Pixel Scroll 5/31/16 Every Bark a Doorway

(1) ATTACKING CREATORS. Devin Faraci at Birth. Movies. Death. lit up the internet with the claim “Fandom Is Broken”.

… Last week the AV Club ran an excellent piece about the nature of modern fan entitlement, and I think it’s fairly even-handed. The piece covers both the reaction to an all-female Ghostbusters reboot but also the hashtag that trended trying to get Elsa a girlfriend in Frozen 2. The author of that piece, Jesse Hasenger, draws a line between the two fan campaigns, rightly saying that whether driven by hate (Ghostbusters) or a desire for inclusion (Frozen 2) both campaigns show the entitlement of modern fan culture. It’s all about demanding what you want out of the story, believing that the story should be tailored to your individual needs, not the expression of the creators….

The old fan entitlement has been soldered onto the ‘customer is always right’ mindset that seems to motivate the people who make Yelp so shitty. I’m spending a dollar here, which makes me the lord and master of all, is the reasoning (I don’t even want to speculate about whether or not modern fans spend their dollars on licensed, legal products – that’s an essay for another weary day). It’s what makes people act like assholes to servers, and somehow it’s become the way ever-growing segments of fans are behaving towards creators. It’s been interesting watching so many people bring up Joe Simon and Jack Kirby in the Captain America fracas; one of part of it is that their Jewishness allows angry, petulant fans to throw down a social justice bomb but it also speaks to how modern fans see many modern creators. They’re nobody compared to the ones who invented this stuff. The modern creator is the server, and they should be going back into the kitchen and bringing back a Captain America cooked to their exact specifications, and without any sort of complications or surprises. This is what fans have always wanted, but the idea of being consumers – people who are offering money for services rendered – only reinforces the entitlement.

And so we have these three elements – one old as fandom itself, one rooted in technological advances and one impacted by the corporatization of storytelling – coming together in such a way to truly break fandom. I wish this was the part of the essay where I come to you with a hopeful pep talk about how we can all be better, but I just don’t see a positive solution. If anything, I see things getting worse – creators walling themselves off from fans while corporate masters happily throw vision and storytelling under the bus to appease the people who can get hashtags trending. “You can’t always get what you want” is a sentiment that belongs to another era when it comes to mass storytelling. I recently read Glen Weldon’s excellent The Caped Crusade: Batman and the Rise of Nerd Culture and the arc of fandom it sketches out is a profoundly disheartening one, with Batfans morphing from monkish annotators of the character’s fictional history into crusaders harrassing anyone on the internet who sees Batman differently than they do….

(2) THE RISING OF THE DOUGH. More details about the Sons of Anarchy cast payment problems at a Houston convention this past weekend from Official Ava Jade Cosplay: “Space City Comic (Con) – Thousands Swindled, Contracts Broken and Many Still Looking for Answers”:

The previously included statement about the rooms not being paid for has been retracted-  A representative from the staff contacted me and informed me that I was misinformed about the exact situation. There was a mishap regarding the hotel check in. The credit card for the room was for the reservations and not for incidentals. Upon checking in, some cast members had to pay cash for the incidentals, instead of putting their own credit card up, and risking being charged upon checking out.  The cast was NOT charged for their room.  I was informed during the interview, that there was a problem checking in the hotel due to the credit card not being accepted, it later was realized that we should clarify to what extent.   When Mr. Hunnam took his check to the bank to cash it, he found out that the check that was given to him was written from an account that had been CLOSED. This happened to the entire cast. Many of the actors went to the promoters office to demand payment, where the promoter ended up calling the cops because he was “being held hostage”. The cast was in no way held him hostage, but wanted answers and payment.  The panel schedule was completely jacked up, the cast was not given the correct times for photo ops and for panels. The Friday panel was canceled due to the AVI team refusing to allow anyone onstage until they were paid. They were promised payment upfront, instead they weren’t paid and pulled the plug on the event. The cast was all there, waiting to go on. It seems that the event promoter broke the contract not once, but TWICE.

Bleeding Cool wrote a story of its own based on the Official Ava Jade post with the dramatic headline, “Police Called On Cast Of Sons Of Anarchy After They Demanded Space City Comic Con Pay Up”. Houston police were helpful in protecting the convention staff from an irate customer —

Comments from volunteers included this, from Shelley Montrose,

This will be the last Saturday/Sunday that I volunteer at any Comic Convention. I was shouted at more in the 6 hours that I volunteered on Saturday than I was in the entire year last year. Friday was amazing and Saturday in my LAST 2 MINUTES there HPD had to intervene as a grown man came into my face and threatened to “choke me to death, rape me, and burn me like on YouTube.” I decided not to come to my scheduled 8 hour volunteer shift on Sunday. I thought my life was in danger. One of Charlie’s bodyguards ran over to help me before the guy got to me. Honestly, I thought the guy was gonna to hit me. After reading this article I think I understand what happened a little bit better. I can’t even explain how horrible it was the tell people who traveled all the way from England, China, Australia,etc., that the $800-$3000 that they spent on a prepaid ticket will not be honored at the desk at the majority of the sons of anarchy autograph sessions , and that they would have to go to the ATMs on the inside of the convention ( because all the ATMs on the outside of the entrances were broken ) in order to get money to pay cash for any autographs or photo ops they wanted with the celebrities.I personally ended up going to the ATM to help people pay for the prepaid tickets that they purchased for autographs with the celebrities. I won’t even go into how much that puts me back on my budget, including but not limited to my rent, utilities, and food.I was with Charlie Hunnam for almost four hours, and He pulled it together for all of his fans. Anyone that was there saw me standing beside Charlie Hunnam, I was taking pictures of them with him, knows that he was very giving to fans as well as professional. I feel like I did a good job of keeping the fans calm, entertained, and happy until they got to Charlie Hunnam .Ron Perlman was also professional as well. When I left he was still excepting those bogus tickets that people had pre-purchased.

(3) BE ON THE LOOKOUT. Speaking of grand theft – Swedish astronomers theorize Planet 9 is a stolen exoplanet.

New research suggests the mysterious and controversial “Planet 9” isn’t an original member of our solar system. According to a new computer simulation developed by astronomers at Lund University in Sweden, the ninth planet is an exoplanet — stolen by the sun from its original host star.

“It is almost ironic that while astronomers often find exoplanets hundreds of light years away in other solar systems, there’s probably one hiding in our own backyard,” researcher Alexander Mustill said in a news release….

 

(4) EXCELLENCE IN FILKING. SF Site News reported that nominations have opened for the 2016 Pegasus Awards, given by the Ohio Valley Filk Festival.

pegasus logo

Any member of the worldwide filk community is eligible to win. Past Nominees have hailed from the United Kingdom, Canada, Germany, Australia, and Singapore as well as the United States.

The nomination and ballot procedure is similar to that of the Hugo, except that one does not need to be a paid member of the convention to nominate or vote. Anyone with an interest in Filking or Filk music can place a nomination and/or vote.

The results are tabulated, the winners determined, and the award is presented at the Pegasus Awards Banquet...

There are currently six Pegasus award categories, including two floating categories that are different each year.

Fans suggested nominees and songs through the Brainstorming Poll, and the results can be seen on these pages:

Ballots must be received by 12:01AM PDT, August 1, 2016, whether cast online or by mail.

(5) BEWARE GAME OF THRONES SPOILER. Here’s something George R.R. Martin revealed at Balticon 50:

According to Vanity Fair, Martin appeared at a convention in Baltimore called Balticon to read aloud to those in attendance a new chapter from his forthcoming book The Winds of Winter. During his time in front of the crowd, the author announced that Brienne of Tarth is the descendant of Ser Duncan the Tall.

For those who don’t know, Ser Duncan the Tall is one of Westeros’ most famous knights, making this connection with Brienne particularly noteworthy, especially when considering he’s one of Martin’s favorite characters.

(6) MORE SHOOTING. ScienceFiction.com says “’Rogue One: A Star Wars Story’ Gets Planned Reshoots After Disney’s Rumored Unhappiness”.

Many films that are destined for the big screen get re-shoots or planned production times after an initial cut of the film has been done where the crews can go back and shoot additional or replacement footage for certain scenes.  It’s a fairly common practice, although the re-shot and re-edited scenes are usually minimal in nature, comparative to the overall plot of the film.  Rumor has it, however, that the upcoming Star Wars spinoff, ‘Rogue One,’ has heavy reshoots planned by parent company Disney, who is unhappy with how the film has fared so far with test audiences.

There has only been one trailer released so far for the film, which was actually met with great enthusiasm from the fans.  However, a cool-looking trailer does not directly equate to a successful and well-received film — look no further than this very franchise’s ‘Star Wars, Episode I: The Phantom Menace’ for evidence of such.

(7) WHO BLABBED? Cora Buhlert shares Cap’s secret with us:

(8) SFWA YA JURORS. “Andre Norton Award Jury Announced” at the SFWA Blog.  

