Tag Archives: Blake’s 7

Pixel Scroll 1/24/25 This Starship Is Bound For Glory, Every Pixel On Her Must Be Scrolly

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(1) THE SHELVES LOOK DIFFERENT THIS WEEK. The Guardian interviews Octavia’s Bookshelf owner Nikki High about how she’s aided her community during the Eaton Fire: “It was a town’s only Black-owned bookstore. It is now a refuge for those displaced by the California fires”.

… That night, the flames ravaged her neighborhood. “There’s about maybe seven or eight homes left on our street, including ours,” she says. The following day, she drove to Octavia’s Bookshelf to see if it was damaged. Although winds blew dirt into the store, her business was otherwise in the clear. In fact, her store still had power and wifi. An idea struck her: perhaps others in the community needed to get online.

“I wrote up something real quick on Instagram,” High says. “I just said, ‘Hey, I have wifi and power. If you need to come here to get online, I’ll be here all day.’” That small act of outreach became the catalyst for something much larger.

As people trickled into the store, they began asking for basic necessities. “Do you have any water?” one person asked. High turned back to Instagram, posting a call for water donations, which she received, plus more. By the end of the day, the bookstore had transformed into a full-fledged relief center.

“We packed up all of our books off the shelves and put them in the attic,” High explains. The books were replaced by the items people gave to victims of the fire. The donations poured in from as far away as Portland, filling the store with supplies like toothpaste, diapers, cat food and water. Volunteers from the community, including loyal customers, stepped in to help organize and distribute the items.

For those who came seeking aid, the store became a place of connection and solace. High remembers one customer who came in for diapers and wipes. “She told me she had donated to our original GoFundMe when we opened. She said, ‘I never thought in a million years I’d be coming here to get supplies after losing my home.’”…

(2) WHEN BUY BY ALMOST WENT BYE-BYE. “Bloomsbury UK Reaches Last-Minute Contract Agreement With Amazon” reports Publishers Weekly.

Charging that Bloomsbury UK failed to engage in good faith to reach a new contract agreement, Amazon posted a notice on its UK website late Thursday afternoon that as of midnight January 24, Bloomsbury UK print titles would no longer be available directly from its online stores in the U.K., Europe, and Australia. That takedown was averted, however, when the two parties reached an agreement in principle on a new contract 90 minutes before the last one expired.

In the initial announcement, Amazon stressed that Bloomsbury print book availability in Amazon’s U.S. store would have been unaffected by the action, but that its Bloomsbury’s Kindle editions would not be available for sale worldwide. According to the post, Bloomsbury UK’s agreement with Amazon expired last year, and the e-tailer had extended the deal for about seven months in hopes of reaching a new agreement.

The last extension ended at midnight on Jan. 24, and if no new contract had been signed by then, Amazon would have begun to pull its “buy buttons” from impacted countries. Customers would still be able to buy Bloomsbury titles from third-party sellers who use Amazon’s services. In practical terms, the dispute meant that, for example, Sarah J. Maas titles that are published by Bloomsbury UK would not have been available in affected stores, while Maas titles released by Bloomsbury’s U.S. subsidiary will still be available in the American Amazon store….

(3) WE HAVE HEARD THE CHIMES AT MIDNIGHT. “Thousands of romantasy fans make midnight dates with new Rebecca Yarros novel” and the Guardian cheers them on.

Rebecca Yarros couldn’t sell her first novel. No publisher would take it. But this week, 14 years later, legions of her devoted readers turned up to more than a thousand midnight-release parties held to celebrate the publication of her latest book.

In the UK alone, more than 180,000 copies of Onyx Storm, the third instalment of Yarros’s blockbuster Empyrean series, sold on day one of publication on Tuesday. Nearly 60 Waterstones branches held late-night parties or opened early on Tuesday morning to mark the occasion. And after some TikTok users posted videos showing that they had managed to buy the book in Asda ahead of its official release, other fans filmed themselves scouring their local branches trying to get their hands on early copies too.Along with Sarah J Maas, Yarros is at the forefront of the romantasy genre, writing stories that combine elements of fantasy and romance. The first two books of the Empyrean series, Fourth Wing and Iron Flame, follow 20-year-old Violet Sorrengail as she makes her way through dragon-rider training at Basgiath War College. Her enemies-to-lovers romance with Xaden Riorson is central to the story, and in the third instalment, her mission is to save him….

(4) KERFUFFLE IN BLAKE’S 7 FANDOM. Lena Barkin dives deep into “The War That Almost Broke a Classic Fandom” at Fansplaining — Blake’s 7 fandom to be precise.

…Media cons were new and fundamentally different because of screen divide. Literary fans were used to writers being fandom participants at cons—and assumed that’s why actors went, too. One Blake’s 7 fan postulated, “Isaac Asimov and Andre Norton go to cons because they love Science Fiction… These people, and many like them, do not charge fees for attending cons… Mostly they go for many of the same reasons we all have … to get feedback on their work; to have a chance to get on a podium and panel and sound off on favorite issues; to browse in the dealers’ room and art show; to discuss elements of SF into the wee hours; to party!” 

While fans could only speculate on the true motivations of the actors, the behaviors described were observed and accepted as standard. It’s also true that many successful sci-fi writers had risen up through the community, supporting this fan’s assertion that these writers “are a part of science fiction.” Science fiction literary fandom was like a really devoted writer’s group where successful writers could give back to the community that helped form them. 

But the entertainment industry had long had different ideas about the roles of its stars. From the beginning of Hollywood, female fans were instructed on how to idolize actors. In her book Movie Crazy: Fans, Stars, and the Cult of Celebrity, Samantha Barras posits that, “just as fans sometimes controlled Hollywood, Hollywood also controlled fans.” By redirecting ‘movie-struck’ girls from aspiration to emulation, Hollywood told fans how they could dress like the stars and collect autographs, but weren’t allowed to be stars. The divide between actor and fan had to be strict in order to maintain control of persona and image….

I was struck by the effort here to contrast media cons with the fandom of written science fiction in the Eighties. Barkin uncritically embraces the latter’s (written sf fandom’s) view of itself despite that being a wild oversimplification. Which I know because in the late Eighties that was the myth I believed until I had the experience of setting up the program for NolaCon II (1988) and talked to a bunch of writers who did not feel connected to fandom in that way, who were only entertaining the idea of attending the con because their agent urged them to for business reasons. Asimov’s and Norton’s and some others’ connection with fans was merely part of a wide spectrum of writers’ attitudes towards fandom.

(5) CARD SHARKS. But you don’t need to reach any farther back in time than a week ago if you’re looking for a fan kerfuffle. And there’s video of this one. “Fight breaks out over Pokémon cards at a Los Angeles Costco” reports the LA Times (behind a paywall).

A fight broke out at a Costco store in Los Angeles over Pokémon cards, according to a video circulating on social media.

The fight was captured at the Atwater Village Costco on Jan. 16, according to a video posted on X by DisguisedToast.

Wild footage captured shoppers at the Atwater Village Costco in Los Angeles fighting over large quantities of the coveted Pokémon cards on Jan. 16.

Two men fought over a Pokémon box set, with one of them elbowing the other in the face.

“Get the f— off of me bro,” one of the men said.

Police weren’t called to the scene and aren’t investigating the brawl, Los Angeles Police Department officials said….

(6) 31 FLAVOR. LA Times critic Robert Lloyd says it’s a matter of taste in “’Star Trek: Section 31 review: A diverting but frustrating first TV film” (behind a paywall).

… Originally conceived as a spinoff series from “Star Trek: Discovery” to star Michelle Yeoh as Philippa Georgiou, an agent of Starfleet’s secret black ops arm, the project was downgraded or promoted to a “feature,” officially the 14th in the “Star Trek” canon, and the franchise’s first “TV movie.” Even though this decision apparently preceded production, most everything about “Section 31” says “pilot episode,” as if whatever ideas informed the aborted series were still driving the starship, as characters are positioned for episodes yet to come — as if the film did not want to let go of the possibility of being a TV show…

… The backstory, which will drive the later plot, is meant to make her character tragic, but we came to know her well enough during her time on the starship Discovery, living among nice people, which had softened her considerably. She was practically lovable by the time she walked into that portal.

Perhaps you will be surprised, then, to find Georgiou sliding back into what looks like narcissism, running her version of Rick’s Cafe Américain in the borderlands outside Federation Space back in the 23rd century, using the alias Madame du Franc (and speaking a little French). Introductory narration, as at the start of a “Mission: Impossible” episode — an acknowledged inspiration — tells us that after her return from the 32nd century to 2257 she joined Section 31 for a time and then went missing. How this lines up with Georgiou having already been introduced as an agent of Section 31 in the second season of “Discovery,” which is to say, the agency she’s going back into the past to join, I’m not at all sure. Time travel will break your brain if you let it….

(7) CHILDREN OF THE SURVIVORS. Rich Horton introduces us to a new novel by a well-known fan: “Review: In Memoriam: A Novel of the Terran Diaspora, by Fred Lerner”

…It’s narrated by David Bernstein. As the novel opens, he’s finishing his final year of school before going to college. And he’s attending a performance staged by the alien race that is native to the planet on which he lives. We learn quickly that these aliens, the Wyneri, rescued the survivors of the Cataclysm, which wiped out humanity on Earth, a couple of centuries prior to this story. The couple of thousand who were rescued have been fruitful enough that the human population is about 30,000 — living in small chapters embedded among the Wyneri. The humans have been gifted one island, on which they have built a University, and to which they go once each year for the Ingathering. And this Remnant, as they style themselves, devote themselves to preserving as much knowledge of Terran history and culture as they can….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 24, 1911 — C. L. Moore. (Died 1987.)

By Paul Weimer: A giant of the 1930’s and 1940’s science fiction and fantasy, I came across C L Moore’s work thanks to Heinlein.  It was the early 1980’s and I read Number of the Beast (which weirdly was one of the first Heinlein books I read, which might explain some things about me…). Anyway, early on in the book, Deity offers her collection of pulp magazines to Zeb…and mentions Moore and her characters Jirel of Joiry and Northwest Smith by name. Young brain went “Who are THEY?” (I did that a lot with Heinlein, it’s how I discovered artists like Maxwell Parrish and Rodin.)  I found Jirel of Joiry in a collection of the protagonist’s stories. Northwest Smith came, later, in a variety of anthologies of early science fiction. 

And I was off and running. Passionate, cerebral and very strongly defined characters in often amazing environments were what I associated with Moore’s work. Sure, a pulp writer, but Moore’s work was uplifted by the interior lives of her characters (consider the agony and the conflict inside of Jirel’s heart, just as one example of her writing at work).

C. L. Moore

When Moore met and started collaborating with Henry Kuttner, figuring out what pieces were hers, what was his and what were collaborations becomes a morass to untangle. I highly enjoy those stories, but they are really “all” collaborations in my mind. 

My favorite Moore works are two of her collaborations with her husband, and they are much more contemporary in her science fiction. “Mimsy Were the Borogoves” I had had the good luck to have read after reading Carroll, so I got the references and allusions immediately, and understood the weird time traveling nature of the futuristic kit and what it did to the child protagonists–and what it almost did decades earlier. It was a “whoa” moment of the power of not time travel of people, but of objects that affect history and people, and literature.

The other story is “Vintage Season”, and it is one of the dagger-to-the-heart endings and the sheer indifference that time travelers can have to the problems of people they visit in the past. When ST: TNG had a protagonist who purported to be from the future act like he was one of the “Vintage Season” time travelers, something clicked and I understood both the original story and the episode much better.  I also recently recounted the bit that the time travelers were off next to see Charlemagne in the year 800 to a medievalist friend of mine who is SF adjacent. He was much amused by the idea.

What a talent, in singular and in combination with Kuttner!

(9) COMICS SECTION.

(10) PAYING THEIR RESPECTS. Los Angeles Magazine takes us “Inside the David Lynch Shrine at Bob’s Big Boy”.

Shortly after the family of filmmaker David Lynch announced his death last Thursday morning, fans began gathering at Bob’s Big Boy in Burbank. Hundreds of them left something behind as a huge shrine to the visionary behind Blue Velvet and Mulholland Drive took shape at the feet of the Big Boy statue on Riverside Drive.

As the tributes continued to pour in, the installation was being disassembled Wednesday afternoon by archivist and historian Kat Fox, who wrote her UCLA thesis on roadside shrines and spontaneous memorializations. Fox has previously studied temporary monuments to people lost from COVID, AIDS and 9/11. “Lynch doesn’t have a star on the Walk of Fame which is where these often crop up,” Fox said. “I’m very interested in the way L.A. chooses to memorialize and the way the community comes together in a place like Bob’s that has larger connections to the movie and TV industry,” she said. “It’s a cultural cornerstone and part of David Lynch lore.”

The landmark restaurant was a longtime favorite of the acclaimed director, who had a fondness for the lost world of 1950s Americana, and where he wrote and found inspiration. “I went there every day for seven years,” the director remarked after a film screening. “I would write on the napkins. It was like having a desk. You need paper and there’s a piece of paper and you write on it when you get ideas.”…

… Original drawings and paintings, poetry, and personal letters were mixed in with stuffed logs, real logs, donuts, Cheetos and keys to the hotel where special agent Dale Cooper stayed in Twin Peaks. “There’s half-drunk coffee and half-smoked cigarettes,” Fox said. “It’s like they’re sharing it with him.” An estimated 400 cigarettes, 45 cups of coffee, and dozens of donuts and pie slices were accessioned, documented and photographed before finding their way to the Dumpster….

Reflecting on what we’ve lost today.

— Schooley (@schooley.bsky.social) 2025-01-20T18:12:20.666Z

(11) DID DEFERENTIAL EPISTEMOLOGY LEAVE WITH THE ENTWIVES? [Item by Steven French.] In this Physics World essay, historian of physics and philosopher Robert P Crease argues that the best way to counter misinformation is to be even more melodramatic: “Why telling bigger stories is the only way to counter misinformation”.

If aliens came to Earth and tried to work out how we earthlings make sense of our world, they’d surely conclude that we take information and slot it into pre-existing stories – some true, some false, some bizarre. Ominously, these aliens would be correct. You don’t need to ask earthling philosophers, just look around….

…Humans gain a sense of what’s happening in several ways. Three of them, to use philosophical language, are deferential, civic and melodramatic epistemology.

In “deferential epistemology”, citizens habitually take the word of experts and institutions about things like the dangers of x picocuries and exposures of y millirems. In his 1624 book New Atlantis, the philosopher Francis Bacon famously crafted a fictional portrait of an island society where deferential epistemology rules and people instinctively trust the scientific infrastructure.

We may think this is how people ought to behave. But Bacon, who was also a politician, understood that deference to experts is not automatic and requires constantly curating the public face of the scientific infrastructure. Earthlings haven’t seen deferential epistemology in a while.

“Civic epistemology”, meanwhile, is how people acquire knowledge in the absence of that curation. Such people don’t necessarily reject experts but hear their voices alongside many others claiming to know best how to pursue our interests and values. Civic epistemology is when we negotiate daily life not by first consulting scientists but by pursuing our concerns with a mix of habit, trust, experience and friendly advice.

We sometimes don’t, in fact, take scientific advice when it collides with how we already behave; we may smoke or drink, for instance, despite warnings not to. Or we might seek guidance from non-scientists about things like the harms of radiation.

Finally, what I call “melodramatic epistemology” draws on the word “melodrama”, a genre of theatre involving extreme plots, obvious villains, emotional appeal, sensational language, and moral outrage (the 1939 film Gone with the Wind comes to mind)….

(12) VIDEO GAME BUSINESS. The Guardian asks “Can Assassin’s Creed Shadows save Ubisoft?”

It’s no secret that the video game industry is struggling. The last two years have seen more than 25,000 redundancies and more than 40 studio closures. Thanks to game development’s spiralling costs (blockbuster titles now cost hundreds of millions to make), overinvestment during the Covid-19 pandemic, and a series of failed bets to create the next money-printing “forever game”, the pressure for blockbuster games to succeed is now higher than ever.

It’s a predicament that feels especially pertinent for Ubisoft. Employing in the region of 20,000 people across 45 studios in 30 countries, its most recent big licensed games Avatar: Frontiers of Pandora and Star Wars Outlaws underperformed commercially. It has had two expensive, failed live-service experiments in the past year, Skull and Bones and X-Defiant. With Ubisoft share prices plummeting and investment partners circling like sharks, rarely have the fortunes of a massive games company relied so heavily on a single release. It has already been delayed multiple times, to ensure its quality.

Against this gloomy backdrop, I find myself roaming the glistening halls of Ubisoft Quebec for the world’s first hands-on of Assassin’s Creed: Shadows. The company’s series of historical action games is back after a two-year break, and this time it takes us to feudal Japan. This has been the most requested setting by fans, according to creative director Jonathan Dumont, but ironically some of those purported fans have turned on Ubisoft over the course of this game’s development….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Ersatz Culture, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 1/20/25 File Long And Throw Pixels

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(1) THEY “FORGOT”. On Reddit’s /r/printSF group, a poster asks what had happened to Mark Hodder’s A Dark and Subtle Light, which had been scheduled to be published back in October 2024.

Another poster replied with text from the book’s Goodreads page:

“UPDATE: I contacted Mark Hodder on BlueSky and he was kind enough to give me the low-down. In summary: -“The publisher purchased it as “work for hire” … meaning they owned the character and concept of the brief. The idea was that it would be the first of a series with other authors working on subsequent novels featuring the same main character” -“They set an Oct ’24 date for publication. However, the editor who had suggested the idea left the company. They decided to put the project on hold, forgot to tell me & forgot to remove the scheduled pub. date from Amazon.”

