Category Archives: Pixel Scroll

Pixel Scroll 5/19/25 Someone Ought To Ooooopen Up A Pixel. No, No, No, No! Too Many Files!

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(1) BRITISH BOOK AWARDS. The Bookseller reports The British Book Awards “Book of the Year Winners 2025”. One is of genre interest, while James, a retelling of Huckleberry Finn from the viewpoint of Jim, has been discussed here for its parallels to Julia, a 1984 retelling. The complete list of winners is at the link.

AUTHOR OF THE YEAR

  • Percival Everett, author of James

BOOK OF THE YEAR – FICTION

  • James by Percival Everett

BOOK OF THE YEAR – PAGETURNER

  • Faebound by Saara El-Arifi

(2) HUGO-WORTHY POETRY CONSIDERED. Dina at SFF Book Reviews compares all the poetry finalists in “Reading the Hugos 2025: Best Poem”. Here’s one of the comments:

…Ever Noir by Mari Ness was much more to my liking, combining fairy tale tropes with a noir style. It’s like the noir detective in the grimy office is visited by a fairy tale princess. While it doesn’t really tell a story, I really enjoyed the juxtaposition of the two clashing sub-genres. (7/10)…

(3) JOURNEY PLANET 90. Steven H Silver announces that Chris Garcia and James Bacon have published an issue of Journey Planet he edited on the theme “My Favorite Museum”, which is 155 pages and looks at more than 60 museums on all seven continents. The issue can be downloaded at the link.

(4) 2027 WESTERCON. “Santa Clara Bids for 2027 Westercon” reports Kayla Allen at Westercon.org.

The 2027 Westercon Site Selection Administrator announced that she has accepted a bid from the Society for the Promotion of Speculative Fiction (SPSF) to host Westercon 79 in conjunction with BayCon 2027 at the Marriott Hotel in Santa Clara, California, and that this bid will be on the ballot for the election to be held this year at Westercon 77/BayCon 2025.

Site Selection Administrator Kayla Allen explained that there was a misunderstanding between herself and SPSF around the original filing deadline of April 15, 2025. After several discussions, Allen decided in the interest of fairness to accept SPSF’s bid and place the Santa Clara in 2027 bid on the ballot. No other groups filed bids to host Westercon 79.

For those wishing to vote electronically, you will be able to pay the advance “voting fee ($20) tokens” by purchasing a token through the BayCon 2025 website. There is also a small service charge for such online purchases. Members will also be able to pay by check or money order. Cash will only be accepted in person at Westercon 77/BayCon 2025.

The 2027 Westercon Site Selection ballot will be posted at the Westercon.org website and will be sent to all members of Westercon 77/BayCon 2025. Members will be able to vote by email, paper mail, or in person at Westercon 77/BayCon 2025.

(5) STREET’S NEW DESTINATION. “’Sesame Street’ Heads To Netflix With Streaming Deal For PBS Series” – Deadline has the story.

Sesame Street has a new streaming home. Netflix has picked up the children’s series, which will make its debut on the streamer later this year with an all-new, reimagined 56th season — plus 90 hours of previous episodes — available to audiences worldwide.

Netflix is coming on board after HBO Max opted not to renew its Sesame Street streaming deal at the end of last year. Finding a new streaming partner has been considered critical to the series’ financial survival.

The new episodes, which will now each center on one 11-minute story, will be available same day-and-date in the U.S. on PBS stations and PBS KIDS digital platforms, maintaining U.S. kids’ free access to early learning, which Sesame Street is all about. That is a departure from Netflix’s typical push for exclusivity unless a second window on a library title is involved….

(6) 451. In “Ray Bradbury Told Us So”, Carl Abrahamsson analyzes the lasting relevance of Fahrenheit 451. (Behind a paywall.).

…Bradbury’s novel emerged from the McCarthy era, when fear of communist influence led to intense scrutiny of intellectuals and artists. The story follows Guy Montag, a “fireman” whose job is burning books in a future America where literature is forbidden. Through his relationship with Clarisse McClellan, a young woman who questions society’s values, and his own growing disillusionment, Montag begins to read the books he’s meant to destroy. The novel depicts a population numbed by wall-sized televisions, immersive entertainment, and high-speed living. Bradbury’s warning focuses on how mass media and anti-intellectualism could lead to cultural amnesia and the death of critical thinking….

(7) THE BLOB AT REST. [Item by Steven French.] Guardian readers suggest some good books to read to kids, including the ‘How to Train Your Dragon’ series and also this: “’I’m still not tired of it’: the best books to read aloud to kids, according to parents”.

Sleep Tight, Disgusting Blob

Huw Aaron

I’m a primary school teacher with two children under three at home. As a reception teacher I spend a lot of time reading children’s books out loud. With my own children I like a book that is calm and gives me something as well as them. Sleep Tight, Disgusting Blob by Huw Aaron is my new favourite: Lovely, relaxed rhymes with a touch of sci-fi and horror thrown in. Children who can read or appreciate the pictures love the idea of a “scary” bedtime story, and those who can’t, get the rhythm and time with a happy, giggling parent. Patrick Clark, Leeds’

(8) MEMORY LANE.

[Item by Cat Eldridge.]

May 19, 1983 — Shatner’s Star

Forty-two years ago on this day, William Shatner got his very own star on the Hollywood Walk of Fame. It was the one thousand and sixty-second such star. It’s located at 6901 Hollywood Blvd. He’d also get a star on the Canada’s Walk of Fame in Toronto. 

It is said that hundreds of people attended Shatner’s dedication ceremony, including Leonard Nimoy who gave a speech on the day in which he said that Shatner was “a wonderful man and a great actor” before telling the crowd about the terrible jokes Shatner liked to play on him. 

Shatner also spoke, “This is my small ticket to the stars. All of the other accolades are so ephemeral one never has anything that’s truly concrete and this is the one exception.” 

(9) COMICS SECTION.

My cartoon for this week’s @theguardian.com Books

— Tom Gauld (@tomgauld.bsky.social) 2025-05-18T15:36:55.467Z

(10) SHARE THE WEALTH? “Mike Deodato On Not Getting Paid For Ironheart By Marvel Studios” at Bleeding Cool.

Mike Deodato co-created Riri Williams, Ironheart, with Brian Michael Bendis for Marvel Comics, who first appeared in Invincible Iron Man Vol. 3 #7 in 2016, and on the screen in Black Panther: Wakanda Forever, played by Dominique Thorne. With the TV series adaptation starring Thorne about to drop on Disney+, he has written an open letter on social media earlier this week, reproduced in English below;…

… “But as much as I celebrate this moment, there’s a bitter edge to it. You see, while Marvel has built an empire worth billions on the backs of its creators, the compensation model hasn’t kept pace with the success. I’m in a good place, one of the best-paid creators in the industry, and I truly appreciate that. But it’s not about me. It’s about the principle. When a character you poured your heart into helps fuel the engine of a multi-billion-dollar machine, a small share of that success feels only fair.

“Creators don’t ask for billions or even millions. Just a nod, a bit of recognition, and a share that reflects the contribution they’ve made. It’s not just good ethics—it’s good business. Happy creators stay invested, inspired, and loyal. But when the business side doesn’t match the creative investment, creators naturally drift toward projects where they retain control, where their work can lead to lasting financial security. That’s why more and more of us are focusing on creator-owned projects, where we can truly share in the success of our creations….”

(11) SOMETIMES IT’S EASY TO BE GREEN. Forbes has news that’s out of this world: “Mars: Why The Red Planet Could Turn Green This Week”.

Mars, the red planet, could be in for a global display of aurora this week after a huge cloud of charged particles left the sun in the direction of the red planet.

The prediction from solar scientists comes in the same week NASA’s Perseverance Mars rover made history by detecting visibly green auroras on Mars for the first time.

An X2.7 solar flare on Wednesday, May 14 — the strongest of the year so far — saw an intense burst of energy and electromagnetic radiation from the sun’s surface spread out across the system at light speed. An X-class solar flare is the most intense class, according to NASA. In its wake, there was a coronal mass ejection — a cloud of super-charged particles — that left the sun’s surface….

(12) THEY’RE LASERS. Oh yeah, now that you mention it. “Something Wild Happens When You Try to Take a Video of a Car’s Sensors” warns Futurism.

Public service announcement: don’t point your phone camera directly at a lidar sensor.

A video recently shared on Reddit demonstrates why. As the camera zooms in on the sensor affixed to the top of a Volvo EX90, a whole galaxy of colorful dots is burned into the image, forming over the exact spot that the flashing light inside the lidar device can be seen.

What you’re witnessing isn’t lens flare or a digital glitch — it’s real, physical damage to the camera. And it’s permanent.

“Lidar lasers burn your camera,” the Reddit user warned….

(13) PITCH MEETING. Ryan George remembers “The Avengers Pitch Meeting” like it was yesterday. Maybe that’s because this is a revival of a video first aired in 2018.

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Matt O’Dowd over at PBS Space Time tends to the sceptical side of technological extraterrestrials existing, at least within detection range of Earth. It is never aliens, except when it is.

However he has just posted a 20-miute video, the latest of a few over the past half-decade, on the Fermi paradox: “Is There A Simple Solution To The Fermi Paradox?”

I should declare that as a bio-geo (environmental) scientist, I don’t buy into this at all. Having devoted much of my extracurricular science time to climate change for over a third of a century, I was really getting depressed, and so for the last decade I have been focusing on deep-time evolution of life, the Earth and the Earth system, developing a ‘co-evolution of life and planet narrative. (I have a book in press coming out on this from an academic publisher – it has been in peer review for two years!. I’ll give Mike the nod when it is due out in case he thinks it might be worth sharing with Filers as there is a fair bit on exobiology in the mix as well as the coming singularity (both being SFnal tropes)).

For what it is worth, I do not consider the endosymbiont process to create a eukaryote (good cell) from a prokaryote (like a simple bacterial cell) a difficult one or a hard evolutionary step.  If it was a hard evolutionary step then it is unlikely to have taken place a number of times (which it has). However, physicists will be physicists and this is Matt’s summary…

Around 2 billion years ago, life had plateaued in complexity, ruined the atmosphere, and was on the verge of self-annihilation. But then something strange and potentially extremely lucky happened that enabled endless new evolutionary paths. The first eukaryote cell was born. This may also explain why there are no aliens.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Kayla Allen, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA who gets the 1776 reference from the other day.]

Pixel Scroll 5/18/25 Pixels Tickle When They Walk Through You

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(1) ZELAZNY-INSPIRED ART. Michael Whelan discusses the series of covers he created for “The Collected Stories of Roger Zelazny” from the NESFA Press.

I rank Roger Zelazny as one of the best F/SF writers of his generation. One of my prime regrets is that I never got to meet him.

I was immediately intrigued when offered the chance to provide covers for a multi-volume collection of his works by NESFA Press, the publishing side of the New England Science Fiction Association.

While pitching the project, the publisher explained that Roger had said in an interview that he always wished to have me do a cover for one of his books; alas that it didn’t come to pass during his lifetime. But I was happy to show my respect for his legacy through my art….

…Upon reflection I settled on a blend of 1) managing elements of RZ stories that applied to tales within a particular volume, and 2) adding things ‘on the fly’ as a part of the process of doing the painting, using connections that popped up while adding details to the composition.

I’m not going to lie…it did occur to me that I could paint anything at random, knowing that a connection could be found between what I chose to depict and some narrative or thematic element in Zelazny’s writing.

That was liberating. I felt free to develop the composition from a “big design” standpoint since there was such a wealth of material to draw on to “populate” the image areas.

The idea of running one image across the spines of the seven books was discussed early on; I believe Alice Lewis, jacket designer on this project, was the one who originally mentioned it. The challenge of making it work seemed exciting, so I was drawn to that approach right away….

(Paul Weimer has reviewed the first five books in the series for File 770: “Paul Weimer Review: Roger Zelazny’s Threshold”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Two: Power & Light”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Three: This Mortal Mountain”; “Paul Weimer Review: The Collected Works of Roger Zelazny, Volume Four, Last Exit to Babylon”; and “Paul Weimer Review: The Collected Stories of Roger Zelazny: Volume 5: Nine Black Doves”.)

(2) SEATTLE WORLDCON 2025 CONSULTATIVE VOTE IS OPEN. Seattle Worldcon 2025 is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting. Voting runs from May 1 to May 31 and is accessed through the member registration portal in the same manner as the Hugo Award voting. More information is available on the Consultative Vote Webpage.

As previously announced, Seattle Worldcon is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting to the Seattle Worldcon: the proposed revisions of the Hugo Award categories for best professional artist and best fan artist, and the proposed amendment to abolish the Retro Hugo Awards.

The purpose of the consultative vote is to test whether this type of vote is feasible, in case the practice is someday adopted as a formal part of the WSFS decision-making process. These proposals were chosen because they have clearly generated wide interest among the Worldcon community.

(3) ON THE WAY. “Frankenstein in the Age of CRISPR-Cas9” at Nautilus.

…[Mary] Shelley drew on a mythology of technology that goes back to the 6th century B.C. when the figure Prometheus stole fire from the gods and bestowed it to mankind. The “fire bringer,” is often associated with Lucifer, (literally meaning “light bearer”), who pilfered light from the heavens and brought it down to Earth. The “fall of man” implies an age when mortals are illuminated with knowledge. Immanuel Kant was the first to modernize the term, when he nicknamed his pal, Benjamin Franklin, “the Prometheus of modern times” for his nifty work with kites. In the early 19th century, Shelley’s Frankenstein, or The Modern Prometheus put the concept into terms of controlling biological forces. She not only arguably invented science fiction, but her novel offered a plot device for modern tales, including Flowers for Algernon, The Stand, The Andromeda Strain, Jurassic Park, 2001: A Space Odyssey, and Yann Martel’s short story “We Ate the Children Last.” We all understand the illusions. A scientist sets out to create a more perfect entity, only to have it backfire as the thing he creates gets out of control.

…By the early 1980s, Richard Mulligan at the Massachusetts Institute of Technology isolated genetic code and wrapped it up in a virus, returning it to humankind as a tool. In the same decade, companies such as Biogen and Genentech claimed the patents to control the first applications of genetic engineering. Scientists today are using the gene editing tool CRISPR to do things such as tinker with the color of butterfly wings, genetically alter pigs, and engineer microbes with potentially pathogenic or bioterror purposes. Last year, a group of 150 scientists held a closed-door meeting at Harvard Medical School to discuss a project to synthesize the code of a human genome from scratch using chemical techniques. As Andrew Pollack wrote in The New York Times, “the prospect is spurring both intrigue and concern in the life sciences community because it might be possible, such as through cloning, to use a synthetic genome to create human beings without biological parents.” In August, Shoukhrat Mitalipov at the Oregon Health and Science University in Portland reported using CRISPR to alter a human embryo….

…We are at the very start of the “industrial revolution of the human genome,” just as Shelley was writing at the start of the Industrial Revolution. Her essential insight is that science and technology can progress but will never achieve social control without a willful and ongoing abdication, or repression, of our agency. Shelley wants to tell us that what we seek from technology is based on our existential fear of being in control over our own lives, which have no ultimate solution, and which compels us to so eagerly pursue what psychologists call an external locus of control. But mythology is often first presented as a utopia, only to result in a dystopian reality…

(4) THE SF COLLECTION SOME OF US GREW UP WITH. “A Treasury of Great Science Fiction, Volume One & Two, Anthony Boucher editor, 1959 Doubleday & 1960 SF Book Club” features at A Deep Look by Dave Hook.

The Short: I recently reread one of my favorite SF anthologies as a much younger person, A Treasury of Great Science Fiction, Volume One and Volume Two, Anthony Boucher editor, 1959 Doubleday/1960 Science Fiction Book Club. It was available for purchase only as a two volume set when new. I am not aware of any other SF anthology that includes two novels and 10 pieces of short fiction, much less one that includes four novels and 20 short fiction works in the set. My favorite novel included is the classic The Stars My Destination by Alfred Bester, and my favorite short fiction is the classic “The [Widget], the [Wadget], and Boff“, a novella by Theodore Sturgeon. My overall average rating is 3.73/5, or “Very good”. It was great to rediscover how great the John Wyndham novel Re-Birth is…. 

(5) GOING ROGUE IS RECOMMENDED. “Five Takeaways From Rewatching ‘Rogue One’ After ‘Andor’” at The Ringer.

…The makers of Andor have teased how transformative it can be to revisit Rogue One after the prequel-to-a-prequel’s conclusion. As of last week, Andor creator Tony Gilroy hadn’t rewatched Rogue since finishing Andor, but he hyped the practice anyway: “Other people around me have done it. So I’ve been reassured. And I’ve seen bits and pieces of it; it comes on, and you’re like, ‘Oh my god, holy crap. Look what that does.’” Diego Luna was even more insistent. “I urge people to see Rogue One right after the end of Season 2,” the actor who plays Cassian said. “They’re going to see a different film.”…

There follow five takeaways which, as you should expect, are full of spoilers.

(6) AS IMAGINED IN THE TWENTIETH CENTURY. [Item by Andrew Porter.] “When a president goes rogue: In these books, it already happened” at Salon. Discussion of several novels including The Man In The High Castle and Parable of The Sower.