The Science Fiction and Fantasy Writers of America announce the members of the jury for the 2016 Andre Norton Award. Throughout the coming year, the jury will be compiling its list of picks for the Norton Award. This year for the first time, SFWA will release a Norton Honor list of the top 15-20 books compiled from member votes and jury picks.

Chair Ellen Klages says, “Speculative fiction is a literature about exploration, possibilities, and dreams. The Andre Norton Award honors the best SF/F works written for the people who will create the future — children and young adults. What they read today will influence them — and the world — for decades to come.”

The jury members are: Ellen Klages (jury chair), E.C. Myers, Fran Wilde, Leah Bobet, and Jei D. Marcade. Read their bios at the linked post.

(9) SFWA SFWA. Cat Rambo notes anyone can watch the SFWA Chat Hour, 1st edition, on YouTube, “complete with annoying echo that we will fix next time.”

Come hear Science Fiction and Fantasy Writers of America (SFWA) officials and staff Cat Rambo, M.C.A. Hogarth, and Kate Baker talk about the recent Nebula conference weekend, current SFWA efforts, and what’s coming in 2016 in the first episode of the biweekly SFWA Chat Hour.

 

(10) TODAY’S BIRTHDAY GIRL

  • Born May 31, 1961 — Lea Thompson, known to the world for other things but to fans for Howard the Duck and Back to the Future.

(11) BUTLER CONFERENCE. UC San Diego will be the site of “Shaping Change: Remembering Octavia E. Butler Through Archives, Art, and Worldmaking”, a conference from June 3-5 that is open to the public.

Shaping change

50 years from now, how have we shaped change (through art, activism, and archives) in the world? What have we left behind that that we can draw from our presents and pasts? What lessons in Butler’s life and writing will help forestall what seems like the inevitable collapse of human civilization?

Organized by Shelley Streeby (UC San Diego) and Ayana Jamieson (founder, Octavia E. Butler Legacy Network), the event will feature talks from: Adrienne Maree Brown, Aimee Bahng, Alexis Lothian, M. Asli Dukan, Ayana Jamieson, Krista Franklin, Lisa Bolekaja, Melanie West, Moya Bailey, Nisi Shawl, Ola Ronke, Rasheedah Phillips, Shelley Streeby, Sophia Echavarria, Ted Chiang, and Walidah Imarisha.

(12) MEETING ABOUT MEDUSA. Steven Baxter and Alastair Reynolds will speak at Foyles Bookshop in Charing Cross Road (tickets required) on June 4.

Foyles talk

Join us for a conversation with two leading figures in science fiction, Alastair Reynolds and Stephen Baxter, as they discuss their new collaboration The Medusa Chronicles. Inspired by the classic Sir Arthur C. Clarke’s short story ‘A Meeting with Medusa’, The Medusa Chronicles continues the story of Commander Howard Falcon over centuries of space-exploration. One of the most compelling novels of either author’s career, it combines moments of incredible action with an intricately-realised depiction of an expansive universe.

Stephen Baxter is the author of more than forty novels, including the Sunday Times bestselling Long Earth series, co-authored with Sir Terry Pratchett, and the acclaimed Time’s Eye trilogy, co-authored with Sir Arthur C. Clarke. He has won major awards in the UK, US, Germany, and Japan. Born in 1957 he has degrees from Cambridge and Southampton.

Alastair Reynolds was born in Barry, South Wales, in 1966. He studied at Newcastle and St Andrews universities, has a Ph.D. in astronomy and worked as an astrophysicist for the European Space Agency before becoming a full-time writer. An award-winning as well as bestselling writer, with more than thirteen published novels to his name, Locus described him as ‘the most exciting space opera writer working today’.

Together, Reynolds and Baxter will talk about Clarke’s influence on their own writing, the themes that underpin his work, and how they were inspired to continue his story, as well as their bodies of work as a whole. This will be followed by an opportunity for the audience to ask their own questions and a book signing.

This event is in association with The Arthur C. Clarke Award and SFX.

(13) BYO LIFE ON MARS. SpaceReview.com sifts its favorite ideas from the many conferences about human expeditions to the red planet, in “A Year on Mars”.

How many humans on Mars conferences do we need in a year? That thought came to mind during the recent Humans to Mars (H2M) Summit in Washington, DC. There are a lot of them, especially in Washington. There were at least six humans-to-Mars related public events in Washington in 2015, not counting the NASA-sponsored human Mars landing site selection workshop in Houston. Now 2016 is shaping up the same way. Last Tuesday following the H2M conference, the Center for American Progress, a left-leaning DC-based think-tank, held a talk “Beyond the Moon: What will it take to get astronauts on Mars?” The Mars Society was in Washington last August and will be back in September, and there will probably be at least one or two other Mars-related meetings or lectures that will happen later this year. And not everything is happening in Washington: the same week as the H2M conference there were a series of talks on Mars at the International Space Development Conference in Puerto Rico.

Some, but not all, of this attention to the humans to Mars subject is due to the success of the movie The Martian and the book that inspired it. But the subject is also culturally bigger than that: witness the attention that Mars One got last year, both positive and negative, and NASA pushing the theme hard as well (every time somebody uses the hashtag #JourneyToMars an angel gets its wings.) Human missions to Mars, or at least talking about humans on Mars, is all the rage these days, and H2M has made a pretty impressive effort at taking the lead.

H2M seems to have upped its game recently. Their website is slick, featuring computer animations and links to video recordings of most of the presentations at their conference, much of which was live-streamed….

(14) ATTENTION ANN LECKIE. “Tea in space” might be a highly scientific idea. Scientists say it could be used to create useful materials for astronauts visiting Mars.

Former Prime Minister William Gladstone said: ‘If you are cold, tea will warm you; if you are too heated, it will cool you; If you are depressed, it will cheer you; If you are excited, it will calm you.’

It may also one day help astronauts on Mars.

The humble cup of tea holds the key to new ‘wonder materials’, new research suggests.

The bacteria found in tea could lead to breakthroughs in water filtration and technology.

(15) THIS IS STRANGE. An sf novel hidden in Reddit posts? The BBC interviewed the anonymous author.

The plot ranges across the CIA, hallucinogenic drugs, humpback whales, Nazis and the death of Michael Jackson. But just as mysterious and intriguing is the way in which what is being dubbed ‘The Interface Series’ is emerging into the world.

If you watched the TV-series Lost, you’ll probably be familiar with that feeling of confused anticipation as you hope for several threads of narrative to tie together. Over the course of this month, a new kind of mystery, for a new kind of audience, has been unfolding on Reddit – the online bulletin board where people post articles and comments on threads about a bewildering range of subjects….

The posts appeared in threads about a bizarre range of seemingly unconnected topics including: a debate about whether pirates really did have parrots, the responses to somebody seeking advice about how to help a relative with a drugs problem and the comments under a video of a cat sliding down stairs.

But these weren’t just random nonsensical rants. There is a theme that ties them all together; ‘The Flesh Interfaces’ which seem to be “portals of some kind, made of thousands of dead bodies, which transport biological matter to some unknown place and returns it inside a fleshy sack, heavily dosed with LSD.”

(16) DAILY TRIVIA. George R.R. Martin, wrote 14 episodes of the Beauty and the Beast TV series, which ran from 1987-90.

(17) JOHNSON TRIBUTE VIDEO. See part one of the George Clayton Johnson Memorial held at the Egyptian on February 26.

[Thanks to Wendy Gale, Chip Hitchcock, Martin Morse Wooster, Will R., Cat Rambo, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Arifel.]

2016 Compton Crook Award

Updraft by Fran Wilde has won the Baltimore Science Fiction Society’s 2016 Compton Crook Award.

The award is given by the members of the Baltimore Science Fiction Society for the best first novel in the genre published during the previous year.

A check for $1,000.00 and a commemorative plaque will be presented to Wilde on Friday, May 27, 2016 at 8:00 p.m. during Balticon 50 Opening Ceremonies. Balticon is the Maryland Regional Science Fiction Convention and is celebrating its fiftieth year of existence.

The award is named in memory of Towson State College Professor of Natural Sciences Compton Crook, who wrote under the name Stephen Tall, and who died in 1981. The award has been presented since 1983 and is also known as the Compton Crook/Stephen Tall Award.

Updraft was published September 1, 2015 by Tor Books. More information about author Fran Wilde can be found at her website.

Pixel Scroll 4/5/16 If You Pixel Us, Do We Not Recommend? If You Scroll Us, Do We Not Read?

(1) NO MCKELLEN AUTOBIO AFTER ALL. In The Hollywood Reporter, “Ian McKellen Explains Why he Returned $1.4M Memoir Advance”.

“It was a bit painful — I didn’t want to go back into my life and imagine things that I hadn’t understood so far.”

