Tag Archives: Voyager

Pixel Scroll 11/4/24 There Were Three Files Scrolled Out Of The West, Their Pixels For To Try

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(1) DID YOU VOTE? I voted by mail two weeks ago, and was notified the ballot has been received and counted. However, the official LA County voter outreach service I registered with is still sending me email and text reminders to vote. They don’t want me to feel left out!

(2) DETROIT PUBLIC LIBRARY BRINGS BACK COLOR OF SCI-FI EXHIBIT.  The inaugural Color of Sci-Fi events occurred in 2023 at Detroit Public Library and will return this month by popular demand. Get “The Color of Sci-Fi” Tickets at Eventbrite.

DMJ Studio is curating an all-new exhibit celebrating people of color in science fiction. This year, the exhibit celebrates diversity within the world of science fiction with a special focus on Star Trek characters Captain Benjamin Sisko and Lt. Uhura, icons who have inspired generations through their portrayal by actors Avery Brooks and Nichelle Nichols.

COLOR OF SCI-FI EVENTS

November 9 | Opening Reception

Art Exhibition and Author Discussions

Featuring artists; April Shipp, Justin Perry, Kimberly Givens, Tia Nichols , Mandisa Smith, Anthea Calhoun, Miriam Uhura, Molouk Harp, and works by members of the DMJStudio team.

Authors Discussion | November 9

Steven Barnes – NY Times bestselling author of over thirty novels of science fiction, horror, and suspense, author of the Star Trek novel, Far Beyond the Stars.

Derek Tyler Attico – A speculative fiction author, essayist, and award-winning photographer. Author of The Autobiography of Benjamin Sisko.

Storytime for All Ages

Reading of To Boldly Go: How Nichelle Nichols and Star Trek Helped Advance Civil Rights by By Angela Dalton, Illustrated by Lauren Semmer.

(3) A BOOK BAN DEFEATED. “Freedom to Read Advocates Notch a Legal Victory in Alaska” – Publishers Weekly has details.

After a favorable legal ruling in August, freedom to read advocates in Alaska have scored a significant victory in court over would-be book banners. In an October 31 filing, the Matanuska-Susitna Borough School District in Alaska agreed to pay $89,000 to settle claims that the district improperly removed dozens of books, including several works of classic literature, from school libraries.

“First the court, and now this settlement, confirm what these students and their parents have known all along: you cannot remove dozens of books from school libraries simply because a vocal minority dislike those books,” said Savannah Fletcher, attorney for advocacy group the Northern Justice Project, in a statement. “Our Constitution protects freedom of speech and freedom of ideas. After successfully having the majority of those books returned to school shelves, we hope the District has learned to not judge a book by its cover.”

First filed nearly a year ago, on November 17, 2023, against the Mat-Su school district, north of Anchorage, by eight local plaintiffs, the American Civil Liberties Union of Alaska, and the Northern Justice Project, the suit sought the return of 56 books that school officials ordered to be removed after a handful of parent complaints until a committee was established to review the allegedly offensive books….

(4) MOORCOCK WARNS ABOUT FRENCH PUBLISHER. Linda Moorcock is circulating this complaint:

EDITIONS L’ATALANTE:

This French company continues to sell books by Michael Moorcock ILLEGALLY. All Moorcock contracts have expired. Editions L’Atalante were refused renewal requests earlier this year after they illegally reprinted and put on sale one of the books they no longer had rights to.

If you are doing business with this company, at least be aware of how they have behaved towards Michael. We have repeatedly asked them to stop all sales and they continue to ignore us.

(5) PRO TIPS. Charlie Jane Anders advises “It’s Not About Making the Word Count, But Making the Work Count” at Happy Dancing. Anders seems to have been farther along than the point where Anne Lamott’s famous advice about getting down a “shitty first draft” applied. And at that point —

2) Your first draft doesn’t need to be total garbage.

I’m currently trying to finish something — it started as a novella, but I’m afraid it may have ballooned into a novel. Just last week, I hit a wall and spent a few days trying in vain to keep moving forward. I even beat myself up over the paucity of words I was producing, because I just could not get any purchase on the story.

At last, I reluctantly scrolled back in the document and found the problem: about 8,000 words earlier, there was a scene which set completely the wrong tone for a key relationship, and basically left the relationship no place to go. Without giving too many spoilers for something you might not read for a couple years, these characters had already reached a place in their relationship that they shouldn’t have reached until closer to the end of the story. This literally gave them no room to grow, no space for an arc, no way build out the story.

I completely scrapped that scene and replaced it with a brand new one, and then went about revising large chunks of the following 8000 words, until they had the beginnings of a proper arc to their relationship — one that started in one place and ended in a different place. As soon as that was done, I could once again start cranking out the rest of the story moving forward….

…And some of my earliest attempts at writing a novel got messed up, in large part, due to a mistaken decision that I made and never fixed, which ended up throwing the entire rest of the draft out of whack. Speaking from experience, it’s actually very hard to revise a first draft where everything is headed in the wrong direction and the basic character stuff doesn’t hold water.

I think of the first draft as being like the foundations of your house: if the foundations aren’t sturdy, the rest of the house is going to be rickety as heck. And going back and redoing the foundations later can sometimes be a lot more trouble….

(6) BOMBS DEFUSED. “’It’s the damnedest thing I’ve ever seen’: 10 film flops that became classics – ranked!” in the Guardian.

At number four:

4. Blade Runner (1982)

Budget: £21.6m. Worldwide gross: £32.2m

Not the biggest flop among all these, but still a galling disappointment for Ridley Scott and Warner Bros, not least given the sensational design. The same weekend The Thing tanked, this came a distant second to ET, and sank fast: word-of-mouth, at first, was more bewildered than awestruck. When Scott was allowed to revisit it for his 1992 director’s cut, one of seven versions that now exist, interest flourished and its reputation soared.

(7) UNIFORM TENDENCY. Camestros Felapton’s “Fashion Blog: Near Future Space Adventure” shows what the best-dressed space crew will be wearing.

… There you are in your new and yet somehow grungy spaceship/space-station facing the important questions of the future: what to wear that will be in keeping with the hot fashion of your community….

(8) AI TRANSLATION PLANS. [Item by Steven French.] The thin end of the wedge? “Dutch publisher to use AI to translate ‘limited number of books’ into English” reports the Guardian.

A major Dutch publisher plans to trial translating books into English using artificial intelligence.

Veen Bosch & Keuning (VBK) – the largest publisher in the Netherlands, acquired by Simon & Schuster earlier this year – is “using AI to assist in the translation of a limited number of books”, Vanessa van Hofwegen, commercial director at VBK said.

“This project contains less than 10 titles – all commercial fiction. No literary titles will nor shall be used. This is on an experimental basis, and we’re only including books where English rights have not been sold, and we don’t foresee the opportunity to sell English rights of these books in the future,” she added…

(9) UPSCALE BRANDING. Wayne Enterprises (at brucewaynex.com) encourages you to immerse yourself in Batman’s secret identity while selling you stuff at Bruce Wayne prices.  

Exclusively curated products—including many limited editions and capsule collections created only for the Wayne Enterprises Experience are inspired by the world of Bruce Wayne, who has access to the best of the best of tech, fashion, automobiles, art, multimedia, watercraft, residences, and much more.

Via this site and live events, we are placing retail at the center of a theatrical experience for the first time—and you can be a part of the Bruce Wayne story via these truly limited editions and collaborations.

Maybe you’d like to drive around on a set of Batman’s wheels? Price tag $2,990,000.

Limited production of 10 Wayne Enterprises Tumblers, fully functional iconic “Batmobile”, are exclusively being sold by invitation only. These highly collectable Tumbler Batmobiles are officially sanctioned by Warner Bros. and will be available for sale to an exclusive audience of avid car collectors.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

November 4, 1996 — Anniversary: DS9’s “Trials and Tribble-ations”

Twenty-eight years ago on this evening in most markets, DS9’s “Trials and Tribble-ations” first aired in syndication. 

A most delightful episode, it blended footage from the original “The Trouble with Tribbles” into the new episode in a manner that allowed the characters from DS9 to appear to interact with the original Trek crew. 

SPOLER ALERT 

 The story is that those meddlesome Agents from Temporal Investigations have arrived on Deep Space 9 and so Sisko is recounting how he and the crew of the Defiant traveled back in time to the 23rd century to prevent the assassination of Captain James T. Kirk during the original Enterprise’s mission to Space Station K-7.

END OF SPOILERS. REALLY. 

The story was by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe with Ronald D. Moore and René Echevarria writing the actual script. It’s amazingly well done for that many hands being involved. 

So let’s talk about this episode to the Deep Space Nine.

It would digitally insert the performers from this series into the original  episode. I’m still amazed after watching a half dozen times how well they did this.  I’ve watched both shows back-to-back several times, which is well worth doing as they did a stellar job of making the DS9 characters work seamlessly in the old episode. (I know they weren’t actually there but still think they are there.) 

It was because of the complexity of these digital interactions, and may other things, the single longest shooting of any Trek episode. Just creating the footage for the fight with the Klingons in the bar would take almost a full week to shoot due to the number of separate shots involved, the complexity of staging, and other minor details.

And everyone loved that they brought Charlie Brill back to film new scenes. 

Every detail possible was attended to. The original model of station K-7 was long lost by the time this episode was being shot so the model here was created by watching the original episode over and over until they got just right says the modeling staff. Yes, almost everything here isn’t digital. 

For their model of the Enterprise, the staff consulted sketches made for the original series and had a special set of plans made for the new model’s construction. They couldn’t use the original model in Smithsonian as the restoration over the decades had altered the way it looked. 

I think can best have its attitude summed up in this conversation…

Sisko to Bashir: “Don’t you know anything about this period in time?” 

Bashir: I’m a doctor, not an historian.”

Dax in her red short skirt: “In the old days, operations officers wore red, command officers wore gold… (Looks at her outfit.) “And women wore less. I think I’m going to like history.” 

No wonder it got nominated for a Hugo at a LoneStarCon 2 but lost out to Babylon 5’s “Severed Dreams”. I personally think it should’ve won. 

Critics loved it. Really. Truly. They all turned into fanboys.  

Paramount promoted the episode by arranging the placement of around a quarter million tribbles in subways and buses across the United States. Anyone see one of these? 

A note: In the original episode, after Kirk opens the cargo hold door and is showered in tribbles, lone tribbles continue to fall on him one by one, every minute or so, for the rest of the scene. This episode provides the explanation as to why this happens: Sisko and Dax are hiding in the cargo hold, scanning all the tribbles and then tossing them out the door. Very neat.

It like almost everything Trek is available on Paramount+. 

(11) COMICS SECTION.

(12) SANS CULOTTES. “Kathryn Hahn Receives Award For Historic Marvel Nudity” — Giant Freakin Robot has coverage (well, not exactly).

Agatha All Along has proven to be one of the better Disney+ MCU shows, one featuring quirky characters, a fun cast, and plenty of dark laughs. All of these would be great reasons to tune in, but the first episode featured an additional incentive: our lead actor getting naked and flashing audiences her rear end. Recently, Jennifer Hudson decided to reward Kathryn Hahn for her fearless Marvel nudity with an (ahem) cheeky plaque that reads “First Woman To Show Butt in the Marvel Cinematic Universe.”

Before giving the star her award, Jennifer Hudson asked the Agatha All Along star if she realized she was “the first woman to show butt in the Marvel Cinematic Universe?” Kathryn Hahn clarified that she didn’t know that ditching her clothes was making Marvel history but that she is now happy to share this honor with Chris Hemsworth, who showed off his own godly glutes in Thor: Love and Thunder. “Thor and me,” Hahn quipped before receiving her plaque, “just our butts encased in gold — that’s my dream.”…

(13) CANCEL THE PARADE. John Barrowman says the announcement is fake:

If for some reason you want to see the fake news item at its source – click this Facebook link.

TORCHWOOD RETURNS!!! JOHNATHAN GROFF!!!