They . . . “forgot” to tell the author they cancelled publication of his book. That is brutal.

But, there is still a possibility that we’ll see this book in some form in the future, so I’m leaving it on my TBR list. “

And this was followed up by a reply from the author themselves:

I’m afraid Rebellion (I’m now naming and shaming) have not only taken the novel off their schedule but they are also refusing to give it (or even sell it) back to me. Their stance is that I got paid so I don’t really have anything to complain about. A fucking atrocious attitude. Not only does it ignore the fact that a) the novel would earn me royalties, and b) whenever I have a new novel published there’s a spike in sales for my other work and my audience grows, but it also presumes that I write for money rather than to entertain. No author writes for money. Publishers pay a pittance.

To put it into perspective, Rebellion paid me £7000 for the novel with royalties set to kick in (after that £7000 had earned out) at a rate of 7% of the recommended retail price up to 14,999 copies; rising to 8% on 15,000 to 29,000 copies; rising to 10% on 30,000 copies onwards.

I’ll get none of that. The novel took a year to write and all I have to show for it is the initial £7000. The MINIMUM annual wage in the UK is £21000.

So, yes, financially, Rebellion has fucked me over. But the real issue is that I consider it one of the best novels I have written and I am royally PISSED OFF that no one will get to read it.

(2) CREATING BLAKE’S 7. “’When Star Wars came out, one of our directors was close to tears’: how we made Blake’s 7” — a “How We Made” oral history at the Guardian.

Michael E Briant, director, series one

I got the impression Blake’s 7 was just going to be “space opera” and, having worked as a director on Doctor Who, I wanted to move on and do other things, but the script for the first episode won me over. It was 1977, before the mass surveillance we have today, so the idea of everyone being watched by cameras, as that opening episode had it, seemed striking. It had shades of Nineteen Eighty-Four and felt very adult and relevant.

The series had been pitched by Terry Nation, who created Doctor Who’s Daleks. He saw it as The Dirty Dozen in Space, but that idea disappeared early on. It ended up having more in common with Robin Hood, following Blake and his rebels in their struggle against the totalitarian Federation. The BBC had commissioned Blake’s 7 as a replacement for its police series Softly, Softly: Task Force and we inherited its budget. The largest expenditure on Softly had been one character’s gabardine raincoat. Blake’s 7 was far more demanding, with futuristic costumes, props and locations. Star Wars had come out in the UK just before our first episode aired. One of the show’s other directors, Pennant Roberts, went to see it. The next morning, I found him in his office – close to tears.

The design of the rebels’ Liberator spaceship was by Roger Murray-Leach. It was marvellous, but the interior wasn’t quite what I’d envisaged. I thought a highly advanced vessel should be operated via thought alone, whereas the set we ended up with had joysticks and controls. The ship’s computer, Zen, was closer to what I’d imagined. Peter Tuddenham did Zen’s voice, hidden away in the corner with headphones and a mic. When a second computer called Orac joined the crew, Peter did it too, switching between the two voices.

Whenever we had a problem making something work electronically, this guy called Mitch Mitchell would solve it. One of his jobs was doing the dissolving body special effect whenever crew members teleported down to alien planets. He’d be sitting in the corner with an electronic pen, drawing the white outlines that appeared before they materialised….

I don’t think the show would have been the success it was without Gareth Thomas as Roj Blake. He was a truthful, clever actor and his performance lifted everyone. Sally Knyvette also brought a sense of sobriety and realism to Jenna, one of Blake’s followers, while Paul Darrow and Michael Keating brought more and more depth to the characters of Avon and Vila respectively. Watching it again now, I’m surprised how good some of it is….

(3) REMEMBERING HOWARD ANDREW JONES. Bob Byrne pays tribute in “An Important Life – Howard Andrew Jones (1968 – 2025)” at Black Gate. He begins by quoting his Facebook post.

…My buddy Howard Andrew Jones has passed away from brain cancer. You’re going to see a LOT of people singing his praises in the coming weeks. All of it deserved. If I can stop crying long enough, my Monday morning post will be on Howard.

But you’re gonna see a common thread in the talk about Howard. The impact he had on other people’s lives. Especially in encouraging and helping writers – mostly in the sword and sorcery field.

Measured by impact, Howard’s may well be the most important life in the past three-plus decades in the genre. He was relentless in being kind, helpful, encouraging, engaging – just fucking NICE – in an era when nice isn’t all that common anymore.

My favorite memories of Howard are our phone talks about hardboiled private eye fiction: not what you’d guess of one of the brightest lights in the sword and sorcery genre.

But as you read the posts about Howard here on FB, just keep noting how many people thank him for helping them. For impacting their lives and careers….

(4) ON THE FRONT. John Coulthart discusses the cover art on various editions of William Lindsay Gresham’s “Nightmare Alleys”. For example —

First edition, USA, 1946.

The first edition isn’t a great design but it happens to be faithful to the core storyline, more so than many of the covers that follow. In the film we’re left to guess what the “nightmare alley” of the title might be but in the novel this is a symbol that recurs throughout the story, a literal nightmare of Carlisle’s in which he dreams he’s being chased down a dark alleyway towards a light that remains continually out of reach. The dream weighs enough on Carlisle’s mind for him to regard it as a symbol of the human condition, or at least his soured perception of the same. The cover of the first edition combines this image with the Tarot trump of The Hanged Man which Carlisle turns up in a reading as a signifier of his destiny. Tarot scholars may quibble with this detail—The Hanged Man isn’t as doom-laden or negative as the novel suggests—but Gresham makes good use of Tarot as a structural element, with each chapter named after one of the trump cards, and with elements of the story reflecting the Tarot imagery. Given all this you’d expect cover artists to use Tarot symbolism much more than they do.

(5) FOCUS ON ANIMATION AWARD NOMINEES. “Online Film Critics Society Awards Nominated 5 Animated Features” reports Animation Magazine.

Nominations have been announced for the Online Film Critics Society Awards, which this year has put five films up for its animated feature category. Artful animated contenders also appear in other categories. Also of note, the VFX-fueled sci fi fantasy Dune: Part Two is the most-nominated project for this edition, with nine nods including Best Picture and Best Directing for Denis Villeneuve.

As awards season rolls on, the Best Animated Feature race holds no surprises for toon watchers. Up in the category are Gints Zilbalodis’ Golden Globe winner Flow, Pixar’s box office record smasher Inside Out 2, Oscar winner Adam Elliot’s Memoir of a Snail, Aardman’s charming Wallace & Gromit: Vengeance Most Fowl and the critically acclaimed DreamWorks feat The Wild Robot.

Outside the main toon race, The Wild Robot is nominated for Best Original Score (composer: Kris Bowers), and Flow is up for Best Film Not in the English Language….

(6) A HISTORY OF RESENTMENT. “Oscar buzz and genre snubs: will the Academy finally give sci-fi, fantasy and horror their due?” asks the Guardian.

Ah, the Oscars. That perennial exercise in Hollywood patting itself on the back with all the subtlety of a fireworks display, while the rest of us squint at our screens and wonder how many of these movies we’ve actually seen.

At least two years ago there was something for genre fans to crow about: Everything Everywhere All at Once drove all before it, making and resurrecting careers while smartly satirising Marvel’s multiverse saga before the latter even had the chance to collapse under the weight of its own convoluted timelines.

And those of us of an older vintage will always have 2004, when The Lord of the Rings: The Return of the King stormed the Oscars like a hobbit on second breakfast, sweeping up 11 statuettes and proving that a fantasy epic, when executed with enough heart, grandeur and bloody-minded ambition, could leave the Academy no choice but to hand over every prize in sight.

At other times it’s been easy to despair at the Academy’s unwillingness to reward fantasy fare. Genre films often dominate the technical gongs but struggle to crack the “prestige” barriers of best picture, director or acting nominations. Animated films, no matter how innovative, rarely break out of their category. The remarkable Spider-Man: Into the Spider-Verse, for example, won best animated film in 2019 but didn’t get a nod in any of the more celebrated categories…

(7) LIFE-CHANGING BOOKS. Shelf Awareness brings us “Reading with… Samantha Sotto Yambao”.

Book you’re an evangelist for:

Flowers for Algernon by Daniel Keyes. It’s required reading before departing this planet. Completely and utterly depressing, but also beautiful and beyond perfection. And did I mention that it was depressing?

Book you hid from your parents:

The Sleeping Beauty series by Anne Rice. Explaining how this was not the Disney fairytale version would have been very awkward.

Book that changed your life:

I’m sorry, but I’m going to have to break the rules and choose two books. The Belgariad series by David Eddings (I know, I know. It’s a series, not a book. I’m a rebel.) and The Time Traveler’s Wife by Audrey Niffenegger.

Minutes into a date that wasn’t a date, my now husband of 25 years and I geeked out over The Belgariad and our love for Aunt Pol’s bacon and realized that we had met our person. So yeah, I’d say The Belgariad pretty much set the course of my life from that night forward.

The Time Traveler’s Wife, meanwhile, gave me the worst book hangover. I felt so bad about Henry’s death that I swore if I ever wrote a book, my main character would never die. And so I did. And it became my debut novel, Before Ever After.

(8) MEMORY LANE.

[Written by Cat Eldridge.]

January 20, 1959 — One Step Beyond series

Sixty-six years ago this evening, a new genre anthology series called Alcoa Presents: One Step Beyond first aired on ABC where it would run for three years. (If you saw it in syndication, it was called just One Step Beyond.) It was created by Merwin Gerard who previously had done nothing at all of a genre nature. He was associate producer here with it actually being produced by Collier Young. 

Unlike other anthology programs of the time, this series was presented in the form of docudramas. Mind you, the stories depicted hewed close to known urban legends or were remakes of let’s call them horror films on the light side. Ninety-six half-hour episodes would be filmed during its run. When it was cancelled, it was replaced by The Next Step Beyond which ran for one season of twenty-five episodes, fourteen of which were remakes of the first series.

John Newland, the original series host, and Gerard were involved in an attempt in the late Seventies to revive it. It failed miserably lasting but twenty-five episodes. As Newland stated later, “The remakes were a bad idea, we thought we could fool the audience, and we soon learned we couldn’t.” 

They are legally available on YouTube now so you can see the first episode, “The Bride Possessed” here if you desire. 

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 20, 1934 — Tom Baker, 91.

By Paul Weimer: My first Doctor Who, and still the person I first bring to mind when I hear the phrase.  It was PBS in the late 70’s, maybe 1980. I was starting to read science fiction, as I have detailed elsewhere. I was watching Cosmos, as I have also detailed elsewhere. And then there was Doctor Who to help seal me into the world of SFF.  This was the time when Doctor Who came across the pond, and they started with the Tom Baker Doctor Who episodes. (They would eventually get them all, but they started with the fourth and then went back to the 1st and ran forward) 

So, thus, Tom Baker became my first Doctor.  The first Doctor Who episode I remember, and what hooked me from the get-go, was “Pyramid of Mars”. You know the one, especially since it’s recently relevant. Sutekh the Destroyer seeks to escape his Martian prison. The Doctor and Sarah Jane have to do their best with strange logic puzzles, dangerous robot mummies, and of course Sutekh himself, a being powerful enough to enslave the Doctor with his will and mind. It was a bit of science fantasy mythology, and I was hooked immediately. (And imagine my surprise when Sutekh returned in the current series. What an unexpected call back!).  I eventually did get to see his entire oeuvre, from “Robot” to “Logopolis”, and his run taught me the Doctor could have modes and moods within a Doctor’s run, something not always picked up in the current incarnation of Doctor Who. The Fourth Doctor has a definite, swinging character arc that Baker brought to the role.  

Besides “Pyramids of Mars”, my favorite Baker Doctor Who episode is probably “City of Death”, with a twisty plot, and perhaps the best second Romana-Doctor chemistry. I could believe why the two actors briefly married, because the second Romana and Baker’s Doctor feel like a comfortable married couple in love’s bloom and flourish, in “The City of Lights”. Although I admit the Doctor being rooked in “The Invasion of Time” and not seeing the Sontaran gambit was pretty good–it showed the Doctor could be, however briefly, outfoxed. 

Tom Baker, as it turned out, wound up being more than (by some measurements) the longest running Doctor in Doctor Who. (And if the Curator is a future incarnation of the Doctor, only one of two actors to play two incarnations of the Doctor.) He had a fantastic small role in the terrible 2000 Dungeons and Dragons movie, playing an elderly elf cleric with a twinkle in his eye.  He’s the narrator of Enemy Mine (previously discussed on a previous scroll) as well as doing other voice work as well in video games and elsewhere. He’s also the evil magician in the Golden Voyage of Sinbad. 

Happy Ninety-first Birthday!

Tom Baker

(10) COMICS SECTION.

(11) WHAT MIGHT HAVE BEEN. “Skeleton Crew’s Finale Almost Had a Jedi Flashback”. Gizmodo says, “Had things gone differently, Star Wars: Skeleton Crew would’ve featured a new Jedi that played a pivotal role in Jod Nawood’s development.”

The recent finale for Star Wars: Skeleton Crew finally shed some light on Jude Law’s mysterious Force user, Jod Na Nawood. Growing up as a poor kid, he was taken in by a Jedi and trained in the ways of the Force. He’s been on the run ever since he watched her die, and it turns out we would’ve met her during the sequence.

On Instagram, actor Yasmine Al Massri (who you’ve heard as Morana on Castlevania) posted photos of herself as Jod’s master, Jedi robes and doing some brief lightsaber training that would’ve presumably been her putting up a fight before her death….

(12) ANDOR BUDGET. “Star Wars: Disney Reveals the Record-Breaking Budget for the Andor Series” – Belles and Gals recites the figures.

…When it comes to expanding the Star Wars saga, Disney has not held back. The Andor series, a prequel to the acclaimed film Rogue One, has reportedly been produced with a colossal budget of $645 million for its first two seasons. This investment covers a total of 24 episodes, bringing the average cost per episode to nearly $27 million. This figure places Andor as the most expensive Star Wars series ever produced by Disney+, surpassing previous projects in both scale and financial commitment.

Tony Gilroy, the creator of Andor, expressed his enthusiasm about the series’ future prospects. “The substantial investment underscores Disney’s commitment to delivering high-quality storytelling within the Star Wars universe,” he stated. This dedication is evident in the intricate production values and compelling narratives that Andor promises to offer its audience….

(13) PAUL & PAL. [Item by Cat Eldridge.] “Dune: Part Two – Paul Atreides (Ultimate Bonus) 1/3 Scale Statue” at the Spec Fiction Shop goes for the special price of — $1,935. But wait, there’s more! Check out the desert mouse which looks suspiciously like a rabbit

(14) TODAY’S THING TO WORRY ABOUT. Phys.org is “Turning the Hubble tension into a crisis: New measurement confirms universe is expanding too fast for current models”.

The universe really seems to be expanding fast. Too fast, even. A new measurement confirms what previous—and highly debated—results had shown: The universe is expanding faster than predicted by theoretical models, and faster than can be explained by our current understanding of physics.

This discrepancy between model and data became known as the Hubble tension. Now, results published in The Astrophysical Journal Letters provide even stronger support for the faster rate of expansion….

…Measuring the universe requires a cosmic ladder, which is a succession of methods used to measure the distances to celestial objects, with each method, or “rung,” relying on the previous for calibration.

The ladder used by Scolnic was created by a separate team using data from the Dark Energy Spectroscopic Instrument (DESI), which is observing more than 100,000 galaxies every night from its vantage point at the Kitt Peak National Observatory.

Scolnic recognized that this ladder could be anchored closer to Earth with a more precise distance to the Coma Cluster, one of the galaxy clusters nearest to us.

“The DESI collaboration did the really hard part, their ladder was missing the first rung,” said Scolnic. “I knew how to get it, and I knew that that would give us one of the most precise measurements of the Hubble constant we could get, so when their paper came out, I dropped absolutely everything and worked on this non-stop.”

To get a precise distance to the Coma cluster, Scolnic and his collaborators used the light curves from 12 Type Ia supernovae within the cluster. Just like candles lighting a dark path, Type Ia supernovae have a predictable luminosity that correlates to their distance, making them reliable objects for distance calculations.

The team arrived at a distance of about 320 million light-years, nearly in the center of the range of distances reported across 40 years of previous studies—a reassuring sign of its accuracy.

“This measurement isn’t biased by how we think the Hubble tension story will end,” said Scolnic. “This cluster is in our backyard, it has been measured long before anyone knew how important it was going to be.”…

(15) EARLY SPECIAL EFFECTS LORE. Superheroes “flying” suspended from wires is just one of the “Early TV and Movie Superhero Special Effects” revealed by TVCrazyman.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Paul Weimer, Mark Roth-Whitworth, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark Roth-Whitworth.]

Pixel Scroll 8/22/24 This Is My Pixel, This Is My Scroll. This Is For Info, This Is For Lol

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(1) BROADDUS SCORES INDIANA AWARD. Congratulations to Maurice Broaddus whose book Unfadeable won the Indiana Authors Awards 2024 Middle Grade category.

(2) REID ON JRRT ADAPTATIONS. Robin Anne Reid’s fifth installment about Tolkien screen adaptations has arrived: “Books, Films, Adaptations & Reader Responses 5/?”

