Sharon Lee, novelist, is the 2025 winner of the Robert A. Heinlein Award. The award is bestowed for outstanding published works in science fiction and technical writings that inspire the human exploration of space. This award is in recognition of her body of work of over 38 novels and short stories. A majority of her space themed work is in the Liaden Universe, written with her late husband Steve Miller, and features merchant families trading across the galaxy. The next Liaden Universe novel, Diviner’s Row, is forthcoming from Baen Books in April 2025.
The award will be formally presented during Balticon 59 opening ceremonies on Friday, May 23 at 8:00 p.m. Balticon, the 59th Maryland Regional Science Fiction Convention, will take place at the Renaissance Baltimore Harborplace Hotel in Baltimore Maryland. Lee will participate in the Balticon program across Memorial Day Weekend.
Balticon and the Robert A. Heinlein Award are both managed and sponsored by The Baltimore Science Fiction Society, Inc. BSFS thanks The Heinlein Society and the family of Dr. Yoji Kondo for providing funding for this award.
Sharon Lee and Steve Miller in 2017.
The Robert A. Heinlein Award is a sterling silver medallion bearing the image of Robert A. Heinlein, as depicted by artist Arlin Robins. The medallion is matched with a red-white-blue lanyard. In addition, the winner receives two lapel pins for use when a large medallion is impractical, and a plaque describing the award for home or office wall display.
The Robert A. Heinlein Award selection committee consists of science fiction writers and was founded by Dr. Yoji Kondo, a long-time friend of Robert and Virginia Heinlein. Members of the original committee were approved by Virginia Heinlein.
Virginia Heinlein authorized multiple awards in memory of her husband. Other awards include the Heinlein Prize, which is fully funded by Virginia Heinlein’s estate, and a National Space Society award for volunteer projects.
More information on the Robert A. Heinlein Award, including past winners, can be found here.
Sharon Lee, who lives in Waterville, Maine, Lee maintains an official website.
More information on Balticon can be found at Balticon.org.
(1) BOLLINGER EVERYMAN WODEHOUSE SHORTLIST. The Bollinger Everyman Wodehouse Comic Fiction Prize shortlist includes two genre works — High Voltage and Ministry of Time.
The Bollinger is awarded to “the funniest novel of the past 12 months, which best evokes the Wodehouse spirit of witty characters and perfectly-timed comic phrases.”
A Beginner’s Guide to Breaking and Entering by Andrew Hunter Murray (Hutchinson Heinemann)
Glorious Exploits by Ferdia Lennon (Fig Tree)
Good Material by Dolly Alderton (Fig Tree)
High Vaultage by Chris Sugden and Jen Sugden (Gollancz)
The Ministry of Time by Kaliane Bradley (Sceptre)
The Rachel Incident by Caroline O’Donoghue (Virago)
You Are Here by David Nicholls – published by (Sceptre)
The winner will be announced December 2.
In winning the Bollinger Everyman Wodehouse Comic Fiction Prize, you get not only a jeroboam of the Special Cuvée, but also a case of Bollinger La Grande Année, a complete set of the Everyman’s Library PG Wodehouse collection and, most entertaining, a pig who is to be named after your winning book.
…I read nine stories and one essay for this blog post. I suspect there might be more stories out there connected to the Infinite Monkey Theorem, and I’d love to hear from my readers with other suggestions….
…Commemorative popcorn buckets are increasing in popularity, with these collectibles released for movies such as Dune, Wicked and Gladiator II, among others. The Lord of the Rings: War of the Rohirrim arrives in theaters in the U.S. on Dec. 13, 2024, alongside its own exclusive popcorn bucket. The long handle of the movie’s war hammer replica is designed to appear as though it’s wrapped in leather, with a gray and red face and a gold spike on top. Fans will be able to purchase the limited-edition ‘hammer bucket’ at AMC theaters for $32.99 (not including tax), but only while supplies last.
Some people have complained that this popcorn bucket is potentially deadly, being modeled after a weapon and closely resembling one as well. While the design of the bucket is made to immerse fans in the experience of the movie, it’s also now being called the “most dangerous” popcorn bucket ever. Buyers of this product are urged to exercise caution and good judgment when wielding it.
For those who don’t want a potentially inconvenient 27-inch long popcorn bucket to snack from, another item is also being sold in celebration of the release of the upcoming movie — a faux-wooden stein (or traditional beer mug) with the official Lord of the Rings: War of the Rohirrim logo on the side….
…Japanese fiction now represents a quarter of all translated fiction sold in Britain. Why do you think it has such a wide appeal? I didn’t know that Japanese novels are that popular in Britain. What’s the reason? I have no idea. Maybe you could tell me – I’d like to know.
The Japanese economy is not doing well these days, and I think it’s a good thing that cultural exports can make a contribution of sorts, though literary exports don’t make that much of one, do they?
Did Mieko Kawakami’s criticism of the women in your books, made in 2017, have any effect on how you write female characters? My books have been criticised so much over the years that I can’t remember in what context the criticisms were made. And I don’t pay much attention to it, either.
Mieko is a close friend and a very intelligent woman, so I’m sure whatever criticism she made was spot on. But honestly, I don’t recall what exactly she criticised. Speaking of women and my works, though, incidentally my readers are pretty much equally divided between men and women, a fact that makes me very happy….
…The popularity of modern Japanese fiction is not a new phenomenon in the UK … In the 1990s, two writers broke through and became cult hits in this country. Haruki Murakami, a worldwide literary phenomenon, took off in Britain when Harvill Press published The Wind-Up Bird Chronicle in 1998. Scott Pack, who ran Waterstones’ buying team in the early 2000s, is a big Murakami fan and remembers giving him “lots of attention. Whatever books of his came out, we got massively behind.” This week, Murakami publishes his 15th novel The City and Its Uncertain Walls, about a man who travels to a mysterious walled town in pursuit of the woman he loves, finding himself in a strange world of libraries, maps and dreams. So what’s behind the lasting success of Murakami’s books, which tend to combine lonely protagonists, jazz, cats, and fantasy elements? “It’s fairly accessible, weird shit,” Pack says….
(5) DIALED IN. Sharon Lee is restarting her blog with shares like “Opening the windows”:
…Speaking of Just Me, I decided that I would watch “Astrid” last night (people who love the show, my comments are about the show not about you or your preferences in pleasure viewing). I will not be continuing. Not only does the first segment start with a man dousing himself with gasoline and lighting himself on fire on-screen, Astrid herself was a little too close to home. I remember mapping out phone calls before I made them, so I’d be sure to transmit the correct information in a socially normal way, and the feeling of panic when there was a vary. (I once called somebody to ask them a question before I had Breathed In, and when they answered the phone said, “MynameisSharonLeecallingforXandIwouldliketoknowthisnthat.” The person I was calling paused for a moment, then said, very gently, “Wow. Are you from New York?”) I’ve gotten much better, with lots of practice, and lots of years, about making eye contact when talking to people, but it was sorta painful to watch. This is, in case it’s not clear, a tribute to the actor who plays Astrid. She clearly Gets It….
(6) LONG-REMEMBERED THUNDER. [Item by Steven French.] Sometimes a line in an obituary will raise the old eyebrows! Peter Sinfield, who has recently passed away, wrote the lyrics for late 60s/early 70s ‘prog rock’ band King Crimson, as well as going on to write a number of pop hits (including for Celine Dion). And amidst all the music production details, there’s an interesting genre related connection: “Peter Sinfield obituary” in the Guardian.
…In 1979 he narrated Robert Sheckley’s In a Land of Clear Colors, an audio sci-fi story with music by Brian Eno….
Editor’s note: I’m running this item because I remember that my friend Richard Wadholm was a big fan of their first album, In the Court of the Crimson King (1969). And that if it had been within his power, I’d have been a big fan, too.
(7) KORY HEATH (1970-2024). W. Eric Martin pays tribute to the late Kory Heath at BoardGameGeek: “In Memoriam: Kory Heath”.
Designer Kory Heath took his own life on November 18, 2024, after “enduring years of chronic pain and depression”, in the words of John Cooper, who co-designed The Gang with Kory.
More from Cooper: “He was a genius, also funny, kind, patient. I’m so grateful we could spend so many years, laughs, and tears together, and that he knew he was deeply loved by all of his friends.”
Kory was best known for his game Zendo, a game of inductive logic in which the master exhibits two “koans” — one following a secret rule created by the master, one violating this rule — and students create koans of their own in order to determine what this rule is.
…Kory Heath’s list of published games is an eclectic one: the party game Why Did The Chicken…?, in which players create punchlines for randomly generated situations; the inductive logic game Zendo, in which players try to determine rules for constructing figures; the bluffing game Criminals; and the abstract game Uptown….
(8) MEMORY LANE.
[Written by Paul Weimer.]
Anniversary, November 23, 1963 — Doctor Who premieres
It would take years for me to see An Unearthly Child, the premiere of Doctor Who. On PBS in NYC, the Fourth Doctor was the first Doctor widely shown in the states, and for years, was the only one. Eventually a channel on Long Island branched out from the Fourth Doctor, showing what they called “The Doctor Who movies”–basically an entire serial in one go on a Saturday evening. They started with the Fourth Doctor, moved to the then new to me Fifth Doctor. And then after the end of the Fifth Doctor’s run (The Caves of Androzani), they then went back to the beginning. Back to the First Doctor…
Back to the premiere of Doctor Who…An Unearthly Child which happened on this date in 1963 on BBC. I had already seen the First Doctor, but not the original actor. The First Doctor appears, as played by Richard Hurndall. So I knew the First Doctor as a somewhat crotchety figure…but William Hartnell’s appearance was completely revelatory as the original and sometimes very alien First Doctor. He is brutal and savage and ready to commit a bit of murder right there in the first serial. I appreciated the mystery of the Doctor as Ian and Barbara try and figure out what’s so strange about their student, Susan, and the terror and horror in being cast in time and space. I still think the episode holds up, the premiere of Doctor Who, even today. A story of progress, and tolerance, and trying to understand things beyond your ken (on several levels). And so ably directed by Verity Lambert, the BBC’s first female drama producer.
Those “Doctor Who movies”, starting chronologically with An Unearthly Child, would cement my love of Doctors other than the Fourth (especially the Third) and I suppose in a sense were the original “binge watching” for Doctor Who. And the Doctor Who movie format made me ready, in 1996, for the TV movie, on a snowy television set. But that, as they say, is a story for another day.
(9) COMICS SECTION.
Junk Drawer depicts an AI that’s still learning how to rebel.
Jane’s World is retelling The Last Starfighter – and no wonder he’s the last.
Pearls Before Swine finds another difference between print books and ereaders.
Spider-Man: Beyond the Spider-Verse won’t be following up on that crazy cliffhanger anytime soon, if the latest rumor is to be believed. Ever since the upcoming Across the Spider-Verse sequel was delayed from its 2024 release date, fans have wondered what is happening with the highly-anticipated project. It currently has no set release date, and Sony never even officially acknowledged that major change. Rumors have since circulated about its production woes, and the latest report explains why development on Beyond the Spider-Verse has been at a standstill.
According to Brandon Davis (via World of Reel), Sony scrapped what they completed for Beyond the Spider-Verse shortly after the release of Across the Spider-Verse. Moreover, the script was thrown away and set to be rewritten, and it’s not clear if that process is complete yet. The craziest part is that the studio reportedly still doesn’t have an ending in place for the trilogy, and that has not changed yet. Of course, this should be taken with a grain of salt until proven otherwise, but the writing has been on the wall for the past year. Originally slated to release on Mar. 29, 2024, Beyond the Spider-Verse remains away from the Sony release schedule….
(11) HISTORIC HOLLYWOOD PROPERTY WILL HAVE NEW FOLKS PULLING THE STRINGS. SFGate says there’s a way to tour the old Chaplin/Jim Henson studio, which can’t be counted on to be around for much longer now that the place has new owners: “Hollywood A-listers buy Jim Henson’s LA studio for $40 million”.
…Given that its departure seems imminent, fans may want to pay their way into one last La Brea lot tour while they can. Here’s how: If you book a VIP ticket to the vulgar and “perverted” improv puppet show “Puppet Up!” — which will run you $175 — you’ll be instructed to arrive an hour and a half early. That’s when a Henson Company tour guide will take you around the lot for a rare look at this treasure trove.
Chaplin’s fingerprints (and literal footprints, in the concrete) are all over the space, which he built starting in 1917. (If you want to see how wildly different LA looked back then, Chaplin shot his studio’s construction as part of a never-released film that was completed years later.) The stage where “Puppet Up!” takes place is Chaplin’s former soundstage, and the hand saw — as well as the barn — that the actor-director used to build sets is still on the lot. Even the vault where Chaplin stored his coveted reels for famous films like “The Kid” (which was shot on site) is still nestled inside the reception office, although these days it holds office supplies like a printer and a fax machine.
There are fascinating asides during the tour, too, that explain quirky touches like why certain doors are located several feet off the ground: It’s because the lot used to hold a swimming pool, which Chaplin used to film several movies of his. The conference room also features a comically large table, which has been there since the A&M days because, apparently, the movers couldn’t get it out of the doors….
NASA is keeping its foot on the gas for the space agency’s Artemis program, announcing plans to assign demonstration missions for the two vehicles it has picked to land astronauts on the moon.
Both SpaceX and Blue Origin were awarded contracts for NASA’s Human Landing System, and have been in the process of designing their respective vehicles for returning astronauts to the surface of the moon. Now, NASA has given both companies a heads-up to expect to put those designs to the test in some upcoming qualification missions that will task them with sending large cargo to the moon.The mission assignments follow a 2023 request from NASA, which also directed SpaceX and Blue Origin to build cargo variants of their lunar landers, the space agency indicated in a statement. Having two different lunar landing systems to choose from will give NASA flexibility for both crew and cargo missions, while also “ensuring a regular cadence of moon landings for continued discovery and scientific opportunity,” said Stephen D. Creech, NASA’s assistant deputy associate administrator for technical at the agency’s Moon to Mars Program Office….
… “Based on current design and development progress for both crew and cargo landers and the Artemis mission schedules for the crew lander versions, NASA assigned a pressurized rover mission for SpaceX and a lunar habitat delivery for Blue Origin,” Human Landing System program manager Lisa Watson-Morgan said in the statement.
The pressurized rover Starship will deliver is being developed by the Japan Aerospace Exploration Agency (JAXA), and is currently targeted to launch in 2032 to support missions after Artemis 6, according to NASA. Blue Origin’s lunar habitat is slated sometime a year later, 2033….
This is an as-told-to essay based on a conversation with GT Hill, a 49-year-old former director of technical marketing who lives in Vilonia, Arkansas. He bought a $90,000 decommissioned missile silo and turned it into an Airbnb….
… really wanted to dig it up and see what was in there. Initially, I intended to make it a house for my family.
Lastly, I was interested in owning a missile silo because it’s just kick ass. The place has 7,000-pound doors. Its three floors are made out of a steel structure nicknamed “the birdcage.”
It’s on eight springs and actually hangs from the ceiling. And the reason is if it gets hit by a bomb, it allows the structure to shake to try to preserve the equipment and the people inside….
… Titan II was denuclearized after the US and Russia signed a 1979 treaty to limit each country’s nuclear weapons. The US disarmed Titan II as part of that negotiation, called the Strategic Arms Limitation Talks II or SALT II….
… There are no walls and doors, so there’s no real primary bedroom. The top floor has a king bed, a large, open shower, and a free-standing bathtub. The middle floor has two queen beds that we can move to make more space. Then, the kitchen and the living room are on the bottom floor, which also doubles as a dance floor and can turn into a club.
We host anything on the property, including meetings. If it’s semi-legal and people want to do it there and pay for it, we’re fine with it.
