Tag Archives: UFO

Pixel Scroll 4/30/25 But That Was At Another Con, And Besides, The Pixel Is Scrolled

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(0) I’m off to attend a college ceremony my daughter’s featured in, so today’s Scroll is a little light. Add in the comments anything else I should have included!

(1) PHILIP PULLMAN ON RADIO 4. [Item by SF Concatenation’s Jonathan Cowie.] Philip Pullman was on Tuesday’s BBC Radio 4’s World At One news programme talking about his final Dust book. No spoilers, but it is about imagination.

Plus, Sir Philip Pullman gives us his only interview about the final book of the His Dark Materials series.

The 45 minute programme is here but you need to go to 5 minutes before the end as it’s the last item.

(2) TUNNEL VISION. James Davis Nicoll invites fans to dig into “Five SFF Novels Featuring Tunnels” at Reactor. Here’s one of his recommendations.

Above by Leah Bobet (2011)

Deep beneath Toronto’s streets, mutants thrive. Or at least, survive. The so-called Beasts who live in Safe each have their own special gifts. Some control electricity; some can converse with ghosts; one can even become a bee when she wills it so. Few would be welcomed if they were foolish enough to leave Safe for the surface world. So history says, and Matthew the Teller would never doubt what he has been taught.

An exile’s return brings violence and calamity to once-safe Safe. As Shadows invade, Matthew is forced to flee. Trapped on the surface, Matthew learns that the truth is more complicated than he knew.

I don’t think that the name “Toronto” ever appears in the novel’s text, but the descriptions and the street names strongly suggest a Toronto setting. So does the cover, although I suppose that could be any Canadian city with a CN Tower4.

(3) AS CLEAR AS IS THE SUMMER SUN. Kayla Allen and Linda Deneroff say they have “concluded that Westercon simply doesn’t have enough interest anymore, and rather than just have it fizzle out completely, we should try to organize an orderly shutdown by repealing the Bylaws and handing the convention’s ‘charter’ back to LASFS.” They are submitting this motion to the Westercon Business Meeting being held at BayCon in Santa Clara this year.

Short Title: Retire Westercon

Moved, to repeal the Westercon Bylaws.

Provided, That any Westercon selected under the current Bylaws at the conclusion of the Westercon where this motion is ratified shall be held and such Westercons shall be bound by those portions of Article 1 applicable to the convention. Such Westercons shall not conduct a Business Meeting or a Site Selection.

Proposed by: Kayla Allen, Linda Deneroff

Discussion: If the consensus is that Westercon no longer has a purpose and should retire, the most orderly way to do so would be for the members of Westercon to vote to repeal its own bylaws. This would have the effect of “handing in the charter” to the owner of the Westercon service mark, LASFS. The LASFS could then decide what it wanted to do with Westercon, which could include abandoning the service mark so that anyone who wished to do so could hold their own convention under the name “Westercon.”

Amendments to the Bylaws take effect as of the end of the Westercon where they are ratified. A motion to Repeal the Bylaws is similar to an amendment; therefore, if this motion is passed by the Westercon 77 Business Meeting in 2025 and ratified by the Westercon 78 Business Meeting in 2026, the Bylaws are repealed as of the end of Westercon 78. However, this motion provides that should sites be selected for Westercon 79 and 80, those two conventions shall still be held, but they will not conduct Site Selection or host a Business Meeting. As of the conclusion of Westercon 80, there will be no future sites selected for Westercon. LASFS, as owner of the Westercon service mark, could decide what to do with the name. They could abandon it, sell it, form a new convention, apply it to an existing convention, or otherwise dispose of it as they wish.

(4) GOOD GRIEF. I don’t think I’ve ever seen a more unappealing book cover. Unfortunately, it’s All Systems Red’s new ebook cover.

(5) BY THE SIDE OF THE ROAD. NPR discovered a “UFO ‘watchtower’ in Colorado that started as a joke now draws thousands per year”.

Some cattle ranchers opened a UFO “watchtower” 25 years ago in a remote Colorado valley to make some extra money. Now it draws about 10,000 visitors a year and made one who started it a believer….

DAN BOYCE, BYLINE: The San Luis Valley is a vast, high desert plain ringed by sweeping mountain ranges. It’s just a little bit smaller than the state of New Jersey, but only about 50,000 people live here. And back in the late ’90s, Judy Messoline and her partner were out here barely getting by raising their 75 cows.

JUDY MESSOLINE: They don’t eat sand real well, ’bout broke us from having to buy the hay for them.

BOYCE: They weren’t sure what they were going to do.

MESSOLINE: And one of the farmers came in one day and he said, you know what? You need to put up that UFO watchtower you giggled about. You’d have fun…

… Beside the highway, a green alien made of sheet metal points the way….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

April 30, 1973 — Naomi Novik, 52.

By Paul Weimer: It begins with Dragons, of course. Unsurprising to be sure.

The high concept of Temeraire…Napoleonic Wars with Dragons, drew me to that series immediately. How could I resist a logline like that. While I eventually was a little disappointed in how little alternate historical content there was in the series (history trending toward ours, even with Dragons, always felt to me like a missed opportunity), the Dragons themselves always captivated and excited me. It’s still a high concept with legs, and the many varieties and personalities of the various dragons in the series helped to keep me reading book after book in the series. And even as recent as last year, it still spawns books set in the Napoleonic era with magic of various kinds. Magicians with the Napoleonic Wars. Vampires with the Napoleonic Wars. Magical Romance with the Napoleonic Wars. Temeraire helped birth and nurture an entire host of sub-sub-genres. The long simmering interest in the period and its genre-adjacent nature was dragged forever into the SFF orbit thereby. Dragons and Napoleonic Wars. What a concept.

But Naomi Novik is far more than Dragons, even if Uprooted has a very different Dragon, it is much more in the mold of a fairy tale. Spinning Silver, of course, showed me that Novik could go full on fairy tale and make it stick and make it real and make it gorgeous. It’s diametrically different in tone and writing than the Temeraire books, and yet, indubitably her work. 

The Scholomance books, however, I truly and complete appreciate. After the awful taste in my mouth by a certain broken step of a billionaire author, I admit that I a bit hesitant to go for another magical school book, even from Novik. Could Novik actually help redeem the sub-sub-genre for me? I waited a bit on A Deadly Education, first in the series. The poisoned tree of the sub-sub-genre after all. And could the book escape the shadow of its huge predecessor? It turns out to be absolutely yes, by having older protagonists, and a literally feral feel to the titular school. 

This is not a happy school of light magic, hijinks and camaraderie, but a deadly proving ground that getting out of is not as easy as you think. There are hungry things in the school, deadly competition from fellow students, and the school itself might be trying to eat you and your tasty magic. The whole idea of young magicians drawing all sorts of nasty in their broadcasting reminds me a bit of how magic works in the Stross Laundry Files verse and those books may have colored my perception a bit of the Scholomance as an institution. 

And of course, by the third book, once out, our protagonist has to do something even harder and El must find a way back into the deadly school. It is a neat circular path from the first book and it completes the series very nicely. 

Magical Schools are viable again (c.f. The more recent and forthcoming The Incandescent by Emily Tesh) but I maintain that it is Novik’s series that has helped pull it out of the much of the aforementioned billionaire’s grasp and given new and recent models for magical schools (not to forget older models such as Diane Duane of course).  

The forthcoming Summer War sounds like another coming of age story from Novik (she is rather practiced and good at them, no?) and I look forward to it.

Naomi Novik

(7) COMICS SECTION.

(8) SCALES OF JUSTICE. “Judge Rejects Lawsuit With Dragon Logo, Calling It ‘Juvenile and Impertinent’” reports the New York Times (behind a paywall).

A federal magistrate judge in Michigan called the use of this logo on every page of a lawsuit “distracting.”Dragon Lawyers

A purple dragon dressed in a business suit seemed like a natural choice for a logo when Jacob A. Perrone, a lawyer in East Lansing, Mich., recently opened a new firm and named it Dragon Lawyers.

He noted that some lawyers liked to call themselves “bulldogs” and said the dragon symbolized “aggressive representation.”

But a federal magistrate judge, Ray Kent, was not impressed. He was so disgusted by the dragon that he struck a lawsuit filed by Mr. Perrone on behalf of an inmate who had accused jail officials in Clinton County, Mich., of being “deliberately indifferent” to her when she started vomiting last year.

In a brief order issued on Monday, Judge Kent noted that “each page of plaintiff’s complaint appears on an e-filing which is dominated by a large multicolored cartoon dragon dressed in a suit, presumably because she is represented by the law firm of ‘Dragon Lawyers PC © Award Winning Lawyers.’”

“Use of this dragon cartoon logo is not only distracting, it is juvenile and impertinent,” Judge Kent wrote. “The Court is not a cartoon.”…

… The judge’s order prompted some amusement in legal circles after it was reported by The Volokh Conspiracy blog under the headline, “Exit the Dragon.” Another legal blog, Lowering the Bar, also picked up the story, and commented, “So many things people shouldn’t be doing, so little time.”…

(9) BLOWN UP, SIR. [Item by Mike Kennedy.] The iPhone footage embedded in the story is kind of neat. “Thunderbolts’ Director Released Explosion-Filled Phone Footage From The Making Of The Movie, And Yes, I Am Even More Hyped Now” at CinemaBlend.

…The cast of Thunderbolts* is already strong, with Florence Hugh and Sebastian Stan leading a team of Marvel’s anti-heroes. As with any superhero movie, we can expect lots of amazing digital effects to make the impossible come to life, but what’s exciting about this film is just how much of it was shot practically. Video footage shot on an iPhone by director Jake Schreier and posted to Instagram shows that a lot of the stunts and action were done in camera….

[Thanks to Teddy Harvia, Mike Kennedy, Rich Lynch, N., Lloyd Penney, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 1/16/25 Let’s Read Our TBR Piles, And Travel Mental Gigamiles

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(1) IS ANYONE STILL PUBLISHING GAIMAN? Publishers Weekly tries to track down whether Neil Gaiman has any works scheduled to come out — “How Neil Gaiman’s Publishers Have Responded to the Sexual Misconduct Allegations” – and discovers it is much easier to get answers from those that definitely haven’t any.

…Gaiman’s literary agent, Merrilee Heifetz at Writers House, did not respond to requests for comment by press time, nor did his public speaking agent, Steven Barclay of the eponymous agency, leaving it unclear as to whether either has dropped him as a client. On Gaiman’s website, a page called “Contacting Neil,” which had listed both agents alongside his Hollywood representation, is now down, although the Internet Archive’s Wayback Machine indicates that it was live as recently as last month.

At present, it is unclear if Gaiman, the author of nearly 50 books that have sold more than 50 million combined copies worldwide, has any new forthcoming titles currently under contract, although some publishers have confirmed that if he does, it is not with them. On the trade book side, a spokesperson from HarperCollins, Gaiman’s primary publisher in the United States, told PW that it “does not have any new books by Neil Gaiman scheduled.”

A spokesperson for Norton, which released Gaiman’s 2018 book on Norse mythology as well as an illustrated version last year, confirmed to PW that “Norton will not have projects with the author going forward.”…

In the comics world, a representative from Dark Horse Comics, which has published a number of comics and graphic novel titles by Gaiman as well as the Neil Gaiman Library series, said that the publisher is currently working on a statement, but was unable to comment further. Marvel Comics told the New York Times that it has no books in the works with Gaiman. DC Comics, the publisher of Gaiman’s Sandman series and many of his other comics titles, did not respond to requests for comment; DC had previously announced plans to reprint a classic work by Gaiman in a new format in September….

The article also presents a roundup of recent terse social media remarks about Gaiman by Jeff VandeMeer, John Scalzi, Gail Simone, Guy Gavriel Kay, and Scott McCloud.

(2) FINDING THE ANSWER. Kameron Hurley analyzes “Why Great Art Connects Us Across Time and Space (Even with Monsters)”.

…When people burst into tears when they meet me at an event, it’s not because I write about giant bugs and exploding heads. Those things are cool, yes! But they react that way because they connected EMOTIONALLY with something I wrote. It’s that feeling like “OMG I’m not alone. I feel that TOO!!”

Art is, at its best, a way for humans to connect. We’re holding out a hand saying “I felt this way. Have you ever felt this way too?” And no, not everyone has, and thus those are not people who are going to be yours fans. But many HAVE. And if you’ve done it right, you connect with that person across time and space – and for one glorious moment, we feel less alone.

THAT is great fucking art. THAT is magic. It’s a magic every great storyteller has; heroes and villains alike. Perhaps that’s why we hate it so much when we’ve connected with art made by people who have done monstrous things. It makes us ask if we, too, are monsters.

I know the answer to that.

I connect emotionally with fictional monsters (and the work of people who’ve done monstrous things) all the time. We all do. We are human. We share the multitude of all human emotions and possible actions with the best and worst people in the world. That’s terrifying.

This is why the STORIES we tell ourselves are so important. I changed a lot of who I was by asking myself how the person I wanted to be would act in any given situation. FEELING a monstrous impulse isn’t what makes us monsters. It’s taking the ACTIONS of a monster. It’s being aware enough to choose….

(3) BENEATH THE JERSEY SKIES. “Steven Spielberg’s new UFO movie with Emily Blunt is filming in N.J., casting locals.” – NJ.com has the story. Well, isn’t that a coincidence.

…The filming will take place in March — not long off from Jersey’s brush with drone and/or plane-related, supposedly “unidentified” flying objects at the end of 2024.

The movie, which is as yet untitled — but reportedly (tentatively) titled “The Dish” — also stars Emmy winner Josh O’Connor (”The Crown,” “Challengers,” “La Chimera”), Oscar nominee Colman Domingo (”Rustin,” “Sing Sing”), Oscar winner Colin Firth (”The King’s Speech,” “Bridget Jones’s Diary”) and Eve Hewson (”Bad Sisters”)….

(4) FANTASY MAGAZINE SUBMISSION DATES. Correcting the information released yesterday, editor Arley Sorg says the revived Fantasy Magazine plans to open to submissions January 22-29, and specifically, Jan 22-25 BIPOC writers only, Jan 26-29 general submissions. See submission guidelines at the link.

(5) HOWARD ANDREW JONES DIES. Author and editor Howard Andrew Jones died January 16 of cancer. Known for The Chronicles of Hanuvar series, The Chronicles of Sword and Sand series and The Ring-Sworn trilogy, he has also written Pathfinder Tales, tie-in fiction novels in the world of the Pathfinder Roleplaying Game. He is the editor of Tales from the Magician’s Skull and has served as a Managing Editor at Black Gate since 2004.

In August 2024 he announced that he has been diagnosed with brain cancer––multifocal glioblastoma – and that, “People I trust––my doctors and my family––inform me it will be fatal, and we are deciding now on a course of action to make the most of the time I have left.” 

(6) DAVID LYNCH (1946-2024). Filmmaker David Lynch has died at the age of 78. Deadline says the family did not release the date of death. Never forget – Frank Herbert liked his film Dune.

…The four-time Oscar-nominated filmmaker [was] behind Blue Velvet, Mulholland Drive, Eraserhead, Wild at Heart, The Elephant Man and others [and] also created the ABC drama series Twin Peaks…

…In 2020, he received an Honorary Oscar for lifetime achievement at the Governors Awards….

…Lynch’s career took off during the 1980s. He followed up the success of Elephant Man with Dune, the 1984 take on Frank Herbert’s classic sci-fi novel. While Dune was noted for being a financial bomb at the time, it wound up being the highest-grossing film on the auteur’s résumé with $31.5M worldwide….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 16, 1948 — John Carpenter, 77.

By Paul Weimer: Where does one begin with the large and momentous oeuvre of John Carpenter? With the many-sequeled and rebooted but never equaled Halloween, perhaps? To start there means that we skip the strange and wondrously weird Dark Star. And it skips the gritty Assault on Precinct 13.  Do we instead focus on The Thing, one of the best SF/horror movies ever to be made? To do that would throw shade on The Fog, the amazing ghostly revenge tale in a Northern California town.  

Maybe you should start with Escape from New York, with a vision of NYC after its transformation into a prison that has been imitated (even by Carpenter himself!) but has never, ever been surpassed.  It IS the movie that helped cement the career of Kurt Russell, after all.  But to work there misses the soft wondrous Starman, an amazingly touching movie. 