Welcome to the *fifth* in my long-delayed (would not want to be hasty!) series on adaptation issues around Tolkien’s fiction, Jackson’s films, and the importance of reader responses. Since it’s been so long since I posted the first posts in the series, I’m providing the links to the five earlier posts, plus short summaries of them (five because there is a Part 3 and a Part 3.5!) in the note below.²

This post is a discussion of my response to how Jackson’s film characterized the Ents and adapted the scenes between them and Merry and Pippin in Fangorn, after the hobbits escape from the Orcs.

Tolkien describes the meeting of the hobbits and Ents in one chapter (“Treebeard”) which ends with the line “‘Night lies over Isengard,’ said Treebeard” (LotR.3.4.461-487). Then the action cuts away to Gimli, Legolas, and Aragorn on the verge of entering Fangorn (“The White Rider), and doesn’t return to the storyline of the Ents, Merry, and Pippin until “Flotsam and Jetsam” (which starts on page 560 of my edition). The Battle of Isengard is not directly narrated: Merry and Pippin get to describe it to their friends and to the Rohirrim.

Jackson transforms Tolkien’s interlaced narrative to a chronological one (which I think was absolutely necessary for the film to be at all understandable for the percentage of the audience which had never read the book which I would bet real money was larger than the percentage of the audience who had).³ Jackson, of course, shows us the Ents attacking and taking Isengard (which, really, makes perfect sense for a visual artform).

I love the “Treebeard” chapter—and the other scenes with Treebeard—and have ever since I first read the book….

(3) BOOK BANNING DRIVEN BY A SMALL FRACTION OF ADULTS. A Knight Foundation “Survey Finds Most Americans Unengaged with Book Banning Efforts in Public Schools” reports Publishers Weekly.

One of the persistent themes to emerge from the ongoing nationwide surge in book banning is that the bans are being pursued by a vocal, politically motivated minority. This week, a new survey report from the Knight Foundation is offering more support for that conclusion, finding that public engagement with efforts to ban books in public school libraries and classrooms is limited, despite a dramatic surge in book challenges since 2021.

The survey, based on a sizable national sample of more than 4,500 adults, found that most Americans feel informed about efforts to ban books in schools. But just 3% of respondents said that they have personally engaged on the issue—with 2% getting involved on the side of maintaining access to books, and 1% seeking to restrict access. Overall, a solid majority of respondents expressed support for the freedom to read, and expressed high levels of trust in their local teachers and school librarians.

“Strong sentiment is lopsided, with strong opponents of book restrictions outnumbering strong supporters by nearly 3-1,” the survey report states. “In general terms, 78% of adults are confident that their community’s public schools select appropriate books for students to read. Additionally, more people say it is a bigger concern to restrict students’ access to books that have educational value than it is to provide them with access to books that have inappropriate content.”…

(4) COVER OF TANYA HUFF’S NEXT NOVEL. DAW Books today released the cover for Tanya Huff’s Direct Descendants, coming next April.

Jeff Miller Faceout Studio designed this charming cover to perfectly capture the novel’s rom-com vibes with a supernatural missing person’s case at the heart of this tale. 

Releasing on April 1st, 2025, Direct Descendants is a stand-alone cozy horror from acclaimed science fiction & fantasy author Tanya Huff, mixing the creepy with the charming for plenty of snarky, queer fun….

ABOUT DIRECT DESCENDANTS: Generations ago, the founders of the idyllic town of Lake Argen made a deal with a dark force. In exchange for their service, the town will stay prosperous and successful and keep outsiders out. And for generations, it’s worked out great. Until a visitor goes missing, and his wealthy family sends a private investigator to find him, and everything abruptly goes sideways.

Now, Cassidy Prewitt, town baker and part-time servant of the dark force (it’s a family business), has to contend with a rising army of darkness, a very frustrated town, and a very cute PI who she might just be falling for…and who might just be falling for her. And if they can survive their own home-grown apocalypse, they might even just find happiness together.

(5) ANOTHER LOOK AT THE ROTSLER AWARD EXHIBIT AT GLASGOW 2024. Photographer Kenn Bates documented for fanhistorians the Rotsler Award exhibit presented at this year’s Worldcon. The panels were produced by Elizabeth Klein-Lebbink for the Southern California Institute for Fan Interests, which presents the award.

(6) ROWLING’S QUIET, TOO. “The Sound of Silence? J.K. Rowling Has Not Tweeted in 12 Blissful Days” – Them has been counting.

For once, J.K. Rowling isn’t tweeting through it — and by “it,” I mean her near-pathological fixation on trans women and girls. As of this writing, the author has not posted on X since August 7.

Taking 12 days off from posting on X is highly unusual for the Harry Potter author, who posted or reposted 18 times on August 7 alone. Four days later, Algerian boxer Imane Khelif filed a complaint that named Rowling, Elon Musk, and other public figures as being part of a massive cyberbullying campaign against her. Plenty of X users observed that the timing was worth noting.

X user @Cooperstreaming pointed out that Rowling had stopped tweeting since before Khelif filed her lawsuit: “Excited to see someone fighting back, & to potentially have it laid bare in court: Rowling doesn’t care about women,” she wrote. “The protecting ‘real women’ was always a lie, an excuse for hating trans women.”…

Coincidentally, for reasons of his own, Neil Gaiman hasn’t posted to his X.com account since July 2.

(7) ON THE TRAIL(ER) OF THE ROHIRRIM. “The Lord of the Rings: The War of the Rohirrim Animated Movie Reveals First Trailer”, and IGN sets the scene.

The War of the Rohirrim will be released on December 13. Set roughly 200 years before the events of The Lord of the Rings, this prequel reveals the untold story of Rohan’s former ruler, Helm Hammerhand (voiced by Brian Cox).

The trailer gives us a much better idea of the plot of the film, which deals with a bloody conflict between Rohan and the Dunlendings. After an arranged marriage between Helm’s daughter Hèra (Gaia Wise) and the Dunland prince Wulf (Luke Pasqualino) falls through and leads to the death of Wulf’s father Freca (Shaun Dooley), Wulf declares war on Rohan. As Helm rallies his kingdom, the defiant Hèra may prove to be the only hope for Rohan’s survival….

(8) VISITING RAY ON HIS BIRTHDAY. Ray Bradbury, who died in 2012, was born 104 years ago today. John King Tarpinian made his annual pilgrimage to Ray’s gravesite.

I appeared to have been Ray’s first visitor of the day, at least the first to leave gifts.  Left Ray a tin print of Laurel & Hardy, a dinosaur, a picture with him and his buddy, Stan Grenberg @ ComiCon.  Of course, the annual birthday cake.  I always give the cake to the cemetery staff as a thank you for taking care of Ray.  (Anybody is welcome to share.)

(9) BRADBURY LIVE. The broadcast was. Bradburymedia’s Phil Nichols celebrated Ray’s natal day with a livestream: “Bradbury 100 LIVE: 2024 Edition!”

On Thursday 22 August 2024 – what would have been Ray Bradbury’s 104th birthday! – I went live once again with my Bradbury 100 podcast.

I talked about the “Chronological Bradbury” series of episodes, and went through all the steps I usually take in putting together such an episode: the books I consult, how I compare different versions of the same story, and how to track down the rarer Bradbury stories.

I also showed some of the statistics about Ray’s stories, went into questions about copyright, and looked at some of the Bradbury books which have come out in the last twelve months….

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

August 22, 1920 – Ray Bradbury. (Died 2012.)

By Paul Weimer: How DOES one get their arms around a titan, a giant in the field? Very carefully, I say.

I don’t remember the order in which I read them, but The Martian Chronicles was one of the first two SF books I ever read, at the tender age of nine. (The other was Asimov’s I Robot).  I was too young to understand it wasn’t a novel, but a collection/fixup of short stories, but I didn’t care.  I was fascinated by his Mars, his Martians and the pathos of the Martians fading away. And of course, “The Million-Year Picnic” where I excitedly told my older brother that I “got it” – the family were the new Martians, the new inheritors of a world, and with Earth bombed back to the stone age, the way forward.  

Ray Bradbury in 2008 with his collection of Egyptian artifacts.

Bradbury’s story and collection moved me, it made me feel in a way that sometimes other writers tried but never could manage. The ending to Something Wicked this Way Comes, when joy and laughter are the keys to defeating Mr. Dark. The gentleness and the elegy of the stories that make up Dandelion Wine. That collection showed Bradbury’s dark side too, as does stories like “The Veldt”, which gives me chills every time I read it.  Bradbury was good at that, mixing in the horror into stories featuring children. Consider “Zero Hour” where the kids’ imaginary game with an imaginary alien turns out to be not so imaginary.

And I haven’t to this point even mentioned Fahrenheit 451, because, really, I need a re-read of it at some point. But that one, for all the horror of its dystopian society, is a story of hope, and survival at the end. (But, again, the Hound is one of the most terrifying robots in science fiction. I am pretty sure the Black Mirror “Metalhead” took some of the cues for its creatures from 451’s relentlessly tracking Hound).  

But my favorite Bradbury work (aside from The Martian Chronicles, which will always have a special place in my heart) has to be The Halloween Tree?  Again, whimsy, horror, fantasy and a profoundness of introducing children to such themes. The fact that the other children are willing to give up a year of their lives, each to restore and return Pip from the clutches of Carapace Clavicle Moundshroud moved me then, and it moved me now.  I would have done it in a heartbeat when I was thirteen…but would I do it now? I don’t know and that is what fascinates me about the book, today, as well as it’s “Halloween world tour”  (maybe only Zelazny’s A Night in the Lonesome October exceeds it in my Halloween canon). 

(11) COMICS SECTION.

  • Arlo and Janis names a new season.
  • Crabgrass talks about the spotting of a new fan.
  • F Minus diagnoses a cat tantrum.
  • Glasbergen would rather books worked differently.
  • Non Sequitur shows what’s left of fairy tales after the legal team gets through.
  • A cartoon by @ngoziu:

(12) AUTHORS GO AFTER ANOTHER AI CREATOR FOR INFRINGEMENT. “Authors sue Claude AI chatbot creator Anthropic for copyright infringement” reports AP News.

A group of authors is suing artificial intelligence startup Anthropic, alleging it committed “large-scale theft” in training its popular chatbot Claude on pirated copies of copyrighted books.

While similar lawsuits have piled up for more than a year against competitor OpenAI, maker of ChatGPT, this is the first from writers to target Anthropic and its Claude chatbot.

The smaller San Francisco-based company — founded by ex-OpenAI leaders — has marketed itself as the more responsible and safety-focused developer of generative AI models that can compose emails, summarize documents and interact with people in a natural way.

But the lawsuit filed Monday in a federal court in San Francisco alleges that Anthropic’s actions “have made a mockery of its lofty goals” by tapping into repositories of pirated writings to build its AI product.

“It is no exaggeration to say that Anthropic’s model seeks to profit from strip-mining the human expression and ingenuity behind each one of those works,” the lawsuit says.

… The lawsuit was brought by a trio of writers — Andrea Bartz, Charles Graeber and Kirk Wallace Johnson — who are seeking to represent a class of similarly situated authors of fiction and nonfiction….

The Verge adds:

…In the lawsuit, the authors say that Anthropic used a sprawling, open-source dataset known as “The Pile” to train its family of Claude AI chatbots. Within this dataset is something called Books3, a massive library of pirated ebooks that includes works from Stephen King, Michael Pollan, and thousands of other authors. Earlier this month, Anthropic confirmed to Vox that it used The Pile to train Claude….

(13) JOHN WILLIAMS DOCUMENTARY. “Music By John Williams’ Doc Set As AFI Fest Opening Night Film” – Deadline has the story.

The American Film Institute has announced that Music By John Williams, a documentary on the iconic film composer from Lucasfilm Ltd, Amblin Documentaries and Imagine Documentaries, will world premiere as the opening night film of the 38th AFI Fest on Wednesday, October 23.

Directed by Laurent Bouzereau, the doc is billed as a comprehensive look at Williams’ life and career, from his early days as a jazz pianist to his 54 Oscar nominations and five wins, celebrating his countless contributions to the moving image arts, music for the concert stage as well as his indelible impact on popular culture….

… In Music by John Williams, documentary subjects speaking to the ways in which their lives have been touched by Williams’ timeless music include Spielberg, Kathleen Kennedy, Frank Marshall, Kate Capshaw, Gustavo Dudamel, J.J. Abrams, Chris Martin, Ron Howard, Chris Columbus, George Lucas, Itzhak Perlman, Lawrence Kasdan, Yo-Yo Ma, Ke Huy Quan, James Mangold, Alan Silvestri, David Newman, Thomas Newman, Seth MacFarlane, Anne-Sophie Mutter and Branford Marsalis….

(14) AI FORGETS TO REMEMBER? [Item by SF Concatenation’s Jonathan Cowie.] I keep on telling people that the machines are taking over the world, but nobody every listens…  So it is good news for little old me this week in today’s Nature.  It seems that Artificial Intelligences (AIs) cannot learn new tasks without forgetting old skills. “Switching between tasks can cause AI to lose the ability to learn”.  

“Artificial neural networks become incapable of mastering new skills when they learn them one after the other. Researchers have only scratched the surface of why this phenomenon occurs — and how it can be fixed.”

Sadly, researchers looking into this in “Loss of plasticity in deep continual learning” have suggested a solution…  (And so my joy is short-lived.) 

“We show that a simple change enables them to maintain plasticity indefinitely in both supervised and reinforcement learning. Our new algorithm, continual backpropagation, is exactly like classical backpropagation except that a tiny proportion of less-used units are reinitialized on each step much as they were all initialized at the start of training.”

Why can’t they leave well enough alone?

(15) BLAKE’S 7 DISCS ON THE WAY. Gizmodo cheers the announcement that “British Sci-Fi Legend Blake’s 7 Is Getting the Blu-ray Treatment It Always Deserved”.

Today the BBC lifted the lid on a brand-new Blu-ray remaster, Blake’s 7: The Collection. Styled in the vein of the corporation’s lavish Blu-ray remasters of classic seasons of Doctor Who, the first of Blake’s four series will release later this year. Including a brand-new remastering of the series—available for the first time on Blu-ray after an infamously rough home release history on VHS and DVD decades prior—complete with all new practical model work for the show’s VFX sequences, the first volume of Blake’s 7: The Collection will include all 13 episodes from series one, as well as new interviews with surviving cast and crew, and a previously unreleased documentary planned for the show’s DVD release, The Making of Blake’s 7.

(16) VIDEO OF THE DAY. Ryan George decided we needed to hear about the Elektra Pitch Meeting. A commenter declared, “’Thank you for implying that there was a plot to twist up until this point’ is my new favorite pitch meeting line.”

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 2/27/23 An Intrepid Pixel In The Twenty-Fourth-And-A-Half Century With His Faithful Companion, The Scroll

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(1) PRATCHETT REDISCOVERIES. None set on the Discworld, but they are genre: “Rediscovered Terry Pratchett stories to be published” – the Guardian has details.

A collection of newly rediscovered short stories by Terry Pratchett, originally written under a pseudonym, are to be published later this year.

The 20 tales in A Stroke of the Pen: The Lost Stories were written by Pratchett in the 1970s and 1980s for a regional newspaper, mostly under the pseudonym Patrick Kearns. They have never been previously attributed to Pratchett, who died in 2015 aged 66, eight years after being diagnosed with Alzheimer’s disease.

The collection was bought by Pratchett’s longtime publisher Transworld for a six-figure sum, and will be published on 5 October.

The discovery of the stories is down to a group of Pratchett’s fans. One of the longer stories in the collection, The Quest for the Keys, had been framed on Pratchett fan Chris Lawrence’s wall for more than 40 years. When he alerted the Pratchett estate to its existence, the rest of the stories were unearthed by fans Pat and Jan Harkin, who went through decades’ worth of old newspapers to rediscover the lost treasures.

… None of the stories are set in Pratchett’s Discworld – the first book of which, The Colour of Magic, was released in 1983 – but according to the publisher they “hint at the world Sir Terry would go on to create”.

Readers, said the publisher, could expect to “meet characters ranging from cavemen to gnomes, wizards to ghosts, and read about time-travel tourism, the haunting of council offices and a visitor from another planet”….

(2) ADD TO MT TBR? Michael Swanwick calls it “Joanna Russ’s Mainstream Masterwork”.

The latest book I have been knocked flat and wowed by (they come less frequently with age, so read fast, young people) is On Strike Against God by Joanna Russ. She being one of the crown gems of science fiction, you’d expect it to be genre. But it’s not. It’s mainstream. It’s subtitled A Lesbian Love Story. And if you had to fit it into a subgenre, it would be Feminist Fiction.

Strike three, you’d think, for a guy who’s rapidly heading toward the category of Dead White Male. But no, Joanna managed the near-miraculous feat of writing prose that was simultaneously white-hot with anger and laugh-out-loud funny….

(3) NINTENDO DIRECTOR Q&A. “Nintendo’s Miyamoto says inspiration comes from his childhood experiences in nature” at NPR.

The person who made it possible is Nintendo’s game director, Shigeru Miyamoto. He’s the creator of some of the most influential and bestselling games in the industry. In addition to Mario Brothers, you got Donkey Kong and the Legend of Zelda. He joined Nintendo straight out of art school in 1977 and says a lot of his inspiration comes from his childhood experiences in nature. I sat down with Miyamoto to learn more about why his characters and games have had such a lasting impact.

When it comes to Mario, what do you think accounts for his ability to just be in the hearts of so many people?