The world isn’t going to get to read Sir Ian McKellen’s autobiography.

Last year it emerged that the celebrated and Oscar-nominated thespian would be penning his own memoir in a deal with publishers Hodder & Stoughton reported to be worth £1 million ($1.4 million). But earlier this month the 76-year-old stage and screen icon revealed that he’d pulled the plug on the contract.

(2) OVERFLOWING WITH VERSE. Poems that Make Grown Women Cry edited by Anthony and Ben Holden gets a plug at Book View Café . One of the contributors, Ursula K. Le Guin, explains her choice of a poem in the collection:

I chose Robinson Jeffers’ “Hurt Hawks” because it always makes me cry. I’ve never yet got through the last lines without choking up. Jeffers is an uneven poet, and this is an uneven pair of poems, intemperate and unreasonable. Jeffers casts off humanity too easily. But he was himself a kind of maimed, hurt hawk, and his identification with the birds is true compassion. He builds pain unendurably so that we can know release.

(3) KUZNIA MOVES UP. ”Job Moves” at Publishers Weekly reports “Yanni Kuznia, previously director of production, is being promoted to managing editor and COO at Subterranean Press.” SF Signal did an interview with Kuznia last year when she was still Director of Production.

AJ:  Subterranean Press has a pretty small staff, so everyone wears multiple hats. Can you tell us a little about what you do at Subterranean? What is a typical work week like for you?

YK: As Director of Production, it’s my job to keep titles moving through the production machine. I need to make sure every book is proofed, art is commissioned, signature sheets are designed and signed, ARCs are ordered and sent out, authors receive and return page proofs, and that everything is reviewed one last time before we go to press. Of course, I have help doing all of this. I have two wonderful people, Geralyn Lance and Kyle Brandon, who work under me in Production, overseeing the day-to-day of several titles each. We talk continuously throughout the process to make sure every milestone is hit on time.

(4) FAITH. Deborah J. Ross at Book View Café finds three ways out for writers forced to deal with their “Original Vision vs. Compromising With the Market”. Number two is – go indie.

If you believe in your work, how can you be sure but this is not infatuation with your own words but that your work truly is of high quality? Every writer I know goes through spasms of self-doubt. Writing requires a bizarre combination of megalomania and crushing self-doubt. We need the confidence to follow our flights of fancy, and at the same time, we need to regard our creations with a critical eye. Trusted readers, including workshops like Clarion and Clarion West, critique groups, fearless peers, and freelance editors can give us invaluable feedback on whether our work really is as good as we think it might be. Of course, they can be wrong. It may be that what we are trying to do falls so far outside conventional parameters that only we can judge its value. It may also be that we see on the page not what is actually there but what we imagined and hoped.

Assuming that we are writing from our hearts and that the product of our creative labors is indeed extraordinary, what are we to do when faced with closed doors and regretful rejection letters? As discouraging as this situation seems, we do have choices. We writers are no longer solely dependent upon traditional publishers. We live in an era where writers can become publishers, and can produce excellent quality books, both in digital form and Print On Demand.

However, not all of us are cut out to format, publish, and market our work. All of these activities require time in which to acquire skills and time to actually perform them. That’s time we have lost for writing. While becoming your own publisher is a valid choice, it is not right for everyone. Some of us would much rather write in the next book.

(5) YURI’S NIGHT WORLD SPACE PARTY IN SAN DIEGO. Down in San Diego on April 9, Yuri’s Night celebrations will include a movie will include an sf movie showing. They’ll show Contact free at 7:00 p.m. in Studio 106 (San Diego Reader Building, 2323 Broadway, 92102).

Astronomer Dr. Ellie Arroway has long been interested in contact to faraway lands, a love fostered in her childhood by her father, Ted Arroway, who passed away when she was nine years old leaving her then orphaned. Her current work in monitoring for extraterrestrial life is based on that love and is in part an homage to her father. Ever since funding from the National Science Foundation (NSF) was pulled on her work, which is referred to some, including her NSF superior David Drumlin, as more science fiction than science, Ellie, with a few of her rogue scientist colleagues, have looked for funding from where ever they could get it to continue their work. When Ellie and her colleagues hear chatter originating from the vicinity of the star Vega, Ellie feels vindicated. But that vindication is short lived when others, including politicians, the military, religious leaders and other scientists such as Drumlin, try to take over her work.

Although it is free, please RSVP as seating is limited.

(6) GUESS WHO? The website for Innominate (“The Con with no name!”) is up.

Innominate is the 2017 Eastercon, the British National Science Fiction Convention. Eastercon’s have been held over the Easter weekend every year since 1955 and is a regular gathering place for science fiction fans from around the UK and elsewhere to celebrate the genre in all of its formats.

Eastercons stand in a long tradition which we intend to celebrate, while aiming to bring in new elements too. The convention will cover books, film, television, art and costume and the programme will include talks, discussions, exhibits, workshops and other entertainment.

(7) FIREFLY LESSONS. Tom Knighton points out what businesses can learn from his favorite TV series in “Loyalty, Firefly, and Captain Mal”.

From a management perspective, Mal may be an ideal leader to emulate.  Oh sure, there are others out there.  Real life examples exist.  I’ve been blessed to work with someone like that myself, but not everyone is exposed to that.  However, anyone can pop in a DVD and watch Mal and learn.

So why is Mal so ideal?

First, he is a hands-on leader.  In the pilot episode, Mal and Jayne are moving crates of their ill-gotten gains, stashing them where prying eyes won’t see.  He doesn’t relegate the task to anyone else, but instead works just as hard as his crew does.  When they don’t eat, he doesn’t eat.  When they work, he works.

This firmly establishes his belief that he’s not better than anyone, despite being captain.  Yes, he issues orders, but because he’s shown that he’ll do anything he asks others to do, his orders are followed.

Second, his top-down loyalty.  Mal doesn’t have to like a member of his crew to be loyal.  He doesn’t care for Simon, not in the least.  It’s obvious to everyone, especially Simon. However, he refused to leave a member of his crew behind, regardless of his personal feelings about the man.

(8) OTTO BINDER BIO. Bill Schelly’s Otto Binder, The Life and Work of a Comic Book and Science Fiction Visionary is coming back into print June 7 from North Atlantic Books (paperback, 320 pages, $19.95.) It has 28 new images, of which 14 are new photographs.

Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary chronicles the career of Otto Binder, from pulp magazine author to writer of Supergirl, Captain Marvel, and Superman comics. As the originator of the first sentient robot in literature (“I, Robot,” published in Amazing Stories in 1939 and predating Isaac Asimov’s collection of the same name), Binder’s effect on science fiction was profound. Within the world of comic books, he created or co-created much of the Superman universe, including Smallville; Krypto, Superboy’s dog; Supergirl; and the villain Braniac. Binder is also credited with writing many of the first “Bizarro” storylines for DC Comics, as well as for being the main writer for the Captain Marvel comics. In later years, Binder expanded from comic books into pure science writing, publishing dozens of books and articles on the subject of satellites and space travel as well as UFOs and extraterrestrial life. Comic book historian Bill Schelly tells the tale of Otto Binder through comic panels, personal letters, and interviews with Binder’s own family and friends. Schelly weaves together Binder’s professional successes and personal tragedies, including the death of Binder’s only daughter and his wife’s struggle with mental illness. A touching and human story, Otto Binder: The Life and Work of a Comic Book and Science Fiction Visionary is a biography that is both meticulously researched and beautifully told, keeping alive Binder’s spirit of scientific curiosity and whimsy.

(9) PENNED BY C. S. LEWIS. There are a couple dozen entries on Brenton Dickieson’s list of “Photographic Plates of C.S. Lewis’ Manuscripts and Letters”, and several illustrate the post.

A reader suggested I add to my collection of previously unpublished C.S. Lewis manuscripts (“The Lost-But-Found Works of C.S. Lewis“) by providing a list of manuscripts that show up in photographic plates in books and journals. I know that most of these are published by now, but this list is valuable for people who want to get to know C.S. Lewis’ handwriting.

(10) RACHEL SWIRSKY INTERVIEWS FRAN WILDE. Rachel Swirsky conducts a “Silly Interview with Fran Wilde, expert on man-made wings”.

3. Have you ever done skydiving or hang gliding or anything similar?

I haven’t! I’m a sailor. I have relatives who hang-glide, and I spent a lot of my childhood watching storms roll in on the cliffs of the Chesapeake Bay (it gets really windy), but in order to do the research for UPDRAFT, I wanted to feel the physics of being in a wind tunnel, and I wanted to make sure I was writing a flying book, not a sailing book turned sideways. So I went indoor skydiving, which was a hoot. And very spinny.

The wings in the book aren’t hang-gliding wings, they’re more like a cross between furlable wings and wing-suit wings, so I also watched a lot of wingsuit fliers on long-flights and also doing particularly dangerous things like flying through canyons. I researched about 2,000 years of man-made wings in history, and talked a lot with engineers who understand the physics of foils – aka: wings.

