Pixel Scroll 8/8/20 You Unlock This Scroll With The Key Of Pixelation

(1) JURY SUMMONS. Two groups are recruiting jurors for their annual awards.

The British Fantasy Society’s call is here.

If you are interested in being a juror for this year’s awards, please register your interest here We are especially interested in hearing from those historically under represented on juries; and you do not need to be a member of the BFS to fulfil this role.

Both forms will remain open until Wednesday 16th August.
Any questions, please get in touch at bfsawards@britishfantasysociety.org

A few days ago they were concerned about the balance of applicants:

The Aurealis Awards also are looking – “Aurealis Awards 2020 – Call for Judges”. Full requirements at the link.

We are seeking expressions of interest from Australian residents who would like to judge for the 2020 Aurealis Awards. Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts. The only qualification necessary is a demonstrated knowledge of and interest in their chosen category (good time management skills and an ability to work in a team in an online environment are also essential).

(2) ULTIMA RATIO REGUM. Camestros Felapton continues to work out what canon means to sff readers, and if it’s useful in “Types of canon/key texts”.

… I think within discussions of canon there is a sense of books whose role it is to edify the reader, the books that will make you (somehow) a better reader. I’m sceptical that any books really fit that criteria and even more sceptical that we can find a common set of such books. However, there are clearly books that themselves provoke further books and as such books that get referenced in later works and later works that can be seen as response to earlier works. Robert Heinlein’s Starship Troopers being an obvious example of such a work. This is canon as a kind of feedback loop of significance — the books that are themselves critiques of Troopers lend significance to Troopers as a book. You don’t have to have read Starship Troopers to enjoy Kameron Hurley’s Light Brigade but having some familiarity with Heinlein’s book adds an element to Hurley’s book.

(3) HEATED WORDS. As someone wrote on Twitter: “The phrase ‘You couldn’t make Blazing Saddles today’ takes on an entirely new meaning.” CBR.com has the story: “Blazing Saddles Is Being Remade as an Animated Samurai Movie About Cats and Dogs” .

Mel Brooks’ Blazing Saddles is considered a film classic, even though it’s stirred up some controversy over the years. Now the film is being retold in an entirely new medium, as well as an entirely new genre.

The Los Angeles film company Align is helping develop an animated film titled Blazing Samurai. The film takes the basic premise of Blazing Saddles and transplants it to the Samurai era. The story follows a dog named Hank who dreams of becoming a Samurai. When he becomes in charge of protecting Kakamucho, he learns that the town is populated entirely by cats.

(4) A GOLDEN AGE. Galactic Journey does a rundown on the 1964-1965 television season: “[AUGUST 8, 1965] NAVIGATING THE WASTELAND #2 (1964-65 IN (GOOD) TELEVISION)”. I was 12 around then so no wonder I remember this as the Golden Age of TV. The Traveler obviously has a later bedtime than I did that year, because I never got to watch his favorite, Burke’s Law —

Three years ago, I reported on the state of television in the wake of former FCC-chief Newton Minow’s pronouncement that television was a ‘vast wastelend.’  Since then, I have remained a devoted fan of the small screen, if not completely addicted to ‘the boob tube.’  Indeed, the Young Traveler and I have our weekly favorites we do not miss if we can at all help it.

And so, as we sail through the sea of summer reruns, gleefully anticipating the Fall line-up, I take delight in awarding the Galactic Stars of Television for the 1964-65 season.

Burke’s Law 1963-65

Amos Burke is what would have happened if Bruce Wayne’s parents had never been shot – he’s a Beverly Hills playboy millionaire who also happens to be the dapper Captain of Homicide for the L.A. Police Department.  In each episode, Amos, with the aide of grizzled Sergeant Hart and youthful Detective Tilson (and occasionally the doe-eyed Sergeant Ames), solves a murder mystery…..

If The Traveler hadn’t waxed rhapsodically about this show – and I’m not sure whether he thinks it fits the blog’s sff theme or just thinks it’s good – then it wouldn’t have seemed such a glaring oversight to end the post pointing out Harlan Ellison wrote a script for the lamentable Voyage to the Bottom of the Sea, without mentioning Ellison also wrote four scripts for 1964 episodes of his beloved Burke’s Law series.

(5) SINCE 1984. Jane Johnson looks back on “A life in publishing”.

I realised this morning that it’s 36 years to the day when I started to work in publishing, as an editorial secretary at George Allen & Unwin Publishers, in Ruskin House on Museum Street. What follows really is the trajectory of modern publishing in microcosm.

My skillset was not ideal: I loved books, especially the works of JRR Tolkien and came with a first class English degree, a Masters in Scandinavian Studies (Old Icelandic) and absolutely no secretarial abilities at all. But I had worked for a year at Foyles and another as a boardmarker/cashier at Ladbrokes, and so had proved I could work hard and not be snooty about getting my hands dirty; and that I was numerate and understood the concept of gambling, which my new boss assured me was the essence of publishing. These were the times of Telex machines and manual typewriters, which were just giving way to electronic typewriters (my nightmare) but David was remarkably patient with my Tippexed letters, blackened carbon copies and non-existent shorthand, and within a year had promoted me away from my disaster zone to become an editor. Paperbacks were a fairly new concept: hardbacks were the prestige edition.

(6) IMPROVEMENT NOT NEEDED. In a post on Facebook, David Gerrold tells how a book is being unfairly belittled.

There is currently a backlash against The Giving Tree, and some people are circulating an alternate ending.

Hey! I have an idea. I have an alternate ending for Winnie The Pooh. Pooh is a bear. He decides he likes bacon. He eats Piglet. Much more realistic, right?

No, look. Shel Silverstein knew what he was doing when he wrote The Giving Tree.

It doesn’t need an alternate ending — specifically not one that’s preachy, badly written, doesn’t really fit, and is intended to cast the original in a bad light….

(7) TAKING THE MINUTES. In “Six Novels That Bring Together Mystery And Time Travel” on CrimeReads, Julia McElwain recommends novels by Stephen King, Dean Koontz, and Lauren Beukes as time travel novels mystery readers might like.

Depending upon how it’s done, it can add to the tension—a race against time as our characters try to return to their own era—or it can allow readers to explore the past through modern eyes. In my own In Time mystery series, I’ve enjoyed the fish-out-of-water sensation that my main character—a modern-day woman and brilliant FBI agent—experiences after being tossed back to the Regency period in England. As women then were second-class citizens without the ability to even vote, not only does she have to deal with personal obstacles, but she also cannot tap into her usual arsenal of forensic tools to solve crimes.

Whether time travel is being used to wrap a mystery in an extra, innovative layer or is allowing readers to view humanity and history through a different lens, the theme is brilliantly done in the books that I’ve listed below….

(8) ALLEN OBIT. A software pioneer has died: “Frances Allen, Who Helped Hardware Understand Software, Dies at 88” in the New York Times.

Frances Allen, a computer scientist and researcher who helped create the fundamental ideas that allow practically anyone to build fast, efficient and useful software for computers, smartphones and websites, died on Tuesday, her 88th birthday, in Schenectady, N.Y.

Her death, in a nursing home, was confirmed by her great-nephew Ryan McKee, who said the cause was Alzheimer’s disease.

