Tag Archives: Chengdu Worldcon

Pixel Scroll 2/3/24 It’s Hot As Hell In Pixeldelphia

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(1) DRAGON CON BANS AI ART FROM SALES AREAS. The Dragon Con 2024 Art Show Application Form includes this ban:

No AI artwork of any kind will be allowed to be sold or distributed in the Dragon Con Art Show, Comic and Pop Artist Alley, or Vendor Halls. Failure to comply with our AI Policy can lead to immediate removal from show floor.

(2) VOICE FOR HUGO CHANGE. Mary Robinette Kowal shared her knowledge of how Hugos are administered in a Bluesky thread that starts here. She contrasts how the disqualification of her audiobook novella “Lady Astronaut of Mars” was handled by the 2013 administrator versus the way those ruled “ineligible” have been treated by the 2023 administrator.

After providing more background history, Kowal makes a call for change in Hugo oversight.

(3) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

A couple of Chinese language videos about the Hugos

Whilst looking for coverage of the Hugos on the Chinese internet, I came across this Bilibili video, posted Wednesday 31st.  It’s a compilation of 5 news items from a channel that I think I maybe submitted an item for last year.  The final item – from around 10:20 in – is entitled 

  • 雨锅奖余波 (yuguo jiang yubo – Hugo Award Aftermath).  

I don’t think there’s anything new there to anyone who’s been following File 770 coverage, but this is one of the few mainland China items I’ve seen on the subject, outside of user comments on various social media platforms, that – as previously covered – have had a tendency to disappear.

As I type this 3 or 4 days after the video was uploaded, it has received just over a quarter-of-a-million views.  I’ve got a local backup copy just in case it does belatedly vanish.

The below screenshots and Google Translated renditions thereof are included primarily for the bullet comments from users.  Filers might like to note that the video also includes a (machine translated?) screenshot of a Paul Weimer blog post.

A day earlier, I came across this video from a YouTuber in Taiwan, which was posted 4 days ago, and has just over 200 thousand views as I type this.  It’s another explainer for mainstream audiences, so again there won’t be much new to people who’ve been reading this site.

The video is edited in a snappy way, and very memey.  

(The place where I came across a link to this video is also worthy of a write-up, but that will have to wait for another day.)

(4) SAWYER’S STATEMENT ABOUT TIANWEN PROJECT. Robert J. Sawyer, a Chengdu Worldcon guest of honor, responded to discussion about the Tianwen Project and his participation in a launch ceremony at the Worldcon in a Facebook comment this week.

Elsewhere he answered some other questions about his guest of honor appearance.

And because people have been known to carelessly treat things others say in comments here as if they are my personal opinion (like Robert J. Sawyer, who recently blocked me in social media), I am going to quote what I wrote to a friend in October 2022 after passage at Chicon 8 of a resolution calling for Sergey Lukyanenko to be disinvited from the Chengdu Worldcon:

…Continuing a line of discussion I raised on FB — I want to be clear that I’m not demanding any action from Robert J Sawyer. If he volunteersto make a public statement, obviously I would run it. Otherwise, it’s not his fault that the other two GoHs are problematic. So while I expect at some point the Twitterati will try and railroad him because he’s the only English-speaker and the only GoH who answers his social media, I personally don’t think Sawyer has to take responsibility for the malfeasance of the committee or their refusal to clean up their GoH slate….

Which it seems to me is quite different from what some of his interrogators have had to say here and on FB. (And the malfeasance I had in mind in October 2022 was that the site selection voters who by then had been members for 10 months had yet to hear from the committee, people who wanted to buy new memberships complained that they couldn’t, and that the new Chengdu website had launched without any statement about who their Guests of Honor were, even though the names had been announced immediately after they won the bid.)

(5) NOT IF IT PUTS HIM OUT OF WORK. “Star Trek’s William Shatner Was Asked About His Stance On A.I. Replacing Him, And He Had An Interesting Response” reports Comicbook.com.

…Shatner recently spoke with Comicbook.com ahead of his upcoming appearance at Orlando’s MegaCon, and was asked about the possibility of his James T. Kirk one day being brought back to life, as it were, via A.I. Never one to shy away from hard questions, the actor gave his honest take on the situation, and how he’d respond to it depending on the situation:

“It’s an interesting question. The strike was all about getting permission to do that. And so if I’m alive, I don’t want A.I. to do that, but if I’m dead and they ask my family and they’re going to pay my family very well to sound like me, I would advise them to say yes.”

William Shatner isn’t so okay with allowing A.I. to take over his character or his own persona if he’s still alive, which is understandable. But if he’s no longer around to pass judgment, he’ll leave it to his family to decide. If a fair price is determined, apparently, he’s giving the green light to allow his likeness to be used for Captain Kirk.

(6) JENNELL JAQUAYS (1956-2024). Artist and game designer Jennell Jaquays, who created scenarios with myriad paths for Dungeons & Dragons, levels for video games like Quake II, and art that invited novices to try role-playing games, died January 10. The New York Times obituary is here.

… Over nearly five decades, Ms. Jaquays illustrated the covers and interiors of settings, modules, books and magazines for D&D and other role-playing games. In one of them, a red dragon roars while perched in front of a snow-capped mountain; in another, a nautiluslike spaceship floats above an alien world; in a third, two Ghostbusters prepare to tangle with a field of animated jack-o’-lanterns.

Ms. Jaquays also crafted scenarios of her own. Two of her earliest D&D modules, “Dark Tower” and “The Caverns of Thracia,” are renowned for their pathbreaking designs.

In the early days of D&D, many scenarios were fairly linear — enter dungeon, defeat monsters and plunder, assuming your characters survive.

Ms. Jaquays’s adventures were not so straightforward. They often contained several possible entrances and multiple avenues, some of them secret, by which players could accomplish their goals.

“The result is a fantastically complex and dynamic environment: You can literally run dozens of groups through this module and every one of them will have a fresh and unique experience,” the game designer Justin Alexander wrote about dungeons like Ms. Jaquays’s on his website in 2010…

(7) CHRISTOPHER PRIEST (1943-2024.) British sf writer Christopher Priest died February 2 at the age of 80. (Not to be confused with the comics author with the same name.) His novel The Prestige was a World Fantasy Award winner in 1996. His book The Islanders won the John W. Campbell Memorial Award and a British SF Association Award in 2012. Four other works also received BSFA Awards, Inverted World (1975), “Palely Loitering” (1980), The Extremes (1999), and The Separation (2003), the latter winning the Arthur C. Clarke Award as well. He was a Worldcon guest of honor in 1995, and received the Prix Utopia life achievement award in 2001.

In the late Eighties Priest also took time to pen The Last Deadloss Visions “an enquiry into the non-appearance of Harlan Ellison’s The Last Dangerous Visions”, which he called “a polemical pamphlet, written to express a point of view and to persuade others of that view.”

The British Council website’s “Christopher Priest – Literature” follows a long biography with a critical appreciation of his work. It says in part:

Christopher Priest was born in Cheadle, Greater Manchester, in 1943…. His first novel, Indoctrinaire, was published by Faber and Faber in 1970, beginning a stretch of two decades during which Priest’s novels appeared almost biennially. 1972’s Fugue for a Darkening Island saw Priest nominated for the John W. Campbell Award. His third novel, The Inverted World (1974), won Priest the first of his four BSFA (British Science Fiction Association) Awards. In the mid-1970s he was an associate editor of the UK semi-academic journal Foundations, which provided a distinctive platform for the criticism and popularization of science fiction at a time when the genre was not well established in the academy.

…Priest 1995’s epistolary novel The Prestige was a popular breakthrough. Winner of the World Fantasy Award and James Tait Black Memorial Prize, and nominated for the BSFA and Arthur C. Clarke awards, it was adapted into a film directed by Christopher Nolan, released to acclaim in 2006….

As time went by Priest generally was less interested in playing the role of elder statesman his accumulated honors had earned for him than he was in continuing to dish out the kind of fiery opinions he’d shared throughout his career. Consider that in 2012, before going on to win two major awards later in the year, he blasted the Arthur C. Clarke shortlist, saying he was dismayed that several quality books didn’t make the list, with sketches of the defects of the actual choices. (Although not all of the authors took it hard, judging from Charles Stross’ reaction, which was to issue a commemorative t-shirt.)

He is survived by his wife, Nina Allan, who followed her announcement of his passing with a chosen poem.

Christopher Priest at the 1980 Worldcon, NoreasCon Two. Photo by and (c) Andrew Porter.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 3, 1970 — Warwick Davis, 54. This is not by any means a complete listing of everything he’s done. Just remember that before lodging the complaint that I forgot to include something. I didn’t forget. I just didn’t include it.

Warwick Davis is much loved for being the title character in Willow and really not loved for being Lubdan the Leprechaun in, errr, the Leprechaun film series. Look you really don’t need to see the latter even if you’re seriously drunk on cheap fake Irish beer on St. Patrick’s Day. They made him a lot on money but they’re really awful. Willow on the other hand is sublime. It brings a tear to my eye when I see it. 

He was the physical aspect of Wicket W. Warrick in Return of the Jedi, Caravan of Courage: An Ewok Adventure, Ewoks: The Battle for Endor and Star Wars: The Rise of Skywalker though the character was voiced by Darryl Henriques. 

Warwick Davis in 2007.

He also played a lot of other Star Wars characters. The Phantom Menace saw him play Wald, Weazel, and Yoda in the walking shots, and a street trader on Tatooine; The Force Awakens a Wollivan (and no, I don’t recognize all of these characters); A Star Wars Story saw him being Weeteef Cyubee;  then Star Wars: The Last Jedi got the sneeze-worthy character names of Wodibin / Kedpin Shoklop, the latter in a deleted scene. Think I’m done? No. Next is Solo: A Star Wars Story where he’s Weazel / DD-BD / W1-EG5 / WG-22 and finally there’s The Rise of Skywalker where he’s Wicket W. Warrick for the final time plus Wizzich Mozzer again. Whew!

He’s in all five of the Harry Potter films in one or more of three roles — Professor Filius Flitwick, Goblin Bank Teller and Griphook, the latter just as the voice of that character. I’ve only seen the first three films and yes, I’ve loved them deeply even though all I’ve read of the novels was the first hundred pages of the first which I found exquisitely, deeply boring. God, I found her a bad writer.

Now here’s one that I really didn’t expect. He was in The Hitchhiker’s Guide to the Galaxy as Marvin the Paranoid Android. (Love the voicing of that character in the BBC radio production!) Again he didn’t voiced the character as that was provided by Alan Rickman. 

He shows up twice in Narnia productions, once as Nikabrik in The Chronicles of Narnia: Prince Caspian film, and on the television film Prince Caspian and The Voyage of the Dawn Treader as Reepicheep. Loved those novels. 

Finally he voiced Sniff (Snufkin) in the English language track for the Finnish crown funded animated Moominvalley series. Really great books. The Estate just allowed the likeness of the characters to be commercially used less than a decade ago. Have you seen a Moomin plushie? Oh really cute! I want! 

(9) AND GOOD-BYE TO YOU TOO, OLD RIGHTS-OF-MAN. Bill Coberly asks “Are We All Too Cynical for Star Trek?” in a piece for The Bulwark, a political Substack, about the changing portrayal of Starfleet across the decades. 

