25 Where Did The First Pixels Come From?

Posted on February 23, 2025 by Mike Glyer

(1) BRAM STOKER FINAL BALLOT. The Horror Writers Association released the 2024 Bram Stoker Awards Final Ballot today. Click through to see the complete list on File 770.

(2) NCAAP IMAGE AWARDS. The “NAACP Image Awards 2025 winners list” at Deadline features several works of genre interest.

Outstanding Costume Design (Television or Motion Picture)

“Wicked” – Paul Tazewell (Universal Pictures)

Outstanding Character Voice-Over Performance (Motion Picture)

Blue Ivy Carter – “Mufasa: The Lion King” (Walt Disney Studios Motion Picture)

Outstanding Original Score for Television/Film

“Star Wars: The Acolyte (Original Soundtrack)” – (Walt Disney Records)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited Series)

Leah Sava Jeffries – “Percy Jackson and the Olympics” (Disney+)

Outstanding Directing in a Drama Series

Rapman – “Supacell – ‘Supacell’” (Netflix)

Outstanding Short Form (Live Action)

“Superman Doesn’t Steal”

(3) LOST GENERATION? A Guardian writer sounds the alarm: “BBC radio drama is in grave danger. Without it we may lose the next generation of writing talent”.

The BBC’s output of new original and adapted drama has more than halved since 2018 – a cut that amounts to hundreds of lost hours, although precise figures are hard to come by. At a time when interest in audio content has never been higher – the number of existing podcasts is somewhere between 3m and 4m; a hit series is downloaded millions of times a month (The Rest Is History: 29m!) – the BBC’s audio drama output is at an all-time low. As a career radio dramatist, whenever I am gloomily dwelling on this fact, the football phrase “snatching defeat from the jaws of victory” comes to mind. Because in this new era of audio storytelling and podcast ubiquity, the BBC’s incredible track record in radio drama should have proved a fabulous advantage. Instead, we are facing the possibility of extinction.

It all began with the 60-minute Friday Play (decommissioned in 2010). This was followed by The Wire (Radio 3) in 2014. The 15-minute drama in Woman’s Hour was lost in 2021. Radio 4’s Friday afternoon play became 30 minutes rather than 45 soon after. Its 60-minute Saturday play – once a weekly event – has been steadily whittled down to 12 new original dramas a year. The latest cut – Radio 3’s Sunday night drama, the UK’s last remaining 90-minute slot – has generated some press, and a petition from the likes of Judi Dench and Ian McKellan, but it is only the latest in a series of losses…

(4) DAVE MCCARTY DISCIPLINED AGAIN. At Chicago’s Capricon earlier this month Dave McCarty reportedly ran an unauthorized room party which led to the loss of his membership. The committee did not respond to File 770’s question about the incident. One person has gone public about it on Bluesky, however.

(5) SLIPPING A MICKEY. [Item by Steven French.] Oscar wining Director Bong Joon Ho is interviewed about his upcoming movie, Mickey 17 a sci-fi ‘crime caper starring Robert Pattinson: “Bong Joon Ho: ‘I wish I had Ken Loach’s energy, but I’m just thinking about nap time’” in the Guardian.

… Mickey 17, which might best be described as a blackly comic, satirical sci-fi-crime caper. It stars Robert Pattinson as the dopey and desperate Mickey Barnes, who signs up to work a dangerous job on a space-colonising mission, led by a despotic ex-congressman (Mark Ruffalo) and his unhinged wife (Toni Colette). Then, whenever one of Mickey’s assignments results in his death – which is often – he is simply cloned, using “reprinting” technology and sent straight back to work. This is a notion Bong seems to find particularly discomfiting. “Y’know, there’s an HP printer right here in this room, as we’re doing this interview,” he says, eyeing the machine warily. “To think that, like, my head and my arms and legs would just be printed out of this printer, like a piece of paper …”

(6) VERTEX ARTIST REMEMBERED. Joachim Boaz celebrates “Adventures in Science Fiction Art: Rodger B. MacGowan’s Approachable New Wave Art, Part I” at Science Fiction and Other Suspect Ruminations. MacGowan died February 22.

Rodger B. MacGowan (1948-2025), best known for his wargame art and design, passed away yesterday.¹ Most of the memorial posts I’ve seen on social media focus on his later career paths in the board-gaming world. Thus, I thought it would be worthwhile to narrow in on his contribution to science fiction art. After graduating UCLA, where he studied art, motion pictures, and graphic design, MacGowan found work at an advertising agency and an opportunity to create art for one of their accounts, the short-lived Vertex science fiction magazine…

MacGowan’s interior art for part two of William K. Carlson’s “Sunrise West” in Vertex: The Magazine of Science Fiction (December 1974)

(7) BLOOKS. “These Books Are Absolutely Unreadable. That’s the Point” explains the New York Times (link bypasses the paywall) in an article about the Center for Book Arts’ exhibition “The Best Kept Secret: 200 Years of Blooks”.

A benign quirk of humanity is that we are delighted by things designed to look like other things. A bed shaped like a swan. A sauna shaped like a garlic bulb. A toilet brush shaped like a cherry. The designer Elsa Schiaparelli made fashion history with her acts of surreal mimicry, creating buttons in the form of crickets, a compact that looks like a rotary phone dial, a belt buckle of manicured hands.

The trick is hardly new. Medieval cooks molded pork meatloaf to look like pea pods and massaged sweet almond paste into hedgehogs. No matter the scale or edibility of the object, we’ve always relished a material plot twist — a one-liner in three dimensions.

Inclusion in the category requires design intention, so the “night stand” that is actually a pile of unread books by your bed doesn’t count, no matter how nicely it accommodates a pair of reading glasses and a jar of melatonin gummies. But how about a transistor radio painstakingly designed to mimic a leather-bound book? Or a hand-held lantern shaped like an open volume, complete with marbled exterior and gilt-stamped spine? Or a tiny dust-jacketed “book” with a functional cigarette lighter where the pages ought to be? Yes, yes and yes….

(8) CAS AWARDS 2025. Sff was sparse among the winners of the “Cinema Audio Society awards” reported by Deadline. However, CAS presented its 2025 Filmmaker Award to the Dune franchise’s Denis Villeneuve.

These were the winners of genre interest.

MOTION PICTURES – ANIMATED

The Wild Robot
Original Dialogue Mixer – Ken Gombos
Re-Recording Mixer – Leff Lefferts
Re-Recording Mixer – Gary A. Rizzo CAS
Scoring Mixer – Alan Meyerson CAS
Foley Mixer – Richard Duarte

MOTION PICTURES – DOCUMENTARY

Music by John Williams
Production Mixer – Noah Alexander
Re-Recording Mixer – Christopher Barnett CAS
Re-Recording Mixer – Roy Waldspurger

(9) MARK R. LEEPER OBITUARY. Evelyn C. Leeper announced the death of her husband today, and permitted File 770 to publish the obituary she has written: “Mark R. Leeper (1950-2025)”.

(10) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

February 23, 1932 — Majel Barrett Roddenberry. (Died 2008.)

By Paul Weimer: “The First Lady of Star Trek”

Her contributions to Star Trek have been broad and varied. Shall we begin with Majel Barrett Roddenberry as the original Number One in the pilot episode (and seen in “The Menagerie”)? Perhaps having a woman as second in command was too much for 60’s television. So, she became Nurse Chapel and “the voice of the computer” for most of the Star Trek TV series up to her death in 2009.

I didn’t twig until the Next Generation who “that voice was”, when of course she showed up in several episodes as the irrepressible Lwaxana Troi, mother of Counsellor Troi on the Enterprise-D. What could have been a one-note one-time joke character developed into someone with real personality, drive, and spirit under her interpretation of the role. Hearing the computer voice and Lwaxana in the same episode, it finally dawned on me that they were both one and the same. I wound up trying to figure out a headcanon that would explain it, and never quite managed it.

My second favorite small role for her outside of Star Trek has to be as the robotic hard drinking madam of the brothel in the movie Westworld. The movie does have an inconsistency in it thanks to her. We see her swigging drinks from a bottle during the barroom brawl in between the chaos…but later at the end of the movie, when a different robot is offered water, it destroys her. Maybe she was one of the relatively few humans working in the park? (In which case, she probably died during the robot virus uprising). It’s never made absolutely clear, and of course, until they turn murderous, not being able to tell the difference between the robots and humans IS part of the point

But of course, she also appeared in one episode of Babylon 5 as the wife of the now dead Emperor. She has psychic powers and can foresee the future. And Londo, foolish Londo, spends a lot of resources and pull in order to get into her presence and get a prophecy from her. It’s not a great prophecy, and much digital ink was spilled early in the days of the internet trying to interpret just what she meant by her cryptic pronouncements. Oh, and of course announcing that both Vir and Londo would be Emperor.

She passed away in 2008. Requiescat in pace.

(11) MEMORY LANE.

[Written by Cat Eldridge.]

Remembering “Our Man Bashir” Episode, Deep Space Nine

Since Amazon now owns the Bond franchise and we know how lovingly they handled the Tolkien franchise, I thought I’d look at the time the writers of Deep Space Nine decided to riff off of James Bond with the “Our Man Bashir” episode in November of 1995 and got in deep shit with one of the holders of that franchise.

So deep that’s it’s been held by fans of the Deep Space Nine that the episode has never been aired after the initial airing as a settlement with one of the producers of a certain film otherwise they would’ve been sued by them. Rest assured that if you go to Paramount+ right now as I did, it’s there with the rest of the Deep Space Nine series.

It was directed by Winrich Kolbe from a story that originated with a pitch from Assistant Script Coordinator Robert Gillan which was turned into a script by Producer Ronald D. Moore.

Although the episode takes its title from Our Man Flint, a major inspiration for the story was the James Bond films. This obvious influence resulted in Metro-Goldwyn-Mayer complaining to Paramount about it as they had GoldenEye coming out.

Though why they thought it would affect the success of the film is a mystery as it was the best Pierce Brosnan Bond film and the most successful of his films. And why they were concerned anyways that a SF TV episode would affect the box office of a major film makes no sense at all, does it?

It was well-received at the time and has not been visited by the Suck Fairy which I hold is true of the entire series. Charlie Jane Anders at io9 considers it one of goofiest Deep Space Nine episodes, and Keith DeCandido at Tor.com says “holy crap is it fun”.

From beginning to end, it’s absolutely fun. They sometimes didn’t handle humor wonderfully and as a result it came off as strained not here they had the perfect touch. And remember Bashir does become a secret agent in Section 31 of Trek in the novels though definitely not a Bond-style secret agent.

(12) COMICS SECTION.

Between Friends thinks writer’s block isn’t all bad.
Loose Parts forgot the switch.
Nancy’s aunt organizes her books.
Pluggers knows how to add to a story.
The Argyle Sweater personalizes exercise goals.
Wumo copyedits as badly as I do.

(13) ASTEROID MINING PRECURSOR. “Earth’s 1st Asteroid Mining Prospector Heads to the Launchpad” reports the New York Times (behind a paywall).

The dream of mining metals in deep space crashed and burned in the 2010s. AstroForge’s Odin mission to survey a potentially metallic asteroid is packed and ready to lift off.

A private company is aiming to heave a microwave oven-size spacecraft toward an asteroid later this week, its goal to kick off a future where precious metals are mined around the solar system to create vast fortunes on Earth.

“If this works out, this will probably be the biggest business ever conceived of,” said Matt Gialich, the founder and chief executive of AstroForge, the builder and operator of the robotic probe….

(14) BEWARE OF FALLING ROCKS. [Item by Steven French.] The world’s oldest Sunday newspaper opines about the possibility of an asteroid impact: “The Observer view: when an asteroid is hurtling to Earth, do you head for the pub or the church?”

How to feel about this lump of rock hurtling towards us at 38,000mph? To pinch from The Simpsons Movie, is it the pub or the church for you? (Faced with catastrophe, the patrons of Moe’s Tavern run from bar to church, while the congregation of the latter sprints in the opposite direction, desperate for a stiff drink.) Most of us will keep calm and carry on, whatever the percentages. Seven years is a long time: you’ll be a size 10 by then – that, or getting divorced.

The key thing about Armageddon is that it’s always in the future, as the followers of myriad cults have found to their cost down the years. Let us trust the experts – remember them? – to sort it out. A few years ago, Nasa significantly changed the orbit of an asteroid. The Dart spacecraft slammed into a 150-metre asteroid moon at speed, changing its orbital period by more than 30 minutes – a result that could be replicated, if planning began now.

A few, should the predictions get worse, may go full survivalist, filling their bunkers with tinned carrots. But their number will be small. The news cycle is hardly relaxing at the moment, the old order as frangible as digestive biscuits. A person has the capacity for only so much terror, and now may not be the time to start worrying what will happen to Birmingham if YR4 turns out to be West Midlands-bound.

The year 1998 came with its share of global calamities, but the notion of a world war seemed far away compared with today, which may be one reason why two big films about asteroids then played to packed cinemas.

In Deep Impact, a comet on a collision course with Earth hits, causing a tsunami that destroys the US east coast, a mission by the Messiah spacecraft having failed to alter its path. In Armageddon, a rogue asteroid is broken into fragments by a nuclear bomb that is somehow inserted into it by, among others, an oil driller played by Bruce Willis – though it’s not all good news: Shanghai is obliterated by another meteor strike along the way. No prizes for guessing which film did better at the box office….

