(1) DUALING READERS. Rob Dircks delivered an unexpected bonus to those attending his reading at Queens Library Sci-Fi/Fantasy Author Night – it’s titled “Today I Invented Time Travel”.
I was invited to read from my novel Where the Hell is Tesla? at the Queens Library Sci-Fi/Fantasy Author Night, and decided to write a short story for the evening — when an unexpected visitor showed up…
Here’s a clip from the story:
And my phone found me the top five reasons to go back in time:
Stop George Lucas from making the prequels to Star Wars.
Bet on the 1969 Mets.
Talk to that girl you had a secret crush on in elementary school.
Kill Hitler.
Meet Jesus.
(2) TEMPORAL THOUGHT EXPERIMENTS. For writers determined to stick with real science there are a lot of details to work out, even when it’s only your imagination traveling to the future. R. A. MacAvoy, co-author of Albatross with Nancy Palmer, tells about those challenges.
This ingenious 25-year leap into the future turned from wiggle-room into a straight-jacket. It helped with the science, but not so much, as each of us kept coming up with new discoveries on the news that needed massive re-write. The Higg’s Boson companion (if it is what it seems to be). Gravitational waves.
And that was just the science!
Sweating, sweating, we began to consider all the other important changes in life which would go along with the advances in the sciences and which would touch the lives of the characters in the story even more than The Theory of Everything. In twenty-five years, we assumed, would people still be driving around in automobiles? Seemed likely – as this was not a Zombie Apocalypse novel. Petrol cars? Self-driving cars? Re-write. Rewrite.
Mobile phones. On the wrist, as part of one’s glasses? People still doggedly carrying things the size of card-decks in their pockets? Hey – at least a person in a self-driving car won’t be guilty of much as they babble or text into whatever form of phone they have as their cars zoom them to their destination. Or get lost in a daily traffic jam caused by the inevitable software problems.
And in a moment of O.C.D. we decided to eliminate all references to the daily habit of tea-time in the British Isles. It suddenly seemed too difficult to decide whether or not the increasingly technical lives we lead would have time for such an old custom. Eliminating all references to tea time was perhaps the silliest rewrite. But it explains, better than anything else, the straight-jacket effect of writing in the near-future.
This is only one aspect of the difficulty we found in writing twenty-five years into the future.
The poor old trope had had a lot of bad press in recent years. A lot of people seem to want to deconstruct the little critter, or subvert it or discredit it. Basically people seem to want to hunt the trope to extinction, and I think that’s unfortunate.
Now I agree some members of the trope herd have got a bit long in the tooth and are probably due for culling. No one really needs to read another fantasy novel where a simple farmboy turns out to be the Chosen One / Long Lost Heir who is foretold by prophecy and destined to save the world, do they? No, so the “Farmboy” trope is probably due to meet the huntsman, and I think the “Damsel in Distress” has probably had her day too.
You very rarely if ever see these tropes in modern fantasy now, and that’s because everyone got sick of them. An overused trope can eventually outstay its welcome and evolve into a cliché, a completely different critter, and that’s when the huntsmen need to come after it. And that’s fine. The world moves on, as Stephen King would say.
But I don’t think we should tar the whole herd of tropes with the same brush just because some of them get old and go bad. Healthy tropes can be useful little critters. Tropes are what help to stop every novel being 1000 pages long.
(4) A SCALZI FIRST. “On The Wall,” John Scalzi’s first zombie story, co-written with Dave Klecha, appears in Black Tide Rising, the zombie apocalypse anthology edited by John Ringo and Gary Poole. The book is due in stores June 7, however, Baen Books has the eARC on sale right now For $15.
(5) ATTEND ZOMBIE TECH. Amazon is hosting a Zombie Apocalypse Workshop, where you can learn to apply Amazon Web Services technology to recover from the end of civilization. Bring your own laptop and shotgun.
Apocalypse Workshop: Building Serverless Microservices – Washington D.C.
Note: The AWS Lambda Signal Corps has recruited sufficient volunteers for our mission, and all registrants from now until March 10th will be placed on a recruit waitlist. Waitlisted recruits will be admitted if space permits on a first-come, first-serve basis so please arrive early.
Scenario: Zombies have taken over major metropolitan areas. The AWS Lambda Signal Corps has built a communications system to connect the remaining survivors.
Learn how AWS Lambda provides a platform for building event-driven microservices, all without the need to provision, manage, and scale servers. In this workshop, we will introduce the basics of building serverless microservices using AWS Lambda, Amazon API Gateway, Amazon DynamoDB, and Amazon S3.
(6) CAN ALTERNATE HISTORY BECOME DATED? Fantasy Literature reviewer Marion Deeds, in “1632: The tale is dated but I love its exuberance”, makes it hard to figure out why there are (by her count) 23 books in this popular series. (And she may not know about the 1632 conventions…)
Flint lets us know in the prologue of 1632 that there’s going to be no discussion of quantum physics, magical portals, of clicking our heels together and going home. The story is an exciting live-action role-playing game with a small force of Americans who completely outgun the competition. The competition are evil mercenaries, so we don’t have to feel sorry for them as they are chopped down like a summer lawn under the blades of a riding mower.
There are also a few other things that are not going to be problems for twentieth-century people dumped into the seventeenth century. Here’s a short list: no one’s going to struggle with a sense of psychic displacement or post-traumatic stress; no one’s going to pine for family or loved ones left behind; no one’s going to question the basic premise that they are stuck in the 1630s. No one is going to turn, irrationally, on another group; no one is going to scapegoat anyone; no one’s going to have a spiritual crisis.
A few more things no one in the new America is going to have to worry about: sufficient food, clean water, sanitation, electrical power, medicine, radios or even TV, except they do have to create their own programming. That’s because all that stuff came with them. They have their own coal vein, and Grantsville landed next to a river in Europe, so they have water and fuel for steam power. The area had its own power plant and three machine shops, several doctors and a jewelry store, so that as the various couples hook up, they can all get wedding-ring sets. It’s nice. Knowing they can’t maintain their current level of technology for too long, the Americans decide to “gear down,” and convert to steam power, settling at late-eighteenth/early nineteenth century tech. This is smart. All of this clears away survival-level problems so that Flint can get on with what’s important; those battles.
(7) RICHARD DAVALOS OBIT. Best known for roles in East of Eden and Cool Hand Luke, actor Richard Davalos died March 8 at the age of 85. He also was in genre films The Cabinet of Caligari (1962) and Something Wicked This Way Comes (1983). And he was the grandfather of actress Alexa Davalos, who stars in Amazon’s The Man in the High Castle.
(8) MICHAEL WHITE OBIT. Rocky Horror and Monty Python producer Michael White died March 9.
His theatre production credits included the West End premieres of The Rocky Horror Show, Joseph And The Amazing Technicolor Dreamcoat and A Chorus Line.
Born in Glasgow, White began his theatrical career in London’s West End producing plays such as Annie and The Rocky Horror Show.
He later went on to produce films, including The Hound of the Baskervilles in 1978, and those which have achieved cult status such as Monty Python and the Holy Grail and The Rocky Horror Picture Show, which is still regularly screened in cinemas.
(9) TODAY IN HISTORY
March 10, 1876 — Alexander Graham Bell transmitted the first telephone message to his assistant in the next room: “Mr. Watson, come here. I want you.” (It is not true that the second telephone message was, “Do you have Prince Albert in a can…?”)
March 10, 1997 — The CW premiered Buffy the Vampire Slayer. There is an oral tradition that Buffy inspired the creation of the Best Dramatic Presentation (Short) Hugo category, and it did receive a couple of nominations before it went off the air.
The preliminary recommendations for the Best Novelette category.
“Flashpoint: Titan”, Kai Wai Cheah
“Folding Beijing”, Hao Jingfang
“What Price Humanity?”, David VanDyke
“Space Raptor Butt Invasion”, Chuck Tingle
“Obits”, Stephen King
We have been repeatedly informed that homophobia and the lack of diversity is a serious problem in science fiction, and speaking as the leader of Rabid Puppies, I could not agree more. The decades of discrimination against gay dinosaur love in space by the science fiction community stops now, and it stops here!
Let’s face it, there are just three words to describe the only event that might happen in 2016 that I can imagine would be more spectacularly awesome than “Space Raptor Butt Invasion” winning a Hugo Award this year, and those three words are “President-elect Donald Trump”.
I love the Hugo Awards because in becoming part of the WSFS I get to add one small voice to the multitude and help pick the nominees for the five best novels / stories / whatevers. In 2014, artist Joey Hi-Fi was one nominating vote from making the final ballot for Best Professional Artist and becoming an official Hugo Award Nominee….
Collectively, a bunch of people who love science fiction and fantasy come together and say that these, these novels and stories and artists and fans – this is the best of what I read and watched last year. These are some of the best of what the genre has produced.
Then, when the nominations come out and also after the awards are given, we can all sit back and think…what the hell is everyone else thinking? Why are they so wrong? That book is terrible and this book that I loved is so much better.
Of course my opinions are right and everyone else is wrong. Of course this is true. Unfortunately, a whole bunch of people who are just like me except that their taste in great fiction isn’t quite the same disagreed. Or, maybe what I loved was their sixth favorite story and they can only nominate five. Or maybe they just never read it because holy crap there is a lot of stuff published every year. I read a LOT and I don’t even scratch the surface of what’s out there. What the Hugo Awards allows me to do is be part of a group where everyone looks at what they read and tries to figure out what the best of that is – and then collectively, the numbers come together and a ballot is produced.
I love the Hugo Awards even when everyone else obviously gets it wrong because at its heart, the Hugo Award nominees are selected by a group of fans who are passionate about science fiction and fantasy. It’s a group of fans who, ideally with no agenda beyond love of genre, point to something they love and say “this, this is awesome.”
Planning for the Puppy Presence at Worldcon continues under wraps until we have things sufficiently stable to make an announcement. The goal there is to be at the convention, have fun (lots of fun), and meet friends face to face. If I can arrange it there will be a PuppyGate in honor of the Jeopardy question and visitors will have to cross the PuppyGate to enter the fun zone.
The point is that Duchovny did not again discover wide popularity until he made it back to TV, for his turn as debauched author Hank Moody, on Showtime’s “Californication.” Now “Californication” has wrapped, and he’s back on “The X-Files.” Accepting that Mulder was the best role that he’s had, and coming back around to it, feeling at home in it, is the best end for his story.
Sometimes, you can take the circuitous route back to where you belong — but, there’s something to be said for recognizing that you should never have left in the first place.
I don’t think Jared Correia is any relation to Larry, although the click-through ad over Jared’s column “The way attorneys get paid” is very Larry-esque.
The team wanted to find out what could we grown if humans try to live on Mars in the future.
Although they didn’t have real Martian soil, they used dirt supplied by Nasa, which was taken from a Hawaiian volcano that’s thought to be very similar….
But there’s still a long way to go – no one ate the experimental vegetables, because substances in the soil including arsenic and mercury might have made them poisonous.
Now the team are trying to find a way to grow vegetables that are safe to eat.
Wait a minute. So there would have been arsenic in Watney’s potatoes…?
On the night, Australia’s best brewers will be stirring, steeping and pressing coffee generously supplied by Condesa and roasted by the punks at PMC.
Inspired by the Thunderdome of Mad Max, there’ll be beers, industrial disco balls, heaps of food (unlike the Thunderdome), a DJ in full Mad Max dress (not conformed) and, no doubt, some crazy revellers (confirmed), but weirdly the original Mad Max, Mel Gibson, declined the offer to MC.
We are definitely not far away from a person in space. The Soviets launched another of their five-ton spaceships into orbit. We’re calling it Sputnik 9; who knows what they call it? On board was just one dog this time, name of Chernushka, who was recovered successfully after an unknown number of orbits. It is pretty clear that the vessel that carried Chernushka is the equivalent of our Mercury capsule, and once the Russians have gotten the bugs out of the ship, you can bet there will be a human at the controls.
This is not to say that the American program is standing still—one of our astronauts may go up on a suborbital jaunt as early as next month. But the Atlas booster, the big one that can put a man in orbit, won’t be ready until the end of the year, at the earliest.
(17) A WRITER WHO WELDS. No, it’s not the Emergency Backup Hugo – it’s Nancy Jane Moore’s “Post-Apocalyptic Spaceship”, at Book View Café .
Blue Origin is part of a shift of the space business from NASA and aerospace behemoths like Lockheed Martin toward private industry, especially smaller entrepreneurial companies. Space Exploration Technologies, or SpaceX, founded by another Internet entrepreneur, Elon Musk, has been the most visible and most successful of the new generation of rocket companies. Last Friday, it launched another satellite to orbit, but an attempt to land the booster on a floating platform again ended in an explosion.