Or maybe you should start with They Live, perhaps the best indictment of late 80’s trash capitalism that suddenly feels even more relevant, in this year of our lord 2025. Roddy Piper’s character doesn’t have a name, but he isn’t a faceless number, either. And it has one of the longest fights on screen. It’s a bit pointless fight, but it is fun that Piper got to do a whole wrestling match in a John Carpenter film.  But to mention They Live might mean you overlook the absolutely bonkers and fun Big Trouble in Little China. 

My favorites in the Carpenter oeuvre are none of these, although I love all the above movies.  My second favorite John Carpenter movie has to be Prince of Darkness, where an unlikely group of heroes led by Victor Wong (from Big Trouble in Little China) and Donald Pleasance (from Escape from New York) team up to try to stop the literal Devil, anti-God, from coming across from another dimension into our own. It’s a bottle of a movie set in an inescapable church, got dreams from the future, and is nicely tense.  The other one I like even more and is one of my heart movies, is In the Mouth of Madness. In the Mouth of Madness is the best cosmic horror movie, ever, in my opinion, as horror writer Sutter Cane writes extra dimensional monsters into our reality, with Jurassic Park’s Sam Neill as John Trent, insurance investigator, is in search of a book he really, really should not read. In 2018, when I found out that the striking church seen in the film was just outside Toronto, I had to go and visit it while on a vacation in Canada.

And did you know that Carpenter scored a lot of his films? His father was a music teacher, and his love of music led him to really be patient and exacting about the music. Be it Escape from New York, Halloween, Prince of Darkness, or many other of his works, that soundtrack with the heavy use of synthesizers that you are hearing are due to his own musical creation and scoring. His movies have memorable visuals…and sound as well. 

John Carpenter

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 16, 1995 — Star Trek: Voyager premieres  

 “Coffee – the finest organic suspension ever devised. It’s got me through the worst of the last three years. I beat the Borg with it.” — Captain Kathryn Janeway, Star Trek: Voyager’s “Hunters”. 

Need I say that I liked Janeway a lot? She was a much more rounded, more believable individual than Kirk ever was. Inthe pantheon of Captains, I’d rank her just behind Picard as a character. 

So on this evening thirty years ago on UPN, Star Trek: Voyager premiered. The fourth spinoff from the original series after the animated series, the Next Generation and Deep Space Nine which had my favorite Captain in Benjamin Sisko, it featured the first female commander in the form of Captain Kathryn Janeway, played by Kate Mulgrew. 

(She is seen again commanding the USS Dauntless in the animated Prodigy series, searching for the missing USS Protostar which was being commanded by Captain Chakotay at the time of its disappearance. It’s now streaming on Netflix.) 

It was created by Rick Berman, Michael Piller, and Jeri Taylor. Berman served as head executive producer, assisted by a series of executive proucers — Piller, Taylor, Brannon Braga and Kenneth Biller. Of those, Braga oil the still the most active with his recent work on the cancelled Orville.

It ran for seven seasons and one hundred seventy-two episodes. Four episodes, “Caretaker”, “Dark Frontier”, “Flesh and Blood” and “Endgame” originally aired as ninety-minute episodes. 

Of all the Trek series, and not at all surprisingly, Voyager gets the highest Bechdel test rating. 

Oh, and that quote I start this piece with in 2015, was tweeted by astronaut Samantha Cristoforetti International Space Station when they were having a coffee delivery. She was wearing a Trek uniform when she did so as you can see in the image below. 

(9) COMICS SECTION.

(10) OCTOTHORPE. Episode 126 of the Octothorpe podcast, “I’ve Read Some Novels”, John Coxon, Alison Scott, and Liz Batty read out your letters of comment, and then discuss all the things from 2024 that they think are worth a look as we go into award nomination season (and a couple of things they would probably avoid). Then they do picks, in case there weren’t enough opinions.

Get the uncorrected transcript at the link.

A picture of a Belgian waffle that looks like an octothorpe, on a white background, with the words “Octothorpe 126” above and “now with added waffle” below.

(11) DON’T THAT BEAT ALL. “A Frankenstein Filing Error: It’s Alive!” – the New York Times confesses.

…When he died in February 1969, The New York Times wrote of Karloff’s career in an article that featured a photograph of an actor, in costume as the monster.

One problem: The man in the makeup, with the bolts in his neck, wasn’t Karloff.

The image — a publicity photo, copyrighted by Universal Pictures — depicted the actor Glenn Strange, who had succeeded Karloff in the role, playing the monster in subsequent films, including “Abbott and Costello Meet Frankenstein,” which was released in 1948.

At least one astute reader had spotted the mistake and sent a letter to The Times.

The photograph was seemingly mislabeled around 1948, the copyrighted date on the image, and incorrectly placed in a folder for Karloff, one of the millions of files stored in the Morgue, The Times’s subterranean clippings library. (The Times issued a correction, a copy of which is pasted on the back of the photo in the Morgue.)

Almost 20 years after the first misprinting, in March 1987, the same photo, though cropped tighter and tilted slightly, was used to accompany a letter to the editor that referenced Shelley’s “Frankenstein.” Again, the caption incorrectly identified Strange as Karloff….

…. Dr. Jane Bishop of Brooklyn, the same reader who caught the mistake in 1969, wrote to The Times and explained that she had lodged an identical complaint 18 years earlier.…

Some of you who read the File 770 birthdays must feel the same way…

(12) JUSTWATCH REPORT: SVOD MARKET SHARES (2024). As 2024 has come to an end, JustWatch has released its latest data report on market shares in the US. As usual, the report is based on the 17.2 million JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen.

SVOD market shares in Q4 2024: In the final quarter of 2024, Prime Video led provider growth, taking 22% of the overall market. Netflix, its largest competitor, trailed Prime by only 1%. Hulu, Disney+, and Max make up 36% of the streaming market while Paramount+ and AppleTV+ both stayed below 10%.

Market share development in 2024: In Q4 2024, Prime Video and Netflix continued to lead the U.S. streaming market, each holding over 20% of the overall market, with Netflix slightly narrowing the gap between them. Hulu saw steady growth, challenging Max for third place, while Disney+ struggled to gain traction. Smaller platforms in the “Other” category experienced a noticeable rise, reflecting growing interest in alternative services.

(13) NEW GLENN LAUNCH TO ORBIT SUCCESSFUL. “Blue Origin reaches orbit on first flight of its titanic New Glenn rocket” reports Ars Technica.

Early on Thursday morning, a Saturn V-sized rocket ignited its seven main engines, a prelude to lifting off from Earth.

But then, the New Glenn rocket didn’t move.

And still, the engines produced their blue flame, furiously burning away methane.

The thrust-to-weight ratio of the rocket must have been in the vicinity of 1.0 to 1.2, so the booster had to burn a little liquid methane and oxygen before it could begin to climb appreciably. But finally, seconds into the mission, New Glenn began to climb. It was slow, ever so slow. But it flew true.

After that the vehicle performed like a champion. The first stage burned for more than three minutes before the second stage separated at an altitude of 70 km. Then, the upper stage’s two BE-3U engines appeared to perform flawlessly, pushing the Blue Ring pathfinder payload toward orbit. These engines burned very nearly for 10 minutes before shutting down, having reached an orbital velocity of 28,800 kph.

For the first time since its founding, nearly a quarter of a century ago, Blue Origin had reached orbit. The long-awaited debut launch of the New Glenn rocket, a super-heavy lift vehicle developed largely with private funding, had come. And it was a smashing success….

(14) DILBERT STARK’S STARSHIP. Elsewhere today – “SpaceX Starship test fails after Texas launch” reports the BBC.

The latest test of Space X’s giant Starship rocket has failed, minutes after launch.

Officials at Elon Musk’s company said the upper stage was lost after problems developed after lift-off from Texas on Thursday.

The mission came hours after the first flight of the Blue Origin New Glenn rocket system, backed by Amazon boss Jeff Bezos.

The two tech billionaires both want to dominate the space vehicle market.

“Starship experienced a rapid unscheduled disassembly during its ascent burn. Teams will continue to review data from today’s flight test to better understand root cause,” SpaceX posted on X.

“With a test like this, success comes from what we learn, and today’s flight will help us improve Starship’s reliability.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Paul Weimer, Steven French, Mark Roth-Whitworth, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 11/29/24 It’s File O’Clock When The Whistle Scrolls

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(1) TIN TYPES. G.W. Thomas is back with “More Golden Age Robots II” at Dark Worlds Quarterly.

The Golden Age was truly the golden age of robot comics. The reason for this was the World’s Fair of 1939. The robot made a splash that year that reverberated through out all media. The comics more so than anyone. They threw out all kinds of tin-plated beings, some good, some bad. Since most comics in 1939 were based on the old reprint magazines, they all had multiple characters covering a variety of tropes: the jungle comic, the Western comic, the nautical comic, etc. Robot characters were a thing after 1939. Marvel tried out a bunch of them with Flexo the Rubber Man this time around. Eventually they would settle on Robotman. Doc Savage Comics tried Trix but only the one time. Any number of superheroes faced off against the metal menaces with the Marvel Family, Wonder Woman, Captain Midnight, etc. For DC, it was the anthology comic Strange Adventures with numerous tales by Otto Binder, that creator of Adam Link, at it again. (It would be fun to do a round-up post on all of Otto’s robot comics. The list is long.)

Just a reminder, this post only features “tin robots” of around human size. For giant robots, go here. I have tried to list the authors where possible but the Golden Age was a time when such credits were often forgotten or ignored….

(2) JOYFUL CONVERSATION. “Alan Bradley and Olivia Rutigliano talk about creating characters, the joys of writing, and if Sherlock Holmes was a woman” at CrimeReads.

… OR: I was wondering if you wanted to talk a bit about Sherlock Holmes and your relationship to that character. I know you wrote a fascinating, study of Sherlock Holmes previously, interrogating him as, you know, in the, “was Watson a woman? fashion.

AB: I’ve been fortunate enough to have read the Sherlock Holmes when I was very young. I had kind of a sickly childhood, and I had an uncle who brought me old English boys annuals like Chums and Boys Own Annual. And they were full of serials about the wilds of Canada, the Northwest Mountain Police and grizzly bears and all that kind of stuff. But at the same time, he also brought me his two volume set of the complete Sherlock Holmes books, and I read those. I became a Holmes fan and over the years. I can still remember where I was in Toronto when I discovered the two volume edition of the Sherlock Holmes annotated by Baron Gould. I mean, heaven!

So, I had a very dear colleague, Dr. Bill Sargent, who was, as Conan Doyle would have said, a world famous geologist. He was, he was like Dr. Challenger. He could have been Dr. Challenger, and he could have played him in a movie. And Bill was a great authority, not only on, Sherlock Holmes and folk singing and geology and many other things. And it was he who phoned me one day and he said, “I couldn’t sleep last night it came to me that Rex Stout was chastised for writing about how Watson was a woman and I’d been thinking about it all night. And it wasn’t Watson that was a woman, it was Holmes.” So he said “what do you think about that?”

And he said the next day that my response was, “tell me more.” And so we spent 10 years writing that book. It took a long time because we were both always busy and it was very difficult to get time together. But we did. We had a lot of fun….

(3) TCHAIKOVSKY’S SECOND. Bonnie McDaniel has good things to say about an Adrian Tchaikovsky novel in “Review: Alien Clay” at Red Headed Femme.

Adrian Tchaikovsky is incredibly prolific; this is his second book released this year (the other I’ve read is Service Model ) and there’s one more I have to track down. He has written some of my favorite science fiction of the past few years, including the excellent Final Architecture trilogy.

This book, following the whimsy and small-scale stakes (but still quite good) of Service Model, returns to his usual modus operandi of big stakes and world-altering ideas. If that’s the kind of SF you go for, this book should be right up your alley. It’s also stuffed full of fascinating alien biology, and the author’s version of the so-called “Gaia hypothesis”–what if there was a world-mind (an alien one in this case, not Earth)? What would that look like, how would it have evolved, and how would it behave?

Most importantly, how would humans fit into it?…

(4) KIDSCREEN AWARDS 2025. “Kidscreen Awards Announce Animation Finalists for 2025 Event” – Animation Magazine has the list of categories with animated nominees. See them at the link.

The 2025 Kidscreen Awards have announced the shortlisted entries that are moving on to a final round of judging in this year’s global awards program celebrating excellence in children’s entertainment. In addition to the nine animated series vying in dedicated categories, animation runs throughout the list of finalists for juries to consider….

…All winners will be announced at an awards ceremony taking place on Tuesday, February 11 during Kidscreen Summit 2025 in San Diego.

(5) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Miracle on 34th Street (1947)

Yes, let’s have a feel-good film, one of Mike’s favorites as it turns out. It’s set between Thanksgiving and Christmas so it is appropriate to tell about now, and I will. I like to as it is indeed a very upbeat movie.

Seventy-seven years ago, Miracle on 34th Street was initially released as The Big Heart across the pond, written and directed by George Seaton and based on a story by Valentine Davies. Seaton did uncredited work on A Night at the Opera, and Davies would later be nominated for an Academy Award for Best Original Screenplay for The Glenn Miller Story, a most stellar film.

SNOWFLAKES ARE FALLING, AND ODDLY ENOUGH, THEY CONTAIN STICKY SPOILERS. REALLY, THEY DO. THERE’S EGGNOG WITH AND WITHOUT RUM OVER THERE… AND COOKIES AS WELL. 

Kris Kringle, no I did not make his name up, is pissed off that Santa in the Macy’s Thanksgiving Day Parade went missing because he was drunk. 

(I know that The Twilight Zone did this later. It’s “The Night of The Meek” in which the drunk Santa Claus Henry Corwin is fired from his department store on Christmas Eve, and he finds a mysterious bag that gives out presents and fulfills his true destiny.) 

When he complains to event director Doris Walker, she persuades him to take his place. He does so well that he is hired to play Santa at Macy’s on 34th Street.

Most of the film is about faith. In this case believing that Kris Kringle is really Santa Claus — or not. Or that in a larger sense that individuals believe in him. The Judge rules that both are true and this Kris Kringle is not confined to Bellevue Hospital as certain parties were eager to do. 

ANYONE FOR GINGERBREAD HOT FROM THE OVEN? IT GOES GOOD WITH THAT EGGNOG TOO. 

Everyone including the most curmudgeonly of critics loved it. Certainly, the most excellent primary cast of Maureen O’Hara as Doris Walker, John Payne as Fred Gailey, and Edmund Gwenn as Kris Kringle charmed everyone. Well almost everyone as you’ll see below. 

It was shot on location in New York City, with the Macy’s Thanksgiving Day Parade sequences filmed live while the 1946 parade was happening. The rest of it was set during the Christmas season but the Studio insisted on a May premiere as that they thought was when Americans went to see films. 

The Christmas window displays seen in the film have a very interesting history. They were first made by Steiff for Macy’s. Macy’s then sold the window displays to FAO Schwarz in New York and they in turn sold the windows to the BMO Harris Bank of Milwaukee where they are on display every December in the bank’s lobby on North Water Street. 

It was remade with same name in 1994. Due to Macy’s refusal to give permission to use its name, it was replaced by the fictitious Cole’s. Why so? “We feel the original stands on its own and could not be improved upon,” said Laura Melillo, a Macy’s spokeswoman in a Los Angeles Times piece on the film. Or as the LA Times writer put it on the refusal on Macy’s to allow the use of their name, “The Grinch also came early for John Hughes, whose Hughes Entertainment is producing the movie.” 

Two final notes. 

One group didn’t like it. The Catholic Legion of Decency found it “morally objectionable” largely due to the fact that O’Hara portrayed a divorcée here. 

Yes, the Suck Fairy is hanging around drinking the nog, the one well boozed, and I asked her what she thought about it. She’s not fond of the remake but thinks the original is quite splendid. She remembers Macy’s then and watched it being filmed. No, not there as the principal photography was elsewhere.  

Alas it’s streaming only on Disney+ this year. 

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born November 29, 1898 — C.S. Lewis. (Died 1963.)

My first encounter with Lewis’ work was, predictably, with The Lion, the Witch and the Wardrobe. It happened to be the animated miniseries from the late 1970’s. It was intriguing enough that I wanted to read the actual book, and so I did. The set of Narnia books I wound up was the old order of the series, that started with Lion, and *ended* with The Magician’s Nephew. The overt Christian symbolism didn’t dismay me, although i was awfully confused by Santa Claus. And when I tried it years later…Turkish Delight turned out to taste of…disappointment. And don’t get me started on the fate of Susan in The Last Battle.

So it goes.

