Tag Archives: NYRSF

Pixel Scroll 11/2/19 Hairy Philosophers And The Pixel’s Scroll.

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(1) MEAN STREETS. I Write Like says it analyzes a sample of your writing and determines the author you most write like. I pasted in a paragraph from my “Fourth of Sierra Madre” article and was very happy to be told —

(2) POUNDING THE KEYBOARD. Chuck Tingle’s encouraging words for those taking up the NaNoWriMo challenge.

(3) DRONE PROBLEMS. The LA Times tracks how many times “Illegal drones ground water-dropping helicopters at critical moment in Maria fire battle “.

…The interruption of the aerial firefighting underscores growing concerns about how drones can bring added dangers to pilots battling major fires.

According to the National Interagency Fire Center, aerial firefighting efforts have been shut down at least nine times this year because of drone use, and at least 20 drone incursions have hindered firefighting capabilities nationwide from January through October. A report shared with The Times showed that of those 20 incursions, five were in California.

While the unmanned aerial vehicles are small, drones can wreak incredible havoc. A collision with a wing, engine or any part of a larger aircraft can cause severe damage.

“A bird collision with a plane can cause a plane to go down,” said Jessica Gardetto, a spokesperson for the National Interagency Fire Center. “These are hard plastic items.”

(4) WAKING UP THE WOKE. “Barack Obama Calls Out Woke Culture And Twitter Outrage: ‘That’s Not Activism’” – Huffington Post has the story.

“This idea of purity, and you’re never compromised, and you’re always politically woke and all that stuff. You should get over that quickly,” he said. “The world is messy. There are ambiguities. People who do really good stuff have flaws.” 

Obama also called out what he perceived as a “danger” among younger people.

“There is this sense sometimes of ‘the way of me making change is to be as judgmental as possible about other people, and that’s enough,’” he said, then offered an example: 

“Like if I tweet or hashtag about how you didn’t do something right or used the wrong verb. Then, I can sit back and feel pretty good about myself because, ‘Man, you see how woke I was? I called you out.’ I’m gonna get on TV. Watch my show. Watch ‘Grown-ish.’ You know, that’s not activism. That’s not bringing about change. If all you’re doing is casting stones, you’re probably not going to get that far.”

(5) NYRSF READINGS. In honor of Guy Fawkes Day, the New York Review of Science Fiction Reading Series offers two brilliant speculative fiction writers who will make sure you will remember, remember, the Fifth of November — Robert V.S. Redick and Gay Partington Terry. Event takes place Tuesday, November 5 beginning at 7:00 p.m. in The Brooklyn Commons at 388 Atlantic Avenue in Brooklyn, NY.

Robert V.S. Redick‘s fantasy novel Master Assassins, an (anti-) war epic, was a finalist for the 2018 Booknest Award for Best Novel, and was described by Daryl Gregory as “A blazingly smart thrill-ride of an adventure.” He is also the author of the critically-acclaimed nautical epic fantasy series The Chathrand Voyage Quartet. His debut novel, The Red Wolf Conspiracy, received a special commendation by the 2010 Crawford Award Committee and was translated into five languages.

Robert teaches speculative fiction writing in the Stonecoast MFA Program in Freeport, Maine, and works as a freelance editor and book coach. He has worked for international development and environmental justice organizations for many years, including Oxfam, Friends of the Earth and the Center for International Forestry Research. He has lived in Indonesia (where he wrote Master Assassins), Colombia, Argentina, London and rural France. He’s also worked as a baker, horse handler, translator and stage critic. He now lives in Western Massachusetts with his family.

Gay Partington Terry grew up in northern Appalachia but has lived in NYC ever since. She wrote screenplays for “Toxic Avenger,” and stories for anthologies, magazines, and ezines (Asimov’s, Full Spectrum, Why New Yorkers Smoke…). She’s the author of two books, Meeting the Dog Girls and Life, Death, and Beyond Smiggle’s Bottom.

Gay has been a waitress, factory worker, welfare worker, magician’s assistant, and catalogued tribal arts for a gallery. She does tai chi and is mentored by five grandchildren.

(6) BIG BANG COROLLARY. John Scalzi has posted a free short story related to his freshly finished trilogy: “And Now, A New Short Story: The Origin of the Flow”.

…I mentioned yesterday, when I wrote about writing The Last Emperox, my upcoming novel, that I sometimes write reference pieces for myself so I can give some context to myself about what I’m writing. Those pieces usually are never seen by others, but they’re useful for me, and they make a better book for everyone else.

This is one of those pieces. In the book, humans get around space via “The Flow” — a “metacosmological multidimensional space” that’s not of this universe but lets people get around in it at multiples of the speed of light. I decided I needed to give The Flow an origin story, as well as understand how people discovered it, so I wrote this piece for myself, which I am sharing with you now….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 2, 1902 — John P. Fulton, A.S.C. A special effects supervisor and cinematographer.  He’s the man who parted the Red Sea in The Ten Commandments. Neat trick that. Genre wise, we can first find him in 1931 on Frankenstein in a career that’ll stretch through The Mummy, The Invisible Man, The Bride of Frankenstein and I Married a Monster from Outer Space to name a few of the films he worked on. (Died 1966.)
  • Born November 2, 1913 — Burt Lancaster. Certainly being Dr. Paul Moreau on The Island of Doctor Moreau was his most genre-ish role but I like him as General James Mattoon Scott in Seven Days in May. And, of course, he’s really great as Moonlight Graham in Field of Dreams. (Died 1994.)
  • Born November 2, 1924 — Michi Kobi. She was Dr. Hideko Murata in Twelve to the Moon, half of as a double feature with either Battle in Outer Space or 13 Ghosts. Unless you consider her doing voices on Courage the Cowardly Dog, an early Oughts animated series, to be genre, this is her only SF work. (Died 2016.)
  • Born November 2, 1927 — Steve Ditko. Illustrator who began his career working in the studio of Joe Simon and Jack Kirby during which he began his long association with Charlton Comics and which led to his creating the Captain Atom character. Did I mention DC absorbed that company as it did so many others? Now he’s best known as the artist and co-creator, with Stan Lee, of Spider-Man and Doctor Strange. For Charlton and also DC itself, including a complete redesign of Blue Beetle, and creating or co-creating The Question, The Creeper, Shade the Changing Man, and Hawk and Dove.  He been inducted into the Jack Kirby Hall of Fame and into the Will Eisner Award Hall of Fame. (Died 2018.)
  • Born November 2, 1941 — ?Ed Gorman. He’d be here if only for writing the script for the  Batman: I, Werewolf series in which Batman meets a werewolf. Very cool. More straight SFF is his Star Precinct trilogy with Kevin Randle which is quite excellent, and I’m fond of his short fiction which fortunately is showing up in digital form at the usual spots. (Died 2016.)
  • Born November 2, 1942 — Carol Resnick, 77. Wife of that Resnick who credited her according to several sources with being a co-writer on many of his novels. (Does he do this in the actual novels?) He also credited her as being a co-author on two movie scripts that they’ve sold, based on his novels Santiago and The Widowmaker. And she’s responsible for the costumes in which she and Mike appeared in five Worldcon masquerades in the Seventies, winning awards four times.
  • Born November 2, 1942 — Stefanie Powers,77. April Dancer, the lead in The Girl from U.N.C.L.E. which lasted just one season. Did you know Fleming contributed concepts to this series and The Man from U.N.C.L.E. as well?  She would play Shalon in the crossover that started on The Six-Million Man and concluded on The Six-Million Woman called “The Return of Bigfoot”. 
  • Born November 2, 1949 — ?Lois McMaster Bujold, 70. First let’s note she’s won the Hugo Award for best novel four times, matching Robert A. Heinlein’s record, not counting his Retro Hugo. Quite impressive that. Bujold’s works largely comprises three separate book series: the Vorkosigan Saga, the Chalion series, and the Sharing Knife series. She joined the Central Ohio Science Fiction Society, and co-published with Lillian Stewart Carl StarDate, a Trek fanzine in which a story of hers appeared under the byline Lois McMaster.
  • Born November 2, 1980 — ?Brittany Ishibashi, 39. Ishibashi played Karai in Teenage Mutant Ninja Turtles: Out of the Shadows, the sequel to Teenage Mutant Ninja Turtles. She’s currently portrays Tina Minoru on Runaways, streaming on Hulu. And she was Maggie Zeddmore in the Ghostfacers webseries. 

(8) JOIN THE JOURNEY. Galactic Journey’s Gideon Marcus will steer their time machine to a series of Southern California destinations to present these live events in November and December. Marcus says, “They are free (at least, we don’t charge, and only LosCon has a door fee) so if you’re in the neighborhood, please stop on by!” Here’s the list:

Talking about the Women Pioneers of Space Science at a great dark sky site

  • Loscon, Los Angeles, Dec. 1, 1:00 PM

“Crest of a New Wave“, discussing 1964 in science fact and fiction

Talking about “What Science Fiction got wrong…and right!“

“The First Moon Race“, talking about the troubles and ultimate triumph of Project Ranger.

Once more, talking about the Women Pioneers of Space Science at another great dark sky site.

(9) MARTIAN HOPS. Behind a paywall in the October 26 Financial Times, Edwin Heathcote reviews an exhibit on living on Mars that is at Britain’s Design Museum (designmuseum.org) through February 23.

Another room is devoted to off-world agriculture, with terraria and complex hydroponic closed-loop systems, though it all depends on either transporting water from Earth or finding and extracting some of the ice at the Martian poles.  Architect Xavier de Kesteller from Hasell suggests a circular economy is a matter of life and death on Mars–the extreme self-reliance necessary for a Martian mission, the need to recycle everything, might promote better use of our resources on Earth.

It all ends with an intriguing installation by Alexandra Daisy Ginsberg about a Mars ‘wilding,’ populating the planet not with people but with plants, presented through a series of screens and a gaming engine which maps the development of the fauna over millennia.

(10) MONSTER MASHER. NPR introduces readers to “Rick Baker, The Monster Maker Of Hollywood”.

An American Werewolf in London. The zombies from Michael Jackson’s “Thriller.” Bela Lugosi’s Dracula from Ed Wood. The dark fairy Maleficent.

They’re all the work of Rick Baker, who created some of the most memorable movie monsters and creatures of the last four decades. Baker is retired now, having won seven Oscars for makeup. But he’s chronicled his long career in a new two-volume illustrated book titled Metamorphosis.

In the LA enclave Toluca Lake, Baker answers the door to his house-turned-studio wearing a t-shirt that says “I’d Rather Be Making Monsters.” Inside, the building is packed with gorilla skull casts, monster sculptures, masks of gruesome victims. There’s a mysterious room that looks from a distance like Dr. Frankenstein’s laboratory. (“Uh, that’s a room you probably shouldn’t go in,” Baker says, with a wink.)

His massive book documents his long career, starting when he was a 10-year-old kid making monster masks in his bedroom. His parents encouraged his passion, which included his fascination with the 1931 Frankenstein movie starring Boris Karloff.

(11) IT ALL ADDS UP. Popular Mechanics advises “Use Math to Survive the Zombie Apocalypse”.

Put away the chainsaw. Stow your machete. The best zombie-fighting tool in your arsenal may be … math?

Just in time for Halloween, mathematicians at the University of Sheffield in the U.K. have modeled different scenarios that may occur in the event of a zombie apocalypse. The math the team used to model these scary scenarios is a type of modeling scientists rely on to predict and prevent the spread of infectious diseases like measles.

“These models allow us to explain real-world data, make predictions about future disease outbreaks or control measures, and to gain a deeper understanding of the natural environment,” mathematician Alex Best of the University of Sheffield said in a statement.

(12) ADDAMS FAMILY ORIGINS. Long Island Press profiled “Charles Addams: The Long Island Macabre Master Who Created The Addams Family”.

…In 1931, he enrolled in Manhattan’s Grand Central School of Art. He set his sights on The New Yorker magazine. The next year he sold them his first spot sketch for $7.50. In 1933, the magazine bought the first of many drawings.

After his father died that year, he went to work for True Detective magazine. He relished retouching and removing the blood from the pictures of corpses.

In 1935, he joined the New Yorker staff. America was transfixed by the dark, shadowy Frankenstein and Dracula films, which likely inspired Addams to create his signature subjects: a slinky, pale, black-gowned vixen and her weird-looking clan in front of a dilapidated, haunted-looking Victorian mansion. Unlike movie monsters, Addams’ characters had an eerie yet healthy sense of humor.

The New Yorker started running his immediately recognizable Addams Family artwork that year. In 1942, his first anthology of drawings was published.

(13) 404SKI. NPR reports a “New Russian Law Gives Government Sweeping Power Over Internet”.

A Russian law has taken effect that, in theory, would allow the Russian government to cut off the country’s Internet from the rest of the world.

The “sovereign Internet law,” as the government calls it, greatly enhances the Kremlin’s control over the Web. It was passed earlier this year and allows Russia’s government to cut off the Internet completely or from traffic outside Russia “in an emergency,” as the BBC reported. But some of the applications could be more subtle, like the ability to block a single post.

It requires Internet service providers to install software that can “track, filter, and reroute internet traffic,” as Human Rights Watch stated. Such technology allows the state telecommunications watchdog “to independently and extrajudicially block access to content that the government deems a threat.”

The equipment would conduct what’s known as “deep packet inspection,” an advanced way to filter network traffic.

Such widespread control is alarming to human rights groups, which fear it could be used to silence dissent.

