Music By James Bernard: Themes for A Tapestry of Terror

By Steve Vertlieb: James Bernard was the musical heart and soul of England’s premier horror picture studio, Hammer Films.

Creating the symphonic pulse quickened by luminaries Peter Cushing, Christopher Lee, and the lovely Veronica Carlson in such films as Horror of Dracula, Curse of Frankenstein, Dracula Has Risen From The Grave, Frankenstein Created Woman, Taste The Blood of Dracula, Frankenstein Must Be Destroyed, Scars of Dracula, and She (Who Must Be Obeyed), as well as Hammer’s groundbreaking 1950’s science fiction masterpieces, The Quatermass Experiment, Quatermass 2, and X, The Unknown, James was a joyous, symphonic force of nature. Jimmy and I became close friends in the last years of his life, and I loved him.

Producer James Fitzpatrick at Tadlow Records has just announced that he will be recording two of Jimmy’s most spectacular scores, presumably Horror Of Dracula, and Curse Of Frankenstein, both created by Hammer Films, and starring the wonderful Peter Cushing and Christopher Lee, for a whole new generation of film music enthusiasts.

These two pieces look back at the frighteningly haunting, and prolific career of composer James Bernard.

“Music By James Bernard – Tapestry of Terror” at American Music Preservation.

Jimmy and I became close friends in the last years of his life, and I loved him. Here is a short documentary film remembrance of our friendship, and of the frighteningly prolific career of composer James Bernard. It is a melancholy tribute to a legendary artist and composer.

While science fiction in cinema has always enjoyed enormous popularity around the world, dating back to George Melies 1902 experimental short A Short Trip To The Moon, few would argue that the cultural renaissance of the well worn genre occurred during its most prolific flowering from 1950 until 1959.

“Steven Vertlieb Remembers James Bernard – The Musical Heart & Soul of Hammer Films”

In June 2014, cinema archivist / historian / educator Steve Vertlieb took time before our documentary cameras to reminisce on his special friendship with legendary film composer – the late great James Bernard, best known to many as the primary musical voice of the classic 1960’s era horror and sci fi films of England’s Hammer Studios…

 

Ursula K. Le Guin (1929–2018)

Ursula K. Le Guin holding her tribble at the Tiptree Symposium in 2015. Photo by Jeffrey Smith.

Ursula K. Le Guin died January 22 at the age of 88 reports the New York Times:

[The] immensely popular author who brought literary depth and a tough-minded feminist sensibility to science fiction and fantasy with books like “The Left Hand of Darkness” and the Earthsea series, died on Monday at her home in Portland, Ore. She was 88.

Her son, Theo Downes-Le Guin, confirmed the death. He did not specify a cause but said she had been in poor health for several months.

File 770 hopes to run a full tribute later. Meanwhile, here are some of the initial responses from people in the field, some giving favorite Le Guin quotes.

https://twitter.com/kekduckett/status/955933201968566287

https://twitter.com/thedesirina/status/955935916291514368

[Thanks to ULTRAGOTHA, JJ, Lis Carey and Cassy B for the story.]

Peter S. Beagle Named SFWA Damon Knight Grand Master

Peter S. Beagle

The Science Fiction and Fantasy Writers of America (SFWA) has selected Peter S. Beagle as the 34th Damon Knight Grand Master for his contributions to the literature of Science Fiction and Fantasy.

The Damon Knight Memorial Grand Master Award is given by SFWA for “lifetime achievement in science fiction and/or fantasy.” Beagle joins the Grand Master ranks alongside such legends as C. J. Cherryh, Anne McCaffrey, Ursula K. LeGuin, Isaac Asimov, Ray Bradbury, and Joe Haldeman. The award will be presented at the 52nd Annual Nebula Awards Weekend in Pittsburgh, PA, May 17-20, 2018.