(11) YA REVIEWS YA. My favorite YA reader, Sierra Glyer, added a review of Throne of Glass by Sarah J. Maas to her blog.

…It is about a 18 year old assassin named Celaena Sardothien. She is the most feared assassin on the continent but one day she gets caught. After she gets caught she is sent to a slave camp and this is where the book starts….

(12) WEIST ESTATE AUCTION. The catalog for this year’s Jerry Weist estate auction (to be held at the Windy City Pulp and Paper Convention April 22-24, 2016) is now available. Over 4,000 pulps, dime novels, men’s adventure magazines and other magazines. Here’s a link to the catalog  (19 pages).

(13) TODAY’S BIRTHDAY GIRL

  • Born April 5, 1908 – Bette Davis

Bette David fountain

(14) TODAY’S BIRTHDAY BOYS

  • Born April 5, 1916 — Gregory Peck. Among his many roles: Ahab in John Huston’s Moby Dick, scripted by Ray Bradbury.

Gregory Peck Moby Dick

  • Born April 5, 1933 — Frank Gorshin, who played The Riddler on Batman and the bigoted half-whiteface, half-blackface alien Bele on an episode of Star Trek.

(15) THREE-BODY. Ethan Mills tackles the “Wobbly Relations of Past, Present, and Future: The Three-Body problem by Liu Cixin (Translated by Ken Liu) at Examined Worlds.

The Philosophy Report: Is Nature Uniform?  What to Expect from ETs?

Philosophy is mentioned several times, including the Chinese philosopher, Mozi, and the German philosopher, Leibniz, who are both characters in the game.  Aside from such small connections, two major issues are the uniformity of nature and the reaction to extraterrestrial intelligence.

In philosophy of science (and regular life for that matter) we all rely on what some philosophers have called the principle of the uniformity of nature.  This is usually discussed in (constant) conjunction with David Hume’s problem of induction.  Could we live as successfully in the world as we do, could we do science, if the laws of nature were not in some sense uniform across time and space?  If the laws of nature varied over time or between countries or planets, could we really get around?  Could we do science?  Or — closer to Hume’s point — whether this principle is really true or not, should we believe it?  Could we stop believing it even if it turned out to be unjustified?

But what if we had lived on a planet where as far as we could tell the laws of nature do sometimes change, where things are never the same over time, could we have evolved as we did and could we have developed science?  Those are some of the intriguing questions raised in The Three-Body Problem.

(16) HEARING MCCARTHY. TC McCarthy is not alone in his opinion:

(17) GETTING THE CAMEL’S NOSE UNDER THE TENT. A list of “11 sci-fi and fantasy books for people who don’t like sci-fi and fantasy” at Minnesota Public Radio News.

Sci-fi picks for people who don’t like sci-fi

So, you think you don’t like sci-fi. What turned you off?

Long descriptions of space ships and their alternative fuels? Too many alien names to keep straight? Just not into “nerd” stuff? Send your stereotypes packing to Planet Zurlong for a minute, and try one of these books that may offer you a new perspective on the genre.

For the record, most of these fall into the category of “soft” science fiction. “Hard” science fiction revels in technical details, whereas soft is not as focused on the specificity of its futuristic elements. Consider this a “soft landing” on your genre dive.

(But yes, sometimes descriptions of space ships can be fascinating.)

1) “The Wool Omnibus” by Hugh Howey

When Howey’s work first caught critics’ eyes in 2012, it was dubbed the “sci-fi version of ‘Fifty Shades of Grey.'” That comparison is purely about how the book was published, not about the quantity of whips or handcuffs in it. Like “Shades,” it took off as a self-published Internet phenomenon.

Howey posted the first 60 pages of “The Wool Omnibus” online as a standalone short story in 2011, but within a year, that turned into a 500-plus page project that topped bestseller lists. The books take place in the Silo, a post-apocalyptic city built more than a hundred stories underground.

(18) DANIEL RADCLIFFE RETURNS. Swiss Army Man will be in theaters June 17.

There are 7 billion people on the planet. You might be lucky enough to bump into the one person you want to spend the rest of your life with. CAST: Daniel Radcliffe, Paul Dano and Mary Elizabeth Winstead

 

(19) BFG OFFICIAL UK TRAILER 2.

From Director Steven Spielberg, “The BFG” is the exciting tale of a young London girl and the mysterious Giant who introduces her to the wonders and perils of Giant Country. Based on the beloved novel by Roald Dahl, “The BFG” (Big Friendly Giant) was published in 1982 and has been enchanting readers of all ages ever since.

 

[Thanks to John King Tarpinian, Andrew Porter, Will R., and Michael J. Walsh for some of these stories. Title credit goes to File 770 contributing editor ULTRAGOTHA.]

Pixel Scroll 3/5/16 Confessions of a Wrap Artist

(1) NOW YOU KNOW. People will get a lot of use from Camestros Felapton’s video “Why You Are Wrong”.

All purpose explanation of why you (or whoever) is very wrong.

 

(2) PLAY ALONG AT HOME. Here’s what the judges will be starting with — “The Arthur C. Clarke Award complete submissions list 2016”.

Every year before I announce the shortlist for the Arthur C. Clarke Award for science fiction literature, I first reveal the complete list of submitted books put forward for consideration.

This year we received 113 books from 41 publishers and publishing imprints, the second highest count for submissions after the record-breaking high of 121 submissions received for our 2014 prize.

To be clear, this is not a long list, but rather a complete list of eligible titles received from publishers who must actively submit titles to our judging panel for consideration. In other words, this is where our judges start from every year.

(3) TRINITY REJECTED. The Clarke longlist inspired Damien G. Walter to comment –

(4) JUMP TO HYPERSPACE STREET. Hollywood’s idea of making something new is to combine two old franchises. ScienceFiction.com explains — “What The–?! Sony Moves Forward With Merging ‘Men In Black’ With ’23 Jump Street’”

In what has to be the craziest news to come along in some time, Sony is looking to merge two of its franchises– ‘Men In Black’ and ’21 Jump Street’.  Director James Bobin (‘The Muppets’, ‘Alice Through The Looking Glass’) is being courted to direct the film, which will star Channing Tatum (Jenko) and Jonah Hill (Schmidt) who will both also produce.  Phil Lord and Christopher Miller directed ’21 Jump Street’ and ’22 Jump Street’ but are occupied directing the Han Solo movie for Disney.  The pair will serve as producers, however.

Sony has confirmed that neither Will Smith nor Tommy Lee Jones are being sought for the new film, as the studio hopes to use this installment as a springboard for a new franchise with younger stars.

(5) WHY SQUEEZING TOO HARD DOESN’T WORK. Steve Davidson draws on his intellectual property experience in “Mine! Mine! Mine! ALL Mine!” at Amazing Stories.

Delicately, you want your fans to let you know when you are getting it right and when you are getting it wrong. And if you’re smart, you figure out a way to successfully gauge that response and you use it. If you manage that most of the time, everything is almost always bigger and better and more successful than the last time.

I hear some say “the fans own it!”. Well yes and well no. The fans only own their collective response, but they can make no claim to the property itself. Suppose this P vs A thing totally blows up into open warfare and every Trekker and Trekkie on the entire planet refuses to have anything to do with Star Trek anymore. (Images of mass DVD burnings and the defenestration of action figures.) Paramount* could still create, produce and distribute anything Star Trek they wanted to (and shut down any and every other expression of Trek that isn’t approved), for as long as they wanted to spend the money. Maybe they’ll mine the Chinese audience for several years (decades). Maybe they’ll change the presentation and pick up a whole new audience of fans (Star Trek: Romance).

A few years back, Disney gutted their expanded universe for Star Wars. Part of the reason, I am sure, was to re-exert control over their property. In many respects it was a good way to create a dividing line between things that fans might be allowed to play with and things they weren’t to touch. Individual fans were upset over various decisions made, but it is pretty obvious that the collective response was of acceptance.

(6) DON ANDERSON OBIT. Don Anderson passed away on October 16, 2015. Robert Lichtman says, “In the early 1960s Don was a member of the N3F’s apa.  A search of the Eaton’s fanzine listings shows that he published titles such as Plack, Porp and Cry of the Wild Moose. He joined SAPS with its 199th mailing, April 1997, and remained a member until his death, producing 68 issues of Moose Reducks.”

Wally Weber and Robert Lichtman found the family announcement linked here which includes the information, “Donald was a United States Air Force Veteran who proudly served his country during the Korean War and was a retiree of Eastman Kodak Co.”

(7) GARY HUTZEL OBIT. TrekMovie.com reports

Gary Hutzel, Emmy Award Winning VFX artist known for his work on Star Trek: The Next Generation and Star Trek: Deep Space Nine, has died at age 60.

