Digital Object Identifiers: every academic publication should have one so that if a publisher’s website changes and there is a new web-page address (URL) the DOI remains the same and links through. [Jonathan adds, “Fans need not worry about this (the only one they should remember is https://doi.org/10.1017/cbo9781139087735…” Guess whose book that link goes to…]

More than one-quarter of scholarly articles are not being properly archived and preserved, a study of more than seven million digital publications suggests. The findings, published in the Journal of Librarianship and Scholarly Communication on 24 January1, indicate that systems to preserve papers online have failed to keep pace with the growth of research output.

“Our entire epistemology of science and research relies on the chain of footnotes,” explains author Martin Eve, a researcher in literature, technology and publishing at Birkbeck, University of London. “If you can’t verify what someone else has said at some other point, you’re just trusting to blind faith for artefacts that you can no longer read yourself.”

Primary research is here.

(5) LEGACY WORRIES. Brian Keene muses about the disturbingly short half-life of author name recognition in “Letters From the Labyrinth 372”.

…On Tuesday of this past week, I took a rare day off and drove up to Asbury Park, New Jersey to visit my pal F. Paul Wilson. It occurs to me that I will need to explain to some of my younger readers just who Paul is, and therein lies the meat of this missive. Paul was one of the first horror novelists I read. (As I’ve written in OTHER WORDS, my evolutionary chain as a kid was comic books and Hardy Boys, then Stephen King and F. Paul Wilson). First thing I read by him was The Keep — a seminal, classic horror novel which, sadly, most of you under the age of forty have probably never read. The Keep was the third “grown up book” I ever read (right after King’s Night Shift and Salem’s Lot), and it is an essential part of my writer DNA.

Paul went on to become a giant in the fields of not just horror, but science-fiction, fantasy, thrillers, and other genres, as well. He was a stalwart, perennial New York Times bestseller, and his best-known IP — Repairman Jack — will carry on long after he’s gone. I guarantee you that right now, many of you who did not recognize the name F. Paul Wilson are now nodding and saying, “Oh, yeah, I’ve heard of Repairman Jack.”

It feels absurd to have to explain all of this to you. How could anyone not know this? But then, I think about this past Thursday in the store, when I overheard a mother explaining to her daughter who Brian Keene was, and that he owned the store they were currently shopping in, and that she (the mother) had started reading him in high school. The girl, high school age herself, was holding a book by Wile E. Young that she’d pulled off the shelf. Wile E. Young, was reading me in high school and my books are an essential part of his writer DNA the way Paul’s are a part of mine….

(6) FEAR THE LEFTOVERS. “Godzilla Minus One Director Releases New Kaiju Short, ‘Foodlosslla’” – here is Comicbook.com’s introduction.

…Godzilla Minus One director Takashi Yamazaki teamed up with Ajinomoto (a line of cooking products in Japan) on a special new promo that takes the Kaiju director’s expertise and brings it to life in a new way. Highlighting the amount of food waste in Japan (2.44 million tons according to the advertisement), it results in the creation of “Foodlosslla” a kaiju made out of all the wasted food that doesn’t get eaten or cooked. But with the director’s eye, it’s a great looking monster for the promo. Check it out in action below…

(7) STILL PLENTY OF GOOD EATING ON THIS ONE. Don’t ask what internet rabbit hole this 2014 recipe came from: “Edible Art: Spice Stuffed Squash Sandworms” at Kitchen Overlord. (Click for larger image.)

(8) THOMAS STAFFFORD (1930-2024). [Item by Mike Kennedy.] Gemini 6. Gemini 9. Apollo 10. Apollo 10 Lunar Module. Apollo-Soyuz. Air Force Lt General. A long and busy life. RIP. “Astronaut Thomas Stafford, commander of Apollo 10, has died at age 93”. He died March 18. PBS News Hour pays tribute.

…Stafford, a retired Air Force three-star general, took part in four space missions. Before Apollo 10, he flew on two Gemini flights, including the first rendezvous of two U.S. capsules in orbit. He died in a hospital near his Space Coast Florida home, said Max Ary, director of the Stafford Air & Space Museum in Weatherford, Oklahoma.

Stafford was one of 24 people who flew to the moon, but he did not land on it. Only seven of them are still alive….