…This is not to say that the ’90s shows never delved into the complexity and nuance of this ethos—indeed, playing at the edges of their internal morality was how they derived much of their interest. A number of Starfleet admirals throughout TNG are shown to be venal or corrupt. One of the greatest episodes of Deep Space Nine (1992–99), “In the Pale Moonlight,” is entirely about how, in times of crisis, moral compromise may be necessary, even for Starfleet. But such cases are treated as exceptional, unusual circumstances far beyond the norm; as a rule, Starfleet is good, and the best way to be a good servant of the true and just in the world of Star Trek is by being a good Starfleet officer. How does one be a good Starfleet officer? By doing one’s job, by being a professional, by following one’s duty.

THINGS ARE DIFFERENT IN modern Trek. By “modern Trek” I mean the five major TV shows that have aired since the franchise returned to the small screen in 2017: Discovery (2017–present), Picard (2020–23), Lower Decks (2020–present), Prodigy (2021–present), and Strange New Worlds (2022–present). Starfleet as an institution often plays a partially antagonistic role in each of these shows. By the time of Picard, the titular paragon has quit Starfleet in a huff because it no longer lives up to his principles, and in both seasons one and three it is revealed that Starfleet has been compromised by hostile alien agents and cannot be trusted. The first season of Discovery ends with Starfleet condoning genocide, only to be stopped by our heroic crew; Season 2’s villain was an out-of-control Starfleet AI that threatened all life in the galaxy; and Seasons 3 and 4 keep the crew in near-constant conflict with Starfleet and/or Federation brass. Lower Decks is centered on the adventures of a low-level officer who routinely defies Starfleet regulations to help nearby planets in ways that Starfleet would not condone. Even Strange New Worlds, the most archetypal of the modern shows, emphasizes how unjust some of Starfleet’s rules are: In the first episode of the second season, the crew is forced to steal the Starship Enterprise itself to rescue a comrade in defiance of Starfleet’s orders….

(10) SFF BOOKS ON SALE. [Item by BGrandrath.] Back with another Whatnot commercial. The other day someone posted asking about a good place to buy books this might be the answer… “Over 40 Science Fiction Books | Vintage Book Haul”.

BOB’S Books will be on my nomination list for Best Fancast this year.

(11) ROMANTASY. The Guardian discusses “A genre of swords and soulmates: the rise and rise of ‘romantasy’ novels”.

…It is unclear where the “romantasy” label originated: though Bloomsbury said it coined the term to “identify the genre [Sarah J. Maas] was spearheading”, the term was posted on Urban Dictionary as early as 2008. In any case, its usage has exploded in the last year on social media and in marketing copy for fantasy romance titles.

Romantasy authors are selling well in part because of their huge popularity on social media; Maas’ publisher, Bloomsbury, says that videos with hashtags connected to her books have more than 14bn views on TikTok alone. On “BookTok”, the corner of the platform dedicated to book-related content, fans share their rankings of book series, theories about what might happen in future novels, compilations of favourite quotes and outfits inspired by books.

Such novels are typically set in fantastical worlds, with fairies, dragons, magic, but also feature classic romance plotlines – enemies-to-lovers, soulmates, love triangles. “Romance readers have discovered that romantasy has all the tropes they adore, but set in a world they can escape to and get lost in,” explains Ajebowale Roberts, an editor at HarperCollins.

“The Bachelor meets The Hunger Games” is how Canadian author Nisha J Tuli describes one of her romantasy novels, Trial of the Sun Queen….

(12) BURNSIDE Q&A. [Item by Steven French.] John Burnside is an award-winning poet and author: “John Burnside: ‘My stoner friends were into The Hobbit, but Gormenghast was darker’” in the Guardian.

The book that changed me as a teenager

Mervyn Peake’s Gormenghast series. My stoner friends were into Tolkien’s The Hobbit, but that didn’t interest me. What Peake created was darker, more intricate, at once more sinister and more beautiful than anything else I had read up to that point. At the end, I was left with a powerful impression of the richness of language, of its magical power. As my father would say, “people like us” didn’t become writers, (or musicians, or artists) but Peake made me wonder if writing was maybe worth the risk of honourable failure.

(13) TOP 10 STREAMING SFF FOR JANUARY. JustWatch has shared its rankings of the Top 10 Sci-Fi streaming films and TV series for January 2024.   

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Ersatz Culture, BGrandrath, Ken Josenhans, Steven French, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]

Worldcon Intellectual Property Announces Censure of McCarty, Chen Shi and Yalow; McCarty Resigns; Eastlake Succeeds Standlee as Chair of B.O.D.

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Ben Yalow
Dave McCarty displaying the Hugo base in Chengdu.
Chen Shi
Kevin Standlee and Don Eastlake III.

Worldcon Intellectual Property (W.I.P.) is the California non-profit corporation that holds the service marks of the World Science Fiction Society (www.wsfs.org) including the mark “Hugo Award”. In the midst of social media discussions about the continued viability of these marks, W.I.P. issued the following press release on January 30.

W.I.P. takes very seriously the recent complaints about the 2023 Hugo Award process and complaints about comments made by persons holding official positions in W.I.P. In connection with these concerns, W.I.P. announces the actions listed below. There may be other actions taken or to be taken that are not in this announcement. 

  • Dave McCarty has resigned as a Director of W.I.P.
  • Kevin Standlee has resigned as Chair of the W.I.P. Board of Directors (BoD).

W.I.P. has censured or reprimanded the following persons, listed in alphabetic order, for the reason given:

  • Dave McCarty – censured for his public comments that have led to harm of the goodwill and value of our marks and for actions of the Hugo Administration Committee of the Chengdu Worldcon that he presided over.
  • Chen Shi – censured for actions of the Hugo Administration Committee of the Chengdu Worldcon that he presided over.
  • Kevin Standlee – reprimanded for public comments that mistakenly led people to believe that we are not servicing our marks.
  • Ben Yalow – censured for actions of the Hugo Administration Committee of the Chengdu Worldcon that he presided over.

Donald Eastlake has been elected Chair of the W.I.P. BoD.

The release also asks readers to note:

Each year’s World Science Fiction Convention (Worldcon) is run by a separate organization which administers the Hugo Awards for that year. The Chengdu 2023 Worldcon has asked that any specific questions about the administration of the 2023 Hugo Awards be sent to [email protected]. (For media enquiries on topics related to W.I.P. other than the specifics of the 2023 Hugo Awards, you may contact [email protected].)

[Based on a press release.]

Update: 01/30/2024: The membership of the WIP Board are the members of the WSFS Mark Protection Committee. Upon Dave McCarty’s resignation, the MPC elected Bruce Farr to fill that now-empty seat (which was up for election at the 2024 WSFS Business Meeting). Bruce was currently already serving as a non-voting Treasurer of the MPC and of WIP.

The members of the WSFS Mark Protection Committee as of January 30, 2024 are: Judith Bemis (Elected until 2026); Alan Bond (Appointed by Seattle 2025 until 2027); Joni Dashoff (Elected until 2026); Linda Deneroff (Secretary, Elected until 2024); Donald E. Eastlake 3rd (Chair Elected until 2024); David Ennis (Appointed by Buffalo NASFiC 2024 until 2026); Bruce Farr (Treasurer, Appointed by Board Resolution to fill vacancy until 2024); Alissa Wales (Appointed by Glasgow 2024 until 2026); Chris Rose (Appointed by Chicon 8 until 2024); Linda Ross-Mansfield (Appointed by Pemmi-Con/2023 NASFiC until 2025); Chen Shi (Appointed by Chengdu Worldcon 2023 until 2025); Kevin Standlee (Elected until 2025); Mike Willmoth (Elected until 2026); Nicholas Whyte (Elected until 2025); and Ben Yalow (Elected until 2025).

Pixel Scroll 1/30/24 Ocean’s Elven

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(1) SO FEW REMAIN. George R.R. Martin calls these “Dark Days” at Not a Blog.

 …2023 was a nightmare of a year, for the world and the nation and for me and mine, both professionally and personally.   I am very glad that it is over.

Unfortunately, so far 2024 looks to be even worse….

…I am famous and I am wealthy and, supposedly, I have a “big platform.”  Whatever that is.  But I have grown more and more cynical about this supposed “power” that people keep telling me I have.   Has anything I have ever written here ever changed a single mind, a single vote?  I see no evidence of that.  The era of rational discourse seems to have ended.

And death is everywhere.   Howard Waldrop was the latest, and his passing has hit me very very hard, but before him we lost Michael Bishop, Terry Bisson, David Drake… from my Wild Cards team, Victor Milan, John Jos. Miller, Edward Bryant, Steve Perrin… I still miss Gardner Dozois and Phyllis Eisenstein and my amazing agent Kay McCauley… Len Wein is gone, Vonda McIntyre, and Harlan Ellison… Greg Bear too, and… oh, I could go on.    I look around, and it seems as though my entire generation of SF and fantasy writers is gone or going.  Only a handful of us remain… and for how long, I wonder?  I know I have forgotten people in the list above, and maybe that is the destiny that awaits all of us… to be forgotten.

For that matter, the entire human race may be forgotten.   If climate change does not get us, war will.  Too many countries have nukes….

(2) FLASH MOB. The term Larry Niven coined for his stories of a world with transport booths is in the mainstream now. Shelf Awareness’ headline about this crime is: “Deadtime Stories, Lansing, Mich., Victim of ‘Flash Mob Robbery'”.

…Owner Jenn Carpenter wrote that around 2:30 p.m., a van pulled up to the corner of Washington and South St., and five teenagers wearing backpacks, carrying a big black trash bag, got out and entered the bookstore, where they remained for approximately 15 minutes. 

“During this time, they took turns asking me questions and keeping me occupied on the bookstore side of the shop, while the rest of them stuffed their backpacks with over $1,300 worth of merchandise,” she continued…

The WILX story has more details: “Lansing’s Reotown store ‘Deadtime Stories’ victim of theft, catches individuals on security footage”.

“The very first clip that I pulled up was them stuffing hundreds of dollars of merchandise in backpacks,” said Jenn Carpenter.

In Lansing’s Reotown, a well known book store, Deadtime Stories, fell victim to a theft. The owner, Jenn Carpenter says she had no idea she had been stolen from until another store owner asked her to check her security footage.

In the security footage, you can see a group of people stuffing store merchandise in a backpack, purse, and even in their pants.

“We lost more yesterday in stolen than we made in sales,” said Carpenter,“This brazen like an entire group of people coming in and just stuffing hundreds of dollars worth of merchandise in their bags and leaving… I’ve never seen anything like it.”

The business across the street, Vintage Junkies, also fell victim to the thefts. The owner says the group took more than $700 in merchandise, even stealing a lamp.

(3) STUDYING OCTAVIA BUTLER. Lois Rosson, a historian of science, is The Huntington’s 2023–24 Octavia E. Butler Fellow. She is currently working on a project about the depiction of outer space over the course of the Cold War titled Scientific Realism and American Astrofutures: Octavia Butler and the Space Environment. “Interview with Octavia E. Butler Fellow Lois Rosson” at The Huntington.

Durkin: You have noted that Octavia E. Butler grew up in Pasadena, not far from NASA’s Jet Propulsion Laboratory. How do you think that informed her work? And how does that inform your scholarship?

Rosson: For me, this is one of the most interesting parts of my project. The triangle formed by JPL, the Hollywood special effects industry, and commercial aerospace in Southern California has had an outsized impact on the look of outer space. A lot of the illustrators I write about found work in these three industries, and they often moved from one to another.