C. S. Lewis

I think that for the strength of Narnia (parts of which I think have aged really badly and not well), his Space trilogy is much more my speed and might hold up better in some ways. I first read that about a decade after Narnia, in the early 1990s, as an adult. The extremely odd cosmology and mythology of the Solar System in the series attracted me for its weirdness, and when I later read A Voyage to Arcturus by David Lindsay and found out Lewis had been inspired by it, that felt like a keystone for the series I had read years before. This is what he had been going for, and to certain degrees, achieved. A vast and complicated theology, teleology and mythology just like Lindsay’s work, but on an even greater scale. I owe myself a re-read of the series and see how it hits me, today.

But my favorite C.S. Lewis is one that doesn’t get the play the Narnia and Space series do, and that is the Screwtape Letters. In the spirit of Ambrose Bierce, the Screwtape Letters are from a senior to a junior devil on the best ways to corrupt God’s word and turn people to vice and power. It turns out that someone as outwardly and inwardly Christian as Lewis was is indeed the best person to write a Devil’s advice on corrupting a soul over a lifetime. (The fact that Screwtape and Wormwood ultimately *fail* is just Lewis being Lewis, the letters are very much worth reading even so.)

(7) TODAY’S BIRTHDAY, TOO.

[Written by JJ.]

Born November 29, 1918 — Madeleine L’Engle. (Died 2007.)

By JJ: I first encountered Madeleine L’Engle was not as a genre writer but through her more literary work in the form of her Katherine Forrester Vigneras series, A Small Rain and A Severed Wasp which tell the tale of a woman who’s a pianist, first in her teens and then when she’s in her seventies. Most decidedly worth reading.

Madeleine L’Engle

Then came the Time Quintet of A Wrinkle in Time, A Wind in the Door, A Swiftly Tilting Planet and Many Waters. Truly extraordinary novels. I see that A Wrinkle in Time won a Newberry Award which it richly deserved. 

I did not know until I was writing this up that there was a second series of four novels set a generation after these novels. Who’s read them?

There’s serious amounts of her writing that I’ve not touched upon as I’ve not read them, her in-depth Christian writings, her Children’s books, her non-fiction, her poetry and her more literature undertakings. Even a play was done by her. 

I did see the 2003 four miniseries version of A Wrinkle in Time that Disney did, and I share what L’Engle told Time: “I have glimpsed it. I expected it to be bad, and it is.”  And we will not talk about the Disney 2018 A Wrinkle in Time film as polite company doesn’t do that. 

She would receive a World Fantasy Award for Lifetime Achievement. 

(8) COMICS SECTION.

  • Yaffle has undead teen complaints.
  • Bizarro has pottery poetry.
  • Carpe Diem plans a goth settlement.
  • Tom Gauld looks into some strange research.

My latest cartoon for @newscientist.bsky.social

— Tom Gauld (@tomgauld.bsky.social) 2024-11-25T16:57:43.047Z

(9) LOOKING FOR ALIENS. [Item by Steven French.] Atlas Obscura’s List of Ten Places to Look for Evidence of Extraterrestrial Activity (or where people believe such activity took place!): “Unexplained Mysteries”.

…Depending on how you look at it, it’s either a terrifying or strangely comforting thought to believe that we’re not alone in the universe. Humans have been staring up at the heavens in search of otherworldly foes and friends for as long as anyone can remember.

But what if evidence of extraterrestrial activity were already right here on Earth? From mysterious petroglyphs depicting what appears to be a flying saucer in Nevada to drawings stretching 200 miles in Peru, there are all sorts of sites where aliens allegedly connected with humans. Of course, there are plenty of landmarks created by alien-obsessed humans to match, from a landing pad for spaceships in Argentina to the notorious highway leading to Area 51….

One example:

Rendlesham Forest UFO Landing, England

Often billed as the “British Roswell,” the Rendlesham Forest incident was an alleged UFO encounter said to have taken place at this Suffolk site in December 1980. At the time, the location was a short distance from an American Air Force base, and the alien spacecraft was supposedly witnessed by a number of military personnel. Nowadays, Rendlesham Forest is a picturesque woodland popular with families. The walk from the parking lot and visitor center to the UFO “landing” site is very pleasant, around three to four miles round trip. To avoid any confusion about the location of the event, someone has kindly placed a replica of the sighted spacecraft at the spot

(10) BAD GUYS DOUBLES DOWN. “Watch: DreamWorks’ Super Cool Con-Animals are Back in New ‘Bad Guys 2’ Trailer”: Animation Magazine sets the scene.

There’s no such a thing as one last heist! DreamWorks’ animated band of hilarious thieves will be back to their old ways in this summer’s much-anticipated sequel The Bad Guys 2. The studio just released a new trailer and beautiful poster for the movie, which will be directed by the first movie’s helmer Pierre Perifel and co-director JP Sans (head of animation on the first outing), based on the best-selling book series by Aaron Blabey.

In the snappy new trailer, we find out that Mr. Wolf (Sam Rockwell) and the gang are in urgent need of some cash, and that’s when they meet with a new crew of aspiring villains known as The Bad Girls, and before you can say “they’re pulling me back in!” they are involved in a bigger heister. Meanwhile, Mr.  Snake (Marc Meron) seems to have fallen for one of the Bad Girls….

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, JJ, Paul Weimer, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/27/24 Pixels Scroll Out Of The Sky And They Stand There

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(1) INUNDATED BY CLIMATE CHANGE. Author of the Southern Reach novels Jeff VanderMeer says “Hurricane Helene: Storm Decision Fatigue Is Getting to Me” in an opinion piece for the New York Times (unlocked article).

As the tropical disturbance that became Hurricane Helene moved north toward Florida’s Gulf Coast on Tuesday, I had an argument with myself about evacuating from Tallahassee: If I ran from the storm, would I get caught up in it anyway? I was thinking of Charlize Theron’s character in the movie “Prometheus,” crushed by a spaceship that crashed while she ran in a straight line away from it.

Stricken by the thought of being trapped (or worse) in my house by falling trees, I decided to drive to Greenville, S.C., with my elderly cat, but not without extreme anxiety. Many Floridians like me who were not under mandatory evacuation orders remember Hurricane Michael in 2018 and other recent unpredictable, dangerous hurricanes. For us, decisions about whether to stay or leave and where to go have become more tortuous in ways that may be difficult to understand for those who don’t experience hurricanes regularly.

Many don’t have the resources to flee monstrous storms such as Helene. But for those who can evacuate, there is a sense of not being able to outrun them or that the destinations may become just as perilous. Every possibility feels both right and wrong and also like disaster deferred for only days — while dithering only shrinks the window for escape…

(2) A CROSS-GENRE TO BEAR. “Dean Koontz: On Writing Novels That Make Your Publisher Extremely Uneasy” at CrimeReads.

I am a bad boy. I have spread mustard on a sandwich as much as ten days after its use-by date. I have loitered where signs are posted that forbid loitering, not because I wanted to loiter; I was in a hurry to be elsewhere, but I wasn’t going to let anyone tell me where I couldn’t loiter. I have washed garments that I was commanded to “dry clean only.” Really, when it comes to obeying the rules, I am a dangerous nonconformist. This has also been true in my writing life, and while I’m not proud of it, I’m not ashamed, either.

When I began to write cross-genre novels with Strangers in the early 1980s, my publishers knew I was doing something unconventional, and they knew they didn’t like it, but at first, they couldn’t put a name to it or explain why such work made them uneasy.

Initially, I didn’t realize it was the manuscript of Strangers they found off-putting. I thought it must be something about me that repelled them. Something about my face? Everything about my face? Or could it be that I shouldn’t have eaten an anchovy and horseradish sandwich on garlic bread for breakfast that morning?

No. It was Strangers that made their eyes water and induced in them a shortness of breath equal to that of end-stage bacterial pneumonia. The novel was a thriller with a science-fiction premise, a love story, and a paranoid conspiracy tale, written as a mainstream novel, with a theme of transcendence. I was pressured to cut the 940-page manuscript to 450 pages and turn it into a flat-out sci-fi horror novel with a smaller cast and a theme of existential dread. I had considerable respect for the publisher, but I knew why I had done what I’d done, and I knew it wouldn’t work if half the text was cut….

(3) NYT ACKNOWLEDGES GAIMAN NEWS. Yesterday’s New York Times covered the sexual assault allegations made against Neil Gaiman and their effect on film and TV projects: “Production Linked to Neil Gaiman Is Halted Amid Sexual Assault Claims” (behind a paywall).

The production of a movie based on a book by the noted British author Neil Gaiman has been paused by Disney amid allegations that five women have made against him relating to conduct from 1986 to 2022, including one woman who said Mr. Gaiman groped her on a tour bus in 2013 and later paid her $60,000.

The women shared their allegations, which included claims of sexual assault, groping and kissing, on the podcast “Master: The Allegations Against Neil Gaiman.” Mr. Gaiman, 63, has told the podcast he denies any wrongdoing.

The allegations played a role in pausing the production of “The Graveyard Book,” an adaptation of the eponymous young adult novel by Mr. Gaiman, according to a person at Disney. But the allegations were not the sole reason that the production, which was in development, was paused. Disney would not provide any additional reasons.

Another production related to Mr. Gaiman has been canceled for unspecified reasons. “Dead Boy Detectives,” a TV series based on a comic book by Mr. Gaiman, will not return for a second season, according to Netflix, which declined to share why the series would not return. There have been no changes to the Netflix series “The Sandman,” which is based on a separate comic book series by Mr. Gaiman.

Amazon would not say whether there would be any changes to “Good Omens,” a series based on a novel by Mr. Gaiman written in collaboration with Terry Pratchett.

The turmoil around the productions linked to the author has come amid the launch of the podcast, which in July and August released six episodes that detail the women’s accounts. The series has drawn widespread attention among fans, in literary circles and in the entertainment industry….

(4) MARI NESS ON GLASGOW 2024 ACCESSIBILITY.  “Glasgow 2024 – a Worldcon for our Futures – though perhaps not disabled futures” by Mari Ness at Blogging with Dragons.

…Glasgow 2024, a Worldcon for our Futures, had this statement on their Accessibility page:

“The Accessibility Team is committed to providing an equitable experience for all disabled members of Worldcon. Support will be available for those with mobility needs, visual impairments, hearing loss or differences, and various types of neurodiversity. “

A message from the con chair added this:

“Considering access, inclusion and diversity as integral to Glasgow 2024 has created an environment where we think carefully about what Worldcon can become – a convention to represent all of our futures as well as a place where everyone can celebrate, and an event where we can take these realities joyfully forwards after it is over.”

This all sounded, if not entirely reassuring, at least hopeful. So I bought my tickets.

It was not, in fact, an equitable experience for all disabled members of Worldcon…

Ness then details more than a half dozen accessibility difficulties she faced at the convention. She raised these issues to the committee with this result:

…On August 12, 2024, my last day at Glasgow 2024, I filed an official complaint, in person, about the con’s multiple accessibility issues. I was assured that this complaint would be escalated to the appropriate people for a response.

As of today [September 22], I have not received a response.

(5) SHADOW BANNED. [Item by Steven French.] For Banned Books Week, Leeds Central Library has published a list of books that were ‘banned’ by the Library in 1975 and which were only available to the public on request (although the list was not itself made know to said public before an alternative newspaper published it!). It included not only the likes of Norman Mailer and Gore Vidal but one Brian Aldiss (his Booker Prize long-listed novel The Hand Reared Boy was deemed too racy for the good burghers of Leeds). “Banned Books in 1975 – The Secret Library” at Leeds Libraries Heritage Blog.

(6) MAKING MONEY WITH ROBOTECH. CBR.com looks at “Jim Lee’s Revival of an ’80s Mecha Sensation — Robotech!”

…As many fans are aware, the show that became known as Robotech in the West is actually an amalgam series of sorts. Screenwriter Carl Macek was hired to adapt the 1982 series Super Dimension Fortress Macross for daily American syndication. Still, the weekly series didn’t have the requisite 65 episodes required for a syndicated series. A decision was made to pair Macross with two shorter anime, 1984’s Super Dimension Cavalry Southern Cross and 1983’s Genesis Climber MOSPEADA, to create an 85-episode series.

The disparate continuities would be explained as time jumps between episodes, but this didn’t make things easier regarding marketing and promotion. Complicating matters for the brand would be American model kit manufacturer Revell’s existing deal with the producers of Macross and a few other anime studios for a line of mecha scale-model kits imported from Japan. Revell called their two model lines Robotech Defenders and Robotech Changers. Revell even had a deal with DC Comics to promote Robotech Defenders as a limited series….

… While Robotech never reached the heights of Transformers‘ American popularity, the series had a devoted fan following. As other 1980s properties received comic book revamps in the early 2000s, it seemed inevitable that Robotech would join the fad. After bouncing around various indie publishers in the ’90s, the Robotech rights landed with Jim Lee’s WildStorm imprint circa 2002. As Harmony Gold creative director Tommy Yune bluntly stated in the first WildStorm release’s introductory text piece: “Everybody’s jumping on the ’80s bandwagon.” Harmony Gold viewed the reignited enthusiasm for ’80s properties as an opportunity to reboot Robotech, declaring the WildStorm series a new canon that superseded any preceding tie-in material….

(7) THE LATE DAVID GRAHAM. [Item by Steve Green.] Talking Pictures TV, the UK-based family-run cable channel which specializes in vintage television and movies, has posted an interview on its ‘Encore’ website with actor David Graham, who died September 20 at the age of 99. Graham featured in many of Gerry Anderson’s puppet series (he is best known for playing the chauffeur Parker in Thunderbirds) and also Doctor Who (voicing early Daleks and appearing on screen opposite both William Hartnell and Tom Baker). “Talking Thunderbirds: Voice Artist, David Graham”. Registration required.

In this Encore exclusive peak behind the curtain, we talk to the very talented David Graham, as he discusses his career, where the inspiration for Parker’s voice came from, being the voice of the Daleks, and other varieties of characters he’s voiced!

(8) VERSUS CLICKERS. “The Last of Us Season 2 Trailer: Joel, Ellie Return to Fight Clickers” – Variety sets the frame:

HBO released the first trailer for “The Last of Us” Season 2, featuring the return of Pedro Pascal as Joel and Bella Ramsey as Ellie, the two zombie apocalypse survivors from the hit video game adaptation.

The eight-time Emmy-winning series (with 24 total nominations) chronicles the story of Joel and Ellie as they navigate a world overrun with zombies infected with a parasitic fungus — not to mention the ruthless vigilantes, mercenaries and cannibals just as desperate to survive.

Here’s the official logline for Season 2: “After five years of peace following the events of the first season, Joel and Ellie’s collective past catches up to them, drawing them into conflict with each other and a world even more dangerous and unpredictable than the one they left behind.”…

(9) MAGGIE SMITH (1934-2024). Actress Maggie Smith, well-known to fans from Hook and Harry Potter, died September 27 at the age of 89. The AP News obituary says: “…Smith drily summarized her later roles as ‘a gallery of grotesques,’ including Professor McGonagall. Asked why she took the role, she quipped: ‘Harry Potter is my pension.’”…

Read more about her memorable roles in Olivia Rutigliano’s “A Requiem for Maggie Smith” at CrimeReads.

…She began her career as a stage actress, with her earliest breakout role as Desdemona opposite Laurence Olivier in Othello at the National Theater in 1962. When she reprised the role in the 1965 film adaptation, she was nominated for her first Academy Award. She would go on to be nominated for six, winning for two.

Maggie Smith was not in many crime movies. But she was often the most memorable part of the ones that she was in: Dora Charleston in Murder by Death, Miss Bowers in Death on the Nile, and Constance, Dowager Countess of Trentham in Gosford Park. And we cannot forget her turn as the stern, intolerant, but ultimately-supportive Mother Superior of St. Katherine’s in Sister Act. She could whip that steeliness into provincial villainy just as easily as stony protectiveness or begrudging kindness. She had that twinkle in her eye, an overwhelming wittiness, and a knack for nuance that was so razor sharp that she could be flip and solemn at the same time, an affective style that would become her trademark.

Since the announcement of Smith’s passing, earlier today, I have watched an outpouring of tributes and trivia about her: an endless, adoring parade of praise and respect. Maggie Smith was one of those actors who openness to many different kinds of roles kept reinventing her for younger and younger generations. By the time she appeared as the no-nonsense Professor McGonagall in the Harry Potter films, my generation had already seen her as the elderly Wendy in Hook, Mrs. Medlock in The Secret Garden, and many others….

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: “The Enterprise Incident” (1968)

“The Enterprise Incident” I believe was truly one of the classic episodes of the Star Trek series. Airing fifty-six years ago on NBC on this date, it was scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the third and final season.