…After he put away his flight suit, Stafford was the go-to guy for NASA when it sought independent advice on everything from human Mars missions to safety issues to returning to flight after the 2003 space shuttle Columbia accident. He chaired an oversight group that looked into how to fix the then-flawed Hubble Space Telescope, earning a NASA public service award.

“Tom was involved in so many things that most people were not aware of, such as being known as the ‘Father of Stealth’,” Ary said in an email. Stafford was in charge of the famous “Area 51” desert base that was the site of many UFO theories, but the home of testing of Air Force stealth technologies….

… After the moon landings ended, NASA and the Soviet Union decided on a joint docking mission and Stafford, a one-star general at the time, was chosen to command the American side. It meant intensive language training, being followed by the KGB while in the Soviet Union, and lifelong friendships with cosmonauts. The two teams of space travelers even went to Disney World and rode Space Mountain together before going into orbit and joining ships.

“We have capture,” Stafford radioed in Russian as the Apollo and Soyuz spacecraft hooked up. His Russian counterpart, Alexei Leonov, responded in English: “Well done, Tom, it was a good show. I vote for you.”

The 1975 mission included two days during which the five men worked together on experiments….

(9) BELATED BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1948 William Gibson, 76. Not at all surprisingly, the first series that I read by William Gibson was the one that started off with his first novel, Neuromancer, published forty years ago, which is called the Sprawl trilogy. I still love the now anachronistic wording of the opening, “THE SKY ABOVE the port was the color of television, tuned to a dead channel.”

I don’t know at all how many times that I’ve read that trilogy but the last time I did read it, about a decade, it was still impressively excellent. 

William Gibson

Neuromancer would get a much deserved Hugo at Aussiecon Two as well as a Ditmar, Nebula and a Philip K. Dick; and Mono Lisa Overdrive won an Aurora. The novels had too many nominations to list here.

Yes, I’m looking forward to the Apple financed Neuromancer series. If anyone can financially afford to do it right, it’s them. And they have a strict hands-off policy of not interfering with the actual production team. 

Going back in time I must talk about “Johnny Mnemonic” which was not his first story, which was “Hinterlands“ which I’ve never of until now. “Johnny Mnemonic” I think is one of the finest SF short story written.  The same holds true for “The Gernsback Continuum” which was published in the same year, forty-two years ago.  I’ll toss in “New Rose Hotel” which showed up a few years later.

Please let’s not talk about the Johnny Mnemonic film. Really don’t mention it. I get queasy thinking about how they butchered that stellar story. And I’ve seen some pretty awful scripts but few that matched this, plus the casting of him. Why oh why? 

His second series, the Bridge trilogy, which is Virtual LightIdoru and All Tomorrow’s Parties came out some thirty years ago. No, I’ve not read it nearly as many times as I’ve read the Sprawl ones but I did find rather excellent. The near future setting is more grounded and a more fascinating read for that. 

Ok, I’ll admit that I do not at all know what to make of Pattern RecognitionSpook Country and Zero History. They are well written like everything he does, and the characters are fascinating, but something these works is just not quite right for me. It comes off cold, distanced and just not interesting as what else he’s done.

On the other catspaw, the Jackpot trilogy, or possibly longer series, which so far consisted of The Peripheral that has contain time travel (of sorts, maybe) and Agency, and a third, Jackpot, which I don’t think has a release date, is fascinating in the first two novels. Strange, disjointed but fascinating. 

(10) COMICS SECTION.

(11) JUNE 4. ScreenRant says The Acolyte release date has been confirmed by Lucasfilm: “We Finally Know When The Next Star Wars TV Show Comes Out”.

… With a summer 2024 Disney+ drop having long been rumored, Lucasfilm has officially confirmed The Acolyte‘s release date as June 4, 2024, via Star Wars‘ official Twitter/X account. As it turns out, the release dates that have been reported for The Acolyte were accurate. This means Star Wars fans will not have to wait long to sink their teeth into the High Republic era, as Lucasfilm takes a big step into a new facet of a galaxy far, far away….

… The books of the High Republic are set centuries before Star Wars: Episode I – The Phantom Menace. Upon The Acolyte‘s announcement, it was confirmed that the Disney+ show would detail the waning days of the High Republic era. This places the show about 100 years before The Phantom Menace in the Star Wars timeline, promising a new, exciting look at an entirely new era of the franchise….