“Now the government can directly censor content or even turn Russia’s Internet into a closed system without telling the public what they are doing or why,” Rachel Denber, Human Rights Watch’s deputy Europe and Central Asia director, said in a statement. “This jeopardizes the right of people in Russia to free speech and freedom of information online.”

(14) IN THE STARS. The Cut collected proof from Instagram showing that “Celebrities Really Went All Out on Halloween”. A bit heavy on Kardhasians, sure, but without this post I would never have seen LeBron James perfectly attired as Edward Scissorhands,

https://www.instagram.com/p/B4QnqppF2qc/

[Thanks to JJ, Cat Eldridge, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Chip Hitchcock, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to File 770’s collaborating contributing editors of the day Jon Meltzer, Soon Lee, and Xtifr.]

Comes a Reckoning: NYRSF Readings Spotlight Creative Writing on Environmental Justice

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By Mark L. Blackman: One might think that, as we all breathe air and need potable water to survive – among the few things that all of humanity has in common – the environment would be as noncontroversial and nonpartisan as anything could be, but no. Even the very first Earth Day in 1970 was savaged as, variously, Hitler’s birthday and Lenin’s birthday. One button that I have from back then displays an upside-down peace sign, resembling a tree, calling us to “make peace with nature” … thus environmentalism was deemed “unpatriotic” (and ridiculed as “tree-hugging”) long before visible and undisputed climate change was called “a Chinese hoax” and even weather reports were politicized.

On the evening of Monday, October 14 – Indigenous Peoples’ Day, Federal Columbus Day and the start of the second day of Sukkot (a Jewish festival with arboreal aspects) – at its venue, the Brooklyn Commons Café in Brooklyn, two floors below the beleaguered WBAI-FM (more on that below), the New York Review of Science Fiction Readings Series spotlighted Reckoning, an annual journal of creative writing on environmental justice. (Trade paper, perfect-bound copies are $15, but are free online to get the message out. The 4th issue will be out in January. Visit Reckoning.press for more information.) The event was guest-hosted by its publisher, Michael J. DeLuca, and featured readings by Emily Houk, Krista Hoeppner Leahy, Marissa Lingen, Emery Robin and Brian Francis Slattery. (The readers read from works in Reckoning 1 and 2, with the exception of Robin, whose story will run in Reckoning 4.)

The event opened, as usual, with producer and executive curator Jim Freund (and, until last week, host of the long-running sf/fantasy radio program Hour of the Wolf) welcoming the audience. He began by noting that tonight’s readings would on Facebook Live, rather than streamed on Livestream, (Livestream should be back in November.)  He then addressed the elephant in the room two floors above. A week earlier, WBAI-FM’s parent company, Pacifica Across America – or, more specifically, a group of the owners – abruptly shut down the listener-sponsored station. Legal counteractions ensued, with more to come. Freund (who was wearing a WBAI t-shirt) assured all that WBAI-FM would be back, and announced that there would be a rally and press conference on the steps of City Hall on Tuesday the 15th at noon (too late for those reading this) in support of BAI.

Michael J. DeLuca

Returning to why we were there, he reminded those who can to donate to the Series ($7 is the suggested donation, but no one is ever turned away due to lack of funds), and reported that the home audience (to coin a phrase) may donate on its Patreon page. He concluded by announcing future readers: On Tuesday (yes, the Series returns to its usual schedule), November 5th (Election Day and Guy Fawkes Day – “Remember, remember, the 5th of November”), the readers will be Gay Partington Terry and Robert V.S. Redick. December 3rd will be “party time,” an evening of Glitter Spec Fic, featuring A.C. Wise and others to be corralled “reading stories and performing music to do with glitter.” (On the Series webpage, this notice was displayed in multiple colors.) Disclosing his own early environmental activism, he then turned “the show” over to DeLuca.

DeLuca describes his “roots as mycorrhizal with sugar maple and Eastern white pine,” a theme seen in his website, mossyskull.com. His fiction has appeared most recently in Beneath Ceaseless Skies, Three-Lobed Burning Eye, Strangelet and Middle Planet. He observed that holding the event on Indigenous Peoples’ Day was “in keeping with the spirit of environmental justice” (some anthropologists may disagree).

Brian Francis Slattery

First up was Brian Francis Slattery, who has written four novels and is also the arts editor and a reporter for the New Haven Independent, and a musician. “For a week out of every year, lives without electricity” (and that’s without living in California). He read from his semi-fictional essay “The Kinder and More Caring Future,” musings on sustainability (we shouldn’t eat meat-eating predators, including certain fish like haddock) and a reminiscence on the wake of Hurricane Irene. “Hurricane Irene was the future calling,” showing us the perils of seas rising.)

Krista Hoeppner Leahy

Krista Hoeppner Leahy, the second reader, has appeared in a Year’s Best Science Fiction and Fantasy,  Clarkesworld, Lady Churchill’s Rosebud Wristlet and Farrago’s Wainscot. Her offering washer short poem “Eathspun,” about our relationship with Nature (“All of us belong to the sky”). (Another memorable line was “Breathe through your cloaca.”)

During the intermission, a raffle was held (for those who donated), with the prizes being copies of Infomocracy by Malka Older and Galápagos Regained by James Morrow. DeLuca then opened the second half of the evening.

Emily Houk

Emily Houk commented that her story “Plague Winter” reads as science fiction, but is historical, about bio-control of invasive species (we were referred to The Simpsons). Here a lab assistant sets plague doctor beetles on hemlocks. (I might have seen the trees in her story in Western Massachusetts.)

In keeping with the ecological theme, Marissa Lingen reported that she has “a large collection of foliage-themed jewelry.” She read her story “The Shale Giants.” (“Humans want to steal their breath.”)

  • Marissa Lingen
  • Emery Robin

The final reader of the evening, Emery Robin, read a story set in her hometown Oakland, “Ambient and Isolated Effects of Fine Particulate Matter.” After fires – and drought – in Northern California, the sky is hazy, and the air quality has been severely affected, become unbreathable (people wear masks) and ashy – people are turning gray.

DeLuca concluded the evening by inviting submissions.

The traditional Jenna Felice Freebie Table offered a small assortment of books along with copies of Cultural Survival Quarterly (focused indigenous issues and traditional knowledge; DeLuca’s sister is on staff). The audience of about 40, counting Freund and the readers (but not the Chabad duo who wandered in with the Four Species), included Amy Goldschlager, (House Manager) Barbara Krasnoff, John Kwok and (Tech Director) Terence Taylor. The kitchen closed early, but the Café still offered beverages, cold food and snacks.

Pixel Scroll 10/12/19 “Have Fifth, Will Godstalk,” Reads The File Of A Man, A Scroll Without Pixels In A Fannish Land

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(1) NYRSF READINGS. The New York Review of Science Fiction Readings presents “An Evening of ‘Reckoning’” — creative writing on environmental justice – on October 14 with guest curator Michael J. DeLuca, featuring Emily Houk, Yukyan Lam, Krista Hoeppner Leahy, Marissa Lingen, Emery Robin, and Brian Francis Slattery. The event begins at 7:00 p.m. at The Brooklyn Commons Café, 388 Atlantic Avenue  (between Hoyt & Bond St.). Full info on Facebook.

Michael J. DeLuca‘s roots are mycorrhizal with sugar maple and Eastern white pine. He’s the publisher of Reckoning, an annual journal of creative writing on environmental justice. His fiction has appeared most recently in Beneath Ceaseless Skies, Three-Lobed Burning Eye, Strangelet and Middle Planet. 

Emily Houk’s short fiction has appeared previously in Conjunctions, and she has just finished her first novel. She is coeditor of Ninepin Press, and she thrives in the shade of the library stacks of Western Massachusetts.

Yukyan Lam is based in New York, NY, and works for a non-profit on environmental health and social justice. Her scientific writing has appeared in various academic journals. She loves reading and writing creative non-fiction and short stories, and currently serves as a prose editor for Typehouse Literary Magazine. Follow her @yukyan_etc

Krista Hoeppner Leahy is a poet, writer, and actor. Her work has appeared in Clarkesworld, Farrago’s Wainscot, Lady Churchill’s Rosebud Wristlet, Raritan, Shimmer, Tin House, Year’s Best Science Fiction and Fantasy and elsewhere. Born in Colorado, Krista currently resides in Brooklyn with her family.

Marissa Lingen is a freelance writer living in the suburbs of Minneapolis with two large men and one small dog. Mostly she writes speculative fiction. She has a large collection of foliage-themed jewelry.

Emery Robin is an Oakland-born and New York-based writer, previously published on Tor.com and in Spark: A Creative Anthology. When not busy reading, Emery is interested in propaganda, marginalia, and rock ‘n’ roll, and can be found on Twitter @ emwrobin .

Brian Francis Slattery is the arts editor and a reporter for the New Haven Independent. He has written four novels and is currently on the writing team of Bookburners, a serial fiction project. He’s also a musician and for a week out of every year, lives without electricity.

(2) JUNGLE CRUISE. Andrew Petersen, a student I met at Azusa Pacific University’s Yosemite Semester in 2001, achieved his goal of becoming a driver on the Jungle Cruise Ride. If only he hadn’t died last year – he would have gotten a kick out of this movie.  

Inspired by the famous Disneyland theme park ride, Disney’s JUNGLE CRUISE is an adventure-filled, Amazon-jungle expedition starring Dwayne Johnson as the charismatic riverboat captain and Emily Blunt as a determined explorer on a research mission. Also starring in the film are Edgar Ramirez, Jack Whitehall, with Jesse Plemons, and Paul Giamatti. Jaume Collet-Serra is the director and John Davis, John Fox, Dwayne Johnson, Hiram Garcia, Dany Garcia and Beau Flynn are the producers, with Doug Merrifield serving as executive producer. Disney’s JUNGLE CRUISE opens in U.S. theaters on July 24, 2020.

(3) PRINCIPLES OF WARFARE. At The Angry Staff Officer, Matthew Ader exercises 20/20 hindsight in “Snatching Defeat from the Jaws of Victory on Wakanda”.

Captain Roger’s performance at the Battle of Wakanda has been widely and rightly panned. But nothing has been said about the profound failures of his enemy, the Thanosians. Despite every possible advantage in manpower, materiel, and circumstance, they still failed. All students of the military art should examine how they so masterfully snatched defeat from the jaws of victory. 

Terrain Analysis 

The Thanosians had complete freedom in the approach to battle. Nevertheless, they committed two grievous and unforced errors. First, they failed to identify the large energy shield protecting Benin Zana and its immediate environs. This information would have been known with even the most cursory reconnaissance. The mistake cost them at least a battalion worth of troops, when their dropship smashed into it. It is generally agreed that losing a sixth of your force before battle commences is a bad thing. ..

(4) KRAMER PLEADS NOT GUILTY. The Atlanta Journal-Constitution reports “Judge, others charged in Gwinnett hacking case enter not guilty pleas”.

All four defendants charged in Gwinnett County’s convoluted courthouse hacking saga entered not guilty pleas Thursday afternoon.

Each of the defendants — including sitting Superior Court Judge Kathryn Schrader and DragonCon co-founder Ed Kramer — were present for a brief arraignment hearing, scattered across the courtroom gallery as attorneys spoke on their behalf. Their not guilty pleas mean the case against them will move forward. The next hearing in the case is scheduled for Nov. 7….

(5) IMPERIAL SPONGEBOB. Holly M. Barker’s article for The Contemporary Pacific, “Unsettling SpongeBob and the Legacies of Violence on Bikini Bottom”, asserts the cartoon series normalizes an array or moral and ethical problems. Most of the piece is behind a paywall. Here is the abstract:

Billions of people around the globe are well-acquainted with SpongeBob Squarepants and the antics of the title character and his friends on Bikini Bottom. By the same token, there is an absence of public discourse about the whitewashing of violent American military activities through SpongeBob’s occupation and reclaiming of the bottom of Bikini Atoll’s lagoon. SpongeBob Squarepants and his friends play a role in normalizing the settler colonial takings of Indigenous lands while erasing the ancestral Bikinian people from their nonfictional homeland. This article exposes the complicity of popular culture in maintaining American military hegemonies in Oceania while amplifying the enduring indigeneity (Kauanui 2016) of the Marshallese people, who maintain deeply spiritual and historical connections to land—even land they cannot occupy due to residual radiation contamination from US nuclear weapons testing—through a range of cultural practices, including language, song, and weaving. This article also considers the gendered violence of nuclear colonialism and the resilience of Marshallese women.

Campus Reform’s post “Prof: SpongeBob perpetuates ‘violent, racist’ acts against indigenous people” elaborates on some of the issues, for example:  

… While Barker admits that the show’s creators likely did not have “U.S. colonialism” in mind while developing the cartoon, she calls it “disturbing” that they did not realize that “Bikini Bottom and Bikini Atoll were not theirs for the taking.” Consequently, Barker suggests that “millions of children” have “become acculturated to an ideology that includes the US character SpongeBob residing on another people’s homeland.” 

In this way, colonialism is supposedly “produced, reproduced, and normalized” through the cartoon

As if fictionally “occupying” nonfictional land was not enough, Barker also accuses the cartoon of being biased against women. 

The professor complains that “all of the main characters on the show are male,” except for Sandy Cheeks the squirrel, whom she suggests was only created in order to boost the gender diversity of the show. 

“The name ‘Bob’ represents the everyday man, a common American male, much like a ‘Joe,'” Barker observes, concluding that “our gaze into the world of Bikini Bottom, as well as the surface of Bikini, is thus filtered through the activities of men.”

Barker concludes her article by insisting that even though SpongeBob’s writers likely did not mean “to infuse a children’s show with racist, violent colonial practices,” the show is part of a larger issue, an “insidious practice of disappearing Indigenous communities.”