If you’ve forgotten, the story is that Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. It’s fun to watch, isn’t it? 

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek. 

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they? 

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is about everything else in the Trek universe. 

(11) COMICS SECTION.

  • Bliss can’t risk the distraction
  • Breaking Cat News is part of the fandom (and even gets the salute correct).
  • Eek! runs into the standard fix question.
  • Carpe Diem has misorders.
  • Macanudo objects to a wishful tradition.
  • Tom Gauld finds out a lovely-sounding idea is overrated.

(12) IT’S ALL TRUE, I SWEAR BY MY TATTOO. NPR research reveals “More than 15 markers claim aliens and UFOs have visited Earth”. One of them is in Pascagoula, Mississippi. The full citation is here: “Pascagoula UFO 1973 Historical Marker”. A full-size photo of the marker is here.

…“It was the evening of October 11, 1973 when two local shipyard workers went fishing,” the marker says, at the edge of the Pascagoula River.

The sign says Charles Hickson and Calvin Parker spotted a football-shaped craft, which took them aboard.

“Inside the craft, Hickson was examined by a robotic eye, then both men were deposited back on the river bank and the space ship shot away,” the marker says. Stamped at the bottom is the seal of the city of Pascagoula and the Jackson County Historical and Genealogical Society….

There’s no way to really know what happened that night in 1973, when the men waded headfirst into one of humanity’s greatest mysteries: Are we alone?

But the marker is now one of at least 15 that say, without hesitation, that aliens have come to visit Earth.

They join more than 180,000 other historical markers dotting the country’s landscape, and NPR found they wouldn’t be the first to claim something that may, or may not, be true.

There’s a marker in Massachusetts that claims the town was once home to a real, live wizard. New York has a marker about a ghost that plays the fiddle on a bridge in the moonlight….

(13) SUPER DUBIOUS. Ryan George decides “Invisibility is a Sketchy Superpower”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Steven Green, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 9/23/24 Slartibartleby, The Pixeler

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(1) RETRO HUGOS IN THE REAR VIEW MIRROR? “’The Conclusion of the Retro Hugo Era’ – A Glasgow 2024 panel and my thoughts” at A Deep Look by Dave Hook.

The Short: I moderated a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10, 2024. We had a good discussion of the Retro Hugo Awards, warts and all. The title turned out to be prescient; the next day, the WSFS Business Meeting voted in favor of Constitutional Amendment F.19 (No More Retros), which will be up for ratification at Seattle 2025, Building Yesterday’s Futures–For Everyone. More thoughts below.

The Long: I was selected to moderate a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10.

I had applied to be on the panel because I love the Retro Hugo Awards and have loved doing the reading and voting for them, even though I came to have some serious reservations.

I had voted for the the 1944 (43) Retro Hugos in 2019, and the 1945 (44) Retro Hugos in 2020. Paul Fraser at www.sfmagazines.com was especially helpful in gathering and sharing resources that I used for these. I served on several panels for the 1946 Project (and several that were not) at Chicon 8 Worldcon in 2022 that focused on works that could have been nominated if there had been a 1947 (46) Retro Hugo held that year.

Former Hugo finalist Trish E. Matson, Fan Guest of Honor Mark Plummer, Perriane Lurie and Hugo Award winner Cora Buhlert joined me on this panel….

(2) COLLISION COURSE. [Item by Mike Kennedy.] No appeal has yet been made by the Internet Archive to the Supreme Court in their copyright case with Hachette, et al. But if they do appeal, the case could see a fascinating intersection with one of the hottest topics in American politics—to wit, The Supremes v. Ethics. “How A Copyright Case Is Shining A Spotlight On SCOTUS Ethics Issues” at Huffpost.

Six out of the high court’s nine justices have published books with the publishers involved in the case. Justices Sonia Sotomayor, Neil Gorsuch, Amy Coney Barrett and Ketanji Brown Jackson have all published books or signed book deals with Penguin Random House. HarperCollins has published books by justices Clarence Thomas and Gorsuch. And Justice Brett Kavanaugh is signed to a book deal with Hachette. (None of the publishers responded to requests for comment.)

The case involves a digital lending library operated by the nonprofit Internet Archive that it expanded during the early days of the COVID-19 pandemic. The publishers challenged the archive’s practice of copying and lending out digital copies of library books with no limit, through what the archive calls its National Emergency Library, as a violation of copyright that threatens authors’ earnings. A district court and the appeals court both ruled in favor of the publishers, finding that the archive’s digital lending practices violated copyright law.

The Internet Archive has not appealed to the Supreme Court yet. A spokesperson for the Internet Archive told HuffPost the nonprofit is still reviewing the appeals court decision. But if the case were to reach the high court, it would raise serious questions about the self-enforcement of conflict of interest rules by the individual justices at a time when the court has been embroiled in ethics controversies, particularly around Thomas’ receipt of gifts from friends and wealthy conservative benefactors….

(3) BOOK BANNING ACCELERATES. The New York Times studies how “New State Laws Are Fueling a Surge in Book Bans”.

States and local governments are banning books at rates far higher than before the pandemic, according to preliminary data released by two advocacy groups on Monday.

Books have been challenged and removed from schools and libraries for decades, but around 2021, these instances began to skyrocket, fanned by a network of conservative groups and the spread on social media of lists of titles some considered objectionable.

Free speech advocates who track this issue say that in the past year, newly implemented state legislation has been a significant driver of challenges.

PEN America, a free speech group that gathers information on banning from school board meetings, school districts, local media reports and other sources, said that over 10,000 books were removed, at least temporarily, from public schools in the 2023-24 school year. That’s almost three times as many removals as during the school year before.

About 8,000 of those bans came just from Florida and Iowa, where newly implemented state laws led to large numbers of books being removed from the shelves while they were assessed.

Lawmakers and those who describe themselves as parental rights advocates favor restricting access to certain books because they don’t believe children should stumble upon sensitive topics while alone in the library, or without guidance from their parents. Many think that some books that have traditionally been embraced in school libraries are inappropriate for minors, including, for example, “The Bluest Eye,” by Toni Morrison, which includes references to rape and incest.

The law in Iowa, which went into effect in 2023, prohibits any material that depicts sexual acts from all K-12 schools, with the exception of religious texts. It also limits instruction about gender and sexual orientation until seventh grade. In Florida, a law that took effect before the 2023-24 school year said that any book challenged for “sexual conduct” must be removed while it is reviewed….

(4) THE MINISTRY OF TIME. Coincidentally I just finished reading this novel yesterday, and agree it deserves high praise. “Review: The Ministry of Time, by Kaliane Bradley” by Rich Horton at Strange at Ecbatan. Beware spoilers aplenty, however.

…If at first it reads like a convenient use of the time travel device to tell a love story, and a story about the experience of expatriates (either in time or space), with some cli fi mixed in, by the end it’s all of those things plus a book that gloriously and whole-hearted buys into the strangeness and paradoxes of time travel. There is a wild twist at the end, which I only guessed half of in advance. The love story is beautifully handled. The depiction of near future life is fraught and believable. The examination of the expat experience, the depiction of the horrors of the Franklin Expedition, and the intricate plot are very well done….

(5) DIALING BACK. Colleen Doran reveals some personal issues here – “In Which the Artist Chronicles Life With OCD: The Cognitive Behavioral Therapy That is My Art” at Colleen Doran’s Funny Business — ultimately to explain why she now spends little time looking at social media.

I suppose it’s no surprise for me to admit right here in print I’ve had a lifelong problem with OCD. Not as in, “I’m a little OCD because I like a well organized pantry,” but the kind of OCD that sees you spending hours a day doing something repetitively and it kind of ruins your life in small bites of hell.

I posted a snippet of this previously private essay here a short time ago, but here’s the whole lightly edited enchilada from May 2020.

OCD morphs. When I was a kid, it was one set of habits, then it became another set of habits, which I’m not going to belabor, because they’re all weird and embarrassing. 

Early on I knew nothing about what was happening because who had ever heard of it, and no internet. I assumed it was a willpower issue, and  trained myself to turn my nervous energy into something productive, like channeling that prickly power into drawing comics.

I had no idea that this is a foundation of cognitive behavioral therapy, so go me….

(6) GRRM Q&A. Daniel Roman interviewed GRRM while they were both in Glasgow for the Worldcon. “The George R.R. Martin interview: On fandom, writing, and his work beyond Westeros” at Winter Is Coming. Roman obligingly avoided areas that would be de rigeur for a journalist: “There were a few topics we agreed ahead of time to steer clear of, like Martin’s long-awaited sixth Song of Ice and Fire novel The Winds of Winter, or the HBO shows Game of Thrones and House of the Dragon.”

WiC: Yeah, I went to Discon in Washington D.C. in 2021. That’s the only other one I’ve been to so far.

GRRM: Well, they’re very big these days and they have multi-tracks of programming. Those early Worldcons had one track of programming, and they had panels. And there was a room where a panel was, the panel would have four or five people on it, but they certainly weren’t inviting guys like me who had published four stories, you know? Every panel was all big names. So I would go to a panel, it’d be Isaac Asimov, and talking to Frederick Pohl, and talking to Harlan Ellison, and you know, then there would be another panel…but no one was asking me to be on a panel yet. You had to pay your dues in those days, and little by little, I did pay my dues. I actually [chuckles], as I said, I won the Hugo in ’75…it still didn’t get me on any panels. The first time I was put on a panel was ’77. But they were great opportunities to see friends, to make professional contacts, and once I started getting on panels and doing autographings, to promote myself.

(7) IS THIS HEAVEN? NO, IT’S IOWA. CrimeReads looks back to the Seventies and the challenge of “Bringing Nicholas Meyer’s The Seven-Per-Cent Solution to the Big Screen”. Novelist Meyer also wrote the screenplay.

…Meyer has a special talent as an adaptor of other people’s work, but quickly learned that it isn’t as easy when the material you are adapting is your own. “The Seven-Per-Cent Solution was relatively early in my career,” he observes, “and it was me working with my own material. I’ve listened to many authors talking about adapting their own material, and they have a great deal of difficulty in being ruthless. It happens with directors too. You can have a shot you really love, and it was very hard to get . . . it’s a beautiful shot. But if you discover it doesn’t belong in the movie, you have to accept that it has to go.”

Meyer’s early inclination to wordiness wasn’t because he began his career as a novelist, but instead is due to his time in college at the University of Iowa. “I was a theater major, and so I started out with a sort of stage orientation. That means dialogue. As a beginning screenwriter, I started out writing tons of dialogue because I thought it was like a play. But in screenwriting imagery dominates dialogue, and if it’s too talky it doesn’t feel cinematic. You have to be ruthless. I have learned since that time to write very, very spare stuff . . . descriptions, dialogue, everything. It is just the bare minimum of what you need. Certainly with my own stuff, I never had the feeling that it was so wonderful that it was incapable of improvement.”…

(8) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born September 23, 1971 – Rebecca Roanhorse, 53. Entering the field with a roar, Rebecca Roanhorse’s first published sff story “Welcome to Your Authentic Indian ExperienceTM” (Apex Aug 2017) won both the Hugo and Nebula, and helped her win the Astounding Award for best new writer in 2018.

Rebecca Roanhorse

She has written two novels in the Star Wars universe, Resistance Reborn (2019) and Dark Vengeance (2020). However, she’s best known for being what Science Fiction Encyclopedia’s John Clute describes as “an advocate of the concept of Indigenous Futurism”, exemplified by her novels Trail of Lightning and Black Sun (both Hugo and Nebula finalists; the latter an Ignyte winner), and Storm of Locusts, and her short story “A Brief Lesson in Native American Astronomy” (also an Ignyte-winner).  

Black Sun and Fevered Star are part of the Between Earth and Sky series, joined this summer by a third book, Mirrored Heavens.

(9) COMICS SECTION.

  • Bizarro lists some nearly supers.
  • Carpe Diem is having a bad day.
  • Breaking Cat News for September 22 was missing on a few sites. And now we know why – it crossed several genres!
  • Wizard of Id complains about pet people.
  • Tom Gauld overhears a wistful voice.

(10) ‘BOLTS TRAILER. Is this news to us? It came out in May. “’Thunderbolts’ Trailer: Marvel Recruits Florence Pugh, Sebastian Stan” in Variety.

…In the upcoming superhero pic, starring “Captain America” mainstay Sebastian Stan and “Black Widow” cast members Florence Pugh and David Harbour, reformed Marvel villains are forced to team up to conduct covert operations on behalf of the U.S. government.

“Everyone here has done bad things,” Pugh says in the trailer, brought face to face with the rest of the team. “Shadow ops, robbing government labs, contract kills. … Someone wants us gone.”…

(11) CASH THAT GLOWS IN THE DARK. The Royal Canadian Mint has struck a 1 oz. Pure Silver Glow-in-the-Dark Coin commemorating “Canada’s Unexplained Phenomena: The Langenburg Event”.

A 50-year-old story of UFOs at a farm near Langenburg, Sask. — a town 220 kilometres east of Regina — is being celebrated by Canada Post and the Canadian Royal Mint with a new coin.

The story of the UFOs and the five crop circles from 1974 have prompted Canada Post and the Royal Canadian Mint to issue a coin that commemorates the event. “The Langenburg Event” coin is the seventh in the Canada’s Unexplained Phenomena series.

The coin is one ounce of pure silver, glows in the dark, and can be purchased online for C$140.

Coin #7 brings you a close encounter of the second kind.

Some crop circles are harder to dismiss… and that’s what makes Saskatchewan’s most famous UFO/UAP incident so intriguing! Viewed from the witness’s perspective, the Langenburg Event is the seventh unusual encounter re-told as part of our popular Canada’s Unexplained Phenomena series of coins.

On the morning of September 1ˢᵗ, 1974, a farmer was swathing his fields near the town of Langenburg, Saskatchewan, when he noticed five highly polished, steel-like objects at the edge of a slough. Upon closer look, he noticed these unusual saucer-shaped objects were rotating rapidly and hovering just above the ground. He continued to observe them until they suddenly rose up, emitting a strange vapour as they silently disappeared into the sky. But the objects hadn’t vanished without a trace; according to the RCMP incident report, they left behind “five different distinct circles, caused by something exerting what had to be heavy air or exhaust pressure over the highgrass,” which was curious enough to warrant serious attention both locally and worldwide.  

… A blacklight flashlight (included) activates the glowing colour effect on your coin’s reverse, which presents a view of the five mysterious objects described by the eyewitness. When the blacklight paint technology is activated, these objects are seen emitting an eerie glow as they fly away, leaving radioactive circular patterns in the field below.

An image of King Charles in profile is on the back, which if you think of it as a disembodied head probably helps the theme along.

(12) SOUND TRACK FOR THE SPANISH DRACULA. The LA Opera invites audiences to relive Hollywood’s Golden Age with a rediscovered classic film at the historic United Theater: “LA Opera Spanish Dracula with Live Orchestra”. Daily performances October 25-27.

While Bela Lugosi was vamping it up in front of the cameras by day, a night crew shot an alternate version of Dracula in Spanish — same sets, same story, new cast. This second incarnation of the classic, starring  Carlos Villarías, was largely forgotten until a recent renaissance, and many now hail it as the superior version.

See it on the big screen (with English subtitles) as Resident Conductor Lina González-Granados leads the LA Opera Orchestra in a live performance of a new LAO-commissioned score by Academy Award-winning composer Gustavo Santaolalla (The Last of Us, Brokeback Mountain), who’ll also star as a featured performer.

(13) YUCKTASTIC. Beware! The Disgusting Food Museum tries to live up to its name!

Food is so much more than sustenance. Curious foods from exotic cultures have always fascinated us. Unfamiliar foods can be delicious, or they can be more of an acquired taste. While cultural differences often separate us and create boundaries, food can also connect us. Sharing a meal is the best way to turn strangers into friends.

The evolutionary function of disgust is to help us avoid disease and unsafe food. Disgust is one of the six fundamental human emotions. While the emotion is universal, the foods that we find disgusting are not. What is delicious to one person can be revolting to another. Disgusting Food Museum invites visitors to explore the world of food and challenge their notions of what is and what isn’t edible. Could changing our ideas of disgust help us embrace the environmentally sustainable foods of the future?

The exhibit has 80 of the world’s most disgusting foods. Adventurous visitors will appreciate the opportunity to smell and taste some of these notorious foods. Do you dare smell the world’s stinkiest cheese? Or taste sweets made with metal cleansing chemicals?…

For example, there are these “Disgusting Christmas Foods”. Here’s one of the tamer examples on the list.