Hailing originally from Ann Arbor Michigan, Gary Hutzel left his mechanical engineering studies behind to move to Santa Barbara, CA to pursue a career in the film industry. There he studied photography at the Brooks Institute and subsequently began his motion picture career working as a video camera operator, which sparked his interest in visual effects. His early VFX work was as a freelancer on CBS’s The Twilight Zone, a gig that got him noticed by the team putting together the then Star Trek reboot, The Next Generation.

Hired to work on Trek in 1987, Hutzel lead visual effects for The Next Generation for the first five seasons of its run. After the end of TNG’s fifth season, Hutzel and VFX colleague Robert Legato transferred to the new Star Trek show on the block, Deep Space Nine, which Hutzel worked on for its entire run. One of his most notable contributions to DS9 is his work on the episode “Trials and Tribble-ations” in which Hutzel oversaw the integration of footage from the Original Series episode “The Trouble With Tribbles” into the freshly shot DS9 footage.

(8) TODAY IN HISTORY

  • March 5, 1954 Creature from the Black Lagoon has its world premiere.

Creature from the black lagoon poster

  • March 5, 1963 — The Hoola Hoop is patented.

(9) KEN LIU’S CALENDAR. Here’s where you’ll find Ken Liu in April:

  • Waterford Public Library, 4/2/2016, Waterford, CT. Reading at 2:00 PM.
  • The Library of Congress, 4/8/2016, Washington, DC.
  • The University of Maryland, 4/8/2016.
  • Thomas Kang Lecture. I’ll be speaking with Professor Christopher Bolton of Williams College as the headliners: “Silkpunk, Technologized Bodies, and Translation: Cases in Chinese, Japanese and American Popular Culture.”
  • Arkansas Literary Festival, 4/15-4/17, Little Rock, Arkansas.

(10) BENFORD ON THE ROAD. Gregory Benford sat for a photo while in Nashville for a signing on March 3.

(11) FREE AIN’T CHEAP. Mark Lawrence crunches the numbers in “The cost of promotion!”

The bottom line is that it’s very hard to know what to do with the ‘free’ books a publisher sends you. Sending them out into the world is the natural thing to do – but it’s going to cost you 100s of $$$ and may very well not generate anything like enough sales to justify the cost.

(12) MEH POWER.

(13) WHO YA GONNA CALL LATER? At Entertainment Weekly, “The painful what-if that haunts ‘Ghostbuster’ Ernie Hudson”.

The night before filming begins, however, I get this new script and it was shocking.

The character was gone. Instead of coming in at the very beginning of the movie, like page 8, the character came in on page 68 after the Ghostbusters were established. His elaborate background was all gone, replaced by me walking in and saying, “If there’s a steady paycheck in it, I’ll believe anything you say.” So that was pretty devastating.

I’m panicked. I don’t sleep that night. It was like my worst nightmare is happening. The next morning, I rush to the set and plead my case. And Ivan basically says, “The studio felt that they had Bill Murray, so they wanted to give him more stuff to do.” I go, “Okay, I understand that, but can I even be there when they’re established?” And of course, he said no, there’s nothing to do about it. It was kind of awkward, and it became sort of the elephant in the room.

I see this differently now—and I don’t mean any kind of animosity or anything towards anyone, certainly not towards Ivan or the guys. I was a single dad, and we were struggling to kind of hold on and pay the rent. I still needed to do this job. 30 years later, I look back at the movie and it works very well the way it is. I think the character works with what he has to work with. But I’ve always felt like, “Man, if I could’ve played that original character…”

(14) STARTING TO COUNT. Brandon Kempner at Chaos Horizon dips his toe in “The 2016 SFF Awards Meta-List”.

In 2016, 4 different awards have already announced their nominees: the Philip K. Dick, the British Science Fiction Association Awards (BSFA), the Kitschies, and the Nebulas. Not a lot so far, but has anyone emerged as an early leader? Here’s the list of everyone who has gotten more than one nomination:

Europe at Midnight, Dave Hutchinson (2 nominations, Kitschies, BSFA)

The Fifth Season, N.K. Jemisin (2 nominations, Nebulas, Kistschies)

[Thanks to John King Tarpinian, Will R., JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day, the stunning and versatile Will R.]

Pixel Scroll 1/17/16 Kaiser Scroll, Hold The Pixel

(1) HONEST POSTERS. “If 2016’s Oscar-nominated movie posters told the truth” they’d be very funny. Courtesy of Shiznit.

MARTIAN COMP

(2) A TOP TEN WITH FANGS. Here’s Fantasy Faction’s ingenious list – “Top Ten Wolves In Fantasy”. How come I never do Top 10 Lists for File 770? People love them. Ah well, there isn’t enough time to do everything that’s a good idea.

  1. Maugrim (The Lion, The Witch and The Wardrobe, by C.S.Lewis)

Maugrim was the head of The Witch’s Police in The Lion, The Witch and the Wardrobe and relished the dirty work that had to be done. Seen by many as an agent of the Devil, he is the ugly face of evil in Narnia and makes no bones about it. He is instrumental in the coming of age of Peter who eventually slays him, earning the name Sir Peter Wolfsbane.

(3) BUT WAIT, THERE’S MORE! Gustaff Behr tries to work out “How Much Does It Cost Being A Doctor Who Fan?”

Fred starts where all new fans start. He wants to go back and take a look at how Doctor Who came back in 2005 which means, including Series 9 which he will definitely get; Fred needs 9 seasons of complete box sets which costs on average $65.00. That’s $585.00 in total for Chris, David, Matt, John and Peter.

Being a Who fan costs at least $585.00 if you buy all nine New Who seasons of Doctor Who.

And after watching nine seasons of Doctor Who, barely sleeping, bathing or eating, Fred craves more. He needs to see how Doctor Who started all the way back in 1963. He also has to see the celery Doctor, the scarf Doctor, the pullover one and all the other past Doctors he’s heard so much about. He knows there are 156 classic stories of Doctor Who which range between $13.99 and $16.99 so we’ll budget for $15.49 as a rough average. That’s $2416.44 for the whole of the Classic Era of Doctor Who.

Being a Who fan costs at least $3001.44 if you want to have the entire television collection of Doctor Who from William Hartnell all the way up to Peter Capaldi.

And then he moves on to the merchandise….

(4) FUNICELLO OBIT. [CORRECTION — Turns out the source has taken an old story and given it a 2016 timestamp. But it might still be news to somebody….] Annette Funicello (1942-20162013) died January 11, 2013 after a long battle with multiple sclerosis. She was 70. Funicello was a child star as a Mousketeer on the original Mickey Mouse Club, and as a teenager starred opposite Frankie Avalon in several beach movies. Her genre work included Babes In Toyland (1961), and quasi-genre movies like The Monkey’s Uncle, and Dr. Goldfoot and the Bikini Machine.

(5) GEORGE CLAYTON JOHNSON TRIBUTE. The Girl George & the Dragons Radio Show talked about George Clayton Johnson with his son, Paul Johnson, and others on January 17.

(6) TODAY IN HISTORY

  • January 17, 1605 Don Quixote was published.

(7) TODAY’S BIRTHDAY SITH

  • Born January 17, 1931 — James Earl Jones, the voice of Darth Vader (and an actor renowned for many other roles.)

(8) TODAY’S BIRTHDAY BOY

  • Born January 17, 1962 – Jim Carrey, of Hugo-winner The Truman Show, The Mask, and other quasi-fantasy films.

(9) MEET KYLO. Joseph Pimentel reports in the Orange County Register that Kylo Ren will replace Darth Vader in the “meet-and-greet” section of Disneyland’s Star Wars area in Tomorrowland where people stand in line to get autographs and photos with Disney characters.

Guests will be able to mingle with Kylo Ren, a central character from the smash hit “Star Wars: The Force Awakens,” in Tomorrowland, Disney announced Friday. The company declined to say when the light-saber-wielding dark warrior and Jedi slayer will debut.

Ren will join Chewbacca, and Boba Fett as characters from the “Star Wars” franchise available for visitors to meet and take photos with at the Star Wars Launch Bay. There’ll also First Order Stormtroopers roaming around.

The upper floor of the building, the Tomorrowland Expo Center formerly known as Innoventions, houses the Super Hero HQ where guests meet Spider-Man and Thor.

Ren will replace Darth Vader, the original “Star Wars” villain, in the meet-and-greet. The Sith Lord Vader will continue to be in the show “Jedi Training: Trials of the Temple.”

Meet-and-greets with various Disney characters have become one of Disneyland and Walt Disney World’s signature attractions, drawing long lines of visitors wanting autograph, pictures and hugs.

(10) KYLO ON SNL. Saturday Night Live sent Kylo Ren (guest star Adam Driver) undercover as Matt, a radar technician, in Star Wars Undercover Boss: Starkiller Base.