Prepare for an epic return in Torchwood Rogues as Captain Jack Harkness (John Barrowman) and Gwen Cooper (Eve Myles) team up with Rogue (Johnathan Groff), a mysterious new character from Doctor Who. This eight-episode series, produced and directed by Russell T Davies, promises thrilling adventures and unexpected twists. Premiering in November 2024 exclusively on Disney+, Torchwood Rogues is a must-watch event from BBC Studios.…

(14) THE LESSON OF HAL. At Collider: “’It Warns Us What Happens If We Allow AI Into Our Universe’: Ridley Scott Explains How ‘2001 A Space Odyssey’ Predetermined The Future”.

RIDLEY SCOTT: I think Kubrick did a film that predetermines everything by 50 years with AI. He did 2001 [A Space Odyssey]. 2001 is an act of genius because it warns us what happens if we allow AI into our universe. It will take over, and all it has to do is switch [cellphones] off, and you’ve got chaos. It could switch that off for fun. If I’m gonna design an AI, I’m gonna say, “Okay, the first job for you is I want you to design another AI smarter than you are.” By the time you’re done with that, we’re in deep shit.

(15) RADIO DAYS. “NASA’s Voyager finally phoned home with a device unused since 1981” reports Mashable.

…Voyager’s problem began on Oct. 16, when flight controllers sent the robotic explorer a somewhat routine command to turn on a heater. Two days later, when NASA expected to receive a response from the spacecraft, the team learned something tripped Voyager’s fault protection system, which turned off its X-band transmitter. By Oct. 19, communication had altogether stopped. 

The flight team was not optimistic. 

However, Voyager 1 was equipped with a backup that relies on a different, albeit significantly fainter, frequency. No one knew if the second radio transmitter could still work, given the aging spacecraft’s extreme distance. Days later, engineers with the Deep Space Network, a system of three enormous radio dish arrays on Earth, found the signal whispering back over the S-band transmitter. The device hadn’t been used since 1981, according to NASA. 

“The team is now working to gather information that will help them figure out what happened and return Voyager 1 to normal operations,” NASA said in a recent mission update….

(16) THE UNDERWATER WAY TO OZ. “Scientists Found a ‘Yellow Brick Road’ at The Bottom of The Pacific Ocean” says ScienceAlert. You can get a good look beginning around 1:34 of the video below.

An expedition to a deep-sea ridge, just north of the Hawaiian Islands, revealed a surprise discovery back in 2022: an ancient dried-out lake bed paved with what looks like a yellow brick road.

The eerie scene was chanced upon by the exploration vessel Nautilus, while surveying the Liliʻuokalani ridge within Papahānaumokuākea Marine National Monument (PMNM).

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven H Silver, Mark Roth-Whitworth, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 9/17/24 The Scroll On The Edge of Pixelever

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(1) UK MEDIA FINALLY ACKNOWLEDGES NEIL GAIMAN STORY. [Item by Nickpheas.] This isn’t news to us, but it’s still a sign of something significant. The UK media was happily ignoring the Gaiman abuse allegations, but it looks like the logjam has finally been broken.  

File 770 covered the stepping back from Good Omens 3 a few days ago, and it seems that this has provided something news reporters can hang a story on, given the UK libel courts, where “a podcast you’ve never heard of said…” is pretty much an invitation to be sued. 

(2) A NAME TO CONJURE WITH. This installment of The Midnight Society breaks me up. (Laird Barron liked it too, though he gave one note.) Here’s how it begins:

(3) WATERMELON GRANT TAKING APPLICATIONS. The inaugural The Watermelon Grant for Palestinian Creators is accepting applications through December 6, 2024.

The Watermelon Grant offers $2000 USD in unrestricted funds to an emerging Palestinian creator in the field of speculative arts. Applications are judged on a criteria which considers artistic merit and potential impact.

The 2025 grant considers works of speculative fiction and poetry.

Due to the success of the Match Me campaign, we are now able to offer a prize in fiction and in poetry. Entries must be rooted in the speculative genres.

For more information, visit the website.

(4) ARMY WELCOMES SPECULATIVE FICTION. [Item by Francis Hamit.] The Army publishes science fiction.  No pay but an opportunity for aspiring writers of hard SF in the Jerry Pournelle mode.  (As a young man, Jerry led an artillery unit in the Korean War.  So I suggest that this opportunity is best suited for those that have “seen the elephant”.) Complete guidelines at the link: “Future Warfare Writing Program Submission Guidelines” at Army.mil.

General

The Army cannot know nor predict its next fight but it can imagine the future of warfare. Fiction is a tool of the imaginative process. Fiction allows us to imagine the details of reality-as-it-might happen in order to understand potential consequences of decisions that we need, or might need, to make. It helps us imagine how current trends might play out or how new innovations might have an impact. As a tool, fiction is cousin to war-gaming. It creates opportunities to play out potential scenarios and prepare for them.

The Army University Press publishes the Future Warfare Writing Program (FWWP). This venture seeks to answer the question: What might warfare look like in the latter half of the 21st Century? Works of fiction and nonfiction should address the addresses multiple dilemmas as outlined in the Army Operating Concept. Submissions are open to current and former members of the DoD (active, guard, and reserve) and their dependents. Others may submit on a case-by-case basis based on expertise and writing skill (please query).

Consider the following guiding examples of subject matter as you compose your original works:

– How might the Army respond to sudden increases in aggression of state actors and how might budget cuts affect this?

– What role will information operations take in shaping or manifesting the climate of warfare?

– How will the Army handle humanitarian campaigns such as virulent outbreaks, natural disasters, or displaced persons in the next 20-80 years?

– What changes to values, health, and knowledge can we expect in light of Army University, an increasingly technologically advanced population, and reactions to changing social norms?

– How will the focus and capability of Army medicine and Army acquisitions change in 15-90 years?

– What technologies will shape the battlefield and the warfighter in the foreseeable future?

FWWP welcomes works of valid and sound speculative fiction; well-written essays; and any combination between the two addressing the questions above or related concerns. The intent behind this program is to give creative thinkers at all levels and positions—both within and outside the Army—the space to contribute to the conversation by generating ideas about the possible complexities of future warfare. The Army is at a critical time that requires reflection on its recent history, examination of its present reality, and exploration of its near and mid-future.

All submissions must include the publication agreement available for download. Submissions will be evaluated by the Army University Press and FWWP editorial board for relevance, writing quality, and ability to engage the reader. Review the links below for insights into what the board considers operationally and strategically relevant. The Army University Press and FWWP offers no compensation for publication. Works appear online in a blog format only, but FWWP retains the right to print or reprint published works. When possible, FWWP provides personalized feedback on all pieces….

(5) CIRCLE THAT THOUGHT. Phys.org reports on research suggesting that “Earth may have had a ring system 466 million years ago”.

In a discovery that challenges our understanding of Earth’s ancient history, researchers have found evidence suggesting that Earth may have had a ring system that formed around 466 million years ago, at the beginning of a period of unusually intense meteorite bombardment known as the Ordovician impact spike.

This surprising hypothesis, published in Earth and Planetary Science Letters, stems from plate tectonic reconstructions for the Ordovician period noting the positions of 21 asteroid impact craters. All these craters are located within 30 degrees of the equator, despite more than 70% of Earth’s continental crust being outside this region, an anomaly that conventional theories cannot explain….

… Normally, asteroids impact the Earth at random locations, so we see impact craters distributed evenly over the moon and Mars, for example. To investigate whether the distribution of Ordovician impact craters is non-random and closer to the equator, the researchers calculated the continental surface area capable of preserving craters from that time.

They focused on stable, undisturbed cratons with rocks older than the mid Ordovician period, excluding areas buried under sediments or ice, eroded regions, and those affected by tectonic activity. Using a GIS approach (Geographic Information System), they identified geologically suitable regions across different continents.

Regions like Western Australia, Africa, the North American Craton, and small parts of Europe were considered well-suited for preserving such craters. Only 30% of the suitable land area was determined to have been close to the equator, yet all the impact craters from this period were found in this region….

(6) THE FELLOWSHIP WORKED FOR PEANUTS? “Cate Blanchett Barely Got Paid for ‘Lord of the Rings,’ Cast Salaries Explained” at Business Insider. We linked to Cate’s comment in another article recently, so here’s an new excerpt:

Orlando Bloom got $175,000 for playing Legolas

While taking a retrospective look at his career on “The Howard Stern Show” in 2019, Orlando Bloom said working with iconic actors such as Ian McKellen and Christopher Lee was a “magical time,” but like Blanchett, he said didn’t get paid much for the trilogy. Bloom was 22 years old when the studio signed him.

Asked how much he was paid, laughing, the actor responded: “Nothing, nothing, nothing. I got nothing. $175 grand for three movies.”

He continued: “No listen, greatest gift of my life, are you kidding me? You’d do it again for half the money.”

(7) SERIAL DIER. “’Mickey 17′ Trailer: Robert Pattinson Toplines Bong Joon-ho Warner Bros Pic” at Deadline.

At long last, Warner Bros has unveiled the first trailer for Mickey 17, the Robert Pattinson sci-fi pic marking Bong Joon-ho’s follow-up to his Best Picture Oscar winner Parasite, which is slated for release on January 31, 2025.

Based on the the novel Mickey 17 by Edward Ashton, the film follows unlikely hero Mickey Barnes (Robert Pattinson), who is an Expendable: a disposable employee on a human expedition sent to colonize the ice world Niflheim. Whenever there’s a mission that’s too dangerous —even suicidal — the crew turns to Mickey. After one iteration dies, a new body is regenerated with most of his memories intact. After six deaths, Mickey understands the terms of his deal…and why it was the only colonial position unfilled when he took it…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

September 17, 1928 – Roddy McDowall.  (Died 1998.)

By Paul Weimer: Roddy McDowall’s genre work came into my awareness early.  He was the voice of V.I.N.CENT., the robot in the much maligned (but a favorite of mine) movie The Black Hole.  I might not have an ear for voices overmuch, but even I could hear his distinctive voice and connect it to the actor I then saw in episodes of Buck Rogers and Tales of the Gold Monkey. His voice popped up again in my ears as Sam in the Return of the King animated movie. 

And from there, he continued to become a very welcome actor, in and out of genre when I encountered him.  And it seemed like I kept running into him and his work everywhere I turned.  His portrayal of the TV show host in Fright Night might be my most favorite role. The original Planet of the Apes films. An episode of the Twilight Zone (where he winds up as an exhibit in an alien zoo). An episode of the 1960’s Batman TV series had him so very nearly kill Batman and Robin (who had to be saved by O’Hara and the police rather than themselves as normal). He even shows up in the 1963 Cleopatra as Octavian. 

One last thing I didn’t learn until some years ago, but delights me now (it would have made no impression until this century) is that he was an avid photographer, specializing in actor and actress portraits.  Truly, a multi-modal talent. 

Roddy McDowall as Joe Carraclough in Metro-Goldwyn-Mayer’s 1943 Lassie Come Home

(9) COMICS SECTION.

(10) COWL FOUL? Comicbook.com says “Batman to Get Hollywood Walk of Fame Star”. I always thought they only went to people – preferably living people, an impression not contradicted by the Frequently Asked Questions – Hollywood Walk of Fame. But what the hell do I know.

On Monday, the Hollywood Chamber of Commerce announced that Batman will receive a star on the Hollywood Walk of Fame on Thursday, September 26th, making the DC Comics character the first superhero to receive the honor. The 2,790th star on the Hollywood Walk of Fame will be dedicated next to the stars of television’s Batman actor Adam West and the Dark Knight’s co-creator, Bob Kane.

Jim Lee, DC’s president, publisher, and chief creative officer, and Anne DePies, DC’s senior vice president and general manager, will attend the Batman Hollywood Walk of Fame ceremony at 11:30 a.m. PT at 6764 Hollywood Boulevard in front of the Hollywood Guinness World Records Museum. The Caped Crusader himself will also appear in costume to accept his star in the category of motion pictures, plus the Guinness World Records title for the first superhero with a star on the Hollywood Walk of Fame in a special presentation by official GWR adjudicator Michael Empric…. 