Christmas Tinner

… a more modern type of craziness – the video game retailer GAME in the UK sells Christmas Tinner every year, a full Christmas dinner in a can. They started selling them in 2013 and has now added a vegan and a vegetarian option.

The Christmas Tinner layer list in full:

Layer one – Scrambled egg and bacon
Layer two – Two mince pies
Layer three – Turkey and potatoes
Layer four – Gravy
Layer five – Bread sauce
Layer six – Cranberry sauce
Layer seven – Brussel sprouts with stuffing – or broccoli with stuffing
Layer eight – Roast carrots and parsnips
Layer nine – Christmas pudding

The tin will run you £2, but sadly it’s currently out of stock.

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] I remember the Larry Niven ‘Known Space’ story “Neutron Star” in which a spaceship with an impervious hull came too close to a neutron star and nobody knew why the crew inside were smeared across the inner hull…

And then there was the Arthur Clarke mini-short in a similar vein, “Neutron Tide” in which a battle cruiser did something similar and all that was left was a ‘star mangled spanner’.

What larks.

But what of the real thing?

Matt O’Dowd over at  PBS Space Time looks at a black hole’s tidal properties.   

If you track the motion of individual stars in the ultra-dense star cluster at the very center of the Milky Way you’ll see that they swing in sharp orbits around some vast but invisible mass—that’s the Sagittarius A* supermassive black hole. These are perilous orbits, and sometimes a star wanders just a little too close to that lurking monster, leading to its utter destruction in the spectacular phenomenon known as a tidal disruption event. We’ve never seen a TDE in the Milky Way, but we’ve seen them in distant galaxies—and we now know how to spot stellar destructions so extreme that they reveal properties of the black hole itself.

Over a quarter million views since Friday.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Cath Jackel, Darien, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 9/4/24 Oh Mr Pixel, Send Me A Scroll

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(1) PUFNSTUF FOR BREAKFAST. [Item by John King Tarpinian.] The ninety-nine-year-old Los Angeles Breakfast Club hosted a breakfast for Sid Krofft today.  At age ninety-five Sid was very gregarious, and still does a Sunday podcast.  Special guests included H.R. Pufnstuf and Johnny Whittaker. 

Sid talked about his career as a puppeteer, starting at age 15 in Burlesque. People that crossed his path, from Mae West and Liberace to Jim Nabors and the Queen of England. We forget that along with his psychedelic kids show he and his brother also produced Donnie & Marie.

The Pufnstuf costume was made by a cosplayer, a young lady. [Click for larger images.]

H.R. Pufnstuf banner
Sid Krofft.
H.R. with John King Tarpinian and Silvia Mancini
John King Tarpinian, Johnnie Whittaker, and Sylvia Mancini. Whittaker’s credits include Krofft’s “Sigmund and the Sea Monsters” series.

(2) BEWARE ‘HOUSE OF THE DRAGON’ SPOILER. Like, stop before you read this Variety headline!! “George R.R. Martin Calls Out ‘House of the Dragon’ Changes, Maelor Cut”. Martin wrote – then deleted – a Not A Blog post titled “Beware the Butterflies” detailing his criticism of a change to his story made by the House of Dragons series. The Google cache file is still available.

…It is a bloody, brutal scene, no doubt.  How not?  An innocent child is being butchered in front of his mother.

I still believe the scene in the book is stronger.  The readers have the right of that.   The two killers are crueler in the book.  I thought the actors who played the killers on the show were excellent… but the characters are crueler, harder, and more frightening in FIRE & BLOOD.   In the show, Blood is a gold cloak.   In the book, he is a former gold cloak, stripped of his office for beating a woman to death.    Book Blood is the sort of man who might think making a woman choose which of her sons should die is amusing, especially when they double down on the wanton cruelty by murdering the boy she tries to save.    Book Cheese is worse too; he does not kick a dog, true, but he does not have a dog, and he’s the one who tells Maelor that his mom wants him head.   I would also suggest that Helaena shows more courage, more strength in the book, by offering her own own life to save her son.   Offering a piece of jewelry is just not  the same.

As I saw it, the “Sophie’s Choice” aspect was the strongest part of the sequence, the darkest, the most visceral.   I hated to lose that.   And judging from the comments on line, most of the fans seemed to agree.

When Ryan Condal first told me what he meant to do, ages ago (back in 2022, might be) I argued against it, for all these reasons.    I did not argue long, or with much heat, however.   The change weakened the sequence, I felt, but only a bit.   And Ryan had what seemed to be practical reasons for it; they did not want to deal with casting another child, especially a two-year old toddler.  Kids that young will inevitably slow down production, and there would be budget implications.   Budget was already an issue on HOUSE OF THE DRAGON, it made sense to save money wherever we could.   Moreover, Ryan assured me that we were not losing Prince Maelor, simply postponing him.   Queen Helaena could still give birth to him in season three, presumably after getting with child late in season two.   That made sense to me, so I withdrew my objections and acquiesced to the change.

I still love the episode, and the Blood and Cheese sequence overall.   Losing the “Helaena’s Choice” beat did weaken the scene, but not to any great degree.  Only the book readers would even notice its absence; viewers who had never read FIRE & BLOOD would still find the scenes heart-rending.   Maelor did not actually DO anything in the scene, after all.   How could he?  He was only two years old.

There is another aspect to the removal of the young princeling, however.

Those of you who hate spoilers should STOP READING HERE.

(3) RUSHDIE’S LATEST AWARD. “Iceland: Salman Rushdie Wins Halldór Laxness Literary Prize” reports Publishing Perspectives.

Iceland’s biennial Halldór Laxness International Literary Prize is to be awarded to Salman Rushdie on September 13.

This is a €15,000 prize (US$16,598) designed to highlight internationally recognized authors whose work contributes to “narrative art, echoing the rationale of the Swedish Academy when Halldór Laxness received the Nobel Prize in Literature in 1955.”…

…In its rationale for the selection of Rushdie as the awards fourth recipient, the jury writes that the author’s books are “captivating, philosophical, and enlightening stories for readers willing to explore new worlds.

“For readers around the world, Rushdie’s image—having continued to write his novels despite the fatwa issued by the Iranian clerical regime following the publication of The Satanic Verses and the assassination attempt he faced in the United States two years ago—has become a symbol of courage and unyielding will.”…

(4) APPLY FOR SLF WORKING CLASS WRITERS GRANT. The Speculative Literature Foundation will be accepting applications for the 2024 Working Class Writers Grant from September 1 through September 30, 2024. Full information at the SLF website.

Since 2013, the $1,000 Working Class Writers Grant has been awarded annually to speculative fiction writers who are working class, blue-collar, financially disadvantaged, or homeless, who have been historically underrepresented in speculative fiction due to financial barriers which make it hard to access the writing world. Such lack of access might include an inability to purchase a computer, books, and tuition, or to attend conventions or workshops. Often, these writers, many of whom work more than one job, have less time to write. The SLF seeks to bring more of these marginalized voices into speculative fiction.

Grant applications are open to all: you do not need to be a member of SLF to apply for or receive a grant.

(5) SCRIBES BACK HOTEL BOYCOTT. “Hollywood Writers Join Union Boycott of Beverly Hills Hotels” – The Hollywood Reporter tells why.

Around 40 Hollywood writers have joined a hotel union boycott of two Los Angeles hotels, the Cameo Beverly Hills by Hilton and the Beverly Hills Marriott.

The Good Place creator Mike Schur, Emily in Paris writer and co-executive producer Grant Sloss, The Simpsons writer and executive producer Ian Maxtone-Graham and Abbott Elementary supervising producer and writer Brittani Nichols are among the scribes that joined the campaign, spearheaded by the major Los Angeles-area hospitality union Unite Here Local 11. One Day at a Time co-showrunner Mike Royce, Halt and Catch Fire writer and executive producer Angelina Burnett and Two Sentence Horror Stories writer Liz Alper also joined the boycott on Labor Day weekend.

Unite Here Local 11 initiated the campaign against the two Remington Hospitality-operated properties last month after the Cameo’s existing union contract expired and the union and employer were unable to come to an agreement. (The Cameo was formerly the Mr. C Beverly Hills.) In early August the union also filed a wage theft complaint with the California Labor Commission, alleging that housekeepers were performing unpaid work prior to their shifts starting and that workers were not able to take mandated rest breaks due to the volume of work….

(6) VISITORS TO A SMALL PLANET. [Item by Steven French.] Tony Milligan of King’s College University of London, summarizes his recent paper on alien visitations: “Belief in alien visits to Earth is spiralling out of control – here’s why that’s so dangerous” at The Conversation.

The idea that aliens may have visited the Earth is becoming increasingly popular. Around a fifth of UK citizens believe Earth has been visited by extraterrestrials, and an estimated 7% believe that they have seen a UFO.

The figures are even higher in the US – and rising. The number of people who believe UFO sightings offer likely proof of alien life increased from 20% in 1996 to 34% in 2022. Some 24% of Americans say they’ve seen a UFO.

This belief is slightly paradoxical as we have zero evidence that aliens even exist. What’s more, given the vast distances between star systems, it seems odd we’d only learn about them from a visit. Evidence for aliens is more likely to come from signals from faraway planets.

In a paper accepted for publication in the Proceedings of the International Astronomical Union, I argue that the belief in alien visitors is no longer a quirk, but a widespread societal problem….

… All this is ultimately encouraging conspiracy theories, which could undermine trust in democratic institutions. There have been humorous calls to storm Area 51. And after the storming of the Capitol in 2021, this now looks like an increasingly dangerous possibility.

Too much background noise about UFOs and UAPs can also get in the way of legitimate science communication about the possibility of finding microbial extraterrestrial life. Astrobiology, the science dealing with such matters, has a far less effective publicity machine than UFOlogy….

(7) IMAGINARY PAPERS. [Item by Steven French.] Some interesting essays on futures, world building and the imagination: Imaginary Papers, Issue 19, a quarterly newsletter from Arizona State University Center for Science and the Imagination. Philipp Kürten discusses For All Mankind. Chinelo Onwualu recalls pop culture’s “Reality Crisis in the 1990s”. Christopher Cokinos describes taking part in a simulated Moon mission.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

Anniversary: Xena: Warrior Princess (1995)

Twenty-nine years ago Xena: Warrior Princess first aired in syndication by MCA TV (which did it for the first two years of this followed by Universal Television Enterprises doing so for a year and Studios USA Television Distribution doing so for the rest of the run).  Before ending its six years run, there would be one hundred and thirty-four roughly forty-eight minute episodes.

It was created by John Schulian and Robert Tapert. Schulian’s previous genre credits included writing for Tremors. Tapert, of course, created Hercules: The Legendary Journeys that same year, along with Christian Williams. Busy year for New Zealand series production, eh? 

The executive producers were R.J. Stewart and Sam Raimi. The former, other than co-creating Xena, just created Cleopatra 2525; Raimi of course has a long list including directing the Tobey Maguire Spider-Man trilogy and the Evil Dead franchise. 

The real reason watching was and is now if you catch it on the streaming services now, Xena as performed in that amazing leather outfit by Lucy Lawless, and companion Gabrielle as played by Renee O’Connor. Their adventures episode in and episode out were always worth watching. 

A number of fascinating secondary cast were here as well. Bruce Campbell, Karl Urban, Kevin Smith, Alexandra Tydings — all these performers were fun.

NBC announced a reboot, but the Gods were merciful, and it got cancelled. 

(9) COMICS SECTION.

(10) REUBEN AWARDS. The winners of the National Cartoonists Society’s 78th Annual Reuben Awards were announced on August 24.

Reuben Award for 2023 NCS Cartoonist of the Year

  • Hilary B. Price

2023 Divisional Reuben Award-Winners

  • Advertising/Product Illustration – Chuck Dillon
  • Book Illustration – Tom Richmond
  • Comic Book – Jay Stephens
  • Editorial – Michael De Adder
  • Gag Cartoon – Dan Misdea
  • Graphic Novel – Sarah Bollinger
  • Magazine/Newspaper Illustration – Nick Galifianakis
  • Newspaper Comic Strip – Tauhid Bondia
  • Newspaper Panel – Wayno
  • Online Comic Long Form – Evan Dahm
  • Online Comic Short Form –  Sarah Andersen
  • Variety Entertainment – Chuck Dillon

(11) LEGENDARY REVIVAL Boing Boing has learned “A ‘long lost’ 70s superhero comic is finally being published”.

As the name suggests, The Legendary Lynx is the stuff of legends—a 70s feminist superhero classic whose pages were long believed to be lost in a labyrinthine conspiracy of murder, drugs, and intellectual property theft.

Or at least, that’s how the fictional comic book is framed in the pages of Secret Identity, Alex Segura’s pulpy crime thriller about the 70s comic book industry. The book’s twisty noir plot centers around a queer Latina woman working as a secretary at a comic book company who has to hide her identity to order to get recognized as an actual writer with her book, The Legendary Lynx. But a few behind-the-scenes betrayals cause more complications for poor Carmen Valdez, leaving her comic pages and identity unknown for years (in the story’s world, anyway.)

Real-life author Alex Segura has teamed up with artist Sandy Jarrell to create a metafictional “reprint” of the “long lost” issues of The Legendary Lynx from within the world of Secret Identity. 

“…THE LEGENDARY LYNX was created by writer Harvey Stern and artist Doug Detmer, two creators who died under mysterious circumstances before and shortly after the series was first published. Though originally credited solely to Stern as the writer, diligent research has uncovered that Stern co-created the script and story to the Lynx’s seminal debut by renowned novelist and writer Carmen Valdez. For the first time ever, she is given proper credit in this volume.

“(But in reality, ‘The Legendary Lynx’ is no reprint. Crafted by LA Times Book Prize-winning novelist Alex Segura in his 2022 work, ‘Secret Identity’ – a story that continues in the follow-up, ‘Alter Ego,’ – and brought to life by artist Sandy Jarrell’s masterful artwork, this series blurs the lines between fiction and reality in the best way possible – the remastered pages of this forgotten gem, restored to its former glory and presented anew for readers hungry for adventure.)…”

(12) MCMURTRIE Q&A. Shelf Awareness for Wednesday, September 4, 2024 “Reading with… John McMurtrie”:

Favorite book when you were a child:

The Chronicles of Narnia by C.S. Lewis. In my childhood brain, little had as much magical allure as the wardrobe through which four young siblings travel in these stories. And I can still conjure the taste of my own version of Turkish Delight; I didn’t know that the stuff actually existed until years later, and its flavor was far more disappointing than what my mind had imagined.

Book you’ve faked reading:

Any Harry Potter book. Easier than admitting the truth and having fellow parents at bygone kiddie parties look at me aghast, shocked that I was not a member of the J.K. Rowling cognoscenti.

Book you’re afraid to read again for fear that it’d be a letdown:

Dune by Frank Herbert. As a child, I was taken in by the sandworms and magical spice and political intrigue–the earnest gloom and doom of it all. Perhaps best left undisturbed, frozen as a memory from long ago.

(13) FUNGAL BOOGIE. This isn’t exactly the “Mushroom Dance” from Fantasia. “Engineers Gave a Mushroom a Robot Body And Let It Run Wild” at ScienceAlert.

Nobody knows what sleeping mushrooms dream of when their vast mycelial networks flicker and pulse with electrochemical responses akin to those of our own brain cells.

But given a chance, what might this web of impulses do if granted a moment of freedom?

An interdisciplinary team of researchers from Cornell University in the US and the University of Florence in Italy took steps to find out, putting a culture of the edible mushroom species Pleurotus eryngii (also known as the king oyster mushroom) in control of a pair of vehicles, which can twitch and roll across a flat surface.

Through a series of experiments, the researchers showed it was possible to use the mushroom’s electrophysiological activity as a means of translating environmental cues into directives, which could, in turn, be used to drive a mechanical device’s movements.

“By growing mycelium into the electronics of a robot, we were able to allow the biohybrid machine to sense and respond to the environment,” says senior researcher Rob Shepherd, a materials scientist at Cornell….

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day korydg.]

Pixel Scroll 8/26/24 I’ve Never Been To Scroll, But I Kinda Like The Pixels

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(1) WHO WROTE THE BOOK OF (DRAGON) LOVE? “But Do They F*** The Dragon? An Oral History of Dragon Romance” by Bree Bridges at Reactor.