(15) A BITING WIND. The “Author Forecast: Weather Worth Reading Kickstarter”, which offers “your local weather told using quotes from books”, is taking pledges through February 28. (But it’s a done deal – they’ve already raised 20 times their target amount.)

I wish I could say how many sff quotes are in the mix – this one from Dracula is alone among the samples shown in the publicity. You might find the product amusing anyway!

(16) WEDNESDAY. Netflix dropped a new “Wednesday Season 2 Trailer” this week.

Wednesday Addams’ preference for the color black has often been an important character trait in Addams Family adaptations, with Wednesday taking this quality to the next level as Jenna Ortega’s iteration requires a black substitute for Nevermore Academy’s purple uniform. Both Wednesday and Catherine Zeta-Jones’ Morticia wore only black throughout season 1 to pay homage to their characters’ iconic styles from past franchise entries, but Wednesday season 2 is making some adjustments to the Addams’s color palettes. Not only is Pugsley donning Nevermore’s purple jacket, but Morticia is seen wearing a dress that breaks away from her black-clad franchise history.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Daniel Dern, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Steve Vertlieb Review: Robert Eggers’ Nosferatu

Posted on December 31, 2024 by Mike Glyer

By Steve Vertlieb: Robert Eggers’ lavish remake of Nosferatu is a love letter from Hell, a provocative, profoundly disturbing adult horror masterpiece. Infusing elements from Bram Stoker’s literary classic, Dracula, with imagery from F.W. Murnau’s original 1922 cinematic nightmare, as well as Francis Ford Coppola’s brooding interpretation of Bram Stoker’s Dracula, this latest re-telling of the infamous fantasy brings together fabled folklore and deeply troubling Germanic mythology to form a masterful visual presentation steeped in spectacular gothic landscapes, and sumptuous sensuality. Tales told over haunted centuries in hushed whispers ‘neath European campfires enshrouded in darkness. Tales of depravity and bestiality hovering menacingly within the darkest corners of ancient fears and imagination. These grim fairy tales divide the invisible lines of separation between rationality and insanity for, despite our pretense of civilized and mannered society, a frightening undercurrent of disruption and horror lies just beneath the surface of imagination. What lies waiting in darkness, beyond our fragile grasp of the pretense of reality, may ultimately drown us beyond redemption in a sea of madness and depravity.

It is our lost adolescent frailty, and fear of things that “go bump in the night” that forge the fragile bonds of smug maturity, and refusal to return to the mythology of childhood dreams and nightmares. Within the conflicted spectrum of adult conceit lies the tantalizing fascination with both cinematic and fictional horror, historically consuming our senses, in the often delusional belief that once we leave the theater and turn the lights back on, that our lives will return safely and securely to a world of wholesome normality. This has been the basis of our lifelong fascination with horror. To stick our toes into the darkness for a fleeting moment, and then retreat quickly into the reassuring, if deceptive, light of comfort and warmth, is somehow reassuring. It is an affirmation of life and security, a protection from the ancient forces of darkness that momentarily threaten our semblance of reality. It is our symbolic crucifix to ward off evil.

Nosferatu, written and directed by Robert Eggers, is a frightening reincarnation of the vampire legend. A larger than death interpretation of Stoker’s Dracula, Eggers cinematic fairy tale is a traumatic descent into demonic possession, filmed in grand guignol style and imagery, with devotional stylistic tributes to both Charles Dickens and L. Frank Baum.

Based upon F.W. Murnau’s unauthorized variation of Bram Stoker’s Dracula (UFA, 1922), this newest and perhaps definitive reincarnation of the original silent classic is a horrifying realization of our deepest, most troubling nightmares. The tale is as old as time. An innocent young man is sent by his firm to the wild, untamed mountains of Transylvania to arrange for the purchase of a decaying castle in England and passage by ship to London by a mysterious count whose presence in his native land is both feared and abhorred by the simple peasantry surrounding his property. Count Orlok is a scourge upon the land, a loathsome creature of the night whose nocturnal wanderings have infected the local village with dread. Infants have gone missing, while young, chaste women have been attacked and savaged. Orlok’s command of ravenous wolves and fearsome rats stalking the woods have both cautioned and terrified the neighboring citizenry whose doors are barred after dark, shielded by ancient religious artifacts protecting the innocent. Superstitions guard against infestations of evil, as a cloud of death envelops the lands adjoining the broken battlements of a once proud castle, while ghastly apparitions saturate unholy ground.

Upon his arrival in this strange, depraved land, Thomas Hutter is warned away by anxious peasantry, fearful for his spirit. Hutter is a young newlywed in need of an infusion of funding for his marriage and not dissuaded by the fearful concerns for his safety. After all, he has traveled for weeks to arrive at his destination, and must complete his work in order to return home to his recent bride. Compelled to walk through the deeply menacing woods toward the forbidding edifice, a dark carriage arrives among the shadows to aid in continuing his journey. The bewildering ravages of the brooding countryside invite their unwary guest into the courtyard of a nightmarish structure, embattled by centuries of disrepair, its very foundations rotting into the scorched Earth. Welcomed by a monstrous visage, shrouded in darkness, Count Orlok welcomes his unwary prey into the dungeons of depravity that will soon become his agonized imprisonment. While Ellen Hutter waits anxiously for word of her new husband’s arrival, his torturous captivity within the walls of the ancient castle have painfully begun.

While Dracula’s guest is left to languish within the prison walls of growing madness, Count Orlok departs for alien shores. Having seen a photograph of his captive’s bride, the heinous vampire determines to find and possess her. Thrust into the comparatively mannered pretense of Victorian sense and sensibility, the malevolent prince of darkness arrives by ship at the coastal community amidst a malignant plague of vermin infesting the seaside wharf, its impending evil suffocating the innocent populace.

Written by Robert Eggers, while faithfully adhering to its literary roots, screen credit is given both to author Bram Stoker, as well as original scenarist Henrik Galeen for the Murnau silent classic from which Eggers’ film adaptation is derived. The sumptuous, softly muted, often spectacular look of the film is credited to cinematographer Jarin Blaschke and set decorator Beatrice Brentnerova, while the crisp, often shocking editing of the film is devised by Louise Ford, as overseen by the director. The musical score by composer Robin Carolan is eerily chilling.

Variations of the Dracula novel have seen numerous times since its publication in 1897, including a tepid 1979 remake directed by Werner Herzog with Klaus Kinski in the title role, eerily adapting the distinctive look of the vampire created originally by Max Schreck in the signature 1922 production, Nosferatu – Eine Synphonie des Grauens, or “A Symphony of Terror’ for its English language release. Renfield, a dark, comedic telling of the story, released in 2023, featured Nicholas Cage as the vampire, with actor Nicholas Hoult in the dubious title role of the creature’s slave. The proverbial fates conspired to bring the actor back to the thrice-told tale, as Nicholas Hoult once again assumes a commanding, intensely frightening performance as Thomas Hutter, among the leading protagonists in this newest incarnation of the story, along with gifted, physically exquisite actress Lily-Rose Depp (daughter of actor Johnny Depp) as Count Orlok’s noble prey, Ellen Hutter. One must not forget Shadow of the Vampire, an embarrassing 2001 conceit in which German actor Max Schreck as the original Nosferatu is actually a vampire posing as an actor whose physical makeup is too startling to be artificially conceived.

Both Lily-Rose Depp and Nicholas Hoult deliver unnervingly powerful performances in the leads, while Bill Skarsgard dominates the screen as Count Orlok, his guttural voice and demeanor creating much of the most striking, haunting visual, as well as vocal, imagery. If there is a single disappointment in the film, it is director Eggers’ decision to abandon the physical appearance of Max Schrek’s rodent like features in favor of a more human, if towering, presence. Willem Dafoe is compelling as the aged professor and scientist recognizing the threat of the “Vampyr,” yet needlessly over the top in his performance during the film’s final sequences. Still, it is Eggers’ direction, striking visual style and lead performances that elevate the classic tale of Nosferatu to near cinematic perfection as a classic nightmare, and ultimate “Symphony of Terror.”

Journey Planet 87: “Mina – Dracula’s Destroyer”

Posted on November 9, 2024 by Mike Glyer

The Journey Planet team is back with the second installment of their look at Bram Stoker’s Dracula. There was so much interest in this topic that they received enough contributions to fill two full issues.

Issue 87 — “Mina – Dracula’s Destroyer” — commemorates Bram Stoker’s birthday. Allison Hartman Adams joins Chris Garcia and James Bacon again to do a deeper dive into the text and works of fiction, art, and comics Dracula has inspired.

In “Train Fiend” James looks at the railway connections to Bram Stoker and the railway aspects in the novel, comparing the train movements and times in the novel to timetables of the day, seeking to pinpoint where and when Bram Stoker based these journeys.

Dracula-related comics and movies have a strong presence here as well: Kim Newman’s review of Batman/Dracula; Alan Moore and Kevin O’Neill’s The League of Extraordinary Gentlemen from David Ferguson; Dracula Lives from Rob Kirby; Batman and Vampires from James Bacon, and Alberto Breccia’s “I Was Legend” from Jim O’Brien.

In “Molested, Murdered, Maligned: In Defense of ‘Poor Dear Lucy’”, Allison challenges the dreadful treatment Lucy has received at Dracula scholars’ hands over the years.

Allison also considers and reflects on the character of Mina in relation to why she writes, and takes a nerdy wander in “Dracula By the Numbers.”

In “Dracula: Then and Now,” James sets out from Budapest to the Borgo Pass by train, reflecting on the changes and sharing his experience and journey through Hungary and Romania.

With stunning front and back covers by Iain Clark, the issue is beautifully bound.

Journey Planet Issue 87 – “Mina: Dracula’s Destroyer” is available as a free download at the link.

Table of Contents

Enditorial by James Bacon
My Bradshaw’s: Editor’s Note by Allison Hartman Adams
Train Fiend by James Bacon
Mina and the The League of Extraordinary Gentlemen by David Ferguson
Why Mina Writes by Allison Hartman Adams
Batman/Dracula (1964) by Kim Newman
Dracula Lives by Rob Kirby
Molested, Murdered, Maligned: In Defense of “Poor Dear Lucy” by Allison Hartman Adams
I Was Legend: Alberto Breccia, Dracula, and the Argentinian Military Dictatorship by Jim O’Brien
Batman & Vampires by James Bacon
Dracula by the Numbers by Allison Hartman Adams
Dracula Then and Now – The Borgo Pass by James Bacon

Journey Planet #86 – Dracula: Fiend & Foe

Posted on October 31, 2024 by Mike Glyer

Allison Hartman Adams joins James Bacon and Chris Garcia in a wide-reaching look at everyone’s favorite Count and his nemeses in Journey Planet #86 – “Dracula Fiend & Foe”, available here.

They examine the enduring legacy of Bram Stoker’s novel, just in time for Samhain, as the evenings draw darker and the chill in the air mixes with the beautiful colors of the decaying falling leaves.

This issue takes a look at a plethora of aspects, including the wide variety of art and culture that represent Dracula, starting with a consideration of the cultural transformations of Dracula as an icon. The contributors present many perspectives, from poetry about Bela Lugosi, to the costumes of Coppola’s Dracula.

The literary aspects are also important, and include a look at Bram Stoker’s Notes and the Rosenbach Museum, as well as why we need to stop calling it ‘Carfax Abbey.’

The issue features a number of interviews, including Dacre Stoker (Bram Stoker’s great grand-nephew), Tucker Christine (editor of Dracula Beyond Stoker) and Karim Kronfli (Re: Dracula voice actor).

Also included are radio plays, comic book interpretations, an essay on vampires in East Asia, and even Dracula recipes.

There’s art from Emily Odum (@cloverune; https://www.cloverune.com/), Autun Purser (https://www.apillustration.co.uk/) for the back cover, and Simon Adams (@simonadams77; https://www.simonadamsart.com/) for the front cover and internal illustrations.

There was so much enthusiasm for this issue that the matter of Dracula and Mina will be split across two issues. A second issue, Journey Planet #87 “Mina – Dracula’s Destroyer,” will be released November 6, the final date in Stoker’s novel.

Dracula has permeated our culture, and one can see how relevant Stoker’s works continue to be with the recent rediscovery of the long-lost Stoker short story, “Gibbet Hill” receiving worldwide attention.

The Journey Planet team are all massive Dracula fans, as you’ll see from these pages. They hope that you’ll discover new versions of your favorite characters in this issue.

