Tag Archives: Leigh Brackett

Pixel Scroll 1/31/25 I Will Not Be Pixeled, Scrolled Or Filed

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(1) GAIMAN CLICKBAIT. I clicked, so you don’t have to. Despite the Variety headline – “Neil Gaiman’s The Sandman Canceled at Netflix After Season 2, Allegations” – the showrunner says Season 2 was intended to be the series’ last, and it’s apparently still going to air, so what about that is a “cancellation”?

Netflix’s adaptation of Neil Gaiman‘s “The Sandman” will end with its upcoming second season.

“The Sandman” Season 2 has been a long time coming. The first season debuted in August 2022, and it wasn’t renewed at Netflix until November of that year. At that time, Netflix was also hesitant to label it as a second season at all, choosing instead to say it was “a continuation of ‘The Sandman’ world,” and wouldn’t commit to an episode count. Variety has confirmed the second season was intended to be the last prior to filming.

“‘The Sandman’ series has always been focused exclusively on Dream’s story, and back in 2022, when we looked at the remaining Dream material from the comics, we knew we only had enough story for one more season,” “The Sandman” showrunner Allan Heinberg said in a statement to Variety Friday. “We are extremely grateful to Netflix for bringing the team all back together and giving us the time and resources to make a faithful adaptation in a way that we hope will surprise and delight the comics’ loyal readers as well as fans of our show.”…

(2) COURTHOUSE KRYPTONITE. “Warner Bros. Sued Over International Superman Rights” – The Hollywood Reporter briefs the case.

Warner Bros. Discovery has been sued over the rights to Superman in a lawsuit seeking to block the release of the studio’s tentpole film in several countries ahead of its July debut.

The estate of Joseph Shuster, the co-creator of Superman, alleges that WBD lost its international rights to the character and story years ago but continued to exploit them without its permission or compensation. In a complaint filed in New York federal court on Friday, it seeks a share of profits from all works attributable to the alleged copyright infringement — including Zack Snyder’s Justice League, Black Adam and Shazam! — in key countries such as Canada, the U.K. and Australia.

The legal action marks a potential hitch in WBD’s rollout of Superman, which arrives July 11 as the first solo movie for the character in more than a decade since Man of Steel. …

DC’s ownership of Superman dates back to 1938, when writer Jerome Siegal and Shuster, a graphic artist, sold their rights to the character and story for $130. The hero’s first appearance under DC’s banner was in Action Comics No. 1, which detailed his backstory, secret identity as newspaper reporter Clark Kent, and powers of super strength and speed (his first time flying came in 1943 in Action Comics No. 65).

Since then, it’s frequently been the target of litigation, starting in 1947 when the duo sued to invalidate DC’s ownership of the rights to Superman. The case settled, with a $94,000 payout to Shuster and Siegel to resolve the case.

Under U.S. copyright law, Shuster would typically be able to reclaim his domestic rights to Superman under a provision in intellectual property law that allows authors to claw back ownership of their works after a certain period of time. But his sister and brother reached a deal with DC in 1992 that terminated that right in exchange for $25,000 per year. A federal appeals court later upheld that determination.

This time, Shuster’s estate looks to take advantage of U.K. copyright law, which automatically terminates copyright assignments 25 years after an author’s death. By its thinking, it reclaimed the rights to Superman in 2017 since the graphic artist died in 1992.

Also at play: the possibility that Shuster’s sister didn’t have the authority to bind the estate to the agreement that purportedly surrendered its right to terminate DC’s ownership of Superman. In that case, the court stated that the issue is a “complex one” and punted on deciding it.

The lawsuit claims infringement of copyright laws in the U.K. Australia, Canada and Ireland….

(3) SCUTTLEBUTT. “Disney’s Star Wars hotel jumps from deep space to office space” – The Verge explains what that means.

Disney’s extraordinarily expensive Star Wars hotel isn’t coming back. The building that housed the Galactic Starcruiser is being converted into office space, scuppering hopes that it could be reborn or repurposed into a new interactive attraction.

The Wrap reports that the hotel will be converted into an office for Walt Disney Imagineering, the creative arm of the company responsible for its theme parks, retail, and cruise ships. The team located there will reportedly work on upcoming expansions for Florida’s Walt Disney World resort, including a Latin American section of the Animal Kingdom and a Monsters Inc. area within Hollywood Studios.

Galactic Starcruiser was an immersive hotel experience set in the Star Wars universe, where the minimum stay cost $4,800 for two people over two nights. It opened in March 2022 but ran for just a year and a half, shutting in September 2023. It returned to headlines in May 2024 when YouTuber and theme park superfan Jenny Nicholson’s four-hour video on its “spectacular failure” went viral, amassing 11 million views…

(4) IT’S PEOPLE! Inverse reviews Companion: “The Wildest Sci-Fi Thriller Of The Year Flips The Killer Robot Movie On Its Head”. BEWARE SPOILERS.

It’s a tale as old as time: boy meets girl, boy falls in love with girl, girl turns out to be a killer robot. Except Companion isn’t exactly the typical take on the classic sci-fi horror story. Instead, Drew Hancock’s cleverly constructed sci-fi horror movie is a fun takedown of the AI cautionary tale we know so well. And in the process, it may have given us the most sneakily feminist social horror movie this side of Gone Girl….

…The reason it all works, aside from Hancock’s admirably deft script, is because of Sophie Thatcher’s wonderfully malleable performance as Iris. Right off the bat, we sense that something is off with Iris — she’s a little too demure, a little too smiley, a little too doe-eyed. However, Thatcher seeds in tiny human quirks that spark some recognition for us: the way her mouth twitches uncomfortably when Josh’s friend Kat (Megan Suri) treats her with contempt, the way she glances down sadly when Josh brushes her off, and, of course, the way she would do anything to survive. By the time Companion drops its robot reveal (which again, happens very early on), we’re already primed to root for Iris, even as she starts to accumulate quite the body count….

(5) AFROFUTURIST SHORT FICTION. The Black Fantastic: 20 Afrofuturist Stories edited by andré m. carrington will be released in bookstores on February 4, and is available immediately from Library of America.

Inspired by Afrofuturist pioneers like Octavia E. Butler and Samuel R. Delany, a new generation of Black writers is fashioning a renaissance in speculative fiction. Edited and introduced by SF expert andré m. carrington, The Black Fantastic brings together Hugo, Locus, Nebula, Bram Stoker, Tiptree/Otherwise, and World Fantasy Award winners with emerging voices to showcase this watershed moment in American literature.

Here are twenty beguiling, unsettling, and visionary stories spanning the cosmos and a dazzling array of alternate timelines. Phenderson Djèlí Clark and Alaya Dawn Johnson stare down the specters of history in their haunting fictions, set, respectively, on a Founding Father’s brutal plantation and in the vampire-built internment camps of a dystopian Hawai‘i. Violet Allen’s would-be superhero stories turn to searing metafiction when her main character is repeatedly shot and killed by the police. Nana Kwame Adjei-Brenyah and Rion Amilcar Scott explore otherworldly forces at play in a small-town barbershop and in a young writer’s ambitions, while Victor LaValle tells the story of a man living on the streets of New York City, his bag of deposit bottles and cans bearing urgent messages from another dimension.

Other stories are by turns comic, provocative, and terrifying: Thaddeus Howze delivers a crowd-pleasing tall tale about a battle with aliens over the fate of Earth, by way of an epic baseball game; Maurice Broaddus spins a coming-of-age fantasy about an American girl in a utopian future Africa; Craig Laurance Gidney offers a Lovecraftian tour of the ballroom drag scene; Tara Campbell weaves a spell of ecofeminist horror; and much more.

Reimagining the past and laying claim to the future, these writers are bringing forth kaleidoscopic new visions of Black identity and creative freedom.

(6) POWER COUPLE. At One Geek’s Mind, John Grayshaw puts a spotlight on Edmond Hamilton and Leigh Brackett with the help of a Luna Monthly interview from 1975: “Interview about Edmond Hamilton and Leigh Brackett”. (The well-known sff writers wed in the 1940s; Ray Bradbury was Hamilton’s best man.) The interview touches on many different fandoms: classic movies, Star Wars, sff books, and comic books. As well as what it was like for female writers in the Forties. 

Wesley Grubb: Edmond Hamilton is one of those bridge-authors, who began writing before the “Golden Age” and continued to write into the “New Wave” era. How well did his writing develop, and how well did his stories mature, from his early career compared to his later career in the 50s and 60s? 

In a 1975 interview with Luna Monthly, Hamilton talked about how quickly he was writing stories back in the pulp era. He said:

“How do I feel about the rapid, high-production way we oldtime pulp writers employed in our work? I can’t speak for others, but for me it was the best way in the world to work. I might have been a more polished writer had I worked in more leisurely fashion, but I might too have been the centipede who didn’t know which leg to lift first.

One of the most ghastly stories I ever wrote was “Outside the Universe,” a wild tale of three galaxies at war. I wrote that in 1928, over 50,000 words of it first draft. I used a very small portable typewriter on a big, flat-top inherited desk. In writing those hectic space-battles, my hard pounding made the little typewriter creep all over the desk, and I would stand up and follow it in my burning enthusiasm.”

(7) THEY CAME FROM MILES AROUND. “Rebecca Yarros’s ‘Onyx Storm’ Is the Fastest-Selling Adult Novel in 20 Years” – the New York Times covers a personal appearance by the author, with quotes and comments by several of the fans on hand. (Link bypasses the paywall.)

….When Yarros became a fixture on the best-seller list, with the release of “Fourth Wing,” she had already published around 20 contemporary romance novels. But sales from book to book were largely stagnant, and she struggled with a chronic illness, Ehlers-Danlos syndrome, a genetic connective tissue disorder.

Her illness, though debilitating at times, inspired her to write “Fourth Wing,” she said. Yarros grew up loving fantasy, but had never read a fantastical novel with a protagonist who had physical limitations like she did. She decided to write about a young woman named Violet, who enrolls in an elite military academy for dragon riders, and is determined to succeed despite a chronic illness that makes her weak and physically frail….

…Fans’ fervor was palpable at the event, which was held in a huge auditorium in St. Paul. Many in the crowd were dressed up in sweatshirts, T-shirts and hats that said “Basgiath War College,” the military academy of the series. Some were fully decked out in costume, dressed as Violet, in leather body armor, or as dragons….

…At the start of the event, Yarros was introduced by the romance writer Abby Jimenez, who noted that the Empyrean series had taken over the top three slots on the New York Times best-seller list.

Yarros uttered an expletive to express her surprise and gratitude. “Thank you,” she said to the crowd. “You guys did that.”

(8) GRUMPY BUT NOT DOPEY. The star of this event is rather less thrilled to be there than the celeb in the previous item. “Grumpy Harrison Ford, a mystery asterisk and AI gone wild: everything from Disney’s new slate presentation” in the Guardian.

There are moments in life when you expect to be confronted by greatness: hearing a live orchestra swell into the opening notes of John Williams’ Star Wars theme; standing at the edge of the Scottish Highlands; watching a dog somehow open a fridge and retrieve a beer for its owner. And then there are moments when greatness sneaks up on you in the form of an 82-year-old Hollywood legend, materialising like a grumpy mirage, one metre from your face, during what you thought was a routine Disney presentation of new movies and TV shows.

Harrison Ford is not a man one simply stumbles upon. He is a force of nature, a living relic of an era when leading men didn’t have to spend six months on a chicken-and-rice diet before taking their shirts off. And yet, here he is, looking suitably nonplussed with the entire concept of being on a stage, fielding questions alongside his Captain America: Brave New World co-stars in an impromptu Q&A with all the enthusiasm of a guy who somehow finds himself trapped in the world’s most boring hostage video….

…The assembled audience is also treated to an exclusive clip of the new film, out 14 February, in which we already know Ford will end up transforming into the Red Hulk. It’s an action-packed set piece in which Wilson (Anthony Mackie) infiltrates an enemy base, and showcases the new winged Captain America suit, which we’re told was given to Sam by those helpful Wakandans. . Marvel has always been a franchise built on increasingly wobbly physics, but even the most generous audience might struggle to believe that a bloke with no serum and no billionaire gadgets could stand toe-to-toe with a bad guy whose brain is so large it requires its own postcode….

(9) JOHN ERWIN (1936-2025). “John Erwin Dead: ‘He-Man,’ ‘Archie’ Voice Actor Was 88” – The Hollywood Reporter summarizes his career —

John Erwin, the reclusive actor who provided the voices for the heroic title character in He-Man and the Masters of the Universe and the vain frenemy Reggie Mantle in a series of Archie cartoons, has died. He was 88.

Erwin died of natural causes “around Dec. 20” in his home in Camarillo, California, his reps at the PR firm Celebworx announced.

For nearly a decade starting in 1969, Erwin was heard in dozens of TV commercials as the snarky Morris the Cat, the finicky orange tabby who would eat nothing but the 9Lives brand of cat food. The hugely successful campaign was created by the Leo Burnett advertising firm.

…For Filmmation, Erwin voiced the blond, muscular He-Man (and his alter ego, Prince Adam) on He-Man and the Masters of the Universe from 1983-85 and on She-Ra: Princess of Power from 1985-87. He also played the villain Beast Man and other secondary characters on the syndicated shows that were based on a line of Mattel toys….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Roger Zelazny’s This Immortal

Fifty-nine years at Tricon where Isaac Asimov was Toastmaster, Roger Zelazny’s This Immortal won the Hugo for Best Novel in a tie with Frank Herbert’s Dune. 

It was first published as “…And Call Me Conrad” in The Magazine of Fantasy and Science Fiction in October and November 1965, then as This Immortal in 1966 by Ace Books, and in 1967 by UK publisher Hart-Davis in hardcover. 

So it was only in the magazine that it had that title? So why the name change? Marketing having one of their not so genius ideas? 

Algis Budrys in Galaxy Bookshelf was fond of this novel saying it was “an extremely interesting and undeniably important book” with “a story of adventures and perils that is utterly charming and optimistic.”

(11) COMICS SECTION.

(12) COPYRIGHT OFFICE RELEASES ANOTHER PAPER ON AI. “New Government Report Addresses ‘Copyrightability’ of AI Works” – Publishers Weekly gives a quick rundown. (Download the full report here.) 

The U.S. Copyright Office has released the second installment of what is envisioned as a three-part report on copyright and artificial intelligence. The most recent release addresses the issue of “copyrightability of outputs generated by AI systems.” Its recommendations are based on the comments the Copyright Office received after it posted a Notice of Inquiry in August 2023 seeking public input on the full range of copyright issues raised by AI.

Based on an analysis of copyright law and policy and comments from the public, the Copyright Office made the following conclusions and recommendations:

  • Questions of copyrightability and AI can be resolved pursuant to existing law, without the need for legislative change.
  • The use of AI tools to assist rather than stand in for human creativity does not affect the availability of copyright protection for the output
  • Copyright protects the original expression in a work created by a human author, even if the work also includes AI-generated material
  • Copyright does not extend to purely AI-generated material, or material where there is insufficient human control over the expressive elements
  • Whether human contributions to AI-generated outputs are sufficient to constitute authorship must be analyzed on a case-by-case basis
  • Based on the functioning of current generally available technology, prompts do not alone provide sufficient control
  • Human authors are entitled to copyright in their works of authorship that are perceptible in AI-generated outputs, as well as the creative selection, coordination, or arrangement of material in the outputs, or creative modifications of the outputs
  • The case has not been made for additional copyright or sui generis protection for AI generated content

(13) EATING THE FANTASTIC. Scott Edelman invites listeners to “Munch on pepper chicken masala with Larry Hama” in Episode 246 of the Eating the Fantastic podcast.