(11) GRANT GEISSMAN Q&A. “’I’ve made several little stamps on pop culture’ – Grant Geissman discusses his storied and varied career with Joseph Antoniello” in The Comics Journal.

… You mentioned in another interview that your mom had thrown away a bunch of your comics. But you said, “Okay, but don’t throw away my MAD magazines.” What was it about MAD that, over your [other] comics, you were like, no, this is the important one?

I had to draw the line somewhere, and MAD was more important than Superman and Batman. It just was. The other thing she threw away were two and a half sets of Mars Attacks cards. A buddy of mine showed me these things at school, and I went down to the five and ten where he found them, and they were gone. But then right after that, I found them in a little card vending machine at Shopwell Market. So, any time my mom would go to the market, I said, can we go to Shopwell? I would have a handful of nickels, and would keep buying cards until I got two and a half sets of Mars Attacks cards. Every now and then, she would go through my room and throw stuff away. I was like, “What are you doing? You know what? You are not to throw my MAD magazines away.” And I never put that on my daughter, I never made her throw away stuff. So she might have other issues with me, but that’s not one of them! [laughter]…

Do you think that EC fanzine culture played a significant role in the longevity of EC Comics, or do you think that it was just being kept in print by Ballantine that kept it alive?

EC really never went away. These fanzines kept the flame burning. In 1978, Cochran announced the first title in the Complete EC Library—and he announced his intention to create these box sets, complete EC titles. There was a fair amount of “He’s never going to be able to do this. This is an impossible task.” But little by little, each volume would come out, Cochran did it. It took him like 30 years, but it happened. And that really is what kept EC going. There were more comic shops, and what that meant is a producer could go in, buy the entire set of Weird Science or Tales from the Crypt and go, “Hey, there might be a TV or a movie project here.” That’s why the HBO Tales from the Crypt series happened…

What was it like working with Feldstein?

Well, I knew Al from before. I met him in 1992 at a convention in Los Angeles, and later spent some extra time with him through Jerry Weist, because Weist arranged this meeting between Al Feldstein and Ray Bradbury here in Santa Monica. He rented a hotel room and they shot video. It was the first time Feldstein and Bradbury had ever met in person. Jerry brought original EC art and books and reference stuff. I had been commissioning paintings from Feldstein for quite a while, one of them was an oil painting of the Weird Fantasy 20 cover, which is related to “I, Rocket,” a Ray Bradbury story. Jerry said, “Bring that cover painting down and we’ll show it. We’ll have Ray look at it and Al will be there, and he can show Ray what he’s been doing with these paintings.” And then we all went out to dinner, and we even went to see one of Bradbury’s plays. He would put on these little local kind of 99-seater plays based on his books….

(12) HOW RUDE! As Comicbook.com heard it, “Arrow’s Stephen Amell “Didn’t F-cking Appreciate” Peacemaker Jab”.

Arrow star Stephen Amell took aim at new DC Studios co-chief James Gunn in a new podcast interview, saying that he felt Arrow was routinely disrespected by the people behind DC’s movies and Gunn’s series Peacemaker. Amell, who played Oliver Queen/Green Arrow from 2012 until 2023 in Arrow and its various spinoffs, has apparently seen Peacemaker now and isn’t too pleased about a joke made at Green Arrow’s expense. In an episode of the series, Peacemaker says to Vigilante that Green Arrow “goes to Brony conventions dressed as the back half of Twilight Sparkle,” with a hold drilled into the back of the costume. 

Peacemaker made a number of such off-color jokes about characters including Wonder Woman and Aquaman, who had brief cameos in the season finale. After initially saying he had not yet seen the episode, Amell now says that he has, and wasn’t a fan….

(13) DAWN DATA. The Verge tells readers “What the Polaris Dawn mission could reveal about human health in space”.

…The research in the Polaris program, planned to be three flights, is particularly focused on human health and the effects of spaceflight on the body. The current mission will be studied by Baylor College of Medicine, with the astronauts giving blood and going through extensive biomedical testing both before and after the flight.

But what sets the Polaris Dawn mission apart is its altitude, 870 miles above the Earth’s surface to be exact. That’s far higher than the typical altitude of the International Space Station, at around 250 miles, and makes Polaris Dawn the farthest humans have been from Earth since the Apollo missions. 

That altitude took the craft through Earth’s inner Van Allen belt, a region of charged particles that protect the planet from dangerous radiation. The crew members are fitted with sensors to measure their cumulative radiation exposure over the mission, and the spacecraft interior is fitted with a sensor to detect the different types of radiation in the environment.

“It’s an opportunity to see what kind of [radiation] exposure that we get as they get further and further away from the surface of the Earth,” explained Baylor’s Translational Research Institute for Space Health deputy director Jimmy Wu. “That’s something that we don’t have a whole lot of data on, because we’ve been limited to the number of humans that have been that far. So that’s critically important to understand.”…

(14) CLOG DANCING. CNN explains why “47-year-old Voyager 1 spacecraft just fired up thrusters it hasn’t used in decades”.

…Voyager 1 used the thrusters for a variety of purposes as it flew by planets such as Jupiter and Saturn in 1979 and 1980, respectively.

Now, the spacecraft is traveling on an unchanging path away from our solar system, so it just requires one set of thrusters to help keep its antenna pointed at Earth. To fuel the thrusters, liquid hydrazine is converted into gas and released in about 40 short puffs per day to keep Voyager 1 oriented correctly.

Over time, engineers discovered that a fuel tube inside the thrusters can become clogged with silicon dioxide, a byproduct of the fuel tank’s rubber diaphragm aging. As the thrusters become clogged, they generate less force.

In 2002, the team commanded Voyager 1 to switch to its second set of attitude propulsion thrusters when the first set showed signs of clogging. Engineers switched again to the trajectory correction thruster set in 2018 when the second set also appeared clogged.

But when the team recently checked on the status of Voyager’s trajectory correction thrusters, they were even more clogged than the previous two sets of thrusters.

When the team initially switched Voyager over to the trajectory correction thrusters six years ago, the tube opening was 0.01 inches (0.25 millimeters) across. But now, clogging has reduced it to 0.0015 inches (0.035 millimeters) — half the width of a human hair, according to NASA.

It was time to rotate back to another set of attitude propulsion thrusters….

(15) WHAT’S THAT SMELL? “Astronauts reveal what life is like on ISS – and how they deal with ‘space smell'” at the BBC.

…A lucky few are asked to do a spacewalk, leaving the ISS for the space vacuum outside. Mr Hadfield has done two. “Those 15 hours outside, with nothing between me and the universe but my plastic visor, was as stimulating and otherworldly as any other 15 hours of my life.”

But that spacewalk can introduce something novel to the space station – the metallic “space smell”.

“On Earth we have lots of different smells, like washing machine laundry or fresh air. But in space there’s just one smell, and we get used to it quickly,” explains Helen Sharman, the first British astronaut, who spent eight days on the Soviet space station Mir in 1991.

Objects that go outside, like a suit or scientific kit, are affected by the strong radiation of space. “Radiation forms free radicals on the surface, and they react with oxygen inside the space station, creating a metallic smell,” she says.

When she returned to Earth, she valued sensory experiences much more. “There’s no weather in space – no rain on your face and or wind in your hair. I appreciate those so much more to this day now,” she says, 33 years later….

(16) MONSTER WHEELS. You might enjoy these “10 Killer Facts About Herman’s Munster Mobile Koach – The Munsters” at CarStarz.

The Munster Koach from the 1964 show “The Munsters” is a legendary automotive icon that perfectly encapsulates the series’ unique blend of horror and humor. Designed by George Barris, the Munster Koach is a stunningly macabre hot rod, fashioned from multiple Ford Model T chassises, complete with a body resembling a sleek black coffin. The vehicle is adorned with eerie spider-web detailing, a towering Dragula-shaped front end, and a crimson interior, adding to its distinctive and ghoulish charm. This one-of-a-kind creation served as both transportation and a source of endless comedy on the show. It has since become a beloved and instantly recognizable symbol of the Munster family’s quirky, endearing, and ever-memorable lifestyle, leaving an indelible imprint on the world of classic television.

(17) ROD SERLING STATUE. If you’d like to see the real thing, here’s a video of last weekend’s official unveiling: “September 15, 2024: Statue of Rod Serling Dedicated in Binghamton, NY”.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Paul Weimer, Francis Hamit, Nickpheas, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 5/31/24 Scroll Dol! Pixel Dol! File A Dong Dillo!

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(1) ARISTOTLE! In 2017 The New Yorker considered “Fantastic Beasts and How to Rank Them” Aristotle isn’t the only one who had an opinion.

Consider the yeti. Reputed to live in the mountainous regions of Tibet, Bhutan, and Nepal. Also known by the alias Abominable Snowman. Overgrown, in both senses: eight or ten or twelve feet tall; shaggy. Shy. Possibly a remnant of an otherwise extinct species. More possibly an elaborate hoax, or an inextinguishable hope. Closely related to the Australian Yowie, the Canadian Nuk-luk, the Missouri Momo, the Louisiana Swamp Ape, and Bigfoot. O.K., then: on a scale not of zero to ten but of, say, leprechaun to zombie, how likely do you think it is that the yeti exists?

One of the strangest things about the human mind is that it can reason about unreasonable things. It is possible, for example, to calculate the speed at which the sleigh would have to travel for Santa Claus to deliver all those gifts on Christmas Eve. It is possible to assess the ratio of a dragon’s wings to its body to determine if it could fly. And it is possible to decide that a yeti is more likely to exist than a leprechaun, even if you think that the likelihood of either of them existing is precisely zero….

(2) IGLESIAS REVIEW COLUMN. Gabino Iglesias reviews four new horror books in the New York Times, Stephen King’s You Like It Darker: Stories (Scribner), Layla Martínez’s debut novel, Woodworm (Two Lines Press), Christina Henry’s The House That Horror Built (Berkley) and Pemi Aguda’s Ghostroots: Stories (Norton).

(3) SOME PIG! [Item by Dann.] Author Paul Hale has released the first episode of his next series for the Cinema Story Origins podcast.  This time around, he will be comparing and contrasting the book and movie versions of “Charlotte’s Web”. “Charlotte’s Web Part 1”.

(4) SPEED UPDATING. The latest in Joe Vasicek’s continuing series at One Thousand and One Parsecs is “How I would vote now: 2018 Hugo Award (Best Novel)” – a decision made easier by the fact that he didn’t read three of the books at all, and only read “the first couple pages” of a fourth.

How I Would Have Voted

  1. Six Wakes by Mur Lafferty
  2. No Award

Everything else from this year is pretty much terrible, in my opinion. I skipped The Stone Sky, Provenance, and Raven Strategem because those were all series that I had already DNFed….

A fourth finalist that he actually started was Kim Stanley Robinson’s 2140.

(5) CCB CASE ANALYZED. At Writer Beware a guest post looks over a case involving “Disney, Books, and the Copyright Claims Board”.

Writer Beware has been covering the Copyright Claims Board since it started accepting cases in 2022. A small claims court for copyright matters, the CCB offers an alternative to the expensive court battles that previously were the only path to resolving copyright disputes, providing creators with a streamlined, inexpensive method of adjudicating cases of infringement, misuse, and other alleged malfeasance…..

Jonathan Bailey of Plagiarism Today says:

…Overall, the CCB did a good job. Though it cited the most recent Supreme Court ruling, which was handed down just four days before this final determination was published, the CCB didn’t get bogged down needlessly in the injury rule/discovery rule debate. Instead, it turned to the Raging Bull case, allowing the case to move forward but only looking back three years.

That filing delay deeply hurt the claimant. Not only did the vast majority of the alleged infringement take place during the excluded time, but much of the relevant evidence was also from then. Key pieces of that evidence were simply gone.

