Pixel Scroll 5/30/18 Pixels, Scrolls…I’m The Guy With The Book

(1) TAKEDOWN. The New York Post tells how “Accountant embezzled $3.4M from famed literary agency”.

A Manhattan accountant cooked the books at a prestigious literary agency that represents top writers, including “Fight Club” author Chuck Palahniuk, bilking its clients of millions and leaving the company on the brink of bankruptcy, according to legal papers.

Darin Webb, 47, faces 20 years in jail on wire-fraud charges for embezzling $3.4 million from storied Manhattan agency Donadio & Olson, according to a recently unsealed federal criminal complaint.

Although the agency, which also represents the estates of “Godfather” writer Mario Puzo and radio legend Studs Terkel, was not named in court papers, a lawyer representing the firm confirmed to The Post that Donadio & Olson was the subject of the alleged theft.

…The stolen money — allegedly lifted between January 2011 and March of this year — was earmarked for author royalties and advances, the complaint says.

But the theft could be exponentially more, a source told The Post, noting that a forensic accountant is combing through Donadio & Olson’s books all the way back to 2001, Webb’s first year at the agency.

He allegedly fessed up to the theft in March in a videotaped interview with company executives and their attorneys at the agency’s Chelsea office, saying he filed monthly financial reports that “contained false and fraudulent representations in order to accomplish the theft and evade detection,” the complaint states.

Webb was arrested May 15 by the FBI and is out on $200,000 bail.

The Guardian reports on a celebrity victim: “Chuck Palahniuk ‘close to broke’ as agent’s accountant faces fraud charges”.

Palahniuk – one of many starry authors represented by the firm, including the estates of Mario Puzo and Studs Terkel – said his income had dwindled for several years. He had blamed multiple factors, including piracy and problems at his publisher, for the decline in earnings.

More recently, Palahniuk said, “the trickle of my income stopped” and payments for titles including Fight Club 2 “never seemed to arrive”. He wondered if the money had been stolen, but told himself he “had to be crazy” – until the news broke.

“All the royalties and advance monies and film-option payments that had accumulated in my author’s account in New York, or had been delayed somewhere in the banking pipeline, [were] gone. Poof. I can’t even guess how much income. Someone confessed on video he’d been stealing. I wasn’t crazy,” wrote Palahniuk in a statement on his website.

The novelist said that “this chain of events leaves me close to broke”, but that he had found himself to be “rich … with friends and readers who’ve rushed to my rescue”.

“On the minus side, the legal process will be long and offers an iffy reward. On the plus side, I’m not crazy. Nor am I alone,” added the author.

(2) WISCON. Sophygurl, a Tumblr blogger, was present at a controversial WisCon panel and has written an account of what she heard: “WisCon 42 panel The Desire for Killable Bodies in SFF”. The post begins –

This is going to serve as my panel write-up for this panel, but it also a copy of what I wrote as a report to the Safety team about the panel. I am posting this on DreamWidth and Tumblr and will be linking to Twitter and Facebook. Please feel free to link elsewhere. This should all be public knowledge, imo.

For anyone who doesn’t know – this panel included a panelist who ended up talking about the importance of sympathizing with Nazis. This is obviously not the kind of thing you expect to find at an intersectional feminist convention. It was upsetting and disturbing. Most of the panel was actually very interesting and even funny, and I appreciated what the other two panelists had to say. I even appreciated *some* of what the panelist in question had to say. All of this was overshadowed by the awful things she said, however.

(3) BRANDON SANDERSON WARNS FANX. Utah author Brandon Sanderson has raised his voice against “Harassment at FanX”. (For background, see “FanX Salt Lake Comic Convention Sharply Criticized for Handling of Anti-harassment Complaint”.)

I don’t normally discuss charged issues on my social media, but I do find harassment at science fiction conventions a topic that is very important to discuss. It is also very relevant to my fans, as conventions are often how they interact with me.

