In January The
Verge launched Better Worlds, a
new series of short fiction and animation that explores how technology could
shape our society and environment in better, more equitable ways. Here’s a
Q&A about the series with The Verge’s
MIKE GLYER: There are many ways of defining science fiction — one
is that SF tells about the implications of science on humanity. How much
emphasis do you place on the technical aspects of a story and how much emphasis
on the human element?
ANDREW LIPTAK: As a science fiction writer and commentator, I certainly want to
see cool future technology — handheld gadgets that we might someday hold
ourselves, futuristic vehicles to take us from place to place, or advanced
suits of armor that might someday protect soldiers and contractors on the
battlefield. That’s always been at the heart of science fiction, ever since
people like Hugo Gernsback began turning over pages of his electronics
magazines to stories.
But at the same time, writing about futuristic technology on its own is just a technical manual. You need to have someone to press the button, and with that human (or alien, or robot) action, you need to have something behind it that gives it meaning. I’m a big fan of Isaac Asimov’s collection I, Robot, which explores what are very technical subjects in very emotional ways — Asimov worked through the various logical flaws with his Three Laws of Robotics, and in many instances, they hinged on ways that weren’t mechanical flaws, but emotive ones; Robbie saves a little girl, Herbie wants to try and make sure that nobody’s feelings are hurt, while Nestor’s overseers are desperate to find him when he takes their orders literally and hides. Each of those stories in the book deal with the impact of technology through a larger societal context, and that’s why that book has endured so well over the decades, because it frames those logical puzzles from the human perspective.
I think what’s most important about this balance is that science
fiction at its best explores the ramifications of those technologies you’re
imagining. I’m reminded of a quote from Frederik Pohl: “a good science fiction
story should be able to predict not the automobile, but the traffic jam.” I
recently read a fantastic book about the history of the iPhone that reminded me
of that — The One Device by Brian Merchant. The book delved into
all the technical details of how various components that make up the iPhone
were invented. But alongside that, he explores the human cost of the device,
from the engineers who were berated by Steve Jobs to the workers who are paid
very little do mine the raw materials, or to assemble the devices. There was an
anecdote that really stuck with me from the book — as the iPhone (and to be
fair, other smart phones) came into widespread use across the country, there
was an uptick in deaths of the workers who were installing and maintaining cell
towers, because of that increased demand so that you could watch YouTube
whenever you desire.
MG: “Better Worlds” is keynoted by words like inspiration and
optimism. What ripple effect do you see the project having on the SF genre?
ANDREW LIPTAK: I
hope that there are a lot of ripple effects! When we were designing the
project, something that we came to quite a bit was that we wanted something
that was essentially an anti-BlackMirror. I really love Charlie Brooker’s show, because
it’s an example of really good science fiction storytelling, particularly when
it comes to exploring the ramifications of technology. But it’s also so damn
bleak. It’s not a show that I can binge watch, because I have to step away and
decompress after watching each episode.
If there’s any big impact, I’m hoping that this highlights that
“science fiction” doesn’t equate to “worst case scenario.” Charlie Jane Anders
published a really excellent op-ed in The
Washington Post the other day, where she highlights the need for
science fiction to imagine what the future holds, and how we can get there.
It’s not just parading in disaster porn where rugged survivalists find a way to
survive amidst the collapse of society, but figuring out how people
collectively come together to navigate a world in which the rules are
Plus, the world is incredibly bleak right now. There’s a lot to be
worried about when it comes to any number of issues, whether that be climate,
politics, privacy, massive corporations, and so forth. But there’s still a lot
of good that’s going on right now. The Better Worlds series isn’t about utopian
futures — not by a long shot — but they do show how people coping with
terrible problems can make the world better in their own ways.
MG: This is a beautifully-designed collection of multi-media works
– how much of a collaborative process was involved, or were the different
components produced autonomously?
ANDREW LIPTAK: With each story that we’ve published so far, I’m constantly blown
away by the creativity in the fiction, videos, artwork, and audio that come
together. I was primarily involved on the editing side of this project, but I
will say that it was a highly collaborative puzzle.
On one hand, you have all the authors who came up with the stories
and put them down to paper (figuratively speaking), and the editors who take
those stories and provide feedback and editing to make them the best that they
can be. You’ve also got the artists, animators, and voice actors who
interpreted those works and brought them to life.
On the other hand, you have all the unseen efforts that go on in
the background: our managers, our fantastic copyeditor, business partners,
social media people and our site’s leadership who help turn those stories into
the fantastic finished stories that are on the website, but who also helped
champion and encourage and otherwise make the series a reality that you can now
read on our website.
Like any film, book, or TV show, nothing happens in a vacuum, and
without the efforts of everyone involved, the series wouldn’t be what it is.
MG: What’s your advice for aspiring science fiction authors?
ANDREW LIPTAK: There’s a lot of advice out there that’s good — read a lot, write
a lot, and read what you’ve written out loud, and so forth.
Something I’ve been thinking about a lot lately is how
incredibly valuable it is to break out of your shell / community / circle of
writers / group to discover new ideas and viewpoints. I recently moderated a
panel on the implications of artificial intelligence at the United States
Military Academy at West Point, and I came out of that three-day experience
with a notepad full of ideas for potential stories, based on what I’d seen and
A lot of that came from the fact that I was surrounded by experts in military affairs, artificial intelligence, and robotics, and while a lot of them were certainly science fiction fans, they weren’t hung up on the genre’s long-standing conventions. I certainly think that if you’re out there writing science fiction, having a really solid familiarity with your subject matter is essential, even if you only use 1 percent of that. Go directly to the experts when it comes to science and technology. Spend a weekend at a conference for geologists or astronomers! Read a ton of nonfiction books about science and technology. Attend talks about ethics and social sciences that might be near you. (And take notes.) That type of multidisciplinary study and research will help bring new and useful perspectives to the genre.
(1) ANDREW CARNEGIE MEDALS. No genre works were on the shortlist, so needless to say today’s Andrew Carnegie Medal winners were all non-genre books. The omnivorous readers among you might like to know what they are anyway:
The Tea Master & the Detective by Aliette de Bodard
The trouble with reading SFF is that you end up with amazing life goals that probably will not be attained during your own lifetime. It’s bad enough when a favourite book leaves you wanting a dragon librarian to be your best friend, or a magic school to invite you in when you turn eleven… and now I need a spaceship who brews tea in my life.
A really good cozy mystery balances rich characters with charmingly creepy murders, and de Bodard hits all the right notes in this wonderful, warm homage to Sherlock Holmes in which our detective is Long Chau, an angry and traumatised scholar, and her Watson is a calm, tea-brewing shipmind.
As with the original Watson, Long Chau’s story is told from the point of view of the detective’s friend, which allows a contrast between the detective’s technical brilliance, and our narrator’s emotional intelligence. Yes, the emotional work in the story is largely done by the spaceship. That’s how great it is. –Tansy
(4) HEMMING DEADLINE. If you’re going to nominate for the Norma K. Hemming Award, you need to get it done by January 31. Details at the website.
Designed to recognise excellence in the exploration of themes of race, gender, sexuality, class or disability in a published speculative fiction work, the Norma K Hemming award is open to short fiction, novellas, novels, anthologies, collections, graphic novels and stage plays, and makes allowances for serialised work.
Entry is free for all works, and entries may be provided to the judges in print or digital format.
Nominations are open to all relevant and eligible Australian work produced in 2018.
(5) FOOD REVELATIONS. Fran
Wilde did a class about “Fantastic Worldbuilding.” Cat Rambo tweeted the highlights.
A new trailer for The Wandering Earth — described as China’s biggest science fiction movie ever — landed earlier this week, showing off an ambitious adventure that follows the efforts to save Earth after scientists discover that the sun is about to go out.
The movie is based on a story by Chinese author Cixin Liu — who’s best known for his Three-Body Problem trilogy and last year’s Ball Lightning. While those books are huge, epic stories, The Wandering Earth is no less ambitious: when scientists realize that the sun will go out in a couple of decades, they hatch a desperate plan: to move the planet to Proxima Centauri. The construct thousands of giant engines to move the planet out of orbit, where it can then slingshot post Jupiter and out of the Solar System.
Robert Pattinson despises his iconic “Twilight” character, Edward Cullen, with a fury unlike any other. Pattinson has complained throughout so many interviews about Edward, the century-old telepathic vampire who falls for Kristen Stewart’s Bella (a witch or something), that there’s an entire Tumblr feed dedicated to his most (self-) scathing comments.
Among his harshest words: He has said “Twilight” “seemed like a book that shouldn’t be published.” That “if Edward was not a fictional character, and you just met him in reality — you know, he’s one of those guys who would be an ax murderer.” He called his performance “a mixture of looking slightly constipated and stoned.”
(8) OBSCURE AWARD. The Society of Camera Operators’ awards were presented January
26, and if you scan The Hollywood Reporter article closely enough you’ll be able
to discover the single winner of genre note: “‘A Star Is Born’ Camera Operator Tops SOC Awards”.
Movie category had no genre nominees
* P. Scott Sakamoto for A Star Is Born
* Chris Haarhoff and Steven Matzinger for Westworld
* Jane Fonda — Governor’s Award
* Harrison Ford— President’s Award
* “Lifetime Achievement award recipients were Dave Emmerichs, camera operator; Hector Ramirez, camera operator (live and non-scripted); Jimmy Jensen, camera technician; John Man, mobile camera platform operator, and Peter Iovino, still photographer.”
* Technical achievement award — makers of the Cinemoves Matrix 4 axis stabilized gimbal
Rami Harpaz lead a group of IAF pilots in Egyptian captivity to translate the iconic fantasy work into Hebrew while in prison, the book introduced Tolkien to Israeli readers and remains iconic.
…He was captured by the Egyptians during the War of Attrition, while in captivity he was given a copy of the Hobbit, the famous fantasy book by J.R.R. Tolkien, by his brother who was able to deliver the book to him via the Red Cross.
Prison conditions were harsh and the Egyptians tortured the Israeli prisoners, yet despite of this, Harpaz and his fellow prisoners began to translate the book into Hebrew. The initial motivation was to allow Israelis who could not read English well to enjoy the book in Hebrew.
The translation was done in pairs with one person reading in English and speaking it out in Hebrew and the translation partner writing it down in Hebrew and editing it. Harpaz and three other captured pilots were the translators of what became known as ‘the pilots translation’ of the Hobbit. The final product was seven notebooks written by hand, the book was published in 1977 with funding provided by the IAF.
by Cat Eldridge.]
Born January 27, 1832 – Lewis Carroll. Writer of Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass. In 1876, he also produced his work, “The Hunting of the Snark”, a fantastical nonsense poem exploring the adventures of a very, very bizarre crew of nine tradesmen and a beaver who set off to find the snark. (Died 1898.)
Born January 27, 1940 – James Cromwell, 79. I think we best know him as Doctor Zefram Cochrane In Star Trek: First Contact which was re-used in the Enterprise episode “In a Mirror, Darkly (Part I)”. He’s been in other genre films including Species II, Deep Impact, The Green Mile, Space Cowboys, I, Robot, Spider-Man 3 and Jurassic World: Fallen Kingdom. He played characters on three Trek series, Prime Minister Nayrok on “The Hunted” episode of Star Trek: The Next Generation and Jaglom Shrek in the two part “Birthright” story, Hanok on the “Starship Down” episode of Deep Space Nine and Zefram Cochrane once as noted before on Enterprise.
Born January 27, 1957 – Frank Miller, 62. If you’re not a comic reader, you first encountered him in the form of Robocop 2 which I think is a quite decent film. His other films include Robocop 3, Sin City, 300, Spirit (fun) and various Batman animated films that you’ll either like or loathe depending on your ability to tolerate extreme violence. Oh, but his comics. Setting aside his Batman work all of which is a must read, I’d recommend his Daredevil, especially the Frank Miller & Klaus Janson Omnibus which gives you everything by him you need, Elektra by Frank Miller & Bill Sienkiewicz, all of his Sin City work and RoboCop vs. The Terminator #1–4 with Walt Simonson.
Born January 27, 1963 – Alan Cumming, 56. His film roles include his performances as Boris Grishenko in GoldenEye, Fegan Floop In the Spy Kids trilogy, Loki, god of Mischief in Son of the Mask (a really horrid film), Nightcrawler In X2 and Judas Caretaker in Riverworld (anyone know this got made?).
Born January 27, 1970 – Irene Gallo, 49. Associate Publisher of Tor.com and Creative Director of Tor Books. Editor of Worlds Seen in Passing: Ten Years of Tor.com Short Fiction. Interestingly she won all but one of the Chesley Award for Best Art Director that were given out between 2004 and 2012.