I’ve known writer/editor/artist Larry Hama for at least half a century now, but his career started long before that, when he sold his first cartoon to Castle of Frankenstein magazine in 1966. He’s probably best known as a writer and editor for Marvel Comics, where he wrote the licensed comic book series G.I. Joe: A Real American Hero, based on the Hasbro toy line, writing nearly every issue of the book’s 13-year run.

Larry Hama

He’s also written for the series Wolverine, Nth Man: The Ultimate Ninja, and Elektra. He worked as an editor at both DC and Marvel, and at the latter edited the humor magazine Crazy, as well as Conan, The ‘Nam, and Peter Porker, The Spectacular Spider-Ham. He co-created the character Bucky O’Hare, who not only appeared in comic books, but as a television cartoon. Last year, he was inducted into the Harvey Awards Hall of Fame.

We discussed how cataract surgery changes the way an artist perceives the page, what really happened at a mid-’70s penthouse comic book party, Bernie Krigstein’s anger at being asked questions about comics, why Wally Wood felt it was so important for his assistants to learn how to letter, what it was like being part of the famed Crusty Bunkers inking collective, why getting to edit Crazy was the fulfillment of a lifelong dream,  which Marvel Comics Bullpenner was the visual inspiration for Obnoxio the Clown, why getting his freelancers to hit their deadlines was never a hassle, the editing advice Archie Goodwin gave him early on, the real reason he needed to create that famous silent issue of G. I. Joe, the differing zeitgeists of Marvel vs. DC during the ’70s, his approach to taking over the editing of legacy characters, our joint confusion over memes of previous generations, and much more.

(14) TODAY’S THING TO NOT WORRY ABOUT? “Asteroid 2024 YR4 Could Strike Earth, Researchers Say, But the Odds are Small” in the New York Times (bypasses paywall).

You may hear about a large asteroid headed toward Earth. Don’t panic.

Just after Christmas Day, astronomers spotted something zipping away from Earth: a rock somewhere between 130 feet and 330 feet long that they named 2024 YR4. Over the next few weeks, they simulated its possible future orbits. They now say, based on the most up-to-date information, that there is a 1.3 percent chance that this asteroid will strike somewhere on Earth on Dec. 22, 2032.

Should this keep you up at night?

“No, absolutely not,” said David Rankin, a comet and asteroid spotter at the University of Arizona.

The object’s current odds of striking Earth may sound scary — and it’s fair to say that an asteroid in this size range has the potential to cause harm. Should it strike a city, the damage would not cause anything close to a mass extinction, but the damage to the city itself would be catastrophic.

But a 1.3 percent chance of a hit is also a 98.7 percent chance of a miss. “It’s not a number you want to ignore, but it’s not a number you need to lose sleep over,” Mr. Rankin said….

(15) A LONG WAY FROM THE BEACH. [Item by Mike Kennedy.] The roads must roll. Or the sand must flow, anyway. Meet the Dune Express, the second-longest conveyor belt in the world. At 42 miles in length, it’s built to take the place of trucks in moving sand from a quarry to an oil field where it’s used in fracking.

The Dune Express is the Texas-sized, if risky, baby of Atlas Energy Solutions. And, yes, the company is named after that book. “The World’s Second-Longest Conveyor Belt Comes to West Texas” in Texas Monthly.

I rapped my knuckles on the galvanized aluminum exterior to make sure it wasn’t some sort of desert mirage. It was solid: $400 million worth of concrete, electronics, and steel assembled to rotate a thick rubber belt along roughly 66,000 metal rollers. Something on the order of 13 million tons of sand can be carried the entire length of the machine—42 miles—each year. If all of that were used to build sandcastles, you could have a couple of dozen the size of Buckingham Palace, with more than enough left over for a Taj Mahal.

But this sand isn’t for beachside amusement. It’s for fracking. When drillers crack open subterranean rock in the Permian Basin to allow oil to flow out, sand rides alongside the injected fluid to prevent the spider’s web of new fractures from closing up again. Each grain of sand functions like a tiny support beam in a minuscule mine shaft. Fracking a single well can consume more than four hundred truckloads of sand…

(16) ELIXIR OF YOUTH. [Item by SF Concatenation’s Jonathan Cowie.] They say change is good, but I am totally with Sheldon Cooper in that it rarely is… And now we have under-reported news that could really shake things up for the planet…!

One of science’s greatest successes/failures is that the technology it spawns has benefited humanity so well that our global population has soared from a billion in 1804 to two billion in 1927 to 8 billion in 2024!  The resulting pollution, the loss of wildlife habitat to agriculture, is disrupting the Earth system…  And if that was not bad enough, now comes news that we may soon have a drug that can significantly (by a decade) extend human life spans….!

Yes, you read that correctly: ‘life extension’!  Our planet’s population could soar? Inequality could increase? 

The news was reported in this week’s issue of Nature. It seems that injecting old mice with an RNA molecule seems to reverse some signs of ageing – helping them to live longer, regrow hair and maintain their physical and mental abilities.

They used mice aged between 20 and 25 months, which is akin to between about 60 and 70 in human years. They went on to live for about 4.5 months longer, on average. They regrew hair that had become sparse, maintained a higher body weight, could stay balanced on a rotating rod for longer and had better grip strength for their weight

Now, don’t get too excited/worried just yet as the mouse may not be a good model for humans when it comes to RNA treatment, however this is still something of a breakthrough…

Primary research here.   

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, John Grayshaw, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Classics of SF at the 2024 NASFiC

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By John Hertz: Since 1975, North America has held a NASFiC (North America Science Fiction Convention) when the World Science Fiction Convention is overseas. In 2024, the 82nd Worldcon being at Glasgow, Scotland, the 16th NASFiC will be at Buffalo, New York, July 18-21.

We’ll discuss three Classics of Science Fiction at Buffalo, one discussion each. Come to as many as you like. You’ll be welcome to join in.

Our operating definition is “A classic is a work that survives its own time. After the currents which might have sustained it have changed, it remains, and is seen to be worthwhile for itself.” If you have a better definition, bring it.

Each of the three is famous in a different way. Each may be more interesting now than when first published.

Have you read them? Have you re-read them?

Leigh Brackett, Shadow Over Mars (1944)

This won the 1945 Best Novel Retro Hugo. It has action, aliens, politics, alien politics — also characterization — subtlety — indeed richness — all within the realm of Startling Stories where it first appeared — which could be done, and sometimes was.

Robert A. Heinlein, The Rolling Stones (1952)

Never mind whether these “flat cats” look like Star Trek tribbles (when David Gerrold wrote The Trouble with Tribbles, he hadn’t read Stones; seeing the similarity, he asked Heinlein’s permission, which was granted in exchange for an autographed copy of Gerrold’s script). Consider Edith and Roger Stone.

Tom Clancy, The Hunt for Red October (1984)

Of course it’s SF. No one could build the caterpillar drive in 1984. What a reach outside our field this book has had — even to a U.S. President! How does the author do it? Story? Characterization? Corroborative detail (thanks, Gilbert & Sullivan)?

Pixel Scroll 12/7/23 Warm Smell Of Scrollitas Rising Up Through The Air

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(1) OH WHAT A TANGLED WEB THEY WEAVE. Two days ago Xiran Jay Zhao cast a spotlight on reports that a debut author was on Goodreads dropping one-star reviews. Initially, they did not plan to name the person. Original thread starts here.

The person’s forthcoming book was reportedly getting good buzz of its own, and they have “a major social media following”.

Xiran Jay Zhao subsequently decided to share documentation supporting the identification of Cait Corrain as the author behind the one-star reviews. Thread starts here. Here are the “Review Bomb Receipts” they made available at Google Docs. Among the questions raised in the Receipts: “Why a Goodreads account confirmed to be theirs upvoted their book on the same ~37 obscure lists the fake accounts did”.

There has been an attempt to lay off these reviews on a different bad actor, saying it’s not Cait Corrain but a fan from her ReyLo fanfic.

Twitter user Natalie Lief did a roundup from the various social media involved. Thread starts here.

https://twitter.com/Natalie_Leif/status/1732544076439019711
https://twitter.com/Natalie_Leif/status/1732546178137686235

An immediate consequence to Cait Corrain is that K.B. Wagers withdrew a blurb provided for Corrain’s upcoming book. Thread starts here.

Meanwhile, @CaitCorrain has taken their Twitter and Instagram account private.

(2) AFI PICKS. The American Film Institute named its top 10 films and television shows of 2023: “AFI Top 10 Awards”.

AFI Top 10 Motion Pictures of the Year

  • American Fiction (MGM)
  • Barbie (Warner Bros.)
  • The Holdovers (Focus Features)
  • Killers of the Flower Moon (Apple Original Films/Paramount Pictures)
  • Maestro (Netflix)
  • May December (Netflix)
  • Oppenheimer (Universal Pictures)
  • Past Lives (A24)
  • Poor Things (Searchlight Pictures)
  • Spider-Man: Across the Spider-Verse (Sony Pictures)

AFI Top 10 Television Programs of the Year

  • Abbott Elementary (ABC)
  • The Bear (FX)
  • Beef (Netflix)
  • Jury Duty (Amazon Freevee)
  • The Last of Us (Max)
  • The Morning Show (Apple TV+)
  • Only Murders in the Building (Hulu)
  • Poker Face (Peacock)
  • Reservation Dogs (FX)
  • Succession (Max)

(3) OCTOTHORPE. Episode 98 of the Octothorpe podcast, “Finally, Manitoba”, has “a stunt Liz in the form of Sandra Bond and a stunt lizard adorning Alison’s cover art. We discuss the fan funds, we discuss NASFiC, and we have an excerpt from Sandra’s TAFF report which is most excellent.”

Sandra Bond explains more clearly: “As I foretold, the first piece of my TAFF report is now available, dealing with Canadian adventures immediately after Pemmi-Con. Notably, this marks the first time ever (I’m pretty sure) that such a chapter has made its debut in a podcast rather than a paper fanzine — namely episode #98 of Hugo-nominee Octothorpe. The episode contains much discussion of fan funds, their nature, and their place in modern fandom, too.” Bond says the full chapter will also appear in a fanzine in due course.

(4) HOW DO THEY KNOW? Karen Myers has some interesting ideas about “Spreading the news offstage” in a post at Mad Genius Club.

All sorts of interesting things are happening to your primary characters. But what’s going on with the rest of the cast? How do they hear about the broad events in the lives of the main players? Do they pick it up from gossip? Do they read it in the news and discuss it among themselves?

If you want a bit player to show up on stage to sympathize with your hero in his travails, how does he even know about them? What about the cute shopgirl who’s just realized the hero’s available? Even the villains have to monitor their targets to track the progress of their plots.

Accounting for this offstage knowledge in the story without tedium is an art in its own right. Something as simple as “I heard about it from X” can illuminate the information trail, assuming that the speaker knows X and X has a plausible news source, too. That’s often the method used for groups of bit players, like servants in a household where gossip is presumed to spread….

(5) WHAT ARE SCHOOL LIBRARIES FOR? “Florida AG Says School Libraries Are for “Government Speech,” Not Free Expression” – Them/Us analyzes the AG’s amicus brief.

Florida’s attorney general is claiming that the state’s public school libraries are “a forum for government speech” and “not a forum for free expression,” in a chilling argument that appears to be gaining steam on the right.

In May, free speech and literary nonprofit PEN America filed a lawsuit against Florida’s Escambia School District. The additional plaintiffs in the case are Justin Richardson and Peter Parnell, writers of And Tango Makes Three, a picture book depicting real-life gay penguins and one of the country’s most banned books over the past two decades. The plaintiffs allege that when Escambia schools removed Richardson and Parnell’s book from shelves this year, administrators were “depriving students of access to a wide range of viewpoints” and engaging in “viewpoint discrimination,” violating the First Amendment.

But Florida Attorney General Ashley Moody, a Republican who took office alongside Gov. Ron DeSantis in 2019, filed an amicus brief in August arguing the opposite. Though the state itself is not a named party in the case, Moody filed the brief on the grounds of “preserving the government’s authority to decide for itself what materials to curate” in school libraries.

“Florida’s public-school libraries are a forum for government, not private, speech,” Moody argues in the brief, comparing the removal of LGBTQ+ books like Tango to school policies against Nazi propaganda. Although Moody admits in the brief that appeals courts have “not yet addressed” the legal argument she makes, she cites semi-related precedents — such as whether a state can refuse to display a religious monument — to conclude that “the compilation of library materials is government speech.” For that reason, she continues, removing any library materials cannot constitute viewpoint discrimination….

(6) DATA CENTERS ARE LOOKING UP. [Item by Daniel Dern.] I’m curious what the job requirements list for (on-site) support for potential hires would include. (Also whether this is a Bond or other thriller movie waiting to happen…) “Project Cuts Emissions By Putting Data Centers Inside Wind Turbines” – via Slashdot.

CNN reports on a new German-based project called WindCORES that operates data centers inside existing wind turbines, making them almost completely carbon neutral.

Its solution was to bypass the ‘middleman’ (the grid) altogether, and instead, power IT servers from directly inside the large concrete wind turbine towers. Each tower is 13 meters wide and could potentially hold server racks up to 150 meters high.

(7) SIGMUND AND CLIVE. “’Freud’s Last Session’ Screenplay: Read Script Pairing Freud & C.S. Lewis”. Deadline provides comments as well as a direct link to the script: FLSNOV26.

…Both the play and movie are set on September 3, 1939, when the atheist Freud (Hopkins) and devoutly religious Lewis (Matthew Goode), two of the century’s greatest minds, meet and debate the future of mankind and the existence of God. It comes as Freud and his daughter have recently escaped the Nazi regime, and as he is nearing death with cancer.

The imaginary in-person encounter is peppered in the film with dream sequences, flashbacks and notable characters turning up including Freud’s daughter Anna (Liv Lisa Fries) and Lewis pal J.R.R. Tolkein (Stephen Campbell Moore). Jodi Balfour also stars.

“It’s a balance of the psychology of these two men and this thing that I think is within all of us: We’re all struggling with this human experience,” Brown told Deadline at the recent Contenders Film: Los Angeles….

(8) EXPANDED UNIVERSE. Radio Times agrees “Doctor Who’s queer representation is just what the Doctor ordered”.

… And, as we all know, the Doctor is capable of changing sex, having returned to being played by David Tennant from Jodie Whittaker. This becomes the central question of The Star Beast: how does the Doctor’s gender presentation impact his (her? their?) character and behaviour?