As you’ve noted, Butler grew up in the northwest part of Pasadena, in close physical proximity to JPL. That said, the scientific and technical expertise concentrated in the region was parsed out socially, not geographically. Pasadena’s public schools were segregated until as late as 1970 and officially desegregated only because of a federal court order. In fact, Pasadena was the first city outside of the South that needed such a mandate. Butler graduated in 1965 from John Muir Technical High School, which was then a vocational school serving the area’s growing African American population.

So, there’s a moment in my story when the illustrators I write about and many of their scientific collaborators are concentrated around JPL, Caltech, and Hollywood, and they are using a frontier model to articulate the landscapes of the outer solar system. Butler is living in the same environment at the same time and forming very different ideas about how society should be organized in space. Unsurprisingly, the arid landscapes of the West take on a different meaning in her work. In her Parable series of novels, outer space represents an escape from the degradation of Earth’s landscapes. In Butler’s work, space settlement looks more like diaspora, which upends the frontier logic we’re used to. Casting space as something other than a frontier helps us understand the persistence of the metaphor more clearly and rethink how we relate to space as an environment.

(4) AWARD FOR CALIFORNIANS. The 2024 Golden Poppy Awards were presented by the California Independent Booksellers Alliance on January 25. The 14 categories include a sff award. 

  • Octavia E. Butler Award for Sci Fi/Fantasy/Horror: Maeve Fly by CJ Leede (Tor Nightfire)

(5) OCTAVIA BUTLER MURAL. Publishers Weekly’s January 29 “Picture of the Day” shows authors Sherri L. Smith (l.) and Elizabeth Wein (r.) celebrating the launch of their book American Wings: Chicago’s Pioneering Black Aviators and the Race for Equality in the Sky (G.P. Putnam’s Sons Books for Young Readers), with a visit to Octavia E. Butler Magnet STEAM Middle School in Pasadena, Calif.

(6) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

A Chinese fan writes in English about recent events and their impact

The author of this was OK for me to link to the source, but after a brief discussion with them, I am presenting their original unedited English language text here instead.  We did not discuss any of the things that they allude to in this text; I am more interested in conveying to a wider audience the sort of thing that (I imagine) many Chinese fans are feeling, than getting into the weeds of the specifics.

The problem is not that Chinese SF is without hope. I won’t be disappointed if that is the case because there would not be any hope at the very beginning. The problem is that, people who actually care about Chinese SF, who make every effort to make it shine, who knows this industry, who want this explained fairly, are being dishonored, silenced, denied, warned. They even had to warn each other about potential cost: it’s not worth it to hang on anymore. 

So, that’s it. The opportunity was cast away for a generation at least. People who had cherries picked got their fruits and headed for the next big one. The catastrophe was left behind for writers, publishers, mag editors to deal with.

As a SF reader for nearly 20y but not one who read Chinese SF for years, I was not familiar with many candidates before con. But I just heard too many familiar stories of what the survivors have to worry about afterwards.

The dishonesty, like a thorns crown, was forced on the winners’ head. Few would expect blood trailing from behind, but the bleeding will not go away easily. It was never the fault of the winners, but penalty is put on them.

I hate it. 

Mike has been provided with the link to the original source, just so that he can verify that this isn’t something I’ve invented myself.

Fact-checking Babel’s status in China

Regarding all the discussion about why Babel was declared ineligible, here’s an attempt at rumour-control of the specific issue of whether it is legally published and available within China.  This isn’t intended to prove or disprove if or why any censorship or interference took place in the Hugo nominations, but just to clarify whether the work is available.

On January 22nd, Yin Harn Lee pointed out on Twitter that Babel had been published and was available for purchase in China.  I replied with a link to a Tweet I’d made a couple of days earlier, referring to the fact that it had recently ranked 4th in a list of the top 10 SFF books of 2023 on Douban.  (I’m not sure how that list was generated – from sales, user activity, a judging panel, or something else.  Also, I’d only come across that list via a post from a Chinese Twitter user, but their tweets are protected, so I can’t really credit the “real” source for that info.)

A few days later, I did a bit more digging.  Per Douban (which is China’s equivalent of Goodreads/IMDB/etc), the publisher of that translated edition is 中信出版集团, which can be translated as something like CITIC Press.  I’ve since had it confirmed that CITIC Press is ultimately part of CITIC Group, and their Wikipedia article has some interesting nuggets about their founding and ownership.

Note: CITIC being the publisher of Babel explains a comment on Weibo I saw shortly after the Hugo finalists were announced.  My quite probably incorrect recollection is that it translated as something like “CITIC won’t be happy”, which didn’t make any sense to me at the time, even after I’d read the Wikipedia article linked above.  In retrospect, I’m guessing that by the time the finalists were announced, Babel had already been announced as an upcoming publication by CITIC.  Given all the buzz about it, CITIC would likely be expecting to gain a lot of publicity and enthusiasm from the Hugo nomination that many of us were assuming was a dead certainty.

(7) FUTURE TENSE. The January 2024 entry in the Future Tense Fiction series is “Sad Robot,” by E.R. Ramzipoor. The story is about what happens when a globally crucial AI system is in need of therapy. Future Tense Fiction is a monthly series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination about how technology and science will change our lives.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 30, 1955 — Judith Tarr, 69. Did you know Judith Tarr breeds Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona? They figure into her romantic fantasies that she wrote under the name Caitlin Brennan which she used for her White Magic series, The Mountain’s Call and sequels, and the House of the Star novel.  Yes, romantic fantasies.

Judith Tarr

Her Hound and the Falcon trilogy (The Isle of Glass, The Golden Horn and The Hounds of God) is set in twelfth and thirteenth century Europe. With elves. Yes elves. Why not?

Her Epona series (White Mare’s Daughter, The Shepherd Kings, Lady of Horses and Daughter of Lir) is set in prehistoric Europe. It takes the theories of archaeologist Marija Gimbutas that a matriarchal society existed in Paleolithic Europe. I’ve read her rationale on that — it’s interesting. The novels are a good read though perhaps a bit dogged at times.

Now Household Gods co-written with Harry Turtledove is a rollicking good novel that’s fun to read. Time travel, ancient Roman gods, a feisty female character — wharf’s not to like?

The next one being His Majesty’s Elephant. Charlemagne. A gift of magical elephant. A supernatural plot afoot. 

A Wind in Cairo allows her to show her love of horses as one of the characters is a male who for his transgressions is transformed by a sorcerer into a magnificent stallions in medieval Cairo where one of victims is now his jockey. 

Finally there’s Living in Threes which Book Cafe quite nice sums up this way, “Three lives. Three worlds. Three times. Three young women, past, present, and future, come together to solve an age-old mystery and save a world..” A novel where you don’t need the Bechdel test. 

She’s written some fifty shorter pieces of fiction, none collected, save those in, and try not to be surprised, in her Nine White Horses: Nine Tales of Horses and Magic collection. 

(9) BRAIN CHIP. “Elon Musk’s Neuralink implants brain chip in first human” reports Reuters.

The first human patient has received an implant from brain-chip startup Neuralink on Sunday and is recovering well, the company’s billionaire founder Elon Musk said.

“Initial results show promising neuron spike detection,” Musk said in a post on the social media platform X on Monday.

Spikes are activity by neurons, which the National Institute of Health describes as cells that use electrical and chemical signals to send information around the brain and to the body.

The U.S. Food and Drug Administration had given the company clearance last year to conduct its first trial to test its implant on humans, a critical milestone in the startup’s ambitions to help patients overcome paralysis and a host of neurological conditions.

In September, Neuralink said it received approval for recruitment for the human trial.

The study uses a robot to surgically place a brain-computer interface (BCI) implant in a region of the brain that controls the intention to move, Neuralink said previously, adding that its initial goal is to enable people to control a computer cursor or keyboard using their thoughts alone….

(10) NO RELATION TO THAT FLYING SQUIRREL. Atlas Obscura remembers “How NASA Got Involved With Parachuting Beavers”.

IF YOU WERE WANDERING THE wilds of the Wasatch National Forest in Utah in September 2023, you might have encountered a strange sight: a line of slowly marching horses, with beavers saddled on their backs. Unfortunately, the rodents were not wearing tiny cowboy hats and boots. They were inside carriers, but their journey via horseback was still a fairly Wild West–type of solution to a problem. These beavers were headed to a new home—a battleground in the fight against drought and wildfires in the region….

…For decades, people have gone out of their way to move beavers across great distances. Today’s preferred methods—hiking, humping, and horseback rides—are an improvement over 1948, when beavers were parachuted out of planes in Idaho. Back then, Idaho Fish and Game had loaded the animals into boxes designed to spring open upon landing, and then dropped them over the Sawtooth Mountain Range….

…However, the reason behind all of this shuttling beavers around has completely reversed since the 1940s. Then, they were being sent to remote locations because humans didn’t want them around. Today, in Idaho, Utah, and other sites, they’re being brought back. Beavers are ecosystem engineers—and the ecosystems they create happen to be key to limiting wildfires and managing drought conditions. The mini-paratroopers have been revealed to be mini-firefighters, and it was the results of that aerial feat in 1948 that helped kick it all off, at least once NASA took notice….

(11) DESERT SONG. “Dune Spice Opera 2024 remaster” available for sale at Bandcamp.

From the first Dune 1991 game, reworked in 1992 with Philippe Ulrich, a classic of 90’s Electronic music now available in a qualité never Heard before!

Carefully remastered using modern tools, this 2024 version features spectrally enhanced sound, wider stereo, and clearer dynamics, rendered in Hi-Res Audio 96/24 format.
Includes also a special bonus: The full game OST in a yet unveiled quality!

(12) VIDEO OF THE DAY. Deadline sums up the “’Ministry Of Ungentlemanly Warfare’ Trailer”.

The Ministry Of Ungentlemanly Warfare will be released on April 19. Think Ritchie meets Magnificent Seven and Inglourious Basterds….

…The true story covers Winston Churchill and Ian Fleming’s secret WWII combat organization. The clandestine squad’s unconventional and ‘ungentlemanly’ fighting techniques against the Nazis helped change the course of the war and gave birth to the modern Black Ops unit.

The script by Paul Tamasy and Eric Johnson, Arash Amel and Ritchie is based on war correspondent and military historian Damien Lewis’ best-selling book of the same name. Tamasy and Johnson initiated the project and sold it as a pitch to Bruckheimer and Paramount in 2015….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Joey Eschrich, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Barkley — So Glad You (Didn’t) Ask #80

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Chengdu 2023: A Bittersweet Symphony of a Worldcon

R.F. Kuang. Photo by Kobi C Felton
Neil Gaiman
Paul Weimer

I’ll take you down the only road I’ve ever been down
Been down
Ever been down
Ever been down
Ever been down
Ever been down
Have you ever been down?
Have you ever been down?
Have you ever been down?

++ “Bittersweet Symphony” by Richard Ashcroft of The Verve, with Mick Jagger and Keith Richards

By Chris M. Barkley: January 20th, 2024: A Day that will live in Fannish Infamy.

What was that day like? It was like racing down the stairs on Christmas Day and spotting a large package containing the LARGEST chocolate bar you have ever seen, ripping the wrapping and packaging unheeded and sinking your teeth into it for a BIG bite…only to find out an instant later and much to your horror, that your dear, elderly, nearsighted grandparents had bought a gigantic bar of bitter, very untasty, dark baking chocolate.  

