Tag Archives: Mark Lawrence

Pixel Scroll 6/19/22 She Filed Me Into A Scroll! (I Got Better!)

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(1) HARASSMENT CAMPAIGN. [Item by Meredith.] Someone(s) used the names and email addresses of several members of sf/f fandom including Paul Weimer, Patrick S Tomlinson, John Scalzi, and Adam Rakunas to send racist abuse to a black author (@fairyfemmes) through the contact form on their websites (where the email address can be entered manually). The author originally believed it was real, but is now wanting to know who is behind it. They’ve taken their account private.

John Scalzi tweeted:

Paul Weimer posted on Patreon about “The Trolls Harassing others in my name”.

The Trolls that have harassed me for years in my name have come up with a new and horrible trick–they are harassing others, in this case, a POC, and using my name to do it.  

So it’s a double whammy–to hurt someone else, and to blacken my name at the same time.

Patrick S. Tomlinson addressed a message sent under his name, and another from the person posing as Adam Rakunas.

(2) TONOPAH PROGRAM UPDATED. The most recent (June 19) Westercon 74 Program Schedule  version has downloadable PDFs of the Program Grid, which shows items by date/time/location. Click on the link.

(3) WISCON’S COVID OUTCOME. The “WisCon 2022 Post-Con COVID-19 Report” begins with a fully detailed account of the extensive COVID-19 safety measures instituted by the committee, then assesses the results. 

…Two weeks out from the end of the convention, we are stopping our case tracking efforts. While it’s impossible to say with any certainty whether some members arrived sick, contracted COVID-19 during travel to/from, or contracted COVID-19 at the con, we can, with much gratitude, report that we had a total reported count of 13 cases including one possible false positive, or 3% of our estimated 407 in-person attendance. That’s just about miraculous.

We want to especially extend our thanks to those who tested positive very soon after arriving and took the necessary measures to take care of themselves and keep those around them safe, up to and including leaving the convention entirely. We know it must have been so gut-wrenching and disappointing. Thank you….

(4) STOP DISCOUNTING CRAFTSMANSHIP. Mark Lawrence reacts to a viral tweet by someone who rates books highly for other things than good writing in “I don’t care how good a writer you are…”

…It’s as if people are celebrating the idea that writing doesn’t matter and that “good writing” is some form of intellectual elitism that doesn’t have anything to do with them. They’re death metal fans and they don’t care about opera.

But that is, of course, nonsense. It’s akin to saying “I don’t care how good a brain surgeon you are, as long as you get this tumour out.” “I don’t care how good a mechanic you are, as long as you fix my car.” Sure, the end is the thing that’s important to you … but the end is generally strongly correlated with the means….

(5) SCARE PALS. Adrienne Celt advises New York Times Magazine readers that “You Need a Horror Movie Friend for a More Frightening, Less Lonely Life”.

… A lot of people hate horror movies, but I don’t. In fact, I frequently find myself strong-arming my friends and loved ones into watching something scarier than they would prefer, just for the company. It’s a difference of philosophy as much as a difference in taste. Horror deniers often claim there’s nothing emotionally valuable in the experience of being frightened. I disagree. When I first watched “The Last Unicorn” (a horror movie masquerading as a children’s cartoon) at age 8, the image of a naked harpy devouring a witch was burned into my brain, but so was the realization that the conditions that created the harpy also allowed for the unicorn. The existence of horror is inevitably proximate to the existence of wondrous possibility.

Meeting another person who loves horror as much as I do, then, is like meeting a fellow traveler from my home country while stuck somewhere distant and strange….

(6) A LOT TO LIKE. Rich Horton continues his project of filling in the historic blank spaces with “Hugo Nomination Recommendations, 1954” at Strange at Ecbatan.

… This was a remarkable year for SF novels, and the five that I list as nominees — the same list the Retro Hugo nominators picked — are all certified classics in the field. There some impressive alternate choices too — among those I list, Leiber’s The Sinful Ones (an expansion and in my opinion an improvement on his 1950 short novel “You’re All Alone”) is a personal favorite. In my Locus article I picked The Caves of Steel as the winner, but I’m really torn. Nowadays I might lean to either More Than Human, or to the Retro Hugo winner, Fahrenheit 451….

(7) REREADING PRATCHETT. Nicholas Whyte discusses “Mort, by Terry Pratchett” at From the Heart of Europe.

…You’ve read it too, so I won’t go on at length. It is as funny as I remembered. I was pleasantly surprised on re-reading by the breadth and depth of references to classic (and Classical) literature. The main driver of the Sto Lat subplot, the rewriting of history and destiny, is actually more of a science fiction trope, rarely found in fantasy (and the description of it is fairly sfnal). And Death’s slogan resonates still for me, 35 years on.

THERE’S NO JUSTICE. THERE’S JUST ME.

(8) A VISION FOR SF. Pop quiz: What editor’s name immediately comes to your mind when you read the statement that Astounding shaped modern science fiction? My guess is it won’t be the name that came to Colin Marshall’s mind when he wrote this post for Open Culture: “Revisit Vintage Issues of Astounding Stories, the 1930s Magazine that Gave Rise to Science Fiction as We Know It”.

Having been putting out issues for 92 years now, Analog Science Fiction and Fact stands as the longest continuously published magazine of its genre. It also lays claim to having developed or at least popularized that genre in the form we know it today. When it originally launched in December of 1929, it did so under the much more whiz-bang title of Astounding Stories of Super-Science. But only three years later, after a change of ownership and the installation as editor of F. Orlin Tremaine, did the magazine begin publishing work by writers remembered today as the defining minds of science fiction….

(9) HAPPY 90TH. [Item by Martin Morse Wooster.] In the Washington Post, classical music critic Michael Andor Brodeur celebrates John Williams’s 90th birthday with recommendations about his orchestral music to try (ever heard his flute concerto or his violin concerti?) “Composer John Williams being feted with performances at Kennedy Center”.

… For “John Williams: A 90th Birthday Gala,” conductor Stéphane Denève will lead the NSO in a sprawling celebration of Willams’s famed film music. Special guests cellist Yo-Yo Ma, filmmaker Steven Spielberg and German violinist Anne-Sophie Mutter will cue up selections from some of Williams’s most beloved scores, including “Close Encounters,” “E.T.,” “Harry Potter,” “Indiana Jones” and “Schindler’s List.” The program will also highlight Williams’s most recently lauded work, the score to Kobe Bryant and Glen Keane’s Oscar-winning 2017 short film “Dear Basketball.”

A pair of companion concerts flanking the gala celebration will focus on two of Williams’s best-known scores — representing a fraction of his 29 collaborations with Spielberg. (Their latest project, “The Fabelmans,” is due out in November). Steven Reineke will conduct the composer’s scores for “E.T.” and “Jurassic Park” on June 22 and 24, respectively. (The NSO will also perform Williams’s score for “Star Wars: The Empire Strikes Back” with a screening of the film at Wolf Trap’s Filene Center on July 29.)

Taken together, the birthday party is three days of music that will hit all the subconscious buttons that Williams has wired into our collective memories over the past five decades — a rich catalogue of instantly identifiable melodies, moods and motifs that can conjure entire worlds with the stroke of a bow.

The party, however, conspicuously forgot to invite Williams’s concert music — the province of his output that truly opened my ears to his compositional mastery. (It also leaves out selections from “A.I. Artificial Intelligence,” a deep cut that represents some of his best work with Spielberg, but that’s another story.)

I get it. We have come to equate Williams with Hollywood so closely that it can be hard to fathom him freed of cinema’s frame.

But in Williams’s many concertos, chamber works and solo pieces, his familiar compositional voice is fully present, albeit put to completely different use. His connections to multiple classical traditions register more clearly: his Berg-ian penchant for darkness and dissonance, his Copland-esque ease with evoking natural grandeur, his inheritance of gestures from Debussy, Wagner, Tchaikovsky and Korngold.

Here are some of my favorite Williams works that have nothing to do with the movies — and have a lot more depth than you might expect from a composer we associate with the silver screen….

One of the pieces Michael Andor Brodeur recommended of John Williams was his “Fanfare For Fenway” so here it is as Williams and the Boston Pops perform the world premiere at Fenway Park in 2012.

(10) THINK FAST. Deadline calls it “Zaslav’s First Movie Crisis: What To Do With Ezra Miller, The Erratic Star Of Warner Bros’ $200M ‘Flash’ Franchise Launch”

Even though it isn’t on the Warner Bros release calendar until June 23, 2023, The Flash is becoming Warner Bros Discovery CEO David Zaslav’s first movie crisis, because of the escalating coverage of incidents of volatile and odd behavior involving the film’s star, Ezra Miller.

Zaslav has made clear his desire to grow the DC Universe to MCU scale and has all the ingredients of a first foot forward in The Flash, including the return of Michael Keaton as Batman along with a reprise by Ben Affleck, a $200 million budget and a hot director in Andy Muschietti, who delivered the blockbuster It for the studio. The Warner Bros Discovery CEO exercised his well known penchant for micro-management by declining to greenlight Wonder Twins for being too niche. Zaslav will have to soon make a decision of what to do with the completed picture that is The Flash, and what to do with a young actor who appears to have serious off-set issues….

(11) VERTLIEB MEDICAL NEWS. Steve Vertlieb is home after his fifth hospital stay of the year. He brings everyone up-to-date in “Back To The Suture 3” on Facebook.

… Days upon days of antibiotic treatment were required before they dared to open the wound and clean out the bacteria. This additional procedure was accomplished on Monday, June 13th.

Consequently, I was admitted yet again to the cardiac unit where I remained for nine days more until my delayed and eventual release this afternoon. I’ve a “Wound V.A.C.” attached to my groin where it hangs rather uncomfortably, and shall continue to do so for, perhaps, the next week or two. I’m home once more, and praying that this is where I shall be permitted at long last to remain….

(12) MEDIA BIRTHDAY. 

1956 – [By Cat Eldridge.] Forbidden Planet debuted sixty years ago on this date in the United Kingdom. I had the extremely good fortune of seeing Forbidden Planet at one of those boutique cinema houses some four decades back. Great sound and print, and a respectful audience who were there to see the film so everyone paid attention to it. 

It was produced by Nicholas Nayfack who had no genre background and who would die of a heart attack, age forty-nine just two years later. It was directed by Fred Wilcox, best known for Lassie, Come Home. The script was written by Cyril Hume who had prior to this written scripts for two Tarzan films. It is said that is based off “The Tempest” as conceived in a story by Irving Block and Allen Adler. Huh. 

I’ll skip the cast other than Robbie the Robot. He cost at least one hundred and twenty-five thousand dollars to produce, and was based off the design originating with ideas and sketches by production designer Arnold “Buddy” Gillespie, art director Arthur Lonergan, and writer Irving Block. Robbie was operated (uncredited at the time) by stuntmen Frankie Darro and Frankie Carpenter, both rather short actors. And his voice in the film was done in post-production by actor Marvin Miller. 

The budget was about two million of which it was later estimated that Robbie was actually well over ten percent of that because of the cost of Miller’s time which added considerably to his cost. It made two point eight million, so yes it lost money. 

So what did the critics think? Variety thought it had “Imaginative gadgets galore, plus plenty of suspense and thrills, make the production a top offering in the space travel category” while the Los Angeles Times thought it was “more than another science-fiction movie, with the emphasis on fiction; it is a genuinely thought-through concept of the future, and the production MGM has bestowed on it gives new breadth and dimension to that time-worn phrase, ‘out of this world.’” 