In the mid-1960s, after developing software for an early supercomputer at the National Security Agency, Ms. Allen returned to her work at IBM, then the world’s leading computer company. At an IBM lab in the Hudson River Valley town of Yorktown Heights, just north of New York City, she and her fellow researchers spent the next four decades refining a key component of modern computing: the “compiler,” the software technology that takes in programs written by humans and turns them into something computers can understand.

For Ms. Allen, the aim was to do this as efficiently as possible, so programmers could build software in simple and intuitive ways and then have it run quickly and smoothly when deployed on real-world machines.

Together with the researcher John Cocke, she published a series of landmark papers in the late 1960s and ’70s describing this delicate balance between ease of creation and speed of execution. These ideas helped drive the evolution of computer programming — all the way to the present day, when even relative novices can easily build fast and efficient software apps for a world of computers, smartphones and other devices.

In 2006, on the strength of this work, Ms. Allen became the first woman to win the A.M. Turing Award, often called the Nobel Prize of computing.

(9) MEDIA BIRTHDAY.

  • August 8, 1956 X Minus One aired “The Last Martian.” This is the story of a reporter  seeing if a man’s claim that he is a Martian placed in a human’s body.  George Lefferts was the scriptwriter who adapted the story from the Fredric Brown’s “The Last Martian” short story first published in Galaxy Science Fiction in October 1950.  Mandel Kramer, Elliot Reed, Santos Ortega, Ralph Bell, John McGovern, and Patricia Weil were in the radio cast.  You can listen to it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 8, 1883 – Paul Stahr, Jr.  Forty covers for Argosy 1925-1934.  Also Collier’sJudgeLife, People’s Home JournalThe Saturday Evening Post; book covers, posters.  Here is the 10 Jan 31 Argosy.  Here is the 25 Aug 34.  Here is The Ship of Ishtar.  Here is a World War I poster.  (Died 1953) [JH]
  • Born August 8, 1919 Dino De Laurentiis. Maker of Dune obviously but less obviously also a lot of other genre including Conan the BarbarianFlash GordonKing KongHalloween II and Halloween IIIDead Zone and The Last Legion. (Died 2010.) (CE)
  • Born August 8, 1930 Terry Nation. Best-known as scriptwriter for Doctor Who and creator of the Daleks. He later created Blake’s 7. He would also write scripts for The Avengers, The Champions andMacGyver. (Died 1997.) (CE) 
  • Born August 8, 1935 Donald P. Bellisario, 85. Genre shows include Tales of the Gold MonkeyAirwolf and of course, that truly amazing show Quantum Leap. Ok, is Tales of the Gold Monkey genre? Well if not SF or fantasy, it’s certainly pulp in the best sense of that term. (CE)
  • Born August 8, 1937 Dustin Hoffman, 83. Ahhh, Captian Hook, the man who got swallowed by the vast crocodile in Hook. Yeah, I like that film a lot. By no means his only genre appearance as he was Mumbles, Caprice’s fast-talking henchman in Dick Tracy (not a film I love), Mr. Edward Magorium in Mr. Magorium’s Wonder Emporium and the voice of Master Shifu in Kung Fu Panda. (CE)
  • Born August 8, 1950 – John D. Berry, 70.  Of New York (Fanoclasts), later Seattle.  “The Club House” 1969-1972 (fanzine reviews) for Amazing.  Pacific Northwest Review of Books (with Loren MacGregor).  Fan Guest of Honor, Norwescon 1, VCON 13, Westercon 63.  DUFF (Down Under Fan Fund) delegate.  Designed the souvenir book for 15th World Fantasy Con.  I daren’t say a font of knowledge but indeed he is good with them.  [JH]
  • Born August 8, 1958 – David Egge, 62.  Thirty book and magazine covers, three dozen interiors.  Here is The End of Summer.  Here is The Dorsai Pacifist (in German).  Here is a 1986 cover for The Mote in God’s Eye (in fact Moties don’t have faces, a non-trivial point, but see this anyway).  Here is the Apr 01 Analog.  [JH]
  • Born August 8, 1961 – Tim Szczesuil, F.N., 59.  Chaired Boskones 33, 53.  Five terms as NESFA (New England SF Ass’n) President, four as Treasurer; various committees.  Contributed to APA:NESFA.  For NESFA Press, edited His Share of Glory (C.M. Kornbluth), Strange Days (Gardner Dozois; with Ann Broomhead).  Fellow of NESFA (service award).  [JH]
  • Born August 8, 1971 – Phlippa Ballantine, 49.  First New Zealand author to podcast her novel (Weaver’s Web, 2006; three more; PB since moved to Virginia).  Three novels about the Order, five (with husband Tee Morris) about the Ministry of Peculiar Occurrences (Phoenix Rising was a top-10 SF book of the year on Goodreads, sequel The Janus Affair a Locus best-seller and Steampunk Chronicle readers’ choice for fiction), two about the Shifted World; a score of shorter stories.  Website here.  [JH]
  • Born August 8, 1988 – Flavia Bujor, 32.  Children’s novel The Prophecy of the Stones (or “Gems”), written at age 13, translated into 23 languages.  A second is rumored.  [JH]

(11) COMICS SECTION.

  • Speed Bump shows that the pandemic has reached mythic proportions.
  • Bizarro has a moral.

And Today In Comics History:

  • August 8, 1978: Garfield’s sidekick, Odie, made his comic strip debut.

(12) TUNING UP. CinemaBlend pays tribute to “10 Excellent John Williams Scores In A Steven Spielberg Movie”. On their list is:

Close Encounters Of The Third Kind (1977)

The 1977 science-fiction epic Close Encounters of the Third Kind helped cement Steven Spielberg as a master of the genre, and the movie’s epic story of humans coming into contact with aliens was only made that more memorable thanks to soaring and sweeping score by John Williams. 

Throughout the entire movie, the score pushes the plot along to the point where the humans finally begin to communicate with the alien mothership, which is another way of inserting Williams’ composition into the picture. The “Play The Five Tones” scene is a miraculous piece of filmmaking and orchestration as it starts rather small and hushed before going into a back and forth between the two species before growing into a grand composition that ultimately ends with a chorus of strings growing in intensity as the aliens reveal themselves to the amazement of the humans.

(13) PRIVATE EYES. NPR tells how “From Desert Battlefields To Coral Reefs, Private Satellites Revolutionize The View”.

As the U.S. military and its allies attacked the last Islamic State holdouts last year, it wasn’t clear how many civilians were still in the besieged desert town of Baghouz, Syria.

So Human Rights Watch asked a private satellite company, Planet, for its regular daily photos and also made a special request for video.

“That live video actually was instrumental in convincing us that there were thousands of civilians trapped in this pocket,” said Josh Lyons of Human Rights Watch. “Therefore the coalition forces absolutely had an obligation to stop, and to avoid bombardment of that pocket at that time.”

Which they did until the civilians fled.

Lyons, who’s based in Geneva, Switzerland, has a job title you wouldn’t expect at a human rights group: director of geospatial analysis. He says satellite imagery is increasingly a crucial component of human rights investigations, bolstering traditional eyewitness accounts, especially in areas where it’s too dangerous to send researchers

…They get those images from a handful of private, commercial satellite companies, like Planet and Maxar.