…Like Verne and Wells, Kipling wrote stories whose subject-matter is explicitly science-fictional. “With the Night Mail: A Story of 2000 A.D.” portrays futuristic aviation in a journalistic present-tense that recalls Kipling’s years as a teenaged subeditor on Anglo-Indian newspapers. “The Eye of Allah” deals with the introduction of advanced technology into a mediaeval society that may not be ready for it.
But it is not this explicit use of science and technology in some of his stories that makes Kipling so important to modern science fiction. Many of Kipling’s contemporaries and predecessors wrote scientific fiction. Nathaniel Hawthorne and Herman Melville, Mark Twain and Conan Doyle are among them. Yet echoes of their work are seldom seen in today’s science fiction. Kipling’s appeal to modern readers lies instead in his approach and his technique.
The real subject-matter of Rudyard Kipling’s writing is the world’s work and the men and women and machines who do it. Whether that work be manual or intellectual, creative or administrative, the performance of his work is the most important thing in a person’s life. As Disko Troop says in Captains Courageous, “the most interesting thing in the world is to find out how the next man gets his vittles”….
(12) PACIFIC INKLINGS FESTIVAL. Sørina Higgins, Editor of The Inklings and King Arthur, will be the featured speaker when The Southern California C.S. Lewis Society presents The Pacific Inklings Festival and General Meeting on March 9.
This came after Maher found himself in hot water once again after doubling down on his controversial comments about how comic books cannot be considered “literature” and how superhero movies are not “great cinema.” Moreover, he said that people who think otherwise “are stuck in an everlasting childhood.”
Maher played himself in a deleted scene in Iron Man 3, where he blames America for creating The Mandarin
Kihrin is a thief, an apprentice musician, and a resident of the Capital. He’s also possesses a rather powerful artifact whose provenance he does not quite understand, one that is difficult to take from him except by his free will. Even more than this, Kihrin and his artifact are pawns in a long simmering plot that would see him as key to the destruction of an empire. Instead of being a prophesied hero come to save the world, Kihrin’s role is seemingly destined for a much darker fate, unless his patron goddess, the goddess of luck, Taja, really IS on his side.
1. Somebody’s Trying to Kill Me and I Think It’s My Husband by Joanna Russ [Top] Someone’s Trying to Kill Me and I Think It’s My Husband is Joanna Russ talking about the narrative tropes of gothic fiction from the late sixties and early seventies. The essay itself was originally published in 1973; I first read it in the collection To Write Like A Woman, which is great if you have a chance to read it. I found Somebody’s Trying to Kill Me at work though, and ah, it’s good to have it back.
The premise of this essay is that Joanna Russ, faced with the new wave of gothic fiction, had a publisher friend send her some of the most representative examples of the genre and broke down all of the common elements and analysed them as expressions of the “traditional feminine situation.” I would argue that regardless of how representative those books were, that’s a very small sample size (she mentions about half a dozen titles, and I’m just trying to picture the reaction today if someone tried this with, say, romantic suspense books). But her analysis is interesting? She’s analysing it, justifiably, as an incredibly popular genre with female readers, and picking out the elements that might be contributing to that (“‘Occupation: housewife’ is simultaneously avoided, glamorised, and vindicated” is one of the stand-out points for me, especially when coupled with the observation that the everyday skills of reading people’s feelings and faces are often the only thing keeping the heroine alive), but it’s a little strange to read. It’s interesting, and I can definitely relate some of her points to female-led genres today (I’m mainly thinking of things like cozy mysteries), but it is definitely an outsider to a genre picking apart its building blocks. So, interesting as a dissection of those specific titles and tropes, but maybe not representative of the wider genre.
…In addition to balancing the magical aspects of the show, multiple episodes explore issues of feminism, smashing the patriarchy, race, sexual orientation, disability, and bullying. Through Sabrina, these becomes issues of her world rather than political statements. While TV shows at times have issue-driven episodes that seem to be responding to the political climate of the previous six months, The Chilling Adventures of Sabrina focuses on the lives of the characters, and since this is part of their lives, of course Sabrina is going to help them. That being said, especially early in the season, it at times felt a little white-savior as Sabrina works behind the scenes with magic to help her friends….
(17) THAT LEAKY WARDROBE. In this Saturday Night Live sketch, Mr. Tumnus (James McAvoy, reprising a character he played in a movie) meets several women who have recently arrived in Narnia.
(18) REVIEW OF “I AM MOTHER”.
Variety: “Sundance Film Review: ‘I Am Mother’”. “After
a mass extinction, a robot raises a little girl in a handsome, if derivative
sci-fi thriller that salutes its own parentage.” The review gives much of
this female-cast-led gerne film generally good marks, though significant issues
are also pointed out. Bottom line:
What really presses [Director Grant] Sputore’s buttons is proving that he can make an expensive-looking flick for relative peanuts. If this were his job application for a blockbuster gig, he’d get the job. Though hopefully he and [Screenwriter Michael Lloyd] Green realize that the best sci-fi thrillers don’t just focus on solving the mystery of what happened — they explore what it all means. Sputore is clearly an intelligent life form. But as even his robot creator knows, “Mothers need to learn.”
Cast: Clara Rugaard, Rose Byrne (voice), Hilary Swank, Luke Hawker (motion capture), Tahlia Sturzaker.
A tree made famous by the TV fantasy drama Game of Thrones has fallen in strong winds.
Gale force winds of up to 60 mph hit Northern Ireland overnight on Saturday.
The Dark Hedges are a tunnel of beech trees on the Bregagh Road near Armoy that have become an an international tourist attraction since featuring in the hit series.
(21) OVER THE TOP. Let
Quinn Curio tell you “The Dumbest Things About
What are the dumbest things that have ever happened on Fox’s Gotham show? Welcome to the party. The pain party.
[Thanks to John Hertz, Martin Morse Wooster, Cat Eldridge, Mark Blackman, JJ, Mike Kennedy, Chip Hitchcock, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
This year, we honor that historic achievement with the 2019 Apollo 11 50th Anniversary Commemorative Coin Program, a collection of coins as unique in construction as they are stunning to behold. The program comprises curved coins in gold, silver and clad. The design of the coins’ obverse is a nod to the space missions that led up to the Moon landing, while the reverse features a representation of the famous “Buzz Aldrin on the Moon” photograph.
The 2019 Apollo 11 50th Anniversary commemorative coins are being offered in seven editions:
An uncirculated-quality clad metal half dollar, limited to 750,000, for $25.95.
A proof-quality clad metal half dollar, limited to 750,000, for $27.95.
An uncirculated-quality silver dollar, limited to 400,000, for $51.95, with an order limit of 100 per household.
A proof-quality silver dollar, limited to 400,000, for $54.95, with an order limit of 100 per household.
A 5-ounce proof-quality silver dollar, limited to 100,000, for $224.95, with an order limit of 5 per household.
An uncirculated-quality $5 gold coin, limited to 50,000, for $408.75, with an order limit of one per household.
A proof-quality $5 gold coin, limited to 50,000, for $418.75, with an order limit of one per household.
The U.S. Mint has also produced an Apollo 11 50th Anniversary 2019 proof half dollar set, which includes one Apollo 11 50th Anniversary proof half dollar and one Kennedy enhanced reverse proof half dollar, “to commemorate the enduring relationship between President Kennedy and the American space program.” The set is a limited edition of 100,000 units and retails for $53.95.
The sale of the coins will benefit three foundations —
As authorized by Congress in 2016, proceeds from the sale of the U.S. Mint coins benefit three space-related organizations that preserve space history and promote science and engineering education: the Astronauts Memorial Foundation, the Astronaut Scholarship Foundation and the Smithsonian National Air and Space Museum’s “Destination Moon” gallery, scheduled to open in 2022.
If all of the Apollo 11 commemorative coins are sold, then they will raise a total of $14.5 million, with half going to the Smithsonian and the remaining funds divided between the two foundations.
(2) ARISIA. The Monday
edition of Arisia’s daily newzine said the con’s total registration was 3,190.
Last year’s attendance was 3,930.
(3) HOPE. Leigh
Alexander and John Scalzi did an Ask
Us Anything session at Reddit today
to promote The Verge’s “Better Worlds”
project. Here’s an excerpt.
Q: Your most optimistic vision for the future comes true. What is it, and why is it actually awful in reality?
A: Optimism is biased data. Whatever I imagined as ‘ideal’ would have some kind of blind spot among the people I failed to consider. I don’t even care to speculate aloud, lest some celestial monkey’s paw shudders one more finger closed.
I really find Star Trek: The Next Generation soothing because you have Patrick Stewart, one of the world’s most brilliant actors, taking this little cardboard set, these goofy prosthetic aliens, with just the utmost sincerity — and in so doing, he represents what we think of as the ‘best’ of humanity in space.
But then of course there are all these times that the optimistic ‘ideals of the show reveal this provincial normativity that we wouldn’t expect to still exist in the fully automated luxury space future — so many of the aliens just have the same gender binary, same hierarchical titles, same everything as “the humans”.
Whatever I can imagine would be good for us in the future won’t be relevant to all of us by the time we get there. But I do hope that being good to each other is an ongoing part of our evolution, that with each generation we get better at that. That’d be the dream.
My most optimistic vision is that people treat other people decently, and also incorporate the idea the planet will be here after they are, so maybe don’t trash the place. Neither of these require any SF concepts to be implemented, and honestly it’s difficult to see what the downside of these would be in tandem.
For some unknown reason, voters chose to honor those movies and their music instead of Ben Salisbury and Geoff Barrow’s score and its magnificently spooky centerpiece, “The Alien,” home to a cluster of hypnotic notes that Slate has dubbed the weird Annihilation noise. (Listen at the 2:40 mark….)
That was definitely a weird snub. But I really think the bigger snub is that Tessa Thompson wasn’t up for anything–whether for Annihilation or her other films from last year. Really truly mindboggling. Also, I thought Gina Rodriguez in Annihilation should at least have been considered–the performance was great and without her the whole thing would’ve been so understated as to be ridiculous.
To the moon, Jonas! The blog Potrzebie posted up this scan of the cover of a 1963 issue of The Magazine of Fantasy & Science-Fiction featuring a dashing young Adolfas Mekas piloting a rocketship while his skeletal brother Jonas Mekas looms in the background. Apparently the cover is illustrating a tale of a spaceman who starves himself so his brother can pilot their lost ship back to civilization.
(7) PAVLOW OBIT. British
actress Muriel Pavlow (1921-2019) died January 19,
aged 97. Genre appearances included Hansel
and Gretel in 1937, Project M7 in
1953 and one episode of R3 in 1965.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 24, 1911 – C.L. Moore. Author, and wife of Henry Kuttner until his death in 1958. Their work was written as a collaborative undertaking, resulting in such delightful works as “Mimsy Were the Borogoves” and “Vintage Season”, both of which were turned into films which weren’t as good as the stories. She had a strong writing career prior to her marriage as well with such fiction as “Shambleau” which involves her most famous character Northwest Smith. I’d also single out “Nymph of Darkness” which she wrote with Forrest J Ackerman. I’ll not overlook her Jirel of Joiry, one of the first female sword and sorcery characters, and the “Black God’s Kiss” story is the first tale she wrote of her adventures. She retired from writing genre fiction after he died, writing only scripts for writing episodes of Sugarfoot, Maverick, The Alaskans and77 Sunset Strip, in the late Fifties and early Sixties. Checking iBooks, Deversion Books offers a nearly eleven hundred page collection of their fiction for a mere three bucks. Is their works in the public domain now? (Died 1987.)
Born January 24, 1917 – Ernest Borgnine. I think his first genre role was Al Martin in Willard but if y’all know of something earlier I’m sure you’ll tell me. He’s Harry Booth in The Black Hole, a film whose charms escape me entirely. Next up for him is the cabbie in the superb Escape from New York. I’m the same year, he’s nominated for a Razzie Award for Worst Supporting Actor as Isaiah Schmidt in the horror film Deadly Blessing. A few years later, he’s The Lion in a version of Alice in Wonderland. Merlin’s Shop of Mystical Wonders is horror and his Grandfather isn’t that kindly. He voices Kip Killigan in Small Soldiers which I liked, and I think his last role was voicing Command in Enemy Mind. Series wise let’s see… it’s possible that his first SF role was as Nargola on Captain Video and His Video Rangers way back in 1951. After that he shows up in, and I’ll just list the series for the sake of brevity, Get Smart, Future Cop, The Ghost of Flight 401, Airwolf where of course he’s regular cast, Treasure Island in Outer Space and Touched by an Angel. (Died 2012.)
Born January 24, 1942 – Gary K. Wolf, 77. He is best known as the author of Who Censored Roger Rabbit? which was adapted into Who Framed Roger Rabbit. It bears very little resemblance to the film. Who P-P-P-Plugged Roger Rabbit? which was written later hews much closer to the characters and realties of the film. He has written a number of other novels such as Amityville House of Pancakes Vol 3 which I suggest you avoid at all costs. Yes they are that awful.