As the CCB pointed out, the burden of proof is on the claimant. While Disney may have some responsibility, there wasn’t enough (or any) evidence to prove it. If the case had been filed before 2018, things might have progressed very differently.

It is a frustrating case. As small as the infringement may have been, it feels like someone should be held responsible for it. However, the evidence simply didn’t support holding Disney accountable. If this case had been filed earlier or targeted Hoopla directly, there might have been a different outcome.

Ultimately, I think the CCB made the right call, even if my sympathies lie with the author and her publisher….

(6) FANS B.C. Atlas Obscura finds that “Before ‘Fans,’ There Were ‘Kranks,’ ‘Longhairs,’ and ‘Lions’” – a study that encompasses sports, theater, and finally, science fiction.

THE EXACT ORIGINS OF THE modern term “fan” are disputed, but most look to the 1880s, where it was first used by American newspapers to describe particularly invested baseball enthusiasts. But “fan” was just one of the words the press, leagues, clubs, and baseball enthusiasts themselves were using at the time. They were called “enthusiasts,” but also a whole host of other names, from “rooters” to “bugs” to “fiends” to “cranks,” sometimes spelled—as in the German word for “sick”—as “krank.”…

… This, of course, stretches across the history of fandom: Differences like age, geography, approach, and values can lead to different groups forming around the same thing. Trekkies versus Trekkers, for instance, or Holmesians versus Sherlockians. “How you name yourself says a lot about what you think of yourself and your very intense passions,” Cavicchi says. “But at the same time, another name or variation on the name, or another use of your name, maybe in a derogatory sense, may say something about what the culture thinks about you.” Modern fandom terms like “stan” and “fangirl” can connote very different things depending on the speaker—overly emotional and uncontrollable to a critic, or a term of in-group recognition to fellow fans….

(7) TAKING POPCORN OUT OF THE MOUTH OF A SUPERHERO. Does this popcorn bucket need a trigger warning? Consider it given. “Ryan Reynolds unveils hilarious ‘Deadpool and Wolverine’ popcorn bucket” at Entertainment Weekly.

Dune began this war, but Ryan Reynolds isn’t backing down from it. Following the popularity of the Dune: Part Two custom popcorn bucket (which was shaped like the gaping jaws of a sandworm), Reynolds unveiled Deadpool and Wolverine‘s own bucket on Thursday….

…Marvel Studios chief Kevin Feige teased that the bucket would be “intentionally crude and lewd” at CinemaCon, and now we get to see it for ourselves.

Similar to the Dune bucket, the top of the Deadpool and Wolverine popcorn container is shaped like a mouth — Wolverine’s mouth, that is. If you’ve ever wanted to shove your hand down the clawed mutant’s throat…well, now’s your chance….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

May 31, 1993 — Total Recall, the one and only true Total Recall, premiered on this date in Los Angeles thirty-four years ago. So let’s talk about it.

As you most likely know, it’s based off Philip K. Dick’s “We Can Remember It for You Wholesale” which not surprisingly can be found in the We Can Remember It for You Wholesale collection. 

Ronald Shusett who wrote the original script for Alien, not the one that was filmed, bought the film rights to it fourteen years prior to it making it to the screen. It went through at least four studios over sixteen years, some forty script drafts, seven different directors and a potential cast of what seemed like hundreds. In other words, what is called development hell. 

It didn’t get better as it was being film when the De Laurentiis company went bankrupt. Oh well. 

Schwarzenegger wanted to play that role but had been dismissed as inappropriate for the lead role by, well, everyone including the De Laurentiis company, but he convinced the Carolco Pictures to purchase the rights and develop the film with him as the star.

In 2024 terms, the film cost two hundred million dollars.  Quite a bit given that Foundation is only costing Apple five point five million an episode for the current season.  Cost overruns were so common that the bankers gave up trying to figure out what it’d cost to make it. No, none jumped out windows but I bet they thought about it… 

Shusett was the co-director here along with Frederick Feitshans. Why him? Because he’d directed Schwarzenegger on Conan the Barbarian and he wanted him here. If you’re getting the idea, that is a vanity project of Schwarzenegger, you’re not far off as the shooting script was also approved by him. 

Setting him aside, it had a lead cast that you’ll (mostly) recognize— Rachel Ticotin,  Sharon Stone,  Michael Ironside and Ronny Cox. Each went to be a major star save Rachel Ticotin. The other three you’ll know as being in any number of genre films though Stone is best known for Basic Instinct which cannot ever be stretched under any circumstances to be genre adjacent and shouldn’t even be really considered for its police procedural angle really. Seriously no one went to see it for that. 

It’s an entertaining film that I like. I’m amazed Gary Goldman, a film producer, director, animator, writer and even voice actor, was able to make sense of the nearly forty scripts that everyone had a hand in – even Dan O’Bannon at one point. But he did. He even went back to the original script based off the Dick work. Verhoeven read each one of these, bless him, and highlighted those he wanted Goldman to reference.

Yes, the specials effects by Industrial Light & Magic were extraordinary, as is the actual physical work that had to done like The Earth train station which was filmed in the Mexico City Metro and all of the exterior Mars scenes took place at the Valley of Fire State Park in Overton, Nevada. 

The critics were mostly either unfavorable or meh on it with a few impressed. Even when they praised the production values and Schwarzenegger’s performance, they really, really criticized the violent content. 

It turned to be one of the year’s most successful films. On its release, the film earned approximately $261.4 million worldwide, making it the fifth-highest-grossing film of the year.

I rewatched it a few years back. Does it hold up well? The Suck Fairy says yes and I agree. 

(9) COMICS SECTION.

  • Brewster Rockit reports there are some things everyone must watch.
  • Non Sequitur demonstrates a problem that might be unfamiliar today.

(10) TEDDY HARVIA CARTOON.

(11) DON’T LOSE YOUR WAY WHEN YOU CHOOSE YOUR WAY. “These Maps Reveal the Hidden Structures of ‘Choose Your Own Adventure’ Books” – Atlas Obscura unveils an example.

Reading a “Choose Your Own Adventure” book can feel like being lost in a maze and running through twists and turns only to find dead ends, switchbacks, and disappointment. In the books—for those not familiar with them—you read until you come to a decision point, which prompts you to flip to another page, backward or forward. The early books in the series, which began in 1979, have dozens of endings, reached through branching storylines so complex that that trying to keep track of your path can seem hopeless—no matter how many fingers you stick into the book in order to find your way back to the key, fateful choice. You might end up back at an early fork again, surprised at how far you traveled only to reemerge at a simple decision, weighted with consequences that you couldn’t have imagined at the beginning.

The last installment of the original “Choose Your Own Adventure” series came out in 1998, but since 2004, Chooseco, founded by one of the series’ original authors, R.A. Montgomery, has been republishing classic volumes, as well as new riffs on the form of interactive fiction that seemed ubiquitous in the 1980s and ’90s. The new editions also carry an additional feature—maps of the hidden structure of each book….

…The meat of “Choose Your Own Adventure” stories are gender-neutral romps in worlds where there are no obviously right or wrong moral choices. There’s danger around bend, usually in the form of something like space monkeys, malicious ghosts, or conniving grown-ups. Even with a map, there’s no way to find out what really comes next without making a choice and flipping to another page….

(12) BROOKER Q&A. “Black Mirror Season 7: Charlie Brooker Talks AI, USS Callister Sequel” in The Hollywood Reporter.

…In the conversation below, Brooker reveals what inspired him to create the episode (while musing about what a sequel could look like) and weighs in on the AI conversation now, while also discussing the upcoming seventh season of Black Mirror and the show’s first-ever (and highly anticipated) sequel to the Emmy-winning season four “USS Callister” episode.

***

The timing of the release of “Joan Is Awful” may be the most Charlie Brooker thing that has ever happened. What was it like to watch that play out as the AI conversation began to explode?

It was really odd. So, I must have written it in June-July in 2022. When we shot it, it was September-October. It was just before ChatGPT launched. I think it was about a week later that ChatGPT came out and suddenly, everyone was talking about generative AI and how all creative jobs were going to be replaced, pushed out or automated. There’s also a lot of raw animal panic that takes over as a writer as soon as you see some of that generative AI output. I’d seen some of [AI chatbot app] Midjourney, the image generating stuff.

For a while I had wanted to do a story about a news network that bills itself as satire that isn’t showing news but is showing satirical content, which is photorealistic imagery of political figures either being humiliated or looking heroic. And the idea that was a strange way of doing propaganda that they could claim was satirical, but that was ridiculous and absurd. It was a funny and disturbing idea, but I couldn’t work out quite what the story was.

Then I was watching The Dropout, the Hulu drama about the Theranos scandal starring Amanda Seyfried, with my wife and we were discussing how weird it would be — because it was dramatizing very recent events — if you were Elizabeth Holmes watching this and it’s getting so up to date that in a minute, she’s going to put the TV on and see The Dropout. And so those two ideas kind of glommed together: of AI-generated imagery starring real figures — and a dramatization of somebody’s life that’s depicting them in a terrible light. (Laughs.)

As “Joan” came out, I knew it was timely. That season was originally going to be a season of all horror stories called Red Mirror. I was part way into the season and then I had this idea and I thought: It’s not horror. I mean, it’s existentially terrifying, but it’s not horror. It’s definitely a very Black Mirror idea. So I thought, “Fuck it, OK” [about the Red Mirror idea]. I felt like it had to be done now. I definitely couldn’t wait for another season to do it. So when the ChatGPT conversation caught fire and when it became a huge issue because of the strikes, I was slightly wiping my brow with relief that we got the episode out before. The timing of it was surreal. Hopefully, it added to the conversation….

(13) ANOTHER ENTRY RAMP. [Item by Mike Kennedy.] …On the infinite helical slide into the bottomless pit. “Hollywood Nightmare? New Streaming Service Lets Viewers Create Their Own Shows Using AI” in The Hollywood Reporter.

Fable, the studio behind the viral AI-generated ‘South Park’ clips, has announced a streaming platform that allows users to create their own content.

Generative artificial intelligence is coming for streaming, with the release of a platform dedicated to AI content that allows users to create episodes with a prompt of just a couple of words.

Fable Studio, an Emmy-winning San Francisco startup, on Thursday announced Showrunner, a platform the company says can write, voice and animate episodes of shows it carries. Under the initial release, users will be able to watch AI-generated series and create their own content — complete with the ability to control dialogue, characters and shot types, among other controls.

The endeavor marks the tech industry’s further encroachment onto Hollywood as it eyes the exploitation of AI tools embroiled in controversy over their potential to streamline production and the possibility they were created using copyrighted materials from creators they could eventually displace. Amid the industry’s historic dual strikes last year, in which the use of AI emerged as a contentious negotiating point, Fable released an AI-generated episode of South Park to showcase its tech. While some mocked it for its comedic misses, others pointed to the video as a leap forward in the tech and proof of concept that AI tools will soon allow viewers to more actively engage with content, possibly by creating their own. It also demonstrated the threat the tech poses to creators whose labor could be undermined if it’s adopted into the production pipeline.

“The vision is to be the Netflix of AI,” says chief executive Edward Saatchi. “Maybe you finish all of the episodes of a show you’re watching and you click the button to make another episode. You can say what it should be about or you can let the AI make it itself.”…

(14) CAN THE NEXT MUMMY BE A WHALE OF A TALE? World of Reel reports “’The Mummy’ Sequel in the Works, Brendan Fraser and Rachel Weisz to Return”.

According to Daniel Richtman, “The Mummy” franchise has a new sequel in development over at Universal — Brendan Fraser and Rachel Weisz set to return in their respective roles. If you remember, the franchise abruptly ended after 2008’s “The Mummy: Tomb of the Dragon Emperor” — budgeted at $175 million— barely made a profit.

The 1999 original was written and directed by Stephen Sommers and was a remake of the 1932 film of the same name. Despite mixed reviews, it was a commercial success and grossed over $416 million worldwide. The film’s success spawned two direct sequels, 2001’s “The Mummy Returns,” and 2008’s “The Mummy: Tomb of the Dragon Emperor.”