Much more quietly, Blue Origin has also had big space dreams, but until now did not give outsiders a look at what it was doing.
For almost four hours, Mr. Bezos, who only occasionally talks to the press, led 11 reporters on a tour of the factory and answered a litany of questions over lunch. He talked garrulously, his speech punctured by loud laughs. “It’s my total pleasure. I hope you can sense that I like this,” he said.
He described an image on a wall in the company’s central area, which showed two tortoises holding an hourglass and gazing upward at a stylized image of the planets and cosmos. Below is Blue Origin’s motto: “Gradatim ferociter,” Latin for “step by step, ferociously” — no cutting of corners, but no dillydallying, either. “You can do the steps quickly, but you can’t skip any steps,” Mr. Bezos said.
[Thanks to John King Tarpinian, Cat Rambo, Cat Eldridge, Mark-kitteh, Seth Gordon, Will R., and Tom Galloway for some of these stories. Title credit goes to File 770 contributing editor of the day RedWombat.]
So to some extent, this is a sufficient answer to Stephanie’s question. Why is there so much vitriol against the Puppies? Because we’re on the internet, where it doesn’t take a whole lot to escalate an argument over Best Brand of Pasta into virtual knifings…..
To start things off: I would say I understand the core Puppy complaints, and agree with many of them (to varying extents).
I definitely see a shift in the “focus” of the genre, even if I’d be hard-pressed to nail it down to a definition (not unreasonable, in a genre still best-defined as “what we point to when we say it”). The disproportionate influence of particular groups and fandoms has been raised and enthusiastically argued over in the past (e.g. [1][2][3]). And I think there’s been a lot of snubbing, condescension and ad-hominem attacks coming from non-Puppies. Which they often don’t notice, or consider justified. (Scott Alexander’s I Can Tolerate Anything Except the Outgroup springs to mind, as it so often does.)
I won’t go over the Puppy grievances one by one, but I think I can see where all of them are coming from.
(2) DAN SCHNEIDER VIDEO INTERVIEW #68. Steven H Silver says, “Yesterday, Terry Bisson and I were interviewed for a podcast about Alternate History. If you want to hear what I would sound like recording on an Edison cylinder, I imagine this is pretty much it.”
Bill opened up about many things, including the genius of Samuel R. Delany, how Rosarium’s first book Mothership: Tales from Afrofuturism and Beyond gave birth to a new publishing company, the challenges of crowdfunding creative projects, why he was once blacklisted at a convention, and many other topics which I hope you’ll find as fascinating as I did.
Episode four, coming in two weeks, will feature writer Tom Doyle.
(5) NAMING CONVENTIONS. Michael J. Walsh observes what a well-Cultured sense of humor Elon Musk displayed in naming his ships.
By January 2016, a total of three ASDSs have been refitted. The first ASDS, named Just Read the Instructions (JRtI), was converted from a barge in late 2014 and was deployed in January 2015 during the CRS-5 cargo resupply mission to the International Space Station in order to provide a landing platform for a test flight of the returning booster stage. It was used for two landing tests through April 2015, and by June 2015, was retired as an ASDS.[1] The second ASDS, named Of Course I Still Love You (OCISLY), was converted from a much-newer deck barge and became operational in June 2015 to support a landing test on the CRS-7 mission.
(6) CRADLE OF SF’S GOLDEN AGE. Robert A. Heinlein’s birthplace in Butler, MO has been listed for sale. The asking price is $97,500.
Geo Rule says “The Heinlein Society will gladly accept a six figure donation to purchase it and turn it into a museum, if you’re feeling generous as well. Well, maybe seven figure to turn it into a museum…”
Lou Antonelli takes a selfie at Heinlein’s birthplace.
(7) STATHOPOULOS EXHIBITION. Rejects! The Good, The Bad, and The Ugly, a retrospective of portraits by famed Australian painter Nick Stathopoulos , runs March 28-April 15 at Project 504 Studio in St. Leonards (Sydney). Stathopoulos is a 10-time Ditmar Award winner, who also was a 1999 Hugo nominee in the Best Professional Artist category.
(8) NANCY REAGAN OBIT. Former First Lady Nancy Davis Reagan died today, March 6, at the age of 95. Like her spouse, she had an acting career prior to living in the White House, which included a role in the genre movie Donovan’s Brain. The movie was based on a 1942 horror novel by Curt Siodmak who, showing what a small world it is, lived in those days not far from Robert A. Heinlein’s home on Laurel Canyon.
(9) TODAY’S BIRTHDAY BOYS
Born March 6, 1906 — Lou Costello. “Abbott and Costello Meet… have to be some of the best monster movies,” says John King Tarpinian.
Born March 6, 1928 – William F. Nolan
William F. Nolan, Forrest J Ackerman, and Ray Bradbury.
CARL SLAUGHTER: Which of your novels is being adapted by hollywood?
JONATHAN MABERRY: I’m fortunate to have several of my projects in development for film and television. My Joe Ledger thrillers are being developed by Lone Tree Entertainment and Vintage Picture Company as a possible series of movies, likely beginning with Extinction Machine, the 5th in the series. And my vampire apocalypse series, V-Wars, is headed to TV, with a brilliant script by former Dexter head writer, Tim Schlattmann. Several other properties, including Rot & Ruin, The Pine Deep Trilogy, and others, are being discussed.
CS: How long and how hard is the journey to the screen?
JM: Like most writers I’ve coasted the edges of the Hollywood experience for years. There are some frustrations, of course, but that’s part of the game. For example, back on 2007 I co-created a show for ABC-Disney called On the Slab, which was a horror-sci fi-fantasy news program. Disney paid us to develop it and write a series bible and sample script; and then there was a change of management in the department that purchased it. Suddenly the project was orphaned and therefore dead in the water. Another time producer Michael DeLuca (Blade, Magnolia) optioned the first Joe Ledger novel, Patient Zero, on behalf of Sony, who in turn took it to ABC, who hired Emmy Award-winning TV writer Javier Grillo-Marxuach (Lost) to write a pilot. Then after we’d gone a long way toward seeing it launch they decided instead to focus on the reboot of Charlie’s Angels, which flubbed badly. That’s Hollywood. I don’t take this stuff personally, though. And I never lost my optimism.
I guarantee you, if I am close to Friend X, I know that “Asshole” is part of his Venn Diagram. As it is part of mine. As it is part of yours. I have clearly already made my personal calculations and decided that his other aspects are more important. I may someday change my mind. But it is my mind to change, based on whatever passes between me and Friend X; possibly even depending on what I see Friend X do to Friend Y. But you, who have had a different experience with Friend X, and therefore a different reaction, cannot win this argument with me using words, no matter how eloquently you express everything you find objectionable about him. It is, however, very possible for you to lose it. You can become a bore. You can become a scold. You can just become the distasteful person who always feels obligated to piss on my pal; the guy who gives me the impression that nothing will satisfy him until I start pissing on my pal too. That makes YOU the shithead.
Gigantic mimiviruses fend off invaders using defences similar to the CRISPR system deployed by bacteria and other microorganisms, French researchers report. They say that the discovery of a working immune system in a mimivirus bolsters their claim that the giant virus represents a new branch in the tree of life.
Mimiviruses are so large that they are visible under a light microscope. Around half a micrometre across, and first found infecting amoebae living in a water tower, they boast genomes that are larger than those of some bacteria. They are distantly related to viruses that include smallpox, but unlike most viruses, they have genes to make amino acids, DNA letters and complex proteins.
When does science-fiction become science fact? Throughout various mediums over the last few centuries, we’ve seen early versions of concepts that would eventually become a reality. Sometimes these portrayals are pretty far off base (still waiting on those flying cars), while other times they feel downright prescient. But in the case of Star Trek and one particular engineer at NASA, science-fiction actually informed science fact, with NASA engineer and physicist Harold White now actively working on a space ship that would allow travel faster than the speed of light—or, for the Star Trek inclined, warp speed.
White announced this idea a few years ago, with the concept seeking to allow travel faster than the speed of light by literally expanding space-time behind the object and contracting space-time in front of it. In reality, the object doesn’t “go fast,” but instead takes advantage of Albert Einstein’s theory of relativity to move between space-time.
If your head has yet to explode, sit tight—in concert with White, designerMark Rademaker has now created a CGI design concept of the ship that would operate using this theory, which they have aptly named the IXS Enterprise. Per Rademaker in an interview with the Washington Post, the idea behind the concept art serves two purposes: to visualize their idea, and to inspire burgeoning young scientists
(14) PAGING HUGO NOMINEES. George R.R. Martin knows it’s “Nomination Time”. His short fiction recommendation is a needle in a small Venusian haystack.
Last year, however, these three categories were among those most impacted by Puppygate. The slates dominated all three, sweeping the board and shutting out all other work. In the novelette category, a disqualification allowed one non-Puppy nominee to squeeze onto the ballot, and that story ultimately won. In novella and short story, fans unhappy with the choices presented them voted No Award. Understandably, IMNSHO… still, it was not a happy ending. There was some wonderful and powerful work published in these categories in 2014, and it was a shame that none of it could be recognized. (I was proud and pleased to present Alfie Awards to Ursula Vernon for “Jackalope Wives” in short story, and to Patrick Rothfuss for “The Slow Regard of Silent Things” in novella… but we all know that an Alfie is not a Hugo, and in an ordinary year both Vernon and Rothfuss would surely have been contending for a rocket).
That’s last year, however. No amount of rehashing can change what happened. The important thing is to see that it does not happen again. And to that end, it behooves all of us to nominate the short stories, novelettes, and novellas that we enjoyed most last year… to share our thoughts with our friends… to shout our recommendations from the rooftops. Let’s make sure this year’s shortlists truly represent the best of what was published in 2015.
As to my own recommendations…
Ah, there I hit a problem. I am not making any recommendations in these categories. Problem is, I have a conflict of interest. As a writer I did not publish any original short fiction in 2015, true. As an editor, however… well, Gardner Dozois and I co-edited an anthology called OLD VENUS that came out last year, and in my (admittedly less than objective) view, that book contained several stories that are worthy of Hugo nominations, and one that is so bloody brilliant that I think it stands right up there with any story that ever won the Hugo.
I really can’t tell you which one it is, however. Or the names of the other stories in the book that I think worthy of consideration. Look, Gardner and I liked all the stories we included in OLD VENUS. If we hadn’t, we would not have purchased them (and we do reject stories for every one of our anthologies). But we’d be lying if we said we liked all of them equally. There are stories Gardner liked more than I did; there are stories I liked more than Gardner did; there are stories both of us loved, loved, loved. As editors, however, it would be unethical for us to say which were which in public. Just as parents need to maintain devoutly that they love all their children equally and have no favorites, it behooves the ethical editor to take a similar stance toward the stories they purchase and publish.
(15) GIVING KATE A HELPING PAW. Steve Davidson hated to let go to waste the effort he invested on a comment I deleted here the other day. It now has manifested as “Puppy See, Puppy Do-Do” at Amazing Stories.
Kate Paulk recently closed the comments (at the beginning of March) so that they could be compiled and a final list composed.
It’s a little late in the game, especially considering that nominators are kinda expected to read and be familiar with works they’re going to recommend (but that isn’t necessarily an impediment for organized voting), so we’ve decided to help them out a bit and give them a hand up.
We started with one of the most visible categories – Best Novel. The following list contains all of the individual works mentioned in the comments. We did not verify eligibility (although most, if not all of the works seems to meet that criteria). When judging whether or not someone recommended something, we took “Plus 1” and “Me Too” to count for a “vote”. If someone talked about a work but didn’t expressly indicate that it was something they were going to nominate, we didn’t count it.
If a “top ten” is going to be compiled, it’s pretty obvious from the counts below what we should see on the Sad Puppy IV Slate. It will be interesting to see how the final list compares.
(16) HAMMER EMCEE RAPPED. Marie Porter has some feedback for masquerade emcees, triggered by a recent bad example of the art.
I want to talk about Emcees for convention ?#?cosplay masquerades.
It feels like almost every masquerade we’ve competed in, judged, or watched – with maybe 1-2 exceptions – has had an emcee that behaves in a manner that I find disrespectful to the competitors.
As a general thing, it usually comes in the form of trying to be “entertaining”, and basically comes off like this emcee has an audience, that they are the STAR of the show, and the competitors are basically props to them. They feed off the laughs, which they try to obtain by any means necessary.
A lot of the time, it happens by cracking rude and unnecessary jokes while introducing the competitor, as the competitor leaves the stage, etc.
When it happens, it feels like the emcee has lost sight of what the show is actually about – showcasing the hard work of the competitors. It’s not the “emcee show”, no matter how much they would like to think it is.
Tonight, a few things happened that still have me mad, so let me describe it to demonstrate what I’m saying.