Born January 24, 1944 – David Gerrold, 75. Let’s see… He of course scripted “The Trouble With Tribbles” which I still love, wrote the amazing patch up novel When HARLIE Was One, has his ongoing War Against the Chtorr series and wrote, with Robert Sawyer, Boarding the Enterprise: Transporters, Tribbles, and the Vulcan Death Grip in Gene Roddenberry’s Star Trek. Setting aside his work as a novel writer, he’s been a screenwriter for Star Trek, Star Trek: The Animated Series, Land of the Lost, Logan’s Run (the series), Superboy, Babylon 5, Star Trek: Deep Space Nine, Sliders, Star Trek New Voyages: Phase II, and Axanar. Very impressive.
Born January 24, 1967 – Phil LaMarr, 52. Best known I think for his voice work which, and this is a partial list, includes Young Justice (Aquaman among others), the lead role on Static Shock, John Stewart aka Green Lantern on Justice League Unlimited, Robbie Robertson on The Spectacular Spider-Man, various roles on Star Wars: The Clone Wars and T’Shan on Black Panther. Live roles include playing a Jazz singer in the “Shoot Up the Charts” episode of Get Smart, a doctor on The Muppets in their ”Generally Inhospitable” segment, a lawyer in the “Weaponizer” episode of Lucifer and the voice Rag Doll in the “All Rag Doll’d Up” episode of The Flash. Oh I’ve got to see that!
Born January 24, 1978 – Kristen Schaal, 41. Best known as Carol on The Last Man on Earth, the post-apocalyptic comedy. Other genre creds includes her role as Gertha Teeth in Cirque du Freak: The Vampire’s Assistant, an adaptation of Darren O’Shaughnessy’s The Saga of Darren Shan, Miss Tree In Kate & Leopold, Pumpkin / Palace Witch in Shrek Forever After, Tricia in Toy Story 3 and Toy Story 4, The Moderator in The Muppets film and the Freak Show series.
It’s only a few checks off his list of missing pieces, but Randy Lawrence is hopeful he’ll get his $1.4 million in comic books back.
Police in Phoenix arrested a man who tried to sell four of Lawrence’s nearly 450 missing comic books.
(11) TOLKIEN’S FELLOWSHIP. Extra Credits continues its new season with
episode 2 of “Extra Sci Fi” – “Lord of the Rings:
The Fellowship of the Ring.”
J. R. R. Tolkien wasn’t *just* a fantasy author–he was a mythology master. As a result, he ended up inventing some of the most popular genre tropes that science fiction heavily draws upon. Fellowship of the Ring introduces the theme of the “lessening of the world” and the decay of humanity.
(12) GERMAN CRIME FICTION
AWARDS. The winners of the Deutscher Krimipreis, Germany’s oldest crime
fiction award, have been announced. Cora Buhlert, who sent the link, adds: “One
of the runners-up in the national crime novel category, Finsterwalde
by Max Annas, is actually sort of science fictional.”
Mexikoring by Simone Buchholz
Tankstelle von Courcelles by Matthias Wittekindt
64 by Hideo Yokoyama
Krumme Type, Krumme Type (Crooked Letter, Crooked Letter) by Tom Franklin
Blut Salz Wasser (Blood, Salt, Water) by Denise Mina
(13) SPACE, THE FINAL FRONT EAR. Another day, another Star Trek opinion
piece. Writing at FilmSchoolRejects.com,
Charlie Brigden takes a turn “Ranking The ‘Star Trek’ Themes.”
Music has always been a huge part of Star Trek, from 1966 and that fanfare to the modern stylings of Star Trek: Discovery, which begins its second season this week. Over the course of 13 movies and seven television series, not to mention a boatload of video games, various composers have tried their best to musically represent Gene Roddenberry‘s vision of gunboat diplomacy and utopian societies. But which theme reaches maximum warp first? Which of the many pieces of music can deal with the most phaser hits and deciphering technobabble? Let’s find out.
Brigden says a good bit about each of the themes, but
stripping it down to just the list:
15. Enterprise 14. The Animated Series 13. The Voyage Home 12. Deep Space Nine 11. Generations 10. Discovery 9. Nemesis 8. Star Trek ’09 7. The Undiscovered Country 6. Insurrection 5. Voyager 4. The Wrath of Khan 3. First Contact 2. The Original Series 1. The Motion Picture
…Meanwhile, across the vast emptiness of space incredible minds were watching Earth and thinking “I know, let’s invade Surrey”. You have to remember that this wasn’t the 1950s when invading aliens preferred to target sleepy small towns in America. This was the nineteenth century and if you were an alien and you were thinking of making a trip to Earth, your first thought was “Surrey”. It’s a case of a local tourist board being just a bit too successful with their promotion of local sights. “Visit Sunny Woking” said the brochure that a Martian advance scout had picked up at Waterloo Station in an extremely brief visit in 1885…
(15) JEOPARDY! PATROL. Andrew
Porter saw it on tonight’s Jeopardy!
Category: Potent Poe Tales
Answer: This Poe story’s title is realized as the narrator flees the “House” as it cracks and is torn asunder.
Wrong question: “What is the house with a crack in its wall?”
(16) PITCH MEETING. ScreenRant adds to its series with “Glass Pitch Meeting: Shyamalan’s
Sequel To Split And Unbreakable.”
Boeing Co said on Wednesday its flying car prototype hovered briefly in the air during an inaugural test flight, a small but significant step as the world’s largest planemaker bids to revolutionize urban transportation and parcel delivery services.
Boeing is competing with arch-rival Airbus SE and numerous other firms to introduce small self-flying vehicles capable of vertical takeoff and landing.
[…] Boeing’s 30-foot-long (9 meter) aircraft – part helicopter, part drone and part fixed-wing plane – lifted a few feet off the ground and made a soft landing after less than a minute of being airborne on Tuesday at an airport in Manassas, Virginia, Boeing said.
Future flights will test forward, wing-borne flight.
“This is what revolution looks like, and it’s because of autonomy,” John Langford, president and chief executive officer of Boeing subsidiary Aurora Flight Sciences, said in a news release announcing the test flight.
The Microsoft search engine, Bing, is back online in China after apparently being blocked on Wednesday, a company spokesperson told NPR.
“We can confirm that Bing was inaccessible in China, but service is now restored,” the spokeswoman said in an emailed statement.
…Microsoft President and Chief Legal Counsel Brad Smith explained that it’s not the first time the search engine has been blocked. “It happens periodically,” he said in an interview with Fox Business News from Davos, Switzerland, on Thursday.
Cheeky trolls that tower over passers-by can be found in the Danish wilds. Constructed using wood found around the city, the sculptor behind them wants to bring people into nature.
Go for a walk in a Danish forest and you may spot a giant troll peeking out from behind a tree, or lounging luxuriously across the ground. These folkloric creatures are made by recycling artist, designer and activist Thomas Dambo, who sculpts the enormous beings from reclaimed wood.
(20) RED DWARF
RETURNS. [Item by Mike Kennedy.] Red Dwarf is back, baby! Or
anyway, it will be. Den of Geek had
the story (“Red Dwarf
Series 13 Confirmed”) all the way back in April 2018.
The boys from the Dwarf will be back for a thirteenth series…
Red Dwarf XIII is happening! Dave has ordered a brand new series of our favourite space sitcom, as confirmed by Robert Llewellyn and Danny John-Jules at Thames Con, and then duly reported by British Comedy Guide shortly thereafter.
Baby Cow Productions are set to start filming series XIII in the first few months of 2019, and Doug Naylor will be back to write all the new episodes. Robert Llewellyn, Danny John-Jules, Craig Charles and Chris Barrie will, of course, all be along for the ride.
With more Red Dwarf on the way, [columnist] Mark [Harrison] ponders how the sci-fi sitcom’s revival on Dave has secured its future…
For a show that’s three million and 31 years into deep space, Red Dwarf is in pretty rude health. It’s been just over a year since the programme came to the end of its 12th series, the second of a two-series production block shot in early 2016, on UK TV channel Dave, and it looks as if there’s still plenty more to come from Lister, Rimmer, Kryten and the Cat.
(21) VIDEO OF
THE DAY. In
“Your Cocoon” on Vimeo, Jerry Paper explains why you can’t have any
fun if you’re a detached head.
Andrew Porter, Carl Slaughter, Steve Green, John King Tarpinian, Mike Kennedy,
JJ, Cat Eldridge, Chip Hitchcock, Cora Buhlert, Martin Morse Wooster, SF
Concatenation’s Jonathan Cowie, and Daniel Dern for some of these stories.
Title credit goes to File 770 contributing editor of the day Anna Nimmhaus.]
A prototype of SpaceX’s next big rocket fell over and sustained damage in south Texas, thanks to high winds in the area. Images from SpaceX’s facility in Boca Chica, Texas show part of the vehicle sideways on the ground and slightly crumpled. The damage from the mishap will take a few weeks to repair, according to CEO Elon Musk.
Since the holidays, SpaceX engineers in south Texas have been building a prototype of the company’s new Starship rocket. Formerly known as the BFR, the Starship is the next-generation vehicle that SpaceX is developing to transport cargo and people to orbit, as well as to the Moon, Mars, and maybe even beyond. The full system actually consists of two big components: a large rocket booster, named Super Heavy, which will launch a crew-carrying spacecraft — the Starship — into space.
(3) IN THE YEAR 2054. On
January 30, The Arthur C. Clarke Center for Human
Imagination presents Freeman Dyson and Gregory Benford discussing the
topic “Foreseeing the Next 35 Years–Where Will We Be in 2054?”
Wednesday, January 30, 2019 4:00 – 5:30 p.m. Roth Auditorium, Sanford Consortium for Regenerative Medicine UC San Diego
35 years after George Orwell wrote the prescient novel 1984, Isaac Asimov looked ahead another 35 years to 2019 to predict the future of nuclear war, computerization, and the utilization of space. The Arthur C. Clarke Center for Human Imagination and the Division of Physical Sciences are honored to welcome two living luminaries in the fields of physics and futurism–Freeman Dyson and Gregory Benford (Ph.D. ’67)–to peer ahead another 35 years, to 2054, and share their insights into what may be in store for us.
Professor emeritus at the Institute for Advanced Study, Freeman Dyson is an English-born American theoretical physicist and mathematician….
Gregory Benford is a physicist, educator, author, and UC San Diego alumnus (MS ’65, PhD ’67)…. A two-time winner of the Nebula Award, Benford has also won the John W. Campbell Award, the British Science Fiction Award, the Australian Ditmar Award, the 1990 United Nations Medal in Literature, and the Robert A. Heinlein Award.
(4) RSR ARTIST RESOURCE.Rocket Stack Rank has posted itsannual page
that highlights work by over 100 professional artists who are eligible for the
2019 Hugo Award for Best Professional Artist. “2019 Professional Artists”.
Eric Wong says —
It takes about a minute to browse the thumbnails on the page, or 5-10 minutes to view all 300+ large images one by one with just a key press or screen tap each (no need to close tabs or hit the back key for the next one) thanks to the “lightbox” view. Creating a shortlist of ones you like is also easy by control-clicking or long pressing the artists’ name in the lightbox. Moreover, we’ve included links to the artists’ websites and search links to find artist interviews. If an image makes you curious about the book/magazine/story, there’s a link for that, too. 🙂
Performance-wise, the page is fine on phones and tablets because it’s a bit smaller and loads a bit faster than the File 770 home page (about 5 MB, under 2 seconds). If you view all 300+ large images in the lightbox, about 40 MB will be downloaded by the time you reach the end.
(5) SFWA STORYBUNDLE. The SFWA Fantasy Bundle curated by Terry Mixon is available from Storybundle for about another three weeks. Bundle buyers have a chance to donate a portion of their proceeds to the Science Fiction and Fantasy Writers of America.
Pay what you want!
For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of five books in any ebook format—WORLDWIDE.
Twenty-Sided Sorceress – Books 1-3 by Annie Bellet
Ashwin by Kit Rocha
& Rose by
– The Complete Season One by
Michael R. Underwood
You choose how much you want to pay for these awesome books. (Click on each book above to check them out.) You decide how much of your purchase goes to the author and how much goes to help keep StoryBundle running. If your purchase price is $15 or more, you get SEVEN more books: Radiance by Grace Draven, The Arrows of the Heart by Jeffe Kennedy, The Raven and the Reindeer by T. Kingfisher, Blood Dragon – Books 1-3 by Lindsay Buroker, Al-Kabar by Lee French, The Glass Gargoyle by Marie Andreas and Catching Echoes – Reconstructionist Series Book 1 by Meghan Ciana Doidge!