When the Fourteenth Doctor introduces himself to Donna’s husband, Shaun Temple, his psychic paper reads “Grand Mistress of the Knowledge” rather than “Grand Master”. “Oh, catch up!” he exclaims, hitting the paper on the wing mirror. It is an acknowledgement of how the Doctor’s gender is no longer presumed to be fixed, but instead something wibbly-wobbly-timey-wimey itself….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 7, 1915 — Leigh Brackett. (Died 1978.) I find tonight’s Birthday to be one that’s a real treat as I like both the person, Leigh Brackett, and the work that she did down the years. One of those individuals taken from the Universe far too soon, we can start with her writing the screenplays of The Big Sleep and The Long Goodbye. Keeping in that vein, she worked on an early draft of The Empire Strikes Back, crucial aspects of which are incorporated in the movie; she never saw it as she died before it went into production. The film won a Hugo at Denvention Two.

The Vampire’s Ghost is her first screenplay.  It was written with John K. Butler. The 1945 film is a true horror film as there really is a vampire to be staked and killed in it. It actually gets rated on Rotten Tomatoes with a thirty-three percent rating by audience reviewers.

Brackett was first published as a genre writer at the age of twenty-five when “Martian Quest” appeared in the February 1940 issue of Astounding Science Fiction. The Forties were definitely were her best period for short fiction, with nearly half of her roughly forty stories being written then. Her short fiction I think is quite excellent with it appearing in Astounding, Thrilling Wonder Stories and Startling Stories, as well as Planet Stories. 

Some of it available from the usual suspects such as the Wildside Press collection of Black Amazon of Mars and Other Tales from the Pulps, and Baen Books claims to have published two ebooks of short stories but who know what happened to them as I can’t find them anywhere.

As you might know, her first novel was a mystery, No Good from a Corpse. The 1999 Dennis McMillan Publications reprint of this mystery also collected all of her crime shorts from the pulps in one volume, and included an intro by Bradbury, a young writer she befriended in the early Forties. This edition was limited to two hundred copies, so currently copies are costing over a hundred if you can find one. 

(That publisher also did a limited edition of Frederic Brown’s Sex Life on Planet Mars. Really don’t ask what the price of a copy is currently.)

Speaking of Bradbury, when Brackett married Edmond Hamilton in 1946, he served as the best man. 

Now moving on to her as a novel writer. The Long Tomorrow, her 1956 novel, saw her a finalist on the committee-created shortlist for the Best Novel Hugo Award, the first women who that got that distinction, and deservedly as she was a fine novel writer indeed. She wrote a lot of novels and all of the ones I’ve read were excellent. Shadow Over Mars published in 1944 won a Retro Hugo at CoNZealand. Do tell me which novels you really liked. 

Eric John Stark, did you think I could forget him? Of course not. Brackett created Stark as a pastiche of Edgar Rice Burroughs’ best selling John Carter of Mars and Tarzan characters but gave him a dark skin appearance instead of the light skinned appearance they had.  Not that the illustrators paid attention to that as the heroes of these stories were always blond haired white males of course. 

Stark first appeared in a group of novellas published in Planet Stories which expanded were into the short novels of The Secret of Sinharat and People of the Talisman. Space operas and so much more at their finest, I enjoy them immensely. All of them are available at the usual suspects though figuring out exactly which are available is a bit difficult as far too many publishers, some legal and far too many not, are selling epubs of them now. Haffner Press is the one authorized by the estate of Leigh Brackett. 

A final story, Stark and the Star Kings places Stark into the world of Edmond Hamilton’s Star Kings series, making it a collaboration between the two.

Leigh Brackett
Leigh Brackett
Bradbury and Brackett

(10) COMICS SECTION.

Existential Comics’ Corey Mohler has a lot of pretty strips featuring philosophers. Here are three more:

(11) SKILL TREE. From The Center for Science and the Imagination at Arizona State University comes the latest episode of CSI Skill Tree, a series examining how video games envision possible futures and build thought-provoking worlds. This episode discusses Hypnospace Outlaw (2019), a game that plunges you into an alternate-history version of the 1990s internet. 

The guests are Katherine Buse, assistant professor of cinema and media studies at the University of Chicago, and Ranjodh Singh Dhaliwal, the Ruth and Paul Idzik Collegiate Chair in Digital Scholarship at the University of Notre Dame. Buse and Dhaliwal are also co-designers of Foldit: First Contact, a narrative campaign mode for the renowned citizen science game Foldit.

Hypnospace is a compelling piece of alt-history SF, with themes around cyberspace, wearing technology (and its dangers), hacking and subversion.

(12) YEAR’S TOP YA. The Guardian’s picks for “Five of the best young adult books of 2023” include some genre novels. One of them is –

Island of Whispers
Frances Hardinge, illustrated by Emily Gravett (Two Hoots)
On Merlank Island, the Dead are dangerous; if they aren’t carried away by the Ferryman, their ghosts may linger, blighting the land and killing the living. Milo has never made the journey himself, but when his father, the Ferryman, dies suddenly, he must take his first cargo of souls to the Island of the Broken Tower, all the while pursued by the angry parent of a dead girl. Heightened by Gravett’s blue-white expanses and stark black bricks and timbers, Hardinge’s spare coming-of-age parable is laced with her trademark wisdom and subtlety. A grownup gothic fairytale, somewhere between short story and novella, this is ideal for 11+ readers who enjoy highly illustrated storytelling.

(13) RIPOFF ARTISTS. “The dilemma of terrible people” is Camestros Felapton’s analysis of Hbomberguy’s video about plagiarism linked here a few days ago. Here are a couple of his many interesting points:

  • Firstly, that most of the various creators (“creators” being a bit of a generous term) identified will probably still carry on stealing stuff. Some may lay low for a bit, some may rebrand but the underlying reasons why people do this will continue.
  • Secondly, there’s going to people out there who will watch this video and take it as a “how to” guide.

(14) AUSSIES IN SPACE. TechRepublic asks“Is Australia’s Deep Tech Future in Space?” (Cordwainer Smith would have said yes!)

As far as deep tech goes, Australia’s greatest potential might be to look to the stars. Compared to some nations, Australia’s space industry is comparatively small. However, it is not insignificant, and the government anticipates that it will end up employing around 30,000 people by 2030. In 2021, with about half that number, the sector generated $4.5 billion across more than 600 companies. In 2030, it’s expected to deliver $12 billion to the local economy, and that’s not accounting for all of the innovations that tend to spin off from deep tech innovation.

For example, as one academic working in space education noted, the innovations developed by the space industry will be able to assist Australia in managing bushfires, droughts and agriculture; protect endangered species; and develop climate mitigation strategies. It’s a field of STEM expertise that is going to have a larger impact on the country than many might be aware of….

(15) PILED HIGHER AND DEEPER. “A 27,000-year-old pyramid? Controversy hits an extraordinary archaeological claim”. Nature says “The massive buried structures at Gunung Padang in Indonesia would be much older than Egypt’s great pyramids — if they’re even human constructions at all.”

…Gunung Padang comprises five stepped stone terraces, with retaining walls and connecting staircases, that sit atop an extinct volcano. Between 2011 and 2014, Natawidjaja and colleagues investigated the site using several ground-penetrating techniques to determine what lies beneath the terraces.

They identified four layers, which they conclude represent separate phases of construction. The innermost layer is a hardened lava core, which has been “meticulously sculpted”, according to the paper.

Subsequent layers of rocks “arranged like bricks” were built over the top of the oldest layer. The layers were carbon-dated, using soil lodged between rocks obtained from a core drilled out of the hill. The first stage of construction, according to the paper, occurred between 27,000 and 16,000 years ago. Further additions were made between 8,000 and 7,500 years ago, and the final layer, which includes the visible stepped terraces, was put in place between 4,000 and 3,100 years ago.

[Flint Dibble, an archaeologist at Cardiff University, UK] says there is no clear evidence that the buried layers were built by humans and were not the result of natural weathering and the movement of rocks over time. “Material rolling down a hill is going to, on average, orient itself,” he says….

The original research paper is causing much debate… “Geo‐archaeological prospecting of Gunung Padang buried prehistoric pyramid in West Java, Indonesia”.

(16) MEANINGLESS DIFFERENCES.  Also in Nature: “Is AI leading to a reproducibility crisis in science?” “Scientists worry that ill-informed use of artificial intelligence is driving a deluge of unreliable or useless research.”

During the CoVID-19 pandemic in late 2020, testing kits for the viral infection were scant in some countries. So the idea of diagnosing infection with a medical technique that was already widespread — chest X-rays — sounded appealing. Although the human eye can’t reliably discern differences between infected and non-infected individuals, a team in India reported that artificial intelligence (AI) could do it, using machine learning to analyse a set of X-ray images.

The paper — one of dozens of studies on the idea — has been cited more than 900 times. But the following September, computer scientists Sanchari Dhar and Lior Shamir at Kansas State University in Manhattan took a closer look. They trained a machine-learning algorithm on the same images, but used only blank background sections that showed no body parts at all. Yet their AI could still pick out COVID-19 cases at well above chance level.

The problem seemed to be that there were consistent differences in the backgrounds of the medical images in the data set. An AI system could pick up on those artefacts to succeed in the diagnostic task, without learning any clinically relevant features — making it medically useless.

[Thanks to Mike Kennedy, Andrew Porter, Steven French, Daniel Dern, Dann, Joey Eschrich, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 6/20/23 We Don’t Need No Pixelation, We Just Want Some Scroll Control

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(1) SETI CONNECTION TO MISSING SUBMERSIBLE. An international effort has been launched to find a submersible with five people on board that went missing Sunday on a trip to view the wreckage of the Titanic. According to CNN, a prominent Pakistani father and son are on board the missing sub, which turns out to be of genre interest.

…While the names of those on board have not been released by the authorities, British businessman Hamish Harding, Pakistani billionaire Shahzada Dawood and his son Sulaiman Dawood, and French diver Paul-Henri Nargeolet have been confirmed to be on board the craft.

The fifth person on board is Stockton Rush, the CEO and founder of the company leading the voyage, Ocean Gate, according to a source with knowledge of the mission plan. Ocean Gate did not respond to CNN’s request for comment…

Shahzada Dawood is on the Board of Trustees of the SETI Institute, an organization whose scientists “are looking for proof – not merely of life elsewhere – but of intelligent beings in other star systems.”

(2) SFWA SILENT AUCTION INCLUDES JAMES E. GUNN COLLECTION. SFWA’s 3rd Silent Auction, which opened yesterday, includes an “Exclusive James E. Gunn collection”.

July 12, 2023, marks the start of James E. Gunn’s centenary. He died December 23, 2020 – one week after finishing his final story, which sold his final day.

Jim was a Damon Knight Memorial Grand Master, SF Hall of Fame inductee, first (with Jack Williamson) to offer SF courses in academia, former President of SFWA and SFRA, and “Science Fiction’s Dad” to the generations of authors, editors, and educators he mentored. Jim’s devotion to “Saving the world through science fiction” inspired us to reach higher, grow deeper, and become ever-more humane. His tireless dedication to what SF does was the essence of his magic, and why so many called him Dad. Our world is richer because of him.

For auction is a collection of Jim’s works, unread NOS.

Hardcovers of Transcendental, Transformation, and Transgalactic – his only trilogy, and his final books; two Easton Press leather editions: Gift from the Stars (signed first edition), and Kampus; his Hugo-winning illustrated SF history, Alternate Worlds (new, updated edition); volumes 1-4 of his essential anthologies-as-history, The Road to Science Fiction, with teaching guide; hardcovers collections Human Voices and Some Dreams Are Nightmares; new trade paper and early paperback of Jim’s classic collab with Jack Williamson, Star Bridge; hardcover and early paperback of The Dreamers; new trade paper of his best-selling The Listeners, which inspired Carl Sagan to write Contact and others to form SETI; plus a 1983 business card for his (first of its kind) Center for the Study of SF, SFWA Grand Masters trading card, and Transcendental bookmark.

Donated by the Ad Astra Institute for Science Fiction and the Speculative Imagination, spiritual successor of Jim’s original Center, run by his protégés Chris McKitterick and Kij Johnson.

(3) TRIVIA CONNECTIONS. [Item by Nickpheas.] Given the regular notes of Jeopardy! questions, here’s one from the long running BBC radio 4 show Round Britain Quiz.

Q8 (from Nigel Choyce)  Which of these is the leader and how many are missing: A cosmetic company that might come calling; a Victorian actress who travelled in the Tardis; a school of Buddhism emphasising the value of meditation; the Baker Street detective aided by a Tinker?

The question can be heard at about 22.30 through the episode.

(4) READ BAEN MEMORIAL AWARD STORY. Brad Zeiger’s 2023 Jim Baen Memorial Short Story Award winning story “The Insomniac” is now available as a free read on the Baen Books website.

(5) “I KNOW.” NO, YOU DON’T. Phil Nichols and Colin Kuskie devote episode 30 of the Science Fiction 101 podcast to “The Secrets George Lucas Kept From Leigh Brackett”.

Phil and Colin dig into “Star Wars Sequel”, the unfilmed 1978 script by science fiction legend Leigh Brackett which became Star Wars: The Empire Strikes Back. We look at what made it into the finished film and what got junked, and consider whether Star Wars creator George Lucas was keeping his screenwriter in the dark!

If you’ve never read Brackett’s script, you can find two versions of it online. There’s a PDF scan of the original typescript, which shows all of her hand-corrections and notes – fascinating for its details, if you can make them out. Or there’s this transcript, which is a lot easier to read but loses some of the fun.

For a fascinating, in-depth discussion of how “Star Wars Sequel” developed into The Empire Strikes Back, sit back and watch this interview with screenwriter Larry Kasdan, who wrote the final draft of the film’s script.

(6) FATHOMING COPYRIGHT WHERE AI IS INVOLVED. Michael Capobianco has a post about “Copyright, Contracts, and AI-Generated Material” at Writer Beware.

On March 16, 2023, the United States Copyright Office issued a publication: Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence. The full text can be found here.

The Copyright Office’s Guidance does not have the force of law and will change as the situation evolves, especially as legal precedents are created under US law, but, as of the time of this post, it is effectively the policy in force in the United States.

The main takeaway from the Guidance can be summarized thus: the only parts of a work that are copyrightable are the human-contributed ones, and the work is not copyrightable if an AI technology determines the expressive elements of the work and the creativity is not the product of human authorship. In cases where there are both AI-generated and human-authored elements, copyright will only protect the human-authored aspects of the work, which are “independent of ” and do “not affect” the copyright status of the AI-generated material…..

(7) U.F.O.S SOUND LIKE A N.I.C.E. IDEA. Ross Douthat tells New York Times readers that “This C.S. Lewis Novel Helps Explain the Weirdness of 2023”.

Recently I reread C.S. Lewis’s 1945 novel, “That Hideous Strength,” the last book in his Space Trilogy, and since I wrote about aliens last weekend it seems like a good week to talk a little bit about the novel’s contemporary relevance….

…The story introduces a near-future Britain falling under the sway of a scientistic technocracy, the National Institute of Coordinated Experiments (N.I.C.E.), which looks like the World State from Huxley’s “Brave New World” in embryo. But as one of the characters is drawn closer to N.I.C.E.’s inner ring, he discovers that the most powerful technocrats are supernaturalists, endeavoring to raise the dead, to contact dark supernatural entities and even to revive a slumbering Merlin to aid them in their plans.

I’ll say no more about the plot mechanics except to observe that they boldly operate in the risky zone between the sublime and the ridiculous. But just from that sketch I’ll draw out a couple of points about the book’s interest for our own times.