Yes, THAT kind of day. And every single day since then…

My partner Juli and I were taking a midmorning break after a panel and a late breakfast in our hotel room last Saturday at the 49th edition of the ConFusion sf convention in Novi, Michigan, when she noticed a Facebook post from a well known Chicago area sf fan, Dave McCarty:

· January 20 at 11:48 am
“For those following at home, the release is out.”

As many of you may now know, Mr. McCarty was one of the lead Hugo Award Administrators for the 81st World Science Fiction convention that took place in the People’s Republic of China’s fourth largest city, Chengdu. It also happens to be the capital of China’s sff community.

We, along with a lot of people in the fannish community, had been eagerly awaiting the release of the 2023 Hugo Awards Long List of Nominations. 

You may also be aware that I attended the convention, too; not only in the capacity of File 770’s foreign correspondent, but as a Hugo Award Finalist in the Best Fan Writer Category.

During my stay I did not encounter any problems with anyone on the Convention Committee, congoing staff or fans, or any of the police or security services who were (heavily) present. I, in turn, was very polite and circumspect in my behavior and attitude while I was there, since I considered myself as a diplomat for my country AND for the international fannish community as well. 

Full Disclosure: I was an invited guest of the Chengdu World Science Fiction Committee and the host fan group, the Chengdu Science Fiction Society. I did so of my own free will, knowing that the People’s Republic of China is a totalitarian regime with a very vigorous system of surveillance and social intimidation. I went to Chengdu, with airfare and expenses paid, without any prior restraints on what I could say, do or go. I went because: 

(a) I was invited by the hosts of the convention and I wanted to represent the sf community on a world stage. 

(b) I was a Hugo Award nominee for fan writing and, most importantly —

(c) I am 67 freaking years old and exactly WHEN THE HELL was I going to get another chance to visit Asia, much less the People’s Republic of China?

So, I went all in, with my eyes, and ears wide open. I was on the lookout for anything unusual. I even took a “dumb phone” which had a very limited connectivity and functions just in case the Chinese security services became a little too interested in me. (This rather foolish and overly paranoiac move actually caused more problems than it actually solved. 

(Note: I am currently at work transcribing a diary I kept during the period of my nomination and my stay at the convention where this blunder and other fascinating things will be revealed. It will be published on File770 later this year.) 

Onward…

[Chris Barkley’s column continues after the jump.]

Continue reading →

Dave McCarty Makes Statement About His Facebook Responses

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On January 27, Dave McCarty, Chengdu Worldcon Hugo Administrator, issued an apology on Facebook for responses he made to comments there. But he reiterated that “The statement that the administration team has previously made about eligibility decisions is the only one I can share.”

For those playing along at home, get your bingo cards out because it’s time to mark the hard-to-fill space.

I am apologizing.

Last week, I posted on my page that the Hugo statistics had gone up thinking that I was talking to just the few folks that had popped in before and asked me about them. I didn’t really think at any time that it would be seen by pretty much everyone that wasn’t me as speaking for the convention and the Hugo team.

Clearly, I think we all agree I was wrong.

The responses put me in old habits and I got defensive. Most of my responses there were inappropriate, unprofessional, condescending, and a number were clearly insulting. I made things worse.

I apologize to the Finalists.

I apologize to the Worldcon community.

I apologize to the Hugo Awards community.

My actions there caused pain and damage to people and communities that I love. Worldcon has been a core part of my life for more than 20 years, and I have to live with the knowldge of the damage I caused here by acting that way.

I am going to turn off commenting on both this post and the past post about the stats. The statement that the administration team has previously made about eligibility decisions is the only one I can share. Any further questions or concerns about the 2023 Hugo Awards should be emailed to [email protected].

Sincerely,

Dave

Pixel Scroll 1/27/24 Qual Piuma Pixel?

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(1) CREEPING. [Item by Anne Marble.] Author J.D. Barker has been called out for sending e-mails to young women book reviewers asking them to make and send risqué videos he could use in promoting his book. He also offered to pay for the videos once he’d “approved” them. There are reaction videos on TikTok and Xitter. Here is one:

You can see screencaps of the message he sent here:

In addition, he didn’t verify anyone’s age before sending out these e-mails which might cause him legal trouble.

Barker’s upcoming book is Behind a Closed Door, an erotic thriller novel, but he is known in sff circles for having co-authored the Dracula prequel Dracul with Dacre Stoker (Bram Stoker’s great-grandnephew).

He posted an apology — but it made eyes roll. The apology blames his publicity firm, but people have pointed out that he co-founded the publicity firm.

https://twitter.com/jdbarker/status/1750958811236491700

He has been dropped by his agent says Publishers Weekly, and it has been reported that he also stepped down from his position on the board of International Thriller Writers. His book is being distributed by Simon & Schuster — but it’s through Hampton Creek Press, which Barker founded. NBC News has more coverage: “Bestselling author faces fallout after BookTok creators call out ‘racy’ promotion request”.

He’s no relation to Clive Barker or R. J. Barker, by the way.

(2) ICONIC SFF ART ACQUIRED BY UC RIVERSIDE. The Dillons’ cover art for The Left Hand of Darkness has been sold to the Eaton Collection: “UC Riverside buys Le Guin sci-fi novel cover art” – Bay Area Reporter has the story.

A renowned science fiction collection at UC Riverside has purchased the original cover art for Ursula Le Guin’s award-winning 1969 novel “The Left Hand of Darkness.” The artwork is joining the state university’s Eaton Collection of Science Fiction & Fantasy and should be on display in the college library’s special collections reading room by the summer…

…”I am absolutely over the moon,” Phoenix Alexander, the Jay Kay and Doris Klein Science Fiction Librarian at UC Riverside, told the Bay Area Reporter about being able to buy the 17 1/4 by 13 inch acrylic painting used for the cover of the debut edition of Le Guin’s novel, which was released in paperback by Ace Books.

As the B.A.R. first reported in December, publisher Ace Books hired award-winning artists and biracial couple Leo and Diane Dillon to create the cover art. Highlighting the novel’s plot centered on a gender-nonconforming and ambisexual race of humanoids, the Dillons featured profiles of the book’s nonbinary protagonists in the left bottom corner looking off into the distance. Surrounding the pair is a blue and white celestial-like scene with what appears to be a brown planet and a spaceship hovering above.

(Leo Dillon, of Trinidadian descent, died in 2012. He was the first African American to win the prestigious Randolph Caldecott Medal for illustrators of children’s books, while the Dillons were the only consecutive winners of the award, having received the honor in 1976 and 1977.)

“Their artwork draws on African folk art, Japanese block printing, and medieval illumination,” noted Alexander, who has been in his position at UC Riverside since August 2022….

(3) SWATTER BUSTED. On Facebook Patrick Tomlinson cheered WIRED’s report: “Police Arrest Teen Said to Be Linked to Hundreds of Swatting Attacks”.

For more than a year, the United States Federal Bureau of Investigation has been hunting the person whom experts say is one of the most prolific swatters in American history. Law enforcement now believes they have finally arrested the person responsible.

A 17-year-old from California is allegedly the swatter known as Torswats, according to sources familiar with the investigation. The teenager is currently in custody and awaiting extradition from California to Seminole County, Florida. The Florida State Attorney’s Office tells WIRED that he faces four felony counts.

Seminole County, located in central Florida, had two high-profile swatting incidents within the last 12 months, including one targeting a mosque and another targeting a courthouse. Todd Brown, a spokesperson for Florida’s Office of the State Attorney in the 18th Circuit, confirmed the charges against the teen and his extradition. Brown says he will be prosecuted as an adult under Florida law. WIRED is withholding the 17-year-old’s name because he is a minor….

…According to the Florida State Attorney’s Office, the charges against the California teenager include making false reports concerning the planting of a bomb or the use of firearms, causing a law enforcement response. All charges are described as related to acts of terrorism and showing prejudice based on race, color, ancestry, ethnicity, or religion.

In private Telegram chats witnessed by WIRED over the past year, a person operating the Torswats handle claimed responsibility for hundreds of false reports of bomb threats and active shootings called into schools, politicians’ homes, courthouses, and religious institutions around the US….

…Other messages [private investigator] Dennis shared with WIRED suggest that the FBI has known the identity of Torswats, whose swatting activities were first revealed by Motherboard last April, since at least July 2023, when the agency executed a search warrant and seized Torswats’ devices. The FBI’s Seattle field office, which oversaw the investigation into Torswats, declined WIRED’s request to comment…

…It is unclear whether a single person operated under the Torswats name. On January 20, two days after Dennis, the private investigator, said that Torswats had been arrested, a person using the Torswats’ Telegram handle who had knowledge of previous conversations with WIRED reached out.

“I am pretty sure I’ll never be arrested,” the individual wrote in a direct message on Telegram. “Seems ridiculous that a few bucks a month can allow someone to do crazy shit and never go to jail.”

(4) LETTERS FROM THE PAST. Pulp Librarian reminds readers about a product that wildly expanded choices for desktop publishers. I remember it well. Thread starts here.

(5) HOW IT WORKS. Chris Rose invites users of his Glasgow 2024 Hugo nominating software behind the scenes in a post on Mastodon’s The Wandering Shop. I really do like its name: “Nomnom”.

(6) ANNIVERSARY OF BABYLON 5 LAUNCH. In “30 Years Ago, the Most Pivotal Sci-Fi Show of all Time was Almost Killed by a Rival Franchise” Inverse refreshes our memories about the way Babylon 5 and Deep Space 9 were developed.  

In the beginning, Babylon 5 was almost murdered by Star Trek. Back in 1987, the same year Star Trek: The Next Generation brought space-based sci-fi back to mainstream TV, writer J. Michael Straczynski took his pitch for a sci-fi “novel for television” to studios and networks.

Today, Straczynski is best known for co-writing the first Thor movie in 2011 and co-creating Sense8 with the Wachowskis. But in 1987, his big credits were writing for Masters of the Universe and being a story editor on The Real Ghostbusters. His pitch for Babylon 5 was a unique and radical departure.

… In the late ’80s and early ’90s, serialized TV didn’t really exist outside of soap operas. But on January 26, 1994, the first episode of Babylon 5 debuted and insisted on a new kind of viewing habit: fans had to catch nearly every episode to understand the story, which was set to last for five years….

… Ultimately, the two shows became very different, but the specter of Star Trek loomed over B5. There is also evidence that Paramount and Warner Bros were considering launching a joint network, which wouldn’t have had room for two space station sci-fi shows…. 

(7) GHOSTS AND DOLLS. The list of 2024 Family Film & TV Awards winners includes these genre works:

  • Outstanding Actors in a Feature Film: Margot Robbie (Barbie)
  • Best Iconic Family Film: Ghostbusters
  • Best Ensemble Feature Film: Barbie
  • Best Animated Family Film: Leo

(8) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Many Hugo and Worldcon posts across multiple Chinese internet platforms are being removed

This is a developing item.

Whilst Chinese coverage of events following the release of the Hugo statistics report has been much spottier than in the west — I’m not aware of any coverage from mainstream media — there have been posts on public platforms such as Weibo, WeChat/Weixin and Zhihu (comparable to Quora/Stack Overflow).

Within the past day, several posts across these various platforms, and posted by various users have disappeared.  In some cases, the post is visible to the post’s author, but no other users.

For example, as of 01:15 UTC on Sunday 28th, if you went to the Baidu search engine and entered 雨果奖 把别塔 (Hugo Awards / Babel) you would see as the first result a post on Zhihu with an English language cover of R. F. Kuang’s novel.  If you clicked on the link however, Zhihu would serve you an error page.  However, shortly afterwards, the Baidu result disappeared; this in itself isn’t suspicious, it’s probably due to the search engine realizing the page is no longer any good.