Beagle, best-known for his novel The Last Unicorn, and has also explored our fascination with the mythical in The Innkeeper’s Song, A Fine and Private Place, and a wide variety of short fiction. Beagle won the Hugo and the Nebula Award for his 2005 novelette “Two Hearts.” He has won the Mythopoeic Award for his novels The Folk of the Air and Tamsin. He was nominated for a Hugo for his adaptation of J.R.R. Tolkien’s The Lord of the Rings for Ralph Bakshi’s animated version and wrote the screenplay for the Star Trek: The Next Generation episode “Sarek.”

SFWA President Cat Rambo said:

Peter Beagle’s work has been the gateway for multitudes of fantasy readers, but also writers as well, including myself. His work shines a light on the human heart and its beauties even when that heart is flawed and wanting, showing how that beauty arises from such imperfect conditions. Beagle unquestionably belongs among the greats, and I count it a privilege to invite him to be the next SFWA Damon Knight Memorial Grand Master.

The Nebula Awards will be presented during the annual SFWA Nebula Conference, which will run from May 17-20.

On May 20, a mass autograph session will take place at the Pittsburgh Marriott City Center and is open to the public. For more information on the conference, including a link to register, visit nebulas.sfwa.org.

In addition to the Nebula Awards, SFWA will present the Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book, the Kate Wilhelm Solstice Award, the Kevin O’Donnell, Jr. Service to SFWA Award, and the Damon Knight Memorial Grand Master Award.

[Based on the press release.]

2018 Academy Award Nominees

The 2018 Oscar nominees were announced January 23. Click the link for the complete list.

The awards will be presented during the televised ceremony on March 4.

Nominees of genre interest are listed below.

Best Picture

  • Get Out
  • The Shape of Water

Actor in a Leading Role

  • Daniel Kaluuya, Get Out

Actress in a Leading Role

  • Sally Hawkins, The Shape of Water

Actor in a Supporting Role

  • Richard Jenkins, The Shape of Water

Actress in a Supporting Role

  • Octavia Spencer, The Shape of Water

Animated Feature Film

  • The Boss Baby
  • The Breadwinner
  • Coco
  • Ferdinand
  • Loving Vincent

Cinematography

  • Roger A. Deakins, Blade Runner 2049
  • Don Laustsen, The Shape of Water

Costume Design

  • Jacqueline Durran, Beauty and the Beast
  • Luis Sequeira, The Shape of Water

Directing

  • Jordan Peele, Get Out
  • Guillermo del Toro, The Shape of Water

Film Editing

  • Sidney Wolinsky, The Shape of Water

Foreign Language Film

  • On Body and Soul – Hungary

Music (Original Score)

  • Alexandre Desplay, The Shape of Water
  • John Williams, Star Wars: The Last Jedi

Music (Original Song)

  • “Remember Me,” Music and Lyric by Kristen Anderson-Lopez and Robert Lopez, from Coco

Production Design

  • Production Design: Sarah Greenwood, Set Decoration: Katie Spencer, Beauty and the Beast
  • Production Design: Dennis Gassner, Set Decoration: Alessandra Querzola, Blade Runner 2049
  • Production Design: Paul Denham Austerberry, Set Decoration: Shane Vieau and Jeff Melvin, The Shape of Water

Short Film (Animated)

  • Dear Basketball
  • Garden Party
  • Lou
  • Negative Space
  • Revolting Rhymes

Sound Editing

  • Mark Mangini and Theo Green, Blade Runner 2049
  • Nathan Robitaille and Nelson Ferreira, The Shape of Water
  • Matthew Wood and Ren Klyce, Star Wars: The Last Jedi

Sound Mixing

  • Ron Bartlett, Doug Hemphill, and Mac Ruth, Blade Runner 2049
  • Christian Cooke, Brad Zoern, and Glen Gauthier, The Shape of Water
  • David Parker, Michael Semanick, Ren Klyce, and Stuart Wilson, Star Wars: The Last Jedi

