Tag Archives: Masters of the Universe

Pixel Scroll 3/25/25 The Pixel Moon Is A Harsh Scrolless

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(1) CARDINAL NUMBERS. On this week’s Beyond Solitaire Podcast, Ada Palmer speaks about her papal election LARP at The University of Chicago–but also about historical research, her work as a sci-fi author, and how both history and fiction can help us talk about today’s world. “Beyond Solitaire Podcast 189: Ada Palmer on LARPing the Renaissance”.

(2) BANKRUPT COMIC DISTRIBUTOR FINDS BUYER. “Alliance wins bid to acquire Maryland-based Diamond Comic Distributors” reports The Baltimore Banner.

Alliance Entertainment Holding Corporation, a global distributor and wholesaler that specializes in media and collectibles, won a bid Tuesday to acquire the assets of Hunt Valley-based Diamond Comic Distributors.

Diamond, once the country’s top comic book distributor, filed for bankruptcy in January. The company began to lose its grip on distribution when the COVID-19 pandemic began, forcing Diamond to briefly suspend operations as other competitors popped up. More recently, the company struggled with delays in getting titles to comic stores on time.

Diamond warned in a federally mandated notice filed in January that if it didn’t find a buyer by April 1, it could face layoffs and the closure of its headquarters. Raymond James, a global financial services firm, hosted the auction in New York on Monday. There will be a court hearing Thursday to approve the sale….

…The acquired businesses support more than 5,000 retail stores, from independent game and comic shops to online stores and mass-market chains, according to the press release….

(3) POSTMASTER GENERAL DEJOY IS OUT. [Item by Andrew Porter.] I note that in late February I mailed a letter to my brother in Michigan. It took a mere 21 days to reach him… “US postmaster general resigns with immediate effect” in the Guardian. (Editor’s note: We old fanzine fans always seem more interested in this post than other government officials.)

The US postmaster general, Louis DeJoy, who said earlier this month that he had asked the government efficiency team led by Elon Musk for assistance with a number of issues, is resigning effective on Monday, the agency said.

DeJoy, who has headed the agency since 2020, in February said he had asked the US Postal Service (USPS) governing board to identify his successor but had given no indication in recent days that he planned to step down abruptly.

Donald Trump said in February that he was considering merging the United States Postal Service with the commerce department, a move Democrats said would violate federal law.

“Much work remains that is necessary to sustain our positive trajectory,” DeJoy said in a statement, adding that the deputy postmaster general, Doug Tulino, would head the agency until the postal board names a permanent successor. They have hired a search firm, he added….

(4) GEOFF RYMAN WORK DISCUSSED ON BBC. [Item by SF Concatenation’s Jonathan Cowie.] Geoff Ryman’s book is covered in this week’s A Good Read on BBC Radio 4.

(By the way, looks like BBC shutting down overseas access to BBC Sounds.  As a Brit Cit citizen who pays an annual license to fund the BBC, I am allowed to say this… I think this is a retrograde step. First off it cuts off British ex-pats from Auntie and this is not good.  Second, the BBC has some great, ‘free’ (well, paid for by residents like me) public broadcast content. The BBC is therefore a British soft-power play and Britannia rules the air waves… Short rant over.)

Meanwhile, back at the plot…

Towards the end of the half-hour programme (last 10 minutes) we get comedian Sarah Mills choice of read, Ryman’s 235…

Sarah has selected 253 by Geoff Ryman, the novel originally published on the Internet which tells the stories of 253 passengers on a London Underground train.

A Good Read can be accessed at BBC Sounds here (for now…)

(5) SFWA REMEMBERS POURNELLE. Michael Capobianco chronicles an early SFWA president in “Jerry Pournelle: SFWA Historian” at the SFWA Blog. The “historian” tag comes from the institutional knowledge Jerry shared on GEnie, a pre-internet phone modem bulletin board service run by General Electric that offered access to published science fiction and fantasy writers.

…Many of Jerry’s anecdotes on GEnie showed that SFWA had accomplished much, and some showed its sillier and/or more combative side. What did we learn? We learned that Somtow Sucharitkul’s cat had peed in his box of important SFWA documents when he was SFWA Secretary in the mid-80s (the loss of which still bedevils the organization today). We learned that SFWA had conducted a mass audit of Ace Books that turned up a lot of money owed to SFWA members. We learned that SFWA had intervened to help get J. R. R. Tolkien’s US rights to The Lord of the Rings back (see Part 1 and Part 2 of “A Brief History of SFWA: The Beginning”). We learned there had been a long and vicious fight over creating an official SFWA tie (don’t ask) and a Fellowship membership category. 

Some SFWA wounds were still open after many years and were a touchstone for the organization in some quarters. On GEnie, one controversy that was often referenced but never fully explained was the Lem Affair. SFWA had awarded Polish SF writer Stanislaw Lem an honorary membership and then, after Lem attacked American science fiction and amid a long internal fight, had retracted it. Whether the retraction was political or simply happened because giving it to Lem was in violation of the bylaws (or, most likely, a combination of both) is still debated…

(6) GRACE PERIOD FOR EFF. The European Fan Fund has extended its nominations deadline to March 30. EFF is the European Fan Fund which transports European SF fans to Eurocons.

Apply to have your trip to Eurocon 2025 covered by the European Fan Fund or spread the word to fellow fans!

(7) DRAWN THAT WAY. “’Doctor Who’ S2 Teases Adventure in an Animated Universe” – Animation Magazine sets the frame.

Today, Disney+ unveiled a new trailer for Season 2 of iconic BBC sci-fi series Doctor Who, featuring the heroic Time Lord’s latest incarnation (portrayed by Ncuti Gatwa; Sex Education) and his new companion Belinda Chandra, a.k.a. The Nurse (Varada Sethu; Andor). New episodes launch April 12 on the streamer.

The new spot offers a glimpse of a delightful first for the long-running hit franchise: The Doctor’s travels to an animated reality! While “lost” episodes of vintage Doctor Who have been resurrected with animated visuals, this marks the first originally animated installment for the live-action show.

Disney-owned ABC News revealed that the season’s second episode will see The Doctor and Belinda encountering a strange cartoon character named Mr. Ring-a-Ding (voiced by Emmy winner Alan Cumming). As shown in the trailer, our time-traveling protagonists will get a 2D toon makeover reminiscent of vintage Saturday morning cartoon favorites like Scooby-Doo.

Mr. Ring-a-Ding is described as “a happy, funny, singalong cartoon, who lives in Sunny Town with his friend Sunshine Sally.”

“In 1952, after years of repeats in cinemas across the land, Mr. Ring-a-Ding suddenly looks beyond the screen and sees the real world outside — and the consequences are terrifying.”

Cumming previously guest starred in a 2018 episode of Doctor Who, “The Witchfinders,” as King James I.

(8) TODAY’S BIRTHDAY.

[Written by Cora Buhlert.]

March 25, 1939 — D.C. Fontana. (Died 2019.)

By Cora Buhlert: Dorothy Catherine Fontana, better known as D.C. Fontana, was born on March 25, 1939 in New Jersey. At age eleven she decided that she wanted to become a novelist. But while she would become a writer, her main body of work would be in television rather than novels.

Employment opportunities for women were limited in the late 1950s and early 1960s, so Dorothy Fontana went to work as a secretary after college. This was her entrance into the TV industry, because she found employment first at Screen Gems and then at Revue Studios, where she worked as a secretary for Samuel A. Peeples on the largely forgotten western series Overland Trail and The Tall Man. But Dorothy Fontana wanted more than just to type other people’s scripts. She wanted to write her own and in 1960, aged twenty-one, she managed to sell her first script for the episode “A Bounty for Billy” of The Tall Man. More sales followed.

In 1963, Dorothy Fontana went to work on a military themed TV show called The Lieutenant. The show only lasted for one season, but nonetheless it would change D.C. Fontana’s, as she was calling herself by now, life, because she wound up working as the secretary of Gene Roddenberry, creator of The Lieutenant. Roddenberry encouraged Fontana’s writing, leading to the publication of her first novel, a western called Brazos River.

When The Lieutenant was cancelled, Gene Roddenberry started working on a new show called Star Trek. D.C. Fontana accompanied him. Before working on Star Trek, D.C. Fontana had had no interest in science fiction, but this quickly changed as work on the new show progressed. D.C. Fontana wrote the teleplay for “Charlie X”, the second episode of Star Trek. By the end of season 1, she was the story editor of Star Trek and also wrote the scripts of such memorable episodes as “Tomorrow is Yesterday”, “Journey to Babel”, “This Side of Paradise” and “Friday’s Child”.

D.C. Fontana left as story editor before the third season of Star Trek, but continued to contribute to the series as a freelance writer. Her collaboration with Gene Roddenberry continued on The Questor Tapes and Star Trek: The Animated Series. By the 1970s, D.C. Fontana, who had never read a science fiction story before Star Trek, had become one of the go-to writers for science fiction television and worked on Buck Rogers in the 25th Century, Logan’s Run, The Six Million Dollar Man, Fantastic Journey and Battlestar Galactica, an experience she disliked so much that she disavowed her screenplay. She also continued to work on non-genre shows such as The Waltons, The Streets of San Francisco, Bonanza, Kung Fu and Dallas.  

D.C. Fontana returned to Star Trek as story editor and associate producer on Star Trek: The Next Generation, for which she co-wrote the pilot “Encounter at Farpoint”. However, she left during the first season, following a fallout with Gene Roddenberry. Though D.C. Fontana was not completely done with Star Trek yet. She wrote Star Trek novels and contributed a script to Star Trek: Deep Space Nine. She also wrote several screenplays for Deep Space Nine’s great rival Babylon Five.  

I don’t know what my first contact with D.C. Fontana’s work was. I know it wasn’t Star Trek, because she wrote none of the Star Trek episodes I saw as a young kid during a rerun on German TV in the late 1970s. And while I watched all of the science fiction series on which she worked, I didn’t see most of them until much later, when the floodgates of private television opened and many of these shows aired in Germany for the first time.

Indeed, it’s quite likely that my first contact with D.C. Fontana’s writing was a non-genre show, quite possibly The Waltons, which aired on Sunday afternoons and which my parents watched religiously. The Streets of San Francisco or Dallas are also possibilities, though I only got to see those shows sporadically during the holidays, since they aired in evening slots after my bedtime.

However, one story penned by D.C. Fontana that I definitely encountered early on is her sole contribution to the Filmation He-Man and the Masters of the Universe cartoon, the second season episode “Battlecat”, which tells the origin of Prince Adam’s “fearless friend” Cringer and his alter-ego Battlecat. The episode is basically one long flashback, recounting how a young Prince Adam rescues a tiger cub from a sabrecat stalking the little one. Adam takes the injured cub to the royal palace and nurses him back to health and the two are soon inseparable. However, Adam is mortified that is pet is terrified of everything, up to and including his own shadow, which also gains him the name Cringer, courtesy of Teela teasing Adam about his pet.

As for why Cringer is always so afraid, this episode never shows us what happened before Adam found Cringer, though we can guess from fact that Cringer is all alone in the jungle and being stalked by a predator that it was nothing good. In 2012 finally, a comic did tell what happened just before, namely that Cringer’s entire family and tribe were wiped out by a sabrecat attack. Baby Cringer was the only survivor and was hunted for days, until Adam drove off the predators and rescued him. So the reason Cringer is always terrified is because he is deeply traumatized.

When Adam gains the Power of Grayskull and becomes into He-Man, he makes sure never to transform in front of Cringer, until one day when Cringer follows Adam and chances to witness the transformation. Cringer is understandably terrified and when He-Man tries to reassure him that there’s no reason to be afraid and that he’s still Adam inside, he accidentally points the Sword of Power at Cringer and Battlecat is born. And not a moment too soon, because an eldritch horror has escaped from its tomb and needs to be stopped…

“Battlecat” is a highly memorable episode, especially since the Filmation He-Man cartoon rarely ever gave us origin stories for the various characters. We never even got to see how Adam first became He-Man, so it’s a treat to see how Cringer first became Battlecat and how Adam and Cringer met in the first place. The fact that Baby Cringer is one of the cutest creatures ever seen on screen doesn’t hurt either.

In many ways, this episode also illustrates D.C. Fontana’s strengths as a writer. Her episodes were inevitably memorable and often expanded the world of the story and gave backstory to characters who did not have a lot before, whether it’s introducing Spock’s parents in “Journey to Babel”, delving into the previous hosts of the Dax symbiont in “Dax” or recounting the origins of Cringer in “Battlecat”.

D.C. Fontana

(9) COMICS SECTION.

(10) RAIDERS CAST-SIGNED LASERDISC. If you can’t live without this you better get your bid in by Thursday: “’Raiders of the Lost Ark’ Cast, Director & Creator Signed Laser Disc Cover — Signed by Harrison Ford, Steven Spielberg, George Lucas, Karen Allen and Philip Kaufman — With Beckett COA” offered by Nate Sanders Auctions.

Extraordinarily rare ”Raiders of the Lost Ark” laser disc cover signed by all the principals of the iconic 1981 film. Large 12.5” square cover is signed by actors Harrison Ford and Karen Allen as well as by director Steven Spielberg and creators George Lucas and Philip Kaufman. All sign in blue felt-tip with excellent contrast against the cover. Includes actual laser disc, with bifold cover opening to show scenes from the movie. Light edgewear with dings to corners. Very good plus condition. With Beckett COA for all signatures.

(11) 13 IS AN ANSWER? [Item by Mark Roth-Whitworth.] Let’s see: 6×9=42. Ah, but it is true… in base 13. Which perfectly explains why things are so screwed up – we use base 10, or 2… but not 13. This, of course, is demonstrated by the paper… “The secret behind pedestrian crossings—and why some spiral into chaos” at Phys.org.

Pedestrian crossings generally showcase the best in pedestrian behavior, with people naturally forming orderly lanes as they cross the road, smoothly passing those coming from the opposite direction without any bumps or scrapes. Sometimes, however, the flow gets chaotic, with individuals weaving through the crowd on their own haphazard paths to the other side.

Now, an international team of mathematicians, co-led by Professor Tim Rogers at the University of Bath in the UK and Dr. Karol Bacik at MIT in the US has made an important breakthrough in their understanding of what causes human flows to disintegrate into tangles. This discovery has the potential to help planners design road crossings and other pedestrian spaces that minimize chaos and enhance safety and efficiency.

In a paper appearing in the journal Proceedings of the National Academy of Sciences, the team pinned down the precise point at which crowds of pedestrians crossing a road collapse from order to disorder.

The researchers found that for order to be maintained, the spread of different directions people walk in must be kept below a critical angle of 13 degrees.

When it comes to pedestrian crossings, this could be achieved by limiting the width of a crossing or considering where a crossing is placed, so pedestrians are less tempted to veer off track towards nearby destinations….

(12) RAISING ‘CANE. [Item by Mark Roth-Whitworth.] Coming soon, oil from Martian dinosaurs, and the major push to get to Mars, funded by the petrochemical industry. “NASA’s Curiosity Rover Detects Largest Organic Molecules on Mars” reports NASA.

Researchers analyzing pulverized rock onboard NASA’s Curiosity rover have found the largest organic compounds on the Red Planet to date. The finding, published Monday in the Proceedings of the National Academy of Sciences, suggests prebiotic chemistry may have advanced further on Mars than previously observed.

Scientists probed an existing rock sample inside Curiosity’s Sample Analysis at Mars (SAM) mini-lab and found the molecules decane, undecane, and dodecane. These compounds, which are made up of 10, 11, and 12 carbons, respectively, are thought to be the fragments of fatty acids that were preserved in the sample. Fatty acids are among the organic molecules that on Earth are chemical building blocks of life.

Living things produce fatty acids to help form cell membranes and perform various other functions. But fatty acids also can be made without life, through chemical reactions triggered by various geological processes, including the interaction of water with minerals in hydrothermal vents.

While there’s no way to confirm the source of the molecules identified, finding them at all is exciting for Curiosity’s science team for a couple of reasons….

(13) THE SECRET PREQUEL TO BLADE RUNNER. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult takes a deep dive into the Blade Runner films. “The Secret Prequel To Blade Runner”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, amk, Michael J. Walsh, David Langford, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Cora Buhlert Review: The Secret of the Sword

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By Cora Buhlert: On March 22, 1985, the animated movie The Secret of the Sword was released in theatres in the US, introducing She-Ra: Princess of Power to the world. The full movie is available on YouTube here. 

In 1984/1985, Masters of the Universe was at the peak of its popularity and Mattel‘s highest selling toy line, outselling in-house rivals Barbie and Hot Wheels. The Filmation He-Man cartoon, which had debuted in 1983, was watched by millions of kids and quite a few adults every afternoon.

To their infinite surprise, Mattel found that approximately forty percent of all Masters of Universe toys were sold to girls and their families – even though Masters of the Universe was marketed as a boy brand in the highly gendered toy market of the 1980s. Meanwhile, the He-Man cartoon was watched enthusiastically by both boys and girls.

In retrospect, this isn’t overly surprising, because Masters of the Universe featured several strong and complex female characters and particularly the cartoon was demolishing gender stereotypes right, left and center and gave us a female warrior who physically outperformed most of the male characters in Teela, a muscle-bound hero who was not afraid to show his sensitive side and was frequently shown engaging in female coded activities like baking, cooking and reading in Adam/He-Man, and a woman who chose a demanding career as Sorceress of Grayskull over motherhood; plus a loving single father who somehow managed to combine an equally demanding career as Man-at-Arms with parenthood; and – last but not least – a female NASA astronaut turned queen of an alien planet in Queen Marlena well before Sally Ride became the first American woman in space. 