Table of Contents

Fiendish Love: Editor’s Note by Allison Hartman Adams
Man, Wolf, Bat, Monster…Icon: The Cultural Transformations of Dracula by Josh Gauthier
Dracula Movie Posters by Chris Garcia
“Bela Lugosi” by Chuck Serface
“Much to Learn from Beasts:” the Costumes of Coppola’s Dracula by Hannah Strom-Martin
Myths and Mental Health: Journey Planet Interviews Author Dacre Stoker
Eating Molecules With a Pair of Chopsticks: (Mortal) Food in Dracula by Amos Dunlap
Stoker’s Gothic Heroine by Allison Hartman Adams
The Last Voyage of the Demeter – Movie Review by Erin Underwood
Sherlock Holmes v Dracula, A Play for Radio: Review by James Bacon
Interview with a Vampire an Actor by Helena Nash
“Like a Bolt From the Blue” – Bram Stoker’s Notes & the Rosenbach Museum by Allison Hartman Adams
Dracula Beyond Stoker: Celebrating and Continuing the Legacy of Bram Stoker’s Novel by Editor Tucker Christine
Dracula Beyond Stoker: Review by Chuck Serface
Vampires in East Asia: A Evolution of Occidentalism by Arthur Liu
Fiends of the Eastern Front: Review by James Bacon
Tomb of Dracula – A Reader’s Guide by Helena Nash and Chuck Serface
Please Stop Calling It Carfax Abbey: A Fan Rant by Allison Hartman Adams
Dracula 2000 Review by Sarah G. Vincent
Transylvanian Tabletop – 7TV: Dracula by Helena Nash
The Enditorial – Part 1 – James Bacon

Journey Planet #86 – “Dracula Fiend & Foe” — Download here.

[Based on a press release.]

Pixel Scroll 10/13/24 Pixels, Hardworking And Honest, Need The Support Of Their Scrolls

Posted on October 13, 2024 by Mike Glyer

(1) UNCANNY DELUGED WITH AI SUBMISSIONS. Michael Damian Thomas of Uncanny Magazine announced on October 10 that the volume of AI submissions has caused a delay in their responses to writers.

Then he later followed up with these additional thoughts:

Some quick notes.
1- We don't use AI detectors.
2- We'll only ban a submitter if we were positive of AI use.
3- We have no plan to ever permanently close unsolicited submissions. The plan is to just take longer processing submissions. Not our favorite, but that's where we're at. https://t.co/mYn58sVsX2
— Uncanny Magazine (@UncannyMagazine) October 13, 2024

Since the Uncanny AI thing went viral, here are some of my thoughts.

1- There are plenty of people out there desperate to be published or to remain publishing. "Shortcuts" are going to get used. Ask any teacher/professor about plagiarism and current AI use for academic writing.
— Michael Damian Thomas (@michaeldthomas) October 13, 2024

3- The only negative effect for Uncanny is longer submission processing time. (It's very unlikely we'd ever get fooled by an AI story.) It's not optimal, but unfortunately writers will have to get used to waiting for decisions a bit longer like we did back in ye olde SASE days
— Michael Damian Thomas (@michaeldthomas) October 13, 2024

(2) EARLY SERIALIZATIONS OF DRACULA. At Deeper Cuts in a Lovecraftian Vein, Bobbie Derie makes “A Survey of Dracula Newspaper Serials in English (1899-1928)”.

The research for Deeper Cut: Lovecraft, Miniter, Stoker: the Dracula Revision required an examination of the history of the Dracula manuscript and an evaluation of the textual variations in order to evaluate whether there was any place in the timeline for Edith Miniter, as Lovecraft alleged, and to judge Bram Stoker’s involvement with changes to the text before and after publication.

One of the most notable developments in Dracula studies in recent years has been the discovery of and translation into English of the 1899 Swedish translation Mörkrets Makter (translated into English as Powers of Darkness), which was serialized in in the newspaper Dagen, and 1901 Icelandic edition Makt Myrkanna (also translated into English as Powers of Darkness) serialized in the newspaper Fjallkonan. What has become apparent, however, is that there were also numerous Dracula serializations in English-language newspapers in the period 1899-1928. Thanks to the digitization of old newspaper archives and online subscription services, these newspaper serials, which have received rather scanty attention, are more accessible today than they were previously. Enough that a survey of the extant texts is warranted….

… There may well be additional newspaper serializations of Dracula besides these; these are just the serials available via newspapers.com as of the time of this writing. Links will be to the full pages, as clips tend to come out illegible….

(3) JOY DAVIDMAN AT THE LONDON CIRCLE. Rob Hansen has assembled excerpts of fannish memoirs about “C.S. Lewis & The London Circle” at Fiawol.org. A great deal of it is about Joy Davidman’s attendance at pub meetings of the London fan group.

[SAM YOUD, who wrote as “John Christopher”] …Joy herself I got to know quite well. We drank bitter together and argued endlessly through those Thursday evenings. Joy never stopped arguing, and we derived much mutual pleasure from the exercise.

She had endured a cruelly-hard childhood, involving a range of diseases that included curvature of the spine, exaggerated insulin secretion resulting in excessive appetite and a weight problem, and Grave’s disease – hyperthyroidism. For the last she was treated by a doctor who required her to wear a radium collar around her neck, weekly for a year. It appeared to cure the condition, but one can speculate on the cost in later life. I did not know any of this before reading AND GOD CAME IN, her biography by Lyle Dorsett, published in 1983. Nor did she talk about her achievements as an award-winning poet, her authorship of two well-regarded novels, or her stint in Hollywood as a screenwriter. Perhaps she did not want to belittle our petty triumphs in sales to Astounding Stories or Galaxy or New Worlds….

(4) NOBEL PEACE PRIZE. “2024 Nobel Peace Prize goes to Japanese atomic bomb survivors’ group” – NPR has details.

A Japanese anti-nuclear weapons group made up of survivors of the atomic bombings in Japan during World War II has won the 2024 Nobel Peace Prize.

The Norwegian Nobel Committee said it has awarded the Japanese organization Nihon Hidankyo “for its efforts to achieve a world free of nuclear weapons and for demonstrating through witness testimony that nuclear weapons must never be used again,” sending a message to countries that are considering acquiring or threatening to use them.

Committee Chair Jørgen Watne Frydnes said Nihon Hidankyo, made up of survivors of the August 1945 nuclear bombings of Hiroshima and Nakasaki by the United States, has been instrumental in the global movement that has kept nuclear weapons from being used in conflict for 80 years….

… At a press conference in Hiroshima, Nihon Hidankyo’s co-chair, Toshiyuki Mimaki, 81, held back tears and pinched his cheeks when the award was announced. “I can’t believe it’s real” he told reporters.

Mimaki is a Hiroshima survivor and said the award helped recognize the group’s work. “It would be a great force to appeal to the world that the abolition of nuclear weapons can be achieved,” he said.

He said the idea that nuclear weapons bring peace to the world is wrong.

“It has been said that because of nuclear weapons, the world maintains peace. But nuclear weapons can be used by terrorists,” he said. “For example, if Russia uses them against Ukraine, Israel against Gaza, it won’t end there. Politicians should know these things.”…

(5) SOME OF THE ORIGINAL MONSTERS. Atlas Obscura introduces us to “The Wendigo and 6 Other Ancient Monsters From Indigenous Folklore”.

…Around the world, Indigenous communities have passed rich storytelling traditions from one generation to the next from time immemorial. Many of the stories have been lost in the upheaval and destruction of the colonial era. Selfless heroes and bold tricksters alike have been forgotten, or faded to a mere wisp of collective memory. But the monsters, ah, the monsters. Ferocious, fanged, skulking, slithering, they seem to have endured better than most. These beings still haunt—and hunt—from Australia to Brazil, Lake Victoria to Lake Winnebago. Here are some of the most memorable ancient terrors from Indigenous lore that still send chills down our spines.

First on the list:

Beware the Wendigo, the Frostbitten Flesheater of North America’s Chilly Heartland by J.W. Ocker

Few monsters from Indigenous folklore can boast of making it in Hollywood. There’s Krampus, a modern amalgamation of deeply ancient Central European traditions, and the wendigo, which first terrorized the Algonquin, Ojibwe, and other Anishinaabe peoples around the North American Great Lakes. We’ll leave it to you to decide whether the 2021 movie Antlers does justice to the wendigo’s ferocity, but we’re betting the wendigo doesn’t care. It’s too busy looking for its next victim. A potent symbol of human greed, the emaciated creature is insatiably hungry and appears in the lean and desperate season of winter. In the 19th century, some documented regional cases of cannibalism and other unspeakable acts were chalked up to individuals “going wendigo.”

(6) FANTASY STUDY. Adam Roberts, winner of the John W. Campbell Memorial Award for Jack Glass, a three-time BSFA Award winner, and Professor in Nineteenth Century Literature and Culture at Royal Holloway, University of London, UK, will have a nonfiction book Fantasy: A Short History out in April 2025 from Skylight Books.

One of the most popular genres of modern times, fantasy literature has as rich a cultural and literary heritage as the magical worlds that so enrapture its readers. In this book, a concise history of the genre, Adam Roberts traces the central forms and influences on fantasy through the centuries to arrive at our understanding of the fantastic today.

Pinning the evolution of fantasy on three key moments – the 19th-century resurgence of interest in Arthurian legend, the rise of Christian allegory, and a post-Ossian, post-Grimm emergence of a Norse, Germanic and Old English mythic identity – Roberts explores how the logic of ‘the fantastical’ feeds through into the sets and trappings of modern fantasy. Tracking the creation of heroic and high fantasy subgenres through antiquarian tradition, through C. S. Lewis and J. R. R. Tolkien and into the post-Tolkien boom in genre fantasy writing, the book brings the manifestation of the fantastic beyond literature into art, music, film and TV, video games and other cultural productions such as fandoms. From Tennyson and Wagner, through Robert Graves, David Jones, Samuel Delany, Dungeons and Dragons, Terry Pratchett and Robin Hobb, to the Game of Thrones, Skyrim, The Witcher and The Lord of the Rings media franchises, the book digs into the global dissemination and diversity of 21st-century fantasy. Accessible and dynamic, wide-ranging but comprehensive, this is a crash-course in context for the most imaginative form of storytelling….

(7) TEDDY HARVIA CARTOON.

(8) MEMORY LANE.

[Written by Paul Weimer.]

Anniversary: Star Trek’s “Mudd’s Women” (1966 on this date)

By Paul Weimer: Harry Mudd is, for all being a reprobate, cheat, con man, and sneak, is one of the iconic characters of all of Star Trek. In a supposedly glorious Federation, it is heartwarming in a way to see a character as mercilessly mercenary as Harry Mudd come on screen.

“Mudd’s Women” is his first appearance. (he would be in one more TOS episode, an animated episode and surprisingly, also on Discovery (before they go to the future).

“Mudd’s Women” itself is a con man scheme involving a drug to make women appear more beautiful, and Mudd trying to marry them off to settlers while on the drug, and reap the profits. It shows the early “Wagon Train in Space” roots of Star Trek to the fullest, because with just some changes, this could easily be an episode of Bonanza or another Western. And if you look at Mudd’s getup (and that hat), you can totally see it. And Kirk’s clever use of a placebo in the denouement is a positive message that beauty drugs, in the end, pale to self-confidence and real inner beauty.

(9) COMICS SECTION.

Breaking Cat News tunes in a UFO.
Close to Home has a breaking report.
Crankshaft adds an important quote to its series on book banning.
Martin Rundkvist brings us “Lovecraft and cats”.

(10) LEFT-HANDED COMPLIMENT. From 2018: David Williams tells us about the time: “They Tried to Ban Fahrenheit 451 and Replace It With. . . My Book” at Literary Hub.

So it was no surprise when from Santa Rosa County in the panhandle of Florida this past month there came familiar news. A parent, discovering their child was reading something they found problematic, approached a school board and asked that Fahrenheit 451 be removed from the curriculum.

“Filth,” that parent called Bradbury’s work, as she pressed for it to be removed from an eighth grade reading list. The concerned mom leading the banning effort didn’t see its prophetic relevance. All she saw was a vulgarity, the word “bastard,” which she felt was inappropriate for her 13-year-old daughter. “I’m just trying to keep my little girl a little girl,” she said.

This kind of book-banning effort isn’t unusual, but this one was a gut punch. Why? Because the parent organizing the banning effort suggested that Bradbury’s work should be replaced with something more acceptable to her.

Among her suggestions for more “suitable” material: my own dystopian novel, When the English Fall.

I cannot imagine receiving a more troubling and heartbreaking endorsement.

Sure, my Amish protagonist and narrator doesn’t use vulgarity in the face of the world’s collapse. Because he’s Amish. Old Order Mennonites don’t tend to swear like sailors. But my story contains its fair share of death and murder and human horror, at least as graphic as anything you’ll find in Bradbury.

The mother bringing the complaint was concerned at the violence in the book, and worried that the book wasn’t “safe,” and suggested that kids might read about murder and violence and become murderous and violent themselves. As a pastor, I preach the Bible every Sunday, and teach it in classes. My gracious, I can’t imagine a less “safe” book than the Bible. Try reading Genesis sometime. That’s a rough, rough book. My Adult Ed class has been discovering this last month as we’ve been reading it together. Murder? Rape? Betrayal? Incest? Ray Bradbury’s got nothing on the Word of God….

(11) THEY MAKE A DESOLATION. “SpaceX wants to go to Mars. To get there, environmentalists say it’s trashing Texas” reports NPR.

…Musk might see Starship as an ark for all God’s creatures, but environmentalists tell a different story. As Starship prototypes have begun flying from SpaceX’s launch pad in Boca Chica, Texas, they say the company has shown little regard for the wildlife Musk has said he wants to protect.

Now, a review of state and federal records by NPR, including some obtained through a freedom of information request, shows how SpaceX has sometimes ignored environmental regulations as it rushed to fulfill its founder’s vision. With each of its launches, records show, the company discharged tens of thousands of gallons of what regulators classify as industrial wastewater into the surrounding environment.