For the past three years, Planet has done something unprecedented. Its 150 satellites photograph the entire land mass of the earth every day — more than one million images every 24 hours. Pick any place on earth — from your house to the peak of Mt. Everest — and Planet is taking a photograph of it today.

“If you could visualize a string of pearls going around the poles, looking down and capturing imagery of the earth underneath it every single day,” said Rich Leshner, who runs Planet’s Washington office.

Scroll through Planet’s photo gallery and you get a bird’s eye view of the state of the world: idle cruise ships clustered off Coco Cay in the Bahamas, deserted streets around normally bustling sites like the Colosseum in Rome, and the smoke from the relentless fires set by farmers clearing land in the Amazon rainforest.

U.S. government satellites are the size of a bus. Planet’s satellites are the size of a loaf of bread. Planet is in business to make money, and its clients include the U.S. military and big corporations. But it also works with lots of non-profits and other groups it never anticipated.

(14) DAMMIT, BLANET! There is a thesis about a new type of planets, called “Blanets” (BLack Hole plANETS). “New Class of Planet Can Form Around Black Holes, Say Astronomers”Discover has the story.

Supermassive black holes are among the most exciting and puzzling objects in the universe. These are the giant, massive bodies that sit at the heart of most, perhaps all, galaxies. Indeed, they may be the seeds from which all galaxies grow.

Supermassive black holes are at least a hundred thousand times the mass of our sun. They are often surrounded by thick clouds of gas that radiate vast amounts of energy. When this happens, they are called active galactic nuclei. Discovering the properties of these clouds, and their curious central residents, is an ongoing exercise for astrophysicists.

Now researchers have a new phenomenon to consider — the idea that planets can form in the massive clouds of dust and gas around supermassive black holes. Last year, Keichi Wada at Kagoshima University in Japan, and a couple of colleagues showed that under certain conditions planets ought to form in these clouds. These black hole planets, or blanets as the team call them, would be quite unlike any conventional planet and raise the possibility of an entirely new class of objects for astronomers to dream about.

(15) DEAD OR ALIVE? In this 2019 article, WIRED considers the possibilities after “A Crashed Israeli Lunar Lander Spilled Tardigrades on the Moon”.

…Half a world away, Nova Spivack watched a livestream of Beresheet’s mission control from a conference room in Los Angeles. As the founder of the Arch Mission Foundation, a nonprofit whose goal is to create “a backup of planet Earth,” Spivack had a lot at stake in the Beresheet mission. The spacecraft was carrying the foundation’s first lunar library, a DVD-sized archive containing 30 million pages of information, human DNA samples, and thousands of tardigrades, those microscopic “water bears” that can survive pretty much any environment—including space.

But when the Israelis confirmed Beresheet had been destroyed, Spivack was faced with a distressing question: Did he just smear the toughest animal in the known universe across the surface of the moon?

…The lunar library on the Beresheet lander consisted of 25 layers of nickel, each only a few microns thick. The first four layers contain roughly 60,000 high-resolution images of book pages, which include language primers, textbooks, and keys to decoding the other 21 layers. Those layers hold nearly all of the English Wikipedia, thousands of classic books, and even the secrets to David Copperfield’s magic tricks.

Spivack had planned to send DNA samples to the moon in future versions of the lunar library, not on this mission. But a few weeks before Spivack had to deliver the lunar library to the Israelis, however, he decided to include some DNA in the payload anyway. Ha and an engineer on Spivack’s team added a thin layer of epoxy resin between each layer of nickel, a synthetic equivalent of the fossilized tree resin that preserves ancient insects. Into the resin they tucked hair follicles and blood samples from Spivack and 24 others that he says represent a diverse genetic cross-section of human ancestry, in addition to some dehydrated tardigrades and samples from major holy sites, like the Bodhi tree in India. A few thousand extra dehydrated tardigrades were sprinkled onto tape that was attached to the lunar library.

(16) THE BARD’S SJW CREDENTIALS. Cats are the theme for Shakespeare & Beyond’s post: “Of the flattering, pampered, reviled, predatory, ‘harmless, necessary’ early modern cat”.

… While many of us today think of cats primarily as pampered pets and cherished internet weirdos, for early modern Europeans cats ran the gamut, from pests and carriers of disease, to indicators of witchcraft and other feminine misbehavior, to objects of affection and partners in play. Shakespeare’s own references to cats display such a variety. Trying to shake Hermia off in A Midsummer Night’s Dream, Lysander calls her “thou cat, thou burr! vile thing,” (3.2.270), and Macbeth’s First Witch calls out to Graymalkin, a common name for a cat that could also be applied to a “jealous or imperious old woman,” according to the Oxford English Dictionary (1.1.9). In other places, he references a cat’s behavior, as when Falstaff insists he is “as vigilant as a  cat to steal cream” (Henry IV, Part 1 4.2.59). The Oxford English Dictionary also credits Shakespeare with the first reference to a cat’s purr, in All’s Well That Ends Well (5.2.19)…

(17) IS THAT PAL OR HAL? Wil Wheaton devotes a blog post to his forthcoming movie: “Wil Wheaton is a very bad friend in trailer for horror-thriller Rent-A-Pal”.

Everything about this movie makes me happy. The cast is superb, the editing and photography and music are gorgeous, and the story is REALLY FUCKING CREEPY.

I can’t wait for y’all to see this when it comes out in September.

The short description of the movie on YouTube says:

Set in 1990, a lonely bachelor named David (Brian Landis Folkins) searches for an escape from the day-to-day drudgery of caring for his aging mother (Kathleen Brady). While seeking a partner through a video dating service, he discovers a strange VHS tape called Rent-A-Pal. Hosted by the charming and charismatic Andy (Wil Wheaton), the tape offers him much-needed company, compassion, and friendship. But, Andy’s friendship comes at a cost, and David desperately struggles to afford the price of admission.

[Thanks to Mike Kennedy, Cat Eldridge, Martin Morse Wooster, JJ, John Hertz, Michael Toman, Chip Hitchcock, John King Tarpinian, Peer, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

2019 British Fantasy Awards

The winners of the 2019 British Fantasy Awards were announced October 20 at FantasyCon in Glasgow, Scotland.

Best Fantasy Novel (the Robert Holdstock Award)

  • The Bitter Twins, by Jen Williams (Headline)

Best Horror Novel (the August Derleth Award)

  • Little Eve, by Catriona Ward (W&N)

Best Newcomer (the Sydney J Bounds Award)

  • Tasha Suri, for Empire of Sand (Orbit)

Best Novella

  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press)

Best Short Fiction

  • “Down Where Sound Comes Blunt” by GV Anderson (F&SF March/April 2018)

Best Anthology

  • Year’s Best Weird Fiction, Vol. 5, ed. Robert Shearman & Michael Kelly (Undertow Publications)

Best Collection

  • All the Fabulous Beasts, by Priya Sharma (Undertow Publications)

Best Non-Fiction

  • Noises and Sparks, by Ruth EJ Booth (Shoreline of Infinity)

Best Independent Press

  • Unsung Stories

Best Magazine / Periodical

  • Uncanny Magazine

Best Audio

  • Breaking the Glass Slipper (www.breakingtheglassslipper.com)

Best Comic / Graphic Novel

  • Widdershins, Vol. 7, by Kate Ashwin

Best Artist

  • Vince Haig

Best Film / Television Production

  • Spider-Man: Into the Spider-Verse, Phil Lord & Rodney Rothman

The Karl Edward Wagner Award (special award for contribution to genre)

  • Ian Whates

[Thanks to Mark Hepworth for the story.]