…As the second Trump administration lurches into its third month, moving fast and breaking government, I’ve been studying what American writers have suggested would occur if a demagogue were elected president. A next step, in novels such as Sinclair Lewis’ “It Can’t Happen Here,” involves a direct attack on the Supreme Court if it declines to affirm a president’s agenda. Much the same forces are at work 90 years later. Alternative histories, particularly dystopias, reflect their societies’ radical pessimism, as  Harvard professor and New Yorker writer Jill Lepore suggested in 2017:  

“Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and Infowars, the fiction of helplessness and hopelessness.”…

(7) INTERNATIONAL BOOKER THOUGHTS. [Item by Steven French.] A couple of genre related novels top the Guardian’s list of contenders for the International Booker Prize: “A Danish Groundhog Day or tales of millennial angst… What should win next week’s International Booker?”

What unites the books on the shortlist for this year’s International Booker prize? Brevity, for one thing: five of the six are under 200 pages, and half barely pass 100. They are works of precision and idiosyncrasy that don’t need space to make a big impression. Themes are both timely – AI, the migration crisis – and evergreen: middle-class ennui; the place of women in society. And for the second consecutive year, every book comes from an independent publisher, with four from tiny micropresses. Ahead of the winner announcement on 20 May, here’s our verdict on the shortlist….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

May 18, 1962 — Twilight Zone’s “I Sing The Body Electric”

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — Intro narration.

On this date in 1962, The Twilight Zone aired “I Sing The Body Electric”. 

It was scripted by Ray Bradbury and although he had contributed several scripts to the series, this was the only one produced. (His first script, “Here There Be Tygers,” was accepted but never filmed.)

It became the basis for his 1969 short story of the same name, named after an 1855 Walt Whitman poem which celebrates the human body and its connection to the universe. It was according to Whitman anti-slavery. The original publication, like the other poems in Leaves of Grass, did not have a title. In fact, the line “I sing the body electric” was not added until the 1867 edition.

Bradbury’s short story would be published first in McCall’s, August 1969. Knopf would release his I Sing The Body Electric collection in October of that year. It’s been included in least fifty collections and anthologies.) 

James Sheldon and William F. Claxton directed the episode; Sheldon directed some of The Man from U.N.C.L.E episodes; Claxton is known for Bonanza and Little House on the Prairie. I’ll confess to having seen a fair amount of the former but none of the latter. 

A large ensemble cast was needed as, minor spoiler alert, the primary cast here are shown at two ages, hence Josephine Hutchinson, David White, Vaughn Taylor, Doris Packer, Veronica Cartwright, Susan Crane and Charles Herbert all being performers even though the actual script calls for very few characters. 

Another spoiler alert. Perhaps I’m being overly cautious but we did get a complaint about spoiling a 50-year-old episode of a program by not noting that I was going to say something about that program, hence spoiler alerts for these programs.

Auntie, the organic one, caring for the children has decided they are too much of a burden and has decided to leave. So father decided to get a robot grandmother, a new fangled invention in their city. The mechanical grandmother after some resentment by one child is accepted by all after she saves one child from mortal injury and Serling says after that —

As of this moment, the wonderful electric grandmother moved into the lives of children and father. She became integral and important. She became the essence. As of this moment, they would never see lightning, never hear poetry read, never listen to foreign tongues without thinking of her. Everything they would ever see, hear, taste, feel would remind them of her. She was all life, and all life was wondrous, quick, electrical – like Grandma.

So this gentle tale that only Bradbury could write of the children who love her and the ever so wonderful mechanical grandmother ends with Serling saying the words scripted of course by Bradbury for him:

A fable? Most assuredly. But who’s to say at some distant moment there might be an assembly line producing a gentle product in the form of a grandmother whose stock in trade is love? Fable, sure, but who’s to say?

This was the year that the entire season of the series won the Best Dramatic Presentation Hugo at Chicon III. Just my opinion, but I think of all the nominees that it was clearly the far superior choice to win the Hugo. Really superior. 

It is streaming on Paramount+. 

There’s also a boy in the family but I couldn’t find an image of all three children, the father and the grandmother that was as good as this one is.

(9) COMICS SECTION.

(10) EXPECT A CODA FOR THIS SEASON OF DOCTOR WHO. BBC Doctor Who reveals: “Special episode of Doctor Who: Unleashed announced celebrating 20 years of revival”.

Travel back with David Tennant, Billie Piper and host Steffan Powell through a host of Whoniversal history…

As Season 2 comes to a climax, a special edition of Doctor Who: Unleashed is set to air on BBC Three, BBC iPlayer and BBC Wales. Steffan Powell is once again set to take a trip through the time vortex as he invites viewers on a journey celebrating the last twenty years since Doctor Who returned, and he will be joined by a host of cast and creatives that have played a part in bringing the show back into the Whoniverse.

Joining Steffan for the ride are some of the show’s most recognisable faces, including past Doctors David Tennant and Jodie Whittaker, former companions Billie Piper, Pearl Mackie, and Mandip Gill, ex-showrunners Steven Moffat and Chris Chibnall, the current Doctor Ncuti Gatwa alongside his newest companion Varada Sethu, as well as the current showrunner and the man who brought the show back in 2005, Russell T Davies.

As well as chatting with the stars about what Doctor Who means to them, Steffan will be revealing secrets from behind the scenes with interviews with those who work behind the cameras to bring Doctor Who to life….

 (11) PRECURSORS? Facebook’s group for David Attenborough Fans discusses the Silurian Hypothesis.

…The idea of the Silurian Hypothesis was inspired by an episode of Doctor Who, where intelligent reptilian creatures called Silurians awakened from 400 million years of hibernation due to nuclear testing. While this was a work of fiction, the hypothesis raised a profound possibility: What if there were once other advanced civilizations on Earth that have completely vanished?

Humans often think that their existence and their civilization are eternal, but history teaches us otherwise. Take ancient Egypt, for instance. For over 3,000 years and across 30 dynasties, Egyptians lived under the shadow of the pyramids, fished the Nile, and mingled with other cultures. To them, their civilization seemed everlasting, yet it too disappeared. Similar fates befell the Mesopotamians, the Indus Valley civilization, the Greeks, Nubians, Persians, Romans, Incas, and Aztecs. These great empires, once thriving with millions, left behind scant evidence of their grandeur.

Modern humans have been around for about 100,000 years, a mere blip in the hundreds of millions of years that complex life has existed on Earth. Given this vast expanse of time, it’s conceivable that other intelligent species might have risen and fallen long before us. Would we even know they had been here?…

…The Silurian Hypothesis suggests looking for markers of industrialization on a global scale. One key marker is changes in the isotopic composition of elements, which can be detected in sedimentary layers. For instance, human activities have altered the nitrogen cycle and increased the levels of certain metals like gold, lead, and platinum. Most notably, the burning of fossil fuels has changed the carbon isotope ratios in the atmosphere, known as the Suess effect, which is detectable in sediment cores.

Interestingly, a sudden global change in carbon and oxygen isotope levels was observed 56 million years ago during the Paleocene-Eocene Thermal Maximum (PETM). The PETM saw Earth’s temperature rise by six degrees Celsius over 200,000 years, with fossil carbon levels spiking. Some scientists speculate that a massive volcanic eruption caused this, but the exact cause remains unknown. Could it have been evidence of an ancient civilization? Probably not, but it does show how such an event could leave a detectable mark.

The Silurian Hypothesis, while not proving the existence of ancient civilizations, provides a framework for searching for them, not just on Earth but also on other planets. The Drake Equation estimates the number of extraterrestrial civilizations in our galaxy, suggesting there could be anywhere from 150,000 to 1.5 billion. If intelligent life can arise multiple times on a single planet, as the Silurian Hypothesis proposes, it opens up exciting possibilities for finding civilizations throughout the galaxy….

(12) THE INSIDE (THE BOOKSHOP) STORY. [Item by John King Tarpinian.] The Howling (1981) Bookshop scene was filmed at the Cherokee Bookshop, which was on Cherokee just off of Hollywood Boulevard.  The wandering customer is Forry Ackerman.   

(13) PITCH MEETING. Ryan George takes us inside the “Thunderbolts* Pitch Meeting”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Jeffrey Smith, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/17/25 A Handbook For Pixels

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(1) AI HALLUCINATES ABOUT JG BALLARD. The Bookseller exposes that “Coca-Cola advert featuring JG Ballard novel ‘errors’ was ‘AI-leveraged’” (article is paywalled).

A Coca-Cola advert released as part of its “Classic” campaign, which features well-known authors referencing its products in their novels, appears to include an inaccurate representation of work by the English novelist JG Ballard.

The Empire of the Sun and Crash author is one of three writers included in an advertisement released by Coca-Cola in mid-April 2025. The advert shows an old-fashioned typewriter writing out excerpts from novels, such as Stephen King’s The Shining, as if the onlooker is watching the author type directly onto the page. References to Coca-Cola are accompanied by the appearance of the brand’s red logo and a burst of sound evoking that which might accompany the opening of a fizzy-drink bottle. As well extracts of work by King and VS Naipaul the advert presents us with Extreme Metaphors by JG Ballard, dated 1967. It features a misspelling of the Chinese city of Shanghai.

JG Ballard, who was published by HarperCollins in the UK, did not write a novel published in 1967 called Extreme Metaphors. There is, however, a book titled Extreme Metaphors: Selected Interviews with JG Ballard, edited by Dan O’Hara and Simon Sellars (4th Estate) and published in 2012, three years after Ballard’s death. O’Hara told 404Media: “The sequence of words being typed out by the imagined JG Ballard in the ad was never written by him, only spoken, and the only person ever to type that exact sequence out in English is me.”…

(2) HORROR UNIVERSITY OPEN FOR ENROLLMENT. StokerCon has announced the 2025 Horror University workshop schedule. From June 12-15 they will present nine live, in-person workshops at StokerCon 2025 in Stamford, CT. See course descriptions at the link.

HORROR UNIVERSITY is designed for horror writers interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. These workshops are taught by some of the most experienced voices in horror. 

​Registration per workshop is $55 per workshop for all attendees. General registration for StokerCon does not include Horror University programming; additional registration is required so that the Con is able to compensate each instructor for their workshop and support the cost of the program.​

More details are available on Eventbrite and will be posted to StokerCon.com soon! Horror Universty workshops are separately ticketed sessions. Registrations may be purchased through the Registration portal.

(3) TUNED IN. A new episode – “Doctor Who: The Interstellar Song Contest” reviewed by Camestros Felapton. This is an ambiguous excerpt, but I want to avoid spoiling the review, the same way Camestros avoids spoiling the episode.

…Undoubtedly this is going to be a divisive episode. Some Doctor Who places I visit are showing a lot of love for it but I think a more general consensus is one of disappointment.

My main takeaway is that this episode is the best example of the recurring problem with this season….

(4) NIVEN Q&A. “Larry Niven interview: Ringworld legend discusses his classic novel and all things sci-fi” – a fun dialog that Niven fans will enjoy.

EHW: Is there anything you would do differently if you wrote Ringworld today?

LN: I’ve been telling people that I would start over with a universe in which you can’t go faster than light [and] nobody’s got psychic powers. The point is, if you build a Ringworld, it has to be because you can’t reach other stars…

EHW: What is the one piece of advice you would offer someone trying to write science fiction today?

LN: Shorten your name, like I did….

(5) BRADBURY’S BEST. James Wallace Harris only wants to read the best Bradbury – so how can he make sure he doesn’t miss any? Harris tries to solve that problem in “How Many Ray Bradbury Short Stories Do You Want to Read?” at Classics of Science Fiction.

…However, over the last five years, I’ve been gorging on science fiction short stories, and I’ve been surprised by how often his stories show up in anthologies. Then, a few weeks ago, I read The Bradbury Chronicles, a biography of Ray Bradbury by Sam Weller. Bradbury’s life was riveting, inspiring me to read more of his work. According to the Library of Congress, Bradbury published over 600 short stories. According to the Weller biography, by the late 1940s, Bradbury was writing and publishing a short story a week.

Piet Nel sent me a spreadsheet with 375 stories from all of Bradbury’s major collection. Piet also said, “Ray Bradbury: The Life of Fiction, by Eller & Touponce (2004), has a comprehensive story list, compiled with academic rigor, up to 2002. It runs to about 400 stories.” So, it’s hard to reconcile the 600 number from the Library of Congress. Piet also sent me the link to Phil Nichols’ site and his Short Story Finder….

…I just don’t want to read that many Ray Bradbury stories. I just want to read his best stories, but I’m unsure which ones are the best. I’m partial to his science fiction stories, but I’m willing to read any type as long as they are among his best….

(6) GOLD STANDARD. “US Mint releases Space Shuttle $1 gold coin” and Popular Science tells how to get one.

You can now own a $1 gold coin celebrating one of America’s most revolutionary achievements: the NASA Space Shuttle program. The latest variant in the ongoing American Innovation $1 Coin series is available to order through the United States Mint. Selected to represent the state of Florida, the noncirculating legal tender is the third coin released this year and the 28th coin in the 15-year project first announced in 2018.

While the coin’s front displays the series’ Statue of Liberty image, the back shows the shuttle launching above plumes of exhaust. United States Mint Medallic Artist Eric David Custer sculpted the image while Artistic Infusion Program (AIP) Designer Ron Sanders designed it….

(7) MURDERBOT PRAISE. A highly favorable review – with a headline that makes an interesting claim: “’Murderbot’ review: This sci-fi show is the best new comedy of 2025” at NPR.

…I laughed a lot, watching Murderbot, and admired how much the show gets right from the jump. SecUnit offers a running commentary on the action, so the show is awash in voiceover. But that voiceover is used, never relied upon. It’s always employed in ways that individualize and particularize SecUnit’s character, which often manifests in jokes that undercut the events we’re watching through its eyes.

About those space-hippies. There are a lot of jokes at their expense, but they’re not the kind of lazy, lay-up, make-fun-of-the-wokes jokes. They’re specific, and so firmly rooted in character that they allow each member of the team to distinguish themselves from each other, to be weird in their own particular way….

…So, yeah. Murderbot is the best comedy series I’ve seen this year and I’m gonna be shouting that from the rooftops. Check out the episodes that drop Friday on Apple TV+. If you like them, do me a favor, because we need to get the word out about this show:

Meet me on the roof.

(8) LAW OF SUPPLY AND DEMAND. Seems the demand wasn’t that great in 1946. “Harvard Law Paid $27 for a Copy of Magna Carta. Surprise! It’s an Original.” The New York Times tells about the discovery. (Article is behind a paywall.)

Bought for $27.50 after World War II, the faint, water stained manuscript in the library of Harvard Law School had attracted relatively little attention since it arrived there in 1946.

That is about to change.

Two British academics, one of whom happened on the manuscript by chance, have discovered that it is an original 1300 version — not a copy, as long thought — of Magna Carta, the medieval document that helped establish some of the world’s most cherished liberties.

It is one of just seven such documents from that date still in existence.

“I never in all my life expected to discover a Magna Carta,” said David Carpenter, a professor of medieval history at King’s College London, describing the moment in December 2023 when he made the startling find.

The manuscript’s value is hard to estimate, although it is fair to say that its price tag of under $30 (about $500 today) must make it one of the bargains of the last century. A 710-year-old version of Magna Carta was sold in 2007 for $21.3 million.

Nicholas Vincent, a professor of medieval history at the University of East Anglia, in eastern England, helped authenticate the text. He noted that the document, which bound the nation’s rulers to acting within the law, had resurfaced at a time when Harvard has come under extraordinary pressure from the Trump administration….

(9) JIM WALKER OBITUARY. [Item by SF Concatenation’s Jonathan Cowie.] Sadly, the British SF fan Jim Walker has passed. Jim was a friend of, and a contributor to, the SF² Concatenation. His first offerings were a couple of book reviews back in the mid-1990s. From the early 2000s to 2017, he was one of our regular convention reporters, especially of Eurocons. He also took part in the Anglo-Romanian Fan Fund activities of the 1990s to early 2000s attending events, both here in Britain when there were visiting Eastern European fans, and also in Timisoara, Romania, with our two International Weeks of Science and SF in 1999 and 2003.

In addition to Eurocons, he was a regular at Britain’s (there are others) Festival of Fantastic Films and the British Eastercon. A civil engineer by training and profession, in retirement he made short films with local friends including a couple of SF offerings which, naturally, were screened at the Festival of Fantastic Films. Sadly, Jim was not at the 2023 Festival of Fantastic Films which I attended for the first time in a few years. We last physically met up in the summer of 2019 when he came down to London. We met to take in the view by Greenwich Observatory of the Thames and the new financial district to the north. We then walked across Blackheath’s Black Death plague pit (hence Blackheath’s name), to have lunch at a real ale hostelry… The thing about ‘last times’ is that when they occur you never know then that they are a ‘last time’. Farewell old pal.

The Dead Dog party participants following a gala dinner for the 1st International Week of Science & SF in 1999. Jim is far left (Jonathan next to him, yellow tie).

(10) MEMORY LANE.

[Written by Paul Weimer.]

The Empire Strikes Back (1980)

By Paul Weimer: The Empire Strikes Back. The Greatest of the Star Wars films?

Possibly. 

Like Star Wars, I didn’t get to see this one in the theater. I didn’t get any playsets for this one, no Cloud City playset, unfortunately. I had a sketchy idea of the events of the movie from seeing Return of the Jedi, and the Atari 2600 videogame. Oh, and the vector laser arcade game. So I knew only a sketch of the movie and its events.

It would be when it aired on TV in the mid-80’s (along with Star Wars itself, and after I had seen ROTJ) that I would finally see the movie. 