Recently, Salt Lake City’s biggest media convention (FanX, formerly called Salt Lake Comic Con) has made some troubling missteps. First, it grossly mishandled harassment claims—then it doubled down on its mistakes, bungling interactions with voices that have called for reform.

Some authors I respect deeply have composed an open letter to FanX, calling for them to do better—and I have co-signed it. Many of these authors have spoken better about this specific issue than I can, and I encourage you all to read what they have said. I believe that conventions like these (alongside the smaller literary conventions that were so instrumental in my road to publication) are important parts of our community—and it is essential that they provide a place where victims are not silenced and harassment is not tolerated.

For now, I am still scheduled to appear at FanX this fall. My team and I have been evaluating whether or not this is a position we can still take—and it will greatly depend on how FanX responds to this letter in the next few weeks. I will keep you informed of our decision—and if I do decide to bow out of FanX, I will try to schedule some replacement signings instead.

(4) OPEN LETTER. The “Open Letter to FanX” that Sanderson refers to calls on the convention to do the following thigs:

One: In a public statement, and without disclosing her name, apologize to the victim who filed the sexual harassment report for disclosing their private report to the media without their knowledge or consent. Admit that the victim’s trust was violated, and promise future attendees who may report incidents that they will never undergo the same scrutiny or mishandling. Assure everyone that all reports will be heard, evaluated, and confidential. Keep the victims’ names confidential at all times.

Two: Hire a professional with experience writing, implementing, and upholding sexual harassment policies. Clarify the consequences for breaking the policy and reiterate that those consequences will be upheld. Removal and banishment from the conference should be among those ramifications.

Three: Address harassment complaints quickly. The past complaint was filed in October, and the complaint was not investigated until January. This shows a lack of concern and a reluctance to address the situation, as well as disregard for the seriousness of the issue.

Four: Recognize that trust is earned not through words, policies, and statements, but by a proven track record of implementation and action over time.

It’s signed by Robison Wells, Shannon Hale, Bree Despain, Emily R. King, Ally Condie, and Dean Hale, and co-signed by Brandon Sanderson, Maureen Johnson, Dan Wells, Howard Tayler, Annette Lyon, Mette Harrison, J. R. Johansson, Jessica Day George, Courtney Alameda, Lindsey Leavitt, and Sarah M. Eden.

(5) BOMB DISPOSAL. The Washington Post’s Steven Zeitchik, in “How Disney could get Star Wars back on track”, says the relative failure of Solo at the box office shows that Disney will have to take steps to make Star Wars films more appealing, including spacing them out more, making them edgier, and not releasing Star Wars films in May or June.

Fewer movies. Five months is not a long time for Star Wars to be away. Certainly it’s not the year that stretched between the previous three movies, or the 10 years between the last of the George Lucas movies and “The Force Awakens” in 2015. With Marvel that seems to help — releases in quick succession enhance one another. But with Star Wars, seen less as the rapid-fire sequel, novelty and absence may be the key to the game. Disney could do better by going back to the 12-month spacing — or even longer.

Why it’s tricky: This sounds good to fans. The problem is it doesn’t sound good to Wall Street or Disney financial executives. Star Wars movies are such juggernauts that Disney wants to cash in whenever it can. Waiting that long doesn’t help in that bid. Disney and Lucasfilm are encountering a major paradox here. Modern Hollywood says when you have successes you should replicate them early and often. But making Star Wars movies early and often may make them less successful.

(6) SOLO ACT. Guess who’s writing the tie-in? “’Solo: A Star Wars Story’ Novelization Coming In September 4th, Written By Mur Lafferty”.

The Solo novelization is continuing the trend that The Last Jedi novelization started of being released several months after the film.  Previously the novelizations have been released closer to the films theatrical releases.  The original and prequel novelizations were released before the films, while The Force Awakens and Rogue One adaptations were released as e-books the same day as the film and as hardcovers shortly thereafter.

(7) SFWA STUFF. Security protocols may have been breached….

(8) BIG BOX STORE. Adweek reports “Amazon Is Driving Around a Jurassic-Sized Box, and You Can Ask Alexa What’s Inside”. (Registration required to read full article.)