2019 British Fantasy Awards Shortlist Announced

Following two rounds of nomination and voting from the members of the British Fantasy Society and FantasyCon, The British Fantasy Awards has reached its jury stage.

For 2019, the shortlisted entrants are:

Best Fantasy Novel (the Robert Holdstock Award)

  • The Bitter Twins, by Jen Williams (Headline)
  • Empire of Sand, by Tasha Suri (Orbit)
  • Foundryside, by Robert Jackson Bennett (Jo Fletcher Books)
  • The Green Man’s Heir, by Juliet E McKenna (Wizard’s Tower Press)
  • The Loosening Skin, by Aliya Whiteley (Unsung Stories)
  • Priest of Bones, by Peter McLean (Jo Fletcher Books)

Best Horror Novel (the August Derleth Award)

  • The Cabin at the End of the World, by Paul Tremblay (Titan Books)
  • Little Eve, by Catriona Ward (W&N)
  • The Way of the Worm, by Ramsey Campbell (PS Publishing)
  • Wolf’s Hill, by Simon Bestwick (Snowbooks)

Best Newcomer (the Sydney J Bounds Award)

  • Tomi Adeyemi, for The Children of Blood and Bone (Macmillan Children’s Books)
  • Cameron Johnston, for The Traitor God (Angry Robot)
  • RF Kuang, for The Poppy War (HarperVoyager)
  • Tasha Suri, for Empire of Sand (Orbit)
  • Marian Womack, for Lost Objects (Luna Press Publishing)
  • Micah Yongo, for Lost Gods (Angry Robot)

Best Novella

  • Binti: The Night Masquerade, by Nnedi Okorafor (Tor.com)
  • Breakwater, by Simon Bestwick (Tor Books)
  • The Land of Somewhere Safe, by Hal Duncan (NewCon Press)
  • The Last Temptation of Dr Valentine, by John Llewellyn Probert (Black Shuck Books)
  • The Only Harmless Great Thing, by Brooke Bolander (Tor.com)
  • The Tea Master and the Detective, by Aliette de Bodard (Subterranean Press)

Best Short Fiction

  • “Down Where Sound Comes Blunt” by GV Anderson (F&SF March/April 2018)
  • “Her Blood the Apples, Her Bones the Trees” by Georgina Bruce (The Silent Garden: A Journal of Esoteric Fabulism)
  • “In the Gallery of Silent Screams” by Carole Johnstone & Chris Kelso (Black Static #65)
  • “A Son of the Sea” by Priya Sharma (All the Fabulous Beasts)
  • “Telling Stories” by Ruth EJ Booth (The Dark #43)
  • “Thumbsucker” by Robert Shearman (New Fears 2)

Best Anthology

  • The Devil and the Deep: Horror Stories of the Sea, ed. Ellen Datlow (Night Shade Books)
  • Humanagerie, ed. Sarah Doyle & Allen Ashley (Eibonvale Press)
  • New Fears 2, ed. Mark Morris (Titan Books)
  • This Dreaming Isle, ed. Dan Coxon (Unsung Stories)
  • Year’s Best Weird Fiction, Vol. 5, ed. Robert Shearman & Michael Kelly (Undertow Publications)

Best Collection

  • All the Fabulous Beasts, by Priya Sharma (Undertow Publications)
  • The Future is Blue, by Catherynne M Valente (Subterranean Press)
  • How Long ‘til Black Future Month?, by NK Jemisin (Orbit)
  • Lost Objects, by Marian Womack (Luna Press Publishing)
  • Octoberland, by Thana Niveau (PS Publishing)
  • Resonance & Revolt, by Rosanne Rabinowitz (Eibonvale Press)

Best Non-Fiction

  • The Evolution of African Fantasy and Science Fiction, ed. Francesca T Barbini (Luna Press Publishing)
  • The Full Lid, by Alasdair Stuart (alasdairstuart.com/the-full-lid)
  • Ginger Nuts of Horror (www.gingernutsofhorror.com)
  • Les Vampires, by Tim Major (PS Publishing)
  • Noises and Sparks, by Ruth EJ Booth (Shoreline of Infinity)

Best Independent Press

  • Fox Spirit Books
  • Luna Press Publishing
  • NewCon Press
  • Unsung Stories

Best Magazine / Periodical

  • Black Static
  • Gingernuts of Horror
  • Interzone
  • Shoreline of Infinity
  • Uncanny Magazine

Best Audio

  • Bedtime Stories for the End of the World (endoftheworldpodcast.com)
  • Blood on Satan’s Claw, by Mark Morris (Bafflegab)
  • Breaking the Glass Slipper (www.breakingtheglassslipper.com)
  • PodCastle (podcastle.org)
  • PsuedoPod (pseudopod.org)

Best Comic / Graphic Novel

  • 100 Demon Dialogues, by Lucy Bellwood (Toonhound Studios)
  • B.P.R.D. Hell on Earth, Vol. 1, by Mike Mignola, John Arcudi, Guy Davis, Tyler Crook & Dave Stewart (Dark Horse)
  • Hellboy: The Complete Short Stories, Vol. 1, by Mike Mignola and others (Dark Horse)
  • The Prisoner, by Robert S Malan & John Cockshaw (Luna Press Publishing)
  • Saga #49-54, by Brian K Vaughan & Fiona Staples (Image Comics)
  • Widdershins, Vol. 7, by Kate Ashwin

Best Artist

  • Vince Haig
  • David Rix
  • Daniele Serra
  • Sophie E Tallis

Best Film / Television Production

  • Annihilation, Alex Garland
  • Avengers: Infinity War, Christopher Markus & Stephen McFeely
  • Black Panther, Ryan Coogler & Joe Robert Cole
  • The Haunting of Hill House, Mike Flanagan
  • Inside No. 9, series 4, Steve Pemberton & Reece Shearsmith
  • Spider-Man: Into the Spider-Verse, Phil Lord & Rodney Rothman

List of Jurors for 2019

The winners will be announced October 20, 2019, at FantasyCon in Glasgow, Scotland. Tickets and further information can be found on www.fantasycon.org.

[Thanks to JJ for the story.]

2018 British Fantasy Awards

 

The 2018 British Fantasy Award winners have been announced:

Best Anthology

  • New Fears, ed. Mark Morris (Titan Books)

Best Artist

  • Jeffrey Alan Love

Best Audio

  • Anansi Boys (by Neil Gaiman, adapted by Dirk Maggs for Radio 4)

Best Collection

  • Strange Weather, by Joe Hill (Gollancz)

Best Comic / Graphic Novel

  • Monstress, Vol. 2, by Marjorie Liu & Sana Takeda (Image)

The Robert Holdstock Award for Best Fantasy Novel

  • The Ninth Rain, by Jen Williams (Headline)

Best Film / Television Production

  • Get Out, by Jordan Peele (Universal Pictures)

The August Derleth Award for Best Horror Novel

  • The Changeling, by Victor LaValle (Spiegel & Grau)

Best Independent Press

  • Unsung Stories

Best Magazine / Periodical

  • Shoreline of Infinity, ed. Noel Chidwick

Best Newcomer (the Sydney J Bounds Award)

  • Jeanette Ng, for Under the Pendulum Sun (Angry Robot)

Best Non-Fiction

  • Gender Identity and Sexuality in Science Fiction and Fantasy, ed. FT Barbini (Luna Press)

Best Novella

  • Passing Strange, by Ellen Klages (Tor.com)

Best Short Story

  • “Looking for Laika,” by Laura Mauro (in Interzone #273) (TTA Press)

The Karl Edward Wagner Award for special services to the Fantasy genre and/or the British Fantasy Society

  • N.K. Jemisin

Next year’s British Fantasy Awards ceremony will be at Fantasy Con: Cities of Steel in Glasgow on October 20, 2019.