Visual Effects

  • John Nelson, Gerd Nefzer, Paul Lambert, and Richard R. Hoover, Blade Runner 2049
  • Christopher Townsend, Guy Williams, Joanathan Fawkner, and Dan Sudick, Guardians of the Galaxy, Vol. 2
  • Stephen Rosenbaum, Jeff White, Scott Benza, and Mike Meinardus, Kong: Skull Island
  • Ben Morris, Mike Mulholland, Neal Scanlan, and Chris Corbould, Star Wars: The Last Jedi
  • Joe Letteri, Daniel Barrett, Dan Lemmon, and Joel Whist, War for the Planet of the Apes

Writing (Adapted Screenplay)

  • Logan, screenplay by Scott Frank & James Mangold and Michael Green, story by James Mangold

Writing (Original Screenplay)

  • Get Out, written by Jordan Peele
  • The Shape of Water, screenplay by Guillermo del Toro & Vanessa Taylor, story by Guillermo del Toro

Neil Clarke Releases ToC for Best Science Fiction of the Year: Volume 3

Neil Clarke’s Best Science Fiction of the Year: Volume 3 will feature science fiction short stories/novelettes/novellas originally published in 2017. The cover art is by Chris McGrath.

Table of Contents

  • “A Series of Steaks” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
  • “Holdfast” by Alastair Reynolds (Extrasolar, edited by Nick Gevers)
  • “Every Hour of Light and Dark” by Nancy Kress (Omni, Winter 2017)
  • “The Last Novelist, or a Dead Lizard in the Yard” by Matthew Kressel (Tor.com, March 2017)
  • “Shikasta” by Vandana Singh (Visions, Ventures, Escape Velocities, edited by Ed Finn and Joey Eschrich)
  • “Wind Will Rove” by Sarah Pinsker (Asimov’s Science Fiction, September/October 2017)
  • “Focus” by Gord Sellar (Analog Science Fiction and Fact, May/June 2017)
  • “The Martian Obelisk” by Linda Nagata (Tor.com, July 2017)
  • “Shadows of Eternity” by Gregory Benford (Extrasolar, edited by Nick Gevers)
  • “The Worldless” by Indrapramit Das (Lightspeed, March 2017)
  • “Regarding the Robot Raccoons Attached to the Hull of My Ship” by Khaalidah Muhammad-Ali (Diabolical Plots, June 2017)
  • “Belly Up” by Maggie Clark (Analog Science Fiction and Fact, July/August 2017)
  • “Uncanny Valley” by Greg Egan (Tor.com, August 2017)
  • “We Who Live in the Heart ” by Kelly Robson (Clarkesworld, May 2017)
  • “A Catalogue of Sunlight at the End of the World” by A.C. Wise (Sunvault, edited by Phoebe Wagner and Bronte Christopher Wieland)
  • “Meridian” by Karin Lowachee (Where the Stars Rise, edited by Lucas K. Law and Derwin Mak)
  • “The Tale of the Alcubierre Horse” by Kathleen Ann Goonan (Extrasolar, edited by Nick Gevers)
  • “Extracurricular Activities” by Yoon Ha Lee (Tor.com, February 2017)
  • “In Everlasting Wisdom” by Aliette de Bodard (Infinity Wars, edited by Jonathan Strahan)
  • “The Last Boat-Builder in Ballyvoloon” by Finbarr O’Reilly (Clarkesworld, October 2017)
  • “The Speed of Belief” by Robert Reed (Asimov’s Science Fiction, January/February 2017)
  • “Death on Mars” by Madeline Ashby (Visions, Ventures, Escape Velocities, edited by Ed Finn and Joey Eschrich)
  • “An Evening with Severyn Grimes” by Rich Larson (Asimov’s Science Fiction, July/August 2017)
  • “ZeroS” by Peter Watts (Infinity Wars, edited by Jonathan Strahan)
  • “The Secret Life of Bots” by Suzanne Palmer (Clarkesworld, September 2017)
  • “Zen and the Art of Starship Maintenance” by Tobias S. Buckell (Cosmic Powers, edited by John Joseph Adams)

[Thanks to Mark Hepworth for the story.]