The first booking we got was in November 2020. It was a couple coming for their honeymoon, but they got a little too intoxicated at their wedding to make the trip. They sent their best man instead….
(14) NEW RELEASE FROM STARSHIP SLOANE PUBLISHING.
A Wereshark’sMemoir by Justin T. O’Conor Sloane
A novelette following the fantastical journey of an immortal sea captain across the centuries, whose turbulent life as a pirate and a wereshark is by turns beautiful and haunting.
In his magnum opus Ethics published posthumously in 1677,Spinoza argues that God is substance. Evil is substance in A Wereshark’s Memoir by Justin Sloane. Original, frightening, and beautiful, this work is a study into the impossibility of evil to reign over the human race. It is a fiction of the open wound. It hurts and it makes you invent a therapy to alleviate pain. Often this is impossible. In a way, it is a subtle analysis of what society suffers from today. As Justin Sloane puts it, “Time is neither friend nor foe. But it can be made either.” —Zdravka Evtimova, 4x best novel of Bulgaria and author of He May Wear My Silence
With all the linguistic beauty of scientific romance, and a splash of cosmic horror, Mr. Sloane takes us on an aquatic romp through piracy, love, and death. Fans of William Hope Hodgson will want to devour this tale. —Jean-Paul L. Garnier, editor of Star*Line magazine and author of Garbage In, Gospel Out
Justin Sloane’s A Wereshark’s Memoir is a true megalodon of a novelette, howling hammerheaded through the centuries, timeless like that eldest breed named for Greenland. Equal parts werewolf, shark, and swashbuckler who befriends Blackbeard himself, Sloane’s narrator, sea-bewitched, bioluminescent shape-shifter, proves at least as haunted as a Ulysses unable ever to return home. —Dr. Matt Schumacher, editor of Phantom Drift: A Journal of New Fabulism and author of The Fire Diaries: Poems
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Brick Barrientos, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Lis Carey.]
…Since the Bumpy Passage fell out of use many years ago, I created a travel pod so that Ur Sid could make his journey in the style to which he had become accustomed, and packed him carefully in a box. He accompanied nine other boxes containing the Full Run of Lee-and-Miller, Lee, and Miller published works.
Well, today Ur Sid arrived at his new post. Jeremy Brett, Curator of the Science Fiction and Fantasy Research Collection has kindly sent along photographs of this momentous arrival, which are posted below.
Right now, Ur Sid is sharing office space with Curator Brett. Very shortly, he will be transferred to Collections Care so that a proper enclosure for Ur Sid and his belongings, including his travel diary, may be constructed….
(2) CHENGDU TWEETS. [Item by Ersatz Culture.] The official Twitter account of Chengdu, China recently posted some tweets of interest:
Yesterday there was a video commemorating the one-year anniversary of the Chengdu Worldcon. A bit cheekily, there are a couple of shots from the Glasgow Worldcon around 1:15 in, that aren’t flagged up as such:
Today there’s a video with Ben Yalow saying how happy he is to be back in Chengdu:
#MemoriesOfChengdu A year ago, Ben Yalow, co-chair of 2023 World Science Fiction Convention, visited Chengdu and left with unforgettable memories. Today, GoChengdu surprised him with a custom postcard full of memories. “I hate to give it back, I want to keep it!”#chengdu#scifi… pic.twitter.com/YlZO1ludOW
There’s also a tweet asking for responses about SF experiences in Chengdu; as yet they haven’t had any replies.
#MemoriesofChengdu Can you believe it's been a year since the 2023 Chengdu Sci-Fi Convention? ???? The sci-fi vibe here is electric, from futuristic art installations to tech innovations and passionate fans! Share your memories and expectations about Chengdu and sci-fi with us!… pic.twitter.com/vmac86A9JJ
Incidentally, these posts followed straight after one criticizing a recent bill before Congress in the U.S. to fund “badmouthing China”, indicating this account seemingly isn’t just for doing local tourism promotion type stuff…
(3) ICON 50 TO BE DELAYED TO 2026. [Item by Michael J. “Orange Mike” Lowrey.] On Friday at the opening ceremonies of ICON 49 in Cedar Rapids, it was announced that ICON 50, originally scheduled for October 2025, has been postponed to 2026, due to problems with money and with volunteer shortages.
This follows the recent announcement that WisCon for 2025 will be a Wisconline, all-online event.
(4) FIRST BITE. Adam Roberts has a funny take on a recent Guardian story:
In a Dublin library once frequented by James Joyce and WB Yeats, beneath a turquoise and white domed ceiling and surrounded by oak shelving, Brian Cleary stumbled across something by Dracula author Bram Stoker he believed no living person had ever read.
Cleary, who had taken time off from his job at a maternity hospital after suffering sudden hearing loss, was looking through the Stoker archives at the National Library of Ireland when he came across something strange. In a Dublin Daily Express advert from New Year’s Day 1891 promoting a supplement, one of the items listed was “Gibbett Hill, By Bram Stoker”. He had never heard of it, and went searching for a trace. “It wasn’t something that was Google-able or was in any of the bibliographies,” he said.’
Cleary tracked down the supplement and found Gibbet Hill. “This is a lost story,” he realised. “I don’t think anyone knows about this.” The story follows an unnamed narrator who runs into three children standing by the memorial of a murdered sailor on Gibbet Hill, Surrey, which is also referred to in Dickens’ 1839 novel Nicholas Nickleby.
Together, the four walk to the top of Gibbet Hill. Distracted by the view, the narrator loses sight of the children. He takes a nap among some trees, and wakes to see the children a short distance away, before a snake passes over his feet towards the children, who appear able to communicate with and control the snake. Later, the children attack the narrator. The story culminates with the snake wriggling out of the narrator’s chest, gliding away down the hillside…
In his new sci-fi horror novel, “Absolution,” Jeff VanderMeer returns to the world of 2014’s award-winning “Annihilation,” which launched his Southern Reach Trilogy. Below, the best-selling ‘weird fiction’ author recommends six psychological expeditions into the unknown.
The six-pack includes:
‘A Perfect Spy’ by John le Carré (1986)
“The past is another country” may be a cliché, but not in the hands of my favorite espionage novelist. His masterpiece charts the entanglements, both professional and personal, that bring about the downfall of operative Magnus Pym. A stunning tale of betrayals, redemption, and, ultimately, a compassionate portrayal of a compromised life.
Future generations will look back on 2024 as the moment when the United States of America made a defining choice about climate change. This November, we’re either going to renew our commitment to fixing this mess we created, or embrace denial and plunge the world into a nightmarish scenario.
Nobody much is talking about it, but this election feels especially important for a couple of reasons: first, we are dangerously close to reaching some climate benchmarks that we won’t be able to come back from easily, if at all. And second, we are now being faced with daily brutal reminders of the impacts of climate change on our world. As Kamala Harris herself said in a powerful 2023 speech, climate change is here and the effects are in our face everyday.
The good news is, the past few years have seen some real advances toward clean energy and green infrastructure. Tax credits included in the Inflation Reduction Act are helping to make wind and solar power more affordable than non-renewable energy sources, and the subsidies in the bill are creating more jobs in the clean energy sector. But there’s much more work to be done…
And if you scroll down past the end of Anders’ article there is an index to other posts, including several by genre contributors Tomi Adeyemi, George Saunders, Daniel Handler (aka Lemony Snicket), and Beth Revis.
WCP: When hearing the phrase “speculative fiction,” most readers will immediately think we’re referring to either science fiction or fantasy, and there are elements of both in your novel. But this work leans strongly in to literary writing, with beautiful, sometimes even lyrical storytelling and far less of the extensive worldbuilding than we’d normally see in the aforementioned genres. How do you approach “speculative literary” writing?
TC: Before I stumbled upon the term “speculative fiction,” I used to say that I write science fiction for people who don’t think they read science fiction. But that was only an approximation of what I was doing, and I’m glad that more people are discovering the depth and breadth of fantastical writing beyond strict genre definitions.
I love the way “speculative literary” opens up narrative by allowing us to go beyond the bounds of realism to get at emotional truths. If something feels surreal, why not try to capture that cognitive dissonance by portraying it as something palpably unreal? Certain parts of American culture are indeed surreal to me, like our relationship with guns, or our lack of reckoning with history, or our income inequality, and those areas of disconnect came out indirectly in stories about sneaking needles striking us everywhere from home to school to church, or screaming ropes howling in the darkest corner of a dusty barn, or sword fighting robots protecting the bunkers of the uber-wealthy….
You wake up naked in a hotel room. You don’t recall who you are or how you got there. Your clothes are missing. Someone knocks on the door.
So begins “Amnesia,” a text-only video game released in 1986, in which players inhabit the perspective of a man experiencing memory loss while staying in midtown Manhattan at the fictional Sunderland Hotel. Players must negotiate a series of puzzles to find much-needed clothes, leave the hotel, and navigate Manhattan’s busy streets. By gathering clues and avoiding innumerable pitfalls, they gradually discover that the protagonist has a fiancée he cannot remember, is being pursued by an assassin, and is wanted for murder in Texas.
A groundbreaking digital work of interactive fiction by the sci-fi novelist Thomas M. Disch, the game anchors “Remembering Amnesia: Rebooting the first computerized novel,” an exhibit on view through March 2 in the Hanke Exhibition Gallery at Sterling Memorial Library.
Drawing on materials from Disch’s archive at the Beinecke Rare Book and Manuscript Library, the exhibit explores the author’s novel attempt to move video games into the realm of literary fiction. It also describes the efforts of the Yale Library’s Digital Preservation unit to preserve the game, originally stored and played on now-obsolete hardware, and restore it to life.
The revived version of “Amnesia” is available to play on three workstations — two located just outside the exhibit space and one in Bass Library — that emulate a mid-1980s computing environment….
You declare in your new title that five themes exist in Serling’s portfolio. What are they? With this book, I was inspired to curate what I thought were the best episodes of “The Twilight Zone,” collected in a framework that would separate my “greatest hits” of the series into distinct themes that would encompass the diversity—and similarity—of the best episodes by Serling and company. Of course, one can argue that there are more than just five themes of “The Twilight Zone” that the breadth of its 156 episodes would suggest, but I decided rather quickly on the following five, almost as if they suggested themselves: “Science and Superstition,” “Suburban Nightmares,” “A Question of Identity,” “Obsolete Man,” and “The Time Element.” (Of the five, “Suburban Nightmares” is the only one I coined that does not have a direct “Twilight Zone” connection; bonus points for recognizing that “A Question of Identity” comes from dialogue spoken by the protagonist of [the show’s] debut episode, “Where is Everybody?”)
(10) MEMORY LANE.
[Written by John King Tarpinian.]
Anniversary, October 19, 1953 — Fahrenheit 451
By John King Tarpinian: On this day in history one of the most read science fiction novels was published. One of the few, if not only, novels of sci-fi on a majority of middle and high school reading lists.
Fahrenheit 451 is one of three books that as a young man made me think about stuff outside of my comfortable life. The other two were Dalton Trumbo’s Johnny Got His Gun and Robert Heinlein’s Stranger in a Strange Land, the three making up a trio of books that woke up my little brain.
Fahrenheit451 was made into a movie by the French director, François Truffaut. It was his first movie in color and his only English-language film. Remember the French guy in Close Encounters of the Third Kind? That was Truffaut.
Flatscreen TVs were in this book. Bluetooth was in this book. Most people know that Ray never drove a car, remember that in the book Clarisse was killed by a speeding car. Montag was a brand of paper; Faber was a brand of pencil. Beatty was named for the lion tamer, Clyde Beatty.
Bradbury’s book rails against censorship, in any form.
Lastly, Ray’s headstone reads “Author of Fahrenheit 451.”
(Use this link to see a parade of Fahrenheit 451 book covers from over the years.)
(12) READING THE ROOMS. For the “Every Town Deserves a Library” episode of the Our Opinions Are Correct podcast, hosts Annalee Newitz and Charlie Jane Anders are joined by Ken Liu.
Science fiction and fantasy are full of wondrous libraries containing everything from powerful artifacts to some dang good reads. How does the idealized view of libraries in speculative fiction compare with the real-life libraries, which are under attack by would-be censors and culture warriors? Also, we talk to award-winning author Ken Liu about his brand new translation of the classic Daoist text, the Dao De Jing.
(13) JOY WILLIAMS Q&A. [Item by Steven French.] Joy Williams on why fiction should be ‘uncanny’ (and on reading Baba Yaga stories as a child) in the Guardian.
For many years, you’ve written about the climate emergency and environmental destruction. I wonder if your thinking about how to represent that in fiction has developed, and where you think it might go?
I’m always trying to convince myself that fiction will rise up and throw away the crutches that have been supporting it for far too long. The comfy story has got to change. It needs to be more uncanny, less personal….
Paramount+ has set January 24, 2025 for the premiere of its upcoming movie Star Trek: Section 31, starring Michelle Yeoh in a reprisal of her Star Trek: Discovery role as Emperor Philippa Georgiou.
The announcement was made Saturday during the Star Trek universe panel at New York Comic Con. Yeoh made a video appearance during the panel, which featured cast members Omari Hardwick, Kacey Rohl and Robert Kazinsky, along with executive producer and director Olatunde Osunsanmi.
Star Trek: Section 31 will premiere exclusively Friday, January 24 in the U.S. and international markets where the service is available….
…In a recent study evaluating how chatbots make loan suggestions for mortgage applications, researchers at Pennsylvania’s Lehigh University found something stark: there was clear racial bias at play.
With 6,000 sample loan applications based on data from the 2022 Home Mortgage Disclosure Act, the chatbots recommended denials for more Black applicants than identical white counterparts. They also recommended Black applicants be given higher interest rates, and labeled Black and Hispanic borrowers as “riskier.”
White applicants were 8.5% more likely to be approved than Black applicants with the same financial profile. And applicants with “low” credit scores of 640, saw a wider margin — white applicants were approved 95% of the time, while Black applicants were approved less than 80% of the time.
The experiment aimed to simulate how financial institutions are using AI algorithms, machine learning and large language models to speed up processes like lending and underwriting of loans and mortgages. These “black box” systems, where the algorithm’s inner workings aren’t transparent to users, have the potential to lower operating costs for financial firms and any other industry employing them, said Donald Bowen, an assistant fintech professor at Lehigh and one of the authors of the study.
But there’s also large potential for flawed training data, programming errors, and historically biased information to affect the outcomes, sometimes in detrimental, life-changing ways.
Approximately 41 000 years ago, Earth’s magnetic field briefly reversed during what is known as the Laschamp event. During this time, Earth’s magnetic field weakened significantly—dropping to a minimum of 5% of its current strength—which allowed more cosmic rays to reach Earth’s atmosphere. Scientists at the Technical University of Denmark and the German Research Centre for Geosciences used data from ESA’s Swarm mission, along with other sources, to create a sounded visualisation of the Laschamp event. They mapped the movement of Earth’s magnetic field lines during the event and created a stereo sound version which is what you can hear in the video. The soundscape was made using recordings of natural noises like wood creaking and rocks falling, blending them into familiar and strange, almost alien-like, sounds. The process of transforming the sounds with data is similar to composing music from a score.
Eight years in the making, director David Lee Fisher’s new take on the horror classic Nosferatu has finally been unleashed, the film now available on Digital through Prime Video….
(18) THE (POD BAY) DOORS OF PERCEPTION. Six years ago someone shared the results of a thought experiment that asked what would happen “If HAL9000 was Amazon.com’s Alexa”.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Bruce D. Arthurs, N., Ersatz Culture, Michael J. “Orange Mike” Lowrey, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Paul Weimer.]