(12) DO ANDROIDS DREAM OF LOOKING UP AT GIANT ELECTRIC SHEEP? YES THEY CAN! [Item by Daniel Dern.] “Montana Man Pleads Guilty to Federal Wildlife Trafficking Charges as Part of Yearslong Effort to Create Giant Hybrid Sheep for Captive Hunting” at the US Department of Justice.

Defendant Worked to Traffic Marco Polo Sheep Parts from Kyrgyzstan, Clone Sheep, Illegally Inseminate Ewes to Create Hybrids and Traffic Rocky Mountain Bighorn Sheep Parts

A Montana man pleaded guilty today to two felony wildlife crimes – a conspiracy to violate the Lacey Act and substantively violating the Lacey Act – as part of an almost decade-long effort to create giant sheep hybrids in the United States with an aim to sell the species to captive hunting facilities.

Arthur “Jack” Schubarth, 80, of Vaughn, Montana, is the owner and operator of Sun River Enterprises LLC – also known as Schubarth Ranch – which is a 215-acre alternative livestock ranch in Vaughn. The Schubarth Ranch is engaged in the purchase, sale and breeding of “alternative livestock” such as mountain sheep, mountain goats and various ungulates. The primary market for Schubarth’s livestock is captive hunting operations, also known as shooting preserves or game ranches.

According to court documents, Schubarth conspired with at least five other individuals between 2013 and 2021 to create a larger hybrid species of sheep that would garner higher prices from shooting preserves. Schubarth brought parts of the largest sheep in the world, Marco Polo argali sheep (Ovis ammon polii), from Kyrgyzstan into the United States without declaring the importation. Average males can weigh more than 300 pounds with horns that span more than five feet. Marco Polo argali are native to the high elevations of the Pamir region of Central Asia. They are protected internationally by the Convention on International Trade in Endangered Species, domestically by the U.S. Endangered Species Act and are prohibited in the State of Montana to protect native sheep from disease and hybridization.

Schubarth sent genetic material from the argali parts to a lab to create cloned embryos. Schubarth then implanted the embryos in ewes on his ranch, resulting in a single, pure genetic male Marco Polo argali that he named “Montana Mountain King” or MMK….

(13) TINY MESSAGES. Like the “golden record” sent with two 1977 Voyager probes,“NASA’s Europa Clipper mission will carry a poem and millions of names to ocean moon” reports CNN.

When NASA’s Europa Clipper aims to launch on its highly anticipated mission to an icy moon in October, the spacecraft will carry a unique design etched with names, poetry and artwork symbolizing humanity.

The US space agency has a long history of sending names and meaningful designs aloft aboard missions, including the Voyager probes, the Perseverance rover and Parker Solar Probe. Now, it’s Europa Clipper’s turn to carry on the tradition of ferrying a design that illustrates why humans are driven to explore the cosmos….

… Decorated on both sides and made of the rare metal tantalum, the triangular plate will seal the spacecraft’s sensitive electronics inside a vault to protect them from Jupiter’s harsh radiation.

On the inside of the vault is a silicon microchip stenciled with more than 2.6 million names submitted by the public. The microchip is at the center of a design that shows a bottle floating within the orbit of Jupiter and its moons to symbolize that it serves as a cosmic message in a bottle.

Technicians at NASA’s Jet Propulsion Laboratory in Pasadena, California, used electron beams to stencil the names at a size smaller than one-thousandth the width of a human hair.

Below the bottle, the design features the original poem “In Praise of Mystery: A Poem for Europa” by US Poet Laureate Ada Limón, etched in her handwriting, as well as a portrait of the late planetary sciences pioneer Ron Greeley, an Arizona State University professor who played a crucial role in laying the foundation for the development of a mission to Europa.

The side of the plate facing the inside of the vault also includes an etching of the Drake Equation, developed by the late astronomer Frank Drake of the University of California Santa Cruz in 1961 to estimate the possibility of finding advanced life beyond Earth. The equation remains an important part of astrobiological research as scientists search for evidence of life beyond our planet.