“Worlds of Ursula K. Le Guin,” a film by Arwen Curry, opened today in Seattle, exactly a year since Ursula died. John and I went to the first showing. It’s quite a wonderful film, lots of voiceovers by Ursula, lots of photos of Ursula, a few talking heads, and a number of interesting special effects. I was pleased to see Vonda N McIntyre there, in the film, and surprised to see a clip of Nisi Shawl and myself chatting with Ursula in an episode of our short-lived cable talk show, produced by Vonda. (I mean, we had all given our permission, but I had forgotten.) It was lovely to hear her voice again.
…As I’ve been somewhat immersed in Tolkien’s lore, I’ve been thinking about what the future of Tolkien’s legacy might be. Clearly, there are huge Hollywood ambitious with it. Amazon is spinning up a fantastically expensive show that’s not *quite* an adaptation of LOTR, but which is said to follow Aragorn before the trilogy, which would be… interesting. It’s also supposedly set in Jackson’s particular vision of Middle-earth, which would make sense, given that that’s what the general public is most familiar with. After all, Guillermo del Toro apparently got the ax by deviating too much from Jackson’s world when he went to adapt The Hobbit.
Adapting Middle-earth is a huge challenge, and looking back on Jackson’s efforts on the first trilogy shows just how well they nailed it — Tolkien purists be damned — balancing the need for something accessible while getting the right tone of the world *right*.
(8) WHO LIVES UP TO YOUR
EXPECTATIONS?[Item by Mike Kennedy.]Buzzfeed has a list of
Twitter posts for “15 Times Meeting A Celeb Lived
Up To Our Expectations,” and several of the named celebrities have
genre ties. Carie Fisher appears on the list twice. Also on the
list: Harrison Ford, Pierce Brosnan, George Takei, and Guillermo Del Toro.
Over the weekend, Twitter user Doug
Tilley asked his followers to share stories about meeting their
heroes and having the interaction live up to the hype: The thread
quickly went viral, with people from all over sharing their heartwarming
exchanges with celebs. The thread starts here.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 23, 1939 – Greg and Tim Hildebrandt. Greg is age 80, but Tim passed in 2006. I’d say best known for their very popular and ubiquitous Lord of the Rings calendar illustrations, also for illustrating comics for Marvel Comics and DC Comics. They also did a lot of genre covers so I went to ISFDB and checked to see if I recognized any. I certainly did. There was Zelazny’s cover of My Name is Legion, Tolkien’s Smith of Wootton Major and Farmer Giles of Ham and Poul Anderson’s A Knight of Ghosts and Shadows. Nice.
Born January 23, 1943 – Gil Gerard, 76. Captain William “Buck” Rogers in Buck Rogers in the 25th Century which I fondly remember as a really a truly great SF series even if it really wasn’t that great. He also shows up in the very short lived E.A.R.T.H. Force as Dr. John Harding, and he’s General Morgenstern in Reptisaurus, a movie title that proves someone had a serious lack of imagination that day. In Bone Eater, a monster film that Bruce Boxleitner also shows up in as Sheriff Steve Evans, he plays Big Jim Burns, the Big Bad. Lastly, I’d like to note that he got to play Admiral Sheehan in the “Kitumba” episode of fan created Star Trek: New Voyages.
Born January 23, 1944 – Rutger Hauer, 75. Roy Batty In Blade Runner of course but did you know he was Lothos In Buffy the Vampire Slayer? That I’d forgotten. He’s also William Earle in Batman Begins, Count Dracula himself in Dracula III: Legacy, Captain Etienne Navarre in Ladyhawke, the vey evil John Ryder in The Hitcher, Abraham Van Helsing in Dracula 3D, King Zakour in, and no I didn’t know they’d done this film, The Scorpion King 4: Quest for Power and finally let’s note his involvement in Valerian and the City of a Thousand Planets as President of the World State Federation.
Born January 23, 1950 – Richard Dean Anderson, 69. Unless you count MacGyver as genre which I can say is open to debate, his main and rather enduring SF role was as Jack O’Neill in the many Stargate Universe series. Well Stargate SG-1 really as he only briefly showed up on Stargate Universe and Stargate Atlantis whereas he did one hundred and seventy-three episodes of SG-1. Wow. Now his only other SF role lasted, err, twelve episodes in which he played Enerst Pratt alias Nicodemus Legend in the most excellent Legend co-starring John de Lancie. Yeah, I really liked it.
Born January 23, 1964 – Mariska Hargitay, 55. Did you know she’s the daughter of Jayne Mansfield? I certainly didn’t. Her first film appearance was as Donna in Ghoulies which is a seriously fun film. Later genre creds are limited but include playing Marsha Wildmon in the Freddy’s Nightmares – A Nightmare on Elm Street: The Series. She also plays Myra Okubo in the Lake Placid film and voices Tenar in the not very good, indeed truly awful, Tales from Earthsea.
The punk connection takes center stage with “Dr. Demento Covered in Punk,” an exceedingly ambitious and densely packed double album — triple in the vinyl edition — being released Jan. 12.
The album comprises 64 tracks spread over a pair of CDs, pulling together new recordings of “mad music and crazy comedy” songs long associated with the quirky radio emcee. Participants include Yankovic, Joan Jett & the Blackhearts, William Shatner, Adam West, the Vandals, Fred Schneider of the B-52’s, the Misfits, Japan’s Shonen Knife, Los Straitjackets, Missing Persons, the Dead Milkmen and at least a dozen more.
“I was always a fan of rock ‘n’ roll, and some of the early punk music of the ‘60s with groups like the Music Machine,” Hansen, 76, said in the cozy living room of his home in Lakewood, where he also records his shows that now reach listeners through subscriptions by way of his official website.
“So when the new punk rock showed up around 1976 and 1977, I played a few samples on my show,” he said. Hansen graduated as a classical music major from Reed College in Portland, Ore., and subsequently earned his master’s degree in folk music studies from UCLA.
“I got the Ramones’ first album and played several of those songs, including ‘Beat on the Brat,’ the song Weird Al did for this album,” said Hansen, who has been inducted into the National Radio Hall of Fame, the Comedy Hall of Fame and the Oregon Music Hall of Fame.
Imagine a bookstore that worked on a membership program — instead of buying books, you rented them. …Seems like a fancy Internetty startup? Nope. It’s your local library….
…And let’s face it, many kids with fines don’t have to have those conversations with their parents — they can avoid the fine simply by avoiding taking other books the library. (And at that point, the library is going to suspend their borrowing privileges anyway.) The result is a lose-lose situation: the kids read less and the library doesn’t get that $10 anyway.
So, the Los Angeles County library system fixed it. They call it the “Great Read Away.”
Cardholders under the age of 21 have a new way to pay their fines through the program, no money required. All they need to do is come to the library and read. For every hour of reading, the library system will forgive $5 worth of fines. And it needn’t be a book, either — magazines, newspapers, and comic books count. (Listening to audiobooks or watching movies based on novels does not, however.) Parents and caregivers can read to children to help the kids pay off the debt (but only the kids’ debt), and for those kids who don’t have the stamina to read for an hour, the librarians can give pro-rated credit.
The latest issue of Beneath Ceaseless Skies has a lot to do with transformations, with the threat of revenge, and with the need for freedom. It finds characters who are caught in circumstances of waiting to be punished. To be found out. And trying to find a way free of the things hanging over them. Now, some of those things are no fault of their own and some of them…well, the characters aren’t always quite so innocent. But the piece looks at freedom and who can hope for it, and what it might cost. The stories deal with the weight of revenge and the feelings that can come when that weight is lifted and set down. To the reviews!
It’s barely three-quarters of the way through January, and already a story has emerged that seems to perfectly encapsulate the early 2019 hellscape: According to a somewhat dubious Reddit post, two furloughed federal workers are subsisting solely on the Silicon Valley-born meal replacement known as Soylent so they can afford to feed their infant child.
Titling his post “Soylent has financially saved my family’s life amid the government shutdown,” the author thanks the company for offering a discount for affected federal employees, writing, “This has literally saved my family’s lives. I was in tears when I saw the [discount advertised] on their Instagram story.” Soylent is offering furloughed workers 35 percent off until the government resumes normal operations.
(17) IN JEOPARDY! Jeopardy! monitor Andrew Porter saw this
come up on tonight’s show.
Answer: Dame Daphne Du Maurier’s works made into Hitchcock films include ‘Rebecca’ and this high-flying novelette.
I know you guys are not used to listening to a small-framed Asian woman speak with authority, but I’m going to say this once and for all: You can keep all your fucking books, you ungrateful motherfuckers. All I wanted was to spark a little joy in your fucking miserable lives, which you’ve tried to make fulfilling by purchasing fucking stuff. But fuck me, I guess, for mentioning that I like to have only 30 books in my house.
See, the problem here is that some of you have interpreted my warm voice, bubbly attitude, and cheery disposition as a surefire sign that I will personally come to your home and build a bonfire out of your unread copies of those J. K. Rowling novels she wrote under a pseudonym that sounds like the name of a Hogwarts professor. Your ex-boyfriend gave you those for your anniversary three years ago. Had you ever mentioned wanting to read those books? Not really. But you did once tell your ex you were a Hufflepuff, so surely they must have some emotional value to you. What kind of fucking monster am I for suggesting you maybe consider donating those books to a local library or thrift shop? So yeah, go off. Enjoy the adventures of Cormoran Fucking Strike. Yeah, that’s the name of the main character. Buckle up, buddy…
Martin Morse Wooster, John King Tarpinian, Eric Wong, Chip Hitchcock, JJ, Mike
Kennedy, Cat Eldridge, Andrew Liptak, Carl Slaughter, and Andrew Porter for
some of these stories, Title credit goes to File 770 contributing editor of the
day Paul Weimer.]
(1) A DOG STORY. The Verge has released the latest installment in its multimedia
science fiction project about hope, Better Worlds. Don’t tell me – John Scalzi wrote a
story about a Sad Puppy?
Today, we published one of the original short stories that we’re most excited about, “A Model Dog,” from prolific science fiction writer and Hugo Award-winner John Scalzi. Scalzi is a familiar name to most science fiction readers, best known for his novels Old Man’s War, Redshirts, The Collapsing Empire, and, most recently, The Consuming Fire.
In Scalzi’s hilarious new story story “A Model Dog” and the video adaptation from animator Joel Plosz, an eccentric tech billionaire’s frivolous project to “engineer a solution” to a dying dog takes a surprising and heartwarming turn.
It does seem like this type of experimentation would have a downstream effect. I know Neil deGrasse Tyson is fond of saying that going to space brought with it a number of other things you wouldn’t expect.
Absolutely. It’s the whole Velcro effect. You go into space, so you had to invent Velcro. It’s weird when you think about it. I’m not necessarily a proponent of the idea that you do a big thing because you get a few small, ancillary things out of it because it’s not guaranteed that you’ll get anything out of it. But it’s certainly not wrong. Anything you do is going to have failures and spinoffs and dead ends. But those failures, spinoffs, and dead ends aren’t necessarily things that are going to be bad or useless. It might be an unexpected thing. You do see this. A guy wanting to make a more powerful adhesive ended up creating the sticky note at 3M. Even if something doesn’t work the way you expect it to, you still get something beneficial out of it. And, to some extent, that’s what this story also nets: they aimed for one thing, and they ended up getting another.
I really hadn’t thought about the issue this year. I suppose my feeling is that one year of telling people what to do with their vote is enough. I’m not officially taking myself out of the running, but I don’t expect to be nominated again. If it does come up, I’ll decide what to do then.
(3) AMERICAN GODS. The
epic war of the gods begins when American
Gods premieres March 10 on STARZ.
It gives us great pleasure to announce that the winner is TROY L. WIGGINS, who was chosen for his outstanding contributions to Midsouth literacy, both as a writer of SF/F/H short stories and for his role in founding Fiyah Lit Mag, a relatively-new SF/F/H magazine (now in its third year).
Mr. Wiggins joins 16 previous inductees, including Nancy Collins, Eric Flint, Justin Cronin, Howard Waldrop, and a dozen more worthies.
There’s more information on the Coger Memorial Hall of Fame
Here is the entire list of what Virgin Money will cover:
by a sharknado
by a 100 ft tall Stay Puft marshmallow man
by a world terraforming engine (ie: Superman)
caused being pursued by a Giant from a cloud-based castle
trampled by Godzilla
by Decepticon (ie: Transformers)
by heat ray from Martian tripods
by the Loch Ness monster
Being given the cruciatus curse
by Lord Voldemort
(8) TODAY IN HISTORY.
21, 1972 — NYC hosted the first Star Trek Convention.
(9) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born January 21, 1923 – Judith Merril. Author of four novels, Shadow on the Hearth, Gunner Cade, Outpost Mars and The Tomorrow People of which the last three were with C. M. Kornbluth. She also wrote twenty six stories which can be found in The Best of Judith Merril. She was an editor as well of both anthologies and magazines. Her magazine editorship was as Judy Zissman and was Science*Fiction in 1946 and Temper! In 1945 and 1947. May I comment that ISFDB notes Temper! has a header of The Magazine of Social Protest which given its date may make it the earliest SJW citation known in our genre? Oh and between, 1965 and 1969, she was an exemplary reviewer for the Magazine of Fantasy and Science Fiction. She was also a much lauded Books Editor there at the same time. Yes, I know she had a complicated personal life but that’s not for here. (Died 1997.)