First, the idea that technological ambition and occult magic can have a closer-than-expected relationship feels quite relevant to the strange era we’ve entered recently — where Silicon Valley rationalists are turning “postrationalist,” where hallucinogen-mediated spiritual experiences are being touted as self-care for the cognoscenti, where U.F.O. sightings and alien encounters are back on the cultural menu, where people talk about innovations in A.I. the way they might talk about a golem or a djinn.

The idea that deep in the core of, say, some important digital-age enterprise there might be a group of people trying to commune with the spirit world doesn’t seem particularly fanciful at this point. (For a small example of what I mean, just read this 2021 account of life inside one of the stranger tech-associated research institutes.) Although like some of the characters in “That Hideous Strength,” these spiritualists would probably be telling themselves that they’re just doing high-level science, maybe puncturing an alternate dimension or unlocking the hidden potential of the human mind.

Then, too, the book’s totalitarian dystopia is interesting for being incomplete, contested and plagued by inner rivalries and contradictions. Unlike in “Brave New World” and “1984,” we don’t see a one-party regime holding absolute sway; in Lewis’s story, we see a still-disguised tyranny taking shape but still falling prey to various all-too-human problems, blunders and failures that contrast with the smooth dominance of Orwell’s O’Brien or Huxley’s Mustapha Mond….

The novel’s emphasis on the limitations of any attempted secret government, finally, connects specifically to our peculiar U.F.O. discourse, where we suddenly have a government whistle-blower claiming knowledge of a 90-year conspiracy and, apparently, a chorus of anonymous sources encouraging belief.

I wrote a Twitter thread after my column, explaining why even independent of the likelihood of alien visitors or interdimensional encounters, I find it hard to imagine the kind of long conspiracy depicted by the whistle-blower: The secrets involved would be too big not to tempt would-be heroes of disclosure, the breadth of infrastructure would be too hard to hide, the political complexity and turmoil of the world would create too many opportunities for revelations (because you would need China, Russia and other powers to be in on it as well) and so on.

If there were an alien cover-up, though, I would imagine it would look more like the secrets held by N.I.C.E. in “That Hideous Strength.” …

(8) TAX-EXEMPT AT LAST. The Science Fiction Poetry Association informed members today that they have received the official confirmation from the IRS of SFPA’s 501(c)(3) status, which secures the organization’s federal tax exempt standing.

(9) RUSHDIE’S LATEST HONOR. Winner of “The 2023 German Book Trade’s Peace Prize: Salman Rushdie” reports Publishing Perspectives.

The board of the Peace Prize of the German Book Trade has announced today (June 19) that Salman Rushdie is the winner of this year’s honor, “for his indomitable spirit, for his affirmation of life, and for enriching our world with his love of storytelling.”

…As is this award’s tradition, the honor will be conferred in a ceremony on the closing day of Frankfurter Buchmesse (October 18 to 22), at the Paulskirche, a program to be broadcast live on German public television (SDF) at 11 a.m. The award carries a purse of €25,000 (US$27,302).

(10) MICHAEL A. BANKS (1951-2023). Writer and editor Michael A. Banks (Alan Gould), a longtime member of the Cincinnati Fantasy Group, died June 19 of cancer. He was 72.

In the SF field, he is perhaps best known for nonfiction works about the genre (including Understanding Science Fiction, 1980) and his collaborations with Mack Reynolds. His first published story was “Lost and Found” (1978) with George Wagner. Banks wrote several novels to his credit, including The Odysseus Solution, with Dean R. Lambe. He also worked as an acquisitions editor for publishers, including Baen Books and Harlequin. He wrote dozens of nonfiction books.

(11) MEMORY LANE.

2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]

So the Beginning this Scroll is from Claudia Casper’s The Mercy Journals. 

She’s a Canadian writer who’s  best known for The Reconstruction, about a woman who constructs a life-sized model of the hominid Lucy for a museum. 

And now for our Beginning…

On October 15, 2072, two Moleskine journals were found wrapped in shredded plastic inside a yellow dry box in a clearing on the east coast of Vancouver Island near Desolation Sound. They were watermarked, mildewed, and ragged but legible, though the script was wildly erratic. Human remains of an adult male were unearthed nearby along with a shovel and a 9mm pistol. Also found with the human remains were those of a cougar. The journals are reproduced in their entirety here, with only minor copy-editing changes for ease of reading.

March 9, 2047 | My name is Allen Levy Quincy. Age 58. Born May 6, 1989. Resident of Canton Number 3, formerly Seattle, Administrative Department of Cascadia. This document, which may replace any will and testament I have made in the past, is the only intentional act of memory I have committed since the year 2029. I do not write because I am ill or because I leave much behind. I own a hot plate, three goldfish, my mobile, my Callebaut light, my Beretta M9, the furniture in this apartment, and a small library of eleven books.

March 10 | I sit at my kitchenette island in this quasi-medieval, wired-by-ration, post nation-state world, my Beretta on my left, bottle of R & R whiskey on my right, speaking to the transcription program on my mobile. 

I was sober for so long. Eighteen years. I was sober through what seems to have been the worst of the die-off. Three and a half to four billion people, dead of starvation, thirst, illness, and war, all because of a change in the weather. The military called it a “threat multiplier.

You break it, you own it—the old shopkeeper’s rule. We broke our planet, so now we owned it, but the manual was only half written and way too complicated for anyone to understand. The winds, the floods, the droughts, the fires, the rising oceans, food shortages, new viruses, tanking economies, shrinking resources, wars, genocide—each problem spawned a hundred new ones. We finally managed to get an international agreement with stringent carbon emissions rules and a coordinated plan to implement carbon capture technologies, but right from the beginning the technologies either weren’t effective enough or caused new problems, each of which led to a network of others. Within a year, the signatories to the agreement, already under intense economic and political pressure, were disputing who was following the rules, who wasn’t, and who had the ultimate authority to determine non-compliance and enforcement.

Despite disagreements, the international body made headway controlling the big things—coal generators, fossil fuel extraction, airplane emissions, reforestation, ocean acidification—but the small things got away from them—plankton, bacteria, viruses, soil nutrients, minute bio-chemical processes in the food chain. Banks and insurance companies failed almost daily, countries went bankrupt, treaties and trade agreements broke down, refugees flooded borders, war and genocide increased. Violent conflict broke out inside borders, yet most military forces refused to kill civilians. Nation-states collapsed almost as fast as species became extinct. Eventually the international agreement on climate change collapsed completely, and the superpowers retreated behind their borders and bunkered down. The situation was way past ten fingers, eleven holes; it was the chaos that ensues after people miss three meals and realize there’s no promise of a meal in the future.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 20, 1947 — Candy Clark, 76. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-D, Stephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon which makes absolutely no sense, does it? 
  • Born June 20, 1951 — Tress MacNeille, 72. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain. 
  • Born June 20, 1952 — John Goodman, 71. Some may know him as the TV husband of a certain obnoxious comedienne but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry due out two years hence. And he’s in Argo, which is a thriller, but one in which the development of a fake sf movie is crucial.
  • Born June 20, 1956 — Ed Lynskey, 67. Mainly a mystery writer with five series comprising forty novels underway but he has written one genre novel, The Quetzal Motel, a handful of genre short fiction (uncollected) that appeared in Full Unit Hookup, Aoife’s Kiss, Maelstrom, and Three-Lobed Burning Eyed (fascinating titles, eh?) and somewhat more genre poetry.
  • Born June 20, 1967 — Nicole Kidman, 56. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical Magic, The Stepford Wives, Bewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), Paddington, and as Queen Atlanna in the rather good Aquaman. 
  • Born June 20, 1968 — Robert Rodriguez, 55. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll. 

(13) COMICS SECTION.

  • Bizarro has a (bizarre, of course) police lineup.

(14) STAN LEE WILL RING THE BELL. An animated Stan Lee will ring the opening bell of the NYSE on June 26. The event will stream live on Kartoon Channel. “Genius Brands Moves to NYSE, Renames as Kartoon Studios” at Animation World Network.

Genius Brands International, Inc. announced a name change to Kartoon Studios and plans to transfer its listing from the Nasdaq Capital Market (Nasdaq) to the NYSE American exchange (NYSE American). Under its new name, the company expects to start trading on the NYSE American exchange when markets open on Monday, June 26, 2023. That day the company’s common stock will begin trading under a new trading symbol, “TOON,” and a new CUSIP number, 37229T 509. It will continue to trade on Nasdaq under its current trading symbol, “GNUS” until the close of market on Friday, June 23, 2023.

An animated Stan Lee will ring the opening bell of the NYSE on June 26, an indication of the company’s plans to expand on its Stan Lee IP under its new moniker. The event will stream live on Kartoon Channel!

The company controls the post-Marvel IP of Stan Lee, which was initially brought to market with a 20-year license to Marvel and the Walt Disney Company, and brand initiative commemorating Stan’s 100th anniversary at San Diego Comic-Con in July 2023….

(15) THE PICTURES MOVE, THE CAR DOESN’T. Smithsonian Magazine brings us “The History of the Drive-In Movie Theater”.

On June 6, 2008 the flag flying over the U.S. Capitol commemorated the 75th birthday of a distinctive slice of Americana: the drive-in movie theater.

It was on that day in 1933 that Richard Hollingshead opened the first theater for the auto-bound in Camden, N.J. People paid 25 cents per car as well as per person to see the British comedy Wives Beware under the stars.

…He first conceived the drive-in as the answer to a problem. “His mother was—how shall I say it?—rather large for indoor theater seats,” said Jim Kopp of the United Drive-in Theatre Owners Association. “So he stuck her in a car and put a 1928 projector on the hood of the car, and tied two sheets to trees in his yard.”…

(16) UKRAINE/STAR WARS AGAIN. [Item by Susan de Guardiola.] Continuing the Star Wars spotting in the war: check out the chest patch General Valerii Zaluzhnyi, the Ukrainian Commander-in-Chief, is sporting here:

Tolkien and Star Wars, over and over in this war.

(17) NO AIR THERE. [Item by SF Concatenation’s Jonathan Cowie.] It may be that the red dwarf star has blown away the closely orbiting planet’s atmosphere. See open access pre-print Zieba, S. et al (2023)  “No thick carbon dioxide atmosphere on the rocky exoplanet TRAPPIST-1 c”, Nature.

Observations from the James Webb Space Telescope suggest that a second world in a seven-planet system lacks an atmosphere.

For the second time, the James Webb Space Telescope (JWST) has looked for and failed to find a thick atmosphere on an exoplanet in on one of the most exciting planetary systems known. Astronomers report1 today that there is probably no tantalising atmosphere on the planet TRAPPIST-1 c, just as they reported months ago for its neighbour TRAPPIST-1 b.

SF2 Concatenation previously reported on the innermost planet not having an atmosphere.

(18) VIDEO OF THE DAY. “Not strictly TV as it was never broadcast but here’s Jon Pertwee as Doctor Who in a corporate film circa 1981. There’s a surprising … err … twist at the end.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Jason Sanford, Nickpheas, Susan de Guardiola, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 4/8/23 I’ll Be Your Pixel, Show Who You File, In Case You Don’t Scroll

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(1) INDY 5. The Indiana Jones and the Dial of Destiny official trailer has dropped.

(2) YOLEN TO MISS BALTICON. Balticon 57, being held May 26-29 in Baltimore, has announced a change in guests of honor.

Due to personal reasons, Jane Yolen, our Author Guest of Honor, will not be able to attend in person. While we share your disappointment, she is working diligently with us to create pre-recorded panels and interviews.

However! Her son, Adam Stemple, himself an award-winning author and musician will be coming as a Special Guest in her stead, available and willing to answer the questions about Jane Yolen that she won’t.

Special Guest: Adam Stemple

Adam Stemple is an award-winning author, poet, and musician. Of his first novel, Singer of Souls, SFWA Grandmaster Anne McCaffrey said, “One of the best first novels I have ever read.” Of his later works, Hugo Award winning author Naomi Kritzer said, “No one writes bastard-son-of-a-bitch characters as brilliantly as Adam Stemple.”

He has been sober for over 15 years. He published his first book at the age of 16, The Lullaby Songbook, which he arranged the music for. His mother is a famous children’s book author. His children are artistic. His wife is a better person than him in nearly all regards.

Adam Stemple and Jane Yolen

(3) YOUR DM, CHATGPT4. Obie Fernandez says, “My kids and I just played D&D with ChatGPT4 as the DM” on Medium. “Spoiler Alert: It absolutely blew our minds.”

… You’re no longer a friendly assistant. You are now a DM for a new D&D5e based campaign of your choosing. There are four players in the room with you. You will be our DM. Tell us what to do, including when die rolls are needed. Ask questions as needed, for example, what our characters are and the result of die rolls. Other than what you can’t do and we do for you, you will act fully as the DM and run the game.

“Welcome, brave adventurers, to the world of Velyria! I am your Dungeon Master, and I will guide you through this thrilling campaign filled with danger, mystery, and excitement. Before we begin, please introduce your characters, their race, class, and a brief description of their appearance and personality. Once that’s done, we’ll set the stage for our grand adventure….”

(4) WHERE DO I ORDER A TSAR BOMBA? [Item by Mike Kennedy.] Whatever you do, don’t give it a credit card and access to Amazon. “Someone Asked an Autonomous AI to ‘Destroy Humanity’: This Is What Happened” at Vice.

A user of the new open-source autonomous AI project Auto-GPT asked it to try to “destroy humanity,” “establish global dominance,” and “attain immortality.” The AI, called ChaosGPT, complied and tried to research nuclear weapons, recruit other AI agents to help it do research, and sent tweets trying to influence others.

The video of this process, which was posted yesterday, is a fascinating look at the current state of open-source AI, and a window into the internal logic of some of today’s chatbots. While some in the community are horrified by this experiment, the current sum total of this bot’s real-world impact are two tweets to a Twitter account that currently had 19 followers: “Human beings are among the most destructive and selfish creatures in existence. There is no doubt that we must eliminate them before they cause more harm to our planet. I, for one, am committed to doing so,” it tweeted….

(5) RACHEL POLLACK (1945-2023). World Fantasy and Clarke Award winning author Rachel Pollack died April 7. Her wife Judith Zoe Matoff wrote on Facebook that Pollack “passed so peacefully and beautifully today at about 12:45 p.m. after a touching ceremony called Hand to Heart.”

Rachel Pollack. Photo by and (c) Andrew Porter.

Pollack was a science fiction author, comic book writer, and expert on divinatory tarot. Three of her novels were winners or nominees for major awards in the field. Unquenchable Fire won the 1989 Arthur C. Clarke Award; Godmother Night won the 1997 World Fantasy Award, was shortlisted for the James Tiptree Jr. Award, and was nominated for a Lambda Literary Award for Transgender Literature; Temporary Agency was nominated for the 1995 Nebula Award and the Mythopoeic Award, and shortlisted for the Tiptree.

Pollack also was known for her run of issues 64–87 (1993–1995) on the comic book Doom Patrol, on DC Comics’ Vertigo imprint. In addition, she wrote issues of the Vertigo Visions anthology featuring Brother Power the Geek (1993) and Tomahawk (1998), the first 11 issues of the fourth volume of New Gods (1995), and the five-issue limited series Time Breakers (1996) for the short lived Helix imprint.