Mattel might have been surprised that little girls were ignoring the gender stereotypes of the toy industry and clamoring for He-Man toys, but they were also quick to seize an opportunity to make even more money. So they decided to introduce more female characters into what had been a very male dominated toy line (by 1985, there were only two female characters in the Masters of the Universe toyline, Teela and Evil-Lyn. A third, the Sorceress, would not be released until 1987) and came up with the idea of creating a female counterpart to He-Man in She-Ra, the most powerful woman in the universe. Eventually, this idea turned into a whole a spin-off toy line as well as a sister show to the He-Man cartoon called She-Ra: Princess of Power. 

Mattel and Filmation collaborated closely on the development of She-Ra, her world, her friends and enemies. The She-Ra series bible was written by Filmation writers J. Michael Straczinski and Larry DiTillio, both of whom would later go on to other great things, including Babylon 5. DiTillio also wrote the screenplay for The Secret of the Sword, together with Bob Forward who had penned some of the most memorable episodes of Filmation‘s He-Man cartoon.

Alas, the powers that were at Mattel still found it hard to let go of gender stereotypes and handed the Princess of Power toy line over to the girls’ group rather than the team that worked on the He-Man line. As a result, the Princess of Power toy line took a lot of cues from Barbie, such as rooted hair that could be styled, interchangeable clothes and a lot of pink, gold and pastel colors. Some characters had their designs changed at the eleventh hour, because a blue and gold and red and black outfit were considered “not feminine enough”. The vintage Princess of Power dolls have a certain beauty of their own, but even though they were in the same scale as the He-Man figures, they never meshed very well. What is more, the Princess of Power toy line only had two villainous characters – Catra and Entrapta – because it was assumed that girls did not like conflict and wouldn’t buy the evil characters. Meanwhile, all the male villains from the cartoon, including She-Ra’s archenemy Hordak, were released in the He-Man toy line, because it was assumed that girls would not want to buy monster characters. These outdated gender assumptions harmed both toy lines back then and continue to harm Masters of the Universe to this day. 

The Princess of Power toy line was revealed at New York Toy Fair in early 1985, but the wider public first became aware of the character when The Secret of the Sword, a 91-minute animated movie, was released in US theatres on March 22, 1985.

When rewatching The Secret of the Sword as an adult, I found that I remembered several scenes, so I must have seen it at some point. However, I never saw the film in the theatre, because it was not released theatrically in West Germany until the fall of 1987, one and a half years after its US premiere, and also had twenty minutes of runtime cut, because it was believed that children could not handle a ninety-minute movie. The Secret of the Sword was also chopped up and rebroadcast as the first five episodes of the She-Ra: Princess of Power cartoon, so that’s likely how I first saw it.

The Secret of the Sword starts with a bang. The Sorceress of Grayskull is having one hell of a nightmare and sees a monstrous being – Hordak, though the audience doesn’t yet know this – stealing a baby. Hordak laughs and declares that he may have been defeated, but that his pursuers will never see the child again. Then he fires at the Sorceress, who is shielded by a young Man-at-Arms in an early hint that these two are secretly a couple (confirmed many years later), and vanishes through a portal with the baby to parts unknown.

The Sorceress wakes up – alone, by the way – to see a strangely familiar sword that looks a lot like He-Man’s power sword, only with a gem in the hilt, hovering in midair before her. The sword leads her to one of the many mysterious doors inside Castle Grayskull, which opens to reveal a glowing portal. “Could it be, after all this time?” the Sorceress wonders.

The Sorceress telepathically contacts Prince Adam a.k.a. He-Man, who is in the process of baking his “famous spiced bread” (I do want that recipe now) and asks him to come to Castle Grayskull immediately. Once there, the Sorceress hands Adam the sword and tells him go through the portal and find the person it is intended for. Adam even remarks that the sword looks a lot like his own. 

The Sword of Protection, twin to He-Man’s Sword of Power, was first glimpsed hanging on the wall of Castle Grayskull in the He-Man episode “The Origin of the Sorceress”, which also introduced the Evil Horde in the form of a Horde scout ship that lands on Eternia, where its crew occupies a village and bullies the inhabitants. This sort of foreshadowing was rare in 1980s cartoons, especially syndicated ones, where episodes were often shown out of order.

Adam, understandably, has more questions for the Sorceress such as where the portal leads to and who exactly the person he’s looking for is. The Sorceress, however, won’t tell Adam anything except that the sword will guide him to the person he seeks.

Even as a kid, I thought that it doesn’t make any sense that the Sorceress doesn’t tell Adam who he is looking for. As an adult, it still doesn’t make any more sense, but then the Sorceress has a habit of withholding crucial information from others. For example, she won’t tell Teela either that she is her mother. Besides, if the Sorceress told Adam whom he’s supposed to find, it would ruin the reveal later in the movie. Coincidentally, the scene is also cleverly written, because the Sorceress never uses any pronouns when referring to the person Adam seeks, so neither Adam nor the audience knows that the intended recipient of the sword is female.

So Adam and his pet tiger Cringer a.k.a. Battle Cat step through the portal into a brand-new world named Etheria to encounter a whole new cast of characters, both good and evil. Adam’s quest takes him to a village inn, where he chances to observe three Horde Troopers, the foot soldiers of the Evil Horde who are occupying Etheria, harassing the locals. Always a hero at heart, Adam intervenes and promptly finds himself embroiled in a barroom  brawl. Hereby, it’s notable that Adam does not transform into He-Man, but proceeds to deal with the Horde Troopers in his civilian identity. In the He-Man cartoon and the various mini-comics, Adam is often portrayed as something of a buffoon, but it’s also clear that this is an act to keep his civilian identity separate from He-Man and that Adam is a very capable fighter, if necessary, though he rarely shows it. However, on Etheria, Adam is free to show his prowess, because there is no risk of anybody recognizing him as He-Man. 

 Adam gets unexpected help from Bow, crack archer and mainstay of the She-Ra cartoon and toy line. Together, they make short work of the Horde Troopers and then escape together with their animal companions Cringer and Kowl, a rainbow colored flying critter. Bow takes Adam and Cringer into the Whispering Woods, a magical forest, which serves as the hideout of the Great Rebellion against the Horde’s rule. Though the name “Great Rebellion” is pretty much hyperbole, because – as the snarky Kowl points out – it’s actually a very small rebellion.

Here, Adam meets the other members of the rebellion who would become important supporting characters in the She-Ra cartoon. In addition to Bow and Kowl there is Glimmer, Princess of Bright Moon and founder of the Great Rebellion, the scatterbrained witch Madame Razz and her flying and talking broom imaginatively named Broom as well as the Twiggets, humanoid woodland creatures who live in the Whispering Woods.

However, The Secret of the Sword does not just introduce new heroes, but also a whole new faction of villains called the Evil Horde. The Horde is your stereotypical galactic empire hellbent on conquering anything in its path, only that all the main members are basically classic movie monsters with a Masters of the Universe twist. Hordak, the leader (well, deputy leader, since the supreme ruler of the Horde Empire is Hordak’s older brother Horde Prime, who would be introduced in a later episode of the cartoon) is Nosferatu, only that he can also transform his body into a rocket, a tank, a drill, cannon or whatever is needed at the time. The evil sorceress Shadow Weaver is every evil witch from every classic Disney cartoon ever. The cat shifter Catra is Irina from Cat People, The energy sucking reptilian Leech is the Monster from the Black Lagoon. The furry prison warden Grizzlor is the Wolf-Man. Mantenna, the alien with the pop out eyes, is every bug-eyed monster ever and the scorpion woman Scorpia looks as if she stepped right out of a 1950s B-movie or a drag queen show. Their base, the Fright Zone, is a Giger-esque industrial nightmare surrounded by a polluted and monster-infested wasteland, providing a strong contrast to the past-coloured woodlands of Etheria.

Finally, there is Force Captain Adora, Hordak and Shadow Weaver’s adopted daughter. Blonde and beautiful, Adora looks as out of place among the more monstrous members of the Horde as Marilyn Munster did among her family in The Munsters. However, Adora is just as ruthless as the rest of the Horde. When we first meet her, Adora is overseeing the population of an entire village taken prisoner and about to be shipped off to the Horde’s slave mines. 

 When the rebels attack to free the villagers, Adora comes face to face with He-Man (dealing with a squad of classic movie monsters is too much for Adam, so he transforms into He-Man) and they get embroiled in a sword fight. When He-Man drops his own sword and reaches for the Sword of Protection, the jewel in the hilt begins to glow, indicating that Force Captain Adora is the one He-Man had been sent to find. In true ruthless Horde fashion, Adora takes advantage of his momentary confusion to shoot He-Man in the back. 

 When he comes to again, He-Man finds himself chained up in the Horde prison on Beast Island, a fortress constructed from the bones of giant monsters. He is questioned by Adora who insists that the Horde are the rightful and just rulers of Etheria. He-Man replies that the Horde are cruel oppressors and asks Adora to see for herself how the Horde is treating the population. Adora scoffs at this suggestion, but she does go out on a mission to see the true Etheria. To no one’s surprise except her own, she witnesses citizens being abused and enslaved, their houses burnt down and their crops stolen. Considering that this was a cartoon aimed at children, The Secret of the Sword and the She-Ra series in general are quite frank about the horror of life under occupation. Later episodes of the She-Ra cartoon show the Horde destroying villages, burning books that do not teach approved Horde history and attempting to poison the Whispering Woods in an episode that’s eerily reminiscent of the deployment of Agent Orange during the Vietnam War. 

In general, there is a remarkable amount of horror lurking just under the surface of this seemingly bright and cheery cartoon designed to sell toys to kids. When Adora confronts Hordak and Shadow Weaver over the atrocities committed by the Horde against the civilian population of Etheria, Shadow Weaver erases Adora’s memories of what she witnessed, brainwashing her into being a loyal Horde soldier again. In later iterations and expansions of the story, we learn that several of Hordak’s underlings experienced a similar fate, had their memories and even their entire personalities altered and erased and were brainwashed into serving the Horde.

After escaping from and thoroughly trashing the Horde prison on Beast Island, He-Man bids farewell to the rebels and decides to go after Adora. He steals a Horde Trooper’s armor (the Horde Troopers were portrayed as robots in later episodes of the She-Ra cartoon, allowing He-Man and She-Ra to smash them with impunity, but they are clearly living beings in armor here) and sneaks into the Fright Zone to confront Adora. But because Adora has been brainwashed by Shadow Weaver, she no longer remembers what she saw outside the Fright Zone. So she shoots He-Man in the back – again – and He-Man finds himself imprisoned by the Horde – again. This really isn’t his day.

But things are about to get even worse for He-Man, because Hordak subjects He-Man to his latest invention – a weapon powered by extracting the lifeforce of Horde prisoners. Continuing the overall horror theme, there is a lot of vampiric imagery associated with the Horde. Two Horde members, Leech and Mosquitor, have the ability to suck out the lifeforce of their opponents. Mosquitor never appeared in the cartoon, but Leech demonstrates his abilities on Bow and Glimmer in The Secret of the Sword. In the Masters of the Universe comics published by DC between 2012 and 2016, the Fright Zone itself even sucks the lifeforce out of the planet, which explains the polluted wasteland surrounding the Horde’s fortress. It’s a not very subtle metaphor for colonialism and imperialism.

It appears that He-Man is doomed, steadily growing weaker in Hordak’s extraction chamber. However, her contact with He-Man as well as the Sword of Protection have caused cracks in Adora’s conditioning that even Shadow Weaver could not completely erase. And so Adora is suffering from unquiet dreams, which drive her to visit the much weakened He-Man in the extraction chamber, where both the captured Sword of Power and the Sword of Protection are kept as well. The Sword of Protection is glowing, so Adora picks it up and the Sorceress appears before her and tells Adora that she was always destined to be a champion of good, that the Horde brainwashed her and stole her from her parents as baby. The Sorceress also reveals that Adora had a twin brother, He-Man, and that he needs her help right now.

Viewed through the eyes of an adult, Adora accepts that Sorceress’ words a little too easily, especially since she has no real reason to believe a woman speaking to her from sword. However, any lingering skepticism quickly evaporates when Adora holds aloft the Sword of Protection, speaks the magic words and transforms into She-Ra for the very first time. The moment is made even more powerful by the fact that by this point we never saw Adam transforming into He-Man for the first time, though later cartoons did show Adam’s first transformation.

Once He-Man and She-Ra have disabled Hordak’s weapon of mass destruction and escaped the Fright Zone on Adora’s horse Spirit who has been transformed into the flying unicorn Swift Wind, the Sorceress finally comes clean to both of them. King Randor and Queen Marlena of Eternia had twins, Adam and Adora, both destined for great things. When the twins were only babies, the Horde invaded. Hordak learned of the twins’ destiny and decided to kidnap the babies and raise them both as Horde members. So Hordak snuck into the royal palace with the help of his acolyte Skeletor.

But things didn’t go according to plan. Hordak managed to grab baby Adora, but Queen Marlena dispatched Skeletor with a judo throw before he could steal Adam. Marlena raised the alarm, Man-at-Arms and the Royal Guard burst into the nurseryand Hordak escaped through the window with Baby Adora, leaving Skeletor behind. To save his own neck, Skeletor revealed the location of Hordak’s base. The Sorceress and Man-at-Arms went after Hordak, but couldn’t prevent him from escaping with Adora through a portal to parts unknown as seen in the flashback at the beginning of the movie.

The whole thing is a retcon, of course, but a skilfully handled one. There’s even an explanation for why no one ever mentioned Adora before, namely that Adam was deliberately kept in the dark about the fact that he once had a sister to spare him the pain of losing her. 

But the revelation of the Sorceress not only changes the status quo of the royal family of Eternia, but also gives us some backstory for Skeletor, who had very little up to this point. Some people feel that the introduction of Hordak as Skeletor’s former teacher and master diminished the Lord of Destruction, but I believe it gives Skeletor’s character more complexity and also explains why Hordak and Skeletor really, really don’t like each other – namely because each believes that the other betrayed him – with good reason.

Indeed, we get to see the first of many insult-laden confrontations between master and student shortly thereafter, when Hordak pursues Adam and Adora through the dimensional portal back to Eternia and teams up with Skeletor to recapture Adora. Not that Skeletor has any intention of keeping his end of the bargain.

The reunion between Adora and her family on the one side and Hordak and Skeletor on the other are some of my favourite scenes in this movie, especially because we don’t really see Adora interacting with any members of her extended family except for Adam in the regular She-Ra cartoon. The moment where the royal family is finally reunited is very sweet with hugs all around and tears on the faces of both men and women. Besides, King Randor finally tells Adam that he is proud of him, something Adam almost never gets to hear from his father.

Of course, the domestic bliss doesn’t last long before Hordak and Skeletor spoil the reunion to kidnap Adora once again. He-Man, Teela and Man-at-Arms set off to rescue her, but Adora has already managed to free herself, transform into She-Ra and thoroughly trash Snake Mountain in the process. “A female He-Man,” Skeletor laments, “This is the worst day of my life.”

Though Skeletor will not have to deal with both He-Man and She-Ra for long, because She-Ra elects to return to Etheria in the end to free the planet from the Horde’s oppression.

The Secret of the Sword is not a perfect film, but has its share of flaws. Because the script was designed to work both as a ninety-minute movie and five separate half-hour cartoon episodes, the structure is somewhat choppy and episodic, particularly when He-Man and She-Ra go on an almost episode-long side quest to rescue Queen Angella of Bright Moon from her captor Hunga the Harpy. Moreover, the rebels are very quick to accept Adora – who was after all a Horde Force Captain – as one of their own.

However, the story also handles the foreshadowing and planting of clues well, until the truth about Adora is finally revealed. And yes, Adam and Adora are again very quick to accept that they are siblings and never question the Sorceress’ word, but then neither does the viewer. From the moment that Adora hold up the Sword of Protection onwards, we accept that she is She-Ra.

The Secret of the Sword would change Masters of the Universe forever and introduce elements that continue reverberate through the franchise to this day. The relationship between He-Man and She-Ra on the one hand and Skeletor and Hordak on the other would be explored in many future versions of the story.

One of the greatest strengths of Masters of the Universe has always been that even though the situations are outlandish, the characters have always been relatable. Adam’s wish for his father to see him for who he is and be proud of him, Teela’s desire to always be the best to prove herself worthy of love and acceptance, Cringer being always afraid and yet wanting to be brave, Orko who can do everything in theory and always messes up in practice – these are issues that the young viewers can relate to. She-Ra introduces another story that is both relatable and empowering for young viewers, namely that of a child who grows up in an abusive home with parents who gaslight her and who manages overcome her abusive upbringing to become something greater. Justine Danzer, who created some of the earliest designs of She-Ra for Mattel, is an abuse survivor herself and has said that She-Ra was always intended to be someone who overcomes an abusive background.

Because She-Ra’s story is so powerful, it has been retold several times. The best known is probably the 2018 Netflix series She-Ra and the Princesses of Power. The 2018 cartoon took several liberties in reinterpreting the characters and their world – most of which do have their roots in throwaway moments in the Filmation cartoon – but  stuck to the basic story of Adora, a Horde soldier since childhood, overcoming her conditioning to join the rebellion, find true friends and true love and become the heroine she was always meant to be. 

The biggest change is – no, not Adora’s sexual orientation – but the absence of He-Man. Because due to the problematic gender policies of Mattel in the 1980s, He-Man and She-Ra are considered two separate properties. Mattel fully owns the rights to He-Man, but the She-Ra rights were partially owned by co-creators Filmation. Now, several mergers and takeovers later, they are with Universal/Dreamworks. The result is that it is exceedingly difficult for He-Man and She-Ra to appear in each other’s stories and indeed the Eternian twins of power have not been seen together on screen since the 1980s. Masters of the Universe: Revolution, which aired on Netflix last January, did strongly hint at the introduction of She-Ra in its post-credits teaser, but so far no third series has been announced.