The external side of the plate carries waveforms, or visual representations of sound waves, that depict the word “water” in 103 languages from around the world. At the heart of the spiral is a symbol that means “water” in American Sign Language. The audio of the spoken languages collected by linguists for NASA is available on its website….

(14) VIDEO OF THE DAY. Mother’s Basement looks back on “How Akira Toriyama Changed The World”.

Akira Toriyama didn’t just change manga and anime forever, he changed the entire world. Here’s how.

Geoff Thew creates videos analyzing the storytelling techniques of anime and video games. He has been named the number one Worst YouTube Anime Reviewer by The Top Tens.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Daniel Dern, JJ, Lise Andreasen, Andrew (not Werdna), N., Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 2/10/24 No, That’s Not A Pixel, It’s A Cat Dreaming It’s A Pixel

(1) 2027 WORLDCON RACE HEATS UP. A Montréal in 2027 Worldcon bid was announced this weekend. The committee is led by Worldcon-running veteran Terry Fong, who lives there. Montréal previously hosted the 2009 Worldcon.

Terry Fong and Rebecca Downey were at Boskone today running a bid table – thanks to Lisa Hertel for this photo.

Terry Fong and Rebecca Downey at Boskone. Photo by Lisa Hertel.

According to Kevin Standlee their proposed site, the Palais des Congrès, is scheduled for a major renovation in 2028, so a bid for that year would not be practical.

The other announced bid for 2027 is WorldCon 2027 in Tel Aviv, Israel.

(2) MEDICAL UPDATE. Kaja Foglio has returned home from the hospital. Phil Foglio posted the good news.

(3) CHTORR GAME IN OUR FUTURE. David Gerrold has told Facebook readers that Dan Verssen Games has licensed the use of one of his Chtorr novels for a version of DVG’s Warfighter games series.

(4) VERSE WANTS TO BE FREE. Bobby Derie in “’A Dracula of the Hills’ (1923) by Amy Lowell” at Deep Cuts in a Lovecraftian Vein looks at the Lowell novel, what Lovecraft thought of Lowell, and how both were influenced by Bram Stoker’s novel.

… Time and experience somewhat mellowed Lovecraft’s attitudes towards free verse and Amy Lowell. While the 1922 publication of T. S. Eliot’s “The Waste Land” prompted Lovecraft to write his own satire in free verse, “Waste Paper.” For all that Lovecraft remained a lifelong devotee of traditional meters and rhyme schemes, continued interaction with poets that used free verse such as Hart Crane and Edith Miniter seems to have led him to a begrudging acceptance of the practice. When Amy Lowell died 12 May 1925, Lovecraft wrote:

“When I say that Miſs Lowell wrote poetry, I refer only to the essential contents—the isolated images which prove her to have seen the world transfigured with poetic glamour. I do not mean to say that the compleat results are to be judg’d as poems in any finish’d sense—but merely that there is poetical vision in the broken & rhythmical prose & disconnected pictorial presentations which she gave us. She is also, of course, the author of much genuine poetry in the most perfect metres—sonnets & the like—which most have forgotten because of the greater publicity attending her eccentric emanations.”

H. P. Lovecraft to Lillian D. Clark, 8 Aug 1925, Letters to Family and Family Friends 1.340

(5) BUT THE GROUND’S GETTING CLOSER. The Coyote may still be up in the air, however, his destiny seems certain: “’Coyote Vs. Acme’: With Pic’s Fate In Limbo At Warners, Phil Lord Observes, ‘How Funny It Would Be For This To End With A Congressional Hearing’” reports Deadline.

Warners Bros has screened their axed Coyote vs. Acme to around 12 buyers we hear with a rigid buy price of $70M+; which is how much the animated live-action hybrid movie cost.

Netflix and Paramount put forth bids, which we told you about, but they were lower than the $70M asking price (between $30M-$50M), therefore in Warner’s eyes, rivals didn’t want the feature for what it cost.

What Deadline has received clarity on is that Warner Bros took a $70M writedown on Q3 earnings, not the upcoming Q4. Nonetheless, the movie, which the Burbank, CA lot decided back in early November not to release — remains in purgatory. That said, we hear the door isn’t officially closed on Coyote vs. Acme‘s prospects yet — it’s just that the Coyote could wind up in the cave with Batgirl.