It has a most stellar eighty-five percent rating among audience reviewers at Rotten Tomatoes. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 19, 1915 — Julius Schwartz. He’s best known as a longtime editor at DC Comics, where at various times he was primary editor for the Superman and Batman lines. Just as interestingly, he founded the Solar Sales Service literary agency (1934–1944) where Schwartz represented such writers as Bradbury, Bester,  Bloch, Weinbaum, and Lovecraft which included some of Bradbury’s very first published work and Lovecraft’s last such work. He also published Time Traveller, one of the first fanzines along with Mort Weisinger and Forrest J Ackerman. (Died 2004.)
  • Born June 19, 1921 — Louis Jourdan. Fear No Evil and Ritual of Evil, two very low budget TV horror films in the late Sixties that don’t show up on Rotten Tomatoes, appear to be his first venture into our realm. And no, I can’t say I’ve seen either one of them. He’d play Count Dracula in, errr, Count Dracula a few years later which gets a most excellent seventy-eight rating at Rotten Tomatoes. And then comes the role you most likely remember him for, Dr. Anton Arcane in Swamp Thing which he reprised in The Return of Swamp Thing. (No, don’t ask what they got for ratings. Please don’t ask.) Definitely popcorn films at their very best. Oh, and let’s not forget he was Kamal Khan, the villain in Octopussy! (It’s Moore, again don’t ask.) (Died 2015.)
  • Born June 19, 1926 — Josef Nesvadba. A Czech writer, best known in his SF short stories, many of which have appeared in English translation. ISFDB lists a number of stories as appearing in English and two collections of his translated stories were published, In The Footsteps of the Abominable Snowman : Stories of Science and Fantasy and Vampires Ltd.: Stories of Science and Fantasy. Neither’s available from the usual suspects though Cora can read him in German. (Died 2005.)
  • Born June 19, 1947 — Salman Rushdie, 75. I strongly believe that everything he does has some elements of magic realism in it. (So let the arguments begin on that statement as they will.) So which of his novels are really genre? I’d say The Ground Beneath Her Feet, Grimus (his first and largely forgotten sf novel), Two Years Eight Months and Twenty-Eight Nights and Haroun and the Sea of Stories which I essayed here. If you’ve not read anything by him, I’d start with The Ground Beneath Her Feet which is by far both one of his best works and one of his most understandable ones as well.
  • Born June 19, 1952 — Virginia Hey, 70. Best remembered  for her role as Pa’u Zotoh Zhaan in the fantastic Farscape series and playing the Warrior Woman in Mad Max 2: The Road Warrior. She’s also Rubavitch, the mistress of the KGB Head, General Pushkin, in The Living Daylights. She also had a brief appearance as a beautician in The Return of Captain Invincible, an Australian musical comedy superhero film. No, I’ve not seen it, so who has? 
  • Born June 19, 1957 — Jean Rabe, 65. She’s a genre author and editor who has worked on the Dragonlance, Forgotten Realms, Rogue Angel and BattleTech series, as well as many others. Ok I admit to a degree of fascination with such writers as I’m a devotee of the Rogue Angel audiobooks that GraphicAudio does and she’s written at least five of the source novels under the house name of Alex Archer. She has won the Internation Assoication of Media Tie-In Writers’ Faust Award for Lifetime Achievement. 

(14) COMICS SECTION.

  • Off the Mark celebrates Fathers Day.
  • zach can foretell the present!

(15) OVERCOMER. [Item by Steven French.] Interesting interview with Sarah Hall, author of plague novel Burntcoat (not sure writing a book during the pandemic is quite comparable to what Sarah Connor did but ok …) “Sarah Hall: ‘I used to almost fear opening a book’”.

When did you begin writing Burntcoat?
On the first day of the first lockdown in March 2020, with notebooks and a pen, which I’d not done since my first novel, 20 years ago. It felt like a response to what was going on – this odd scribbling in the smallest room in the house, really early in the morning when it was quiet and eerie.

And you kept it up even while home schooling your daughter?
There was some part of me that thought: “This is just one more thing that’s going to make it difficult to work and I’m going to do it anyway.” I was anxious, but I’m a single parent and I go into, as I call it, Sarah Connor mode from The Terminator: it’s out there, here’s my child, what do I need to do? Get buff! I got pains in my hand because I wasn’t used to writing so much.

(16) WACKY WIKI. If for any reason you were wondering whether Vox Day’s Infogalactic is still around, Camestos Felapton permitted his eyeballs to be stabbed with its content in order to research this post: “Incredibly, Voxopedia is still running”.

(17) THE CENTER WILL NOT HOLD. [Item by Martin Morse Wooster.] In the Washington Post, A.A. Dowd celebrates the 40th anniversary of E.T., saying the film “has the simplicity of a fable and the texture of ordinary American life.” “’E.T.,’ 40 years later, is still the most soulful of box-office sensations”.

… Not that the movie subscribes to the idea of adolescence as a carefree, unburdened time. By now, it’s conventional wisdom that “E.T.” grew out of Spielberg’s memories of his emotionally fraught teenage years. The director modeled his title character on a real imaginary friend he came up with to cope with his parents’ divorce. As written by Melissa Mathison, who combined elements from two scrapped Spielberg projects, the film became a melancholy fantasy deeply haunted by parental absence. At heart, it’s about a broken nuclear family trying to piece itself back together….

(18) WHO NEEDS SPECIAL EFFECTS? Gizmodo is delighted that “Doctor Strange 2 Gets a Dance-Heavy Blooper Reel Before Disney+ Drop”.

… Beyond that, it’s funny to watch the cast’s long capes and skirts get stuck in the scenery and have them try to fight off errant leaves as they wave their arms around doing pretend magic.

(19) A COMMERCIAL MESSAGE FROM OUR FUTURE ROBOT OVERLORDS. [Item by Mike Kennedy.] Estonian company Milrem Robotics has joined with a partner company (who supplied the 30 mm autocanon) to demonstrate what their “Type-X“ armored, uncrewed, AI-powered Robotic Combat Vehicle could do if outfitted as a tank. “Robot Tank Firing at Cars and Other Targets Is the Stuff of Nightmares” at Autoevolution.

The disastrous use of tanks by the Russians in Ukraine isn’t stopping defense contractors from researching such platforms, though. Of course, even if they look like traditional tanks, these new machines are as modern as they get.

Take the so-called Type-X Robotic Combat Vehicle, developed over in Europe by Milrem Robotics and Kongsberg Defence & Aerospace. That would be an autonomous, AI-governed, tracked vehicle that could become a common presence on the battlefields of tomorrow….

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Meredith, Lise Andreasen, Steven French, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

J. D. Evans Wins Self-Published Fantasy Blog-Off #7

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Mark Lawrence’s photo of the winner, “flanked by the historic SPFBO owls and with the magnificent SPFBO Selfie-Stick award at its feet.”

J. D. Evans’ Reign & Ruin is the champion of Self-Published Fantasy Blog-Off #7 sponsored by Mark Lawrence. In 11 months of hard work by ten blogs, 300 books were whittled down to 10 finalists, and then to today’s winner. 

Reign & Ruin finished just one-tenth of a point ahead of Krystle Matar’s Legacy of the Brightwash in the tightest finish the contest has ever had. Click to see the finalists’ score-board.

The blogs that judged SPFBO 7 were:

SPFBO 8 is expected to open for contestants at 1 p.m. BST on May 14.

All 10 SPFBO #7 finalists.

Pixel Scroll 2/9/22 I Have Tasted The Pixels In The Scroll Of The Universe, And I Was Not Offended

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(1) TRIPLE TIP. What he tells you three times is true: “Hand Holding” by Mark Lawrence.

This is a blog-post about hand holding. The previous sentence was hand-holding, since the title and the image below make it obvious what the blog-post is about. 

Fantasy stories can be complicated beasts. They’re potentially confusing even if we forget all the technicalities and twistiness of battles, wars, duels, mysteries, espionage, lies etc that might well bedevil other genres….

…And the question through all of this is how much hand-holding the author does. Does the writer put the pieces of the puzzle in front of the reader and assume they’ll put them together? Does the writer put the pieces together for them then repeat the answer for the reader three times in three different ways?

Before I was published I used to share short stories on the now vanished Yahoo Groups. During that time I developed through observation and experience, what I called The Rule of Three.

The Rule of Three: If you want 90% of your readership to take onboard an important fact then you need to repeat it three times in the text….

(2) IAFA’S NEW LEADER. Dr. Pawel Frelik is the next President of the International Association for the Fantastic in the Arts.

A two-term Division Head of the IAFA, Pawe? Frelik is Associate Professor and the Leader of Speculative Texts and Media Research Group at the American Studies Center, University of Warsaw, Poland. His teaching and research interests include science fiction, speculative visualities, and video games. He has published widely in these fields, serves on the boards of Science Fiction Studies (USA), Extrapolation (USA/UK), and Journal of Gaming and Virtual Worlds (UK), and is the co- editor of the New Dimensions in Science Fiction book series at the University of Wales Press. In 2013-2014, he was President of the Science Fiction Research Association, the first in the organization’s history from outside North America. In 2017, he was the first non-Anglophone recipient of the Thomas D. Clareson Award. Within IAFA, he has served as Science Fiction Division Head since 2017. Dr. Frelik will assume the presidency at the end of the 43rd ICFA in March.

(3) DISCUSS RING SHOUT. The Gunn Center for Science Fiction Virtual Book Club will meet February 25 and Director Giselle Anatol invites you to the meeting.

(4) WIDE LOAD. Reddit’s r/printSF raised the question, “Are sci-fi books much longer than they used to be? If so, any idea why?” John Scalzi contributed a detailed reply which begins:

Novel lengths in science fiction and fantasy are essentially dictated by methods of publication *and* distribution.

For example, during the “golden age” of science fiction, the main publishing action of SF/F was in the short fiction arena, with novels (many of which were “fix-ups” of previously published shorter work) largely printed as cheap paperbacks which were fitted into racks at drug stores, groceries and other such places. Because distributors (and publishers!) wanted to fit a larger number of books into each rack, novel lengths were commensurately shorter — 40,000 to 60,000 words on average….

(5) BACK TO THE FUTURAMA. “’Futurama’ Revived at Hulu” – The Hollywood Reporter says they’ve lined up the creators and the cast.

Nearly 10 years after it signed off, Futurama has been revived for a 20-episode run on Hulu, the third platform for the animated comedy from creators Matt Groening and David X. Cohen.

The series that aired its first five seasons on Fox before being revived for three more at Comedy Central will return to production this month for a 2023 premiere. Following an extended deal-making period, original stars Billy West (Fry) and Katey Sagal (Leela) along with ensemble players who voiced multiple characters Tress MacNeille, Maurice LaMarche, Lauren Tom, Phil LaMarr and David Herman will all return. John DiMaggio, who provided the voice behind the wise-cracking robot with the “shiny metal ass” Bender, is finalizing a deal to return as well though a deal has not yet closed.

(6) SCIENCE PLUS. The National Book Foundation Science + Literature Program “identifies three books annually, steered by a committee of scientific and literary experts, to deepen readers’ understanding of science and technology with a focus on work that highlights the diversity of voices in scientific writing. The selected titles will act as a catalyst to create discourse, understanding, and engagement with science for communities across the country.” Authors will receive a $10,000 prize. The inaugural winners are:

(7) IMAGINARY PAPERS 9. The latest issue of Imaginary Papers, ASU’s quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination, features an essay by science fiction and global futures scholar Bodhisattva Chattopadhyay on the oft-forgotten science fiction docudramas of the filmmaker George Haggerty, and CSI staffer Bob Beard on Richard Linklater’s 2006 PKD adaptation A Scanner Darkly and the dramas of self-presentation. There’s also a writeup of the “Speculating the Future” essay series from the Olaf Stapledon Centre for Speculative Futures. “Imaginary Papers, Issue 9”.

The Films of George Haggerty, Parts 1 and 2 (1975-1994)

What exactly counts as a “forgotten future”? One can google George Haggerty, the director, whose six docufiction films are presented in two anthology DVDs, released in 2017 by Screen Edge and MVDvisual. All six films—Hamburger Hamlet (1975), Mall Time (1988), Robotopia (1990), Home on Wheels (1992), LA Requiem (1993), and Cyberville (1994)—were produced by Mike Wallington, but searching that reveals little about the director or the films. It was the sleeve descriptions, which make Haggerty appear a maverick outsider figure, that first drew my attention to these anthologies. The films are unreservedly about the future, even as they operate at the interstices of the vanishing past and present. As a documentary producer and SF researcher, there is something disconcerting about finding a set of films that one is unable to locate easily in the developing history of the medium. (Drew Barrymore even appears in one of the films, but the title is absent from her IMDb profile.)…

(8) PEEK EXPERIENCE. Leonard Maltin says this was “Douglas Trumbull’s greatest visual effect” in “Remembering Douglas Trumbull” at Leonard Maltin’s Movie Crazy.

Sometime in the late 1980s my wife and I were invited to a warehouse-type building in Marina del Rey for a demonstration of Douglas Trumbull’s Showscan. A new film format from the man who was largely responsible for the incredible look of Stanley Kubrick’s 2001: A Space Odyssey and the modern era of visual effects? The same guy who directed Silent Running? Who could turn down an invitation like that? …

(9) MAKING TIME. GQ is convinced that “The Lazarus Project is your next sci-fi TV obsession” – at least for those in the UK who can access Sky.

Archie recruits him for the clandestine Lazarus Project: an organisation composed of people with the same vanishingly rare ability with which George finds himself stuck. They harness the time-bending power to prevent global catastrophes and apocalyptic scenarios (as a famous philosopher once said: “With great power, comes great…”) But when Sarah, the love of George’s life, is involved in a car accident, the ethics of such an extraordinary gift take centre stage — and what is George willing to sacrifice?