Search results on Baidu for 雨果奖 把别塔 (Hugo Awards / Babel)”
Error page when you click on that link

Google Search for 雨果奖 把别塔 zhihu was still finding the deleted page in the results the last time I checked, but I imagine it will disappear from the results sooner or later.

Search results on Google for 雨果奖 把别塔 zhihu (Hugo Awards / Babel zhihu)

Luckily, I’d previously seen this particular post on Friday 26th, and thanks to some self-made browser extensions, I have a copy of the raw text/HTML.  Due to that webpage relying on JavaScript, it needed a bit of jiggery pokery to bring that saved content back into a semi-usable form, but you can see the original Chinese text, and the Google Translate rendition of part of it here.

Part of the original Chinese text
Part of the text put through Google Translate

As I expected, it was a summary of the controversies following the release of the Hugo nominations report.  I haven’t read it closely, but I’m pretty certain it’s just a recycling of information that had already been posted by other users on other platforms previously.  There’s nothing new to File 770 readers, but it’s the sort of thing that would serve as a useful explainer to people who had not been following the story.

(9) FOR THOSE KEEPING SCORE AT HOME, OR TRYING TO. Charles Stross’ “Worldcon in the news” at Antipope offers an extensive and well-informed discussion of how Worldcons and Hugos work which will be helpful to help those trying to catch up.

…The world science fiction convention coevolved with fan-run volunteer conventions in societies where there’s a general expectation of the rule of law and most people abide by social norms irrespective of enforcement. The WSFS constitution isn’t enforceable except insofar as normally fans see no reason not to abide by the rules. So it works okay in the USA, the UK, Canada, the Netherlands, Japan, Australia, New Zealand, and all the other western-style democracies it’s been held in … but broke badly when a group of enthusiasts living in an authoritarian state won the bid then realized too late that by doing so they’d come to the attention of Very Important People who didn’t care about their society’s rulebook.

Immediate consequences:

For the first fifty or so worldcons, worldcon was exclusively a North American phenomenon except for occasional sorties to the UK. Then it began to open up as cheap air travel became a thing. In the 21st century about 50% of worldcons are held outside North America, and until 2016 there was an expectation that it would become truly international.

But the Chengdu fubar has created shockwaves. There’s no immediate way to fix this, any more than you’ll be able to fix Donald Trump declaring himself dictator-for-life on the Ides of March in 2025 if he gets back into the White House with a majority in the House and Senate. It needs a WSFS constitutional amendment at least (so pay attention to the motions and voting in Glasgow, and then next year, in Seattle) just to stop it happening again. And nobody has ever tried to retroactively invalidate the Hugo awards. While there’s a mechanism for running Hugo voting and handing out awards for a year in which there was no worldcon (the Retrospective Hugo awards—for example, the 1945 Hugo Awards were voted on in 2020—nobody considered the need to re-run the Hugos for a year in which the vote was rigged. So there’s no mechanism….

(10) HOW TO SAVE A FEW BUCKS IN THE TWILIGHT ZONE. SYFY Wire tells “The Weird Story of the Twilight Zone Episode That Won an Oscar”.

…So, how does an award-winning French short film make its way to American television as part of a beloved sci-fi program? Well, according to producer William Froug, it came down to budget concerns. At the time, CBS was pushing the show to save money as it worked to complete its Season 5 order, and that meant that producing a whole new episode to complete the order was going to make money extremely tight. In an effort to appease the network while still meeting the tone of the show, Froug suggested they license “An Occurrence at Owl Creek Bridge,” which he’d already seen, and simply make it part of The Twilight Zone. 

“It was almost entirely silent,” Froug said in The Twilight Zone Companion. “There were maybe a half-dozen lines in it, and there was one brief ballad –– in English, of all things. CBS was very reluctant –– ‘A French film on television? Who ever heard of such a thing?’ –– but I convinced them, because we bought all the TV rights for $10,000. With that one airing, we immediately took care of the whole year’s overage. It brought us out at the end of the year under budget.”…

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 27, 1957 — Frank Miller, 67. So this Scroll we have artist and writer Frank Miller, a fascinating writer indeed.

Although some Miller fan sites want to credit him with writing two stories for the Twilight Zone comic, there is no actual proof he did, so his first credited artistic endeavor was he as the artist on Wyatt Gwyon’s “Deliver Me From D-Day” which ran in Weird War Tales #64 in June 1978. Fascinating comic it was. 

He was that rare versatile artist who did everything so his first job for Marvel was penciling John Carter, Warlord of Mars, Part 3’s “The Master Assassin of Mars”. 

Frank Miller

Shortly afterwards, he was the artist for Peter Parker, The Spectacular Spider-Man where was Daredevil also present. This is important as Miller would eventually become the writer on Daredevil after successfully pursuing the job: “My secret is to do crime comics with a superhero in them. And so I lobbied for the title and got it.” I consider his work the highlight of this comic.

He’d return to the Daredevil story later and, like so many writers, either brilliantly do something new, or mangle it beyond recognition.

Now we have a brief but noteworthy stay at DC. That produced Batman: The Dark Knight Returns and Batman: Year One.  The first, like oh many of the animated films that came out of it, was far better than any of live film which saw a screen. Needless to say both series were stellar in their own right.

Elektra Lives Again is one seriously weird story. Saying anything more is a Major Spoiler. And whatever you do, if you’ve not read it, don’t go anywhere near the Wikipedia article. I’m serious. Just don’t. 

I’m not even going to talk about Sin City as it’s either brilliant or — let me use German to describe it, die Scheiße.

Not at all going to talk about The Dark Knight III: The Master Race, as I’ve not read it. Opinions? 

His film work includes writing the less sterling RoboCop 2 and RoboCop 3 scripts, sharing directing duties with Robert Rodriguez on Sin City and Sin City: A Dame to Kill For, producing 300 which is by far not my cup of anything, and directing The Spirit which got a 25% rating among audience reviewers at Rotten Tomatoes, though having seen it I think that’s being kind.

(12) COMICS SECTION.

(13) PIONEERING WOMAN SFF WRITER. “Winona McClintic – ‘Who?’” at A Deep Look by Dave Hook.

…In Atlantic November 1956, her non-genre story “A Heart of Furious Fancies” was published. The editors noted,

WINONA MCCLINTIC was a radioman second class in the United States Navy during World War II and the Korean War. She graduated from Mills College, contributed poems to the Atlantic, and was at work on her Ph.D. (under the G.I. Bill) when matrimony intervened. She married an engineer and while he, she says, “fiddles with things on airplanes,” she finds time to raise guinea pigs and write….

(14) GHOSTESS WITH THE MOSTESS. The New York Times is there when “Ghostwriters Emerge From the Shadows”.

So it was unusual for a group of around 140 ghostwriters to gather, as they did in Manhattan on Monday, to schmooze and celebrate their work with awards, panel discussions and keynote speeches. The one-day conference, called the Gathering of the Ghosts, took place at a moment when ghostwriting is in high demand and gaining recognition as an art form of its own, after years of operating largely in the shadows.

“There’s great value in building this community because of the nature of what we do,” said Daniel Paisner, who hosts a podcast about ghostwriting called “As Told To” and has collaborated on 17 New York Times best-sellers. “We do it in a vacuum, sitting alone in our underwear in our offices. We don’t get out much. So I think it’s helpful to be able to compare notes.”

Held at the New York Academy of Medicine, in a room lined with old, leather-bound medical books overlooking a snowy Central Park, the event included panels about finding the right publisher for a project, whether A.I. might render ghostwriters irrelevant and conversations about how much a ghostwriter can charge (the consensus: more). The profession has a history of being undervalued, and one panelist advised everyone in the audience to double their rates and add 20 percent.

“Is it good to be a ghostwriter?” Madeleine Morel, an agent who specializes in matchmaking book projects with ghostwriters, said at the event. “I’ll paraphrase Dickens: It’s the best of times and the worst of times. It’s the best of times because there’s never been so much work out there. It’s the worst of times because it’s become so competitive.”…

(15) ROBERTO THE BUILDER. [Item by Mike Kennedy.] Is an animated film about building stuff that doesn’t fly between the stars or shoot lasers genre? Who knows. But we can hope that Jenny from the block will make it so. “Jennifer Lopez Producing Bob the Builder Movie Reboot Starring Anthony Ramos” at Comicbook.com.

Bob the Builder is getting a brand-new movie produced by Jennifer Lopez. Transformers series star Anthony Ramos will play the titular handyman. Mattel Films teamed with the international music superstar to build this project from the ground up. Bob the Builder‘s new movie will be animated with Ramos providing the voice for the character. As per a description for the project, Bob the Builder sees Roberto travel to Puerto Rico for a major construction job. As issues affect the island, Bob will have to dig deep to bring the project to life. Felipe Vargas has been attached as a writer. Ramos sounds absolutely elated about playing the popular character in the press release put out today.

(16) VIDEO OF THE DAY. “Ingenuity has officially ended its mission after an incredible 72 flights on Mars” after being damaged on its last flight. The National Air and Space Museum pays tribute.

Ingenuity in flight.

This week, NASA announced that Mars helicopter Ingenuity‘s 72nd flight was the final flight of its mission. The helicopter sustained damage to one or more of its rotor blades during landing on January 18 and is no longer capable of flight.  

Ingenuity landed on the Red Planet with Mars rover Perseverance in February 2021 and achieved the first powered flight on another planet in April 2021.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Anne Marble, Rich Lynch, Ersatz Culture, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Petra.]

Zimozi Natsuco Guest Post: The Hugo Awards’ Evil Fall is a Watered-Down Affair, and Certain Issues To Watch Out For

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“The Wreck of the Hugo” created by artist Charles Oines in 2015.

INTRODUCTION: Zimozi Natsuco is an ordinary sf fan from China. He is studying at a Chinese University majoring in literature. Zimozi Natsuco attended 2023 Worldcon and the business meeting.  Several of his non-fiction works are submitted in WeChat account SSSZJU2009, including News and Newspapers Summary on Science Fiction.

NOTE: A Chinese-language version of this post follows below.

By Zimozi Natsuco: We have now seen the great inflammation of overseas public opinion on the Hugo Awards. Considering that the English version of this article will be aimed at overseas readers, I have no intention of repeating well-known events and facts that have already been stated over and over again. Instead, you will hear unique observations from Chinese science fiction fans.

Throughout the two “nomination announcements,” the lack of information and access to Chinese readers was jaw-dropping. The voting data was not publicized through any of the official social media outlets for the Chengdu 2023 World Science Fiction Convention in mainland China – although those outlets have only a handful of followers and post lackluster promotions. Even the first announcement of the final results came just after a heated attack on the Hugo Awards by a Chinese internet influencer ”Ma Dugong”[2], which was completely off-color, and the organizing committee still avoided presenting its own tally to set the record straight. The second nomination result was even more ridiculous, with no official report from the Chinese Internet on the matter. The only official Chinese website with the results in small print has restricted access for possible reasons of economy – and hopefully for the sake of Glasgow2024.