SHIGERU MIYAMOTO: (Through interpreter) You know, before, when I was asked this question, I thought that it’s perhaps because the game sold well. And a lot of people have this experience of playing this game and playing it over and over, that it becomes commonplace for them. But now I feel that it’s a little bit different in that Mario is kind of like a – your avatar or the person that represents you in this world. And that experience is, you know, because it’s been around for so long, an experience that can be shared multi-generations, you know? A father and their children can share that experience….

(4) YOU KNOW HOW SUCCESSFUL PROHIBITION WAS. Richard Charkin “On the ‘Desecration of Authors’ Works’” at Publishing Perspectives.

Taking a Leaf Out of Dr. Bowdler’s Book

The idea of editing Shakespeare to eliminate doubles entrendres and naughty words to fit in with 19th-century social mores now seems preposterous, although presumably his publishers—Messrs. Longman, Hurst, Rees, Orme, and Brown—thought it was a pretty good idea at the time.

Their 1818 The Family Shakespeare offered the assurance that “Nothing is added to the original text but those words and expressions are omitted which cannot with propriety be read aloud by a family.” Thomas Bowdler’s work on this gave rise to the term bowdlerize, meaning “to remove matter considered indelicate or otherwise objectionable,” per Merriam-Webster.

Doubtless, the Roald Dahl Story Company and Messrs. Bertelsmann, PRH, and Puffin also thought it was a pretty good idea to subject the works of Roald Dahl to the same sort of treatment for the same sort of reasons.

I’ve had a few brushes with attempts to change or stifle books.

The obvious case was Peter Wright’s tedious Spycatcher, for which Mrs. Thatcher, in a rare case of support for publishers’ profits, appointed herself marketing director for the book by trying to have it throttled.

She forgot that the United Kingdom was only able to ban books in its jurisdiction. At Heinemann, we happily imported books from Australia to satisfy the demand she had created. We even hired tele-sales people to call British booksellers to drum up orders. Phone calls from Australia were expensive, so we found traveling Australians living in London to make the calls.

(5) CAN WE PAY FOR THE FUTURE? Pitchfork Economics presents “Sci-Fi Economics (with Kim Stanley Robinson)” – listen to the podcast, or read the transcript.

We can’t tear down the existing economic framework and replace it with a better one without first telling a persuasive story about how the economy actually works. And few people in the world are more compelling storytellers than science fiction author Kim Stanley Robinson.

In his speculative near-future novel The Ministry for the Future, Stan explains complicated economic theories better than most economists. He joins Nick and Goldy for a fascinating conversation about the role of economics in both climate change fiction and climate change reality.

Kim Stanley Robinson is a New York Times bestseller and winner of the Hugo, Nebula, and Locus awards. He is the author of more than twenty books, including the bestselling Mars trilogy and the critically acclaimed New York 2140 and The Ministry for the Future.

A brief excerpt from the transcript:

David Goldstein: Well, this raises a question. This book was recommended to me by a number of people. Ostensibly, I thought it was about climate change. But really, it’s a book about economics. I’m wondering, was that your intention when you started the book, or did the economics come out in the writing?

Kim Stanley Robinson: Oh, I knew it was going to be there from the start. As I mentioned, I wrote New York 2140 in probably 2016. It’s a description of New York after sea level rises something like 50 vertical feet, so Lower Manhattan is underwater and is a supervenience, and it’s all about the financialization essentially. It’s not quite a metaphor for our current meltdowns, but it has a lot about the present, as well as the ostensible year of 2140.

So I had been working on it then, and I’d been working on the economics of climate change this whole 21st century. My Washington DC trilogy, set in DC in the near future during climate change, had a economic strand in it, but it wasn’t strong enough. It was more of, what would the federal government do, or the National Science Foundation? But, it became more and more obvious that, although we have various technical solutions to climate change, we don’t have a good way to pay for installing those technological changes, nor do we have a good way of assessing the actual economics of what we’re doing on Earth.

In other words, the gross world product, gross domestic product, whatever you want to call it, the highest rate of return profit itself, these are all crappy, cheesy, short rate, cheating rating systems that the world was run by. So, I needed to keep hammering away at it. Ministry for the Future is just the last of a long series of projects where economics take center stage because it’s crucial.

(6) BURNY MATTINSON (1935-2023). “Burny Mattinson, Animator and Disney’s Longest-Serving Employee, Dies at 87” – The Hollywood Reporter paid tribute. See his many credits at the link.

Burny Mattinson, who worked as an animator, director, producer and story artist during a 70-year career as the longest-serving “castmember” in the history of The Walt Disney Co., has died. He was 87.

Mattinson died after a short illness on Monday at a Canoga Park assisted living facility in Los Angeles, the studio announced. He was due to receive his 70th anniversary service award — the studio’s first ever — on June 4.

Mattinson was working full time at Walt Disney Animation Studios as a story consultant and mentor at the time of his death….

(7) MEMORY LANE.

1962 – [Compiled by Cat Eldridge.]

Tonight’s Beginning comes to us direct from J. R. R. Tolkien’s The Adventures of Tom Bombadil, the title poem to the collection of the same name. Written by Tolkien as if they were poems written and enjoyed by hobbits, one of the writers being Sam Gamgee. 

Two of the poems which feature Tom Bombadil, a character encountered by Frodo Baggins in The Lord of the Rings. And three of the poems appear in the Trilogy.  Only one of the poems, “Bombadil Goes Boating”, was written specifically for The Adventures of Tom Bombadil.

Published first by George Allen & Unwin in 1962, it was illustrated by Pauline Baynes, both the cover and all of the interior art as well.

And now here’s our first poetic Beginning…

Old Tom Bombadil was a merry fellow; 
bright blue his jacket was and his boots were yellow, 
green were his girdle and his breeches all of leather; 
he wore in his tall hat a swan-wing feather. 

He lived up under Hill, where the Withywindle 
ran from a grassy well down into the dingle. 
Old Tom in summertime walked about the meadows 
gathering the buttercups, running after shadows, 
tickling the bumblebees that buzzed among the flowers, 
sitting by the waterside for hours upon hours. 

There his beard dangled long down into the water: 
up came Goldberry, the River-woman’s daughter; 
pulled Tom’s hanging hair. In he went a-wallowing 
under the water-lilies, bubbling and a-swallowing.
 ‘Hey, Tom Bombadil! Whither are you going?’ 
said fair Goldberry. ‘Bubbles you are blowing, 
frightening the finny fish and the brown water-rat, 
startling the dabchicks, and drowning your feather-hat!’

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 27, 1851 — James Churchward. He is remembered for claiming he discovered a lost continent named Mu in the Pacific Ocean. Mu shows up in Lovecraft’s “Through the Gates of the Silver Key”, and “Out of the Aeons” which he co-wrote with Hazel Heald. It also appears in Philip K. Dick’s Confessions of a Crap Artist. (Died 1936.)
  • Born February 27, 1902 — John Steinbeck. Yes, John Steinbeck. ISFDB lists one novel, The Short Reign of Pippin IV: A Fabrication, Plus a bevy of short fiction such as “The Wedding of King”, “The Affair at 7 Rue de M—“ and “The Death of Merlin”. I’ll admit that I didn’t know these existed. So, has anyone read these? (Died 1968.)
  • Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)
  • Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it.  Writer of several impressive genre novels including Breakthrough and Replay which I’ve read and Into the Deep and Elise which are listed in ISFDB but which I’m not familiar with. Who’s read them? (Died 2003.)
  • Born February 27, 1957 — Frank Miller, 66. He’s both an artist and writer so I’m not going to untangle which is which here. What’s good by him? Oh, I love The Dark Knight Returns, both the original comic series and the animated film, though the same is not true of Sin City where I prefer the original series much more. Hmmm… What else? His runs on Daredevil and Electra of course. That should do. 
  • Born February 27, 1950 — Michaela Roessner, 73. She won the Astounding Award for Best New Writer for Walkabout Woman. Her The Stars Dispose duology is quite excellent. Alas, none of her fiction is available digitally. 
  • Born February 27, 1960 — Jeff Smith, 63. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! Kindle, though not Apple Books, has the complete Bone for a very reasonable twenty dollars.
  • Born February 27, 1966 — Peter Swirski, 57. He’s a academic specialist on the late SF writer and philosopher Stanislaw Lem. As such, he’s written the usual treatises on him with such titles as Stanislaw Lem: Philosopher of the Future, Lemography: Stanislaw Lem in the Eyes of the World and From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution. 

(9) COMICS SECTION.

Bob the Angry Flower tries to join Blake’s 7.

(10) THE 700 CLUB. In May, Marvel Comics will mark the 700th issue of Fantastic Four with a giant-sized wraparound connecting cover by artist Scott Koblish that will adorn both May’s Fantastic Four #7 and June’s Fantastic Four #8. This massive piece features over 700 characters, each one having appeared in a prior issue of the comic — the Fantastic Four’s fellow super heroes, past members, loyal allies, and of course, their iconic villains. For more information, visit Marvel.com. (Click for larger image.)

(11) A LOOK AHEAD. At Media Death Cult “Alastair Reynolds Reveals…..What’s Next”.

https://www.youtube.com/watch?v=x93F4QCc61I

(12) JOHN WILLIAMS Q&A. “For ‘Indiana Jones 5,’ John Williams Scored 90 Minutes of Music”, so he tells Variety.

…. The composer finished recording the score for “Indiana Jones and the Dial of Destiny” on Feb. 10 and, while he suggested last summer that the final Harrison Ford adventure would be the last of his 100-plus film scores, that’s not quite the truth.

“I might have meant that at the moment,” he says with a smile, “but you never want to say no unequivocally. If Steven or another director should come along with something that is so moving that you want to drop the phone and rush to the piano and have it all come out — should that happen, with the appropriate energy needed to do it, I wouldn’t rule out a situation like that.”

Recording for the final “Indiana Jones” film – and three of the previous editions, starting with 1981’s “Raiders of the Lost Ark,” were Oscar-nominated for their music – began last June 28, and has continued off and on since then.

“It’s certainly got to be an hour and a half of music, maybe more,” Williams estimates. “But I’m quite happy with it. There’s a lot of new material. The old material works very well as a touchstone of memory, but I had great fun, and I have a theme that I’ve written for Phoebe Waller-Bridge, the wonderful actress.” She plays Helena Shaw, reportedly Indy’s goddaughter….

(13) I AM PUTTING MYSELF TO THE FULLEST POSSIBLE USE. Daniel Dern quips, “Hopefully, these computers haven’t seen 2001: A Space Odyssey.” “KIOXIA and HPE Team Up to Send SSDs into Space, Bound for the International Space Station”.

Just announced – KIOXIA is participating in HPE’s Spaceborne Computer-2 program, the first in-space commercial edge computing and AI-enabled system to run on the International Space Station.

Spaceborne Computer-2 is part of a mission to significantly advance computing and reduce dependency on communications as space exploration continues to expand. For example, astronauts can achieve increased autonomy by processing data directly on the ISS, eliminating the need to send raw data to Earth to be processed, analyzed and sent back to space….

(14) VIDEO OF THE DAY. Ryan George shares visuals of the meeting that explains “How Animals Got Their Names”.

[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, James Reynolds, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/12/21 Make The Scene On The Mezzanine, But Don’t Scroll In The Pixels

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(1) FREE COMIC BOOK DAY. August 14 is Free Comic Book Day. Here are Marvel’s contributions to the event.

Readers can stop by their local comic shop for Free Comic Book Day 2021: Avengers/Hulk and Free Comic Book Day 2021: Spider-Man/Venom, featuring new stories that kick off the upcoming eras of fan-favorite heroes and lay the groundwork for major new storylines.

The new creative team behind Amazing Spider-Man is about to take the Spider-Man mythos beyond your wildest expectations! Get a first look at Ben Reilly as the new Spider-Man in a story by writer Zeb Wells and artist Patrick Gleason. Then, see what’s in store for Venom when Ram V., Al Ewing, and Bryan Hitch take over in a glimpse that will show you just how twisted their upcoming run will be! 

(2) BLOGGER’S VERDICT ON VOX DAY. Blogger has elevated the threat level to Defcon 2. Yesterday this was the message users were getting when they tried to reach Vox Popoli: “This blog is under review due to possible Blogger Terms of Service violations and is open to authors only.” Today Blogger says flat out —

(3) LEM 100. In “A Century in Stanislaw Lem’s Cosmos”, the New York Times salutes those who are celebrating the author’s centenary.

In “The Eighth Voyage,” a short story by Stanislaw Lem, aliens from across the universe convene at the General Assembly of the United Planets. Lem’s hero, the space traveler Ijon Tichy, watches as an uninformed but overconfident creature steps forward and makes the case to admit Earth to the organization’s ranks. The planet — which he mispronounces as “Arrth” — is home to “elegant, amiable mammals” with “a deep faith in jergundery, though not devoid of ambifribbis,” the alien tells the delegates.

His sentimental appeal is well-received, until a second extraterrestrial stands up and begins to list humanity’s wrongdoings, which include meat-eating, war and genocide. Tichy listens as the aliens belittle us and label us misguided and corrupt, our planet a blip on their intergalactic radar.

This cosmic perspective — mischievous yet melancholy, and far beyond a human point of view — is a signature with Lem, an icon of science fiction best known to English-speaking readers as the author of the 1961 novel “Solaris.” Throughout a career spanning six decades that produced more translated works than any other Polish writer, he adopted the viewpoints of aliens, robots, a conscious supercomputer and a sentient planet, using these voices to reckon with philosophical quandaries….

(4) BRIEF REMINDER. Readercon 31, online only, takes place this weekend, August 13–15, 2021, with Guests of Honor: Jeffrey Ford & Ursula Vernon. Also “Memorial Guest of Honor” Vonda N. McIntyre. As they say:

Although Readercon is modeled on “science fiction conventions,” we have no art show, no costumes, no gaming, and almost no media. Instead, Readercon features a near-total focus on the written word.

Registration is $25, and “grants you access to the Discord server and recordings of all program items for six full months following the convention. After that time is up, most recordings will be made public, but some may be taken down.”

(5) ALTERNATE WHO. Radio Times says the Doctor Who “archeologists” have found more material: “Doctor Who’s Tom Baker to return for audio adaptation of lost scripts”.

Tom Baker is set to reprise his role as the Fourth Doctor in Big Finish’s upcoming adaptations of lost Doctor Who episodes.

The two episodes – Doctor Who and the Ark and Daleks! Genesis of Terror – were written by screenwriter John Lucarotti and Terry Nation, creator of the Daleks, respectively and are set for release in March 2023.

Big Finish recently rediscovered the episodes’ original scripts and initial story outlines and will be adapting them into audio adventures as part of their series, Doctor Who – The Lost Stories.

… producer Simon Guerrier said in a statement.

“The Ark in Space and Genesis of the Daleks are among the best-loved TV stories ever. We’ve uncovered first draft scripts by John Lucarotti and Terry Nation that are exciting, surprising and very different.”

(6) AUREALIS AWARDS JUDGES WANTED. The Aurealis Awards have put out a call for judges. The positions are open to Australian residents only. See complete guidelines at the link.

Judges are volunteers and are drawn from the Australian speculative fiction community, from diverse professions and backgrounds, including academics, booksellers, librarians, published authors, publishing industry professionals, reviewers and enthusiasts.

The only qualification necessary is a demonstrated knowledge of and interest in their chosen category (good time management skills and an ability to work in a team in an online environment are also essential).

(7) TRAILER TIME. This clip explains why vampires shouldn’t learn about chain letters – from What We Do in the Shadows.

(8) LORNA TOOLIS (1952-2021). Lorna Toolis, retired collection head of the Toronto Public Library’s Merril Collection of Science Fiction, Speculation and Fantasy, died of cancer on August 11. Toolis, notes Robert J. Sawyer in his tribute was also a 2017 inductee into the Canadian Science Fiction and Fantasy Hall of Fame.

Earlier in life she was a member of ESFCAS, the Edmonton Science Fiction and Comic Arts Society. Toolis is survived by her husband, the Aurora Award-winning writer Michael Skeet, with whom she co-edited Tesseracts 4: Canadian Science Fiction published in 1992.

Toolis was interviewed last year by the Toronto Public Library blog for “Merril Collection at 50: Stories from the Spaced Out Library” (the latter was the collection’s original name). Among her memories —

The Merril Collection has hosted so many prominent authors/editors/scholars in the world of Speculative Fiction. Have you ever been starstruck?  

Lorna: I counted myself amazingly fortunate. Over the years, I had lunch with Margaret Atwood and dinner with Gene Wolfe. Neil Gaiman was our guest three times, as was Cory Doctorow. John Scalzi was a huge hit with the audience and returned to speak several times by request. When Lois Bujold was our guest, her kids were having trouble with their grammar, and I gave her my personal copy of The Transitive Vampire. Robert Jordan was a guest and he was an absolute sweetheart.

(9) NEAL CONAN OBIT. Retired radio host Neal Conan died August 10 at the age of 71. Jim Freund recalled Conan’s science fiction connections from early in his career at WBAI in New York.

…My favorite regular program Bai’ did was “Of Unicorns and Universes,” which he co-produced and was often hosted by Neal Conan. Neal, while primarily a producer of some of our best Public Affairs programming, (at the same time Paul Fischer was our News Director,) was quite the sf fan. He worked with Samuel Delany on the 2-hour adaptation of “The Star Pit,” and some years later, when I was co-host on Thursday and Fridays of Hour of the Wolf with Margot Adler, he was an occasional co-host on Mondays. (I usually engineered.) I was quite surprised at how much of a Heinlein fan he was….