(10) TOM DUPREE (1949-2022). Writer, critic, and editor Tom Dupree died February 7. He was employed as the line editor for Star Wars novels with Bantam Spectra from 1992-1997. He was charged with handling the X-Wing series of novels. The character names “Dupas Thomree” (in Assault at Selonia and Showdown at Centerpoint by Roger MacBride Allen) and “Ree Duptom” (in Hard Merchandise by K.W. Jeter) are playful nods to him.

He had around a dozen published short stories. “With a Smile” (from Mob Magic, 1998) received an Honorable Mention in Gardner Dozois’ Year’s Best.

He co-wrote John Maxwell’s critically acclaimed one-man show based on the life of William Faulkner (filmed in 2006).

(11) MEDIA BIRTHDAY.

1966 — [Item by Cat Eldridge] Fifty-six years ago this evening, the thrilling sight of Lost In Space’s “War Of The Robots” first happened. In one corner of this fight, we have Robby the Robot from Forbidden Planet.   And in the other corner of the ring (metaphorically speaking), we have B-9 from Lost in Space. 

Aired as the twentieth episode of the first season, the story is that while returning from a fishing trip, Will and B-9 find a deactivated Robotoid. Against the wishes of B-9, Will proceeds to repair and restore the Robotoid which apparently becomes a humble servant of the Robinson family. Sure.

The best part of this episode is the slow motion rock ‘em, sock ‘em battle between the robots. And yes it’s a very, very silly battle indeed as you can see from the image below. 

Lost in Space is available to stream on Hulu and Netflix.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 9, 1928 — Frank Frazetta. Artist whose illustrations showed up damn near everywhere from LP covers to book covers and posters. Among the covers he painted were Tarzan and the Lost Empire, Conan the Adventurer (L. Sprague de Camp stories in that setting) and Tarzan at the Earth’s Core. He did overly muscular barbarians very well! Oh, and he also helped Harvey Kurtzman and Will Elder on three stories of the bawdy parody strip Little Annie Fanny in Playboy. Just saying. In the early 1980s, Frazetta worked with Bakshi on the feature Fire and Ice. He provided the poster for it as he did for Mad Monster Party? and The Fearless Vampire Killers, or Pardon Me, But Your Teeth Are in My Neck, two other genre films. He was inducted into both Will Eisner Comic Book Hall of Fame and the Jack Kirby Hall of Fame. (Died 2010.)
  • Born February 9, 1935 — R. L. Fanthorpe, 87. He was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of small rural library. He’d be perfect for the usual suspects I’d say.
  • Born February 9, 1936 — Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream (1968). Several years thereafter he was Dr. Black in “A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ecto, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.)
  • Born February 9, 1940 — David Webb Peoples, 82. Screenwriter of Blade Runner, Ladyhawke, Leviathan, and Twelve Monkeys which is not a full listing. He’s also been writing for the Twelve Monkeys series .
  • Born February 9, 1942 — Marianna Hill, 80. Doctor Helen Noel in the excellent “Dagger of The Mind” episode of the original Trek. (This episode introduces the Vulcan mind meld.) She also had roles on Outer Limits (in the Eando Binder’s “I Robot“ story which predates Asimov’s story of that name), Batman (twice as Cleo Patrick), I-Spy, The Wild Wild West, Mission: Impossible and Kung Fu (ok, the last one has to be least genre adjacent, isn’t it?). 
  • Born February 9, 1951 — Justin Gustainis, 71. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? 
  • Born February 9, 1956 — Timothy Truman, 66. Writer and artist best remembered in my opinion for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, volumes one and two. For the Hex work, I’d say Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve now overlooked… 
  • Born February 9, 1981 — Tom Hiddleston, 41. Loki in the Marvel film universe. And a more charming bastard of a god has never been conceptualised by screenwriters. Outside of the MCU, I see he shows up in Kong: Skull Island as Captain James Conrad and The Pirate Fairy as the voice of James Hook as well in a vampire film called Only Lovers Left Alive as Adam. 

(13) COMICS SECTION.

  • Close to Home illustrates a friend who doesn’t quite get it.
  • Tom Gauld free associates.

(14) VERBATIM. The Comics Journal has posted the “Transcript of the McMinn County Board of Education’s Removal of Maus”. It’s been extensively discussed here in comments, but may still be news for others.

On January 10, 2022, the McMinn County Board of Education in Tennessee voted unanimously to remove Art Spiegelman’s Maus from its eighth-grade language arts curriculum, citing its use of profanity and depictions of nudity. This public document represents the unedited minutes of that Board’s meeting, presented as a service to all impacted parties.

(15) DAY-OLD NEWS. Someone – probably Upstream Review’s Michael Gallagher in “A Whitewashed Tomb: SFWA’s Best Can’t Sell Books” – got what you get when you poke the bear.

(16) POKÉMON TIME TRIP. “Pokémon Legends: Arceus review: breathing new life into Pokémon” promises The Verge.

…Which is what makes Pokémon Legends: Arceus so refreshing: it’s genuinely surprising. It does this by shifting the timeline back to long before the modern games in the series, during a period when pokémon were still barely understood. Instead of a world where humans and pokémon live in harmony, and anyone can buy an electronic device full of information on hundreds of species, players are thrust into a wild, untamed region where people are just doing their best to survive while surrounded by largely unknown and seemingly dangerous creatures….

(17) NEGATORY, GOOD BUDDY. If you’re sensitive to robotic (and other violence), do not watch the trailer for the game Atomic Heart. No, no, no.

(18) LONG MEMORY. Beckett’s “History of the Obscene 1977 Topps Star Wars 207 C-3PO” includes the interesting note that unlike most collectibles that have to be withdrawn, it’s easier to find the original version of this trading card than the censored replacement edition.

“C-3PO (Anthony Daniels)” is about a mundane caption as you can get.

To those working on the set at Topps and the licensor, nothing seemed to stand out.

Once the cards were out there, it didn’t take long for people to notice that something definitely was.

(19) BLOWN AWAY. BBC News reports “SpaceX loses 40 satellites to geomagnetic storm a day after launch”.

SpaceX has lost dozens of satellites after they were hit by a geomagnetic storm a day after launch, causing them to fall from orbit and burn up.

Such solar “storms” are caused by powerful explosions on the sun’s surface, which spit out plasma and magnetic fields that can hit the Earth.

The company, owned by billionaire Elon Musk, said up to 40 of 49 satellites from last week’s launch were hit.

They had been due to join its Starlink satellite internet project.

Starlink is Mr Musk’s bid to provide high-speed internet using thousands of orbiting satellites….

(20) ROCK AROUND THE CLOCK. “Asteroid sharing Earth’s orbit discovered – could it help future space missions?” asks The Conversation.

Research has shown that the Earth trails an asteroid barely a kilometre across in its orbit about the Sun – only the second such body to have ever been spotted. It goes round the Sun on average two months ahead of the Earth, dancing around in front like an excited herald of our coming.

This object, known as 2020 XL?, was first spotted in December 2020 using Pan-STARRS telescopes on the summit of Haleakala on the Hawaiian island of Maui. But determination of its orbit required follow-up observations using the 4.1-metre SOAR (Southern Astrophysical Research) telescope in Chile….

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Arcane:League of Legends,” the Screen Junkies find an animated series based on a video game that “taught your 13-year-old cousin all his favorite slurs” is actually pretty good.  The series features “cyberpunk, steampunk. skatepunk, and Punky Brewster” and is in a world where “magic is like science, and science is like Crossfit.”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Jennifer Hawthorne, Chris Barkley, Rob Thornton, Joey Eschrich, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 10/20/21 Roll Over Harkonnen And Tell Shai-Tchovsky The News

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(1) KRESS Q&A. DisCon III has posted an “Interview with Author Guest of Honor Nancy Kress” conducted by staff member Dr. Karen Purcell.

(2) FALLEN LEAVES AND HEROES. Brian Murphy shares ten spooky sword and sorcery stories for October:  “Ten Sword-and-Sorcery Tales For the Haunting Season” at Goodman Games.

…Here in New England, I find that as the leaves begin to turn and October shadows lengthen, so too do my thoughts drift from my natural sword-and-sorcery bent toward the nether regions of horror. Edgar Allan Poe and Stephen King, classic Hammer movies and bad slasher films, bring it on, all of it.

But I’m also reminded that I need not necessarily choose between the two. Sword-and-sorcery after all is bedfellows with horror. Though he loathed the term, Karl Edward Wagner described S&S as “a fascinating synthesis of horror, adventure, and imagination … the common motif is a universe in which magic works and an individual may kill according to his personal code.”…

(3) FIRST REFLECTIONS. Tom Shapira analyzes how the Holocaust was reflected in 1950s horror comics: “The Dead Come Back: Mid-Century Horror Comics & The Holocaust”.

We’ve come a long way since Art Spiegelman’s Maus. When the first collected edition published in 1986, it appeared to be a singular and wholly unimagined thing: a comic-book — garishly colored, childishly-plotted things that were mostly concerned with muscled men in tights — about the Holocaust. German philosopher Theodore Adorno once claimed that “To write poetry after Auschwitz is barbaric”…so how can one justify the writing and drawing of comic-books?!

Flash-forward to 2021 and it’s clear that Maus has long stopped being a singular event. There are many more comics about the Holocaust including two graphic adaptations of The Diary of Anne Frank (one of which recently got a movie treatment), A Family Secret, Yossel, The Boxer, Hidden, and even the superhero genre feeling confident enough to take on the subject with the likes of Magneto: Testament….

(4) HE-MAN AND SHE-RA. The Rogues in the House podcast has dedicated an entire episode to “Masters of the Universe”.

(5) START AT THE TOP. And work your way down. Mark Lawrence has finally received a satisfactory result from his recent battles with Kindle Direct Publishing.  The updated saga is here. “My attempts to get sense from KDP”.

… At this point, having aired the first version of this blog post, I get advice from self-publishing experts. Email Jeff Bezos they say. So I do.

I find his email address and email him, explaining that I understand the email will land with one of his team of assistants but that I would appreciate any help in the issue (which I then lay out).

Additionally, I remember that: hey, I’m actually published by Amazon – my Impossible Times trilogy is published by 47North (there’s a story or two in there to be told one day!), one of Amazon’s own publishing imprints. So, I also email one of the people involved in the production of those books, and she very kindly agrees to reach out to someone she knows at KDP.

A day later I get an email from the Executive KDP team! This was on October 7th. A phone call from America follows and I get to speak to a human. A charming and helpful American human called Jeremy. He tells me that both my email to Jeff Bezos and to 47North reached his desk and either one would have prompted the call. So, at least you don’t have to be published by Amazon and sell 100,000+ books for them before they’ll listen.

However – we still had another 13 exciting days to go!…

(6) SKEPTICAL RESPONSE. Following a Last Dangerous Visions progress report, J. Michael  Straczysnki fielded criticisms that the writer list (as so far revealed) lacks diverse representation. His explanations prompted further discussion in a thread Karen Osborne kicked off here.

(7) SET DECORATION. Gaiman’s co-author, the late Terry Pratchett, will be acknowledged again in the sequel: “Good Omens season 2: Neil Gaiman’s tribute to Terry Pratchett on set” – Metro News has the story.

…Terry’s scarf and hat also appeared in the first season of the show.

Several Good Omens fans shared how much they loved the dedication to Terry on set, with one writing: ‘It warms my heart to see Terry Pratchett still represented. I miss the wit and wisdom of his books.’

(8) GET YOUR KICKS. Publishers Weekly interviews the master of a comics industry financial model: “Crowdfunding a Publishing House: PW Talks with Spike Trotman”.

…Lots of prose and comics publishers have used crowdfunding to bring out new work, but few have been doing it as long or as well as C. Spike Trotman, publisher/CEO of Chicago-based independent comics publisher Iron Circus Comics. Trotman recently wrapped up her 30th Kickstarter campaign, The Woman in the Woods and Other North American Stories, a new volume of comics stories by indigenous creators which raised more than $330,000 (the goal was $20,000) in September, marking more than $2 million raised by Trotman through the platform since 2009. But beyond the quantitative success, Trotman has led the way in using crowdfunding as part of a scalable publishing business model that brings unique projects from diverse creators into the mainstream comics and trade book distribution system.

… “I have one foot in international distribution through old-fashioned methods and one foot in the world of Kickstarter,” she said. “I’m distributed by Consortium Book Sales and Distribution, a division of Ingram that specializes in the quirky small press lines.”

She explained that it is not a prevalent strategy for crowdfunders because book distributors generally expect presses to put out at least 10 books per year. “A lot of crowdfunders can’t manage 10 books for trade bookstores, and I understand because it’s really hard. What got me through the door, in addition to volume, was that I had made the step between exclusively self-distributing through conventions or a website, and a larger company like Ingram. I was already reaching out to comic stores and independent bookstores, emailing them PDFs of my books and my catalog, and giving them special discount codes if they ordered from me direct.”