Pixel Scroll 1/22/17 How Do We Tell If A Scroll is Made of Pixels?

By JJ:

(1) MOVING FORWARD. ScreenRant broke the news that Wonder Woman 2 will be the first film to adopt the Anti-Sexual Harassment Guidelines announced on Friday by the Producers Guild of America, prior to their annual awards gala.

As reported by Variety, the PGA’s board of directors voted unanimously to ratify the new guidelines, which were then issued to the organization’s 8,200 members. PGA presidents Gary Lucchesi and Lori McCreary said of the guidelines:

Sexual harassment can no longer be tolerated in our industry or within the ranks of the Producers Guild membership. We provide key leadership in creating and sustaining work environments built on mutual respect, so it is our obligation to change our culture and eradicate this abuse. While the PGA is a voluntary membership organization, the PGA’s Anti-Sexual Harassment Guidelines are sanctioned as best practices for our members.

The Wonder Woman sequel being the first film to officially adopt these guidelines certainly makes sense considering the character’s position as a role model for girls and women everywhere (though that might not necessarily be why it will be the first to adopt the guidelines). Additionally, Jenkins’ Wonder Woman broke records for movies directed by women, solidifying it as a major step forward for gender representation in terms of Hollywood directors. Further, it was reported last year while Jenkins and Gadot were negotiating their deals for the sequel that the actress refused to sign on for Wonder Woman 2 unless Warner Bros. cut ties with Brett Ratner’s production company RatPac for the film. (Ratner was accused of sexual misconduct by a number of women, including X-Men: The Last Stand’s Ellen Page.)

(2) THE WRITING BOAT IS OPEN FOR BOARDING: Dan Wells from the Writing Excuses podcast announced that applications are open for their 2018 Writing Excuses Retreat Scholarship:

The sixth annual Writing Excuses Workshop and Retreat makes a triumphant return to the Caribbean Sea! We begin in Houston, TX, on September 22; we’ll visit Roatan, Belize City, and Cozumel; and then we’ll end up back in Houston again on September 30. You can find all the other info, including our incredible guest list, here.

We are also delighted to report that we are offering more scholarships in 2018 than ever before: five! One of these is sponsored by the hosts of Writing Excuses, one by our amazing patrons on Patreon, and three (3) by our incredibly awesome alumni. They’ve been on the retreat (sometimes more than once), they love it, and they want to share it with as many people as possible.

As always, our scholarships come in two categories: three Out of Excuses Scholarships, awarded to those in financial need, and two Carl Brandon Society Scholarships, awarded to writers of color. Both categories have introduced us to some incredible writers in the past, and we can’t wait to see who we get to meet this year. Share this post with everyone you know, read the rules carefully, and apply!

Workshop presenters announced thus far include Amal El-Mohtar, Piper Drake, Maurice Broaddus, Kathy Chung, K Tempest Bradford, Valynne E Maetani, Mary Robinette Kowal, Dan Wells, and Howard Tayler.

(3) I SEE YOU SHIVER WITH ANTICI

(4) FURY STILL TO BE UNLEASHED. On an update to the Kickstarter for the Hath No Fury anthology of fantasy, science fiction, and urban fantasy tales featuring lead characters inspired by women from literature, history, and film, editor Melanie R. Meadors announced that Outland Entertainment has committed to complete the anthology after the original publisher, Ragnarok Publications, shut down:

The good news is that Outland Entertainment has absorbed all the rights to Ragnarok’s anthologies. The books will continue to be in print, and Hath No Fury will be published as well. The files for the books are currently being processed so that they have the copyright and logo info updated, and Hath No Fury is being sent to the printer. There has been a super long delay with that, and Outland wants you to know they are really sorry about that. The money Ragnarok received for this Kickstarter had been used for other business expenses by Ragnarok, and so Outland had to figure things out in order to get backer rewards paid for out of their own pocket. The money to pay for all printing expenses and shipping, etc for the Kickstarter backers is now earmarked and ready to go, however, and the only delay right now is with printing – in order for printing to be done as efficiently as possible, Outland is doing a batch printing order with another project, and they just had to wait for that to finish up in order to submit the job.