Phil Lord, whose Lego Movie made Warner Bros. over $471M in addition to spuring a feature franchise, took umbrage with the David Zaslav-run conglomerate on Twitter tonight exclaiming, “Is it anticompetitive if one of the biggest movie studios in the worlds shuns the marketplace in order to use a tax loophole to write off an entire movie so they can more easily merge with one of the bigger movie studios in the world? Cause it SEEMS anticompetitive.”

Lord is among those with Chris Miller, Michael Chaves, Daniel Scheinert and Deadline who’ve seen the movie.

Lord further added in reference to the climax of Coyote vs. Acme, “If you could see Coyote vs. Acme, you’d know how funny it would be for this to end with a congressional hearing.”…

(6) YOU AND YOU AND YOU AND THE MULTIVERSE. [Item by SF Concatenation’s Jonathan Cowie.] We at SF2 Concatenation enjoy diving into the really important questions of life, the Universe and everything, especially those on that fertile boundary between science fact and science fiction, feeling that there are more useful answers there than just a two-digit figure… And so is Becky Smethurst, who has used Rick and Morty as a starting point to explore the concept of the multiverse.

Is there really a parallel universe with an identical you in it? And which multiverse theory does Rick and Morty subscribe to? Indeed, how broad is SF’s approach to the multiverse concept?

Here, Brit Cit astrophysicist Dr. Becky would like to know of any SF story or film that employs the ‘bubble universe’ theory of the multiverse. If you have an example, put it in the comments beneath her 15-minute YouTube video. There’s a challenge for Filers. (Sadly, the end of video the good doctor displays worries that some (just some) of her science colleagues will object vehemently for her use of SF to explore science… There are trolls everywhere, even in science alas.)

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 10, 1953 John Shirley, 71. Did you know that John Shirley has written n historical novel, a western about Wyatt Earp — Wyatt in Wichita? I wonder how many of our sff writers beside him and Emma Bull (whose novel Territory was decidedly not historical) have written novels on this incident and the individuals there? 

John Shirley. Photo by Sunni Brock.

I really enjoyed his first novel City Come A-Walkin which I think is a brilliant rendering of a City come to life. 

I’ll admit I’m not much at all for grim dystopian SF but I did find his A Song Called Youth trilogy of EclipseEclipse Penumbra and Eclipse Corona fascinating if in a horrifying manner.

His best known script work is The Crow film, for which he was the initial writer, before David Schow reworked the script. I’m not sure he got actually any credit at all. He also wrote scripts for Poltergeist: The Legacy.

I see that to my surprise he wrote an episode of Deep Space Nine, “Visionary” and also wrote three episodes of the ‘12 Teenage Mutant Ninja Turtles series. 

He wrote novels in the AliensDoomHaloResident EvilPredators franchise, Borderlands video gaming DC metaverse and Grimm series.

His latest novel which I’ve not read so do tell me about it is SubOrbital 7.

(8) COMICS SECTION.

  • The Argyle Sweater has an update about Peter and Wendy.
  • Tom Gauld has been busy since we last checked in.

(9) THE FUNGUS AMONG US. [Item by SF Concatenation’s Jonathan Cowie.] Could The Last Of Us fungi be a real risk? The all-party Science Innovation & Technology Committee of the House of Commons Select Committee has held a special one-off session on fungi.

The session explored some of the risks and drawbacks of fungi, which can cause disease in plants and animals including humans. We know that one fungus, cordyceps, can infect and completely “take over” the life functions of insects like ants. But could they really start the zombie apocalypse as depicted in the video game and TV series The Last Of Us? The Daily Mail reported on the meeting

 A fungus called cordyceps, or zombie-ant fungus, is able to control insects’ minds using psychoactive chemicals. It drains their bodies of nutrients before directing them to a high place and releasing spores to infect others. Emmy Award-winning The Last of Us, a post-apocalyptic drama based on a hit video game, shows a world in which cordyceps has spread to humans and wiped out most of humanity. Alarmingly, Professor Fisher said rising global temperatures are causing fungi like cordyceps to evolve and adapt to warmer conditions – which could enable them to colonise human bodies. Dawn Butler MP asked: ‘Is a zombie apocalypse driven by fungal infections a possibility? Professor Fisher said: ‘Well, all the bits exist, don’t they? ‘Fungi can produce strongly psychoactive chemicals, which can influence our behaviour dramatically, and they can also spread and invade humans. 