A friend of mine was competing in the beginner category, in a costume she SLAVED over – a Steampunk Lady Thor. I watched her build progress – she put a ton of work into it, and she had every reason to be proud of it.
As she was on stage – being judged, mind you – the emcee talked *over her provided audio* to say – and I quote
“She could hammer me any time”.
She looked horrified, and – quite frankly – like she wanted to murder the guy. Rightly so, IMHO. She basically had all of her hard work diminished into a sexual joke. It was degrading and objectifying, and had no place happening. SHE WAS COMPETING, during PERFORMANCE judging. Can you imagine being shocked by something like that, after all that work?
Tantalising news about the ‘secret chamber’ in Tutankhamun’s tomb.
“We do not know if the burial chamber is Nefertiti or another woman, but it is full of treasures.” – Egypt’s Tourism Minister, Hisham Zaazou.
It seems that some secrets are too good to keep. Is this a phenomenal leak about what lays beyond the false wall in Tutankhamun’s tomb? Is it speculative wishful thinking? Or is this a clever boost for badly-needed tourism?
Mr. Zaazou claims that the announcement of what lays inside the secret chamber will be made in April. “It will be a ‘Big Bang’ – the discovery of the 21st century.”
To be honest, I’m not sure what to make of the news that has wafted out of Egypt via Spain in the past 24 hours. The Spanish national daily newspaper, ABC, claims that Egypt’s Tourism Minister, Hisham Zaazou, who was in Spain a few weeks ago, confirmed that there is “treasure” in Tutankhamun’s tomb.
(18) OLD NEWS IS GOOD NEWS. Shortly after Ray Bradbury died in 2012, Jessica Allen wrote a retrospective for Maclean’s about the Bradbury stories Maclean’s had published, in “Here’s to you, Ray Bradbury”. Her article was adorned with photos of the title page art, including a notable typo in the credit for his contribution to Maclean’s September 15, 1948 edition.
[Thanks to John King Tarpinian, Michael J., Walsh, Steven H Silver, Lis, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]
(1) NO BUCKS, NO BUCK ROGERS. “Can you make a living writing short fiction?” is the question. Joe Vasicek’s in-depth answer, filled with back-of-the-envelope calculations, is as carefully assembled as any classic hard sf tale.
First of all, it’s worth pointing out that short stories are not like longer books. In my experience (and I am not a master of the short form by any stretch), short stories do not sell as well in ebook form as longer books. That’s been corroborated anecdotally by virtually every indie writer I’ve spoken with.
At the same time, they aren’t like longer form books in the traditional sense either. I have three deal breakers when it comes to traditional publishing: no non-compete clauses, no ambiguous rights reversion, and no payments based on net. Short story markets typically only buy first publication rights with a 6-12 month exclusivity period, and pay by the word. That means that there’s no reason (unless you want to self-publish immediately) not to sell your short stories to a traditional market first.
People have often criticized me for being too demanding when I review a novel. They often complain about the fact that very few books ever get a score higher than my infamous 7.5/10. But the fact is that year in and year out, there are always a number of works ending up with an 8/10 or more.
When I announced on the Hotlist’s Facebook page last week that Jacqueline Carey’s Kushiel’s Avatar would get a 10/10, some people were shocked. I received a couple of messages asking me if it was the first book to get a perfect score from me. I knew there were a few, but I actually had to go through my reviews to find out exactly how many of them had wowed me to perfection. Interestingly enough, in the eleven years I’ve been reviewing books, Carey’s Kushiel’s Avatar will be the 11th novel to garner a perfect score. The 13th, if you throw the Mötley Crüe biography and GRRM’s The World of Ice and Fire into the mix.
There are many podcasts out there which are dedicated to reviewing books and movies from a critics’ perspective. However, I believe this is one of the first podcasts I’ve heard of which reviews the actual worlds in which the books or movies take place. Of all the episodes I’ve heard, there are very few instances in which I feel that either Dan or Paul or their guests know or care too much about the current science fiction/fantasy literary blogosphere’s opinions of the works, its creators, its production team, or the actors portraying the characters. They are just there to discuss the work and only the work. When they do bring in references to other works or the greater outside world, they do it either near the beginning or near the end so that the discussion of most of the episode is focused on just the world inside the movie or book. It’s both fan discussion and literary criticism in its purest form, where the only clues you have are the work itself, the world you currently inhabit, your personal experiences, and that’s it.
“Many humans are under the impression that the Cthulhu for America movement is a joke candidacy, like Vermin Supreme – a way for people disgusted by a political system that has long since perished to voice a vote for a greater evil to end the status quo and the world,” says [campaign manager] Eminence Waite, sighing in a way that makes you think she’s been asked this question many times before. “They have never been so wrong, yet so right. Cthulhu is no joke.”
First up, hardcover first editions of the original Harry Potter and the Philosopher’s Stone could fetch anywhere from $40,000 to $55,000. Only 500 were published, and 300 went to libraries, so if you have one, go ahead and treat yourself to a nice dinner. You can afford it.
This edition has a print line that reads “10 9 8 7 6 5 4 3 2 1” and credits of “Joanne Rowling” rather than JK.
(6) BUD WEBSTER MEMORIAL. There will be a Memorial for Bud Webster on March 12, from noon til 5 p.m., at the Courtyard by Marriott Williamsburg, 470 Mclaws Cir, Williamsburg, VA 23185.
Hotel Rooms: $89.00 – Please ask for the Bud Webster Memorial Rate – Also mention Mary Horton or Butch Allen if there is some confusion while trying to book the room. We are not catering anything. Sodas and snacks are available at registration
People often ask how I’m able to do all that work on top of having a day job, and the answer is, most days, I just don’t know. But one thing I have learned in the last three months is that I have a lot easier time completing a draft that has me stuck in the mucky middle if I just skip ahead and write the ending.
I tend to spend a lot of time on the openings of my novels and stories, and it shows. My latest short story for Patreon, “The Plague Givers,” is a good example of this. There’s a very polished beginning, as far as the prose goes, and then it veers off into simplier language for much of the middle, and returns a bit toward the end to the more polished language. I will most likely go back and polish out the other half of the story before finding a home for it elsewhere, but watching how I completed that story reminded me of how I’ve hacked my process the last few months to try and get work out the door just a little faster.
I’m a discovery writer, which means I like to be surprised by events that happen in a book just as a reader would be.
(8) LURKER QUEST ACHIEVED. In the February 8 Scroll (item 10) a lurker described a story and asked for help identifying it.
The answer is Kent Patterson’s “Barely Decent”, published in Analog in 1991. The literary estate holder was located with an assist from Kevin J Anderson, who had anthologized another Patterson story, and from Jerry Oltion. The rights holder has authorized a link to a free download of the PDF for the story.
For those of you who searched for the right way to describe your feelings for that certain special someone on February 14, Robert E. Howard might have been be a good source. After all, he was a wizard with words. And he did have a novel approach when it came to romance. As Bob Howard explains to Novalyne Price Ellis in her book One Who Walked Alone:
[M]en made a terrible mistake when they called their best girls their rose or violet or names like that, because a man ought to call his girl something that was near his heart. What, he asked, was nearer a man’s heart than his stomach? Therefore he considered it to be an indication of his deep felt love and esteem to call me his cherished little bunch of onion tops, and judging from past experience, both of us had a highest regard for onions. (106)
(10) OSCARS. At the Academy Awards on Sunday night, sf favorites The Martian and Star Wars: The Force Awakens won nothing, but Mad Max: Fury Road, so often praised here in comments, won six Oscars (Best Costume Design, Best Production Design, Best Make-up and Hair, Best Editing, Best Sound Editing and Best Sound Mixing), more than any other film.
Other sf/fantasy winners — Best Animated Feature Film: Inside Out and Best Visual Effects: Andrew Whitehurst, Paul Norris, Mark Ardington, and Sara Bennett for Ex Machina.
Lead strong, hook ’em, and keep ’em hooked: This advice given to several of the workshop participants made an amazing difference between draft one and draft two. The sooner you get the reader’s attention and begin to unwind the reason for your tale, the stronger the likelihood, your reader will keep reading to learn more. Novels can afford a little more leisurely pace…but only a little, and for short fiction, a strong, powerful hook is needed right out of the gate. You may only have a few sentences of an editor’s attention before they decide to keep reading or toss the Manuscript—make them count.
Neither. I’m a thematically driven writer; I figure out what I want to say first and then devise a storyline and a cast of characters that will let me most effectively say it. For Quantum Night, the high-level concept is this: most human beings have no inner life, and the majority of those who do have no conscience. And the theme is: the most pernicious lie humanity has ever told itself is that you can’t change human nature. Once I had those tent poles in place, the rest was easy.
There is often a logic, beneath shrill jeremiads. For example, Ted Cruz has proclaimed that even one more liberal or moderate justice appointed to the U.S. Supreme Court might shift the reading of the Second Amendment (2A) — does it give private individuals an unlimited right to own guns, or reserve that right only to members of a militia? (Go read the amendment and come back. In Heller v. D.C. the court went with Red America’s wishes by one vote, one interpretative vote. Moreover, let me shudder and add that Cruz is probably right about this one thing. The swing between those two interpretations is very likely to teeter for our lifetimes and more. But in railing about the near-term, he and his followers ignore the long term implication — …
— that the Second Amendment, as currently worded, is by far the weakest in the entire Bill of Rights. If this court or the next one does not reverse Heller, then it will inevitably happen when some huge national tragedy strikes. That’s called the “Ratchet Effect” (see The Transparent Society), and you are behooved to plan, during good times, for what you’ll do at some future crisis, when the public is scared.
If today’s political rightwing were rational, it would be working right now to gather consensus for a new Constitutional Amendment that might protect weapon rights far more firmly than the ambiguous and inherently frail Second. I have elsewhere described just such an amendment, which could actually pass! Because it offers some needed compromises to liberals and moderates – some positive-sum win-wins – while protecting a core of gun rights more firmly than 2A.
(14) JUDGING LOVECRAFT AND OTHERS. Frequent readers of Jim C. Hines will find his Uncanny Magazine essay “Men of Their Times” not only deals with its topic in a significant way, it also outlines the analytical process he applies to history.
…This argument comes up so quickly and reliably in these conversations that it might as well be a Pavlovian response. Any mention of the word “racism” in association with names like Tolkien or Burroughs or Campbell or Lovecraft is a bell whose chimes will trigger an immediate response of “But historical context!”
Context does matter. Unfortunately, as with so many arguments, it all tends to get oversimplified into a false binary. On one side are the self–righteous haters who get off on tearing down the giants of our field with zero consideration of the time and culture in which they lived. On the other are those who sweep any and all sins, no matter how egregious, under the rug of “Historical Context.”
….In an ideal world, I think most of us would like to believe humanity is growing wiser and more compassionate as a species. (Whether or not that’s true is a debate best left for another article.) If we assume that to be true, we have to expect a greater amount of ignorance and intolerance from the past. We also have to recognize that humanity is not homogenous, and every time period has a wide range of opinion and belief.
When we talk about historical context, we have to look both deeper and broader. Were Lovecraft’s views truly typical of the time, or was his bigotry extreme even for the early 20th century? Did those views change over time, or did he double–down on his prejudices?
Recognizing that someone was a product of their time is one piece of understanding their attitudes and prejudices. It’s not carte blanche to ignore them.
Caribbean Beat: How do you define speculative fiction?
Nalo Hopkinson: I generally only use the term “speculative fiction” in academic circles. Science fiction and fantasy are literatures that challenge the complacency of our received wisdoms about power, culture, experience, language, existence, social systems, systems of knowledge, and frameworks of understanding. They make us reconsider whose stories deserve to be told, whose narratives shape the future and our beliefs, and who has the “right” to make and remake the world.
Is there a distinctively Caribbean kind of spec-fic?
A bunch of Caribbean SF/F [science fiction/fantasy] writers will be gathering to discuss this in March at the University of California, Riverside, as part of a year of programming I’m co-organising on alternative futurisms. I suspect one of the things we’ll end up talking about is Caribbean relationships to the experience of resistance — how it’s shaped our histories and imaginations, and so how it must shape our imaginative narratives. For instance, when I watch TheLord of the Rings, I wonder what the orcs do to rebel against their forced existence as beings created to be foot soldiers and cannon fodder.
We’ll probably also talk about the unique impact of place and space on the Caribbean psyche. I recently wrote a short story for Drowned Worlds, a fiction anthology on the theme of the effects of rising sea levels worldwide. For me, coming from island nations whose economies are often dependent on bringing tourists to our beaches, and which are the guardians of so much of the world’s precious biodiversity, it was particularly painful and personal to write a story about what will become of our lands. The resulting piece is angry and spooky, and combines science with duppy conqueror in ways that are uniquely Caribbean.