2018 British Fantasy Awards Shortlist

Following two rounds of nomination and voting by members of the British Fantasy Society and FantasyCon, the British Fantasy Awards has reached its jury stage. The 2018 shortlisted entrants are:

Best Anthology

  • 2084, ed. George Sandison (Unsung Stories)
  • Dark Satanic Mills: Great British Horror Book 2, ed. Steve Shaw (Black Shuck Books)
  • Imposter Syndrome, ed. James Everington & Dan Howarth (Dark Minds Press)
  • New Fears, ed. Mark Morris (Titan Books)
  • Pacific Monsters, ed. Margret Helgadottir (Fox Spirit)

Best Artist

  • Ben Baldwin
  • Jeffrey Alan Love
  • Victo Ngai
  • Daniele Sera
  • Sophie E Tallis
  • Sana Takeda

Best Audio

  • Anansi Boys (by Neil Gaiman, adapted by Dirk Maggs for Radio 4)
  • Brave New Words podcast (Ed Fortune and Starburst Magazine)
  • Breaking the Glass Slipper podcast (Lucy Hounsom, Charlotte Bond & Megan Leigh)
  • Ivory Towers (by Richard H Brooks, directed by Karim Kronfli for 11th Hour Audio Productions)
  • PseudoPod podcast (Alasdair Stuart and Escape Artists)
  • Tea & Jeopardy podcast (Emma & Peter Newman)

Best Collection

  • Norse Mythology, by Neil Gaiman (Bloomsbury)
  • Strange Weather, by Joe Hill (Gollancz)
  • Tanith by Choice, by Tanith Lee (Newcon Press)
  • Tender: Stories, by Sofia Samatar (Small Beer Press)
  • You Will Grow Into Them, by Malcolm Devlin (Unsung Stories)

Best Comic / Graphic Novel

  • Bitch Planet Vol 2: President Bitch, by Kelly Sue DeConnick, Taki Soma & Valentine de Landro (Image)
  • Grim & Bold, by Joshua Cornah (Kristell Ink)
  • Monstress, Vol. 2, by Marjorie Liu & Sana Takeda (Image)
  • Tomorrow, by Jack Lothian & Garry Mac (BHP Comics)
  • The Wicked + The Divine Vol 5: Imperial Phase Part 1, by Kieron Gillen & Jamie McKelvie (Image)

Best Fantasy Novel (the Robert Holdstock Award)

  • Age of Assassins, by RJ Barker (Orbit)
  • The Court of Broken Knives, by Anna Smith Spark (HarperVoyager)
  • The Ninth Rain, by Jen Williams (Headline)
  • Under the Pendulum Sun, by Jeanette Ng (Angry Robot)

Best Film / Television Production

  • Black Mirror, Series 4, by Charlie Brooker (Netflix)
  • Get Out, by Jordan Peele (Universal Pictures)
  • The Good Place, Season 1, by Michael Schur (Netflix)
  • Star Wars: The Last Jedi, by Rian Johnson (Lucasfilm)
  • Stranger Things, Season 2, by Matt & Ross Duffer (Netflix)
  • Twin Peaks: the Return, by Mark Frost & David Lynch (Sky Atlantic)
  • Wonder Woman, by Zack Snyder, Allan Heinberg & Jason Fuchs (Warner Bros.)

Best Horror Novel (the August Derleth Award)

  • Behind Her Eyes, by Sarah Pinborough (Harper Collins)
  • The Boy on the Bridge, by MR Carey (Orbit)
  • The Changeling, by Victor LaValle (Spiegel & Grau)
  • The Crow Garden, by Alison Littlewood (Jo Fletcher Books)
  • Relics, by Tim Lebbon (Titan Books)

Best Independent Press

  • Fox Spirit
  • Grimbold Books
  • Newcon Press
  • Salt Publishing
  • Unsung Stories

Best Magazine / Periodical

  • Black Static, ed. Andy Cox (TTA Press)
  • Gingernuts of Horror, ed. Jim Mcleod
  • Grimdark Magazine, ed. Adrian Collins
  • Interzone, ed. Andy Cox (TTA Press)
  • Shoreline of Infinity, ed. Noel Chidwick

Best Newcomer (the Sydney J Bounds Award)

  • RJ Barker, for Age of Assassins (Orbit)
  • SA Chakraborty, for The City of Brass (HarperVoyager)
  • Ed McDonald, for Blackwing (Orion)
  • Jeanette Ng, for Under the Pendulum Sun (Angry Robot)
  • Anna Smith Spark, for The Court of Broken Knives (HarperVoyager)

Best Non-Fiction

  • Gender Identity and Sexuality in Science Fiction and Fantasy, ed. FT Barbini (Luna Press)
  • Gingernuts of Horror, ed. Jim Mcleod
  • Luminescent Threads, ed. Alexandra Pierce & Mimi Mondal (12th Planet Press)
  • No Time to Spare: Thinking About What Matters, by Ursula K Le Guin (Houghton Mifflin Harcourt)
  • Paperbacks from Hell: The Twisted History of 70s and 80s Horror Fiction, by Grady Hendrix (Quirk)
  • Twin Peaks: Fire Walk with Me, by Maura McHugh (Electric Dreamhouse Press)

Best Novella

  • Brother’s Ruin, by Emma Newman (Tor.com)
  • Cottingley, by Alison Littlewood (Newcon Press)
  • The Murders of Molly Southbourne, by Tade Thompson (Tor.com)
  • Naming the Bones, by Laura Mauro (Dark Minds Press)
  • Passing Strange, by Ellen Klages (Tor.com)
  • A Pocketful of Crows, by Joanne Harris (Gollancz)

Best Short Story

  • “The Anniversary,” by Ruth EJ Booth (in Black Static #61) (TTA Press)
  • “Four Abstracts,” by Nina Allan (in New Fears) (Titan Books)
  • “Illumination,” by Joanne Hall (in Book of Dragons) (Kristell Ink)
  • “The Little Gift,” by Stephen Volk (PS Publishing)
  • “Looking for Laika,” by Laura Mauro (in Interzone #273) (TTA Press)
  • “Shepherd’s Business,” by Stephen Gallagher (in New Fears) (Titan Books)

The Award winners for each category will be announced on 21st October at FantasyCon 2018.

[Thanks to Mark Hepworth for the story.]

British Fantasy Awards 2017

The British Fantasy Society announced the winners of the British Fantasy Awards 2017 at FantasyCon 2017 in Peterborough on October 1.

The winners were selected by juries.