However, don’t take the Daily Mail too seriously, it is not the best of British newspapers.

The meeting also noted that few fungi can flourish in the warmth of the human body, nonetheless with a changing climate there will be more fungi about.

(10) YEAR OF THE DRAGON ON LEARNEDLEAGUE. [Item by David Goldfarb.] Filers might be interested in this One-Day Special quiz: Year of the Dragon at LearnedLeague. It actually has surprisingly little SFF content for a dragon-themed quiz.

(11) JABBA Q&A. Can you guess why this is topical?

(12) PHANTOM RETURNING. And this might be a good place to announce “Star Wars: The Phantom Menace 25th Anniversary Cinema Release Confirmed For May The 4th Weekend” at Empire Online.

The epic Darth Maul vs. Obi-Wan and Qui-Gon Jinn duel. The thunderous Boonta Eve Podrace. The battle of Naboo. Star Wars: Episode I – The Phantom Menace is packed with moments best witnessed on the big screen, spooling back to the very beginning of the Skywalker Saga to depict Anakin Skywalker’s first encounter with the Jedi, the beginnings of the galactic civil war, and the menacing meddling of Palpatine. Well, good news: to mark 25 years since the film first hit cinemas in 1999, it’s coming back to cinemas later this year. Cue the fanfare!

This May the 4th weekend (so, from Friday 3 May), The Phantom Menace will be re-released in cinemas for a limited time, meaning you can revisit all your favourite moments as large and loud as George Lucas intended….

 (13) VIDEO OF THE DAY. At first I thought he made this up.

But no! I’m stunned to learn this is a real product.

[Thanks to Cat Eldridge, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

British Library Exhibition: Fantasy: Realms of Imagination

Fantasy: Realms of Imagination
The British Library Exhibition

27th October 2023 – 25th February 2024
St Pancras, London, Great Britain

By Jonathan Cowie: This new exhibition at the British Library explores the evolution of Fantasy. From ancient folk tales and fairy stories, gothic horror and weird fiction, to live action role-playing games inspired by Fantasy worlds, the exhibition celebrates the genre and its enduring impact…

First off, a word about the British Library.  It is Britain’s national library and also one of the six British Isles copyright depository centres: Britain has had legal deposit of all published works at least as since 1610. This means that every book published in the British Isles (including the Republic of Ireland) that has an ISBN (International Standard Book Number) or magazine & newspaper that has an ISSN (International Standard Serial Number), among others, are deposited with the British Library (though much is stored in a depository in York).

As such, the British Library is the UK’s equivalent of the US’s Library of Congress and the two rival each other in size. Truth be told, no-one knows which is bigger, what is known is that the British Library holds the second largest collection of pornography in the world: the largest, of course, is held by the Vatican (you knew that didn’t you?).

The exhibition itself contained over a hundred items – including historical manuscripts, rare first editions, drafts of iconic novels, scripts and maps, film props and costumes – that offer rare insights into the roots and evolution of the genre.

The afore term, ‘rare’, is used judiciously as many of the exhibits are decades old: some centuries old. And so the exhibits are held in a windowless, basement floor. This gives visitors the feeling that they are going through some sort of dungeons and dragons set, but actually, there is purposeful functionality behind this. With some exhibits many decades old, some even centuries, some display items need to be protected from too much light and all the glass cases have temperature and humidity monitors.

Fantasy exhibit entrance

The displays themselves were arranged within fantastical sets, beginning with an illuminated forest scene (Mythago Wood anyone?) and decorative lighting along with a welcoming, illuminated, introductory text display.

Having said that, many of the exhibition sections were well lit with appropriate, colourful backdrops along the walls.

Sleeping Beauty Hall

Of course being the British Library – with the emphasis on ‘Library’ – there were plenty of books on display, including: BeowulfSir Gawain and the Green KnightC. S Lewis’ The Lion, The Witch and the WardrobeLewis Carroll’s Alice’s Adventures Under GroundThe Magic City by E. NesbitThe Owl Service by Alan Garner and The Colour of Magic by Terry Pratchett.