And so the only places where He-Man and She-Ra have appeared together are the  various toy lines as well as the mini-comics and the 2012 – 2016 DC Comics run. The DC Comics also feature my favorite reinterpretation of She-Ra’s story. For while the Filmation cartoon depicted Adora as sticking out like a sore thumb among the various monstrous Horde members, in the comics Adora – now renamed Despara – fully believes herself to be the daughter of Hordak and Shadow Weaver and wears a mask of her “father’s” face. When first introduced, Despara is an out and out villainess. She commits war crimes, stabs Teela and slits the throat of her own brother (he gets better). Her road to redemption is a lot more rocky than Adora’s ever was in the cartoon, but the unwavering faith and love of her brother Adam and of Teela eventually turn her life around, making the moment when she finally transforms into She-Ra that much sweeter.

 Both the She-Ra cartoon and toyline were not the huge success that He-Man was, probably because both debuted into a much more crowded market than her twin brother had three years before. But She-Ra remains an icon of female and also queer empowerment to this day. And it all started forty years ago with The Secret of the Sword, when Adora first uttered the immortal line “For the Honour of Grayskull.”   

Pixel Scroll 2/13/25 And Singin’, “This’ll Be The Day That I File, This’ll Be The Day That I File”

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(1) HOW BLACK HORROR BEGAN. Linda D. Addison goes back to the beginning in “Genesis – The First Black Horror Writers/Storytellers” at the Horror Writers Association blog.

Who were the first Black horror writers in a country that made enslaved Africans’ everyday life horrific? How did stories develop and what were their themes?

I wanted to write this because of my own curiosity. I didn’t know where this was going to lead me but the more I dug the more I found. The yellow brick road of discovery took me away from the land of published authors to places unexpected….

… Storytelling is the cornerstone of many cultures. For African and African-American communities it’s a way of communicating history, passing on lessons, and entertaining. Most of this storytelling was done in oral folktales by those surviving the nightmare of slave ships and a ‘New World’ that forbids their traditional practice.

The folk tales from Africa were modified to be acceptable in a country where anything that sounded aggressive or like strength from slaves could result in torture or death. The first recorded Black folktales I found were from the late nineteenth century. There are a number of stories with animals where one plays the part of the trickster, but I was looking for monsters, demons, etc.

“Every Tongue Got to Confess: Negro Folk-tales from the Gulf States”, Black folklore collected by Zora Neale Hurston in the late 1920s documented almost 500 folktales from 122 Black workers, farmers, and artisans by traveling to places like Alabama, Florida, and New Orleans. Besides themes of religion, family, and other social concepts I also found two sections named: “Devil Tales” and “Witch and Hant Tales” (Hant means “haunt” or “ghost”)….

(2) OCTOTHORPE. In episode 128 of the Octothorpe podcast, “A Minidisc Player Will Do You No Good”,

We report on the BSFA’s policy on reviewing, with a comment from BSFA Chair, Allen Stroud. Then, we tell you all what John’s doing for Reconnect (the 2025 Eastercon), discuss Iridescence (a bid for the 2026 Eastercon), talk BSFA Awards (presented at Eastercon) and Liz reads a book (which you could read at Eastercon).

In the podcast one of the Octothorpe crew says they’d been hearing “probably gossip” to the effect that the BSFA have been rejecting incoming reviews —

…so we were alerted last week to a blog comment from a reviewer who reviews for the BSFA Reviews, Steven French, and they say “ all the reviews I wrote for BSFA Reviews, the reviews journal of the British Science Fiction Association, have been discarded by the new editor because the BSFA is going for charitable status and so reviews of books that the reviewer is not happy with or did not understand (?) are not acceptable” which is interesting because I think we’d heard the same rumors from a couple of other sources that the new incoming bsfa reviews editor was not publishing reviews that were a bit negative or possibly a book they didn’t understand and was trying to go for a much more positive tone….

They reached out to BSFA chair Allen Stroud who told them —

  • This is a simple misunderstanding on the part of the Reviews Editor in relation to BSFA oversight of its publications.
  • Editorial policy of BSFA publications is usually determined by the editors.
  • There is no connection between BSFA Review Editorial policy and the BSFA’s transition to being a charity. This transition has not been confirmed and will need to be confirmed (or rejected) as a motion at the forthcoming EGM on February 23rd.
  • The BSFA’s constitution is to promote science fiction and science fiction criticism. There is no priority to favour either over the other.
  • We will be working with the reviews editor in order to produce a clearer set of guidelines.

(3) SCL AWARDS. The Wild Robot won Outstanding Original Score for a Studio Film at the Society of Composers and Lyricists Award presentation on February 12. Here are the other “SCL Awards 2025 Winners” of genre interest.

OUTSTANDING ORIGINAL SCORE FOR A STUDIO FILM
Kris Bowers, The Wild Robot (DreamWorks Animation)

OUTSTANDING ORIGINAL SCORE FOR INTERACTIVE MEDIA
Winifred Phillips, Wizardry: Proving Grounds of the Mad Overlord (Digital Eclipse)

DAVID RAKSIN AWARD FOR EMERGING TALENT
Andrea Datzman, Inside Out 2 (Disney/Pixar Animation Studios)

…Special honorees tonight were composer Harry Gregson-Williams and legendary director Ridley Scott, who shared the 2025 Spirit of Collaboration Award, having made seven films together. Five-time Emmy winner Jeff Beal received the Jury Award for his score for the 1920 silent film The Cabinet of Dr. Caligari, which he premiered and was performed live-to-picture at Carnegie Hall in June….

(4) TAKING UMFRAGE. Cora Buhlert was on German TV: “Cora’s TV Adventure”. Watch the video here: “Umfrage: Große Mehrheit fordert stärkere Aufarbeitung der Corona-Pandemie”.

…I got a call from a journalist from the NDR asking if I wanted to participate in a TV interview about the topic of their latest survey – “Were the covid measures too strict and do we need some kind of political post-mortem?” I considered for a moment – it is a sensitive topic, after all, and there’s a chance of pissing off people – and then said yes….

Some of Cora’s Masters of the Universe figures got on TV, too.

…In the end, the TV team decided that they preferred the dining room/hall and asked me to set up the laptop. The camera operator also asked if we could put some of my Masters of the Universe figures onto the dining table.

I said, “Of course. There actually were some figures on the table until yesterday, but I moved them away. Do you want any specific figures or should I just pick something?”

“Could we have these ladies?” the camera operator asked and pointed at three different Teela figures.

So I took the three Teelas and when they turned out to have problems keeping their footing on my quilted tablerunner, I also grabbed Battle Cat to hold them upright.

“Could we also have the King?” the camera operator asked, so I grabbed King Randor and positioned him opposite the three Teelas….

(5) A THURB BLURB. BGrandrath says, “I know a running gag when I see one. I thought this would fit the theme, and remember: you started it.” And he sent along an item title that mashes up two of the Scroll’s recent story lines. Here are more clues to the reference for those of you playing along at home. [Click for larger images.]

(6) ATWOOD’S LEGERDEMAIN. “The Backlist: Reading Margaret Atwood’s ‘The Blind Assassin’, with Ashley Winstead” by Polly Stewart at CrimeReads.

Margaret Atwood’s The Blind Assassin opens with one of the best first sentences I’ve ever read: “Ten days after the war ended, my sister Laura drove a car off a bridge.” Though the novel isn’t structured as a conventional mystery, there’s mystery inherent in that first sentence, and it only grows as the reader learns more about the narrator, Iris Chase, her sister Laura, and Alex Thomas, the man they both love. The novel spans genres, decades, and galaxies, weaving together elements that a lesser writer would never think to put together….

Ashley Winstead explains why the book is enthralling.

… One time the writer Deborah Eisenberg came to talk to us, and she was talking about braided narrative structure, where disparate parts of the story come together in a way you can’t predict. In The Blind Assassin, you’ll have one chapter with newspaper articles from the 1930’s, and in the next a story of two people having an affair, and in the next the science fiction story that one of them is writing, and in the next Iris as an old woman in her eighties reflecting on her life. Atwood puts all these pieces together and allows the reader to make the connections and associations between them. I just fell in love with that form of writing, and I thought of The Blind Assassin as the ultimate version of that kind of narrative.…

(7) BONUS BIRTHDAY.

[Written by Paul Weimer.]

February 12, 1929 — Donald Kingsbury, 96. 

By Paul Weimer. The first ever winner of the Compton Crook Award Donald Kingsbury has sat in a position of appreciating and boosting science fiction for decades. The inaugural Compton Crook Award-winning book was Courtship Rite, which I read back in the 80’s and was my first introduction to his work.  It’s a throw-into-the-deep-end space colony novel that impressed for me just how much Kingsbury likes to play the harsh main beats of science fiction. It’s not a 101 Science Fiction work, since the protocols of the book mean that you really want to feel and known the ebb and flow of how science fiction novels work before ever tackling it. 

Donald Kingsbury

There has been a long promised but never materialized sequel that has been in the works for decades. I’d read it…but I’d want to re-read the original first if it was released but…hold that thought for a moment.

Psychohistorical Crisis, however, is his most audacious and outstanding work. It started off as a novella (Historical Crisis) in the collection Far Futures, which I happened to recently re-read in an audio edition. Psychohistorical Crisis is a full-on expansion of that novella. The best way I can describe it, however cheekily, is that it is a full-on fanfic novel of Isaac Asimov’s Foundation, set sometime after the Galactic Empire has risen again. The numbers that make it not an Asimov novel and instead set in a different ‘verse are rubbed off very gently. There is nothing in the novel that contradicts or contraindicates that it is in Asimov’s ‘verse. Even the names of the characters in the novel (e.g. Eron Osa) sound Asimovian. If you ever wondered what a Second Empire Asimov story could look like, Psychohistorical Crisis has got you covered.  Like Courtship Rite, it dumps you in the deep end but the swim is so worth it.

But there is one complaint I have. I’ve recommended two wonderful novels of his, and I am sure that readers in this space might want to try his work, if they haven’t.  But…his work is resolutely out of print. No ebook editions. Only that audio book of Far Futures with his novella. Getting a hold of his work requires work to get used editions.  And that is a damn shame. I can’t even remember if I have my copy of Psychohistorical Crisis. 

But again, not a 101 SF writer, maybe a 301 writer for when you want something uncompromising and dunked into the deep end. That’s Kingsbury’s work to me. 

(8) COMICS SECTION.

(9) ANTICIPATION IS MAKING ME PRATE. [Item by Steven French.] Here’s the latest column from Keza Macdonald, the Guardian’s gaming correspondent: “Top of the flops: just what does the games industry deem ‘success’ any more?”

Back in 2013, having bought the series from Eidos, Square Enix released a reboot of the hit 1990s action game Tomb Raider starring a significantly less objectified Lara Croft. I loved that game, despite a quasi-assault scene near the beginning that I would later come to view as a bit icky, and I wasn’t the only one – it was extremely well received, selling 3.4m copies in its first month alone. Then Square Enix came out and called it a disappointment.

Sales did not meet the publisher’s expectations, apparently, which raises the question: what were the expectations? Was it supposed to sell 5m in one month? If a book sells 10,000 copies in a week it’s considered a bestseller. Even at the height of its popularity in the 90s, no Tomb Raider game ever sold more than a few million. Square Enix’s expectations were clearly unrealistic. It wouldn’t be the last time; in a 2016 interview with Hajime Tabata, Final Fantasy XV’s director, he told me that game needed to sell 10m to succeed.

Last week in an earnings call, EA’s executives had to explain a shortfall in profits. It was driven mostly by EA FC, the ubiquitous football series whose revenue was down on the previous year, but CEO Andrew Wilson also singled out the long-awaited RPG Dragon Age: The Veilguard, which came out last October. “Dragon Age had a high-quality launch and was well reviewed by critics and those who played. However, it did not resonate with a broad enough audience in this highly competitive market,” he said.

Dragon Age has “reached 1.5 million players” in the months since launch, which presumably includes people paying via subscription services as well as direct sales. If 3.4m was a disappointment for Square Enix in 2013, you can only imagine that 1.5m was a disaster for EA in 2024, when games cost multiples more to make….

(10) ICONIC RESTAURANT. Ray Bradbury (not named in the article) is another writer who frequented Musso & Frank’s in Hollywood. “Calif.’s coolest restaurant turns 106. The martinis are cold as ever” at SFGate. Fictional cop Harry Bosch has been there, too.

“You’re sitting at Jack Nicholson’s table,” my server, dressed in a sharp red jacket, told me on a recent visit to legendary Los Angeles restaurant The Musso & Frank Grill in Hollywood. According to the server, Nicholson favored the curved round booth at the back of the restaurant’s main dining room for its proximity to the back exit, making it easy to duck in and out unnoticed….

…“Last year, 145,000 customers came through the restaurant,” fourth-generation owner and Musso & Frank Chief Financial Officer Mark Echeverria tells SFGATE. “We have 210 seats, so if you drill down, that’s 460 customers a day, or over two full turns of the restaurant every night we’re open for dinner.”

That means that, all these years later, diners are still sliding into those wide red leather booths, sidling up to the bustling grill (the restaurant’s centerpiece) and grabbing ice-cold martinis at the back mahogany bar….

…In the 1930s, Carissimi and Mosso opened the exclusive Back Room, which became a favorite for celebrities and literary luminaries of the day. Orson Welles reportedly wrote “Citizen Kane” at a booth; John Steinbeck, T.S. Eliot, William Faulkner and Fitzgerald were some of the many other famous writers who considered the Back Room a second home….

(11) LEST DARKNESS FALL. SYFY Wire takes readers to “The Wildest Real-Life Twilight Zones in the Real World”.

…As sunlight hits the ocean’s surface it scatters, gets absorbed, or reflected back into space. As a result, the waters of the world get pretty dark pretty fast, and scientists often separate the seas into distinct layers based on how much light they receive.

At the ocean surface you’ll find the sunlight (euphotic) zone, where light is strong enough for photosynthesis. This layer extends to about 200 meters deep, where you’ll find the beginning of the twilight (dysphotic) zone. Here, sunlight decreases rapidly with depth. There’s not enough light for photosynthesis, but there is enough for some critters to live and see by.

The ocean’s twilight zone extends to a depth of 1,000 meters before transitioning to the aphotic zone which is itself broken into three layers. You’ll first encounter the midnight (bathypelagic) zone from 1,000 to 4,000 meters, the abyss (abyssopelagic) zone from 4,000 to 6,000 meters, and the hadal (hadopelagic) zone at 6,000+ meters…

(12) ZAPPED BY THE UNIVERSE. [Item by SF Concatenation’s Jonathan Cowie.] This week’s Nature cover story is “Cosmic Catcher”.

The cover shows a light sensor from the Kilometre Cube Neutrino Telescope (KM3NeT) at sunset above the Mediterranean Sea. This is one of thousands of sensors that are currently being assembled into enormous 3D grids in the abysses off the coast of Sicily in Italy and Provence in France. KM3NeT detects high-energy neutrinos, elementary particles that can be created by powerful events in the Universe. The neutrinos are spotted as a faint flash of light generated when the products of a neutrino interaction with water molecules pass through these detectors. In this week’s issue, the KM3NeT team presents the observation of the highest-energy cosmic neutrino ever detected. The telescope in Sicily caught a signal from a muon that had an energy of around 120 petaelectronvolts, which is most likely to have come from a neutrino of around 220 petaelectronvolts. The highest energy neutrino detected before this was 30 times less energetic. The exceptionally high energy, together with the almost horizontal direction of travel, implies that the neutrino is extraterrestrial. Its probable origin is beyond the Milky Way.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, BGrandrath, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 2/1/25 Cleanup On Isle of the Dead Five

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(1) BSFA AWARDS LONGLIST. The British Science Fiction Association today put out the longlist for the BSFA Awards (see “Second Round of 2024 BSFA Awards Nominations Begins”.)

Chris M. Barkley and Jason Sanford’s “The 2023 Hugo Awards: A Report on Censorship and Exclusion” is a nominee in the Best Short Non-Fiction category.

(2) CLARKEWORLD’S BEST. Neil Clarke has released “Clarkesworld 2024 Reader’s Poll Finalists”. The public has until February 15 to vote on the winners at Surveymonkey.

(3) LOCUS RECOMMENDED READING LIST. The 2024 Locus Recommended Reading List has been posted by Locus Online.

Voting has opened in the Locus Awards Poll. The deadline to vote is April 15.

(4) JET CRASH IN NORTHEAST PHILADELPHIA LAST EVENING. [Item by Steve Vertlieb.] CNN: “Medevac jet crashes in northeast Philadelphia neighborhood”.

Northeast Airport lies on Grant Avenue in Philadelphia. I live on Grant Avenue, some five minutes from the site of the departure of a Lear Jet medical transport plane that took off at a few minutes past six last evening with a little girl being transported home following life-saving surgery.

I was enroute to my girlfriend Shelly’s home to go out to dinner at Tiffany’s Restaurant on the Boulevard. I had considered taking Roosevelt Boulevard North down to Oxford Circle, as it may have been a faster trip but, at the last second, decided to follow Bustleton Avenue down to Castor, instead.

I arrived at Shelly’s house at a few moments past six. We drove down Levick Street to the boulevard, and turned left into the middle lanes to continue our journey. Within seconds we were dodging police vehicles, fire trucks, and ambulances trying desperately to reach Cottman Avenue and Roosevelt Boulevard amidst screaming sirens where, thirty seconds after takeoff, the Lear Medical Jet had crashed into Cottman Avenue near the boulevard, across from the Roosevelt Mall where I had grown up.

Traffic was being re-routed from virtually every direction, and I found it difficult to keep from being hit by other oncoming busses and trucks while attempting to crossover onto nearby side streets. As I passed Cottman Avenue on the boulevard, I turned to my left and saw flashing lights, emergency vehicles, and bright flames bursting into the rainy night sky.