Born January 21, 1924 — Dean Fredericks. Actor best known for his portrayal of the comic strip character Steve Canyon in the television series of the same name which aired from 1958–1959 on NBC. His first genre role is in Them! followed by appearances in The Disembodied and the lead in The Phantom Planet. (Died 1999.)
Born January 21, 1956 – Diana Pavlac Glyer, 63. Academic whose work centers on C. S. Lewis, J. R. R. Tolkien, and the Inklings. She has a number of published works to date with two of interest to us, Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings and The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community. The third in case you’re wondering is Clay in the Potter’s Hands.
Born January 21, 1956 – Geena Davis, 63. Her first genre was as Veronica “Ronnie” Quaife In The Fly followed by her by widely remembered roles as Barbara Maitland in Beetlejuice and Valerie Gail In Earth Girls Are Easy. She next plays Morgan Adams in the theatrical bomb Cutthroat Island before getting the choice plum of Mrs. Eleanor Little in the Stuart Little franchise. She has a lead role in Marjorie Prime, a film tackling memory loss in Alzheimer’s victims some fifty years by creating holographic projections of deceased family members that sounds really creepy. Her major series role to date is as Regan MacNeil on The Exorcist, a ten episode FOX sequel to the film.
Born January 21, 1958 – Michael Wincott, 61. Guy of Gisbourne In Robin Hood: Prince of Thieves was his first genre role. Oh well. He did much better playing the truly evil Top Dollar in The Crow next, and his Comte de Rochefort in the 1993 The Three Musketeers wasn’t that bad. He played Philo Grant in Strange Days, and was Captain Frank Elgyn In Alien Resurrection. His latest film role was as Dr. Osmond In Ghost in the Shell. He shows up as the Old Bill character in the “The Original” and “Contrapasso” episodes of Westworld.
Born January 21, 1970 – Ken Leung, 49. Best known for playing Miles Straume in Lost, Admiral Statura in Star Wars: The Force Awakens and Kid Omega in X-Men: The Last Stand. His latest role is as Karnak, a member of the Inhumans on the series Inhumans. His first genre appearance was I think was as Syatyoo-Sama in A.I. and he later has a recurring role on Person of Interest, a show where AIs play a prominent role.
Lucas could have made a fortune with custom editions if he’d followed the advice implicit in this classic FoxTrot.
(11) REACTIONARY COMPS. Laura B. McGrath, in “Comping White” at LA Review of Books, makes the case that a publishing industry technique for projecting a book’s success, comp titles, is biased against people of color, and further, tends to neutralize the effect of having more people of color working behind the scenes.
…Instead, I decided to study the most important data that no one outside of publishing has ever heard of: Comp Titles. “Comps are king in this business,” an editor told me. (She works for a major house, and spoke under the condition of anonymity.) Comps, short for “comparable” or “comparative” titles, are the basis of all acquisitions. By predicting profits and losses, comps help editors determine if they should acquire a book or not. Comps are a sort of gatekeeper, determining what — and who — gets access to the marketplace.
The logic is straightforward: Book A (a new title) is similar to Book B (an already published title). Because Book B sold so many copies and made so much money, we can assume that Book A will also sell so many copies and make so much money. Based on these projections, editors determine if they should pre-empt, bid, or pass on a title, and how much they should pay in an author advance. Above all, comps are conservative. They manage expectations, and are designed to predict as safe a bet as possible. They are built on the idea that if it worked before, it will work again…
And if there’s no comp to be found? If a book hasn’t ever “worked” because it hasn’t ever happened? If the target audience for a book isn’t considered big or significant enough to warrant the investment? “If you can’t find any comps,” one editor explained, grimacing, “It’s not a good sign.” While intended to be an instructive description (“this book is like that book”), some editors suggested that comps have become prescriptive (“this book should be like that book”) and restrictive (“…or we can’t publish it”).
The mysterious “Planet Nine,” which is theorized to be 10 times larger than Earth and lies somewhere in the outer reaches of our solar system, might not be a planet at all, says a new study.
It may really be a gigantic disk made up of smaller objects lying just beyond Neptune exerting the same gravitational force as a super-Earth-sized planet, according to researchers at the University of Cambridge and the American University of Beirut.
(13) IN A HOLE IN THE
GROUND THERE LIVED A MARTIAN COLONIST. Dwayne Day reviews season 2 of National
Geographic’s Mars in “Mars:
Bringer of ennui (Part 1)” at The
The first season, consisting of six episodes, featured some excellent and insightful documentary segments and commentary, but the drama segments, which were closely tied to the documentary stories, were grim and depressing. Now, two years later, season two has aired. Unfortunately, that same dynamic was repeated: often stunning documentary segments and intelligent commentary interspersed with tedious and uninspiring drama. If National Geographic has a message about the human exploration of Mars, it is that nobody will have any fun.
The interconnectedness of Europe has a long history, as we’re reminded when we explore the roots of the English language – roots that stretch back to the 5th Century. Anglo-Saxon England “was connected to the world beyond its shores through a lively exchange of books, goods, ideas,” argues the Medieval historian Mary Wellesley, describing a new exhibition at the British Library in London – Anglo-Saxon Kingdoms: Art, Word, War – that charts the genesis of England.
“Something like 80% of all surviving Old English verse survives in four physical books… for the first time in recorded history they are all together,” she tells BBC Culture. “The period that is represented by Old English is about 600 years, which is like between us and back to Chaucer… imagine if there were only four physical books that survived from that period, what would that say about our literature?”
The trolls and orcs in The Lord of the Rings films aren’t real. The dragons and dire wolves on the hit television show Game of Thrones are simulated. The dinosaurs that rampaged through a string of Jurassic Park films don’t exist outside a computer. Or do they?
These days, it can be hard to tell from the screen, given that computer-generated characters in films and video games now seem so realistic down to every tooth and claw. The realism comes from the long and fruitful interaction between science and the cinema that can be traced back to the pioneering work more than a century ago of the photographer Eadweard Muybridge (the eccentric spelling of his first name was a deliberate homage to Anglo-Saxon style).
The blending of cinematic and scientific techniques continues today. In a paper in this week’s Nature, researchers describe how they used animation techniques to reconstruct the motion of a long-extinct animal….
(18) LOOKING FOR A LAIR. A new trailer for SHAZAM! — in theaters April 5.
[Thanks to John King Tarpinian, Cat Eldridge, Chip Hitchcock, Andrew Liptak, Mike Kennedy, Martin Morse Wooster, JJ, SF Concatenation’s Jonathan Cowie, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
A new filming project is sweeping through Morgan County this week for a reboot television series of Steven Spielberg’s sci-fi/horror “Amazing Stories,” with shooting locations in Rutledge, Bostwick and right outside of Madison.
Filming begin on Monday, Jan 14 off Highway 83 outside of Madison and then moved to Bostwick, behind the Cotton Jin on Mayor John Bostwick’s farm. Downtown Rutledge is getting a full makeover this week for the filming project, which will shoot on Friday, Jan 18 and run into the wee hours of Saturday, Jan 19. Rutledge’s iconic gazebo underwent a paint job for the filming, and on Wednesday, Jan. 16, crews began covering the intersection of Fairplay Road and Main Street with dirt.
The Verge also has “A Q&A with the author” where “Leigh Alexander discusses the world of ‘Online Reunion’ and the ‘compelling, fascinating, beautiful, terrifying car crash of humanity and technology.’”
In “Online Reunion,” author Leigh Alexander imagines a world in which a young journalist is struggling with a compulsive “time sickness,” so she sets out to write a tearjerker about a widow reconnecting with her dead husband’s e-pet — but she finds something very different waiting for her in the internet ether. A self-described “recovering journalist” with a decade of experience writing about video games and technology, Alexander has since branched out into fiction, including an official Netrunner book, Monitor, and narrative design work for games like Reigns: Her Majesty and Reigns: Game of Thrones.
The Verge spoke with Alexander about finding joy and connection online, preserving digital history, and seeing the mystical in the technological.
“After the initial statement of purpose, though, the show falls victim to both pacing problems and a certain lopsidedness. A show like this, with title and premise centered around what it would mean to be a pioneer on a new planet, encourages an excited sort of stargazing; that quite so much of it is spent exploring Hagerty’s family crisis saps the energy and spirit from a show that should have both in spades.”
Her son, Danny Karapetian, wrote on Facebook 1/13/19, “It is my very sad duty to report that my Mom Bettina passed away this morning. “She was an indefatigable force of nature, a talented and decorated writer, and a loving mother, sister, and friend to everyone she knew. I know how much she cared about all of you, and how much you all loved her.”
Quoting Jonathan Eller, Ph.D., Center for Ray Bradbury Studies, “Bettina was herself a successful writer, achieving great success on daytime TV dramas Santa Barbara (1987-1993), All My Children (1995-2003), Days of Our Lives (2007), and others. She won several Emmy Awards and Writers Guild of America Awards, and earned yet more nominations.”
…Daughter of famed science fiction writer Ray Bradbury, known mostly for his stunning novel Fahrenheit 451, and Marguerite McClure, Bradbury proved that the writing gene can be passed down. She studied Film/History at USC School of Cinematic Arts
NBC’s Santa Barbara was her first soap writing team in the early 1990s. She also wrote for both All My Children (and won three Daytime Emmys) and One Life to Live on ABC and later worked on Days of Our Lives, also for NBC.
(7) DAVIES OBIT. [By Steve Green.] Windsor Davies (1930-2019): British actor, died January 17, aged
88. Genre appearances include The
Corridor People (one episode, 1966), Adam
Adamant Lives! (one episode, 1967), Doctor
Who (three episodes, 1967), Frankenstein
Must Be Destroyed (1969), UFO (one
episode, 1970), The Guardians (one
episode, 1971), The Donation Conspiracy
(two episodes, 1973), Alice in Wonderland
(one episode, 1985), Terrahawks (voice
role, 39 episodes, 1983-86), Rupert and
the Frog Song (1985), Gormenghast
(two episodes, 2000).
[Compiled by Cat Eldridge.]
Born January 19, 1809 — Edgar Allan Poe. I’ve got several several sources that cite him as a early root of SF. Anyone care to figure that out? Be that as it may, he certainly wrote some damn scary horror — ones that I still remember are “The Murders in the Rue Morgue,” “The Tell-Tale Heart,” and “The Masque of the Red Death.” (Died 1849.)
Born January 19, 1930 – Tippi Hedren, 89. Melanie Daniels In Alfred Hitchcock’s The Birds which scared the shit out of me when I saw it a long time ago. She had a minor role as Helen in The Birds II: Land’s End, a televised sequel done thirty years on. No idea how bad or good it was. Other genre appearances were in such films and shows as Satan’s Harvest, Tales from the Darkside, The Bionic Woman, the new version of Alfred Hitchcock Presents and Batman: The Animated Series,
Born January 19, 1932 – Richard Lester, 87. Director best known for his 1980s Superman films. He’s got a number of other genre films including the exceedingly silly The Mouse on the Moon, Robin and Marian which may be my favorite Robin Hood film ever, and an entire excellent series of Musketeers films. He also directed Royal Flash based on George MacDonald Fraser’s Flashman novel of that name.
Born January 19, 1981 – Bitsie Tulloch, 38. Her main role of interest to us was as Juliette Silverton/Eve in Grimm. She also has played Lois Lane in the recent Elseworlds episodes of this Arrowverse season. However I also found her in R2-D2: Beneath the Dome, a fan made film that use fake interviews, fake archive photos, film clips, and behind-the-scenes footage to tell early life of that droid. You can see it and her in it here.
Since it’s the season for basking in all things dreadful, we decided to round up twenty-five of the greatest illustrations ever made for Poe’s work. Some are more terrifying, others more beautiful, but all fall somewhere on the spectrum of terrifyingly beautiful, and we can’t stop looking at them, just as we can’t stop reading the works of the great Edgar Allan Poe.
What’s the first image that pops into your head when you think of Edgar Allan Poe? Is it this ubiquitous one? Maybe it’s that snapshot of your old roommate from Halloween 2011, when she tied a fake bird to her arm and knocked everyone’s champagne glasses over with it. (Just me?) Or is it an image of Poe in one of his many pop culture incarnations? You wouldn’t be alone.
After all, Poe pops up frequently in contemporary culture—somewhat more frequently than you might expect for someone who, during his lifetime, was mostly known as a caustic literary critic, even if he did turn out to be massively influential. I mean, it’s not like you see a ton of Miltons or Eliots running around. So today, on the 210th anniversary of Poe’s birth, I have compiled a brief and wildly incomplete selection of these appearances. Note that I’ve eliminated adaptations of Poe’s works, and focused on cameos and what we’ll call “faux Poes.” Turns out it isn’t just my old roommate—lots of people really love to dress up as Edgar Allan Poe.