(6) DANIUS OBIT. Sara Danius has died due to breast cancer. She was the permanent secretary for the Swedish Academy during the MeToo era and who was forced out from it due to her determination to get rid of its toxic patriarchal working culture. She was 57 years old. (Swedish language news article here.)

(7) TODAY IN HISTORY.

  • October 12, 1987 — Ultraman: The Adventure Begins. This Japanese animated film stars the English voice lead talents of Adrienne Barbeau and Stacy Keach.  Jr.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 12, 1875 — Aleister Crowley. Genre writer? You decide. But I’ve no doubt that he had a great influence upon the genre as I’m betting many of you can note works in which he figures. One of the earliest such cases is Land of Mist, by Sir Arthur Conan Doyle which was published in 1926. (Died 1947.)
  • Born October 12, 1903 — Josephine Hutchinson. She was Elsa von Frankenstein with Basil Rathbone and Boris Karloff in Son of Frankenstein. She was in “I Sing the Body Electric”, The Twilight Zone episode written by Bradbury that he turned into a short story. (Died 1998.)
  • Born October 12, 1904 — Lester Dent. Pulp-fiction author who was best known as the creator and main author of the series of novels chronicling Doc Savage. Of the one hundred and eighty-one  Doc Savage novels published by Street and Smith, one hundred and seventy-nine were credited to Kenneth Robeson; and all but twenty were written by Dent. (Died 1959.)
  • Born October 12, 1916 — Lock Martin. His claim to fame was that he was one of the tallest humans that ever lived.  At seven feet and seven inches (though this was dispute by some), he was also quite stocky.  He had the distinction of playing Gort in The Day The Earth Stood Still. He was also in The Incredible Shrinking Man as a giant, but his scenes were deleted. And he shows up in Invaders from Mars as the Mutant carrying David to the Intelligence though he goes uncredited in the film. (Died 1959.)
  • Born October 12, 1924 — Randy Stuart. She’s best remembered as Louise Carey, the wife of Scott Carey, in The Incredible Shrinking Man. She was also Frances Hiller in “Anniversary of a Murder“ on One Step Beyond which conceived as a companion series to the Twilight Zone. (Died 1996.)
  • Born October 12, 1942 — Daliah Lavi. She’s in Casino Royale as The Detainer, a secret agent. In the same year, she was in Jules Verne’s Rocket to the Moon as Madelaine. She was Purificata in The Demon, an Italian horror film.  If you’re into German popular music, you might recognize her as she was successful there in Seventies and Eighties. (Died 2017.)
  • Born October 12, 1943 — Linda Shaye, 76. She’s been an actress for over forty years and has appeared in over ninety films, mostly horror. Among them is A Nightmare on Elm Street, Critters, Insidious, Dead End, 2001 Maniacs and its sequel 2001 Maniacs: Field of Screams, Jekyll and Hyde… Together Again, Amityville: A New Generation, Ouija, and its prequel Ouija: Origin of Evil. She even appeared in The Running Man as a Propaganda Officer
  • Born October 12, 1965 — Dan Abnett, 54. His earlier work was actually on Doctor Who Magazine,  but I’ll single out his co-writing Guardians of the Galaxy #1–6 with Andy Lanning, The Authority: Rule Britannia and his Border Princes novel he did in the Torchwood universe as great looks at him as a writer. 
  • Born October 12, 1968 — Hugh Jackman, 51. Obviously Wolverine in the Marvel film franchise. He’s also been the lead character in Van Helsing as well as voicing him in the animated prequel Van Helsing: The London Assignment. One of his most charming roles was voicing The Easter Bunny in The Rise of The Guardians. And he played Robert Angier in The Prestige based off the novel written by the real Christopher Priest.

(9) COMICS SECTION.

  • Rich Horton says about today’s Dilbert: “I don’t know if Scott Adams nicked this idea from Fred Pohl or Greg Egan or someone else, but I think of Daniel Galouye’s Simulacron-3 (filmed as The Thirteenth Floor).”

(10) THE ANSWER IS. Heather Rose Jones replies to the latest question on the Alpennia FAQ: “Are the Alpennia books historical?”

The setting deviates from real-world history in two major ways. Magic exists. And the country of Alpennia does not correspond to any real-world place or nation…. [More at the link.]

(11) WITH RESERVATIONS. CNET: “Addams Family fans can book ‘creepy, kooky’ night in replica mansion”. The “mansion” is in Brooklyn. Tagline: “Booking.com is offering a scary stay. Get a witch’s shawl on and a broomstick you can crawl on.”

…The exterior of Booking.com‘s Addams Family mansion doesn’t look spooky, but the inside makes up for it.

The [3700 square foot] mansion rents for just $101.10 per night, but not everyone interested will get in. [It will be available for only four one-night bookings starting the 29th of this month.] Mark your calendars now if you want to try to be one of the lucky ones. Bookings open on Oct. 28 at 9 a.m. PT, and they’ll probably disappear as fast as you can snap your fingers.

(12) KINGS AND MONSTERS. LitHub learns from Joe Hill, “When Stephen King is Your Father, the World is Full of Monsters”.

We had a new monster every night.

I had this book I loved, Bring on the Bad Guys. It was a big, chunky paperback collection of comic-book stories, and as you might guess from the title, it wasn’t much concerned with heroes. It was instead an anthology of tales about the worst of the worst, vile psychopaths with names like The Abomination and faces to match.

My dad had to read that book to me every night. He didn’t have a choice. It was one of these Scheherazade-type deals. If he didn’t read to me, I wouldn’t stay in bed. I’d slip out from under my Empire Strikes Back quilt and roam the house in my Spider-Man Underoos, soggy thumb in my mouth and my filthy comfort blanket tossed over one shoulder. I could roam all night if the mood took me. My father had to keep reading until my eyes were barely open, and even then, he could only escape by saying he was going to step out for a smoke and he’d be right back.

(13) THOUGHT YOU SHOULD KNOW. Behind a paywall at The Wall Street Journal: “Streaming Is Killing Physical Media. Here’s Why You Won’t Miss It “. Tagline: “With Samsung’s decision to stop making Blu-ray players, now even discs are going extinct. One writer reminisces about all we’ll lose. Another looks forward to an all-digital future.”

(14) FUTURIUM. Aa “house of futures” museum opened in Berlin last month called the Futurium, and their website is futurium.de. The home site is in German, however, they also offer an English language version.

Futurium celebrated its opening on 05 September 2019. Since then, the interest in the house of futures has exceeded all expectations. In the first month, 100,000 visitors already came to Futurium and devoted themselves to the question: How do we want to live?

(15) NOSFERATU. [Item by Steve Vertlieb.] Every generation has its incarnation of the vampire mythos – Dark Shadows, Twilight, True Blood, and more. But it all cinematically began with F.W. Murnau’s 1922 silent movie masterpiece Nosferatu. Ninety-four years after its inception, North Hollywood’s Crown City Theater Company unleashed an astonishing live stage presentation entitled Nosferatu: A Symphony in Terror. In “Nosferatu”, film historian Steve Vertlieb takes us aboard a dark yet wonderful cinematic time machine, delving into the creation of Murnau’s seminal horror film, examining it’s influence on generations (from Lugosi and Lee, to Salem’s Lot, Harry Potter and more), then reviews the startling stage presentation from a few years ago.

 (16) ONE LESS BRICK IN THE WALL. CNN says “You can feel good about ditching your LEGO bricks thanks to this new program”.

…Gather the LEGO bricks, sets or elements that you want to part with; put them in a cardboard box; and print out a free shipping label from the LEGO Replay website. At the Give Back Box facility, they’ll be sorted, inspected and cleaned.

“We know people don’t throw away their LEGO bricks,” Tim Brooks, vice president of environmental responsibility at the LEGO Group, said in a Tuesday news release. “The vast majority hand them down to their children or grandchildren. But others have asked us for a safe way to dispose of or to donate their bricks. With Replay, they have an easy option that’s both sustainable and socially impactful.”

(17) MUSHROOM MANAGEMENT. Car ownership and use are dropping, so they’re “Turning Paris’s underground car parks into mushrooms farms” – the BBC has video.

What do you do with an old car park that no-one wants to park in? Why not use them to grow mushrooms – or even salad?

Paris built too many underground car parks in the 1960s and 70s. Falling car ownership means many are standing empty, or finding new and surprising uses.

(18) VIDEO OF THE DAY. In “Lauren Gunderson Is Taking On J.M. Barrie” on YouTube, Lauren Gunderson discusses her adaptation of Peter Pan, which will be produced by the Shakespeare Theatre in Washington in December.

[Thanks to Nancy Collins, Andrew Porter, Michael Toman, Mike Kennedy, Martin Morse Wooster, Chip Hitchcock, JJ, John King Tarpinian, Karl-Johan Norén, Steve Vertlieb, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Anne Sheller.]

NYRSF Readings Open New Season with Gregory Feeley and Michael Swanwick

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Michael Swanwick and Gregory Feeley

By Mark L. Blackman: On the evening of Tuesday, September 3, 2019, the New York Review of Science Fiction Readings Series opened its 29th Season with the stellar line-up of  Gregory Feeley and Michael Swanwick at its venue, the Brooklyn Commons Café in, of all places, Brooklyn.

The event opened, as ever, with producer and executive curator Jim Freund (and host of the long-running sf/fantasy radio program Hour of the Wolf) welcoming the audience back after the summer hiatus. For a while now, the Readings have streamed on Livestream, however, due to a difficulty, tonight’s wouldn’t be – we were on Facebook Live! (Livestream will be back in October.)  He reminded those who can to donate to the Series ($7 is the suggested donation, but no one is ever turned away), and reported that the home audience (to coin a phrase) may donate on its Patreon page. He concluded by announcing future readers:  on Monday, October 14th, guest host Michael J. DeLuca will present readers from Reckoning, including Emily Houk, Krista Hoeppner Leahy, Marissa Lingen and Brian Francis Slattery. On Tuesday, November 5th (Election Day and Guy Fawkes Day), the readers will be Gay Partington Terry and Robert V.S. Redick. December 3rd will be “party time,” an evening of Glitter Spec Fic, featuring A.C. Wise and others “reading stories and performing music to do with glitter.” (On the Series webpage, this notice was displayed in multiple colors.)

Gregory Feeley

Gregory Feeley, the evening’s first reader, describes himself as a writer of and about science fiction. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine and Kentauros, “a fantasia on an obscure Greek myth.” He recently completed a long novel, Hamlet the Magician. (In addition, he is Thomas M. Disch’s literary executor for prose, and was part of the Series’ tribute to Disch last year.) He read the first half of “Cloudborn,” which also draws from Greek myth. (Despite my childhood reading of Greek mythology, not to mention watching Mighty Hercules cartoons – his sidekick, recall, was a centaur – I was unaware that “cloudborn” was an epithet for centaurs; as their genesis involved two separate instances by Itzion of cross-species copulation, this omission is understandable.) The story centers on children aboard a spaceship very slowly heading toward Neptune to terraform and settle it; there are, of course, secrets being kept from them. The girl Asia, it should be noted, is very into Greek mythology.

During the intermission, a raffle was held (for those who donated), with the prizes being copies of Kentauros and The Iron Dragon’s Daughter. I was asked to draw the tickets; no surprise, and despite the small number of raffle tickets, the winning numbers were one immediately before and one immediately after mine.

Michael Swanwick

Michael Swanwick, the evening’s final reader, is the author of ten novels, including Vacuum Flowers, Stations of the Tide, The Iron Dragon’s Daughter, Jack Faust, Bones of the Earth, The Dragons of Babel, Dancing With Bears, Chasing the Phoenix and the recently published The Iron Dragon’s Mother; and roughly 150 stories, many of which have been reprinted in Best of the Year anthologies. Notable among his non-fiction is Being Gardner Dozois, a book-length interview. Since his first story was published in 1980, Swanwick has been honored with the Nebula, Theodore Sturgeon and World Fantasy Awards, and received a Hugo Award for fiction in an unprecedented five out of six years.  (He also has “the pleasant distinction of having lost more major awards than any other science fiction writer.”) The Iron Dragon’s Mother, from which he read, completes “a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.”

Caitlin, of House Sans Merci, a dragon pilot, after a hard landing, is immediately arrested when she returns to her base, and charged with corruption, a wide-ranging crime. It’s quickly evident that the trial is rigged (her virginity is denied), so she escapes on a Kawasaki and attempts to get answers from a dragon committing perjury against her. As Swanwick’s reading selection breaks off, she discovers that she has the mind of a dying old woman in her head.

The traditional Jenna Felice Freebie Table offered a small assortment of books. The audience of about 20 – we were mystified by the size of the turnout (but what there was, “was cherce”) – included Alan Beck, Amy Goldschlager, (House Manager) Barbara Krasnoff, John Kwok, Marianne Porter, Hildy Silverman and Henry Wessels. The Café closed early.

Pixel Scroll 8/26/19 We Didn’t Start The File, It Was Always Scrolling Since The Fans Been Squeeing

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(1) STAMPEDE ZONE. Fran Wilde, in one of the New York Times’ op-eds from the future, implores “Please, Stop Printing Unicorns”. Tagline: “Bioprinters are not toys, and parents shouldn’t give them to children.”

… Making bioprinting more accessible to the public — especially to children — will be likely to lead to even worse disasters than last Friday’s blockade of the Chicago I-899 skyways off-ramp by a herd of miniature unicorns. Sure, the unicorns (whose origins are unknown) were the size of ducklings, but their appearance caused several accidents and a moral quandary.