(11) ABOUT SPECTRAL PRESS. Simon Bestwick has written a lengthy, heavily-documented post about issues with Spectral Press, publishers of his book Black Mountain.

Readers may wish to pour themselves a large, stiff drink before continuing. This is going to be a long post.

I’ve thought long and hard before blogging on this topic, but there is a great deal of confusion and misinformation out there, and I believe it’s important that the facts be made available. There is also an issue of transparency to customers regarding Spectral Press in its past or present incarnations….

7) The Short Version  Spectral Press has published books, which sold. A share of the money from their sales is, contractually, their authors’. Their authors have not received it, and yet Spectral do not have it. Spectral Press has taken money from customers from books that have gone undelivered and, in some cases, unpublished. Many of these customers want their money back, and yet Spectral do not have it. I would just like to close by reminding anyone who feels Spectral’s critics are being unreasonable, that this situation has persisted for over a year; that the amount owed is a very large sum for a small press to owe, and that the individual in whose hands this situation has been placed has responded to polite and factual criticism with insults and blocking critics on social media, and whose own history should be cause for concern.

(12) ENOUGH IS TOO MUCH. Anne Wheaton tells her blog readers why she bid Twitter goodbye.

In real life, I stand up for myself. If someone says or does something to me or someone around me, I do something about it. As my online presence grew, there were people who don’t follow me showing up to say something horrible about me, my husband, or my children. Yes, they can be muted, blocked, or reported, and I was doing that all the time, every day. Sometimes I responded because like I said, in real life I stand up for myself so occasionally, I will do that online. But after a while, it’s like trying to smile and have a pleasant conversation with a kind person in a room full of people screaming hateful things in your face. You can ignore it but eventually, it just isn’t worth even talking at all and you just have to walk out of that room to protect yourself.

I chose to be on Twitter. I am not a celebrity. I am a middle-aged woman who’s a retired hairdresser who now runs a non-profit, is on the Board of Directors at Pasadena Humane Society, has a house FULL of rescue animals, and has two wonderful boys. I do not have a job I need to promote, nor am I looking for a job to take on. I have a full life with an amazing husband and family, wonderful friends, and a successful business I run. If something I choose to do on the side isn’t fun, I need to walk away from it because my free time is pretty scarce. Twitter used to be the fun thing I did on the side, and for the most part, it just isn’t fun anymore, so I need to walk away from it and that’s okay.

(13) ANOTHER TWITTER MAELSTROM. Neil Gaiman’s tweet endorsing Clarion set off a wave of complaints. Brad R. Torgersen was as surprised as Gaiman himself by the controversy, but did a better job of understanding the reaction.

I guess Gaiman upset people with this?

…Second, Gaiman is simply expressing what all of us have expressed — from time to time — about our favorite learning experiences. I have evangelized for the Kris Rusch and Dean Smith workshops, the Dave Wolverton workshops, the Writers of the Future workshop, the Superstars Writing Seminar, the “Life, The Universe & Everything” symposium, and so on, and so forth. All of them have been very valuable to me, and remain valuable long after attendance and participation….

It would be great if a Clarion-type experience were free. But running a workshop with that kind of scope and scale, is not cheap. And the truth is, there are people who will argue that it shouldn’t be cheap. That the high cost weeds out the dilettantes. So that only serious students, who are dedicated, will apply for acceptance. Clarion isn’t designed for wannabes. Clarion is for budding professional artists, who want to flower in an environment that will feed and nurture their professional artistry. Or at least that’s the ideal. And I definitely think Gaiman had the ideal in mind, when he wrote what he wrote.

Still, there is no royal road to publication and acclaim. I don’t have the stats in front of me, but I suspect Clarion’s success rate is probably on par with just about every other workshop going. Which means two-thirds of Clarion’s graduates, won’t make it. They won’t sell. Or at least, they won’t sell well. They will find that life has other work for them, and they will move on.

(13) ONE THUMB DOWN. Fran Wilde’s tweets, 10 of which are Storified here, illustrate the negative response.

(14) ANOTHER THUMB DOWN. Alex Bledsoe, in “Thoughts on Clarion, Privilege and Gaiman”, is one of many other writers sounding off about how they launched professional writing careers without the help of a workshop.

Now, I don’t for a moment believe that Gaiman literally meant need, as in you can’t consider yourself a real writer unless you have Clarion on your CV. But at the same time, I understand the outrage of those who see his statement as an unthinking beacon of privilege. Who the hell is Neil Gaiman, who will never again have to worry about paying bills, or child care, or taking time off from work, or any of the day-to-day struggles that most of his readers experience, to tell us what we need? It’s in the same ballpark as Gwyneth Paltrow’s famous statements about her being a “typical” mother.

Like a lot of writers, I never went to Clarion, or any professional writing workshop. I learned to write via journalism, both from studying it and working at it. I like to say it’s one reason my books are so short, but in another very important way, it taught me to approach writing as a job. A reporter is no special snowflake: if he or she can’t do the work, there’s always someone waiting to eagerly step up. So you get on with it, and do the best you can with what you have. That lesson has been incredibly useful as a fiction writer, too.

(15) GAYLACTIC SPECTRUM AWARDS. The winners and recommended short list for the 2014/2015 Gaylactic Spectrum Awards in the Best Novel category were announced at Chessiecon in November 2015.

(16) DAVIDSON ON THE FINE POINTS. Steve Davidson discusses “How To Recommend Without Slating” at Amazing Stories.

As it has evolved, an acceptable Eligibility Post is limited to the following elements:

  • A statement that a work is, under the rules in play, eligible for a particular category of award.
  • Information on where and when the story was made available (so that others can verify its eligibility)
  • A suggestion that those voting for the award in question might be interested in checking it out
  • An Eligibility Post may also include an opportunity for others to add other works that are eligible

An Eligibility Post does not contain:

  • reasons why someone ought to vote for the work
  • begging for votes in any manner
  • discussion of external politics that are somehow related to voting for the work
  • discussion of the “messages” that will be sent by voting for the work
  • plays for sympathy, or authorial love, mentions of career status

The Eligibility Post was soon joined by the “Recommended Reading” list…..

(17) POSTCARD FROM THE EDGE. In 2004, soon after meeting Howard Waldrop, Lou Antonelli succeeded in selling his first story.

I wrote Howard and told him meeting him had brought me good luck. He later dropped me this postcard. I recently found it in a drawer while cleaning up a messy storage shed, and thought I’d share it. If you have trouble reading Howard’s handwriting, this is what it says:

“Dear Lou,
“Congratulations on the sale to Gardner. (You were already getting rejection letters – it was only a matter of time, whether you came to Austin or not!) You’ve sentenced yourself to a life of bitterness and frustration, like me..
“Way to go!
“Yer pal,
“Howard”

Howard is a great writer, a nice guy, and it also seems, a clairvoyant.

(18) BOWIE MOVIE SCREENINGS. The Vista Theatre in LA sold out its Labyrinth 30th Anniversary midnight screening (for obvious reasons) and has scheduled another.

In January we’re going to celebrate the 30th anniversary of one of our favorite fantasy films- LABYRINTH, featuring everyone’s favorite goblin king Jareth and his Bowie-bulge! Feel free to join us in costume and dance, magic dance! Response to this event was larger than we expected- we were trending towards a sell out by show night, but with the tragic passing of David Bowie yesterday we sold out in 6 hours of the news breaking. We want all our friends and Bowie fans in our nerd circle to be able to grieve in the manner they chose and if celebrating his life with Labyrinth on the big screen is what they want than we’re here to help. We’ve added this SATURDAY NIGHT midnight screening for those that were unable to catch tickets for Friday night. We will have a costume contest both nights, and hope everyone enjoys the hell out of this film and Bowie’s incredible performance on the big screen

(19) ONE BUSY HOMBRE. Today’s mandatory Guillermo del Toro news is that he will develop to potentially direct Scary Stories To Tell In The Dark for CBS Films. The film is based on the trilogy by Alvin Schwartz.

He is such a big fan of the books that he owns ten of the original illustrations by Gammell.
In addition to potentially directing, del Toro will also produce the film alongside Sean Daniel, Jason Brown and Elizabeth Grave. Alvin Schwartz’s trilogy of short story collections have sold more than 7 million copies worldwide. Even though, from the moment it was published in 1984, the Scary Stories series was one of the most banned from placement by the American Library Association, as the collections were considered to be too scary for children. The ensuing controversy only helped to fuel sales, and the trilogy has remained a cultural phenomenon ever since.

(20) RAINBOW BATMAN. DC Comics invites fans to “Brighten your batcave with Rainbow Batman figures”

Why should the criminals of Gotham get all the colorful costumes? Now you can have the Caped Crusader in pink, orange, yellow, green, blue and purple.