… Fortunately for young Bree, McCaffrey wasn’t the only one infusing fantasy with complicated women in complicated relationships. Maybe it was my love of the way Michael Whelan painted dragons that led me across the library to one of the most romantically charged dragon covers of the ’80s: Melanie Rawn’s Dragon Prince.

In the (usually 800+) pages of Melanie Rawn’s fantasy novels I found everything I loved: dragons that you sometimes get to talk to, complex and flawed heroines who have to make hard choices and embrace their power, and an acknowledgement that romantic love has a power to shape kingdoms and a magic all its own.

(And dragons. Always, dragons.)

But as much as I adored what I found in the pages of these books, something was still missing. Yes, romance appeared. It was even important sometimes—the lifelong love between Sioned and Rohan impacts the nearly 5,000 pages that follow!…

As for the payoff promised in the title – Bridges has a little list.

… Riding the Dragon, as it were, is hardly a new pastime. I’m just glad it’s got a shiny new brand so we can bring new friends into the fold! You might find your gateway dragon in one of these titles:

Weapons and Wonders by Devin Harnois: Still not sure you actually want to f**k the dragon? That’s okay! Fourth Wing may have become famous for people falling in love while adjacent to dragons, but romance offers great opportunities as well, such as Weapons and Wonders by Devin Harnois where our two heroes fall in love over mechanical magical dragons….

(2) GLASGOW 2024 FAN FUND AUCTION REPORT. Sandra Bond (European TAFF admin) and Michael J. “Orange Mike” Lowrey (North American TAFF Administrator) shared “The League of Fan Funds newsletter” which reports how much money was fan fund auctions raised at Glasgow 2024 and where it’s going.

Bids were taken of £4,420.20 at the Worldcon auction. Net of card fees the total raised by the live auction was £4,390.47.  

The silent auction raised another £603.52 (£610 before fees).  

All the other activities over the table, plus other donations including cash raised in the bar, came to £1,670.49 after fees, plus US$120.  

The total raised was £6,664.48, plus the dollars. The LFF will distribute the money as shown below (after taking into account earmarked donations, fund requirements, and other fundraising plans):

  • TAFF: £2,464.48 + $120  
  • GUFF: £1,700  
  • DUFF: £750  
  • The Science Fiction Encyclopaedia: £750  
  • European Fan Fund: £500  
  • Con or Bust: £500

The report also includes the group photo below taken (by Mike Benveniste) of all the people who could be gathered in one place at the Glasgow Worldcon who’d ever been a fan fund delegate, with an identification key (provided by Alison Scott). (Which is very handy for when you look at someone, say “I know who that is!” and it turns out you’re wrong.) Click for larger image.

You’re also invited to view the “League of Fan Funds” web page maintained by David Langford.

(3) FINIS. Abigail Nussbaum doesn’t think it’s so bad at all: “The Umbrella Academy, S4”.

As a known curmudgeon I am in the weird position of feeling like I should go to bat for this season….

…Every single season of The Umbrella Academy has revolved around the Hargreeves siblings preventing, by the skin of their teeth, an apocalypse that probably wouldn’t have happened without their presence. They are the cause of, and solution to, all the multiverse’s problems. It’s hard to imagine a resolution to that situation that wouldn’t involve taking them all off the board. Emotionally, too, there’s a logic to this entire family going down together. This was never a “change and grow” show. The Hargreeves might make concrete changes in their lives – Viktor transitions, Luther gets married, Diego has a family – but when it comes down to it, they remain a bunch of screwed up people who can only really relate to each other, and that often very dysfunctionally. Ending the show on “I love you… but you’re all such assholes” strikes, I think, the perfect note….

(4) CHARACTER ACTING. Lots of cosplay photos here: “SEE IT! Anime NYC takes over the Big Apple” at amNewYork.

Thousands of manga and anime characters took over the Jacob Javits Convention Center over the weekend for the 2024 Anime NYC convention.

The entertainment mecca, located on 34th Street and 11th Avenue, was overrun with cosplayers adorning the looks of their favorite fictional characters over three days. From cartoonish heroes to video game villains, people of all ages descended on the convention center from Aug. 23 to Aug. 25….

(5) BUT NOW, GOD KNOWS, ANYTHING GOES. [Item by Steven French.] Not entirely sure about that last line here. “Horror films were reviled as one step up from pornography – now the genre is a force to be reckoned with” says the Guardian.

Horror is the little genre that could. While 2024’s tentpole releases were struggling, before the summer’s double whammy of Inside Out 2 and Deadpool & Wolverine, horror never stopped plugging away, week after week, mostly under the critical radar. Films such as Immaculate and Abigail reaped healthy returns, while Oz Perkins’ breakthrough hit, Longlegs, has made almost 10 times its budget. Horror doesn’t require lavish spending or costly stars and its loyal fans will happily turn up to watch any old devil doll, nun or exorcism, ever hopeful of stumbling across an inspired nugget of nastiness….

(6) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

August 26, 1980 – Chris Pine, 44. I was surprised when I decided on Chris Pine for today’s Birthday to learn how varied his genre performances had been. 

Spider-Man: Beyond the Spider-Verse, is in production. And a spin-off film focused on female Spider-related characters is also in development. So why am I starting off by mentioning a film that’s still in development? It’s because he’s already said he’s voicing Spider-Man aka Peter Parker there. Very cool. More Spiders!

Chris Pine

Next up for him here is another voicing role as Jack Frost in Rise of the Guardians. It’s about how they (Santa Claus, the Tooth Fairy, the Easter Bunny, and the Sandman), who persuade a reluctant Jack Frost to stop the evil Pitch Black from tut turning the world in darkness. Voicing a character properly is essential to giving the being a sense of life that the audience member can relate to. He does a splendid job of making this character do that. I’m very much looking to hearing him do so with his Spider-Man: Beyond the Spider-Verse character.

He had yet a third voicing role and it’s got an interesting back story. He voiced Dave in Quantum Quest: A Cassini Space Odyssey, an educational documentary science fiction adventure film. Interesting in itself, but what’s more interesting is that it was brought into being by none other than NASA through a grant from Jet Propulsion Lab via the international Cassini-Huygens mission to Saturn which it depicts. 

Oh, and he wasn’t the original individual cast as Dave, that was John Travolta. 

Look now, we’ve live roles. Really we do. 

He played Steve Trevor in both Wonder Woman films. The films are great and he makes a most excellent Steve Trevor I’d say.

A Wrinkle in Time film (I say film as there was also not surprisingly a BBC series as well) has him as Alexander Murry — an astrophysicist in the employ of the American government, husband of Katherine Murry.

Ok, last year he was one of the executive producers of Dungeons & Dragons: Honor Among Thieves, a heist film set in the Forgotten Realms RPG setting. I am very much not detailing the bidding war between Hasbro and the film companies over the rights to the Forgotten Realms filming rights. Really I’m not. Here he played Edgin Darvis, a bard and former member of the Harpers. Stopping right there.

So what role am I forgetting? Oh that one. James T. Kirk in the Kelvin Timeline. I don’t think of it as a reboot but an alternate timeline entirely as Discovery showed us that such universes exist. So why not two such universes existing simultaneously? Remember Enterprise did that as well.

Does he make a more than merely than just acceptable Captain Kirk? Yes he does. He’s obviously very different than Shatner but just as believable as that character. 

(7) COMICS SECTION.

(8) THIS ONE CAN’T KEEP THE DOCTOR AWAY. “Bad apple? How Disney’s Snow White remake turned sour” according to the Guardian.

In theory, it must have sounded like a good idea. At least to Hollywood movie studio executives keen to make big bucks by playing it safe with themes and stories that might be familiar to a mass audience.

A modern remake of Snow White: cashing in on the beloved Disney original with fresh stars, A-list names and a fairytale with a happy ending that everyone could enjoy.

It has not turned out that way….

(9) COME ON DOWN! BBC’s Witness History tells the story of “Canada’s first UFO landing pad”.

In 1967, the small town of St. Paul, Canada declared that they were a place that welcomed everyone, even the aliens. They did this by building a giant UFO landing pad, hoping to attract intergalactic tourists. They timed it to coincide with Canada’s centennial celebrations. 

Although most of the town saw it as a light-hearted joke the driving force behind the alien parking space Margo Lagassee, was a firm believer in the outer space community. 

Paul Boisvert who was the part of the original crew behind the landing pad tells Anoushka Mutanda-Dougherty how St. Paul became a destination spot for extraterrestrial visitors. 

He also makes clear if aliens do descend on St. Paul he “would be pleased to feed them some Pierogi, Garlic Sausage and Pea Soup.”

(10) COMICS GRADER LOSES DEFAMATION SUIT. “Collectables Evaluator Hit With $10M Verdict for Disparaging Couple’s Comic Book Restorations” – The Legal Intelligencer analyzes the decision. Registration required.

A leading voice in the world of comic book collection was hit with a $10 million verdict Tuesday for falsely accusing a pair of sellers of using faulty techniques to restore high-value comics.

In a determination that included $5 million in punitive damages, a Philadelphia jury found that Certified Guaranty Co. LLC—a company that assesses and grades the quality of collectible comic books—knowingly published defamatory statements about the plaintiffs’ work.

The jury returned its eight-figure verdict after less than an hour of deliberation, according to the plaintiffs’ attorney, Lane Jubb Jr. of the Beasley Firm. Yet during settlement talks, Jubb said, the defendants’ insurance company never offered more than $1 million.

“The bad faith case here is going to be so much easier,” he said.

Jubb said there had been plenty of opportunity to reach a settlement during the lawsuit’s nearly eight-year pendency, but plaintiffs Matthew and Emily Meyers wanted to take their case to trial in order to clear their names in a public forum.

“In a defamation trial, when you have plaintiffs that are telling the truth, they’re willing to try the case to verdict because they know there’s nothing to hide,” Jubb said.

CGC’s attorney, Mark Zaid of Mark S. Zaid P.C. in Washington, D.C., did not respond to requests for comment.

The Meyerses—a married couple who started a business restoring and selling collectible comic books—claimed that CGC and one of its primary graders, Matthew Nelson, helped to circulate false rumors questioning the legitimacy and quality of their restorations.

According to pretrial memos, CGC is considered the leading grader of collectable comic books, and the Meyerses sent their books to the company to be rated when they began their business. The plaintiffs asserted that they honed their techniques in part by applying feedback they received from Nelson. But after receiving several grades that they perceived as unfairly low, the Meyerses stopped sending their work to CGC for evaluation.

The plaintiffs claimed that Nelson went on to post comments on a CGC-operated online forum lending credence to false rumors that the company refused to grade the Meyerses’ books because they were not genuine restorations. The plaintiffs alleged that Nelson’s comments “blackened their reputations as legitimate restoration specialists and amounted to a charge of fraud: that they were passing off photocopied fakes as genuine restorations.”

The Meyerses claimed that as a result of Nelson’s statements they had to start selling their restored comics well below their actual values and that past buyers reached out to request their money back on prior purchases.

… According to Jubb, much of the trial centered on the quality of the plaintiffs’ work, with examples of restored comics making appearances as evidence.

“We had some of the rarest comic books on the planet in the courtroom,” Jubb said….

(11) PAWSELLING. Big Hill Books, Minneapolis, Minn., shared feline bookseller Goose’s “Friday to-do list”:

(12) “THIS IS SUPPOSED TO BE FOR CHILDREN?” Talk about your dark fantasy. Ryan George is “The Guy Who Wrote ‘The Three Little Pigs’”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Sandra Bond, Michael “Orange Mike” Lowrey, Claire Brialey, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/9/24 Spacetime Springers Ahead, Nightfallers Back

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(1) OTHERWISE AWARD UPDATE. Sumana Harihareswara, Motherboard chair, has shared news about the Otherwise Award in “Our pause and interim plans”.

As has been the case for many volunteer-run organizations, the Otherwise Award has struggled since the start of the pandemic in 2020. Our (volunteer) board and other volunteers have had to juggle many more issues than previously around health, paid work, and caretaking concerns than previously, which has resulted in our falling behind on the administration and maintenance of the Award. We’re sorry that we didn’t communicate about this earlier—that made it hard for readers, authors, and publishers to know what to expect.

Our Motherboard met recently to discuss how to move forward. We remain dedicated to our mission: to celebrate science fiction, fantasy, and other forms of speculative narrative that expand and explore our understanding of gender . But we’re discussing how, as an organization, to continue to pursue that mission in a sustainable way, given our limited resources.

Here are the decisions we’ve made so far.

Most of our programs are paused. This is us acknowledging what’s already been happening. We were later than usual at deliberating and announcing the Awards for work published in 2020 and in 2021, and did not run a Fellowships process in 2021 or 2023. We have not yet convened a jury to consider works published in 2022, 2023, or 2024.

We intend to run the Fellowships this year. We will open applications in several months—August at the earliest, October at the latest.

We may honor 2022 and 2023 work in a different way. We’re exploring various approaches to celebrating work from those years. That celebration may end up taking a very different form than usual.

We’re considering alternative approaches to the Award in the future. It could be that we’ll convene a jury soon to read 2024 work and deliberate towards an Award, but if we do, we may change our practices to reduce the workload on individual jury members and to make our procurement system for recommended works less laborious. Also, we currently rely on volunteer work for almost all of the organization’s labor (exceptions being technological work on our website, and art commissioned to give to Award winners); we may try to find ways to focus more on paid labor.

We’ll be at Readercon. We usually honor the most recent Award winner at WisCon , but this year we have no new award winner, and WisCon is taking a break . So we will instead hold some Otherwise-related events at Readercon (July 11-14, 2024, near Boston, Massachusetts). Specifics to be determined.

(2) GET READY FOR THE OSCARS. Animation World Network has been running a series about this year’s Academy Awards nominees in the animation and effects categories.

Take a deeper look at ‘The Boy and the Heron,’ ‘Elemental,’ ‘Nimona,’ ‘Robot Dreams,’ and ‘Spider-Man: Across the Spider-Verse,’ all vying for the Best Animated Feature Oscar at the 96th Academy Awards coming March 10, 2024.

Take a deeper look at ‘The Creator,’ ‘Godzilla Minus One,’ ‘Guardians of the Galaxy Vol. 3,’ ‘Mission: Impossible – Dead Reckoning Part One,’ and ‘Napoleon,’ all vying for the Best Visual Effects Oscar 

Take a deeper look at ‘Letter to a Pig,’ ‘Ninety-Five Senses,’ ‘Our Uniform,’ ‘Pachyderme,’ and ‘War Is Over! Inspired by the Music of John and Yoko,’ all vying for the Best Animated Short Film Oscar 

(3) MEETING BUTLER. Syrus Marcus Ware delves into memory to bring us “Octavia E. Butler, Remembered”, a 2022 article at Them.

When the novelist Octavia E. Butler entered a room, you felt it. Tall, commanding, yet soft-spoken, the author’s presence inspired as much comfort as attention; you couldn’t help but be enraptured by her. The first and only time I met her was on a rainy afternoon in 2005. She was in Toronto promoting Fledgling, a brilliant novel about a young racialized vampire who challenges the white supremacy of the wider vampire community. I had been granted an hour’s time to interview not only my favorite author, but the dreamer who inspired me to become a speculative fiction writer and artist. What was supposed to be an hour turned into an entire day in her bountiful presence….

(4) BARDS AND SAGES CLOSING. Walter J. Wiese writes, “I seem to have a track record of having publications close right before they’re about to print my work. I had a story due to appear in the April issue of B&SQ.”

Bards and Sages Publishing posted a “Closure Announcement” saying they were shutting down beginning this week.

Effective March 6, 2024, I will begin the process of winding down Bards and Sages Publishing. There is a lot that needs to be unraveled and sorted out before I can formally close everything down. The most immediate impact is the closure of the Bards and Sages Quarterly and ceasing publication of new issues.

If you are an author or artist who was previously published in an issue of the Bards and Sages Quarterly, those issues will remain on sale until the end of 2024. After that, all back issues will be removed from sale, and all rights will revert to their respective authors.

The same is true for back issues of The Society of Misfit Stories and all of our anthologies. These will remain on sale through the end of the year and then unpublished. At that time, all rights will revert back to their respective authors and artists.

I’ve already informed our authors that we have stand-alone publishing contracts with about the decision. I will work with those authors individually to make sure all of their rights revert to them in a timely manner, and provide them with any raw files we have of their books. They will be free to use those files to either self-publish or take to another publisher if they wish.

Regarding our RPG offerings: I own all rights to the RPG materials through work-for-hire agreements. If other publishers are interested in buying the rights to any of our RPG products or properties, I will entertain offers. Email legal@bardsandsages.com to discuss.