Best script of the entire nine movies? Possibly. For freshness and reinvention, the original Star Wars has Empire beat, but Star Wars can be slow going in places, where Empire is much leaner, meaner and more controlled in its blaster fire. We see how Lucas clearly had changed his mind about Luke and Leia and started the run toward Leia and Han. We meet Yoda, in his best incarnation. Force Ghost Obi-Wan.  And just the casual way Vader deflects the laser fire from Han Solo was just so good. It answered the question of “Why don’t you just shoot him?” that I had wondered since his lightsaber fight in Star Wars. 

And of course “Luke, I am your Father”. One of the greatest twists in modern cinema, without none. Was Vader lying? Why did Obi-Wan lie if he wasn’t? It brings Luke and the Rebellion to a low point not long after, Han captured, the rebellion scattered to the wind. In the Hero’s Journey, this is about as low as things can get in the trilogy. The middle of trilogies is hard, often flabby or repetitive. Empire is none of these. It’s the exception that proves the rule.

(11) COMICS SECTION.

(12) BUSTED. “How Broken is Google?” Camestros Felapton would like to tell you.

I’ve been writing short spoiler-free reviews of the current seasons of Doctor Who each (for me) Sunday morning, having watched the show Saturday (evening). Last week, I had a bit of blank on the title of the episode: was it the Story Engine…no…not quite. Rather than tie myself in knots I just googled it. “doctor who recent episode”.

Google came back with an answer: Castrovalva: Part One, Doctor Who Season 117, episode 1. It had a little picture of Peter Davison next to it. Observant readers will spot that Peter Davison is not Ncuti Gatwa, Castrovalva was broadcast 43 years ago and that, while long running, Doctor Who has not had 117 seasons….

And that’s not all!

(13) WHERE IT BEGAN. BBC reports about “The ‘space archaeologists’ hoping to save our cosmic history”.  (And yet not a mention of River Song!)

Space is being commercialised on a scale unseen before. Faced by powerful commercial and political forces and with scant legal protections, artefacts that tell the story of our species’ journey into space are in danger of being lost – both in orbit and down here on Earth. 

Like Stonehenge, these are irreplaceable artefacts and sites that have a timeless significance to humanity because they represent an essential stage in the evolution of our species. They are often also expressions of national pride because of the industrial and scientific effort needed to achieve them. Sometimes they are also memorials to those who died in the course of ambitious space programmes.

They also have another use. Studying these artefacts and sites helps researchers better understand how astronauts interact with new technology, adapt to new environments and develop new cultural practices. The conclusions of researchers can influence the design of future spacecraft and help future space missions succeed.

Can a new generation of pioneering space archaeologists like Alice Gorman and Justin Walsh help save our space heritage for coming generations, and how might their work change space exploration in the future? …

(14) IT HAS A PULSE. [Item by Steven French.] Not saying it’s aliens but not *not* saying it’s aliens either! “Not saying it’s aliens: SETI survey reveals unexplained pulses from distant stars” at Phys.org.

More than 60 years ago, the Search for Extraterrestrial Intelligence (SETI) officially began with Project Ozma at the Greenbank Observatory in West Bank, Virginia. Led by famed astronomer Frank Drake (who coined the Drake Equation), this survey used the observatory’s 25-meter (82-foot) dish to monitor Epsilon Eridani and Tau Ceti—two nearby sun-like stars—between April and July of 1960. Since then, multiple surveys have been conducted at different wavelengths to search for indications of technological activity (aka “technosignatures”) around other stars.

While no conclusive evidence has been found that indicates the presence of an advanced civilization, there have been many cases where scientists could not rule out the possibility. In a recent paper, veteran NASA scientist Richard H. Stanton describes the results of his multi-year survey of more than 1,300 sun-like stars for optical SETI signals. As he indicates, this survey revealed two fast identical pulses from a sun-like star about 100 light-years from Earth that match similar pulses from a different star observed four years ago…

(15) VIDEO OF THE DAY. DUST has posted “Sci-Fi Short Film ‘Imminent Arrival’”.

Richard James, AKA “Reaper Rick,” is a simple Red-blooded, paranoid, country man. His long history of Military Service has taught him to never trust the government, pushing him to live out his days in the country, off of the grid. Other than his religious viewership of his favorite cable news network, his only other connection to the outside world is through his good buddy, “Squinty Joe,” who he only keeps in contact through HAM Radio. The two of them engage daily about the latest wild conspiracy theories, further exacerbating and shaping their views on the world. The two are constantly trying to one-up each other, bragging about who has the latest gear or best doomsday prep. In their minds, the apocalypse is right around the corner so it only makes sense to have a solid plan. In this Sci-fi Dramedy short film, we follow a day in the life of Rick as his intense paranoia becomes a reality during one of the strangest days of his life!

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mark Roth-Whitworth for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/16/25 It’s Hot As Hell In Pixeldelphia

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(1) NATIONAL SPACE SOCIETY PICKS ROBERT A. HEINLEIN MEMORIAL AWARD WINNER. “Legendary Nasa Astronaut Story Musgrave To Receive Award At The International Space Development Conference” reports Fox 5 San Diego.

Former NASA astronaut Dr. Story Musgrave will receive the prestigious Robert A. Heinlein Memorial Award for his efforts toward making humanity a spacefaring civilization this June at the National Space Society’s International Space Development Conference® (ISDC®). The conference will be held June 19-22 in Orlando, Florida, at the Rosen Centre Hotel.

Musgrave is a former NASA astronaut who was active during the Apollo, Skylab, and shuttle programs. He flew into space six times and aboard all five shuttle orbiters. He is also a medical doctor and holds six academic degrees in mathematics and statistics, business administration, chemistry, physiology and biophysics, literature, and an M.D. Musgrave served in the U.S. Marine Corps and has flown 17,700 hours in a wide variety of aircraft including 7,500 hours in jets.

“Story Musgrave is a legend in the astronaut corps,” said Isaac Arthur, president of the NSS. “Besides his stunning academic accomplishments, he is also a pilot, has practiced medicine, and is deeply educated in literature. He is a true polymath, and his contributions to core ideas of long-term spaceflight and settlement are impressive, making him a truly deserving of the prestigious Heinlein Memorial Award.”…

(2) GREGORY BENFORD UPDATE. Kathryn Cramer wrote in a comment on File 770 today:

I called Greg Benford last night and spoke to him about the statement Jim is circulating. Greg opposes Jim getting control of his finances and of his life.

My understanding is that this was either Jim’s 5th or 6th attempt to get Greg under conservatorship. The statement posted by Joe Haldeman was emailed out by Jim Benford as a PDF to a number of Gregs hard SF writer friends. (I now have a copy of the PDF.) Apparently, Jim was requesting that they post it.

The statement does not accurately represent the situation. And indeed if everything in the statement were true, Jim would not be causing the situation to be litigated on Facebook and via spamming Greg’s friends.

Cramer has made similar posts on Facebook, including here and here, where many comments have been left.

(3) ERIN UNDERWOOD PRESENTS. Erin Underwood has two new videos, a review of the first two episodes of Murderbot on Apple TV+, and a review of the conclusion of Andor Season 2. 

  • Murderbot TV Series Review – Did They Get It Right?

Apple TV+ brings The Murderbot Diaries by Martha Wells to life—but does the series capture the sarcastic, media-loving SecUnit fans adore? Here’s my review of Episodes 1 & 2 and why Murderbot might be your next favorite sci-fi series.

  • Andor’s Ending Just Rewrote Rogue One – Star Wars Finale Review

Andor Season 2 ends not with a bang, but with something more powerful. In this review of Episodes 10–12, I explore how Tony Gilroy’s season finalé doesn’t just complete Cassian Andor’s arc, it reshapes how we understand Rogue One. From Luthen’s quiet sacrifice to Kleya’s infiltration (and the surprising final scene that reframes Cassian’s final moments) this series changes everything.

(4) WHAT IS NEWS? The Pew Research Center analyzes “What News Is (and Isn’t) According to Americans”.

…In the digital age, researchers – including Pew Research Center – increasingly study news from the audience perspective, what some have deemed an “audience turn.” Using this approach, the concept of news is not necessarily tied to professional journalism, and audiences, rather than journalists, determine what is news….

…Key findings:

  • Defining news has become a personal, and personalized, experience. People decide what news means to them and which sources they turn to based on a variety of factors, including their own identities and interests.
  • Most people agree that information must be factual, up to date and important to society to be considered news. Personal importance or relevance also came up often, both in participants’ own words and in their actual behaviors.
  • “Hard news” stories about politics and war continue to be what people most clearly think of as news. U.S. adults are most likely to say election updates (66%) and information about the war in Gaza (62%) are “definitely news.”
  • There are also consistent views on what news is not. People make clear distinctions between news versus entertainment and news versus opinion.
  • At the same time, views of news as not being “biased” or “opinionated” can conflict with people’s actual behaviors and preferences. For instance, 55% of Americans believe it’s at least somewhat important that their news sources share their political views.
  • People don’t always like news, but they say they need it: While many express negative emotions surrounding news (such as anger or sadness), they also say it helps them feel informed or feel that they “need” to keep up with it.
  • People’s emotions about news are at times tied to broader feelings of media distrust, or specific events going on at that time – perhaps in combination with individuals’ political identities. For instance, partisans often react positively to news about their own political parties or candidates and negatively to news covering their opposition, which means feelings can shift with political changes.

(5) ANOTHER SEASON OF FUTURE FOOTBALL. [Item by N.] Sports writer and documentarian Jon Bois’ multimedia narrative 17776 amassed a lot of buzz and a cult fandom upon its release in 2017 (this contributor remembers trying to push for it to get a Hugo nomination, despite its unconventional framing). Following its 2020 sequel 20020, it looks like there’s a third installment coming—and this time, it’s been sold to Tor:

(6) THE SENTENCE IS WRITTEN. “Man who attacked author Salman Rushdie gets 25 years in prison” reports NPR.

Hadi Matar, the man who severely injured novelist Salman Rushdie in a 2022 stabbing attack, was sentenced Friday to 25 years in prison — the maximum for attempted murder.

Matar, 27, was found guilty of second-degree attempted murder in February for his attack on the author at the nonprofit Chautauqua Institution in New York state in August 2022. A knife-wielding Matar leapt onto the stage where Rushdie was about to give a lecture, stabbing the author multiple times in the face, neck, arm, abdomen and eye.

The assault left Rushdie, now 77, partially blind and with permanent nerve damage. The author did not return to the Chautauqua County court in Mayville, N.Y., for the sentencing, but did submit a victim impact statement….

(7) LORDS CONSIDER AMENDED AI BILL. [Item by SF Concatenation’s Jonathan Cowie.] The House of Lords (in the UK) have returned a second time to the House of Commons an amendment to the forthcoming Data (Use and Access) Bill.  This amendment has already been rejected twice by the Commons who want AI trainers copyright free access to copyright material.  The House of Lords want IP creators to have the right to refuse to allow their work be used to train AIs. The Lords voted against
the Commons position by 287 to 88.

We await the Commons response. Constitutionally – and remember Britain has an unwritten constitution (unlike WSFS) – the Commons should now accept their Lordship’s view, however there is precedent for them to ignore it though that would likely spark a bit of a Parliamentary row.  We await, with interest, outcomes.

Details here: “Industry urges government to accept data bill AI amendment as it passes in Lords” at The Bookseller (behind a paywall).

(8) A TIME THE WRITER GOT PAID. Daytonian in Manhattan recalls some notable tenants of “H. I. Feldman’s 1940 139 East 35th Street” in New York.

…Moving into an apartment in October 1941 were actor Frank O’Connor and his wife, author and screenwriter Ayn Rand.  The couple met on the set of Cecil B. DeMille’s The King of Kings and were married on April 15, 1929.  Born in Saint Petersburg, Russia, in 1905, Ayn became an American citizen in 1931.

Two months after moving in, Rand landed a contract to publish the novel she was working on, The Fountainhead.  It was published in May 1943.  Later that year, Rand returned home from a business lunch and, according to Anne Conover Heller in her Ayn Rand and the World She Made:

When she got back to the apartment, tired and downcast, her husband was waiting in the dimly lit living room, a peculiar look on his face.  “Well, darling,” he said, after a dramatic pause, “while you were at lunch you earned fifty thousand dollars.”

Frank O’Connor had received the phone call from Warner Bros. informing her they had purchased the screen rights to The Fountainhead.  The couple left 139 East 35th Street in December that year….

(9) MEMORY LANE.

[Written by Paul Weimer.]

May 16, 1999 — The Phantom Menace

By Paul Weimer: The year was 1999 and the Moon blasted out of orbit, leaving Martin Landau and Barbara Bain to wander through space…

Wait, wrong universe, let’s try again.

The year was 1999. Near the end of the decade between the fall of the wall and the fall of the Towers. Sixteen years after Return of the Jedi. The Phantom Menace was going to be released in theaters. Uncharacteristically for me, I had already seen the soundtrack and realized that there was a movie spoiler hidden in the list of tracks.

Regardless, I was determined to see it in a theater, on opening day. I tried three theaters that day (May 16th) before finally getting a ticket, in a completely full theater. It was an event, an excitement in the air.  And then the crawl began. The cadence and style were of the first three movies, but taxation dispute? What WAS this? And then the movie began.

There is some good stuff, some of the old Lucas magic. The Qui-Gon and Obi relationship. Classic serial plot twist with the switched Princess. The enemy droids. (Roger, Roger). Some of Naboo looks great.

But some of the magic was gone or worse, turned and twisted. Jar-Jar Binks, the worst character Lucas has created, bar none. Anakin originally made C3P0? Really? Why? It’s a story beat and choice that makes absolutely no sense, then or now. 

And then there is the momentum killer. Don’t get me wrong, the pod race is a spectacle and very fun to watch. But it absolutely kills the momentum of a movie that is flailing already. Sure, Ben-Hur did it but Ben-Hur was not floundering before the chariot race. The pod race is outsized for the stakes it has. And the movie never recovers from it.  By the time we get to the fight with Darth Maul, it’s a relief, not the culmination of a great movie. Lucas’ magic failed him in this movie. 

I tried watching the movie one more time since that fateful opening day…and my opinion, unfortunately, has not improved. I did watch Attack of the Clones and The Revenge of the Sith and those movies have their own problems. But, fortunately, they are not The Phantom Menace.

(10) COMICS SECTION.

(11) SPIDER-GWEN. Announced earlier today at Collider, the adventures of Spider-Gwen will undergo an evolution this August in Spider-Gwen: Ghost-Spider #1 by writer Stephanie Phillips and artist Paolo Villanelli.

The series follows Phillips and Villanelli’s current run of Spider-Gwen: The Ghost-Spider which comes to a thrilling conclusion this July and sets the stage for this bold new beginning. Departing her home dimension under mysterious circumstances and finding herself trapped in Earth-616, Gwen embarked on a journey involving Loki, the TVA, and the reality-altering Cosmic Cube. Now, Gwen’s extended stay becomes permanent as her very life is rewoven into the main Marvel Universe!

Gwen Stacy isn’t from this Earth but she’s here to stay, so it’s time to make herself at home! A new costume, a new home life– heck, she’s even starting a new band! Unfortunately for Gwen, new threats are also heading her way, starting with one that just might be her own fault! Follow the Ghost-Spider as she settles into Earth-616 to stay!

“For Gwen, this new start is about possibility,” Phillips told Collider. “She’s carrying the weight of her past, but she’s finally in a place where she can build something new—new allies, new purpose, and maybe even a new sense of self… or, recovering an element of herself we haven’t seen in a while. Like playing in a band.”

(12) FIRST VOLDEMORT, NOW… “Hunger Games Sunrise on the Reaping: Ralph Fiennes Is President Snow” says The Hollywood Reporter.

Lionsgate‘s The Hunger Games: Sunrise on the Reaping has found its President Snow.

Ralph Fiennes will play the ruthless Panem dictator in director Francis Lawrence‘s forthcoming film in the franchise, The Hollywood Reporter has learned exclusively…

…Fiennes follows in the footsteps of the late Donald Sutherland, who portrayed Coriolanus Snow in the series’ first four films that kicked off with The Hunger Games hitting theaters in 2012. Blyth starred as a younger version of the character opposite Rachel Zegler in 2023’s prequel feature The Hunger Games: The Ballad of Songbirds & Snakes….

(13) IS HE SUPE ENOUGH? [Item by Steven French.] The Guardian’s “Week in Geek” considers the trailer for James Gunn’s Superman: “James Gunn’s new Superman is more human than alien god – but can he still inspire awe?”

For those of us brought up on the 1978 version of Superman, the sight of him squirming in the face of a mildly probing interview by Lois Lane (Rachel Brosnahan) in the first full trailer for James Gunn’s Superman is like watching a Greek god forget his lines in a school play. Rather than a morally upright, granite-jawed colossus watching over us like Jesus in a cape, this new David Corenswet-essayed take on Kal-El is one who is less a saviour from the stars than a disbelieving schoolboy who can’t quite understand how he’s getting aggravation for rescuing a cat up a tree….

(14) SOL GALL. “Sun Launches Its Strongest Solar Flare of the Year So Far, Causing Radio Blackouts Around the World” reports Smithsonian Magazine.

The sun has had quite a busy week hurling solar flares at our planet, causing blackouts across the globe.