These bioprinted unicorns were living creatures with consciousness — as defined by the A.I. Treaty of 2047 — trying to find their way in the world…..

(2) NYRSF STARTS SEASON 29. The New York Review of Books’ readings open their 29th season on September 3 with Gregory Feeley and Michael Swanwick.

Gregory Feeley writes novels and stories, most in some respect science-fictional. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award, and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine, and Kentauros, a fantasia on an obscure Greek myth. He recently completed a long novel, Hamlet the Magician.

Michael Swanwick writes fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, he’s picked up a Nebula Award, five Hugos and the World Fantasy Award–and has the pleasant distinction of having lost more of these awards than any other writer. Tor recently published The Iron Dragon’s Mother, completing a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.

The event is Tuesday, September 3 at The Brooklyn Commons Café, 388 Atlantic Avenue  (between Hoyt & Bond St.). Doors open at 6:30 p.m., event begins at 7:00 p.m.

(3) D&D FILES — THE TRUTH IS OUT THERE. Kotaku challenges the received wisdom: “Dungeons & Deceptions: The First D&D Players Push Back On The Legend Of Gary Gygax”.

Everybody calls Rob Kuntz last, he says. Those who want to know about the history of Dungeons & Dragons start with co-creator Gary Gygax’s kids, one of Gygax’s biographers, or D&D publisher Wizards of the Coast. As they’re wrapping things up, they might get around to dialing up Kuntz, a 63-year-old game designer. And once they call him, he tells them the same thing: Everything they know about the creation of the tabletop role-playing game is, in his opinion, sorely mistaken or flat-out wrong.

“There’s a myth that’s been propagated in the industry,” Kuntz told Kotaku during an interview in February of this year. “If you keep digging into this, you’re going to come up with a story that will enrage people and expose the truth.”

(4) MIND OF THESEUS. In the August 14 Financial Times (behind a paywall), Library of Congress fellow Susan Schneider critiques the arguments of Ray Kurzweil and Elon Musk that we should figure out how to download our brains into the clouds to prevent really smart AI machines from taking over our lives.

“Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan.  Imagine that an AI device called ‘a jewel’ is inserted into your brain at birth.  The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours.  By th time you are an adult, it perfectly simulates your biological brain.

At some point, like other members of society, you grow confident that your brain is just redundant meatware.  So you become a ‘jewel head,’ having your brain surgically removed. The jewel is now in the driver’s seat.

Unlike in Mr Egan’s story, let us assume the jewel works perfectly, So which is you–your brain or your jewel?”

(5) CHAMBERS PRAISED. [Item by Olav Rokne.] The recent Worldcon in Dublin seems to be prompting some discussion of the literary merit of genre work. Writing in the Irish Times, John Connolly (“The future of sci-fi never looked so bright”) holds up the work of Hugo-winner Becky Chambers as an example of meritorious genre work, writing that:

In a world in which intolerance seems to be implacably on the rise, the fundamental decency at the heart of Chambers’s narratives, her depiction of a post-dystopian humanity attempting to construct a better version of itself while encountering new worlds and species, begins to seem quietly, gently radical.

(6) THE STORY OF A GENERATION. USA Today reports from D23 — “Disney unveils new ‘Rise of Skywalker’ footage, ‘Star Wars’ fans lose it over Rey’s double lightsaber”. The clips start with a walk down memory lane…  

Disney released a new poster depicting the battle, presenting it to all attendees.

Fans can now watch the pinnacle moment of the footage – a cloaked Rey pulls out what appeared to be a red, double lightsaber in battle, similar to the infamous weapon wielded by Darth Maul in “Star Wars: Episode I – The Phantom Menace.”

The D23 crowd let out an immediate, overpowering cheer at the sight of the weapon’s return and proclaimed the sighting on Twitter.

It caused a disturbance in the Force which was felt well beyond the D23 walls.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 26, 1911 — Otto Oscar Binder. He’s  best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
  • August 26, 1912 – Ted Key. Of interest to us is his screenplay for The Cat from Outer Space about an apparent alien feline who has crash-landed here (starring Ken Berry, Sandy Duncan and Harry Morgan), which he followed up with a novelization. He also conceived and created Peabody’s Improbable History for producer Jay Ward’s The Rocky and Bullwinkle Show. It would become the Sherman and Peabody Show. (Died 2008.)
  • Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” You can read his full letters here. (Died 1968.)
  • Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of It? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
  • Born August 26, 1949 — Sheila E Gilbert, 70. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received a solo 2016 Hugo award as best professional editor (long form). 
  • Born August 26, 1950 — Annette Badland, 69. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”. 
  • Born August 26, 1970 — Melissa McCarthy, 49. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise. It will be released on December 20 of this year.  (And we are not talking about her The Happytime Murders.)
  • Born August 26, 1980 — Chris Pine, 39. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse.

(8) COMICS SECTION.

(9) LOOKS LIKE DEATH (EXTREMELY) WARMED OVER. Delish says“Cheetos Is Rumored To Be Bringing Back Its ‘Bag Of Bones’ Snacks For Halloween” in Flamin’ Hot and White Cheddar flavors.

If you haven’t had a chance to try this snack yet, they’re basically Cheetos puffs that are shaped into various parts of a skeleton like the head, ribcage, hands, and bones. This means that besides being as delicious as a classic Cheeto, you can also build spooky skeletons with your food if you can resist scarfing down the whole bag for a while.

.(10) LAUNCHING FROM THE ANTIPODES. Ars Technica invites readers “Behind the scenes at Earth’s most beautiful rocket launch site” – lots of photos.

Not a blade of grass longer than the rest, a red “Remove Before Flight” tag unchecked, or a single Kiwi (be it bird or engineer) out of place: Rocket Lab’s Launch Complex-1 looks like an industry brochure come to life (better in fact). Located at the southern tip of the picturesque Mahia Peninsula on the east coast of New Zealand’s North Island, LC-1 is currently the only operational Rocket Lab launch site where the Electron vehicle—Rocket Lab’s low-cost small satellite launch vehicle—takes flight.

Rocket Lab just took advantage of the latest window at LC-1 on August 19. But back in December 2018, fellow rocket launch photographer Brady Kenniston had the exclusive opportunity to photograph Rocket Lab’s first NASA mission, ElaNa-19, from this private launch site. This launch was going to be Rocket Lab’s most important mission to date because, as the leader in the small satellite industry, they had an opportunity to show NASA (and the world) what they are made of. If successful, it could lead to future business from other small satellites in need of a ride to space—not to mention, the company would earn the endorsement of NASA Launch Services as an eligible vehicle to fly future NASA small-satellite science payloads.

(11) SO FAR, SO GOOD. Joe Sherry, Adri Joy, and Paul Weimer identify the high points of 2019 in “Blogtable: Best of the Year So Far” at Nerds of a Feather.

Joe: We’re a little more than seven months into what is shaping up to be an absolute stellar year for science fiction and fantasy fiction and I wanted to check in with the two of you to see what you’ve been reading and what has stood out in a year of excellence.

Adri: Indeed! well for starters I lost my heart in the time war…

Paul: I, too, lost my heart in the Time War. Among many other places, but having recently finished that, it is strongly on my mind. I am Team Blue, Adri, how about you?

(12) FEEDBACK. Heinlein is both an important influence on genre history and in the regard of author Chris Nuttall, who goes deep into Farah Mendlesohn’s book in “Review: The Pleasant Profession of Robert A. Heinlein”. Nuttall ends a substantial discussion by saying —

Heinlein was not fond of critics, not entirely without reason. Even in his day, a good critic could be a wonder – and a bad one a nightmare. But I think he might have liked this book – and, as Heinlein remains popular, we should ask ourselves why. You may not agree with everything in this book, but it will make you think. Mendlesohn treats Heinlein as what he was, a man. Not an angel, or a demon, but a man. An influential man, but a man nonetheless.

(13) SMILE! Guess what this scene made Kevin Standlee think of —  

(Now imagine, what if somebody used X-ray film?)

(14) CHALLENGES IN PRODUCING HEINLEIN BOOK. Shahid Mahmud of Arc Manor Publishers sent out an update about Phoenix Pick’s Heinlein novel The Pursuit of the Pankera.

…As many of you are aware from my previous emails, this is the parallel text to The Number of the Beast. 
 

It is, effectively, a parallel book about parallel universes.


We had originally attempted to release the book before Christmas, but some production issues have delayed the release to Sprint/Summer of 2020.

These include sorting out some fairly intricate details discussed in the book. For example (for those of you dying to see what it is that we publishers actually do), here are a few internal excerpts between editors working on various aspects of the book:

“The planet-numbering system may be off in certain parts of the story. At the beginning of the story (and in real life) we live on planet Earth. In the course of the story, there is time travel, and that’s where it gets confusing… the story refers to both Earth-One and Earth-Zero. There is a detailed explanation of the numbering system (see pg. 312) wherein “Earth-Zero is so designated because Dr. Jacob Burroughs was born on that planet…”

However, in other parts of the book, Earth-One is referred to as the characters’ home planet.”

OR

“After discussion with Patrick, I’ve settled on the following conventions: x-axis (hyphenated, lowercase, no italics) but axis x (no hyphen, lowercase, italic single letter). In the manuscript, of course, the italic letter would be underlined rather than set italic. The letters tau and teh remain in the Latin alphabet (rather than Greek or Cyrillic) and are lowercase but not set italic. When used with the word “axis” (tau-axis) they are hyphenated.”

These are the little details that keep us Publishers up at night 🙂

But alas, given a book of this magnitude and size (this is a BIG book, over 185,000 words) all this takes time.

Hence the delay.

Mahmud says the ebook will be priced at $9.99 at launch, but they will run a Kickstarter beginning September 4 to help pay for production, which will allow people to buy the ebook for just $7.00. And there will be other rewards available.

(15) THE NEXT BIG THING. Best Fanzine Hugo winner Lady Business tweeted a get-acquainted thread for new followers (starts here) which closes with this appeal –

OMG, what a great idea, nominating business meeting agenda items in Best Related Works! Chris Barkley will be so excited (Best Translated Novel Hugo Category Proposed)! Am I right or am I right?

(16) NOT A GOOD IDEA. Just because Trump doesn’t know this it doesn’t mean you shouldn’t: “Nuclear weapons and hurricanes don’t mix, NOAA advises”.

Using nuclear weapons to destroy hurricanes is not a good idea, a US scientific agency has said, following reports that President Donald Trump wanted to explore the option.

The Axios news website said Mr Trump had asked several national security officials about the possibility.

The National Oceanic and Atmospheric Administration (NOAA) said the results would be “devastating”.

Mr Trump has denied making the suggestion.

Hurricanes typically affect the US east coast, often causing serious damage.

It’s not the first time the idea has been considered.

Following reports of Mr Trump’s suggestion, the hashtag #ThatsHowTheApocalyseStarted has been trending on Twitter.

What effect would nuking a hurricane have?

Mr Trump asked why the US couldn’t drop a bomb into the eye of the storm to stop it from making landfall, news site Axios said.

The NOAA says that using nuclear weapons on a hurricane “might not even alter the storm” and the “radioactive fallout would fairly quickly move with the tradewinds to affect land areas”.

(17) A VOLCANO SPEAKS. There was smoke on the water. Then this: “Vast ‘pumice raft’ found drifting through Pacific Ocean”. Opinions vary on whether it will reach Australia or break up, and on how likely it is to be helpful — “Giant Pumice Raft Floating Toward Australia Could Help Replenish Great Barrier Reef”:

A vast “raft” of volcanic rocks stretching over 150 sq km (93 sq miles) is drifting through the Pacific Ocean, scientists say.

The sea of pumice – the size of 20,000 football fields – was first reported by Australian sailors earlier this month.

Experts say the mass likely came from an underwater volcano near Tonga which erupted around 7 August according to satellite images.

Sailors have been warned to stay clear of the potential hazard.

Pumice is a lightweight, bubble-rich rock that can float in water. It is produced when magma is cooled rapidly.

(18) NOT COKE. “World of Warcraft Classic: Hit game goes back to basics” – BBC has the story.

The hit video game World of Warcraft (WoW) is going back to basics with the launch of WoW Classic this evening.

First released in 2004, the online multi-player game has evolved and changed dramatically over the years.

Many players had asked developer Blizzard Entertainment to revive the original version of the game, known as “classic” or “vanilla” WoW.

While not identical to the original, WoW Classic will replicate a majority of the features from the first game.

World of Warcraft is a fantasy game in which players roam the virtual world, fighting monsters and completing quests.

Blizzard said some players who had been given early access to the classic version – which is released at 23:00 BST on Monday – mistakenly thought some of the original features were errors.

(19) FASTER THAN A PET ROCK. A BBC video shows “Gloucestershire man walks tortoise to the pub every day”. Doesn’t move as slow as you might think…

A Gloucestershire man has started walking Nancy Drew the tortoise to the pub and around town.

Jason Smith says the African sulcata tortoise, which is actually male, needs to burn off energy, as in the wild he would ordinarily be looking for a mate at this time of year.

The creature has become famous around Tewkesbury, with people loving to stop and say hello.

(20) CRASH LANDING. “Natalie Portman rockets toward madness in mind-bending ‘Lucy in the Sky’ trailer” Yahoo! Entertainment cues it up.

Natalie Portman blasts off through the wildest reaches of the universe in the new trailer for Lucy in the Sky.

Legion creator Noah Hawley’s feature directorial debut stars the Oscar-winning actress as Lucy Cola, a loose adaptation of real-life astronaut Lisa Nowak, who, after returning to earth from a length mission to space, began an obsessive affair with a coworker….