The last time we noticed Amazon driving around a giant box, the mysterious delivery turned out to be a Nissan Versa. But this time, perhaps it’s something a bit more … carnivorous?

(9) COMICS SECTION.

  • Chip Hitchcock thinks those penguin prognosticators might be right about what’s coming: Arctic Circle Cartoons.
  • Not sure whether I should thank Chip for also making sure I didn’t miss a horrible pop-culture pun at Bliss.

(10) THE DIRECTOR VANISHES. Comics shop owner Cliff Biggers showed this photo to his Facebook friends.

UPS employees like Alfred Hitchcock so much that they opened our package, tore open the action figure packaging, stole the figure, and then re-taped the box and sent it to us.

(11) LISTEN UP. The Parsec Awards Steering Committee is accepting nominations for the 2018 Parsec Awards through June 15 – submit nominations here.

Any material released between May 1, 2017 and April 30, 2018 is eligible for the 2018 awards. Material released needs to be free for download and released via a mechanism that allows for subscriptions. Thus, YouTube, Facebook, etc.. series are eligible.

If you are a podcaster or author, please feel free to nominate your own podcast or story. It is one way we know that your contact information filled is correct.

(12) KEEPING SCORE AT HOME. Seanan McGuire, in the area for ConCarolinas this weekend, took time to rate Ursula Vernon’s cats. Start the thread here —

(13) THE LAW & ANN LECKIE. A little known fact (in some quarters).

(14) SPEAKING OF WHOM. Joe Sherry launches his Nerds of a Feather post series with “Reading the Hugos: Novel”:

Provenance: This is a novel which took a while to settle out from under the weight of unfair expectations that I placed on it. Once it did, I was able to engage more fully with Leckie’s story of truth, lies, and cultural identity. Provenance is a strong novel in its own right, and in the end, I appreciated Leckie’s light touch in how she connected it to the larger Ancillary universe.

It’s just that when we look back on Leckie’s career in twenty years, I suspect Provenance will be viewed as minor Leckie. It’s good, please don’t take this the wrong way, but the Ancillary trilogy was a major accomplishment and Provenance is “just” a very good book. I appreciated how Provenance pushed me to think about historical documents and relics, how their perception of importance could override the truth they should represent. There’s great stuff to chew on here

(15) SOLO REVIEW. And Nerds of a Feather contributor Dean E. S. Richard sounds relieved as much as anything in “Review: Solo: A Star Wars Story”.

The good news: it doesn’t suck! I mean, there’s some forgettable stuff, and Han Solo isn’t, like, Han Solo, but if you’re willing to watch it for the sake of itself and not expect Harrison Ford, it’s fine. It tries a little too hard for quips, and his against-odds/I-don’t-actually-have-a-plan moments come across a little forced, but, again, we’re measuring this against complete disaster, so I’ll take it.

(16) SIPS OF CEASELESS. Charles Payseur comments in “Quick Sips – Beneath Ceaseless Skies #252”

Competition can bring out the worst in people, but as this issue of Beneath Ceaseless Skies proves, it can also bring out the best. Both stories this issue are about races, and magical ones at that, featuring women who find themselves squaring off against their lovers (former or current) for the chance to win a great prize. In both stories, though, the actual prize might not matter as much as the competition itself, as the thrill of the race. Because when these characters are faced with what they’d do if they won, the results are…interesting. It’s a wonderfully fun pair of stories, expertly paired, and I’ll stop yammering on in introduction and just get to the reviews!

(17) THE ORIGINS DEBACLE GOES ANOTHER ROUND. According to Larry Correia, who was dropped as a GoH of Origins Game Fair two weeks ago, “Origins sent out yet ANOTHER message about me, and my response” [Internet Archive link].

At Monster Hunter Nation he cites this as the text of Origins’ Executive Director John Ward’s message to educate vendors about the social media uproar following the “disinvitation.”

Good afternoon Exhibitors,

We are a few weeks away from Origins and the anticipation is building!