On the panel, we might also talk about language. The multiple consciousness that Caribbean history gives us is reflected in our code-switching, code-sliding, code-tripping dancehall-rapso-dubwise approach to signifying simultaneously on multiple levels. Science fiction reaches for that in its use of neologisms. Caribbean people, like so many hybridised peoples the world over, live it. We are wordsmiths par excellence.
(17) TALKING TO THE CUSTOMERS. The Video Shop presents “400 Fourth Wall Breaking Films Supercut”. (Most of you already know that when somebody on stage acknowledges the audience, that’s called breaking the fourth wall.) (Via io9.)
Since you’re reading this let me give you a bit of background and a couple of provisos.
This is not meant to be a comprehensive list of fourth wall breaking films. There are shitloads. Definitely more than 400. But 400 seemed a tidy number to end on. It’s not an academic study and there’s no rhyme or reason behind the grouping of the clips other than what seemed to work. So while yes, there are highbrow French new wave films in there I’ve also had to include The Silence of the Hams and Rocky and Bullwinkle. But then I kind of like that.
And because it’s mine I give more screen time to my favourite serial offenders, just because I can. Take a bow John Landis, Woody Allen and Mike Myers.
[Thanks to John King Tarpinian, Andrew Porter, and Rob Thornton for some of these stories. Title credit goes to File 770 contributing editor of the day Mart.]
(1) BACK HOME AGAIN IN INDIANA. In 1936 the Marshall College Archaeological Review accepted Professor Jones’ journal article, but asked for a few teensy changes – in “Why Professor Indiana Jones Was Hated By His Colleagues” at Cracked.
The Title
Though your findings are certainly incredible and we understand your enthusiasm, we must say that the title “God Melted Some Nazi Faces In Front Of Me” simply doesn’t fit our journal’s aesthetic. I am only more distressed by the title when I read the first sentence of your abstract, which states “At least I think that’s what happened. Really, I just closed my eyes for a while, and when I opened them, all the Nazis had melted.” As men of science, it is our academic duty to at least entertain the notion that there was a corrosive substance inside the Ark of the Covenant that killed them. Or perhaps there was some sort of violent squabble that erupted while you and Miss Ravenwood had your eyes shut. Or anything, really. Any explanation beyond “God did it” should, at the very least, be mentioned. This segues nicely into my next concern.
Walt Disney’s new ‘Mary Poppins’ film, directed by Rob Marshall with Emily Blunt portraying everyone’s favorite magical nanny has found its male lead. Broadway wunderkind Lin-Manuel Miranda, the mastermind behind Broadway’s hottest show, ‘Hamilton’ (It’s sold out through 2018!) will play Jack, a lamplighter, a part similar to Bert the chimney sweep, played by Dick Van Dyke in the classic 1964 film.
The new movie is set 20 years after the original, in Depression-era London and will pull from one P.L. Travers’ seven other ‘Mary Poppins’ novels. (The 1964 film was based on the first, with hopes of turning them into a series, but Travers despised the film and nixed those plans.)
(3) IN TAVERNS TO COME. Rob Ehlert and Cathy Mate, the subjects of “Know Your Neighbors: Rob Ehlert of Dark Rogue Tavern” at Around Berwyn, are long time Chicago fans. Cathy’s husband, “Clash” DJed many Windycon dances prior to his death in 2013.
People will know it’s a tavern because in Chicago there will be snow around the entrance half the year…. (File 770 inside joke.)
When an opportunity arises to receive a $10,000 endorsement from Bar Rescue’s Jon Taffer, you take it. That’s what Berwyn resident Rob Ehlert did when he entered his bar concept, Dark Rogue Tavern, into a nationwide entrepreneurial contest sponsored by the famous TV personality.
Dark Rogue Tavern will be Berwyn’s newest bar and grill scheduled to open in July 2016. The concept is the brainchild of Amy Mate and Rob Ehlert, who felt inspired to create “a ‘Cheers’ for nerds.” According to Ehlert, Dark Rogue Tavern will be a place for geeks, gamers, comic book collectors, sci-fi fans, and fantasy role-players to come together and enjoy a space dedicated to them. They can come with friends, or make new ones, and watch their favorite shows and movies, play their favorite games and enjoy craft beers, cocktails, and elevated bar food.
After pitching this idea to Taffer’s entrepreneurial contest, Mate and Ehlert made it into the top 10 but ultimately did not win the contest. But never fear! Dark Rogue Tavern will eventually be here, even without the $10K grant. “We will make this bar open regardless of the support from Jon Taffer,” said Ehlert.
(4) THE BRANDENBURG GREAT. Neil Clarke is the guest fiction editor of a science and sf theme issue of The Berlin Quarterly, a European print review of long form journalism, literature, and the Arts. Clarke says —
Their budget permitted me to select four reprints, so in this issue you’ll find:
“Slipping” by Lauren Beukes
“Tying Knots” by Ken Liu
“A Brief Investigation of the Process of Decay” by Genevieve Valentine
Calling themselves “Meow Wolf,” they have earned a reputation for using whatever materials they can scavenge to build fantastical exhibits that are part haunted house and part jungle gym — giant artwork that people can step inside.
These immersive shows — a psychedelic cave, a junk-filled dome — have grown progressively more elaborate. Now, after years of surviving on shoestring budgets, Meow Wolf has persuaded investors to pour millions of dollars into something even bigger.
The Santa Fe group has procured an abandoned bowling alley in a struggling part of town to house a massive, permanent exhibit. King and his friends call it a dream come true, but it comes at a price.
Martin has invested $3.5 million in the project, says the LA Times.
(6) BERLITZKRIEG. I have it on the highest authority that Vox Popoli isn’t a result of an inability to spell vox populi, it’s a combination of the Latin phrase with the Italian la voce dei popoli.
And Vox Day isn’t “the voice of God” either. It’s a trilingual pun, Latin-Greek-English.
George R.R. Martin has officially decided to write in the big twist he planned for his new book, The Winds of Winter. The twist on the twist? The Game of Thrones TV show won’t be able to pull it off, because it’s already killed off a key character involved in the storyline. Watch Martin give us the scoop in the video above.
This is just one awesome moment from our full 27-minute sit down with Martin and Colony co-creator Ryan Condal, where we talk the suggestions that changed their series completely, the sci-fi/fantasy properties that made them fans, dream casting and how to end a story.
(8) CONTINUING COVERAGE OF MARK OSHIRO AND CONQUEST. Selina Rosen and Mark Oshiro exchanged comments on Facebook, and Oshiro said he appreciated Rosen’s apology.
[Selina Rosen:] It was never my intention to make you uncomfortable. I am not aware of touching you but know that if I did it was not meant as an insult or to make you uncomfortable. FYI till Monday of this week I did NOT even know that you were the one who turned me in. I apologize for any perception you had that I was in any way sexualizing or trying to demean you. I will be more aware in the future that fandom has changed and I must change with it or stay home.
[Mark Does Stuff:] Thank you very much for this, Selina. For what it’s worth, I believe you in that you may not have even known you were touching me. I appreciate your apology. I wish ConQuesT had just TOLD you about this so that you didn’t have to find out this way. Regardless, I genuinely thank you for posting this.
[Selina Rosen:] Not knowing who had told made it imposable for me to address the issue with you directly. Only know I am not that person and never have been.
[Selina Rosen.] Seriously I’m so sorry that I did this mostly because it’s the joke that will not die. I played to the audience. The joke is so old I have to go to the banks of antiquity to ask permission to use it. I will not do it again. I am sorry that he was so upset in any way. No one should be uncomfortable.
I’m wrapping these two together because they’re the big hitters of the Hugos even though the Campbell isn’t a Hugo. They’re also, well… kind of obvious. The Campbell website even has a list of eligible authors….
As for what to nominate, well, that’s up to you folks. I can guarantee that what shows up on my ballot will not be what bubbles to the top of the List, because I’m doing the List as a service to anyone who’s interested and trying to boost interest and involvement in the entire Hugos process. Also because I’m just weird.
Now the administrative stuff:
I will start closing comments on the Sad Puppies recommendation threads starting around 5pm US Eastern Time on Monday 29th February. This is so I don’t have new recommendations coming in while I’m trying to collate what’s there.
The Featured Book section of the website appears on the righthand side of the website’s front page and is open to new books at the time of their release. While filling that out, you might also fill out the Featured Author section.
The New Release Newsletter is a recent addition that lists forthcoming publications by SFWA members. It is not limited to books, but can encompass shorter fiction and alternate forms. Backlist books being newly released can be listed in the newsletter.
The SFWA Discussion Forums have multiple ways to promote your book. Mention details in your personal thread, list interviews and reviews in the Self Promotion section, where you can also find a link to Don Saker’s The Dealer’s Room, where SFWAmembers can list free book promotions.
(12) CONSTRUCTION TOYS. These items come from Andrew Porter.
James May (not the Puppy James May) hosts the BBC show James May’s Toy Stories, where he built a Meccano bridge which supported a man, in Liverpool — part of a series which included running electric model trains for five miles in open country, building a two-story house out of LEGO, and creating a life-size plastic Airfix Spitfire model.
You can download issues of Meccano Magazine as PDFs here
Back in January, ABC gave the green light to Marvel Television’s ‘Most Wanted’ after a period of will they/won’t they. Since then, the ‘Agents of S.H.I.E.L.D.’ spinoff starring Adrianne Palicki and Nick Blood has been ramping up. First, Delroy Lindo joined the cast as the swashbuckling adventurer Dominic Fortune. Now, we have our first description of the series that gives us a glimpse at Bobbi Morse and Lance Hunter’s new mission.
The first official synopsis for the latest show set in the Marvel Cinematic Universe was recently shared and as anticipated, we learn about Mockingbird and Hunter’s less than ideal situation where they find themselves with bounties on their heads. But there’s also some new information about Fortune’s role in the whole thing and how the three will come together…
(14) OLD FEDEX COMMERCIAL. Saw this getting replayed today…
[Thanks to Steven H Silver, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Nigel.]
Let us expose this hot nonsense for what it is: a lie meant to exploit writers and to puff up that old persistent myth about the value of exposure or the joy of the starving artist or the mounting power of unpaid citizen journalism.
The lie is this: writing is not work, it is not fundamental, it is a freedom in which you would partake anyway, and here some chucklefuck would say, haw haw haw, you blog at your blog and nobody pays you, you post updates on Twitter and nobody pays you, you speak words into the mighty air and you do it for free, free, free. And Huffington Post floats overhead in their bloated dirigible and they yell down at you, WE BROADCAST TO MILLIONS and DON’T YOU WANT TO REACH MILLIONS WITH YOUR MEAGER VOICE and THIS IS AN OPPORTUNITY FOR YOU.
But it is an opportunity for them, not for you.
But it seemed to me after a strong start Wendig’s rant winds down and loses headway:
Writing is work. Most things begin with writing. Though I find writing a pleasure, it is also a thing that requires great mental effort. It is not mere content — that word said almost dismissively, as if it is a synonym for styrofoam peanuts. (And by the way: you actually have to buy styrofoam peanuts. They aren’t free unless you rob them from boxes shipped to you.) Content is not slurry. It’s not protein goo. It’s not mud or air or some readily available resource…
Intrinsic value and market value are different things. While I don’t think Chuck Wendig believes all writing has the same market value, or necessarily any market value, it seems to me he has conflated spiritual and economic value in this paragraph.
Wendig is right that Huffington Post capitalizes on uncompensated labor, of course. If HuffPo is making money, that establishes that the content collectively has some market value. Since none of that value flows through to the contributor, you can argue an injustice.
But are all these contributors trying to launch writing careers? I do agree that if somebody is trying to be a pro writer, which not all HuffPo contributors necessarily are, they should be working on material that has a paying market.
(2) THAT GETTING PAID THING. In a series of tweets, John Scalzi thanked Wendig for doing the heavy lifting today, and tossed in a few more points:
I should note I am only very rarely asked to write for free these days. Set enough people on fire for asking, everyone else catches on.
One of the things I’ve realized that I need to work on in order to develop a healthier relationship with my job involves certain toxic aspects of the professional writing/publishing culture that I’ve done an overly good job of internalizing. And I’m trying to scrape it out of my soul, because in the long term it winds up being the opposite of productive when dealing with a creative career.
Some of that is a competition thing: “Writer X turns in three books a year and I’m a slacker if I don’t, too!” And that’s not great, honestly, and the sheer pressure to produce isn’t great, either, and doesn’t necessarily lead to good work. One has to think up new things to say between books, after all, or one ends up writing the same book over and over again. No use in that.
I think there’s a certain bravado of culture among may writers that is actively toxic in a lot of ways. And it’s tied to the NaNoWriMo kind of mode of “produce a bunch of stuff really fast, lather rinse repeat” pressure, and also the “THIS JOB SUCKS AND WE’RE WARRIORS FOR DOING IT” thing. It’s this weird Puritan machismo in suffering.