By the time she approached Ingram, Trotman already had more than 40 retailers placing orders. “We couldn’t fulfill the wholesale orders of 40 or 45 stores and run the business, so it’s good they were able to work with us.”…

(9) END OF THE CYCLE. Hollywood Insider examines  “The Rise and Fall of Young Adult Dystopian Adaptation Franchises”.

The year is 2014, the Oscars release a selfie of the world’s biggest movie stars, Justin Bieber’s mugshot surfaces, Emma Watson speaks at the United Nations for gender equality, ‘The Fault in Our Stars’ popularizes the infinity sign; just about everything seems right in the world. As someone who lived and breathed the culture of 2014, everything in the world of pop-culture just seemed easy.

There is a bitter-sweet existence in knowing that decades have passed since the beginning of ‘Harry Potter’ with eight films from 2001-2011 earning 7.7 billion USD from the box office. Or the next successful franchise, ‘Twilight’ with five films from 2008-2012 earning 3.3 billion USD from the box office. Both YA franchises were the kick-start to a rapid incline of young adult dystopian films centered around political impact, connections, love, and loss. Ultimately the success of pop culture, income, and fan-bases from the ‘Harry Potter’ and ‘Twilight’ franchises became the reason as to why studios reached out to the most popular young adult novels in order to try and gain that same impact for more films. So much so that the number of franchises that were successful compared to the ones that failed before their sequel is rather devastating. At the same time, some films give off the apparent reason as to why they failed with lousy acting, even poorer attention to storyline adaptation, timing, and in cases simply didn’t work for audiences.

… With the success of the previous films mentioned, studios began to create anything they thought would be comparable or better than the previous successors. But, with the heavy amount of failures as opposed to the successes, the amount of YA dystopian fiction adaptations diminished into almost nothing. Nowadays, studios are choosing to create YA films targeting important meanings or values such as gay relationships, movements such as Black Lives Matter, or the realism of cyberbullying….

(10) MEDIA BIRTHDAY.

1967 – Fifty-four years ago on this evening, NBC first aired Star Trek’s “Doomsday Machine” which was scripted by Norman Spinrad. It was the sixth episode of the second season. The principal guest star was William Windom as Commodore Matt Decker. The episode is considered one of the finest of the series with the TV Guide ranking it the fourth best, and SciFiNow recently ranked it the tenth best episode of the original series. The special effects and much of the episode were digitally remastered fifteen years ago. And yes, it was nominated for a Hugo at Baycon, one of five Trek episodes so nominated that Con with the Harlan Ellison scripted  “The City on the Edge of Forever” being the winner. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 20, 1882 — Bela Lugosi. He’s best remembered for portraying Count Dracula in the 1931 film franchise Drácula. He came to hate that he played that character feeling he’d been typecast which he certainly had. Now tell me what’s your favorite film character that he played? (Died 1956)
  • Born October 20, 1905 — Frederic Dannay. One half with Manfred Bennington Lee of the writing team who created Ellery Queen. ISFDB lists two Ellery Queen novels as being genre, And on the Eight Day and The Scrolls of Lysis, plus a single short story, “ A Study in Terror”. (Died 1982.)
  • Born October 20, 1916 — Anton Diffring, A long career with many genre roles which I’ll note but a few of here. He was Fabian in Fahrenheit 451 who the sixty-eighth anniversary of the novel we noted yesterday, Graf Udo Von Felseck of Purbridge Manor in The Masks of Deaths (a rather well-crafted Holmes film) and he played De Flores, a neo-Nazi in “Silver Nemesis”, a most excellent Seventh Doctor story. (Died 1989.)
  • Born October 20, 1923 — Erle Korshak. He’s a reminder of how old fandom is. He discovered SF in 1934 with the August Astounding magazine and became a very serious collector in 1937 according to several sources. By 1939 he was a well-known fan and one of the leaders of the Moonstruck Press publishing house which was created to created a bibliography of all fantasy books.  He was part of the leadership triumvirate of Chicon 1, the 1940 Worldcon. He later founded a publishing house whose first major work was Everett F. Bleiler’s The Checklist of Fantastic Literature in the late Forties, a pioneering work of SF bibliography. This was followed by major works by Heinlein, Bester, Fredric Brown and other SF suthors. He was absent from fandom from the late 50s for thirty years, then rejoined fandom and was attending cons with his children.  He was inducted into the First Fandom Hall of Fame in 1996, and won the Barry R. Levin Science Fiction and Fantasy Literature Lifetime Collectors Award in 2001. (Died 2021.)
  • Born October 20, 1934 — Michael Dunn. He’s best remembered  for his recurring role on the Wild Wild West as Dr. Miguelito Loveless attempting to defeat our heroes over and over, but he has had other appearances in genre television. He would be Alexander, a court jester, in the Trek “Plato’s Stepchildren” episode and a killer clown in the Voyage to the Bottom of the Sea’s “The Wax Men” episode. He was even in the Get Smart! pilot as Mr. Big. (Died 1973.)
  • Born October 20, 1937 — Emma Tennant. To the manor born and a lifelong supporter of Labour, ISFDB lists nine of her novels as being as SFF. As the Literary Encyclopedia  says “ Her work is feminist, magical and wicked, and uses the fantastic and the Gothic to interpret and explore everyday women’s roles.“ I’ve not read her, so do tell me about her please if you’ve read her! (Died 2017.)
  • Born October 20, 1958 — Lynn Flewelling, 63. The lead characters of her Nightrunner series are both bisexual, and she has stated this is so was because of “the near-absence of LGBT characters in the genre and marginalization of existing ones.” (As quoted in Strange Horizon, September 2001) The Tamír Triad series is her companion series to this affair. 
  • Born October 20, 1966 — Diana Rowland, 55. New Orleans writer with a fascinating job history that includes cop, a crime scene investigator, and a morgue assistant. She’s best known for her Kara Gillian series and White Trash Zombie series. Her only award is a Phoenix Award, a lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom, given by DeepSouthCon. 

(12) COMICS SECTION.

(13) BLACK PANTHER #200. Marvel’s Black Panther comics will reach its milestone 200th issue in January. To celebrate, Black Panther #3 will be an oversized issue with bonus stories celebrating the past and foreshadowing the future of the Black Panther and the world of Wakanda. (Click on gallery for larger images.)

Writer John Ridley will introduce a new hero who rises up to protect the people of Wakanda while T’Challa finds his life and role as Black Panther thrown into turmoil! Fans will be able to witness the beginning of this new hero’s journey before seeing him become a key player of Ridley’s run in future issues.

In addition, the main story in the 200th issue of BLACK PANTHER will see T’Challa face off against the X-Men! With assassins closing in and Wakanda’s faith in him shaken, T’Challa goes to visit Storm on the newly terraformed Mars. But this will not be a happy reunion as T’Challa has ulterior motives for his visit. And back home, Shuri discovers who is behind the attacks on Wakanda’s secret agents — a revelation that will change everything.

(14) SCHWAB Q&A. “V.E. Schwab’s New Graphic Novel Returns to her Villains Series”, and Publishers Weekly did an interview with her.

Publishers Weekly: The power you gave Charlotte is a truly horrifying one: When she looks at someone’s reflection, she can vividly foresee the moment of their death. How did you come up with that?

V.E. Schwab: It’s the very first power I ever created for the Villains universe. In the first iteration of Vicious, I had as my main character a man who arrives in this city and two warring groups of people try to recruit him, the Heroes and the Villains. They’re essentially gangs. This character had this ability to see deaths in reflective surfaces, and I loved that ability. The story didn’t work. I ended up just stopping for a minute to write the backstories for the gang leaders, and that’s where I got the Victor and Eli story which would go on to be the series. But I always was looking for someone to give this power to. The way that the powers work in this world is that they’re tied to near-death experiences. You can’t just give the power to anyone; you almost have to retroactively figure out the person from the power. So I had to figure out what circumstance puts Charlotte into the situation where she has a near-death experience that leads to this ability. 

(15) AT THE SCREENING. At Black Gate, Matthew David Surridge reviews an interesting-looking animated fantasy film called The Spine of Night:  “Fantasia 2021, Part XXXII: The Spine Of Night”

 …The feature film it was bundled with was the movie I’d been most eagerly looking forward to at Fantasia, and it did not disappoint. The Spine of Night, written and directed by the team of Morgan Galen King and Philip Gelatt, is billed as a feature-length animated sword-and-sorcery film for adults in the vein of the Heavy Metal movie. And it very much is that. It’s more serious than Heavy Metal in many ways, but the violence and cosmic scope is if anything even greater….

(16) SPACE CUISINE CHALLENGE. This is not your father’s space ice cream — or — chow, chow, chow — or — “NASA Announces Winners of Deep Space Food Challenge”. (The chosen teams are listed at the link.)

Variety, nutrition, and taste are some considerations when developing food for astronauts. For NASA’s Deep Space Food Challenge, students, chefs, small businesses, and others whipped up novel food technology designs to bring new solutions to the table.

NASA has selected 18 U.S. teams to receive a total of $450,000 for ideas that could feed astronauts on future missions. Each team will receive $25,000. Additionally, NASA and the Canadian Space Agency (CSA) jointly recognized 10 international submissions.

NASA Television, the NASA app, and the agency’s website will air a show on the Deep Space Food Challenge at 11 a.m. EST Nov. 9 with details about the competition, winning solutions, and what could be next for the teams.

Special guests during the show will include celebrity chef Martha Stewart and retired NASA astronaut Scott Kelly, who will announce the winners of two awards honoring international teams that demonstrated exceptional innovation. Other participants will include retired CSA astronaut Chris Hadfield and celebrity chef Lynn Crawford…

(17) LIKE THAT WHALE IN OREGON? “The often untold story of cleaning up dead kaiju finally coming to theaters next year” promises SoraNews24. I knew I’ll be holding my breath.

…And coming 4 February, 2022, a truly bold experiment in the genre is set to take place. Daikaiju No Atoshimatsu (lit. “The Great Monster’s Remains“, tentative English title: Kaiju Cleanup) marks the first time veteran film studios Shochiku and Toei have teamed up on a single feature. Perhaps the reason two companies were needed is that this movie boasts the largest monster in Japanese movie history.

However, it’s dead for pretty much the whole film….

That’s because Daikaiju No Atoshimatsu picks up where most tokusatsu films leave off. The evil kaiju collapses in defeat, the hero walks off into the sunset, and credits roll, but also those poor extras who have already been through so much, now have a gigantic rotting corpse to dispose of….

(18) VINTAGE VINELAND. A study published in Nature finds “In tree rings and radioactive carbon, signs of the Vikings in North America” reports NBC News.

… Previous studies have established there was such a cosmic ray event in the year 993 that for a few months caused greater than usual levels of radioactive carbon-14 in the carbon dioxide of the atmosphere.

Trees “breathe” carbon dioxide as they grow, and so the researchers used that radioactive carbon signature to determine which of the annual growth rings seen in cross-sections of the wood was from 993, Kuitems said.

They then used a microscope to count the later growth rings until the bark of the wood, which gave them the exact year the tree had stopped growing — in other words, when it had been felled by the Norse.

To their surprise, each of the three pieces of wood they tested was from a tree cut down in 1021, although they were from three different trees — two firs and probably one juniper….

(19) LOST AND FOUND. Cowboy Bebop’s “The Lost Session” teaser debuts online. The live-action remake arrives at Netflix November 19.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Squid Game Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-packed episode, confuses the producer, who thinks the game is in the Shark Tales universe.  But why are the bad guys pretending to be PlayStation buttons?

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Dann, Cora Buhlert, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/8/21 Foundation And Vampire

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(1) TRYING TO CROSS THE MIGHTY AMAZON. Kindle Direct Publishing has been yanking Mark Lawrence’s chain: “My attempts to get sense from KDP”.

KDP is what authors use to self-publish books and short stories. A self-published author will use just KDP. A traditionally published author may use KDP to publish additional material. I used it for Road Brothers, the Book of the Ancestor story Bound, and my short story During the Dance….

…The ‘crime’ they’re accusing me of concerns – if you follow the link – ‘willfully misleading metadata’. More on that later. …

…Without acknowledging the stupidity of their request they unblocked my account. But since the only item they had complained about was still ‘in review’ and you can’t alter anything on a book in review, I had to email them again. I’m telling them that I think they’re complaining about me referencing books I didn’t write & I’m telling them that I did write those books…

(2) INKLINGS WATERING HOLE TO REOPEN. A historic pub frequented by authors including J.R.R. Tolkien and C.S. Lewis will open its doors again reports the Oxford Mail: “Historic Oxford pub Lamb & Flag to reopen in time for Christmas”.

The pub in St Giles, popular with students and real ale drinkers, has been serving since 1566, and switched to its current site in 1613.