Things are looking great for this year’s show. The Exhibit Hall is officially sold out and badges are currently trending 15% above pre-registration numbers from 2017.

We have taken a brief hiatus from social media but are fully prepared to continue promoting the show and its exhibitors starting this week. Before we begin communicating through social, there are a few things we wanted to bring to your attention.

Some individuals have rallied online with plans to harass companies exhibiting at the show—this is in response to the disinviting of Larry Correia as a guest at Origins.

To provide you with some background: our original decision to invite Larry as a guest at Origins was simple—he’s a successful author, has been a guest at other conventions in previous years, and any one that knows him knows that he is big into gaming.

Unfortunately, we were not aware of Mr. Correia’s online presence and following. Upon further research we found an abundance of confrontational discourse and polarizing behavior online.

We have nothing against Larry as a person or as a professional, but we have seen the drama that follows him, and we do not want that at Origins.

As an exhibitor at Origins, we wanted you to be aware of the general MO of the group we are explaining:

Company pages are inundated with comments and negative rankings
Employers and publishers are contacted
Messages with keywords regarding to the show are targeted

Time has passed, and things have calmed down, but we should all still be aware of these potential behaviors. If you receive any threats or libel regarding you or your company, please send them to John Ward.

Thank you for your support. Good luck with the final preparations for the show!

Correia explains that he actually believes vendors should be left alone. Except for the ones that deserve what’s happening to them, that is.

My only comments during this entire debacle concerning the vendors was that they should be left alone. The vendors are just small businessmen trying to have a good sales weekend, and they have nothing to do with the incompetence of John Ward.  I’ve specifically gone out of my way to say that to my fans on multiple occasions.

The only vendors I’ve seen animosity directed at were the ones who specifically went out of their way to virtue signal on Twitter about how booting me for having the wrong opinions was So Brave. And that’s a short and very specific list who did that usual social media thing where they decided to throw punches, and then cry about getting punched back afterwards.

But hey, toss that out there. The important thing is that everyone knows Origins is the real victim here.

(18) GAME LOSES STEAM. Who thought this was a good idea? “School shooting game Active Shooter pulled by Steam”.

A game pitched as a “school shooting simulation” has been ditched from Steam’s online store ahead of release.

The title had been criticised by parents of real-life school shooting victims, and an online petition opposing its launch had attracted more than 180,000 signatures.

Steam’s owner, Valve, said it had dropped the game because its developer had a history of bad behaviour.

But the individual named has denied involvement.

Active Shooter came to prominence after the BBC revealed that an anti-gun violence charity had described it as “appalling” last week.

CNN subsequently reported that the families of two students killed in February’s high school attack in Parkland, Florida had described the game as being “despicable” and “horrific”.

(19) LE GUIN FILM. I’ve linked to the trailer before, but here’s a new Bustle post about the project: “This Ursula K. Le Guin Documentary Reveals How Much The Author Struggled To Write Women In Sci-Fi”.

Worlds of Ursula K. Le Guin, a new documentary by Arwen Curry about the life and legacy of the late author, explores Le Guin’s long career as a pioneer in speculative fiction, including the role of feminism in her work and the struggles she faced teaching herself how to write women into her novels. In the film, which Curry worked on with the author for 10 years, Le Guin admits that “from my own cultural upbringing, I couldn’t go down deep and come up with a woman wizard.” According to the author, she had been “a woman pretending to think like a man,” a behavior she had to unlearn before she could create some of her best work.

As Le Guin tells Curry in the film:

“I had to rethink my entire approach to writing fiction … it was important to think about privilege and power and domination, in terms of gender, which was something science fiction and fantasy had not done. All I changed is the point of view. All of a sudden we are seeing Earthsea … from the point of view of the powerless.”

 

(20) BIG HERO 6 THE SERIES. Coming to a Disney Channel near you. (Which means not very close to me, but maybe to you.)