Had I decided to travel down Roosevelt Boulevard on my way to the Oxford Circle, as I had originally planned, I might have traveled past the outside lanes of Roosevelt Boulevard, at the corner of Cottman Avenue going South, just at the moment of impact of the small jet into the congested community adjoining the fatal crash.

It took us over an hour to finally reach our dinner destination on a trip that normally might have taken fifteen or twenty minutes. We didn’t know just what had occurred mere inches from our travels North on the boulevard until we reached Tiffany’s, and were told by the staff that a plane had fatally crashed into our tightknit community. We were shaken, but glad to be alive.

Our hearts go out to our neighbors in our surrounding community, and to the families of those who perished in this terrible, nightmarish tragedy. May God Rest Their Sweet Souls.

(5) BLACK HISTORY MONTH. Axios begins Black History Month by recounting “What Octavia Butler saw on Feb. 1, 2025, three decades ago”.

Science fiction writer Octavia Butler wrote in her 1993 novel “Parable of the Sower” that Feb. 1, 2025, would be a time of fires, violence, racism, addiction, climate change, social inequality and an authoritarian “President Donner.”

  • That day is today.

The big picture: This Black History Month, which begins this year on a day of Butler’s dystopian vision, Axios will examine what the next 25 years may hold for Black Americans based on the progress in the first quarter of this century.

  • Through her fiction, Butler foresaw U.S. society’s direction and the potential for civil societies to collapse thanks to the weight of economic disparities and climate change — with blueprints for hope.
  • Afrofuturist writers today interpret Butler’s work as metaphorical warnings that appear to be coming true and a call to action….
Octavia Butler

(6) A CITY ON MARS REVIEW. [Item by Kyra.] Published in 2023.

A City On Mars, by Kelly Weinersmith and Zach Weinersmith

Nonfiction/Related

Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon’s Peaks of Eternal Light—and what happens if you’re left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what’s the legal status of space cannibalism? The Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself—whether and how to become multiplanetary.

This is a clear-eyed look at the current barriers to settling space, including technological, physiological, sociological, and legal issues. This may be a must-read for anyone interested in the subject; it’s not the deepest possible examination (it is a pop-science book, after all), but it’s probably one of the broadest.

(7) GET READY FOR WASTED WEEKEND. Booktube luminary Criminolly has been hosting an event called Garbaugust, including the reading of some trashy books in August. Last year he added a mini-event, Wasted Weekend. It’s coming up again on February 15-16. Grammaticus Books wants viewers to pick their book: “I Need YOU to VOTE FOR….” But I don’t know – these are not names I associated with the word “trashy” —

Vote for your favorite trashy novel for this year’s Wasted Weekend. A reading event created by CriminOlly. Choose from a diverse selection of books by authors such as Samuel R. Delany, L. Sprague DeCamp, Terrence Dicks, Frederick Pohl, C.M. Kornbluth and of course…Lin Carter the King of Trash!

(8) JOHN ERWIN: CORA BUHLERT’S FAVORITE HE-MAN. [Item by Cora Buhlert.] John Erwin [who died December 20] was my He-Man.  For most Germans, their He-Man is either Norbert Langer, who voiced him in the long-running German audio drama series, or Sasha Hehn or Heiko Liebig, who voiced him in the German dub of the Filmation He-Man and She-Ra cartoons. 

But even though I first heard He-Man speak in the Filmation cartoon He-Man and the Masters of the Universe, I didn’t watch the German dub, but the English version via Sky Channel, when my Dad worked in the Netherlands in the 1980s. And in that cartoon, the voice of He-Man and his alter ego Prince Adam was none other than John Erwin.

If you rewatch the iconic opening narration of the cartoon – where John Erwin explains the entire premise of the series in one minute and ten seconds – you’ll notice the subtle difference between Prince Adam’s more youthful tones (Adam turned nineteen in the course of the series, while John Erwin was 47, when he first voiced him) and He-Man’s booming heroic voice.

However, John Erwin didn’t just voice He-Man and Prince Adam, but as was common with Filmation, he voiced multiple other characters in the He-Man and She-Ra cartoons as well, showcasing his amazing range. And so John Erwin lent his voice to Skeletor’s henchmen Beast-Man, Whiplash and Webstor. He was the delightfully dim-witted heroic warrior Ram-Man and the wise but grumpy dragon Granamyr as well as many one-of guest characters.

Beyond He-Man, John Erwin appeared in the western series Rawhide alongside Clint Eastwood, one of his comparatively few parts in front of the camera, and voiced Reggie in various Archie cartoons over the years. He was also the voice of Morris the Cat in the commercials for 9-Lives cat food. And if you ever needed proof that dragons are related to cats, just compare the snarky Morris to the equally snarky Granamyr.

Voice actors are unseen and often unsung. This is unfair, because their talent is what brings cartoon characters to life and turns them into icons. John Erwin’s voice played a big part in turning the Filmation He-Man cartoon into the runaway success that it was and in turning He-Man into the iconic hero he became.      

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 1, 1954 — Bill Mumy, 71.

By Paul Weimer: Bill Mumy’s intersection with my genre show watching boils down to three properties, and they are the three ones that you think they are.  I first saw him as the mutant overpowered psychic child Anthony in one of the most terrifying Twilight Zone episodes of all time, “It’s a Good Life”. What happens when a young boy develops psychic powers and takes control of the town. Nothing good…I mean, no wait, Anthony, I mean, it’s a good life. I swear, it’s a good life.  The whole idea that he cuts off the town from the rest of the universe is terrifying in and of itself, isn’t it? You can’t escape him, you can’t escape his power.   Mumy also appears in a few other Twilight Zone episodes in various roles, but they are nothing compared to the power and centrality of his performance in “It’s a Good Life”

His role as Will Robinson in Lost in Space couldn’t be any different. I stumbled across episodes of Lost in Space in reruns not long after seeing the Twilight Zone episode. As the naive, but well-meaning youngest child of the Robinson family, Will Robinson couldn’t be any different than the psychic Anthony. Whether with Robbie, or Dr. Smith (and it seemed he spent more time with either of them than the rest of his family), he showed the childlike wonder of being on alien planets.  I was delighted he had a small role in the recent remake of Lost in Space, too, as the “real” Zachary Smith. (He gets his identity stolen by Parker Posey’s character). That was a neat bit of turnaround, and not at all stunt casting. 

The other genre work I associate Mumy with is, of course, Babylon 5, and Lennier. As the assistant to Delenn, he stands with Vir (Stephen Furst) as one of the two maintained underlings in the diplomatic corps. While Vir feels like an everyman (as the Centauri as, outwardly very much human), Lennier could show, on occasion, through Mumy’s acting, just how alien and not-human the Minbari were. He was meek, mild and deferential…until he needed not to be, and then could be all too inhumanly dangerous and determined. And given that this story is ultimately a tragedy, Lennier’s story is one that hits me in the feels, from start to finish. Such great acting. I remember when watching “Midnight on the Firing Line” and seeing his name in the credits and wondering what the child actor had become. He had become a fine adult actor, that’s what. 

Happy birthday!

Bill Mumy

(10) COMICS SECTION.

(11) THE TEST OF TIME. The Unofficial Hugo Book Club Blog analyzes the Best Dramatic Hugo finalists of 1984 as part of their continuing series: “Big Worldcon Is Watching (Hugo Cinema 1984)”.

L.A. Con II, the 42nd Worldcon, was the largest World Science Fiction Convention of all time up to that point, with more than 8,000 fans in attendance (to this day, only the 2023 Worldcon in Chengdu, China has eclipsed that number). Science fiction cinema was bigger than ever. The Hugo Awards were bigger than ever. But in 1984, the Hugo for Best Dramatic Presentation was still considered a second-tier award.

“We will now proceed with the minor awards: Best Dramatic Presentation,” Toastmaster Robert Bloch quipped as he introduced the nominees: Bradbury adaptation Something Wicked This Way Comes, special effects maestro Douglas Trumbull’s Brainstorm, early hacking movie Wargames, blockbuster Return of the Jedi, and Oscar Best Picture contender The Right Stuff.

It’s an uneven shortlist that reveals both a tension between the populism and the insularity to which the award was often prone….

(12) STAND BY FOR THE END OF THE WORLD. “OpenAI Strikes Deal With US Government to Use Its AI for Nuclear Weapon Security” – Futurism knows why this sounds familiar.

Remember the plot to the 1984 sci-fi blockbuster “The Terminator”?

“There was a nuclear war,” a character explains. “Defense network computers. New… powerful… hooked into everything, trusted to run it all. They say it got smart, a new order of intelligence. Then it saw all people as a threat, not just the ones on the other side. Decided our fate in a microsecond: extermination.”

It seems like either the execs at OpenAI have never seen it or they’re working overtime to make that premise a reality.

Don’t believe us? OpenAI has announced that the US National Laboratories will use its deeply flawed AI models to help with a “comprehensive program in nuclear security.”

As CNBC reports, up to 15,000 scientists working at the institutions will get access to OpenAI’s latest o1 series of AI models — the ones that Chinese startup DeepSeek embarrassed on the world stage earlier this month.

According to OpenAI CEO Sam Altman, who announced the partnership at an event in Washington, DC, the tech will be “focused on reducing the risk of nuclear war and securing nuclear materials and weapons worldwide,” as quoted by CNBC.

If any alarm bells are ringing by this point, you’re not alone. We’ve seen plenty of instances of OpenAI’s AI models leaking sensitive user data and hallucinating false claims with abandon….

(13) THIEVES LIKE US. Meanwhile, OpenAI apparently can’t keep its own work secure, earning a very loud raspberry from Guardian columnist Marina Hyde: “Oh, I’m sorry, tech bros – did DeepSeek copy your work? I can hardly imagine your distress”.

I once saw an episode of America’s Dumbest Criminals where a man called the cops to report his car stolen, only for it to turn out he’d stolen it from someone else in the first place. I couldn’t help thinking of him this week while watching OpenAI’s Sam Altman wet his pants about the fact that a Chinese hedge fund might have made unauthorised use of his own chatbot models, including ChatGPT, to train its new little side project. This is the cheaper, more open, extremely share-price-slashing DeepSeek.

As news of DeepSeek played havoc with the tech stock market, OpenAI pressed its hanky to its nose and released a statement: “We are aware of and reviewing indications that DeepSeek may have inappropriately distilled our models, and will share information as we know more,” this ran….

…So, to put it another way … wait, Sam – you’re not telling us that the Chinese hedge fund crawled all over your IP without asking and took it for themselves? Oh my God, IMAGINE?! You must feel used and abused. Financially violated. Like all your years of creativity were just grist to some other bastard’s mill. Like a host organism. Like a schmuck. Like Earth’s most screamingly preposterous hypocrite….

(14) SUPERHAMLET. From Christopher Reeve’s appearance on The Muppet Show long ago: “Brush Up Your Shakespeare”.

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff  over at Media Death Cult considers the sense of place as a principal character in some SF/F… “When Location is the Main Character”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Olav Rokne, Mark Roth-Whitworth, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/13/24 I’ve Been To Pixels But I’ve Never Scrolled To Me

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(1) DAYTON LITERARY PEACE PRIZE. Paul Lynch’s book Prophet Song, set in a near future Ireland, is the 2024 Fiction Winner of the Dayton Literary Peace Prize. Lynch’s novel also received the Booker in 2023.

(2) THE BOOKSHELF IS THEIR COSTAR. Lavie Tidhar and Jared Shurin have launched a weekly newsletter called Shelfies, in which they get people to talk about their favorite bookshelf, and their connection with the books on it. Shurin declares, “It is unashamedly us snooping at people’s shelves.”

Take a unique peek each week into one of our contributors’ weird and wonderful bookshelves! We love books – and we’re the sort of people who love checking out other people’s collections! With Shelfies, we’ve asked a wide range of readers, authors and collectors from all walks of life to share not just their shelves with us – but the books that changed them.

From novelists to video game designers, scientists and film makers, and from London to Singapore, Ghana, Australia and New York and all points in between, Shelfies is a unique dose of book love directly into your inbox – sharing our love of books, with you.

(3) AMAZON EDITORS PICKS OF THE YEAR. Today Amazon posted: “Announcing the Best Books of 2024, as chosen by the Amazon Editors”. These two novels of genre interest are listed:

  • The Familiar by Leigh Bardugo
  • The Ministry of Time by Kaliane Bradley

(4) SFPA OFFICER ELECTION RESULTS. Starting January 1, 2025, Diane Severson Mori will be Vice President of the Science Fiction and Fantasy Poetry Association.

(5) ONCE MORE INTO THE AIRLOCK, DEAR FRIENDS. On the Seattle Worldcon 2025 blog, Cora Buhlert pays tribute to a Poul Anderson novel that was a Hugo finalist in 1961, the last time the Worldcon was in the city. “Fantastic Fiction: Knights versus Aliens: The High Crusade by Poul Anderson”.

Science fiction often begins with a question of “what if”? And in 1960, Poul Anderson asked just such a question: What if aliens attempting to invade the Earth encountered a troop of medieval knights? And what if the knights won the ensuing struggle? This is the premise of The High Crusade, one of the most offbeat and entertaining science fiction novels of the early 1960s….

(6) SIMULTANEOUS TIMES. Space Cowboys Books of Joshua Tree, CA has produced the eightieth episode of their Simultaneous Times podcast with stories by Elena Sichrovsky and Colin Alexander.

From the pages of Radon Journal.

Stories featured in this episode:

“Tonight We’re Wearing Waste Bags” by Elena Sichrovsky; Music by Patrick Urn; Read by Jenna Hanchey

“Dreamer, Passenger, Partner by Colin Alexander; Music by Phog Masheeen; Read by Jean-Paul L. Garnier

Theme music by Dain Luscombe

(7) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: The Running Man (1987)

By Paul Weimer: Possibly the best of the Schwarzenegger SF movies of the late 1980’s. Yes, better than The Terminator, better than Predator, possibly on a par with Terminator 2: Judgment Day. The Running Man remains a biting satire of fascism, authoritarianism, consumerism, game shows, and a whole lot more. 

The authoritarian hellhole that the United States, using violent game shows as an opiate to the masses is really on point, decades later, rather more plausible than ever. Some of the best (and by best, I mean scary) are some of the commercials and interstitial bits in between the actual Running Man show. The show where a man climbs a rope, trying to grab dollars with a vicious pack of dogs underneath him…or the neo-Puritanism revealed when an announcer shockingly reveals Amber may have had several lovers in a year.

Arnold strides through this film and carries it on his charisma, as a package deal with Richard Dawson, who plays Damon Killan as an evil version of his Family Feud persona. They have the best rapport and the movie sings when they finally meet each other. (I was surprised on a rewatch how long the movie actually takes to put the two of them in the same room as each other). I also think the movie hits the right level of action, adventure, social commentary, and humor. 

And then there are the betting pool scenes. Long before betting truly has taken over sports, and a lot of other things, the betting on the TV show seemed to me at the time to be “over the top” (who would bet on a game show)?  Naive me didn’t believe it…but in the years since, it makes absolute and corrosive sense that the general public would in fact bid on the game show and the deaths on the show. I mean, if The Running Man was made today, Draftkings would be advertising on The Running Man.

Sadly, given recent events…I think it might be too naive in thinking that the ending, where the crimes of the state being revealed lead to revolution and change, can actually be realistic in this day and age. But I can dream, right?

(8) COMICS SECTION.

(9) MASTERS OF THE UNIVERSE. Cora Buhlert celebrated the recent holiday with “Masters-of-the-Universe-Piece Theatre Halloween Special: ‘The Tomb of Sibor’”.

I don’t have any Egyptian looking trinkets in my collection, so this Olmec head my Dad brought back from Mexico years ago will have to do.

…“Remember, girls, we are looking for the Lost Tomb of Sibor. Scorpia, since your people hail from the Crimson Waste, you have knowledge of this wasteland that the Horde lacks…”

“Yes, but…”

“So I get why you need Scorpia. But why am I here, Shadow Weaver?”

“Because you are Force Captain, Catra. And because Scorpia didn’t want to go without you.”

“I’ll get you for this, Scorpia.”

“So lead the way, Scorpia. You do know where the tomb is, don’t you?”

“Yes, but… I don’t think this is a good idea, Shadow Weaver. The Tomb of Sidor is an accursed place. My people shun it and never go there.”

“Silly barbaric superstition. The Tomb of Sidor contains something of great value to the Horde and I mean to retrieve it for Lord Hordak. And now go, Scorpia. Take us to the Tomb.”

“Yes, but it’s your funeral.”

“Is that a promise?”

“Hush, Catra, she’ll hear you.”…

(10) WET WORK. [Item by SF Concatenation’s Jonathan Cowie.] It may be that there are sub-surface mini-seas on some of the moons of Uranus!

The Voyager 2 flyby of Uranus in 1986 revealed an unusually off-centred planetary magnetic field. Nine US and one Brit researchers have now re-examined the Voyager Solar wind data set. It reveals that Uranus was hit by a Solar windstorm at the time of the craft’s encounter with the planet. This Solar windstorm offset the planet’s magnetic field.

Similar observations in the Saturn system reveal that when its moons with sub-ice surface water orbit outside of the protection of Saturn’s magnetic field, probes cannot detect water-group ions; this is because they have been swept away by the Solar wind. The researchers therefore hypothesise that the absence of water-group ions when Voyager 2 passed by might not be due to an absence of moons sub-surface water but due to the Solar windstorm that was raging at the time that swept those ions away.  It could be that some of Uranus’ moons do have sub-surface water. They hypothesise that Uranus’s two outer moons, Titania and Oberon, are more likely candidates for harbouring liquid water oceans.

The primary research paper is Jasinski, J. M. et al. (2024) “The anomalous state of Uranus’s magnetosphere during the Voyager 2 flyby”. Nature Astronomy, Pre-print.