St John’s announced its closure in January, citing tough conditions created by the Covid-19 pandemic and its impact on the hospitality sector.

But following an outcry, the Inklings Group – named in honour of the pub’s former literary patrons JRR Tolkien and CS Lewis – has signed a long-term lease to relaunch the pub.

The modern Inklings is a group of fans of the pub from ‘town and gown’. It is described by St John’s as a ‘diverse and eclectic mix of Oxford people, past and present’ which includes scientists and entrepreneurs, writers and artists, as well as local businesses and suppliers.

Kate O’Brien, chairman of the Inklings Group, said: “Several hundred people, brought together by a love of Oxford and the Lamb & Flag pub, have established the Inklings Group to secure the future of this well-loved pub….

I knew of the Inklings’ association with Oxford’s Eagle and Child pub but this other place was news to me. I checked with Inklings scholar Diana Glyer who explained, “From time to time, the Eagle and Child ran out of beer, so the Inklings walked across the street to the Lamb & Flag. And then when the Bird & Baby remodeled in 1962, they permanently switched to the Lamb & Flag.”

(3) LEARNING THE GAME. [Item by Martin Morse Wooster.] Behind a paywall in the Financial Times, Tom Faber discusses “tutorials,” the part of a video game where players learn the rules of the game.

There is an adage in game design that players enjoy learning but not being taught. Some games get tutorials right by following this maxim.  The undisputed pinnacle is ‘World 1-1’ in 1985’s SUPER MARIO BROS., which shows how expert environmental design can teach wordlessly.  Players learn how Mario moves and jumps intuitively, while the designers employ ‘affordances,’ cues that draw on players’ existing knowledge.  So we run away from one guy because he has angry eyebrows and we put the key in the lock because that’s where keys go,  The reason Mario collects coins is because the developers needed to think of something that anyone would want to pick up off the ground — what else but money?”…

…Other titles dare to be creative.  In HORIZON ZERO DOWN, hero Aloy grows from child to adult as the player learns abilities.  FALLOUT 3 gamifies childhood by showing the player/character being born, taking their first steps and learning to shoot with a BB gun.  These are excellent tutorials because they leave the player with the knowledge they need, excited to get into the game proper and with a sense that the game has respected their time and intelligence. We should applaud these games that have mastered the art of teaching, but the majority of the industry still has much to learn.

(4) KEEP THEM DOGGIES ROLLING. Jon Del Arroz and Vox Day steal the hubcaps off the wheels of Comicsgate in “Debarkle Chapter 66: The Rise and Self Destruction of Comicsgate” at Camestros Felapton.

…Inevitably tying the culture war to crowdfunding comic books was a step that somebody was going to take.

Although it was not obvious in March 2017, the shine was coming off Vox Day’s Castalia House publishing project. When the Rabid Puppies campaigns finally ran out of steam, Day’s enthusiasm for publishing new science fiction novels would also wane sharply. Provoked by an article in The Federalist by Jon Del Arroz jumping on the trend of attacking diversity in comics, Day asked his followers if they’d be interested in crowd funding a line of comics from Castalia….

(5) THESE LOOK FAMILIAR. Literary Hub’s Emily Temple defends her choices for “The 25 Most Iconic Book Covers in History”.  Almost a third of them are genre.

First things first. What makes a book cover iconic? There are no hard and fast rules, of course—like anything else, you know it when you see it. But in order to compile this list, I looked for recognizability, ubiquity, and reproduction—that is, if there are a million Etsy stores selling t-shirts/buttons/posters/tote bags with the book cover, or if someone you know has ever dressed up as it for Halloween, or has a tattoo of it, it probably counts as iconic….

(6) WHAT YOU SEE WHEN YOU KEEP WATCHING THE SKIES. “11 Scary Space Facts That’ll Make You Appreciate the Earth We’re Destroying” – a slideshow at Lifehacker.

We need to get rid of outer space—it’s too dark and too terrifying, and everything out there wants to kill us. Yet some of our most popular billionaires seem convinced that rocketing humanity off into the stars is a more viable longterm survival strategy than simply trying a little less hard to ruin the one planet we’ve already got.

Perhaps they should review the following strange and horrifying space facts, which will definitely make you thankful you were born on good old Earth…..

First on the list:

Something we cannot see may be tilting the entire universe

There is something in the space between the constellations of Centaurus and Vela that is pulling groups of galaxies toward it. This mystery thing is too far away for us to see, but we can observe that galaxy clusters are moving toward the whatever-it-is at extraordinary speed. Scientists surmise that The Thing could be so big it’s essentially tilting the universe. Vibes: bad.

(7) MEMORY LANE.

  • 1974 – Forty-seven years ago on NBC (where else would it be?), Star Trek: The Animated Series first aired. The first spin-off from Star Trek, it had the entire voice cast of the original series save Walter Koenig (who did write one episode). Show writers David Gerrold and D. C. Fontana considered it to be a fourth season of the first series. Its second season won an Emmy for Outstanding Entertainment in a Children’s Series. It lasted but two seasons consisting of a total of twenty-two episodes. “The Slaver Weapon” episode was adapted from “The Soft Weapon” by Larry Niven who the episode. Audience reviewers at Rotten Tomatoes currently give it an outstanding rating of ninety-four percent. And yes, I remember the series fondly. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 8, 1920 — Frank Herbert. Dune, of course, which won a Hugo at Tricon. (I’ve read it myriad times.) I’ll admit I only like the series through Dune Messiah. The BBC full cast audio version of Dune is quite amazing. I’m also fond of Under Pressure.  (Died 1986.)
  • Born October 8, 1928 — John Bennett. A very long involvement in genre fiction starting with The Curse of the Werewolf in the early Sixties and ending forty years later with a role on the Minority Report series. Being a Brit, naturally he appeared on Doctor Who in the prime role of Li H’sen Chang as part of a Fourth Doctor story, “The Talons of Weng-Chiang”. He had roles in Blake’s 7, Watership Down, Tales of The Unexpected, The Plague Dogs, Dark Myth, Sherlock Holmes and the Leading Lady (as Dr. Sigmund Freud!), Merlin of The Crystal Cave and The Infinite Worlds of H.G. Wells. (Died 2005.)
  • Born October 8, 1949 — Sigourney Weaver, 72. I’m picking her greatest genre role as being the dual roles of Gwen DeMarco and  lieutenant Tawny Madison in Galaxy Quest. Chicon 2000 did give the film Best Dramatic Presentation Award after all and it is a loving homage to all that is good in the genre. And yes, I know Conspiracy ‘87 gave Aliens a Best Dramatic Presentation Award as well but I’m really not a fan of that franchise. 
  • Born October 8, 1949 — Richard Hescox, 72. Illustrator who between the years of 1976 and 1993 illustrated over 135 covers for genre books but now works mostly in the games industry and for private commissions. Also notable for producing advertising art for such movies as Escape from New York, Time Bandits, Swamp Thing, The Dark Crystal, The Neverending Story and Conan the Barbarian.  Some of his work is collected in The Deceiving Eye: The Art of Richard Hescox (2004) with text by Randy Dannenfelser. 
  • Born October 8, 1951 — Terry Hayes, 70. Screenwriter of Mad Max 2: The Road Warrior which he co-wrote with George Miller and Brian Hannant, Mad Max: Beyond Thunderdome with Miller, and From Hell (from the Alan Moore and Eddie Campbell novel) which he co-wrote with Rafael Yglesias. He’s also His the writer of an unused screenplay, Return of the Apes.
  • Born October 8, 1954 — Stephen Furst. Stephen is dead, damn it all. The saddest part of doing these birthdays is discovering how many folks have died that I reasonably expected were still living. Babylon 5 has had far too many deaths among its cast with Mira Furlan being the latest. Furst died of complications from diabetes at a far too young age. You know him most likely as Centauri diplomatic attaché Vir Cotto on Babylon 5, a decent being way over his head in a job he was ill prepared for. He also directed three low-budget movies for the Sci Fi Channel: Dragon Storm, Path of Destruction, and Basilisk: The Serpent King; he additionally co-starred in the last two films. And he produced Atomic Shark which aired during Sharknado Week on Syfy. 
  • Born October 8, 1974 — Lynne M. Thomas, 47. Librarian, podcaster and award-winning editor. She has won nine Hugo Awards for, among other things, one of many involved in SF Squeecast fan cast and editing Uncanny magazine with and husband Michael Damian Thomas. She and her husband are fanatical Whovians, so it’s no surprise that with Tara O’Shea, she edited the superb Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It. 
  • Born October 8, 1993 — Molly C. Quinn, 28. Fey / Intern Molly / Melony on the Welcome to Night Vale podcast and Pemily Stallwark on the sort of related Thrilling Adventure Hour podcast. She’s Jenny in the Authurian Avalon High series, and showed up in Guardians of the Galaxy Vol. 2 as Howard’s date.

(9) COMICS SECTION.

(10) CROWD-PLEASERS. Gothamist’s “The Best Cosplay From Comic Con 2021’s Subdued Opening Day” has 72 photos.

… Capacity restrictions made the usually jam-packed aisles and atria feel almost empty at times. Proof of vaccination or a negative COVID test for the under-12 set are required for entry, and masks are mandatory inside. But after a lost year, devoted cosplayers and their oglers were not going to let pandemic protocols spoil the party. 

“I love it!” said Michelle Ford, who came as Mira from Aquaman in an astonishing jellyfish dress that took two months to make. “I come to Comic Con every year, it’s literally the highlight of my year, and I like to hit it hard. Last year I took my 2019 costume and did a cosplay transformation video from home, but this is WAY better. I love the people and the interaction, it’s priceless.”…

(11) LOVECRAFT OR BUST. At Heritage Auctions there are two days left to bid on the Gahan Wilson-designed Lovecraft bust World Fantasy Award presented to Glen Lord in 1978. The top bid as of this writing is $410.

Gahan Wilson (Designer) H.P. Lovecraft Bust World Fantasy Award Sculpture for Publisher Glenn Lord Memorabilia Science Fiction (World Fantasy Convention, 1978). Cartoonist Wilson’s passion for horror fiction shaped his dark-humor cartoons for Playboy magazine, but it was in his homages to author H.P. Lovecraft that Wilson really let his freak-flag fly. This foot-tall bust of Lovecraft is a dimensional interpretation of a Wilson design, complete with Wilson’s google-eyed facial details. It was manufactured during 1975-2015 for presentation to recipients of the World Fantasy Award, recognizing a year’s best bizarre fiction. This near-pristine specimen went to publisher Lord (1931-2011) – best known for his career-spanning representation of the estate of Robert E. Howard, originator of the Conan the Cimmerian cycle of stories…. 

(12) CANUCKSPLOITATION NO MORE. [Item by Olav Rokne.] Well, this sounds promising; a well-reviewed Canuck sci-fi movie. Hope it lives up to the hype. “Review: Chilling sci-fi thriller Night Raiders sets fire to Canadian history” in the Globe and Mail.

“A thoughtful and invigorating sci-fi thriller quite unlike anything else this country has produced, Night Raiders takes a hard look at Canada’s past and sets an oil-slick fire to the idea of our safe, nice and boring nation.”

(13) PLAGUE YEAR IN COMICS. The New York Times’ Ed Park analyzes “How Comics Responded to Our Locked-Down, Anxious Covid Lives”.

…At the outset of last year, [Tasmanian-born cartoonist Simon Hanselmann] was riding high from recent successes, and (as he muses in the endnotes) “2020 was set to be another banger!” — international travel, nonstop partying, following up his great 2019 book “Bad Gateway.” But, as we know, the coronavirus had other plans, locking down artists and audiences at home. Hanselmann pivoted to create what he calls that “repulsive thing,” a free serial webcomic, and figured the world would return to normal in a month. Instead Covid kept getting worse, and from March 13 to Dec. 22, Hanselmann kept putting his stable of timeworn miscreants through the wringer. This book emerged from that agonizing year.

It begins with Megg, Mogg and Owl at home as the outbreak grows more worrisome. Megg’s chief concern is that her Animal Crossing preorder will now be delayed: a perfect snapshot of early-pandemic cluelessness. Soon, the house is packed with uninvited (if masked) houseguests: Werewolf Jones and his two feral kids (bearing toilet paper), the green-scaled trans woman Booger, and the chill, mustached Mike (a Harry Potter fan). To uptight Owl’s dismay, Jones starts performing sex acts on camera for money. (“I lost my warehouse gig,” Jones says. “I don’t have a foofy ‘work from home’ type job like you.”) But when Owl himself gets axed — unbeknown to him, his work laptop has been capturing scenes of domestic depravity — he demands a cut of Jones’s new gig and dictates content….