I mean, you don’t learn to write well by turning out 50K in a month once a year. It’s the two pages a day or whatever that get you there. Constant practice, as with any art. And mammals don’t respond well to punishment for performance. If we do a thing and the result is horrible, we generally avoid doing that thing again
In this edition our guest introduction is by Gill Norman. Gill is a former director of i4is. She has helped us become the reasonably well organised body that we now are. Her thoughts here are on the necessity of human engagement in Interstellar Studies and space in general, Space: It’s all about people. She tells us how we need to engage resources and talents from all who feel our outward urge. Scientists and engineers are essential but so are entrepreneurs, PR experts and, of course, the best administrators we can find!
China will move nearly 10,000 people to make way for the world’s largest radio telescope which promises to help humanity search for alien life, state media reported on Tuesday.
It’s compensating them less than $2,000 each to relocate.
(7) CONGRATULATIONS: Becky Thomson and Tom Veal, friends for over 45 years, have announced they are engaged to be married. The wedding will be on June 25, in Ft. Collins, Colorado.
We don’t write many articles about comics here at SF Signal. That’s not to say that we dismiss comics as literature, though. Many of the contributors to this blog are huge fans of the medium, but sites devoted the field abound, and whether superheroes are actually science fiction or a form of fantasy that simply employs sci-fi conventions as convenient MacGuffins is debatable. The one notable exception to our comic freeze out is our annual list of the top science fiction comics of the year… which number exactly one, because last year’s list was our first.
To my surprise, though, last year’s list of the Top 14 Sci-Fi Comics of 2014 turned out to be one of our top ten most popular articles of 2015. So, back by popular demand, here’s a rundown of the best on-going science fiction comics to hit stands in 2015. It’s not exhaustive, because there were a LOT of great sci-fi series this year, but it’s what we consider these to be the cream of the crop. Feel free to debate or contribute your own suggestions in the comments below….
A lawsuit between two best-selling authors involves fantasy, romance, charges of plagiarism, and fan fiction gone mainstream….
I have friends with deep roots in fandom—albeit without much connection to this particular sector of it—who believe that this is the true source of the undying animosity toward Clare: She left fandom “badly,” or, worse yet, she seemed to be repudiating her own origins in that community by changing the spelling of her name. Fan-fiction writers are routinely and viciously ridiculed and shamed for their hobby, which makes their communities especially insular and self-policing. “Back in the day,” Cleolinda Jones, a onetime regular at Fandom Wank, wrote to me, “we used to say, ‘The first rule of fanfic is, do not take money for your fanfic.’ Because the overriding fear was intellectual property holders would sue everybody and shut fandom down.” Rights-holders that once issued cease-and-desists against fan sites for using promotional photos now encourage fan art and other tributes, Jones says, but in the early 2000s, “I just really cannot overstate the sense of living on borrowed time by the grace of the IP holders.” This would explain why word-for-word plagiarism, as opposed to the transformative appropriation of another creator’s characters and setting, would seem a catastrophically reckless sin against the entire community.
Of course, Clare was reviled—and adored—in Harry Potter fandom even before the plagiarism charges against her came to light. And fan fiction itself has come a long way, spawning numerous real-world stars, fan writers such as E.L. James who move on to publish best-sellers. Clare was among the very first to do this. But the prospect of going pro and striking it rich seems to many fan-fiction writers like a serpent in the garden, corrupting what once felt like an idyllic, egalitarian gift-economy of like-minded dabblers. Once, fandom was a destination in itself; now it’s just another stepping stone for ambitious writers with their eyes on a richer prize. Like so much of the idealism of the early Internet, this, too, has become an offshoot of the marketplace. “I think what you don’t understand,” one friend told me when I expressed bafflement that Clare’s fellow fan-fiction writers didn’t view the popularity of her books as a feather in their collective cap, “is that a lot of them just feel used.” When I admitted that didn’t make sense to me, she added, “It’s hard to explain, but that doesn’t mean it isn’t real.”
(10) CON OR BUST. MidAmeriCon II has also pitched in:
MidAmeriCon II, August 17-21, 2016, Kansas City, MO, USA. MidAmeriCon is the 2016 WorldCon; its Guests of Honor are Kinuko Y. Craft, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Tamora Pierce, and Michael Swanwick, and its Toastmaster is Pat Cadigan.
MidAmeriCon has donated four memberships to Con or Bust, either in full or as upgrades to supporting memberships (if the recipient already has one).
(10) TAKING ART IN NEW DIRECTIONS. “Best Fan Artist?” asks Steven H Silver. GPS Doodles’ Stephen Lund creates figures by riding his bike in meatspace on routes tracked by Strava. Some are Star Wars-themed.
Subject: ride alongI’d like to request one. Can you come up with a suitable topic? Vader and his young apprentice perhaps?
It sounded like fun – not just the Star Wars theme but the idea of having someone along for the ride.
Kudos to Geoff, who stuck with me for the entire 4.5+ hours with no inkling whatsoever about what we were doodling. He was completely in the dark (“on the Dark Side,” I suppose you could say) until he got home afterward and downloaded the ride to Strava.
(11) TODAY IN HISTORY
February 18, 1930 – Clyde Tombaugh discovered planet Pluto, before it became a dwarf.
February 18, 1977 – First unmanned test flight of space shuttle Enterprise mounted on another aircraft.
The problems of the Hugo voting/nominating population being relatively small and to a large extent long-term fans who could be termed the science fiction “establishment” (in the sense that many of these people have been to the same conventions for twenty and more years and helped each other run quite a few of them) have probably had years where they actually could read everything eligible with the result that they’ve seen practically everything.
This leads to a kind of weird inversion of killer mailbox syndrome (what happens to your marvelous tale about a killer mailbox when the slush reader has just read the third killer mailbox piece in the slush dive and the other three were horrible. The horrible gets imputed to your story because of the human mind’s extreme pattern-making and association ability) where something that isn’t all that great seems the freshest, most wonderful piece of the year because it’s sufficiently unlike the rest of the entries it stands out. This gets good-but-not-extraordinary works nominated and winning awards because they aren’t like everything else.
There’s no need for a conspiracy to explain some of the “winning the future” selections in recent years – this effect will do just as nicely, particularly since many of said voting group have very similar opinions about what constitutes a desirable message and from what I’ve seen are honestly shocked that their views of what is right and proper are not shared by the rest of fandom (two rules that we fans have to remember: sufficiently advanced stupidity is indistinguishable from malice; and highly intelligent people are capable of extremely advanced stupidity).
The SF-SJWs at File 770 are appalled at the fact that Tor Books and Castalia House author John C. Wright is willing to go on the record and state that, in his opinion, I am a better editor than the late, Hugo Award-winning editor David Hartwell:…
You see, I have perspective that they do not. Unlike them, I have seen Mr. Wright’s unedited prose. I know exactly what it looks like. And as it happens, it looks very much like the prose that appears in Mr. Wright’s novels that are published by Tor Books. John is an excellent writer; he is one of the greatest SF/F writers alive. But he writes very, very quickly and he is prone to what one might describe as an exuberant approach to writing. Last year, Castalia House offered him a contract for a 60k-word book. I am now reading the manuscript, which clocks in at nearly 200k words. Even those authors who don’t like Mr. Wright or his style might well contemplate suicide if they truly understood how speedily and effortlessly the man writes… and writes well. When I say he is a great writer, I do not do so lightly, nor do I do so because I am fortunate enough to publish some of his works. I say it out of pure envy and awe.
…. UPDATE: It appears my surmise about the extent to which Mr. Wright’s books were edited at Tor Books was correct, as per L. Jagi Lamplighter Wright
Just in case anyone wondered: John has tremendous respect for Mr. Hartwell, whom he admired, appreciated working with, and liked as a person. But Mr. Hartwell almost never made any changes to John’s manuscripts.
(14) ADMIRATION. John C. Wright’s contributions to the foregoing discussion included this compliment to another author:
I would have trouble editing George RR Martin’s books. Most of the comments here mock him, but he is an exquisitely skilled writer, a consummate writer. His writing is a little dark for me, but reread the opening prologue of GAME OF THRONES: the text establishes a fullfledged three dimensional character, a man who is realistic yet sympathetic, and who is snuffed out as a redshirt a few paragraphs later to show you how the monster works — and it comes as a surprise because usually the redshirts are not given a backstory. What in other hands would have been a boring B-movie horror scene in Martin’s is a masterful, and even moving, establishing scene. Now, to be frank, I have not read his last two volumes, and I may never, because he has killed off too many likable characters and is taking too long to get anywhere: but once the series is done, and I know it reaches a satisfying conclusion, I may revisit that decision. So Mr. Martin may be suffering from the victory disease, where some of his discipline lapses due to his popularity. Or he may be, as I am, an exuberant writer who likes his digressions.
The Sexy Douchecanoe isn’t an official trope, as such; at least, it’s not one that I often find people analyzing, subverting, and/or railing against. It is one, however, that I run into constantly because, while they’re often unfairly associated with strapping, half-dressed men on paperback covers, Sexy Douchecanoes actually pop up in every medium and every genre. The first time I remember coming across one, I was maybe 20 and reading Naked in Death by JD Robb. At the time, I’d been interested in giving romance a go, but as I hadn’t read much of the genre, I wasn’t entirely sure where to start. I figured the best plan was to pick a romance that was also a murder mystery set in the future.
And maybe that plan would have been successful, if I hadn’t hated the love interest with the power of a thousand suns.
You know you’ve made it big when you’re commissioned by a major toy manufacturer to design a doll. That’s exactly what’s happened to Lady Gaga. The singer/actress is adding “toy designer” to her resume now with a forthcoming Monster High doll. Is there anything she can’t do? She’s designing the doll with her sister, costume designer Natali Germanotta. Which is totally fitting, given Gaga’s Mother Monster moniker.
[Louisa Stein] I mentioned above the TV series Supernatural’s ambivalent depictions of female fans over the years. Supernatural is a series that has a dynamic and rich transformative fandom, and the majority of those participating in the fandom are women. Supernatural fans, while expressing love for the series and its characters and potential, have long been critics of its gender and racial politics, and have spoken out at times about how they have felt misrepresented and even attacked by the series and its metatexts, for example, in response to a preview that declared the teenage girl the “ultimate monster.”
[Thanks to David K.M. Klaus, Brian Z., Dave Doering, Will R., and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day redheadedfemme.]
…The waves rippled outward in every direction, weakening as they went. On Earth, dinosaurs arose, evolved, and went extinct. The waves kept going. About fifty thousand years ago, they entered our own Milky Way galaxy, just as Homo sapiens were beginning to replace our Neanderthal cousins as the planet’s dominant species of ape. A hundred years ago, Albert Einstein, one of the more advanced members of the species, predicted the waves’ existence, inspiring decades of speculation and fruitless searching. Twenty-two years ago, construction began on an enormous detector, the Laser Interferometer Gravitational-Wave Observatory (LIGO). Then, on September 14, 2015, at just before eleven in the morning, Central European Time, the waves reached Earth. Marco Drago, a thirty-two-year-old Italian postdoctoral student and a member of the LIGO Scientific Collaboration, was the first person to notice them. He was sitting in front of his computer at the Albert Einstein Institute, in Hannover, Germany, viewing the LIGO data remotely. The waves appeared on his screen as a compressed squiggle, but the most exquisite ears in the universe, attuned to vibrations of less than a trillionth of an inch, would have heard what astronomers call a chirp—a faint whooping from low to high. This morning, in a press conference in Washington, D.C., the LIGO team announced that the signal constitutes the first direct observation of gravitational waves.
It’s probably not significant, but I find it interesting that the gravitational waves we detected from the black holes merging one billion light-years away from us…reached us on Rosh Hashanah.
From time to time I’ve posted in various places material I acquired at an auction many years ago from the estate of Jack Darrow. In the 1930’s, Darrow (whose real name was Clifford Kornoelje) was pretty much science fiction fan #2 behind Forry Ackerman.
Darrow’s best friend was science fiction pulp author Otto Binder – who, with his brother, Earl, formed half of the writing tandem of Eando Binder (their other brother was pulp/comic artist Jack Binder). By 1936 however, although the byline often continued to read Eando, the stories were written solely by Otto. In 1939, Binder also began working in comics, particularly for Captain Marvel and the other Fawcett titles, though he would eventually work for all the major publishers. Among the material in Darrow’s estate was a box of correspondence between him and Binder about a foot thick.
Among these letters was one from Binder to Darrow, dated July 10, 1937, which was accompanied by two snapshots. On the back of each, Binder writes that these are photos of “science fiction authors at Mort Weisinger’s home June 1937” (the home was in New Jersey). At the time, Weisinger was the editor of Thrilling Wonder Stories….