Conan would be hired by NPR and spend 36 years at the network. Robert Siegel paid tribute to his work there in “Neal Conan, Former Host Of NPR’s ‘Talk Of The Nation,’ Has Died”.

…Later at NPR, he held an astonishing variety of jobs. He was at various times the line producer and the executive producer of ALL THINGS CONSIDERED. Back in 1987, he ran NPR News for a year. He was a reporter.

…  In 1991, while reporting from southern Iraq on the war to liberate Kuwait, Neal was taken captive by the Iraqi Republican Guard, along with New York Times reporter Chris Hedges. It took diplomatic efforts to get them released….

[SIEGEL]: Neal Conan’s most prominent role at NPR was hosting Talk Of The Nation. …He tried out for that job the week that began on Monday, September 10, 2001. Sept. 11 was Neal’s Day 2….

The New York Times has also published an obituary.

(10) MEMORY LANE.

  • 1991 – Thirty years ago at Chicon V at which Marta Randall was the Toastmaster, Edward Scissorhands wins the  Hugo for Best Dramatic Presentation. Other nominated works for the Con for this Award were Total Recall, Ghost, Back to the Future III and The Witches. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 12, 1894 — Dick Calkins. He’s best remembered for being the first artist to draw the Buck Rogers comic strip. He also wrote scripts for the Buck Rogers radio program. Buck Rogers in the 25th Century, The Complete Newspaper Dailies in eight volumes on Hermes Press collects these strips.  They’re one hundred fifty dollars a volume. (Died 1962.)
  • Born August 12, 1929 — John Bluthal. He was Von Neidel in The Mouse on the Moon which sounds silly and fun. He’s in Casino Royale as both a Casino Doorman and a MI5 Man. (Why pay the Union salaries?) He had roles in films best forgotten such as Digby, the Biggest Dog in the World. (Really. Don’t ask.) And he did play a blind beggar in The Return of the Pink Panther as well, and his last genre role was as Professor Pacoli in the beloved Fifth Element. Lest I forget he voiced Commander Wilbur Zero, Jock Campbell and other characters in Fireball XL5. (Died 2018.)
  • Born August 12, 1931 — William Goldman. Writer of The Princess Bride which he adapted for the film. Wrote the original Stepford Wives script and King’s Hearts in Atlantis and Misery as well. He was hired  to adapt “Flowers for Algernon“ as a screenplay but the story goes that Cliff Robertson intensely disliked his screenplay and it was discarded for one by Stirling Silliphant that became Charly. (Died 2018.)
  • Born August 12, 1947 — John Nathan-Turner. He produced Doctor Who from 1980 until it was cancelled in 1989. He finished as the longest-serving Doctor Who producer. He cast Peter Davison, Colin Baker and Sylvester McCoy as the Fifth, Sixth and Seventh Doctors. Other than Who, he had a single production credit, the K-9 and Company: A Girl’s Best Friend film. He wrote two books, Doctor Who – The TARDIS Inside Out and Doctor Who: The Companions. He would die of a massive infection just a year before the announcement the show was being revived. (Died 2002.)
  • Born August 12, 1954 — Sam J. Jones, 67. Flash Gordon in the 1980 version of that story. Very, very campy. A few years later, he played the lead role in a TV adaptation of Will Eisner’s The Spirit which I’ve not seen and am now very curious about as the audience reviewers at Rotten Tomatoes don’t have good things to say about it. He also had the lead in The Highwayman (name of his character there) which is described as a mix of Mad Max and Knight Rider. It lasted nine episodes in the late Eighties. Anyone seen it?
  • Born August 12, 1960 — Brenda Cooper, 61. Best known for her YA Silver Ship series of which The Silver Ship and the Sea won an Endeavour Award, and her Edge of Dark novel won another such Award. Due co-authored Building Harlequin’s Moon with Larry Niven, and a fair amount of short fiction with him. She has a lot of short fiction, much collected in Beyond the WaterFall Door: Stories of the High Hills and Cracking the Sky. She’s well-stocked at the usual suspects.
  • Born August 12, 1966 — Brian Evenson, 55. I consider him a horror writer (go ahead, disagree) and his Song for the Unraveling of the World collection did win a Shirley Jackson Award though it also won a World Fantasy Award. He’s also won an International Horror Guild Award for his Wavering Knife collection. He even co-authored a novel with Rob Zombie, The Lords of Salem. 
  • Born August 12, 1992 — Cara Jocelyn Delevingne, 29. Her first genre role was as a mermaid in Pan. She then shows up in James Gunn’s Suicide Squad as June Moone / Enchantress, in Valerian and the City of a Thousand Planets as Laureline. She was in Carnival Row as Vignette Stonemoss. It was a fantasy noir series on Amazon Prime.

(12) COMICS SECTION.

(13) I TALK FOR THE TREES. NPR’s Elizabeth Blair says “Dr. Seuss Warned Us 50 Years Ago, But We Didn’t Listen To ‘The Lorax’”.

Call it fate or an unfortunate coincidence that Dr. Seuss’ The Lorax celebrates its 50th anniversary the same week the United Nations releases an urgent report on the dire consequences of human-induced climate change. The conflict between the industrious, polluting Once-ler and the feisty Lorax, who “speaks for the trees,” feels more prescient than ever.

“Once-ler!” he cried with a cruffulous croak.
“Once-ler! You’re making such smogulous smoke!
My poor Swomee-Swans…why, they can’t sing a note!
No one can sing who has smog in his throat.

(14) DON’T SCRY FOR ME ARGENTINA. Romina Garber, in conversation with Dhonielle Clayton, will discuss her new book Cazadora on Thursday, August 19 at 6:00 p.m. Pacific. Register here.

Werewolves. Witches. Romance. Resistance. Enter a world straight out of Argentine folklore…

Following the events of Lobizona, Manu and her friends cross the mystical border into Kerana–a cursed realm in Argentina–searching for allies and a hiding place. As they chase down leads about the Coven–a mythical resistance manada that might not even exist–the Cazadores chase down leads about Manu, setting up traps to capture and arrest her.

Just as it seems the Cazadores have Manu and her friends cornered, the Coven answers their call for help. As Manu catches her breath among these non-conforming Septimus, she discovers they need a revolution as much as she does.

(15) THE LOTTERY. Did you plan to live forever? Don’t. “NASA Says an Asteroid Will Have a Close Brush With Earth. But Not Until the 2100s”  says the New York Times.

An asteroid the size of the Empire State Building has a slight chance of hitting Earth.

Don’t worry. You’ll long be dead before that has any chance of happening. So will your children. Probably all of your grandchildren, too.

At a news conference on Wednesday, NASA scientists said there was a 1-in-1,750 chance that an asteroid named Bennu, which is a bit wider than the Empire State Building is tall, could collide with Earth between now and 2300.

That is actually slightly higher than an earlier estimate of 1 in 2,700 over a shorter period, between now and 2200….

(16) MARK YOUR CALENDAR.  On the other hand, if you are going to be around for at least another century, Gizmodo has a suggestion for your bucket list: “John Malkovich and Robert Rodriguez Have Made A Movie No One Will See For 100 Years”.

Think the secrecy around the biggest Hollywood blockbusters is crazy? They don’t come close to what John Malkovich and Robert Rodriguez are doing. The pair has collaborated for a film that no one will see for 100 years. Literally.

This isn’t some joke. They’ve made a film, called 100 Years, which is being placed in a special time-locked safe that won’t open again until November 18, 2115. Why? Well, because it’s promotion for Louis XIII Cognac, an ultra-luxury liquor that is aged 100 years. Bottles currently on shelves were made in 1915 so they decided a piece of art that speaks to their commitment to quality was something worth doing….

Gizmodo links to three teasers: 100 Years: The Movie You’ll Never See Nature Teaser”, “100 Years: The Movie You’ll Never See Retro Teaser”, and “100 Years: The Movie You’ll Never See Future Teaser”.

(17) FILL IN THE BLANC. Gabriel Iglesias was on Colbert last night to talk about Space Jam 2.

Comedian Gabriel Iglesias is the voice of Speedy Gonzales in “Space Jam 2” and he was very excited to get the role without even auditioning.

(18) MAGNIFICENT SEVEN. Nerdist says you will finally have a chance to see it: “Cult Sci-Fi Favorite BLAKE’S 7 Is Coming to BritBox”. Get your money ready.

For fans of classic British science fiction, there are a few names that always pop up. Doctor Who, naturally, stands head and shoulders above everything else. Other favorites like Sapphire & Steel, The Prisoner, and the shows of Gerry Anderson pop up as well. But for a certain age of fan, the cream of the crop is Blake’s 7. The show was the BBC’s direct attempt to capitalize on the success of Star Wars. Blake’s 7 ran for four seasons from 1978 to 1981 and has been pretty hard to find in North America lately. That is, until now. The entire series will debut on BritBox beginning August 13….

(19) TOSSED IN SPACE. The latest issue of Nature warns: “World must work to avoid a catastrophic space collision”.

Governments and companies urgently need to share data on the mounting volume of satellites and debris orbiting Earth.

There’s an awful lot of stuff orbiting Earth, with more arriving all the time. More than 29,000 satellites, pieces of rockets and other bits of debris large enough to track from the ground are circling the planet. Smaller items number in the millions. The Californian company SpaceX alone has launched some 1,700 satellites over the past 2 years as part of its Starlink network, which provides broadband Internet, with thousands more planned. Other companies are also planning such megaconstellations, and more and
more nations are launching or plan to launch satellites. This growing congestion is drastically increasing the risk of collisions in space….

(20) SHORT SUIT. In the Washington Post, Christian Davenport says NASA’s Artemis mission to the Moon could be delayed because the program to design a new spacesuit has spent $1 billion but delays have meant they will only have two flight-ready spacesuits prepared by fiscal year 2025. “NASA IG says 2024 moon landing won’t happen, blames space suit delays”.

Ever since the White House directed NASA to return astronauts to the moon by 2024 as part of its Artemis program, there have been all sorts of daunting challenges: The rocket the space agency would use has suffered setbacks and delays; the spacecraft that would land astronauts on the surface is not yet completed and was held up by the losing bidders; and Congress hasn’t come through with the funding NASA says is necessary.But another reason the 2024 goal may not be met is that the spacesuits needed by the astronauts to walk on the lunar surface won’t be ready in time and the total development program, which ultimately will produce just two flight-ready suits, could cost more than $1 billion…

(21) VIDEO OF THE DAY. [By Martin Morse Wooster.] In “Honest Trailers:  Loki” on YouTube, the Screen Junkies say that Loki “has a Comic-Con’s worth of alternate Lokis” including Richard E Grant, who “can make you love anything he does, even if he’s dressed like Kermit The Frog and talks nonsense for 30 minutes straight.”  Bonus: they send up Tom Hiddleston’s Chinese vitamin commercial!

 [Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Richard Horton, Lloyd Penney, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jim Janney.]

Pixel Scroll 4/24/20 Fillie And The Poor Gods Are Stalkin’, Bring A Pixel, Scroll Your Feet

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(1) MURDERBOT SPEAKS. Tor.com readies us for the May 5 release of Martha Wells’ next Murderbot book by hosting a dialog between two important characters: “Feelings REDACTED: What Happens When Murderbot and ART Talk to Instagram”.

The pair talked love, hate, fanfiction, feelings, quarantine tips, lemon cake, human flesh, dogs, robot babies, and, of course, Sanctuary Moon….

What really happened on episode 231 of Sanctuary Moon?
MB: It was clearly a dream.
ART: You’re wrong.
MB: So when the Mech Pilot was attacked by his evil duplicate who tried to hit him with a giant hammer and then disappeared, you think that was supposed to be real?
ART: It was an artistic choice.

(2) TRAVIS MCCREA APOLOGIZES. In the aftermath of John Van Stry’s court victory over book pirate Travis McCrea, McCrea has tweeted an apology. Take it for what it’s worth. Thread starts here.

(3) FANFICTION ETIQUETTE. The Mary Sue built a good story around the author’s recent Twitter thread: “N.K. Jemisin Reminds Us of the First Rule of Fanfiction”.

No, the first rule of fanfiction is not “we don’t talk about fanfiction.” Many writers happily discuss reading and writing fic—as evidenced by N.K. Jemisin, the three-time Hugo Award-winning novelist, describing how she still writes and reads it herself. The first rule of fanfiction is “you do not try and get the original creator to read your fanfiction.” How quickly we forget our Internet history.

… In explaining how these things are, Jemisin is not discouraging fans from making their own fanworks centered around her creations. She just cannot be personally involved, and it’s a serious breach of fandom etiquette to ask.

https://twitter.com/nkjemisin/status/1253027897742430209

(4) BRUCE PELZ WOULD HAVE LOVED THIS. Bob Byrne is passing the time with this inventive tribute to Rex Stout’s famous sleuth: “Nero Wolfe’s Brownstone: 2020 Stay at Home – Days 5, 6, and 7”. Which means seeing everything from Archie Goodwin’s viewpoint. For example —

DAY SIX – 2020 Stay at Home (SaH)

It was a pleasant spring morning, so I took my delayed walk today. It was good to stretch the legs and breathe the freshest air I’ve inhaled since moving here many years ago. I was out for two hours, enjoying open space – and the absence of Nero Wolfe. I saw other people walking and jogging, mostly keeping the required distance. It’s going to take some time for me to get used to the lack of noise. The buzz of conversation and the traffic ruckus just aren’t there. It’s not bad – just different.

I wasn’t in the office when Wolfe got down from the plant rooms at 11, but he didn’t seem to mind. He was at his desk, reading a thick book about Huey P. Long. He acknowledged my arrival and resumed reading. That was fine with me. I let him know I would be in the basement for a while and departed.

We keep a small file cabinet down there, which contains files related to unsolved cases. I’ve never written one up, but yes, there were occasions when the great Nero Wolfe didn’t get the bad guy. Or at least, couldn’t prove the issue. I’ll admit, his batting average was much better than Ty Cobb’s, but still, it did happen. And it rankled me at least as much as it did him. I’m the one who gathers the clues. I can’t help thinking, on some of them, that if I’d gotten one more piece of something, it might have made all the difference….

(Heading explained: It was from Bruce Pelz I first heard of Nero Wolfe.)

(5) WHO WAS THAT MASKED FAN? The New Yorker chronicles “The Superfans Springing Into Mask-Making Action”.

In the pandemic economy, face masks are like bars of gold. Hoarders are hoarding them. Governors are bartering for them. Hospital workers desperately need them. New Yorkers, ordered by Governor Cuomo last week to cover their faces in public, are repurposing bandannas and boxer shorts. In Rosie the Riveter fashion, Americans with crafting skills—among them quilters, Broadway seamstresses, sportswear manufacturers, origami artists, and grandmothers—have sprung into action. But one group has special mask-making powers: cosplayers, the superfans who specialize in making and wearing costumes. Never has the ability to whip up a Spider-Man mask or a Stormtrooper helmet been so useful.

“Cosplayers have big hearts,” Monica Paprocki, a thirty-five-year-old accountant in Chicago, said. Paprocki, who runs the fandom site Geeks A Gogo, started cosplaying in 2014 and taught herself how to sew by watching YouTube videos. She dressed as Princess Jasmine at Wizard World Chicago in 2019, the year after her Phoenix Monster costume, from the board game Rising Sun, won the Golden Needle Award at a gaming convention in Indianapolis. “It had articulated wings that I controlled with a remote control,” she said. This June, she was going to dress as Buzz Lightyear at the Origins Game Fair, in Ohio, but it had been postponed until October. When she saw a Facebook group requesting homemade medical supplies, she recruited fellow-cosplayers. “Before everything closed down, I had a stash of cotton fabric and materials here in my house,” she said. “I work my regular nine-to-five job in accounting. Right after that, I start sewing.”

(6) BESTSELLERS TALK AMONG THEMSELVES. Via Shelf Awareness comes word that Stephen King and John Grisham will hold a free online conversation discussing their new books on Wednesday, April 29 at 7:00 PM Eastern.

“In lieu of admission, the authors hope attendees will consider donating to the Bookseller Industry Charitable Foundation. You can register at grishamking.eventbrite.com or watch on Stephen King’s YouTube channel. Questions for the authors can go use #AskKingandGrisham

(7) VALUE ADDED. “The Stockbrokers Of Magic: The Gathering Play for Keeps” – WIRED tells how.

…A whimsical experiment in bartering kickstarted that evolution in 2010: A few years after the viral “one red paperclip” experiment—a Craigslister traded a single red paperclip for a series of increasingly valuable items until he managed to trade up for a house—a Magic player named Jonathan Medina embarked on a similar quest. Medina would trade from one random $4 pack of booster cards and keep trading up until he acquired one of the game’s legendary Power Nine cards— phenomenally rare cards widely considered very, very good. A pavement-pounding card trader, Medina blogged his experience in a widely read series of articles called “Pack to Power.” He would spend no money and, using just his wits, research, and networking skills, maneuver his $4 pack of cards into Magic wealth.

After opening his pack, Medina, in his words, began “hitting the streets to flip my cardboard.” By the time he’d traded with fellow players at gaming conventions and stores a total of 98 times, he had assembled an impressive binder stacked with valuable cards. It was at Gen Con, on a Saturday four months later, when Medina, groggy from playing Magic until five in the morning the previous night, handed over his binder in exchange for the $359.99 Mox Pearl card—a Power Nine.