[Thanks to Jim Freund, JJ, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Errolwi, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/30/19 The Pixels, My Friend, Are Scrollin’ In The Wind

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(1) KIND OF LIKE A CORRESPONDENCE COURSE. BBC reports “JK Rowling to release new Harry Potter eBooks”.

JK Rowling is to release four new Harry Potter eBooks next month, offering fans the chance to “delve deeper into the rich history of magic”.

Rowling’s Pottermore website will publish the non-fiction stories, which will be devoted to all things from the “wizarding world”.

Each will be themed around lessons studied at Hogwarts School of Witchcraft and Wizardry.

The shorts are inspired by a British Library exhibition about Harry Potter.

…The first two books, released on 27 June, will explore Defence Against the Dark Arts as well as Potions and Herbology.

The third and fourth books, which will be released soon after, will look at Divination and Astronomy along with Care of Magical Creatures.

(2) LIMIT ONE ENDING PER CUSTOMER. “Dark Phoenix Ending Was Reshot Because Another Superhero Movie Had the Same Ending” – and Movieweb tries to deduce which movie got there first.

…With the movie finally set to arrive in theaters next month, the cast has started making the press rounds to promote it. During a recent interview, James McAvoy and Michael Fassbender were asked about the extensive reshoots. That’s when things got interesting, as McAvoy gave anything but a typical answer. Here’s what he had to say about it.

“The end [of Dark Phoenix] changed a hell of a lot. The finale HAD to change. There was a lot of overlap and parallels with another superhero movie that came out… a while ago.”

(3) NYRSF READINGS. Chana Porter and Katharine Duckett will illuminate the stage at the New York Review of Science Fiction Readings series on June 4. The event begins at 7:00 p.m. at The Brooklyn Commons Café, 388 Atlantic Avenue  (between Hoyt & Bond St.), Brooklyn, NY.

  • Chana Porter
  • Katharine Duckett

Chana Porter is an emerging playwright, speculative novelist, and education activist. Her plays have been developed or produced at Playwrights Horizons, The Catastrophic Theatre, La MaMa, Rattlestick Playwright’s Theatre, Cherry Lane, The Invisible Dog, and Movement Research. She is a MacDowell Fellow, a New Georges Audrey Resident, a Target Margin Artist-in-Residence, and Honorable Mention for the Relentless Prize. She is currently writer-in-residence at The Catastrophic Theatre in Houston. Chana is the co-founder of the Octavia Project, a free summer writing and STEM program for Brooklyn teenage girls and nonbinary youth. Her play LEAP AND THE NET WILL APPEAR runs at The Flea Theater June 16-30th, directed by Tara Ahmadinejad. Her debut novel, THE SEEP, is forthcoming from Soho Press in 2019. www.chanaporter.com

Katharine Duckett is the author of MIRANDA IN MILAN, and her short fiction has appeared in Uncanny Magazine, Apex Magazine, Interzone, PseudoPod, and various anthologies. She is also the guest fiction editor for the Disabled People Destroy Fantasy issue of Uncanny. She hails from East Tennessee, has lived in Turkey and Kazakhstan, and graduated from Hampshire College in Amherst, Massachusetts, where she majored in minotaurs. She lives in Brooklyn with her wife.

(4) JEMISIN’S SEASON AT PBS. The PBS News Hour announces “‘The Fifth Season’ is June’s pick for the PBS NewsHour-New York Times book club”.

…In the coming days, we’ll post discussion questions for “The Fifth Season,” an annotated excerpt from the book, and writing advice from Jemisin. At the end of the month, she will answer your questions on the PBS NewsHour. We hope you’ll join us and read along.

(5) THE HUGO AWARDS ON JEOPARDY! The Hugo was included in the “Awards and Prizes” category on last night’s show. Kevin Standlee shared the screen grab of the answer that the J! media team sent him.

(6) HUGO FINALIST SIGHTING. Boyd Nation is trying to get on Jeopardy! and thereby hangs the tale:

I was in a Jeopardy! audition today in Nashville, and one of the other participants was 2002 Best Novelette finalist Shane Tourtellotte.  He’s still producing the occasional short fiction piece, but he’s mostly focusing on writing for a baseball web site as a source of income these days.  

As an aside in the course of his interview, by the way, I learned that Frederick Pohl IV was a long-time writer for Jeopardy!

(7) HUGO VOTE COUNTING DEMO. Nice animation of Single Transferable Vote (STV) in the Belfast (Ireland)Telegraph’s “Election 2019” coverage that may help people trying to explain how the Hugo awards work. (Via Robot Archie.)

STV is the system used to count the Hugo final ballot and determine the winners. That’s different from EPH, which is used to count the nominations.

(8) THINKING OUTSIDE. Camestros Felapton contemplates alien aliens in “We’re going on an adventure: Children of Ruin by Adrian Tchaikovsky” – beware minor spoilers.

…It is an interesting challenge to try and side step the imaginative approach, although I don’t see how that is possible. Alternatively we can delve into fiction and specifically, science fiction to explore minds quite different from our own. However, science fiction does not present us with the inner workings of alien minds as often as would be implied by its subject matter.

Science fiction aliens are often explorations of variations on human cognition, personality and culture. I don’t want to dismiss that — there is value (both speculatively and as entertainment) in thinking about the species of hyper-stoical Vulcans. Alternatively, aliens may be quite cryptic and offer a huge barrier to understanding that human characters may only bridge as the climax of a story (or in the case of Ender’s Game as a coda to the climax)….

(9) LOST AND FOUND. View the NOVA episode about the “Lost Viking Army” on the PBS website.

Forty years ago, hundreds of skeletons were unearthed in a mass grave in an English village. Bioarchaeologist Cat Jarman believes these bones are the last remains of the “Great Heathen Army,” a legendary Viking fighting force that invaded England in the ninth century and has long been lost to history. Armed with the latest scientific methods, Cat’s team uncovers extraordinary human stories from the front line, including evidence of women fighters and a lost warrior reunited with his son in death.

(10) ETCHISON FUNDRAISER. The Dennis Etchison Memorial Fund, a GoFundMe appeal, has been launched to help pay for funeral expenses.

Hi all, We are hoping to raise funds to help Kristina Etchison with costs incurred to have Dennis laid to rest. 

The cost of dying is high, sadly, and Kris can use any help here that you can afford to give. 

The final plans for memorial services, etc have not yet been made, and we will keep everyone up to date as plans are finalized in this very difficult time.

In the first six hours, people contributed $435 towards the $4,000 goal.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 30, 1914 — Bruce Elliott. His fifteen stories in The Shadow magazine in the late Forties are generally held in low esteem by Shadow fans because of his handling of the character, best noted by the three stories in which the Shadow does not appear at all in his costumed identity. Oh, the horror! He also wrote three genre novels — The Planet of Shame, Asylum Earth  and, errr, The Rivet in Grandfather’s Neck. And he had stories in The Magazine of Fantasy & Science Fiction including “Wolves Don’t Cry”:and “The Last Magician”. (Died 1973.)
  • Born May 30, 1919 — Ronald Chetwynd-Hayes. British author best known for his ghost and horror stories though his first published work was the SF novel The Man from the Bomb in the late Fifties. The Monster Club, a series of linked tales, is a good place to start with him if you’ve not read him and it became a film with Vincent Price co-starring John Carradine. He won the Bram Stoker Award for Lifetime Achievement, and also a British Fantasy Society Special Award. (Died 2001.)
  • Born May 30, 1922 — Hal Clement. I’m reasonably sure Mission of Gravity was the first novel I read by him though I’ve not re-read it so the Suck Fairy not been tested. And I’m pleased to see that his short fiction which collected into three volumes is still available though only in hardcover. (Died 2003.)
  • Born May 30, 1936 — Keir Dullea, 83. David Bowman in 2001: A Space Odyssey and its sequel, 2010: The Year We Make Contact. I know I saw 2001 but I’ll be damned if if I can remember seeing 2010. He’s done a number of other genre films, Brave New World, Space Station 76, Valley of the Gods and Fahrenheit 451. And less we forget he was Devon in Starlost.
  • Born May 30, 1948 — Michael Piller. He was a writer and Executive Producer of The Next Generation, and co-creator of Deep Space Nine and  Voyager. He’s likely best known for co-writing “The Best of Both Worlds” and the pilots of DS9 (“Emissary”) and Voyager (“Caretaker”). Post-Trek, he developed a short-lived series based off of Stephen King’s novel The Dead Zone, and he had a deal with WB for a series called Day One, a post-apocalyptic series based on the UK Last Train series. WB reneged on the contract.  (Died 2005.)
  • Born May 30, 1952 — Mike W. Barr, 67. Writer of comics and sf novels. Created along with Jim Aparo Looker (Emily “Lia” Briggs), a hero in the DC Universe. She first appeared first appeared in Batman & the Outsiders #25. He worked for both major houses though I’d say most of his work was at DC. He wrote the “Paging the Crime Doctor” episode of Batman: The Animated Series. 
  • Born May 30, 1953 — Colm Meaney, 66. Best known for playing Miles O’Brien in Next Generation and Deep Space Nine. Other genre roles include an unnamed Cop at Tess’s in Dick Tracy, Seamus Muldoon in The Magical Legend of the Leprechauns, a recurring role as Chief Cowen on Stargate Atlantis and Father Francis on Tolkien. 
  • Born May 30, 1962 — Kevin Eastman, 57. Best known for co-creating Teenage Mutant Ninja Turtles with Peter Laird. He’s the editor and publisher of Heavy Metal which he purchased in 1992. He’s working on a new TMNT series with IDW Publishing. 
  • Born May 30, 1964 — Mark Sheppard, 55. He’s the son of actor W. Morgan Sheppard. A number of genre roles including lawyer Romo Lampkin on the Battlestar Galactica reboot, sleazy crime lord Badger on Firefly, Tanaka on Dollhouse, Reagent Benedict Valda on Warehouse 13, Canton Everett Delaware III on Doctor Who and Willoughby Kipling, member of the Knights Templar, on Doom Patrol. 

(12) TIME TO SLIME. In WIRED, Louise Mitsakis reports on the World Slime Congress in Hershey, Pennsylvania where 5,000 people, mostly teens, go to see what’s new in slime, “participate in slime drama,” and listen to “slime influencers” discuss the latest trends in goop creation. “It’s the World Slime Convention! Let’s Goo!”

…My first stop was the booth of Liz Park, a slime influencer whose Instagram, @slimeypallets, has more than 75,000 followers. Park has long, black hair, dyed stormy gray at the ends, and she was wearing enormous fake eyelashes and a Mickey Mouse-style headband, each ear plastered with a yellow Slimey Pallets sticker. The tween girls clustered around her booth wanted to score one of those palettes—sampler packages of six or so slimes that Park makes by hand and sells for around $18 each. I tried to step in to say hello, but a girl wearing a sparkly T-shirt pointed at me, turned to her friends, and loudly reported that I had cut the line. I retreated and watched as Park, who at 30 is much older than most of her fans, handed out slimes and signed posters, chatting and laughing.

(13) CELEBRITY BRUSH. People: “Ariana Grande Dresses Up as an Astronaut During NASA Space Center Visit — and Plays Her Song ‘NASA'”.

One small step for woman, one giant leap for woman-kind!

After performing for a sold-out crowd in San Antonio, Texas, Ariana Grande accepted the opportunity to visit NASA’s Johnson Space Center in Houston on Saturday.

The pop star, 25, documented her tour on Instagram Story in videos that showed her dressed in an astronaut’s uniform, complete with helmet.

“Thank you for the coolest day of my life @nasa,” Grande captioned one of her videos.

https://www.instagram.com/p/BxnuqKggPLg/

(14) THE STAGES YOU’LL CROSS. In the Washington Post, Ron Charles says that Dr. Seuss’s last book, Oh, the Place You’ll Go! has become “a title as firmly associated with graduation as pumpkins are with Halloween or turkeys with Thanksgiving:”  Charles provides a list of other books he thinks would be more sophisticated presents for college graduates. (Chuck Tingle’s new Seuss-ian book of erotica isn’t one of them.) – “How Dr. Seuss’s ‘Oh, the Places You’ll Go’ became a graduation-gift cliché”.

…How the Seuss stole graduation is a tale that sheds light on our own aspirations. The extraordinary success of “Oh, the Places You’ll Go” stems from the book’s infinitely flexible appropriateness. Like the knitted thneed in “The Lorax,” it’s a “Fine-Something-That-All-People-Need!” Children leaving kindergarten respond to Dr. Seuss’s colorful drawings and silly rhymes. For teens graduating from high school, the book is a sweet reminder of their waning adolescence. College graduates accept it as a cute token of nostalgia. And all allegedly resonate to the book’s rousing invocation of adventures just over the horizon.

…Seth Lerer, the author of “Children’s Literature: A Reader’s History, From Aesop to Harry Potter,” notes that the rise of “Oh, the Places You’ll Go” as a graduation gift coincides with the lengthening of adolescence for college-age people.

…That change is reflected in their graduation gifts, too. In the 1970s, Lerer recalls, new graduates commonly received a copy of Roget’s Thesaurus and a fancy pen-and-pencil set. “The belief was that when you graduated, when you had a period of transition, you needed to be ready to read and write, that the transition was a transition of literacy,” Lerer says. “What Dr. Seuss hit in ‘Oh, the Places You’ll Go’ and the reason it’s been adopted is because many people now think that the transition is not about reading and writing, it’s about action. It’s about doing. It’s about going places.