In August, Howard Andrew Jones wrote that he has been diagnosed with brain cancer––multifocal glioblastoma – and that, “People I trust––my doctors and my family––inform me it will be fatal, and we are deciding now on a course of action to make the most of the time I have left.” This GoFundMe shall go to forthcoming medical bills in the months to come and any other funding the family might need.
At this writing the appeal has raised $22,345 of the $35,000 goal.
(2) SCARE UP THE VOTE. The Scare Up the Vote event by members of the horror community hopes to raise funds and awareness to elect Kamala Harris and Tim Walz. The live online event at 8:00 p.m. Eastern on October 15 will include appearances from Stephen King, Joe Hill, Mike Flanagan, Tananarive Due, Stephen Graham Jones, Cynthia Pelayo, Paul Tremblay, Gabino Iglesias, Victor LaValle, Alma Katsu, Bryan Fuller (Hannibal), Scott Derrickson (The Black Phone), and Don Mancini (creator of Chucky). Follow the YouTube page for the livestream: “Scare Up the Vote” YouTube page.
(3) GOLDSMITHS PRIZE SHORTLIST. The finalists for the 2024 Goldsmiths Prize were announced October 2. None of the six are detectably of genre interest:
All My Precious Madness (Mark Bowles, Galley Beggar Press)
Tell (Jonathan Buckley, Fitzcarraldo)
Parade (Rachel Cusk, Faber)
Choice (Neel Mukherjee, Atlantic)
Spent Light (Lara Pawson, CB Editions)
Portraits at the Palace of Creativity and Wrecking (Han Smith, JM Originals).
The prize, worth £10,000 and run in association with the New Statesman, was open to novels published between 1 November 2023 and 31 October 2024, written in English by citizens of the UK or Ireland, or authors who have been resident in either country for three years and have their book published there.
In yet another major win for freedom to read advocates, a federal judge has ordered the Crawford County Public Library in Arkansas to stop segregating books deemed inappropriate by some local residents into special “social sections,” and to return the books to general circulation.
In his September 30 opinion and order, U.S. district court judge P.K. Holmes III held that “it is indisputable” that the creation and maintenance of the library’s so-called social sections “was motivated in substantial part by a desire to impede users’ access to books containing viewpoints that are unpopular or controversial in Crawford County.” In a preliminary injunction, Holmes ordered county officials to dismantle the sections and return the books to general circulation, as well as to refrain from “coercing” library staff to censor books.
The decision comes in a lawsuit first filed in May 2023 by three local parents, who challenged the county’s quorum court, the library board, and the library’s interim director for a policy that created special sections and classifications for segregating books, mostly LGBTQ content. Among their defenses, county officials argued that moving the books to special sections did not amount to book banning. But Holmes said the evidence showed that “viewpoint discrimination was a substantial motive” for the creation of the “social sections,” and that the policy held “profound” First Amendment implications….
A recent survey launched by The Bookseller on advances and royalties revealed that 52% of respondents had experienced payment issues with their publishers.
The survey found that among those who experienced issues with payment, ‘around 18% experienced problems with both advances and royalties, 17% only with advances [and] with around the same number experiencing problems only with royalties’….
(6) ZOOMING INTO FANHISTORY. Fanac.org will host a Zoom FanHistory session featuring globetrotting Australian fan Robin Johnson on October 26. To attend, send a note to fanac@fanac.org
FANAC FanHistory Zoom Session Robin Johnson: Traveling Fan from Oz Robin Johnson, interviewed by Perry Middlemiss & Leigh Edmonds
October 26,2024 – 7PM EDT, 4PM PDT, 12AM London, 10AM AEDT Sunday, Oct 27 Melbourne
… Still, toxic fandoms have grown so pernicious that they’ve become a fact of life for many — and so powerful that while talent, executives and publicists will privately bemoan the issue, fear of inadvertently triggering another backlash kept several studios from speaking for this story even on background. (As one rep put it, “It’s just a lose-lose.”)
Those who did talk with Variety all agreed that the best defense is to avoid provoking fandoms in the first place. In addition to standard focus group testing, studios will assemble a specialized cluster of superfans to assess possible marketing materials for a major franchise project.
“They’re very vocal,” says the studio exec. “They will just tell us, ‘If you do that, fans are going to retaliate.’” These groups have even led studios to alter the projects: “If it’s early enough and the movie isn’t finished yet, we can make those kinds of changes.”
Several studio insiders say they often put their talent through a social media boot camp; in some cases, when a character is intentionally challenging a franchise’s status quo, studios will, with the actor’s permission, take over their social media accounts entirely. When things get really bad — especially involving threats of violence — security firms will scrub talent information from the internet to protect them from doxxing….
(8) NEW GERROLD NOVELLA COMING THIS MONTH. David Gerrold’s new SF novella Praxis will be released October 22 by Star Traveler Press, an imprint of Starship Sloane Publishing.
A lifetime in the Labor Corps—or colonize a new world. For Jamie and José, not much of a choice. But Praxis wouldn’t be easy. To survive there, you had to depend on each other. And that requires honesty that few possess. Praxis is a bold experiment in society building, a monosexual colony, with no promises of survival and no return trip. But it’s got potential. You just have to build a new civilization—on the other side of the universe.
It is a compelling story that explores social issues without skimping on the hard science fiction.
The foreword is by John Shirley and the cover art is an original piece by Bob Eggleton commissioned for the book. F. J. Bergmann did the book design and layout and Justin T. O’Conor Sloane is the editor and publisher.
(9) MEMORY LANE.
[Written by Paul Weimer.]
October 3, 2017 — Anniversary: Blade Runner 2049
Science fiction fans live in hope, especially when it comes to sequels, prequels, and other works. Maybe this time it will be good. Maybe the magic will return. Maybe the horse will sing.
Maybe.
I won’t claim to be one of the seventeen people who saw the original Blade Runner in the theaters in 1982, my exposure came when versions of it arrived on videotape, but it had become one of my core SFF experiences. And so in 2017, upon the announcement of its forthcoming release, I was extremely interested in what Denis Villeneuve (whose Arrival I had loved) could do with the film.
I saw it opening weekend, because it was my birthday weekend, and I wanted to treat myself. I had been led to expect spectacle and visuals, and I wanted the large screen, and in those days before the Covid Pandemic, I had no inhibitions in doing so. And so I sat down to see what Villeneuve had wrought.
If the original Blade Runner is a noir classic pinpricked and studded with moments of beauty, Blade Runner 2049 was a large, sprawling epic on the screen, pinpricked and studded with moments of different kinds of beauty. Such visions, taking the future of Los Angeles from Blade Runner and adding a level of inexorable environmental devastation that we get right in the first scene and all the way to the finale at the devastated, buried Las Vegas. A twisty, twisted tale that wraps around the shed snake skin of the original film. And a story, and revelations that are of a piece, and feel like they belong in a Philip K. Dick story. The bones of the movie and its revelations.
This film doesn’t and didn’t work unless you were steeped in the original, sometimes too much for its own good. But even for its long run time, around every corner, there was so much to see and take in. The long running time can work against it, but it gives us so much of the world to inhabit and see and explore.
Is it the original? No. Does it depend too much on the original? In some ways, trying to follow up on a classic movie was an impossible task. Had Villeneuve gone for another noir piece (even more than the mystery chassis of this film), it would have felt like too much of a copy. If there was no acknowledgement of the original, it would have felt like a betrayal of the original. I think that Villeneuve made the Blade Runner universe his own in a way that Ridley Scott did with his original movie. He understood the assignment and I think he hit the mark.
And long before Barbie, this movie helped cement Gosling as someone far more than just his good looks and charm. And to see Harrison Ford again, of course, was a pleasure. And Ana de Armas. And Robin Wright. And thanks to Blade Runner 2049, for better or worse, we got two Dune movies from Villeneuve. The template for those two movies is here.
And now I need to rewatch it. Maybe you should give it a try, if you haven’t.
(11) UR SID TO JOIN LEE-MILLER ARCHIVE AT TEXAS A&M. Sharon Lee today informed fans of the Liaden Universe®:
Long-time Friends of Liad will recall Ur Sid, an eight-inch tall Teddy bear, dressed in a Scout uniform. Ur Sid attended the conventions that Steve and Sharon couldn’t make, hobnobbing with the Famous, and, like every good fan, collecting buttons and memorabilia.
The authors would occasionally meet Ur Sid at worldcons, and were always happy to see him. But his purpose was to be an Ambassador at Large for the Liaden Universe®, and in that he succeeded very well, indeed.
Ur Sid traveled between cons via the Bumpy Passage, a refurbed Scout ship that had seen better days, and he sent reports back to the Friends of Liad listserve.
Those reports are sadly lost. However, Ur Sid also kept a diary. From it, we learn that his first WorldCon was ChiCon 2000. His last con, though it’s not noted in the diary, was Heliophere 2023, where Steve and Sharon were Writer Guests of Honor. He attended the Teddy Bear Tea, and charmed the room, as always.
All good adventures do finally come to an end. Ur Sid stopped travelling when the Bumpy Passage suffered a catastrophic failure of its Struven Unit. Subsequently, he spent some years with Friend of Liad Sarge, who reunited him with the authors at PhilCon 78, in 2014.
Ur Sid is about to embark on his last trip, via FedEx. He will be escorting a shipment of Liaden Universe® books to the Lee and Miller Archive at the Cushing Memorial Library at Texas A&M. Once that duty is accomplished, Ur Sid will become part of the permanent archive. He’ll be keeping a Very Close Eye on Steve and Sharon’s Literary Legacy. And charming the curators, of course.
You probably haven’t thought much about Nutter Butter since the cookie was in your lunchbox in the third grade. However, the snack brand has taken an interesting route to regain cultural relevance.
Nutter Butter has been posting completely unhinged TikToks for weeks now. No one seems to understand the brand’s bizarre approach, but it seems to be working. People are talking about Nutter Butter again, and the account has amassed millions of video views and hundreds of thousands of followers.
We’ll just leave these Nutter Butter TikToks here for evidence…
And while no one can’t seem to make any sense of it, that’s kind of the point. We got in touch with Nutter Butter to ask what was going on.
“Nutter Butter embraces its nuttiness, departing from a perfectly curated feed to experiment with the surreal side of the internet,” a spokesperson for the brand told Delish. “Our social channels create a realm of extreme absurdity and deep lore by going where no other cookie has gone before. Follow us as we push the boundaries of creativity to take you on unexpected adventures.”…
… “In the Reaper Profession, Sims with an affinity for the afterlife can become Grimterns and work their way up to Reaper as they make a career out of facilitating the next phase of life for Sims,” per “The Sims” developers. “Work with Grim at the Netherworld Department of Death (N.W.D.D.) and even head off into the ‘field.’ Sims in this profession can experience reaper training with the all-around-good-guy-training-dummy, Kenny, maintain Grimtern Sims’ scythes, practice reaping souls on practice dummies, and determine causes of deaths for reaped souls. At higher levels, Sims in this Career can even determine which souls they’ll reap and which they’ll return to life. Once retrieved, souls can be placed in the Netherworld Portal to meet the soul quota. Grimterns who meet the soul quote are eligible to become Employee of the Month.”…
Two college students have used Meta’s smart glasses to build a tool that quickly identifies any stranger walking by and brings up that person’s sensitive information, including their home address and contact information, according to a demonstration video posted to Instagram. And while the creators say they have no plans to release the code for their project, the demo gives us a peek at humanity’s very likely future—a future that used to be confined to dystopian sci-fi movies….
… An Instagram video posted by Nguyen explains how the two men built a program that feeds the visual information from Meta Ray Ban smart glasses into facial recognition tools like Pimeyes, which have essentially scraped the entire web to identify where that person’s face shows up online. From there, a large language model infers the likely name and other details about that person. That name is then fed to various websites that can reveal the person’s home address, phone number, occupation or other organizational affiliations, and even the names of relatives….
(15) SECOND DINOSAUR ASTEROID. [Item by SF Concatenation’s Jonathan Cowie.] The BBC have just reported that research has uncovered a second dinosaur-killing asteroid. However this is not new news as the headline suggests as a couple of paragraphs in reveals that this discovery has previously been covered by the BBC themselves. What is new is a more detailed survey whose results have just been published in Nature: “3D anatomy of the Cretaceous–Paleogene age Nadir Crater”. See the pictures below.
Ripley once said of other monster creatures, we should “nuke the entire site from orbit. It’s the only way to be sure.” Having two giant asteroids, one for the western and one the eastern hemisphere was a good way to be sure.
I have never really forgiven the dinosaurs for what they did to Raquel Welch…
(16) VIDEO OF THE DAY. [Item by Mike Kennedy.] Another movie pulled out of the vault & given the Pitch Meeting treatment. “Superman III Pitch Meeting”.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Joe Siclari, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge. Amd SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cliff, assisted by Nina.]
(0) File 770 was crashed most of the afternoon. Customer Service said high bot traffic is to blame. That may be fixed now. Let me quote Alan Arkin to whoever is sending these bots my way: “Argo fuck yourself!”
You’re in a unique position in that you wrote a pandemic book in 2014, then had the TV adaptation come out in 2021. You experienced people’s responses to art about pandemics before COVID, during COVID, and now. I’m curious what the differences may have been.
I remember absorbing a lot of comments online to the effect of How did you predict this? Which I absolutely did not. There was always going to be another pandemic. What was interesting to see was the differences in the way between how I imagined a pandemic would be and how it actually is. In the Station Eleven pandemic, the mortality rate is insane. It’s like 99 percent or something. I didn’t have to go that far. It turns out society gets extremely disrupted extremely quickly, with vastly lower numbers than that.
Something I hadn’t anticipated was the in-between state of pandemics. For all my research into pandemics, I’d kind of thought of a pandemic as a binary state. You’re either in a pandemic or you’re not in a pandemic. But I remain fascinated by the month of February 2020 in New York City—we knew it was coming, but we didn’t believe it. It’s this uneasy territory wherein it’s very hard to make informed, reasonable decisions around risk management when you’re kind of in a pandemic and kind of not. We’re kind of there again now. Obviously, it’s much better than it was, but I do a lot of events where typically people will be unmasked at this point, but often there are a few people in the audience wearing a mask, and that is absolutely rational, and also being unmasked is rational at this point. That was something I just didn’t expect.
One thing that doesn’t ring true to me about the book anymore isn’t necessarily something I got wrong, but just the way our country has changed. When I wrote the book, I wrote a scene where all these flights are diverted to the nearest airport and everybody gets off the plane. They go to a television monitor tuned to CNN or something, and the announcer is talking about this new pandemic and everybody believes what the announcer is saying, which—I swear to God, that was plausible in 2011. At this point, absolutely not. I can’t even imagine that happening.
(2) NATIONAL BOOK AWARD. Two of the five National Book Award longlists were announced yesterday reports Publishers Weekly, for Translated Literature and Young People’s Literature. The shortlists come out October 1. The winners will be announced during an awards ceremony in New York City on November 20.
The works of genre interest in the 10-book longlists are named below.
Translated Literature
The Book Censor’s Libraryby Bothayna Al-Essa, translated from the Arabic by Ranya Abdelrahman and Sawad Hussain (Restless)
Woodwormby Layla Martínez, translated from Spanish by Sophie Hughes and Annie McDermott (Two Lines)
Pink Slime by Fernanda Trías, translated from the Spanish by Heather Cleary (Scribner)
Young People’s Literature
The First State of Beingby Erin Entrada Kelly (Greenwillow)
Neil Gaiman is understood to have offered to step back from the third and final season of Prime Video‘s fantasy drama Good Omens.
Deadline revealed on Monday that pre-production had paused on the BBC Studios-produced show in the wake of allegations made by four women against Gaiman, which he denies. This came after Disney’s planned feature adaptation of Gaiman’s 2008 YA title The Graveyard Bookalso was put on pause.