“At the time, people were still trading based on nonmonetary metrics,” Medina says. “So when people read the small stories of the trades and looked at the math, they realized that they could be getting more out of their cards. This collective rise in awareness led to an interest in the financial side of the game. 

(8) TODAY IN HISTORY.

  • April 24, 1955 — The X Minus One radio program aired on NBC for the first time. Written by Ray Bradbury, “And The Moon Be Still As Bright” is the tale of Mars expedition which finds the Martians extinct due to chickenpox brought to them by previous expeditions. The crew save one decide to destroy all Martian artefacts. Ernest Kinoy wrote the script from the story by Bradbury, and the cast included John Larkin and Nelson Olmstead.  The show would run from now until January 8, 1958 with many of coming from well-known SF authors including Anderson, Pohl, Asimov, Blish, Leiber, Heinlein and Simak to name just a few. You can hear this episode here.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 24, 1930 — Richard Donner, 90. He’s credited in directing Superman which Is considered by many to be the first modern superhero film. H’h. Well I’m instead going to celebrate him for Scrooged, The Goonies and Ladyhawke. Not to mention the horror he did — Tales from the Crypt presents Demon Knight and Bordello of Blood. Oh, and the first X-Men film which was superb. 
  • Born April 24, 1936 — Jill Ireland. For her short life, she chalked up in an amazing number of genre show roles. She was on Star Trek romancing Spock as Leila Kalomi In “This Side of Paradise” episode. She had five appearances on The Man from U.N.C.L.E. as well as being on Night Gallery,  My Favorite Martian, Voyage to the Bottom of the Sea, The Voodoo Factor and the SF film The Girl, the Gold Watch & Everything based on the 1962 novel of the same name by John D. MacDonald. (Died 1990.)
  • Born April 24, 1946 — Donald D’Ammassa, 74. Considered to be one of the best and fairest long-form reviewers ever. His Encyclopedia of Science Fiction covered some five hundred writers and as can two newer volumes, Encyclopedia of Fantasy and Horror Fiction and Encyclopedia of Adventure Fiction are equally exhaustive. I can’t comment on his fiction as I’ve only ever encountered him as a reviewer.
  • Born April 24, 1947 — Michael Butterworth, 73. Author of, with Michael Moorcock naturally, two Time of the Hawklords novels, Time of the Hawklords and Queens of Deliria. He also wrote a number of Space 1999 Year 2 novels, too numerous to list here. He also edited Corridor magazine from 1971 to 1974. He also wrote a number of short fiction pieces including one whose title amuses me for reasons I’m not sure, “Circularisation of Condensed Conventional Straight-Line Word-Image Structures“. 
  • Born April 24, 1950 — Michael Patrick Hearn, 70. Academic who has some of the best annotated works I’ve had the pleasure to encounter. I wholeheartedly recommend both The Annotated Wizard of Oz and The Annotated Christmas Carol, not to overlook Victorian Fairy Tales which is simply the best collection of those tales.
  • Born April 24, 1953 — Gregory Luce, 67. Editor and publisher of both the Science Fiction Gems and the Horror Gems anthology series, plus such other anthologies as Citadel of the Star Lords / Voyage to Eternity and Old Spacemen Never Die! / Return to Earth. For a delightful look at him and these works, go here. Warning: really cute canine involved! 
  • Born April 24, 1955 — Wendy S. Delmater, 65. She was nominated at Sasquan for a Best Semiprozine Hugo for editing the exemplary Abyss & Apex webzine. It’s particularly strong in the areas of speculative poetry and small press genre reviews. She herself has written a lot of genre centered essays, plus a handful of genre stories and poems. 
  • Born April 24, 1983 — Madeline Ashby, 37. California-born Canadian resident writer whose Company Town novel created an entire city in an oil rig. Interestingly In 2013, she was a finalist for the Astounding Award for Best New Writer but recused herself on the grounds that her pro  career started with her ‘09 publication of a short story in Nature, so  her eligibility period had expired in ‘11. And her Machine Dynasties series is simply brilliant, and resonates with the later Murderbot series.

(10) HAPPY BIRTHDAY HUBBLE. “Hubble telescope delivers stunning 30th birthday picture”

It’s 30 years ago to the day that the Hubble telescope was launched – and to celebrate its birthday, the veteran observatory has produced another astonishing image of the cosmos.

This one is of a star-forming region close to our Milky Way Galaxy, about 163,000 light-years from Earth.

The larger object is the nebula NGC 2014; its companion is called NGC 2020.

But astronomers have nicknamed the scene the “Cosmic Reef” because it resembles an undersea world.

(11) AND IN MOTION. Hubble’s 30th anniversary image has been turned into a 3D “spaceflight” experience.

Experts created this visualisation showing the Giant Red Nebula and its smaller blue neighbour, which lie in a satellite-galaxy of the Milky Way.

(12) IN ONE SITTING. “The chairs of Blake’s 7” is a vast collage of furniture and show highlights assembled by the author of the Watching Blake’s 7 blog:

…So, here is a compilation all the identifiable seating seen in Blake’s 7.  In addition, I have thrown in a handful of tables, desks, lamps and other things that showcase how bloomin’ stylish Blake’s 7 was, and how the BBC props store contained a wealth of magnificent design artefacts.

First on the list —

Folding chair
Fred Scott, for Hille International
1960’s
Seen in ‘Animals’

Let’s start with one of the most beautiful moments in Blake’s 7, and a reminder of the sheer effort to get the series broadcast on time and on budget.  Sure, Avon slips at the end of this shot, and there’s no time for a retake, but let’s not forget the attitude in which he knocks the chair over.   I’m delighted to report that Fred Scott designed something robust enough to withstand the dirtiest ‘Dirty Harry’ kicking seen on screen up to that point.  Chair vandalism, or quality control?  You decide.

(13) SACRILEGE! The Chewie Millennial System: “Library books rearranged in size order by cleaner”.

A well-meaning cleaner who took the opportunity to give a locked-down library a thorough clean re-shelved all of its books – in size order.

Staff at Newmarket Library, Suffolk, discovered the sloping tomes after the building underwent a deep clean.

James Powell, of Suffolk Libraries, said staff “saw the funny side” but it would take a “bit of time” to correct.

“It looks like libraries will be closed for a while so we’ll have plenty of time to sort the books out”, he said.

“The cleaner is lovely and does a great job in the library. It was an honest mistake and just one of those things so we would never want her to feel bad about it,” he added.

(14) RIGHTFUL PREY. Let Atlas Obscura show you the elusive “Fremont Troll”.

AN 18-FT. tall troll made of cement clutches an old VW car underneath an overpass in Seattle’s Fremont neighborhood. The car is an actual Volkswagen Beetle encased in concrete, which used to be red and bear a California license plate.

The Troll was constructed in 1990 after winning a Fremont Arts Council competition for designs to improve the freeway underpass, which then was a dumping ground….

(15) A MOBY FILE. “Oregon Park Rangers Decided to Bury a Perfectly Dead Whale Instead of Blowing It Up” grumps the Willamette Week. Tagline: “Do we really want to live in a state that won’t explode giant animal carcasses when given the chance?”

… On Saturday, the carcass of a 40-foot grey whale washed up on the shore of the Sand Lake Recreation Area north of Pacific City. For longtime Oregonians, news of a dead whale appearing on a local beach should ring a few alarm bells…

… In case you don’t know the story, in November 1970, a sperm whale of roughly the same size washed up on the beach in Florence, Ore. Local officials considered several methods of disposing the body, like dragging it out to sea. Ultimately, they went with the most exciting option available—blowin’ it up real good.

It was a bit of a disaster. The dynamite blew chunks of whale flesh 800 feet in the air, raining viscera down on bystanders and destroying a car in the adjacent parking lot. 

Which gives everyone on the internet an excuse to repost one of the most viral videos of all time:

(16) VIDEO OF THE DAY. “No Maps For These Territories:  A William Gibson Docufilm” on YouTube is a 2000 documentary, directed by Mark Neale, of conversations held with Gibson during his book tour for All Tomorrow’s Parties.  It includes interviews with Bruce Sterling and Jack Womack and Gibson remembering that when he read “Burning Chrome,” one of the first cyberpunk stories, at Denvention II in 1981, he had an audience of four.

https://www.youtube.com/watch?v=VVqW2pMGw6c

[Thanks to Martin Morse Wooster, John King Tarpinian, N., Andrew Porter, Chip Hitchcock, Cat Eldridge, JJ, Mike Kennedy, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 11/26/19 Sandworms, Why Did It Have To Be Sandworms?

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(1) DARK ART. Christine Feehan has applied for a trademark on the word “Dark” for a “Series of fiction works, namely, novels and books.”

Feehan is a California author of paranormal romance, paranormal military thrillers and fantasy.

The application to the US Patent and Trademark Office, filed November 20, describes her claim as follows:

International Class 016:  Series of fiction works, namely, novels and books.

In International Class 016, the mark was first used by the applicant or the applicant’s related company or licensee or predecessor in interest at least as early as 11/13/1998, and first used in commerce at least as early as 03/03/1999, and is now in use in such commerce. The applicant is submitting one(or more) specimen(s) showing the mark as used in commerce on or in connection with any item in the class of listed goods/services, consisting of a(n) amazon.com website showing books in series being sold, book catalog showing series of books with mark, personal website showing series of books with mark..

The mark consists of standard characters, without claim to any particular font style, size, or color.

Will the mark be granted? What use will the author make of it?

Last year Faleena Hopkins triggered “Cockygate” when she claimed exclusive rights to “cocky” for romance titles. Hopkins sent notices to multiple authors telling them to change the titles of their books and asked Amazon to take down all other cocky-titled romance books (not just series).

The Authors Guild got involved in the litigation and Hopkins withdrew her trademark claim. The Guild’s settlement announcement also said:

…The Trademark Office clarified that the owner of a trademark in a book series title cannot use that trademark against single book titles. Since single titles cannot serve as trademarks, they also cannot infringe series title trademarks. So, if another author or a publisher ever tries to stop you from using a single book title because of their series trademark, you can tell them to take a hike. Only series titles can infringe another series title.

(2) MAGNIFICENT SEVEN. Nicholas Whyte does an epic roundup of “Blake’s 7: the third series” at his From The Heart of Europe blog. In addition to his commentary and links to episodes on YouTube, he also keeps track of such trivia as appearances by actors who also had roles in Doctor Who, and includes clips of some of the betterlines of dialog. such as –

Dialogue triumph:

Avon: That one’s Cally. I’ll introduce her more formally when she wakes up. This one is Vila. I should really introduce him now; he’s at his best when he’s unconscious.

(3) FIND THE BEST SHORT FANTASY. Rocket Stack Rank posted its annual roundup “Outstanding High Fantasy of 2018” with 39 stories that were that were finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction.

Included are some observations obtained from highlighting specific recommenders and pivoting the table by publication, author, awards, year’s best anthologies, and reviewers.

(4) ROCINANTE LIFTS OFF 12/13. Amazon has dropped the trailer for the next season of The Expanse:

Season 4 of The Expanse, its first as a global Amazon Original, begins a new chapter for the series with the crew of the Rocinante on a mission from the U.N. to explore new worlds beyond the Ring Gate. Humanity has been given access to thousands of Earth-like planets which has created a land rush and furthered tensions between the opposing nations of Earth, Mars and the Belt. Ilus is the first of these planets, one rich with natural resources but also marked by the ruins of a long dead alien civilization. While Earthers, Martians and Belters maneuver to colonize Ilus and its natural resources, these early explorers don’t understand this new world and are unaware of the larger dangers that await them.

(5) 55 YEARS AGO. Galactic Journey’s Mark Yon covers pop culture and the latest British sff books, prozines, film, TV – the latest as of November 25, 1964 that is: “The Times They Are a-Changin’… Science Fantasy December 1964/January 1965”.

…On the television the genre pickings have still not been many. I am still enjoying most of Doctor Who, and Jessica’s excellent reports on that series’ progress need no further comment from me, but my latest find this month has been another popular series for children. I am quite surprised how much I have enjoyed its undemanding entertainment, as Gerry Anderson’s Stingray has been shown on ITV. Be warned though – it’s a puppet series! Nevertheless, its enthusiasm and energy, combined with great music in a wonderful title sequence has made this unexpected fun. I understand that it has been entirely filmed in colour, although like the majority of the 14 million British households with a television, we’re forced to watch it in good old black-and-white.

(6) GIVING THANKS FOR THE WEIRD. [Item by Martin Morse Wooster.]The November 24 episode of The Simpsons was a Thanksgiving version of Treehouse of Horror, and all three segments were sf or fantasy.  The first episode recreated the original Thanksgiving, with cast members playing the Pilgrims, the Indians, and the turkeys.  The second episode had a personal assistant AI like Siri or Alexa, and the AI version of Marge did a better job of preparing Thanksgiving dinner than Marge did.  But the best segment was when a space ark fled Earth because of climate change, and Bart Simpson finds a can of cranberry sauce and decides to replicate it, skipping all the warnings about how you shouldn’t replicate organic objects.  Of course, Bart ignores the warnings, and the cranberry sauce comes to life and becomes very hungry.

(7) THE GREATEST? BBC says it’s a real icebreaker: “Frozen 2 rakes in $350 million worldwide on box office debut”. But I could use a hand interpreting the second paragraph – those places aren’t part of “worldwide”?

Frozen 2 raked in $350 million (nearly £272m) in its opening weekend worldwide, beating forecasts and the box office debut of the original film.

The sequel made about £15m in the UK and Ireland and $127m (£98.9m) in the US and Canada, which are not counted towards the worldwide figures.

The 2013 original took $93m (£72.28m) during its first five days in theatres, according to Reuters.

It ended up making a whopping $1.27bn in total.

Disney say the sequel has set a new record for the biggest opening weekend for an animation.

That’s owing to the fact they consider this year’s remake of the Lion King, which made $269m on its opening weekend, to be a live action film.

But some feel the digital 3D film is more of a photo-realistic animation

(8) TODAY IN HISTORY.

  • November 26, 1977 — Space Academy aired “My Favorite Marcia”. The YA series stars Commander Isaac Gampu as played by Jonathan Harris. And the Big Bad in this episode is Robby the Robot with a different head. And a black paint job. 
  • November 26, 1986 – Star Trek IV: The Voyage Home premiered. Featuring the all still living main cast of the original series, it was financially quite successful, liked by critics and fans alike. It currently has an 81% rating at Rotten Tomatoes among viewers. It placed second to Aliens for the Best Dramatic Presentation Hugo at Conspiracy ‘87.
  • November 26, 1997 — Alien Resurrection premiered. The final instalment in the Alien film franchise, it starred Sigourney Weaver and Winona Ryder. It was the last Alien film for Weaver as she was not in Alien vs. Predator. It did well at the box office and holds a 39% rating at Rotten Tomatoes. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 26, 1897 — Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen and The Bull Calves but also new wave SF such as Memoirs of a Spacewoman, pure fantasy Graeme and the Dragon and an Arthurian novel in Chapel Perilous. (Died 1999.)
  • Born November 26, 1910 — Cyril Cusack. Fireman Captain Beatty on the classic version of Fahrenheit 451. He’s Mr. Charrington, the shopkeeper in Nineteen Eighty-four, and several roles on Tales of the Unexpected round out his genre acting. (Died 1993.)
  • Born November 26, 1919 — Frederik Pohl. Writer, editor, and fan who was active for more seventy-five years from his first published work, the 1937 poem “Elegy to a Dead Satellite: Luna” to his final novel All the Lives He Led. That he was great and that he was honored for being great is beyond doubt — If I’m counting correctly, he won four Hugo and three Nebula Awards, and his 1979 novel Jem, Pohl won a U.S. National Book Award in the one-off category Science Fiction. SWFA made him the 12th recipient of its Damon Knight Memorial Grand Master Award in 1993, and he was inducted by the Science Fiction and Fantasy Hall of Fame in 1998. OK, setting aside Awards which are fucking impressive, there’s the matter of him editing Astonishing Stories, Galaxy Science Fiction, Worlds of If, andSuper Science Stories which were a companion to Astonishing Stories, plus the Star Science Fiction anthologies –and well let’s just say the list goes on. I’m sure I’ve not listed something that y’all like here. As writer, he was amazing. My favorite was the Heechee series though I confess some novels were far better than others. Gateway won the Hugo Award for Best Novel, the 1978 Locus Award for Best Novel, the 1977 Nebula Award for Best Novel, and the 1978 John W. Campbell Memorial Award for Best Science Fiction Novel. Very impressive. Man Plus I think is phenomenal, the sequel less so. Your opinion of course will no doubt vary. The Space Merchants co-written with Cyril M. Kornbluth in 1952 is, I think, damn fun. (Died 2013.)
  • Born November 26, 1939 — Tina Turner, 80. She gets noted here for being the oh-so-over-the-top Aunty Entity in Mad Max Beyond Thunderdome, but let’s not forget her as The Acid Queen in Tommy as well and for appearing as The Mayor in The Last Action Hero which is at least genre adjacent.
  • Born November 26, 1945 — Daniel Davis, 74. I’m singling him out for Birthday Honors for being his two appearances as Professor Moriarty on Next Gen. He has one-offs on MacGyver, Gotham and Elementary. He played a Judge in The Prestige film. He also voiced several characters on the animated Men in Black series.
  • Born November 26, 1961 — Steve Macdonald, 58. A fan and longtime pro filker ever since he first went to a filk con in 1992. In 2001, he went on a “WorlDream” tour, attending every filk con in the world held that year. He’s now resident where he moved to marry fellow filker Kerstin (Katy) Droge.
  • Born November 26, 1966 — Kristin Bauer van Straten, 53. Best known for being  Pamela Swynford De Beaufort on True Blood, and as sorceress Maleficent on Once Upon a Time. She was also the voice of Killer Frost in the most excellent Suicide Squad: Hell to Pay film.
  • Born November 26, 1988 — Tamsin Egerton, 31. She was the young Morgaine, and I do mean young, in The Mists of Avalon series.  She goes on to be Kate Dickens in the Hans Christian Andersen: My Life as a Fairytale series, Miranda Helhoughton in the Sherlock Holmes and the Case of the Silk Stocking film and Guinevere in the Camelot series. Oh, and she’s Nancy Spungen in an episode of Psychobitches which is least genre adjacent if not genre. 
  • Born November 26, 1988 — Hafþór Júlíus Björnsson, 31. He played Gregor “The Mountain” Clegane on the Game of Thrones for five seasons. That’s it for his genre acting, but he co-founded Icelandic Mountain Vodka whose primary product is a seven-time distilled Icelandic vodka. Surely something Filers can appreciate! 