If this is the case, we will have to point out to our Chinese and foreign friends the extreme absurdity of the facts. Even as Western sci-fi fans are furious at being fooled, their Chinese friends can’t help but envy them. Chinese sci-fi fans are completely excluded from the Hugo Awards’ “openness and transparency,” and some on the organizing committee apparently believe that pleasing and satisfying foreigners with any request, whether reasonable or absurd, takes absolute precedence over being honest and open with the people of their own country, who have spent the most money and effort supporting them. All Chinese sci-fi fans need only become cash cows for some on the Chengdu committee: a few hundred dollars for voting, a few thousand dollars for attending, and thousands and millions of dollars for developing Chengdu’s sci-fi industry under the command of the committee.

I have nothing to say except to feel ashamed when such a post-colonial magical scene occurs in a socialist country committed to independence and autonomy!

The post-colonial tragedy cannot go unrecognized. Further, the irresponsibility behind these two reports needs to be exposed more clearly. The release dates of the two reports were made public against deadlines. If we did not look at the title, we might have insisted that this is made by a lowest-ranking student. May I ask if this is a disgrace to the WSFS constitution? Is this an insult to the 80-year glorious history of World Science Fiction Conventions? Is this an insult to 120 years of Chinese science fiction history?

Some people in the organizing committee don’t care about these questions because they have no sense of shame. Naturally, we can’t expect such people to be able to fabricate data that conforms to the statistical laws seriously, explain the correct reasons for nominating and rejecting nominations, and correctly interpret the vote-counting mechanism. It’s not just that they don’t have the moral integrity to do so, but it’s also related to the lack of competence of these people: lacking a sense of responsibility and identification with science fiction, how can we expect them to have the competence and enthusiasm to learn how to run a good science fiction convention and judge the Hugo Awards?

This irresponsibility must be taken a step further by grasping the complexity of the facts in Sino-Foreign relations. It is not our intention to defend the arrogant, haughty, and insolent Dave McCarty, yet while he was the target for the most firepower, some bugbears masquerading as Chinese were stealthily making their way through the organizing committee. They were never science fiction fans in the first place; they were not a part of fandom. a couple of media company executives had somehow gotten involved in the convention, taken over everything, including the Hugo Awards, used their few contacts in the media world to make a big splash in the press and in government hospitality receptions. Then they passed the job of external surrender to McCarty, who would bend over backward with small favors, and the job of internal repression to the Chinese workers who had to be be forced into surrender through the use of intimidation. In the midst of everyone’s uproar, they will go into hiding, saying a few words to the government’s enthusiastic civil servants, “Who understands this, my family?”[3] say a few words to the big corporations, “Go begging, bro!”, and then they’ll become a glorious page in the history of Chinese science fiction literature, a shining convention[4]. Why do they get all the good stuff?

So, if such people oversee the Hugo Awards and then exclude those who are truly responsible and educated, how can the Hugo Awards not be evil? It’s a matter of water under the bridge, and I urge my naive foreign friends to accept this little Chinese shock!

Annotation:

[1] Evils fall: イビルフォール, 恶堕, which is always used to describe the process in which a character forced into evil.

[2] Here is ma’s video:

https://www.bilibili.com/video/BV1eN411L7eU/?spm_id_from=333.999.0.0, with the title of “I am not afraid of the slated Hugo; I am just afraid that it can be sorry to Three Body Problem”. Ma holds the opinion that the award is unfair due to speculation from Chinese sci-ci companies, but none of these companies, like 8 light minutes which he criticized the most, took part in it.

[3] It’s a meme sentence used in Chinese Internet to satirize someone self-centered and with no attention to public rules.

[4] “shining convention” is the word said by Chen Shi in about February 2023.

The Chinese text follows the jump.

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In Case You Were Curious: Checking the Redacted 2023 Hugo Ballot

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Vincent Villafranca casting the 2013 Hugo Award base.

TL;DR SUMMARY: The differences between the redacted and the final 2023 Hugo ballots involved three items and were due to rules applications as explained in the 2023 Hugo Award Stats Final report.

The “ineligibles” were not on the redacted ballot, either. If you don’t know what the redacted ballot was, keep reading.

SUDDENLY LAST SUMMER. Last July 2 the Chengdu Worldcon released a version of the Hugo final ballot, then within hours took it offline and asked news outlets to remove it. File 770 honored the request (see “2023 Hugo Finalists [Redacted]” – which reported what happened, but you won’t find the old list there).

Committee member Helen Montgomery explained at the time, “Official statement is that the list was posted in error by IT as part of their set up / testing process, but it is an earlier version of the ballot and is not correct.”

On July 6 the corrected ballot was posted: “2023 Hugo Finalists”.

WHAT WAS WRONG WITH THE REDACTED VERSION? The redacted version still included three items that should have been adjudicated off the ballot under Rule 3.8.3 or for another technical reason (as discussed in “2023 Hugo Nomination Report Has Unexplained Ineligibility Rulings; Also Reveals Who Declined”).

Rule 3.8.3 says a series can be a Best Dramatic Presentation – Long Form finalist, or an episode of the series can be a Best Dramatic Presentation – Short Form finalist, but only one or the other may be on the ballot, the nod going to which ever got the most nominating votes.

WERE THE INELIGIBLES ON THE OLD BALLOT? No, the “ineligibles” – R. F. Kuang’s novel Babel, Neil Gaiman’s series Sandman and one of the episodes, fan writer Paul Weimer, and author Xiran Jay Zhao (in their second year of Astounding Award eligibility) – were not on the redacted ballot, either.

DETAILED COMPARISON.

Best Novel – same finalists

Best Novella – same finalists

Best Novelette – same finalists; a comma typo corrected on final

Best Short Story – same finalists

Best Series – same finalists

Best Graphic Story or Comic – same finalists

Best Related Work

ON REDACTED (Item published in 2020.)

  • THE ART OF GHOST OF TSUSHIMA, Sucker Punch Productions|对马岛之魂艺术设定集 突袭游戏工作室|海南出版社

ON FINAL

  • Buffalito World Outreach Project, by Lawrence M. Schoen (Paper Golem LLC)

Best Dramatic – Long Form

ON REDACTED (Rule 3.8.3)

  • Andor (Season 1) Directed by Toby Haynes, Susanna White, Ben Caron|安多（第一季） 导演：托比•海恩斯、苏珊娜•怀特、本•卡隆|

ON FINAL

  • Black Panther: Wakanda Forever, screenplay by Ryan Coogler and Joe Robert Cole, directed by Ryan Coogler (Marvel Studios)

Best Dramatic – Short Form

ON REDACTED (Rule 3.8.3)

  • Severence, S1.E9, The We We Are, Writtten by Dan Erickson, Anna Ouyang Moench Directed by Ben Stiller|人生切割术（第一季第九集）： 编剧：丹•埃里克森、安娜•欧阳•莫恩奇 导演：本•斯蒂勒

ON FINAL

  • She-Hulk: Attorney at Law: “Whose Show is This?”, written by Jessica Gao, Francesca Gailes, and Jacqueline Gailes, directed by Kat Coiro (Marvel Entertainment)

Best Editor – Long Form – same finalists, order of Chinese names was changed (e.g. from Yao Haijun to Haijun Yao)

Best Editor – Short Form – same finalists, order of Chinese names was changed

Best Professional Artist – same finalists

Best Fanzine – same finalists; (And Journey Planet had 15 team members listed on both versions.)

Best Fancast – same finalists

Best Fan Writer – same finalists (including same typo in “Bitter Karelia”)

Best Fan Artist – same finalists

Lodestar Award – same finalists

Astounding Award – same finalists, order of the Chinese names was changed

Pixel Scroll 1/24/24 A Fist Full Of Typos

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(1) HELP NEEDED. Writer Richard Kadrey, whose work includes the Sandman Slim novels, is asking for financial help in a GoFundMe for “Medical bills, rent, and a big, hungry cat”.

This is one of the hardest things I’ve ever had to do, but my back is against the wall. Because of physical and mental health issues over the last year, plus disappearing gigs and jobs that never came through, I have to suck up my pride and ask for help.

I’ve been living off savings and credit cards for a year. I had one good, steady gig but got blindsided when it ended abruptly. Now that money is gone, my cards are pretty much played out, and the IRS is giving me the side eye. And there are still health issues and bills I need to deal with. Basically, I could use some help to feed my cat and keep my stupid life intact.

If you could spare a couple of bucks, you’d a life saver. And if one of the good gigs I’m hoping for comes through later this year, I promise to pay your kindness forward to another artist down on their luck.

So, here I am with my dumb hat in my dumb hand, humbled as hell. This is the last thing in the world I ever wanted to do. But I don’t have a choice. Even if you can’t help, thanks for reading this. I appreciate it and so does Aces, my hungry cat who will eat me if I don’t keep up with the kibble.

(2) MORE QUOTES ABOUT HUGO CONTROVERSY FROM CHINA SOCIAL MEDIA. On Bluesky, Angie Wang has some screencaps and computer translations to go with this introduction:

RE the Hugo Awards, if you go on Weibo and do a public search right now, you’ll see some Chinese fans cussing the hell out of the Chengdu organizers specifically, and some cryptic remarks from someone who seems related to the event and the organizers about trying to prevent all this from happening

(3) PAIJIBA. Pajiba’s Nate Parker brings schadenfreude to bear on the topic in “The Hugo Awards Step In It Again”.

… If you look through McCarty’s thread – and you should, because it’s fun to watch him get wrecked in real time – you’ll see Gaiman’s about the only one who gets a polite answer. “After reviewing the Constitution and the rules we must follow, the administration team determined those works/persons were not eligible.”

He repeats the same answer ad nauseum despite multiple polite requests for clarity. It’s a vague answer for an organization that prides itself on inclusivity and transparency…. 

(4) POLYGON. Chris Barkley is quoted in Polygon’s coverage, which otherwise contains nothing new to readers here: “Hugo Awards controversy sparks censorship allegations”.

… The Hugos are among the most prestigious awards in science fiction and fantasy, and it’s incredibly disheartening to see what should be a celebration of all the great work happening in that space be tainted by controversy. With the committee still refusing to give answers and with no central governing body to step in, it seems unlikely we’ll ever know the details of what occurred — or see anyone held accountable if anything unconstitutional did.

What is clear is that the community is determined never to see a repeat of what occurred this year. As Barkley wrote, “this incident, whether it was at the behest of the government of the People’s Republic [of] China or some other entity, will NEVER be forgotten and that doing something about preventing such a thing from happening again will be at the top of the agenda at the Glasgow Worldcon Business Meeting in August…”

(5) WHERE IN THE WORLD. At Winter Is Coming, Daniel Roman’s article “Controversy strikes the 2023 Hugo Awards, causing uproar over censorship speculation” ends with this conclusion.

…I happened to be at DisCon III when Chengdu won the bid for this year’s Hugo ceremony, and one of the prominent arguments in its favor that I heard floated around was that Worldcon should be a world convention, not just one that floats back and forth across the U.S. and a handful of other western countries. Bringing it to countries in, for example, East Asia and Africa would be a great way to include fans in parts of the world who have not typically been able to attend, and to recognize the writers doing amazing work in those regions.

However, if each Worldcon must logically abide by the local and regional laws of the country where it’s being held, and those laws mean that the Hugo Awards cannot be conducted legitimately and fairly because of things like censorship — or even worse, that certain groups of people might have their safety put in jeopardy — then that must be considered as well. We have a situation right now where it’s being speculated that there was government censorship on the 2023 Hugos, and regardless of whether there was or not, it seems clear that the people behind the event do not feel that everyone involved is safe enough to explain the situation in full. In that sort of circumstance, it’s hard to imagine any scenario where the awards can actually take place in a legitimate manner.