(14) STILL LOST. Netflix dropped a teaser trailer for the third and final season of the Lost in Space reboot.

(15) CALTECH READY FOR HALLOWEEN. Gizmodo introduces us to the “Creepy New Drone That Walks and Flies Is a Robopocalypse Nightmare Come True”. They’re working on it at Sheldon Cooper’s alma mater (if you follow the biographical breadcrumbs dropped at Big Bang Theory rather than those at Young Sheldon).

Introducing LEONARDO, or LEO for short. The name is an acronym for LEgs ONboARD drone, which nicely but insufficiently describes this robot. The Caltech engineers who built LEO didn’t just slap a pair of robotic legs onto an aerial drone—they had to design the bot with both walking and flying in mind and develop specialized software to integrates its various components.

LEO is still a prototype—a kind of proof-of-concept to see if a bipedal flying robot can perform tasks that would otherwise be difficult or impossible for ground robots or aerial drones to accomplish on their own. In the future, a full-fledged version could be tasked with difficult or dangerous jobs, such as inspecting and repairing damaged infrastructure, installing new equipment in hard-to-reach places, or attending to natural disasters and industrial accidents. Eventually, a LEO-like robot could even transport delicate equipment to the surface of a celestial body, such as Mars or Saturn’s moon Titan. More ominously, the agile bipedal flier could be used in defense or warfare….

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Olav Rokne, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, James Davis Nicoll, Michael Damian Thomas, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/22/21 In Odin Days, A Glimpse Of Stalking

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(1) THE MARS MY DESTINATION. “China’s Zhurong Mars rover kicks off roving mission after driving off landing platform” – Global Times has the story.

Named after an ancient fire god of Chinese mythology, the 1.85-meter-tall and some 240-kilogram Zhurong Mars rover safely drove off the landing platform and reached the surface of Mars at 10: 40 am on Saturday, kicking off its roving mission, the Global Times learned from the China National Space Administration (CNSA).

China has become the second country in the world to successfully deploy a robotic rover onto the surface of Mars, breaking up US’ monopoly in the field, Chinese space analysts hailed.

The rover will carry out environmental perception and scientific detection in the patrol area as planned. At the same time, the orbiter will operate in the relay orbit to provide stable relay communication for the rover’s patrol and exploration. The orbiter is serving as a data relay station for communications between Zhurong and mission controllers on Earth.

(2) HERE WOLF, THERE HASSLE. The question of what an author would want done with a work like this by his estate is always interesting: “John Steinbeck’s estate urged to let the world read his shunned werewolf novel” in The Guardian.

Years before becoming one of America’s most celebrated authors, John Steinbeck wrote at least three novels which were never published. Two of them were destroyed by the young writer as he struggled to make his name, but a third – a full-length mystery werewolf story entitled Murder at Full Moon – has survived unseen in an archive ever since being rejected for publication in 1930.

Now a British academic is calling for the Steinbeck estate to finally allow the publication of the work, written almost a decade before masterpieces such as The Grapes of Wrath, his epic about the Great Depression and the struggles of migrant farm workers.

“There would be a huge public interest in a totally unknown werewolf novel by one of the best-known, most read American writers of the 20th century,” said Professor Gavin Jones, a specialist in American literature at Stanford University…

… But Steinbeck’s literary agents, McIntosh & Otis, told the Observer they would not be publishing the novel. “As Steinbeck wrote Murder at Full Moon under a pseudonym and did not choose to publish the work during his lifetime, we uphold what Steinbeck had wanted,” they said. “As the estate’s agents, we do not further exploit the works beyond what had been the author and estate’s wishes.”

(3) TAKE THE CASH AND LET THE REDDIT GO. “Wanda Sells AMC Theatres Stake For $426 Million” – The Hollywood Reporter sums up the transaction.

Chinese conglomerate Wanda Group has sold off essentially its entire stake in AMC Theatres, officially exiting the U.S. theatrical exhibition business.

Wanda has had a controlling stake in the exhibition giant since 2012, but January’s Reddit-fueled rally saw the company trade in its super-voting Class B stock for Class A common stock, giving up control but giving it the option to cash out.

And cash out it did. On Friday, AMC disclosed that Wanda sold all but 10,000 shares in the past week, netting $426.7 million. It previously sold three tranches last month for $220 million.

(4) SELF-PUBLISHED FANTASY BLOG-OFF 7. Mark Lawrence starts SPFBO 7 – the Self-Published Fantasy Blog-Off 2021 – PHASE 1 with a full board, titles listed at the link. He shared some statistics about the 300 entrants.

A list of most of the entries is on Goodreads thanks to Hiu Gregg.

From the list I discovered that:

40 entries ~13% have 100+ ratings on Goodreads.

 97 of the entries have 25+ ratings.

 0 of the books were published 10 or more years ago – the oldest is 9 years old.

 0 of the books have more than 1,000 pages. The longest is 986 pages.

 5 of the books have over a 1,000 ratings, the most ratings is 3,769.

(5) SOUVENIR BOOK. If you happened to take in the World’s Fair while you were in New York for the first Worldcon, here is a nifty souvenir book you could have bought, reproduced in full by Past Print: ”New York World’s Fair / Souvenir Book / 1939”.

Donald Deskey’s superb design of this World Fair book must have made it one of the more worthwhile souvenirs amongst the of hundreds cheaply made commercial items. Perhaps the best souvenir of all was the plate (right) designed by Charles Murphy for the Homer Laughlin company, unfortunately I don’t have one.

    Deskey is probably better known as a furniture designer of the streamline era but his graphic work appeared in every household across the land because he designed the Tide soap box with the red, orange and yellow bulls eye and boxes for Oxydol and Cheer. The design for Crest toothpaste was also his.

    The design of this book with 144 (unnumbered) pages still looks fresh today, seventy plus years after they were printed. Large photos and graphics, angled text and the clever use of ten short pages to introduce the various sections work really well and provide enough visual interest to keep turning the pages. I particularly liked these short intro pages that used spot color and cleverly designed to blend into the page underneath. Turning over the cover to reveal a bird’s eye view of the complete Fair with color on the left and mono on the right seems rather unusual design choice though.

(6) FREITAG OBIT. The New York Times commemorates Ruth Freitag (1924-2021), a librarian renowned for her knowledge of science, technology, and astronomy: “Ruth Freitag, Librarian to the Stars, Dies at 96”.

Isaac Asimov was enthralled with her and wrote her a limerick. Carl Sagan and Ann Druyan wrote in their introduction to “Comet” (1985) that “one of the most pleasant experiences in writing this book” was meeting her. Numerous other science writers acknowledged their debts to her in forewords to their books.

Ruth Freitag, a reference librarian at the Library of Congress for nearly a half-century, was unknown to the general public. But she was, in more ways than one, a librarian to the stars.

Known for her encyclopedic knowledge of resources in science and technology, Ms. Freitag (pronounced FRY-tog) was sought out by the leading interpreters of the galaxy. She developed a particular expertise in astronomy early in her career.

Her learnedness became so comprehensive that she opened up new worlds to Mr. Asimov, the pre-eminent popular science writer of his day, and Mr. Sagan, the astronomer who introduced millions of television viewers to the wonders of the universe.

(7) MEDIA ANNIVERSARY.

  • May 22, 2012 — On this day in 2012, Indiana Jones and the Kingdom of the Crystal Skulls premiered. The fourth film in the franchise to date, it was directed by Steven Spielberg and was released nineteen years after the last film. Produced by Frank Marshall from a screenplay by David Koepp off of the story by George Lucas and Jeff Nathanson. And starring Harrison Ford, Cate Blanchett,  Karen Allen,  Ray Winstone, John Hurt, Jim Broadbent and Shia LaBeouf. Despite the myth around it in the net that it was a critical failure, critics overwhelmingly loved it though admittedly the audience reviewers at Rotten Tomatoes give it a mediocre fifty three percent rating. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 22, 1813 – Richard Wagner.  His fantasies The Flying Dutchman (“fly” in the sense we still have in “flee”), Tannhäuser, The Ring of the Niebelung (four-opera series), Parsifal, are masterworks of music and theater.  Complicated life and opinions less admirable.  (Died 1883) [JH]
  • Born May 22, 1859 — Arthur Conan Doyle. I’ve read all the Holmes stories a long time ago. My favorite is The Hound of the Baskervilles as it allows him to develop a story at length. Favorite video Holmes? Jeremy Brett.  Looking at ISFDB, I’m see there were more Professor Challenger novels than I realized. And the Brigadier Gerard stories sound suspiciously comical… (Died 1930.) (CE) 
  • Born May 22, 1938 — Richard Benjamin, 83. He’s here because he was Adam Quark on the all too short lived Quark series. He also was Joseph Lightman in Witches’ Brew which was based off Fritz Leiber’s Conjure Wife novel (winner of the 1944 Retro-Hugo Award at Dublin 2019) though that’s not credited in the film. And he was in Westworld as Peter Martin. Finally he did a stint on the Ray Bradbury Theatre as Mr. Howard in “Let’s Play Poison” episode. (CE)
  • Born May 22, 1914 – Sun Ra.  In the avant-garde of jazz he played keyboards and sang, led a variously-composed band under names more or less like “The Solar Arkestra”, still performing; recorded dozens of singles and a hundred full-length albums with titles like We Travel the Spaceways, Space Is the Place, Strange Celestial Road.  Said he was taken to Saturn in a vision, changing his life and art.  (Died 1993) [JH]
  • Born May 22, 1922 – Bob Leman.  Fanzine, The Vinegar Worm; two pieces in The Best of Fandom 1958.  Fourteen short stories in The Magazine of Fantasy & Science Fiction, one added in collection Feensters in the Lake.  With Gerald Bishop, “Venture Science Fiction Magazine”, a Checklist of the First American Series and the First British Series.  (Died 2006) [JH]
  • Born May 22, 1939 — Paul Winfield. He’s best remembered as Capt. Terrell in The Wrath of Khan, but he was also in the Next Gen episode “Darmok” as the signature character.  He showed up in Damnation Alley as a character named Keegan and in The Terminator as Lt. Ed Traxler. Oh, and let’s not forget that he was Lucien Celine In The Serpent and the Rainbow which surely is genre. (Died 2004.) (CE) 
  • Born May 22, 1943 – Arlene Phillips, age 78.  Dancer, choreographer including the film Annie and the Royal Shakespeare production of A Clockwork Orange, judge for Strictly Come Dancing and the U.K. version of So You Think You Can Dance?  Six Alana, Dancing Star children’s books.  [JH]
  • Born May 22, 1964 — Kat Richardson, 57. Her Greywalker series is one of those affairs that I’m pleased to say that I’ve read every novel that was been published. I’ve not read Blood Orbit, the first in her new series, yet. Has anyone here done so? (CE) 
  • Born May 22, 1968 — Karen Lord, 53. A  Barbadian writer whose first novel, Redemption in Indigo, won the Carl Brandon Parallax Award and Mythopoeic Fantasy Award for Adult Literature for its inventive use of Senegalese folklore. I’d also recommend her The Best of All Possible Worlds novel as it’s as well done as her earlier novel but different and fascinating in its own right. Lord was Toastmistress of Worldcon 75 in 2017. (CE)
  • Born May 22, 1979 — Maggie Q, 42. She portrayed Tori Wu in the film adaptation of Veronica Roth’s novel Divergent, a role she reprised in its sequels, Insurgent and Allegiant. She played a female agent in a comedic version of the Jackie Chan fronted Around the World in 80 Days. And she’s in the recent remake of Fantasy Island that critics hated but was a box office success. On a brighter note, she voices Wonder Woman on the Young Justice series. (CE) 
  • Born May 22, 1979 – Kagami Takaya, age 42.  (Personal name last, Japanese style.)  Nine light novels available in English.  Here is the most recent I know of; see here.  [JH]
  • Born May 22, 1985 – Arwen Mannens, age 36.  Three novels; so far I find them only in Dutch.  Samples of her 2006 and 2021 drawing here.  [JH]

(9) COMICS SECTION.

  • Saturday Morning Breakfast Cereal – the word Carbonite should be enough….

(10) DISNEY PLUS WITCHES. “Bette Midler announces that ‘Hocus Pocus 2’ is happening: ‘We’re back!’” says Yahoo! Entertainment.

Here’s yet another reason why you should always bet on Bette (Midler). Last year, the acting and singing icon confirmed to Yahoo Entertainment that she would “absolutely” be back for Hocus Pocus 2 — the long-rumored sequel to Disney’s 1993 Halloween favorite — alongside her witchy onscreen sisters Kathy Najimy and Sarah Jessica Parker. “As soon as we sign on the dotted line,” Midler promised at the time. 