Sydney J. Bounds Award for Best Newcomer

  • Erika L Satifka, for Stay Crazy

Best Magazine / Periodical

  • Tor.com

Best Non-fiction

  • The Geek Feminist Revolution – Kameron Hurley

Best Comic / Graphic Novel

  • Monstress, Vol 1: Awakening – Marjorie Liu & Sana Takeda

Best Independent Press

  • Grimbold Press

Best Artist

  • Daniele Serra

Best Anthology

  • People of Colour Destroy Science Fiction ed. Lightspeed Magazine

Best Collection

  • Some Will Not Sleep – Adam Nevill

Best Film / Television Production

  • Arrival

Best Novella

  • The Ballad of Black Tom – Victor LaValle

Best Short Fiction

  • “White Rabbit” – Georgina Bruce

August Derleth Award for Best Horror Novel

  • Disappearance at Devil’s Rock – Paul Tremblay

Robert Holdstock Award for Best Fantasy Novel

  • The Tiger and the Wolf – Adrian Tchaikovsky

Karl Edward Wagner Award (for an “important contribution to the genre or the Society”)

  • Jan Edwards

The Legends of Fantasy Con Award

  • David & Sandra Sutton

The Juries

  • Fiction: Elloise Hopkins, Susan Oke, Christian Cameron
  • Horror: Mark West, Laura Mauro, Gareth Spark
  • Novella: Penny Jones, Sarah Ann Watts, Pete Sutton
  • Short Story: Andrew Hook, Richard Webb, Stephen Bacon
  • Collection: Gillian Redfearn, Gary Couzens, Colleen Anderson
  • Anthology: Lea Fletcher, Richard Webb, Stephen Bacon
  • Film/TV: Marcus Gipps, Rob Malan, Alasdair Stuart
  • Comics: Alasdair Stuart, Stephen Theaker, Marcus Gipps
  • Indie: Terry Jackman, Ross Warren, Lea Fletcher
  • Magazine: Neil Williamson, Margret Helgadottir, Ross Warren
  • Nonfiction: Lea Fletcher, Ruth Booth, Alasdair Stuart
  • Artist: Gillian Redfearn, Robin Carter, Rob Malan
  • Newcomer: Robin Carter, Pauline Morgan, Shona Kinsella

British Fantasy Awards 2017 – Shortlists

The British Fantasy Society has announced the finalists for the British Fantasy Awards 2017.

Four nominees in each category were decided by the votes of BFS members, attendees of FantasyCon 2016, and attendees of FantasyCon 2017. Up to two further nominees in each category were added by the juries as “egregious omissions” under the rules.

The winners will be decided by the juries, and announced during FantasyCon 2017 in Scarborough, September 29-October 1.

Best Newcomer

  • James Bennett, for Chasing Embers
  • Daniel Godfrey, for New Pompeii
  • Erika L Satifka, for Stay Crazy
  • Phil Sloman, for Becoming David
  • Martin Owton, for Exile

Best Magazine / Periodical

  • Black Static
  • Ginger Nuts of Horror
  • Interzone
  • Tor.com
  • Uncanny Magazine

Best Non-fiction

  • Blood Spectrum – Gary Couzens
  • The Geek Feminist Revolution – Kameron Hurley
  • Ginger Nuts of Horror ed. Jim McLeod
  • This Spectacular Darkness – Joel Lane, ed. Mark Valentine
  • The Women of Harry Potter series – Sarah Gailey
  • Words are my Matter: Writings about Life and Books, 2000-2016 – Ursula K Le Guin

Best Comic / Graphic Novel

  • 2000AD (progs 1963-2011) ed. Matt Smith
  • Monstress, Vol 1: Awakening – Marjorie Liu & Sana Takeda
  • Patsy Walker, A.K.A. Hellcat! (#2-13) – Kate Leth & Brittney Williams
  • Saga (#33-40) – Brian K Vaughan & Fiona Staples
  • Sixpack and Dogwelder: Hard Travelin’ Heroz (#1-5) – Garth Ennis & Russ Braun
  • Skal (Chapter 3, pages 1-19) – Jennie Gyllblad

Best Independent Press

  • Alchemy Press
  • Fox Spirit Books
  • Grimbold Press
  • NewCon Press
  • TTA Press

Best Artist

  • Ben Baldwin
  • Evelinn Enoksen
  • Sarah Anne Langton
  • Daniele Serra

Best Anthology

  • Asian Monsters ed. Margrét Helgadóttir
  • Dead Letters ed. Conrad Williams
  • Fight Like a Girl ed. Joanne Hall & Roz Clarke
  • People of Colour Destroy Science Fiction ed. Lightspeed Magazine
  • The Starlit Wood: New Fairy Tales ed. Dominik Larisien & Navah Wolfe
  • Something Remains ed. Peter Coleborn and Pauline E Dungate

Best Collection

  • The Parts We Play – Stephen Volk
  • Secret Language – Neil Williamson
  • Sharp Ends – Joe Abercrombie
  • Some Will Not Sleep – Adam Nevill
  • A Tiding of Magpies – Pete Sutton
  • The Unheimlich Menoeuvre – Tracy Fahey

Best Film / Television Production

  • Arrival
  • Black Mirror series 3
  • Captain America: Civil War
  • Deadpool
  • High Rise

Best Novella

  • Arrival of Missives – Aliya Whiteley
  • The Ballad of Black Tom – Victor LaValle
  • Bodies of Water – VH Leslie
  • Every Heart a Doorway – Seanan McGuire
  • The Grieving Stones – Gary McMahon
  • Hammers on Bone – Cassandra Khaw

Best Short Fiction

  • “Charmed Life” – Simon Avery
  • “Greenteeth” – Gary Budden
  • “The Watcher” – Sammy HK Smith
  • “Waxy” – Camilla Grudova
  • “White Rabbit” – Georgina Bruce
  • “The Women’s Song” – Nadine West

Best Horror Novel

  • 13 Minutes – Sarah Pinborough
  • Disappearance at Devil’s Rock – Paul Tremblay
  • The Hidden People – Alison Littlewood
  • The Searching Dead – Ramsey Campbell

Best Fantasy Novel

  • The High King’s Vengeance – Steven Poore
  • The Silver Tide – Jen Williams
  • The Summer Goddess – Joanne Hall
  • The Tiger and the Wolf – Adrian Tchaikovsky

The Juries

  • Fiction: Elloise Hopkins, Susan Oke, Christian Cameron
  • Horror: Mark West, Laura Mauro, Gareth Spark
  • Novella: Penny Jones, Sarah Ann Watts, Pete Sutton
  • Short Story: Andrew Hook, Richard Webb, Stephen Bacon
  • Collection: Gillian Redfearn, Gary Couzens, Colleen Anderson
  • Anthology: Lea Fletcher, Richard Webb, Stephen Bacon
  • Film/TV: Marcus Gipps, Rob Malan, Alasdair Stuart
  • Comics: Alasdair Stuart, Stephen Theaker, Marcus Gipps
  • Indie: Terry Jackman, Ross Warren, Lea Fletcher
  • Magazine: Neil Williamson, Margret Helgadottir, Ross Warren
  • Nonfiction: Lea Fletcher, Ruth Booth, Alasdair Stuart
  • Artist: Gillian Redfearn, Robin Carter, Rob Malan
  • Newcomer: Robin Carter, Pauline Morgan, Shona Kinsella

[Thanks to Mark-kitteh, king of scoops, for the story.]