“After weeks of calm, solar activity is suddenly high again,” reports Spaceweather.com. This is not totally unexpected, as scientists announced in the fall that the sun has reached the peak of its natural, 11-year cycle of activity, a high level known as the solar maximum. During this phase, the sun has more sunspots—dark, cool regions with tangled-up magnetic fields that can erupt material out into space.

The recent flares came from a pair of sunspots, including a new one that emerged earlier this week. Called AR4087, the spot is not completely aligned with Earth, but it’s currently turning toward our planet. “If the explosions continue for a few more days, however, Earth will find itself squarely in the strike zone,” with the potential for aurora-causing coronal mass ejections (CMEs) to arrive, writes Spaceweather.com….

… On Tuesday, a sunspot named AR4086 shot out an X1.2 solar flare. The very next day, the new sunspot AR4087 followed up with an M5.3 flare before a significantly stronger X2.7 flare—then topped it all off with another M7.7 flare, as reported by Live Science’s Jess Thomson. The AR4087 explosion caused “strong” R3 radio blackouts in Europe, Asia and the Middle East, per Space.com’s Daisy Dobrijevic….

(15) JUST PUCKER UP, AND BLOW. [Item by Steven French.] If we could talk with the animals … well, maybe someday we can: “Dolphin whistle decoders win $100,000 interspecies communication prize” reports the Guardian.

A $100,000 prize for communicating with animals has been scooped by researchers who have shed light on the meaning of dolphins’ whistles.

The Coller-Dolittle Prize for Two-way Inter-species Communication was launched last year by the Jeremy Coller Foundation and Tel Aviv University.

The winning team, the Sarasota Dolphin Research Program led by Laela Sayigh and Peter Tyack from the Woods Hole Oceanographic Institution, has been studying bottle-nosed dolphins in waters near Sarasota, Florida, for more than four decades.

The researchers used non-invasive technologies such as hydrophones and digital acoustic tags attached by suction cups to record the animals’ sounds. These include name-like “signature” whistles, as well as “non-signature” whistles – sounds that make up about 50% of the animals’ calls but are poorly understood.

In their latest work, which has not yet been peer-reviewed, the team identified at least 20 different types of non-signature whistle that are produced by multiple dolphins, finding two types were each shared by at least 25 individuals.

When the researchers played these two sounds back to dolphins they found one triggered avoidance in the animals, suggesting it could be an alarm signal, while the other triggered a range of responses, suggesting it could be a sound made by dolphins when they encounter something unexpected…

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, N., Erin Underwood, Steven H Silver, Danny Sichel, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]

Pixel Scroll 5/15/25 A Pixel A Day, Keeps The AI Away

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(1) GREGORY BENFORD CONSERVATORSHIP ANNOUNCED. Joe Haldeman today published on Facebook an announcement and statement by James Benford: “Jim Benford asked me to post this:  Court Approves conservatorship of the Estate and Person of Gregory Benford”. In addition to some information about Gregory Benford’s health, it includes allegations and insinuations about people who have been close to Gregory since his stroke in 2022.

Richard Man tries to correct the characterization about one of those people in this Facebook post.

A number of well-known sff figures comment on the two posts.

(2) LACON V REVEALS FIRST SPECIAL GUEST. The 2026 Worldcon committee, LACon V, has announced Tracy Drain as the convention’s first Special Guest.

Tracy Drain is a flight systems engineer who has helped to develop, test, and operate a variety of robotic spacecraft for deep space exploration over the past 25+ years. Her passion for space grew from an early love of science fiction – she soaked up Star Trek, Star Wars, and Battlestar Galactica, plus sci-fi and fantasy books by the armload. With her eye on a career in space, she studied Mechanical Engineering at the University of Kentucky and interned at the NASA Langley Research Center. After earning a master’s degree in mechanical engineering at Georgia Tech, she landed a full-time position at NASA’s Jet Propulsion Laboratory in 2000.

As a systems engineer, Tracy works with teams of engineers and scientists to ensure all the parts of a spacecraft (telecommunications, thermal, power, software, etc.), the science instruments, and the mission (spacecraft/instruments, ground data system, mission design and navigation, etc.) are designed to work well together to accomplish the mission goals. Her previous missions have included the Mars Reconnaissance Orbiter, the Kepler mission (an Exoplanet hunter), the Juno mission (orbiting Jupiter) and the Psyche mission (now on its way to study an asteroid). She is currently the Chief Engineer in operations for the Europa Clipper mission which successfully launched in October 2024 and is now on its 5.5-year cruise to Jupiter. After arrival in the Jovian system, Clipper will study Europa – one of the most scientifically exciting moons in our solar system!…

(3) LACON V OPENS PROGRAM PARTICIPANT INTEREST SURVEY. The Program Division for LAcon V, the 2026 Worldcon, will be co-managed by Helen Montgomery and Dr. Meg MacDonald. Montgomery chaired Chicon 8, the 2022 Worldcon. MacDonald was co-Division Head for Promotions for Glasgow 2024 – A Worldcon for Our Futures.

LAcon V has a Program Overview page.

Our Program Suggestion Form is for anyone who wishes to submit an idea for a program item. This can be a panel discussion you want to see, a workshop you want someone to run, a discussion group about your favorite book or movie franchise – maybe you just have a cool panel title, or perhaps a fully formed description of a panel but no title. It’s all okay to submit! No idea is too big or too small; we want to hear them all!

And then there’s our Program Participant Interest survey, which is for anyone who is interested in being a program participant, be it on site in Anaheim or online through our virtual offerings. We expect and need hundreds of program participants. Some may be professionals in their field; others may be hobbyists or fans. No matter what, we want to know more about you! Filling out the form does not guarantee that you will be accepted as a participant, but it is the first necessary step in the process, and we’re excited to hear from you.

(4) SIMULTANEOUS TIMES. Space Cowboy Books has released Simultaneous Times podcast episode 87 with KC Grifant & Franco Amati.

Stories featured in this episode:

  • “Negation” by KC Grifant; music by Phog Masheeen; read by the Jenna Hanchey
  • “So I Guess I’m Not an Actual Person Anymore” by Franco Amati; music by Phog Masheeen; read by Jean-Paul Garnier

Theme music by Dain Luscombe.

(5) GENRE GRAPEVINE ON SEATTLE WORLDCON. Jason Sanford presents “Genre Grapevine’s Deep Dive into the Use of ChatGPT by Seattle Worldcon”, a public post on Patreon.

….It appears Worldcon leadership only learned that ChatGPT was used in this manner after the fact, when the person on the vetting team revealed what they’d done and said that there was no other way to complete the vetting with so few volunteers on the team. While Worldcon leadership had concerns about the use of generative AI, because ChatGPT had already been used – and because of the lack of needed volunteers on the vetting team – they decided to retroactively accept its use.

What came after is now well known: Word about the use of ChatGPT quickly spread among Worldcon volunteers and the larger genre community. 

I’m told the person on the vetting team who originally decided to use ChatGPT is no longer involved in the vetting process….

Unfortunately, none of the quoted sources was willing to go on the record as a source.

(6) DAVE RATTI OBITUARY. [By Becky Veal.] David Ratti, long time Orlando fan, passed away on May 15, 2025. He had been suffering prolonged illnesses, but the cause of death is initially listed as pneumonia and sepsis.

I don’t know when Dave first got into fandom, but I met him at Necronomicon in 1983. I was pushing my infant son Sean in a stroller when someone came up to me and tried to start a conversation. I remember thinking “another fat jerk“.  And thus I met my best friend of 40 years.

Dave was a founding member of the Orlando Science Fiction Society and the convention Oasis. We worked together editing the bid progress reports for the 1992 Orlando Worldcon, MagiCon. We ran more convention offices and other departments than I can count.

I will write a better obituary later, as I’m sure others will. I’m too exhausted with grief to do more. Dave was unique and special and wonderful in his own way. There will be many tears shed by many fans and friends, including myself.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Liō series (2006)

Nineteen years ago on this date, one of the most unusual strips to come into existence did so in the form of Mark Tatulli’s Liō. It was very easy to market globally as it had almost no dialogue except that spoken by other people in the parodies that I’ll mention in a minute as Liō and the other characters don’t speak at all, and there were no balloons or captions at all giving it a global appeal. 

Liō, who lives with his father and various monsters, i.e. Ishmael a giant squid and Fido a spider, various animals like Cybil a white cat (of course there’s a cat here, a very pushy feline indeed), aliens, lab creations, and even Liō’s hunchbacked assistant.  Why there’s even Archie, Liō’s psychopathic ventriloquist’s dummy. Liō’s mother is deceased. Though why she’s deceased is never stated. Definitely not your nuclear family here.

An important aspect of the strip is that it  will riff off other strips, and lots of them: Blondie, Bloom County, Calvin and Hobbes (my favorite strip ever), Cathy, Garfield, Opus, Peanuts, even Pearls Before Swine (definitely not one of my favorite strips I will readily admit) will become fodder for parody by this strip. That’s where the only dialogue is spoken. 

Tatulli on the Mr. Media podcast back a decade or so said “It’s really a basic concept. It’s just Liō who lives with his father, and that’s basically it, and whatever I come up with. I set no parameters because I didn’t want to lock myself in. I mean, having no dialogue means that there is going to be no dialogue-driven gags, so I have to leave myself as open as possible to any kind of thing, so anything basically can happen.” 

There a transcript of that podcast here as the audio quality of that interview is, as the interviewer admits, rather awful. He says that he got better after that first interview by him. 

In multiple interviews, Tatulli has said the two major contemporary influences on his style are Gahan Wilson and Charles Addams.

It’s good at offending people as this strip demonstrates.

Currently, the strip runs daily globally in more than two hundred and fifty papers. Lio is also available in collections, many of them, found in paperback and digital formats. They display rather well on an iPad. 

(8) MORE MEMORY LANE.

[Written by Paul Weimer.]

May 15, 2015 — Mad Max: Fury Road

By Paul Weimer: I briefly mentioned Mad Max Fury Road in my recent retrospective of George Miller, but the movie deserves a bit of its own space as well. 

It came out in 2015. Thirty years after the previous entry, Mad Max Beyond Thunderdome. I had figured that the franchise had had its end. The creation of Fury Road was a delight, and, 30 years after seeing the last Mad Max movie in a theater, I vowed to see this one, too. And so I did, one fine afternoon in May. 

I was blown away. Tom Hardy makes an excellent Mad Max, taking up Gibson’s old mantle. But the thing that struck me immediately is how little he is a part of his own movie. This is a movie about a community, and about an Imperator (Charlize Theron) and a struggle against patriarchal tyranny. Max is only a piece of his own titular film…and yet it works. What I remember about this film isn’t Max so much as Immortan Joe, and his Boys. And Furiosa. And the War Rig.

And the spectacle. Seeing this on a movie theater screen was revelatory. The scale and size of the movie, especially in the “dust storm” sequence, astonished me. My jaw hit the floor when we got to that sequence. And then we get the musician on the attacking vehicle, and a fantastic action sequence. We get moments of intimacy, and care. And utter tragedy, when Furiosa realizes her paradisiacal home is gone forever. The fiercely anti-patriarchal nature of the script.  “We are not things!”

It won six academy awards, and was also up but did not win Best Picture and Best Director. Entirely deserving, Mad Max Fury Road felt (until the recent movie Furiosa) as a capstone to the world of Mad Max. In a way, I feel like it is the one essential Mad Max movie because, as noted above, Mad Max is almost a walk-on in his own titular movie. The movie is much bigger, bolder and larger for not having Max front and center, and possibly why it is so successful. It’s the one essential Mad Max movie. It takes every theme of the previous films, adds new ones and puts it all together in a stunning performance all around.

And the Black and White conversion is fantastic.

(9) COMICS SECTION.

(10) KGB. Ellen Datlow shared her photos from the Fantastic Fiction at KGB readings for May 14, 2025.

Carol Gyzander and Daryl Gregory read from recent work to a full house, despite the dreary weather.

(11) OCTOTHORPE. In episode 134 of the Octothorpe podcast, “In the Framework of Linear Time”, they “discuss the recent Seattle 2025 controversy, and also read out some letters of comment from various listeners, before getting into the real meat of the podcast: roguelikes.” An uncorrected transcript is here.

A photograph of a yellow square on a mantlepiece. On the yellow square is black text and a red shape with yellow text. The text reads “Corflu 42. 2025 FAAn Awards. Best Immutable Object: Octothorpe”. Text overlaid on the photograph reads ‘Octothorpe 134. “Don’t believe everything you read on ChatGPT.”’

(12) LOVE, DEATH + ROBOTS. JustWatch gives reasons to watch “Love, Death + Robots – streaming tv show online”.

JustWatch’s latest Why-To-Watch feature spotlights acclaimed director and animator Tim Miller, the visionary behind Netflix’s genre-defying anthology Love, Death + Robots, which premieres its fourth season today (May 15, 2025). In an exclusive quote shared with JustWatch, Miller speaks to the show’s groundbreaking creative freedom and its potential to convert even the most hesitant viewer into an animation devotee.

The show’s Director Tim Miller says:

This show will make you an animation fan

There’s something for everyone [in “Love, Death + Robots”]. If you want to see artists performing at the top of their game across a variety of genres and styles, and you’re an animation fan, it’s a must-watch. If you’re not an animation fan, this is the show that might make you one.

(13) V’GER LIVES! [Item by Mark Roth-Whitworth.] Engineers at NASA say they have successfully revived thrusters aboard Voyager 1, the farthest spacecraft from our planet, in the nick of time before a planned communications blackout. “Voyager 1: Once ‘dead’ thrusters on the farthest spacecraft from Earth are in action again” at CNN.

Engineers at NASA say they have successfully revived thrusters aboard Voyager 1, the farthest spacecraft from our planet, in the nick of time before a planned communications blackout.

A side effect of upgrades to an Earth-based antenna that sends commands to Voyager 1 and its twin, Voyager 2, the communications pause could have occurred when the probe faced a critical issue — thruster failure — leaving the space agency without a way to save the historic mission. The new fix to the vehicle’s original roll thrusters, out of action since 2004, could help keep the veteran spacecraft operating until it’s able to contact home again next year.

Voyager 1, launched in September 1977, uses more than one set of thrusters to function properly. Primary thrusters carefully orient the spacecraft so it can keep its antenna pointed at Earth. This ensures that the probe can send back data it collects from its unique perspective 15.5 billion miles (25 billion kilometers) away in interstellar space, as well as receive commands sent by the Voyager team.

(14) THE KIDS HAVE TO LEARN ABOUT TEKWAR. [Item by N.] Majuular discusses “William Shatner’s TekWar: A Forgotten Franchise in Retrospect”.

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, N., Becky Veal, John Coxon, Steven H Silver, Lis Carey, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 5/14/25 First Shalt Thou Take Out The Holy Pixel

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(1) INAUGURAL CLIMATE FICTION PRIZE. “And So I Roar wins Climate Fiction Prize 2025”. The Climate Fiction Prize is a new literary prize that celebrates the most inspiring novels tackling the climate crisis. The Prize, worth £10,000, was awarded at a ceremony in London, on May 14.

Abi Daré has won the inaugural Climate Fiction Prize for And so I Roar (Sceptre, Hodder). The novel follows fourteen-year-old Adunni from her life in Lagos, where she is excited to finally enroll in school, to her home village where she is summoned to face charges for events that are in fact caused by climate change.

“A book of real energy and passion which both horrifies and entertains with a cast of compelling characters, a story of how the climate crisis can provoke social crisis where often women and children are the victims. Despite the tragedy, Abi Daré holds faith in the strength of individuals and relationships and her hopefulness leaves us inspired.”

– Madeleine Bunting, Chair of Judges

(2) MARTHA WELLS Q&A. Martha Wells did a Reddit r/television Ask Me Anything today. You can read the answers here: “This is Martha Wells, a four-time Hugo, two-time Nebula, and five-time Locus Award winner for The Murderbot Diaries, a book series published by Tordotcom. Ask Me Anything”.

Here’s one exchange.

BiasCutTweed

I have two pedantic world building questions I would love to ask though, if you’re game to answer:

  • Is there any sort of nominal governance structure in the Corporation Rim? Like just enough to support a judicial and monetary system, and the regulatory stuff that occasionally gets mentioned. I know Murderbot could absolutely give zero damns and it’s our narrator but I’m weirdly curious.
  • There are alien remnants everywhere but we never see any living advanced aliens. Do they exist? Might we ever?
  • And a show-specific question – did you/they ever consider Fleabag-style 4th wall breaks for Murderbot’s inner thoughts? Or would that be way too much eye contact for it?

marthawellswriter

  1. There is basically a committee structure that handles that stuff, with different people from various dominant corporations being appointed to it, and it works about as well as you might expect.
  2. They might still exist, but I don’t think I’d take the story in that direction.
  3. I think they did early on, because I saw some auditions that used it, but I actually think the voiceover works much better and I’m glad they went with it.

(3) WIL WHEATON’S FAVES. JustWatch has teamed up with sci-fi icon Wil Wheaton to spotlight his all-time favorite science fiction movies and TV shows in a newly released editorial feature on JustWatch.com.

In this exclusive Why to Watch editorial, Wheaton shares a curated list of titles that have shaped his lifelong love of science fiction. From intergalactic epics to overlooked cult gems, the collection offers fans a rare peek into the streaming watchlist of one of pop culture’s most enduring sci-fi personalities. “Wil Wheaton’s Top 6 Sci-Fi Movies & Shows That Are Not Star Trek”.

Here is perhaps his most obscure pick.