Flash-forward a few months, and it looks like that dotted line isn’t blank anymore. Hocus Pocus 2 will start production later this year for a 2022 premiere on the Disney+ streaming service. And all three Sanderson sisters promptly confirmed the news on social media. “It’s been 300 years… but we’re BACK!” Midler teased on Instagram. 

(11) GET THE LEAD OUT. Past Print takes you on a visual tour of its collection of “Type tools before the pc”. I remember using a hand-held composing stick in Print Shop back in nineteen-ought-sixty-eight.

(12) NOT LOST, JUST THROWN AWAY. CrimeReads’ Keith Roysdon decided to rewatch the bad final season of LOST. He explains why he thinks it was bad and notes the many mysteries of the show that were never answered: “Coming To Terms With ‘Lost,’ All These Years Later”.

…Like millions of other viewers, I found the series riveting television. I loved the characters and situations and twists. The polar bear. The hatch. The slowly-unfolding story of the Dharma Initiative. And I was never more horrified at a TV plot point than when “the Others” kidnapped young Walt.

The intense reaction the series inspired in me and others backfired, though, when “Lost” ended with a disappointing final season and a two-part finale that didn’t just disappoint but outraged some.

I was so disappointed that, in the 11 years since the finale aired on May 23, 2010, I’ve never revisited it, never rewatched the DVD set that collects dust on a shelf. I’ve never gone back to revisit the cult ABC series on streaming….

… It’s not just the failure of the show to answer many of its mysteries that is so off-putting. Remember that scene in the cult movie “The Adventures of Buckaroo Banzai Across the Eighth Dimension” when Jeff Goldblum’s character asks about a watermelon in a complicated piece of machinery and Clancy Brown’s character says, “I’ll tell you later” but then never does? That did not ruin “Buckaroo Banzai” for me.

But “Lost’s” mysteries were so many and some were so largely unanswered….

(13) VIDEO OF THE DAY. Out of the Inkwell: The Fleischer Story is a documentary, narrated by Carl Reiner, about the Fleischer studios which explains why Max and Dave Fleischer were great cartoonists. It first appeared around 1990. Leonard Maltin and Mark Evanier are two of the talking heads.

[Thanks to John King Tarpinian, Cat Eldridge, Lise Andreasen, John Hertz, Mike Kennedy, Will R., Andrew Porter, Brian Z., Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Daniel “Anything Geas” Dern.]

Hugh Howey Launches Self-Published Science Fiction Competition

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Hugh Howey of Wool fame has decided to form the Self-Published Science Fiction Competition (SPSFC).  The contest is modeled after Mark Lawrence’s Self-Published Fantasy Blog-Off, which just named its sixth winner, and has his blessing.

Howey says the SPSFC will run the same way:

Ten book bloggers, up to 300 science fiction novels, a year of reading and reviewing. We will end up with ten finalists and one winner. Next year, we will do it all over again.

The winner gets a badge and a blaster set to “stunning.” Most importantly, they get heaps of recognition and bragging rights. All the finalists and many of the entries will naturally get more eyeballs on their books, which is what authors and eye-eating aliens crave the most.

Right now Howey is taking applications from the bloggers interested in becoming one of the contest’s ten reviewers. To put in your name, click here and fill out the form.

On June 30, the competition will open to submissions from authors who want their books considered. The requirements are:

1) Your book must be a standalone or the first in a series.
2) One book per author. So send your best!
3) It must be a novel, not an anthology.
4) The book must be self-published and available for purchase now.
5) Works must be at least 50,000 words.

[Thanks to Dann for the story.]

Anderson Wins Self-Published Fantasy Blog-Off 2020

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Mark Lawrence has tweeted out the news that Justin Lee Anderson’s The Lost War (Eidyn Book 1) is the winner of the 6th Self Published Fantasy Blog-Off. The book was the top-rated finalist for 4 of the 10 reviewing blogs, with an average rating of 8.35 out of 10.

The sixth Self-Published Fantasy Blog-Off (SPFBO #6) began with the submission of self-published fantasy works on June 1, 2020. The first 300 author-submitted works were accepted into the competition. The major qualifiers were that the book must be self-published, must be currently available for purchase, must be a work of fantasy, and must be either a stand-alone novel or the first book in a series.

The works were then divided into ten groups of 30 with each group being assigned to one of ten volunteer sites/organizations that provide reviews of works of fantasy. Each site read their 30 assigned works and promoted one book into the finalist round.

Once the finalists were identified, each review site read, reviewed, and rated the nine remaining finalists. The winner will be the book with the highest average rating from the ten review sites.

Mark Lawrence started the SPFBO self-published fantasy book contest five years ago. Here is his Mission Statement:

The SPFBO exists to shine a light on self-published fantasy. It exists to find excellent books that might otherwise have gone unnoticed. It exists to help readers select, from the enormous range of options, books that have a better chance of entertaining them than a random choice, thereby increasing reader faith in finding a quality self-published read.

It is not:
i) Perfect. Great books will slip through this net just like they do every other net.
ii) Aimed at getting traditional publications deals. Some authors opt for them but it would be an insult to suggest that the holy grail for self published authors is a deal with a big publisher.
iii) Charged for. This is totally free. The enormous effort given by the reviewers/blogs is a gift. Don’t abuse it. #NoDrama

The winner receives the prestigious Selfie Stick Award

The rest of the 2020 finalists are listed here.

[Based on posts written by Dann.]

Self-Published Fantasy Blog-Off #6 Reaches the Finals

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By Dann: The sixth Self-Published Fantasy Blog-Off (SPFBO #6) began with the submission of self-published fantasy works on June 1, 2020. The first 300 author-submitted works were accepted into the competition. The major qualifiers were that the book must be self-published, must be currently available for purchase, must be a work of fantasy, and must be either a stand-alone novel or the first book in a series.

The works were then divided into ten groups of 30 with each group being assigned to one of ten volunteer sites/organizations that provide reviews of works of fantasy. Each site read their 30 assigned works and promoted one book into the finalist round.

Once the finalists were identified, each review site read, reviewed, and rated the nine remaining finalists. The winner will be the book with the highest average rating from the ten review sites.

SPFBO #6 is quickly coming to a close. Most of the reviewers have read most of the books. Twenty out of 100 reviews are yet to be completed. The following table (data from April 19, 2021) provides the ratings as well as (1) links to the books, (2) links to the authors’ websites, (3) links to the review blogs, and (4) links to their specific reviews (click on the score number).

Use the slide at the bottom of the table to bring the right half into view.

ScoreFantasy-FactionFantasy Book CriticLynn’s BooksBooknestKitty GThe Weatherwax ReportFantasy HiveQueen’s Book AsylumCritiquing ChemistFantasy Inn
The Fall of Erlon by Robert H. Fleming6.10657666.56.568*4
The Lost War by Justin Lee Anderson(8.35/6)7.59*9.5**897
Black Stone Heart by Michael R. Fletcher(8.15/9)8.58**8.59998*7.56
Voice of War by Zack Argyle(7.85/6))88*77.588.5
Shadow of a Dead God by Patrick Samphire(7.75/8)8*7887987
Darkness Forged by Matt Larkin(7.30/7)66.587.58*6.58.5
 Last Memoria by Rachel Emma Shaw(6.95/8)776.5768*6.57.5
Wind From The Wilderness by Suzannah Rowntree(6.95/8)7.587858*75
The Combat Codes by Alexander Darwin(6.15/9)3.58*48.566.5775
Nether Light by Shaun Paul Stevens(5.65/7)456.5673.57.5*
Blogger Average Score—7.07.2

* = Blogger chose this finalist.
** = Blogger’s top book.

Mark Lawrence noted that a number of the blogs/reviews reduced their scores for The Combat Codes on the basis that it wasn’t fantasy.

Mark recently announced that SPFBO will return for a seventh season on June 1, 2021. One of the ten review sites will not be participating in SPFBO #7. Any reviewer(s) that would be interested in committing to the full reading/review process should contact Mark directly via one of his publicly acknowledged channels.

Pixel Scroll 4/16/21 I Am Just A Filer, Though My Pixel’s Seldom Scrolled

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(1) CONTRACT GUIDES NOW OPEN ACCESS. The Authors Guild has released its Model Book Contract to the public for the first time. They have also produced a separate Literary Translation Model Contract for U.S. translators and literary agents.

“We updated the Model Trade Book Contract last year right before the COVID-19 pandemic hit. We never could have predicted just how deleterious the crisis would be on working writers, with 71.4 percent of authors reporting losing, on average, 49 percent of their regular pre-pandemic income, based on our latest member survey,” said Mary Rasenberger, CEO of the Authors Guild. “Given this situation, we have been exploring various ways to help ease the lives and careers of professional writers, which is why the Authors Guild Council recently voted to remove the Model Trade Book Contract from behind our member paywall and make it freely accessible for all writers, publishers and anyone interested in book contracts. We hope that publishers will look to its terms in creating their own or adopt it, and we want authors around the globe to have access to it so they can understand what terms and issues they should be aware of before signing any book deal.”

(2) THEY’RE BACK. “Wakandans Featurette/Marvel Studio’s The Falcon and The Winter Soldier” on YouTube is a trailer from Disney+ that announces that Wakandans have shown up in The Falcon And The Winter Soldier.

(3) SPFBO. Mark Lawrence has announced that he will be starting the next Self-Published Fantasy Blog-Off on June 1st.  They need another blogger/reviewer.

(4) FINALS EXAM. Cora Buhlert has 2,000 well-chosen words to share on the subject: “Some Thoughts on the 2021 Hugo Finalists”.

… When the Best Series Hugo was proposed, the argument was that a lot of popular and long-running series are overlooked by the Hugos – or the Nebulas for that matter – because the individual novels don’t stand alone very well and the whole is greater than the sum of its parts.

However in practice, such series, no matter how popular, are rarely nominated. Particularly The Dresden Files by Jim Butcher is notable by its absence, even though the Best Series Hugo seems tailor-made for this series.

Instead, the Best Series ballot tends to consist of trilogies by authors Hugo voters like and where individual volumes have often made the ballot before as well as of works set in the same wold that form a series if you squint really hard. I guess most Hugo voters simply aren’t series readers.

That said, the actual Best Series ballot looks pretty good this year. The Murderbot Diaries by Martha Wells is a hugely popular series where prettty much every installment has either been a finalist or would have been, if Martha Wells hadn’t withdrawn two Murderbot novellas from consideration in 2019. It’s also a great series….

(5) HAVE YOU RED IT TOO? The Heinlein Society has a good reason for suggesting that you watch this trailer and note what books the kids are reading at about 28 seconds.

(6) IT’S JUST TAKING A KIP. Meanwhile, back at the Red Planet, NASA’s InSight lander is “in crisis”: “NASA’s InSight Mars Lander to Hibernate so Batteries Don’t Die” at Business Insider.

… Unlike other sites where NASA has sent rovers and landers — including the landing spot of the new Perseverance rover and its Mars helicopter — powerful gusts of wind have not been sweeping Elysium Planitia. These winds, called “cleaning events,” are needed to blow the red Martian dust off the solar panels of NASA’s robots. Without their help, a thick layer of dust has accumulated on InSight, and it’s struggling to absorb sunlight.InSight’s solar panels were producing just 27% of their energy capacity in February, when winter was arriving in Elysium Planitia. So NASA decided to start incrementally turning off different instruments on the lander. Soon the robot will go into “hibernation mode,” shutting down all functions that aren’t necessary for its survival.

By pausing its scientific operations, the lander should be able to save enough power to keep its systems warm through the frigid Martian nights, when temperatures can drop to negative-130 degrees Fahrenheit.

“The amount of power available over the next few months will really be driven by the weather,” Chuck Scott, InSight’s project manager, said in a statement.

InSight is still in good condition — it’s even using its robotic arm — but an out-of-season storm could cause a power failure. If the lander’s batteries die, it might never recover.

“We would be hopeful that we’d be able to bring it back to life, especially if it’s not asleep or dead for a long period of time,” Bruce Banerdt, InSight’s principal investigator, told Insider. “But that would be a dicey situation.”

(7) THE HOLE NINE YARDS. Let James Davis Nicoll tell you about “Five Books That Use Wormholes to Plug Plot Holes” at Tor.com. First on the list –

Starman Jones by Robert Heinlein (1953)

This novel long predates the heyday of wormholes; it doesn’t even use the phrase. But it uses spacetime anomalies, which are just like wormholes. With one exception: they don’t just have an entrance and an exit. They can take you all sorts of interesting places if you enter the anomaly with the wrong approach vector. A small error calculating the vector and a hapless ship could find itself light-millennia off-course, with no clear idea how to get home. No prizes for guessing if this happens to the Asgard, the very ship on which the eponymous Starman Jones is serving. Nor is this worst that will happen to the unfortunate castaways.