“The Mummy” was an incredible success for Universal on home video, selling 7 million units on VHS and 1 million on DVD, making it that year’s best-selling live-action VHS and second best-selling DVD. This all resulted in Universal grossing over $1 billion in home video sales. It seemed as though everyone you knew owned a copy of this movie.

Fraser is hot right now and is in the comeback phase of his career. In 2023, he won an Oscar for “The Whale” and has been piling up projects ever since….

(15) VOYAGER NOW. [Item by SF Concatenation’s Jonathan Cowie.] In this week’s Science journal there is a look at the Voyager probe, its recovery from computer failure and the mystery region of space it is now entering.  It appears that pulses of Solar plasma are hitting the interstellar medium boundary causing reverberations or it could be plasma clouds from another star…. “Voyager 1 science resumes after interstellar crisis”.

Before a computer crash, venerable NASA probe entered mysterious new region of space Voyager 1, the first earthly object to exit the Solar System may be traversing a plasma cloud from another star.

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Chris Rose, Andrew (not Werdna), Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 4/22/24 Pixel Walked Through A Wall Where She Encountered More Pixels

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(1) CLARKE AWARD SUBMISSION LIST. The complete list of eligible books received by Arthur C. Clarke Award judges has been posted in “Carbon-Based Bipeds: Apr 22nd”. This year the judges received 117 eligible titles from 50 UK publishing imprints and independent authors. 

(2) PEN AMERICA MAKES LITERARY AWARDS DECISIONS. “PEN America Cancels 2024 Literary Awards Ceremony” reports Publishers Weekly.

PEN America has canceled its 2024 Literary Awards ceremony, which was previously scheduled to be held at the Town Hall in New York City on April 29, although some awards will still be conferred. The move follows months of steadily mounting criticism of the organization over its response to the humanitarian crisis in Gaza, which culminated last week in 28 authors withdrawing books from consideration for the awards, including nine of the 10 authors nominated for the organization’s top prize, the PEN/Jean Stein Book Award.

“We greatly respect that writers have followed their consciences, whether they chose to remain as nominees in their respective categories or not,” PEN America literary programming chief officer Clarisse Rosaz Shariyf said in a statement. “We regret that this unprecedented situation has taken away the spotlight from the extraordinary work selected by esteemed, insightful and hard-working judges across all categories. As an organization dedicated to freedom of expression and writers, our commitment to recognizing and honoring outstanding authors and the literary community is steadfast.”

The $75,000 prize accompanying the PEN/Stein award will be donated, this year, to the Palestine Children’s Relief Fund at the direction of the Literary Estate of Jean Stein….

The five finalists and winning titles for each of the more than 20 awards conferred by PEN America had already been selected by judges during deliberations held before the mass withdrawals, the organization said in a statement. As a result, the organization continued, the two winners who remained under consideration for their awards will receive their cash prizes. Those include Countries of Origin by Javier Fuentes (Pantheon), which was chosen to win the $10,000 PEN/Hemingway Award for Debut Novel, and The Blue House: Collected Works of Tomas Tranströmer by the late Tomas Tranströmer, translated from the Swedish by Patty Crane (Copper Canyon Press), which was chosen to win the $3,000 PEN Award for Poetry in Translation.

No winners will be announced if the winning title was withdrawn from consideration for the award,…

(3) CLARION WORKSHOP 2024. The Clarion Workshop at UCSD has announced the Clarion class of 2024:

The Clarion Workshop at UCSD  also plans to bring back the Write-A-Thon this year.

Last summer we saw enormous success in our Indiegogo fundraising campaign, but we also missed joining in writerly solidarity with the larger Clarion community. That’s why we’re returning to our roots–but we’re also hoping to shake things up a little (more news on this soon!)

As always, this year’s Thon will run concurrently with the workshop (June 23 to Aug 3) to help Clarion raise scholarship money to support future students. The Write-a-Thon also helps participants commit to writing goals for the summer. 

We’ll include more details for how to participate and contribute in our next newsletter. In the meantime, it’s time to start thinking about your writing goals for the summer. We can’t wait to hear more about them!

(4) THE X-MAN AND THE WHY-MAN. Deadline shares “’Deadpool and Wolverine’ Trailer”. Deadpool & Wolverine is set to arrive in theaters on July 26. Ryan Reynolds is Deadpool, and Hugh Jackman reprises his role of Wolverine in the Marvel film.

(5) READERS TAKE DENVER, AUTHORS GIVE IT BACK. [Item by Anne Marble.] On Threads, there are a lot of upset posts about Readers Take Denver — an event for authors and readers. If you see “RTD” trending, that’s why. This weekend, it was one of the top trending items on Threads. On Twitter, the Readers Take Denver posts were mostly positive — until later on Sunday. (On Twitter, if you search for RTD, you get mainly posts about Russell T Davies of Dr. Who, so I had a hard time finding information at first.) Here are some newer Twitter posts taking on the event:

On Threads, there are so many posts that “RTD” got its own tag on Threads: tag on Threads (registration required).  

Here is a good starting place on Threads (registration not required): @charlottedaeauthor: “After scouring Threads for information regarding Readers Take Denver, here’s what I’m gathering”.

This Thread also has details: @storiesdontcare “Readers Take Denver is an absolute logistical atrocity. $300 for a ticket”.

How influencers were treated: @authorncaceres “Influencers received different treatment. 1st they were told not to film anywhere. Then they were…”.

There were also accessibility issues: @rinkrat702 “Readers take Denver. Accessibility: me when I signed up. ‘I’d love to be on the ADA team’”.

It’s mostly a romance event, but it included romantasy authors — including big names such as Rebecca Yarros (“Fourth Wing”). There was also a day for thriller authors, including Jason Pinter and Mark Greaney. It sounds as if the organizers got way in over their heads. They had something like 3,000 attendees. And a huge list of authors (“Attending Authors / Narrators – Readers Take Denver”). Many think they aimed too high and ended up with a logistical nightmare.

There are allegations that the registration line took 3 hours — Also, signing lines took a very long time as well — too many authors in a small space without enough time allotted for the event. Authors are alleging that items were stolen from them (such as boxes of books). I’ve read about at least one case where an author’s books were accidentally given away as “swag.”

Also, the organizers apparently ran out of lanyards (!) and swag bags. And they didn’t have enough bottled water for the authors. Many readers enjoyed the event and had no issues, but other readers felt that they were ripped off.

It sounds like they needed better security, too. Later on Sunday, sexual assault allegations emerged. Several men attending another event entered RTD (despite having no badges) and groped women at RTD.

(6) SOFANAUTS LAUNCHES. Tony Smith hosts a new podcast — Sofanauts. He says the podcast mixes science fiction and technology. Two episodes are already available.

…Each week I’ll be joined by futurist, educator, speaker and writer Bryan Alexander (Thursdays) to talk about science fiction and technology. We’ll be discussing our favourite books, movies, and TV shows, as well as the latest technological developments that are shaping the future from the the very books, films and TV shows we’ve watched and read over the years….

(7) RAY GARTON (1962-2024). [Item by Anne Marble.] Horror author Ray Garton passed away on April 21. The announcement came from Dawn Garton on his Facebook page:

On April 9, 2024, he had posted on Facebook that he was in the hospital with stage 4 lung cancer.

Garton was named a World Horror Convention Grand Master in 2006.

Among others, Stephen King posted about his death:

A GoFundMe was started earlier in April by a family friend. “Ray Garton~Beloved Master of Horror”.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 22, 1937 — Jack Nicholson, 87. My all-time must watch again performance by Jack Nicholson is that of him playing Daryl Van Horne in The Witches of Eastwick. I’ve refused to watch any of the later versions of The Witches of Eastwick simply because I can’t picture anyone else being that character.   

Bill Murray had been cast in the role had dropped out before even preliminary filming began. Jack Nicholson expressed interest in playing the role of Daryl to the producers through his then-girlfriend Anjelica Huston who was then being seriously considered for a role there. (Apparently the role Susan Sarandon got according to several sites.) So thus we got The Devil in the form of him. Brilliant role.

Jack Nicholson, center, Murray Close, right.

Now his first role in the genre was in The Little Shop of Horrors, the true one of course, not the latter one, as Wilbur Force, The Dentist.  Because Corman did not believe that The Little Shop of Horrors had any chance of making money at all after its first run, he did not bother to copyright it, resulting in the film entering public domain immediately, so I can show you this scene with him in that role.

His next film, another Roger Corman affair, The Raven, was better known forc who he was performing with than for him being in it, those performers being Vincent Price, Peter Lorre and Boris Karloff. He played Lorre’s son, Rexford Bedlo. Poe’s “The Raven” poem was very, very faintly the basis of this film. Think a drop of blood in a gallon of water.

He’s Andre Duvalier in The Terror. Here he’s a French officer who is seduced by a woman who is also a shapeshifting devil. 

Now we come to what critics consider his best performance of all time, that of Jack Torrance in The Shining based off King’s novel which was produced and directed by Kubrick who co-wrote it with Diane Johnson. Look I can’t judge his role there as I do not do horror of that sort, so it’s up to the collective wisdom here to tell me how he was there. Go ahead, tell me. 

Now I did see Batman. Several times. And yes, I like it a lot. And yes, I thought he made a most excellent Joker. And one of the best Jack Napiers as well, a role that is even harder to get right. (The animated B:TAS series did so by showing him smartly dressed and grinning evilly but not speaking after committing a cold blooded murder. They’d refer to him several times over the series and in The Mark of The Phantasm film which I highly recommend.) So it was a very good role for him.

In Wolf, he was Will Randall. A middle-aged chief editor who hits a wolf with his car who is actually a werewolf who bites him. A Very Bad Idea Indeed. He chews a lot of scenery here. A lot. And he can, as we saw in Batman, chew scenery really, really well. Actually he did so in The Witches of Eastwick brilliantly as well. 

Finally there’s Tim Burton’s LoneStarCon 2 Hugo-nominated Mars Attacks! where he plays two roles, President James Dale and Art Land. I’ll be damn if I remember the latter role now nearly thirty years on after seeing it. One moment… Oh I see, he was the Galaxy Casino owner. No, that still didn’t help. The President James Dale character was fascinating if only as for being a much less in your face role than some of his other genre roles such as those of The Shining, Batman, and Wolf. 

(9) COMICS SECTION.

(10) TEDDY HARVIA CARTOON. Another of Teddy’s Belphegor cartoons. “I must have sold my soul to the Devil to come up with such funny stuff.”

(11) X MARKS A LOT OF SPOTS. Check out the first half of Scott Koblish’s connecting cover that run across four upcoming X-Men titles: X-Men #35 (Legacy #700), X-Men #1, Uncanny X-Men #1, and Exceptional X-Men #1. (Click for larger image – though still might not see a lot of detail.)

It’s a great time to be an X-Men fan! In addition to their animated resurgence in Marvel Studios’ X-Men ’97, the X-Men’s comic book line is closing out its’ revolutionary Krakoan age of storytelling AND gearing up for the exciting all-new From the Ashes era this summer! To celebrate this iconic franchise’s recent milestone, acclaimed artist Scott Koblish has crafted an insanely epic connecting cover that will grace some of the most highly-anticipated upcoming X-Men comic releases…. 

Showcasing the entirety of the X-Men’s 60-year publication history, including core X-Men series as well as spinoffs and limited series, this breathtaking group shot spotlights A-List X-Men, obscure mutants, super villains, allies, super hero guest stars, and much more. Test your knowledge of the mutant mythos by finding your favorites and identifying as many characters as you can!  For more information, visit Marvel.com.

(12) ASTEROIDS QUIZ. Brick Barrientos’ “Asteroids One-Day Special” went live on April 15. He says “Rich Horton was among my playtesters.” Here is the link to the quiz: https://www.learnedleague.com/oneday.php?5701.