Sugar (2024)

Wheaton also loves the cult Apple TV+ series Sugar. “It’s one of the great sci-fi series of the last five years that I never really heard people talk about,” the actor says. The show is a noir thriller that blends in fantastic sci-fi elements and follows a private investigator (Colin Farrell) who has a secret of his own. “I loved it,” Wheaton continued, “I thought it was brilliant and extremely well-done.”

(4) APPOINTMENT VIEWING. Will British cultural icon ITV be sold? “ITV Sale Speculation: Inside Deal Everyone And No One Is Talking About” at Deadline.

If you’ve watched ITV’s The Assembly, you will know that it involves stars like Danny Dyer and David Tennant subjecting themselves to no-holds-barred questions from a captivating cast of neurodivergent interrogators. It makes for illuminating viewing, producing genuine revelations from its disarmed but obliging subjects, who enter the show in a spirit of openness. 

Far from the cameras, in a colorless room in the basement of London’s 11 Cavendish Square townhouse on Tuesday, ITV chairman Andrew Cosslett was similarly squirming in the face of questioning, with less comical results. Chairing ITV’s Annual General Meeting (AGM), Cosslett was grilled, almost heckled, by an angry shareholder demanding to know when the British broadcaster’s 78p share price will rise after flatlining for more than three years.

“This is not good enough, you must have some idea, you guys are very highly paid,” said the shareholder. Cosslett struggled to answer, reaching for what by now feels like an old fail-safe. “If you can explain to me what Donald Trump will do next, then maybe I could,” he said.

Questions around ITV’s sticky share price — Cosslett and ITV boss Carolyn McCall faced three during the 45-minute AGM alone — are inextricably linked to the constant mutterings around its potential sale. On this matter, ITV has been a little less forthcoming with answers than the celeb bookings on The Assembly. The company that gave the world Downton Abbey has been finding new ways to say “no comment” to inquiries about whether it will submit to suitors, including RedBird IMI and Banijay….

(5) MISSING BUT NOT NECESSARILY LOST. “Doctor Who archive legend says missing episodes ‘certainly’ exist in private collections” – quotes in Radio Times.

With 97 of the missing Doctor Who episodes still unaccounted for, Sue Malden, the BBC’s first archive selector who has worked to find episodes across the years, has assured fans that she believes some “certainly” still exist in private collections.

Twenty-six stories from the show’s first six years are currently incomplete, because the BBC erased or reused tapes in the 1960s and 1970s to save storage space and costs. In recent years some of these episodes have now been recreated via animation, as tapes of audio recordings have survived for every episode.

Still, there remains hope amongst fans that other full episodes could still exist to this day, something Malden has suggested is a very real possibility.

Speaking at the RECOVERED festival at the Phoenix Cinema and Art Centre in Leicester, hosted by Film is Fabulous!, Malden was asked about the current situation regarding missing Doctor Who episodes.

Malden said: “As far as Doctor Who goes, we do not have a statement or anything to make at the moment. We do know fairly certainly that there are episodes missing in private collections. Some members of the Film is Fabulous! team are in a considerably significant position to help on that.”…

(6) FINAL MISSION:IMPOSSIBLE. [Item by Mike Kennedy.] My summary: Mostly glowing reviews, especially about the action sequences. Some grumbles about the runtime and convoluted plot. “Mission: Impossible The Final Reckoning First Reactions” in the Hollywood Reporter.

“Tom Cruise has done it again!” That’s the very early verdict from press screenings for the Hollywood icon’s latest film, Mission: Impossible – The Final Reckoning, with the film variously described as “astonishing,” “jaw-dropping,” “insane” and the “action movie of the summer.”

Following a series of press screenings, first reactions to Final Reckoning are hitting social media after the embargo lifted on Monday night. The social media reactions come ahead of official critics’ reviews, which drop on Wednesday.

The eighth film in the long-running Paramount Pictures spy action franchise, Final Reckoning has a lot riding on it for the studio as well as the domestic box office. In November 2024, The Hollywood Reporter reported that the project has had a long and difficult journey, with a budget approaching a hefty $400 million amid production delays — partly due to the 2023 Hollywood strikes — making it one of the most expensive films ever made….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 14, 1944 — George Lucas, 81.

By Paul Weimer: To talk about George Lucas for me is to first talk about Star Wars. 

Star Wars lurked in my imagination long before seeing any of it. I didn’t see Star Wars in the theater but my younger brother and I got a joint Christmas gift of a Death Star playset, and a few action figures. We only had the commercials for the set to go on, not Lucas’ own vision, and so our playing of the set led to very strange scenarios having nothing to do with the movie. 

It would not be until 1983, and Return of the Jedi, that I saw a George Lucas movie at all, and in the theater. I saw the magic of his world, having only the fuzziest idea of the first two movies, but I was swept along. This shows the power of Lucas harnessing the power of serial fiction to allow watchers to get in on the action quickly. This is something the Marvel cinematic universe could still learn from Lucas today. It’s not just the crawls at the beginning, its the economy of storytelling, the establishment of characters that let you hit the ground running. 

Like Star Wars, I missed the first Indiana Jones movie in theaters, but did see Temple of Doom (Lucas did not direct but his story was the basis of the film). And of course, too, Indiana Jones and the Last Crusade.  Same principle applies. Early Lucas knew the power of crafting episodic sequels and making them work. 

In keeping with those films, Lucas was also responsible for getting me hooked into the idea of the Hero’s Journey, since I read the Joseph Campbell book The Power of Myth thanks to Lucas’ forward in the book. Sure, the Hero’s Journey is a very outdated, patriarchal and restrictive story framework but it was my first real engagement with the nature and form of stories. Lucas helped introduce me to that whole new world. 

However, I would not see another Lucas directed film until the late 1990’s…but that is another story, one that deserves its own entry.

George Lucas with his wife, Mellody Hobson

(8) COMICS SECTION.

  • Bliss has a child “helpfully” point something out.
  • Mike de Jour finds that word doesn’t mean what you think it means. 
  • Mutts – did he answer the question? 
  • Rubes can’t come up with an original excuse. 
  • Wumo might be an annoying fan. 

(9) DE-RE-BRANDING. The Hollywood Reporter says “Warners Is Changing Max’s Name Again — Back to HBO Max”. Sigh. Please just make up your mind.

… Thirty minutes into Wednesday’s Warner Bros. Discovery upfront, Bloys revealed the name change to media buyers. The news was met with laughter, light applause and exactly one whistle. Bloys did follow with a solid joke: “I know you’re all shocked, but the good news is I have a drawer full of stationery from the last time around.”…

(10) COMMUNITY RESPONDS TO BOOK BURNING. “Man burns 100 library books on social media; residents donate 1,000 more” on News 5 Cleveland.

Members of an Interfaith Group Against Hate (IGAH) gathered outside a Northeast Ohio church to stand united against hate. This comes after reports that a man checked out 100 books related to race, religion, and LGBTQ+ topics from the Cuyahoga County Public Library in Beachwood — then burned them in a video posted to social media.

View the news video here.

(11) IRONHEART. Gizmodo lets everyone know “Finally, the First Ironheart Trailer Is Here”.

… Black Panther: Wakanda Forever introduced audiences to Riri Williams (Dominque Thorne), an MIT genius who built her own Iron Man-esque armored suit and helped the Wakandans fight the Talokanil.

She may have left her suit behind in Wakanda, but she hasn’t given up trying to make new ones that truly establish her as the next big talent. While back home in Chicago, she crosses paths with Parker Robbins (Anthony Ramos), a misfit with a hood that lets him use dark magic and wants her to be a part of what he’s building up. Things seem good at first, but once she starts getting wise to the shadier parts of his dealings, Riri’s gotta armor up and protect Chicago and her loved ones….

(12) SUPER TRAILER PARK. “Superman’s Full Trailer Gives Us Our Best Look Yet at DC’s New Era” reports Gizmodo.

…[James] Gunn teased the trailer on social media as the “full trailer” he’d been “waiting too long to share.” And indeed, we see Superman facing off with an array of baddies, including a giant scaly monster and several supervillains—including, most intriguingly, a smirking Lex Luthor. He also stops a war and gets in trouble for it with the U.S. government, and gets grilled about it by the toughest journalist he knows: Lois Lane, who definitely knows Clark is Superman this time around…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 5/13/25 The Psy Who Clicked In From The Scroll

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(1) ATWOOD’S FREEDOM TO PUBLISH AWARD. The Guardian reports an award acceptance speech in which “Margaret Atwood says she cannot remember another time ‘when words themselves have felt under such threat’”.

Margaret Atwood has said she cannot remember another point in her lifetime “when words themselves have felt under such threat”.

“Words are our earliest human technology, like water they appear insubstantial, but like water they can generate tremendous power” the 85-year-old novelist said in her acceptance speech for the freedom to publish prize at the British Book awards.

“Political and religious polarisation, which appeared to be on the wane for parts of the 20th century, has increased alarmingly in the past decade,” she added. “The world feels to me more like the 1930s and 40s at present than it has in the intervening 80 years.”

The British Book awards, colloquially known as the Nibbies, are a set of prizes for authors, illustrators and book industry professionals run by the publishing trade magazine, The Bookseller. …

…Though Atwood did not attend the ceremony in London, she recorded a video acceptance speech to be shown when she was announced winner of the freedom to publish award, which is supported by freedom of expression campaign organisation Index on Censorship and was established in 2022 to “highlight the growing threats to writers, publishers and booksellers, and to amplify those who fight back”.

(2) FIGHTING BACK. “Jamie Lee Curtis just wanted an AI ad removed, not to become the ‘poster child of internet fakery’” – at the LA Times (behind a paywall).

Jamie Lee Curtis didn’t expect to be at the forefront of the artificial intelligence debate in Hollywood. But she didn’t have a choice.

The Oscar-winning actor recently called out Meta Chief Executive Mark Zuckerberg on social media, saying the company ignored her requests to take down a fake AI-generated advertisement on Instagram that had been on the platform for months.

The ad, which used footage from an interview Curtis gave to MSNBC about January’s Los Angeles area wildfires, manipulated her voice to make it appear that she was endorsing a dental product, Curtis said.

“I was not looking to become the poster child of internet fakery, and I’m certainly not the first,” Curtis told The Times by phone Tuesday morning.

The ad has since been removed.

What happened to Curtis is part of a larger issue actors are dealing with amid the rise of generative AI technology, which has allowed their images and voices to be altered in ways they haven’t authorized. Those changes can be wildly misleading….

(3) DOOR DRAGONS AT WORK. [Item by Mark Roth-Whitworth.] They told him, both of them, to Go Away. From NPR: “The President has named a new Acting Librarian of Congress. It’s his former defense lawyer.”

Todd Blanche, the Deputy Attorney General of the United States, has been appointed as the acting Librarian of Congress by President Trump, according to a spokesperson at the Department of Justice….

Blanche has no experience working in libraries or archives,…

An employee at the Librarian of Congress, who asked not to be identified for fear of retribution, said two men showed up this morning with a letter saying that Blanche was appointed the acting Librarian of Congress, Brian Nieves was appointed acting assistant librarian, and Paul Perkins was appointed the acting Register of Copyrights and Director of the Copyright Office. The men were not allowed into offices and left soon after, the employee said, adding that the Library of Congress is a legislative branch agency, and has not yet received direction from Congress on how to move forward….

Publishers Weekly offers more detail about the turnover: “U.S. Executive and Legislative Branches Battle at the LoC”.

Does the future of the free world come down to who oversees the Library of Congress? Events of the past five days suggest as much, with a pitched battle over who may serve as interim Librarian and strong words from the House of Representatives.

Librarian of Congress Carla Hayden was summarily fired, via email, late in the day on May 8. At the time of her removal, Hayden was serving a 10-year appointment that would have concluded in 2026, and her sudden ouster—without clear grounds for dismissal—was met with nationwide rage and disappointment from librarians, members of Congress, and the general public. Robert R. Newlen was named acting Librarian to replace Hayden, according to LoC seniority regulations and rules for succession.

Newlen has substantial experience in the agency, having worked at the Library of Congress from 1975–2017, and having been appointed (by Hayden) interim director of the Congressional Research Service in 2023. Newlen is a past member of the American Library Association executive board, a senior trustee of the ALA endowment, and 2016 recipient of the ALA Medal of Excellence.

One of Newlen’s first official acts as Librarian was to inform staff that the register of copyrights and director of the U.S. Copyright Office, Shira Perlmutter, had been fired Saturday, May 10. Perlmutter, also appointed by Hayden, had served in the role since 2020. The Copyright Office is housed in the Library of Congress and likewise belongs to the U.S. legislative branch, and the director is appointed to the post by the Librarian. As of May 12, no new acting director had been identified.

Newlen served for all of one weekend before the Trump administration attempted to remove him too. The New York Times reported that deputy attorney general Todd Blanche—already in a prominent Department of Justice role—had been named acting Librarian on May 12, and immediately thereafter was embroiled in a standoff with Newlen. Politico broke the news that Newlen “disputed a change that had been made in an email to library staff Monday morning” and did not cede the role to Blanche, calling for Congress and not the executive branch to direct the process….

(4) EARLY RETURNS ON MURDERBOT. “’Murderbot’ Review: Apple’s New Comedy Sci-Fi Is A Great Vehicle For Alexander Skarsgard, But Not Without Its Problems” at Forbes. Beware mild spoilers.

…The most endearing thing about Murderbot is it’s / his (nobody quite knows how to refer to SecUnit when it comes to pronouns, a running gag) obsession with The Rise and Fall of Sanctuary Moon, which is basically the show you’d get if Star Trek and Days Of Our Lives had a lovechild. The show has 2,797 episodes and we get little glimpses of them in action because Murderbot spends every waking moment glued to his entertainment feed, and is annoyed when pesky humans and their problems get in the way…

(5) PAGERTURNERS. “People who prefer physical books over ebooks usually display these 7 behaviors, says psychology” – Global English Editing has the story. First on the list:

1) They value the sensory experience

You see, for physical book lovers, reading is more than just deciphering words. It’s a sensory affair.

The smell of the paper, especially in a new book fresh off the shelf or an old one rich with history, is intoxicating to them.

The tactile stimulation of flipping through pages, feeling the texture under their fingertips, provides a satisfaction that swiping on a screen simply can’t match.

And there’s something about hearing the gentle rustle of pages turning or seeing your progress as you slowly traverse from the right side of the book to the left that makes reading a physical book uniquely rewarding.

It’s this immersive, multi-sensory experience that often keeps them loyal to traditional books, despite the convenience of digital alternatives. So if you’re someone who relishes these sensory delights, it’s safe to say you might be a physical book lover at heart….

(6) LACON V RATES TO INCREASE. Memberships in the 2026 Worldcon will cost more on June 15.

LAcon V membership rates go up on June 15th!

Right now, full attending adult memberships are $200 and will increase to $230. (All other memberships will remain the same price for now.) Our installment plan is also currently available for full adult attending memberships!

Visit the registration page on the website to get your membership before prices go up: https://www.lacon.org/register

Take advantage of the installment plan right now: https://www.lacon.org/2025/05/10/installmentplan

(7) CANARY IN THE COALMINE: USING “VIRTUAL VOICE”. [Item by Francis Hamit.] This link is for my new audiobook It is a test. https://a.co/d/07HmIQf

I am coming up on the 60th anniversary of matriculating at University of Iowa in Iowa City. I was originally a Drama major but between then and when I left to join the US Army Security Agency in 1967 several events occurred that changed my life. I discovered writing and my true vocation. Despite a history of D+’s in English it turned out I could write. I’m dyslexic but I could hear the music. Perhaps it was all of those plays I was in. I went from a Basic Playwrighting class to the Undergraduate Writers Workshop. During those two years, as the Vietnam War heated up, I saw the first draft card burning, indulged in nude photography (them not me) and took up undercover anti-narcotics work.

About ten years ago I wrote a short memoir about all of it, The Perfect Spy, which did not get much traction there because no one would review it. It was too shocking. No one wanted to know that their parents or grandparents actually did “sex, drugs, and rock and roll”.

Kirkus gave me a very nice review.

And now, out of nowhere, Amazon has offered me a “virtual voice” audiobook.  It’s not the robotic voice they used to have but AI enhanced.  Actually sounds human and had features  that allow for variations in pace.  Google gave me something similar for Starmen but it was a long slog and the voice selection was not great. Amazon’s voice are IMO better and easier to work with.  And this is probably the future in small press conversions.  When we did The Shenandoah Spy in 2008 I did a 50-50 deal with Gail Shalan on ACX. That was 40 hours of trial and error for both of us and practically no sales.  It was great for Gail. She went on to become an audiobook superstar.  I can’t afford her now but I’m very proud of having given her that first chance.

I think Virtual Voice may be my solution. No one reads anymore. Audiobooks are a big chunk of the market and Amazon controls the price to a narrow range.  I am hoping that some people will find my adventures as a young man in Iowa worth listening to.  Sixty years is not that long ago.

If you want a science fiction connection, Nicholas Meyer was a classmate.  I had a couple of things to say about him too.

(8) LET’S DO THE TIME LORD AGAIN. “Your Name Engraved in Circular Gallifreyan – Metal, Glow Reactive Paint. Doctor Who Cosplay. Prop Replica. Game Piece. Geek Gift. Pin Badge.”