(15) THE INCREDIBLE SHRINKING BOOK EXPO. Andrew Porter says, “Book Expo continues to implode (diagram below shows exhibits now just a portion of one floor), but I picked up a copy of a Lem story turned into graphic novel [there].” (Stanislaw Lem’s The Seventh Voyage, a graphic novel by Jon J. Muth, Scholastic Graphix, Oct. 1 2019, Age 8-12, ISBN 978-0-545-00462-6).

(16) FILMED IN BLACK AND… BLACK. They’ve restored Nevil Maskelyne’s 1900 film of a total solar eclipse in North Carolina. “Watch the oldest surviving film of a total solar eclipse” at Science News. (Via PJ Evans.) (Length of film: 1:08 – from just before totality to just after.)

Maskelyne developed a special telescope adapter for his camera to film the eclipse without frying his equipment. The 1900 eclipse was actually his second attempt. His first, an eclipse in India in 1898, was successful, but his film canister was stolen on the trip back to England.

(17) ECLIPSED BY WIL WHEATON. What did John Scalzi find out about his hometown when he checked out a unique map of the U.S. based on Wikipedia use? About what you’d predict. His explanatory post is titled: “In Which I Learn That I Live In Me”.

There’s a site out there that scraped Wikipedia entries from the last few years, and then put up a map of the United States where the place names were replaced with the person associated with that place (in apparently whatever capacity) whose Wikipedia article was looked at the most. For Bradford, Ohio, and perhaps not entirely surprisingly, that person happens to be… me. Yes, that’s correct, on this map, I live in me.

Since my own vanity knows no bounds I immediately searched Arcadia, CA – and found it is now known as Wil Wheaton. Well, I won’t be knocking him off the top of the hill any time soon. However, if I moved a mile down the street into Monrovia maybe I’d have a better chance – it’s only named for a former Boise State football player.

(18) TAKING GAS. Fast Company asks if this idea will ever get off the ground: “We’re still waiting for flying cars. This startup says hydrogen power is the answer”.

…As the efforts to build George Jetson’s robot have failed, evidence points to big barriers for his flying car. All these electric craft–be they powered by battery or hydrogen–are radically different contraptions from traditional planes and helicopters, posing a challenge for regulators trying to evaluate their safety.

Companies are hoping to lead the FAA on this process, advocating an approach in which the government sets overall safety goals that aircraft makers figure out how to achieve. But public sentiment may turn against industry-led regulation after the Boeing 737 Max crashes–possibly the result of the FAA’s light-touch evaluation of new software.

Then there’s hydrogen. While battery-powered electric cars are all over the road, fuel cell vehicles haven’t gotten beyond pilot projects. And all the same challenges faced by cars may carry over to planes. Electricity is almost everywhere in the U.S. and other developed countries. Hydrogen is not….

(19) PICARD TRIVIA QUIZ. Trek, Actually challenges fans with its “Trivia Quiz: Captain Picard Edition!”

[Thanks to John King Tarpinian, Cath, Martin Morse Wooster, Carl Slaughter, Andrew Porter, PJ Evans, ULTRAGOTHA, Mike Kennedy, JJ, Cat Eldridge, Kevin Standlee, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]

Pixel Scroll 4/27/19 What File Shall A Poor Pixel Scroll To All Tomorrow’s Parties?

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(1) ROBERTS SUES SERRUYA. Nora Roberts is taking #CopyPasteCris to court –U.S. News and World Report has the story: “Nora Roberts Sues Brazilian Author, Cites ‘Multi-Plagiarism'”.

Best-selling novelist Nora Roberts is suing a Brazilian writer for copyright infringement, alleging that Cristiane Serruya has committed “multi-plagiarism” on a “rare and scandalous” level.

In papers filed Wednesday morning in Rio de Janeiro, where Serruya lives, Roberts called Serruya’s romance books “a literary patchwork, piecing together phrases whose form portrays emotions practically identical to those expressed in the plaintiff’s books.” Citing Brazilian law, Roberts is asking for damages at 3,000 times the value of the highest sale price for any Serruya work mentioned in the lawsuit.

“If you plagiarize, I will come for you,” Roberts told The Associated Press during a recent telephone interview. “If you take my work, you will pay for it and I will do my best to see you don’t write again.”

Roberts added that she would donate any damages from the lawsuit to a literacy program in Brazil.

In a telephone interview Wednesday with the AP, Serruya called herself a “fanatic” of Roberts’ work. But she denied copying her and said she had not received notification of any lawsuit. Serruya added that she often used ghost writers for parts of her books and “could not guarantee that no part was copied” by them….

… Lawyer Saulo Daniel Lopez, a specialist in authors’ rights, said a case like this can take 5 to 10 years to be decided in Brazilian courts. If plagiarism is proven, Serruya could be forced to pay from the proceeds of her books, Lopez said.

(2) GUILD V. AGENTS. Jody Simon gives a litigation update in “Winter Is Coming: Writers and Agents Hunker Down for a Battle of Attrition”.

  • The WGA has filed suit against the ATA and the Big Four agencies (WME, CAA, ICM and UTA), alleging that the practice of collecting package commissions constitutes breach of fiduciary duty and unfair competition under state and federal law.
  • The entire ecosystem under which writers found jobs is upended. Under the California Talent Agencies Act (TAA), only licensed talent agents can “procure” employment for writers. The WGA has issued a statement delegating authority to managers and lawyers to find work for writers notwithstanding the statute, but many (including the ATA) question the union’s authority to do so. The WGA has offered to indemnify lawyers and managers against TAA claims. So far, however, no one has taken it up on this offer.
  • Lawyers, but especially managers are in a tight spot. They have writer clients to service without agencies to back them up and provide cover. They can procure employment for their clients in violation of the TAA, at risk of being required to disgorge any commissions received if their client files a claim with the State Labor Commissioner. Meanwhile, the big agencies have made it clear that they will not look kindly upon managers and lawyers who encroach upon their territory, and will remember who their friends are when this dispute is finally resolved.
  • No one knows how open writing assignments will be filled, since this was a central role of the agencies. The WGA has set up an online database to facilitate matchmaking, and showrunners are falling back on their personal networks. These are early days, however. There will undoubtedly be loss of efficiency in staffing but how serious it will be and who will suffer remains to be seen.

(3) A VIEW OF THE HIMALAYAS. Ursula Vernon continues to post Twitter threads with photos and comments from her adventures in Tibet. Starting here,

(4) NYRSF READINGS. “Black Gods, Black Drums, Black Magic” is the theme of May’s installment of the New York Review of Science Fiction Reading Series, assembled by guest host Cam Rob. Phenderson Djèlí Clark and Yvonne P. Chireau will headline.

For most Americans, the historical and mystical dimensions of the African American religious experience remains unexplored, secret, long hidden. This place of heroines, gods, danger, and true things is a vital, living piece of our story. But to venture forth, require guides. Today, we will follow two griots who know the way.

This will be a reading, a seminar, and a discussion with professors Phenderson Djèlí Clark and Yvonne P. Chireau. Phenderson will read from his new novella, Black God’s Drum, and Professor Chireau will discuss the Black American magical traditions to give us historical context as well as read from her book, Black Magic. This will be followed by discussion and Q&A from the audience.

Yvonne Chireau is a professor of Religion at Swarthmore College. She is the author of Black Magic: African American Religion and Conjuring Tradition (2003) and co-editor of Black Zion: African American Religions and Judaism (1999) with Nathaniel Deutsch. She is interested in black religions in the US, African-based religions such as Vodou, and the intersection between magic and religion in America. She blogs subjects having to do with Voodoo and Africana religions at Academic Hoodoo.com

Phenderson Djéli Clark is the Hugo, Nebula, and Sturgeon nominated author of the novellas The Black God’s Drums and The Haunting of Tram Car 015. His stories have appeared in online venues such as Tor.com, Daily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Fireside Fiction, Beneath Ceaseless Skies, and in print anthologies including, Griots, Hidden Youth and Clockwork Cairo. He is founding member of the FIYAH: A Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.

The readings take place Tuesday, May 7, 2019 from 6:45-9 p.m. at the Brooklyn Commons Café, 388 Atlantic Bl., Brooklyn, NY 11217-1703. $7 suggested donation.

(5) KSR COMING TO UCSD. Free and open to the public is “San Diego 2049: Closing Keynote with Kim Stanley Robinson and Team Project Competition” on May 22 (5:30-7:30 p.m.) at Robinson Auditorium, UC San Diego. RSVP here.

Kim Stanley Robinson–the multiple award-winning science fiction writer, climate change expert, and UC San Diego alum–joins us to deliver the closing keynote to San Diego 2049, sharing his insights into the future of the border region and how the practice of science fictional worldbuilding can help us imagine–and impact–issues of vital importance to individuals, our communities, our species, and life on planet Earth.

This evening will also feature the final projects of several UC San Diego graduate student teams who have been participating in the San Diego 2049 series and imagining their own future scenarios for the region.

Kim Stanley Robinson is a New York Times bestseller and winner of the Hugo, Nebula, and Locus awards, and in 2017 he was awarded the Arthur C. Clarke Award for Imagination in Service to Society. He is the author of more than twenty books, including Red Moon, New York 2140, the bestselling Mars trilogy and the critically acclaimed Forty Signs of Rain, The Years of Rice and Salt and 2312. In 2008, he was named a “Hero of the Environment” by Time magazine, and he works with the Sierra Nevada Research Institute and the Clarion Science Fiction and Fantasy Writers’ Workshop, which is hosted each summer at UC San Diego. He is an alumnus of both UC San Diego and the Clarion Workshop and lives in Davis, California.

(6) DIVERSE SFF CREATORS. Texas A&M University hosts “’The Stars Are Ours’: Infinite Diversities in Science Fiction and Fantasy” through September 20, 2019 at the Cushing Memorial Library & Archives. 

Items from the Library’s Science Fiction and Fantasy Research Collection provide a window into the diversities of race, gender, sexual orientation, religion, and culture that have always been a part of science fiction and fantasy.

…Some of the many books represented in the exhibit are The Female Man, Dune and Memoirs of a Spacewoman. Explore the arts and visual media Cushing has displayed with posters from famous movies such as The Rocky Horror Picture Show, Captain Marvel and Wonder Woman and TV series like Star Trek:Discovery and Luke Cage. Album covers from David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Janelle Monae’s The ArchAndroid (Suites II and III) are on display as well.

“What both this exhibit and the Science Fiction and Fantasy Research Collection at Cushing Library hope to show visitors is simply this: science fiction and fantasy and horror, in their abounding variations, are part of our shared cultural heritage,” said Jeremy Brett, curator of the exhibit. “They are not, nor have they ever been, the property of any one class of creator or fan.”

Also included in the exhibition are the 1984 Grand Master Award and the 1998 World Fantasy Award for Life Achievement for famed female sci-fi and fantasy writer Andre Norton. She was the first woman to be made a Grand Master by the Science Fiction and Fantasy Writers of America.

Tananarive Due gave an opening talk on March 29.

(7) GENE WOLFE IN DEPTH. There’s been ample praise for Brian Phillips’ profile “Gene Wolfe Turned Science Fiction Into High Art” at The Ringer.

Mary is still in touch with the Dietsches, the Wolfes’ old neighbors from Peoria. Rosemary Dietsch, Gene’s childhood playmate, comes to Texas for a visit. Gene and Rosemary discover that they still like each other. Before long, they’re engaged. Rosemary is Catholic, so before the wedding, Gene starts studying Catholic doctrine. For a while now, maybe because of his war experience, he’s been thinking about suffering and compassion and how human beings can be better. Catholicism resonates both with his sense of humanity’s fallenness and with his sense of the dedicated, lifelong commitment required for each individual’s redemption. Eventually, he decides to convert. He and Rosemary get married in 1956, two clean-cut kids smiling postwar American smiles. He tells people she saved him.

(8) NIGHTCAP. In 1982, Isaac Asimov, Harlan Ellison, Gene Wolfe appeared together on the Nightcap cable TV talk show.

Isaac Asimov, Harlan Ellison, and Gene Wolfe discuss science-fiction writing with Studs Terkel and Calvin Trillin on the Alpha Repertory Television Service (ARTS), the predecessor of today’s A&E (Arts and Entertainment Network). The program was called “Nightcap: Conversations on the Arts and Letters.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 27, 1901 — Frank Belknap Long. He’s best known for his short stories, including contributions to the Cthulhu Mythos. During his life, he received the World Fantasy Award for Life Achievement, the Bram Stoker Award for Lifetime Achievement and the First Fandom Hall of Fame Award. (Died 1994).

One – that’s it!

(10) COMICS SECTION.

(11) ON THE BUTTON. Cora Buhlert tweeted a photo of this Dublin 2019 memento:

(12) MY PETRONA. The 2019 Petrona Award shortlist for the Best Scandinavian Crime Novel of the Year has been announced. In spite of the name, this is a British award given out at CrimeFest Bristol and is one of the comparatively few genre awards for translated fiction.

The Petrona Award is open to crime fiction in translation, either written by a Scandinavian author or set in Scandinavia, and published in the UK in the previous calendar year.

  • THE ICE SWIMMER by Kjell Ola Dahl, tr. Don Bartlett (Orenda Books; Norway)
  • THE WHISPERER by Karin Fossum, tr. Kari Dickson (Harvill Secker; Norway)
  • THE KATHARINA CODE by Jørn Lier Horst, tr. Anne Bruce (Michael Joseph; Norway)
  • THE DARKNESS by Ragnar Jónasson, tr. Victoria Cribb (Penguin Random House; Iceland)
  • RESIN by Ane Riel, tr. Charlotte Barslund (Doubleday; Denmark)
  • BIG SISTER by Gunnar Staalesen, tr. Don Bartlett (Orenda Books; Norway)

The winning title will be announced at CrimeFest on May 11. The winning author and the translator of the winning title will both receive a cash prize, and the winning author will receive a full pass to and a guaranteed panel at CrimeFest 2020.