(10) RE-FINDING NEMO. [Item by Daniel Dern.] I’m behind in doing a Windsor McKay/Little Nemo post, but this is a close-out item and probably going fast, so:

For you $45 plus shipping – $7.95, via USPS (you can spend more for faster), down from the original $124.99

My point: If you are a McKay/Nemo fan, and think you might be interested, now is the time, before they’re gone (or gone at this price). (Needless to say, I ordered mine before sending this item to OGH.)

The book is 16″x21″ — the same size as the original McKay strips, back when the “Sunday Funnies” were humongous… and Nemo (and many others) got an entire of these pages. There are, as an item or comment a few weeks/months back noted, two volumes of McKay’s Nemo that are themselves full-sized. They ain’t cheap. (I own the first one, felt that was enough that I didn’t follow up and get the second… I do, to be fair, have enough smaller-sized Nemo volumes.

From the listing:

By Bill Sienkiewicz, Charles Vess, P. Craig Russell, David Mack et al. Contemporary artists pay tribute to this beloved and imaginative Sunday page. They have created 118 entirely new Little Nemo pages, all full Sunday page size! Contributors also include Paul Pope, J.H. Williams III, Carla Speed McNeil, Peter Bagge, Dean Haspiel, Farel Dalrymple, Marc Hempel, Nate Powell, Jeremy Bastian, Jim Rugg, Ron Wimberly, Scott Morse, David Petersen, J.G. Jones, Mike Allred, Dean Motter, Yuko Shimizu, Roger Langridge, Craig Thompson, and Mark Buckingham, among many others.

The Kickstarter page has a video about the project. Enjoy!

(11) YOUNG CREATORS. [Item by Martin Morse Wooster.] The Washington Post’s Michael Cavna interviews Lynda Barry.  Barry, who teaches interdisciplinary creativity at the University of Wisconsin (Madison), says that she’s going to use her Macarthur Fellowship to study four-year-olds who see writing and drawing as one thing to determine when kids see writing and drawing as separate activities and then give up drawing. One result, she says, may be to find ways to teach adults who don’t think they can draw to start making art again. “How MacArthur ‘genius’ Lynda Barry is exploring brain creativity with true artists: Preschoolers”.

… “Most people stop drawing when they reach the age of 8 or so, because they couldn’t draw a nose or hands,” said Barry, 63. “The beautiful thing is that their drawing style is intact from that time. Those people, if you can get them past being freaked out, have the most interesting lines — and have a faster trajectory to making really original comics than people who have been drawing for a long, long time.”

(12) POHL SHORT AND LONG. James Davis Nicoll marks the Pohl centenary with a bouquet of brief reviews: “Celebrating Frederik Pohl’s 100th Birthday with Five Overlooked Classics”.

…No discussion of authors of Pohl’s vintage would be complete without mentioning their shorter works.1972’s collection The Gold at the Starbow’s End contains five of Pohl’s finest, two of which are standouts.

The first standout is the title novella, in which a small crew of astronauts are dispatched on a slow voyage to Alpha Centauri. They have been assured that a world awaits them; this is a lie. There is no world and they have not been told of the true goals of their project. The project is a success. If only the geniuses who created the program had asked themselves what the consequences of success might be…

The other standout is 1972’s The Merchant of Venus. The discovery of alien relics on Venus has spurred colonization of that hostile world. Maintaining a human presence on Venus is fearfully expensive. It’s not subsidized by the home world; colonists must pay for their keep. This is a challenge for Audee Walthers, who is facing impending organ failure and doesn’t have the dosh to pay the doctor….

(13) STAR WARS — GONE TO POT. Eater realizes that the “‘Star Wars’ Instant Pot Gets Us Closer to an Entire ‘Star Wars’ Kitchen”.

The launch of Disney+ show The Mandalorian, and the introduction of baby Yoda, has brought upon us the latest round of Star Wars obsession, with plenty of product tie-ins to aid the fandom. Last month, Le Creuset introduced a line of Star Wars-branded cookware, including a C-3P0 Dutch oven and a porg pie bird. But if you’re torn between wanting to use a Star Wars casserole dish and needing to braise ribs quickly, a new line of Star Wars Instant Pots is here….

(14) CRASH LANDING. Even though Plagiarism Today’s headline says “You Wouldn’t Plagiarize an Airport” without a question mark, it certainly can’t be an absolute statement — 

In what has to be one of the more bizarre plagiarism stories in recent memory, Qatar Airways accused Singapore’s Changi Airport Group of plagiarizing not a paper, an idea or a proposal, but an airport.

The accusation was made by Akbar Al Baker, who is the CEO of both Qatar Airways and Hamad International Airport. In a recent press conference, he claimed that Singapore’s Changi Airport was a plagiarism of a planned expansion of Hamad International Aiport in Doha, Qatar.

(15) CHARACTER STUDY. At Rapid Transmissions, Joseph Hurtgen suggests “Seven ways to write great characters”. First up —

Make your characters likable

Will Smith and Tom Hanks have made their careers by playing likable characters. Some of these characters are hyperintelligent and some profoundly dumb. Some inspire laughter and others tears. But the characters they play are always easy to like. They have a quality about them that makes you feel like, given the chance, you’d get along with them.

So, why does this matter? It matters because people like rooting for a likable person. People want the good guy to get the girl. They want the honorable person to rise to the top. Unfortunately, life doesn’t always deal out its cards fairly. Bad guys win all the time. As a result, people want to escape into a fiction governed by poetic justice, where the bad guys run up against the shit they deserve and the good guys get to sit back and have a cold one.

But no need to limit yourself, Hurtgen’s second suggestion is —

Make your characters unlikable…

(16) RED SHIFT. In “We Made Star Wars R-Rated,” YouTube’s Corridor Crew takes some scenes from the second trilogy and adds the gore and splatter that Lucasfilms forgot to include….

[Thanks to John King Tarpinian, Mike Kennedy, Olav Rokne, James Davis Nicoll, Daniel Dern, Eric Wong, Martin Morse Wooster, JJ, Cat Eldridge, Chip Hitchcock, N., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/3/19 This Is My Pixel And This Is My Scroll! One Is For Filing, The Other I LOL!

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(1) RED MOON RISING. “Apple Publishes “For All Mankind” Apple TV+ Trailer” at MacStories.

What if the space race had never ended? Watch an official first look at For All Mankind, an Apple Original drama series coming this Fall to Apple TV+. Get notified when Apple TV+ premieres on the Apple TV app: http://apple.co/_AppleTVPlus For All Mankind is created by Emmy® Award winner Ronald D. Moore (Outlander, Star Trek, Battlestar Galactica), Matt Wolpert and Ben Nedivi. Told through the lives of NASA astronauts, engineers and their families, For All Mankind presents an aspirational world where NASA and the space program remained a priority and a focal point of our hopes and dreams.

(2) TRACING THE MCU. In “+” at the Los Angeles Review of Books, University of Southern California cinema professor J.D. Connor has an exhaustive and highly quotable analysis of the MCU.

…Still, Feige has been utterly judicious about when and how to push. Over the years, fans (and others) have pushed for a less white, less male MCU, and Feige (and others) have managed to create an underdiscourse, in which the limits of the MCU’s representational efforts stem not from his convictions but rather from constraints placed on his own fandom by longtime Marvel head Ike Perlmutter and conservative forces on what was called the “Marvel Creative Committee.” Feige was able to get Perlmutter and the committee out of his way in 2015, and the next four films out of the pipeline would be developed, written, shot, and edited without their input. It’s no surprise that those four films happen to be the “boldest Marvel has ever made”: Guardians 2, Spider-Man: Homecoming, Thor: Ragnarok, and Black Panther.

Here the crucial installment is Black Panther, which seemed to prove that the whole machine could just as easily work based on African diaspora superheroes, with departments largely headed by women of color. Black Panther offers a vision of merit deferred. In place of lamentations about the empty pipeline, here was a movie that suggested, convincingly, that the representational revolution was at hand and only required Hollywood certification. The industry was clearly ready to endorse that vision of incremental revolution, giving Oscars to both Ruth E. Carter (Costume) and Hannah Beachler (Production Design). Those two, along with an award for Black Panther’s score, were the MCU’s first wins.

This story — from foundation and expansion to confidence and representation — has been emerging within the MCU. At the end of Endgame, Tony Stark is dead, Steve Rogers is old, and Thor has a new home among the more ridiculous and sentimental Guardians of the Galaxy. Replacing the foundational three white dudes are Captain Marvel, a new Captain America, and Black Panther….

(3) IRON MANTLE. The Spider-Man: Far From Home Chinese Trailer inspires a SYFY Wire writer to theorize about the MCU’s future —

…The world is definitely asking “who is going to be the next Iron Man?” Captain America has promoted Falcon. Who’s taking up Iron Man’s robotic mantle? With Spidey debuting multiple new suits in the film (and in the trailer, where fans can see the black stealth suit swing), this could be Peter Parker’s time to shine as the MCU moves into a new Phase.

(4) MONSTROSITY. Leonard Maltin really unloads on “Godzilla: King of the Monsters”.

Two hours wasted: that’s how I feel after watching Godzilla: King of the Monsters. This bloated production starts out as an enjoyably tacky monster movie but doesn’t know when to quit. Every pseudo-scientific explanation (and there are plenty) has a counter-explanation in order to keep the story going…and every apparent climax leads to another climax. There’s even a post-credits scene, as if we needed one. We don’t….

(5) THAT CAT KNOWS WHAT HE’S ABOUT. So perhaps it’s just as well that Camestros Felapton was duped into seeing the Elton John biopic instead — Rocketcat.

[Timothy the Talking Cat] You see? You see? I totally tricked you.
[Camestros Felapton] Hmmm
[Tim] You thought we were going to go and see Godzilla but we actually went to see Rocketman.
[CF] That’s OK. I enjoyed the film.
[Tim] But admit that I totally tricked you….

(6) RETRO SPECIAL EFFECTS. Lots of sff GIFs here, beginning with a load of flying saucer movie clips, at Raiders of the Lost Tumblr.

(7) MORE AURORA AWARDS NEWS. Voting for the Aurora Awards will begin on August 3, 2019. Click here to visit the public ballot page.

The Aurora Voters Package will be available for CSFFA members to download later this month.

Both the voters package and the ballot close at 11:59 pm EDT on September 14, 2018.

(8) NEW TITLE FOR GRRM. ComicsBeat has learned “George R.R. Martin Has a New World to Explore in Meow Wolf”.

Looks like George R. R. Martin is taking his epic world-building skills to Meow Wolf, the Santa Fe-based arts and entertainment collective behind the House of Eternal Return and other next-gen immersive and interactive exhibitions. The Game of Thrones creator has been named new Chief World Builder and will bring his “unparalleled storytelling skills to the multiverse” of Meow Wolf by working with key members of the collective to “advise on building narrative and mind-bending ideas” that will yield “ambitious immersive installations.”

This isn’t Martin’s first time working with Meow Wolf. The Santa Fe resident helped secure the local bowling alley that is now the House of Eternal Return attraction and entertainment complex. The attraction displays a multidimensional mystery house of secret passages and surreal tableaus featuring Meow Wolf’s artists, architects, and designers, as well as a learning center, cafe, music venue, bar, and outdoor dining scene.

(9) COME HOME. Disney dropped a new trailer for The Lion King that features Beyonce.

(10) DARROW OBIT. BBC reports “Blake’s 7 actor Paul Darrow dies at 78”.

British actor Paul Darrow, best known for his role as Kerr Avon in sci-fi BBC TV series Blake’s 7, has died at the age of 78 following a short illness.

Most recently, Darrow voiced soundbites for independent radio stations Jack FM and Union Jack, where he was known as the “Voice of Jack”.

The character of Avon was second-in-command on Blake’s 7, which ran for four series between 1978 and 1981.

Darrow shared a flat with John Hurt and Ian McShane while studying at Rada.

While best-known for his Blake’s 7 role, he appeared in more than 200 television shows, including Doctor Who, The Saint, Z Cars, Emmerdale, Hollyoaks and Little Britain.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 3, 1905 — Norman A. Daniels. Writer working initially in pulp magazines, later on radio and television. He created the Black Bat pulp hero and wrote for such series as The Avengers, The Phantom Detective and The Shadow. He has three non-series novels, The Lady Is a Witch, Spy Slave and Voodoo Lady. To my surprise, iBooks and Kindle has a Black Bat Omnibus available! In addition, iBooks has the radio show. (Died 1995.)
  • Born June 3, 1931 — John Norman. 86. Gor, need I say more? I could say both extremely sexist and badly written but that goes without saying. They are to this day both extremely popular being akin to earlier pulp novels, though argue the earlier pulp novels by and large were more intelligent than these are. Not content to have one such series, he wrote the Telnarian Histories which also has female slaves. No, not one of my favourite authors. 
  • Born June 3, 1946 — Penelope Wilton, 73. She played the recurring role of Harriet Jones in Doctor Who, an unusual thing for the show as they developed a story for the character. She was also played Homily in The Borrowers, Barbara in Shaun of the Dead, The Queen in Roald Dahl’s The BFG, Beatrix Potter in The Tale of Beatrix Potter, The White Queen in Through the Looking-Glass and Gertrude in in Hamlet at the Menier Chocolate Factory. 
  • Born June 3, 1950 — Melissa Mathison. Screenwriter who worked with Spielberg on  E.T. the Extra-Terrestrial, Twilight Zone: The Movie and BFG, the latter being the last script she did before dying of cancer. She also did The Indian in the Cupboard which wasdirected by Frank Oz. (Died 2015.)
  • Born June 3, 1958 — Suzie Plakson, 61. She played four characters on Trek series: a Vulcan, Doctor Selar, in “The Schizoid Man” (Next Gen); the half-Klingon/half-human Ambassador K’Ehleyr in “The Emissary” and “Reunion” (Next Gen); the Lady Q in “The Q and the Grey” (Voyager); and an Andorian, Tarah, in “Cease Fire” (Enterprise).  She also voiced Amazonia in the “Amazon Women in the Mood” episode of Futurama. Really. Truly.
  • Born June 3, 1964 — James Purefoy, 55. His most recent genre performance was as Laurens Bancroft in Altered Carbon. His most impressive was as Solomon Kane in the film of that name. He was also in A Knight’s Tale as Edward, the Black Prince of Wales/Sir Thomas Colville. He dropped out of being V in V for Vendetta some six weeks into shooting but some early scenes of the masked V are of him.
  • Born June 3, 1973 — Patrick Rothfuss, 46. He is best known for the Kingkiller Chronicle series, which won him several awards, including the 2007 Quill Award for his first novel, The Name of the Wind. Before The Name of the Wind was released, an excerpt from the novel was released as a short story titled “The Road to Levinshir” and it won the Writers of the Future contest in 2002.

(12) THE FUNGI THEY HAD. [Item by Daniel Dern.] Over the weekend, RadioLab rebroadcast a fascinating September 2016 podcast, From Tree To Shining Tree, discussing the various ways that trees intercommunicate, along with the discovery of an intense fungi-based underground network (hence my item title).

Related recommended reading (I don’t know if they mentioned it in the show, we tuned in after it was underway, but I’d happened upon it in my public library’s New Books, when it came out, and borrowed’n’read it then), The Hidden Life of Trees: What They Feel, How They Communicate?Discoveries From A Secret World by Peter Wohlleben

(Perhaps Greg Bear could be inspired by these, and do Sap Music as a sequel to Blood Music?

(13) KEEPING THE SHIP IN STARSHIP. James Davis Nicoll rigs up a post about “Light Sails in Science and Fiction” at Tor.com.

…Possibly the reason that light sails took a while to become popular tropes is that the scientifically-clued-in authors who would have been aware of the light sail possibility would also have known just how minuscule light sail accelerations would be. They might also have realized that it would be computationally challenging to predict light sail trajectories and arrival times. One-g-forever rockets may be implausible, but at least working how long it takes them to get from Planet A to Planet B is straightforward. Doing the same for a vehicle dependent on small variable forces over a long, long time would be challenging.

Still, sailing ships in space are fun, so it’s not surprising that some authors have featured them in their fiction. Here are some of my favourites…

(14) IRONMAN ONE. The Space Review salutes the 50th anniversary of Marooned, the movie adaptation of Martin Caidin’s book, in “Saving Colonel Pruett”.