Solid metal disc with your name translated into Circular Gallifreyan, then laser engraved and filled with Ultra Violet reactive paint. We can engrave this in Copper, Brass, Stainless Steel or Aluminium. If you want a different size metal than the options listed, please message us and we can help 🙂 We’ve also got a Titanium listing of this in our store, see the “Sci-Fi” section.

You can use this link to translate into Gallifreyan: https://adrian17.github.io/Gallifreyan/. I thought “That could be fun” and checked it out. They tell me this is how File 770 reads in that language.

(9) MEMORY LANE.

[Written by Cat Eldridge.]

May 13, 1994 — The Crow

Thirty-one years ago on the evening, The Crow premiered. I saw it at the theatre and yes, I liked it quite a bit. I’m not a horror fan but I found this quite impressive.  I hadn’t realized until now that it was co-written by John Shirley along with David J. Schow but I’ll get back to that in awhile. 

It was directed by Alex Proyas who would later be nominated for a Hugo at Aussiecon Three (1999) for Dark City. (The Truman Show won that year.) And he’d also later direct I, Robot.

The Crow was produced by Jeff Most, Edward R. Pressman and Grant Hill. Most would produce the sequels, The Crow: City of Angels, The Crow: Salvation and The Crow: Wicked Prayer. Pressman was the uncredited executive producer for Conan the Destroyer and Grant Hill was involved in the Matrix films plus V for Vendetta.

Of course, the movie starred Brandon Lee, an actor who gave the film a certain tragic edge by dying. 

The other major roles were held by Ernie Hudson and Michael Wincott. Ernie you know, but Michael Wincott has largely played villains in such films as Alien Resurrection and The Three Musketeers (remember I hold them to be genre). 

It was written by John Shirley along with David J. Schow (lots of forgettable horror in my opinion other than this). Checking IMDB, I see Shirley has written far too many screenplays too list all of them here, so I’ll just note his work on Deep Space Nine, Batman Beyond and Poltergeist: The Legacy. Though definitely not genre, he also wrote one episode of the IMDb Red Shoe Diaries. Really he did. 

His Red Shoes Diaries episode? IMDb says it was, “A beautiful astronaut, trapped in a dying spacecraft a million miles from home, makes tender love for the last time with her co-pilot as she ruminates about the sensual path of her life that led her to the adventure of outer space.”

(The only continuing role in the Wikipedia Red Shoe Diaries was Jake Winters played by David Duchovny in his first true ongoing role as it ran sixty episodes. The framing device is him as a narrator with a back story to explain why he’s introducing and offering closing commentary on these stories. Serling he ain’t though. Yes I did see a few when they originally aired back in the Nineties on Showtime. Softcore would be putting it mildly to describe them.)

The Crow did well at the box office making nearly a hundred million against twenty-four million in costs. it spawned a franchise of sorts as it has three sequels, (The Crow: City of Angels,  The Crow: Salvation and The Crow: Wicked Prayer) plus a reboot last year, The Crow, which also based  off the 1989 comic book series by James O’Barr. 

So what did the critics think? 

Michael Wilmington of the Chicago Tribune had this to say: “What’s scary about The Crow is the story and the style itself: American Gothic, Poe-haunted nightmare, translated to the age of cyberpunk science fiction, revenge movies and outlaw rock ‘n’ roll, all set in a hideously decaying, crime-ridden urban hell.” 

Caryn James of the New York Times was impressed though not as ecstatic: “It is a dark, lurid revenge fantasy and not the breakthrough, star-making movie some people have claimed. But it is a genre film of a high order, stylish and smooth.”

It holds a most exemplary ninety percent rating among audience reviewers at Rotten Tomatoes. 

The only place it’s streaming is on Pluto with ads. No, just no.

Yes, there are copies of it on YouTube. As always, any links to those will be deleted with extreme prejudice as it is very much under copyright. Really they will. 

(10) COMICS SECTION.

(11) CALL FOR CONTRIBUTIONS TO STERANKO HISTORY OF COMICS. The Official Steranko Fan Page on Facebook has put out a “Call for Contributions to the Steranko History of Comics, Volume 3 and Updated Editions!”

Comic art fans, collectors, and historians: We are thrilled to announce that Jim Steranko is working on Volume 3 of the acclaimed Steranko History of Comics. As Special Advisor to this project, I’m excited to share that Volumes 1 and 2 will also be updated with new supplemental material, and all three volumes are planned to be published in full color.

We are seeking contributions of rare and original materials related to the Golden Age of Comics, including documents, original covers, photos, color comps, special pages, presentations, character/costume designs, and unpublished images. As with the original Volumes 1 and 2, the focus is on bold, iconic graphics and behind-the-scenes editorial or biographical content of historical significance. Interior panel pages are a lower priority unless they hold unique importance.

If you have art, photos, correspondence, or documents that could enhance this project, your contribution could earn you a contributor credit, a complimentary copy of the book, the benefits of having your material featured in this landmark publication, and Jim’s personal gratitude.

To ensure we reach collectors and fans with access to such materials, please share this call widely within your networks. If YOU have relevant items, contact me directly via Direct Message with a description or a low-resolution scan/photo. If it’s a potential fit, I’ll provide instructions for submitting a high-resolution (minimum 300dpi, full-color) scan to Jim Steranko.

Join us in shaping comics history with the Steranko History of Comics!

(12) FOR SOME VALUES OF FIRST. Inverse remembers:“90 Years Ago, A Forgotten Horror Movie Beat A Monster-Movie Classic To The Punch”.

Although it was technically not the first werewolf movie (that honor goes to the long-lost and now forgotten 1913 short, The Werewolf), Werewolf of London was the first feature-length motion picture in cinema history to deal with the subject of lycanthropy (or “lycanthrophobia,” as it’s called in the film itself). Produced by Universal Pictures, the film starred Henry Hull as Dr. Wilfred Glendon, a world-famous British botanist (apparently botanists could be celebrities back in the day) who ventures into Tibet to find a rare flower, Mariphasa lumina lupina, that allegedly can blossom in moonlight. He does find the flower, but brings home something much worse.

While procuring three sample buds, Glendon is attacked and bitten by an animalistic humanoid creature. He makes it home and creates an artificial source of moonlight in his lab in order to make Mariphasa bloom, after which he’s approached by Dr. Yogami (Warren Oland, creepy), a fellow botanist who claims they met in Tibet. Indeed they did: Yogami was the creature that attacked Glendon, and claims that Glendon will turn into a werewolf himself thanks to Yogami’s bite — unless the plant, which can keep lycanthrophobia in check, blooms successfully….

… Werewolf of London was originally conceived as a vehicle for horror icons Boris Karloff and Bela Lugosi, with the former tagged to play Glendon and the latter cast as Yogami. That would have been a blockbuster combination, but Karloff was already committed to filming Bride of Frankenstein and the studio was hesitant to muck around with that movie’s schedule (Valerie Hobson appeared in both films, incidentally, playing Dr. Frankenstein’s wife in Bride)….

(13) NO DEPOSIT, NO RETURN. “Trump’s 2026 budget plan would cancel NASA’s Mars Sample Return mission. Experts say that’s a ‘major step back’” reports Space.com.

NASA’s Perseverance Mars rover has been on the prowl within Jezero Crater following its touchdown in February 2021. That car-sized robot has been devotedly picking up select specimens from across the area, gingerly deploying those sealed pick-me-ups on the Red Planet’s surface, as well as stuffing them inside itself. Those collectibles may well hold signs of past life on that enigmatic, dusty and foreboding world.

NASA and the European Space Agency (ESA) have for years been intently plotting out plans to send future spacecraft to Mars and haul those Perseverance-plucked bits, pieces, and sniffs of atmosphere to Earth for rigorous inspection by state-of-the-art equipment.

But President Trump’s Fiscal Year 2026 proposed budget blueprint issued on May 2 by the Office of Management and Budget (OMB) calls for a 24.3 percent reduction to NASA’s top-line funding and could slashing the space agency’s science budget by 47 percent. A casualty stemming from this projected budget bombshell is the Mars Sample Return (MSR) venture.

In fact, MSR is tagged in the White House’s proposed 2026 budget as “grossly over budget and whose goals would be achieved by human missions to Mars,” explaining that MSR is not scheduled to return samples until the 2030s…

(14) PATTON VS. THE VOLCANO. The National Air and Space Museum says it was exciting “That Time We Bombed a Volcano”.

Pilots are advised to avoid volcanic eruptions, but in 1935, a squad of U.S. bombers took a more aggressive approach. 

A crisis erupted (literally) on November 21, when lava spewed from a fissure on the summit of the nearly 14,000-foot-high Mauna Loa volcano in Hawaii. Six days later, a new vent opened on the volcano’s northern flank. The lava flowed downward, pooling at the base of the massive mountain, where it then began edging its way toward the town of Hilo—at the alarming rate of one mile per day.

Thomas Jaggar, the founder of the Hawaiian Volcano Observatory, grew increasingly worried after he realized the lava could reach the headwaters of the Wailuku River, which supplied water for Hilo’s 15,000 residents.

Jaggar reasoned that explosives detonated near the eruptive vent would divert the flow of lava advancing toward Hilo by collapsing the lava channels—narrow paths of fluid lava with raised rims formed by cooling magma. 

Thus, on December 26, six Keystone B-3A bombers from the 23rd Bombardment Squadron and four LB-6 light bombers from the 72nd Bombardment Squadron were deployed to Hilo from Ford Island’s Luke Field at Pearl Harbor. The next day, Lieutenant Colonel George S. Patton (yes, that Patton) directed the bombers to begin their assault on Mauna Loa. Each carried two 600-pound Mark I demolition bombs, each one loaded with 300 pounds of trinitrotoluene (better known as TNT). Due to the heavy payload, the bombers flew a clearance of just 4,000 feet above the volcano.

A total of 20 of the 600-pound bombs were dropped on the lava channels. Fifteen struck the margins, while five others made direct hits, spraying molten rock in all directions.

Six days later, the eruption ended. Jaggar maintained that the bombers had helped hasten the end of the lava flow. Others are less certain. “Whether the bombing stopped the 1935 lava flow remains unknown, though many geologists today cast doubt,” notes a report later published by the U.S. Geological Survey….

(15) VIDEOS OF THE DAY. Remember the North Bergen High School stage production of Alien four years ago? The person who played the lead is now starting a Hollywood acting career. Marc Scott Zicree gives a two-minute introduction in “Alien! Sigourney Weaver! Ridley Scott! Space Command Studios! North Bergen High School?!”

You can still see the video of the “Alien High School Play — You’ve GOT to See What These Kids Pulled Off!” – with Sigourney Weaver on hand to introduce the performance.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Francis Hamit, Steve Green, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/12/25  I Heard It Through The Godstalk

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(1) ARTHUR C. CLARKE SHORTLIST. The Arthur C. Clarke Award 2025 Shortlist was announced today. File 770 lists the six finalists at the link.

(2) HAPPY 90TH! On Wednesday May 14 “Griffith Observatory celebrates 90th birthday” reports LAist. (The official website with more detail about the celebration is here: “Griffith Observatory – Southern California’s gateway to the cosmos!”)

A star was born in 1935, when Griffith Observatory became the first public observatory west of the Mississippi.

Now, “Griffith Observatory is the most visited public observatory on the planet,” says Ed Krupp, longtime director of the observatory.

In the 90 years since its founding, more than 7 million people have peered through the historic Zeiss telescope that adorns the peak of Mount Hollywood in Griffith Park.

“More than any other telescope on Earth,” Krupp adds.

Celebrations kick off with a special opening ceremony on the observatory’s front lawn at 11:30 a.m., before doors open at noon. Visitors will receive limited-edition 90th anniversary buttons while supplies last.

Throughout the day, the observatory will host special programming highlighting both astronomical phenomena and the building’s history as a center for public astronomy.

“People on site will get to see how the sky really works,” Krupp said. “It’s a reminder that the observatory itself is an instrument.”

In the evening, a program in the Leonard Nimoy Event Horizon Theater will honor California’s Indigenous astronomical traditions. And visitors will gather on the West Terrace to salute the sunset “as the sun salutes Griffith Observatory’s birthday,” Krupp said. “It’s a cosmic party.”

As night falls, the celebration will continue with a rare event: the Southern Major Standstill Moonrise, part of an 18.6-year lunar cycle. The event will also be live-streamed on Instagram.

(3) IT’S BOT TIME. NPR’s TV reviewer says this is what to watch for: “On TV this week: ‘Murderbot’ and a Joan Rivers tribute on NBC”.

Think back to a time about six years ago, before the explosion of streaming services that included Apple TV+, and it’s tough to imagine a TV show like Murderbot getting made.

Not just because its star, dreamboat actor Alexander Skarsgård, might be more focused on big films. But because the eye-popping special effects and high-quality production involved in developing a project from Martha Wells’ ambitious science fiction novel series The Murderbot Diaries might be a stretch even for a major motion picture – let alone a TV series on a platform that struggles to build big hits.

In fact, Murderbot is the latest example of a trend I’ve noticed on streaming TV – exquisitely produced science fiction and fantasy shows that may not be seen outside of a small-yet-passionate fanbase.

Apple TV+’s Murderbot, debuting Friday, has quite a few hallmarks of high-quality TV. Not only is Skarsgård magnificent in playing a cyborg who has secretly become an independent, free thinking artificial being – he’s in a series created and executive produced by Chris and Paul Weitz, brothers who worked on acclaimed films like About a Boy and American Pie….

…It’s an innovative, creative story told in 10 short episodes, satirizing everything from ruthless corporatism to blithely naive social justice stands. And it will be catnip for science fiction fans who love all the actors who pop up in it. But it’s also not likely to get wide viewing, because Apple TV+ has made a habit of spending loads of money on beautifully shot science fiction stories that have a tough time making a wide impact….

(4) PARTING SHOT. The release of the pre-publication version of the third part of the Copyright Office’s report “Copyright and Artificial Intelligence” came the day before — “Copyright Chief Fired Amid AI Debate”. Publishers Weekly reports on the suspicious move.

On Saturday, the Trump administration fired Shira Perlmutter, the register of copyrights and director of the U.S. Copyright Office, just two days after the dismissal of Librarian of Congress Carla Hayden, under whose auspices the U.S. Copyright Office operates. Perlmutter was appointed by Hayden in 2020….

… The move, like Hayden’s dismissal before it, was immediately blasted by Democratic members of Congress. Rep. Joe Morelle (Dem., N.Y.), the top Democrat on the Committee on House Administration, called the move “a brazen, unprecedented power grab with no legal basis,” adding, “It is surely no coincidence he acted less than a day after she refused to rubber-stamp Elon Musk’s efforts to mine troves of copyrighted works to train AI models.”

On Friday, Perlmutter’s office released the pre-publication version of the third part of the Copyright Office’s report “Copyright and Artificial Intelligence,” following a first segment released in July 2024 and a second released this January. This third part focuses on the impact of generative AI training across a wide range of topics, from the origins of the technology, to AI companies’ possible infringement in training their data sets, to those companies’ defense that the training counts as fair use, to what potential licensing scenarios might look like.

Morelle and others have speculated that Perlmutter’s dismissal was likely due to her release of the preliminary report. But sources close to the office, who spoke with PW on condition of anonymity, suggest that it is more likely that Perlmutter, having heard of her impending dismissal, ordered the report released beforehand to ensure it entered the public record in spite of its incomplete status. (The report, for instance, lacks some citations.)…

(5) POSTER BOY. “’I add the human touch’: the beautiful, bespoke work of Berlin’s last cinema poster artist” – a Guardian profile.

Götz Valien is Berlin’s last movie poster artist, for more than three decades earning a modest living producing giant hand-painted film adverts to hang at the city’s most beloved historic cinemas – a craft he says will probably die with him, at least in western Europe. The studios’ own promotional posters serve as a template, but Austrian-born Valien, 65, adds a distinctive pop art flourish to each image coupled with the beauty of imperfection – part of the reason he has managed to extend his career well into the 21st century.

“Advertising is about drawing attention and I add the human touch, which is why it works,” he said. Valien’s work plays up the image’s essence: the imposing bow of a ship, the haunting eyes of a screen siren, a mysterious smile. He jokingly calls himself a Kinosaurier – a play on the German words for cinema and dinosaur….

(6) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 13, 1937 — Roger Zelazny. (Died 1996).

I’ve mentioned many times that Roger Zelazny, in conjunction with Tolkien, got me into fantasy. And you’ve possibly read my reviews of the collected Roger Zelazny short stories here at File 770. Or one of my many other reviews in various places over the years. 

So what else can I tell you about my relationship with Zelazny that you haven’t read already?  Surely you know that I started with Zelazny’s work with Nine Princes in Amber, and so with Zelazny, I gained a permanent love of multiversal fiction that would lead me to Moorcock and many other authors in due course. Amber also was one of my entry points into RPGs and so along with D&D, and Traveller, and Call of Cthulhu, there was the tiny but influential Amber Diceless Roleplaying Game. So Zelazny has been always a part of my RPG life.

Imagery. Powerfully invoked scenes. Poetic prose (the collected Zelazny, with his poetry, was revelatory as to where all that came from). Sharp archetypal characters, that feel like they came out of a tarot deck (or a Trump deck?) As a stylist, in my personal constellation of reading, he has no equal. 

As I have said in my reading of the collections, I inadvertently stumbled upon many Zelazny stories outside of his novels when I was young, and not knowing what they really were. There are several Zelaznys inside of himself, as he changed, evolved and always trying new things. The author of Amber is also the author of Damnation Alley and also the author of Lord of Light and also the author of “24 views of Mount Fuji, by Hokusai”. All of these are very different, and yet indubitably Zelazny.