Fragments of the late 10th/early 11th century Old English Beowulf re-bound.

One of the more rare exhibits was a book of text fragments dating from the late 10th to early 11th century of Beowulf. This classic Old English epic poem is set against a time of war. The story itself centres around the hero Beowulf who battles the monster Grendel, Grendel’s mother and a dragon. In his last fight, Beowulf, now an old man, over-reaches himself. In the fragment (see above), he kills the dragon but is himself mortally wounded.

Game of Thrones needle sword

The exhibition drew together a number of themes (more of which later) and connections. Here, with Beowulf, a line was drawn from that Saxon epic to The Game of Thrones TV series and book, with the Beowulf fragments being displayed in the same cabinet as a 2019 Folio Society edition of A Game of Thrones and a licensed replica of the sword Needle as used by Arya Stark who, across the series, transformed from a carefree tomboy to skilled assassin. I’m guessing George R. R. Martin would approve?

But it was not all books; there were costumes from TV, film and even ballet as evidenced by a display of Margot Fonteyn’s and Rudolf Nureyev’s The Sleeping Beauty costumes (Princess Aurora and Prince Florimund respectively) from their 1968 production of Tchaikovsky’s ballet. (This exhibit was kindly provided by the Royal Opera House, Covent Garden, London. See below.)

Sleeping Beauty ballet costumes, 1968.

Beyond themes and connections from exhibits displayed together as well as side-by-side, the exhibition was also divided into sections. Visitors begin entering a section called ‘Fairy and Folk Tales’ that takes us from The Snow Queen to The Arabian Nights and Peter Pan to discover how different cultures shape their own, iconic legends. Highlights included items from the Angela Carter archive and maps by Lewis for Narnia.

Map by C.S. Lewis for Narnia

From there it was straight into ‘Epics and Quests’, to meet heroes and villains from Sir Gawain and the Green Knight to Xena, Warrior Princess, and explore how ancient tales have helped to shape modern Fantasy epics. On display was a version of Gilgamesh, which some say is the oldest known epic story as it is thought to have originated from the Akkadian empire some 4,000 years ago!  Gilgamesh being a semi-divine, Sumerian king who abuses his gifts of strength and bravery to abuse his people. The gods therefore create the wild man, Enkidu, to challenge the king. After a long struggle, the two become friends. When Enkidu is killed, Gilgamesh tries to solve the riddle of everlasting life…

Green Knight exhibit

The cinematic dimension was further explored in a number of places, including in part of the exhibition’s ‘Portals and Worlds’ section. One of these was that of the world Thra portrayed in the film The Dark Crystal (1982) with Gelfing costumes designed by Brian Froud and concept artwork for the mystic urSkeks (sic) that were in turn brought to life by the puppeteer and the film’s co-director, Jim Henson.

The final section looked at fandom. It included short video interviews of fans in cosplay as to why they liked fantasy and what it means to them, as well as an example of a fantasy cosplay costume. This section recognised the creativity and innovation that fans have brought to the genre and included a look at fan fiction.

Your reporter with fan cosplay costume

With over a hundred items on display it is only possible to barely skim the surface of this remarkable exhibition. Dare I say it, it’s even better than the Out Of This World Science Fiction exhibition the British Library put on with the help of the wonderful Science Fiction Foundation over a decade ago in 2011.

Much credit goes to the British Library’s Tanya Kirk (the exhibition’s lead curator) and her colleague Rachel Foss. They wisely sought out, and received guidance from a small advisory panel that included: Aliette de BodardNeil GaimanRoz Kaveney and Terri Windling. It was made possible with the support of The exhibition was made possible with support from Wayland Games and The Unwin Charitable Trust (Unwin originally published Tolkien’s The Hobbit), with thanks to The American Trust for the British Library and The B.H. Breslauer Fund of the American Trust for the British Library.

The exhibition, which runs to 25th February 2024 at the British Library, is accompanied by a series of events including author panels. (Check out the British Library website for details.)

For the rest of the world, the really good news is that later the exhibition will be going on tour after it closes at the British Library, the first confirmed tour venue is the Bowers Museum, USA, from October 2024 to February 2025 with more to be announced.


This article is based on a longer one that will, in due course, appear in SF² Concatenation.