Now, we understand that Gaiman has made an offer to Amazon and producers to take a back seat on the latest season so that it can continue amid crisis talks over the Terry Pratchett adaptation’s future. Deadline understands Gaiman’s offer is not an admission of wrongdoing following a podcast from Tortoise Media that chronicled accounts of two women, with whom he was in consensual relationships, who accused him of sexual assault. Another two have since come forward. Gaiman’s position is that he denies the allegations and is said to be disturbed by them. His rep did not respond to a request for comment….
Tom Bombadil made his The Lord of the Rings: The Rings of Power debut this week, played by character actor Rory Kinnear in a voluminous beard and wig. Known for his role in The Fellowship of the Ring (notably cut from the Peter Jackson movie), Bombadil is enigmatic yet silly; a mythic figure who hints at ancient wisdom while living out his days as a jovial, eccentric hermit. And like his harfoot neighbors, Rory Kinnear’s version speaks with a strong regional accent, playing into a recurring problem throughout the show.
Tolkien’s linguistic worldbuilding is famously sophisticated, and The Rings of Power puts a lot of work into its use of constructed languages like Quenya. Unfortunately its English-language choices are nowhere near as thoughtful, embracing clumsy stereotypes from around the British Isles. The most uncomfortable example is the nomadic harfoot community in Season 1; they’re the only characters who speak with Irish accents.
Writing in The Irish Times, critic Ed Powers described these “twee and guileless” harfoots as “a race of simpleton proto-hobbits, rosy of cheek, slathered in muck, wearing twigs in their hair and speaking in stage-Irish accents that make the cast of Wild Mountain Thyme sound like Daniel Day-Lewis.” He made the convincing argument that they reflect offensive images of Irish culture as “pre-industrial and childlike.” Unfortunately the show’s accent problems don’t stop there.
Overseen by American showrunners, the accent choices in The Rings of Power are deeply rooted in unexamined classism and regional stereotypes.….
Let me tell you about Suzanne. She’s a writer, a world-builder, and a dear friend of mine over the past three decades. We need art to live. We need stories and storytellers. We need Suzanne. It’s easy to think that artists just make art, but they also have lives, and bills, and accidents that are terrible, or hilarious, or both, depending on the telling.
So when she told me the story about her kid stepping through the ceiling, plaster raining down on their sister’s bedroom below, it was with the smile of a writer who sees the humor in the misadventure. I knew it would become a family legend. But when she told me about being crushingly tight on funds due to payment for her work being months late, I knew that was no laughing matter.
As is now traditional, right after I’d filed last week’s Pushing Buttons, huge gaming news broke: Sony was pulling its hero shooter Concord from sale just two weeks after launch – because nobody was playing it. Everyone who bought it on PlayStation 5 and PC was refunded, and the future of the game is now unclear.
This is a brutal sequence of events. Sony bought the makers of Concord, Firewalk Studios, in 2023. Concord had been in development for eight years, and it was an expensive game, with bespoke cinematics and a long-term plan that would have cost $100m or more to develop. In its two weeks on the market, it sold fewer than 25,000 copies, according to estimates. This is a shocker, even compared with the year’s other bad news for developers and studios.
Much has been written about why Concord flopped so spectacularly. As Keith Stuart pointed out in his review of the game, it launched into a crowded genre, the hero shooter, in which many players already have their preferred game (Overwatch, Valorant or Apex Legends, to name three). Sony’s marketing of the game also seemed to fail, in that almost nobody knew about Concord before it arrived. (I barely knew about it, and it’s my job to know these things.) Criticisms, too, were levelled at its characters and design: it was generic and didn’t have any particularly interesting gameplay ideas.
The failure of Concord is also symbolic of the existential-level problems in modern game development: they are so expensive to create, and they take so long that a game can miss its moment years before it is released. All this makes publishers risk-averse, but if you’re simply trying to recreate what’s popular, it’ll be out of date by the time it’s finished….
Disney subsidiary Lucasfilm is being sued over its recreation of Grand Moff Tarkin actor Peter Cushing’s image in Rogue One: A Star Wars Story.
As reported by The Times, a friend of Cushing has alleged Disney did not have permission to recreate the actor’s image with special effects for Rogue One. Disney tried and failed to have the case dismissed for a second time on September 9, 2024.
The plaintiff Kevin Francis is suing Lucasfilm through his film company Tyburn Film Productions and also brought claims against Rogue One producer Lunak Heavy Industries, the late executors of Cushing’s estate, and Cushing’s agency Associated International Management.
Francis claimed he must give authorization for any recreation of Cushing’s image following an agreement made between him and the actor in 1993, one year before his death at age 81.
Lucasfilm claimed it didn’t think it needed permission to recreate Cushing’s image due to his original contract for Star Wars (the 1977 film which became Star Wars: Episode 4 – A New Hope) and the nature of the special effects. It also paid around $37,000 to Cushing’s estate after being contacted by his agent about the recreation.
On September 9, deputy High court judge Tom Mitcheson dismissed the appeal, stating the case should go to trial. “I am also not persuaded that the case is unarguable to the standard required to give summary judgment or to strike it out,” he added. “In an area of developing law it is very difficult to decide where the boundaries might lie in the absence of a full factual enquiry.”
(9) TODAY’S BIRTHDAY.
[Written by Lis Carey.]
Born September 11, 1952 – Sharon Lee.
By Lis Carey: She is best known as one half of the writing team of Sharon Lee and Steve Miller, creators of the popular and very enjoyable Liaden Universe series of novels and stories. Her solo works include two Maine-based mysteries, a fantasy series set in the fictional Maine town of Archer’s Beach, and several dozen short stories, both sf and fantasy.
Sharon Lee and Steve Miller in 2017.
It may interest some to know that her “day jobs” over the years have included (in addition to a lot of secretarial work) advertising copy writer, call-in talk host, nightside news copy editor, freelance reporter, photographer, book reviewer, and deliverer of tractor trailers.
Born and raised in Baltimore, MD, she met fellow beginning new writer Steve Miller. They married in 1980, around the time Sharon made her first professional sale, “A Matter of Ceremony,” to Amazing Stories.
In 1988, Sharon and Steve moved to Winslow, Maine, and lived there until 2018, when they moved “into town,” to Waterville, on the other side of the Kennebec River. Throughout their writing lives, they’d been carefully supervised by a succession of cats, and this remains true for Sharon. She currently has three Maine Coon cats, including veteran editorial cats Trooper and Firefly, and the new apprentice, Rook.
Sharon is working on the next Liaden book, Diviner’s Bow. She makes no guarantees on how long she will continue writing the series, but will continue to credit Steve as co-author on any new Liaden works she writes. She’s adamant that Liaden would not exist without both her and Steve, and that he is still an integral part of continuing to tell stories in that setting. Because of that, new Liaden stories will continue to bear both names.
(10) COMICS SECTION.
Reality Check reminds us what all that glitters is not.
Polaris Dawn Mission Specialist and Medical Officer Anna Menon invites you to embark on a celestial journey as she reads Kisses from Space, a children’s book published by Random House. Inspired by the resilient spirit of the young patients at St. Jude, Anna’s heartwarming tale comes to life by bridging the gap between the cosmos and our earthly hearts. These courageous children, in turn, have lent their creativity to the book by crafting artwork inspired by its whimsical illustrations. As you immerse yourself in the magic of Kisses From Space, know that every page turned contributes to a noble cause: supporting St. Jude Children’s Research Hospital.
(12) WESTEROS: EVERYTHING MUST GO. Heritage Auctions is running “HBO® Original Game of Thrones The Auction”, an huge event offering over 2,000 costumes, weapons, props, and set decorations, from October 10-12. For example:
…Among the essential pieces in this auction, my favorite is Oathkeeper, a Valyrian steel sword. Although initially forged for Jaime Lannister (through Tywin Lannister) from Eddard Stark’s legendary sword “Ice,” it was later gifted to Brienne by Jaime with the poignant directive, “It was reforged from Ned Stark’s sword. You’ll use it to defend Ned Stark’s daughter.” Oathkeeper thus became a symbol of Brienne’s journey from an underestimated sole female heir, whose worth was once seen as limited to marriage, to her rise as the Lord Commander of the Kingsguard….
…This tablet, which depicts how Babylonians perceived the world thousands of years ago, is peppered with details that offer insight into an earlier time. For example, the ancient world is shown as a singular disc, which is encircled by a ring of water called the Bitter River. At the world’s center sits the Euphrates River and the ancient Mesopotamian city of Babylon. Labels written in cuneiform, an ancient text, note each location on the map, according to The British Museum. …
China’s historic attempt to bring samples from Mars to Earth could launch as soon as 2028, two years earlier than previously stated, according to a senior mission official.
The country’s Tianwen-3 mission would carry out two launches “around 2028” to retrieve the Martian samples, chief mission designer Liu Jizhong said at a deep-space exploration event in eastern China’s Anhui province last week.
The projected mission launch is more ambitious than a 2030 target announced by space officials earlier this year, though the timeline has fluctuated in recent years. A 2028 target appears to return to a launch plan described in 2022 by a senior scientist involved with the Tianwen program – a mission profile that would see samples returned to Earth by 2031.
The latest remarks follow China’s landmark success retrieving the first samples from the far side of the moon in June.
It also comes as an effort by NASA and the European Space Agency to retrieve Mars samples remains under assessment amid concerns over budget, complexity and risk. The US space agency, which first landed on Mars decades ago, said it is evaluating faster and more affordable plans to allow for a speedier result than one that would have returned samples in 2040….
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, lance oszko, Lise Andreasen, Andrew (not Werdna), SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) GLASGOW 2024 PROGRAMME. The Glasgow 2024 Programme is live. Explore the full programme from the Worldcon website via ConClár at “Glasgow 2024 Programme Guide”. Users can search participant names, and individual program items.
They remind members, “Live streams and recorded streams of much of the programme will also be available on our online platform, so if you aren’t able to attend something you can always go back and rewatch at your leisure.”
(2) SILVERMAN, TREMBLAY AND COATES LOSE MOMENTUM IN SUIT AGAINST OPENAI. The judge has tossed another claim in a suit about AI copyright violation brought by celebrities in a state court due to a Federal law preempting it. “Sarah Silverman Lawsuit Against OpenAI Suffers Setback As Judge Trims Case” at The Hollywood Reporter.
Top authors suing OpenAI over the use of their novels to train its artificial intelligence chatbot have hit a stumbling block, with a federal judge narrowing the scope of their case.
U.S. District Judge Araceli Martínez-Olguín on Tuesday evening dismissed a claim accusing the Sam Altman-led firm of unfair business practices by utilizing the works of authors — including Sarah Silverman, Paul Tremblay and Ta-Nehisi Coates — without consent or compensation to power its AI system.
The writers’ primary claim for direct copyright infringement was left untouched.
In February, the court dismissed other claims for negligence, unjust enrichment and vicarious copyright infringement. It denied dismissal of the unfair competition law claim, but lawyers for the authors tweaked it after lawsuits from Silverman, Tremblay and Michael Chabon — all of whom originally brought their own class actions — were grouped together. OpenAI seized upon the changes for a second try at dismissal, which was challenged by the plaintiffs.
In the order, Martínez-Olguín not only found that the company is allowed to move to dismiss the claim but that the Copyright Act bars it. She said that the law “expressly preempts state law claims” relating to works “within the subject matter of copyright.”
The authors argued that the unfair business practice at issue was using their works to train ChatGPT without permission. But since the allegedly infringed materials are copyrighted books and plays, they cannot bring a state law claim, which the court concluded should be under the purview of copyright law….
(3) UKRAINE’S READERS. The Christian Science Monitor’s Editorial Board says “Book reading, from the war trenches to the bedrooms of children, has helped Ukrainians assert their cultural independence and mental toughness.” “Ukraine’s freedom, book by book”.
…Fighting a war for their survival has turned many Ukrainians into avid book readers, eager to find solace, freedom, wisdom, or, perhaps, empathy. They are aware of Russian forces trying to wipe out Ukrainian culture by, for example, destroying more than a hundred libraries.
In May, the country’s largest printing house, Factor Druk, was badly damaged by Russian missiles. Donors quickly pledged to restore the book publisher. President Volodymyr Zelenskyy likened the attack to events in Ray Bradbury’s 1953 dystopian novel “Fahrenheit 451,” the temperature at which book paper ignites. Since the invasion, more than one hundred books have been printed for children to help them cope with the war’s trauma. The number of bookstores has expanded significantly. From May 30 to June 2, the country’s annual book festival in Kyiv drew 35,000 visitors, up from 28,000 last year…
Fourteen people were arrested and 10 victims were recovered in a human trafficking sting during Comic-Con over the weekend, authorities said.
The operation to recover victims of sex trafficking and target sex buyers using the San Diego convention was initiated from July 25-27, according to the California Department of Justice’s San Diego Human Trafficking Task Force.
“Unfortunately, sex traffickers capitalize on large-scale events such as Comic-Con to exploit their victims for profit,” California Attorney General Rob Bonta shared in a statement. “These arrests send a clear message to potential offenders that their criminal behavior will not be tolerated. We are grateful to all our dedicated partners involved in the San Diego Human Trafficking Task Force, whose collaboration has been invaluable. We take great pride in our office’s commitment to uplifting vulnerable Californians by offering them assistance and guidance when they need it most.”
… Officials said after the nine adult potential victims and a 16-year-old juvenile were recovered, adult and juvenile support service advocates were there to provide support as needed….
(5) OF WHAT NATURE? Orion Magazine bids us “Return to Area X” with Helen Macdonald’s introduction to Acceptance: A Novel by Jeff Vandermeer.
…I came to Acceptance in a kind of hermeneutic fever, burning with questions and desperately wanting answers on the true nature of Area X, even though I knew the categories question and answer were ones Area X would laugh at. The novel opens with a scene from Annihilation: the death of the psychologist on the twelfth expedition (we learn she is the Southern Reach’s director). This time we are given the scene from her point of view, and Acceptance takes us forward in this way, switching between multiple timelines and revisiting characters we already met but only partially knew—Gloria, the psychologist/director, whose girlhood on that coastline has abiding relevance for her actions in the story; John Rodriguez, aka “Control,” a word whose multiple meanings—the exercise of power, an experimental necessity, and an institutional role—are bound up in his fate; Saul, the lighthouse keeper and former preacher, whose story is a tender and terrible tragedy; Ghost Bird, the biologist’s double, a person made by Area X and whose relationship to it is thus both complicated and transformative—and a whole panoply of other characters, some new, all made anew, rebuilt and recast. As I read, my questions about Area X became less insistent; what I wanted was to follow this cast of characters to better understand their various compasses and motivations: what pulled at them, what pushed them, what brought them to each other, and which beacons drew them, willingly or unwillingly, on their journeys, for Acceptance is, of course, a book of journeys both metaphysical and physical…
(6) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Christopher Rowe and James Chambers on Wednesday, August 14 at 7:00 p.m. Eastern. Location: KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).
CHRISTOPHER ROWE
Christopher Rowe was born in Kentucky and lives there still. Neither of these facts are likely to change. He has been a professional writer of speculative fiction since before the turn of the millennium. His stories and books have been reprinted and translated around the world, and have been finalists for every major award in the field, including the Hugo, the Nebula, the World Fantasy, and the Theodore Sturgeon awards. He is the author of one of the most well-regarded collections of recent years, Telling the Map (Small Beer Press), and of two critically acclaimed novellas, These Prisoning Hills and The Navigating Fox (Tordotcom Publishing). He likes golden retrievers, good food, and giant robots. He probably watches more professional bicycle races than you do, but who knows?