I know you folks have been itching to get your hands on the books, and communications have been sparse. I apologize for that. Outland wanted to be sure to try to get accurate information out there instead of giving a lot of false starts and dates based on hopes. I don’t have an exact date yet (the head of the other project’s mother just passed away, so as soon as he’s back to work, I can get more details on that), but it WILL be this spring, and the money for the printing and processing IS earmarked and will not be going anywhere. I’m really grateful to Outland for helping to make all this happen, especially for absorbing such a huge cost to them for fulfilling the Kickstarter. More details are forthcoming as far as what is shipping when, and when folks can expect to get surveys. Again, I apologize for the delays and the gaps in communication, but going forward we should see some real progress.

The Kickstarter had more than doubled its $14,500 goal, receiving $32,047 in pledges.

(5) KEEPING IT IN THE FAMILY MAUSOLEUM. Tina Romero, daughter of the grand master of zombie horror George A. Romero, will be directing zombie movie Queens Of The Dead, according to ScienceFiction.com:

The apple doesn’t fall far from the tree as it now looks like Tina Romero is going to be directing a new feature film titled Queens of the Dead. With George A. Romero creating the modern zombie and his son Cameron busy at work with Rise of the Living Dead, it seems like the undead are becoming a family affair. Tina had previously announced that she was working on a new horror web-series with Tom Savini but now that partnership will also have a new movie as well.

There is no news if this movie will be part of the Night of the Living Dead universe or set in her own world and will just be paying tribute to her father’s work with the title.

As to what the movie will be about and what inspired her to do it?

“Queens of the Dead is a fusion of two huge parts of my world: zombies and Gay nightlife. It’s a tribute to my father as well as my entrée into the genre he grandfathered. I can’t say too much yet, but what I can tell you is that this film will have all the hallmarks of a George A. Romero classic: farce, politics, heroes, assholes, and most importantly, herds of silly and slow-moving walkers that you can’t help but love. But I’m doing it Tina-style, and bringing the glitter, choreography, queers & queens.”

Basically, it boils down to showing us “the zombie apocalypse, seen through the eyes of the patrons at a drag nightclub.” Now, that is an idea which hasn’t been done before and could prove to be full of humor and heart.

(6) DARKNESS FALLS. All 1,225 Episodes of vintage TV series Dark Shadows have been released on Amazon Prime Streaming, says Bloody Disgusting:

Depicting the lives, loves, trials and tribulations of the wealthy Collins family of Collinsport, Maine, where a number of supernatural occurrences take place, the American gothic television series “Dark Shadows” aired from June 27, 1966, to April 2, 1971 on ABC. The show ran for five years, delivering a staggering 1,225 episodes.

As of this week, you can stream EVERY episode through Amazon Prime US & UK!

The Wikipedia entry for the cult series offers this description:

The series became hugely popular when vampire Barnabas Collins (Jonathan Frid) appeared ten months into its run. Dark Shadows also featured ghosts, werewolves, zombies, man-made monsters, witches, warlocks, time travel, and a parallel universe. A small company of actors each played many roles; as actors came and went, some characters were played by more than one actor.

Dark Shadows was distinguished by its vividly melodramatic performances, atmospheric interiors, memorable storylines, numerous dramatic plot twists, adventurous music score, broad cosmos of characters and heroic adventures.

(7) SETTING PRIORITIES. The NASA History Office came up with this gem right before they turned out the lights:

(8) GOODNIGHT EARTH. In a lengthy piece, “What Happens to Astronauts During a Government Shutdown?“, The Atlantic verifies that the astronauts on the International Space Station (ISS) won’t be completely abandoned:

As the wheels of the U.S. government ground to a halt Friday at midnight, thousands of federal employees prepared to face days or weeks without work or pay until their offices reopened.