(13) SEE VERTLIEB ON TV. Steve Vertlieb’s star turn is available for online viewing —

I want to thank popular comedian and radio personality Grover Silcox for inviting me to share a delightful segment of his new Counter Culture television interview series which aired February 19th on WLVT TV, Channel 39, Public Television in Allentown. We sat together at the famed “Daddypops Diner” in Hatboro, Pennsylvania where the wonderful series is filmed, and talked about Boris Karloff, Bela Lugosi…, Lon Chaney, Sr., and Lon Chaney, Jr. at Universal Pictures, as well as Christopher Lee, and Peter Cushing at Hammer Film Productions, and the long, distinguished history of Horror Movies. For anyone who didn’t see the program during its initial broadcast, you can catch my episode on line by accessing the link below. You’ll find my segment in the middle of Episode No. 3.

 Click here for Episode 3.

(14) SHIELD YOUR EYES. Dead State didn’t think the name’s too offensive for a headline… “Tennessee movie theater censors the title of the movie ‘Hellboy’ because it’s too offensive”.

(15) HEAR NEWITZ. In episode 22 ofInto the Impossible, the Clarke Center’s podcast, they welcome Annalee Newitz, journalist and fiction author, and co-host of the podcast series Our Opinions are Correct.

Winner of the Lambda Literary Award and nominee for the Nebula and Locus awards, her ability to use her scientific knowledge in both her fiction and nonfiction works is something that makes Newitz’s work remarkable. Dr. Brian Keating speaks to her about creative process behind her newest novel Autonomous, as well as the forthcoming The Future of Another Timeline, and more. Enjoy!

And if you’re curious about her talk at UC San Diego, “Your Dystopia Is Canceled,” take a few minutes over at the Clarke Center YouTube channel:

(16) SPECULATIVE STUDIES. In the recent issue of American Studies, four new books of scholarship in speculative studies were reviewed — including Imagining the Future of Climate Change: World-making through Science Fiction and Activism by UC San Diego professor and Clarion Workshop Faculty Director Shelley Streeby — giving a view of the rapidly growing field. Read the full review here.

But speculative fiction studies, though it overlaps with scholarship on science fiction, is a different animal: broader, more capacious, less concerned with technical literary and generic questions. While some have tried to demarcate the bounds of speculative fiction—with Robert Heinlein and Margaret Atwood proposing the most famous definitions—others find the ambiguity of the term attractive.2 In Migrant Futures: Decolonizing Speculation in Financial Times, Bahng is “less interested in literary taxonomies than in the various modalities of writing and reading that can alter relations between writer and reader, shift ways of thinking, and produce different kinds of subjects”; she sees potential in speculative fiction’s “promiscuity and disregard for the proper” (13, 16). Similarly, Streeby embraces the term speculative fiction in Imagining the Future of Climate Change: World-Making through Science Fiction and Activism “because it is less defined by boundary-making around the word ‘science,’ stretching to encompass related modes such as fantasy and horror, forms of knowledge in excess of white Western science, and more work authored by women and people of color” (20). In Commander’s Afro-Atlantic Flight: Speculative Returns and the Black Fantastic, Afro-Atlantic speculation exceeds science fiction, or even Afro-futurism, which Commander regards as only one “subgenre of Afro-speculation of the twentieth and twenty-first century that is concerned with the artistic reimagining of the function of science and technology in the construction of utopic black futures”

(17) ALIEN STAGE PLAY. Mr. Sci-Fi, Marc Zicree, posted “My Favorite Moment” from the high school performance of Alien. (Tough audience – applauding the chest-burster scene!) Zicree adds —

And let’s give hats off to the writer Dan O’Bannon for thinking this up in the first place. Nothing like it had ever been seen before.

[Thanks to John King Tarpinian, JJ, Cat Eldridge, Cora Buhlert, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, Steve Vertlieb, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

Mythic, Delirious Fantasy at NYRSF Readings

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By Mark L. Blackman: On the evening of Tuesday, April 2, 2019, at its venue, The Commons Café in Brooklyn  (just a half a mile from the railroad tracks), the New York Review of Science Fiction Readings Series, in a special event guest-hosted by Mike Allen of Mythic Delirium Books, presented two writers of new fantasy collections from the imprint, Theodora Goss and Barbara Krasnoff.

The “mythically delirious” (as opposed to magically delicious) evening opened with the customary welcome from Series producer/executive curator Jim Freund (who was wearing a nifty T-shirt “Make Orwell Fiction Again”), longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, cautioning us that we were streaming live via Livestream, reminding all that the Series is supported entirely by donations (the Readings are free, but there is a suggested contribution of $7), notifying us that books by the authors were for sale at the door, and announcing upcoming readings:

  • May 7th:  guest co-host Rob Cameron promises “happy surprises”
  • June 4th:  Katharine Duckett (“a queer month,” the 50th anniversary of Stonewall) and TBA
  • July 2nd:  Sam J. Miller (his book is coming out that month) and TBA

(All dates are the first Tuesday of the month.) On a sad note, Freund informed any who hadn’t yet heard that Vonda N. McIntyre had died the day before (April 1st); she was, he said, incredibly influential in the genre and that “you know her even if you don’t know her.” (On a personal note, I met her at Lunacon 1994, at which she was Guest of Honor and I ran Program.) Finally, he introduced the evening’s emcee – noting that it was just about the third anniversary of his previous stint, a launch party for Clockwork Phoenix 5 – and turned hosting duties over to Mike Allen.

Mike Allen

Mike Allen is a Nebula Award and Shirley Jackson Award finalist, and winner of three Rhysling Awards for poetry, the author of several poetry collections, the novel The Black Fire Concerto, (2013) and the short story collections Unseaming, The Spider Tapestries and the forthcoming Aftermath of an Industrial Accident; the editor of the Clockwork Phoenix anthologies (there may yet be a #6); and, with his wife Anita, publisher of Mythic Delirium Books. (He “wears many creative hats, and at least one of them, tailor-made by Anita, features a large bejeweled spider.”)

Theodora Goss

Theodora Goss (Dora to her friends) is the World Fantasy and Locus Award-winning author of the short story collection In the Forest of Forgetting; Interfictions, a short story anthology co-edited with Delia Sherman; The Thorn and the Blossom, “a novella in a two-sided accordion format;” and the novels The Strange Case of the Alchemist’s Daughter and European Travel for the Monstrous Gentlewoman , winner of the Lord Ruthven Award for vampire fiction. (The third book in her Athena Club trilogy, The Sinister Mystery of the Mesmerizing Girl, comes out in October.) She has also been a finalist for the Nebula, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List.

Her offering was from her newest collection of poetry and fiction, Snow White Learns Witchcraft, just released by Mythic Delirium Books, eight stories and twenty-three poems that “retell and recast fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde, in ways that re-center and empower the women at the hearts of these timeless narratives.” She began with the first poem in the volume, and the one that gave it its title, “Snow White Learns Witchcraft.” Set long after the “happily ever after,” the prince-later-king has passed on, her beauty is fading (her hair is now snow white) and all said and done, she has no (or at least few) regrets.

The short story “Conversations with the Sea Witch” was also a decades-later follow-up to a fairy tale. Now old, and the dowager queen, Melusine (not Ariel) of the sea folk (they’re mammalian, not piscine), who had traded her “song” to the sea witch for legs – legs too weak to support “the crippled girl” – and giving up 500 years of life in the sea for one human lifespan, chats and reminisces at the edge of the sea with her old adversary; over all, she has no regrets. “Mirror, Mirror,” the final poem in the book, presented yet a different take on the post-tale Snow White.

During the intermission, there was a raffle drawing for those who’d donated with the prizes being two sets of books from Mythic Delirium. Resuming the “evening of literal magic,” Allen introduced the second reader.

Barbara Krasnoff

Barbara Krasnoff, a very familiar face at the NYRSF Readings, is the author of short fiction that has appeared in about 35 venues including Amazing Stories, Lady Churchill’s Rosebud Wristlet, Weird Tales, Sybil’s Garage, Space and Time, Crossed Genres, and Clockwork Phoenix, as well as the author of a YA non-fiction book, Robots: Reel to Real, and currently Reviews Editor for The Verge. In addition, every weekday morning, she “investigates what the animals and objects in our world are really thinking” in her whimsical and delightful Backstories series on Facebook, Twitter and Instagram (#theirbackstories).

Her debut novel The History of Soul 2065, out in June from Mythic Delirium Books, is actually a mosaic novel, a collection of twenty loosely interconnected tales. (It includes the 2016 Nebula finalist short story “Sabbath Wine,” which originally appeared in Clockwork Phoenix 5, edited by Mike Allen), and from which she read – evoking tears from some – at previous NYRSF Readings events.) She realized that the stories that had appeared “here and there” were, at heart, about “the same people with different names.” Accordingly, she shared the story that “introduces the two people, the young women, from whom the other characters come.” In “The Clearing in the Autumn: A Story of Chana Rivka Krasulka and Sophia Stein,” on the eve of World War I, the girls meet in a magical clearing (that may, according to Chana’s mother, be haunted by ghost children) that the brilliant Chana (who aspires to be a doctor) has entered from Lvov in Russia and the theatrical Sophia from Munich, and form a friendship as they together rescue an injured pigeon. War and Revolution are hard on the families of both girls and prevent future meetings. As her family is leaving for America, Chana reenters the clearing to say goodbye and finds a note in a jar from Sophia. (To those who read the book: take note of the photographs on the cover; they have personal meanings to Barbara and her partner Jim Freund.)

In conclusion, Allen said that he was “proud to be the conduit” of some of their fiction.

As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books.

The crowd of about 60 included (to name a small few) Richard Bowes, C.S.E. Cooney, Madeline Flieger (handling tech), Amy Goldschlager (filling in as ticket-taker for Barbara), Karen Heuler, John Kwok, Lissanne Lake, James Ryan and Susan Bratisher, and (Tech Director) Terence Taylor. Afterward, some stuck around to schmooze and/or adjourned to the Café.

From Mercury to a Distant Star: NYRSF Readings Feature Kressel and Rivera

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David Rivera and Matt Kressel

By Mark L. Blackman: On the bitingly cold evening of Fat Tuesday (yes, it was Mardi Gras), March 5, 2019, at an event held at its venue, the Brooklyn Commons Café, the New York Review of Science Fiction Readings Series featured a joint reading from Matthew Kressel and Mercurio D. Rivera of their co-written story “The Walk to Distant Suns,” which appears in the March issue of Analog.

The evening kicked off as customary with a welcome from producer/executive curator Jim Freund, longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy, a heads-up that we were on camera – the proceedings were streaming live via Livestream (they may be accessed by going to Livestream.com and searching for NYRSF) – and an announcement of scheduled upcoming readings.  April 2nd’s event will be guest-hosted by Mike Allen and feature Theodora Goss and Barbara Krasnoff.  May 7th readers are to be determined. June, being the 50th anniversary of Stonewall, on the 4th will offer Katharine Duckett and another writer to be named; it will, said Freund, be “queer-oriented.”  He then introduced the evening’s two readers before ducking into the control booth; he was handling Tech.

Matthew Kresselis the author of the well-received novel King of Shards and of short fiction that has appeared in Lightspeed, Clarkesworld, Analog, Nightmare, and Year’s Best Science Fiction anthologies, and been honored as a three-time Nebula Award Finalist and a Eugie Award Finalist. Additionally, as a coder, he created the Moksha submissions system currently in use by many of the largest SF publishers. Locally, with Ellen Datlow, he is the co-host of the Fantastic Fiction at KGB reading series at the titular East Village bar.

Mercurio D. (for David) Rivera is the World Fantasy Award-nominated writer of short fiction that has appeared in markets such as Analog, Asimov’s, Lightspeed, Interzone, and Space and Time, and been anthologized in several Year’s Best Science Fiction compilations as well as podcast. His most notable stories include “Tu Sufrimiento Shall Protect Us,” “Longing for Langalana,” “Tethered,” “Dance of the Kawkawroons,” and “Those Brighter Stars;” his own collection, Across the Even Horizon, was critically acclaimed. Like Kressel, he is a member of the Manhattan writing group Altered Fluid. 

After a silly attempt to read together, the duo took turns reading “The Walk to Distant Suns,” with Rivera leading off. The “walk” is along an Einstein-Rosen Bridge, called “the Lift,” which transmutes matter and transfers it, both objects and people, one quark at a time, through a wormhole, from Earth (more precisely L-5) to a world dubbed Iris in the Trappist-1 System 40 light years away; it is a one-way trip. Earth is in bleak shape, with 80% of the population living in poverty and many eking out by foraging through garbage, so a new life on the paradisiacal planet beckons. Among them are Shandi, an engineer at the Lift, who hopes to make the trip one day with her family (her mother is ill and her little sister is artistic). Alas, the corporation that operates the Lift keeps raising the cost, so only the rich can afford to go. Using the opportunity that her position affords, Shandi schemes to smuggle them all onto the Lift. To be continued.

During the intermission, there was a raffle drawing (with Freund boothed, Amy Goldschlager was drafted to oversee it) with the prizes including the issue of Analog containing the story, The Best Science Fiction of the Year , and a signed copy of the manuscript from which they were reading.