 

rainbowbatmanclip 2Where did these come from? According to Yahoo! Movies

A year ago, DC Collectibles opened up their vault to reveal prototypes of statues, action figures, and busts that were never produced and allowed fans to vote on which item from the collection should be produced and sold. A colorful line of Batmen figures based on “The Rainbow Batman” cover of Detective Comics #241 (1957) won the poll.

(21) JACK KIRBY DRAMATIZED. Now on stage in Seattle (through January 23), “’King Kirby’ play profiles the artist behind the superheroes, overshadowed by Stan Lee”.

“King Kirby” opens with the canonization of its subject at a high-level sale, where an auctioneer recounts the artist’s pictorial achievements and begins the bidding on each Kirby illustration at thousands of dollars.

From somewhere in the beyond, Kirby (who died in the 1990s, and is portrayed with vigor and conviction by Rick Espaillat) looks on disgustedly at the pretentious upscaling of his work.

In a pungent Brooklyn accent and with a defensive edginess, Kirby takes us back to his humble beginnings growing up in a rough neighborhood, where he had to use his fists to fend off attackers.

No wonder he invented heroic protectors and epic rescuers. Fascinated by mythology and quick with a sketchbook, Kirby starts out doing grunt work in a cartoon sweatshop, forms a partnership with a business-savvy pal, and comes into his own working under a series of amusingly irate moguls. In collaboration with head honcho and collaborator Stan Lee, he’s a big reason why Lee’s Marvel Comics still thrill the masses with spinoffs of characters created in the 1940s and ’50s.

Lee is portrayed as a marketing maestro and idea man, who not only stiffed his top artist out of franchise deals and royalties but also presented himself as the sole inventor of superheroes co-created and fleshed out by Kirby.

(22) STAN THE MAN. CBS Sunday Morning program featured “The Marvelous Life of Stan Lee” on January 17.

The comic starts out, as Stan started out, as Stanley Martin Leiber, born to Jewish immigrants in 1922. He grew up poor in a tiny Bronx apartment during the Depression.

When Stan was old enough, he started looking for jobs to help pay the bills, and in 1939 he landed at a publishing house which just happened to have a small division called Timely Comics.

“I’d fill the ink wells — in those days they used ink!” he said. “I’d run down and get them sandwiches at the drug store, and I’d proofread the pages, and sometimes in proofreading I’d say, ‘You know, this sentence doesn’t sound right. It ought to be written like this.’ ‘Well, go ahead and change it!’ They didn’t care!”

Characters like Destroyer, Father Time and Jack Frost soon had Stan’s fingerprints all over them.

He got so caught up in the battles of good vs. evil that after Pearl Harbor, it seemed only natural he join the Army.

“Oh hell, how could you not volunteer for the Army?” he said. “Hitler was over there doing all those horrible things.”

But instead of fighting, Lee found himself drawing. His best work: a poster telling soldiers how NOT to get VD.

“I drew a little soldier, very proudly,” he recalled. “And he’s saying, ‘VD? Not me!’ as he walks in. They must have printed a hundred trillion of those! I think I won the war single-handedly with that poster!”

 [Thanks to John King Tarpinian, Martin Morse Wooster, Tom Galloway, Steve Lieber, Andrew Porter, and Kendall for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 10/26 Racket Online

(1) Arthur C. Clarke’s papers came to the Smithsonian Institution earlier this year. Patti Williams, acquisition archivist for the National Air and Space Museum, blogged about the steps in bringing the materials from Sri Lanka to the U.S.

I have been the Museum’s acquisition archivist for almost 26 years, and during that time over 3,200 archival collections have been entrusted to us. Most of these materials have been personally delivered or shipped, but it has sometimes been necessary for me to travel to obtain a collection, whether to California, New York, or South Dakota. Sri Lanka has certainly been the furthest I’ve travelled for a collection.

Martin Collins, a curator for the Space History Department, gave an overview of what’s in Clarke’s papers, accompanied by many photos.

What emerges from a first review of his papers is a deeply thoughtful man shaped by and creatively responding to his time—with World War II and the first decades of the Cold War as critically formative. From his early 20s through the rest of life he possessed a remarkably consistent vision and purpose of what was important to him: to make sense of a world experiencing tremendous advances in science and technology, the result of which, in his view, augured potentially radical changes in the fabric of social and cultural life. In the years after the war, this dynamic seemed especially  insistent, making the idea and reality of the “future” a critical problem in need of understanding. Through his career, this challenge led Clarke to advance his three laws of prediction (easily found via an internet search), an attempt to make serious the future as a shared, collective human concern but do so with a light touch.

From this vantage, Clarke’s interest in science fiction, as is evident throughout his papers, was not merely incidental but central: It was his essential tool, perhaps the best one, for sorting through and understanding this condition and educating readers about the time in which they were living.

(2) In a podcast for Creature Features, Walter Murch, writer and director of Return to Oz, “discusses the long genesis of the 1985 fantasy film, how personal a project it was for him, how tumultuous it became at times, and how happy he is with it after 30 years.”

Soundcloud – Pod People Episode 4 – Walter Murch

(3) The PBS documentary about cosplay aired in 2013 can be viewed online.

(4) The Golden Age Site’s post about “New York Comic Book Conventions ~ 1966-1978 ~ The good old days when Comic Shows were about comics” shows many many fans in those days were involved in both comics and sf, inspiring Andrew Porter to comment, “Gosh, there’s my name at the top, along with a bunch of [now] old pharts!”

I also ran off the program — about 250 copies of a single page, as I recall — for Dave Kaler’s NY Comic Convention, held in 1965 at the Hotel Broadway Central (an impressive pile in Theodore Dreiser’s “Sister Carrie”) on my Ditto machine.

 

02_seulingcon_1966_title

(5) The University of Oregon Libraries will celebrate the acquisition of the James Tiptree, Jr. (Alice B. Sheldon) literary papers with a two-day symposium at the Eugene, Oregon campus on December 4-5, 2015.

The acquisition of the Tiptree Papers enriches Special Collections and University Archives’ growing collection of feminist science fiction manuscript collections, which include the Ursula K. Le Guin Papers, the Joanna Russ Papers, the Sally Miller Gearhart Papers, and the Suzette Haden Elgin Papers.

The symposium will kick off with a keynote talk by Julie Phillips, author of the biography: James Tiptree, Jr.: The Double Life of Alice Sheldon (St. Martins, 2006), and will also feature a panel discussion with other writers who carried on lively and engaging correspondence with Tiptree, including Ursula K. Le Guin, Suzy McKee Charnas and David Gerrold.

 

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(6) Emily Hughes conducts “Updraft: A Q&A with Fran Wilde” at Suvudu.

SUVUDU: Updraft has some of the most original worldbuilding I’ve ever come across – could you tell us a little bit about your process for creating the details of this city built out of bone towers and its residents?

FRAN WILDE: That’s wonderful to hear! The city of bone towers was born late one night at a writing workshop following many cups of coffee. I realized that I wanted to write a story set in a living city with a focus on engineering and flight. (I wasn’t drinking Red Bull, I swear.)

What emerged from that writing session was a short story that had elements of Milton’s Paradise Lost, The Codex Seraphinianus, China Mieville’s short stories about living cities in Looking for Jake, and Italo Calvino’s Invisible Cities as ancestors. The story contained the man-made wings, bridges, and bone towers that exist today, but the characters and conflict were different.  After reading it, Gordon Van Gelder of Fantasy & Science Fiction Magazine wrote me to suggest I look at other high-altitude megastructure stories like Steven Gould’s “Peaches for Mad Molly” and K.W. Jeter’s Farewell Horizontal as well.

So my process from the first draft involved a lot of reading. In the end, when the short story had grown into a novel, and the very spare sketch of bone towers and wings had grown into a world, the process also involved getting into a wind tunnel to go indoor skydiving, and talking to cloud and weather experts about wind shear near steep, high-altitude objects, and to biologists about bone growth. I also researched scarcity societies, high-altitude food production, and cephalopods, among other things.

(7) John Plotz recalls A Wizard of Earthsea in “Le Guin’s Anarchist Aesthetics” on Public Books.

Le Guin’s peculiar gift, though, is to make the ordinary feel as important as the epic: mundane questions about who’s cutting firewood or doing the dishes share space with rune books and miscast spells. Her Earthsea has less in common with Narnia, Hogwarts, and Percy Jackson’s Camp Half-Blood than it does with medieval romances and Icelandic sagas, where dragons and death keep company with fishing yarns, goat-herding woes, and village quarrels.

Plotz also interviewed Le Guin for Public Books in June.

JP: And has it always been clear to you which category your books fall into?

UL: Oh no. When I started it was all mushed up together! My first three novels are kind of science fantasy. Rocannon’s World (1966) is full of Norse myth barely disguised. But I began to realize there was a real difference between these two ways of using the imagination. So I wrote Earthsea and Left Hand of Darkness. From then on I was following two paths.