In response to the discharges of water from the pad, both the Environmental Protection Agency and the Texas Commission on Environmental Quality (TCEQ) have determined that SpaceX has violated the Clean Water Act. Both agencies levied fines totaling more than $150,000 against the company in September….

(12) EMBRACEABLE YOU. Meanwhile, “SpaceX pulls off unprecedented feat, grabs descending rocket with mechanical arms” – CBS News has the story.

In one of the most dramatic, high-risk space flights to date, SpaceX launched a gargantuan Super Heavy-Starship rocket on an unpiloted test flight Sunday and then used giant “mechazilla” mechanical arms on the pad gantry to pluck the descending first stage out of the sky in an unprecedented feat of engineering.

The Starship upper stage, meanwhile, looped around the planet and re-entered the atmosphere over the Indian Ocean as planned, enduring temperatures nearing 3,000 degrees as it descended to a controlled, on-target splashdown.

The spacecraft came through the hellish heat of re-entry in relatively good condition, protected by improved heat-shield tiles and beefed-up steering fins that worked as needed while engulfed in a fireball of atmospheric friction.

But the jaw-dropping first stage capture back at the launch pad, using pincer-like arms more familiarly known as chopsticks, was the clear highlight of the giant rocket’s fifth test flight.

Snagging the descending 23-story-tall Super Heavy booster with the mechazilla arms represented an unprecedented milestone in SpaceX’s drive to develop fully reusable, quickly re-launchable rockets, a technological tour de force unmatched in the history of earlier space programs relying on expendable, throw-away rockets….

(13) PIRATE SITE CHANGES NAME. “Aniwatch, World’s Biggest Anime Piracy Site, Rebranded to HiAnime” reports CBR.com.

The world’s biggest anime piracy site, Aniwatch, has recently rebranded itself following a huge rise in infamy.

The popular site “Aniwatch” has changed its domain name to “HiAnime” this week. Users attempting to access Aniwatch received the message: “Aniwatch is being rebranded to HiAnime. You will be redirected to the new HiAnime website in 10 seconds. Or you can also click here to go to HiAnime now.” According to Similarweb, “Aniwatch” is the #1 most accessed anime piracy site worldwide with 136.2 million visitors in January 2024. It’s also 16th overall in the “Streaming and Online TV” category. Aniwatch does not provide an official explanation for the rebranding.

A new report by Torrent Freak adds that a recent ‘dynamic+’ site blocking order in India may have motivated this. This refers to a court-ordered instruction to Internet Service Providers (ISPs) to block access to a website, with the theory proving especially likely given that India is Aniwatch’s biggest user base…

(14) VIDEOS OF YESTERDAY. [Item by Mike Kennedy.] Last night’s Saturday Night Live had several items that could be considered anything from genre adjacent to vaguely kind of sort of adjacent to genre adjacent. It depends on how you look at it. And how hard you squint.

This one is definitely horror. But not supernatural horror or anything else that’s really SF-adjacent. More like serial murderer horror. Although, the fantasy talking furniture, bookcases, etc. DO lend more credibility as genre related. I think it’s extremely well-made, considering they (presumably) had less than a week to put it together. “My Best Friend’s House”.

Oh, this one is absolutely solidly genre IMO. You just have to watch it all the way to the end to see why. “The Hotel Detective”.

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Paul Weimer, Lise Andreasen, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]

Pixel Scroll 9/23/24 Slartibartleby, The Pixeler

Posted on September 23, 2024 by Mike Glyer

(1) RETRO HUGOS IN THE REAR VIEW MIRROR? “’The Conclusion of the Retro Hugo Era’ – A Glasgow 2024 panel and my thoughts” at A Deep Look by Dave Hook.

The Short: I moderated a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10, 2024. We had a good discussion of the Retro Hugo Awards, warts and all. The title turned out to be prescient; the next day, the WSFS Business Meeting voted in favor of Constitutional Amendment F.19 (No More Retros), which will be up for ratification at Seattle 2025, Building Yesterday’s Futures–For Everyone. More thoughts below.

The Long: I was selected to moderate a panel at Glasgow 2024, A Worldcon for our Futures, titled “The Conclusion of the Retro Hugo Era” on Saturday evening, August 10.

I had applied to be on the panel because I love the Retro Hugo Awards and have loved doing the reading and voting for them, even though I came to have some serious reservations.

I had voted for the the 1944 (43) Retro Hugos in 2019, and the 1945 (44) Retro Hugos in 2020. Paul Fraser at www.sfmagazines.com was especially helpful in gathering and sharing resources that I used for these. I served on several panels for the 1946 Project (and several that were not) at Chicon 8 Worldcon in 2022 that focused on works that could have been nominated if there had been a 1947 (46) Retro Hugo held that year.

Former Hugo finalist Trish E. Matson, Fan Guest of Honor Mark Plummer, Perriane Lurie and Hugo Award winner Cora Buhlert joined me on this panel….

(2) COLLISION COURSE. [Item by Mike Kennedy.] No appeal has yet been made by the Internet Archive to the Supreme Court in their copyright case with Hachette, et al. But if they do appeal, the case could see a fascinating intersection with one of the hottest topics in American politics—to wit, The Supremes v. Ethics. “How A Copyright Case Is Shining A Spotlight On SCOTUS Ethics Issues” at Huffpost.

Six out of the high court’s nine justices have published books with the publishers involved in the case. Justices Sonia Sotomayor, Neil Gorsuch, Amy Coney Barrett and Ketanji Brown Jackson have all published books or signed book deals with Penguin Random House. HarperCollins has published books by justices Clarence Thomas and Gorsuch. And Justice Brett Kavanaugh is signed to a book deal with Hachette. (None of the publishers responded to requests for comment.)

The case involves a digital lending library operated by the nonprofit Internet Archive that it expanded during the early days of the COVID-19 pandemic. The publishers challenged the archive’s practice of copying and lending out digital copies of library books with no limit, through what the archive calls its National Emergency Library, as a violation of copyright that threatens authors’ earnings. A district court and the appeals court both ruled in favor of the publishers, finding that the archive’s digital lending practices violated copyright law.

The Internet Archive has not appealed to the Supreme Court yet. A spokesperson for the Internet Archive told HuffPost the nonprofit is still reviewing the appeals court decision. But if the case were to reach the high court, it would raise serious questions about the self-enforcement of conflict of interest rules by the individual justices at a time when the court has been embroiled in ethics controversies, particularly around Thomas’ receipt of gifts from friends and wealthy conservative benefactors….

(3) BOOK BANNING ACCELERATES. The New York Times studies how “New State Laws Are Fueling a Surge in Book Bans”.

States and local governments are banning books at rates far higher than before the pandemic, according to preliminary data released by two advocacy groups on Monday.

Books have been challenged and removed from schools and libraries for decades, but around 2021, these instances began to skyrocket, fanned by a network of conservative groups and the spread on social media of lists of titles some considered objectionable.

Free speech advocates who track this issue say that in the past year, newly implemented state legislation has been a significant driver of challenges.

PEN America, a free speech group that gathers information on banning from school board meetings, school districts, local media reports and other sources, said that over 10,000 books were removed, at least temporarily, from public schools in the 2023-24 school year. That’s almost three times as many removals as during the school year before.

About 8,000 of those bans came just from Florida and Iowa, where newly implemented state laws led to large numbers of books being removed from the shelves while they were assessed.

Lawmakers and those who describe themselves as parental rights advocates favor restricting access to certain books because they don’t believe children should stumble upon sensitive topics while alone in the library, or without guidance from their parents. Many think that some books that have traditionally been embraced in school libraries are inappropriate for minors, including, for example, “The Bluest Eye,” by Toni Morrison, which includes references to rape and incest.

The law in Iowa, which went into effect in 2023, prohibits any material that depicts sexual acts from all K-12 schools, with the exception of religious texts. It also limits instruction about gender and sexual orientation until seventh grade. In Florida, a law that took effect before the 2023-24 school year said that any book challenged for “sexual conduct” must be removed while it is reviewed….

(4) THE MINISTRY OF TIME. Coincidentally I just finished reading this novel yesterday, and agree it deserves high praise. “Review: The Ministry of Time, by Kaliane Bradley” by Rich Horton at Strange at Ecbatan. Beware spoilers aplenty, however.

…If at first it reads like a convenient use of the time travel device to tell a love story, and a story about the experience of expatriates (either in time or space), with some cli fi mixed in, by the end it’s all of those things plus a book that gloriously and whole-hearted buys into the strangeness and paradoxes of time travel. There is a wild twist at the end, which I only guessed half of in advance. The love story is beautifully handled. The depiction of near future life is fraught and believable. The examination of the expat experience, the depiction of the horrors of the Franklin Expedition, and the intricate plot are very well done….

(5) DIALING BACK. Colleen Doran reveals some personal issues here – “In Which the Artist Chronicles Life With OCD: The Cognitive Behavioral Therapy That is My Art” at Colleen Doran’s Funny Business — ultimately to explain why she now spends little time looking at social media.

I suppose it’s no surprise for me to admit right here in print I’ve had a lifelong problem with OCD. Not as in, “I’m a little OCD because I like a well organized pantry,” but the kind of OCD that sees you spending hours a day doing something repetitively and it kind of ruins your life in small bites of hell.

I posted a snippet of this previously private essay here a short time ago, but here’s the whole lightly edited enchilada from May 2020.

OCD morphs. When I was a kid, it was one set of habits, then it became another set of habits, which I’m not going to belabor, because they’re all weird and embarrassing.

Early on I knew nothing about what was happening because who had ever heard of it, and no internet. I assumed it was a willpower issue, and trained myself to turn my nervous energy into something productive, like channeling that prickly power into drawing comics.

I had no idea that this is a foundation of cognitive behavioral therapy, so go me….

(6) GRRM Q&A. Daniel Roman interviewed GRRM while they were both in Glasgow for the Worldcon. “The George R.R. Martin interview: On fandom, writing, and his work beyond Westeros” at Winter Is Coming. Roman obligingly avoided areas that would be de rigeur for a journalist: “There were a few topics we agreed ahead of time to steer clear of, like Martin’s long-awaited sixth Song of Ice and Fire novel The Winds of Winter, or the HBO shows Game of Thrones and House of the Dragon.”

WiC: Yeah, I went to Discon in Washington D.C. in 2021. That’s the only other one I’ve been to so far.

GRRM: Well, they’re very big these days and they have multi-tracks of programming. Those early Worldcons had one track of programming, and they had panels. And there was a room where a panel was, the panel would have four or five people on it, but they certainly weren’t inviting guys like me who had published four stories, you know? Every panel was all big names. So I would go to a panel, it’d be Isaac Asimov, and talking to Frederick Pohl, and talking to Harlan Ellison, and you know, then there would be another panel…but no one was asking me to be on a panel yet. You had to pay your dues in those days, and little by little, I did pay my dues. I actually [chuckles], as I said, I won the Hugo in ’75…it still didn’t get me on any panels. The first time I was put on a panel was ’77. But they were great opportunities to see friends, to make professional contacts, and once I started getting on panels and doing autographings, to promote myself.

(7) IS THIS HEAVEN? NO, IT’S IOWA. CrimeReads looks back to the Seventies and the challenge of “Bringing Nicholas Meyer’s The Seven-Per-Cent Solution to the Big Screen”. Novelist Meyer also wrote the screenplay.

…Meyer has a special talent as an adaptor of other people’s work, but quickly learned that it isn’t as easy when the material you are adapting is your own. “The Seven-Per-Cent Solution was relatively early in my career,” he observes, “and it was me working with my own material. I’ve listened to many authors talking about adapting their own material, and they have a great deal of difficulty in being ruthless. It happens with directors too. You can have a shot you really love, and it was very hard to get . . . it’s a beautiful shot. But if you discover it doesn’t belong in the movie, you have to accept that it has to go.”

Meyer’s early inclination to wordiness wasn’t because he began his career as a novelist, but instead is due to his time in college at the University of Iowa. “I was a theater major, and so I started out with a sort of stage orientation. That means dialogue. As a beginning screenwriter, I started out writing tons of dialogue because I thought it was like a play. But in screenwriting imagery dominates dialogue, and if it’s too talky it doesn’t feel cinematic. You have to be ruthless. I have learned since that time to write very, very spare stuff . . . descriptions, dialogue, everything. It is just the bare minimum of what you need. Certainly with my own stuff, I never had the feeling that it was so wonderful that it was incapable of improvement.”…

(8) TODAY’S BIRTHDAY.

[Written by Mike Glyer.]

Born September 23, 1971 – Rebecca Roanhorse, 53. Entering the field with a roar, Rebecca Roanhorse’s first published sff story “Welcome to Your Authentic Indian Experience^TM” (Apex Aug 2017) won both the Hugo and Nebula, and helped her win the Astounding Award for best new writer in 2018.

She has written two novels in the Star Wars universe, Resistance Reborn (2019) and Dark Vengeance (2020). However, she’s best known for being what Science Fiction Encyclopedia’s John Clute describes as “an advocate of the concept of Indigenous Futurism”, exemplified by her novels Trail of Lightning and Black Sun (both Hugo and Nebula finalists; the latter an Ignyte winner), and Storm of Locusts, and her short story “A Brief Lesson in Native American Astronomy” (also an Ignyte-winner).

Black Sun and Fevered Star are part of the Between Earth and Sky series, joined this summer by a third book, Mirrored Heavens.

(9) COMICS SECTION.