Subsequently, with Kressel leading off, the reading continued through to the end of the story and its twist ending (no spoilers).

Goldschlager then moderated a Q&A, opening with a question from her about their collaborative process. They broke up scenes, characters and motivations, said Rivera, though Kressel wrote the first section, then they went back and forth. It was “a successful collaboration;” in the end, they each “feel like they wrote the whole thing.” Even outside of Altered Fluid, they’re used to criticizing each other. Asked by an audience member if they’d thought of expanding it, Kressel said that they’d thought that it would be a short story, but it grew to 8,600 words. Goldschlager also delivered the “outro.”

As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, and the Café saw to food, a coffee bar, beer and wine.

The crowd of about 25-30 included Karen Heuler, Raj Khanna, Barbara Krasnoff (House Manager), Lissanne Lake, and James Ryan and Susan Ratisher Ryan.  Afterward, there was schmoozing, and feasting.

Pixel Scroll 2/4/19 Like Pixels Through File 770, So Are The Scrolls Of Our Lives

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(1) COVER REVEAL. Here is The Magazine of Fantasy & Science Fiction’s March/April 2019 cover. The cover art is by Kent Bash.

(2) BETTER WORLDS. The latest short story (and video adaptation) in The Verge’s “Better Worlds” series is “A Sun Will Always Sing,” by Karin Lowachee. (Video byYeah Haus.)

There’s also a Q&A: “Karin Lowachee on how humanity can peacefully coexist with AI” conducted by Andrew Liptak.

What inspired this story, and how did you construct this future?

I’d seen on YouTube a discussion from scientists about if an AI possessed an exact neural map of the human brain that it would not be out of the realm of possibility to believe that they would also be imbued with curiosity and maybe even a sense of responsibility for the Earth because now they, too, were a part of its systems. Around the same time, I stumbled on articles written by social scientists who believed that in taking care of certain economic necessities, humanity ideally could free up resources for creative problem-solving on the world scale and exploration.

These points of reference were really the general jumping-off points for me to try to logically extrapolate a human society that accommodated AIs (though not without some implied struggle) because the AIs were not, in fact, seeking a judgment day. They wanted to live and progress just as humans, and though their consciousness was not exact to humans, they were their own kind and just as worthy to be respected. We recognize this in intelligent animals, or even animals as a whole, so my thinking was it could be possible for AIs as well.

(3) WASTE NOT, WANT NOT. Max Florschutz offers advice about “Being a Better Writer: Garbage”. His ideas are far more realistic than J.K. Rowling’s.

Consider, for example, your trash. What happens to it? How do you dispose of it? Is it a garbage can next to your desk or in the kitchen? What happens to it once the can is full? Where does it go? Who deals with it? Do you know? Or does it simply “vanish?”

Well, here’s the thing. It definitely doesn’t vanish. Refuse is refuse: Someone has to do something with it or it piles up. Waste from your home, for example, at least in the US, is collected in a larger can and taken to the side of the road for a garbage truck to collect (99% of the time. The US’s coverage with this system is so ubiquitous that I’ve been to rural places where the only vehicle in town that isn’t a four-wheeler or a boat is the town garbage truck). That truck then takes it to a landfill or a processing center. At the first, the garbage is dumped out. At the second, it’s sorted and separated, usually with an end-goal in mind of dividing up the garbage into smaller, more dedicated end-states, from compost to recycling.

(4) NYRSF READINGS. Jim Freund asks, “Why waste your time with the State of the Union, when we have such a brilliant and more fulfilling alternative?”

The New York Review of Science Fiction Readings Series resumes Tuesday, February 5.

  • Mimi Mondal
  • Karen Heuler

Mimi Mondal (Bone Stew) writes about history and politics, occasionally disguised as fiction. Her first co-edited anthology, Luminescent Threads: Connections to Octavia E. Butler won a Locus Award and was nominated for a Hugo Award in 2018. In the past Mimi has worked as an editor at Penguin India and Uncanny Magazine, and spent eleven years at universities in India, Scotland and the US, from which she is currently recovering in New York and at @Miminality on Twitter.

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and others. She has published four novels and a novella, and her fourth story collection has just been published by Tartarus Press.

The events begins at 7:00 p.m. in The Brooklyn Commons Café, 388 Atlantic Avenue (between Hoyt & Bond St.) in Brooklyn, NY.

(5) FIVE STORIES IN ONE. Syfy Wire gets to Hogwarts by way of Korea: “Geek Road Trip: Harry Potter fans in South Korea just opened a five-story cafe devoted to the boy wizard”.

Once we get inside, we’re quickly pointed to the counter. The food and drink offerings here are relatively run-of-the-mill Seoul cafe classics: Americanos, various flavored lattes and milk teas, and fruity adeS. On the menu, they promise chocolate wands are coming soon, and on select days there’s Butterbeer. Dessert-wise there’s a selection of cakes, none of which are themed, save for one: the wizard cake, a mini replica of the birthday cake Hagrid brings to Harry. We ordered the wizard cake for a cool 17,000 Won (around $15), grabbed our pager, and began to explore.

And trust me, there’s a lot to explore. Everywhere you turn there’s a poster or a reference to something Harry Potter-esque. Quotes in English and Korean line the staircases along with posters and portraits. Even the elevator is fully decked out.

(6) NO CODE FOR THIS CONDUCT.  The infosec industry conference DerbyCon is calling it quits after this year. Their explanation sounds like “We’re closing down rather than resorting to enforcing our code of conduct.”

Read their announcement here: “DerbyCon 9.0 – Every Beginning Has an End”.

…This year, we had to handle issues that honestly, as an adult, we would never expect to have to handle from other adults. Conferences in general have shifted focus to not upsetting individuals and having to police people’s beliefs, politics, and feelings. Instead of coming to a conference to learn and share, it’s about how loud of a message a person can make about a specific topic, regardless of who they tear down or attempt to destroy. To put it in perspective, we had to deal with an individual that was verbally and mentally abusive to a number of our volunteer staff and security to the point where they were in tears.

This is not what we signed up for.

Admittedly, we had no idea how to handle this person, and in fear of repercussion of removing this person, allowed them to stay at the conference in order to “not upset the masses”. The best we could do was just apologize, for other apologies, and apologize more for another’s actions. This is just one example of many we have had to deal with over the past few years, and each year it becomes increasingly harder for us to handle. We do everything as a conference to ensure the safety, security, and go above and beyond that of others. Maybe that puts us on a different level where something that would normally not be an issue explodes into a catastrophic situation on social media.

Who knows? What we do know is each year it gets harder and harder.

2019 will be our last year of DerbyCon.

Motherboard reports “Hackers Baselessly Blame Women and ‘SJWs’ for the End of DerbyCon Security Conference”.

…Some in the infosec community read the organizers’ statement and began to blame the shutdown on “Social Justice Warriors,” and women who complained too much. For example, far right blog Gateway Pundit pointed to an incident where an attendee complained that other attendees were joking about sexual assault outside of the conference’s Mental Health Village. Others on Twitter latched on to the rumor that “SJWs” killed DerbyCon.

Regardless of the reason for the conference’s cancellation, the announcement renewed a conversation about toxicity in the infosec community that has been taking place in earnest since at least 2017 (and in smaller circles before then), when the Verge reported on chat logs from well-known security researcher Morgan Marquis-Boire, in which he confessed to a series of sexual assaults; the Verge and VICE corroborated that reporting with multiple women who have knowledge of the assaults.

While some women in the cybersecurity world were discussing the toxic interactions, sexual harassment, and assaults they’ve faced in the infosec community, members of a popular closed Facebook hacking group called “illmob” began to attack women who have spoken up about these issues, including Georgia Weidman, a security researcher who recently tweeted that her career was hurt by attending and speaking at DerbyCon in 2013….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 4, 1925 – Russell Hoban. Riddley Walker may well be one of the most difficult novels I’ve ever read but it’s certainly also worth it. ISFDB lists a lot of other SF works by him but I must say I hadn’t realised that he’d written any beyond this work. Had any of you known this? (Died 2011.)
  • Born February 4, 1940 – John Schuck, 79. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in  Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today.  Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns? 
  • Born February 4, 1961 – Neal Asher, 58. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of ten thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). He’s the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like. 
  • Born February 4, 1970 – Gabrielle Anwar, 49. Currently Lady Tremaine on Once Upon a Time. On the BBC series Prince Caspian and the Voyage of the Dawn Treader, she once played Ramandu’s Daughter. Marti Malone in Body Snatchers which is the third film adaptation of that Finney novel.  She was Queen Anne in The Three Musketeers which I love and Emily Davenport in The Librarian: Return to King Solomon’s Mines. 

(8) COMICS SECTION.

  • Patriotic Ewoks will shed a tear over this Brevity.

(9) STAR TREK: RENT. On The Late Late Show With James Corden, the cast of Star Trek: Discovery leaves the bridge for this week’s episode of Carpool Karaoke. Sing along with Sonequa Martin-Green, Anthony Rapp, Doug Jones and Mary Wiseman. Complete show is accessible through an Apple app.

There’s another preview on Twitter.

(10) WORLDCON ECONOMICS. Persistent Scribble tasks an unnamed author who feels the Worldcon should give them a free membership. Thread starts here.  

(11) VAMPING IT UP. What We Do in the Shadows, from writer Jemaine Clement and director Taika Waititi, premieres March 27 on FX.

What We Do in the Shadows is a half-hour comedy series based on the feature film of the same name by co-creators Jemaine Clement and Taika Waititi. Set in New York City, the show follows three vampires who have been roommates for hundreds and hundreds of years. Stars Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillen and Mark Proksch.

(11) Y? Y NOT? The Hollywood Reporter has posted that, “‘Y: The Last Man’ Ordered to Series at FX.” Much of the cast had been announced as early as mid 2018 (The Hollywood Reporter: “‘Y: The Last Man’ FX Cast Unveiled, Diane Lane and Barry Keoghan to Star”), but FX has now definitized the series order.

File this under “years in the making.”

Brian K. Vaughan’s beloved comic series Y: The Last Man is finally coming to a screen. FX on Monday announced that it has picked up its TV adaptation to series. The network has handed out a series order for the drama from showrunner Michael Green and starring Barry Keoghan and Diane Lane. It is expected to premiere in 2020.

[…] Green (American Gods, Blade Runner 2049, Logan) and Aïda Mashaka Croal (Luke Cage, Turn) serve as showrunners and executive producers. Nina Jacobson and Brad Simpson of Color Force (American Crime Story, Pose, The Hunger Games) and Vaughan executive produce and developed the series. Melina Matsoukas (Insecure, Master of None, Beyonce: Formation) directed the pilot and exec produce the FX Productions drama. In addition to Keoghan and Lane, the cast also includes Amber Tamblyn, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland.

(12) BLUER MARBLE. BBC story says “Climate change: Blue planet will get even bluer as Earth warms”.

Rising temperatures will change the colour of the world’s oceans, making them more blue in the coming decades say scientists.

They found that increased heat will change the mixture of phytoplankton or tiny marine organisms in the seas, which absorb and reflect light.

Scientists say there will be less of them in the waters in the decades to come.

This will drive a colour change in more than 50% of the world’s seas by 2100.

(13) AS EASY AS A. Chip Hitchcock says BBC’s article “How easy will it be to build a Moon base” is an “interesting overview despite one huge error-of-fact.” (Can you spot it?)

How can astronauts build a lunar base if traditional building materials are too heavy to load into a rocket?

In 1975, three years after the final Apollo Moon landing, Space: 1999 first aired on British television. It began with a nuclear explosion wrenching the Moon, and an international lunar colony of over 300 people, out of its orbit and into an unknown journey into space.

The TV series obviously made an impression on a young Elon Musk because, when the SpaceX founder revealed their plans for a lunar colony in August 2017, he called it Moonbase Alpha after the lunar base in Space: 1999. “Cheesy show,” Musk tweeted, “but I loved it.”

SpaceX is not alone is wanting to get humans back on the Moon. The Chinese space agency CNSA (China National Space Administration) has announced the next stages of its successful Chang’e lunar exploration missions – shortly after Chang’e 4 became the first spacecraft to make a soft landing on the far side of the Moon.

Chang’e 5 and 6 will be sample return missions while Chang’e 7 will survey the South Pole, a region of specific interest for human habitation because it contains water ice. “We hope that Chang’e 8 will help test some technologies and do some exploring,” deputy head of the CNSA Wu Yanhua said in January, “for the building of a joint lunar base shared by multiple countries.”

China is not alone in this ambition. Across the globe, 50 years after the Moon landings, the practicalities of a moonbase are taking shape. The irony is that, while only the United States of America has left footprints on the Moon, the Americans are now having to play catch up. It didn’t unveil plans for a permanent moonbase until August 2018. Nasa’s primary focus until then had been Mars. The European Space Agency (Esa) was already one step ahead.

(14) YARN V. GLASS CEILING. Pixar has a new short film that blurs the line between genre and a workplace dramedy (Mashable: “Pixar’s newest short ‘Purl’ is a must-watch for every workplace”).

Pixar’s new animation program SparkShorts has released its first short film, a powerful story about the difficulty of fitting into a workplace of human males. 

“Purl” might be about a pink ball of yarn, but its title character adopts new behaviors and aggression to be one of the boys, a transparent allegory for women trying to break the glass ceiling in corporate culture.

[Thanks to Martin Morse Wooster, Gordon Van Gelder, Chip Hitchcock, Daniel Dern, Mike Kennedy, Errolwi, JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to ULTRAGOTHA.)