Some employees will continue working through the government shutdown, however, including the three with the longest commute: NASA astronauts Mark Vande Hei, Joseph Acaba, and Scott Tingle. Despite the political tussle that closed most of the government on Saturday, the American part of the International Space Station remains open for business. Mission-control staff, considered “essential” personnel, will keep working, too, to support the astronauts.

Phew. And, well, obviously! After all, NASA can’t exactly press pause on the work of keeping humans alive in microgravity 200 miles above Earth, even if Congress missed the deadline for the government running out of money.

“To protect the life of the crew as well as the assets themselves, we would continue to support planned operations of the ISS during any funding hiatus,” states a NASA plan, published in November, that outlines protocols for a potential government shutdown.

(9) HOUSTON, CAN YOU READ ME? Former ISS Commander Chris Hadfield reminisces about the last time the lights went out:

(10) QUICK, WHILE THEY’RE NOT LOOKING.

(11) SAY, ARE YOU RELATED TO…? Author and Filer Laura Resnick posted a diary of an unnamed convention where she was a guest, exposing the sordid truth concealed behind the glamorous myths about a midlist writer’s life. Here’s a spine-tingling excerpt:

At dinner, am required to sit at assigned table and be available to interested attendees.

Overhear attendees say, “All the good seats are taken, I guess we’ll have to sit here,” a moment before they sit down at my table.

Table gradually fills up with disappointed attendees who had hoped to sit with someone better than me at this meal.

No one at table sits next to me. The chairs are empty on either side of me. I suggest someone might like to sit closer to me. No response.

Nearest person on left asks me, “Are you any relation to Mike Resnick, the science fiction writer?”

I respond, “Yes, he’s my dad.”

Ten minutes later, nearest person on right asks me, “Are you any relation to Mike Resnick?”

(Old man will enjoy this. Must make sure he never finds out.)

Otherwise, not much said to me throughout meal.

(12) A FUTURE INFORMED BY BLACKNESS. Mic, a digital news media site, discusses revolutionary Afrofuturistic elements in “Black Panther isn’t just another Marvel movie – it’s a vision of a future led by blackness.”

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful – a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but – no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. – those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism – an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film – made for black people, by black people – powered by a Disney budget.

(13) CHALLENGE ACCEPTED. New York native Frederick Joseph’s GoFundMe campaign to set up screening of Black Panther for children has gone viral, says ABC News.

Joseph knew he wanted to give back to his community in some way and with the highly-anticipated Black Panther hitting theaters next month, he decided to try and raise funds to send a few hundred kids from the Boys & Girls Club of Harlem for free.

But what has happened over the last few days since his GoFundMe page launched is something straight out of the pages of Marvel Comics.

Joseph’s original goal of $10,000 has been well surpassed and now stands at around $25,000 and climbing. More than 500 people have donated. The campaign also boasts support from Chelsea Clinton, J.J. Abrams and ESPN’s Jamele Hill.

After seeing his goals exceeded so quickly and enthusiastically, Josephs issued the #BlackPantherChallenge:

… start a @gofundme to buy tickets for kids in your city to see Black Panther. If you’re a teacher, buy tickets for your entire classroom. If you’re a coach, take your team. If you’re a community leader, do some organizing and get the kids and parents in your community to the theater. 10 campaigns that answer the #BlackPantherChallenge will receive a $100 donation from GoFundMe.

Comicbook.com reports that rapper Snoop Dogg has announced that he will fund one of the NYC screenings and a screening for kids in Los Angeles, as well as donating funds to Joseph’s GoFundMe campaign.

Joseph’s GoFundMe now stands at $42,642 of $10,000 goal.

(14) TODAY’S BIRTHDAYS:

(15) FINALLY NAMING NAMES. Compulsive list-maker and Filer James Davis Nicoll has made the first in a new series of posts over at Tor.com, Fighting Erasure: Women SF Writers of the 1970s, A Through F.