(8) MCCRORY OBIT. Actress Helen McCrory, OBE, (1968-2021) died April 16 reports GEEKchocolate.

We are hugely saddened to hear of the death of the wonderful Helen McCrory, known to us as Rosanna Calvierri’s in Doctor Who’s Vampires of Venice, but with a resume which stretched from Interview with the Vampire, Charlotte Gray, The Count of Monte Cristo, Skyfall, The Woman in Black: Angel of Death, a recurring role in Harry Potter as Narcissa Malfoy, and a long stint as Polly Grey on Peaky Blinders, as well as two appearances as Cherie Blair in The Queen and The Special Relationship.

(9) FELIX SILLIA OBIT. The actor who played Cousin Itt on The Addams Family, Felix Sillia, has died at the age of 84 reports SYFY Wire.

In addition to playing Cousin Itt, Silla’s other best-known roles include playing the robot Twiki / Odee-x on Buck Rogers in the 25th Century, and an evil miniature “Hitler” in 1975’s The Black Bird. He also had smaller parts in much-loved movies, such as playing an Ewok on Star Wars: Return of the Jedi and Dink in Spaceballs. He also worked as a stuntman on E.T. the Extra-Terrestrial, Poltergeist, Indiana Jones and the Temple of Doom, Howard the Duck, and Batman Returns.

(10) MEDIA BIRTHDAY.

  • April 16, 1955 –On this day in 1955, Science Fiction Theatre aired “Time Is Just A Place” as the second episode of the first season.  It’s from Jack Finey’s “Such Interesting Neighbors” (published in Collier’s, 1951) which would later form the basis of the March 20, 1987 adaptation of the story under its original title for Amazing Stories. The story is that neighbors are increasingly suspicious of the inventions of Mr. Heller, who claims to be an inventor, who uses a robotic vacuum cleaner and a flashlight that beams x-rays. It starred Don DeFore, Warren Stevens and Marie Windsor.  You can watch it here.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born April 16, 1891 – Dorothy Lathrop.  Illustrator and author.  Historically a lot of good fantasy has been written for children; folks who appreciate fantasy know to look there.  DL illustrated twoscore books, writing nine herself, also nonfiction.  Rachel Field’s Hitty, illustrated by DL, won RF a Newbery Medal; DL’s illustrations for Helen Fish’s Animals of the Bible won DL a Caldecott Medal.  Here is DL’s cover for an ed’n of The Little Mermaid.  Here is a dandelion soldier.  Here is an interior for Mopsa the Fairy.  This is from DL’s Fairy Circus.  Here is Across the Night Sky.  Here is a 2011 appreciation with another score of pictures.  (Died 1980) [JH]
  • Born April 16, 1921 — Peter Ustinov. He had a number of genre appearances such as being in Blackbeard’s Ghost as Captain Blackbeard, in the animated Robin Hood by voicing both  Prince John and King Richard, as simply The Old Man In Logan’s Run, Truck Driver In The Great Muppet Caper, and in Alice in Wonderland as The Walrus. He wrote The Old Man and Mr. Smith: A Fable which is clearly genre. Genre adjacent (well sort of), he played Hercule Poirot twice. (Died 2004.) (CE) 
  • Born April 16, 1922 — Kingsley Amis. So have you read The Green Man? I’m still not convinced that anything actually happened, or that rather everything including the hauntings were really in Maurice Allington’s decayed brain. I’m not seeing that he did much else for genre work other outside of The Anti-Death League and The Alteration but he did write Colonel Sun: A James Bond Adventure under the pseudonym of Robert Markham and his New Maps of Hell: A Survey of Science Fiction which was published in the late Fifties sounds fascinating as he shares his views on the genre and makes some predictions as there’ll never be a SF series on the boob tube despite there already being some. (Died 1995.) (CE) 
  • Born April 16, 1922 — John Christopher. Author of The Tripods, an alien invasion series which was adapted into both an excellent radio and a superb television series. He wrote a lot of genre fiction including the Fireball series in which Rome never fell, and The Death of Grass which I mention because it was one of the many YA post-apocalyptic novels that he wrote in the Fifties and Sixties that sold extremely well in the U.K. The film version would be nominated for a Hugo finishing sixth in the balloting at Noreascon I, a year where No Award was given. (Died 2012.) (CE) 
  • Born April 16, 1953 – J. Neil Schulman.  Four novels, half a dozen shorter stories; collection Nasty, Brutish, and Short Stories (speaking of Hobbes’ Leviathan, I used to joke that the tiger should have been Calvin, and the boy Hobbes because he was nasty, brutish, and short); “Profiles in Silver” for The Twilight Zone; two Prometheus Awards.  I can’t remember ever agreeing with him, but I miss him.  (Died 2019) [JH]
  • Born April 16, 1954 — Ellen Barkin, 65. Usually I don’t do a birthday listing for just a few genre appearances but I make an exception for those performers who appeared in The Adventures of Buckaroo Banzai Across the 8th Dimension. Barking played Penny Priddy in that film and that was her only genre appearance other than playing Kathleen in the Into The West film about Irish Travellers and a very special horse named Tír na nÓg. (CE)
  • Born April 16, 1962 — Kathryn Cramer, 59. Writer, editor, and literary critic. She co-founded The New York Review of Science Fiction in 1988 with David G. Hartwell and others, and was its co-editor until 1991 and again since 1996. She edited with her husband David G. Hartwell Year’s Best Fantasy one through nine and Year’s Best SF seven through seventeen with him as well.  They did a number of anthologies of which I’ll single out The Hard SF Renaissance and The Space Opera Renaissance as particularly superb. She has a most excellent website — Kathryncramer.com. (CE)
  • Born April 16, 1970 – Brandon McKinney, age 51.  Here is a fine cover for John Whitman’s novelization Star Wars.  Here is a cover for JW’s Phantom Menace.  Interiors for both.  Here is Batman, here is Robin.  Here is Spider-Man.  Here is Bruce Lee in The Dragon Rises.  Also Elfquest; see here.  [JH]
  • Born April 16, 1975 — Sean Maher, 46. Doctor Simon Tam In the Firefly verse. And Dick Grayson (Nightwing) in a staggering number of  animated DAC films, to wit  Son of Batman, Batman vs. Robin,,Batman: Bad Blood, Justice League vs. Teen Titans, Teen Titans: The Judas Contract and Batman: Hush. He showed up on Arrow as Shrapnel in the “Blast Radius” and “Suicide Squad” episodes. (CE)
  • Born April 16, 1978 – Amy Ruttan, age 43.  Four novels for us; two dozen others.  “Half the fun of writing historicals and being swept away in a different time period is the research….  let someone else you trust have a look over your work.  You’ll be surprised what you as an author won’t pick out.”  [JH]
  • Born April 16, 1983 – Thomas Olde Heuvelt, age 38.  Too little (say I) of his work has been translated from Dutch into English.  “The Day the World Turned Upside Down” was and won a Hugo, which may be some encouragement.  Six novels, sixteen shorter stories; one novel, five shorter stories in English so far.  Three Paul Harland prizes.  [JH]
  • Born April 16, 1990 – Kusano Gengen, age 31.  (Personal name last, Japanese style.)  Only three stories yet translated into English; one is “Last and First Idol” – yes, alluding to Olaf Stapledon – which won a Seiun, and is the lead story in a 2018 collection with the other two.  KG drew a thousand words from Jonathan Clements, of which I’ll quote a few about “Idol”: “Described by one of the Hayakawa Sci-Fi Contest [which “Idol” won – JH] panelists as ‘stupid’, and by an employee of his own publisher as ‘abysmal’, Kusano’s work of recursive SF provocatively combines the breathless, vapid prose of a teenage school story with the portentous, epic concerns of Space Opera, turning each into a wry commentary on the pomposity of the other.”  Meanwhile Kusano-san went off to Hokkaidô University for a Ph.D.  [JH]

(12) COMICS SECTION.

(13) IMAGINARY PAPERS ON YOUR DOORSTEP. The Arizona State University Center for Science and the Imagination today published the 6th issue of Imaginary Papers, their quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.  

This issue features writing from media scholar Lisa Yin Han, experimental philosopher Jonathon Keats, and learning sciences researcher Ruth Wylie.

Here is a link for subscribing to future issues.

 (14) ZOOMING THROUGH FANHISTORY. Fanac.org has scheduled three more FanHistory Project Zoom Sessions. To attend, send an RSVP to [email protected] in order to receive a link. 

  • April 17, Saturday – 2pm EDT, 11AM PDT, 7PM London –  Early Star Trek Fandom, with Ruth Berman and Devra Langsam.  

Stories and anecdotes from Ruth and Devra about their entry into fandom, about the origins of Star Trek fandom, and how they came to publish T-Negative and  Spockanallia. For those of us that came into fandom later, here’s a chance to hear how Star Trek was received in general fandom, how Trek fandom got started, who the BNFs were and what they were they like.  How did the first Trek fanzines and Trek conventions affect fandom, and how did Trek fandom grow  and become its own thing. 

  • April 27, Tuesday – 4pm EDT, 1pm PDT,  9PM London. An Interview with Erle Korshak by Joe Siclari. 

Erle Korshak is one of our remaining FIrst Fans (inducted into the First Fandom Hall of Fame in 1996) and a Guest of Honor at Chicon 8 (2022 Worldcon). Erle was an organizer of the first Chicon,  the 1940 Worldcon, and was one of the Worldcon auctioneers for many years. He started Shasta Publishers, one of the first successful specialty SF publishers.  He was also involved with early SF movies. In this session, fan historian Joe Siclari  will interview Erle and his son Steve about early fandom, early conventions (including Worldcons), Shasta, and both Erle and Steve’s continuing interest in illustration art. Note: this is a midweek session. 

  • May 22, Saturday – 2pm EDT, 11AM PDT, 7PM London – An Interview with Bjo and John Trimble. 

Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organziers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for Best Fan Artist Hugo. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and more. 

(15) BEAMING INTO YOUR HOME. Stay tuned as Galactic Journey boldly goes through 1966!

(16) BIG BUCKS. Smaug’s dead, so they can’t borrow it from him.“Amazon’s ‘Lord of the Rings’ Costs $465 Million for Just Season 1” says The Hollywood Reporter.

Amazon Studios’ The Lord of the Rings television show is going to cost all the gold in the Lonely Mountain.

The Hollywood Reporter has confirmed that Amazon will spend roughly NZ$650 million — $465 million in U.S. dollars — for just the first season of the show.

That’s far above previous reported estimates that pegged the fantasy drama as costing an already record-breaking $500 million for multiple seasons of the show.

“What I can tell you is Amazon is going to spend about $650 million in season one alone,” Stuart Nash, New Zealand minister for economic development and tourism, told Morning Report. “This is fantastic, it really is … this will be the largest television series ever made.”

The figures were released as part of as part of the New Zealand government’s Official Information Act and initially reported by the New Zealand outlet Stuff. The documents also confirmed the studio’s plan to film potentially five seasons in New Zealand — as well as possible, as-yet-unannounced spinoff series.

By comparison, HBO’s Game of Thrones cost roughly $100 million to produce per season, with its per-episode cost starting at around $6 million for season one and eventually rising to around $15 million per episode in season eight….

(17) THE TRAIN TO NOWHERE. Mashable’s reviewer Belen Edwards says “’Infinity Train’ Season 4 is a strong end to a show that deserved more”.

… However, part of the beauty of Infinity Train has always been its conciseness. The animated series takes on an anthology format. Each season follows a different passenger on the titular train, where each car holds a new world. Passengers are assigned a glowing green number that goes down as they learn more lessons and work to resolve the problems in their life. When their numbers reach zero, they can exit the train. Each season is only 10 episodes long, and at 11 minutes each they pack in an astounding amount of character development and heart. …

(18) KING OF THE MOVIES. There will be an online “Dollar Baby film festival” hosted by Vancouver’s Baker Street Cinema of unreleased Stephen King movies from April 23-25. Full details at the link.  

Hosted by Canadian film production company Barker Street Cinema, the virtual festival, called STEPHEN KING RULES, will screen 25 submissions by filmmakers from all over the world, many of which have never been seen by a global audience before.

Since 1977, the Master of Horror – Stephen King – has allowed emerging filmmakers to adapt his previously unproduced short stories into films that may help launch their careers through what is called the Dollar Baby Deal. Barker Street’s STEPHEN KING RULES Dollar Baby Film Festival will showcase an exciting line-up of these independent movies, including interviews and panel discussions with the filmmakers themselves….

[Thanks to Andrew Porter, JJ, Cat Eldridge, Dann, John Hertz, John King Tarpinian, N., Mike Kennedy, Michael Toman, Cora Buhlert, James Davis Nicoll, Bill, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day MixMat and Cliff with an assist from Jack Lint and Anna Nimmhaus.]