Bizarro lists some nearly supers.
Carpe Diem is having a bad day.
Breaking Cat News for September 22 was missing on a few sites. And now we know why – it crossed several genres!
Wizard of Id complains about pet people.
Tom Gauld overhears a wistful voice.

My latest @newscientist cartoon. pic.twitter.com/0RTeddIae4
— Tom Gauld (@tomgauld) September 23, 2024

(10) ‘BOLTS TRAILER. Is this news to us? It came out in May. “’Thunderbolts’ Trailer: Marvel Recruits Florence Pugh, Sebastian Stan” in Variety.

…In the upcoming superhero pic, starring “Captain America” mainstay Sebastian Stan and “Black Widow” cast members Florence Pugh and David Harbour, reformed Marvel villains are forced to team up to conduct covert operations on behalf of the U.S. government.

“Everyone here has done bad things,” Pugh says in the trailer, brought face to face with the rest of the team. “Shadow ops, robbing government labs, contract kills. … Someone wants us gone.”…

(11) CASH THAT GLOWS IN THE DARK. The Royal Canadian Mint has struck a 1 oz. Pure Silver Glow-in-the-Dark Coin commemorating “Canada’s Unexplained Phenomena: The Langenburg Event”.

A 50-year-old story of UFOs at a farm near Langenburg, Sask. — a town 220 kilometres east of Regina — is being celebrated by Canada Post and the Canadian Royal Mint with a new coin.

The story of the UFOs and the five crop circles from 1974 have prompted Canada Post and the Royal Canadian Mint to issue a coin that commemorates the event. “The Langenburg Event” coin is the seventh in the Canada’s Unexplained Phenomena series.

The coin is one ounce of pure silver, glows in the dark, and can be purchased online for C$140.

Coin #7 brings you a close encounter of the second kind.

Some crop circles are harder to dismiss… and that’s what makes Saskatchewan’s most famous UFO/UAP incident so intriguing! Viewed from the witness’s perspective, the Langenburg Event is the seventh unusual encounter re-told as part of our popular Canada’s Unexplained Phenomena series of coins.

On the morning of September 1ˢᵗ, 1974, a farmer was swathing his fields near the town of Langenburg, Saskatchewan, when he noticed five highly polished, steel-like objects at the edge of a slough. Upon closer look, he noticed these unusual saucer-shaped objects were rotating rapidly and hovering just above the ground. He continued to observe them until they suddenly rose up, emitting a strange vapour as they silently disappeared into the sky. But the objects hadn’t vanished without a trace; according to the RCMP incident report, they left behind “five different distinct circles, caused by something exerting what had to be heavy air or exhaust pressure over the highgrass,” which was curious enough to warrant serious attention both locally and worldwide.

… A blacklight flashlight (included) activates the glowing colour effect on your coin’s reverse, which presents a view of the five mysterious objects described by the eyewitness. When the blacklight paint technology is activated, these objects are seen emitting an eerie glow as they fly away, leaving radioactive circular patterns in the field below.

An image of King Charles in profile is on the back, which if you think of it as a disembodied head probably helps the theme along.

(12) SOUND TRACK FOR THE SPANISH DRACULA. The LA Opera invites audiences to relive Hollywood’s Golden Age with a rediscovered classic film at the historic United Theater: “LA Opera Spanish Dracula with Live Orchestra”. Daily performances October 25-27.

While Bela Lugosi was vamping it up in front of the cameras by day, a night crew shot an alternate version of Dracula in Spanish — same sets, same story, new cast. This second incarnation of the classic, starring Carlos Villarías, was largely forgotten until a recent renaissance, and many now hail it as the superior version.

See it on the big screen (with English subtitles) as Resident Conductor Lina González-Granados leads the LA Opera Orchestra in a live performance of a new LAO-commissioned score by Academy Award-winning composer Gustavo Santaolalla (The Last of Us, Brokeback Mountain), who’ll also star as a featured performer.

(13) YUCKTASTIC. Beware! The Disgusting Food Museum tries to live up to its name!

Food is so much more than sustenance. Curious foods from exotic cultures have always fascinated us. Unfamiliar foods can be delicious, or they can be more of an acquired taste. While cultural differences often separate us and create boundaries, food can also connect us. Sharing a meal is the best way to turn strangers into friends.

The evolutionary function of disgust is to help us avoid disease and unsafe food. Disgust is one of the six fundamental human emotions. While the emotion is universal, the foods that we find disgusting are not. What is delicious to one person can be revolting to another. Disgusting Food Museum invites visitors to explore the world of food and challenge their notions of what is and what isn’t edible. Could changing our ideas of disgust help us embrace the environmentally sustainable foods of the future?

The exhibit has 80 of the world’s most disgusting foods. Adventurous visitors will appreciate the opportunity to smell and taste some of these notorious foods. Do you dare smell the world’s stinkiest cheese? Or taste sweets made with metal cleansing chemicals?…

For example, there are these “Disgusting Christmas Foods”. Here’s one of the tamer examples on the list.

Christmas Tinner

… a more modern type of craziness – the video game retailer GAME in the UK sells Christmas Tinner every year, a full Christmas dinner in a can. They started selling them in 2013 and has now added a vegan and a vegetarian option.

The Christmas Tinner layer list in full:

Layer one – Scrambled egg and bacon
Layer two – Two mince pies
Layer three – Turkey and potatoes
Layer four – Gravy
Layer five – Bread sauce
Layer six – Cranberry sauce
Layer seven – Brussel sprouts with stuffing – or broccoli with stuffing
Layer eight – Roast carrots and parsnips
Layer nine – Christmas pudding

The tin will run you £2, but sadly it’s currently out of stock.

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] I remember the Larry Niven ‘Known Space’ story “Neutron Star” in which a spaceship with an impervious hull came too close to a neutron star and nobody knew why the crew inside were smeared across the inner hull…

And then there was the Arthur Clarke mini-short in a similar vein, “Neutron Tide” in which a battle cruiser did something similar and all that was left was a ‘star mangled spanner’.

What larks.

But what of the real thing?

Matt O’Dowd over at PBS Space Time looks at a black hole’s tidal properties.

If you track the motion of individual stars in the ultra-dense star cluster at the very center of the Milky Way you’ll see that they swing in sharp orbits around some vast but invisible mass—that’s the Sagittarius A* supermassive black hole. These are perilous orbits, and sometimes a star wanders just a little too close to that lurking monster, leading to its utter destruction in the spectacular phenomenon known as a tidal disruption event. We’ve never seen a TDE in the Milky Way, but we’ve seen them in distant galaxies—and we now know how to spot stellar destructions so extreme that they reveal properties of the black hole itself.

Over a quarter million views since Friday.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Cath Jackel, Darien, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Dracula in the 1970s: Prints of Darkness

Posted on September 2, 2024 by Mike Glyer

Preface (7/19/2018)

By Steve Vertlieb: It was in 1997 that I first received a rather flattering telephone call from an editor in New York, asking if I’d be willing to participate in a new published anthology that he was compiling for Midnight Marquee Press. The book would assemble many genre writers of the period in a collaborative effort celebrating the “life,” and death of Bram Stoker’s literary creation in film.

The “editor,” whose name shall go unspoken here, said that he had grown up with my work in such publications as The Monster Times, and that he would be honored to include a chapter by me in the pages of his forthcoming book, which was to be called Dracula, The First Hundred Years.

I was asked to write a somewhat light-hearted examination of the “Dracula,” and related vampire films, and television productions of the 1970’s.

Prompted, perhaps, by his professed “love” for my work, I agreed, and began fabricating a new article for his publication. I set about writing a lengthy new piece and, once finished, sent it off by mail to New York. I received a congratulatory telephone call from the “gentleman” in question shortly following its receipt, advising me that he was delighted with my work. He said that it was everything that he could have hoped for, and more, and that while many of his writers would need to be heavily edited, my work would be published essentially as I had written it.

Now, it’s normal for an editor to send each of his stable of writers the “proofs” of their edited work once completed, prior to publication, so that they might be gone over and approved for content. Months went by, however, without any further communication from the book’s editor.

I’d begun hearing ominous rumblings from a number of writers, grumbling that their efforts had been heavily tampered with and changed, and that there was brewing trouble in “paradise.” I continued to rest easily, however, in the spoken assurance that my work would be published essentially as written.

When the book was at last published, however, I discovered to my horror that my work had been badly distorted, compromised, and truncated.

Wherever I had spoken of actor Christopher Lee with affection and reverence, my text had been re-written to ridicule and attack him. Wherever I had spoken of actor Frank Langella with respect and admiration, my text had been re-written as would reflect the secret yearnings of a smitten school girl in drooling affection for her hero.

Large chunks of my writing had been unceremoniously removed and altered, without either my knowledge or permission by an unscrupulous “editor” who had unkindly inserted his own cryptic observations and prejudice under my name and byline, shabbily using my personal reputation either to malign or revere the films and performances that he had either loved or loathed.

When I asked why he had done this to me, he replied that he thought that “it was funny.”

Reviewers of the volume, who had taken offense to many of the cruel observations expressed supposedly by me, were harsh in their very personal criticism of my work. I set about composing a letter-writing campaign to address these issues, stating rather forcefully that the offensive opinions determined objectionable were either edited, or added, after my work had been submitted, and neither with my knowledge or consent.

Consequently, sales of the volume plummeted, and the “editor” complained that I had “murdered” his book.

In the twenty years since its publication, the title has come to be reviled by readers, and wholly disavowed by its unwitting publisher. In the decades that followed, I’d longed to have my work published in its entirety, and as originally conceived as written.

Here, then, for the first time ever, and with enthusiastic permission of Midnight Marquee Press, is the published premiere of my original work.

The full article follows the jump.

Continue reading →

Pixel Scroll 3/17/24 Raindrops Keep Scrollin’ On My Thread

Posted on March 17, 2024 by Mike Glyer

(1) THE SOUND OF IRISH MUSIC. C.J. Cherryh put her readers in a holiday mood at Facebook. Read the full post there.

It’s an important holiday for me not because of the mythical snakes, but because of the pipers, and the fact I so love traditional Gaelic music and dancing….

… My ancestry’s a mess of people who spent a lot of time fighting each other—England, Scotland, Ireland and Wales, up one side and down. But I don’t celebrate the old wars. I celebrate that we survived all of it, and can remember the songs and the dancing.

(2) THE FLIP SIDE. [Item by James Bacon.] The Irish entry into the Eurovision by Bambie Thug, “Doomsday Blue” is utterly brilliant.

Here is Bambie Thug talking about themselves before being on The Late Late Show.

Spotify song link and Eurovision video link also.

(3) KELLY LINK Q&A. We learn how “Kelly Link Is Committed to the Fantastic” in an interview with The New Yorker. “The MacArthur-winning author on the worthwhile frivolity of the fantasy genre, how magic is and is not like a credit card, and why she hates to write but does it anyway.”

… Is there a connection between your religious upbringing and the fantasy you write now?

What religion and fantasy have in common is that the reader knows, going in, that they’ll be asked to imagine that the world might be different from the way it is now. They’ll be asked to imagine the possibility of a world that is radically transformed. I salute and love the fact that fantasy is, in some ways, a frivolous genre. You read a genre book not necessarily because you feel you’re going to learn something. Sometimes it’s because the structure of a particular genre produces patterns that are pleasurable to engage with.

I didn’t expect you to say that the fantasy genre was frivolous!

It’s a story I have to tell myself when I’m working. That I am engaged in a practice which, on some level, is frivolous. I am imagining changes to the world that produce a kind of delight, not necessarily trying to describe the world in the way that it is.

It’s not that the fantastic can’t be used as a tool to do serious and pointed work. Plenty of genre writers do exactly that. But I am committed to the idea that there is something, aside from utility, in the excess and play of imagination that fantasy allows as a genre. I couldn’t write if I felt that I had something which needed to be said…

(4) FANTASY WHACKS SF AT THE BOX OFFICE! Oh, the embarrassment. (Er, I mean, “Oh, how great!” for you fantasy fans.) “Box Office: ‘Kung Fu Panda 4’ & ‘Dune: Part Two’ Fight For No. 1”. Deadline is keeping score.

SUNDAY AM UPDATE: The whole marketplace is coming in lighter than expected at $89M, which is -3% off from the same frame a year ago when Shazam Fury of the Gods did $30M. That’s exactly what the second weekend is for Kung Fu Panda 4 which is a great hold at -48%, rising to $107.7M stateside running total. Legendary/Warner Bros’ Dune Part Two isn’t far behind with $29.1M, -37%, for a running total of $205.3M. The domestic endgame on the sequel is expected to be around $275M….

(5) GAME MAKERS FACING HARASSMENT. WIRED covers the attempt to run back an ugly piece of the culture wars in “The Small Company at the Center of ‘Gamergate 2.0’”.

The accusations began around the release of Spider-Man 2 last October. More came when Alan Wake II hit a week later. They were all over the replies to the social media accounts of Sweet Baby Inc.: hateful comments, many of which hinged on the idea that the Montreal-based narrative development and consulting company was responsible for the “wokeification” of video games, recalls Kim Belair, the company’s CEO.

In the months following, the noise only increased. “You made this character Black, or you added these gay characters, or you ruined the story,” Belair says of the comments, the tone of which, she adds, never changed. Neither have the demands of the people behind them. “It’s usually, ‘leave the industry,’” Belair says, or admit there’s truth to wild conspiracy theories about being involved with investment company BlackRock. (Sweet Baby is not.) Or, more succinctly: “Die.”