First on the list:
1949: Ray Bradbury, “The Exiles,” published in The Illustrated Man
As you probably know, Poe’s work has been massively influential on American literature. In a 1909 speech at the Author’s Club in London, Arthur Conan Doyle observed that “his tales were one of the great landmarks and starting points in the literature of the last century . . . each is a root from which a whole literature has developed. . . Where was the detective story until Poe breathed the breath of life into it?” But it’s not just his work—Poe as a figure has infiltrated a number of literary works, including this early Bradbury story, in which Poe (along with Algernon Blackwood, Ambrose Bierce, Charles Dickens, and William Shakespeare) is living on Mars, and slowly withering away as humans on Earth burn his books. The symbolism isn’t exactly subtle, but hey.
The boundaries between worlds have drawn perilously thin…
Arkham Horror: The Card Game is a cooperative Living Card Game® set amid a backdrop of Lovecraftian horror. As the Ancient Ones seek entry to our world, one to two investigators (or up to four with two Core Sets) work to unravel arcane mysteries and conspiracies.
Their efforts determine not only the course of your game, but carry forward throughout whole campaigns, challenging them to overcome their personal demons even as Arkham Horror: The Card Game blurs the distinction between the card game and roleplaying experiences.
(12) NO APRIL FOOLIN’. There’s
a trailer out for Paramount’s Pet
Sematary remake —
Sometimes dead is better…. In theatres April 5, 2019. Based on the seminal horror novel by Stephen King, Pet Sematary follows Dr. Louis Creed (Jason Clarke), who, after relocating with his wife Rachel (Amy Seimetz) and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall (John Lithgow), setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.
(13) 1943 RETRO HUGO
ADVICE. DB has written a post
on works by Mervyn Peake, Lord Dunsany, C.S. Lewis, and Charles WIlliams
eligible for the Retros this year. It begins with an illustration —
This is Samuel Taylor Coleridge’s Ancient Mariner, as drawn by Mervyn Peake. Vivid, isn’t it? Peake’s illustrated edition of the Coleridge poem The Rime of the Ancient Mariner was published by Chatto and Windus in 1943, and is the first reason you should consider nominating Peake for Best Professional Artist of 1943,1 for the Retro-Hugos 1944 (works of 1943) are being presented by this year’s World SF Convention in Dublin. (The book might also be eligible for the special category of Best Art Book, for while it’s not completely a collection of visual art, the illustrations were the point of this new edition of the classic poem.)
Though remembered now mostly for his Gormenghast novels, Peake was primarily an artist. He had in fact 3 illustrated books published in 1943, and all three of them were arguably fantasy or sf.2
(14) F&SF FICTION TO LOVE. Standback took to Twitter to cheer on F&SF with a round-up of his favorite stories from the magazine in 2018. The thread starts here.
(15) RARE BOOKS LA. Collectors
will swarm to Pasadena on February 1-2 for this event —
Rare Books LA is a book fair that features more than 100 leading specialists in rare books, fine prints, photography, ephemera, maps, and more from throughout the United States, Europe, and Asia. This prestigious event takes place at the Pasadena Convention Center.
Rare Books LA will compromise of numerous exhibitors. There will be 60+ exhibitors that come from around the world to showcase their rare books. Expect to discover exhibitors who also showcase photography and fine prints. To view the list of exhibitors, click here.
Early humans were still swinging from trees two million years ago, scientists have said, after confirming a set of contentious fossils represents a “missing link” in humanity’s family tree.
The fossils of Australopithecus sediba have fueled scientific debate since they were found at the Malapa Fossil Site in South Africa 10 years ago.
And now researchers have established that they are closely linked to the Homo genus, representing a bridging species between early humans and their predecessors, proving that early humans were still swinging from trees 2 million years ago.
On the night of September 1, 1849, the nearly full Moon appeared over the town of Canandaigua, New York. At 10:30 P.M., Samuel D. Humphrey slid a highly polished, silver-plated copper sheet measuring 2–¾x1–¾ inches into his camera, which was pointed at the Moon.
Humphrey then exposed the light-sensitive plate to the shining Moon nine times, varying the length of exposure from 0.5 seconds to 2 minutes. After developing the plate with mercury vapor, he sent his daguerreotype to Harvard College.
Louis Daguerre, the Frenchman who explained the secret of the world’s first photographic technique in 1839, had daguerreotyped a faint image of the Moon, but the plate was soon lost in a fire. John W. Draper of New York City is credited with making the first clear daguerreotype of the Moon in March 1840, but this also was destroyed in a fire.
The rough and rocky landscape of Mars continues to take a toll on the wheels of NASA’s Curiosity rover. As part of a routine checkup, Curiosity snapped some new images of its wheels this week.
Most of the photos don’t look too alarming, but one in particular shows some dramatic holes and cracks in the aluminum.
(19) GLASS EXIT. If you
left the theater in a haze, Looper wants
to help you out:
[Thanks to Standback, JJ, Mike Kennedy, Chip Hitchcock, Michael Toman, Carl Slaughter, Andrew Porter, John King Tarpinian, Steve Green, Cat Eldridge and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]
The Verge today launched Better Worlds, a new series of short fiction stories, audiobooks and animation that explores how technology could shape society and the environment in better, more equitable ways.
Everything today is so dark. The news is terrible. The TV shows are grim. The superheroes are dark. However many of the best creators and inventors were inspired by golden age sci-fi comics, shows like Star Trek, and writers like Isaac Asimov and Octavia Butler, who imagined science improving the future.
“At The Verge, we’re committed to exploring how the intersection of technology and culture will impact our lives in the future,” said Nilay Patel, Editor-in-Chief of The Verge. “Better Worlds will pull together some of biggest names in sci-fi to bring positive new light and thinking on what’s to come.”
That’s why The Verge is launching Better Worlds, bringing exciting names in science fiction like Justina Ireland, John Scalzi, and Leigh Alexander whose original short stories disrupt the common narratives of an inevitable apocalypse and explore spaces our fears have overlooked. The series, sponsored by Boeing, will showcase original storytelling from these heavy-hitting writers, with 11 original fiction stories, five animated adaptations, and five audio adaptations.
I’d love to write a lot of inspirational entries about still being alive but Buffy the Vampire Slayer was right when she said, ‘The hardest thing in this world is to live in it.’ It’s also the busiest. I’ve been so busy continuing to be alive, I haven’t had time to wax rhapsodic about continuing to be alive.
That my sound sarcastic but in truth, I wish I could. I wish I could tell you that every glitch and inconvenience, every little (and not so little) ache and pain, every boring chore and utterly grey day is a reminder that it’s still great to be alive and to know that I’m going to be alive for some indefinite period of time.
Cancer and I have reached a stand-off that puts it in the background of my life. In fact, it’s so much in the background that I really do forget I have it.
This is a collection of memories, a spontaneous burst of creative works, a celebration of Mexicanx creators and fans, and a documentation of something that started with passion and a vision and grew into so much more.
The Mexicanx Initiative, started by Worldcon 76 Artist Guest of Honor, John Picacio, and sponsored by many wonderful and caring members of the Worldcon community, brought 42 Mexican and Mexican-American people to San Jose, California in August of 2018 to attend Worldcon 76.
Stories, essays, food, poems, art, and so much more were born of this experience….
In the introduction to How Long ‘til Black Future Month?, you write that short stories presented a way for you to work out techniques and consider perspectives without the commitment of a novel. What else do short stories offer you that the novel doesn’t?
Really, that’s the main thing. You’re still putting a pretty hefty mental commitment into making a short story. Even though it’s relatively brief, you still have to come up with a world that’s coherent. I find short stories almost as difficult to write as novels, it’s just less time-consuming. Short stories are hard for me. That’s why the collection is something like fifteen years worth of short stories. They asked me to write several new ones for the collection and I was just like, Not likely to happen. In fact, I can really only write them when I’m between novels because they take away from whatever energy I’m trying to pour into a novel.
I have the distinct joy to hand off the role of editor to Elora Gatts, recently of PodCastle. She is a keen and insightful reader and I can’t wait to read the stories she picks for the zine.
(5) A FUTURE WITHOUT HER. Wow. No sooner did she introduce The Verge’s “Better Worlds” than she was out.
media is cutthroat etc. but it feels absolutely wild to see the verge promoting their flashy, v cool new project on the same day that the editor of said project reveals she's been laid off by the verge? we are an industry of sociopaths pic.twitter.com/9vFwxScat4
(6) NYRSF’S TWELFTHMONTH. With the aid of C.S.E. Cooney and Carlos Hernandez, the New York Review of SF Readings Series maintains its tradition of having families perform at the December gathering.
The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. The series usually takes place the first Tuesday of every month,
C.S.E. Cooney lives and writes in the Borough of Queens. She is an audiobook narrator, the singer/songwriter Brimstone Rhine, a Rhysling Award-winning poet, and the author of World Fantasy Award-winning Bone Swans: Stories (Mythic Delirium 2015). Her recent short fiction can be found in Sword and Sonnet, an anthology of battle poets, and in Ellen Datlow’s Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll’s Alice in Wonderland.
Carlos Hernandez is the author of the critically acclaimed short story collection The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and most recently, as part of the Rick Riordan Presents imprint of Disney Hyperion, the novel Sal and Gabi Break the Universe (2019). By day, Carlos is an associate professor of English at the City University of New York, with appointments at BMCC and the Graduate Center, and a game designer and enthusiast. Catch him on Twitter @writeteachplay.
The event takes place December 11 at the Brooklyn Commons Cafe, 388 Atlantic Avenue, Brooklyn, NY. Doors open at 6:30 — event begins at 7
(7) THE HUMANITY BUREAU. A dystopian thriller set in the year 2030 that sees the world in a permanent state of economic recession and facing serious environmental problems as a result of global warming. The film, starring, Nicolas Cage, Sarah Lind, and Jakob Davies, [correction] was released in April 2018.
(8) NEW CAR SPELL. When John Scalzi went to shift to a higher gear he discovered he’d already used his quota.
(I did check the online MINI store to see if there was a replacement there. There was not, or at least not for this model, with a manual. SO, I think that triggers the "whole new replacement model" clause.)
Born December 7, 1945 – Clive Russell. Currently Brynden Tully in Game of Thrones. Other genre roles include but are not limited to Helfdane in The 13th Warrior (a retelling of Beowulf), Mr. Vandemar in the Neverwhere series, Lancelot’s Father in King Arthur, Bayard in the Merlin series, Maqueen in the 2010 remake of the classic 1941 film The Wolfman, and Tyr in Thor: The Dark World.
Born December 7, 1945 – W.D. Richter. As a screenwriter, he was responsible for Invasion Of The Body Snatchers, Dracula, and Big Trouble In Little China. As a director, he brought Late for Dinner and Buckaroo Banzai Across The 8th Dimension to us. He was also co-writer with Stephen King on the adaptation of King’s Needful Things novel to film.
Born December 7, 1965 – Jeffrey Wright. Felix Leiter in the James Bond films Casino Royale and Quantum of Solace which I rather liked, Beetee in The Hunger Games films which I’ve not seen, and played the real-life Sidney Bechet in The Young Indiana Jones Chronicles, a series I adored.
Born December 7, 1978 – Kristofer Hivju. His first genre role was as Jonas in The Thing, based on the John W. Campbell novella Who Goes There?, and it is a prequel to the 1982 film of the same name by John Carpenter. He next shows up as an unnamed security chief in M. Night Shyamalan’s After Earth. He’s currently Tormund Giantsbane in Game of Thrones.
Born December 7, 1979 – Jennifer Carpenter. Ok, usually I pay absolutely no attention to Awards, but she got a nomination for her work as Emily Rose in The Exorcism of Emily Rose. It was the MTV Movie Award for Best Scared-As-Shit Performance. It later got renamed to Best Frightened Performance. She’s apparently only got two other genre credits, both voice work. One is as Black Widow in Avengers Confidential: Black Widow & Punisher which is a horridly-done anime film that I do not recommend; the other is as Selina Kyle aka Catwoman in Batman: Gotham by Gaslight, the animated version of the Mike Mignola Elseworld series which I strongly recommend. Possibly the Limitless series she was in is genre, possibly it isn’t…
Born December 7, 1989 – Nicholas Hoult. His first genre role was as Eusebios in Clash of the Titans which was a 2010 remake of of the 1981 film of the same name. He went on to play The Beast aka Hank McCoy in X-Men: First Class and X-Men: Apocalypse. Other roles included that of Jack in Jack the Giant Slayer, followed by a role in Mad Max: Fury Road as Nux, and he’s slated to be in the forthcoming X-Men: Dark Phoenix.