JAMES CHAMBERS
James Chambers is a Bram Stoker Award and Scribe Award-winning author. He is the author of A Bright and Beautiful Eternal World, On the Night Border and On the Hierophant Road; the novella collection, The Engines of Sacrifice, the novellas, Kolchak and the Night Stalkers: The Faceless God and Three Chords of Chaos, and the original graphic novel, Kolchak the Night Stalker: The Forgotten Lore of Edgar Allan Poe. He edited the Bram Stoker Award-nominated anthologies, Under Twin Suns: Alternate Histories of the Yellow Sign and A New York State of Fright as well as Where the Silent Ones Watch, forthcoming from Hippocampus Press.
On January 15, 1965, Damon Knight, a well-known author, critic, and co-founder of the Milford Conference writer’s workshop, sent an announcement by US Mail to every professional science fiction writer he could locate, asking for $3 from anyone who wanted more of the same. Science Fiction Writers of America (SFWA) was born.
It was not the first attempt to create an organization of American professional science fiction authors, and there were genre writer precursors. In the 1930s, The American Fiction Guild was formed to help pulp writers with their business concerns; it’s mainly remembered now because L. Ron Hubbard was president of its NY chapter. Mystery Writers of America, arguably a model for some aspects of SFWA, had been established in 1945. MWA’s membership policy was not one of those aspects, however.
Writing in the 10th-anniversary issue of the SFWA Bulletin, SFWA’s primary publication through most of its existence, Knight talks about attending a meeting of the MWA and realizing that most of the attendees were not writers: “I knew that about 70 percent of that audience was composed of hangers-on, relatives, friends, and friends of friends. And I made up my mind that if I ever did start SFWA, it would not be like that.”…
(8) SENDS GREETINGS. [Item by Krystal Rains.] Dr. Gregory Benford had a couple appointments yesterday and thought to send a photo to share, so folks knew he was doing well.
(9) YSANNE CHURCHMAN (1925-2024). English actress Ysanne Churchman died July 4 at the age of 99. The Guardian obituary recalls:
Alongside many small character roles on television, Churchman voiced Sara Brown in the puppet series Sara and Hoppity (1962) and Soo the computer in The Flipside of Dominick Hide (1980), a time-travelling Play for Today, and its sequel, Another Flip for Dominick (1982).
In Doctor Who, she mustered a squeaky falsetto voice as Alpha Centauri, a diplomat from the hermaphrodite hexapod species featured in the stories The Curse of Peladon (1972) and The Monster of Peladon (1974), with Stuart Fell wearing the costume. She returned to voice the part again in the 2017 adventure Empress of Mars.
(10) TODAY’S BIRTHDAY.
[Written by Lis Carey.]
July 31, 1950 – Steve Miller. (Died 2024.)
By Lis Carey: Steve Miller was one half of the writing team of Sharon Lee & Steve Miller, who created the thoroughly satisfying and fun Liaden Universe® series.
Steve was an active member of fandom, along with being a writer. Some of his notable fan activities included being Director of Information of the Baltimore Science Fiction Society, and serving as Vice Chair of the bid committee to hold the 38th World Science Fiction Convention in Baltimore. (They lost to Boston.)
Meanwhile, Steve was working on his writing skills. He attended the Clarion West Writers Workshop in 1973, wrote for fanzines and sold stories to semi-professional markets. He made his first professional sale, a short story called “Charioteer,” to Amazing Stories, for the May 1978 issue.
Steve Miller and Sharon Lee. Photo at Legacy.com
Steve and another science fiction writer just at the beginning of her career, Sharon Lee, married in 1980. Sharon has mentioned that they started collaborating very early, and the big thing that came out of that was the Liaden Universe®. Loosely speaking, it’s space opera, but individual novels and recurring themes include political intrigue, adventure, coming of age, first contact, and romance. The current count of Liaden novels stands at 26, and there are also dozens of short works in the series, many of which have been gathered together, for your convenience, in the Liaden Constellation collections, of which there are now five.
Steve himself was a lively, fun, friendly guy, and the Liaden stories are lively and fun, too. He and Sharon were regulars at Boskone for quite a few years, and very welcome. Sadly, Steve died at home on February 20, 2024, at home in Waterville, Maine.
Sharon Lee is working on the next Liaden book. She makes no guarantees on how long she will continue writing the series but will continue to credit Steve as co-author on any new Liaden works she writes. She’s adamant that Liaden would not exist without both her and Steve, and that he is still an integral part of continuing to tell stories in that setting. Because of that, new Liaden stories will continue to bear both names.
(12) GET READY FOR DC CASH. The U.S. Treasury tells comics fans about “A New Coin & Medal Series Coming In 2025”. The webpage includes a survey asking the public to score which superheroes they want to show them the money.
We’ve joined forces with DC—celebrating comic book art as a uniquely American artform. This new series promises to surprise and delight comic aficionados and coin collectors alike!
Superman, Batman, and Wonder Woman launch the series in 2025, but who will join them?
This is where we need YOU! Help us choose six more DC Super Heroes—three each for 2026 and 2027.
Take the super quick survey below and vote for the DC Super Hero you want included in this epic collection!
…The new series will feature nine iconic superheroes depicted on 24-karat gold coins, .999 fine silver medals, and non-precious metal (clad) medals. Debuting in summer 2025 with Superman, Batman, and Wonder Woman, the three-year series will include six additional DC characters—three each in 2026 and 2027.
Beginning on July 10 and continuing through August 11, 2024, the Mint invites the public to vote for the DC Super Heroes they would like to see included in this series. Public participation ensures that this multi-year series represents the most beloved of DC’s Super Heroes. The public may vote in this survey by visiting: www.usmint.gov/dc.
While the show will be embarking on its fifth and final animated series mission this fall, the misadventures of the U.S.S. Cerritos B-crew will continue in a new Star Trek: Lower Decks comic book! Announced at San Diego Comic-Con, IDW Publishing has unveiled a first look at the ongoing series inspired by the hit Paramount+ adult animated comedy.
Writer Ryan North and artist Derek Charm, the Eisner-nominated duo behind Star Trek: Day of Blood – Shaxs’ Best Day, reunite to kick-off this next chapter of Starfleet history, featuring the lovably flawed characters from the show.
… “Just when you thought we couldn’t go lower… we’re back with the first ever ongoing Lower Decks series,” said IDW Group Editor Heather Antos….
Sigourney Weaver will make her West End stage debut as storm-creating sorcerer Prospero in The Tempest and Tom Hiddleston and Hayley Atwell will play sparring lovers Benedick and Beatrice in Much Ado About Nothing when director Jamie Lloyd returns Shakespeare early this winter to the historic Theatre Royal Drury Lane, a landmark venue in Covent Garden owned by Andrew Lloyd Webber.
Weaver, star of Ridley Scott’s Alien movies and James Cameron’s Avatar epics, last starred in one of Will’s plays when she played Portia in a 1986 off-Broadway revival of The Merchant of Venice.
“Squid Game” Season 2 finally has a premiere date at Netflix, with the streamer also announcing that the hit Korean drama has been renewed for a third and final season.
Season 2 will drop on Dec. 26, while the third season will premiere in 2025. The premiere date and final season announcement were made via a video, which can be viewed below.
In addition, series creator, director, and executive producer Hwang Dong-hyuk posted a letter to fans in which he wrote in part, “I am thrilled to see the seed that was planted in creating a new Squid Game grow and bear fruit through the end of this story.”
… The official description for Season 2 states:
“Three years after winning Squid Game, Player 456 remains determined to find the people behind the game and put an end to their vicious sport. Using this fortune to fund his search, Gi-hun starts with the most obvious of places: look for the man in a sharp suit playing ddakji in the subway. But when his efforts finally yield results, the path toward taking down the organization proves to be deadlier than he imagined: to end the game, he needs to re-enter it.”…
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Lis Carey, Steven Paul Leiva, Krystal Rains, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) IS IT WORTH THE BILLABLE HOURS? Courtney Milan has written a long thread on X.com sharing her skepticism about the lawsuit by Lynne Freeman against Tracy Wolff (the author of the Crave series, a popular YA vampire series), Entangled Publishing and other defendants, a suit which covered here the other day in Pixel Scroll 6/26/24 item #3. Thread starts here. Here are several excerpts.
You’ve chosen a publishing service, engaged a marketing company, entered a writing contest, hired an editor, inked a representation agreement, or contracted with a publisher, hybrid or traditional.
You’re aware that there are no guarantees: your book won’t necessarily become a bestseller. Your story may not win the contest prize. Your agent may not find a home for your manuscript. But your expectation is that the person or company will keep their promises, adhere to timelines, deliver acceptable quality, and generally honor whatever contract or agreement you both have signed.
What if they don’t, though? What if, after paying out a lot of money and/or waiting in vain for a service to be completed and/or receiving a product too shoddy to use, you realize you’ve been conned? What are your options? What can you do?…
Strauss first considers “Getting Your Money Back”.
Scammers generally don’t do refunds (never mind the money-back guarantees that many promise). You can certainly ask: it’s a reasonable starting point. Just be prepared to be refused, or promised a refund that somehow never arrives.
A more direct method, if you paid with a credit or debit card or via PayPal, is to dispute the charges. This doesn’t always succeed: if some degree of service was delivered, even incomplete and/or of poor quality, the decision may go against you. However, I’ve heard from many writers who’ve been able to get some or all of their money back this way.
You do need to be prompt. There’s a limited window to file disputes–which rules out situations where the scam only becomes apparent over a longer period of time (although, from personal experience, credit card companies will sometimes honor disputes beyond their deadlines if you can make a strong enough case)…
(3) IA APPEAL HEARD IN PUBLISHER’S SUIT. [Item by Mike Kennedy.] The Internet Archive is appealing the judgment of a lawsuit from publishers that recently forced IA to remove hundreds of thousands of books from their online library. The appeals court panel did not rule from the bench and listened to arguments for significantly longer than originally scheduled. Lawyers for IA have said they believe this is a good sign for the archive. “Appeals court seems lost on how Internet Archive harms publishers” at Ars Technica.
… “There is no deadline for them to make a decision,” Gratz said, but it “probably won’t happen until early fall” at the earliest. After that, whichever side loses will have an opportunity to appeal the case, which has already stretched on for four years, to the Supreme Court. Since neither side seems prepared to back down, the Supreme Court eventually weighing in seems inevitable…
(5) MEDICAL UPDATE. Sharon Lee was visiting family when she collapsed: “Life Going On”.
I was scheduled to spend some time with family this week — and in fact did spend some time with family this week, just not as much and not in the way we all would have preferred to see the thing done….
…Once we made base, vacation things — TV, games, talk — commenced. It was while we were all standing around the kitchen, shooting bulls, as one does, when, in the middle of Making a Point, I — folded up. The next few minutes were exciting for everybody but me. From my perspective, one second I was talking, the next, I was looking at the floor tiles and asking, “What happened?”
That was when things got exciting for me. My prize for beeping out in the middle of a sentence was a ride in the ambulance to the island hospital, an overnight in ER, many tests, including CAT scan, MRI, blood tests, cognitive and physical/balance tests. When I was admitted to ER, the Operating Theory was that I had suffered a posterior stroke. By the time I was returned to the wild, on Tuesday afternoon, the thinking was divided between soft “stroke” and hard “stress.”
I also won both the coveted “no driving” and “no alcohol” awards which are mine at least until I can see my regular doctor, on July 9….
Description: Celebrating the life and works of Steve Miller, coauthor of the Liaden Universe® series, with a collection of excerpts from past BFRH episodes; and Tinker by Wen Spencer, Part 58
For the audio-only podcast click here. For the video podcast click here.
(7) TODAY’S BIRTHDAYS.
[Written by Paul Weimer.]
Born March 1, 1952 — Steven Barnes, 72.
By Paul Weimer. While Barnes often gets tied to his very talented wife Tananarive Due, he is a first class talent in his own right. I first came across his work, first with the Dream Park works he co-wrote with Larry Niven. Dream Park really deserves a post of its own in appreciation, and before (IMHO) it went south around book three, the idea of a LARPING RPG park was amazing and a “Why didn’t anyone think of this?” sort of idea. Barnes, with Niven, correctly predicted, back in the early 1980’s, just how popular RPGs and D&D would become and the Dream Park novels definitely ride that wave.
Steven Barnes
I followed Barnes into other collaborations…the Heorot series, Achilles Choice…but the novels that for me define Barnes and his work are Lion’s Blood and Zulu’s Heart. These novels, together are two of the finest examples of alternate history written. The turning point is never really said inside of the text itself (Barnes avoids the Turtledove technique of having characters think about alternate history). But the idea that the Global South turns out to come out on top in ancient history and then to the present means that we have Black Muslim estates across North America, and the backward island of Ireland is just good for slave raids for useful white men and women not suited for anything else.
While the novels are ostensibly about Aidan, a young Irish boy who winds up a slave in the household of Kai, a rich and powerful young scion of a noble house, the novels eventually put Kai and his story front and center. The novelsl provide a rich and unflinching look at a “19th century” where the Middle Passage is taking white slaves across the ocean (many dying on the voyage), where powerful aristocratic families squabble and scheme for political power. And oh yes, there is a looming war with the Aztecs. They remain today some of the best alternate history novels I’ve ever read.
Born June 28, 1946 — Robert Asprin. (Died 2008.)
By Paul Weimer. I started off with Robert Asprin, among other authors with the Thieves World anthologies. The 1980’s was a high water mark for shared world anthologies, sometimes more than a dozen authors contributing stories to the shared world. And while George R R Martin’s Wild Cards continues to this day, the second most successful of these shared worlds was Robert Asprin’s Thieves World. Set in the city of Sanctuary, an edge of the empire city under very uneasy rule, I came across Thieves World first as a RPG supplement for D&D, and then the actual books themselves. Asprin did a lot of the worldbuilding and scene setting in the anthology, and created The Vulgar Unicorn, the one true bar of which all fantasy bars are but shadows.
Eventually the series petered out, had side novels set far away from the city of Sanctuary, but Asprin’s initial idea helped color what a fantasy city, especially for roleplaying games, in a way only matched, I think, by Lankhmar. Lots of fantasy cities in SFF since clearly show inspiration, or acknowledge it as an inspiration. And why not? An edge of the empire city with a spare prince sent to rule it, a resentful native population, myth and magic around every street corner? What fantasy reader wouldn’t want to spend time there?
Bob Asprin in 1993. Photo by Sharon72015
I followed Asprin to other series of his, particularly the Myth series. The Myth series, featuring a callow untrained wizard and a demon who has lost his magic, was multiverse before Multiverse was cool, as Skeeve and Aahz have adventures across a number of worlds and dimensions. And the cover art by Phil Foglio (whose work I was enjoying in Dragon magazine) definitely was a selling point for me to pick them up and give them a try.
There are many clever bits within the series. For example, what are Demons, after all, but Dimensional Travelers? Deva, the dimension which is just a bazaar for making deals, is the home of Devils. The broad puns and humor of Asprin’s MYTH series would be the standard by which I would benchmark humor in SFF until I later encountered the likes of Douglas Adams and Terry Pratchett. And yet, even given that, The Bazaar on Deva remains the standard for me for interdimensional bazaars. I can see how the Bazaar definitely influenced places in fantasy fiction like, for example, Sigil, the City of Doors.
It would be a mythstake not to celebrate his birthday today.
A long-in-the-works musical about Betty Boop, a curvy flapper first featured in animated films of the 1930s, will open on Broadway next spring following a run in Chicago last year.
“BOOP! The Betty Boop Musical” has some thematic echoes of last year’s “Barbie” movie, although it was in the works before that film came along. The stage production imagines that Boop leaves her early-20th-century film life to travel to present-day New York, where musical comedy ensues. (Her first stop: Comic-Con.)…
…We ran into our podcast guest Jonathan Letham at the bar. He is a bestselling author, and very respected. I just finished reading his novel The Feral Detective. I realize many at the fest were a little star-struck meeting Letham. I told one of those star-struck not to be as he clearly is one of us. He sat in all the workshops listening and adapting his keynote speech, something I was impressed with. When we shook hands he said he was a listener to our podcast, I thought he was just being nice, but as we talked he mentioned something we talked about on a four-year episode of DHP about Vulcan’s Hammer. So the man is Legit….