In many ways, you see the millennial audience as emblematic of the “mainstreaming” of fan culture within a networked culture. You write, “Millennials have made fan practices more socially acceptable by action, word, and image, if not name.” To what degree is this something Millennials have done and to what degree is this something the industry has done as it has constructed millennials as a particular kind of fan?
First, I want to emphasize that I mean millennial as an imagined category, one co-created by industry and (the cultural participants we refer to as) millennials in an ongoing negotiation. Likewise, the depiction of millennials as modified fans is an ongoing joint creation: industry marketing, advertising, network positioning, programming, scheduling, and digital paratexts together construct a vision of millennials as modified fans; but millennials’ (and/or fans’) own performances of self, responses to one another, and collective interactions also shape this picture. Advertising campaigns and paratextual strategies (like officially coordinated hash tags or programming embedded with fan reference) may hail a modified fan position—one that is invested, created, and interactive up to a particular degree and in certain industry-accepted modes. But fans created many of these practices in the first place, and choose when and how to respond to industrial hailing, when to play along the designated lines and when to transgress….
The mainstreaming of fandom into millennial culture is a chosen stance of fans to represent their modes of engagement as more than only niche and subcultural. Fans choose to post about their fan engagement in the public spaces of Tumblr rather than the locked communities and friends-only journals of the late 1990s and early 2000s. They may perceive these fan spaces as intimate publics, as I’ve written about elsewhere, yet they choose to allow for the possibility of visibility, for a default public culture, albeit one with intimate semi-private pockets. Indeed, the social activism of, for example, what some refer to as Tumblr feminism is part of—or at least deeply connected to—this fan performance of fandom as an expansive mode of engagement with something important to share and spread.
After a glut of recent news, here’s a list of all the science fiction and fantasy novels, short stories and novellas which are currently being developed for the screen. Natalie Zutter’s article for Tor.com from last year was a helpful reference point for this post.
(6) HARRY THE EIGHTH. Shelf Awareness says another volume of Potter will be published this summer.
The “eighth Harry Potter story,” a script of a stage play called Harry Potter and the Cursed Child Parts I & II, will be published in the U.S. and Canada by Scholastic at 12:01 a.m. — aka bookstore party time — on Sunday, July 31, the day after the play by Jack Thorne makes its world debut in London. The play is based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany.
The “special rehearsal edition” book, called Harry Potter and the Cursed Child, will be priced at $29.99 in the U.S. and $39.99 in Canada and published under Scholastic’s Arthur A. Levine Books imprint. The book will be published in the U.K. by Little, Brown Book Group, and Pottermore.com will publish the e-book version.
(7) BSG REBOOT. The Battlestar Galactica reboot is still happening reports CinemaBlend.
The Social Network’s Michael de Luca has signed on to produce Battlestar Galactica, according to The Tracking Board. This doesn’t provide any new details on the movie’s creative direction, but de Luca reportedly describes himself as a “huge Battlestar Galactica fanatic,” so that should prove beneficial. De Luca’s other producing credits include Moneyball, Captain Phillips, Fifty Shades of Grey and the Syfy miniseries Childhood’s End.
After cancelling the 2015 DucKon and establishing a transition team to take care of the convention’s debt and retool for future DucKons, the Duckon Transition Team has announced that they are not in a position to host a DucKon in 2016….
In the latest of a series of legal battles involving J.R.R. Tolkien’s beloved trilogy The Lord of the Rings and film adaptations made of the books, several of Tolkien’s heirs join a group of publishers in filing a $150 million lawsuit against New Line Cinema on February 11, 2008, in Los Angeles Superior Court….
Behind the film trilogy’s phenomenal success, however, was a tangled web of legal conflict, as recounted in a February 2008 New York Times article on the most recent lawsuit. …Finally, in the Tolkien lawsuit, the holders of a trust for J.R.R. Tolkien, who died in 1973, stated that they had failed to receive any money from the films. According to the literary-rights agreement signed in 1969, they said, the trust was entitled to 7.5 percent of the gross revenue from any film adaptation of Tolkien’s novels.
13. The Dark-Hunter Series and the Shadowhunter Series are so similar that CLARE’S own publisher mistakenly printed 100,000 copies of a Shadowhunter Book referencing the Dark-Hunter Mark on the cover. Upon written demand by PLAINTIFF, CLARE’s publisher destroyed tens of thousands of the Shadowhunter Book that contained PLAINTIFF’s Dark-Hunter Mark on its cover. Despite the destruction of tens of thousands of copies of this Shadowhunter Book, thousands of Shadowhunter Books including the Dark Hunter Marks on the cover have now been sold and substantial commercial confusion has resulted.
I just hung up from what I hope will be my last phone call with the District Attorney assigned to my case, and I choked back tears as she told me that I’d conducted myself with grace through this whole nightmare. I don’t know why I’m crying. I’m writing this and examining it as I go through the fog of someone with PTSD. I don’t know if the tears are out of frustration of having sunk a year and a half into this awful system for seemingly less than nothing, or if it’s out of relief….
One of the biggest myths that needs to die is that your first response to being abused should be to go to the police and seek justice. Leaving aside the fact that the police flat out murder unarmed citizens for their race all the time, and that sex workers are likely to be incarcerated when reporting crime done to them, and a myriad of other things I can’t get into, I have a certain amount of privilege and a well-documented case. I have one of the most public abuse cases out there, it started a hate movement that’s swept up my industry and hurt dozens of bystanders, and got international media attention. A lot of people don’t think of it in terms of domestic violence, they forget where the flashpoint of GamerGate came from – you might not even know the man responsible’s name. To make matters worse, I was unable to speak up during that time period out of fear of reprisal from the judicial system (more on that later) and watched as he was washed out of history (along with a lot of other people targeted). I was on my own on this front, until the Boston Magazine article was posted by a journalist who had been following everything and speaking with my ex. Shortly after, I got a call from the DA telling me that I shouldn’t have been told to simply go offline, and that she knew we had a very strong case worth prosecuting.
So why am I dissolving it then?
Ironically, getting a restraining order against Creep Throat was the least effective thing I could do in terms of getting him out of my life for good, and for protecting myself.
(12) GRRM REPORTS. George R.R. Martin posted another editor’s list of what she worked on in 2015 — “What They Edited, Once More”
So… as we discussed below, a lot of fans don’t know who to nominate for the Hugo in the two editorial categories because they don’t know who edited what last year. The problem is especially acute in Long Form. Fair enough. So I went and asked the editors I’d recommended what books they’d edited. We all benefit by being well informed, no?
…Today I received another answer, from DIANA PHO of Tor.
I’d say the Castalia House series about pedophilia in the science fiction and fantasy community is a worthy entry if seriously disturbing – and frankly, I expect this suggestion to be controversial because the series does not tiptoe around any of the major figures in the genre.
Although the ancient geezers of fandom don’t seem to know it, or are just too old to either know or care about games, both computer and video games are eligible for the Hugo Award for Dramatic Presentation Long Form as they are included in the definition of “any medium of dramatized science fiction or fantasy” that lasts more than 90 minutes. Ergo, my recommendations for the category will probably look a little different than most this year.
When word first broke on how a vocal and reactionary segment of the sci-fi/fantasy fandom managed to rally its supporters over the years into jamming works they liked into the nominations list for the Hugo Awards, culminating in a near-total overrun in 2015, I was amused at how it began, appalled and how it progressed, and ultimately impressed at what they managed to pull off.
Which makes me think that if a group of terrible people can push forwards works they think epitomize the best in science fiction and fantasy, why can’t someone like me who is not completely terrible do the same thing?
Here then are the planks of the first-ever “Geeking Out About…” platform for the 2016 Hugo Awards season:
1. All works which are being promoted must be created by people who believe that genre fiction should contain diverse characters and perspectives.
2. All fictional works which are being promoted must contain at least two characters whose gender, sexual, physical, and/or racial identity is substantially different from the creator’s and also:
a) Has their own agency within the plot.
b) Has a scene with another character who is also of their same gender, sexual, physical, and/or racial identity where they don’t speak about the main protagonist but do advance the plot.
c) If there is a love interest for either or both of the characters, it is not the same character as the main protagonist. d) If the characters die, the deaths are meaningful.
3. All non-fictional works which are being promoted must contain references to and/or significant discussion about diversity in genre fiction, and also:
a) If a web article written by one person or solo podcast or web series, must contain links to other articles or references to other work where the gender, sexual, physical, and/or racial identity of those creators/authors is substantially different from the solo creator’s.
b) If a multiple-creator podcast, article, or web series, one of the authors/creators or a guest speaker must be a person whose gender, sexual, physical, and/or racial identity is substantially different from the other creators.
4. All visual works which are being promoted which depict humanoid beings must contain imagery which does not demean individuals who are not of the same gender, sexual, physical, and/or racial identity of the creator.
[Thanks to Steven H Silver, John King Tarpinian, Mark-kitteh, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editors of the day Kip W., Cheryl S., JJ.]
The final painting of the Enterprise model will begin in April, using newly discovered reference photos from our appeal to Trek fans in the fall. The team will also build new nacelle domes with LED lights to mimic the spinning effect seen on television. For reference, they will first build a 1:1 mock-up of the original mechanism, which utilized mirrors, motors, nails, and Christmas lights. Conservator Ariel O’Connor explains, “Although the original nacelle dome lights did not survive, we can replicate the original effect in a way that is safe to install on the model. The LED lights can be programmed to match the original VFX footage while eliminating the burnt-out bulbs, extreme heat, and motor problems that troubled the original lights. It is a wonderful solution to re-light the nacelles while ensuring the model’s safety and longevity.”
(2) OCTAVIA BUTLER. Radio Imagination celebrates the life and work of Pasadena science fiction writer Octavia E. Butler (1947–2006). Organized by Los Angeles-based arts nonprofit Clockshop, the program centers on ten contemporary art and literary commissions that explore Butler’s archive at the Huntington Library. New work will premiere alongside performances, film screenings, and literary events throughout the year.
(3) THERE IS NO NUMBER THREE. The Guardian link to a news item about 500 new fairytales being discovered in a German archive proved to be infested with some kind of code that could not be seen with the text editing tools at my disposal, but overwrote the rest of the post with a busted survey question….! After deducing which entry was causing the problem, I chopped it out. And I’m ready to be done for the night!
(4) WALTON SEMINAR. Out of the Crooked Timber is hosting a “Jo Walton Seminar” using her books The Just City and The Philosopher Kings. (A third book in the sequence, Necessity, comes out in June).
One of the great appeals of the Thessaly series is the implicit invitation: join us in Socratic dialogue beneath the lemon tree, arguing practical philosophy with the best company from all of history. But I am not a philosopher king, and definitely not a Gold of the Just City. As evidence, between the first and second sentences of this paragraph, I took ten minutes to reassure a baby who’d pinched her finger in a dresser drawer. Over the past couple of days I’ve engaged in crafts and cleaning, cooking and political argument and snarky write-ups of old horror stories.
All of which speak to my soul, and all of which feel like part of The Good Life even if I sometimes wish the temporal ratios were different.
“It was the most real thing that had ever happened.” – Jo Walton, The Just City
Thanks to Jo Walton for writing an SF novel in which people, including a pair of gods, try to realize Plato’s Republic. (I’ve only read the first Thessaly novel, The Just City. So if what follows is premature? That sort of thing happens.)
This is an experimental novel. Succeed or fail, you learn from an experiment. But even well-constructed experiments can be failures. That’s the risk.
Logically such a thing should exist. A novelization of Plato’s Republic, I mean. How can no one have written this already? But can such a damn thing be written ? Surely it will fail as a novel, somewhat, at some point. But how? Only one way to find out.
So Walton’s literary endeavor might be said to parallel Athene’s serene, mortal-bothering, bookish Utopian progress, in the novel. Like Athene, Walton doesn’t crack a smile. (There are some cracks at the end – in Athene’s exterior – but let’s leave those out. Don’t want to spoil the ending.)
Walton’s work is a mash-up: of genres, most obviously, with elements of science fiction (time travel and robots), fantasy (gods), historical fiction (recreation of past society) and the novel of ideas – but also of temporalities. Time-travelling Athene gathers together a bunch of dedicated Platonists from across the following 2500-odd years, helps them collect children and works of art from a more restricted period (unaccountably, no one bothers collecting some Canova or Alma-Tadema), gives them some robots from the future for the heavy work, and dumps the whole lot back in the bronze age, where (in theory) they’re not going to disturb anyone else. In theory (again), this farrago will be held together by a shared dedication to the ideals of Plato’s Republic, whether voluntary (the generation of Masters brought together from across time and space) or instilled (the Children and their descendents). In practice…
One of the reasons this is a neat trick from the novelist’s point of view is that it side-steps most of the boring questions of authenticity that bedevil most fictional engagements with the classical world.