Online, those clamoring for Sweet Baby’s demise are calling it Gamergate 2.0, invoking the online harassment campaign that erupted into a culture war a decade ago. Gamergate formalized the playbook for online harassment used by hate groups and the far right; it inspired figures who would later tap into that outrage and rise all the way to positions of power, such as chief strategist in the White House. The two movements do share a handful of similarities: harassment campaigns flooded with falsehoods and accusations bordering on conspiracy; attacks aimed primarily at women and people of color; the idea that video game culture for cis white men is being stolen from them.

“People want to believe that our work is surgically removing the things that they would have liked. ‘Change this line, make this line less racist,’” she says. “That’s just not the reality of it.”…

(6) MAKE YOUR MOVE WITH THE RED KNIGHT. You still have two days to bid on “Vlad the Impaler’s Red Armor” from the movie Dracula (1992) in the “Treasures from Planet Hollywood” event at Heritage Auctions.

Bram Stoker’s Dracula (Columbia, 1992), Gary Oldman “Vlad the Impaler” Red Armor Display Figure. Original reproduction armor made from molded fiberglass components covering a ribbed, cotton body suit with separate arm extensions. Armor includes full head helmet and corresponding plate guards. Display figure features a foam body with wire armature mounted on a wooden support platform for easy display. It measures approx. 71″ x 28″ x 11″ (wood base to mask horns). The figure is dressed in the iconic red armor that Vlad/Dracula (Gary Oldman) wore at the beginning of the Francis Ford Coppola film. Exhibits display wear, chipping in fiberglass pieces, detached components, cracking, discoloration and general age. Special shipping arrangements will apply. Obtained from technical advisor Christopher Gilman. Comes with a COA from Heritage Auctions.

(7) TIKTOK IS FOCUS OF PROPOSED LAW. A Pew Research Center daily newsletter reports:

The House of Representatives passed a bill March 13 with bipartisan support that would require TikTok’s China-based parent company to either sell the app or risk a ban in the United States. The legislation now heads to the Senate, where its fate is unclear. [The full story is behind a New York Times paywall.]

While a majority of Americans said in May 2023 that TikTok is at least a minor threat to U.S. national security, support for a TikTok ban fell over the course of the year, according to a recent Pew Research Center survey. In fall 2023, 38% of U.S. adults said they would support the U.S. government banning TikTok, down from 50% who said the same in March 2023.

Overall, a third of U.S. adults (33%) say they use the video-based platform, and the share who say they regularly get news from TikTok has risen sharply in recent years, from 3% in 2020 to 14% in 2023.

(8) SCENES FROM THE AUTHOR’S EXPERIENCE. Cora Buhlert’s compelling photo narrative about the WWII destruction of Dresden follows Gideon Marcus’ (unenthusiastic) review of Kurt Vonnegut’s Slaughterhouse-Five – newly released this month (which at Galactic Journey is March 1969, 55 years ago): “[March 14, 1969 ] (March 1969 Galactoscope)”.

…. I have never seen Dresden before 1945, though my grandmother who grew up in the area told me it was a beautiful city and how much she missed attending performances at the striking Semper opera house, which was largely destroyed by the bombings and is in the process of being rebuilt (The proposed completion date is 1985). However, I have visited the modern Dresden with its constant construction activity and incongruous mix of burned out ruins, historical buildings in various stages of reconstruction and newly constructed modernist office and apartment blocks and could keenly feel what was lost….

(9) PHOTOS OF THE STOPA FAMILY. With an assist from Andrew Porter, I rounded up a few more photos of Jon and Joni Stopa, and their daughter Debbie. All now passed away. [Click for larger images.]

Jon Stopa. Photo by and (c) Andrew Porter.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 17, 1926 — Peter Graves. (Died 2010.) Now Peter Graves is truly interesting. Paramount + has the Mission: Impossible series, so I watched all of it from beginning to end even before Peter Graves was James “Jim” Phelps of the Impossible Missions Force (IMF) for seasons two to seven. He was superb in the role which, like the series, held up very well when I rewatched it.

He would reprise this character during the writers’ strike. Now the producers couldn’t hire new writers obviously, so they literally went into the vaults for previously written material. Yes, they used scripts that were rejected the first time. Was the new Mission Impossible any good? I think so.

They did new characters even though the idiots at Paramount wanted them the original characters recast, and some of original characters showed up here. (The strike ended while they were still filming so they have fresh scripts.)

He refused to reprise this role (which would be played by Jon Voight) in the first film of the Mission: Impossible film franchise, after reading the script and discovering the character would be revealed to be a traitor and the primary villain of the film.

He did do a lot of genre films — Red Planet Mars which appears to a rather decent piece of early Fifties SF, Killers from Space (also known as The Man Who Saved the Earth) with Big Eyed Monsters and aliens, It Conquered the World with a Venusian alien, The Eye Creatures (alternatively shown as Attack of the Eye Creatures with, oh guess), Scream of the Wolf, oh look no aliens, Where Have All the People Gone? in which you can guess what happens, Addams Family Values which he narrates, he appears as himself in House on Haunted Hill which he dies in, MIB II as well, and finally he’s in a film (uncredited) that I wish I hadn’t seen, Looney Tunes: Back in Action.

Now let’s see what other genre TV he did other than Mission: Impossible. There’s two one-offs, The Invaders and Buck Rogers in the 25th Century.

(11) FIRE CLAIMS ACTOR’S LA MANSION. “Cara Delevingne’s Los Angeles home destroyed in fire” – AP News has the story. Delevingne has a deep genre resume, including roles in American Horror Story, Futurama, Carnival Row, Valerian and the City of a Thousand Planets, Suicide Squad, and Pan.

The Los Angeles home of model and actor Cara Delevingne was destroyed in a fire Friday [March 15].

One firefighter was taken to a hospital in fair condition with unspecified injuries, and one unidentified person from the house suffered minor smoke inhalation, Los Angeles Fire Department spokesman Nicholas Prange said….

…The cause was under investigation.

The 31-year-old London-born Delevingne became widely known as a fashion model in the early 2010s and later began acting, appearing in the 2016 DC Comics film “Suicide Squad” and director Luc Besson’s 2017 “Valerian and the City of a Thousand Planets.”

(12) SHOW ME THE MONEY. At Deadline, “Billy Dee Williams Says “Pay Me A Lot Of Money” To Return To ‘Star Wars’ As Lando & Shares Thoughts On Donald Glover Taking On Character”.

…Williams said he has met Glover and shared the advice he gave the actor about taking on the role.

“I had a nice little lunch with him. He’s a delightful young man. Extremely talented. But I don’t see him… I mean, when it comes to Lando Calrissian there’s only one Lando Calrissian. I created that character,” he said. “I told him to be charming – two words! That’s all I needed to tell him. That’s all I could think of.”

Last year, Glover shared details of his encounter with Williams recalling that he gave him the “secret” on how to play Lando by telling him to “just be charming.”

“He’s right, Lando is charm incarnate,” Glover said in an interview with GQ. “He’s kind of a maverick, which I don’t think there’s a lot of anymore. It’s hard to be a smooth talker nowadays ’cause, where’s the line? But I think that’s also where the danger is. It’s like, how close can you get without tripping over it?”…

(13) UP ON THE ROOFTOP. The Guardian has a little different take on vacuum and space: “Cosmic cleaners: the scientists scouring English cathedral roofs for space dust”.

On the roof of Canterbury Cathedral, two planetary scientists are searching for cosmic dust. While the red brick parapet hides the streets, buildings and trees far below, only wispy clouds block the deep blue sky that extends into outer space.

The roaring of a vacuum cleaner breaks the silence and researcher Dr Penny Wozniakiewicz, dressed in hazmat suit with a bulky vacuum backpack, carefully traces a gutter with the tube of the suction machine.

“We’re looking for tiny microscopic spheres,” explains her colleague, Dr Matthias van Ginneken from the University of Kent, also clad in protective gear. “Right now, we are collecting thousands and thousands of dust particles, and we hope there will be a minuscule number that came from space.”’

(14) HOW FIT IS OUR GALAXY? [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal asks, “How massive is the Milky Way?”

It looks like our galaxy is a tad slimmer than thought???

The total mass of an isolated galaxy can be determined from its rotation curve, a plot of orbital velocity against distance from the galaxy’s center. Determining the rotation curve is difficult for the Milky Way because we are located inside of it. Ou et al. used a machine learning method to improve distance determinations for stars on the red giant branch, then used the stars’ velocities to extend the Milky Way’s rotation curve to 30 kiloparsecs from the Galactic Center. By fitting a mass model to the rotation curve, the authors found a lower mass for the Milky Way than was found in previous studies because of differences in the inferred distribution of dark matter.

Science journal coverage here — scroll down a little

Primary research here.

(15) SEND EELS TO OTHER WORLDS. In this week’s Science we have a brief report of a new robot designed to explore gas giant moons that may have a sub-surface ocean harboring life… “Snaking around extreme icy worlds”.

There is growing interest in the exploration of icy moons such as Enceladus because of the potential for these worlds to have liquid water that could support Earth-like life. However, obtaining samples is challenging because of environmental extremities on the surface or within ice vents. Vaquero et al. developed a snake-like robot named Exobiology Extant Life Surveyor (EELS) that was capable of autonomously navigating on icy surfaces. EELS has a perception head that contains a series of sensors and cameras to observe its environment, and its body has articulated segments for shape changing and a screw-like outer surface to enable motility. EELS shows potential for risk-aware autonomous exploration of complex icy terrains.

(16) VIDEO OF THE DAY. [Item by Cat Eldridge.] View the unsold 1959 pilot for a Nero Wolfe series with Kurt Kasznar as Nero Wolfe and William Shatner as Archie Goodwin. The theme was composed by Alex North. This 26-minute pilot is in the public domain.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Cora Buhlert, James Bacon, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 3/3/24 And Did Those Filers In Ancient Times Scroll Upon Glyer’s Pixels Green?

Posted on March 3, 2024 by Mike Glyer

(1) SIGN FROM A FELINE. Mary Robinette Kowal’s “Rude Litterbox Space” is a free read at Sunday Morning Transport to encourage people to subscribe. Bonnie McDaniel says it is based on the author’s real-life communication-board-using cat.

… Language was hard. Bending space-time was not….

(2) A HITCH. P. Djèlí Clark’s blog post makes you want to read “The Dead Cat Tail Assassins”, then tells you why you’ll need to wait ’til summer’s end.

…Okay, now for the not so good news. The Dead Cat Tail Assassins was supposed to drop this month, March. But… yadda, yadda, yadda.. we got a new pub date: August, 6 2024.

What happened? Stuff. Stuff happened. Putting a book together requires lots of hands: me the author, editors, copyeditors, publicists, printers, centaurs, goblins, magical creatures from Fillory. And, for a myriad of reasons, sometimes things go pear shaped and stuff gets pushed back. You’re probably like, yeah but from March to August? That’s a big pushback! Hey, what can I tell you… lose your place in line, and you don’t just get a back-cut. There are other books by other authors waiting to be worked on, books coming out that can’t clash with your own, gotta find a new place in the queue at the printing warehouse, and all kinds of arcane alchemy I don’t pretend to understand…

(3) LIVESTOCK BY MAIL. I think the anecdote that starts Brian Keene’s “Letters From the Labyrinth 370” really happened, though I won’t be surprised if it finds its way into a book.

“I’m here about the dead chicks.”

That was what the woman butting in front of me and another customer at the post office said. I turned, intrigued. She was short, thin, blonde hair fading with age to the color of straw. I placed her at older than me — probably mid-sixties but then I remembered the day before when my postal carrier, whom I’d thought was in her seventies, told me she was the same age as me — 56. I can’t gauge age anymore. When I look in the mirror, I don’t see 56. But I’m also smart enough to know that how I see myself isn’t necessarily how others see me. In my mind, I’m still as suave and charming as Diamond David Lee Roth, but I suspect others look at me and think “Look at that silly old man. How sweet.”

But I digress….

Makes me remember when I was surprised to learn you could order live honeybees through the Sears catalog. (Which I wasn’t allowed to do. Just as well.)

(4) HUGO NEWS ROUNDUP AND MORE. Jason Sanford’s “Genre Grapevine for February 2024” on Patreon is free to the public.

In early February, Chris Barkley contacted me and said he’d received emails and documents related to the 2023 Hugo Awards from Diane Lacey, one of the award administrators. I’d seen Chris only two weeks earlier at the ConFusion convention in Detroit, where we sat at the bar discussing that weekend’s release of the Hugo nomination and voting stats. We were both shocked by the works and authors deemed “not eligible” and kept off the final ballot for no stated reason. We also were surprised so few Chinese authors and works made the Hugo longlist.

While talking in Detroit, Chris and I felt shenanigans had likely happened during last year’s Hugos. However, we also feared the truth of what happened might never come out.

Two weeks later, Chris shared the leaked emails and documents and I realized we’d been wrong. The truth would indeed come out….