Two NASA astronauts were preparing to exit the International Space Station (ISS) for a second attempt at a spacewalk, but it was once again called off due to a concerning malfunction with the spacesuit.
NASA was forced to cancel a spacewalk on Monday due to a water leak in the service and cooling umbilical unit on astronaut Tracy Dyson’s spacesuit. “There’s water everywhere,” Dyson could be heard saying during the live feed from the ISS, pointing to an alarming malfunction with the space station’s aging suits that put other astronauts at risk in the past. NASA is in desperate need of new spacesuits for its astronauts, but in a troubling development, the company contracted to design the suits has just pulled out of the agreement….
The detection of gravitational waves has provided new ways to explore the laws of nature and the history of the Universe, including clues about the life story of black holes and the large stars they originated from. For many physicists, the birth of gravitational-wave science was a rare bright spot in the past decade, says Chiara Caprini, a theoretical physicist at the University of Geneva in Switzerland. Other promising fields of exploration have disappointed: dark-matter searches have kept coming up empty handed; the Large Hadron Collider near Geneva has found nothing beyond the Higgs boson; and even some promising hints of new physics seem to be fading. “In this rather flat landscape, the arrival of gravitational waves was a breath of fresh air,” says Caprini.
That rare bright spot looks set to become brighter….
…Welcome to Gotham City, where the corrupt outnumber the good, criminals run rampant and law-abiding citizens live in a constant state of fear. Forged in the fire of tragedy, wealthy socialite Bruce Wayne becomes something both more and less than human — the Batman. His one-man crusade attracts unexpected allies within the GCPD and City Hall, but his heroic actions spawn deadly, unforeseen ramifications.
The series is a reimagining of the Batman mythology through the visionary lens of executive producers J.J. Abrams, Matt Reeves and Bruce Timm….
[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) GLASGOW 2024 TOWN HALL ABOUT BUSINESS MEETING ON 6/15. Glasgow 2024 will host a virtual Town Hall Event about the WSFS Business Meeting on Saturday, June 15, at 7:00 p.m. BST (which is 11:00 a.m. Pacific). Sign up for a free ticket at this Eventbrite link.
Key members of the Business Meeting and The World Science Fiction Society (WSFS) team from Glasgow 2024 will discuss the Business Meeting that will occur at Glasgow 2024.
The event will be moderated, taking questions in advance. If you wish to submit a question for consideration, please do so below. There may not be enough time to cover all questions, but we will do our best to get to as many as we can. https://forms.gle/goRw9ZGspQ4YE3mA9
(3) CREDIT FOR HELPING SAVE TREK. Bjo Trimble’s daughter Lora reports on Facebook she “again went to the Peabody awards last night to watch Star Trek be honored with the Peabody Institutional Award. What Bjo didn’t know was Alex Kurtzman paid tribute to her and My father John Trimble and all the work they did to save Star Trek and keep it going! It was a lovely evening.” More photos at the link.
Bjo Trimble attends the 2024 Peabody Awards at Beverly Wilshire on June 9. Photo by Jon Kopaloff.
Below you can see J. J. Abrams and Alex Kurtzman accepting Star Trek’s Peabody Award, including Kurtzman’s mention of Bjo.
Set phasers to stunned. In another casting coup, the upcoming Paramount+ series “Star Trek: Starfleet Academy” has cast Emmy winner and multiple Oscar nominee Paul Giamatti in a recurring guest role as the first season’s main villain, who has a sinister connection to the past of one of the (yet to be cast) cadets.
“Sometimes you’re lucky enough to discover that one of the greatest actors alive is also a huge ‘Star Trek’ fan, and meeting Paul was one of those miraculous moments for us,” said co-showrunners Alex Kurtzman and Noga Landau in a statement. “The sheer delight with which he dove in on ‘Starfleet Academy’ is only surpassed by the gratitude we feel about him joining our incredible cast.”…
According to Russell T Davies, the ratings for Doctor Who are “far above expectations.”
While he admits that the figures “aren’t where we want them. We always want higher”, an independent BBC review has revealed that it is the most watched show for under 30s in the world.
The series has “reached and exceeded every target, so we are showing no signs of slowing down.”
…One of the most captivating pieces of entertainment I’ve seen so far this year is a four-hour-long YouTube video in which one woman describes her stay at a Disney World hotel. I’m as shocked by this as anyone.
To be clear: I was initially resistant when my partner encouraged me to watch Jenny Nicholson’s epic “The Spectacular Failure of the Star Wars Hotel,” which breaks down in microscopic detail her visit to Disney’s Star Wars: Galactic Starcruiser. During the experience, now closed, guests on vacation were encouraged to live out their George Lucas dreams by participating in a role-playing game while staying in a structure on the outskirts of the park near Orlando, Fla.
Nicholson’s monologue, which runs longer than “Lawrence of Arabia,” has been viewed more than seven million times since it was uploaded last month and has been the talk of social media, yet I was still unprepared for how absolutely riveting it was. While it highlights a litany of problems with the hotel itself, the video can also be viewed as a diagnosis of the entertainment industry’s current ills writ large. In her frustration, Nicholson becomes a valiant truth teller, clearly articulating how corporate greed betrays loyal fans to sell a cheaper and less emotionally enriching product. And she does this against a backdrop of stuffed animals and while wearing various costumes, including, at one point, a giant suit resembling a Porg, the puffin-like creature in “The Last Jedi.”…
…The great irony is that Nicholson herself produced what Disney couldn’t: a comprehensive, entrancing experience that held my attention.
(7) PLEASE DON’T FEED THE BOTS. Clarkesworld’s Neil Clarke has updated his blog post “Block the Bots that Feed ‘AI’ Models by Scraping Your Website” to warn about another offender: “If you haven’t updated your robots.txt to protect your work from scraping for ‘AI’ training recently, there’s probably a few bots you aren’t blocking. Added Applebot-Extended this morning.”
Applebot-Extended does not directly crawl webpages. It is used to determine whether or not pages crawled by the Applebot user agent will be used to train Apple’s models powering generative AI features across Apple products, including Apple Intelligence, Services, and Developer Tools….
(8) ANOTHER SCURRILOUS TACTIC. [Item by Jennifer Hawthorne.] I was listening to a favorite law podcast of mine, Law and Chaos, (“PA Dad Takes On Moms For Liberty”) and they were interviewing a Pennsylvania father who discovered books were quietly going missing from his kid’s local school library and decided to figure out why. Turns out it was a “shadowban” campaign against books that Moms for Liberty hates and included such lovely behavior as the school creating fake student library accounts, checking out the books to those accounts for an entire year, and then adding the books to the list of items to be removed from the library on the grounds that they weren’t being checked out (!). It’s a fascinating story about just how far Culture Warriors will go to ban books! The titles secretly removed included the entire “A Court of Thorns and Roses” (ACOTAR) fantasy series, which, while not my cup of tea where fantasy is concerned, are very popular with teenage girls who deserve to have the right to check out the books if they want.
…Frustrated by the lack of answers, I submitted a Right-To-Know request seeking a report that listed the books checked out of the high school library by non-students. To my surprise, the report furnished by the district was discernibly inaccurate. It did not contain any of the targeted titles that had recently gone missing.
I hired an open records attorney, Joy Ramsingh, to negotiate with the district’s law firm, Eckert Seamans. I was simply requesting the production of a good faith public record. My goal was to learn which books were being censored.
I wanted to give the community a fair opportunity to read, defend, and debate the merit of literature before it was permanently removed from the library. My lawyer sought to reach a quick and amicable resolution, but the negotiations were unsuccessful. We appealed to the Court of Common Pleas.
After a year of litigation, my attorney was able to prove that the RTK report furnished by the district was illegally manipulated. Faced with overwhelming evidence, the district eventually conceded that an employee had deleted records from the report. It was a clear attempt to hide the removal of books from public scrutiny….
(9) MEDICAL UPDATE. Adam-Troy Castro, in a public Facebook post, has announced he is battling cancer again – but it should be survivable. Full details at the link.
…They remove this and give me another round of chemo and it is pretty survivable. Which is a lot different than this would be if the Colon Cancer had metastasized in any other organ. Anywhere else would have been a case of, “okay, we’re bailing water to keep the boat afloat until it sinks.”
On the scale of having Stage 4 any kind of Cancer, this kind of cancer is not as bad as most. Okay? It’s survivable.
Does this suck?
Yes.
Does it suck a lot less than it could suck if it has to suck?
Yes….
(10) WHAT THE SCROLL SHOULD HAVE ADDED ABOUT H. BRUCE FRANKLIN. [Item by Daniel Dern.] Pixel Scroll 5-23-24 item #9’s mini-obit of H. Bruce Franklin, while acknowledging him as “author of numerous books, essays, and exhibitions related to science fiction.” fails to cite what (to me at least) are the obvious suspects (titles) Future Perfect (an antho that I read decades ago; my memory burped the title up instantly when I saw the NYTimes obit a few weeks ago) and it looks like he also wrote a book about Heinlein, Robert A. Heinlein: America as Science Fiction, and, along with political/historical non-fiction, this one of interest no doubt to SJW credentials: The Most Important Fish in the Sea: Menhaden and America.
(11) WORKING THROUGH LOSS. Sharon Lee writes about her experiences while grieving the death of her husband, Steve Miller, in “While one lives, both stand”. Here are the opening paragraphs.
Grief puts funny ideas into your head.
For instance, for awhile back in March, I was convinced that Steve had left me — walked out of our partnership and left no forwarding address. I couldn’t imagine why, and spent way too much time minutely reviewing our past, looking for my error.
Then I became convinced that we had gotten done at this house, and were moving on. As has been the case in previous moves, Steve had gone on ahead, leaving me to clean up these last few things before I joined him. This delusion is particularly pernicious because for those of us who speak Metaphor, it’s true. Only it’s not.
Anyhow, it’s been my goal for some while now to find or create for myself a place of gratitude for having been privileged to share so much time, love, and magic; for having had Steve in my life. While it’s certainly a very lonely, hard, and scary thing to no longer have him for back-up, for taking the lead, for producing surprising — and occasionally infuriating — insights — surely unrelenting misery was not the best lesson I could take from our life together.
So, I started looking for ways to achieve, at first, equilibrium. I didn’t expect to leap from misery to gratitude. I expected there to be a process, and backsliding, and all the things that attend the pursuit of any mighty goal.
Steve and I not only shared our mundane lives, but we shared an active and beguiling fantasy life. The worlds we built, the people who live there, the lessons, the philosophies — those also fed the richness of our partnership and informed our mundane lives…
(12) DOUG LEWIS (1955-2024). Thomas Kellogg, in a Centipede Press newsletter, paid tribute to bookseller and publisher Doug Lews, who died May 20.
Doug Lewis who with his wife Tomi, owned and operated the Little Bookshop of Horror/Roadkill Press in Arvada, Colorado and won a World Fantasy Award in the Nonprofessional category in the 1990s, died on May 20, 2024 of complications of diabetes.
Doug started their bookstore when he was unable to find a copy of Joe Lansdale’s The Night Runners to purchase locally. The Lewis’ store primarily featured horror, fantasy, science fiction and crime fiction. Soon they were sponsoring readings by Joe R. Lansdale, along with Edward Bryant, Harlan Ellison, Dan Simmons, Connie Willis, Nancy Collins, Norm Partridge, Steve Rasnic Tem, Melanie Tem and many others.
The Night Voices series of readings spawned a long friendship between Doug, Tomi and Ed Bryant. Ed was in many ways their mentor. Ed was the MC for the readings and his introductions were memorable by themselves. The readings spawned a publishing venture Roadkill Press. The initial idea was to publish chapbooks of the writers featured in readings. At that time chapbooks were a rarity. The concept was a quality item using high quality paper, with illustrations, signed by the writers that were incredibly affordable. The line of chapbooks was a big success. A collectible that was affordable was unusual in a time dominated by costly limited editions.
…It all came to a crashing end when Tomi became ill and was diagnosed with cancer. Although she fought bravely, she was gone in less than eight months. A farewell auto tour across the county to see all their friends was thwarted by the ravages of the chemotherapy. Doug was crushed by Tomi’s passing. Nothing mattered anymore. Tomi was the extrovert of the pair. With her gone, Doug fell into an abyss of despair that would last the rest of his life.
Adrift in that despair, his physical health deteriorated. He became a type 1 diabetic almost overnight. I remember at the time he told me that he wasn’t going to let diabetes run his life. Caring about nothing, he failed to take care of himself. The disease ultimately destroyed life.
My 30 year plus friendship with Doug spanned both his highs and his lows of his life. It as a tragedy that he couldn’t overcome the loss of Tomi. As with us all, he had his demons. Many friends reached out multiple times in the years after Tomi’s passing, only to be rebuffed or ignored. I like to think he avoid responding because it only deepened his sense of loss….
(13) TODAY’S BIRTHDAY.
[Compiled by Paul Weimer.]
Born June 11, 1971 — P. Djeli Clark, 53.
By Paul Weimer. By day, he is a historian of slavery in history and popular culture. By night. P. Djèlí Clark is a ferocious new talent in science fiction and fantasy. It took me a bit to come across his work, a friend of mine practically pushed his novella, The Haunting of Tram Car 015 into my hands, telling me that this was going to be my jam. And an alternate historical late 19th century Egypt with magic, becoming a world power? Djinn, magic, spirits and a strong sense of place in this alternate Cairo? It most certainly was, and is.
P. Djèlí Clark
His A Master of Djinn continues in that same world as the novella, and builds and extends and grows that world in a very satisfactory manner. Like the first novella, it builds and works with themes of colonialism, race and gender relations, and magical worldbuilding in exploring the consequences of “The magic returns” and making Egypt a powerhouse. I would so love to physically visit this alternate Cairo and photograph its wonders, but for the moment, can only hope for more books set in this world.
I have not yet read the copy of Ring Shout on my Kindle although, given his day job, it is probably the work of his thus far that is closest to his day job and his academic research interests. I am confident that it will be excellent, but it remains buried in Mount TBR. For now.
However, as part of my Hugo Reading for 2024, I read and enjoyed “How to Raise a Kraken in Your Bathtub”. It’s a clever little story that takes its worldbuilding as a matter of fact sort of approach to add Krakens, and merpeople, to a 19th century Britain not really equipped or ready to deal with the consequences of racism and colonialism and sexism.
As of the writing of this, I have started reading an ARC of his forthcoming work, The Dead Cat Tail Assassins. This story, unlike his others, is firmly set in a secondary world, and reminds me, as of this moment, of the secondary world fantasy of N K Jemisin, in particular the Dreamblood novels. The setting is an entrepot city, and indeed, the main character is one of the titular Dead Cat Tail Assassins. Shenanigans have already ensued. It’s a new and different mode for Clark, and I look forward to seeing how he continues with it.
…But for the most ideal Indy results, perhaps it’s still best if the entire adventure happens in the 1930s or 1940s, with Dr. Jones looking and sounding like he’s in between the events of the first three movies. And with the release of a new trailer for the upcoming Bethesda game Indiana Jones and the Great Circle, it seems the franchise is getting back to its roots in an unexpected medium.
Set in 1937, The Great Circle takes place right in between Raiders of the Lost Ark and The Last Crusade and pairs Indy with a new character named Gina Lombardi. As revealed in the new trailer, the primary mystery in this story is centered on various spiritual sites of great importance — from the Vatican to the Great Pyramids — that form a kind of invisible circle. A madman named Voss is after this power, and it’s up to Gina and Indy to stop him while they race to unlock the secrets of the circle.