The first question has audio which can only be heard by Learned League members – but you can eavesdrop on the copy hosted at Brick’s Google Drive:

1.  What astronomer and composer of this piece first suggested the term “asteroid”, just after the discovery of Pallas, the next body discovered after Ceres? Although at that time, the term was intended to apply also to the moons; objects with a star-like point appearance. 

(13) NOW, VOYAGER. [Item by PJ Evans.] In far-out news, Voyager 1 seems to be communicating again: “NASA’s Voyager 1 Resumes Sending Engineering Updates to Earth”.

…For the first time since November, NASA’s Voyager 1 spacecraft is returning usable data about the health and status of its onboard engineering systems. The next step is to enable the spacecraft to begin returning science data again. The probe and its twin, Voyager 2, are the only spacecraft to ever fly in interstellar space (the space between stars)….

…The team discovered that a single chip responsible for storing a portion of the FDS memory — including some of the FDS computer’s software code — isn’t working. The loss of that code rendered the science and engineering data unusable. Unable to repair the chip, the team decided to place the affected code elsewhere in the FDS memory. But no single location is large enough to hold the section of code in its entirety.

So they devised a plan to divide the affected code into sections and store those sections in different places in the FDS. To make this plan work, they also needed to adjust those code sections to ensure, for example, that they all still function as a whole….

(14) VIDEO OF THE DAY. It’s a tight one. “Most awkward moments in superhero filming”.

Great power comes with… a painful costumes. Today, it’s about the unavoidable pain of being a superhero.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, JJ, Anne Marble, Kathy Sullivan, Brick Barrientos, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 4/6/24 On (Eclipse) Monday, Smart Electronic Sheep Won’t Look Up

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(1) MOOGS, WOULD YOU BUY IT FOR A QUARTER? “Nobody Wants to Buy The Future: Why Science Fiction Literature is Vanishing” — according to Simon MacNeil at Typebar Magazine.

A recent Washington Post article indicated that only 12% of the reading public were interested in reading science fiction.  A perusal of bestseller lists for science fiction shows an even more alarming truth: the science fiction books that do sell are a shrinkingly small number of reprints, classics and novels that had been adapted into movies. 

The December 2023 bestseller list on Publisher’s Weekly contained only two novels published originally in 2023: Pestilence by Laura Thalassa (an odd addition to the Science Fiction list as it is marketed as fantasy / romance) and Starter Villain by John Scalzi. The bestselling SF novel in that time period, Project Hail Mary by Andy Weir, sold almost 17,000 copies. This puts it far below the bottom of the top 10 overall fiction bestseller list where Sarah J. Maas’ romantasy novel A Court of Mist and Fury sits at 19,097 copies sold. 

Science fiction is not selling…

… But there’s something else at play here that has reduced the public’s general taste for science fiction. 

We got to one of the futures Science Fiction proposed, and it sucked.

An oft-cited Tweet from The Onion’s Alex Blechman summarizes it perfectly: 

“Sci-Fi Author: In my book I invented the Torment Nexus as a cautionary tale.
“Tech Company: At long last, we created the Torment Nexus from the classic sci-fi novel Don’t Create The Torment Nexus.”

We are living in the world John Brunner predicted in Stand on Zanzibar and The Sheep Look Up—one of corporate dominance, political instability and environmental collapse. We are, all of us, in the Torment Nexus. So why would we want to read what future horrors Silicon Valley merchants of human misery are trying to produce next….

(2) DID HE EVER RETURN? NO, HE NEVER RETURNED. “’Quantum Leap’ Canceled at NBC After Season 2” notes The Hollywood Reporter.

The network has canceled the reboot of the 1989 series after a two-season run, sources tell The Hollywood Reporter.

The series starring Raymond Lee wrapped its sophomore season in February and ranked as one of the broadcast network’s lowest-rated scripted originals.

Quantum Leap, which was produced in-house at Universal Television, earned a speedy season two renewal as NBC kept production going in a bid to have scripted originals during the writers and actors strikes….

(3) MIRRORSHADES. “NASA says you shouldn’t use your phone to photograph the solar eclipse” warns XDA.

Everyone knows you shouldn’t stare at the sun during an eclipse. However, as it turns out, your phone’s “eyes” aren’t a suitable substitute. NASA has posted that, if you intend to look at the eclipse, pointing your phone at it in hopes to capture it on camera will likely fry its internal circuits, but don’t fret; there is a solution if you want to snap a photo to remember the occasion by…

…If you want to take a snap of the eclipse, there’s still a solution. NASA recommends using the same trick that protects your own eyeballs from the solar rays; with a pair of eclipse glasses. And the same rules apply for your phone as they do for your eyes; use the glasses to protect the device when it’s looking at the sun, and don’t keep pointing at it for too long. If you abide by the rules, you’ll be able to remember the eclipse with a nice photo instead of a hefty phone repair bill.

(4) THREEQUEL. You heard it here last. Entertainment Weekly reports “Denis Villeneuve’s third ‘Dune’ movie is officially happening”.

Sometimes, dreams do come true. That’s as true for Paul Atreides as it is for Denis Villeneuve, who now gets to make his third Dune movie. Legendary confirmed on Thursday that they are currently developing a third movie in the sci-fi franchise based on Frank Herbert’s original novels and are also in talks with Villeneuve to adapt Annie Jacobsen’s nonfiction book Nuclear War: A Scenario after that.

Villeneuve first told EW in 2021 that his goal all along was to make three Dune movies. Dune: Part Two completed the adaptation of Frank Herbert’s original 1965 sci-fi novel, but Herbert wrote five sequels before his death in 1986 (his son Brian Herbert and Kevin J. Anderson have since added to the franchise with many additional books). The first of Herbert’s sequels, 1969’s Dune Messiah, is what Villeneuve wants to adapt for his third movie in this series.

“I always envisioned three movies,” Villeneuve told EW then. “It’s not that I want to do a franchise, but this is Dune, and Dune is a huge story. In order to honor it, I think you would need at least three movies. That would be the dream. To follow Paul Atreides and his full arc would be nice.”…

(5) FAMILIARIZE YOURSELF WITH GLASGOW. [Item by SF Concatenation’s Jonathan Cowie.] SF2 Concatenation has advance posted ahead of its next seasonal edition an article on Glasgow: “Glasgow as a venue for the Worldcon”.

Welcome to Glasgow the largest city in Scotland, a place often referred to as “the second city of the Empire”, meaning the second city of the British Empire because of its shipbuilding prowess on the banks of the River Clyde, and its industrial base.   But other cities in the United Kingdom also lay claim to the title, so better not say “I’ve just been to the Worldcon in the second city of the Empire” if heading down south.

(6) GLANCING TOWARD THE FUTURE. If you want to be in, respond to the Glasgow 2024 Academic Programme Call For Papers by April 30.

Glasgow 2024’s Academic Programme will bring together a diverse set of scholars from the humanities, social sciences, and adjacent disciplines to launch an exploration of SF/F/H’s concern for our futures. Through a combination of panels of three (3) 15-minute presentations each and hour-long roundtable discussions with scholars, we’ll discuss themes of futurity as they manifest in genre fiction and media past and present, as well as speculate on the genre’s own potential futures and capacity for shaping the future, encompassing film, literature, comics, games, new media, and art and/or the fan communities that celebrate them.

(7) DETECTING FAKE LITERARY AGENCIES. Patrick Carter enhances your scam detection skills in a thread that starts here. Here are some examples:

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 6, 1937 — Billy Dee Williams, 87. Rather obviously, Billy Dee Williams’ best-known role is as — and no I did know this was his full name — Landonis Balthazar “Lando” Calrissian III. He was introduced in The Empire Strikes Back as a longtime friend of Han Solo and the administrator of the floating Cloud City on the gas planet Bespin. 

Billy Dee Williams

(So have I mentioned, I’ve only watched the original trilogy, and this is my favorite film of that trilogy? If anyone cares to convince me I’ve missed something by not watching the later films, go ahead.) 

He is Lando in the original trilogy, as well in as the sequel, The Rise of Skywalker, thirty-six years later. The Star Wars thinks this might be the longest interval between first playing a character and later playing the same character, being a thirty-six year gap.

He returned to the role within the continuity in the animated Star Wars Rebels series, voicing the role in “Idiot’s Array” and “The Siege of Lothal” episodes. 

Now this is where it gets silly, really silly. The most times he’s been involved with the character is in the Lego ‘verse. Between 2024 with The Lego Movie to Billy Dee Williams returned to the role in the Star Wars: Summer Vacation in 2022, he has voiced Lando in eight Lego films, mostly made as television specials.

Going from hero to villain, he was Harvey Dent in Batman, and yes in The Lego Batman Movie. Really they made it. I’d like to say I remember him here but than they would admitting this film made an impression on me which it decidedly didn’t. None of the Batman Films did in the Eightes.

He’s in Mission Impossible as Hank Benton, an enforcer for a monster, in “The Miracle” episode; he’s Ferguson in  Epoch: Evolution, the sequel to Epoch, a what looks like quite silly, and I’m using this term deliberately, sci-film, and finally he voiced himself on Scooby-Doo and Guess Who?,  the thirteenth television series in the Scooby-Doo franchise. 

(9) COMICS SECTION.

  • Tom Gauld has two for us.

(10) TAXONOMY SEASON. Richard Ngo has put together a grid about types of conflict in a certain species of sff story. It’s followed by several posts with commentary. Thread starts here. (Ngo credits Grant Snider’s 2014 Incidental Comics “Conflict in Literature” as the inspiration.)

(11) JEOPARDY! [Item by David Goldfarb.] The April 5 episode of Jeopardy! was the first game of the tournament finals. In the Jeopardy round:

Alliterative Lit, $200:
Chapters in this book include “The Departure of Boromir” & “Shelob’s Lair”
Andrew He buzzed in but dried up. Victoria Groce responded with, “What is The Two Towers?”

The Double Jeopardy round had a category “Horror Music”. The contestants started at the bottom and worked their way up:

$2000
“Putting Out the Fire with Gasoline” is from the theme song to this beastly film starring Nastassja Kinski
Victoria tried, “What is Species?” but this was wrong. Amy Schneider tried “La Femme Nikita” but seemed to know that wasn’t right. Andrew didn’t try it. The answer was Cat People.

$1600
In a song by the goth rock band Bauhaus, this horror movie legend is “dead, undead, undead, undead”
Victoria got this: “Who is Bela Lugosi?”

$1200
A man sees a ghostly version of himself in Schubert’s Lied (song) with this German title
Amy seemed uncertain with “What is Doppelgänger?” but it was correct.

$800
“What ever happened to my Transylvania Twist?” is a lyric from this novelty horror song
Amy was more sure of this one: “What’s the Monster Mash?”

$400
Ray Parker Jr. wrote & performed the theme song to “Ghostbusters” that went to no. 1 on the charts & asked this musical question
Amy said, “What is ‘Who they gonna call?’” but this was not accepted. Andrew He got the right phrasing: “What is ‘Who you gonna call?’”

(12) CALL ME. “How ‘Bambi’ & Horatio Hornblower Helped Launch William Shatner & Captain Kirk: The Film That Lit My Fuse” – the headline of Deadline’s mini-review of You Can Call Me Bill is really the best part. You can skip the rest.

(13) WHEN MAY THE FOURTH IS WITH YOU. We reported Disney+’s upcoming Star Wars: Tales of the Empire series yesterday. Here’s the trailer. Arrives May 4.

(14) DIRECT FROM 1997. Hear the author’s musical selections on BBC Radio 4’s “Desert Island Discs, Iain Banks.

This week’s castaway is an author. In his book The Wasp Factory, the teenage protagonist tortures insects, experiments with bombs and kills a brother and a cousin. But, says Iain Banks, that was “just a phase he was going through”. He tells Sue Lawley how, as a writer, he has not developed the filters that most adults do and so views the world with childlike eyes, describing what he sees. And this world, he feels, is very often a violent and terrifying one.