Zelazny has been part of my reading since the beginning of my SFF reading, and will continue to do so for as long as I have strength. For as long as I have that strength, I will keep walking that Road to Amber, revisiting the sights and wonders Zelazny has left for us along the way.

I never got to meet him, alas. Requiescat in pace

Roger Zelazny

(7) COMICS SECTION.

(8) ON A MISSION. James Bacon’s article “The Leprechaun, and the Irish War on Comics” at downthetubes.net is a companion piece to his article here, “Greann — Ireland’s First Comic Book, from a veteran of the 1916 Rising”.

With its colourful front cover and striking red masthead The Leprechaun may have seemed very attractive to children in 1953, and this tabloid-sized Irish comic feels like it may have been influenced by and created to compete with the likes of the British comic Eagle – but in actual fact it was not, although its publisher, like the Eagle’s editor, the Reverend Marcus Morris, did have similar aims. The Leprechaun was also created to combat “the outcry against the harm being done by imported comics” and to provide for “the need for clean comics” for Irish readers.

As Mr. French of Bray Urban District Council noted about American Comics they “were nothing but sensual cesspools of iniquity” when he proposed a resolution calling on the Minister for Justice to ban the importation of all comics emanating from American publishers (reported in the Irish Independent on Wednesday, 11th June 1952).

The Horror Comics Campaign in Britain that the late Martin Barker so brilliantly wrote of in A Haunt of Fears encompassed a movement between 1949 and 1955 that brought about the Children and Young Persons (Harmful Publications) Act of 1955. The fear was mirrored in Ireland, and comics continually featured in contemporary newspaper reports across the country. 

On 8th November 1952, the Connacht Tribune reported about the “COMICS: DÁIL QUESTION” with the Minister for Justice responding to a question with, “I have no information that objectionable comics are printed in Ireland.”

Into this hot fray of emotion, intellectual anxiety and fear of God, the first issue of the fortnightly comic The Leprechaun was published in early July 1953…..

(9) IF LOVING YOU IS A CRIME, I’LL ALWAYS BE GUILTY. [Item by Steven French.] As with fantasy, so with games – GTA comes over all romantic: “GTA6 gets it on: can the notoriously cynical action series finally find time for romance?” asks the Guardian.

Something new is coming to the Grand Theft Auto universe next year. I don’t mean super-high-definition visuals, or previously unexplored areas of Rockstar’s take on the US. This time it’s something much more profound. If you’ve seen the newly released second trailer from GTA6 – somewhat cruelly released just days after we discovered the game won’t be out until next May – then you might know what I mean. The brand new thing is romance.

It’s now clear that the key protagonists of the latest gangland adventure are Lucia Caminos and Jason Duval, two twentysomething lovers from the wrong side of the tracks. He’s ex-army, now working for drug runners; she’s fresh out of jail, looking to make a better life for herself and her beloved mom. They fall for each other, hatch a plan to get out of Vice City, and then when their simple heist goes wrong, they find themselves at the sharp end of a state-wide conspiracy. You always knew that if Rockstar were going to tell a love story, it would involve a formidable cast of underworld kingpins, gang members, conspiracy nuts and corrupt politicians, and you were right….

(10) OLD IN NEW YORK. Deadline is there when “Nicolas Cage Makes Photo Debut As Aging Web Slinger in ‘Spider-Noir’”.

Nicolas Cage made his photo debut in Spider-Noir at Amazon’s annual upfronts presentation this afternoon and can be seen below. Spider-Noir will be available in both black and white and color when it premieres in 2026.

The live-action series from MGM+ and Prime Video, based on the Marvel comic Spider-Man Noir, tells the story of an aging and down-on-his-luck private investigator (Cage) in 1930s New York, who is forced to grapple with his past life as the city’s one and only superhero….

(11) ANIME MVP’S. “MLB Anime: Heroes of the Game (ft. Shohei Ohtani, Aaron Judge, more!)”

MLB has teamed up with a crew of creators from the world of anime, tapping animators from One Piece and Full Metal Alchemist to release Heroes of the Game! The power, precision, and skill needed for MLB players to reach the top of their game is almost superhuman. Now, that intensity is being showcased through the world of anime—connecting fans from America, Japan, the UK, and beyond. The campaign features Shohei Ohtani as the Master of Both Sides of the Game, Paul Skenes as the pitcher with ferocious power to unleash, Aaron Judge as the Herculean hitter on a mission to become one of the all-time greats, and Juan Soto as the man who sees all and can change the game with just one swing.

(12) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Isaac Arthur’s latest video title made me think of J. G. Ballard’s book. However I am not sure I buy into the concept of complex crystal biology as Isaac does.  (Though I loved Crichton’s The Andromeda Strain.) “Crystal Aliens: Life, But Not As We Know It”.

Crystals are not alive, yet they grow, form complex structures, and even conduct electricity. Could life emerge from crystals rather than carbon-based molecules? Explore the intriguing possibility of crystal-based lifeforms, the challenges they would face, and the conditions where they might thrive. We journey to five exotic worlds—Vulcan, Ribbon World, Longenacht, Telluride, and Tempest—each offering unique environments where crystalline life might take hold. Could such life develop naturally, or might humanity one day engineer it? Join us as we dive into the cutting-edge science and speculative possibilities of crystalline biology.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Paul Weimer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/11/25 Scrollers Of The Purple Pixel

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(1) PARDON MY FRENCH. Mental Floss remembers “When Isaac Asimov Decided to Secretly Write Under the Name Paul French”.

If there was one author Henry Bott disliked more than any other, it was Isaac Asimov.

Bott, a book reviewer for the science fiction publication Imagination, had spent years lobbing insults at the respected writer and his work. Of Asimov’s Second Foundation, published in 1953, Bott wrote that Asimov was “neither a writer nor a storyteller” and could churn out only “elephantine prose.” Second Foundation was, Bott observed, “not a good book.”

After another seemingly personal review followed, this one for The Caves of Steel, an irritated Asimov penned a fiery retort in which he referred to Bott as “The Nameless One” in the fan publication Peon [PDF]. More volleys followed, and Asimov continued to take a shelling.

But when Asimov picked up the February 1955 issue of Imagination, he was amused to read Bott’s enthusiastic review of Lucky Starr and the Oceans of Venus, a spirited sci-fi adventure yarn that was part of an ongoing series by writer Paul French. The story, Bott effused, was gripping and worthy of a reader’s attention, though he felt it fell short of the young adult works by Robert Heinlein.

Asimov put the magazine down and began typing a letter to Imagination. This time, he would not attempt to argue with Bott. “I am sure that Mr. French, on reading this review, would feel quite good about the kind words and would feel no rancor at all about the eminently fair criticism,” Asimov wrote. “In fact, I am sure he would say he does his best to make his juveniles as good as Mr. Heinlein’s, and that perhaps he will improve as he continues to try.

“I am positive that Mr. French would say all this. The reason I am positive is that Paul French and Isaac Asimov are the same person.”…

It reminds me of the time Jerry Pournelle told us about a fan letter John W. Campbell received on the issue of Analog that contained one story by Pournelle and another under his pseudonym Wade Curtis. The fan’s verdict was: “Keep Wade Curtis but get rid of that Jerry Pournelle!”

(2) A POEM FOR BĴO.

By John Hertz: (reprinted from Vanamonde 1643) Learning that Bĵo Trimble was in the West Los Angeles Veterans Home, registered as Betty Trimble (Bĵo is short for Betty JoAnne), I sent her this.

Before others knew,
Enterprise was in your mind;
Talking, drawing, you
Took what could be to what was;
Yet humility, yet strength.

The ĵ in Bĵo is an Esperanto device indicating pronunciation bee•joe; her name has sometimes alas been written Bjo {i.e. without the circumflex over the j) – which, when I first saw it, I thought must be some Nordic name pronounced b’yo; she served in the United States Navy; the poem is an acrostic (read down the first letters of each line) in unrhymed 5-7-5-7-7-syllable lines like Japanese tanka.

(3) BAFTA TV AWARDS. Genre got totally shut out of the 2025 BAFTA awards (complete list of winners at the link).

One show of genre adjacent interest won the Specialist Factual category – Atomic People (BBC), which gathers the testimony of some of the last ‘Hibakusha’, survivors of the two atomic bombs the U.S. dropped on Japan in 1945.

(4) PARTS NOT UNKNOWN. In “A Tolkienian miscellany at Kalimac’s corner, David Bratman says another posthumous Tolkien publication is coming out this year.

If you’ve heard a rumor that yet another new book by JRRT is coming out, it’s true. The Bovadium Fragments will be appearing in the UK in October and in the US in November. “First-ever publication” as it says in the blurb is true, but “previously unknown”? Not a chance. As with some other posthumous Tolkien publication touted as “previously unknown,” its existence was first revealed in Humphrey Carpenter’s biography nearly 50 years ago. The Bovadium Fragments is mentioned there in a footnote as “a parable of the destruction of Oxford (Bovadium) by the motores manufactured by the Daemon of Vaccipratum (a reference to Lord Nuffield and his motor-works at Cowley) which block the streets, asphyxiate the inhabitants, and finally explode.” Which makes it something of a pair to an almost incoherently angry alliterative poem about motorcycles, written probably over 40 years earlier, which is no. 63 in the Collected Poems published last year, and which I think was previously unknown.

(5) CHRISTIE REANIMATED. “Agatha Christie, Who Died in 1976, Will See You in Class” reports the New York Times (behind a paywall).  

Amelia Nierenberg, who reported from London, considers “The Murder of Roger Ackroyd” to be one of the greatest books ever written.

Agatha Christie is dead. But Agatha Christie also just started teaching a writing class.

“I must confess,” she says, in a cut-glass English accent, “that this is all rather new to me.”

The literary legend, who died in 1976, has been tapped to teach a course with BBC Maestro, an online lecture series similar to MasterClass. Christie, alongside dozens of other experts, is there for any aspiring writer with 79 pounds (about $105) to spare.

She has been reanimated with the help of a team of academic researchers — who wrote a script using her writings and archival interviews — and a “digital prosthetic” made with artificial intelligence and then fitted over a real actor’s performance.

“We are not trying to pretend, in any way, that this is Agatha somehow brought to life,” Michael Levine, the chief executive of BBC Maestro, said in a phone interview. “This is just a representation of Agatha to teach her own craft.”

The course’s release coincides with a heated debate about the ethics of artificial intelligence. In Britain, a potential change to copyright law has frightened artists who fear it will allow their work to be used to train A.I. models without their consent. In this case, however, there is no copyright issue: Christie’s family, who manage her estate, are fully on board.

(6) FOR CERTAIN VALUES OF INFLUENCE. The Notion Club Papers – an Inklings Blog argues “Charles Williams Did influence JRR Tolkien’s writing – The Place of the Lion and The Notion Club Papers”.

For the past fifty years it has been normal to assume that JRR Tolkien disliked (probably because he was jealous of) Charles Williams; and that Williams did not influence Tolkien’s writing.

Despite that Tolkien personally claimed such things in writing; none of these are strictly correct. 

Tolkien was good friends with Williams, during Williams’s life – it was only some years after Williams died, when Tolkien became aware of some aspects of CW’s biography, that Tolkien turned against Williams and began to make misleading statements to play-down their friendship. 

The denial of Williams’s influence on Tolkien is more complex. As a generalization, it is true to say that the two men had different minds, aims, and literary styles – and there is no striking influence of Williams noticeable in the works Tolkien published during his lifetime – especially not The Lord of the Rings. 

But more can be said….

… It seems to me very likely that Tolkien’s writing of The Notion Club Papers was a direct consequence of the death of Charles Williams. 

The Williams derivation is seen firstly in the origins of the NCPs as a playful “alter-ego” discussion group, explicitly referencing The Inklings, read to The Inklings as work-in-progress in instalments, and with characters loosely-based on the post-Williams membership. 

In this respect I regard it as significant that there is no Notion Club member who is described as based-on the just-deceased Charles. It is as if the NCPs was a tribute to Charles’s memory, and as such to include CW among the somewhat facetious caricatures the NCP membership would have been disrespectful and altogether inappropriate. …

(7) WHERE TO START WITH PRATCHETT? Christopher Lockett begins a “Discworld Reread #1: The Colour of Magic and The Light Fantastic” at The Magical Humanist.

…Before I get into the novels proper, I feel it behoves me to address the perennial Discworld question: where to begin? I am starting at the beginning here and going in sequence for two reasons: (1) I want to be systematic and not haphazard about this, and (2) I want to watch Discworld develop and grow as I go.

But then, this is not the ideal way to approach Discworld if you’re just starting.

There are forty-one novels in total, but even though we refer to the Discworld series, it’s really not. Not a series, I mean … not in the sense of being serial, at any rate, wherein each instalment picks up where the last left off, and to have a grasp on the overarching story you must begin at the beginning and read in sequence.

That is not how Discworld works. As I’ve noted in this space previously, when asked by newbies what Discworld novel to start with, the lion’s share of Sir Terry devotees emphatically recommend against starting at the beginning…

Lockett follows with a chart of all the books that looks just one step away from being a Tom Gauld cartoon.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

So Weird series (1999)

The considerable joy of doing these anniversaries is finding these series that I’ve never heard of. So it is with a Disney series called So Weird which ran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons. 

It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)

The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead. 

The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF. 

Now if you went looking to watch So Weird’s “Meow” on the Disney service after it debuted, that service which is not Disney+ originally pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD. 

However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.

I didn’t find hardly any critics who reviewed it, hardly surprising given it was on the Disney channel but those that did really liked it including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.” 

I think I’ll leave it there. 

For those of you with Disney+, it’s streaming there.

(9) COMICS SECTION.

(10) ALAN MOORE Q&A. At Alan Moore World: “Long London, Magic & the future of Humanity”.

…In many of your works, Imagination or the Elsewhere often invades Reality. We see this, obviously, in Long London, Providence, Promethea, the League, the story about Thunderman in Illuminations, and so on. Often the world of Imagination influences or interferes, when it does not directly override, the Real one. Could you elaborate on the interconnected relationship between Reality and Imagination, and how your concept of Idea-Space and Magic is linked to it?

Alan Moore: I have to start by carefully defining what is meant by the term ‘reality’. It seems to me that what you most probably mean is material reality. My own position is that while we are indeed apparently part of and surrounded by a material reality (I say apparently because we all compose material reality moment by moment on the loom of our perceptions and are unable to prove that it is actually there, this being the hard problem of consciousness), we are just as evidently part of and immersed in the immaterial reality of our own thought processes. Since material science, which rightly requires empirical testing and repeatable experiments, cannot measure or meaningfully investigate human consciousness, it has tended to argue away consciousness as a ‘ghost in the machine’, and to insist that the only true reality is the material reality for which it has metrics and theories. This has percolated down into the ordinary person on the street’s default worldview, where to say that something is only happening in someone’s mind is to say that it isn’t happening, and by extension that our thoughts and inner workings are not real. Now, thanks to the hard problem of consciousness referred to earlier, while I cannot conclusively state that everybody else’s thoughts and inner workings are real, I can assure you that mine definitely are. In fact, again thanks to the hard problem of consciousness, my thoughts and inner workings are the only things in all existence that I know to be real. The imagination is the sole phenomenon that we know not to be imaginary….

(11) YESTERDAY’S SCALZI BIRTHDAY CELEBRATION. That was clever.

Horatio and his paid intern Jojo wish author @scalzi.com a happy birthday!#Caturday #StarterVillain #HoratioTheCat #JojoThePirateCat

— Centre County Library & Historical Museum (@centrecolibrary.bsky.social) 2025-05-10T15:10:08.924Z

(12) CONAN OUTSIDE THE BOX. “Frazetta Icon Collectibles Conan 1:12 Action Figure Demo”.

As FrazettaGirls designer and project manager I am proud to invite you to join me at the Coffee table for an exciting unboxing and demonstration of the upcoming Frazetta Icon Collectibles Action Figure, Conan The Barbarian!

(13) WHAT IS THE WEIRDEST FILM EVER MADE? [Item by SF Concatenation’s Jonathan Cowie.] Moid Moidelhoff over at Media Death Cult asks this question over three days of weed-enhanced film watching.  He comes up with a few recommendations and also asks cult members to provide their suggestions in the ‘comments’ (worth having a skim). In the process, he scares himself sh*tless and has a nervous breakdown…  But he comes up with some interesting choices including a previous film by the folk behind the Hugo-winning Everything, Everywhere, All at Once and also the best killer tyre film of all time.  You can see the 21-minute video here:

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, and Teddy Harvia  for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]

Pixel Scroll 5/10/25 All Around The Scrollberry Bush, The Monkey Chased The Pixel

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(1) GUARDIAN BOOK REVIEWS. Past Best Fan Writer Hugo winner Abigail Nussbaum, and author of 2025 BSFA Award winner Track Changes penned the Guardian’s latest “The best science fiction, fantasy and horror – reviews roundup”. Nussbaum cover The Devils by Joe Abercrombie (Gollancz, £25), The Incandescent by Emily Tesh (Orbit, £20), Land of Hope by Cate Baum (Indigo Press, £12.99), and A Line You Have Traced by Roisin Dunnett (Magpie, £16.99).