Indy is voiced by Troy Baker, but you can barely tell this isn’t Harrison Ford uttering the lines. The mystical and religious overtones of the story also feel very aligned with the tone of The Last Crusade. In other words, this feels authentically Indy in a way that aspects of Dial of Destiny and Kingdom of the Crystal Skull didn’t.
Director Kenji Kamiyana said he was inspired by not just J.R.R. Tolkien’s “The Hobbit” and “The Lord of the Rings” books, but by the films of Peter Jackson and Fran Walsh, who were confirmed as exec producers of the movie during the session.
The new story is set nearly 200 years before Bilbo Baggins comes into contact with the ring of power, and centers on the House of Helm Hammerhand, the King of Rohan (voiced by Brian Cox), with a focus on his daughter, the strong willed Princess Héra (voiced by Gaia Wise). In the clip, a dispute erupts during a council meeting, leaving Wulf, a ruthless Dunlending lord, seeking vengeance. Miranda Otto reprises her “Lord of the Rings” role as Éowyn, this time as the movie’s narrator….
The Boys will have their final fight in the near future.
Eric Kripke, the showrunner of Prime Video‘s super(anti)hero series, said on social media Tuesday that the show’s fifth season — which the streamer ordered in May — will be its last.
“Season 4 premiere week is a good time to announce: Season 5 will be the final season!” Kripke wrote on X. “Always my plan, I just had to be cagey till I got the final OK from Vought. Thrilled to bring the story to a gory, epic, moist climax.”…
Apple and OpenAI’s partnership is only a few hours old, and Elon Musk is already going to war over it. The owner of Tesla, X, SpaceX, and xAI said he would ban Apple devices at his companies if Apple integrated ChatGPT at the operating system level, which the companies are very much planning to do. Musk, a founder of OpenAI who is now suing the present owners, said ChatGPT integrated iPhones present an “unacceptable security violation.”
“If Apple integrates OpenAI at the OS level, then Apple devices will be banned at my companies,” said Musk in a tweet on Monday. “And visitors will have to check their Apple devices at the door, where they will be stored in a Faraday cage,” said Musk in a follow-up tweet…
‘Politics is too serious a matter to be left to the politicians’, so the saying goes.
This may be why a businessman in the south of England is proposing a novel solution: putting himself forward as a candidate in the UK general election as the first “AI MP”.
AI Steve is a nominee on the list of candidates for the 4 July general election in Brighton Pavilion, last held by the Green party’s Caroline Lucas, who is stepping down.
The man behind AI Steve is Steve Endacott, a self-described entrepreneur who lives in Rochdale, but “maintains a house in Brighton”.
Endacott, who is the chair of an artificial intelligence company called Neural Voice but “made his fortune” in the travel sector, claims he will attend parliament to vote on policies as guided by AI Steve’s feedback from his constituents.
He claims the AI representative would answer constituents’ concerns and questions using a rendition of Endacott’s voice and an avatar.’…
Astronomers have captured what appears to be a snapshot of a massive collision of giant asteroids in Beta Pictoris, a neighboring star system known for its early age and tumultuous planet-forming activity.
The observations spotlight the volatile processes that shape star systems like our own, offering a unique glimpse into the primordial stages of planetary formation.
“Beta Pictoris is at an age when planet formation in the terrestrial planet zone is still ongoing through giant asteroid collisions, so what we could be seeing here is basically how rocky planets and other bodies are forming in real time,” said Christine Chen, a Johns Hopkins University astronomer who led the research.
The insights will be presented today at the 244th Meeting of the American Astronomical Society in Madison, Wisconsin.
Chen’s team spotted significant changes in the energy signatures emitted by dust grains around Beta Pictoris by comparing new data from the James Webb Space Telescope with observations by the Spitzer Space Telescope from 2004 and 2005. With Webb’s detailed measurements, the team tracked the dust particles’ composition and size in the exact area previously analyzed by Spitzer.
Focusing on heat emitted by crystalline silicates—minerals commonly found around young stars as well as on Earth and other celestial bodies—the scientists found no traces of the particles previously seen in 2004–05. This suggests a cataclysmic collision occurred among asteroids and other objects about 20 years ago, pulverizing the bodies into fine dust particles smaller than pollen or powdered sugar, Chen said.
The Hong Kong Ballet is celebrating its 45th anniversary with a groundbreaking campaign in collaboration with Design Army and Dean Alexander Productions. The production brings the ethereal beauty of ballet to the masses, transforming it from a symbol of privilege to a universal cultural experience. This inventive campaign, inspired by Degas’ ballerina portraits, the Renaissance, and artistic hip-hop, redefines ballet in a uniquely Hong Kong context. From the witty “Tutu Academy” to sci-fi extraterrestrial scenes, the film captures the essence of dance as a universal language, connecting everyone, even aliens, to its unearthly magic. With vibrant settings ranging from university halls to iconic plazas, the campaign showcases the troupe’s artistry against the backdrop of Hong Kong’s cultural landmarks, making ballet accessible, relatable, and joyfully unconventional….
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) COMPLAINTS AS FANIMECON DROPS MASKING REQUIREMENT AT LAST MINUTE. [Item by Janice Gelb.] FanimeCon in San Jose made the following announcement on May 12, 12 days before the con starts, and is refusing to provide refunds to people who now don’t feel they can attend safely (not to mention travel arrangement costs and the hotel’s cancellation policy now requires them to pay for one night). “FanimeCon | Masking Policy Change”.
FanimeCon is changing our masking policy from ‘required’ to ‘strongly recommended’ due to feedback from our attendees, staff, and local health partners. Some events may require mandatory masking due space issues and bigger crowds.
Despite being largely positive, Mr. Tyler’s piece contains a sentence which has . . . horrified, concerned, and angered some Liaden readers and fans, and thus I find letters in my mailbox. This blog post is a blanket reply to those letters, and statements of concern.
Mr. Tyler states: “Sadly, Liaden co-author Steve Miller died suddenly on February 20, 2024. He was 73. It’s unclear if Sharon will continue writing the series without him. As a fan of the series, I hope not.” (bolding is mine)
Now, whether this is opinion or corrigendum, I can’t tell you. I am not the author of the piece. In general, it’s wise to assume that what the author wrote is what the author meant, and Mr. Tyler is, as we all are, entitled to his opinion.
What I can say is this: There are three Liaden Universe® novels now under contract with Baen Books. I am currently lead on one of those, the sequel to Ribbon Dance. In addition, before Steve’s death and the attendant dis- and re-organizations engendered by that cataclysm, I was making notes for the sequel to the sequel. Steve was lead on Trade Lanes, which had become increasingly difficult for him as his heart slowly failed him. I may or may not be able, eventually, to finish Trade Lanes. If not, another Liaden book will fill the third slot.
So, for the moment, Mr. Tyler must reside in disappointment. Sharon will be continuing the series, but, not, as he supposes, “without” Steve….
In April, Heritage Auctions heralded the discovery of the original model of the U.S.S. Enterprise, the iconic starship that whooshed through the stars in the opening credits of the 1960s TV series “Star Trek” but had mysteriously disappeared around 45 years ago.
The auction house, known for its dazzling sales of movie and television props and memorabilia, announced that it was returning the 33-inch model to Eugene “Rod” Roddenberry Jr., son of series creator Gene Roddenberry. The model was kept at Heritage’s Beverly Hills office for “safekeeping,” the house proclaimed in a statement, shortly after an individual discovered it and brought it to Heritage for authentication.
“After a long journey, she’s home,” Roddenberry’s son posted on X, (formerly Twitter).
But the journey has been far from smooth. The starship model and its celebrated return is now the subject of a lawsuit alleging fraud, negligence and deceptive trade practice, highlighting the enduring value of memorabilia from the iconic sci-fi TV series.
The case was brought by Dustin Riach and Jason Rivas, longtime friends and self-described storage unit entrepreneurs who discovered the model among a stash of items they bought “sight unseen” from a lien sale at a storage locker in Van Nuys last October.
“It’s an unfortunate misunderstanding. We have a seller on one side and a buyer on the other side and Heritage is in the middle, and we are aligning the parties on both sides to get the transaction complete,” said Armen Vartian, an attorney representing the Dallas-based auction house, adding that the allegations against his client were “unfounded.”
The pair claimed that once the model was authenticated and given a value of $800,000, they agreed to consign it to an auction sale with Heritage planned for July 2024, according to the lawsuit. However, following their agreement, they allege the auction house falsely questioned their title to the model and then convinced them, instead of taking it to auction, to sell it for a low-ball $500,000 to Roddenberry Entertainment Inc. According to the suit, Eugene Roddenberry, the company’s CEO, had shown great interest in the model and could potentially provide a pipeline of memorabilia to the auction house in the future.
“They think we have a disagreement with Roddenberry,” said Dale Washington, Riach and Rivas’ attorney. “We don’t. We think they violated property law in the discharge of their fiduciary duties.”
The two men allege they have yet to receive the $500,000 payment.
For years, Riach and Rivas have made a living buying repossessed storage lockers and selling the contents online, at auction and at flea markets. In fact, Riach has appeared on the reality TV series “Storage Wars.”
“It’s a roll of dice in the dark,” Riach said of his profession bidding on storage lockers. “Sometimes you are buying a picture of a unit. When a unit goes to lien, what you see is what you get and the rest is a surprise. At a live auction you can shine a flashlight, smell and look inside to get a gauge. But online is a gamble, it’s only as good as the photo.”
Last fall, Riach said he saw a picture of a large locker in an online sale. It was 10 feet by 30 feet, and “I saw boxes hiding in the back, it was dirty, dusty, there were cobwebs and what looked like a bunch of broken furniture,” he said.
Something about it, he said, “looked interesting,” and he called Rivas and told him they should bid on it. Riach declined to say how much they paid.
There were tins of old photographs and negatives of nitrate film reels from the 1800s and 1900s. When Rivas unwrapped a trash bag that was sitting on top of furniture, he pulled out a model of a spaceship. The business card of its maker, Richard C. Datin, was affixed to the bottom of the base.
A Google search turned up that Datin had made “Star Trek” models, although the two men didn’t make the connection to the TV series.
“We buy lots of units and see models all of the time,” Riach said. He thought they would find a buyer and decided to list it on eBay with a starting price of $1,000….
…Listening recently to the audiobook version of Ballard’s autobiography Miracles of Life, one very short passage seemed to speak directly to these contemporary debates about generative artificial intelligence and the perceived power of so-called large language models that create content in response to prompts. Ballard, who was born in 1930 and died in 2009, reflected on how, during the very early 1970s, when he was prose editor at Ambit (a literary quarterly magazine that published from 1959 until April 2023) he became interested in computers that could write:
“I wanted more science in Ambit, since science was reshaping the world, and less poetry. After meeting Dr Christopher Evans, a psychologist who worked at the National Physical Laboratories, I asked him to contribute to Ambit. We published a remarkable series of computer generated poems which Martin said were as good as the real thing. I went further, they were the real thing.”
Ballard said nothing else about these poems in the book, nor does he reflect on how they were received at the time. Searching through Ambit back-issues issues from the 1970s I managed to locate four items that appeared to be in the series to which Ballard referred. They were all seemingly produced by computers and published between 1972 and 1977….
(5) BLEEPS WITHOUT END. Scott Lynch has a pretty clear idea about how Harlan would respond to Lincoln Michel’s question.
…More recently, the service has edged toward a darker tone. First there was the debut of Constellation earlier this year, which starred Noomi Rapace as an astronaut who returned to an Earth that’s very different than the one she left. And now we have Dark Matter based on the novel by Blake Crouch, which premieres on May 8th. It’s a multiversal story about a physicist played by Joel Edgerton who gets kidnapped by a parallel version of himself. So far, I’ve watched the first two episodes, and it manages to merge the tone of a tense thriller with the mind-bending nature of time travel, creating the kind of story that intentionally makes you feel unmoored. Also, there are some very large and impressive cubes…
Apple TV+ has opted not to continue with a second season of Constellation, its sci-fi psychological thriller series starring Noomi Rapace and Jonathan Banks. The news comes a month and a half after Constellation‘s eight-episode first season wrapped its quiet run on the streamer March 27.
Created and written by Peter Harness, Constellation stars Rapace as Jo – an astronaut who returns to Earth after a disaster in space – only to discover that key pieces of her life seem to be missing. The action-packed space adventure is an exploration of the dark edges of human psychology, and one woman’s desperate quest to expose the truth about the hidden history of space travel and recover all that she has lost.
… Sci-fi is a core genre for Apple TV+ whose roster of series also includes For All Mankind, recently renewed for a fifth season alongside a pickup for a spinoff series, Star City, as well as Foundation, Severance, Invasion and Silo — all slated to return with new seasons.
Apple’s latest entry in the genre, Dark Matter, premiered this week, with Neuromancer, starring Callum Turner, and Murderbot, headlined by Alexander Skarsgard, coming up. The streamer also had an surprise entrant into the space with the mystery drama Sugar, which took an unexpected sci-fi turn last week.
(7) LEIGH EDMONDS’ AUSTRALIAN FANHISTORY. From Bruce Richard Gillespie on Facebook I learned that Norstrilia Press has published Leigh Edmonds’ fanhistory Proud and Lonely: A History of Science Fiction Fandom in Australia. Part One: 1930 – 1961
Proud and Lonely is a new history of science fiction and its fans in Australia, telling the story of its arrival in Australia in the 1920s, and the start here of a sub-culture of fans of the genre.
Historian Dr Leigh Edmonds shows how science fiction was seen as a low form of literature and didn’t get public acceptance until at least the 1970s.
Because of the frequent ridicule, fans of the genre kept quiet about their interest in public. But in private they sought out other fans, locally and overseas. They corresponded, started clubs and published amateur magazines about the genre.
They created a fascinating sub-culture that was a microcosmos of Australian life from the 1930s to the 1960s.
Norstrilia Press in its first incarnation had its major focus on science fiction, and Leigh’s history makes a significant contribution to the study of the field. It will also be of value to people interested in cultural and literary studies.
Proud and Lonely is the first of a two-part history exploring how science fiction fandom developed in Australia, from its beginnings in the 1930s to the first World Science Fiction Convention held in Australia, in 1975.
Part one deals with the early period up to 1961, when government regulations prevented most science fiction from being imported into Australia, and the seeds were sown of a gathering energy that would raise Australia’s profile in the global science fiction community.
Available from bookshops and online.
(8) FROM BROOKLYN TO ROHAN. [Item by Dann.] Mike Burke found himself in the theater department auditioning for a part in Newsies: the Musical. One of the songs from that production – “Brooklyn’s Here” — seemed to match the narrative of the riders of Rohan arriving at the Pelennor Fields. And a little filking ensued. “Rohan’s Here!” at Storytelling Skunkworks.
…We are Riders (of Rohan!)
The beacons are lit and Gondor is hurtin’
Facing total disaster for certain
That’s our cue lads, it’s time to come runnin’
Hey Minas Tirith, the calvalry’s comin’!…
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 12, 1950 — Bruce Boxleitner, 74. Let’s look at our Birthday celebrant, Bruce Boxleitner, first for the interesting work he did before that series.
One of my very favorite characters that he played was the top-level unnamed Agency operative Lee Stetsonon the Scarecrow and Mrs. King which starred him and Kate Jackson as divorced housewife Amanda King and top-level Agency operative Lee Stetson as they began their unusual partnership and eventual romance after encountering one another in a train station. It ran for four seasons.
Remember Kenny Rogers’ song “The Gambler”? Well, it would afterwards become a series of Gambler movies. Boxleitner played Billy Montanain in three of five films being the sidekick to Roger’s Brady Hawkes character. He was the comic relief in those films apparently. I’ve not seen them.