2016 British Fantasy Awards

BFS_Logo_red_SMALLThe winners of the British Fantasy Awards 2016 were announced on Sunday, September 25, at the awards banquet at FantasyCon 2016 in Scarborough, UK.

Best Anthology

  • The Doll Collection, ed. Ellen Datlow (Tor Books)

Best Artist

  • Julie Dillon

Best Collection

  • Ghost Summer: Stories, Tananarive Due (Prime Books)

Best Comic/Graphic Novel

  • Bitch Planet, Kelly Sue DeConnick, Valentine De Landro, Robert Wilson IV and Cris Peter (Image Comics) (#2–5)

Best Fantasy Novel (the Robert Holdstock Award)

  • Uprooted, Naomi Novik (Macmillan)

Best Film/Television Production

  • Jonathan Strange & Mr Norrell, Peter Harness (BBC One)

Best Horror Novel (the August Derleth Award)

  • Rawblood, Catriona Ward (Weidenfeld & Nicolson)

Best Independent Press

  • Angry Robot (Marc Gascoigne)

Best Magazine/Periodical

  • Beneath Ceaseless Skies, ed. Scott H. Andrews (Firkin Press)

Best Newcomer (the Sydney J. Bounds Award)

  • Zen Cho, for Sorcerer to the Crown (Macmillan)

Best Non-fiction

  • Letters to Tiptree, ed. Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)

Best Novella

  • The Pauper Prince and the Eucalyptus Jinn, Usman T. Malik (Tor.com)

Best Short Fiction

  • Fabulous Beasts, Priya Sharma (Tor.com)

The Special Award (the Karl Edward Wagner Award)

  • The FantasyCon redshirts, past and present

The nominees in each category were decided by the voters of the British Fantasy Society, FantasyCon 2015 and FantasyCon 2016, with the juries having a discretion to add up to two further egregious omissions in each category. The full list of nominees is here.

The winners were decided by the following jury members. Best anthology: Gary Couzens and Zean Fairbanks-Gilbert. Best artist: Caroline Callaghan, Howard Watts and Jay Eales. Best collection: Carole Johnstone, E.G. Cosh and Simon Bestwick. Best comic/graphic novel: Ian Hunter, Jo Thomas and P M Buchan. Best fantasy novel (the Robert Holdstock Award): Elaine Hillson, Rhian Bowley and Ross Warren. Best film/television production: Catherine Hill, Jim Steel and Johnny Mains. Best horror novel (the August Derleth Award): Aleksandra Kesek, Nina Allan and Sarah Carter. Best independent press: El Ashfield, Ole Andreas Imsen and Richard Webb. Best magazine/periodical: Kate Coe, Marcus Gipps and Sean Wallace. Best newcomer (the Sydney J. Bounds Award): Elloise Hopkins, Lizzie Barrett and Robin Lupton. Best non-fiction: Kevin McVeigh, Martin Petto and Ruth EJ Booth. Best novella: Jo Thomas, Laura Mauro and Mark West. Best short story: Stephen Bacon, Penny Jones and Phil Sloman. The Karl Edward Wagner Award was decided by a vote of the British Fantasy Society committee.

The awards administrator was Stephen Theaker. The physical award is a handmade wooden bookend featuring Lee Thompson’s BFS logo design, commissioned from Sarah Goss, who works in traditional woodcarving and restoration: http://www.sarahgoss.co.uk.

British Fantasy Awards 2016 Nominees

BFS_Logo_red_SMALLThe shortlist for the British Fantasy Awards 2016 has been released.

Four nominees in each category were decided by the votes of BFS members, attendees of FantasyCon 2015, and attendees of FantasyCon 2016. Up to two further nominees in each category were added by the juries as “egregious omissions” under the rules.

The winners will be decided by the juries, and announced September 25 at FantasyCon 2016 in Scarborough.

Best Anthology

  • African Monsters, ed. Margrét Helgadóttir and Jo Thomas (Fox Spirit Books)
  • Aickman’s Heirs, ed. Simon Strantzas (Undertow Publications)
  • Best British Horror 2015, ed. Johnny Mains (Salt Publishing)
  • The Doll Collection, ed. Ellen Datlow (Tor Books)
  • The 2nd Spectral Book of Horror Stories, ed. Mark Morris (Spectral Press)

Best Artist

  • Ben Baldwin
  • Vincent Chong
  • Julie Dillon
  • Evelinn Enoksen
  • Sarah Anne Langton
  • Jeffrey Alan Love

Best Collection

  • Ghost Summer: Stories, Tananarive Due (Prime Books)
  • Monsters, Paul Kane (The Alchemy Press)
  • Probably Monsters, Ray Cluley (ChiZine Publications)
  • Scar City, Joel Lane (Eibonvale Press)
  • Skein and Bone, V.H. Leslie (Undertow Publications)
  • The Stars Seem So Far Away, Margrét Helgadóttir (Fox Spirit Books)

Best Comic/Graphic Novel

  • Bitch Planet, Kelly Sue DeConnick, Valentine De Landro, Robert Wilson IV and Cris Peter (Image Comics) (#2–5)
  • Ms. Marvel, Vol. 2: Generation Why, G. Willow Wilson, Jacob Wyatt and Adrian Alphona (Marvel)
  • Nimona, Noelle Stevenson (HarperTeen)
  • Red Sonja, Gail Simone and Walter Geovani (Dynamite Entertainment) (#14–18)
  • Saga, Brian K. Vaughan and Fiona Staples (Image Comics) (#25–32)
  • The Sandman: Overture, Neil Gaiman, J.H. Williams III and Dave Stewart (Vertigo)

Best Fantasy Novel (the Robert Holdstock Award)

  • Guns of the Dawn, Adrian Tchaikovsky (Tor)
  • Half a War, Joe Abercrombie (HarperVoyager)
  • The Iron Ghost, Jen Williams (Headline)
  • Signal to Noise, Silvia Moreno-Garcia (Solaris)
  • Sorcerer to the Crown, Zen Cho (Macmillan)
  • Uprooted, Naomi Novik (Macmillan)

Best Film/Television Production

  • Inside No. 9: The Trial of Elizabeth Gadge, Reece Shearsmith and Steve Pemberton (BBC Two)
  • Jessica Jones: AKA WWJD?, Scott Reynolds (Netflix)
  • Jonathan Strange & Mr Norrell, Peter Harness (BBC One)
  • Mad Max: Fury Road, George Miller, Brendan McCarthy and Nico Lathouris (Warner Bros. Pictures et al.)
  • Midwinter of the Spirit, Stephen Volk (ITV Studios)
  • Star Wars: The Force Awakens, by Lawrence Kasdan, J.J. Abrams and Michael Arndt (Lucasfilm et al.)