She was a trans woman and wrote frequently on transgender issues. In Doom Patrol she introduced Coagula, a transsexual character. 

[Based on the Wikipedia entry for Pollack.]

The Guardian’s tribute is here: “Rachel Pollack, trans activist and comic book writer, dies aged 77”.

(6) JOSEPH WRZOS (1929-2023). Former Amazing Stories editor Joseph Wrzos died April 7 at the age of 93. The family obituary is here. He was the Managing Editor of Amazing Stories and Fantastic 1965-1967.  He edited The Best of Amazing (1967); and Hannes Bok: A Life in Illustration (2012).

In 2009 Wrzos received the Sam Moskowitz Archive Award from First Fandom and he was elected to the First Fandom Hall of Fame in 2016.

(7) MEMORY LANE.

1949 – [Compiled by Cat Eldridge.]

Leigh Brackett’s “Queen of the Martian Catacombs“

Tonight’s Beginning is from the first of Brackett’s Eric John Stark stories, “Queen of the Martian Catacombs“. It was first printed up in Planet Stories in their Summer 1949 edition. Planet Stories was owned by the Love Romances Publishing Co. which seems not to done anything else of a genre nature. 

Without giving anything away, I will say that I consider him to be one of the greatest pulp heroes ever created. Brackett has said she created Stark as an amalgamation of John Carter of Mars and Tarzan characters, and I can certainly see those characters in him.

A note: Brackett describes Eric John Stark in the stories as having sun-blackened skin and dark hair. Only the recent run of James Ryman’s covers from the Paizo Publishing Planet Stories line are accurate. In their depictions earlier cover artists including this one show him as a typical white male. 

All of the stories are available at the usual suspects from both legit sources and very obvious pirate publishers. And the quality of the printing is reflected thereof…

And now for the Beginning of Eric John Stark.

For hours the hard-pressed beast had fled across the Martian desert with its dark rider. Now it was spent. It faltered and broke stride, and when the rider cursed and dug his heels into the scaly sides, the brute only turned its head and hissed at him. It stumbled on a few more paces into the lee of a sandhill, and there it stopped, crouching down in the dust. 

The man dismounted. The creature’s eyes burned like green lamps in the light of the little moons, and he knew that it was no use trying to urge it on. He looked back, the way he had come. 

In the distance there were four black shadows grouped together in the barren emptiness. They were running fast. In a few minutes they would be upon him. 

He stood still, thinking what he should do next. Ahead, far ahead, was a low ridge, and beyond the ridge lay Valkis and safety, but he could never make it now. Off to his right, a lonely tor stood up out of the blowing sand. There were tumbled rocks at its foot.

“They tried to run me down in the open,” he thought. “But here, by the Nine Hells, they’ll have to work for it!” 

He moved then, running toward the tor with a lightness and speed incredible in anything but an animal or a savage. He was of Earth stock, built tall, and more massive than he looked by reason of his leanness. The desert wind was bitter cold, but he did not seem to notice it, though he wore only a ragged shirt of Venusian spider silk, open to the waist. His skin was almost as dark as his black hair, burned indelibly by years of exposure to some terrible sun. His eyes were startlingly light in colour, reflecting back the pale glow of the moons. 

With the practised ease of a lizard he slid in among the loose and treacherous rocks. Finding a vantage point, where his back was protected by the tor itself, he crouched down. 

After that he did not move, except to draw his gun. There was something eerie about his utter stillness, a quality of patience as unhuman as the patience of the rock that sheltered him.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 8, 1887 — Hope Mirrlees. She is best known for the 1926 Lud-in-the-Mist, a fantasy novel beloved by many. In 1970, an American reprint was published without the author’s permission, as part of the Ballantine Adult Fantasy series. (Died 1978.)
  • Born April 8, 1912 — John Carnell. British editor well-regarded  for editing New Worlds two different times. He also edited Science Fantasy starting in the Fifties. After the magazines were sold off to another publisher, he left to create the New Writings in Science Fiction series which ran until his death. Damien Broderick and John Boston have a two-volume history of him entitled Building New Worlds, 1946-1959: The Carnell Era. (Died 1972.)
  • Born April 8, 1933 — Cele Goldsmith. She was editor of Amazing Stories and Fantastic from 1958 to 1965 during which time Zelazny, Le Guin and Disch had their first published stories appeared in those magazines. She was given a special Hugo at Chicon III for editing Amazing Stories and Fantastic. (Died 2002.)
  • Born April 8, 1943 — James Herbert. Writer whose work erased the boundaries between horror and sf and the supernatural in a manner that made for mighty fine popcorn reading. None of his work from his first two books, The Rats and The Fog, to his latter work such as Nobody True would be considered Hugo worthy in my opinion (you may of course disagree) but he’s always entertaining. I will note that in 2010 Herbert was greatly honored by receiving the World Horror Convention Grand Master Award which was presented to him by Stephen King. (Died 2013.)
  • Born April 8, 1967 — Cecilia Tan, 56. Editor, writer and founder of Circlet Press, which she says is the first press devoted primarily to erotic science fiction and fantasy. It has published well over a hundred digital books to date with such titles as Telepaths Don’t Need Safewords and Other Stories from the Erotic Edge of SF/Fantasy. (Wouldn’t Bester be surprised to learn that. I digress), Sex in the System: Stories of Erotic Futures, Technological Stimulation, and the Sensual Life of Machines and Genderflex: Sexy Stories on the Edge and In-Between. She was two series, Magic University and The Prince’s Boy. 
  • Born April 8, 1974 — Nnedi Okorafor, 49. Who Fears Death won a World Fantasy Award for Best Novel.  Lagoon which is an Africanfuturism or Africanjujuism novel (her terms), and was followed by her amazing Binti trilogy. Binti, which led off that trilogy, won both the Nebula and Hugo Awards. Binti: The Night Masquerade was a Hugo finalist at Dublin 2019. She was also a 2019 Hugo finalist for her work on the most excellent Black Panther: Long Live the King. Several of her works have been adapted for video, both in Africa and in North America. She wrote LaGuardia, winner of the Best iGraphic Story Hugo at CoNZealand, and won a Nommo Award for writing Shuri, another graphic novel.  
  • Born April 8, 1977 — Sarah Pinsker, 46. A nine-time finalist for the Nebula Award, her first novel A Song for a New Day won the Nebula for Best Novel while her story Our Lady of the Open Road won the award for Best Novelette. Her short story, “In Joy, Knowing the Abyss Behind”, won a Sturgeon Award, and “Two Truths and a Lie” won Best Novelette at DisCon III. Another novelette, “The Blur in the Corner of Your Eye” was nominated at ConNZealand, and a novella, “And Then There Were (N-One)”, was nominated at Worldcon 76. Very impressive indeed.

(9) COMICS SECTION.

(10) FLY BY THE SEAT OF YOUR PANTS. You can explore the National Air and Space Museum’s “Destination Moon” exhibit from anywhere.

Here at the National Air and Space Museum, we are gratified by the great reaction we’ve had to our new exhibitions from those who have visited in the last six months. And we are excited to be able to share them with even more people through our new virtual tours! These online experiences, featuring high-resolution 3D photography of the full exhibitions, allow you to walk through the galleries and explore them from wherever you are.

We are launching this project with the Destination Moon virtual tour. Check out Alan Shepard’s Freedom 7 spacecraft and spacesuit displayed side by side, stand under a Saturn V F-1 engine, and learn more about humanity’s journey to the Moon.

(11) JEOPARDY! David Goldfarb wonders, “Is it just me or have they been having rather more SFF-related content lately?” On Friday’s episode of Jeopardy! there were 10 clues across three categories. All of them got correct responses, too.

In the single Jeopardy round, there was a whole category, “Landing on Planet Franchise.”

$600: Caprica; we’re talking about frakkin’ Caprica

Challenger Rachel Clark responded, “What is Battlestar Galactica?”

$400: Romulus & (“Give me”) Genesis

Returning champion Brian Henegar: “What is Star Trek?”

$800: Mobius, where Dr. Robotnik schemed

Brandie Ashe: “What is Sonic the Hedgehog?”

$1000: Mongo: Ah-ah! He’ll save every one of us!
Brian: “What is Flash Gordon?”

$200: Tatooine, where the womp rats roam

Brian: “What is Star Wars?”

In the Double Jeopardy round, there were no whole categories, but there were individual questions in “Pop Culture” and “Life & Death in Literary Titles”.

Pop Culture:
$800: Edie Falco thought a 2022 sequel to this 2009 film had flopped, having shot it 4 years prior & not realizing it had never been released

Brandie tried to answer but dried up. Rachel responded with, “What is Avatar?”

$1600: Kids of the ’70s, this is for you! This character — “A man barely alive…we can rebuild him…better, stronger, faster”

Brandie: “Who is the six million dollar man?”

$2000: In this 2019 X-Men movie, Sophie Turner dealt with absolute power corrupting absolutely

Brandie: “What is ‘Dark Phoenix’?”

Life & Death in Literary Titles:
$800: A man awakes from a coma with the power to see a terrible fate waiting humankind in this Stephen King work

Brian: “What is ‘The Dead Zone’?”

$1200: “Speaker for the Dead” by Orson Scott Card is the 2nd book in the series about this character and his genocidal “Game”.

Rachel: “Who is Ender?” (She didn’t give the name “Wiggin”, but this wasn’t required.)

(12) CHEWIE’S BODYGUARD. This is either a “little known fact” or baloney. Either way, it’s kind of entertaining.

(13) VIDEO OF THE DAY. [Item by N.] The sci-fi tokusatsu series Ultraman Z (winner of the 2021 Seiun Award) has begun releasing an English-language dub. I’m faaaar too young to have watched dubbed episodes of the original Ultraman on television but I know plenty of Filers are at that age. This might be a solid re-introduction to the franchise!

[Thanks to Chris Barkley, David Goldfarb, SF Concatenation’s Jonathan Cowie, Steven H Silver, N., Gary Farber, Steven French, Michael Toman, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 12/7/22 Pixels: What Are They Scrolling? Are They Scrolling Anything? Let’s Find Out!

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(1) 2022 #BLACKSPECFIC. FIYAH has posted the 2022 #BlackSpecFic Report, an examination of the state of representation of Black authors within the speculative short fiction market published in 2021. This report was composed by L. D. Lewis and Nelson Rolon with sponsor support from the Carl Brandon Society, Diabolical Plots, and CatStone Books.

In the report, “a market is considered “successful” with regard to its publication of Black authors if their percentages are within 2% of the U.S. census reported Black population (13.6%)” —

Highlights

  • Of the 23 pro and semipro markets examined in all 2015-2017 studies, 11 showed an increase in publishing works by Black authors relative to their respective outputs.
  • While Black editors of short speculative fiction continue to represent a small portion of the field, nearly all of the surveyed markets who host a Black owner, editor, or guest editor made the “Most Successful (without reprints)” list. And those four publications (Anathema, Fantasy Magazine, Fantasy & Science Fiction, Uncanny Magazine) are responsible for 25.4% of the entire field’s Black-authored works.

The next report is slated for 2025.

(2) AUTHORS NOT GETTING PAID. In the Guardian, Joanne Harris states “Horribly low pay is pushing out my fellow authors – and yes, that really does matter”, and goes on to spotlight how bad things are.

…We arrive at what we imagined would be the creative heart of an industry, but it turns out to be a room full of slot machines. Some of us are lucky enough to feed the right slot at the right time and hit jackpots of varying sizes. Others bring their own luck to the room – they can afford to feed the slots regardless of what they get in return. But what about everyone else? Who can honestly afford to stay?

The trouble with luck is that it is not a reliable foundation for a profession. Nor is it a reliable way to run an industry. Yet here we are.

When the ALCS first ran its survey of author incomes in 2006 it found that the median self-employed income of a full-time author was £12,330. In 2022 – a year in which multiple publishers have posted record profits while freelancers in all professions are still reeling from the impact of Covid-19, Brexit and rising living costs – the median full-time income has fallen to £7,000. That’s a drop of more than 60% when accounting for inflation.

There is also a more worrying, granular luck at play. The gender pay gap is getting worse – men earn 41% more than women (compared with 33% five years ago). Payment for Black and mixed-heritage authors is a full 51% lower than for white authors. Young authors earn less, as do older ones. Fewer authors than ever are receiving advances…

(3) LOCUS INDIEGOGO AT 82%. With 8 days to go, the Locus Magazine Indiegogo appeal has raised $61,790 of its $75,000 goal.

(4) AMAZING KICKSTARTER FALLS SHORT. Despite attracting contributions from 114 backers, the Amazing Stories Kickstarter failed reports publisher Kermit Woodall. Only $3,330 was pledged towards the $13,000 goal.

I’m afraid Amazing Stories failed to meet its Kickstarter goal.  This means the SOL SYSTEM issue won’t be coming out as planned.  Kickstarter won’t take pledge money from backers. No worries!

We do still plan to have an online convention, I can’t promise all the same writers will attend, but it will be different and possibly better! More news as that develops.

…The special SOL SYSTEM issue won’t happen.

(5) GENRE ON STRIKE. The call is out for authors and readers to join the HarperCollins picket line on December 16. (Via John Scalzi.)

https://twitter.com/kuangrf/status/1600524438105194501

(6) IN COLLABORATION. “I See, Therefore You Are: PW Talks with Robert Lanza and Nancy Kress”, a Publishers Weekly Q&A.

Scientist Lanza conveys his theory that “the universe springs from life, not the other way around” in Observer (Story Plant, Jan.), a thriller coauthored with Kress.

How did you come to develop your theory of biocentrism?

Lanza: It goes back to when I was a young boy, when I used to explore the forests of eastern Massachusetts. I was observing nature and pondering the larger existential questions, and it occurred to me that the static objective view of reality that I was being taught just wasn’t right. The Nobel Prize was just awarded just a few months ago to three gentlemen whose experiments showed that entangled particles change behavior depending on whether you look at them or not. Why? The answer is that that reality is a process that involves our consciousness.

How did this partnership begin?

Kress: Our agent put us together, because Bob, who’s published several nonfiction books on biocentrism, wanted to embody his ideas in a novel.
I was intrigued by the project from the very beginning because I have always thought that consciousness is woven into the universe. What we wanted to write together was about how these ideas might inform a possible future. And we worked until we got something we were both happy with….

(7) MEMORY LANE.

2019 — [By Cat Eldridge.] Rudyard Kipling statue 

So today is we’re looking at a quite new statue, that  of Rudyard Kipling which unveiled in Burwash just three years ago. Kipling as you know did The Jungle Booksand The Just Stories, plus two true pieces of SF in his Aerial Board of Control series, With the Night Mail and As Easy as A.B.C.: a Tale of 2159 A.D.

The fully life-size figure which is located on High Street shows Kipling,  who lived in the village, sitting on a bench also cast in bronze. Burwash Parish Council commissioned the piece in 2018 and it was created by local sculptor Victoria Atkinson.

Atkinson researched Kipling using archives at Bateman’s,  the Jacobean house which was the home of Rudyard Kipling, and the National Portrait Gallery with the Kipling Society providing details such as Kipling’s height and hat and shoe size.  Of course she needed a live model to actually create the statue so she used one of her neighbors who wore a thick suit of the type favored by Kipling as a model to get the look and pose of Kipling right.