(2) MEETING DEATH SCIENTIFICALLY. [Item by SF Concatenation’s Jonathan Cowie.] The BBC’s World Service  has a nifty weekly science programme Unexplained Elements.  This week’s programme was topical with this week’s news of the Pope popping off and the pomp and circumstance ceremony that garnered international attention. It was a topic in which the late Terry Pratchett would have been interested. 

It addressed questions such as when did humans first start burying their dead? The answer seems to be over 100,000 years ago, but this is for anatomically modern humans. Apparently some proto-human species (whose brain capacity was a third of modern humans) may have buried their dead, though the research (currently in peer review) is debatable.  Apparently, the pre-print has been amended to take criticisms into account and while one critic has been convinced, others remain sceptical.

Another topic was that of the biology of graveyards.  Because its ground remains largely untilled, and because of gravestones and the like, there are many micro-environments, and both these factors lead church graveyards have a higher local area biodiversity.

Then there is the issue of a dead person’s digital rights to their social media and online accounts. The European Union’s GDPR is the world’s most robust data protection regulation, though that does not seem to stop firms like Facebook or EventBrite failing to strictly follow it (just look as the small print when you sign up) or even Worldcons who arguably (it would be interesting to test this in court and I could write an essay on this) fail to strictly adhere to its provisions.  Nonetheless, despite GDPR being the world’s gold standard in data protection, the dead have no rights whatsoever under GDPR!

Talking of a dead person’s digital rights (or lack thereof), what of mobile (cell) phones and smartphones, what happens to them when they ‘die’?  Well, fans of Red Dwarf might say that they go to silicon heaven. The reality, however, is for most of them landfill!  Here there are multiple environmental sustainability issues.  All those heavy metals and rare earth elements leech out in landfill causing threats to water tables and other ecotoxicology issues.  And then there is the loss of these elements (which include silver and gold – many kilograms per tonne of mobile phones disposed) to the economy necessitating the mining of replacement elements and the environmental damage that this does.  So the next time a Worldcon tells you that they are ditching recyclable paper from sustainably managed forests (look for the kite mark when buying the paper for publications) don’t accept the Worldcon’s word for it: more greenwash!

It was a fascinating programme. You can access it here.

First up, we delve into the thorny issue of when early humans started to carry out funerary rituals, before turning our attention to graveyards and the life that thrives within these sacred environments.

Next, we are joined Carl Öhman from Uppsala University in Sweden, who reveals what happens to our data when we die and why we should care about it.

Plus, we discuss the precious materials hiding in our old devices, and find out whether animals mourn.

(3) DODGE THE SCAMS. Victoria Strauss points out “Two to Avoid: Book Order Scams and Fake Reviews”. Full details at Writer Beware.

Here are two newish frauds that appear to be on the rise. As with most writing scams these days, they target self-published authors.

The Book Order Scam

I’ve written before about book order scams, in the context of scammers impersonating bookstores such as Barnes & Noble with out-of-the-blue emails promising bulk purchases and big royalties. All the author has to do is pony up thousands of dollars or pounds to cover printing and/or shipping costs (the relevant note here: bookstores do not print the books they sell, and they typically order from the publisher or publishing platform, rather than from the author).

This newer version of the book order scam is somewhat different, arriving not from a bookstore impersonator, but from the self-publishing service provider the writer has hired to publish and/or market their book. That provider isn’t a true self-publishing company, though, but rather one of the many ghostwriting scams that waylay would-be indie authors in order to defraud them….

Fake Reviews

Fake reviews–sometimes just a few lines, sometimes elaborate essays with stars and number rankings–arrive unasked-for, attached to a complimentary email claiming that a book has been “discovered” by book scouts or book evaluators. Or they’re included as part of a pitch for a package of publishing and marketing services, to show how much the service provider believes in the author’s book.

Undoubtedly produced by feeding book blurbs and other info into chatbots, they are essentially bait: affirmation and flattery designed to induce the author to reply, so they can be subjected to aggressive sales pitches for whatever the “reviewer” is selling.

Here are a couple of examples, both sent out by scammers on this list. They’re not just book reviews–they’re PROFESSIONAL book reviews! So much better than just the regular kind….

(4) CHERRYH ANNOUNCEMENT. CJ Cherryh told Facebook followers yesterday she and Jane Fancher won’t be at the Seattle Worldcon – but it’s not the result of any controversy.

Jane and I will not be attending WorldCon despite it being in our state (which some people might want to know)—no controversy, just the expense and the physical buffeting of crowds. While Jane’s got more go-juice than I do, the crowd pressure and distances involved would be pretty exhausting, leaving us sadly low-energy. We’ll still go to friendly ‘little’ cons in driving range, note well, if we know about them!!! and be our brilliant selves, but we’re not up to a full-on WorldCon.

(5) ABOUT THE FEMALE MAN. Farah Mendlesohn’s book Considering The Female Man by Joanna Russ, or, As the Bear Swore is available for preorder from Luna Press Publishing. It will be released in Summer 2026.

Joanna Russ’s writing career was relatively short, running from 1968 to 1987, with a number of essay collections published in the years after that. Her fiction career consists of just six novels and four collections, but each of the novels she published challenged engrained conventions of the genre.

The Female Man was received with shock, horror and vituperation when it was published in 1975. Its fractured narrative, and its direct attack on patriarchy and the straight-jacket of performative femininity, were described as shrill and man-hating. Over the years it emerged as a classic of feminist science fiction, a novel that continues to excite and resonate, and a touchstone for proudly militant feminists.

This exploration of The Female Man offers a close reading of the text, focussing on how the book works, its structures, arguments, humour, and brilliant anger

(6) COMPENSATING FACTORS. “My School Visit was Cancelled. I Fought Back and Won” writers Erica S. Perl in School Library Journal.

As a children’s book author, I love a good mystery. Which is why, last month, after a Virginia elementary school principal abruptly cancelled my visit by email, with no explanation or interest in rescheduling or paying me, I decided to investigate.

It didn’t take Sherlock Holmes to figure out what had happened: a parent had complained because of a social media video I had made celebrating Pride month. In it, I mention that Snail, a character in my Whale, Quail, Snail early reader series (illustrated by Sam Ailey), is nonbinary. Most snails are. “It’s a fiction series,” I add, “but that’s a fact.”…

… I wish I could tell you that my story ended amicably with the return of my visit to the school’s calendar. That’s not what happened.

Instead, after I asked for my fee, the principal turned the matter over to the district’s lawyers. The principal then informed the school librarian, who booked my visit, that she might have to pay me out of her own pocket. I told her I would not take her money, no matter what happened. I was extra-outraged that the principal was threatening to make her pay for the “crime” of setting up an author visit.

But my story doesn’t end there. I’m not just a children’s book author. I’m also a former trial lawyer. So instead of walking away muttering about injustice, I spent some quality time with my contract.

That’s right, my author contract. Whenever I am invited to visit a school, my booking agent draws up a contract—and this visit was no exception. According to one clause, if an appearance is cancelled with less than 30 days notice, the school is required to pay my entire fee plus any non-refundable travel expenses. The principal had cancelled on me 28 days before my visit.

And finally, my contract specifies that the contract is governed by the law of the state where I live, not the law of the state where the school is located. So if I wanted to sue for breach of contract, I could simply file papers in my local courthouse (no legal expertise or degree required!).

So, I did. Which is how I got to a different kind of happy ending: the school paid me my fee.

It’s not the win I wanted, because that would have had me standing in front of a gymnasium full of elementary school students. But it is a victory, as I see it, for all authors, especially in this current climate….

(7) KILLER ROBOTS NO LONGER SCIENCE FICTION. [Item by Francis Hamit.] “Unmanned Systems Are Not Revolutionary (But Could Be)” says a post on War Room, hosted by the U.S. Army War College.

Rather than revolutionizing warfare, unmanned systems have emerged as evolutions within the larger information revolution; advancements to be sure, but failing to render conventional militaries obsolete or dramatically reshaping force structures….

(8) PLONK YOUR MAGIC TWANGER. The one answer Smithsonian Magazine knows for sure is the price: “Who Created This Peculiar Painting of a Drooling Dragon? Nobody Knows—but a Museum Just Bought It for $20 Million”. Steven French adds, “Actually the ‘drooling dragon’ looks more like our Patterdale Terrier after he’s spotted the postman!”

Emma Capron, a curator at the museum who was responsible for the acquisition, describes the altarpiece as “wildly inventive” and “full of iconographical oddities,” per the Art Newspaper.

Start with the dragon and its bizarre dog-like face, exaggerated fangs and dripping drool. According to tradition, Satan, disguised as a dragon, swallowed St. Margaret whole. His stomach rejected her and there she appears in the painting, kneeling in prayer, totally unfazed by the event.Next to Margaret, one of the two angels holds a book of song, once thought to be a hymn by the English composer Walter Frye but now identified as musical gibberish. The other angel plucks her mouth harp, “a sound hardly associated with celestial harmony,” as the National Gallery says in the statement….

(9) PEACEMAKER IS BACK. “Peacemaker Season 2 Trailer: John Cena’s DC Superhero Returns” – Variety sets the frame.

… John Cena‘s very R-rated DC superhero has returned in the first trailer for “Peacemaker” Season 2, created by DC Studios co-chief James Gunn. The sophomore season takes place in the rebooted DC Universe, which officially kicked off with Gunn’s animated series “Creature Commando” and continues with his summer tentpole “Superman.” Nathan Fillion’s Guy Gardner and Isabela Merced’s Hawkgirl cameo in the trailer and will appear in “Superman.”…

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 10, 1969 — John Scalzi, 56.

By Paul Weimer: I’d read John Scalzi’s blog for years before his fiction. 

I got onto the Scalzi train with his entry in Metatropolis. His story involving a high tech pig farmer had all of the bones of a Scalzi story, from its “I think I know everything” protagonist, to its often snarky sense of humor. While I didn’t fall deeply in love with his work, then or since, I kept reading his work. Redshirts, of course, which still may be my favorite of his novels and stories, helped expand in my mind the metafictional opportunities in science fiction. Lock In is a solid piece of science fictional speculation on how a society might come together and respond to the consequences of a pandemic.  Given that it was written long before Covid…I wonder if Scalzi or, aged fifty six yearswould have reconsidered the novel after the worldwide reaction to the aftermath of the Covid Pandemic. 

Of course the Old Man’s War series is the one that he gets grief for, because it should appeal to the Sad and Rabid Puppies…but it is, in the parlance of today, “too woke”. It’s possible that the existence of such books helped motivate Torgersen and Beale, an irritant to their ideology and worldview (and a counterexample to the idea that Mil-SF must be conservative). Again, I do wonder how Scalzi would write it today, given all that has happened. 

So this is a long way of saying that although it is on my Kindle, I have not yet read When The Moon Hits Your Eye, which seems to have as triggering an idea (the moon turns into cheese. Seriously?) as one can possibly make in the field. But it shows that in the end, Scalzi likes to have fun when writing. He never takes it too seriously, even if he keeps it as rigorous and locked down as the story needs. He’s just telling stories and doing his thing and having the time of his life, and haters can go hang. 

The first time I actually met him in person, he didn’t remember it. He was extremely jet lagged, sitting in a hotel lobby and apparently remembered little from the entire weekend. Due to circumstance (although Scalzi is an excellent DJ, I am told, I am not a dance party goer), I only finally, finally actually got to talk to him at the Glasgow Worldcon. Being part of the photography team did  let me meet and photograph everyone who would hold still.   But did he know who I was? I’m still convinced that he didn’t, and that’s all right. 

John Scalzi’s fiction, too…that’s all right. 

(11) COMICS SECTION.

(12) AMAZING STORIES COLLECTION. Amazing Stories: Best of 2024,a collection of  science fiction short stories published by the magazine over the past year, is now available.

Edited by Lloyd Penney, this collection continues Amazing’s nearly century-long tradition of exploring the strange, the speculative, and the sublime.

From lunar labor revolutions to delicate alien diplomacy, these stories represent the vanguard of speculative fiction. Readers will encounter futures both dystopian and dazzling, technologies that reshape identity and time, and characters grappling with the emotional and ethical consequences of scientific progress. Highlights include:

  • “A Short-Lived History of the Stockpiling of Time, in Post-Mono-Heliocentric Space-Times” by K.V.K. Kvas, a mind-bending tale of interstellar economics, identity, and revolt.
  • “Return from Venus” by C.B. Droege, a quiet and touching story about cross-species friendship and the longing for home.
  • “Best Case Scenario” by Susan Oke, a suspenseful diplomatic mission where what you offer—and what you misunderstand—could mean the difference between peace and peril.

With cover art by Hugo Award-winning artist Bob Eggleton and a lineup of diverse voices offering everything from hard science speculation to lyrical philosophical fiction, Amazing Stories: Best of 2024 is a must-have for any SF fan’s collection.

 “Amazing Stories has always been a home for bold, boundary-pushing science fiction,” says Editor-in-Chief Lloyd Penney. “This year’s stories continue that proud legacy—with some of the most challenging, beautiful, and entertaining tales we’ve ever published.”

It is available online at amazingstories.com and in paperback and eBook editions at indie and major retailers worldwide or at this link.

(13) MONSTROUSLY COOL. That’s what your drinks become with an assist from the “Godzilla Ice Mold”.

(14) DAISY RIDLEY’S ZOMBIE ENCOUNTER. JustWatch quotes Daisy Ridley in its Why to Watch feature about her role in the zombie thriller “We Bury the Dead streaming: where to watch online?”

We Bury the Dead is a gripping, emotional thriller set in a world transformed by the undead. In a unique take on the zombie genre, the film follows Ava—a woman tormented by loss—who volunteers with a corpse retrieval unit to search for her missing husband. Set against a surreal yet intimate apocalypse, the story explores love, grief, and the fragile boundaries of what makes us human.

Daisy Ridley says:

The script is beautiful. It’s about grief and watching someone desperately trying to find an answer, even though she doesn’t know what that answer is going to be. The backdrop of the zombies represents this moment for [my character] Ava because she’s neither here nor there emotionally. Ava’s sole purpose is to find her husband. As a means to get to him, she joins the body retrieval unit which volunteers to find people and notify families. The zombies look like our friends and family, so it’s close enough to reality but in a way that doesn’t feel too close. It feels horribly human.

(15) HONEY, I’M HOME! “Soviet-era spacecraft Kosmos 482 plunges to Earth after 53 years stuck in orbit” reports AP News.

A Soviet-era spacecraft plunged to Earth on Saturday, more than a half-century after its failed launch to Venus.

Its uncontrolled entry was confirmed by both the Russian Space Agency and European Union Space Surveillance and Tracking. The Russians indicated it came down over the Indian Ocean, but some experts were not so sure of the precise location. The European Space Agency’s space debris office also tracked the spacecraft’s doom after it failed to appear over a German radar station.

It was not immediately known how much, if any, of the half-ton spacecraft survived the fiery descent from orbit. Experts said ahead of time that some if not all of it might come crashing down, given it was built to withstand a landing on Venus, the solar system’s hottest planet.

The chances of anyone getting clobbered by spacecraft debris were exceedingly low, scientists said….

…Any surviving wreckage will belong to Russia under a United Nations treaty….

…After so much anticipation, some observers were disappointed by the lingering uncertainty over the exact whereabouts of the spacecraft’s grave….

A Russian press release says it fell in the Indian Ocean west of Jakarta.

(16) YOUR ALIEN NATION. The BBC explains, “More than half your body is not human”.

More than half of your body is not human, say scientists.

Human cells make up only 43% of the body’s total cell count. The rest are microscopic colonists.

Understanding this hidden half of ourselves – our microbiome – is rapidly transforming understanding of diseases from allergy to Parkinson’s.

The field is even asking questions of what it means to be “human” and is leading to new innovative treatments as a result.

“They are essential to your health,” says Prof Ruth Ley, the director of the department of microbiome science at the Max Planck Institute, “your body isn’t just you”….

… But genetically we’re even more outgunned.

The human genome – the full set of genetic instructions for a human being – is made up of 20,000 instructions called genes.

But add all the genes in our microbiome together and the figure comes out between two and 20 million microbial genes.

Prof Sarkis Mazmanian, a microbiologist from Caltech, argues: “We don’t have just one genome, the genes of our microbiome present essentially a second genome which augment the activity of our own…

(17) SCIENCE PAPERS WITH UNDISCLOSED AI USE. [Item by SF Concatenation’s Jonathan Cowie.] Artificial Intelligence (A.I.) is controversial to some, in no small part due to large language models (LLMs) and other A.I. (such as image-generating A.I.) using people’s intellectual property (their written or art works) for A.I. and LLM training without permission or recompense.  This is exemplified by the recent debate over the Seattle’s Worldcon use of A.I. (for example, see (1) in the Scroll here).

Similarly, the use of A.I. has controversies in science.  Indeed, a number of leading science journals, such as Nature, frown on the use of A.I. and/or at least ask science authors to declare any use of A.I. in their submissions. The latest news here comes from a news item in this week’s Nature that hundreds of papers have used A.I without disclosure!

Generative A.I. tools such as ChatGPT have quickly transformed academic publishing. Scientists are increasingly using them to prepare and review manuscripts, and publishers have scrambled to create guidelines for their ethical us. Although policies vary, many publishers require authors to disclose their use of A.I….

But science sleuths have identified hundreds of cases in which A.I. tools seem to have been used without disclosure…

…Publishers need to act quickly to resolve issues of dishonest A.I. use.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Rich Lynch, Paul Weimer, Francis Hamit, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Xtifr.]