(11) MOOR OR LESS. “Utility in Britain Offers Free Electricity to Grow Clean Energy” – a New York Times article. Link bypasses the paywall.

Were Heathcliff to roam the blustery moors around Wuthering Heights today, he might be interrupted by a ping on his cellphone saying something like this: The wind is raging, so power is cheap. It’s a good time to plug in the car.

OK. So the 18th-century literary occupants of these windswept hills received no such pings.

But Martin and Laura Bradley do. They live in Halifax, an old mill town below the wuthering, or windy, heights of West Yorkshire. And when a squall kicks up, producing a surplus of electricity from wind turbines on the moor, their phones light up with a notification, like one that informed them of a 50 percent discount one Saturday in October….

…Octopus Energy, the country’s biggest electricity supplier, runs nine wind turbines on those hills. When it’s gusty, and power is abundant, it offers discounts. The Bradleys say they save upward of 400 pounds ($517) a year. Octopus says it not only attracts customers but also persuades communities that they benefit from new energy infrastructure.

“We’ve got these famously bleak, windy hills,” said Greg Jackson, the company’s chief executive. “We wanted to demonstrate to people that wind electricity is cheaper, but only when you use it when it’s windy.”…

(12) THE DEATHS FROM TROPICAL STORMS AND HURRICANES IN THE USA HAVE BEEN GREATLY UNDERESTIMATED. [Item by SF Concatenation’s Jonathan Cowie.] In climate-change science fiction, people die in major climate events: cf. the film The Day After Tomorrow or the climate fiction of Kim Stanley Robinson.

In the real world, people die all the time and this enables demographers to calculate the number of expected deaths. Usually only a score or more deaths are associated with US tropical storms.  These are due to obvious things like drownings or being hit by wind-blown debris.

Two US demographers have now looked the number of excess deaths (those above the expected death rate) between 1930 and 2015. They have found that there are an average of 7,000 – 11,000 excess deaths in the months following a tropical storm or hurricane. These deaths are mainly from infants (less than 1 year of age), people 1 – 44 years of age, and the black population. (Presumably the elderly were safe in a refuge while young adults were protecting property and so in harm’s way? But the very elderly also took a big hit.) The researchers did not look at the death certificates of all (around 100,000) those excess deaths over this eight-and-a-half decade period and so do not know exactly what it was they died of. This, they say, needs to be the subject of future research.

The primary academic paper is Young, R. & Hsiang, S. (2024) “Mortality caused by tropical cyclones in the United States” Nature, vol. 635, p121-128.

(13) VIDEO OF THE DAY. “Disney Debuts ‘The Boy & The Octopus’, Taika Waititi’s Holiday Tale Starring a CG Cephalopod” – Animation Magazine introduces the four-minute short.

A Disney Holiday Short: The Boy & The Octopus follows the journey of a child who discovers a curious octopus has attached to his head during a seaside vacation. After returning home, the boy forms a true friendship with the octopus by introducing his new companion to his life on land — harnessing the power of the Force with his Jedi lightsaber, playing with his Buzz Lightyear action figure, and imagining Santa Claus’ route around the world with the map on his wall — before taking the lovable octopus out into the world to experience the joy of the holidays, hidden under his Mickey Mouse beanie….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cora Buhlert, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]

Pixel Scroll 9/7/24 You Are Like A Pixel Scroll, There’s Files In Your Skies

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(1) SANS CLUE. Cora Buhlert declares, “The Guardian is Clueless about Masters of the Universe”.

…That said, the casting of Alison Brie has attracted more mainstream attraction than the casting of Galitzine and Mendes, probably because Brie is better known. And so Ben Child, who has a weekly geek media column in The Guardian, penned a spectacularly clueless article about the proposed live action Masters of the Universe movie.

Even the headline is terrible: “Can Travis Knight’s He-Man movie do for boys what Greta Gerwig’s Barbie did for girls?”

Yes, we all know how fiercely gendered the toy industry is, but must we really perpetuate those shitty stereotypes, especially when we know they’re wrong? Because in the 1980s, Mattel found to their own surprise that forty percent of all Masters of the Universe toys were sold to girls, which is what prompted the introduction of She-Ra. The 1980s Filmation cartoon was eagerly watched by both boys and girls and though Masters of the Universe fandom skews male, there are plenty of female fans, me among them. This isn’t surprising either, because Masters of the Universe has always featured plenty of impressive female characters such as Teela, Evil-Lyn, the Sorceress, Queen Marlena and of course, She-Ra and her entire supporting cast. Finally, there are plenty of male Barbie collectors as well….

… The main problem with the article is that Ben Child seems unable to view Masters of the Universe as anything other than a joke…

(2) FORMER BOARD MEMBER, NOW 404 ERROR. Sarah Gailey, who was on the NaNoWriMo “writers board” is no longer, as explained in “Some Thoughts on NaNoWriMo”.

…It’s reasonable for people to have reacted badly; the “statement” they released was very silly. To say “we will not take one of two positions, but we will say that one of those positions is classist and ableist” is not the deft rhetorical maneuver that NaNoWriMo seems to think it is. The arguments themselves around this so-called classism and ableism wave off the actual existence of writing communities, critique groups, beta readers, and critique partners; they also ignore the creative realities of the impoverished and disabled artists, marginalized authors, and indie authors who have been working all this time without the help of language learning model software that was trained on work stolen from their peers and colleagues. …

And this is the statement Gailey sent to Kilby Blades, Interim Executive Director of NaNoWriMo:

And Gailey said:

… I haven’t heard anything back. As of the time I’m writing this, the urls for the staff page and the Writers’ Board page are returning 404 errors. So does the url for my pep talk. …

(3) GOOD OMENS THIRD SEASON STILL HAPPENING. “’Good Omens’ season three on track at Amazon despite Neil Gaiman allegations” reports Screen Daily.

The third season of Neil Gaiman’s Good Omens is understood to be going ahead as planned at Amazon Prime Video, even though Disney has paused a feature adaptation of Gaiman’s novel, The Graveyard Book, following allegations of sexual assault against the UK author and screenwriter….

Amazon officially greenlit the third season of fantasy drama Good Omens in December 2023. Screen understands plans have not changed for the third season starring Michael Sheen and David Tennant to start filming in early 2025 in Scotland. Gaiman is executive producer, writer and showrunner of the series that is based on a book he co-wrote with Terry Pratchett.

Gaiman is also executive producer and a screenwriter on Anansi Boys, a Prime Video series based on Gaiman’s novel of the same name. While production wrapped on the series last year, no official release date has been set. Screen understands there are no plans to not stream the series….  

(4) CRIME ACTUALLY DOES PAY. For seven years! “FBI busts musician’s elaborate AI-powered $10M streaming-royalty heist” – Ars Technica tells how the scheme worked.

On Wednesday, federal prosecutors charged a North Carolina musician with defrauding streaming services of $10 million through an elaborate scheme involving AI, as reported by The New York Times. Michael Smith, 52, allegedly used AI to create hundreds of thousands of fake songs by nonexistent bands, then streamed them using bots to collect royalties from platforms like Spotify, Apple Music, and Amazon Music.

While the AI-generated element of this story is novel, Smith allegedly broke the law by setting up an elaborate fake listener scheme. The US Attorney for the Southern District of New York, Damian Williams, announced the charges, which include wire fraud and money laundering conspiracy. If convicted, Smith could face up to 20 years in prison for each charge.

Smith’s scheme, which prosecutors say ran for seven years, involved creating thousands of fake streaming accounts using purchased email addresses. He developed software to play his AI-generated music on repeat from various computers, mimicking individual listeners from different locations. In an industry where success is measured by digital listens, Smith’s fabricated catalog reportedly managed to rack up billions of streams.

To avoid detection, Smith spread his streaming activity across numerous fake songs, never playing a single track too many times. He also generated unique names for the AI-created artists and songs, trying to blend in with the quirky names of legitimate musical acts. Smith used artist names like “Callous Post” and “Calorie Screams,” while their songs included titles such as “Zygotic Washstands” and “Zymotechnical.”

…The district attorney announcement did not specify precisely what method Smith used to generate the songs….

(5) BULGACON. Начална страница (bulgacon.org) – Bulgacon, the Bulgarian national convention – takes place September 21-23 with Ian McDonald and Farah Mendlesohn as guests of honor. Dr. Valentin D. Ivanov reports, “Many panels will be in English and the committee is considering opening the online panels to everybody.”

(6) LEARNEDLEAGUE SFF: NARNIA AND MURDERBOT. [Item by David Goldfarb.] Question 1 on day 9 of the current regular LearnedLeague season asked us:

The Voyage of the Dawn Treader, The Silver Chair, and The Magician’s Nephew are all books set in what mythical realm?

(I’ve spoiled the answer in my header, but I daresay very few Filers would have had any trouble with it.) This had a get rate of 89%, with no single wrong answer getting to 5% of the submissions.

In the most recent off-season there was a One-Day Special about File 770’s favorite rogue death machine: follow this link to see Murderbot for Everyone. As the title suggests, the questions try to include general-knowledge paths to the answers as well as knowledge of the books themselves. I actually didn’t do all that well on it: 9 right out of 12, and only 63rd percentile in the scoring. Filers may enjoy seeing if they could have done better.

(7) FLASH SF NIGHT. Space Cowboy Books of Joshua Tree, CA presents “Flash Science Fiction Night” online on Monday September 9 at 6:00 p.m. Pacific. Register to attend for free here.

This is the last Flash Science Fiction Night of the season! Join us online for an evening of short science fiction readings (1000 words or less) with authors Jenna Hanchey, Eric Fomley, and Marie Vibbert. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.

(8) SFWA TOWN HALL COMING. The Science Fiction and Fantasy Writers Association Board will conduct the organization’s first SFWA Town Hall for members on September 10, 2024.

This event is part of the ongoing effort to foster communication with the membership, talk about what the organization is current doing and planning, and to take an opportunity to listen.

By working together, the board can address concerns and begin writing the next chapters in the history of SFWA.

(9) TRIBUTE TO BROTHER. Inverse remembers, “40 Years Ago, a Cult Classic Sci-Fi Movie Beat John Carpenter to the Punch”.

…Compared to the bloated multiverse era where “less is more” is an alien concept, 1984 cult favorite The Brother from Another Planet seems like it’s been beamed in from an entirely different celestial body. Its $350,000 budget — a small sum even for the time — would be lucky to cover 30 seconds of a Marvel flick. Its special effects are limited to a few glowing lights and a deformed toe. And far from delivering any grandstanding speeches, its superhero is entirely mute.

The titular Brother, who’s not even given the luxury of a name, is an extra-terrestrial whose powers are far more intuitive (he can hear voices from the past by touching his surroundings) than communicative. But thanks to a nuanced performance from future Emmy winner Joe Morton, he still manages to convey the emotional complexities of the immigrant experience (just to make it clear the film is allegorical, his primitive spaceship crashlands on Ellis Island)….

(10) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Land of the Lost series (1974)

By Paul Weimer. “Marshall, Will and Holly, on a routine expedition…”

Before Buck Rogers, or Battlestar Galactica, or reruns of TOS Star Trek, the first genre shows I can recall watching, in the misty lands of the 1970’s, were reruns of the Sid and Marty Krofft TV shows, including and most especially, Land of the Lost. 

What was not to love in those days? The Marshall family trapped in another world. Dinosaurs! Lizardmen! Weird alien technology crystals? I watched the show avidly, until it fell away from TV screens, and other tv series took their place in my mind in the late 1970’s and early 1980’s.  And I mostly didn’t think about Land of the Lost for two decades.

Until Bubble Boy.

Bubble Boy was a 2001 film, and I can’t really counsel you to seek it out and watch it. It has a young Jake Gyllenhaal playing the titular immunocompromised character who goes on adventures despite being in a bubble. But he is as sheltered emotionally and otherwise as he is physically, having not been allowed to even watch much TV.  One of the shows he has been able to watch was, in fact, Land of the Lost…and very early in the movie, the titular character does a “punk rock version” of the theme song.  It brought me back immediately to my young watching of the show.  That song really is an earworm.

Later on, a few years later, I met a friend who was obsessed with the show, and insisted I watch it again. So, with the suck fairy an idea that had not formulated in popular culture, but was in my mind, I decided to rent it on Netflix DVDs and rewatch it. I was nervous it was more going to be than wasted time, that my fond distant memories of the show would burst like a bubble.

Yes the show is cheesy, the special effects not so much, and it is a kids tv show…but I was surprised at how much I liked the show for what it was. 

Watching the entire arc from start to finish, I saw the creative seeds of genius in the show (and also saw at least one episode I had missed back in the day. Crucially, an episode written by Larry Niven (!) where the Marshalls try to paddle out of the Land of the Lost, run into a Confederate Gold miner and discover they are, in fact, in an enclosed pocket universe. Combine that with the crystal powered pylons that allow time and space travel, a time loop episode and more, the strong SF roots of the show came to mind. 

And then there is Enik. Poor, poor Enik, the intelligent Sleestak..who thought he had traveled into the past to see the barbaric ancestors of his high-tech civilization. And the soul crushing realization he gets when he realizes that he has in fact traveled far to the future, and his high-tech civilization is doomed to fall to barbarism. Heady stuff for a kids TV show, eh?

Land of the Lost crops up again, visually and otherwise in fantasy novels and tv series. In the novel Paragaea, for instance, the main character, trapped on another planet, stumbles onto a jungle temple ruin, complete with Sleestaks, described exactly in terms of the tv series. 

But the remake movie with Will Farrell? Skip it. Just skip it. I’ve never seen the reboot series, either (that is apparently currently on Apple TV).

“When I look all around, I can’t believe the things I found…”

(11) COMICS SECTION.

(12) CAMPY CRANIUM. “New horror musical arrives in Ypsilanti just in time for Halloween” – The Eastern Echo has details.

Getting antsy for the spooky season? Kick off those calendars with the premiere of “The Brain That Wouldn’t Die!”, a new musical written by Ypsilanti-area vocalist and stage director Carla Margolis.

Inspired by the 1960s cult classic of the same name, the musical is a reimagining that takes audiences through the infamous, campy storyline with an all-new original soundtrack. When a brilliant yet, reckless scientist’s fiancé is decapitated in a car accident, he uses a magical serum to keep her head alive. The head, while completely immobile, keeps its ability to sing and talk.

Fans of the movie can expect a more serious look at the same themes found in the original. 

“It focuses on bodily autonomy for women; now that it’s more perilous than ever, I don’t really address it specifically, but there was definitely an inspiration. There’s a lot of misogyny baked into this story,” Margolis said. 

Margolis’ unique take is rooted in a time period when feminist themes were less accepted in media, and that elevates the script to new levels, they said….

(13) ALL ABOARD FOR ALL ALONG. “How Marvel expands ‘WandaVision’ corner of MCU with ‘Agatha All Along,’ ‘Vision Quest’” – Entertainment Weekly interviews a Marvel TV exec and a showrunner.

…These two shows will broaden what Schaeffer refers to as “the WandaVision corner” of the MCU, and Winderbaum says Agatha All Along, titled after Hahn’s chart-topping song of the same name as performed in that first series, “really led the charge.”

The premise kicks off when a mysterious goth teen who’s obsessed with witchcraft (Joe Locke) helps Agatha break free of Wanda’s spell, only now she’s completely left without her powers. This “Teen,” who’s been hexed by…someone so that he can never share his name or any identifying information with other witches, plants the idea of traversing the Witches’ Road, a mystical realm that faces wanderers with deadly trials. If conquered, Agatha could regain all her magic once more. She just needs a coven to pull it off. Enter Aubrey Plaza’s Rio Vidal, Patti LuPone’s Lilia Calderu, Sasheer Zamata’s Jennifer Kale, and Ali Ahn’s Alice Wu-Gulliver….

(14) SAIL SIGHTED. “NASA spacecraft captures 1st photo of its giant solar sail while tumbling in space” – Space has the story.

On April 23, NASA launched a solar sail protype to orbit around our planet — a piece of technology that could very well revolutionize the way we think about spacecraft propulsion. Then, on Aug. 29, the agency confirmed this sail successfully unfurled itself in outer space. Yet, we still didn’t have official photographic evidence of this for some time. 

Now, as of Sept. 5, we indeed do. NASA has released the first image of the open solar sail, formally called the Advanced Composite Solar Sail System, and stated that the spacecraft from which the sail was released will continue to send back more footage and data as time goes on….

… As NASA says in the statement, it’s important to first remember there are four wide-angle cameras in the center of the spacecraft anchoring the sail. 

Near the bottom of the image, one camera view shows the “reflective sail quadrants supported by composite booms” while at the top of the photo, we can see the back surface of one of the craft’s solar panels. Most spacecraft are lined with solar panels because that’s how they power themselves up: with sunlight.

“The five sets of markings on the booms close to the spacecraft are reference markers to indicate full extension of the sail,” the statement says. “The booms are mounted at right angles, and the solar panel is rectangular, but appear distorted because of the wide-angle camera field of view.”…

(15) WHIP IT. Gizmodo says “Bear McCreary Wants to Bring an Obscure Lord of the Rings Song to Rings of Power”.

The soundtrack for Amazon’s Lord of the Rings prequel has afforded composer Bear McCreary a canvas as vast as Middle-earth to play with: Howard Shore-ish riffs, unique orchestral pieces, and increasingly in season two, lots of song work. We already know the lumbering hill-troll Damrod is getting his own heavy metal infused piece this season, and this week, McCreary weaved one of Tolkien’s own poems into a beautiful song to welcome Tom Bombadil to the show. But the composer has a much more obscure, and much more intriguing ditty from the franchise’s adaptive past he wants to make a nod to.