With that out of the way, I want to provide the reasons for this decision.

As I have noted previously, I have been struggling with mental health issues for some time now. I am being treated for generalized anxiety and depression, and though my condition has improved, I’m still not where I feel I need to be to properly commit the time and effort needed to being an effective publisher.

At the end of last year, I was diagnosed with additional physical health issues that will require surgery and treatment. While none of them are life-threatening, they are an additional weight that requires my attention.

As most people who have known me a while also realize, publishing has always been my love, but it has never been my primary income source. Like a lot of micro presses, I have a proverbial “day job,” and that day job has become increasingly more complex over the last few years….

All of these issues impacted my decision. However, I also have to confess to what may have been the final straws. AI…and authors behaving badly….

(5) CARR-LICHTMAN CATALOG. Mark Funke Books has posted an online SF Catalog of Terry/Carol Carr and Robert Lichtman Material – see it here: “Science Fiction Archives”. (Click for larger image.)

(6) KUNG FU PANDA PUTS MOVES ON DUNE AT BOX OFFICE. Dune: Part Two could not hold onto first place in its second weekend at theaters reports Deadline: “Box Office: ‘Kung Fu Panda 4’ Kicking Up $55M For Second-Biggest Franchise Debut”.

Universal/DreamWorks Animation’s Kung Fu Panda 4 is coming in higher with a $19.4M Friday (including previews) and $55M, which is the same amount that How to Train Your Dragon: Hidden World opened to back in 2019. Brand animation always opens big. That’s still the second best stateside start for the Kung Fu Panda franchise. CinemaScore is A-, the same grade as the first movie, but a notch down from the As earned on two and three.

Legendary/Warner Bros’ Dune: Part Two earned around $12.3M yesterday for what’s shaping up to be a $44M second weekend, -47%, for a running total of $154.7M. With those two movies leading the pack, it’s shaping up to be a $133.3M weekend, +13% over the same frame a year ago when Scream VI bowed. Wow. It’s been a while since we’ve seen an up weekend.

Lionsgate/Blumhouse’s Imaginary is third with $3.6M yesterday (including previews) at 3,118 theaters for what’s shaping up to be a $9.3M opening. Not shocking to see this movie below its $10M-$14M projection, nor saddled with a C+ CinemaScore and 57% on PostTrak. It is rather slow for a PG-13 horror film and there’s nothing really hip to hook the girls ala M3GAN. But it was cheap to make at $10M. Still more product means depth at the box office….

(7) GROW UP? TO HECK WITH THAT. “Miriam Margolyes Says Harry Potter Fans Should Be Over Films By Now” in an interview with The Hollywood Reporter.

Harry Potter actress Miriam Margolyes has some thoughts about the people who are still superfans of the famous film franchise.

During an interview with New Zealand’s 1News network, Margolyes was asked how Harry Potter and Blackadder fans approach her differently when they see her in public. She explained that fans of the British sitcom that starred Rowan Atkinson usually ask her to say “Wicked child.” But instead of answering the question about Harry Potter, she decided to share how she feels about the fandom.

“I worry about Harry Potter fans because they should be over that by now,” Margolyes said. “It was 25 years ago, and it’s for children,” clarifying, “I think it’s for children.

The actress portrayed Professor Pomona Sprout in the film franchise. Her character taught herbology and was the head of the Hufflepuff House. While speaking with the host, Margolyes seemed confused about the fact that those who grew up with the books and movies are still so engrossed in the Wizarding World, despite being adults at this point.

“They get stuck in it,” she explained. “I do Cameos, and people say, ‘We’re having a Harry Potter-themed wedding, and I think, ‘Gosh, what’s their first night of fun going to be?’ I can’t even think about it. No.”

She did note, “Harry Potter is wonderful. I’m very grateful to it” but doubled down on her original thought, which is that “it’s over.”…

(8) IT’S IMPOSSIBLE. One of the audiobooks up for the British Book Awards is Impossible Creatures by Katherine Rundell, narrated by Samuel West (Bloomsbury Children’s Books). Publishing Perspectives reports: “British Book Awards: 2024 Books of the Year Shortlists”.

(9) FIVE TO DRAW TO. Lisa Tuttle’s “The best recent science fiction and fantasy – reviews roundup” for the Guardian covers The Mars House by Natasha Pulley; Annie Bot by Sierra Greer; The Warm Hands of Ghosts by Katherine Arden; Jumpnauts by Hao Jingfang; and Alien Clay by Adrian Tchaikovsky.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 9, 1955 — Pat Murphy, 69. What work do I like most that Pat Murphy’s done? Well that’d be There and Back Again, by Max Merriwell if only because it, a) was indeed a lovely and playful take off The Hobbit, and b) shows how bloody obstinate, well I had another phrase in mind, that the Tolkien Estate can be at times which is why it’s no longer in print though copies are available at I think are still reasonably priced rates. 

Pat Murphy. Photo by Scott Edelman.

Of her first two novels, The Shadow Hunter had Neanderthals and time travelling, and oh my!, her second, The Falling Woman, was about an archaeologist who sees the spirits of ancient people while she walks at dusk and dawn. Fascinating. Thirty-six years on, it’s still perfectly readable. And it won a Nebula which it most definitely deserved. 

Now I get to The City, Not Long After, the novel that I love nearly as much for its depiction of an empty magical San Francisco as I do for the characters and the story set there. Don’t get me wrong — both of those are stellar too. I get tingly thinking of this novel, something that I admit is rare.

Let’s me finish off the novels I like by her with Adventures in Time and Space with Max Merriwell about a cruise that gets, shall I say, delightfully improbable near or even within the Bermuda Triangle? Yes, it’s written by the same writer who penned by the story that the Tolkien Estate took umbrage to.

As for her short fiction, it is excellent. Both the “Rachel n Love” novelette and the “Bones” novella that first appeared in Asimov’s Science Fiction Magazine would win a Nebula, the former would also win a Sturgeon — the Award, not a fish. Sorry I couldn’t resist. Her 1990 Points of Departure anthology, which won a Philip K. Dick Award, is a generous sampling of her short work and has the “Rachel n Love” novelette and the “Bones” novella in it. 

She’s hasn’t published anything in five years, so let’s hope something is forthcoming. 

(11) COMICS SECTION.

  • Baldo’s Gracie is an example of many of us.
  • Herman has an unidentified problem.
  • Lio meets some offworld fans.
  • Macanudo points out a problem for Batman.
  • Free Range suggests writing peer pressure goes way back.
  • Non Sequitur has an early editor.

(12) SHE’S A ROCKETGIRL. [Item by Steven French.] Andrew Rovenko, a Ukrainian born photographer now living in Australia was named Australian Photography Magazine’s photographer of the year for this wonderful shot of his daughter in her home-made spacesuit. His photos have been collected in The Rocketgirl Chronicles – see a gallery at the link. Full story at the Guardian: “Rocketgirl on her sixth lockdown: Andrew Rovenko’s best photograph”.

During the pandemic, Melbourne held the world record for the highest number of days spent in lockdown. That’s not really a record you want to have. My family – me, my wife Mariya and our daughter Mia who was four at the time – had done all the standard things: puzzles, daily walks, baked sourdough. By lockdown number six, options for new activities were scarce. But Mia’s obsession with space gave us an idea – to make her a spacesuit. My wife had trained as a costume designer and she thought it might brighten Mia’s day to show her how something can be created from scratch. The best bit was making the papier-mache helmet: they blew up a little balloon and then stuck newspaper cuttings around it.

At the time, we were allowed outside for only two hours each day, and we had to keep within a 5km radius of our home. Having this suit as a prop had a transformative effect on our outings, turning them into space exploration missions. Even as adults, if you put a bold piece of clothing on, you start to play the role of the costume….

(13) JEOPARDY! [Item by David Goldfarb.] The second round of the Jeopardy! Tournament of Champions semifinals featured two questions involving SFF. The very first clue of the game was Literary Awards for $600:

Octavia Butler got the inaugural Infinity Award by the Science Fiction & Writers Association at these star-studded awards

Emily Sands knew this was the Nebula Awards.

Later we had Literary Awards for $1000:

The Hugo Award isn’t named after Victor Hugo, but this Hugo who founded the sci-fi magazine Amazing Stories

Yogesh Raut responded “Who is Luxembourg’s Hugo Gernsback?”

Did you know that Gernsback was from Luxembourg? I did, but only because I had previously learned it from listening to one of Yogesh’s podcasts.

(14) AREA 51 EIGHTY-SIXED. “Pentagon Review Finds No Evidence of Alien Cover-Up” – the New York Times discusses the report.

In the 1960s, secret test flights of advanced government spy planes generated U.F.O. sightings. More recently, government and commercial drones, new kinds of satellites and errant weather balloons have led to a renaissance in unusual observations.

But, according to a new report, none of these sightings were of alien spacecraft.

The new congressionally mandated Pentagon report found no evidence that the government was covering up knowledge of extraterrestrial technology and said there was no evidence that any U.F.O. sightings represented alien visitation to Earth.

The 63-page document is the most sweeping rebuttal the Pentagon has issued in recent years to counter claims that it has information on extraterrestrial visits or technology. But amid widespread distrust of the government, the report is unlikely to calm a growing obsession with aliens.

Maj. Gen. Patrick Ryder, a Defense Department spokesman, said the Pentagon approached the report with an open mind and no preconceived notions, but simply found no evidence to back up claims of secret programs, hidden alien technology or anything else extraterrestrial.

“All investigative efforts, at all levels of classification, concluded that most sightings were ordinary objects and phenomena and the result of misidentification,” General Ryder said in a statement.

While many reports of what the government now calls Unidentified Anomalous Phenomena remain unsolved, the new document states plainly there is nothing to see. The Pentagon’s All-domain Anomaly Resolution Office concluded that if better quality data were available, “most of these cases also could be identified and resolved as ordinary objects or phenomena.”…

(15) VIDEO OF THE DAY. FirstShowing introduces the “Final Trailer for Netflix’s ‘3 Body Problem’ Mind-Bending Sci-Fi Series”.

“I have to tell you something… something insane, but true, about all of us. It started a long time ago. Back in 1977 they detected a sequence…called it the wow signal.” Netflix has revealed their final official trailer for 3 Body Problem, an adaptation of the sci-fi books of same name from Liu Cixin, which many believe are near impossible to adapt. 3 Body Problem is a series inspired by the renowned story about discovering we are not alone in the universe. From the Game of Thrones creators David Benioff and D.B. Weiss. A young woman’s fateful decision in 1960s China reverberates across space and time to a group of brilliant scientists in the present day. As the laws of nature unravel before their eyes five former colleagues reunite to confront the greatest threat in humanity’s history. 

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Daniel Dern, Walter J. Wiese, David Goldfarb, Jeffrey Smith, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/20/24 Are You There, Microcosmic God? It’s Margaret’s Mini-Me

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 (0) Today’s Scroll will be lean because I’ve spent my hours writing about the 2023 Hugo Award Stats Final report posted today on the official Hugo Awards website. My analysis is here: “2023 Hugo Nomination Report Has Unexplained Ineligibility Rulings; Also Reveals Who Declined”.

(2) NEIL GAIMAN. And here’s what he had to say on Bluesky about a couple of those ineligibility rulings.

(3) DIFFERENCE ENGINEER. [Item by Steven French.] “Play about computing pioneer Ada Lovelace wins Women’s prize for playwriting” reports the Guardian.

A play about the reincarnation of the Victorian computing pioneer Ada Lovelace has won this year’s Women’s prize for playwriting.

Intelligence, by Sarah Grochala, follows Lovelace’s attempts to forge a career for herself as a serious scientist in 1840s London and being continually obstructed by men.

But in an unexpected twist of fate, Lovelace finds herself repeatedly reincarnated and gets the chance to try for fame again, first as Grace Hopper (creator of COBOL) in 1940s America, and then as Steve Jobs in 1980s Silicon Valley. Eventually, confronted with the destruction of all her work by a shady tech billionaire, she realises that it is the very nature of intelligence that she should be fighting for….

(4) APPEAL TO CONSERVE PRATCHETT COVER ARTIST’S WORK. The Guardian tells that “Family of Discworld illustrator seek wealthy patron to conserve legacy of ‘one of the great artists of our time’”.

 Josh Kirby’s art has adorned hundreds of book covers – perhaps most notably dozens of Terry Pratchett novels, especially the bestselling Discworld series.

His body of work is far more wide-ranging, though – Kirby’s paintings have graced the covers of volumes by Ray Bradbury, Ian Fleming, HG Wells, Jack Kerouac, Herman Melville and Neil Gaiman, and he’s done posters for movies including the Star Wars franchise.

Now the family of the artist, who died in 2001, is looking for a philanthropist of the arts to keep the vast collection of original paintings together and make sure Kirby’s original artworks are preserved for posterity in one or more museums or galleries.

(5) MORE ON ROGER PERKINS. [Item by SF Concatenation’s Jonathan Cowie.] The British SF fan recently sadly died.  He was introduced to fandom through the ‘City Illiterates’, the Phil Strick SF class at the Sandford Institute in 1971 before moving to the City of London Institute of Literature (City Lit – hence the  ‘City Illiterates’). His first convention was Chessmancon in 1972 after which he was an Eastercon and Novacon regular.  He then became part of the BECCON (Basildon Essex Centre/Crest CONvention) team that ran series of biennial SE England regional conventions (1981, ’83 and ’85) conventions before running the BECCON ’87 Eastercon (Britain’s national convention) in Birmingham (which saw the launch of SF2 Concatenation as an annual print zine as one of a couple of the convention’s spin-offs).  Roger was BECCON’s treasurer for all four conventions. He went on to be a member of the 1989 Contrivance Eastercon. In their bid to host that year’s Eastercon, they held a fan vote on two sites: one on mainland Britain and one on the Jersey Channel Isles.  The vote for Jersey was decisive but nonetheless caused the usual ire of fandom’s vocal minority who claimed that as the Channel Isles were not part of Britain (it is a UK protectorate), they should not host the British national convention. Nonetheless, that convention was such a success that it prompted others to put on the 1993 joint Eastercon-Eurocon in the same venue a couple of years later.  Roger gafiated shortly after moving from NE London to Wales where he had a boat called Chrestomancy.

BECCON ’81 committee and GoH. From left: Peter Tyers, Simon Beresford, Jonathan Cowie (behind), Mike Westhead, Anthony Heathcote, Bernie Peek, Barrington J. Bayley (GoH), Kathy Westhead, Roger Robinson, John Stewart, Brian Ameringen, Simon Beresford, Charles Goodwin, Roger Perkins.

(6) WHO COMPANION SHOWN THE TARDIS DOOR. Deadline says after her first season “’Doctor Who’ Star Millie Gibson Dropped; Varada Sethu Joins BBC Show”.

Here’s a shocker: the BBC and Bad Wolf have reportedly replaced Millie Gibson as Doctor Who‘s companion after she filmed just one season as Ncuti Gatwa‘s sidekick.

The Daily Mirror’s Nicola Methven, who is well-sourced on Doctor Who, said Gibson would be replaced by Andor star Varada Sethu in Gatwa’s second season as the Time Lord.

The BBC and Bad Wolf did not respond to a request for comment. The story has not been denied and appeared to be confirmed by Gatwa on Instagram (see below)….

…The Mirror said the decision was made by Doctor Who showrunner Russell T Davies and Gibson will not appear in the 2024 Christmas special after her first full season, which premieres in May.

“Millie Gibson has all but left now and there’s a brand new companion, which is really exciting,” a source told the Mirror. “Russell is keeping things moving and isn’t letting the grass grow, that’s for sure.”

On Sethu, a BBC source added: “Varada is a real gem, Russell was just blown away by her talent. The cast and crew have really warmed to her and he’s sure the fans will too.”…

Here’s the Wikipedia on Varada Sethu.

(7) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 20, 1948 — Nancy Kress, 76. Another one of my favorite writers. Okay, I do like a lot of female writers. I also have a fair number who get chocolate. A coincidence? You decide. 

She has won two Hugos, the first for her “Beggars in Spain” novella — later a novel as well, both are excellent in their own way.  Isaac Asimov’s Science Fiction Magazine published it first in April 1991 in three parts.  Avon than, after expanded it, adding three additional parts to the novel, published it two years. There followed Beggars and Choosers, and Beggars Ride. They make up the Sleepless series. 

Nancy Kress

She’s a prolific writer. The Probability Universe trilogy, or a trilogy so far, with an Earth wrecked by ecology disaster coupled with a stargate and an alien artifact of possible immense power is fascinating.