John Krasinski knew he had a potential hit on his hands when he attended a test screening for “A Quiet Place.” A horror movie about a family battling largely unseen creatures who attack at the slightest noise, the film transpires with no verbal dialogue: The characters communicate with American Sign Language, or through meaningful glances and gestures. This wasn’t Krasinski’s first effort as a director; still, he and his wife, Emily Blunt — who play the parents in “A Quiet Place” — weren’t sure audiences would accept a genre picture that harked back to cinema’s silent roots more than its special effects-driven present.
From 1958 to 1962, illustrator and futurist Arthur Radebaugh thrilled newspaper readers with his weekly syndicated visions of the future, in a Sunday strip enticingly called “Closer Than We Think”.
Radebaugh was a commercial illustrator in Detroit when he began experimenting with imagery—fantastical skyscrapers and futuristic, streamlined cars—that he later described as “halfway between science fiction and designs for modern living.” Radebaugh’s career took a downward turn in the mid-1950s, as photography began to usurp illustrations in the advertising world. But he found a new outlet for his visions when he began illustrating a syndicated Sunday comic strip, “Closer Than We Think,” which debuted on January 12, 1958—just months after the Soviet Union launched Sputnik—with a portrayal of a “Satellite Space Station.” …
15. Electronic Home Library
The media library of the future was going to be rich and varied. But there’s something a bit off about this prediction from 1959. Maybe it’s the film canisters lining the shelves. Or maybe it’s the 3D-TV sans glasses that Pop is watching. Or maybe it’s the fact that Mother is reading a book on the ceiling in what looks like the most uncomfortable way to read a book of all time.
(12) TREK BEHIND THE SCENES. Titan Comics has released Star Trek: Epic Episodes, a special collection of the best of Star Trek Magazine focusing on the stunning 2-part episodes and landmark episodes of both Star Trek: The Original Series and Star Trek: The Next Generation. Presenting cast and crew interviews, guides, behind the scenes exclusives and revelations on the making of everyone’s favorite epic episodes
(13) SPEAK, MEMORY.
This is how bad my attention span is today: a) I email myself my current novel draft, as one of my many reiterative backups b) wait three seconds c) an email sound d) excitement as I wonder who emailed me, and then I check, and OH YEAH it was me, three fucking seconds ago
In the space of weeks, Marvel went from proudly announcing a new Darth Vader miniseries at New York Comic Con to scrapping the whole thing entirely. Now, less than a month later, they’ve already found a replacement.
Marvel has announced—via the official Star Wars website—Vader: Dark Visions, a new limited miniseries that will launch in March. That’s just two months after the Chuck-Wendig-penned Shadow of Vader miniseries was set to originally debut. Instead, days after its announcement in October, Marvel fired the writer from the project three issues in, with Wendig citing internal concern at the publisher over his political commentary on social media as a primary reason for his exit.
Empire of Sand is an immersive and compulsively readable epic fantasy that draws on traditions and cultures and milieus, the Mughal Empire, a culture and heritage hitherto rarely seen in the Western fantasy tradition.
This week’s books, unfairly (or sometimes fairly) neglected, or simply those the reviewers below think you might find of some interest (or, infrequently, you should be warned away from); certainly, most weeks we have a few not at all forgotten titles” —
Frank Babics: The Reality Trip and Other Implausibilities by Robert Silverberg
Les Blatt: Artists in Crime by Ngaio Marsh
Elgin Bleecker: Lie Catchers by Paul Bishop
Brian Busby: Maclean’s, December 1918, edited by Thomas B. Costain (and featuring Robert Service’s poem “The Wife”)
Alice Chang: All Your Worth by Elizabeth Warren and Amelia Warren Tyagi
Martin Edwards: On Suspicion by “David Fletcher” (Dulan Barber)
Peter Enfantino and Jack Seabrook: DC war comics: December 1973 and the best of ’73
Will Errickson: Winter Wolves by Earle Westcott
Curtis Evans: Scared to Death and Death in the Round by Anne Morice
Paul Fraser: New Worlds, June 1965, edited by Michael Moorcock and Langdon Jones
Barry Gardner: Beggar’s Choice by Jerry Kennealy
John Grant: The Black Angel by Cornell Woolrich; A Grave Mistake by Ngaio Marsh; The House by the Lock by A. M. Williamson
James Wallace Harris: Friday by Robert Heinlein
Rich Horton: Where I Wasn’t Going (aka Challenge the Hellmaker) by Walt and Leigh Richmond; Absolute Uncertainty (and other stories) by Lucy Sussex; some short fiction by John Crowley
Jerry House: Ahmed and the Oblivion Machines by Ray Bradbury
Kate Jackson: Courtier to Death by “Anthony Gilbert” (Lucy Malleson); Murder by Matchlight by E. C. R. Lorac
Tracy K: Iron Lake by William Kent Krueger
Colman Keane; The First Short Story Collection by “Anonymous-9” (Elaine Ash)
George Kelley: The Great SF Stories 4 edited by Isaac Asimov and Martin H. Greenberg
Joe Kenney: Glimpses by Lewis Shiner
Margot Kinberg: The Invisible Onesby Stef Penney
Rob Kitchin: Red Plenty by Francis Spufford
B.V. Lawson: Five Passengers from Lisbon by Mignon G. Eberhart
Evan Lewis: Dark Valley Destiny: The Life of Robert E. Howard by L. Sprague de Camp, Catherine Crook de Camp and Jane Whittington Griffin; Carmine Infantino et al.: “Charlie Chan: The Hit and Run Murder Case” (Charlie Chan, June/July 1948)
Jonathan Lewis: The Boys from Brazil by Ira Levin
Steve Lewis: Behold, Here’s Poison by Georgette Heyer; Blood Shot by Sara Paretsky; “Double Dare” by Robert Silverberg (Galaxy Science Fiction, November 1956); “The Silver Mask Murders” by Erle Stanley Gardner (Detective Fiction Weekly, 23 November 1935)
Mike Lind: The Moving Target by “Ross Macdonald” (Kenneth Millar)
Gideon Marcus: Gamma, July 1963, edited by Charles Fritch
Todd Mason: some 1963 and 1973 fantasy magazines: Gamma, July 1963, edited by Charles Fritch; Magazine of Horror, August 1963, edited by Robert A. W. Lowndes; Fantastic, September 1973, edited by Ted White; The Magazine of Fantasy and Science Fiction, August 1973, edited by Edward Ferman; The Haunt of Horror, August 1973, edited by Gerard F. Conway
Francis M. Nevins: Q.E.D., Hell-Gate Tides and Dead End Street by [Emma] Lee Thayer
John F. Norris: Death at the Wheel by Vernon Loder
John O’Neill: The Fungus by “Harry Adam Knight” (John Brosnan and Leroy Kettle, in this case)
Matt Paust: Death of a Dissident by Stuart Kaminsky
James Reasoner: A Day Which Will Live in Infamy edited by Brian Thomsen and Martin H. Greenberg
Richard Robinson: Stakeout on Page Street by Joe Gores
Gerard Saylor: The Zealot by Simon Scarrow
Jack Seabrook: “And the Desert Shall Blossom” by Loren D. Good (Ellery Queen’s Mystery Magazine, March 1958)
Steven H. Silver: “The Tweener” by Leigh Brackett; “Worlds within Worlds” by Roger Dee; “The Power of Kings” by John DeCles; “Intaglio” by Kurt R. A. Giambastiani; “In the Bosom of His Family” by John Dalmas; “Death in Transit” by Jerry Sohl; “Escape to Other Worlds with Science Fiction” by Jo Walton
Kerrie Smith: The Honourable Thiefby Meaghan Wilson Anastasios
Kevin Tipple: Snowjob by Ted Wood
“TomCat”: The Strawstack Murder Case by Kirke Mechem
Danielle Torres: Singing in Tune with Time: Stories and Poems About Ageingedited by Elizabeth Cairns
Prashant Trikannad: Timequake by Kurt Vonnegut
David Vineyard: The Darkness at Windon Manor by “Max Brand” (Frederick Faust)
A.J. Wright: the work of W. C./William Chambers Morrow
Matthew Wuertz: Galaxy Science Fiction, May 1954, edited by H. L. Gold
Extraordinary ensemble includes the hero metal Cirrus X3 Art Deco-styled “flame” rocket pack with leather harness and buckles, glove with built-in ignition trigger, signature leather jacket, fireproof stunt jodhpur pants, and a production made signature Rocketeer helmet.
Hark! The herald pixels scroll
“The comment section’s free of trolls!
Double fifths and sevens filed
Dog and shoggoth reconciled.”
Joyful, all you Filers rise,
For new books are on half-price;
When a typo you proclaim
Of libations appertain.
Hark! The herald pixels file,
Rotating the WABAC dial,
“From Mount Tsundoku’s overlook
I see cats sitting on my books.”
And I’m told Anna Nimmhaus has been singing:
Oh my little pixel scroll,
I’ll comment to you.
You were my first love,
And you’ll be my fifth love,
You won’t lack for egoboo,
I’ll comment to you.
In this whole world
Each day one scroll’s unfurled,
Let me help it unfurl.
I’ll comment to you.
Possibly inspired by the Shirelles’ hit song “Soldier Boy” (F. Green & L. Dixon, 1962)
(20) CALL ME WHATSISNAME. Could it be… Moby Dick in space? In theaters December 14.
When a deep space fishing vessel is robbed by a gang of pirates, the Captain (Holt McCallany) makes a daring decision to go after a rare and nearly extinct species. On the hunt, his obsession propels them further into space and danger as the crew spins into a downward spiral of mutiny and betrayal.
[Thanks to Paul Di Filippo, Steven H Silver, Chip Hitchcock, Michael Toman, John King Tarpinian, JJ Cat Eldridge, Martin Morse Wooster, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Several days ago, various local and web-based news sources that cover castting calls and filiming announcements in Georgia announced that a project called “Puget Sound” had issued casting calls.
It was subsuquenttly revealed that Puget Sound is the code name for the Amazing Stories television show.
(3) IF IT’S GOOD, IT’S A MIRACLE. Daniel Radcliffe is an angel and Steve Buscemi is God in the new series Miracle Workers premiering February 12 on TBS.
(4) KESH. United Kingdom music magazine The Wire, whose motto is “Adventures in Underground Music,” has named Ursula Le Guin & Todd Barton’s Music And Poetry Of The Kesh their best reissue of 2018:
A utopian ethnographical forgery of the music of a post-tech tribe based on a far future US coast, merging LeGuin’s poetry with Barton’s Buchla compositions, drones, chants and field recordings. [Reviewer] Ken Hollings said: ‘The living communicate not just with the discreet ghosts of the recently departed, who require nothing now from us but a change in manners, but the feral ghosts who have not yet existed.’
This is not available on the web unless you have a subscription to The Wire, so there is no link included.
At SMOFcon, I was on a panel about how to treat a Worldcon Guest of Honor. This evolved into a 40 page document of advice and recommendations for convention committees. The first draft is finished and a copy has been sent to Vince Docherty with permission to distribute.
The 42-page document includes many “sidebars” about Gerrold’s experiences as a guest that explain the importance of the related entries.
(6) I, CYBORG. Jillian Weise’s “Common Cyborg” on Granta is an essay about disability and on being a cyborg.
I’m nervous at night when I take off my leg. I wait until the last moment before sleep to un-tech because I am a woman who lives alone and has been stalked, so I don’t feel safe in my home on crutches. How would I run? How would I fight back? Instead of taking Klonopin, I read the Economist. The tone is detached. There is war, but always elsewhere.
When I tell people I am a cyborg, they often ask if I have read Donna Haraway’s ‘A Cyborg Manifesto’. Of course I have read it. And I disagree with it. The manifesto, published in 1985, promised a cyberfeminist resistance. The resistance would be networked and coded by women and for women to change the course of history and derange sexism beyond recognition. Technology would un-gender us. Instead, it has been so effective at erasing disabled women1 that even now, in conversation with many feminists, I am no longer surprised that disability does not figure into their notions of bodies and embodiment. Haraway’s manifesto lays claim to cyborgs (‘we are all cyborgs’) and defines the cyborg unilaterally through metaphor. To Haraway, the cyborg is a matter of fiction, a struggle over life and death, a modern war orgy, a map, a condensed image, a creature without gender. The manifesto coopts cyborg identity while eliminating reference to disabled people on which the notion of the cyborg is premised. Disabled people who use tech to live are cyborgs. Our lives are not metaphors.
(7) BETTER WORLDS. Laura Hudson says The Verge has launched a major fiction project: “Better Worlds”. The forthcoming titles and authors are listed at the link.
Contemporary science fiction often feels fixated on a sort of pessimism that peers into the world of tomorrow and sees the apocalypse looming more often than not. At a time when simply reading the news is an exercise in exhaustion, anxiety, and fear, it’s no surprise that so many of our tales about the future are dark amplifications of the greatest terrors of the present. But now more than ever, we also need the reverse: stories that inspire hope.