Best Horror Novel (the August Derleth Award)

  • A Cold Silence, Alison Littlewood (Jo Fletcher Books)
  • The Death House, Sarah Pinborough (Gollancz)
  • Lost Girl, Adam Nevill (Pan Books)
  • Rawblood, Catriona Ward (Weidenfeld & Nicholson)
  • The Silence, Tim Lebbon (Titan Books)
  • Welcome to Night Vale, Joseph Fink and Jeffrey Cranor (Orbit)

Best Independent Press

  • The Alchemy Press (Peter Coleborn and Jan Edwards)
  • Angry Robot (Marc Gascoigne)
  • Fox Spirit Books (Adele Wearing)
  • Newcon Press (Ian Whates)

Best Magazine/Periodical

  • Beneath Ceaseless Skies, ed. Scott H. Andrews (Firkin Press)
  • Black Static, ed. Andy Cox (TTA Press)
  • Holdfast Magazine, ed. Laurel Sills and Lucy Smee (Laurel Sills and Lucy Smee)
  • Interzone, ed. Andy Cox (TTA Press)
  • Strange Horizons, ed. Niall Harrison (Strange Horizons)

Best Newcomer (the Sydney J. Bounds Award)

  • Becky Chambers, for The Long Way to a Small Angry Planet (Hodder & Stoughton)
  • Zen Cho, for Sorcerer to the Crown (Macmillan)
  • Peter Newman, for The Vagrant (HarperVoyager)
  • Steven Poore, for The Heir to the North (Kristell Ink)
  • Marc Turner, for When the Heavens Fall (Titan Books)

Best Non-fiction

  • The Art of Horror: An Illustrated History, ed. Stephen Jones (Applause Theatre & Cinema Books)
  • Fantasy-Faction, ed. Marc Aplin and Jennie Ivins (Fantasy-Faction)
  • Ginger Nuts of Horror, ed. Jim Mcleod (Jim McLeod)
  • King for a Year, ed. Mark West (Mark West)
  • Letters to Tiptree, ed. Alexandra Pierce and Alisa Krasnostein (Twelfth Planet Press)
  • Matrilines, Kari Sperring (Strange Horizons)

Best Novella

  • Albion Fay, Mark Morris (Spectral Press)
  • Binti, Nnedi Okorafor (Tor.com)
  • The Bureau of Them, Cate Gardner (Spectral Press)
  • The Pauper Prince and the Eucalyptus Jinn, Usman T. Malik (Tor.com)
  • Witches of Lytchford, Paul Cornell (Tor.com)

Best Short Fiction

  • “The Blue Room,” V.H. Leslie (Skein and Bone)
  • “Dirt Land,” Ralph Robert Moore (Black Static #49)
  • “Fabulous Beasts,” Priya Sharma (Tor.com)
  • “Hippocampus,” Adam Nevill (Terror Tales of the Ocean)
  • “Strange Creation,” Frances Kay (Tenebris Nyxies)
  • “When The Moon Man Knocks,” Cate Gardner (Black Static #48)

The British Fantasy Society committee will decide the winner of the Karl Edward Wagner Award, and the other winners will be decided by the British Fantasy Awards 2016 jurors:

Best Anthology: Gary Couzens, Louie Reynolds, Zean Fairbanks-Gilbert

Best Artist: Caroline Callaghan, Howard Watts, Jay Eales

Best Collection: Carole Johnstone, E.G. Cosh, Simon Bestwick

Best Comic/Graphic Novel: Ian Hunter, Jo Thomas, P M Buchan

Best Fantasy Novel (the Robert Holdstock Award): Elaine Hillson, Rhian Bowley, Ross Warren

Best Film/Television Production: Catherine Hill,  Jim Steel, Johnny Mains

Best Horror Novel (the August Derleth Award): Aleksandra Kesek, Nina Allan, Sarah Carter

Best Independent Press: El Ashfield, Ole Andreas Imsen, Richard Webb

Best Magazine/Periodical: Kate Coe, Marcus Gipps, Sean Wallace

Best Newcomer (the Sydney J. Bounds Award): Elloise Hopkins, Lizzie Barrett, Robin Lupton

Best Non-Fiction: Kevin McVeigh, Martin Petto, Ruth EJ Booth

Best Novella: Jo Tomas, Laura Mauro, Mark West

Best Short Story: Stephen Bacon, Penny Jones, Phil Sloman

The jurors were appointed by the awards administrator, Stephen Theaker, under the supervision of the British Fantasy Society committee. The BFS committee itself is the jury for the Special Award (the Karl Edward Wagner Award).

2015 British Fantasy Awards

BFS_Logo_red_SMALLThe winners of the 2015 British Fantasy Awards were announced October 25 at FantasyCon.

Best anthology

  • Lightspeed: Women Destroy Science Fiction Special Issue, ed. Christie Yant (Lightspeed Magazine)

Best artist

  • Karla Ortiz

Best collection

  • Nick Nightmare Investigates, Adrian Cole (The Alchemy Press and Airgedlámh Publications)

Best comic/graphic novel

  • Through the Woods, Emily Carroll (Margaret K. McElderry Books)

Best fantasy novel: The Robert Holdstock Award

  • Cuckoo Song, Frances Hardinge (Macmillan Children’s Books)

Best film/television episode

  • Guardians of the Galaxy, James Gunn and Nicole Perlman (Marvel Studios)

Best horror novel: The August Derleth Award

  • No One Gets Out Alive, Adam Nevill (Macmillan)

Best independent press

  • Fox Spirit Books (Adele Wearing)

Best magazine/periodical

  • Holdfast Magazine, ed. Laurel Sills and Lucy Smee (Laurel Sills and Lucy Smee)

Best newcomer: The Sydney J. Bounds Award

  • Sarah Lotz, for The Three (Hodder & Stoughton)

Best non-fiction

  • Letters to Arkham: The Letters of Ramsey Campbell and August Derleth, 1961–1971, ed. S.T. Joshi (PS Publishing)

Best novella

  • Newspaper Heart, Stephen Volk (The Spectral Book of Horror Stories)

Best short story

  • “A Woman’s Place,” Emma Newman (Two Hundred and Twenty-One Baker Streets)

The Special Award: The Karl Edward Wagner Award

  • Juliet E. McKenna

The winners were decided by the following jury members: Best anthology: Carole Johnstone, Elaine Hillson and Rhian Bowley. Best artist: Donna Scott, Jared Shurin and P.M. Buchan. Best collection: Dave Brzeski, Ole A. Imsen and Thana Niveau. Best comic/graphic novel: Jared Shurin, Jay Eales and Laurel Sills. Best fantasy novel (the Robert Holdstock Award): Aleksandra Kesek, Gary Couzens and Lucy Smee. Best film/television episode: Adrian Faulkner, Catherine Mann and Gary Couzens. Best horror novel (the August Derleth Award): Cate Gardner, Jim Mcleod and Laura Mauro. Best independent press: Bill Thompson, Elloise Hopkins, Robin K Hickson, Robin Lupton and Sarah Carter. Best magazine/periodical: Donna Scott, Mark West and Phil Sloman. Best newcomer (the Sydney J. Bounds Award): Ian Hunter, Lizzie Barrett and Simon Bestwick. Best non-fiction: Jason Arnopp, Johnny Mains and Laura Mauro. Best novella: Jo Thomas, Paul Holmes and Stephen Bacon. Best short story: Catherine Mann, Allen Stroud and David Tallerman. The Karl Edward Wagner Award was decided by a vote of the British Fantasy Society committee.

The physical award is a handmade wooden bookend featuring Lee Thompson’s BFS logo, commissioned from Sarah Goss, who works in traditional woodcarving and restoration.