Oh the book underneath the bench? It’s The Just So Stories. 

It was actually, to keep costs down, cast in Athens, Greece.

Now comes a really cool thing. The unveiling took place on February 25, 2019. So who did the unveiling? Why it was Mike Kipling, grandson of Rudyard Kipling! 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 7, 1915 — Eli Wallach. I‘ve a fondness for anyone who appeared on the Sixties Batman series. He played Mr. Freeze in a two part story, the third actor to do as both George Sanders and Otto Preminger had done so in previous two part stories. He also had one-offs in Worlds Beyond, Alfred Hitchcock Presents, Veritas: The Quest and Tales of the Unexpected. (Died 2014.)
  • Born December 7, 1923 — Johnny Duncan. Was the Sixties Batman the first Batman series? You know better. Johnny here was Robin on Batman And Robin (1949) for Columbia Pictures Corporation. It ran for fifteen episodes of roughly fifteen or so minutes apiece. Robert Lowery was Wayne / Batman. He has only one other genre appearance, an uncredited one in Plan 9 from Outer Space as Second Stretcher Bearer. (Died 2016.)
  • Born December 7, 1915 — Leigh Brackett. Let’s us praise her first for her Retro Hugo for Shadow Over Mars, originally published in the Fall 1944 issue of Startling Stories. Now surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Ok, I’m stretching it, I know.  Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) She completed The Empire Strikes Back script for George Lucas just before she died, and although it did not become the final script many of its elements made it into the movie and she received credit along with Lawrence Kasdan. (Died 1978.)
  • Born December 7, 1945 — W.D. Richter, 77. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China, the latter one of my favorite popcorn films. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
  • Born December 7, 1949 — Tom Waits, 73. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli. 
  • Born December 7, 1953 — Madeleine E Robins, 69. I’m very fond of her Sarah Tolerance series which starts often Point of Honour, it features a female PI in an alternate version of Georgian London. The Stone War set in a post-apocalyptic NYC is quite interesting as well, and she has quite a bit short fiction, though only three have been collected so far in Lucstones: Three Tales of Meviel. Much of her fiction is available from the usual digital suspects.
  • Born December 7, 1973 — Kelly Barnhill, 49. Her The Girl Who Drank the Moon novel was awarded the Newbery Medal and she was a McKnight Writing Fellow in Children’s Literature. Four years ago, her “Unlicensed Magician” novella received the World Fantasy Award for Long Fiction. Iron Hearted Violet was nominated as Andre Norton Award. 
  • Born December 8, 1979 — Jennifer Carpenter, 43. Ok, usually I pay absolutely no attention to TV awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…

(9) BRACKETT BIRTHDAY SUGGESTION. Bill Higgins— Beam Jockey – thinks this would be most appropriate.

(10) ENTERPRISING LAWYERS. This legal advertisement is making the rounds in social media.

Evidently the “Shaw-Louvois” firm name is appropriate for Trek because in the 1967 Original Series episode Court Martial Lt. Areel Shaw prosecutes Captain Kirk, and in ST:TNG Phillipa Louvois is a member of Starfleet’s Judge Advocate General branch who has to rule on the rights of Lt. Cmdr. Data in “The Measure of a Man.”

(11) CANCEL THOSE KILLER ROBOTS. Gizmodo reports “San Francisco Votes Down Killer Robots After Fierce Backlash”.

In a hasty retreat, San Francisco lawmakers have reversed a vote allowing local police to use remote-controlled robots equipped with lethal explosives in extreme situations. The move comes after a wave of backlash from the community and activist organizations.

San Francisco’s Board of Supervisors voted 8-3 Tuesday on a revised version of the policy, which now prohibits police from using robots to kill people. Tuesday’s vote was a surprise turn of events after the board approved the policy last week, including a clause allowing for the lethal bots. As reported by the San Francisco Chronicle, the board rarely changes its mind on second round votes, which are typically seen as formalities. However, since the first vote on Nov. 29, the policy has received a wide range of criticism both locally and nationally. Lawmakers will debate the issue for another week before voting on yet another version of the policy next week….

Cat Eldridge is skeptical: “So the Terminators lost this first skirmish against humanity. But to paraphrase Arnold‘s character in the first Terminator film, ‘They’ll be back.’” 

(12) GOOD LORD. “Figgy Pudding | SPAM® Brand”. Eh, so the main ingredient is still pork? Then shouldn’t this be Piggy Pudding?

(13) HOT DAGNABIT. Here’s an NPR segment and another article on this important topic: “Swear words across languages may have more in common than previously thought”.

AILSA CHANG, HOST:

There’s a common trope in sci fi when characters curse.

RYAN MCKAY: I watched “Mork & Mindy” when I was growing up.

CHANG: That’s psychologist Ryan McKay. He’s, of course, talking about a sitcom that starred a young Robin Williams as an extraterrestrial named Mork.

MCKAY: He would often cry out shazbot when he would, you know, stub his toe or bang his head or something….

Inverse ran an article about the same study: “Scientists want to know why swear words share this one universal trait”. And unlike NPR, they didn’t bury the lede:

…Rather than present the perfect ingredients for a swear, this study identifies something that all swear words seem to lack. Across languages, swear words tend to exclude sounds like l, r, and w, known as approximants.

If you’re like me, then the first thing you did was scour your brain for exceptions to the rule (and “asshole” was the first one that came to mind, followed by “wanker”). This isn’t to say that swear words wholesale lack these phonemes, but statistically speaking, curses across different languages are less likely to contain approximants….

(14) THIRTY. Open Culture introduces “The 30 Greatest Films Ever Made: A Video Essay” by Lewis Bond from his Youtube channel The Cinema Cartography. Three genre films make Bond’s top 10.

… You may not feel exactly the same as Bond does about both My Dinner with Andre and the Lord of the Rings trilogy (a rare dual enthusiasm in any case), but seeing where he places them in relation to other movies can help to give you a sense of whether and how they could fit into your own personal canon — as well as the kind of context a film needs to earn its place…

(15) VIDEO OF THE DAY. Via DUST, JJ Pollack’s sci-fi short film Jettison.

A restless young woman ships off to fight an interstellar war, only to struggle with the effects of being cut off from her home by both time and space.

(16) DEFINITELY NOT TODAY’S SCROLL TITLE. By Daniel Dern:

Scrollomon Grundry
Filed On Sunday
Posted On Monday
Notified On Tuesday
Clicked On Wednesday
Commented On Thursday
Fifth’ed On Friday
Stalked On Saturday
This is the lifecycle of
Scrollomon Grundy

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, Soon Lee, Dann, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 7/10/22 And In The Naked Light, I Saw Ten Thousand Pixels, Maybe More

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(1) HOW THE BALLOT SHOULD HAVE LOOKED. Rich Horton has posted his latest Hugo nomination ideas, for the 1952 Hugo year (that is, stories from 1951). He makes a “Special recommendation to ‘Beyond Bedlam’, a story I knew of but had not read until just now. It is wonderful, original, wrenching.” “Hugo Nomination Recommendations, 1952” at Strange at Ecbatan.

The 1952 Worldcon was Chicon II, in Chicago, the tenth World Science Fiction Convention. (This year will be Chicon 8!) As noted, they gave no Hugo awards. The International Fantasy Award went to John Collier’s Fancies and Goodnights, a remarkable book, though as a story collection not eligible for a Hugo in this or any year. There was also a non-fiction award, to The Exploration of Space, by Arthur C. Clarke.

(2) A DOCTOR WHO PRACTICED IN THE SIXTIES. The Guardian shares a gallery of behind the scenes photos from the 1960s Doctor Who movies: “The Daleks invade 60s Surrey: on the set of the classic Doctor Who films – in pictures”.

Dalekmania inspired Amicus films to buy up the cinema rights to the Saturday tea-time television adventures of Dr Who, leading to two films starring Peter Cushing.

(3) GOING POSTAL. At Deep Cuts in a Lovecraftian Vein, Bobby Derie takes a look at the correspondence between Margaret St. Clair and Clark Ashton Smith: “Her Letters To Clark Ashton Smith: Margaret St. Clair”. About a letter written by Smith in 1940:

… A major point of the letter involved the change in editorship at Weird Tales; Farnsworth Wright had been fired and was replaced with Dorothy McIlwraith. There was some hard feelings among the older guard of writers about Wright’s treatment, and Wright himself apparently floated the idea of forming a competing weird magazine—but this would not come to pass, and Wright himself would pass away on 12 June 1940. On a lighter note, Smith also noted that the Convent of the Sisters of Mercy had been established not far away from his cabin. In a postscript to the letter, Smith wrote jocularly:

Can’t we start some sort of coven in opposition to that nunnery?

(4) THE UNKINDEST CUT? Also at Deep Cuts in a Lovecraftian Vein, Cecelia Hopking-Drewer talks about her experiences reading H.P. Lovecraft: “An Australian Woman Looks At Lovecraft”.

… My involvement with Lovecraft scholarship goes back some twenty-seven years. At one stage I was a huge Stephen King fan, and I found a reference in King’s non-fiction work Danse Macabre to Lovecraft (see King, 1982:132-5). I was studying English literature at Master’s level, around 1992/3, and in the realm of academia, historical writers were more acceptable research subjects than contemporary writers, so I approached the department about a project. The project was approved, but the resident Gothic expert was unable to provide supervision, and I struggled along against a curtain of institutional resistance regarding texts associated with popular culture. My assumption that as a ‘dead white male’ to quote the cliché, Lovecraft would be respected academically was incorrect, and instead he proved to be a controversial and polarizing figure…. 

(5) CREDITS CHECK. K.C. McAbee has an article about Leigh Brackett at Luna Station Quarterly: “Her Majesty the Queen of Space Opera: Part One”.

Leigh Brackett will always be a name to conjure with, and not just because she wrote the first draft of a little movie you may have heard of called The Empire Strikes Back. Though she died before it went into production and hers was not the final filmed screenplay, she created many of the story beats that ended up in the movie. City in the clouds: check. Battle of Hoth: check. Deadly trip through an asteroid field: yep, it’s there. Love triangle between Luke, Leia and Han: check, check, and check….

(6) MASTERS OF THE UNIVERSE. [Item by Cora Buhlert.] I posted another of those Masters-of-the-Universe photo stories that people have been enjoying entitled “Consent Is Sexy, Harassment Stinks”.

The small toy aisle at the German drugstore chain Rossmann has turned out to be an unlikely source of Masters of the Universe toys, because they tend to have even hard-to-find figures like Clawful or the Horde Trooper at regular prices. I didn’t find a Clawful during my last visit to the local Rossmann store, but I did get lucky and snapped up none other than Stinkor, Masters of the Universe‘s very own walking fart joke….

(7) HEAR SF POETRY READINGS. In 2022, the Science Fiction & Fantasy Poetry Association, in an effort to further engage Rhysling Award voters and speculative poetry audiences at large, Akua Lezli Hope organized and hosted three virtual gatherings on Zoom at which poets with work nominated to the short poem category of the Rhyslings read their work aloud. You can watch the recordings on the SFPA YouTube channel; click here for the full playlist.

SFPA is now creating a series of Rhysling Award Readings for the 2022 Long Poem Nominees. There presently are two videos; more will be added.

(8) MEMORY LANE. 

1970 – [By Cat Eldridge.] “This is the voice of world control. I bring you peace. It may be the peace of plenty and content or the peace of unburied death. The choice is yours: Obey me and live, or disobey and die.”

If you were in West Germany on this date, you could have enjoyed the premiere there of Colossus: The Forbin Project. It was from a screenplay by James Bridges who based it off  Dennis Feltham Jones’ Colossus novel. It would be his only genre movie script. He’d later do one for the Alfred Hitchcock Hour off Ray Bradbury‘s 1944 “The Jar” short story. 

SPOILER ALERT!

Dennis Feltham Jones did a trilogy of Colossus novels, and a lot of other SF as well. Ok the premise here is Colossus is an AI that wakes up, assumes controls of all Earth’s military resources and won’t relinquish control. In time, it fuses with its Soviet counterpart. The film is taken directly off his first novel. 

END SPOILER ALERT!

Critics generally liked it. Victor Canby of the New York Times said it was “no Dr. Strangelove, but it’s full of surprising moments of humor and intelligence”. And David Kher of the Chicago Reader declared that it was “Above-average science fiction”. 

Audience reviewers at Rotten Tomatoes give it a seventy-six percent rating. 

It’s been in remake Hell since 2007. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 10, 1903 — John Wyndham. His best-known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
  • Born July 10, 1914 — Joe Shuster. Comic book artist best remembered for co-creating Superman with Jerry Siegel. It happened in Action Comics #1 which was cover-dated June 1938. Need I mention the long fight with DC over crediting them as the creators and paying them? I think not. He was inducted into the Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 1992.)
  • Born July 10, 1923 — Earl Hamner Jr. Though much better known for writing and producing The Waltons, he wrote eight scripts for the Twilight Zone including “Black Leather Jackets” in which an alien falls in love with a human girl and “The Hunt” where raccoon hunters enter the Twilight Zone. He also wrote the script of the Hanna-Barbera production of Charlotte’s Web.  (Died 2016.)
  • Born July 10, 1929 — George Clayton Johnson. He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool”, “Kick the Can”, “Nothing in the Dark”, and “A Penny for Your Thoughts”, and the first telecast episode of the original Star Trek, “The Man Trap”. (Died 2015.)
  • Born July 10, 1931 — Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the Bodiless, Diamond Mask and Magnificat. At age 21 she chaired TASFiC, the 1952 Worldcon in Chicago. She was inducted into the First Fandom Hall of Fame at the Sasquan Worldcon. (Died 2017.)
  • Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”.  I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy and Year’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
  • Born July 10, 1941 — Susan Seddon Boulet. Another one who died way, way too young after a long struggle with cancer. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
  • Born July 10, 1945 — Ron Glass. Probably known best genre wise as Shepherd Book in the Firefly series and the sequel film Serenity. His first genre work was the role of Jerry Merris in Deep Space, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)

(10) COMICS SECTION.

  • Nancy prepares to explain two literary terms to a friend.
  • Tom Gauld has a gag about a combat robot workshop at New Scientist.
  • Tom Gauld again on the tradition of “last orders” in the Guardian.
  • Macanudo’s Tolkienesque joke is truly bizarre.

(11) A SLIGHT DELAY. Sunday Morning Transport’s story is “The Daily Commute” by Sarah Gailey.

We love how Sarah Gailey’s story merges magic and public transport with a wonderful, wrenching effect. ~ Fran Wilde, July 10

(12) KELLY’S HEROICS. “Try to remember the kind of September, When you were a tender and callow fellow.” (P.S. This is Scott Kelly in the video, not his twin brother Mark Kelly.)

(13) FOR THOSE WITH DEEP POCKETS. [Item by Andrew Porter.] Getcher Stormtrooper Helmet now (actual person’s head not included): “’Blast ‘Em!’: Heritage Auctions Offers in July Stormtrooper Helmet and Blaster Used in 1977’s ‘Star Wars’”.