Hiro, Baymax and the Big Hero 6 team are back and ready to save San Fransokyo! Big Hero 6 The Series premieres Saturday, June 9 at 9A on Disney Channel. The adventure continues for 14-year-old tech genius Hiro and his compassionate, cutting-edge robot Baymax. If dealing with the academic pressure of being the new kid at the prestigious San Fransokyo Institute of Technology weren’t enough, it’s off campus where things really get tricky. Hiro and Baymax, along with their friends Wasabi, Honey Lemon, Go Go and Fred, unite to form the legendary superhero team Big Hero 6, protecting their city from a colorful array of scientifically-enhanced villains intent on creating chaos and mayhem!

 

(21) EXPANSE. Already linked in comments, but let the Scroll Record reflect: “It’s official: Amazon has saved The Expanse”. The Verge story says —

It’s official: The Expanse has been saved. After the Syfy Channel canceled The Expanse earlier this month, Alcon Entertainment has confirmed that Amazon will pick up the show for a fourth season, after after outcry from the show’s fans.

[Thanks to John King Tarpinian, JJ, Andrew Porter, Cat Eldridge, Carl Slaughter, Martin Morse Wooster, Chip Hitchcock, IanP, and Mike Kennedy for some of these stories, Title credit goes to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 12/12/17 If You Don’t Scroll Your Files, You Can’t Have Any Pudding!

(1) THE DOCTOR’S OLD BOSS HAS MORE TO SAY. In Part III of the Radio Times interview we learn “What are Steven Moffat’s Desert Island Doctor Whos – and why did Matt Smith ‘punch his pillow in frustration’?”

Apart from the Doctor, which character have you most enjoyed writing for?
Maybe River Song. She’s quite close to the Doctor, so is that a cheat? Partly because we never wore her out; she wasn’t there all that often. And of course Alex Kingston is awesome and beautiful. Also, I bloody loved writing Missy, and I’m conceited enough to think I did good job. And Michelle Gomez was the only casting decision I took entirely on my own – I just insisted it had to be her – and I’m incredibly proud of the result.

What was your happiest moment or experience on the programme?
Oh, there were a lot of those. I suppose in terms of a single moment the day after the 50th and realising that it had actually worked. The ratings and reviews were through the roof. Everybody everywhere was happy. That was one of the rare moments where I actually thought I know what I’m doing. It lasted about four seconds.
But it’s also the friendships that you make. I remember reading a review when the Weeping Angels two-parter came out [in 2010] and it referred to Matt Smith’s “amazing new Doctor”.

He was a hit from the word go really, wasn’t he? Certainly was for me.
That may be how it seemed on the outside but on the inside we were more fraught. David had been the face of Doctor Who and when we announced Matt, people thought he was too young, too pretty, his chin is ridiculous. Matt went through a year of being hated, before the show went out. He still talks about it. He used to go to bed and punch his pillow in his frustration. He couldn’t believe in himself or that it was going to work. But then it did – everybody realised what we’d known for year, that he’s not just a young pretty actor, he’s an awesome actor. And, yes, that was instant

(2) ALL CREATURES GREAT AND WEIRD. Let Fantasy-Faction tell you about “The Ten Strangest Races in Fantasy Literature”.

To me one of the most wonderful things about reading fantasy is the chance to encounter strange and magical beings that couldn’t possibly exist in the real world. Ferocious and exotic warriors, wise immortals, fey creatures as beautiful as they are mysterious, people made from wood or stone, animals that walk and talk like humans, and humans who can fly or throw fire with a thought. These races that never were, offer us the chance to sample new perspectives on life, question the very things that make us human, or just imagine what it would be like to have the body of a giant or the ability to fry a person’s brain by looking at them funny.

But in a genre peopled by a suspiciously large quantities of elves and dwarves it can be hard to find truly original beings to liven up your fantasy reading. So I’ve gathered together ten of the strangest, most interesting and most thought-provoking races in fantasy literature for your amusement….

First example —

  1. Gallivespians – Philip Pullman’s His Dark Materials

The title and bearing of a haughty French aristocrat, the body of a wingless pixie and the poisoned spurs of a platypus; with these powers combined you get – the Gallivespians!