In Left Hand of Darkness I was using science fiction to come at a problem that I realized was very deep in me and everybody else: what is gender? What gender am I? A question we just hadn’t been asking. Look at all the answers that are coming out now. We have really deconstructed it. We really didn’t even have the word “gender” back then. Just, “What sex are you?” So in some respects we really have come a long way, and in a good direction, I think.

(8) Gregory N. Hullender says, “No one seems to have commented on it yet, but I think the December 2015 Analog is unusually strong. After a really weak year, maybe they’re getting their act together.” He has more to say on Reddit.

(9) Irish children’s laureate Eoin Colfer (“Artemis Fowl”) and illustrator and writer Oliver Jeffers  have joined forces to create an imaginary friend.

They decided to collaborate on ‘Imaginary Fred’ due to a chance meeting in New Zealand.

“We were there for the Auckland book festival and we met up at a story slam competition,” Mr Colfer said.

“We were giggling like schoolboys at each other’s stories, and at the end of the night we said let’s do something together.”

‘Imaginary Fred’ tells the story of Fred, who becomes the imaginary friend of Sam, a boy in need of company.

The two embark on a series of adventures together, but when Sam meets Sammi, a girl with an imaginary friend of her own, Fred has to move on from Sam.

The story, unusually, is told from Imaginary Fred’s point of view.

“I like to do that with my books,” said Mr Colfer.

“To take what is often a secondary character and make them the main character because they’re a lot more interesting to me.”

(10) An event celebrating the 50th Anniversary of the Marion E. Wade Center on October 29 at 7 pm Central time will be livestreamed. The Wade is a focal point of Inklings scholarship. Featured speakers will include the Wade’s former director, Dr. Lyle W. Dorsett, poet Luci Shaw, and Dr. Leland Ryken, who is currently at work on a book length history of the Wade Center. The dedication of the new Bakke Auditorium will be part of this special evening. Watch the proceedings online via WETN.

(11) Bradbury-inspired art! Vroman’s Art on the Stairwall presents George Cwirko-Godycki on November 14 at 2 p.m. at the main store in Pasadena.

Join us as we celebrate our newest Artist on the Stairwell! Illustrator George Cwirko-Godycki presents a limited edition poster show inspired by the works of Ray Bradbury. The show is the first in Vroman’s Artists on Authors series in the stairwell where visionary artists interpret the works of renowned authors.  The first 25 attendees will receive a signed catalog of the exhibition that details the process of creating this unique show from start to finish. George is based in San Francisco where he provides concept illustration for the entertainment industry and teaches figure drawing at the Academy of Art University.

(12) Frequent File 770 contributor James H. Burns’ writes about the Tri-State losing a major supermarket chain, Pathmark, in a piece for the Long Island Press.

Ultimately, the neatest feature at Pathmark for a youngster may have been a huge paperback section featuring an amazing array of bestsellers and non-fiction books. Pathmark was where I bought some of my very first books on the history of movies, including, in my monster-loving youth, a biography of Boris Karloff!

From its inception in Franklin Square, Pathmark had tried to be unique. At the back of the store was a section invoking the classic Horn and Hardart cafeterias in Manhattan, famous for all the food, sandwiches and cakes and the like, being offered through slots in the wall protected by a glass cover. If you put coins in the apparatus, you could lift the cover and take your treat.  Horn and Hardart was famous for the quality of its offerings, and for being a very affordable place for any New Yorker to put together a decent meal. More than one location also became known as a writers’ hangout, with some of the best-known reporters and talent of the era sitting for a long while, sipping their coffee, and enjoying the conversation.

Beginning in the 1970s, Pathmark also had a long running series of television commercials, starring James Karen. Most of us probably presumed he was a Pathmark executive, until he also began popping up as an actor in horror movies like “Poltergeist” and “The Return of the Living Dead.”

(13) Pee Wee Herman’s blog features a gallery of photos of work by the “’Picasso of Pumpkin Carving’ Ray Villafane”.

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Until October 31st, the town of Carefree, Arizona is hosting the Enchanted Pumpkin Garden, a one-of-a-kind event conceived by master pumpkin carver Ray Villafane! The Wall Street Journal calls him the “Picasso of pumpkin carving.”

(14) Ray Bradbury is all over the place in this documentary about Charlie Chaplin, first at the 40 second mark

 

(15) The Nitrate Diva links to “Fear You Can Hear: 31 of the Scariest old Time Radio Episodes for Halloween”

They say a picture’s worth a thousand words, but, when it comes to the best old-time radio horror, each word is worth a thousand pictures.

By using voices, sound effects, and snippets of music, masters of radio terror turned what could’ve been a disadvantage of the medium—we can’t see what’s happening—into their greatest asset.

Radio writers and actors spawned monsters that the technology of the time couldn’t have realistically portrayed on film. They suggested depravity and gore that screen censorship would’ve banned. And they could manipulate the imagination so that listeners themselves collaborated in the summoning of their worst fears.

In case you can’t tell, I adore old-time ratio (OTR) horror. After countless hours poring over archives of old shows, I’ve selected 31 bloodcurdling episodes, from 1934 all the way up to 1979, for your pleasure.

(16) Oh noes! “William Shatner Isn’t a Huge Fan of the New ‘Star Wars’ Trailer”.

Millions of Star Wars fans may have eagerly devoured the trailer for Star Wars: The Force Awakens, due out on December 18, but William Shatner—captain of the starship Enterprise and star of the original Star Trek series—wasn’t among them. “To me there isn’t a controversy,” the actor tells Newsweek. “Star Trek is far superior to Star Wars.”

(17) Would Dr. Sheldon Cooper agree? He certainly has plenty of reason to be happy with Star Trek.

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Fans of The Big Bang Theory and Star Trek can rejoice because an upcoming episode the geektastic TV sitcom will feature a guest appearance from the son of Mr. Spock himself, Adam Nimoy! Plus, we have an exclusive first look at the episode, which airs on Thurs., Nov. 5 at 8/7! In “The Spock Resonance,” recurring guest star Wil Wheaton will appear alongside Adam, an accomplished writer and director in real life, who asks Sheldon Cooper to be in a documentary about his beloved father, Leonard.

(18) Natalie Luhrs has a terrific post about “World Fantasy’s Harassment Non-Policy” at Pretty Terrible.

The final progress report from World Fantasy was emailed to members this evening. It included the harassment policy, which is legalistic and is essentially useless. For posterity, here it is…

[Thanks to Bill Menker, Michael J. Walsh, Andrew Porter, Bill Burns, James H. Burns, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

SFWA Bulletin Now Available on Amazon

SFWA BulletinThe Spring 2015 issue of the SFWA Bulletin published by the Science Fiction and Fantasy Writers of America is now available in a Kindle edition from Amazon for $2.99.

The features in the current issue are:

  • Editorial – John Klima
  • Ask N&E: Answers You Want To Know – Nancy Holder & Erin Underwood
  • Conquering Your Inbox: Strategies for Winning the E-mail War (Gmail Edition) – John Joseph Adams
  • Respectful Journalist: Rule of 3 – John Stuart
  • Building for Discovery – Blair MacGregor
  • Running a Writing Workshop, Part II – Cat Rambo
  • Premature Submission Syndrome (PSS) – Bud Sparhawk
  • Market Report – Cynthia Ward
  • Cover art – Lindsey Look

SFWA Cookbook COMPAlso now available from Amazon is Ad Astra: The 50th Anniversary SFWA Cookbook edited by Cat Rambo and Fran Wilde.  From Alien Scones to At the Fruitcake of Madness, DOOM Cookies, Falling Cloud Cake, and Miss Murder’s Black Forest Trifle, there are 157 dishes and how-tos from 134 writers, editors and agents. The Kindle edition is $9.99, the spiral-bound paper edition is $19.95.

NYRSF Readings for 11/5

At the NYRSF Readings on the Fifth of November, Guy Fawkes Day, count on fireworks from two writers who just sold their debut novels, Rajan Khanna and Fran Wilde. Amy Goldschlager is Guest Curator.

Rajan Khanna, a writer, narrator, and blogger, regularly contributes to Tor.com and LitReactor.com. He has narrated fiction for Podcastle, Escape Pod, Starship Sofa, Lightspeed Magazine, and Beneath Ceaseless Skies. His first novel, Falling Sky, will be out from Pyr Books in Autumn of 2014.

Fran Wilde is an author, programmer, and technology consultant whose first novel is forthcoming from Tor in 2015, with two more to follow. Her short stories have appeared or will appear in Asimov’s (April/May 2014), Nature, Beneath Ceaseless Skies, and The Impossible Futures anthology. Her nonfiction interviews with writers have appeared under the banner “Cooking the Books” at Strange Horizons.

The New York Review of Science Fiction Reading Series on November 5 opens its doors at 6:30 p.m. Suggested donation $7 — minimum entry, a penny for the guy. Location and other details in the full press release which follows the jump.

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