In this 50th anniversary year of the first Apollo lunar landing missions, we can reflect not only on those missions but also on movies, including the reality-based, technically-oriented space movies of that era, that can educate as well as entertain and inspire. One of those is Marooned, the story of three NASA astronauts stranded in low Earth orbit aboard their Apollo spacecraft, call-sign Ironman One—all letters, no numbers, and painted right on the command module (CM), a practice NASA had abandoned by 1965. They were the first crew of Ironman, the world’s first space station, the renovated upper stage of a Saturn rocket as planned for the Apollo Applications Program, predecessor of Skylab….

(15) GHIBLI PARK. “Studio Ghibli Park Set to Open in Japan in 2022” – The Hollywood Reporter has the story.

Japanese anime hit factory Studio Ghibli is to open a theme park in 2022 in cooperation with the local Aichi Prefecture government and the Chunichi Shimbun newspaper company.

Plans for the “Ghibli Park,” which will occupy 494 acres (200 hectares) in Nagakute City, Aichi, were first announced around this time in 2017, when the local government said it was looking for other commercial partners.

…According to the three companies, three areas — Youth Hill, partly based on Howl’s Moving Castle; Dondoko Forest, based on My Neighbor Totoro; and a Great Ghibli Warehouse — are set to open in fall 2022. A Mononoke Village, based on Princess Mononoke, and a Valley of the Witch area, themed on both Kiki’s Delivery Service and Howl’s Moving Castle, are set to open a year later

(16) ANOTHER YANK OF THE CHAIN. Fast Company finds that once again “The P in IHOP doesn’t stand for what you think it stands for”. (Really, at moments like this I think it’s a darned shame I don’t monetize this site.)

…The IHOB campaign got the brand more than 42 billion media impressions worldwide, and immediately quadrupled the company’s burger sales. Now a year later, with burger sales still humming along at double their pre-IHOB numbers, the brand is trying to once again to catch advertising lightning in a (butter pecan) bottle.

Last week, the diner chain announced that it would have an announcement today, relating to its name, aiming once again for the same social-media chatter that debated its burgers last time around. A lot of those people last year scolded IHOP for venturing beyond pancakes. Now the brand is having a bit of fun with that idea–and the definition of a pancake.

“This year we listened to the internet and are sticking to what we do best, which is pancakes,” says IHOP CMO Brad Haley. “We’re just now calling our steak burgers pancakes. We contacted some of the people who told us to stick to pancakes last year for this year’s campaign, so the trolls have teed up the new campaign quite nicely.”

(17) DO CHEATERS EVER PROSPER? NPR’s Caitlyn Paxson says“Cheating Death Will Cost You In ‘The Wise And The Wicked'”.

In this tale of a family with dark secrets and divinatory gifts, Lambda Literary Award winner Rebecca Podos ponders the inevitable question: If you can read the future that lies ahead, do you also have the power to change it?

When Ruby Chernyavsky hit her teen years, she had a premonition — a vision of the moments leading up to her death. Knowing her “Time” was something she always expected, since all of the women in her family forsee their own, but what none of them know is that Ruby’s days are numbered. Her Time is her 18th birthday, so in a little over a year, she’ll be dead….

(18) PLAYING FOR KEEPS. This is what happens when you trimble your kipple: “Long-lost Lewis Chessman found in Edinburgh family’s drawer”.

A medieval chess piece that was missing for almost 200 years had been unknowingly kept in a drawer by an Edinburgh family.

They had no idea that the object was one of the long-lost Lewis Chessmen – which could now fetch £1m at auction.

The chessmen were found on the Isle of Lewis in 1831 but the whereabouts of five pieces have remained a mystery.

The Edinburgh family’s grandfather, an antiques dealer, had bought the chess piece for £5 in 1964.

He had no idea of the significance of the 8.8cm piece (3.5in), made from walrus ivory, which he passed down to his family.

They have looked after it for 55 years without realising its importance, before taking it to Sotheby’s auction house in London.

The Lewis Chessmen are among the biggest draws at the British Museum and the National Museum of Scotland in Edinburgh.

They are seen as an “important symbol of European civilisation” and have also seeped into popular culture, inspiring everything from children’s show Noggin The Nog to part of the plot in Harry Potter And The Philosopher’s Stone.

(19) TOTALLY TONOPAH. Kevin Standlee promotes the Tonopah in 2021 Westercon bid in an interview about the proposed facility:

Tonopah in 2021 chair Kevin Standlee interviews Mizpah Hotel supervisor Rae Graham and her wife (and Mizpah Club staffer) Kayla Brosius about the Mizpah Hotel, what they think about how Tonopah would welcome a Westercon, and how they think the convention would fit with the hotel.

 The bid’s webpage also has a lot of new information about hotels and restaurants in Tonopah. Standlee says, “A new hotel just opened up adding another 60 rooms to the town, including more handicapped-accessible/roll-in-shower rooms, for example.”

Standlee and Lisa Hayes took a lot of photos while they were in Tonopah, now added to their Flickr album — including pictures of the unexpected late-May snow. Kevin admits:

I’d be very surprised by snow in July, but they schedule their big annual town-wide event for Memorial Day because it should neither be snowy or hot, and they instead got four inches of snow on their rodeo. Fortunately, it mostly all melted by the next morning.

Memorial Day Snow in Tonopah
Unhappy Bear
Kuma Bear is grumpy that he’s all covered in snow after Lisa and Kevin went out for a walk in Tonopah when it was snowing.

[Thanks to Michael Toman, John King Tarpinian, Daniel Dern, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, JJ, John Hertz, Kevin Standlee, Chip Hitchcock, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 4/14/16 I’m Sure That Was Polite On Some Planet

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(1) GOOD NEWS. The Guardian reports — “Good Omens: Neil Gaiman to adapt Terry Pratchett collaboration for TV”.

Neil Gaiman, the author and longtime friend of Sir Terry Pratchett, has announced he will be writing the adaptation of their co-authored novel Good Omens for the screen.

Gaiman had previously said he would not adapt their 1990 fantasy novel about the end of the world without Pratchett, who died in March 2015 from a rare form of Alzheimer’s disease. Before his death, Gaiman wrote a BBC Radio 4 adaptation of Good Omens, which broadcast in 2014 and included a cameo from Pratchett; at the time, Gaiman said he had agreed to adapt it because: “I want Terry to be able to enjoy this while he’s still able to.”

But Gaiman, who flew into London on Thursday night for a memorial event for Pratchett at the Barbican, announced to whistles and cheers that he would be personally adapting the book for television. He said he had been spurred to change his mind when he was presented with a letter from Pratchett, intended to be read after his death….

But Wilkins revealed to the audience that Pratchett had left a letter posthumously for Gaiman. In the letter, Pratchett requested that the author write an adaptation by himself, with his blessing. “At that point, I think I said, ‘You bastard, yes,’” Gaiman recalled, to cheers.

“How much are we allowed to tell them?” Gaiman teased, before he was hushed by Wilkins. “Are we allowed to tell them it is a six-part television series?”

(2) GOOD VIEWS. Andrew Liptak explains how “The View from the Cheap Seats Offers a Revealing Look into the Corners of Neil Gaiman’s Mind” at B&N Sci-Fi & Fantasy Blog.

…I’ve done all of these things, and yet somehow, it took the release of his new collection, The View from the Cheap Seats, to realize [Neil Gaiman’s] nonfiction is as compelling as the stories that have bewitched our imaginations.

The book assembles the best of Gaiman’s essays, introductions, speeches, and other musings. They’re generally brief—a couple of pages—but each speaks to his unique worldview so exactly, you can’t help but hear his distinctive voice in your head as you read. Each offers an enlightening peek into his unusual life and his passion for books and writing, from his close friendship with Tori Amos, to the genius of Gene Wolf and Harlan Ellison, to the value of libraries.

(3) HE HAS TWO LITTLE LISTS. Nick Mamatas points out that he made both Vox Day’s “Rampaging Puppies” slate of Locus Awards recommendations (for Hanzai Japan: Fantastical, Futuristic Stories of Crime From and About Japan, Nick Mamatas & Masumi Washington, eds.) and more recently, The Complete List of SJWs.

(4) THEY LIKE LEATHER. Well, Chauncey, there’s something I never expected to see. What’s that, Edgar? A leather-bound edition of Logan’s Run by William F. Nolan and George Clayton Johnson. From the Easton Press.

(5) THE POWER OF FIVE. Samantha Mabry discusses “Five Books That Carry Curses” at Tor.com.

The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)

“Because no matter what you believe, fukú believes in you.” The opening pages of Díaz’s novel are dedicated to explaining the curse that perpetually plagues the Wao family. This particular curse, otherwise known as fukú, apparently originated in Africa and traveled across the Atlantic to sink its fangs into the modern-day Dominican Republic. It’s tied to ancient history and a more recent bad man, and it’s carried through generations (sorry, Oscar). It’s inescapable, rears its head during all stages of Oscar’s short life, causing him all manner of personal turmoil, and can certainly be tied to his eventual demise.

(6) FANTASTIC BEASTS. Missed this one over the weekend — “Wizards Take Manhattan in New ‘Fantastic Beasts’ Trailer”.

But in the new trailer, revealed during the MTV Movie Awards on Sunday night, we get the full story of his coming to America and 1920s New York, including a stop at Ellis Island, where he uses some crafty magic to hide a title Beast from customs. (Watch the clip above.)

A voiceover notes “just like your suitcase, there’s much more than meets the eye” and then reveals Scamander’s backstory: Kicked out of Hogwarts for his beastly experiments, he still has the support of none other than future headmaster Albus Dumbledore himself.

(7) ACCORDING TO CUSTOM. Lawyer Lawrence M. Friedman perked right up when the litigation hit the screen — “Batman v. Superman and Import Licenses” at Law and the Multiverse.

Heading into Batman v. Superman: Dawn of Justice, I had some trepidation mixed with anticipation. You’ll have to judge the movie for yourself. My short review is that it is filled with great fan service and universe building, but continues to mistreat Superman as a character. To make up for that, Wonder Woman is great and Ben Affleck is perfectly good in the cowl and cape. That’s all I will say on the quality of the movie. What about the legal issues?

Very early in the movie, it becomes clear that Lex Luther and Lexcorp could use my professional help. Explaining why requires at least a minor spoiler. Consider yourself warned.

Following the events of Man of Steel, it becomes obvious to Lex Luther that kryptonite might be a useful tool to combat Superman and potentially other Kryptonians. One of his scientific henchmen, listed in the credits as Emmet Vale, finds a sizeable chunk in the Indian Ocean. As a side note, the existence of a potential “Professor Vale” in this universe is not good news for Superman. As a plot device, Luther realizes that he needs an import license and begins lobbying a Senator played by Holly Hunter for permission to import the kryptonite.

As a customs and trade lawyer, I may have been the only person in the theater to sit up just a little when I heard that. I lost the next couple minutes wondering to myself whether that would, in fact be true. Would Lexcorp, or any other legally compliant importer, need any kind of license to import a chunk of Kryptonite?…

(8) DAVID PROWSE GUESTS. SFFANZ spotted the new episode of web series Mission Backup Earth:

The series follows the struggle of humanity to colonize a habitable exoplanet.

In the near future, a cosmic catastrophe hits the Earth without warning. Unforeseen by any scientist, the Sun transits rapidly into a red giant. Having no choice, mankind must escape the solar system. The survivors become space nomads, seeking a viable replacement for Earth.

David Prowse has given a guest appearance in the new Episode and plays the scientist who develops the mission to save human kind from extinction.

 

(9) TEACHING WRITING. SF Site News has the story: “Julia Elliott Wins Shared World Residency”.

Julia Elliott has won the Shared World 2016 Amazon Writers-in-Residence. She will attend the Shared World Writers Workshop for teens at Wofford College in South Carolina, where she will meet with the aspiring authors and help teach and guide them in conjunction with the workshop’s other authors.

(10) TUNE CARRIER. John Scalzi sounds like the “stone soup” of vocalists – add a few ingredients and what a singer he’ll be!

(11) COURT SAYS DEITY IS NOT. The Register has the verdict: “Flying Spaghetti Monster is not God, rules mortal judge”.

A United States District Court judge has ruled that Pastafarianism, the cult of the Flying Spaghetti Monster (FSM), is not a religion.

Stephen Cavanaugh, a prisoner in the Nebraska State Penitentiary, brought the case after being denied access to Pastafarian literature and religious items while behind bars. Cavanaugh argued that he is an avid Pastafarian, has the FSM tattoos to prove it, and should therefore be allowed “the ability to order and wear religious clothing and pendants, the right to meet for weekly worship services and classes and the right to receive communion” while on the inside.

Prison officers denied his requests on grounds that Pastafarianism is a parody religion.

Judge John M. Gerrard agreed with the prison officers’ argument, noting that Pastafarianism was cooked up as a response to Intelligent Design being taught in the State of Kansas. The decision to teach Intelligent Design was justified as it being one of many widely-held religious beliefs about the origins of the Earth. Activist Bobby Henderson devised Pastafarianism Flying Spaghetti Monster as a riposte, claiming that it, too, was a widely-held belief and that it should also be taught in Kansas’ schools….

Judge Gerrard was not impressed by those offshore cases, quickly deciding that FSMism is a parody, not an actual religion. Nor was he impressed by Cavanaugh, who had a rather poor grasp on Pastafarianism’s key texts, which the judge took the trouble to read….

(12) GARETH THOMAS OBIT. Star of a TV series that gained a cult following, Gareth Thomas (1945-2016), who played Roj Blake on Blake’s 7 died Wednesday reports the BBC.

Yet he remains best known for Blake’s 7, which ran on BBC One from 1978 to 1981.

At its peak, the series was watched by 10 million viewers and was sold to 40 countries.

Thomas claimed never to have watched a single episode of the show, which was derided by some for its shaky sets and basic special effects.

The show also had a distinctly pessimistic tone – typified by the final episode, in which all the main characters were apparently killed off.

(13) TODAY IN HISTORY

(14) TODAY’S BIRTHDAY GIRLS

  • Born April 14, 1936 – Arlene Martel
  • Born April 14, 1977 — Sarah Michelle Gellar

(15) TODAY’S BIRTHDAY BOY

(16) PLOWING SEASON ON TATTOOINE. The Hollywood Reporter says the dirt is flying — “Disney Breaks Ground on Star Wars Land in California and Florida”.

Disney SW land screen_shot_2016-04-14_at_9_17_11_am COMP

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney.

Disneyland has taken its first steps into a larger world.

On Thursday, the California and Florida theme parks broke ground on their highly anticipated attraction: Star Wars Land.

“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney. “Star Wars-themed lands will be the largest-ever single-themed land expansions at Disneyland Resort and Walt Disney World Resort.”

Along with the update, Disney posted a 360-degree photo from the 14-acre construction site at Disneyland.

The opening date for the attractions has yet to be announced.

(17) NOT A BILL THE GALACTIC HERO REFERENCE. A comic book has the answer to this question.

Star Wars: The Force Awakens left us with a lot of burning questions, but one of the more peculiar ones is about C-3PO: Why did he have a red arm? Today in Star Wars Special: C-3PO #1 from Marvel Comics, written by James Robinson with art by Tony Harris, we got the answer in a story that takes place before the events of Force Awakens.

Warning: beware of full spoilers for Star Wars Special: C-3PO #1!

(18) WITH EXTRA ADDED AVATAR. “James Cameron Announces Four ‘Avatar’ Sequels” says a Hollywood Reporter article. Too bad it isn’t five – then it would be okay to laugh…

Fox ended its Thursday CinemaCon presentation with a surprise guest: James Cameron.

He announced that there will be four Avatar sequels, not the three previously planned. “We have decided to embark on a truly massive cinematic process,” he said.

Cameron said as he was planning the three sequels, he found it limiting. “We began to bump up against the limitations for our art form,” he said, explaining that he decided he would need more sequels to tell the whole story.

He said each of the four sequels will be able to stand alone, but will together create a saga. His goal is to release Avatar 2 at Christmas 2018 and the a new film in 2020, 2021 and 2022.

“I’ve been working the last couple of years with a team of four top screenwriters,” he said, “to design the world of Avatar going forward: The characters, the creatures, the environment, the new cultures.”

(19) X BERATED. Not everyone is sanguine about the company’s chance of handling Star Wars with kid gloves – consider the faux“Disney/Pixar’s X-WINGS Movie Trailer” from Big Bee Studio.

What happens when the people who made Cars & Planes get their hands on Star Wars? X-Wings. That’s what happens.

 

[Thanks to John King Tarpinian, Steven H Silver, David K.M. Klaus, Chip Hitchcock, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Sheila Willis Passes Away

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Filker Sheila Willis, part of the filk music group “Technical Difficulties”, has died, reportedly of a heart attack. (Exact date unknown.)

“Technical Difficulties “ with Willis, Linda Melnick and T.J. Burnside (now T.J. Burnside Clapp) won a Pegasus Award (“For Excellence In Filking”) at the Ohio Valley Filk Fest in 1989. Their recording “Come You Knights” [YouTube] is available online. The group’s legend persists – it even garnered a mention in The Drink Tank #300.

Sheila Willis also co-edited Fifth Season, a Blake’s 7 fanfic zine, and contributed art to other zines celebrating the tv show, including Southern Seven and Vault of Tomorrow.

Sheila Willis illo from Southern Seven.

[Thanks to Susan de Guardiola and Andrew Porter for the story.]