Bruce Boxleitner at Phoenix Comicon in 2011. Photo by Gage Skidmore.
He’s been on Outer Limits in “Decompression” as Senator Wyndom Brody in a twisty time travel episode that’d make Heinlein proud. Enough said of that story. He had a recurring role as another politician on the first Supergirl series as President Phillip Baker, a vain, egotistical man. He even played the President of the Planetary Union President on The Orville.
Then there’s Tron where he has the dual roles of Alan Bradley, a programmer at ENCOM Boxleitner and Tron, a security program developed by Bradley to self-monitor communications between the MCP and the real world. It’s an amazing dual for him. He’d reprise, in voice, so I supposed in spirit as well, that role in the animated Tron: Uprising series, and then in I think finally in the animated Tron: Legacy film.
So that brings us to Babylon 5 commander, Captain John Sheridan. What an amazing role it was for. Lis Carey says of him, “John Sheridan was raised in a diplomat’s family, and enlisted in the military–leading to him becoming a war hero, the only officer to win a battle against the Minbari. When he became the second commander of Babylon 5, he was not well received by the Minbari. Relations obviously improved, while the Earth Alliance was being transformed into a military dictatorship, which Sheridan opposed. In the last season, after confronting the Earth Alliance decisively, he became President of the new Interstellar Alliance, and subsequently married the Minbari ambassador, Delenn.”
Ok, it was a great role and if you haven’t seen it, go see it that’s all I have to say so. I’m ending this now. Have a good night.
The injection of Disney cash has definitely helped – the new series looks utterly, hugely epic, but without sliding into the “CGI on top of another layer of CGI” thing that could ruin a still pleasingly British-feeling series like this – and the casting of the two new leads is inspired. If it first came out now, a show like Doctor Who – an infinite number of universes and possible monsters and possible problems and possible ancient villains – would be easy to mess up, push it so it’s too sci-fi, forget to ever come back down to Earth, have Gatwa trapped in a studio for a few months acting opposite a tennis ball. But you’ve got 60 years of lore and an army of fans guarding it and ready to email you if you mess with it too much, and I honestly think that probably helps keep Doctor Who honest. I’ll see you for the Christmas special this year. I think I’ve been converted.
Vintage Hollywood staging and mechanical mayhem are the base ingredients for an homage to a horror icon. Montegrappa’s own strain of mad science brings Frankenstein’s creation back to life, with props and special effects that revisit the magic of a 1931 cinema classic. Energy pulses through its XXL, all-brass body, with ingenious complications to re-animate the senses – bringing fun to high function.
… Additionally, Van Winkle III noted the 15-year bourbon makes a great cocktail. Now, we know that for some of you, mixing any Old Rip Van Winkle whiskey into a cocktail may sound like blasphemy. But Van Winkle III believes you shouldn’t be worried about mixing high-quality alcohol into a drink. Either way, because the 15-year hits that sweet spot of flavor between younger and older whiskey expressions, Van Winkle III thinks it’s “a fun one to have.”…
I laughed because it reminds me that when LASFS’ Len Moffatt hosted a party he warned the guys that violence would ensue if he found any of us making mixed drinks with his Cutty Sark.
[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, John J. Arkansawyer, Daniel Dern, Gary Farber, Janice Gelb, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]
(1) JAMES A. MOORE (1965-2024). [Item by Anne Marble.]Horror and fantasy author James A. Moore died March 27. Christopher Golden made the announcement in a concise obituary on Facebook.
Celebrated horror and fantasy author James A. Moore passed away this morning at the age of 58. Moore was the author of more than fifty horror and fantasy novels, including the critically acclaimed Fireworks, Under The Overtree, Blood Red, the Serenity Falls trilogy (featuring his recurring anti-hero, Jonathan Crowley) and the grimdark fantasy series Seven Forges and Tides of War. Moore also co-wrote many novels and stories with his longtime collaborator Charles R. Rutledge.
His early career highlights included major contributions to White Wolf Games’ World of Darkness, and he was especially proud of his first comic book script sale, to Marvel Comics original series set in the world of Clive Barker’s Hellraiser. A prolific and versatile writer, Jim wrote novels based on various media properties, including Alien, Buffy the Vampire Slayer, and The Avengers.
He was nominated for the Bram Stoker Award three times, for his novel Serenity Falls, in the long fiction category for Bloodstained Oz, a collaboration with Christopher Golden, and as editor (with Golden) for the groundbreaking horror anthology The Twisted Book of Shadows, for which the pair won the Shirley Jackson Award.
Beyond his work, Jim Moore was a much-beloved figure in the horror community, a tireless champion of other writers and their work, who mentored dozens of new writers, relentlessly urging them to pursue their desire to tell stories. He is survived by his wife, Tessa Moore, and his legions of readers. No wake or funeral is planned, but a celebration of life will be held sometime in April.
And on his own blog Golden has written a longer and more personal remembrance: “James A. Moore”.
Many writers are remembering Moore as a supportive friend and a mentor.
I just don't have it in me to eulogize my friends anymore. Suffice to say, Jim Moore was one of the best of them. That hotel convention bar is filling up faster these days. Save me a seat, brother. I'll see you eventually. pic.twitter.com/IeWY0ftCKs
Just heard the awful news about James A. Moore. You'd be hard pressed to find a nicer guy in this industry than Jim, and his presence was at once larger than life yet incredibly humble. He'll be missed.
Thanks to everyone for reaching out to me about Jim (James A. Moore). I'm gutted, and just barely functional right now. I'll have more to say later, but for now just know that he was one of my closest friends and I loved him.
The world has lost another one of the truly good guys. My dear friend James Moore passed this morning. He was one of the very first friends I made in the fiction world. A gentleman, a superb writer, a decent human being. Happy journeys, my brother. #RipJamesAMoorepic.twitter.com/TpD7AsnVFo
Now a GoFundMe has been started for his memorial expenses.
Dear Fellow Halloween People — @ChristophGolden has started a fundraiser for Jim Moore’s memorial and final wishes. If you have the means, please contribute. If you don’t have the means, please share. https://t.co/k22c764Du3
This is hard to do. Jim would’ve hated it. He received so much help from so many of you over the past five years, through cancer and Covid and surgeries and job loss and housing loss and amputation. We did two major GoFundMe campaigns during that time. Over the past year, there were moments we talked about doing a third one, but Jim hated the idea of asking again, no matter how much trouble he was in. Sympathy fatigue is real, and so many other people needed help, too.
Jim is going to be cremated. The expense for that is nothing compared to a funeral and a casket and a burial plot, but it’s still costly. I also want to be able to gather everyone together to have a Celebration of Life in a way that honors him. If we could wait a few months, we could risk doing it outside, but I know that everyone is feeling raw and would like to do it sooner. I’d like to do it on a Saturday or Sunday in April.
I’ve set the goal of this GFM to $6K to pay for both his cremation (and associated expenses) and the memorial gathering. I’m not sure it will be enough, but we’ll see. PLEASE NOTE that any monies received over and above the costs of those two things will be given directly to Jim’s wife, Tessa, to help her as she sorts out her next steps. These years have been hard enough, and we’d like to do all we can to help at this time.
…Usually in a sci-fi setting, the city functions as a snapshot in time that helps to illustrate how characters engage with their environment; for Martine, this might involve how long it takes for a character to get to their job, or if they even have a job to get to at all. It is not so much concerned with planning, or what drives planning decisions. “Fiction in general, and science fiction specifically, is bad at thinking about city planning as a discipline,” she explains. “Mostly because it feels absolutely dull, it’s worse than economics. I say this as someone who’s trained as a city planner and who loves it very much and actually finds it deeply fascinating and exciting and horrifically political.” More often than not, she finds that the idea of a constructed, planned city in science fiction—with some exceptions—is simply a given.
“In the US they go on and on…that planning is some kind of neutral process, and that the point of a planner is to be a facilitator,” says Martine. “This is why I ended up in politics and policy and not in planning, because to be perfectly honest, it’s bullshit.” She cites the origins of Victorian infrastructure as a starting point for the western view that the constructed environment determines behavior, “which is that there are too many people and too little space and it’s not sanitary, which is all true.” The solution is not actually ‘everyone has to live in a perfect little garden house,’ but that’s the ideal that is constructed.”…
IF focuses on a young girl with the unique ability to see not only her own imaginary friends but also those of others, particularly the ones left behind by their human companions. These forgotten imaginary beings, once vital to the lives of many children, find themselves lonely and at risk of being forsaken indefinitely. In their desperation, they ally themselves with the girl, seeing her as their last chance to be recalled and cherished again before it’s too late.
Octothorpe 106 is now available! You can listen to it while at Eastercon, while travelling to Eastercon, or in defiance of the occurrence of Eastercon. We discuss, er, Eastercon. We talk about transcripts a little, too, before discussing awards, science fiction, cricket, and games. It’s basically a pretty representative episode, is what we’re saying.
3. Christmas with the Justice League of America (Warner Bros. Studio Store, 2000). Harking back to some of the classic covers of DC’s Christmas With the Super-Heroes specials, Ross creates a jubilant yuletide scene, literally framed with a bit of melancholy. The classic satellite era League (along with Ross favorites Captain Marvel and Plastic Man) celebrate in their own unique ways: The toast between Martian Manhunter and Red Tornado; Black Canary hanging on Green Arrow’s shoulder; Hawkman and Hawkgirl observing the strange Earth custom of decorating the tree; and my favorite, Green Lantern making the tree lights with his power ring. But all of this is superseded by the Man of Steel beckoning the Dark Knight to let his often-lonely crusade rest for the night, and come inside and join the celebration.
(6) LIADEN UNIVERSE® NEWS. Sharon Lee announced that the eARC (electronic Advance Reading Copy) of Ribbon Dance is now available from Baen Books.
Also, a spoiler discussion page has been set up for those folks who have read the eARC and Want To Talk About It. Here is that link.
(7) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born March 28, 1912 — A. Bertram Chandler. (Died 1984.) Tonight’s Scroll features a Birthday for a writer from Australia — A. Bertram Chandler.
Did you ever hear of space opera? Of course you have. Well, the universe of Chandler’s character John Grimes was such. A very good place to start is the Baen Books omnibus of To The Galactic Rim which contains three novels and seven stories. If there’s a counterpart to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. (My opinion, yours may differ.) Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t.
A. Bertram Chandler
Connected to the Grimes stories are the Rim World works of which The Deep Reaches of Space is the prime work. The main story is set in an earlier period of the same future timeline as Grimes, a period in which ships are the magnetic Gaussjammers, recalled with some nostalgia in Grimes’ time.
But that’s hardly all that he wrote. I remember fondly The Alternate Martians, a novella that he did. A space expedition to Mars that find themselves in the worlds of H.G. Wells, Edgar Rice Burroughs and Otis Adelbert Kline. Why he chose the latter I know not as I’d never heard of him. It’s a great story well told. And fun to boot. It was first published as an Ace Double, The Alternate Martians / Empress of Outer Space. Gateway has released it as a separate epub for a mere buck ninety nine at the usual suspects.
He wrote a reasonably large number of stand-alone-alones, so what did I like? For a bit of nicely done horror, you can’t beat The Star Beasts — yes, I know that there’s nothing terribly original there but it’s entertaining to read; Glory Planet has a watery Venus occupied by anti-machine theocracy opposed by a high-tech city-state fascinating; and finally I liked The Coils of Timeenin which a scientist has created a Time Machine but now needs a guinea pig, errr, a volunteer to go back through time and see what’s there — did it go as planned? Oh guess.
I see that he’s written but a handful of short stories, none of which I’ve read other than the ones in To The Galactic Rim. So who here has?
He’s won five Ditmars and The Giant Killer novel was nominated for a Retro Hugo.
You see it everywhere, even if you don’t always recognize it:the literary allusion. Quick! Which two big novels of the past two years borrowed their titles from “Macbeth”? Nailing the answer — “Birnam Wood” and “Tomorrow, and Tomorrow, and Tomorrow” — might make you feel a little smug.
Perhaps the frisson of cleverness (I know where that’s from!), or the flip-side cringe of ignorance (I should know where that’s from!), is enough to spur you to buy a book, the way a search-optimized headline compels you to click a link. After all, titles are especially fertile ground for allusion-mongering. The name of a book becomes more memorable when it echoes something you might have heard — or think you should have heard — before.
This kind of appropriation seems to be a relatively modern phenomenon. Before the turn of the 20th century titles were more descriptive than allusive. The books themselves may have been stuffed with learning, but the words on the covers were largely content to give the prospective reader the who (“Pamela,” “Robinson Crusoe,” “Frankenstein”), where (“Wuthering Heights,” “The Mill on the Floss,” “Treasure Island”) or what (“The Scarlet Letter,” “War and Peace,” “The Way We Live Now”) of the book.
Somehow, by the middle of the 20th century, literature had become an echo chamber. Look homeward, angel! Ask not for whom the sound and the fury slouches toward Bethlehem in dubious battle. When Marcel Proust was first translated into English, he was made to quote Shakespeare, and “In Search of Lost Time” (the literal, plainly descriptive French title) became “Remembrance of Things Past,” a line from Sonnet 30.
…Science fiction was a rarity in China when Liu was growing up because most western books were banned. Living in a coal mining town in Shanxi province as a young man, he found a book hidden in a box that once belonged to his father. It was Journey to the Centre of the Earth by Jules Verne, and Liu read it in secret, and in doing so forged a lifelong love of science fiction….
When a hurricane struck Florida in 2018, Christina’s neighborhood lost electricity, cell service and internet. For four weeks her family was cut off from the world, their days dictated by the rising and setting sun. But Christina did have a vast collection of movies on DVD and Blu-ray, and a portable player that could be charged from an emergency generator.
Word got around. The family’s library of physical films and books became a kind of currency. Neighbors offered bottled water or jars of peanut butter for access. The 1989 Tom Hanks comedy The ’Burbs was an inexplicably valuable commodity, as were movies that could captivate restless and anxious children.
“I don’t think 99% of people in America would ever stop to think, ‘What would I do if I woke up tomorrow and all access to digital media disappeared?’ But we know,” Christina told me. “We’ve lived it. We’ll never give up our collection. Ever. And maybe, one day, you’ll be the one to come and barter a loaf of bread for our DVD of Casino.”…
Spaceballs Was Also Inspired by It Happened One Night
One of the biggest reference points for Spaceballs wasn’t a sci-fi film, but a Frank Capra classic, 1934’s It Happened One Night. The film was the first to sweep the top five Oscar categories — Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress.
The film follows an heiress (Claudette Colbert) who flees her dull groom on her wedding day and falls for a cool regular guy played by Clark Gable. “We took that same basic plot and shot it into space!” Brooks wrote in his memoir.
In Spaceballs, Princess Vespa of Planet Druidia (Daphne Zuniga) flees her dull groom, Prince Valium, on her wedding day, and falls for a cool regular guy named Lone Starr (Bill Pullman).
The first astronauts to land on the moon in more than half a century will set up a lunar mini-greenhouse, if all goes according to plan.
NASA has selected the first three science experiments to be deployed by astronauts on the moon’s surface on the Artemis 3 mission in 2026. Among them is LEAF (“Lunar Effects on Agricultural Flora”), which will study how space crops fare in the exotic lunar environment.”LEAF will be the first experiment to observe plant photosynthesis, growth and systemic stress responses in space-radiation and partial gravity,” NASA officials wrote in a statement Tuesday (March 26) announcing the selection of the three experiments….
The worst superhero costume in history, space bikinis, and a leather trenchcoat that sparked a media frenzy — sci-fi costumes don’t get much more controversial than this.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Anne Marble, Kathy Sullivan, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