More to come from Ada Palmer, Leah Schnelbach, Sumana Harihareswara, and Crooked Timber bloggers Maria Farrell, Henry Farrell, and Belle Waring.
Crooked Timber’s past seminars on genre literature have been —
And in May 2015, Crooked Timber organized a seminar on the work of Ken MacLeod with contributions from Farah Mendlesohn, Cosma Shalizi, Sumana Harihareswara, Jo Walton, and Henry Farrell, with a response by Ken MacLeod.
(5) MINI INTEGRAL TREES. Have you seen the Air Bonsai?
Great if you’re wanting to recreate The Hallelujah Mountains from “Avatar” (or a Roger Dean painting) as a diorama.
(6) THE FUTURE IS BACK. Following years of waiting, the DeLorean car made memorable by Back to the Future has returned to production.
After more than 30 years, the DeLorean Motor Company will resume production of the iconic 1982 model DeLorean, made famous by the “Back to the Future” film trilogy.
The car company was previously prohibited from producing the famed model because the futuristic designs belonged to John DeLorean’s estate and not the auto business, which went bankrupt in 1982.
The company was revitalized by CEO Stephen Wynne and moved to Humble, Texas, in 1987. The company operated as a refurbishment facility, repairing and replacing parts for older DeLorean models for consumers around the world.
(7) ZICREE CLASS. Marc Scott Zicree, is running a one-day Supermentors Class – Life Lessons from Rod Serling, Ray Bradbury & Guillermo Del Toro.
Many of you know that with my books The Twilight Zone Companion and Guillermo del Toro’s Cabinet of Curiosities and my friendship with Ray Bradbury, I’ve had some of the greatest mentors who ever worked in film, TV and books.
Life Lessons From Rod Serling, Ray Bradbury & Guillermo Del Toro — a One-Day Class I’ll be teaching Sunday, February 21st, both in person here in L.A. and via Skype and audio download, drawn from what I’ve learned from my great mentors. Just $99 (normally $199) if you sign up by the end of the month. Log onto www.paypal.com and indicate you want to pay [email protected] Here’s a video describing the class.
(8) MUMY OUT AS OSCAR VOTER. Actor Billy Mumy says he has been purged as an Academy Awards voter under the new rules, and his ”to whom it may concern” protest letter has been posted online.
Like so many other Academy members who have a long history in the film industry, you are now punishing me for a lack of consistent employment, when it is beyond my own ability to cast myself or even find representation who can get me into the meetings and auditions these days for quality roles and films in the first place.
I have careers in music and writing and I chose to stay home for several years when my two children, who have both worked as actors in major studio feature films, were young. I don’t see why that should now render my vote unworthy.
I’m deeply saddened and disappointed by the actions the Academy has taken, without any discussion first amongst the members, to capitulate to a handful of whiners who threaten to “boycott” by not dressing up, walk the red carpet and sit in the audience because they feel the actors branch didn’t do our jobs of nominating candidates for Oscars this year to their personal satisfaction.
The nomination process is not racist. Surely you realize that members of the Academy don’t get together in clandestine meetings to discuss who they’re going to nominate or not nominate. Personally, I was shocked that neither Michael Caine or Harvey Keitel received a nomination for their excellent work in “Youth”, but I certainly don’t consider it a deliberate slight because they’re senior citizen Caucasians.
(9) TODAY IN HISTORY
January 28, 1813 – Pride and Prejudice by Jane Austen was published.
January 28, 1977 – Stephen King’s The Shining is published.
January 28, 1986 – The space shuttle Challenger blew up shortly after launch, killing all seven crew members: Christa McAuliffe, a New Hampshire high school teacher, Ronald McNair, Hughes Aircraft Co. satellite engineer Gregory Jarvis, commander Francis “Dick” Scobee, pilot Michael Smith, flight engineer Judy Resnik and Ellison Onizuka.
Soon afterwards, Ray Bradbury discussed the disaster with Nightline host Ted Koppel.
A memorial service was held today at the Kennedy Space Center. The “Time of Remembrance” will mark the 49th anniversary of the 1967 Apollo launch pad fire that killed Virgil “Gus” Grissom, Ed White and Roger Chaffee on Jan. 27, 1967; the 30th anniversary of Challenger’s loss on Jan. 28, 1986; and the 13th anniversary of the Columbia shuttle disaster on Feb. 1, 2003, that killed commander Rick Husband, pilot William McCool, Kalpana Chawla, Laurel Clark, David Brown, Michael Anderson and Israeli flier Illan Ramon.
The “Arrow” cast knows how to make the best out of a bad situation. The snowstorm forced Heroes and Villains Fan Fest to cancel the Saturday portion of their event, but many people were already at hotels near the Meadowlands Convention Center in Secaucus, New Jersey — including several celebrity guests. Cast members from “Arrow” and “The Flash” were nearby, so they didn’t let the snow stop them from meeting with fans.
In the afternoon, the stars wandered down to the lobbies of their hotels to meet their snowed in fans. John Barrowman (Malcolm Merlyn on “Arrow”) posted a video on Facebook with fans in his hotel and said that he and Stephen Amell (Oliver Queen on “Arrow”) were doing the same thing at separate hotels.
You may have seen a section in the credits of The Force Awakens titled “Additional Voices,” with some familiar names listed. But who or what did all those familiar names play? I’m happy to finally reveal everyone below, running through the film chronologically. (There are also a couple of actor cameos in there that shall remain nameless (for now).)
(12) BE ON THE LOOKOUT. Kate Paulk told Mad Genius Club readers “The List” will be out in March. She also previewed a coming attraction:
Tune in tomorrow for a guest post by the fascinating Ben Yalow with more information about the history of the Hugo categories.
Gaiman said in a statement, “I’m thrilled that Ricky has been cast as Shadow. His auditions were remarkable. The process of taking a world out of the pages of a book, and putting it onto the screen has begun. ‘American Gods’ is, at its heart, a book about immigrants, and it seems perfectly appropriate that Shadow will, like so much else, be Coming to America. I’m delighted Ricky will get to embody Shadow. Now the fun starts.”
A manufacturer of unlicensed Batmobile replicas has petitioned the U.S. Supreme Court to determine whether Batman’s signature vehicle is indeed protected by copyright.
Towle, who produced replicas of the 1966 and 1989 Batmobiles that sold for as much as $90,000 each, was sued in 2011 by DC, which claimed copyright and trademark infringement, trademark counterfeiting and unfair competition.
[Thanks to Brian Z., Martin Morse Wooster, John King Tarpinian, JJ, Soon Lee, and Steven H Silver for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
(1) IT’S A WRAP. Tom Cruise will star in Universal’s reboot of The Mummy, now scheduled to arrive in theaters on June 9, 2017. This version will be set in the contemporary world. Cruise is not playing the title role, trade outlets are referring to his character as a former Navy SEAL.
So who is The Mummy?
Sofia Boutella, best recognized as the badass beauty with swords for legs in Kingsman: The Secret Service, will be playing this new version of the Mummy.
Who’s directing it?
Alex Kurtzman will be calling the shots. The only feature film he’s directed to date is People Like Us, but he’s best known for being a writer on a ton of big blockbuster movies, like Transformers, The Island, Mission: Impossible III, and J.J. Abrams’ Star Trek series. It currently has a script from Jon Spaihts (Prometheus).
(2) TRACING FIREBALLS TO THEIR SOURCE. In “A Precursor to the Chainmail Fantasy Supplement” Jon Peterson of Playing at the World identifies Leonard Patt as a forgotten influence or source on Gary Gygax, whose Chainmail (a collaboration with Jeff Perren) was the first game designed by Gygax sold as a professional product. It included a heavily Tolkien-influenced “Fantasy Supplement”, which made Chainmail the first commercially available set of rules for fantasy wargaming.
Patt, should he still be with us, would surely be unaware of how Chainmail followed his work, let alone the profound influence that concepts like “fire ball” and saving versus spells have had on numberless games over the decades that followed.
…In the early, pre-commercial days of miniature wargaming, the environment was very loose and collaborative, and these kinds of borrowings were not uncommon – but attribution was still an assumed courtesy. Gary Gygax has something of a reputation for adapting and expanding on the work of the gaming community without always attributing his original sources. The case of the Thief class is probably the most famous: the first draft of Gary’s rules do note their debt to the Aero Hobbies crowd, but as the published version of the rules in Greyhawk (1975) did not, the obligation of the Thief rules to Gary Switzer and the others at Aero Hobbies long went unacknowledged. Regarding Chainmail, Gary in late interviews says nothing to suggest that concepts like fireball were not of his own invention; Patt’s rules compel us to reevaluate those claims. Nonetheless, we must acknowledge that Gary had a singular gift for streamlining, augmenting and popularizing rules originally devised by others: certainly we wouldn’t say that Patt’s original rules could have inspired Blackmoor, and thus Dungeons & Dragons, without Gary’s magic touch and the elaboration we find in the Chainmail Fantasy Supplement.
But if you ever vanquished an enemy with a fireball in Dungeons & Dragons, or Magic: the Gathering, or Dragon Age, and especially if you ever made a saving throw against a fireball, thank Leonard Patt!
(3) LIGHTNING STRIKING AGAIN AND AGAIN. The Kickstarter appeal for People of Colo(u)r Destroy Science Fiction has raised $20,192 as of this writing – 400% of its original goal. Another special issue of Lightspeed, it will be guest-edited by Nalo Hopkinson and Kristine Ong Muslim, in partnership with section editors Nisi Shawl, Berit Ellingsen, Grace Dillon, and Sunil Patel, who are assembling a lineup of fiction, essays, and nonfiction from people of color.
Lightspeed’s Destroy series was started because of assertions that women, LGBTQ, and POC creators were destroying science fiction. The staff of Lightspeed took that as a challenge. Building on the astounding success of Lightspeed’s Women Destroy Science Fiction! (and Horror, and Fantasy) and Queers Destroy Science Fiction! (and Horror, and Fantasy), POC Destroy Science Fiction! brings attention to the rich history and future of POC-created science fiction and fantasy.
Like the previous Destroy issues, this campaign has the potential to unlock additional special issues focusing on Horror and Fantasy as well.
(5) BAKKA PHOENIX REPLIES. Yet he is getting the clicks he wants. One Toronto bookstore owner was intimidated into making a public denial — “A Question Worth Answering”.
We are Bakka Phoenix, a different bookstore entirely. We’re not going to comment on a rumour about XXX’s activities: that way lies madness and a lot of silly Twitter feuds. You might want to contact them directly (their website is XXX). Also, please note: from a Canadian perspective, Breitbart looks more like an outlet for the borderline-lunatic fringe than a credible news source.
But if you were wondering, we can assure you that we ourselves carry many books we find personally or politically reprehensible. Let’s face it, your left wing is somewhere off to our right, enough so that we’d have trouble even agreeing on the definition of ‘conservative’. Frankly, we find a lot of US political posturing completely unhinged.
But… so what? We’re in the business of selling books. Good books. Bad books. Titles some people love; titles others hate enough to throw across the room. Some books will transform readers minds and lives and be remembered for decades. Others will be forgotten immediately upon reading (or even partway through). We don’t have to like a book, its author, or its message in order to sell it. To suggest otherwise merely proves that the suggester spends very little time in actual bookstores.
The many wonderful independent booksellers I’ve met feel the same way. Independent bookstores exist for precisely that reason: to ensure that readers have the widest choice possible. So we — all of us — stock books we think our readers might be interested in, personal taste bedamned.
(6) TODAY’S BIRTHDAYS
Born January 22, 1934 – Bill Bixby, of My Favorite Martian and The Hulk.
Born January 22, 1959 – Linda Blair, of The Exorcist.
Both these categories have seen controversy since their introduction: first the lobbying to split Best Editor – the whispers say this was so that a specific individual could receive an award instead of always playing second fiddle to a very prominent (and very skilled) magazine editor, the apparent hand-off of both through much of their history between an extremely small number of people – so much so that it appears a group of Tor editors considered the Long Form award to be their property (just look at the list of winners…).
The first comment, by Draven:
“yeah well, you know who we say for long form…”
The second comment, by Dorothy Grant:
“Hmmm, Maybe, maybe not. This year will be the last year David Hartwell will be eligible. (He edited L.E. Modesitt & John C. Wright, among others.) The industry lost a good man, and a good editor, yesterday. Granted, he’s won three, but these things do happen in tribute.”
The third comment, by Kate Paulk:
“They do indeed, and David Hartwell is certainly a worthy nominee.”
(8) BRUSHBACK PITCH. Clayton Kershaw, the best pitcher in the National League, also has a less well known claim to fame – his great-uncle Clyde Tombaugh discovered Pluto. That explains his loyalty to the diminutive world, and his recent contradiction of NASA on Twitter.