The name Gallivespian is actually a play on words. The ‘vesp’ part of it comes from the Latin word for wasp; so you could roughly translate the whole word to mean ‘gall-wasp people’. It’s an apt name considering their tendency to ride around on large dragonflies and their willingness to sting anyone who gets in their way….

(3) WILD GUESSWORK. Nerds of a Feather’s Joe Sherry and Dean E.S. Richard take what might be their very last chance to engage in “Rampant Last Jedi Speculation”. After all, the movie will be out in a couple of days.

Let’s speculate some more on Rey’s parents!

Joe: I’m still going to roll with my far fetched idea of Rey being the daughter of Mara Jade. To quote myself from the first time we had this conversation

Do it like this: She was one of Luke’s students in his New Jedi Academy school thing that he founded after Return of the Jedi. She, with another student (or not, I don’t care), had a daughter. Ben Solo turned, killed that particular class of students, and Luke hid Rey on Jakku rather than take her with him when he ran and hid.

Dean: Gawd, I love that so much. Mara Jade is the best of the old EU. My problem with that is that I doubt they go that deep, though. The closer we get, the more I lean towards her being Han and Leia’s daughter. There are a million signs that point to it, which have been covered ad nauseum at this point. It’s not the most creative, to be sure, but I prefer it to her being Luke’s kid.

Unless they bring in Mara Jade.

Joe: Force bless Mara Jade.

(4) FREE ANTHOLOGY. ASU’s Center for Science and the Imagination has published Visions, Ventures, Escape Velocities: A Collection of Space Futures, a book of stories and essays about the near future of space exploration, supported by a grant from NASA. It features stories by Madeline Ashby, Steven Barnes, Eileen Gunn, Ramez Naam, Carter Scholz, Karl Schroeder, and Vandana Singh, and an interview with Kim Stanley Robinson, plus essays by experts in space science, history, economics, and other areas. Edited by Ed Finn and Joey Eschrich, with guest editor Juliet Ulman.

The book is available for free in various digital formats, or folks can buy it at cost print-on-demand. The place to find all of that is http://csi.asu.edu/books/vvev.

Why should we go to space? To learn more about the universe and our place in it? To extract resources and conduct commerce? To demonstrate national primacy and technological prowess? To live and thrive in radically different kinds of human communities? Visions, Ventures, Escape Velocities takes on the challenge of imagining new stories at the intersection of public and private—narratives that use the economic and social history of exploration, as well as current technical and scientific research, to inform scenarios for the future of the “new space” era.

Visions, Ventures, Escape Velocities provides fresh insights into human activity in Low Earth Orbit, journeys to Mars, capturing and mining asteroids, and exploring strange and uncharted exoplanets. Its stories and essays imagine human expansion into space as a kind of domestication—not in the sense of taming nature but in the sense of creating a space for dwelling, a venue for human life and curiosity to unfurl in all their weirdness and complexity.

(5) FAST SERVICE. Rocket Stack Rank’s Greg Hullender already has a review up — “Visions, Ventures, Escape Velocities, edited by Ed Finn and Joey Eschrich”.

Sort-of Optimistic

Although CSI says they want optimistic views of the future, only three of the stories envision a future that’s better than today’s world, and one is actually a dystopia.

Of the seven stories, we recommend one and recommend against one, which is exactly the distribution we expect to see, hence we called the anthology average overall.

(6) THE BITE FANTASTIC. If you haven’t read these yet, Camestros Felapton wastes no time persuading you to do so — “Review: River of Teeth – Taste of Marrow Sarah Gailey”.

This pair of novellas is much better to read as a single novel. The first introduces the premise of a 19th-century alternative version of America, where hippos are ranched and some live feral in the Mississipi river.

River of Teeth follows a plot where former Hippo rancher Winslow Houndstooth recruits a party of outlaw misfits to run a job for a federal agent. The job in question is blowing a dam to destroy an artificial lake that has become infested with bloodthirsty feral hippos.