You may have been annoyed by recurrent comments from a certain surprisingly flammable Waterloo-region reviewer. He complains about the erasure from SF memory of women writing SF back in the 1970s – but has that reviewer ever bother to name names? Suggest books? I think not. It is time to confront the erasure directly. Forward! Excelsior!

In an attempt to keep this list to a manageable length, I will focus on women authors who first published in the 1970s. That means skipping some significant authors who were already active at the time. I also reserve the right to cheat a bit by including a few works published after the 1970s. I am also going to break this list into several installments, beginning with A through F. Which should tell you just how many women have been erased. Whole binders full of women.

(16) SO THAT’S WHAT’S UNDER THERE. In a comment on File770, RedWombat (aka Ursula Vernon) says:

I went through what I called an “objectified Scotsman” phase about two months ago. A very specific, very silly genre, mostly tied to kilts, existence thereof, and what may or may not be worn underneath them.

You have to be absolutely in it for the romance, there is no comedy of manners, and they run INTENSELY formulaic (and I say this as one who respects romance enormously as a genre, couldn’t write it, and believe it deserves an immense amount of respect) but they are hella fun for comfort reads.

Structure goes as follows:

Act One: Arranged Marriage
HIM: I hate the English.
HER: Goddamn.

Act Two: Love
HIM: I still hate the English, but this one’s mine.
HER: Hot damn!

Act Three: The Clans Go To War
HIM: Let’s kill those other English!
HER: Oh, damn.

(17) THE TOR BOYCOTT HAS SUCCEEDED.

(18) NOW THAT YOU MENTION IT. Angered by what he apparently perceived to be too many “girl cooties” ruining his childhood in The Last Jedi, a Mens’ Rights Activist released last week a version of the 152-minute movie called “The Last Jedi De-Feminized Fanedit”, with the female characters almost completely excised. The resulting movie is (wait for it…) 46 minutes long. Dorkly’s Tristan Cooper takes one for the team and reports on the result.

I know. Part of you kind of wants to see this tragic, insecure shitshow. Don’t worry, you don’t have to scrub through the sketchier side of the internet just to satisfy your morbid curiosity – I’ve already done that for you. I watched the De-Feminized Fanedit of The Last Jedi, and I can tell you with authority that it’s even worse than you think…

In response, Twitter user Logan James released his own gender-edited films:

https://twitter.com/LoganJames/status/953750374804021250

https://twitter.com/LoganJames/status/954134191062601729

(19) MOTOR CITY COMIC MADNESS. SFF Author Saladin Ahmed has a new comic book, Abbott, debuting on January 24, set in 1972 Detroit. The Detroit Free Press gives us the lowdown:

Whether she’s arriving at a crime scene, standing up to her boss or just listening at home to John Coltrane albums, Elena Abbott is cool.

So cool that the fictional newspaper reporter is the title character of a new comic book series set in 1972’s “two Detroits: one white, one black” – a place where “the former would rather leave the city than truly share it with the latter.”

(20) BUT WAIT UNTIL AFTER THEIR BEDTIME. I’m Going to Outer Space by Timothy Young is a picture book for your little SF lover – and for the adults who will delight in spotting the Enterprise, a Space:1999 Eagle, and the Jupiter-Two among the spacecraft in the illustrations, and Bender, Robby, “the Robot”, Daleks, Maria, and many other old friends among the robots in the illustrations. An Amazon reviewer describes it as “the Where’s Waldo? for science fiction fans”.

(21) THAT’LL TAKE THE WIND OUT OF YOUR CAPE.

(22) FOLLOWING IN HIS FATHER’S STARSTEPS. Director Duncan Jones, whose film Moon won a Hugo Award in 2010, has produced another science-fiction movie Mute, which will debut on Netflix on February 23. Jones is better known in some quarters as the son of The Man Who Fell to Earth, David Bowie.