Did you read about a new planet in our solar system? Is #planet9 real? Our head of Planetary Science discusses.https://t.co/t0b1Atqpqg
After some forty seven years of writing about films, film makers, and film music, I thought that I’d take a moment to remember the glorious moments, events, and artists who have so generously illustrated the pages of my life, and career, over these many remarkable years. Do return with me now to Those Thrilling Days of Yesteryear when artistry and grandeur populated the days of our lives…days when gallant souls courageously rescued their leading ladies from screen villainy…days when culture and dignity proliferated the screen, television, radio, and the printed page. Look for it only in books, for its sweet reflection of gentle innocence is but a faded memory…a tender, poignant whisper of grace and wonder that, sadly, has Gone With The Wind.
Those memories are also the driving force of his autobiographical documentary Steve Vertlieb: The Man Who “Saved” The Movies. The director keeps an online journal of their progress.
A FILM DIRECTOR’S JOURNAL #3…THE PHILADELPHIA “SHOOT”
Whew! It would be a bitch of an exhausting marathon, because we had lots of LITERAL ground to cover in Center City, hopscotching from one locale to another blocks away; then to another, then to another; finally finishing up on the “high steel”, the center of the city’s Benjamin Franklin Bridge, stretching from Philadelphia across the Delaware River into Camden, N.J. But everyone agreed. And our “Philadelphia Marathon” was off and running.
The documentary film will wrap in February, 2016, with film festival screenings planned for this Spring.
So what does astrophysicist Neil deGrasse Tyson ask him about? Failing physics in high school, of course. They also talk a little about acting, including how Alan chooses and prepares for his roles, from researching the heart surgeon in Something the Lord Made to the wine-tasting scene in Bottle Shock. You’ll hear Alan explain his sense of responsibility to his audience and what he describes as “the mysterious mechanism of acting and theatre and storytelling.” Neil and Alan also get philosophical about the limits of human perception, the flocking behavior of birds, and the interaction of sound and memory.
Every Martian knows that the secret to survival,
Is solving the next problem,
And then the problem after that.
‘Cause every day’s a winner
Even if you’re gettin’ thinner,
And the best that you can hope for
Is growing tates in your crewmate’s scat.
You gotta know when to sow ’em
Know when to hoe ’em
Know when to harvest
For a bumper yield
You never count sauce satchels
‘Cause that would be depressing.
Knowing how long ungarnished taters
Will be your only meal.
[Thanks to John King Tarpinian, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kyra.]
We set off past the glorious Elizabethan mansion and out through the formal gardens. Down the long hill, left at the motorway and curl back along the edge of the woods until we are once again struggling up the hill toward the house. Twice around we go and the second time we are curved around the hill a little until we burst out into the finish funnel. I queue to be scanned behind the girl in the orange tee shirt. I’d finished before her at Woodhouse Moor but she was really pleased to finish in front of me here at Temple Newsam. “I couldn’t be beaten by a rhino twice in one day” she said.
She soon followed up with a more direct command, saying, “Please stop debating about whether OR not aged well. unfortunately it hurts all 3 of my feelings. My BODY hasn’t aged as well as I have. Blow us.” It’s been favorited over 35 thousand times — and still going.
At one point he said that filmmakers in the Soviet Union had more freedom than their counterparts in Hollywood, who, he maintained, “have to adhere to a very narrow line of commercialism.”
Mr. Lucas appeared particularly unhappy with the direction the “Star Wars” franchise has taken since he sold the rights to it, along with Lucasfilm, his company, to Disney for $4 billion. He compared the sale to a breakup and a divorce.
“These are my kids. All the Star Wars films,” he said. “I love them, I created them, I’m very intimately involved in them.”
He added, trailing off with a laugh: “And I sold them to the white slavers that take these things and. …”
Thanks to some shrewd negotiating, Straczynski actually owns the film rights to the franchise — so he isn’t beholden to getting a particular studio to sign on. But he is apparently hoping Warner Bros. (the studio that produced the original series) might be interested once the script is complete. You know, assuming it’s good.
If Warner Bros. doesn’t bite, Straczynski apparently aims to finance the film through his own Studio JMS, though that might be a tall order to bankroll an $80-100 million sci-fi epic. But considering the franchise’s name cachet with genre fans — not to mention the fact that studios are mining just about any brand they can get their hands on these days — you’d think someone would be interested in co-producing.
(5) MARSHAL BURNS. Ken Burns the documentarian was this year’s Rose Parade Grand Marshal, prompting an exchange between John King Tarpinian and Phil Nichols:
[Tarpinian] The documentarian is this year’s Rose Parade grand marshal. They keep taking about his “moving” stills as having been groundbreaking, calling it Ken Burns effect. Now his documentaries are very well done and quite enjoyable however when I saw the first one this moving-still effect reminded me of Icarus Montgolfier Wright. I’m thinking Ray Bradbury and George Clayton Johnson’s contribution to this effect was a bit earlier.
[Nichols] Good point, jkt! In fact, the technique had been used prior to ICARUS, most famously in a Canadian documentary called CITY OF GOLD (1957). In the UK, it has only recently become known as the Ken Burns effect. We have our own Ken (Ken Morse) who did similar work for the BBC for decades. We used to call it “movement in stills”, until the American influence became irresistible.
(6) STAR WARS SPOILERS. Beware spoilers in Alex Ross’ fine discussion of “Listening to Star Wars” at The New Yorker.
Williams’s wider influence on musical culture can’t be quantified, but it’s surely vast. The brilliant young composer Andrew Norman took up writing music after watching “Star Wars” on video, as William Robin notes in a Times profile. The conductor David Robertson, a disciple of Pierre Boulez and an unabashed Williams fan, told me that some current London Symphony players first became interested in their instruments after encountering “Star Wars.” Robertson, who regularly stages all-Williams concerts with the St. Louis Symphony, observed that professional musicians enjoy playing the scores because they are full of the kinds of intricacies and motivic connections that enliven the classic repertory. “He’s a man singularly fluent in the language of music,” Robertson said. “He’s very unassuming, very humble, but when he talks about music he can be the most interesting professor you’ve ever heard. He’s a deep listener, and that explains his ability to respond to film so acutely.”
(7) 40% PUPPY CONTENT. Brandon Kempner at Chaos Horizon takes his first cut at predicting the 2016 Best Novel Hugo. Pups get 2 spots out of the top 5.
The difficulty in predicting the 2016 Hugo lies in how little information we have: how big will the Rabid Puppies vote be? How will the Sad Puppies 4 operate? How much will the rest of the Hugo vote increase? Will other Hugo voters change their voting habits to stop a Puppy sweep? Will specific authors turn down endorsements and/or nominations?
(8) RETURN TO SENDER. Kate Paulk, in “Offer? What Offer?” at Sad Puppies 4, dismisses Steve Davidson’s reconciliation post for failing to treat with “the management.”
I’ve heard through the Internet (all right, Facebook) that someone who fancies himself a big shot in the field has “offered” to stop claiming Sad Puppies 4 is all things evil in return for a few “reasonable concessions” on our part.
Since the person in question hasn’t bothered to make this offer to me, Sarah Hoyt, or Amanda Green, Sad Puppy supporters can reasonably assume that the so-called offer is not actually genuine.
…Mr. Martin wills the ends without willing the means. He wishes for a cessation of enmity but does not identify who caused it and why, nor does he offer any apology or concession. Perhaps he is merely wishing for the status quo ante. Perhaps he regards his role in the matter as an entirely innocent one.
Be that as it may, honor demands a courteous response to a courteous overture….
The second group is a parasite on the first. Its sole purpose rests on expropriating the glory and reputation the award in times past painfully and honestly earned in the public esteem, and expending this stored capital profligately on unworthy objects to give them an outward momentary appearance of worth.
For example, the parasites seek to elevate REDSHIRTS to the stature of DUNE by an outward show of praise without the book being as praiseworthy. However, according to the inevitable rules governing such counterfeits, as soon as the public opinion grows aware of the inflation and adjusts its estimates accordingly, the parasites fail, and the original host fails with them.
In this case, failure means the Hugo Award no longer represents to anyone an honest judgment of worth. The boast ‘Hugo Award Winning!’ becomes a leper’s bell rather than a badge of honor, and any undeceived science fiction readers flee it. REDSHIRTS is not elevated to the stature of DUNE, but DUNE sinks.
Perhaps Mr. Martin can see a means whereby the host and the parasite that forever seeks to destroy the host can coexist in peace. I, for one, cannot….
Good grief. Observe that by kicking up this smokescreen of false reconciliation, Mr. Davidson actually makes it more difficult for any parties wishing for true reconciliation (I believe George RR Martin is one such) to accomplish the task…..
For the sake of any undecided readers toying with the notion that the puppykickers have some sort of valid argument or same vestigial desire for peace, allow me to address Mr. Davidson’s four points in order.
Point One: Please note that in the same column he says ” Anyone can become a member and all members enjoy the same rights and privileges as any other member.”
So, when we Sad Puppies did exactly this, Mr. Davidson uses this as an example of us “scamming the system” and advises us, as a condition of reconciliation, that we stop.
Logically, since we cannot cease to do what was never done to begin with, the condition cannot be met. As if one offered peace to a confirmed bachelor on the condition he stop beating his wife.
And Mr. Davidson also uses this to contradict our (accurate) accusation that a small group of inside elite writers and editors over the last fifteen years has been manipulating and dominating the awards secretively, that is, scamming the system.
(11) AMAZING NEGOTIATIONS. Meanwhile, Fandom’s self-appointed Ambassador Plenipotentiary Steve Davidson is experimenting with a unilateral cease-fire, which he calls a “Self-Inflicted Puppy Moratorium”.
I’ve finally whittled my suggestions down to two: 1. leave the current SPIV recommendation list as a pure recommendation list. (It’s almost not a slate – all that needs doing is to drop the associated political rhetoric and the curation down to a “final list” and it will BE a recommendation list) and 2. disassociate SP from RP in a publicly demonstrable way.
I’ll note in passing that BOTH of these suggestions are things that the Sad Puppies are claiming to want to do – or to have already done. It would, therefore, seem to be an easy set of requests to comply with.
As quid pro quo, I offered the following: I would consult and participate in their recommendation list(s) (participate in order to ‘prove’ that I was doing so); I would give serious consideration to any proposal(s) they might make at WSFS business meetings (they’ve called for a Hugo for tie-ins, among other things); I will honor their votes and nominations as being valid participation in the Hugos (in other words, won’t assume it’s all politics and market grab on their part); will continue to keep Amazing as an open source (that it has always been – the ONLY people I’ve ever received a “never coming here again” are those who complain the site is biased against them, which, if they stuck around instead of running for the hills….)
AND – I promised a unilateral moratorium on puppy-related posts for two weeks (starting yesterday) while I awaited their response.
…This was especially frustrating in the wake of the 2015 World Science Fiction Convention, after which the ponderously self-important blowhard John C. Wright publicly accused veteran editor and lifelong fan Patrick Nielsen Hayden of both assaulting Wright’s wife and masterminding the long-term “corruption” of the Hugo Awards, to which the SF/F field largely replied: “Meh.” Now, some of that is certainly due to Wright’s tireless self-marginalization and frothing bigotry, but regardless, I think Patrick deserved better of his friends and colleagues. He deserved to have someone stand up and state plainly what he could not– that John C. Wright talks a big game about truth and courage, but that he is demonstrably full of shit.
I wanted to be that person. I prepared a lengthy post to that effect. And then anxiety did its usual crushing, grinding thing, and days became weeks, which became months. It is now the new year, Hugo chat has started up in earnest, and Wright is once again plying his mealy-mouthed combination of false civility and vicious nonsense on the subject. I have decided to weigh in with a reminder that the narrative Wright wants to push is an absolute full-blown fabrication….
(13) YEAR IN REVIEW. Like on that game show, Lou Antonelli delivers the answer in the form of a question: ”2015? The Year in Review?” at This Way to Texas.
And then, what I would have thought would be be a great thing, being nominated for the Hugo award twice, turned out to be the worst thing that ever happened in my life. But it helped me realize that, in the end, I really only write for myself and friends, and in literature – as in other things in life – trying to please other people is the fast track to misery.
[Thanks to Stephen Burridge, Morris Keesan, Nila Thompson, John King Tarpinian, Zenu, and Bruce Arthurs for some of these stories. Title credit belongs to File 770 contributing editor of the day Matthew Johnson.]
Update 01/02/2016: Corrected item (8) after readers pointed out Paulk was commenting about Steve Davidson’s reconciliation post, not George R.R. Martin’s.
Kate Paulk has posted the Sad Puppies 4 List at Mad Genius Club.