[Taken from the original programme material for this archive edition of Desert Island Discs]

Favourite track: Mohammed’s Radio by Warren Zevon
Book: The Complete Monty Python Television Scripts by Monty Python
Luxury: Front Seat Of A Porsche

(15) FIRST QUARTER. JustWatch has released their latest data report on market shares in the US for the first quarter of 2024. The report is based on the JustWatch users in the US selecting their streaming services, clicking out to streaming offers and marking titles as seen. 

  • SVOD market shares in Q1 2024: Global streaming giant: Prime Video took the lead in the US streaming market with shares more than the combined size of Disney-owned companies: Hulu and Disney+. Meanwhile, Netflix maintains its stronghold with more than 2x the shares than that of Apple TV+.
  • Market share development in 2024: Leading streaming growth into 2024 are Apple TV+, Netflix, and Paramount+, each adding +1% to their shares. On the other hand, Hulu, Disney+, and Max struggled to keep up, individually suffering through a -1% decline since January.

(16) CHIP OFF THE VERY OLD BLOCK. Live Science is there when “NASA engineers discover why Voyager 1 is sending a stream of gibberish from outside our solar system”.

…In March, NASA engineers sent a command prompt, or “poke,” to the craft to get a readout from its flight data subsystem (FDS) — which packages Voyager 1’s science and engineering data before beaming it back to Earth. 

After decoding the spacecraft’s response, the engineers have found the source of the problem: The FDS’s memory has been corrupted.

“The team suspects that a single chip responsible for storing part of the affected portion of the FDS memory isn’t working,” NASA said in a blog post Wednesday (March 13). “Engineers can’t determine with certainty what caused the issue. Two possibilities are that the chip could have been hit by an energetic particle from space or that it simply may have worn out after 46 years.”…

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Lise Andreasen, David Goldfarb, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/14/24 I Am The Go-Captain Of The Pixelfore

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(1) LIBBY BOOK AWARDS. Congratulations to Martha Wells and Rebecca Yarros, two of the 17 winners of the inaugural Libby Book Awards, chosen by a panel of 1700 librarians worldwide.

  • Fiction: The Heaven & Earth Grocery Store, by James McBride
  • Nonfiction: The Wager, by David Grann
  • Young Adult: Divine Rivals, by Rebecca Ross
  • Audiobook: I Have Some Questions for You, by Rebecca Makkai
  • Debut Author: The House in the Pines, by Ana Reyes
  • Diverse Author: Camp Zero, by Michelle Min Sterling
  • Comic Graphic Novel: The Talk, by Darrin Bell
  • Memoir & Autobiography: Pageboy, by Elliot Page
  • Cookbook: Start Here, by Sohla El-Waylly
  • Mystery: Vera Wong’s Unsolicited Advice for Murderers, by Jesse Q. Sutanto
  • Thriller: Bright Young Women, by Jessica Knoll
  • Romance: Georgie, All Along, by Kate Clayborn
  • Fantasy: Fourth Wing, by Rebecca Yarros
  • Romantasy: Iron Flame, by Rebecca Yarros
  • Science Fiction: System Collapse, by Martha Wells
  • Historical Fiction: Let Us Descend, by Jesmyn Ward
  • Book Club Pick: Yellowface, by R. F. Kuang

(2) BOOK BANS SURGED IN 2023. “American Library Association reports record number of unique book titles challenged in 2023” at ALA.org.

Stack of books background. many books piles

The number of titles targeted for censorship surged 65 percent in 2023 compared to 2022, reaching the highest levels ever documented by the American Library Association (ALA). The new numbers released today show efforts to censor 4,240 unique book titles* in schools and libraries. This tops the previous high from 2022, when 2,571 unique titles were targeted for censorship. 

ALA’s Office for Intellectual Freedom documented 1,247 demands to censor library books, materials, and resources in 2023. Four key trends emerged from the data gathered from 2023 censorship reports: 

  • Pressure groups in 2023 focused on public libraries in addition to targeting school libraries. The number of titles targeted for censorship at public libraries increased by 92 percent over the previous year; school libraries saw an 11 percent increase.
  • Groups and individuals demanding the censorship of multiple titles, often dozens or hundreds at a time, drove this surge.  
  • Titles representing the voices and lived experiences of LGBTQIA+ and BIPOC individuals made up 47 percent of those targeted in censorship attempts. 
  • There were attempts to censor more than 100 titles in each of these 17 states: Colorado, Connecticut, Florida, Idaho, Illinois, Iowa, Kentucky, Maryland, Missouri, North Carolina, Ohio, Pennsylvania, Tennessee, Texas, Utah, Virginia, and Wisconsin.

“The reports from librarians and educators in the field make it clear that the organized campaigns to ban books aren’t over, and that we must all stand together to preserve our right to choose what we read,” said Deborah Caldwell-Stone, director of ALA’s Office for Intellectual Freedom. “Each demand to ban a book is a demand to deny each person’s constitutionally protected right to choose and read books that raise important issues and lift up the voices of those who are often silenced.  By joining initiatives like Unite Against Book Bans and other organizations that support libraries and schools, we can end this attack on essential community institutions and our civil liberties.”…

(3) PNH’S NEW POST AT TPG. “Patrick Nielsen Hayden to Become Editor-at-Large for TPG” reports Publishers Weekly.

Patrick Nielsen Hayden has assumed the title of editor-at-large for the Tor Publishing Group. Hayden has been with TPG for 35 years and most recently served as v-p, associate publisher, and editor-in-chief.

During his tenure, he has published the debut novels of authors such as Charlie Jane Anders, Corey Doctorow, John Scalzi, and Jo Walton, and has received three Hugo Awards and a World Fantasy Award for his editorial work. In 2020, he founded our Tor Essentials imprint, which highlights a new generation of SFF classics. 

As editor-at-large, he will continue to edit such authors as Scalzi, Doctorow, and Walton, and will continue to select and oversee the Tor Essentials. 

In announcing Hayden’s new role, TPG president and publisher Devi Pillai added that the company “will not be replacing Patrick in his previous position—he is one of a kind.”

Patrick Nielsen Hayden in 2013. Photo by Scott Edelman.

(4) WICKED WORLD’S FAIR FOLLOWUP. “Eventbrite Refutes Mach’s Claims About WWF Payouts, Hints at Possible ‘Actions’” at The Steampunk Explorer. The linked post adds a great deal more coverage after this introductory item:

Amid the fallout from the Wicked World’s Fair (WWF), show organizer Jeff Mach has repeatedly blamed Eventbrite, the online ticketing and event management platform, for his inability to cover the event’s expenses. But in a statement provided Wednesday to The Steampunk Explorer, Eventbrite refuted key aspects of his claims.

WWF was held Feb. 23-25 at the SureStay Plus hotel in Bethlehem, Pennsylvania. Mach used Eventbrite to manage ticket sales, as well as sales of vendor spaces. During the event, as a sound crew was awaiting payment and vendors were requesting refunds, he told them that Eventbrite had frozen his account, preventing use of the platform’s payout features.

In the weeks that followed, Mach continued to blame Eventbrite for payment issues at WWF. “I had repeated assurances from Eventbrite that the money would be forthcoming,” he remarked in one statement to The Steampunk Explorer. “Why Eventbrite had the account locked down, but refused to tell us, I don’t know.”

This was the company’s response on Wednesday: “Eventbrite offers, but does not guarantee, multiple ways to request funds ahead of the event date. Due to an error on the organizer’s end, we can confirm that a few of these advance payouts were delayed. This was quickly remedied, and the organizer received much of his payout ahead of the event and has now been paid out in full.”…

(5) I NEVER WANTED TO GO DOWN THE STONEY END. [Item by Danny Sichel.] Last month, Doug Muir did a piece about the impending death of Voyager 1, originally launched in 1977. “Death, Lonely Death” at Crooked Timber.

…Voyager has grown old.  It was never designed for this!  Its original mission was supposed to last a bit over three years.  Voyager has turned out to be much tougher than anyone ever imagined, but time gets us all.  Its power source is a generator full of radioactive isotopes, and those are gradually decaying into inert lead.  Year by year, the energy declines, the power levels  relentlessly fall.  Year by year, NASA has been switching off Voyager’s instruments to conserve that dwindling flicker.  They turned off its internal heater a few years ago, and they thought that might be the end.  But those 1970s engineers built to last, and the circuitry and the valves kept working even as the temperature dropped down, down, colder than dry ice, colder than liquid nitrogen, falling towards absolute zero.  

(Voyager stored its internal data on a digital tape recorder.  Yes, a tape recorder, storing information on magnetic tape.  It wasn’t designed to function at a hundred degrees below zero.  It wasn’t designed to work for decades, winding and rewinding, endlessly re-writing data.  But it did.)…

… We thought we knew how Voyager would end.  The power would gradually, inevitably, run down.  The instruments would shut off, one by one.  The signal would get fainter.  Eventually either the last instrument would fail for lack of power, or the signal would be lost.

We didn’t expect that it would go mad.

In December 2023, Voyager started sending back gibberish instead of data.  A software glitch, though perhaps caused by an underlying hardware problem; a cosmic ray strike, or a side effect of the low temperatures, or just aging equipment randomly causing some bits to flip.

The problem was, the gibberish was coming from the flight direction software — something like an operating system.  And no copy of that operating system remained in existence on Earth….

But all is not lost. Well, probably. But not necessarily. At the link you can read the rest of the story about the people trying to put the smoke back in the system from fifteen billion kilometers away.

(6) WEIMER GUESTS ON WORLDBUILDING FOR MASOCHISTS. Paul Weimer joins hosts Marshall Ryan Maresca, Cass Morris, and Natania Barron for  episode 124 of the Worldbuilding for Masochists podcast, “Worldbuilding in Review”.

We spend a lot of time thinking about how to work with worldbuilding as writers — but how does a reviewer approach the topic when they’re reading works of sci-fi and fantasy? Guest Paul Weimer joins us to share his insights as a prolific consumer and critiquer of speculative fiction! Paul talks about the details that he pays attention to, the things he looks for, and the things that draw his attention, as well as discussing the purpose of reviews and who they’re for (hint: it’s not the authors!).

In this episode, we spin things around to look at how we approach worldbuilding and narrative construction as readers — since we are, of course, readers as well as writers! We explore of aspects of how a writer can set and, hopefully, meet expectations through worldbuilding — and where that can sometimes become challenging as a series goes on. What makes a world exciting to enter in the first place? What grips a reader and keeps them with it? And how can you use worldbuilding to make your wizard chase sequence a more cohesive part of your world?

(7) ENTRIES SOUGHT FOR BALTICON SHORT FILM FESTIVAL. Balticon Sunday Short Science Fiction Film Festival has been revised and is looking for talented filmmakers. Full guidelines here: “Short Film Festival”. Entries must be submitted by April 10 2024.

In 2024, the Balticon Sunday Short Science Fiction Film Festival (BSSSFFF) will take place on Sunday evening at 7:00pm. We will thrill festival attendees with independently produced short films from around the region and across the globe. BSSSFFF features live action and animated films in the science fiction, fantasy, and horror from some of the best independent filmmakers this side of the Crab Nebula.

Awards will be given in both the Live Action and Animation category based upon audience preferences. Some of the history of this film festival can be found on the BSFS website.

(8) TRY SUNDAY MORNING TRANSPORT. Mary Robinette Kowal has posted a link valid for a 60-day free trial of Sunday Morning Transport.

(9) ONE SUPERHERO ACTOR CONS ANOTHER. “Simu Liu was scammed by a Hollywood Boulevard Spider-Man” at Entertainment Weekly.

Simu Liu is reflecting on an enemy he made during his first visit to Los Angeles: a not-so-friendly neighborhood Spider-Man.

During an interview with Jesse Tyler Ferguson on Dinner’s On Me, the Shang-Chi and the Legend of the Ten Rings actor recalled an unfortunate encounter with a swindling web-slinger on Hollywood Boulevard. “I remember I was taking photos of the Chinese Theater and a Spider-Man came up to me and was like, ‘I’ll help you!’” the actor remembered.