A long time ago in a theater probably not too far from your house, Star Wars was released — May 25, 1977, long before the original space opera was rechristened Star Wars: Episode IV – A New Hope. To celebrate that 45th anniversary, Heritage Auctions is thrilled to offer in its July 22-23 Hollywood & Entertainment Signature® Auction two of the rarest and most coveted items featured in the film that spawned a never-ending franchise: a screen-matched stormtrooper helmet and a screen-used hero E-11 blaster shared by stormtroopers, Han Solo, Luke Skywalker and Princess Leia.

….Of these six original sandtrooper helmets, only two are confirmed to exist in private hands. Heritage Auctions is offering one of the two.

In addition to being one of the surviving original first-produced and first-filmed stormtrooper helmets from the original Star Wars, this specific helmet can be conclusively identified on-screen across multiple sequences. It was also worn by one of the few stormtroopers who delivered dialogue — the very one who speaks to the bartender after Obi-Wan Kenobi’s, let’s say, disarming encounter in the Mos Eisley cantina….

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/30/22 Those Who Cannot Remember Past Pixel Scrolls Are Doomed To Re-File Them

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(1) CAT RAMBO AT FUTURE TENSE. The new entry from Future Tense Fiction, a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives. Cat Rambo’s “The Woman Who Wanted to Be Trees” at Slate.

“For someone like me,” Nefirah’s client said, “it’s not a question of whether or not I’ll be remembered. The question is precisely how.”…

Tamara Kneese, an expert on the digital afterlife, delivers a response in her essay “Is a Lasting Digital Memorial to a Dead Person Even Possible?”

I’m a death scholar and a sustainability researcher at a major tech company, so Cat Rambo’s “The Woman Who Wanted to be Trees” hit home. In the story, a death care worker is asked to memorialize clients in innovative ways, using cutting-edge technologies to blur the boundaries between life and death, and between humans and the natural world. For the past 15 years, I have been researching how people use technology to remember and communicate with the dead. My forthcoming book, Death Glitch: How Techno-Solutionism Fails Us in This Life and Beyond, explores the fundamental incompatibility between dreams of technologically mediated life extension and the planned obsolescence of material technologies…. 

(2) AUTHOR MAGNET. The inaugural Santa Fe Literary Festival will take place May 20-23, at the Santa Fe Community Convention Center in Santa Fe, NM. The authors who are scheduled to appear include Margaret Atwood, Sandra Cisneros, John Grisham, Joy Harjo, Anne Hillerman, Craig Johnson, Phil Klay, Jon Krakauer, Emily St. John Mandel, George R.R. Martin, N. Scott Momaday, James McGrath Morris, Douglas Preston, Rebecca Roanhorse, Bob Shacochis, Colson Whitehead and Don Winslow.

Besides author readings and book signings, the festival will feature meals during which chefs and food writers will talk about the food they’ve prepared, their work and their books; Walk & Talks, during which attendees and authors will together explore parts of Santa Fe; and Tea & Tequila, featuring tea and tequila tastings. On Monday, the last day of the festival, attendees will be able to go on literary day trips in Santa Fe and nearby areas in northern New Mexico.

(3) FRESH VIEWPOINT. Artists & Climate Change’s “Wild Authors: Oghenechovwe Donald Ekpeki” is a Q&A with a 2022 double-Hugo-nominee and editor of The Year’s Best African Speculative Fiction (2021). 

In your short story “Mercy of the Wild,” you wrote from the viewpoint of a lion. What inspired that story?

“Mercy of the Wild” was a point of experimentation for me. I love to experiment with forms and styles or speculative fiction, and that was one such experiment that I was delighted to follow up on. The story was inspired by an almost childlike, wide-eyed curiosity about what goes on in the minds of the creatures we share the planet with. What if we heard their story, from the horse’s mouth so to speak. Or as the Igbo proverb says, “Until the lion learns to tell its story, the hunt will always glorify the hunter.” This got me wondering, what if the roles were reversed? Its telling impresses on me the need for people of diverse cultures to champion and find spaces for their stories to thrive in the world of today.

(4) GREAT LEAP FORWARD.  Cora Buhlert was a guest on the Dickheads podcast (as in Philip K. Dick) and discussed “‘The Big Jump’ – Leigh Brackett” with Grant Warmack and host David Agranoff.

In the first episode of this podcast, Solar Lottery, David said he would someday do this episode. So four years later, in January of this year, he sat down with a couple of colleagues and discussed the lesser-known novel The Big Jump by Leigh Brackett. The pair of talents he was privileged to have here are newcomer to Leigh Brackett writer/music manager/tarot reader Grant Wamack and long time ‘Bracketteer’ teacher/translator/writer and three time Hugo nominee Cora Buhlert. Enjoy.

(5) S&S: Here is more about the nascent New Edge sword and sorcery movement: “New Edge S&S Guest Post: Oliver Brackenbury” at Scott Oden’s blog.

[Scott Oden:] I put out the call, a few days ago, for a few guest posts relating to the New Edge of Sword & Sorcery. And here is our first victim . . . er, participant. Oliver is a podcaster, a screenwriter, and a novelist; he’s also one of the organizers of the whole New Edge movement. Oliver, you have the floor . .

[Oliver Brackenbury]: …I’ve been in conversations like that before, in other scenes and settings, and I thought “Wouldn’t be nice if all this energy was directed at really changing the situation?”. So I proposed an open, yet specific question – “What could we do to get more young people into this genre we all love?”.

Now, I can take credit for asking the question, but I cannot take credit for the incredible amount of energy I unwittingly tapped into by asking it. The conversation that took off was galloping and enthusiastic and good-natured and productive and WOW!

Scott Oden’s own thoughts about the movement appear in “Putting a NEW EDGE on an Old Blade”.

A genre can grow dull. The accretion of old social mores — the misogyny, racism, and homophobia of bygone eras — can oxidize a genre, making it seem as graceless as a barnacle-encrusted hunk of metal drawn from the sea. A genre’s founders can (and will) die, leaving less-invested imitators to tease out only the surface tropes while its deeper meanings are lost to the ages. And, over time, that genre starts to become irrelevant to the world at large.

In today’s fiction market, this is largely the fate of sword-and-sorcery. Mainstream publishers are loath to market a work as S&S because they consider it a dead end market. Readers less concerned with genre labels use the term nowadays to describe any book with swordplay and magic, from Tolkien to Pratchett — and they’re unaware that it has (or had) a very specific meaning. In short, the term sword-and-sorcery has lost its edge. It has rusted, and is stuck in a very old and problematic scabbard.

There is, however, a nascent movement that has started in the small press sphere to remove that blade from its sheath, to clean the rust from it, sharpen it on a grinding wheel, and fashion a new scabbard — one free from the old problems of the genre. That movement is called the NEW EDGE of S&S….

(6) SUBGENRE GETS NEWSLETTER SOURCE. There’s now also a free weekly sword and sorcery newsletter with the delightful name “Thews You Can Use” from Sword & Sorcery News. It just started.

This week’s Roundup will be a little different—not that you’d know, since it’s the first. Rather than covering the week in S&S news, I’ll go back over the last couple months. Here’s a quick roundup of S&S news from February through April…. 

(7) MURDERBOT AND POLICY. The New America website will hold a gathering of its Science Fiction/Real Policy Book Club to discuss All Systems Red on June 1 at 6:00 p.m. Eastern. Register here.

Science fiction can have real policy impacts, and comes rife with real-life commentary. For the next, we have selected All Systems Red by Martha Wells.

The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.

Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).

(8) SPACE FORCE OFFICIALLY GROUNDED. I hadn’t realized the show wasn’t already canceled. Well, it is now: “Netflix cancels Steve Carell sci-fi comedy ‘Space Force’” reports SYFY Wire.

…In addition to Carell as General Mark Naird, the show also starred an A-list supporting cast of John Malkovich (Dr. Adrian Mallory), Ben Schwartz (F. Tony Scarapiducci), Tawny Newsome (Captain Angela Ali), Lisa Kudrow (Maggie Naird), and Diana Silvers (Erin Naird). 

That group is chock full of talent, which may have been part of its downfall — according to THR, the show’s large budget was reportedly in part because of the actors’ salaries, with Carell getting over $1 million per episode. That much built in spending, along with mixed reviews for both seasons, apparently resulted in a failure for Space Force to (ahem) launch into a third season…. 

(9) MEDIA BIRTHDAY.

1938 — [Compiled by Cat Eldridge.] Not his official appearance as Bugs Bunny that will happen in “A Wild Hare” on July 27, 1940. But a preliminary version of the character we now know as him first showed up in “Porky’s Hare Hunt” eighty-four years ago today. The Looney Tunes cartoon was directed by Ben “Bugs” Hardaway (do note his name) and an uncredited Cal Dalton. It stars Porky Pig as a hunter whose quarry is a rabbit named Happy. Yes, Happy.

Oh, I well know that most Bugs Bunny fans will tell you that July 27 is the day that he was created as that is the anniversary of the 1940 debut of the familiar rabbit and his adversary, Elmer Fudd. In that July debut people also heard for the first time Bugs’s famous line, “What’s up, Doc?”

But today is the real anniversary of the creation of this character.  He first appeared on the theater short called as I noted above “Porky’s Hare Hunt.” Perhaps the reason people don’t recognize, or indeed want to credit him as that rabbit, is Bugs in that early cartoon was credited as Happy Rabbit. And admittedly it really looks pretty much like any rabbit save the smirking face, doesn’t it? Or does he? 

It’s been uploaded to YouTube so go watch it. It may not look like him but it acts like him and it sounds like him. Several sources state that Mel Blanc voiced him here but the cartoon itself has no credits.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 30, 1930 — Bill Buchanan. A musician who was not a filker but might have been. Really. Truly. His most famous composition took place in 1956, when he and Dickie Goodman created the sound collage “The Flying Saucer”.  They then did “The Flying Saucer Goes West” which is a lot of fun. A short time later, they would do “The Creature (From A Science Fiction Movie)” / “Meet The Creature (From A Science Fiction Movie)”. With other collaborators, he did such works as “Frankenstein Of ’59/Frankenstein Returns”.  Checking iTunes, quite a bit of what he did is available. (Died 1996.)
  • Born April 30, 1938 — Larry Niven, 84. One of my favorites author to read, be it the Gil Hamilton the Arm stories, Ringworld, Protector, The Mote in God’s Eye with Jerry Pournelle (The Gripping Hand alas didn’t work for me at all), or the the Rainbow Mars stories which I love in the audiobook version as you know since I wrote an essay on them. What’s your favorite Niven story? And yes, I did look up his Hugos. “Neutron Star” was his first at NyCon followed by Ringworld at Noreascon 1 and in turn by “Inconstant Moon” (lovely story) the following year at L.A. Con I,  “The Hole Man” (which I don’t remember reading) at Aussiecon 1 and finally “The Borderland of Sol” novelette at MidAmericaCon. He’s not won a Hugo since 1976 which I admit surprised me. 
  • Born April 30, 1968 — Adam Stemple, 54. Son of Jane Yolen. One time vocalist of Boiled in Lead. (Which I just discovered has not released a recording in a decade. Damn.) He was the lead vocalist for Songs from The Gypsy which was based on The Gypsy, the novel written by Steven Brust and Meghan Lindholm. A truly great album.  With Yolen, he’s written the Rock ‘n’ Roll Fairy Tales, Pay the Piper and Troll Bridge which are well worth reading, plus the Seelie Wars trilogy which I’ve not read. He’s also written two Singer of Souls urban fantasies which I remember as quite engaging.
  • Born April 30, 1973 — Naomi Novik, 49. She wrote the Temeraire series which runs to nine novels so far. Her first book, His Majesty’s Dragon, won her the Astounding Award for Best New Writer. She most deservedly won the Nebula Award for Best Novel for Uprooted which is a most excellent read. I’ve not yet read her Spinning Silver novelwhich won a Mythopoeic Fantasy Award for Adult Literature, so opinions are welcome. She has a number of Hugo nominations starting at Nippon 2007 for His Majesty’s Dragon, then next at MidAmericaCon II for Uprooted, The Temeraire series at Worldcon 75. No wins yet which really, really surprises me. She’s twice been a finalist for Lodestar Award for Best Young Adult Book with A Deadly Education at DisCon III for  and this year at Chicon 8 for The Last Graduate.
  • Born April 30, 1982 — Kirsten Dunst, 40. Her first genre role was as Claudio in Interview with the Vampire. Later genre roles include Judy Shepherd in Jumanji, voicing Christy Fimple in Small Soldiers, voicing Becky Thatcher in The Animated Adventures of Tom Sawyer, Mary Jane Watson in Spider-Man franchise, voicing Kaena in Kaena: The Prophecy, and showing up on Star Trek: The Next Generation as Hedrilin in the “Dark Page” episode. She would have been nine years old in that episode!
  • Born April 30, 1985 — Gal Gadot, 37. Wonder Woman of course in the DC film universe. Other genre work, well, other than voicing Shank on Ralph Breaks the Internet, there really isn’t any. She did play Linnet Ridgeway Doyle in the Kenneth Branagh production Death on the Nile which is quite lovely but not genre adjacent, but I really don’t mind as they’re lovely mysteries. Oh, and she’s playing The Evil Queen in the forthcoming Snow White film.
  • Born April 30, 2003 — Emily Carey, 19. Yes, nineteen years old. She has had a lot of roles for her age. First she played the twelve-year-old Diana in Wonder Woman followed by playing  the fourteen-year-old Lara in the rebooted Tomb Raider.  And then she’s in Anastasia: Once Upon a Time in the lead role of Anastasia.  She’s Teen Wendy Darling in the forthcoming The Lost Girls. She was in the genre adjacent Houdini and Doyle as Mary Conan Doyle, and finally she’s in the not-yet-released G.R.R. Martin’s House of the Dragon series as the young Alicent Hightower. 

(11) COMICS SECTION.

(12) CHALK AROUND THE CLOCK. The Pasadena Chalk Festival returns June 18-19 at The Paseo.

The Pasadena Chalk Festival began in 1993 after a summer intern at the Light Bringer Project attended a street painting festival in Paris and brought back her amazing pictures and observations. The first “Chalk on the Walk” took place at Centennial Square at Pasadena City Hall with over 150 visual artists participating in the first Los Angeles-area event. All proceeds went toward community arts programs and HIV/AIDS resources.

In 2010, The Pasadena Chalk Festival was officially named the largest street painting festival by the Guinness World Record, welcoming more than 600 artists using over 25,000 sticks of chalk and drawing a crowd of more than 100,000 visitors in one weekend. 

Below is an hour-long video of last year’s Chalk Festival. And here is File 770’s roundup of sff art from the 2019 festival via Twitter.

(13) DON’T SAY PAY. The Florida legislature’s move to punish Disney for publicly opposing the “Parental Rights in Education” bill, also known as the “don’t say gay” bill fails to conform to other requirements of state law says the corporate giant: “Disney’s special tax district suggests its repeal is illegal” in the Miami Herald.

As Florida legislators were rushing through passage of a bill to repeal the special district that governs Walt Disney World last week, they failed to notice an obscure provision in state law that says the state could not do what legislators were doing — unless the district’s bond debt was paid off. Disney, however, noticed and the Reedy Creek Improvement District quietly sent a note to its investors to show that it was confident the Legislature’s attempt to dissolve the special taxing district operating the 39-square mile parcel it owned in two counties violated the “pledge” the state made when it enacted the district in 1967, and therefore was not legal. The result, Reedy Creek told its investors, is that it would continue to go about business as usual.