…Starting January 14th, The Verge will bring together some of the most exciting names in science fiction writing to imagine Better Worlds. The project will showcase 10 original fiction stories, five animated adaptations, and five audio adaptations by a diverse roster of authors who take a more optimistic view of what lies ahead in ways both large and small, fantastical and everyday. These stories disrupt the common narratives of an inevitable apocalypse and explore spaces our fears have overlooked. The future is coming — and we believe it’s worth fighting for.
(8) SO FRIENDS WILL KNOW. Michelle Rogers has requested this coming out note be distributed to the fannish community.
I need to share some information with all of you. I never dreamed this would happen and I hope you will understand why this became necessary.
I am now living as female. I call myself Michelle Leigh Rogers.
Unlike many transgender persons, I did not realize this early in life. I thought I was male, if not the rugged he-man type. But about a year ago, I started to wonder if something was not quite right about my life situation. No single incident prompted these feelings — just a nagging sense that something did not add up.
I contacted a psychologist in Atlanta and began to explore my gender identity issues. Somewhere in my reading, I came across a passage that had a profound impact.
The author was talking about what a woman looks for in a man. The author said that a woman wants a man who looks and acts and presents as a real man.
I took a new look at myself. I had always been aware that I had a high voice and very little facial hair. But at that point I suddenly realized the horrible truth that explained so many issues. I may have had the standard male body parts, but I did not come across as truly male.
Later, at a support group meeting, someone asked me the classic question. If I could flip a switch and instantly become a physical woman with all the expected body parts, would I do it? With no hesitation, I said yes. It shocked me how quickly I responded. From that time, I knew I was a woman in a man’s body. I had made my choice.
I spent the next few months preparing to live as female. I finally came out a few weeks ago. It has not solved all my problems. But it does feel more natural. I will never be a true anatomical female, but I do not intend to go back. This is my path into the future.
Some will not accept this decision. If we must part, I wish you all the best and Godspeed. If you will hang with me, I greatly appreciate it.
Michelle will live her remaining life with as much class and dignity as she can manage. Let the journey begin.
(9) ANDERSON OBIT. Longtime NESFA member and former clerk Claire Anderson died December 4 shortly after her Chronic Myelomonocytic Leukemia went over to acute leukemia. Her husband, Dave Anderson, was with her in the hospital when she passed away.
(10) BLACK OBIT. John D.F. Black (1932-2018), an associate producer for ten episodes of classic Star Trek made during the program’s first season, died November 29. Under a pseudonym (Ralph Willis) he wrote the Star Trek: The Next Generation episode “Justice.” And he wrote for many non-genre TV shows and movies.
I have learned writer John DF Black has died at age 85. Writer of the 1974 @CathyLeeCrosby Wonder Woman, Star Trek's The Naked Time (for which he was Hugo Award nominated), Delvecchio, Man From Atlantis… 48 TV and film credits in all. pic.twitter.com/l7sW1UL9BP
December 5, 1980 — Flash Gordon made its cult premiere.
December 5, 1956 – Man Beast showed up at your local drive-in.
(12) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge and JJ.]
Born December 5, 1890 – Fritz Lang, Writer, Director, and Producer who is famous in genre for his dystopian film Metropolis, which features a distinctive robot whose image has influenced countless other creators; critics found the film visually-beautiful, but the plot trite and simplistic. Other works included the two-film series based on the Norse sagas Die Nibelungen, a series of films featuring Norbert Jacques’ master of disguise and telepathic hypnosis Doctor Mabuse, and the 1929 Woman in the Moon (aka Rocket to the Moon), which is considered to be one of the first “serious” science fiction films. (Died 1976.)
Born December 5, 1954 – Betsy Wollheim, 64, Publisher and Editor. As the president and co-publisher of DAW Books, she has more than four decades of book publishing experience, and not only edits but also art directs all the books she acquires. She has edited numerous award-winning and bestselling authors, including the Hugo, Nebula, BFA, and Gemmell Award-nominated Throne of the Crescent Moon by Saladin Ahmed, the Philip K. Dick Award-nominated Voyager in Night by C.J. Cherryh (as well as the rest of the wildly-popular Alliance-Union novels), Nnedi Okorafor’s World Fantasy Award-winning Who Fears Death, and Patrick Rothfuss’ Kingkiller Chronicles, including The Name of the Wind, which was a finalist for the Compton Crook, Prix Imaginaire, and Premio Ignotus Awards. She has received a Hugo Award for Best Editor, and shares two Chesley Awards for Best Art Director with co-publisher Sheila Gilbert. In 2018 she was honored with the World Fantasy Award for Life Achievement.
Born December 5, 1961 – Nicholas Jainschigg, 57, Teacher, Artist and Illustrator. He began his career by doing covers and interior art for Asimov’s and Analog magazines, then progressed to covers for books and other magazines, eventually providing art for Wizards of the Coast gaming materials and for Marvel and DC Comics. As an Associate Professor for the Rhode Island School of Design, his private work these days is mainly in animations, interactive illustration, painting in oils, and paleontological reconstructions in murals and dioramas.
Born December 5, 1961 – Morgan Brittany, 57, Actor whose first genre appearance was on Thriller, a series narrated by Boris Karloff and written by authors such as Robert Bloch. It’s hardly her only genre work, as she would be in The Birds, multiple episodes of The Twilight Zone, The Outer Limits, The Initiation of Sarah, Buck Rogers in the 25th Century, Fantasy Island, Sundown: The Vampire in Retreat, and Sabrina, the Teenage Witch.
Born December 5, 1968 – Lisa Marie, 50, Actor who, for eight years, was a favorite casting choice of Tim Burton, with whom she had a relationship. Genre fans will recognize her as the Martian girl in the absolutely brilliant Hugo- and Saturn-nominated SF satire Mars Attacks, and as Vampira in the Saturn finalist Ed Wood. She also played Ichabod Crane’s mother in Sleepy Hollow, and Nova in the Planet of the Apes reboot. Other films include The Lords of Salem, We Are Still Here, and Dominion.
Born December 5, 1975 – Paula Patton, 43, Actor and Producer whose genre debut was an impressive performance in a lead role in the time-travel movie Déjà Vu, which likely led to her being cast in a main role in Mission Impossible: Ghost Protocol, for which she received a Saturn nomination. Other film appearances include Warcraft, Mirrors, and The Do-Over, and a main role on the short-lived series Somewhere Between.
Born December 5, 1979 – Nick Stahl, 39, Actor who is most recognizable as the young John Connor in Terminator 3: Rise of the Machines. Other genre roles include the films Sin City, Tall Tale, Disturbing Behavior, and Mirrors 2, and a main role in two seasons of Carnivàle, which garnered him a Saturn nomination.
Born December 5, 1981 – Adan Canto, 37, Actor who played Sunspot in X-Men: Days of Future Past. He also played Connor Graff in Second Chance, a Fox series supposedly inspired by Frankenstein. It lasted eleven episodes.
(13) COMICS SECTION.
If Santa’s elves’ hearing was as bad as my copyediting, this is what would happen: The Bent Pinky.
Meiran says workers are busy right now, turning the cafeteria at Clifton’s into the Exposition Marketplace, which will have seven different stations that offer salads, sandwiches, hot items and desserts. Each station in the marketplace will function like a mini-market or a deli with pre-packaged items and/or foods that you can buy for takeaway or eat on the premises.
Why another revamp only a few years after completing a splashy, nearly half-decade renovation?
“We ran up against a perception issue,” Meiran says. He thinks part of the problem is the word “cafeteria.”
“When people think of a cafeteria, they think institution. It’s food in the pans and plopped on the plate. That isn’t the way people contemporary like to eat. It created a weird dilemma for us from day one. We were too expensive and potentially going off the mark for some people. Then we weren’t enough in terms of raising the bar for a whole group of other people. And that’s kind of a no-win situation,” he says.
He compares the upcoming iteration of Clifton’s to luxe food halls like Eataly or Harrod’s in London, although he emphasizes that the cost will not be like Harrod’s.
Something is keeping movie star Tom Cruise up at night: motion smoothing.
In an impassioned video posted to Twitter on Tuesday, the Mission Impossible star warned that a default setting on many high-end televisions “makes most movies look like they were shot on high-speed video instead of film”.
Taking a break from filming the new Top Gun film, he appeared alongside director Christopher McQuarrie, who pleads with viewers to do a quick internet search and find out how to change the correct settings.
“If you own a modern high-definition television,” he said, “there’s a good chance you’re not watching movies the way the filmmakers intended, and the ability for you to do so is not simple to access.”
Motion smoothing, or interpolation, is a technique that artificially adds additional frames to the moving image in order to prevent blurring – most effective when watching sport.
But many in the film industry hate it, however, as it can degrade the image quality of the original film, and alter colouring.
“I was wearing the other suit — the green suit — and in here, it’s like being in a casino,” she says of the cavernous soundstage housing today’s out-of-this-world set. “It’s just dark and you lose track of time, and I was like, Oh my God, I’ve got to get out of here… Is it still light out? And I opened that big door and I stumbled out and I was, like, blinking, trying to adjust to the light. And Jim Carrey drove by on a golf cart and looked at me and I looked at him and we just stared at each other as he drove by and I was like, “Huh?”
Such is Larson’s new normal while filming the ’90s-set origin story, which sees Carol Danvers pitted between warring alien races — the Kree “noble warrior heroes” and the shape-shifting Skrulls — as she searches for answers about her past with the help of Samuel L. Jackson’s eye patch-less Nick Fury.
…I would like to submit a proposal to Marvel Studios: Don’t release a trailer for the next Avengers movie.
There’s literally no need to spend the time or money doing so, given the advanced level of enthusiasm that’s already out there for the movie, and is only likely to build as it gets closer to the May release date…
For that matter, any attempt to take Avengers 4’s trailer from the Schrodinger’s cat-esque position that it currently enjoys is almost guaranteed to disappoint fans, who have by this point built up their own personal trailers filled with whatever moments are essential to their enjoyment of a good teaser for such an anticipated cinematic event….
This isn’t to say that Marvel should announce that there’ll be no trailer. That would be counterproductive, because the expectation of one is what’s driving the fever pitch of buzz currently surrounding the fourth movie — the chance that, at any moment, it could arrive and something new and exciting could be revealed.
Instead, Marvel needs to simply say nothing, and just let fandom continue to drive itself to distraction, while promoting its other movies, instead. After all, the Captain Marvel trailer is pretty exciting in its own right, but it also works to tease the arrival Avengers 4: Infinity War 2 at the same time. “It’s all connected,” as the Marvel motto used to remind us.
CIMON was supposed to be more than a colleague for the small team of astronauts aboard the International Space Station. CIMON was supposed to be a friend. But in his first recorded interaction in space, the floating robot-headed, voice-user-interface assistant got a little testy.
CIMON’s engineers did everything they could to smooth over their robot’s future interactions with astronaut Alexander Gerst. They trained CIMON’s AI on photos of Gerst and samples of his voice. They let Gerst help design CIMON’s face. They even taught CIMON Gerst’s favorite song.
That’s where the trouble started. Midway through their first interaction in space, CIMON tried to endear himself to the astronaut by playing “The Man-Machine” by Kraftwerk. Gerst listened politely to the first 46 seconds of the song —even bopped along with his fist for a few bars—but then he reached out, shook CIMON’s head, and said, “please stop playing music.”
But CIMON didn’t understand (or pretended not to?) and kept right on playing music even after Gerst tried several commands to get CIMON to stop. Things went downhill from there in a sort of passive-aggressive way.
As Gerst relays CIMON’s technical difficulties to support staff, the robot sheepishly reminds his new friend to “be nice please.”
Taken aback, Gerst strikes a slightly menacing tone: “I am nice! He’s accusing me of not being nice! He just doesn’t know me when I’m not nice.”
“Cool,” CIMON sulks. Then, ruefully: “Don’t you like it here with me?”
(21) A REINDEER GAME YOU CAN JOIN IN. Just how did they get their names?
Kid: What about Comet?
*Santa reveals a flask and takes a long pull*
Santa: 65 million years ago, some dinosaur friends and I were hanging out on the Yucatan Peninsula…
(22) ‘TI$ THE $EASON. I’m told Saturday Night Live had this off-line for a while. Were they were coaxed into putting it back up to help sell Shatner’s Christmas record? From the same 1986 episode famed for his “Get a life” quote, here is William Shatner introducing “It’s a Wonderful Life: The Lost Ending.”
[Thanks to John King Tarpinian, Mike Kennedy Martin Morse Wooster, Camestros Felapton (via Janice Eisen), JJ, Cat Eldridge, Chip Hitchcock, Julia Morgan Scott, Lenore Jean Jones, John A Arkansawyer, Carl Slaughter, Andrew Liptak, Rob Thornton, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]