(5) FAITH. Abigail Nussbaum walks readers through “The 2024 Hugo Awards: My Hugo Ballot” at Asking the Wrong Questions. She says in a preamble to the nominations:

We’ve spent so much of the last six weeks talking about the debacle that was last year’s Hugo awards, that it was easy to forget that another awards season was gearing up at the same time. So here we are, with less than a week left to nominate for this year’s Hugos, and to be honest it feels a bit strange to make this post. I always love to talk about the things I enjoyed in the fantastic genres over the last year, and to encourage my readers to consider them for a Hugo nomination. But doing it this year, with the shadow of an award whose nominations and results we can have no faith in, can feel a bit pointless.

Another way of putting it is that this is an act of faith–in the administrators of this year’s award, who have been doing their utmost to project reliability and distance themselves from last year’s inexcusable actions; in the fandom, which continues to care about this award and try to make it the best it can be; and in the award itself, and the idea that it can overcome this blow to its reputation and start moving back to what it was….

(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and Moses Ose Utomi on Wednesday, March 13 starting at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)

Christopher Rowe

Christopher Rowe’s most recent novella, The Navigating Fox, published by Tordotcom was described by The Wall Street Journal as a “modern Aesop’s fable.” His other books include the novella These Prisoning Hills and a collection, Telling the Map. Over the last 25 years, his stories have been published, anthologized, and translated around the world and he has been a finalist for the Hugo, Nebula, World Fantasy, Theodore Sturgeon, Neukom, Seiun, and other awards. He lives in Kentucky.

Moses Ose Utomi

Moses Ose Utomi is a Nigerian-American fantasy writer and nomad currently based out of San Diego, California. He has an MFA in fiction from Sarah Lawrence College and short fiction publications in Fantasy Magazine, Sunday Morning Transport, and other venues. He is the author of the young adult fantasy novel Daughters of Oduma and The Forever Desert, the fantasy novella series that includes the acclaimed The Lies of the Ajungo. When he’s not writing, he’s traveling, training martial arts, or doing karaoke—with or without a backing track.

(7) FILM EDITING AWARDS. Deadline has the “ACE Eddie Awards Winners List”.

Oppenheimer took the marquee Best Edited Feature Film (Dramatic) honor and The Holdovers landed the top Best Edited Feature Film (Comedy) award at the 74th ACE Eddie Awards Sunday….

Here are all the winners of genre interest:

BEST EDITED FEATURE FILM (Drama, Theatrical)

Oppenheimer — Jennifer Lame

BEST EDITED ANIMATED FEATURE FILM

Spider-Man: Across the Spider-Verse — Michael Andrews, ACE

BEST EDITED DRAMA SERIES

The Last of Us: “Long, Long Time” — Timothy A. Good, ACE

(8) HERE WE GO AGAIN. “Hollywood Teamsters, IATSE Hold Solidarity Rally Ahead of AMPTP Negotiations” – The Hollywood Reporter was there.

A coalition of Hollywood’s below-the-line unions rallied Sunday on the eve of their latest contract negotiations. They threatened a historic strike against the Alliance of Motion Picture and Television Producers if their demands weren’t met. Such a work stoppage would follow a pair of strikes in 2023 by industry writers and actors which crippled the entertainment industry and have left it limping into the new year.

“I hope they’re paying attention right down the road at the AMPTP,” IATSE vice president Michael Miller announced from the stage to the crowd of around a thousand people at Woodley Park in Encino. (Nearly a thousand more watched a live-stream online.) He then invoked a slogan repeated throughout the event: “Nothing moves without the crew.”

For the first time since 1988, the Hollywood Basic Crafts group — which includes Teamsters Local 399, IBEW Local 40, LiUNA! Local 724, OPCMIA Local 755 and UA Local 78 — and the crew union IATSE are joining this year to negotiate their health and pension benefits with the Hollywood trade group the AMPTP, which represents studios and streamers. Those talks begin Monday.

The “Many Crafts, One Fight” rally served mainly as an opportunity for members to express solidarity and hype each other up. So-called “above-the-line” unions SAG-AFTRA and the WGA made strong shows of force with their sign-wielding members and leaders expressing gratitude. (Teamster cooperation was key in the WGA’s production shutdown strategy early in its stoppage.) WGA West vice president Michele Mulroney drew applause when she acknowledged crew support which “sustained us through our own long and arduous fight,” and noted that “without all of you our words would just languish on the page.”…

(9) ARRAKIS DELIVERS BIG B.O. “’Dune 2′ Nears $100 Million Overseas, Surpasses $150 Million Globally” according to Variety.

“Dune: Part Two” is turbocharging the international box office.

Director Denis Villeneuve’s otherworldly sequel has generated $97 million from 71 overseas markets, bringing its global tally to a promising $178.5 million. Those worldwide revenues include $81.5 million from North American theaters, where it landed the biggest domestic opening weekend of the year.

The movie, starring Timothée Chalamet and Zendaya, has been embraced in the U.S. and Canada. But the backers of “Dune 2” need overseas audiences to keep the ticket sales flowing as freely as spice on the desert planet of Arrakis. That’s because Warner Bros. and Legendary Entertainment spent $190 million to produce and roughly $100 million more to promote the film to global audiences. Those hefty fees mean the tentpole will require outsized admissions to turn a profit.

(10) MARK DODSON (1960-2024). The voice actor Mark Dodson died of a heart attack while staying in Evansville, IN to appear at Horror Con. Deadline pays tribute: “Mark Dodson Dies: ‘Star Wars’ And ‘Gremlins’ Voiceover Artist Was 64”.

Mark Dodson, whose unique voice characterizations propelled creatures in the films Star Wars: Return of the Jediand Gremlins, has died at 64.

His daughter told TMZ that he died while in Evansville, Indiana, to attend Horror Con. He checked into a hotel and suffered a “massive heart attack” while sleeping, she said.

Dodson was the voice of Salacious Crumb, the scruffy little creature who was a cackling crony of Jabba the Hut in Star Wars: Return of the Jedi.That memorable voice led to a gig in Gremlins, where he became the voice Mogwai, much-imitated in school yards.

He worked continuously for several decades in film, video games, radio and commercials as a voice artist. .

His daughter, Ciara, told TMZ that her father “never ceased making me proud.” a

The Evansville Horror Con, where Dodson was scheduled to appear, posted a tribute to Facebook.

“We are heartbroken to announce the sudden passing of Mark Dodson last night. Mark was not only a talented voice actor but also a cherished member of the horror community. Our thoughts and prayers are with his family, friends, and fans during this incredibly difficult time. We hope that you can take a moment out of your day to reflect on the joy and laughter that Mark brought into the world. His legacy will live on through his work.”

Survivors include his daughter and several grandchildren.

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 3, 1920 — James Doohan. (Died 2005.) James Doohan, a Canadian, is of course remembered best for being the original Montgomery “Scotty” Scott on the first version of the Enterprise. And doesn’t it say something about the franchise that I had to write the sentence that way?

He played, definitely way too much in my opinion, the archetypal Scotsman. He even had a Dress Uniform Kilt, something I’m dead certain doesn’t exist in the modern Navy, as on display in “Is There in Truth No Beauty?” and “The Savage Curtain”. And I forget how many characters he drank literally to the floor. No don’t get me wrong, I loved the character, but the depiction was seriously over the top.

So my favorite episode involving him? That had to be when he defended the honor of the Enterprise in a bar brawl with a Klingon in “The Trouble with Tribbles” after that Klingon called his beloved ship a garbage scow. Perfect, just perfect.

So what else has he done? His first major genre role (he had previously appeared in one episode of Tales of Tomorrow) was as Paul Mitchell on Space Command, an early Fifties Canadian children’s sf series. It only lasted two years but they did one hundred and fifty episodes! Shatner would appear there.

A decade later, he entered the Twilight Zone playing Johnson, by no means a major role, in the “Valley of the Shadow”. Around the same time, on Outer Limits he played Police Lt. Branch in “Expanding Human”, this time a lead role.

He showed up twice in The Man from U.N.C.L.E (in different roles), Bewitched, Fantasy Island, MacGyver and Knight Rider 2000.

Need I say Next Generation’s “Relics” was wonderful? And I’m not talking about Trials and Tribble-ations even though it’s a stellar story as he’s only there in existing footage of him.

Filmwise, Trek was his major gig as I see very little genre undertakings at all. He had an uncredited role in The Satan Bug, an sf thriller. It’s so short that IMDB gives the time that he’s in the film.

His only other genre role that I can see in a film outside of Trek was as Judge Peterson in Skinwalker: Curse of the Shaman. If you’ve not seen it don’t feel bad. It’s obscure enough that no one on Rotten Tomatoes has either.

I think that covers it for him. Now keep in mind that I did love him, despite my criticism of his portrayal of a Scottish character, on Trek as he’s really likeable. He and Nichelle Nichol’s always seems to be the two most, well, truly warm, likeable individuals there.

I think I’ll go watch both of the Tribbles episodes on Paramount + now. Yes, I know there’s the animated episode as well, “More Tribbles, More Trouble”, but it just doesn’t have the charm the actual ones with live actors do.

(12) COMICS SECTION.

Wallace the Brave is being hopeful.

(13) CACHING IN. [Item by SF Concatenation’s Jonathan Cowie.] If my memory serves (and it is not that reliable though I constantly amaze myself in recalling a science paper from years ago out of the recesses of my mind) I have a feeling that File770 covered the demise of Google’s readily available Cache. Then this piece might interest you — “Why Is Google Hiding Its Cached Search Results?” at Tedium.

I have to imagine that Google did not make a lot of money from people pinging its search engine for cached website results, but making it convenient to access was a service to searchers.

It was also somewhat of a service to society. Often, when information-related scandals broke—such as content with egregious errors, evidence of deleted social media statements, or information at risk of appearing offline in short order—it was a great backstop that worked more effectively than the Internet Archive for capturing fresh information.

And yet, for some reason, Google has treated this feature like it was embarrassed of it. Over the years, it has increasingly come to bury the feature in its search interface, making it harder and harder to find, despite me finding it just as useful as it was the day it launched.

Recently, the company started removing it entirely…

… To be clear, the cache is not gone—it is simply hidden from public view. (I don’t see it on my end, either.) You can access it manually by typing in a specialized URL…

For example, here’s the URL to access the cache for File 770: https://webcache.googleusercontent.com/search?q=cache:file770.com

(13) A TRUTH NOT YET UNIVERSALLY ACKNOWLEDGED. Would Jane herself have turned thumbs down on this idea? “Winchester plan for £100,000 Jane Austen statue triggers ‘Disneyfication’ fears” reports the Guardian.

The idea was to celebrate one of the greatest British authors with a beautiful statue set up in a cathedral for the 250th anniversary of their birth.

But at a public meeting to discuss the erection of a Jane Austen sculpture close to her final resting place at Winchester Cathedral, concerns were raised that it would lead to the “Disneyfication” of the place of worship and become a magnet for tourists keen to get a selfie.

Elizabeth Proudman, an Austen expert and leading light in the Jane Austen Society, also suggested the author herself would not have approved of the statue and the fuss surrounding it.

She said: “We don’t know what she looked like, but we do know that she was a very private person. She despised publicity.”

Austen is buried in the north nave aisle of Winchester Cathedral under a memorial stone, which mentions “the extraordinary endowments of her mind” but does not provide any more detail about her career.

(15) IN CASE YOU WONDERED. Everyone who’s read the history of the first atomic bomb saw this was missing from the movie. SYFY Wire’s James Grebey gives his opinion “Why Oppenheimer Doesn’t Include the Deadly “Demon Core” Accidents”.

… The ominously named demon core, a sphere of plutonium used in the development of atomic bombs after the success of the Trinity Test, was responsible for the deaths of two scientists who worked on the Manhattan Project. The core, which weighed 14 pounds and measured just 3.5 inches in diameter, was all set to be turned into a third bomb that could have been used against Japan had they not surrendered following the bombings of Hiroshima and Nagasaki in August 1945….

(16) THE HILLS ARE UNDEAD WITH THE SOUND OF MUSIC. Mitch Benn mashes up “Gilbert & Sullivan’s Francis Ford Coppola’s Bram Stoker’s Dracula” for YouTube viewers.

Now with on-screen libretto, my “restoration” of Gilbert & Sullivan’s operetta version of Dracula married to the sumptuous visuals of Coppola’s masterful 1992 film adaptation… Have fun with it before someone has it taken down

(17) VIDEO OF THE DAY. In a 2018 video Mr. Sci-Fi, Marc Scott Zicree, explains “WHY DIDN”T WE GET THIS?! Unreleased Sulu Star Trek Series!”

Star Trek and Deep Space Nine writer Marc Scott Zicree shares the entire Captain Sulu Star Trek pilot he and Emmy winner Michael Reaves wrote, and shares the untold story of why you never got to see that series — despite its Hugo and Nebula Award nominations!

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kathy Sullivan, Bill, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]

Pixel Scroll 2/1/24 Scroll Pixel Like Fritos, Scroll Pixel Like Tab And Mountain Dew

Posted on February 1, 2024 by Mike Glyer

(1) 2024 HUGO VOTING STALLED. The Glasgow 2024 Worldcon paused Hugo nomination voting on January 28, announcing in social media, “We are aware of an issue with nominations. We have taken that system offline as a precaution.” Their January 30 update said, “We committed to update you on the temporary pause of Hugo Award nominations. Our UK software provider is still working on a solution. We will provide you with our next status update no later than the 6th February.” At this time they do not expect to extend the nomination voting deadline.