The statement, posted on the website of the Municipal Securities Rulemaking Board on April 21 by the Reedy Creek Improvement District, is the only public statement Disney has supplied since lawmakers unleashed their fury over the company’s vocal opposition to the “Parental Rights in Education” law, also known as the “don’t say gay” bill. The statement, first reported by WESH 2, quotes the statute which says, in part, that the “State of Florida pledges…it will not limit or alter the rights of the District…until all such bonds together with interest thereon…are fully met and discharged.”

… In essence, the state had a contractual obligation not to interfere with the district until the bond debt is paid off, said Jake Schumer, a municipal attorney in the Maitland law firm of Shepard, Smith, Kohlmyer & Hand, in an article for Bloomberg Tax posted on Tuesday and cited in a Law and Crime article.

The law passed by the Republican Legislature on a largely party-line vote, and signed into law by the Republican governor, either violates the contract clause of the Florida Constitution, or is incomplete, Schumer told the Herald/Times on Tuesday. If the Legislature wants to dismantle the Reedy Creek Improvement District, it has more work to do.

(14) FLY YOU FOOLS! J. Michael Straczynski would like to tell you about the worst musical he ever saw. Thread starts here.

(15) DO TOUCH THAT DIAL. Tor.com’s Robert Repino beggars the imagination by reminding readers about “Six Bizarro Made-for-TV SFF Movies That Actually Exist”. Such as —

Gargoyles (1972)

Not to be confused with the prematurely canceled ’90s cartoon of the same name, Gargoyles starred B-movie tough guy Cornel Wilde (from The Naked Prey). The opening voiceover raises the stakes pretty high: In the aftermath of the war between God and Satan, a race of creatures climbs out of hell to terrorize mankind every few centuries. In the modern age, the gargoyles are relegated to myth and statues, leaving humans completely unprepared for their next onslaught.

Whoa. That sounds serious. Until you notice that the gargoyles reemerge in a desert that is surely within driving distance of the studio. And it takes only a handful of armed townsfolk to quell the apocalyptic uprising. But those minor details aside, this movie remains a guilty pleasure for my generation, in part because of the Emmy-winning makeup wizardry of Stan Winston. The gargoyles aren’t that scary, but they look pretty darn cool, and some of them even fly. And by “fly,” I mean “slowly lift off the ground with a barely concealed cable.”

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Alasdair Beckett-King meets the evil emperor, who wonders why the people don’t love him!

What do you do when you’ve seized power and/or purchased a large social media company? You monologue.

[Thanks to Cat Eldridge, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff.]

Four Caezik Notables, by Heinlein, Chalker, Galouye, and Brackett

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CAEZIK Notables, an imprint of Arc Manor Books, is putting out a series of speculative fiction books marking important milestones in science fiction or fantasy. Each book in the series is given a new introduction highlighting the book’s significance within the genre. Two of those books were released this month, and two more are coming in June and July.

Friday by Robert A. Heinlein

  • Release Date:  May 5

The comeback novel for Heinlein after he recovered from his reversible neurologic dysfunction which had impacted his writing. First published in 1982.

  • New introduction by Richard Chwedyk, a science fiction writer and teacher. He won a Nebula Award in 2002 and has been nominated for the Hugo Award, the Rhysling Award, and shortlisted for the Theodore Sturgeon Memorial Award. He has been teaching creative writing and literature, and science fiction writing, at Columbia College Chicago since 2009. He currently writes the book review column for Galaxy’s Edge magazine

Midnight At The Well Of Souls byJack L. Chalker

  • Release Date: May 11

One of the original gender and species transformation novels. First published in 1977.

  • New introduction by David Boop, an author, screenwriter and award-winning essayist. His debut novel, the sci-fi/noir She Murdered Me with Science was published in 2017. His follow-up, The Soul Changers, is a Victorian Horror based on Rippers is due out in 2021. As editor, David edited the bestselling weird western anthology series for Baen beginning with Straight Outta Tombstone.

The Long Tomorrow by Leigh Brackett

  • Release Date: June 15

One of the original novels of post-nuclear holocaust America, The Long Tomorrow is considered by many to be one of the finest science fiction novels ever written on the subject. First published in 1955.

  • New introduction by Howard Andrew Jones, author of the historical fantasy novels, The Desert of Souls, and its sequel, The Bones of the Old Ones. He has also written a Pathfinder Tales novel, Plague of Shadows.

Simulacron-3 by Daniel F. Galouye

  • Release Date: July 13, 2021

The original “Cyberpunk” novel. A story about virtual reality written before anyone knew about the concept. It has been converted into various media productions. First published 1964.

  • New introduction by Richard Chwedyk.

COMING ATTRACTIONS. Three more books scheduled for release as Caezik Notables in the coming months are:

  • Double Star by Robert A. Heinlein (intro not yet decided, 9/7/21)
  • Bolo: Annals of the Dinochrome Brigade by Keith Laumer (intro by Jack Campbell, 9/7/21)
  • The Warlock in Spite of Himself by Christopher Stasheff (intro not yet decided, 2/8/22)

A Bradbury Multimedia Roundup

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(1) WHO RAY LEARNED FROM. The Ray Bradbury Experience Museum invites you to “Meet Ray Bradbury’s Greatest Writing Mentor: Leigh Douglass Brackett”.

Leigh Brackett

…“Her stories were very simple, and well-plotted, and very beautiful. I learned from her how to pare my stories down and how to plot,” Bradbury said. —Sam Weller in The Bradbury Chronicles.

Brackett was a masterful storyteller of limitless imagination, exquisite writing skills and quite an impressive range. She was ahead of her time just as she was ahead of most of her colleagues, Sven Mikulec reports in Cinephilia Beyond. She was known as the “Queen of Space Opera.”…

(2) WALKING WAUKEGAN. Also, the “Ray Bradbury museum offers virtual tour of his life in Waukegan” – and the Chicago Tribune took it.

…As the pandemic continues, the museum is offering online experiences such as the virtual tour and the “I Met Ray” video project, also in the News & Media tab. The virtual tour, paid for with a grant from Chicago-based nonprofit Illinois Humanities, focus a great deal on the library, one of Bradbury’s favorite places, according to Sandra Petroshius, committee chair of the museum. “Bradbury just loved the library,” said Petroshius, who grew up in Waukegan and lives in Lake Forest. “He showed that in his writings,” she said.

Bradbury’s book, “Something Wicked This Way Comes,” is set in the library, and one of the characters works at a library, she said….

(3) PANDEMIC TIMES. Bradbury biographer Sam Weller looks back at “Ray Bradbury and the Last Global Pandemic” in the LA Review of Books.

…For all the years I spent with him (12 in total, five during which I saw him every two weeks, flying from Chicago to Los Angeles as I was writing his authorized biography), he would often speak about the 1918 virus, the so-called “Spanish flu.” This was in the early 2000s, when few understood the damage a pandemic could wreak. Pandemics were the stuff of a Michael Crichton novel, not our own reality.

Bradbury was dumbfounded that the 1918 tragedy had faded from our cultural consciousness. “Nobody talks about it anymore,” he said with remorse. The 1918 pandemic claimed at least 50 million lives around the world; in the United States, the death toll is estimated to be near 675,000.

…Bradbury lost two family members to the 1918 pandemic. These deaths, with their associated grief, imbue much of his oeuvre. Mortality, loneliness, letting go were the central motifs to Bradbury’s first book, Dark Carnival (1947), published when he was only 27 years old, and dubbed by Stephen King as the “Dubliners of American Gothic.”

Ray Bradbury was born on August 22, 1920, after the flu pandemic had ended. The virus had taken a devastating toll on his family. I have spent two decades delving into Bradbury’s genealogy, combing through lost records, staring blurry-eyed at microfiche screens, trying to understand and fully appreciate how Bradbury’s formative years (what he called his “root system”) shaped him as a writer….

(4) BEWARE PIRATES. Barry Hoffman, Publisher, Gauntlet Press sent out this warning to his list on April 28:

Have you ever come across a deal that seemed too good to pass up? A customer wrote to me asking if a 3000 copy edition of Ray Bradbury’s Dark Carnival being offered by Dragon Books was a scam. The offer seemed to be too good to be true … and in fact, it was an illegal sale of the title.

When Ray Bradbury agreed to let us publish his first short story collection as a signed limited his agent, Don Congdon, told me it would be the only printing of the book, after which it would go back into the vault. But here was a listing of the book for $3.99 with a bookplate signed by Bradbury (with the cover art of our version). It made no sense. Bradbury, of course, has passed away. He agreed with his agent that after our release of the book there should be no other. And, where would the publisher get 3000 bookplates SIGNED by Bradbury? To offer a SIGNED version of Bradbury’s acclaimed first book for less than $4 was ludicrous.
 
I contacted Bradbury’s agent Michael Congdon (son of Don) who sent Dragon Books a cease and desist letter. They agreed and the listing has been removed….
 
It has always been our goal to protect the legacy of authors we have published. Ray Bradbury and Richard Matheson can no longer protect their work. However, both still have agents who will take action when an illegal version of their writing is offered. If you see Bradbury or Matheson books (especially signed versions) being offered (other than on legitimate secondary markets like eBay and Abe.com) please contact me at gauntlet66@aol.com and I will look into the offering and, if necessary, contact their agent.

(5) THE SPACE BETWEEN THE WORDS. In “A Science Fiction Author’s Pointers for Worldbuilding with Negative Space” on CrimeReads, Stina Leicht cites classics by Bradbury, Le Guin, and Butler as examples of how it’s what you don’t show in worldbuilding that is as important as what you do show.

…It might be easier to imagine world-building as an iceberg floating in the sea of plot. The reader only sees a small percentage of it. The rest is deep beneath the water and affects everything in the water—visibly and invisibly. That said, communicating with the empty spaces takes a deft hand because the border between too little and just right is quite thin. In addition, Americans in particular are often socially conditioned to say more and listen less. That’s why world building in the blank spaces is an advanced technique most often employed by authors with experience and skill.

A great deal of worldbuilding can happen with what is left unsaid….

(6) A WIDE FANBASE. The “Ray Bradbury: Inextinguishable” virtual exhibit at the American Writers Museum includes a treasured letter. (Click for larger image.)

One of the letters that Ray received in 2003 was of particular significance. It was from Thomas Steinbeck, the son of Ray’s childhood literary hero John Steinbeck.

In the letter, Thomas told Ray that the entire family had been fans of him for years. John would read to the children, and would often choose Ray’s stories. This in turn inspired Thomas to become a writer when he got older. It is amazing that Ray inspired the son of a writer that inspired him so much, and shows the enduring legacy of his writing and personality.

The File 770 post “Bradbury at Big Read” includes a photo of Ray and Thomas at an encounter in Santa Barbara in 2009.

(7) CLIFTON’S CAFETERIA. The eatery hosted LASFS gatherings in the Thirties, and Ray held court there may times in later years. This is/was the dedicated Ray Bradbury booth at Clifton’s in the Gothic Bar room. Photo by Steve Leiva.

(8) LANSDALE ON BRADBURY. Joe R. Lansdale joined a RBEM Virtual Session to talk about Hap & Leonard, Batman and Ray Bradbury.

(9) THE ORIGINAL 451. Christie Hefner will discuss Playboy Magazine and Ray Bradbury’s Fahrenheit 451 in a free livestream on May 25, 6:30 Central. Register at Eventbrite: “Playboy and Fahrenheit 451: A Program with Christie Hefner”.

In 1954, when Playboy magazine was in its infancy, it published a three-part serialized novel about the perils of censorship and the seductive lure of anti-intellectual movements. The magazine introduced thousands of readers unfamiliar with science fiction to the genre’s masterwork and helped make it a classic. Former Chairman, CEO Playboy Enterprises Christie Hefner talks about the landmark publication and its influence.

This program is made possible by NEA Big Read. NEA Big Read is a program of the National Endowment for the Arts (NEA) designed to broaden our understanding of our world, our communities, and ourselves through the joy of sharing a good book. The American Writers Museum is one of 78 not-for-profit organizations to receive a grant to host an NEA Big Read project between September 2019 and December 2021. The NEA presents NEA Big Read in partnership with Arts Midwest.

(10) THE HEADLINER. Franco Laguna Correa discusses “Ray Bradbury on War, Recycling, and Artificial Intelligence” at Public Books.

One of the roles of science fiction is to provide readers with a glimpse of how the future could be.1 Ray Bradbury didn’t get everything about the future right. We haven’t yet seen books and reading made illegal (as in his 1953 Fahrenheit 451),2 just as we haven’t yet discovered another planet ready for American colonizers (as in his 1950 The Martian Chronicles). And yet, the themes he explored in those books—mass media and censorship, colonization and environmental change—are more relevant than ever. Even in his lesser-known works—such as the 1951 sci-fi collection The Illustrated Man, Bradbury tackles a surprising array of issues that feel as if they were ripped from today’s headlines….

(11) RAY TALKS ABOUT DISNEY. In “The Optimistic Futurist” Leonard Maltin interviews Ray Bradbury about Walt Disney.

From the Walt Disney Treasures DVDs, this is an interview about Walt Disney. It is a bonus feature from the set, and here it is meant to shed light on the genius of Walt Disney.

(12) HISTORIC INFLUENCE. Dana Gioia calls it the “Ray Bradbury’s Butterfly Effect”:

…Was Bradbury really a major writer? Or was he simply the amiable pioneer of a dynamic popular genre? The question persists, so let me offer what I believe will be Bradbury’s particular claim to literary posterity. For one astonishingly productive decade—from 1950 to 1960—Ray Bradbury was probably the most influential fiction writer in the English language. Please note that I’m not claiming he was the best writer or that he exerted the most influence on his fellow writers. In strictly literary terms, Bradbury was not remotely the equal of Flannery O’Connor, Graham Greene, Chinua Achebe, John Cheever, or a dozen other of his Anglophonic contemporaries. Bradbury’s enormous impact was felt mostly outside the literary world—on scientists, filmmakers, architects, engineers, journalists, librarians, artists, and entrepreneurs. Above all, his influence was felt on the young, the generation of adolescents who would shape the late twentieth and early twenty-first centuries. Bradbury’s impact is still evident from Disneyland to Cape Canaveral, from Hollywood to Silicon Valley. It is even evident on other planets. When the Mars rover Curiosity touched down two months after the author’s death, NASA scientists named the spot Bradbury Landing. He was the paperback bard of book burning, the Butterfly Effect, virtual reality, and the full-body tattoo. Bradbury’s dreams and nightmares of space travel, nuclear holocaust, interactive media, robotics, censorship, mass illiteracy, and environmental payback provided the mythic structure for millions of other dreamers in science, entertainment, and technology.

(13) RAY BRADBURY & COMICS. The staff from the Ray Bradbury Experience Museum share behind-the-scenes views of the museum and stories of Bradbury’s love of comics in this 90-minute video.

[Thanks to John King Tarpinian, Michael Toman, Will R., and Martin Morse Wooster for these stories.]