(6) OKAY, HERE IT IS. You want the truth? You think you deserve the truth? Sarah A. Hoyt will give it to you: “This Thing Isn’t Entirely Under My Control” at Mad Genius Club.

…Among the many strange things I get asked — and other writers get asked — is how we do what we do. I.e. how we create the stories, and stay on track and write them and all. 

Now, normally when I’m asked this I’m at a panel, where I’m under writ to tell a lot of lies, provided I make them entertaining. Also, on principle, I’m supposed to sound like a professional who know what she’s doing. Of course, acting like a pro should be easy after 30 years or so of being published (okay, 25 years just about in novels. But yeah, about 30 from first semi-pro short story.) And if you believe that, I have some primo Florida swamp I’d like to sell you at a really good price.

I often wonder, though, if my fellow writers lie like moth eaten rugs at this panels. Because they make the whole thing sound so rational, so controlled. “Well, I wanted to write a book about the manufacture of bells in the planet Korud, so, I thought, how do I wrap an adventure around that?” And we all smile and nod sagely as someone explains how he researched the manufacture of bells for five months, then went to a Buddhist monastery and sat contemplating the metalness of bells, before the idea of having pirates come to the planet and remove the bells, and then our hero….”

I know I lie. I lie a lot about the writing process, when I want to sound like I did things for a reason. Well, and when I worked for Trad Pub. Because you don’t want your editor and publisher to think you’re a complete loon. But more and more I just tell the truth.

And the truth is “this thing isn’t fully under my control.”…

(7) BIG CUTS AT LA TIMES. From Politico: “LA Times slashes newsroom as paper struggles under billionaire owner”.

The Los Angeles Times on Tuesday laid off at least 115 people, including about a quarter of its newsroom, in a stunning second round of major layoffs in less than a year that underscored broader challenges facing the news business.

Cuts included reporters, editors and columnists, according to the union that represents the newsroom and social media posts from individual journalists. Layoffs fell disproportionately on Black, Latino and Asian employees who tend to have less seniority, the Guild said in a statement….

(8) CHASING MOBY CHATGPT. In a recent email to members from the Authors’ Licensing and Collecting Society the ALCS’ Deputy Chief Executive Richard Combes expects the coming year to provide more clarity around AI, authorship and copyright.

My piece last year opened and closed with a few sentences generated by ChatGPT. At the time, this seemed like a novel way of demonstrating the capability of the technology; then I found the acres of other articles doing the exact same thing. But as Herman Melville observed, “it is better to fail in originality than succeed in imitation.”

During the intervening year, the think pieces have piled up, commenting on various policy initiatives, lawsuits and existential crises, while AI-generated content has sprouted online like fungi on the forest floor (including, notoriously, several foraging guides offering unreliable advice about edible mushrooms).

As judicial decisions and statutory rules emerge and evolve over the coming year, we should begin to find answers to key questions about copyright, authorship and creativity in the age of AI. Conceptually, we’ve been here before, repeatedly. The first quarter of this century has seen successive technologies redefine the way that creators’ works are consumed and distributed without due consideration for how they will be credited and paid, and the latest wave is no different.

The false dilemma that’s often presented between an innovative tech sector and a robust framework for copyright and creators’ rights is as artificial as it is banal. It is possible and, if we want to maintain the value and stature of our creative industries, essential to develop models whereby the tech sector is an ally to those creating the works upon which their products and services rely. So, how do we get there from here?

…For almost 20 years, the ALCS authors’ earnings surveys have described a fixed direction of travel, a stubbornly downward trend. This threatens not only the viability of existing careers but also creates barriers to entry for new and diverse voices. So, our work this year is about plotting a new course, on what promises to be an interesting, challenging but vitally important journey; which leads me to close as I opened, with Melville, “it is not down in any map; true places never are”.

(9) LOVIN’ SPOONFUL. Charlie Jane Anders argues on behalf of “10 Space TV Shows That Don’t Get Enough Love” at Happy Dancing.

The first two on the list are:

1) Space Cases.

Peter David and Bill Mumy created this YA TV show about kids exploring space, including a young Jewel Staite. It aired for two seasons on Nickelodeon, and it was cute as hell, not to mention quite subversive at times. George Takei plays an alien conqueror named Warlord Shank, and when I say Takei chews all the scenery… You’ll see tooth marks all over the sets. This show was sort of a precursor of Star Trek: Prodigy, and I remember it being fun as all heck.

2) Quark.

Quark was a short-lived spoof of Star Trek and Star Wars that aired in 1977, featuring a host of campy characters. The thing is, it had so many cool ideas in the mix. Long before Firefly (or even Alien), this is the story of the crew of a humble blue-collar starship — a garbage scow, in this case – getting involved in vital, dangerous shenanigans. There’s a gender-fluid character, a pair of clones who both insist they’re the original (just like the Maulers in Invincible!) and a plant in humanoid form. In many ways, Quark was ahead of its time.

(10) AFTER ACTION REPORT. [Item by Steven French.] The recently wrapped-up “Fantasy: Realms of Imagination” exhibition included several science-fiction related items, including this copy of the March 1956 issue of Ploy, a fanzine edited by Ron Bennett, a member of the Leeds Science Fiction Association which, as the exhibit’s label notes, was the successor to the group formed after the famous 1937 convention (not just the first in the U.K. but the first in the world!). For some reason the Library chose to display these letters from fellow fans, one of which including a description of a talk given to the Sheffield Junior (and Parents) Astronomical Society which contains language ‘of its time’ that would definitely be deemed inappropriate nowadays.

Elsewhere in the issue (available here at the FANAC site) there are brief contributions from mega fans/editors/authors Shirley (Lee) Hoffmann and Terry Carr. 

(11) FRANK STROM DIES. Comics fan and writer Frank Strom recently died, mourned by his friend Tom Brevoort in “Mortality” at Man With A Hat.

…Frank had aspirations of breaking into the field professionally, and he operated on the fringes of it for many years, but was never quite able to find that break that would make it a full time vocation. He wrote a ton of issues of the licensed ELVIRA comic book, he had a short-lived series in Fantagraphics’ X-Rated Eros line in the 1990s, CHEETA POP, SCREAM QUEEN, and he wrote one story for Marvel. That one I commissioned from him especially; it starred the 1940s/1950s character Venus who was a fascination of both of ours, and guest-starred both a number of the girl comics stars of the 1950s but also a small bevy of Marvel’s pre-hero monsters. I was able to convince Dan DeCarlo, Frank’s favorite, to draw it. Eventually, though, he settled into a routine day job…. 

(12) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 24, 1944 — David Gerrold, 80. How could I not start by acknowledging he wrote one of the best scripts ever in the Trek series, “The Trouble with Tribbles”? Seriously it’s a perfect script from the very beginning to those Scottie saying “Aye, sir. Before they went into warp, I transported the whole kit ‘n’ caboodle into their engine room, where they’ll be no tribble at all.”  It garnered a Hugo nomination at Baycon. 

David Gerrold. Photo by and (c) Andrew Porter.

Not that he stopped there of course. He was responsible for an uncredited rewrite on “I, Mudd”, and he scripted along with Oliver Crawford the rather excellent “The Cloud Minders” in season three. 

The animated series which I still truly adore and which of course is on Paramount + saw him  following up his “The Trouble with Tribbles” script with one for “More Tribbles, More Troubles”. His other animated script was “Bem” in which he reveals James T. Kirk’s middle name to be Tiberius. I had thought it’d been done in the series but that’s just my memory. It’ll next be used in The Undiscovered Country. 

David Gerrold and Diane Duane at the 1975 Westercon. Photo by and (c) Andrew Porter.

He left Star Trek: The Next Generation and the Trek verse as Memory Alpha explains here: “He left the show near the end of the first season, partly because of the dispute over his controversial script, ‘Blood and Fire’. The story, which was basically an allegory of AIDS, and involved allegedly homosexual characters, was initially scrapped by the producers. It was re-written by Herb Wright as ‘Blood and Ice’, removing the gay characters, but it still remained unproduced.” Well and other reasons that he into in great detail as well. 

Not at all surprisingly, he got involved in those video fan fictions, as a series consultant for fan-produced series Star Trek: New Voyages, and Star Trek: Phase II for which he was named show runner. He fell out later with other members of the latter series over creative differences and left. 

Let’s see… let’s not overlook that JMS actually did produce his “Believers” script on Babylon 5, a story involving our good doctor, aliens and a very unfortunate outcome. 

Books? Oh yes. When HARLIE Was One is an extraordinary novel. Though I’ve sampled his other novels, it’s his most original, most interesting and certainly most intriguing work. Interestingly, at least to me, I discovered doing this essay that When HARLIE Was One is not a one-off but is rather just one novel in a rather extensive series entitled simply Harlie. Intriguingly the first one is titled Oracle for a White Rabbit. Was that Rabbit there? 

The War Against the Chtorr series of books, about an invasion of Earth by deliberately not sketched out aliens was, errr, ok. I read A Matter for Men and A Day for Damnation but stopped there. There were two more published then a comedy or tragedy of reasons for why the series wasn’t completed have followed in the decades since. 

Other novels? Well there’s this novelette called “The Martian Child” won a Hugo at Intersection which became a film. There’s the most readable The Man Who Folded Himself that nominated for a Hugo at Discon II. It’s wonderful and certainly deserved that Hugo.

Now my favorite work by him is the first novel that he did, The Flying Sorcerers which started out in If as “The Misspelled Magician” which I like better as a title. It was co-written with Larry Niven. 

There’s too much other fiction, both long form and short form which I’ve not encountered to deal with here. I know all of you well enough that you’ll note anything that you think I should mentioned. 

(13) WEIGHING MJOLNIR. After viewing Neil deGrasse Tyson’s analysis of “How Much Thor’s Hammer Weighs”, Daniel Dern notes (anticipating much of Tom Galloway’s initial comment-worthy thoughts) (playlist: “She’s So Heavy,” The Beatles) —

Overspecialized nerds missing the point: Neil deGrasse Tyson forgets (or never read the relevant Marvel comics, nor watched the right Marvel movies). Unlike Superman’s super-heavy regular-sized front door key to his Fortress of Solitude (see Grant Morrison & Frank Quiteley’s All-Star Superman) (as opposed to the original classic humongous key pretending to be a road sign for plane flight paths), Mjolnir’s liftability was a function of the lifter’s worthiness.

(14) MICKEY AND FRIENDS PLAY AVENGERS AND X-MEN IN NEW DISNEY WHAT IF? COVERS. This time marking the 60th anniversary of two of Marvel’s most iconic super hero teams—the Avengers and the X-Men — new Disney What If? variant covers kicked off earlier this month with Amazing Spider-Man #41 and will continue to adorn select issues of Amazing Spider-Man throughout 2024. 

(15) DISNEY IMAGINEER JOINS INVENTORS HALL OF FAME. “Lanny Smoot Becomes The Second Person From Disney, Since Walt Disney Himself, To Get Inducted Into The National Inventors Hall Of Fame” reports Yahoo!

… The Disney Parks Blog reports that The National Inventors Hall of Fame announced its Class of 2024 inductees during a ceremony at the Walt Disney Imagineering campus in Glendale, CA.

Smoot is making history as the first Disney Imagineer to receive this honor. He’s also only the second Walt Disney Company employee since Walt Disney to earn the recognition.