(2) NEW STAR IN THE FIRMAMENT. Margaret Atwood appears as a guest star on the CBC series Murdoch Mysteries this coming Monday, February 5. She plays Loren Quinnell, Amateur Ornithologist. “Her and her feathered friends help crack the case…”

Don't miss @MargaretAtwood on Murdoch Mysteries ???? MONDAY 5th February on CBC and CBC Gem ????#MurdochMysteries pic.twitter.com/B3ykMr0GSg
— Murdoch Mysteries (@CBCMurdoch) February 1, 2024

(3) NEW CLARION WEST SCHOLARSHIPS. The Salam Award and Clarion West Week One Instructor Usman T. Malik (CW ‘14) have offered two new scholarships for 2024 Students: “The Salam Award and the Malik Family Sponsor Scholarships for Pakistani and Palestinian Students”.

The Salam Award Scholarship: For the year 2024, The Salam Award has agreed to sponsor a student of Pakistani origin, whether a Pakistani resident of any ethnicity, or a Pakistani-origin student anywhere in the world up to USD $1,000.

The Malik Sharif-Fehmida Anwar Scholarship: Usman T. Malik and his parents Malik Tanveer Ali and Shabnam Tanveer Malik have offered an annual travel scholarship to help fund travel up to USD $2,500 for a student of Palestinian-origin. The applicant should be Palestinian Arab-Muslim or Arab-Christian from Gaza, West Bank, or Golan Heights, or may be Palestinian diaspora located anywhere in the world.

Through the generosity of our donors, Clarion West provides a number of scholarships for writers every year. Approximately 60-90% of our Six-Week Workshop participants receive full and partial-tuition scholarships. You must indicate your need for financial aid when you apply to the six-week workshop. Your application is reviewed without regard to your financial aid request.

You can learn more about scholarships for the Six-Week Workshop here.

(4) WHAT WE DON’T TALK ABOUT. RedWombat took inspiration from the continuing Hugo controversy to pen these lyrics, shared in ha comment on File 770 today.

This only works if you pronounce it “Wisfuss,” but…

We don’t talk about WSFS, no no no
We don’t talk about WSFS

But!

It was Hugo nom day
(It was Hugo nom day)
We were running numbers
and there wasn’t much good to be found
Standlee stops by with a glint in his eye
(Trademark!)
You filking this thing or am I?
(Sorry, sorry, please go on)

Standlee says, “we can’t enforce…”
(Why did he say it?)
The lawyers are aghast, of course
(That’s not how you play it)
And MPC did not endorse
(Had to resign but nevermind…)

We don’t talk about WSFS, no no no
We don’t talk about WSFS

Hey, grew to live in fear of what the lawyers might find next
Feeling like the whole organization’s been hexed
I associate it with the sight of scathing posts
(Tsk tsk tsk)
It’s a heavy job sieving through this murk
Implicit contract no longer seems to work
Can’t rely on the Old SMOFs Network
Who’s gonna do the work?

M-P-C, taken aback
People still mad about the AO3 attack
How can you enforce this implicit contract?
Yeah, the lawyers scream and break into teams
(Hey)
We don’t talk about WSFS, no no no
We don’t talk about WSFS

We never should have asked about WSFS, no no no
Why did we talk about WSFS?

(I put that song in my head for the next year doing this, so if you’re going to complain, believe me, I have already been punished.)

(5) WRITERS AT GEN CON. The 2024 Gen Con Writers’ Symposium guests will include Linda D. Addison, Mikki Kendall, and quite a few featured speakers who are sff authors. Gen Con 2024 will be held August 1-4 in Indianapolis, Indiana.

The Gen Con Writers’ Symposium is a semi-independent event hosted by Gen Con and intended for both new and experienced writers of speculative fiction. All registration is handled through the Gen Con website.

(6) WHO ELSE HAD A STAKE IN DRACULA? Bobby Derie tells readers that H. P. Lovecraft claimed his friend Edith Miniter was offered the chance to revise Bram Stoker’s Dracula. What do we know about this claim? Find out! “Lovecraft, Miniter, Stoker: the Dracula Revision” at Deep Cuts in a Lovecraftian Vein.

In The Essential Dracula (1979), Bram Stoker scholars Raymond T. McNally and Radu Florescu revealed a letter (H. P. Lovecraft to R. H. Barlow, 10 Dec 1932) that had been drawn to their attention by horror anthologist and scholar Les Daniels, where H. P. Lovecraft claimed that an old woman he knew had turned down the chance to revise Stoker’s Dracula. The letter had not been published before this. Although Lovecraft’s claim had been made in print as early as 1938, and a letter with the anecdote was published in the first volume of Lovecraft’s Selected Letters from Arkham House in 1965, this seems to be the first time the Stoker scholar community became generally aware of the claim. The authors were intrigued by the possibilities…

(7) LDV NEWS. J. Michael Straczynski shared that Blackstone Indie has unveiled a webpage for The Last Dangerous Visions. It does not take preorders yet.

In 1973, celebrated writer and editor Harlan Ellison announced the third and final volume of his unprecedented anthology series, which began with Dangerous Visions and continued with Again Dangerous Visions. But for reasons undisclosed, The Last Dangerous Visions was never completed.

Now, six years after Ellison’s passing, science fiction’s most famous unpublished book is here. And with it, the heartbreaking true story of the troubled genius behind it.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including: David Brin, Max Brooks, James S. A. Corey, Dan Simmons, Cory Doctorow, and Adrian Tchaikovsky, among others.

With an introduction and exegesis by J. Michael Straczynski, and a story introduction by Ellison himself, The Last Dangerous Visions is an extraordinary addition to an incredible literary legacy.

(8) ANOTHER ENTRY FOR THE CAPTAIN’S LOG. The Visual Effects Society will honor Actor-Producer-Director William Shatner as the recipient of the VES Award for Creative Excellence in recognition of his valuable contributions to visual arts and filmed entertainment at its annual ceremony on February 21. “William Shatner Named as Recipient of the VES Award for Creative Excellence”.

(9) ST:TNG GETTING SATURN HONORS. “The Cast Of ‘Star Trek: The Next Generation’ To Receive Special Lifetime Achievement Saturn Award” at TrekMovie.com.

…The cast of Star Trek: The Next Generation will receive The Lifetime Achievement Award at the 51st Annual Saturn Awards, being held in Los Angeles this Sunday. For 2024 the Academy is doing something different for the TNG cast with this award. A statement from the Academy to TrekMovie explains:

“The Lifetime Achievement Award is usually presented to an individual for their contributions to genre entertainment. Top luminaries like Stan Lee and Leonard Nimoy, Mr. Spock himself, have received this top honor. It’s not new, but we extended this award to cover the entire cast of Star Trek: The Next Generation, due to its continued influence on the face of general television. It was originally doomed to failure since it was following in the footsteps of the original Star Trek, yet it carved its own identity, and its diverse cast was light years ahead of its time!”…

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 1, 1954 — Bill Mumy, 70. Bill Mumy is best remembered of course for being on Lost in Space for three seasons (“Danger, Will Robinson, Danger!”) though he has a much more extensive performance resume.

At the rather tender age of seven, he makes his genre acting debut on The Twilight Zone as Billy Bayles in “Long Distance Call”. He’d appear in two Twilight Zone episodes, “It’s A Good Life” as Anthony Fremont, a child with godlike powers and finally as the young Pip Phillips in “In Praise of Pip”.

He’d show up much later on in Twilight Zone: The Movie in one of the segments, not unsurprisingly a remake of “It’s A Good Life” which here is listed as being from a screenplay by Richard Matheson. Here he’s Tim. Whoever that is.

He’d be on the reboot of the Twilight Zone in “It’s Still A Good Life” as the Adult Anthony Fremont.

Photo of Billy Mumy in 2013 — Billy Mumy in 2013. Photo by Gage Skidmore.

He next had three appearances on Alfred Hitchcock Presents, none genre. His next genre outing would be playing two different characters on Bewitched. I Dream of Jeannie and the Munsters followed.

Then of course was the eighty-three episode, three season run on Lost in Space. He’d be eleven years old when it started. I know I’ve seen all of it at least once. No idea how the Suck Fairy would treat it nearly this long on, but I really liked it when I saw it at the time.

Remember the 1990 Captain America? If you don’t, you’re not alone. In this WW II version, he plays a young boy, Tom Kimball, who photographs Captain America over the Capital building kicking a missile off after batting Red Skull so crashes in Alaska, burying itself and Steve Rogers under the ice. 12%, repeat 12%, is the rating audience reviewers gave it on Rotten Tomatoes.

He showed up once in the first iteration of a Flash series, and then has three appearances as Tommy Puck in the Nineties Superboy series. The first I saw and quite like, the latter not a single episode have I encountered.

The next thing that is quite worthy of note is his stellar role on Babylon 5 as Mimbari warrior monk, I think that’s the proper term, Lennier. Of one hundred and ten episodes, he was in all but two. That’s right, just two. Or at least credited as being so. What an amazing role that was. I’ve watch this series including the six films at least twice straight through. No Suck Fairy dares comes near it.

The last thing of note, and I’m not seen the series, was him playing Dr. Zachary Smith on the reboot of the Lost in Space series that came out just a few years ago for two episodes. Please, please don’t ask who he’s playing as my continuous headache got even worse when I tried to figure out who he really was. Really I did. What they with that series was a crime.

(11) PUTTING THE BITE ON TOURISTS. [Item by Steven French.] If you’re ever in Doylestown, Pennsylvania, Atlas Obscura recommends a visit to “Vampa: Vampire & Paranormal Museum”.

TUCKED AWAY IN THE SAME building as an antiques store in a small Pensylvania town lies a shockingly large collection of antique vampire-killing sets.

Covering the walls are the standard tools of the vampire hunter: the stake, the crucifix, the holy water bottle. But the stakes are far more than pointy, wooden sticks. Believed to date back centuries, all the weapons have been beautifully decorated with a variety of religious and allegorical carvings. They are spectacular objets d’art from every corner of the world, including several personal collections from actors who played Dracula in films. One wooden “traveling vampire hunter kit,” from around 1870 was owned by actor Carlos Villarias, who portrayed the famous count in a Spanish language Dracula….

(12) EARTH FARTS? Space reports that the “Mystery of Siberia’s giant exploding craters may finally be solved”.

The craters are unique to Russia’s northern Yamal and Gydan peninsulas and are not known to exist elsewhere in the Arctic, suggesting the key to this puzzle lies in the landscape, according to a preprint paper published Jan. 12 to the EarthArXiv database.

Researchers have proposed several explanations for the gaping holes over the years, ranging from meteor impacts to natural-gas explosions. One theory suggests the craters formed in the place of historic lakes that once bubbled with natural gas rising from the permafrost below. These lakes may have dried up, exposing the ground beneath to freezing temperatures that sealed the vents through which gas escaped. The resulting buildup of gas in the permafrost may eventually have been released through explosions that created the giant craters.

… But the historic-lake model fails to account for the fact that these “giant escape craters” (GECs) are found in a variety of geological settings across the peninsulas, not all of which were once covered by lakes, according to the new preprint, which has not been peer reviewed….

… Permafrost on the Yamal and Gydan peninsulas varies widely in its thickness, ranging from a few hundred feet to 1,600 feet (500 m). The soil likely froze solid more than 40,000 years ago, imprisoning ancient marine sediments rich in methane that gradually transformed into vast natural gas reserves. These reserves produce heat that melts the permafrost from below, leaving pockets of gas at its base.

Permafrost in Russia and elsewhere is also thawing at the surface due to climate change. In places where it is already thin on the Yamal and Gydan peninsulas, melting from both ends and the pressure from the gas may eventually cause the remaining permafrost to collapse, triggering an explosion.

This “champagne effect” would explain the presence of smaller craters around the eight giant craters, as huge chunks of ice propelled out by the explosions may have severely dented the ground, according to the preprint….

(13) HUNT TO EXTINCTION. The stories you hear from Brian Keene.

(14) NEW HEADSHOT. Scott Lynch introduced his new photo with a wry comment.

New publicity photos for 2024, too. Part of a multi-year study by numerous federal agencies to discover if male fantasy authors actually die if we wear something that isn't a black t-shirt (results are promising so far).

Photo credit: Sharona Jacobs pic.twitter.com/nbzjXMP0UE
— Scott Lynch (@scottlynch78) February 1, 2024

(15) COMING ATTRACTIONS. The “Next on Netflix 2024: The Series & Films Preview” sizzle reel includes clips from Bridgerton, Squid Game, Umbrella Academy and Rebel Moon.

(16) OCTOTHORPE. John Coxon, Alison Scott and Liz Batty respond to a letter of comment from Tobes Valois in episode 102 of the Octothorpe podcast, “I fully comprehend the mysteries”.

Octothorpe 102 is here! We discuss the Hugo Awards debacle in some depth and SOLVE ALL THE ISSUES (no, really) but we book-end it with letters of comment and picks for those who need a bit of respite. Artwork by Alison Scott. Listen here!

Alt text: Scooby, Velma and Daphne unmask the panda from last week’s cover art, and the person wearing the panda suit looks a lot like Dave McCarty. They say “It was old Mister McCarty all along!” and he says “And I would have gotten away with it too if it hadn’t been for you meddling Hugo finalists!” He is tied up with rope. The words “Octothorpe! 102” appear at the top of the image.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

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