(7) SOCIAL MEDIA CASUALTY. Storify is folding in May, which is awfully inconvenient for those like me who find it a helpful for documenting news in tweet form: “Storify End-of-Life”. Apparently there will be a successor online service:

What changes are being made to Storify.com?

Unfortunately, Storify will no longer be available after May 16, 2018.

Can I still create a new account?

As of December 12, 2017, no new Storify.com accounts can be created.

What should customers using Storify.com expect?

Existing Storify customers can continue to use all capabilities of the service until May 16, 2018, except for the ability to create new stories which will end on May 1, 2018. Be sure to export any content you would like to keep by May 16, 2018, using the export functionality in Storify.

What are my options if I want to continue to use Storify?

Storify.com will no longer be available after May 16, 2018. If you are interested in gaining access to Storify 2, a feature of Livefyre, you will be required to purchase a Livefyre license.

(8) TODAY IN HISTORY

  • December 12, 1972 — Orange soil discovered by Apollo 17 astronauts Eugene A. Cernan and Harrison H. Schmitt during their second day of exploration on the lunar surface.

(9) TODAY’S BIRTHDAY BOY

  • Born December 12, 1893 – Edward G. Robinson, who ended up as Soylent Green.

(10) COMICS SECTION.

  • Mike Kennedy found what it would be like if the younger Jacob Marley could see and hear the Ghost of Christmas Past and the older Jacob Marley in Brewster Rockit.

(11) MOUNTAIN PEEK. Tor.com’s Alex Brown offers a list of “The Top Spec-Fic Comics of 2017” calculated to grow Mount TBR:

It’s that time of year when everyone writes up lists of the best of the best and the worst of the worst. And Pull List is no exception. We’ve had a pretty great year for new comics, especially in the indie realm. DC’s Rebirth is still chugging along while Marvel continues to shoot itself in the foot then blame everyone else but themselves. As always, there’s lots of meh stuff cluttering up the market, but finding good quality series is pretty easy as of late.

Don’t think of this roundup as a “best of” but rather a list of “really cool titles you should be reading.”

(12) DU-PAR’S BITES THE DUST. The Du-Par’s in Studio City will go away on January 1. Not only will its real-life customers feel the loss, so will readers who have dined there vicariously with Detective Harry Bosch (he’s in there all the time.)

Rumors began swirling regarding the shutter over the weekend and Eater was able to confirm the news after speaking with management at the property. The Du-Par’s team remains adamant that they will be back in Studio City at some point, with a whole new location, but so far they don’t have a line on exactly when or where that will take place. So for now, eager eaters hoping to enjoy the restaurant’s signature pancakes will have until the first of the new year. Reached for comment this morning, one worker said that the restaurant certainly wasn’t closing “for lack of customers or bad food,” but rather a stalled lease renegotiation.

(13) APEX MAGAZINE. Beginning with issue 104, Apex Magazine will be available in its standard eBook form and in POD-printed trade paperback format.

The trade paperback will contain all the content published in the eBook. A monthly recurring print subscription is available directly from Apex or via their Patreon page. These subscription issues will be mailed approximately two weeks after the release date of the eBook edition.

This link provides more detailed information about their various subscription options.

(14) SHORT FICTION. Charles Payseur reviews “Higher, My Gallows” by Alice Brook (20907 words): “Quick Sips – GigaNotoSaurus December 2017”.

December brings one of the longest stories to GigaNotoSaurus, a novella with an interesting mix of elements and its sight set on retribution, rot, and stubborn pride. The setting finds magic weaved into everyday life, though in strange ways, and sets up a situation where a woman running from her mistakes falls in with a group of police officers to help with magic-related mysteries. It’s a wonderful setup that evokes both noirish grit (there’s plenty of blood, grime, and spit) and some more modern sensibilities. It’s also a lot of damn fun, so let’s just jump right into the review!