During Smoot’s 45-year career, he has been a theatrical technology creator, inventor, electrical engineer, scientist, and researcher. The innovator has amassed a collection of over 100 patents, 74 of them created during his 25-year stint at the Walt Disney Company….

… Smoot has been integral in creating some of the most technically advanced special effects at Disney theme parks and experiences. Some examples of these special effects include Madame Leota’s floating in the Séance Room at Disneyland’s Haunted Mansion, Disney Live Entertainment’s extendable lightsaber, the Magic Playfloor interactive game experience on the Disney Cruise Line, and the Fortress Explorations adventure at Tokyo DisneySea….

(16) EVERYBODY KNOWS LOTR. [Item by Daniel Dern.] “The Trick to the Fluffiest Muffins May Already Be in Your Kitchen” says the New York Times.

As winter set in this January, Sarah Kieffer recalled how it snowed for eight months last year in her hometown, Minneapolis. For weeks on end, the temperature dipped below minus 20. Surrounded by grayness, she baked blueberry muffins for the cheer of their bright pops of blue.

“It’s like when the hobbits got to Mordor, and Sam looks up and sees a bright shining star, and has a little bit of hope,” she said. “That’s what a blueberry muffin feels like in February.”

Ms. Kieffer, the author of “100 Morning Treats” (and a self-described “super nerd”)…

Daniel Dern comments: Implicit in the text is the assumption (by the writer and NYT section editor) that the reader is at least familiar to recognize the source (Lord of the Rings) without the invocation of Frodo, Gandalf, Bilbo or Gollum — and simply saying “Sam” rather than “Samwise” or “Sam (Frodo’s more-than-a-sidekick)” although “hobbits” and Mordor” do help provide key context, of course.

At least Ms. Keiffer didn’t close with an ending like “I’ll bet even Gollum might exclaim ‘Better than Precious!’”

(17) MEET JOE GREEN. The FANAC FanHistory Zoom Joseph L. Green Interview is now available to watch on YouTube.

Title: Joseph L. Green – An Interview conducted by Edie Stern

YouTube Description: Joe Green’s interest in science fiction began in the 1940s, before he knew there was even a name for this kind of literature. His introduction to science fiction fandom came in the early 1950s, and  first published fiction in the 1960s. Add to that his long career in the military and civilian space programs, and you have a trajectory that is the envy of a many a science fiction reader.

In this fascinating interview, Joe Green talks about his life and career, and his views on science fiction and fandom after more than 70 years in the SF community.  With a professional career spanning more than 60 years, (his last published work was in 2023),  in this discussion Joe starts with his introduction to fandom, and his early fanzine contributions, his first professional sales and the struggle to balance fandom, professional writing and a growing family.  

With a decades long career revolving around space, he tells anecdotes ranging from the Cuban missile crisis of the 60s to one of his most important accomplishments – editor and principal writer of the NASA report on the Challenger disaster. Here  he talks about that difficult but necessary work….Starting in the days of the manned Apollo launches, the Greens hosted spectacular and now legendary launch parties. Joe couldn’t help but share his joy at one of the finest achievements of mankind. In this session, there are great anecdotes about well-known writers and fans, including Poul Anderson, Sam Moskowitz, Arthur C. Clarke and A.E. Van Vogt, and Joe’s unorthodox  advice about getting entrée to NASA launches. It’s a delight to hear, and makes you wish you had been there.

One story we didn’t get to was what happened when Joe Green heard filk music for the first time. Joe was delighted, especially with the space-oriented pieces, and not too long after he heard the “Minus Ten and Counting” recording,  one of those songs was played as the wake-up music for the astronauts in space.

Many thanks to Joe’s daughter, Rose-Marie Lillian for her technical support, enabling Joe to participate in the Zoom. 

(18) TURNING TWENTY ON MARS. From an National Air and Space Museum email:

20 years ago this month, Mars Exploration Rovers Spirit and Opportunity landed on the Martian surface, on opposite sides of the Red Planet. Soon after, the twin rovers, boasting a level of mobility that far surpassed the 1997 Mars Pathfinder rover Sojourner, embarked on their respective journeys. Spirit was sent to the floor of a 90-mile-wide crater named Gusev and Opportunity was sent to Meridiani Planum, a smooth area near the Martian equator.

Spirit and Opportunity

With identical sets of science instruments onboard, Spirit and Opportunity conducted comprehensive geological surveys and atmospheric analyses. Both rovers were able to find compelling evidence of the Red Planet’s ancient environments, revealing a past where conditions were intermittently wet and potentially capable of supporting life.

Panoramic view (consisting of hundreds of images stitched together) of the Martian surface. The images were captured by Spirit with the rover’s deck visible.

Both rovers exceeded their initial 90-day mission durations by a significant margin. Spirit traveled five miles on the Martian surface and sent its last message to Earth on March 22, 2010, after operating for over six years. Opportunity covered a total of 28 miles and holds the record as the longest-serving rover on Mars, having conducted over 14 years of exploration before it sent its last signal on June 10, 2018. Together the duo sent over 340,000 images back to Earth.

Mars Exploration Rover Surface System Test Bed (middle) was used on Earth to troubleshoot problems that Spirit and Opportunity encountered on Mars. It is on display next to Sojourner’s flight spare Marie Curie and a Curiosity model in the “Kenneth C. Griffin Exploring the Planets Gallery” at the Museum in DC.

The twin rovers’ landings on Mars also marks 20 years of continuous rover exploration of the Red Planet, with rovers Curiosity and Perseverance currently active on Mars and continuing on the legacy of Spirit and Opportunity.

(19) VIDEO OF THE DAY. I haven’t viewed it because my hearing is awful and there’s no closed captioning, but no reason you should deprive yourself: “The Litigation Disaster Tourism Hour: World Contastrophe, Trademark Edition” on Twitch.TV.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Daniel Dern, Danny Sichel, Francis Hamit, Trey Palmer, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Hugo Controversy Hits Mainstream News; A Chengdu Vice-Chair Comments in Social Media

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By Ersatz Culture.

IN THE GUARDIAN.The Guardian’s report “Science fiction awards held in China under fire for excluding authors” includes quotes from Xiran Jay Zhao and Paul Weimer.

…No reason was given for the exclusions, which were only revealed on 20 January when the Hugo awards published the full nomination statistics for last year’s prize. Certain titles were listed as having been given votes, but were marked with an asterisk and the words “not eligible”, with no further details given….

…Concerns have been raised that the authors were targeted for political reasons, connected to the fact that the ruling Chinese Communist party exerts a tight control on all cultural events that take place inside its borders.

Dave McCarty, the head of the 2023 Hugo awards jury, wrote on Facebook: “Nobody has ordered me to do anything … There was no communication between the Hugo administration team and the Chinese government in any official manner.”

McCarty did not respond to a request from the Guardian for comment, but shared what he said was the official response from the awards administration team on Facebook: “After reviewing the constitution and the rules we must follow, the administration team determined those works/persons were not eligible.” He declined to elaborate on what the rules were.

“I can only guess to why I was excluded, but it probably has something to do with my critical comments about the Chinese government in the past,” said Xiran. “You would think that as a big, powerful country, China would be graceful about criticisms, but they in fact take it very personally, and doubly so when it’s from Chinese diaspora.”…

…In an Instagram post published on 22 January, Kuang wrote: “I wish to clarify that no reason for Babel’s ineligibility was given to me or my team. I did not decline a nomination, as no nomination was offered … I assume this was a matter of undesirability rather than ineligibility.”

Paul Weimer, a hobbyist sci-fi writer, discovered last week that he was excluded from the best fan writer category, despite receiving enough nominations to be shortlisted. “I had the highest of hopes for Chengdu,” said Weimer, who has been nominated for Hugos in previous years. “I thought it was amazing that a number of Chinese fans had got together to get this bid together.”

The organising committee of Chengdu Worldcon did not respond to requests for comment….

The Bookseller posts about the Hugo controversy; seemingly removes the post shortly afterwards

Around 1:20pm UK time on Wednesday, I noticed that the website of The Bookseller trade magazine had posted a piece about the Hugos, covering material that should already be very familiar to File 770 readers.

Perhaps more interestingly, by around an hour later, the post seemed to be no longer available, or shown on their homepage, instead presenting a visitor with a login prompt,  The Bookseller does operate a system where you can only read one article a month without creating a (paid) account, but the usual workaround of opening the link in an incognito window or clearing cookies did not work.  (As I write this up several hours later, a generic “topics” index page is instead returned.)

Fortunately, Google has a cached copy. (Click for larger image.)

Bizarre post from Chengdu Worldcon Vice-Chair and Hugo finalist/nominee La Zi

拉兹 (La Zi, aka Raz aka Lattsep) is – per his Weibo bio, as rendered by Google Translate – ‘Deputy Editor-in-Chief of Science Fiction World, Chief Editor of “Science Fiction World”‘.  (I think one of those is in reference to the general SFW company, and the other to the SFW print magazine.)  The Chengdu Worldcon site lists him as one of eleven Vice Chairs of the con.  He was co-editor of the Best Fanzine finalist 中文科幻学术速递 (Chinese Science Fiction Express), placed tenth in the Best Editor, Short Form nominations.  He also co-edited the 2022 bilingual Galaxy Awards 1 anthology, the English translations therein being the means by which the older Chinese stories “Color The World”, “Upstart”, “Turing Food Court”, “Fogong Temple Pagoda”, “Resurrection”, “Tongji Bridge” and “2039: Era of Brain Computer” appear in the Novelette and Short Story nominations lists, although only Resurrection was a finalist, with “Color the World” and “Fogong Temple Pagoda” both being marked as “Not eligible”.  (The former being excluded because the translation had previously appeared in a 2021 anthology; the issue with the latter is still unknown.)

His most recent Weibo post from Tuesday 23rd reads as follows:

烂事早晚发酵，我阻拦还被泼一身屎，搞得某人跟我断交。希望现在知道我为什么阻拦了，阻拦是因为看到了某些位子底下埋了雷，坐上去就是死路一条，却被背后传小话的小人污蔑为夺人名利。好意或许被栽赃，问心无愧便无所谓。

Google Translate renders the text as follows:

Sooner or later, the bad things started to get worse. I got shit thrown at me when I tried to stop him, which made someone break up with me. I hope I know now why I blocked it. I blocked it because I saw that there were mines under certain seats. Sitting on them meant you would die, but you were slandered by the villains who gossiped about you for taking fame and fortune. Good intentions may be framed, but it doesn’t matter if you have a clear conscience. 

If that makes “the rules we must follow” look like the model of clarity, bear in mind that of the six (as I write this up) user comments, three are variants of “what are you talking about?”, so it’s no more comprehensible to many Chinese users than those reading the translation.

Below is a screengrab of the post along with an alternative English translation from the Alibaba Cloud functionality built into Weibo.

China cracks down on publishing of false data

On Monday, Reuters (via MSN) published a short piece entitled “China vows to punish officials for falsifying economic data“.  Selected paragraphs from the story:

BEIJING, Jan 22 (Reuters) – China will investigate and punish officials for falsifying economic data, the National Bureau of Statistics said on Monday, amid scepticism about the reliability of Chinese data….

“Statistical fraud is the biggest corruption in the field of statistics, which seriously violates the statistics law, seriously affects the quality of statistical data, obstructing and even misleading macro decision-making,” the official said…

There has long been scepticism about the reliability of Chinese data, especially as the government has sought to defuse market concerns about a protracted slowdown in the world’s second-largest economy.