 [Thanks to Andrew, Bonnie McDaniel, Chris M., Cora Buhlert, Hampus Eckerman, James Davis Nicoll, lauowolf, Laura Resnick, Lee Billings, Mark-kitteh, Paul Weimer, RedWombat, Robin A. Reid, and ULTRAGOTHA for some of these stories. Title credit goes to File 770 Contributing Editor of the Day JJ.]

How to Comment on Jay Kay Klein Photo Identifications

JJ Jacobson, the Jay Kay and Doris Klein Science Fiction Librarian at the Eaton Collection of Science Fiction and Fantasy, tells how to use their recently-added Disqus capability to comment on photo identifications.


JJ Jacobson: When we created the Klein Photo info-form, we did so to give fans who aren’t on social media (or at least not on Facebook) a way to tell us about the photos, and to make our metadata-improvement process scalable, knowing that there are another 58,000 photos to come.

However, a few folks continued to post information on the Eaton’s FB page, and we noticed that there were lively conversations taking place in the comment threads. Folks seemed to be having such a good time reminiscing together that we started looking for a way to make more of those conversations about the photos possible. So we decided to experiment with a  threaded-commenting function right in Calisphere.

We’re using a 3rd-party app called Disqus, which a few other digital and Special Collections libraries have been pleased with – much faster for our experiment than building one out in Calisphere. It’s now live. The short description and explanation are now here, along with a commenting policy.  Here’s a longer community fact sheet, for those who want it: https://tinyurl.com/KleinCFS4fen

Brief directions on the Klein Photos in Calisphere:  Use the new commenting feature now available on Calisphere for this collection (to access commenting select an image and click “Join the Discussion”).

2018 Producers Guild Awards

The 2018 Producers Guild Award winners were announced at a ceremony on January 21. Works of genre interest scored quite a few awards..

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:

The Shape Of Water

Producers: Guillermo del Toro, J. Miles Dale

The Award for Outstanding Producer of Animated Theatrical Motion Pictures:

Coco

Producer: Darla K. Anderson

The Norman Felton Award for Outstanding Producer of Episodic Television, Drama:

The Handmaid’s Tale (Season 1)
Producers: Bruce Miller, Warren Littlefield, Daniel Wilson, Fran Sears, Ilene Chaiken, Sheila Hockin, Eric Tuchman, Frank Siracusa, John Weber, Joseph Boccia, Elisabeth Moss, Kira Snyder, Leila Gerstein

The David L. Wolper Award for Outstanding Producer of Long-Form Television:

The Long-Form Television category encompasses both movies of the week and limited series.

Black Mirror (Season 4)
Producers: Annabel Jones, Charlie Brooker

The Award for Outstanding Producer of Non-Fiction Television:

Leah Remini: Scientology and the Aftermath (Season 1, Season 2)
Producers: Leah Remini, Eli Holzman, Aaron Saidman, Myles Reiff, Adam Saltzberg, Erin Gamble, Lisa Rosen, Grainne Byrne, Taylor Levin, Alex Weresow, Rachelle Mendez

The Producers Guild of America is the non-profit trade group that represents, protects and promotes the interests of all members of the producing team in film, television and new media. The Producers Guild has more than 8,200 members.

Help Pick the 32nd Annual Asimov’s Readers’ Awards

Voting is open in the 32nd Annual Asimov’s Readers’ Awards. You’ve got a little time left to submit your online ballot — the form must be completed by February 1.

From short stories and novellas to novelettes and poems – and even best covers! – let us know your Asimov’s favorites this year.  Winners join the pantheon of Asimov’s authors who represent the Who’s Who of science fiction writers over the past thirty years.

Editor Sheila Williams has penned a lengthy overview of the eligible work. She begins —

As I looked over our index of 2017 stories, it struck me that I find something special in every story that I purchase for the magazine. A highly personal annotated list of the work that will be on this year’s ballot grew from those musings. Be warned that there are spoilers here. I’ve divided this essay into short stories, novelettes, and longer works, but the rest of the order is mostly controlled by whim…

[Thanks to Standback for the story.]