That song? “Where There’s a Whip, There’s a Way” from the Rankin Bass adaptation of Return of the King. “I’m looking. I’m looking for the moment,” McCreary said in a recent Instagram live chat of his desire to bring the song to Rings of Power (via /Film). “It hasn’t happened yet but I would love to make that happen.”

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, David Goldfarb, Paul Weimer, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 6/4/24 Cats And Pixels Like Snuggling Together

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(1) RACHAEL K. JONES Q&A. Oregon Public Broadcasting interviewed awards nominee Rachael K. Jones: “Beaverton author is announced as finalist for literary awards”.

Marshall: This short story, “The Sound of Children Screaming,” drew inspiration from real life events, including one that involved you. Can you talk more about that?

Jones: It was one of the more scary experiences in my career in education. I’m a speech language pathologist, which is someone who works in special education with children who have communication disorders.

There was a lockdown at my school that happened during prep planning, which is the week before the school opens for children. All the teachers are in the building. We’re getting our classrooms ready and we’re getting the space ready for children. One evening I stayed late to finish building some Ikea furniture. While I was getting ready to leave the building you could hear weird sounds outside the school, little popping sounds.

The secretary called a lockdown of the whole school. It turned out that there was a shooting happening in the neighborhood. I went back and had to hide under my desk in my office with all the blinds drawn on a Friday night. I’m really grateful there weren’t any children in the building, but the most disturbing thing was that, because there were no children in the building, I knew it couldn’t be a drill. I was really scared.

It was one of those moments where we all tell ourselves stories in our own heads about what we would do in an emergency situation. With school shootings, you have a fantasy about how you’re gonna block the door, throw that stapler over there or tackle the guy and how you’re going to be this hero in your imagination. It was this really chilling moment to realize that this could be it. And what am I doing? I’m hiding under my desk and I’m not any more heroic than I usually am. I could die tonight on a Friday night at my job and that would be that, and there would be nothing I could do about it.

A lot of times I use my stories as a way to process strong feelings, I can’t really get out in any other way. For me, the story represents that kind of story where it says the things that are hard for me to say in any other way than fiction….

(2) TAKE THE AUTOBAHN TO THE CON. Cora Buhlert went to a German Masters of the Universe convention in May and posted a three-part con report with many photos. To get there required a three hour road trip:

…Last Saturday, I attended the 2024 Los Amigos Masters of the Universe fan convention. There are two big Masters of the Universe conventions in Germany, Grayskull Con and Los Amigos, plus at least two general toy cons which attract a lot of Masters of Universe fans and collectors.

Last year, I considered going to one or more of those cons. However, there was one problem or rather two, a)  I live in North Germany and most German cons, whether general SFF or specialty cons, are much further south and quite far away, and b) I had sick parents at home and/or in hospital and didn’t really want to leave them alone. Since point b) is no longer an issue, there was only point a) to consider.

Until last year, the Los Amigos convention used to take place in Hanau near Frankfurt, which is a four-and-a-half-hour drive away (or a one-hour flight to Frankfurt and then a train ride to Hanau). However, for 2024 the convention relocated to Neuss, a city in the Rhine-Ruhr metropolitan region, which is somewhat closer, though still roughly three hundred kilometers away, which means a three-to-three-and-a-half-hour drive, depending on traffic conditions….

…In fact, there were quite a few customisers were displaying their creations, sometimes for sale, sometimes not.  One stall offered a regular Origins Battle Cat customised to look like Battle Cat might have looked, if he had appeared in the 1987 live action movie (he didn’t, because the production team couldn’t make him work with 1980s tech). That Battle Cat looked great, but he was also quite expensive – 130 Euros – and there was so much to buy, so I passed on him. Besides, the Battle Cat was in Origins scale, but the movie figures Mattel is currently making are the bigger Masterverse figures, so the movie style Battle Cat wouldn’t fit in with my movie figure….

… I also learned that Tecklenburg has a castle ruin, as the name implies, and that bits and pieces of the castle have been integrated into buildings all over town. The ruined castle now houses an open air theater – the largest in all of Germany. The open air theater opened in 1924 and is hugely important for the town, since it’s a major tourist draw. The local handyman frequently builds sets and backdrops for them. The theatre used to stage everything from boulevard comedies to operas, but nowadays they most do musicals and children’s plays, because those are the most popular. They also host pop concerts on occasion. This summer, the open air theater Tecklenburg is staging Mamma Mia!, Madagascar (based on the eponymous CGI animated kids film) and a musical version of The Three Musketeers. Personally, I’d prefer operas and operettas or regular plays (Shakespeare should be great on an open air stage in the middle of a ruined castle), but money talks and musicals are popular with people who’d otherwise never watch musical theater or otherwise set foot inside a theater….

(3)  HELP WANTED. Cora also has written a recruitment ad parody for the Evil Horde, which is one of the main villain groups in Masters of the Universe and a remarkably diverse bunch. Many positions are immediately open! “Join the Horde! Conquer the Universe! Sign Up Now!”

Are you dissatisfied with harassing peasants and raiding space tramp freighters? Are looking for a new challenge? Do want to see the galaxy and help to subjugate it? Do you want to become part of something greater? Then join the Mighty, All-Conquering Horde.

The Horde Empire is seeking, at the earliest possible date….

(4) KAIJU KORNER. Camestros Felapton is among those dialing up Netflix this week to see “Godzilla Minus One”.

…So firstly, if you are a fan of kaiju stomping and chomping their way through populated cities and military forces who foolishly think their puny weapons can stop the rampaging monster then this film absolutely delivers. Godzilla bites through warships, stomps on buildings and blasts all and sundry with atomic breath. Have no worries in this regard, if that is what you want from a Godzilla film, you should be satisfied. If you want Godzilla to be the misunderstood hero who battles a much worse kaiju, then no, you won’t get that but otherwise this is a solid entry in kaiju mayhem….

(5) MARYANN HARRIS (1953-2024). MaryAnn Harris, wife of Charles de Lint, who had been hospitalized and on a ventilator since 2021 after contracting Powassan virus, an extremely rare tick-bourne illness, died June 3. De Lint made the announcement on Facebook:

I’m so so sorry to have to tell you all that Mare passed away this afternoon, June 3, 2024. She fought long and hard to try to beat the awful state in which the Powasssan virus had left her but in the end she just didn’t have the strength to carry on any longer. She died peacefully in her room, surrounded by family, in the beautiful space that her friends and family made of what had been a sterile hospital room.

She touched the hearts of every one she met and we were all so blessed to have known her.

Lately I’d been wondering what this day would feel like. I’ve been on my own since September 2021 and feel that I started grieving at that point, but all that time did nothing to prepare me for how desolate I feel now that she’s actually gone.

Thanks to everyone who cheered her on through this journey, who sent her cards and little gifts, donations towards her care and all the love and words of encouragement. That did much to carry her forward with strength and determination until her body finally gave out on her.

Words can’t express how grateful we are for your support.

(6) TODAY’S BIRTHDAY.

[Compiled by Paul Weimer.]

June 4, 1960 — Kristine Kathryn Rusch, 64.

By Paul Weimer: For me, Kristine Kathryn Rusch’s diverse and large oeuvre, in my reading, runs along two main tracks.

Where I first discovered and encountered her work was in the boom fantasy period in the 90’s with her Fey series. The Fey novels were my first experience with a robust and expansionistic version of Elves. Up until reading The Sacrifice, The Changling and its sequels, my impression of Elves as I had read them to that point were Tolkienistic: hermit kingdoms, quietly holding their power, or slowly fading away, or looking for the chance to slip away and head west to somewhere over the sea. Elves “belonged” to a world that had passed them by. Imagine my surprise when I started reading the Changeling, and discovered a Elf-like race, the Fey, who were not retiring quietly. Instead, these Fey had decided to conquer the entire world with their battle magic. Sure, Blue Isle proved to be an insurmountable roadblock to those conquests, but the very idea of militant expansionist elves…well, I’ve read takes on it since then in various guises and authors, but Rusch’s Fey were the first time I had ever encountered the idea.

Kristine Kathryn Rusch in 2019.

The Wreck series was not quite as innovative for me, but it sits in a relatively unexploited portion of space opera: Space Archaeology.  Boss’ story, in Diving into the Wreck and its sequels, is the story of a character whom, when I met her, thought, “Hey, that would make a neat Traveller character– someone who plunders old spaceships for a living, especially for their history, as well as for the financial aspects of same.  I’d read McDevitt, and Modesitt, and other authors which explored Xenoarchaeology before running into Boss, but Boss was and is a one-of-a-kind character, larger than life. I can always tell that a character resonates with me when I want to make an expy of that character for a RPG. Boss and her adventures in the first couple of novels wanted me to do that.  I didn’t quite as warm to the other various characters, such as Coop, in the later Diving novels, but maybe that’s because Boss so firmly imprinted on me that she ate up the space for me to do so. 

But in the end, Rusch has a prodigious output, under a variety of pen names, in a wide variety of subgenres from tie-in novels to romance, and thus  is one of those authors you could lose yourself in her massive oeuvre and not come out for months or years. 

(7) COMICS SECTION.

  • Thatababy reports something that once was commonly known
  • Bizarro shows why they’re a perfect match.
  • Macanudo has an expert taster.
  • Pearls Before Swine wistfully remembers a social media platform. (Wait, it’s still here!)

(8) BASED ON AN OCCASIONALLY TRUE STORY. [Item by Cora Buhlert.] ROH Press published an interesting profile about the Italian adventure fiction writer Emilio Salgari (1862-1911), who created Sandokan, the Tiger of Malaysia, and the Black Corsair. Salgari isn’t very well known in the US, but I encountered his work via the film adaptations which were a staple of afternoon TV, when I was a kid: “Emilio Salgari: Master of Adventure”

…He claimed to have travelled throughout the American West where he met Buffalo Bill; he had explored the Sudan, lived at the Mahdi’s court, loved Indian princesses, sailed among the many islands of the Far East. Here was a man of action that had explored the world and lived many adventures, adventures he would use for the basis of his 80 plus novels and hundreds of short stories to captivate readers worldwide. At dinner parties he regaled his hosts with tales from his many voyages, guests to his home would often be shown artefacts acquired in far off lands. Throughout the 20th century illustrations of him on the back of his novels showed him clad in his captain’s uniform. His memoirs were filled with adventures in the most exotic lands. A remarkable life, envied by many.

Except that very little of it was true. He did meet Buffalo Bill, but at Sherman’s Wild West Show in Verona, not, as he claimed, while exploring Nebraska. He was knighted for his stories, that much was true; he founded the adventure genre in Italy, his tales captivating young and old, and inspiring many to take up the pen….

(9) NO SUCH THING. [Item by Cora Buhlert.] This is a year old, but it’s still a lovely remembrance of Manly Wade Wellman from Stephen Smith who was one of his creative writing students: “Manly Wade Wellman: Our Forgotten Man of Letters” in The Pilot.

…Wellman was fiercely proud of his stature as a writer. “Outlaws,” he called us, generously including his students in the designation, and he had the rare ability, from the moment he stepped into the room, to instill in each student the strong belief in self that made him a successful writer and a charismatic presence.

Each Tuesday morning that semester, I’d drop a story in the campus mail, and Manly would critique and correct it and hand it back after reading it aloud to the class. I was no doubt an annoyingly eager student, and on a couple of occasions I submitted two stories in one week. “You’re like the tiger who’s tasted blood,” Manly laughed — and in fact, I was spending entirely too much study time writing fiction. Not all my stories were keepers, but one was good enough to win a state-wide short story contest that earned me $100 and a magazine publication. When I met with Manly after winning the magazine prize, he asked what my major was. I told him it was sociology. “Change your major to English!” he barked. “There’s no such thing as sociology!”…

(10) WILL SPIELBERG ADAPT ANOTHER CHICHTON NOVEL? “Eruption: James Patterson finishes Crichton passion project” – and the BBC says now that it’s done Hollywood is abuzz.

Jurassic Park author Michael Crichton died from cancer over 15 years ago – now, his unfinished “passion project”, about a humanity-threatening volcanic eruption, has been completed by fellow literary giant James Patterson and is already generating heated interest in Hollywood.

Eruption takes readers on a thrilling journey through Hawaii’s biggest island, which, unbeknown to its residents, hides dangerous military secrets dating back decades.

There has been no formal screen auction yet – but Sherri Crichton, who discovered her late husband’s unfinished manuscript over a decade ago and controls his estate, told BBC News she was now in talks with Steven Spielberg about a possible big-screen adaptation.

(11) LE GUIN LOOKS IN THE MIRROR. B.D. McClay’s article “Ursula K. Le Guin was her own toughest (and best) critic” is behind a Washington Post paywall. If you have access, lucky you!

… What a pleasure it is, then, to open “The Language of the Night: Essays on Writing, Science Fiction, and Fantasy,” and discover someone vigorously disagreeing with herself on almost every page. To say that the Le Guin we meet in this book is argumentative, sometimes unfair, sometimes wrong and even self-contradictory is not to diminish her greatness. It is rather to rescue her from the dullness imposed on her by her canonization.

By her own account, Le Guin was an indiscriminate reader of books at a young age; she read science fiction, but with no particular devotion. As she got older, the genre did not seem to have a place in it for an adult. “If I glanced at a magazine,” she wrote in the essay “A Citizen of Mondath,” included in this collection, “it still seemed to be all about starship captains in black with lean rugged faces and a lot of fancy artillery.” She drifted off to “Tolstoy and things,” and it was only when a friend told her to read a short story by Cordwainer Smith that she went back to science fiction.

Smith — whose real name was the somehow even more improbable Paul Myron Anthony Linebarger — worked for the United States military; he was, perhaps, too close to war to fantasize about it. He drew imaginatively from other sources, like Joan of Arc and Chinese mythology. His work, which features psychic pilots and heroic space cats, is elastic, wild and, perhaps most importantly in seeing his influence on Le Guin, very funny.

For Le Guin, who was also uninspired by military aesthetics, similarly eclectic in her influences and would complain that nobody ever noticed when she was being funny, reading Smith must have been a shock of recognition akin to love at first sight. (“I don’t really remember what I thought when I read it,” she wrote, “but what I think now I ought to have thought when I read it is My God! It can be done!”) …

(12) JMS Q&A. Also behind a paywall (it’s not our lucky day!) is the Los Angeles Times’ interview with J. Michael Straczynski about his work preserving Harlan Ellison’s legacy: “Harlan Ellison’s books being reissued by J. Michael Straczynski” This passage talks about the façade of Ellison’s home dubbed “The Lost Aztec Temple of Mars”.

On a hilly street in Sherman Oaks, writer and producer J. Michael “Joe” Straczynski gestures to a row of gray gargoylesque heads mounted above an entryway. “If you look carefully, you’ll see they are the Watergate figures,” he says. “Nixon in the middle, surrounded by Mitchell, Dean, Haldeman, all of them.” He smiles, knowing that the mind that created this funky tableau belonged to none other than his closest friend, the eccentric author of speculative fiction, Harlan Ellison….

…. The Watergate grotesques form a small portion of the weird and sometimes wacky, but always carefully curated, world of Ellison. The largest portion of the facade features stone-intaglio pictographs that at first glance might be Egyptian hieroglyphs or Aztec sun symbols; closer examination reveals all sorts of imaginative creatures, from tiny robots to taloned divinities to monsters. Every piece of the house was carefully chosen by Ellison, and many pieces, including carved doors, staircases and even hinges and handles, were designed to his specifications. Next to the doorbell hangs a small framed sign: “Dig. Or split.” The author had no interest in catering to people who did not share his enthusiasms or worldviews….

(13) JUSTWATCH TOP 10S FOR MAY. JustWatch has shared their Top 10 streaming charts for the month of May.

(14) HOMEWARD BOUND FROM LUNA. “China moon landing: Spacecraft Chang’e-6 unfurls flag on far side of the moon” – AP News has the details.

…The Chang’e-6 probe was launched last month and its lander touched down on the far side of the moon Sunday. Its ascender lifted off Tuesday morning at 7:38 a.m. Beijing time, with its engine burning for about six minutes as it entered a preset orbit around the moon, the China National Space Administration said.

The agency said the spacecraft withstood a high temperature test on the lunar surface, and acquired the samples using both drilling and surface collection before stowing them in a container inside the ascender of the probe as planned.

The container will be transferred to a reentry capsule that is due to return to Earth in the deserts of China’s Inner Mongolia region about June 25.

(15) WONDLA TRAILER. Animation Magazine is there when “Apple TV+ Unveils Trailer for Animated Sci-Fi Series ‘WondLa’”.

…WondLa centers on Eva, voiced by Jeanine Mason (Roswell, New Mexico), a curious, enthusiastic and spirited teenager being raised in a state-of-the-art underground bunker by Muthr, a robot caretaker, voiced by Emmy Award nominee Teri Hatcher (Desperate Housewives).

On her 16th birthday, an attack on Eva’s bunker forces her onto the Earth’s surface which is now inhabited by aliens, covered with other-worldly fauna, and no other humans to be found. In fact, it’s no longer called Earth, but Orbona. Otto, a loveable giant water bear with whom Eva shares telepathic powers, voiced by Emmy Award winner Brad Garrett (Everybody Loves Raymond), and Rovender, a cantankerous alien with a troubled past voiced by Gary Anthony Williams (Teenage Mutant Ninja Turtles: Out of the Shadows) join Eva as she leads the team on a dangerous quest to find humans, her home, and her true destiny….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/1/24 Pak Up Your Pixels In An Old Scrith Bag And Smile, Smile, Smile

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(1) A SHAMELESS PLUG FOR “THE AI SONG,” A PARODY BY MY FRIEND (AND COLLEAGUE) PAUL SCHINDLER. [Item by Daniel Dern.] My friend, colleague, and former-boss — briefly (at Byte.com) — Paul Schindler, knowing that I’m a frequent File770 contributor/suggester (from my periodically alerting him to Terry Pratchett and other Scrolls/Items here) asked me to submit as a potential item his recent song parody:

“Inspired by a spate of recent news stories about Artificial Intelligence (including one about a fake Supreme Court decision), I have written (with Clark Smith), “The AI Song” (“P.S. A Column On Things: The AI Song”), including a YouTubing.”