The Crossfire twofer reminds a bit of something Anderson might do if he was writing today with a colony finding that it’s sharing a world with an alien race. It’s excellent but then she’s a very, very good writer always.  

Under the pen name Anna Kendell, she wrote a trilogy of present day thrillers in a series called Robert Cavanaugh Genetic. Bit awkward I think but it gets some point across. 

Not to be outdone there, that name went all out fantasy in Soulvine Moor Chronicles Series where a man cross over to the land of the dead. It was set in imagined medieval times.

We’re back to her name and her fascination with genetics, so t Nebula Award-winning novella, the Yesterday’s Kin series, this purely SF looks the limits of human genetics.

Now for her short stories, oh my, I think she wrote, though I can’t count accurate that high, close to a hundred stories. So which collection is the best to get a reason sampling of these stories? That’s easy —the Subterranean Press’ massive 560 page The Best of Nancy Kress. 

(8) COMICS SECTION.

  • The Far Side has a writer in crisis.
  • Tom Gauld has gone revisionist.

(9) £1 MILLION COMICS. “First-edition Superman and Spider-Man comics sell for more than £3million” at Wales Online.

Heritage Auctions in Dallas, US, has sold a number of comics. A Superman> no. 1 went for £2,006,269 (US$2.34 million). The first Amazing Spider-Man from 1963 in mint condition fetched £1,086,990 (US$1.38 m) which is reportedly nearly three times the previous record for that title. Finally, an All-Star Comics no.8, which saw Wonder Woman’s debut, was sold for £1,182.166 (US$1.5m).

(10) MISSED CLOSE ENCOUNTER. [Item by SF Concatenation’s Jonathan Cowie.] I was disappointed to learn that I missed a close encounter with a UFO in central London this week: I was just several miles away and had I looked over the roof tops I would have seen it in the distance! “Massive Samsung drone show with colourful whirring lights ‘mistaken for UFO’ – and passerbys cry ‘call the Men In Black’” in The Sun.
 
The huge UFO seemed to have made it through the Moonbase interceptor shield, and evaded Sky Diver.  Over 100 feet across (police laser range finders put it at 100 cubits exactly), the UFO shone with many lights, some of which were presumably navigation landing lights.

The craft hovered and rotated for eight minutes before appearing to land on the River Thames.
 
So why did it pick Canary Wharf, London’s second financial centre and overflow from the city’s ‘Square Mile’?  Well, for us Brit Cit locals, who are used to seeing SHADO mobiles rumbling through green belt woodland, the prevailing view is that that location was picked to avoid the said SHADO mobiles as these are too bulky to operate in the city. (Besides, think of the damage a mobile cannon could do to the area’s opulent buildings.)

Of course, it wasn’t long before SHADO released its cover story. The UFO was composed of a hundred drones flying in formation to mark Samsung’s launch of its new AI powered Galaxy S smartphone. Believe that if you must.

The truth is up there.

(11) FOR YOUR BETROTHED. Manly Brands has plans for your wedding ceremony – give your spouse a selection from the “Lord of the Rings™ Ring Collection”. Others not shown include The Gollum and The Ringwraith. Fully endorsed by marriage counselors and divorce attorneys!

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/2/24 It Was A Dark And Scrolly Night, Suddenly A Pixel Rang Out

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(1) THE ENEMY OF THE GOOD. Rachel Craft tells “How Writing Challenges Made Me a Better Writer” at the SFWA Blog. One of the ways is: they make her “Let go of perfection”.

…For me, one of the hardest parts of writing is deciding when a piece is finished and ready to submit. No matter how many rounds of revision I’ve been through, the perfectionist in me can always find something else to tweak. Sometimes I suspect it’s less about perfectionism and more about fear of rejection. As long as I never quite finish a story, it can never be rejected, right?

Writing challenges forced me to let go of perfectionism, fear of failure, and all the other things that usually keep me from saying “It’s done.” They also reframed this last step of the process. Submitting used to be a big, daunting task that loomed like a specter over the rest of my writing process—but in a writing challenge, submitting is actually a triumph. There’s nothing quite like the sense of accomplishment that comes from hitting “submit” as the clock ticks down after 24 hours of frenzied creativity. And even if your story doesn’t win or place in the challenge, you can go on to submit it elsewhere….

(2) MIDNIGHT ACQUISITIONS. Colin O’Sullivan tells his CrimeReads audience not to sleep through great raw material for their writing: “How to Corral Your Nightmares for Use in Your Next Novel” at CrimeReads.

Will robots dream of us in the same way that we dream about them? They say that AI can “hallucinate”, right? Hadn’t Philip K. Dick warned us about all this many years ago? Maybe we weren’t paying enough attention then. Maybe we aren’t paying enough attention now. What a strange world we are being thrust into… and are we ready?

Sunny, the titular robot character of my novel, was conceived in a dream. Several years ago, I tossed and turned in bed, unnerving visions unfurling in my head. In this nightmare I was being chased by a robot that I myself had programmed. The domestic robot had turned on me – and I had been under the illusion that it was merely a household appliance, there to help with the laundry, dust a shelf, or vacuum the floor. I was trying to access its “dark settings” in order to switch the damn thing off, but I wasn’t having much luck: I couldn’t find the manual that would provide me with the right set of instructions, and the machine was definitely out to get me. It was one of the nastiest nightmares I’ve ever had, so vivid, so real. I woke in the proverbial sweat, and was instantly relieved to realize we hadn’t yet reached that stage where the machines were taking over. Not yet, at least, not yet….

(3) IOWA BOOK BAN LAW REBUKED BY FEDERAL DISTRICT COURT. “Judge Blocks Key Provisions of Iowa Book Banning Law” reports Publishers Weekly.

In yet another legal victory for freedom to read advocates, a federal judge has blocked two key portions of SF 496, a recently passed Iowa state law that sought to ban books with sexual content from Iowa schools and to bar classroom discussion of gender identity and sexuality for students below the seventh grade.

In a 49-page opinion and order, judge Stephen Locher criticized the law as “incredibly broad” and acknowledged that it has already resulted in the removal of “of hundreds of books from school libraries, including, among others, nonfiction history books, classic works of fiction, Pulitzer Prize–winning contemporary novels, books that regularly appear on Advanced Placement exams, and even books designed to help students avoid being victimized by sexual assault.”

Specifically, Locher preliminarily enjoined two provisions challenged in two separate but parallel lawsuits. Regarding the law’s ban on books with any depictions of sex acts, Locher found that the law’s “sweeping restrictions” are “unlikely to satisfy the First Amendment under any standard of scrutiny.” In a rebuke, Locher said he was “unable to locate a single case upholding the constitutionality of a school library restriction even remotely similar to Senate File 496.”

Locher said that the law’s “underlying message” is that there is “no redeeming value to any such book even if it is a work of history, self-help guide, award-winning novel, or other piece of serious literature,” adding that with the law state lawmakers had sought to impose “a puritanical ‘pall of orthodoxy’ over school libraries.”

Furthermore, Locher suggested that the law was a solution in search of a problem. “The State Defendants have presented no evidence that student access to books depicting sex acts was creating any significant problems in the school setting, much less to the degree that would give rise to a ‘substantial and reasonable governmental interest’ justifying across-the-board removal,” he wrote….

(4) FROM ZERO COURANT TO AU COURANT. In “Scalzi on Film: When Fun Becomes Homework” at Uncanny Magazine, John Scalzi puts on his film critic’s hat and runs down the ridiculously large number of film and streaming series a person must have previously seen in order to fully appreciate the latest in certain Marvel Cinematic Universe or Star Wars properties. This is a lot like a job!

…We are nerds, and more than slightly obsessive—all the minutiae of created universes are our jam. But there’s a difference between salting in easter eggs to reward the faithful, and requiring hours of prep work—or at least the willingness to locate a wiki and dive in. And even the nerds have limits. I am a nerd by inclination and by profession—but I’m also a 54-year-old human who lives in the world and who requires at least some of my time and brain slots remain open for other things, like family and work and sleep and domain knowledge in other areas relevant to my life….

(5) FUTURES HISTORY. Professor Esther MacCallum-Stewart, Chair of Glasgow 2024, a Worldcon for Our Futures, posted a message on New Year’s Day: “Looking Ahead to 2024—Reflections from the Chair”.

…When I look up from writing this, I see original art on my wall by Iain Clarke, and an empty bottle of our gin, full of lights and on display in my bookcase. I see a mug that one of my team gave to me and a comic book that a Division Head sent this week to cheer me up. My phone is buzzing, because it always is, despite the fact that I said ‘This is the last week we have before the new year, you HAVE to all take breaks’. (Reader, my team absolutely has not let me do this, because there’s always one thing that needs addressing and, as a result, several of them have been forcibly told to take that break, because we really won’t get it from now on in.) I can see the official gavel of the convention, which is on my mantlepiece until next August. The gavel has been around the world multiple times, but for me, it will be next used to open Glasgow 2024, and five days later, it will be used to declare it closed. Another Chair told me once that closing their Worldcon with that gavel broke their heart a little bit. All of the Chairs cry in the Closing Ceremony. Because it’s five days to attend, but it’s years and years to build…. 

Any Chair that wants to cry should go right ahead. Do all Chairs? No.

(6) I KNOW SOMETHING YOU DON’T KNOW. [Item by Mike Kennedy.] Or, so US House of Representatives members may claim after they leave this briefing: “Scoop: House members to receive classified UFO briefing” says Axios.

Members of the House Oversight Committee will receive a classified briefing on unidentified anomalous phenomena (UAP), better known as UFOs, Axios has learned.

Why it matters: Congressional interest in the issue has grown in recent years, with a small but vocal group of lawmakers in both parties pushing for greater transparency from the government on the issue.

Driving the news: The members-only briefing will be held in the Office of House Security, according to a notice obtained by Axios.

The briefing is being provided by the Office of Inspector General of the Intelligence Community, the notice said….

(7) HURT IN NYC. A stuntwoman whose resume includes major MCU films was critically hurt by a hit-and-run driver on New Year’s Day: “Carrie Bernans Injured: Stuntwoman & Actress Hurt In NYC Hit & Run” – Deadline tells how it happened.

Actress and stuntwoman Carrie Bernans was critically injured during an alleged hit and run in New York City at 1:30 a.m. Monday.

Bernans, whose work includes 2023’s The Color Purple as well as Marvel’s Black Panther and Avengers: Infinity War/Endgame, was hurt along with eight others. Per her publicist, she was struck by a driver who crashed into an outdoor dining shed at Chirp, a Peruvian restaurant in Midtown Manhattan. That driver then backed up and rammed into another car before officers swarmed.

Bernans recently gave birth to a son, and luckily the newborn wasn’t with her but rather in a hotel with her family. Bernans was in stable condition and is undergoing surgery. Her mom posted details on the traumatic incident on Instagram and said Bernans is in rough shape….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 2, 1920 — Isaac Asimov. (Died 1992.) I’m looking at Isaac Asimov this Scroll, one of the Big Three of SF, proclaimed so at the time along with Arthur Clarke and Robert Heinlein. 

Isaac Asimov. Photo by and © Andrew Porter.

Now let me note these selections are my personal picks, not a look at his entire career as that’s simply not possible given how prolific he was. One source says that he wrote five hundred books and I certainly wouldn’t say that’s impossible to believe!

Without a single doubt, I can state that the Foundation Trilogy which won a well deserved Hugo at NyCon 3 for All Time Best Series is my favorite work by him, and it is certainly the work by him that I’ve read the most down the years. Like everything by him, I’ve not watched any film adaptations that have been done. 

I am familiar with, and fond of, of his first two novels, Pebble in The Sky and The Stars, Like Dust.  It’s been decades since I’ve read either so I’ve no idea how they’ve fared with age. 

The Caves of Steel and the other Robot series novels I think are on the whole excellent. Now of course speaking of robots, I, Robot with Susan Calvin is simply awesome. Almost all of the Robot stories, all 32 of 37, can be found in the 1982 The Complete Robot collection. There also are six novels.

The Gods Themselves is an amazing and it stands up well when re-read. It would win a Hugo at Torcon II. 

Isaac Asimov. Photo by and © Andrew Porter.

That’s it for SF by him, but there’s one more tasty creation by him that being The Black Widowers stories which were based on a literary dining club Asimov belonged to known as the Trap Door Spiders. 

The Widowers were based on real-life Spiders, some of them well known writers in their own right such as Lin Carter, L. Sprague de Camp, Harlan Ellison and Lester del Rey.

There were sixty-six stories over the six volumes that were released. So far only one volume, Banquets of the Black Widowers, has been released as an ePub. And yes, I’ve got a copy on my iPad as they are well worth re-reading. 

Someone needs to get them collected in one ePub collection. Pretty please. 

So that’s what I like by him. What do you like? 

(9) COMICS SECTION.

  • The Far Side asks, if a tree falls on an exoplanet, does it make a sound?
  • Peanuts (published March 22, 1955) has one more Martian joke.
  • Moderately Confused lives up to its name – does the sign refer to the store or the books?
  • Oh my gosh – Tom Gauld revealed a secret message!

(10) YOUR LACK OF FAITH ETC. ETC. It’s not a very good omen that Entertainment Weekly’s “The 40 best alien movies of all time” can’t make up its mind about the very first film on the list.

1 of 40 Invasion of the Body Snatchers (1956 and 1978)

If you favor the later renditions of Invasion of the Body Snatchers, we don’t blame you. And it may be cheating to double up on our list’s first entry, but the 1978 version (featuring Brooke Adams, Donald Sutherland, Jeff Goldblum, Leonard Nimoy, and Veronica Cartwright) is one of the rare examples of a remake living up to the legacy of its predecessor, which is all the more impressive when you consider the magnitude of industry legend Robert Wise‘s original. As an EW staffer previously wrote, the 1956 film is meant to be “a timely Cold War parable of takeover from within.” It ultimately “hit upon even deeper mass-marketing-age fears,” which helped it stand the test of time. Meanwhile, the follow-up flick harnesses that same dread and translates it to a new age without losing any punch.

At the center of these effective alien features is our fear of the Other. Most people don’t worry about little green men taking over their cities and suburbs, but most of us have watched some of our friends and family become bizarre shadows of their former selves practically overnight — which is exactly what transpires in Body Snatchers as the citizens of Earth are infiltrated by alien doppelgängers. In an age where paranoia and misinformation reign supreme, this tale of science failing to explain the chaos around us seems more timely (and more frightening) than ever before.

(11) SCREAMBOAT WILLIE. “Mickey Mouse horror film unveiled as copyright ends” and BBC is quick to point it out.

…A trailer for a slasher film, featuring a masked killer dressed as Mickey Mouse, was released on 1 January, the day that Disney’s copyright on the earliest versions of the cartoon character expired in the US.

“We wanted the polar opposite of what exists,” the movie’s producer said….

…Creatives have been quick to take advantage of the new rules, with a trailer (contains violent scenes) for a Mickey horror film dropping on the same day.

In the horror comedy thriller, called Mickey’s Mouse Trap, a young woman is thrown a surprise birthday party in an amusement arcade – but things quickly take a turn for the worse when she and her friends encounter a knife-wielding murderer in a Mickey costume….

(12) WIPER NO SWIPING! Meanwhile Disney’s lawyers are staying in shape by working over the owner of a Chilean car wash. Forbes analyzes the case in “Lucasfilm Sues ‘Star Wash’—A Car Wash In Chile—Claiming Plagiarism”.

Lucasfilm, the billion-dollar Disney-owned film and production company behind the “Star Wars” franchise, is suing a Chilean car wash known as “Star Wash,” arguing the small business is plagiarizing the wildly popular franchise with its branding, according to Reuters.

The law firm representing Matias Jara, the owner of “Star Wash,” told Reuters that Jara was in the process of registering his brand with Chile’s patent authority when he received a lawsuit from Lucasfilm seeking to block the registration of his business’s name.

Lucasfilm is claiming the business brand could confuse consumers into believing it’s affiliated with the studio, though it hasn’t taken issue with car attendants who can be seen on the “Star Wash” Instagram account dressed as characters like Darth Vader, Chewbacca and Boba Fett….

Once I looked at this Instagram ad for the business, though, I thought Disney had a point.

(13) MUSICAL ITEMS. [By Daniel Dern.] By the way, a third theremin video (not here) said that playing the trombone was the best preparation/way for learning to play the theremin.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Daniel Dern, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Thomas the Red.]