(15) FINDING THE GEMS. Natalie Luhrs’ latest iteration of In Short, her short fiction review series, covers several stories including —

“Making Us Monsters” by Sam J. Miller and Lara Elena Donnelly

“Making Us Monsters” was written by Sam J. Miller and Lara Elena Donnelly and published in the most recent issue of Uncanny. It’s an epistolatory story about Siegfried Sassoon and Wilfred Owen, in which Sassoon receives letters from Owen years after they were sent, years after Owen was killed in action. These aren’t any old letters, though, they’re both love letters and an examination of the kind of trauma experienced by soldiers in the Great War. This wasn’t an easy story to read—there’s a “doctor” who is more interested in brutalizing his patients than helping them and there is a lot of internalized self-hatred on the part of Sassoon and Owen. But I found it to be a worthwhile and engrossing read, nonetheless.

(16) CHIZINE POLICY. ChiZine’s guidelines for its submission window ending December 31 have been up since August, but an author sent me the link today.

ChiZine Publications is open again to submissions, until Dec. 31, 2017. BUT, PLEASE READ OUR NEW GUIDELINES, especially this bit: Given that CZP is an SF/F/H publisher, genres which have traditionally been dominated by straight white men, we have decided for this submission round that we will only be open to subs from people who identify as belonging to one (or more) of the following groups: Aboriginal Peoples, culturally diverse groups, people of colour, mixed race people, people who are Deaf or have disabilities, Canada’s official language minority communities, non-binary/LGBTQIA+, people who identify as women.

ChiZine has always been committed to cultural/gender diversity, but the last time we ran stats, despite asking for more diversity, 83% of the submissions we received… were still from men. (We could not tell people’s ethnicity or orientation from our stats, since we don’t ask for that information.) But we felt that it was time to take a more firm step toward helping address the imbalance. Please feel free to share.

http://chizinepub.com/czp-submissions/

[That link now returns a 404 message.]

One writer made critical comments at the time the guidelines were posted. Here is part of Bret Savory’s reply:

Edwin, we’ve been in business for 20 years, and this is the first time we’ve extended a specific invitation to the minorities named in our current submission guidelines. We’re just trying to give those folks a shot in a field dominated by straight white men—which we’ve been publishing alongside everyone else, as I said, for 20 years. You obviously don’t actually know about ChiZine as a company, but just saw these guidelines and decided to pounce on us to prop up your own narrative.

I’m a straight white male myself (to specify, this is Brett Savory, since these responses all come from our company account), and I approve this message. (Ha.) Our next submission window will be just like the ones from the past 20 years—open to everyone; we’re just trying to raise up some voices you don’t hear from as often as we could in this field. If that’s “racist,” “sexist,” and “bigoted” to do once every 20 years, then we’re guilty as charged.

(17) SCALZI ENTERS THE BOOTH. The results of John Scalzi’s photo session remind me of this description from Dave Langford’s The Leaky Establishment:

Roy Tappen’s lab security pass, “…with a photo labelled R TAPPEN, SSO, but in fact showing an unshaven homicidal maniac with a crippling hangover and at least one glass eye, photographed after forty-eight hours of strenuous axe-murdering.”

 

(18) GET READY. There’s a new book coming from Peter Watts next May: The Freeze Frame Revolution.

She believed in the mission with all her heart.

But that was sixty million years ago.

How do you stage a mutiny when you’re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears and relentlessly, honestly, only wants what best for you?

Sunday Ahzmundin is about to find out.

(19) MARKET. Superversive Press is looking in the logical place for submissions to its Planetary Anthology – Uranus.

Theme: rebirth and new beginnings

Superversive Press is looking for contributions to the Uranus edition of the Planetary Anthology. Stories should be between 3,000 and 7,500 words. Stories should center on themes of rebirth and new beginnings in the broadest sense possible. Interpretations can range from rebirth of a character or a new beginning on a new world, to spiritual, philosophical, and theological ideas. These themes need not be specifically part of the plot, just part of the story.

(20) WE INTERRUPT THIS GENEALOGY. Here’s another shocking consequence of the studio merger —

(21) BRIGHT. Out today, Bright trailer #3 –

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, Martin Morse Wooster, Joey Eschrich, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]