I’m happy to do so, but thought Paul also deserves a (brief-for-me) introduction, particularly since it looks like this will be his first appearance in an Item in a Scroll (as, for the benefit of those coming here via Paul, and other newcomers), File770 posts, and enumerated entries, are irrespectively called):

Paul is (among other things) a (now-former) tech journalist. In terms of AI, Paul notes/recalls, “During the early 1970s, when Daniel and I were fellow undergrads—including working on the student newspapers–at MIT, I interviewed Marvin Minsky several times about AI. This was back when it took very large machines to implement very small models. I remember asking Minsky how many millions of rules it would take to make an AI as smart as a five-year-old.”

While editor of Byte.com, Paul worked with/“managed” the late Jerry Pournelle, notably regarding Jerry’s Chaos Manor column – and post-Byte.com, stayed friends with Jerry. (See Paul’s P.S. A Column On Things post, “My Pal Jerry”). (Note: Byte.com was where Paul was my boss — see my March 2001 “Dern Bids Farewell To Byte.com”).

Additionally, Byte.com-wise, Jerry was the regular, primary guest on the Byte.com Week In Review/Audio Review: The Worldʼs First Podcast, with Paul as the host. (I was involved in a few episodes.) Among other things, Jerry would tell some tales from his variegated past. (It looks like there’s a few episodes on the Internet Archive, per links in Paul’s post.)

More generally, Paul is an sf reader/watcher (among other stuff).  In “My Pal Jerry,” he says, “I read all the science fiction in my childhood branch library and subscribed to the Science Fiction Book Of The Month Club (my premium was The Foundation Trilogy.” Another data point: He cites Joe Haldeman’s The Hemingway Hoax in a footnote to one of his PSaCoTs: “An Open Memo To My Muse”.

(2) GOOD LUCK! When Nick Stathopoulos delivered this year’s Archibald Prize entry to the Art Gallery of New South Wales, they posted a snapshot on Facebook. The 10-time Ditmar Award winner won the prize in 2017.

Nick Stathopoulos holding his portrait of David Stratton.

(3) SMALL WONDERS #11. Issue 11 of Small Wonders, the magazine for science fiction and fantasy flash fiction and poetry, is now available on virtual newsstands here. Co-editors Cislyn Smith and Stephen Granade bring a mix of flash fiction and poetry from authors and poets who are familiar to SFF readers as well as those publishing their first-ever piece with them.

The Issue 11 Table of Contents and release dates on the Small Wonders website:

  • Cover Art:”Meywa Sowen” by M. A. Del Rosario
  • “Celestial Bodies” (fiction) by Mar Vincent (6 May)
  • “Music of the Seraphim” (poem) by Angel Leal (8 May)
  • “What You Sow” (fiction) by Holly Schofield (10 May)
  • “Eloīse” (fiction) by Albert Chu (13 May)
  • “Kannaki Contemplates” (poem) by Tehnuka (15 May)
  • “Up From Out of Clay” (fiction) by Eris Young (17 May)
  • “Unbending My Bones” (fiction) by Sierra Branham (20 May)
  • “Swan’s Song” (poem) by Colleen Anderson (22 May)
  • “The Stars That Fall” (fiction) by Samantha Murray (24 May)

Subscriptions are available at the magazine’s store the magazine’s store, Patreon, and Weightless Books.

(4) SOFT SF. If only reading social media was always this much fun: Premee Mohamed at Bluesky.

(5) AMAZING STORIES WANTS WHAT IT’S OWED. Steve Davidson is trying to get NBC to pay attention – and pay the money they’ve owed Amazing Stories since 2020. He’s asking anyone who’s willing to signal boost the statement he posted on Facebook.

This is VERY important and I would appreciate reader’s doing two things (if they agree and are comfortable doing so):

First – share this as far and wide as you can. You are granted permission to copy the original text, in its entirety and without alteration, in order to share it elsewhere.

Second – if you are a professional in the field and support this effort, I would like to hear from you personally via PM.

OK – here goes:

Last week I was informed by NBC representatives that I would have a communication from them regarding my missing payments on Tuesday (April 30) of this week.

That email was in response to a query I sent to them regarding this non-payment issue.

In the email, I stated that in the past, the only way(s) in which it seemed that I was able to get any action out of them was to go public with the issue.

Twice previously I had to engage in such actions in order to get breaches of the contract cured through renegotiation.

Major Hollywood personalities and production entities were embarrassed, upset and angered at the time by my accurate and truthful statements.

Tuesday has come and gone with nary a whisper.

I (and by extension, Amazing Stories) have been owed contractually negotiated fees since October of 2020.

Read that date carefully. Later this year, non-payment will have gone on for FOUR years.

While the funds owing are not great by Hollywood standards, they are great by Amazing Stories’ standards and affect its ability to pay authors and artists and others appropriate amounts. The absence of those funds has also negatively affected Amazing’s ability to promote and market its offerings as well.

I informed NBC representatives that if I did not hear back from them (with progress) when they had promised to do so, I would be launching a crowd funding campaign to see if we could raise the missing dollars elsewhere.

I also informed them that, out of necessity, that crowd funding effort would have to explain the entire history of my dealings with NBC (since 2015).

Not included in my email to NBC representatives was my additional intention to encourage NBC to voluntarily give up the rights I licensed to them.

When the contract was in breach (and NBC notified of termination – a notice that they also did not respond to until after I had gone public) I contacted several production studios with the idea of licensing them to do a show under that name.

Several responded in the affirmative, even to the point of discussing a production partnership, in which Amazing Stories would have production credit and direct creative input into the show (after I pitched them the idea that I would be seeking Science Fiction authors with script writing experience to create episodes, as well as to script existing classics of the genre), but that they could not move forward until the “legal encumbrances” had been settled.

The point being that, if free, the name could be used to (attempt) to produce a television show that would have great respect for the genre, would involve contemporary authors with proven story telling and script writing chops, would have ties to the magazine version and, obviously, the greater public footprint that a television show would bring.

(Some may be familiar with the radio shows Dimension X and X Minus 1, where episodes were based on short stories drawn from the magazines of the era. This is what we believe we could do with television.)

I will be forwarding a copy of this FB post to my contacts at NBC (again, who promised response by yesterday which was not forthcoming) and will begin putting together the crowd funding effort that I hope my friends and fellow fans here and elsewhere will support, either by contributing or helping to spread the word.

That effort will be seeking funds to support the legal action of terminating the licensing agreement.

Initial filings in pursuit of that goal are expected to cost approximately 15 to 20k. Some or all of those funds may be recoverable, depending upon a legal ruling.

AGAIN. It is important for this statement to gain wide distribution if it going to have the desired effect. The crowd funding campaign will include additional details and suggestions as to how folks can help advance this effort, but starting here on FB will give it a boost.

Thank you.

“I can’t be ignored. I won’t be ghosted. I can no longer be bargained with. I feel no remorse or fear. And I absolutely will not stop, ever, until this matter is settled to my satisfaction!”

(6) TENTACULUM #4 IS A FREE DOWNLOAD. The special Weird West issue of The Tentaculum is now available for all to download for free.

Featuring short fiction from Cedrick May, Arthur H. Manners, Sasha Brown, and Avra Margariti. This issue also includes nonfiction from Cedrick May and returning contributor Bobby Derie.

Edited by Cameron Howard and designed by Braulio Tellez. Cover and story illustrations by Tristan Tolhurst.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 1, 1946 — Joanna Lumley, 78. Quick, tell me who appeared as a member of The Avengers, the real Avengers who have class, not the comic ones, was in a Bond film, and was Doctor Who as well. Now that would be the woman with the full name of Dame Joanna Lamond Lumley. 

Her first genre role was a very minor one as it was essentially in the background as an English girl as she would be credited in On Her Majesty’s Secret Service.

 I certainly don’t remember her there but I confess I’ve only seen it once I think. 

Joanna Lumley in 2015.

(She’ll have a very minor role in the horror film Tam-Lin shock will get repackaged as The Ballad of Tam-Lin, The Devil’s Widow and The Devil’s Woman as well. I doubt it bears but the faintest resemblance to the actual ballad. 

Her first significant genre role was on The New Avengers as Purdey, a former Royal Ballet member who said her high kicks were from her training there (a dubious claim). (And yes, Patrick Macnee was back as Steed.) Along with Mike Gambit as played by Gareth Hunt who had appeared in the Doctor Who’s “Planet of the Spiders”, that was the team on the New Avengers. 

It lasted but two seasons and twenty-six episodes. Yes, I loved it. The chemistry between the three of them was excellent, perhaps better than it had been Steed and some of his solo partners. 

Her second genre role was in Sapphire & Steel. She played Sapphire and David McCallum was Steel. It was considered a supernatural series. I’ve not seen it though I should watch it on YouTube as it legally up there courtesy of Shout Factory which is the company that now has the distribution license for it, so you see the first episode here.

She’s appeared in two Pink Panther films, Trail of the Pink Panther as Marie Jouvet and Curse of the Pink Panther       as Countess Chandra. I’m amazed how many of those films there have been! 

She voiced Aunt Spiker in James and the Giant Peach. Likewise, she’s Madame Everglot in Tim Burton’s Corpse Bride.

Finally, she played Doctor Who in The Curse of Fatal Death, a Doctor Who special made for the 1999 Red Nose Day charity telethon. It was Stephen Moffat’s first Who script. She was simply The Female Doctor.  I’d like to link to the copies on YouTube but I’m absolutely sure they’re all bootlegs so please don’t offer up links to them.

(8) COMICS SECTION.

(9) HE-MAN HAS APPOINTMENT WITH THE BIG SCREEN. “’Masters of the Universe’ Finally Hitting Theaters Summer 2026” reveals Deadline. We predict Cora Buhlert will buy a ticket to see it!

The power of Greyskull is happening on June 5, 2026 when Amazon MGM Studios’ and Mattel Films’ finally bring their live-action reboot of Masters of the Universe to theaters.

As Deadline first told you, Bumblebee filmmaker Travis Knight is directing off Chris Butler’s screenplay (the initial draft written by David Callaham, and Aaron and Adam Nee). Mattel Films’ Robbie Brenner, and Escape Artists’ Todd Black, Jason Blumenthal, and Steve Tisch are producing.

The movie follows ten-year-old Prince Adam who crashed to Earth in a spaceship and was separated from his magical Power Sword—the only link to his home on Eternia. After tracking it down almost two decades later, Prince Adam is whisked back across space to defend his home planet against the evil forces of Skeletor. But to defeat such a powerful villain, Prince Adam will first need to uncover the mysteries of his past and become He-Man: the most powerful man in the Universe….

(10) CALL HER AGENT. Inverse is listening as “5 Years Later, Billie Lourd Pitches the Star Wars Spinoff We Need Right Now”.

…Lourd first appeared as Resistance Lieutenant Kaydel Ko Connix in The Force Awakens, and has only become more involved in the franchise since. Following Fisher’s passing in 2017, Lourd has become the “keeper” of Princess Leia, standing in for a younger version of the character in a Rise of Skywalker flashback. Returning to that galaxy far away has been a “difficult” experience for Lourd, but nowadays, the actress is keen to reprise her role as Connix.

“I would do anything to come back to any Star Wars franchise. I am absolutely available,” Lourd tells Inverse. “Getting to play Connix was such a gift, and to get to do it again would just be insane.”…

(11) THREE-BODY SCIENCE. [Item by Steven French.] “The science of 3 Body Problem: what’s fact and what’s fiction?” “Nature spoke to the sci-fi program’s adviser and two other researchers about the portrayal of PhD scientists and their technologies.”

…An alien civilization spying on humans using quantum entanglement. A planet chaotically orbiting three stars. Nanofibres capable of slicing through Earth’s hardest substance, diamond. Despite being chock-full of hardcore science, 3 Body Problem, a television series released on 21 March by the streaming service Netflix, has been a hit with audiences. So far, it has spent five weeks straight in Netflix’s list of the top-three programs viewed globally.

The story follows five young scientists who studied together at the University of Oxford, UK, as they grapple with mysterious deaths, particle-physics gone awry and aliens called the San-Ti who have their sights set on Earth. But how much of the science in the sci-fi epic, based on the award-winning book trilogy Remembrance of Earth’s Past by the Chinese writer Cixin Liu, reflects reality, and how much is wishful thinking? To find out, Nature spoke to three real-world scientists.…

(12) NOT ONLY IN WASHINGTON. “Is Alien Abduction Insurance a Thing in Washington State?” asks KPQ.

…Before we get into Washington’s take on the subject, it’s worth mentioning that this peculiar form of insurance coverage is associated with the Saint Lawrence Agency in Altamonte Springs, Florida.

Founded in 1987, this agency is famous for being the pioneering provider of alien abduction insurance policies. Over the years, the agency has made headlines and garnered both support and skepticism for its alien abduction policy.

The Saint Lawrence Agency reports to have sold thousands of these policies worldwide.

The policy costs $19.99 and pays out 10 million dollars if you get abducted. It’s important to note that, you’ll need an alien signature to verify your claims….

Newsweek read the fine print.

…The alien abduction scheme says it provides $10 million compensation in the event the policyholder is beamed up. It covers medical issues (all outpatient psychiatric care), sarcasm coverage (immediate family members only) and double indemnity coverage to the sum of $20 million in the event aliens insist on conjugal visits or the extraterrestrial encounter results in offspring.

St. Lawrence told WFLA last month his business has sold upwards of 6,000 policies since 1987. He says there have been two claims since the company formation—and only one big payout. The catch is in the fine print: cash is paid in installments of $1 per year for 10 million years….

(13) CALLS X-FILES SCENE “CRINGEY”. File 770 readers may be interested in this thumbnail self-retrospective of Gillian Anderson’s career produced by Vanity Fair. Of particular interest, of course, will be the first segment discussing The X-Files. But one of her other roles covered (as the psychiatrist in Hannibal) is at least genre adjacent. “Gillian Anderson Rewatches The X-Files, Sex Education, Scoop & More”.

(14) SHELL GAMES. Here is a cute stop motion video featuring a crossover of Masters of the Universe and Teenage Mutant Ninja Turtles.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Cora Buhlert, Stephen Granade, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Spector Creative Toy Controversy

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Photo of the Palace Guard figure with Scott Neitlich’s face. Photo by Cora Buhlert.

By Cora Buhlert:

INTRODUCTION: A current controversy in the toy collector world revolves around toy industry insider Scott Neitlich who worked for various companies and is now an independent consultant. He has a YouTube channel named Spector Creative and makes videos offering an inside look into the toy industry. He’s long been something of a controversial figure and his videos gradually tipped from interesting insights to increasingly bad takes and things which were just plain wrong. Then one day, the channel was suddenly gone from YouTube. Turned out he had been using random photos he found on the internet without permission, including stock photos which were watermarked. 

Ethan Wilson, who runs an action figure review blog named The Figure in Question, found that Neitlich had been using his photos without permission or credit and submitted some copyright complaints to YouTube, who removed the entire channel. Neitlich contacted Wilson and begged for him to retract the copyright claims and promised to remove all photos once he regained access to his channel. So Ethan Wilson retracted his copyright complaints, whereupon Neitlich did not remove the photos and started badmouthing Wilson and sending his followers after him. It’s gotten steadily uglier and weirder since then.

SCOTT NEITLICH AND SPECTOR CREATIVE. Protagonist No. 1 is Scott Neitlich who runs a YouTube channel called Spector Creative. Neitlich is a toy industry insider who used to work for various toy companies, most notably Mattel. He was the Mattel brand manager in charge of the Masters of the Universe Classics and DC Universe Classics collector toy lines from 2008 to 2016. Neitlich championed Masters of the Universe at Mattel, when no one else did, and many of the names he gave to characters who never had any are still used in the various cartoons, comics, etc… to this day. However, Neitlich was a controversial figure among Masters of the Universe fans, because of quality control issues with some of the figures (one figure’s hips infamously shattered straight out of the packaging) and questionable decisions such as using the name a fan had given an obscure character for an action figure without crediting that fan, asking the design team to give a palace guard action figure his face and – most notably – inserting a Mary Sue character named the Mighty Spector that he had created as a kid into the Masters of the Universe line. That figure is so disliked you can still find it in stock at most collectible shops more than ten years later. Recently, a German collectible shop couldn’t even sell their leftover stock of Mighty Spector figures at fifty percent off.  

After leaving Mattel (and there is some debate going on whether he left voluntarily or was asked to leave), Neitlich worked at a couple of other toy and merchandise companies and eventually started a consulting business for the toy and entertainment industry called Spector Creative as well as a YouTube channel. The YouTube channel offers an insider look at the toy industry and lots of background information on the Masters of the Universe and DC toy lines Neitlich worked on, which is how I came across his channel. The channel claims to be educational, but Neitlich also uses it to advertise his consulting business. One thing I noticed immediately is that the videos occasionally contained watermarked stock images, i.e. he had just grabbed those images without paying for the license which is a huge no no for anything you post in public. If you actually use your videos to advertise your business, it’s an even bigger no-no.

Neitlich also posted increasingly bad takes and flat out wrong claims. He claimed that Mattel was about to lose the Masters of the Universe license, even though Mattel actually owns the brand – the only rights issues involve some characters created for the 1980s He-Man and She-Ra cartoons. Neitlich seems to be quite bitter that the current Masters of the Universe toy lines are getting more corporate support than his Classics line did and keeps claiming these toy lines are about to be cancelled and doubled down on his claims, even after people told him that new toys were shipping and sold in stores. I think the thing which convinced me that nothing this guy said should be taken seriously was when he called the Nuremberg toy fair, which is only the biggest and most important toy industry trade fair in the world, “some obscure German con”. Because how can someone work in an industry for twenty years and not know the most important industry event?

In early February, the Spector Creative YouTube channel was suddenly gone. Neitlich posted on Twitter that he had no idea what happened.

Ten days later or so, the channel returned and Neitlich posted a video explaining that his channel had received more than thirty copyright complaints in the span of a week or so, which is why YouTube terminated it. He also claimed that YouTube found those complaints unjustified and that his channel and his livelihood, since he uses his channel to advertise his business, had been held hostage. (The video formerly could be viewed at this link, however, Neitlich recently set the entire channel to private, not just the contested videos.)

The Spector Creative channel never completely disappeared again, but there would be no new videos for a while and then Neitlich popped up again and said he had been getting more copyright strikes. He also claimed that the person submitting the copyright complaints, one Ethan Wilson, who runs a toy review blog called The Figure in Question, was blackmailing him.

(Two follow-up videos could formerly be viewed here and here.)

THAT JUNKMAN. Another toy and pop culture YouTube channel called That Junkman also got involved. I’d never heard of that channel before, but he posts a lot of right-wing culture war stuff along with talking about toys, which tells you everything you need to know about this person. He posted several videos directly attacking Ethan Wilson.

ETHAN WILSON. On March 8, Ethan Wilson posted his side of the story on his blog, complete with screenshots of his e-mail exchanges with Scott Neitlich: “About This Spector Creative Thing”.

Basically, Wilson ran across Neitlich’s YouTube channel and saw that Neitlich had been using toy photos from Ethan’s review blog The Figure in Question without permission or attribution and complained to YouTube. Wilson also went through the videos and found lots and lots of instances of his photos being used, not just one or two. There’s a screenshot of the initial thirty-two copyright complaints here.

The weirdest bit is that at least one of the figures, Hydron, is a Masters of the Universe Classics figure, i.e. a figure Neitlich worked on and that he owns, so he could just have photographed his own figure.

Anyway, Scott Neitlich e-mailed Ethan Wilson and begged him to retract his copyright complaints, so he could regain access to his channel. He also promised to remove the photos in question or credit Wilson. So Wilson retracted the claims and Neitlich got his channel back, only to do absolutely nothing of what he promised. He neither removed the photos nor credited Ethan Wilson. Instead, Neitlich claims fair use, because his channel is informational and educational (even though he is using it to advertise his business). He also claims that Ethan Wilson does not actually own the copyright to his own photos, because he did not register copyright. However, according to current US law, copyright is granted automatically from the moment of creation. Neitlich also claimed that Wilson couldn’t copyright the photos, because they were generic photos of licensed products trademarked by somebody else. Again, this is not how copyright works. And the fact that someone who spent years working in an industry where copyright and trademark law are very important, doesn’t have even a basic knowledge of how these things work, is very telling.

Ethan Wilson was interviewed twice on the Dad-at-Arms YouTube channel, which is a Masters of the Universe fan channel, focusing on interviewing people involved with Masters of the Universe, mostly with the cartoons and comics. Colt, who runs the channel, is a former journalist and another toy collector alerted him to the issue.

In the meantime, several other people have also come forward and said that Neitlich has used their photos, fan art, graphics, etc… without permission or credit, but they just didn’t bother complaining to YouTube. He’s never used one of my photos so far, though I’m not sure whether I should feel glad or insulted.

Neitlich once again lost access to his channel and posted a dramatic, “I’m losing my channel for good” post on the Community tab of his channel (which he apparently could access). (The post is no longer online, but was formerly available close to the top of the Community tab.

A bit later, he posted this tweet:

Note that the Ace of Spades is both the logo of his company as well as of his Mighty Spector character.

Pretty much the first response to that tweet came from the Twitter account of Griffin Newman, toy collector and the voice actor who plays Orko in Masters of the Universe: Revelation and Revolution:

Eventually, Neitlich regained control of his channel and posted yet another video complaining about copyright trolls blackmailing him and proved once again that he has no idea how copyright and trademark law work in the US. Neitlich also claims he got a lawyer, though Ethan Wilson claims he never received any letters from any lawyers.

https://www.youtube.com/watch?v=b6dZijM1o1Q

CLOWNFISH TV VS. DAD-AT-ARMS. Meanwhile, Clownfish TV, a culture war focused YouTube channel also got in on the action. Clownfish TV has a long-running feud with Dad-at-Arms, because DAA called them out for blatantly untrue claims about Masters of the Universe: Revelation and for attacks on the creators of the show. As a result, the Clownfish TV people are angry that Dad-at-Arms got interviews with various people involved with the Masters of the Universe: Revelation and Revolution (producers, directors, writers and even a voice actor), while they didn’t get these interviews, even though they have more followers than he does. Gee, I wonder why people don’t want to talk to a YouTube channel that insulted and badmouthed them. Anyway, Clownfish TV interviewed Scott Neitlich, who professed to be a big fan of their channel:

On a side note, Scott Neitlich also recently self-published a Greek mythology based graphic novel named Myth War that he’s written. Neitlich does have some experience with writing comics, since he wrote some of the Masters of the Universe pack-in mini-comics. However – and here is the kicker – Neitlich used AI generated art for his graphic novel:

CONCLUSION. This is where things stand now: Scott Neitlich and Ethan Wilson are still feuding, Neitlich still uses other people’s work without permission and is slowly but steadily losing whatever credibility he still had.   

Pixel Scroll 2/5/24 To Boldly Scroll Where No Fan Has Scrolled Before

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(1) MCCARTY Q&A. Chris Barkley’s audio interview with Dave McCarty was published here overnight: “Barkley — So Glad You (Didn’t) Ask #81”. The audio recording is at Soundcloud. A transcript is here.

(2) SPARE CHANGE? The New Zealand Mint has a line of The Lord Of The Rings™ Collectible coins.

Set in the mythical world of Middle-earth, The Lord of The Rings fantasy saga follows hobbit Frodo Baggins, Samwise Gamgee and a fellowship of characters as they embark on a quest to destroy the One Ring. Considered one of the greatest works of the 21st century, its popularity has spawned numerous adaptions.

Return to Middle-earth with our limited-edition THE LORD OF THE RINGS™ coins. Made from pure gold or silver, they feature characters and landscapes from the epic fantasy adventure films. Crafted in fine detail with themed packaging, they make the perfect memento for any fan!

Famed Middle-Earth locations feature in these gold coins.

And the silver series includes one with Gollum. Heads he wins, tails you lose!

(3) LEST GRIMDARKNESS FALL. [Item by Anne Marble.] Sebastian Milbank, in an article for the British magazine The Critic (called a “contrarian conservative magazine”) refers to “grimdark” as “Grimdull” — and seems to think they are both “liberal” and “leftist.” (Umm, those are not the same thing.) The article also flings darts at Michael Moorcock and Phillip Pullman. And it calls Breaking Bad grimdark?! Boy, does this article ever make a lot of assumptions about the writers (and readers) of grimdark! And it uses a lot of words in which to do so.

For those unblessed (or uncursed) with an interest in contemporary fantasy, the phrase “Grimdark” may suggest the name of some 2000s era Goth club. It’s a recent coinage for an ongoing craze in “gritty” and dark fantasy settings, epitomised and popularised by George RR Martin, becoming the default tone for a whole range of feted fantasy offerings from Joe Abercrombie’s First Law series featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it — to Mark Lawrence’s Broken Empire Trilogy featuring a dark, brooding protagonist who kills a lot of people — and occasionally feels bad about it.

It’s a genre with a number of consistent features. It’s generally in a mediaeval fantasy setting, but shorn of any romance. Characters are overwhelmingly cynical, and those few who exhibit nobility are treated as foolish or naive. Generally a chaotic war is happening, or about to happen. Religion features, but largely as a tool of social control, often portrayed (usually with some real effort given the baseline awfulness) as even more cruel and cynical than the secular world around it. Dark observations about human nature substitute for any moral drama, with characters seeking to outwit, manipulate or overpower one another in a kind of Darwinian struggle for dominance.

It’s a script born of vaguely liberal, vaguely radical, vaguely anarchic sentiments common to most contemporary creative “industries”. But fantasy, with its over escapism and heroic aristocratic setting, presents something of a problem. This is the inner tension of left wing fantasy — how can a genre defined by apparent escapism not end up serving reactionary ends?…

Grimdark author Joe Abercrombie has a very concise takedown:

(4) ALERT FOR CONVENTION EMAIL RUNNERS. Andrew Trembley shared this alert on Facebook.

For y’all running conventions and running convention email, if you haven’t set up SPF, DKIM and DMARC, you need to do it yesterday. If you’re reading this on Monday, February 5, literally yesterday, because today is the day Google and Yahoo started refusing mail from many email services that have failed to implement SPF, DKIM and DMARC.

(ETA long version, did not include in the share)

I’m seeing people saying “Google is starting to block more non-Gmail senders.” Now they’re right from the perspective they’re looking at this from, but they’re not seeing the whole picture.

It’s not non-Gmail senders. It’s also not just Gmail.

So what is happening? Bear with me, this is long…

(5) MARY SOON LEE Q&A. Space Cowboy Books hosts an “Online Reading and Interview with Mary Soon Lee” on Tuesday, February 6 at 6:00 p.m. Pacific. Register for free HERE.

How-to astronomy poetry to answer vexing questions such as How to Surprise Saturn, How to Blush Like Betelgeuse, and How to Survive a Black Hole.

“Unraveling meaning from partial glimpses of the universe has preoccupied astronomers for thousands of years. Mary Soon Lee’s remarkable collection of poetry traces this journey, capturing the wonder of the celestial bodies that comprise our universe, the elegance of the rules that guide its evolution and the humanity of those who search to better our understanding.” -Andy Connolly, Professor of Astronomy, University of Washington

Mary Soon Lee is a Grand Master of the Science Fiction & Fantasy Poetry Association, and has won the Rhysling Award, the Elgin Award, and the AnLab Readers’ Award. Her work has appeared in Science, American Scholar, Spillway, Asimov’s Science Fiction, and Strange Horizons. This is her second collection of science poetry, following on from Elemental Haiku: Poems to honor the periodic table three lines at a time. Born and raised in London, she now lives in Pittsburgh.

(6) FAN FALLOUT. The Seattle 2025 Worldcon committee answered a query on Facebook by saying that neither Dave McCarty nor anyone else from the Chengdu Worldcon team will be involved with their Hugo Awards.

(7) SALAM AWARD OPEN FOR SUBMISSIONS. The Salam Award, which promotes imaginative fiction in and about Pakistan, reminds Pakistani writers they have until midnight July 31 to submit entries for the award. See full guidelines at this link. Participants must either be currently residing in Pakistan, or be of Pakistani birth/descent.

(8) DANISH COMPLETIST. “Modstand og håb” at Superkultur is written in Danish, however, Lise Andreasen has provided an English translation in the first comment.

Niels Dalgaard is a patient man – not only in his persistent attempt to collect all the science fiction that has been published in odd corners of the Danish publishing world, but more specifically in this case in his project: to read through the approximately 250 novels that has been published in Danish, which can be placed in the category “youth dystopias”….

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 5, 1941 — Stephen J. Cannell. I have come this Scroll to talk of not cabbages and kings but a man who as a mystery writer showed up regularly playing poker as himself in the Castle series with Nathan Fillion as Richard Castle — Stephen J. Cannell. James Patterson, Michael Connelly, and Dennis Lehane were the other such writers here. I’ll talk about his work as a novelist later. 

Nathan Fillion as mystery writer Richard Castle, playing poker with real-life authors Michael Connelly, James Patterson and Stephen J Cannell.

The Zorro rip-off, scripted in its one season by him, The Night Rider, described by IMDB this way, “A refined New Orleans gentleman becomes a masked crimefighter by night, both to uphold law and order and to find the men who murdered his family in order to get their silver mine” is genre the same The Shadow or Doc Savage is in that it’s pulp.

Between that series and what I’m about to note next, scripting shows, the good, the bad and the truly awful made him very wealthy. So he got to produce a series that he said was one he’d to do a very long time ago — The Greatest American Hero.  You know the story of it so I want go into deep detail here, but suffice it to say that he was very happy with its success.

Veering way out of genre, I’m going to note he created Baa Baa Black Sheep (which was renamed Black Sheep Squadron for the second season for reasons unknown by the Powers That Be), a series I really liked.

I’ll note next 21 Jump Street which he created with Patrick Hasburgh which was about the cases of an undercover police unit composed of really great looking young officers specializing in youth crime. Definitely not genre, so why mention it? Because that featured Johnny Depp who would later do so many genre performances. And yes, he’d done one before this series as Greg Lantz in A Nightmare on Elm Street.

He loved making low budget horror films such as The Demon Hunter, The Fairy and Left in Darkness. All shot on all cheap budgets (and this is after he became very wealthy), shot on locations you wouldn’t go without security in armor and shot fast enough you’d suspect use of interesting drugs to keep everyone alert, there’s more than makes sense of these in his IMDB listings. Stephen, you devil. Possibly literally.

Now about that poker game on Castle. All four of those players are there because they are mystery writers. Cannell wrote a series of novels about Shane Scully who was a detective in the LAPD force. I don’t know if they actually played poker in those scenes but I suspect they did. 

(10) SATISFIED FAN. Cora Buhlert heaps praise on a He-Man adaptation: “The Revolution Will Be Televised: Some Thoughts on Masters of the Universe Revolution”.

…So I watched Revelation and it turned out to be not just some nostalgic fun, but so much more. Here was the He-Man story I always wanted to see, a series which took the characters seriously in all their beautiful absurdity and found new depths in them and even managed to make me cry (something western animation in general very rarely does – crying is for anime), while also harkening back to the early 20th SFF which had inspired Masters of the Universe in the first place. Plus, the animation was gorgeous and finally looked as good as the Filmation cartoon looked in my memory, but never in reality, and the voice cast was stellar….

(11) GROUNDHOG DAY CAST REUNION. “Bill Murray celebrates ‘Harold Ramis Day’ Groundhog Day” at CBS Chicago.

This Groundhog Day, Woodstock Willie did not see his shadow — and thus said we should expect an early spring this year.

But at a ceremony in Chicago on Friday, a groundhog named Chicago Harry did not agree.

But first off, why is there a groundhog prognosticating on the trajectory of winter in Woodstock, Illinois? The answer, of course, is that in the 1993 film “Groundhog Day,” Woodstock stood in for Punxsutawney, Pennsylvania — home of Groundhog Day celebrations since the 1880s.

Ever since the movie came out 31 years ago, Woodstock Willie has been up there with Punxsutawney Phil in the real Punxsutawney among large-rodent long-range winter forecasters.

Members of the cast of the iconic film reunited for the first time at Navy Pier Friday, marking 31 years since the film was released. But Friday was also about honoring Harold Ramis and commemorating 10 years since his death….

…”I think it’s great that we’re here and, I don’t want to be too Irish, but it’s very nice of Harold to make it a very nice, mild day for today,” Murray said. “He’s up there stirring the clouds around, making that low pressure move out to Indiana and just drenching, ruining those people’s lives over there in Indiana.”

Ramis’ wife, Erica, was in attendance, beaming with pride as many spoke wonders about her husband. She even read a letter from former President Barack Obama encouraging people to enjoy the day as Ramis would. 

The ceremony included re-enactments of Punxsutawney festival emcee Buster Green (Brian Doyle-Murray) knocking at the tree stump with his cane, where a groundhog named Chicago Harry made his prediction.

Ken Hudson Campbell (“man in hallway”), Robin Duke (Doris the waitress), Marita Geraghty (Nancy Taylor), Richard Henzel (the DJ), Don Rio McNichols (drum player), David Pasquesi (the psychiatrist), and Peggy Roeder (the piano teacher) were also in attendance.

And unlike Woodstock Willie, and Punxsutawney Phil, Chicago Harry saw his shadow — and predicted six more weeks of winter after all.

(12) GOING ROGUE. [Item by SF Concatenation’s Jonathan Cowie.] Just learned that the 2000AD strip Rogue Trooper film is at last moving forward. Director Duncan (Moon, Source Code) Jones teased about this back in 2018 and it now looks like a cast is being pulled together. “Duncan Jones’ Rogue Trooper Movie Cast Announced, Including Hayley Atwell, Sean Bean, and Matt Berry” at IGN.

The cast for Rogue Trooper, the upcoming movie from Moon and Warcraft director Duncan Jones, has been announced. The animated adaptation of the classic 2000 AD comic will be headlined by Aneurin Barnard, Hayley Atwell, and Jack Lowden, and will also feature a number of other well-known British stars such as Sean Bean.

Aneurin Barnard, who previously starred in The Goldfinch and Dunkirk, plays the titular Rogue Trooper, a blue-skinned, genetically-engineered soldier fighting on the toxic battlefields of a seemingly never-ending war. The sole survivor of a massacre that killed his squadmates, he’s on the hunt for the traitor that arranged their deaths. He does this with the aid of three of his killed-in-action squadmates, whose digital personalities still remain conscious after death and are uploaded into Rogue’s gun, helmet, and backpack….

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Science Futurism with Isaac Arthur this week took a look at Death Worlds. These are planets on which, once you land, they set out to kill you.  Unlike most of Isaac Arthur’s episodes (other than his monthly ‘Sci-Fi Sundays’) which have a (highly speculative) science take, this one has as much a science fictional approach, starting as it does with the legendary Harry Harrison’s DeathWorld series of the 1960s. Along the way, he gives us a number of SFnal examples… So, pour a mug of builders and sit back for a half-hour episode (it won’t kill you)…

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Lise Andreasen, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]