Alas, Liu’s spider-sense didn’t alert him to the insidious plot that was about to unfold. “And then he took a bunch of photos of me, and then he took some selfies of himself, and then he was like, ‘That’ll be $20!’” the actor said. “And that was mortifying for me, because I didn’t have $20 to give him. Core memory, clearly.”

(10) INTELLECTUAL (?) PROPERTY. Jon Del Arroz tagged me on X.com about this. I clicked through and was fascinated to learn he has declared Sad Puppies is a movement “owned and led by JDA!”

OFFICIAL Sad Puppies merch is now live on the store! Show your allegiance to this great movement which is owned and led by JDA!

(11) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 14, 1933 — Michael Caine, 91. On my list of favorite British performers of all time, Michael Caine is near the top of that list. Both his genre and non-genre performances are amazing. So let’s take a look at those performances.

Caine portrayed Alfred Pennyworth in Christopher Nolan’s Batman trilogy. He was quite stellar in this role. And he was in The Prestige, a truly great film, as John Cutter, in Inception as Stephen Miles, Professor John Brand in Interstellar and Sir Michael Crosby in Tenet.

Did you see him in as Ebenezer Scrooge in The Muppet Christmas Carol? If not, go see it now. He’s wonderful and The Muppet take on the Dickens story is, errr, well actually touching. Really it is.

Definitely not genre is The Man Who Would Be King, based off the Kipling story, which starred him with Sean Connery, Saeed Jaffrey and Christopher Plummer. The two primary characters were played by Sean Connery — Daniel Dravot — and Caine played the other, Peachy Carnehan. A truly fantastic film. 

Michael Caine and Sean Connery in The Man Who Would Be King.

In the Jekyll & Hyde miniseries, he’s got the usual dual role of Dr Henry Jekyll / Mr Edward Hyde. He was nominated for a Golden Globe Award for Best Actor – in a Miniseries. He did win a Globe for Best Actor for playing Chief Insp. Frederick Abberline in the Jack Ripper miniseries airing the same time.

Nearly thirty years ago, he was Captain Nemo in a 20,000 Leagues Under the Sea miniseries. 

He’s in Austin Powers in Goldmember, third film in the franchise. He’s Nigel Powers, a British agent and Austin and Dr. Evil’s father. Can someone explain to me the appeal of these films? 

In Children of Men, he plays Jasper Palmer, Theo’s dealer and friend, Theo being the primary character in this dystopian film. 

He’s Chester King in Kingsman: The Secret Service. That’s off the Millarworld graphic novel of Kingsman: The Secret Service by Mark Millar and Dave Gibbons.

I’m reasonably sure that’s all I need to mention about his career.

(12) COMICS SECTION.

  • Blondie anticipates tomorrow’s celebration of World Sleep Day.
  • Frazz figures out the anatomy involved in scientific advancement.
  • Does F Minus depict the dream of some File 770 commenters?
  • Non Sequitur imagines the earliest days of streaming.
  • Carpe Diem has a new origin story.

(13) OCTOTHORPE. In episode 105 of the Octothorpe podcast, John Coxon watches movies, Alison Scott walks on the Moon, and Liz Batty has special bonds. Listen here: “Scorching Hot Month-Old Takes”.

In this episode, we talk through your letters of comment with diversions into Zodiac podcasts, poetry collections, and Scientology. We discuss the BSFA Awards shortlist and return to the Hugo Awards for another round of head-scratching and bewilderment.

A famous photograph of Margaret Hamilton standing beside printed outputs of the code that took the Apollo spacecraft to the Moon, overlaid with the words “Octothorpe 105” and “Liz has finished reading the latest Hugo Award exposés”.

(14) OUTSIDE THE BOX — AND INSIDE THE SHELVES. Harlan Ellison’s Greatest Hits can already be found in some bookstores, ahead of the official release date.

(15) GLIMPSE OF BLACK MIRROR. “Black Mirror Season 7 Will Arrive in 2025 With a Sequel to One of Its Most Beloved Episodes” – IGN has the story.

Netflix’s long-running bleak anthology series, Black Mirror, is coming back for Season 7 next year, and it’s bringing a sequel to fan-favorite episode USS Callister with it.

The streaming platform announced the news during its Next on Netflix event in London (via The Hollywood Reporter), later bringing public confirmation with a cryptic message on X/Twitter. The post contains a video teasing the six episodes, and judging by the familiar logo that appears, it sounds like the third will be the one to give us our USS Callister sequel.

(16) THE GANG’S ALL HERE. “Doctor Who’s Russell T Davies and Steven Moffat unite to support Chris Chibnall” – Radio Times cheers the gesture.

Doctor Who writers past and present have shared a photo together after Russell T Davies and Steven Moffat attended a performance of Chris Chibnall’s new play.

Recently returned showrunner Davies posted the image to his Instagram page alongside the caption: “A marvellous night out in Salisbury to see Chris Chibnall’s wonderful new play, One Last Push.”

And he added: “Also, we plotted Zarbi vs Garms”, referencing two classic Doctor Who monsters…

(17) TRUE OR FALSE? Radio Times reviews evidence supporting story that “Doctor Who’s Steven Moffat ‘returns to write 2024 Christmas special’”.

More than six years after his final episode of Doctor Who aired, it appears that former showrunner Steven Moffat may be returning to write a new episode of the sci-fi.

While the news has not yet been confirmed, it was picked up on Tuesday 12th March that producer Alison Sterling’s CV had been updated to note she had worked on the show’s 2024 Christmas special.

Underneath this, it was noted that the director of the episode is Alex Pillai, while it was stated that the writer is one Steven Moffat. The notes regarding the writer and director of the episode have since been removed….

One factor which may throw doubt on the idea that Moffat has written the special, is that Russell T Davies previously said that he himself was writing it back in 2022.

(18) STARSHIP HITS SOME MARKS. “SpaceX celebrates major progress on the third flight of Starship” – ArsTechnica has details.

… The successful launch builds on two Starship test flights last year that achieved some, but not all, of their objectives and appears to put the privately funded rocket program on course to begin launching satellites, allowing SpaceX to ramp up the already-blistering pace of Starlink deployments.

“Starship reached orbital velocity!” wrote Elon Musk, SpaceX’s founder and CEO, on his social media platform X. “Congratulations SpaceX team!!”

SpaceX scored several other milestones with Thursday’s test flight, including a test of Starship’s payload bay door, which would open and shut on future flights to release satellites into orbit. A preliminary report from SpaceX also indicated Starship transferred super-cold liquid oxygen propellant between two tanks inside the rocket, a precursor to more ambitious in-orbit refueling tests planned in the coming years. Future Starship flights into deep space, such as missions to land astronauts on the Moon for NASA, will require SpaceX to transfer hundreds of tons of cryogenic propellant between ships in orbit.

Starship left a few other boxes unchecked Thursday. While it made it closer to splashdown than before, the Super Heavy booster plummeted into the Gulf of Mexico in an uncontrolled manner. If everything went perfectly, the booster would have softly settled into the sea after reigniting its engines for a landing burn.

A restart of one of Starship’s Raptor engines in space—one of the three new test objectives on this flight—did not happen for reasons SpaceX officials did not immediately explain.

Part rocket and part spacecraft, Starship is designed to launch up to 150 metric tons (330,000 pounds) of cargo into low-Earth orbit when SpaceX sets aside enough propellant to recover the booster and the ship. Flown in expendable mode, Starship could launch almost double that amount of payload mass to orbit, according to Musk….

Space.com has a video at the link: “SpaceX launches giant Starship rocket into space on epic 3rd test flight (video)”.

(19) FAILURE TO LAUNCH. Elsewhere, some bad news from Japan: “Space One’s Kairos rocket explodes on inaugural flight” reports Reuters.

Kairos, a small, solid-fuel rocket made by Japan’s Space One, exploded shortly after its inaugural launch on Wednesday as the firm tried to become the first Japanese company to put a satellite in orbit…

(20) TALKING TO NUMBER ONE. In Gizmodo’s opinion, “This New Robot Is So Far Ahead of Elon Musk’s Optimus That It’s Almost Embarrassing”.

As if Elon Musk needed yet another reason to hate OpenAI. Figure, a startup that partnered with OpenAI to develop a humanoid robot, released a new video on Wednesday. And it’s truly heads above anything Tesla has demonstrated to date with the Optimus robot.

The video from Figure, which is available on YouTube, shows a human interacting with a robot dubbed Figure 01 (pronounced Figure One). The human has a natural-sounding conversation with the robot, asking it to first identify what it’s looking at….

(21) MILLION DAYS TRAILER. “A Million Days” is available on Digital Platforms 18 March.

The year is 2041 and the next step in the future of humankind is imminent. After decades of training and research, the mission to create the first lunar colony is about to launch with Anderson as lead astronaut. Jay, an AI purpose built for the mission, has simulated every possible outcome for the expedition. Tensions arise when the chilling motives of Jay become apparent, sowing the seeds of distrust between Anderson, and the group that had gathered to quietly celebrate the launch. As the night descends into chaos, the group’s faith in one another and their mission begins to crack, with the knowledge that the decisions they make before sunrise, will change humanity forever.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Lance Oszko, Daniel Dern, Kathy Sullivan, Scott Edelman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 12/14/23 Because My Pixels Are Delicious To Scroll

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(1) ALL SYSTEMS GREEN. Martha Wells’ series is coming to TV: “Alexander Skarsgård Stars In ‘Murderbot’ Sci-Fi Series Ordered By Apple” – Deadline carried the announcement.

Apple TV+ has officially picked up Murderbot, a 10-episode sci-fi drama series starring and executive produced by Emmy winner Alexander Skarsgård (Succession). Based on Martha Wells’ bestselling Hugo- and Nebula Award-winning book series The Murderbot Diaries, the project hails from Chris and Paul Weitz (About a Boy) and Paramount Television Studios.

The action-packed Murderbot received a blinking green light a year ago, with the casting of the title character interrupted by the strikes. The series centers on a self-hacking security android (Skarsgård) who is horrified by human emotion yet drawn to its vulnerable “clients.” Murderbot must hide its free will and complete a dangerous assignment when all it really wants is to be left alone to watch futuristic soap operas and figure out its place in the universe….

(2) THE END IS NEAR. Good Omens is getting another curtain call: “Good Omens Renewed for Season 3 at Amazon” says The Hollywood Reporter.

The streamer has renewed Good Omens, the fantasy-comedy that started as a limited series, for a third and final season. Production on the show from BBC Studios, and based on the novel by Neil Gaiman and Terry Pratchett, is expected to begin soon in Scotland.

“I’m so happy finally to be able to finish the story Terry and I plotted in 1989 and in 2006,” Gaiman said in a release announcing the news Thursday. “Terry was determined that if we made Good Omens for television, we could take the story all the way to the end. Season one was all about averting Armageddon, dangerous prophecies and the End of the World. Season two was sweet and gentle, although it may have ended less joyfully than a certain Angel and Demon might have hoped. Now in season three, we will deal once more with the end of the world. The plans for Armageddon are going wrong. Only Crowley [David Tennant] and Aziraphale [Martin Sheen] working together can hope to put it right. And they aren’t talking.”…

(3) WHO COUP. Sir Derek Jacobi will be a headline guest at Gallifrey One, the annual LA Doctor Who convention, happening February 16-18.

Star of stage and screen, and one of Britain’s national treasures, Sir Derek Jacobi portrayed the Master (and his alter ego, Professor Yana) opposite David Tennant in 2007’s “Utopia,” fulfilling a life-long ambition of the actor to star in Doctor Who. He also voices the character in audio adventures for Big Finish Productions, credited as the War Master; also voiced the Master in the 2003 Doctor Who audio play “Scream of the Shalka”; and starred as Martin Bannister in the Doctor Who Unbound audio release “Deadline.”

…We are honored to be able to welcome Sir Derek to Gallifrey One this year, his first-ever Doctor Who appearance in North America, courtesy our friends at Showmasters Events.  Sir Derek will participate in two main stage interviews during his visit, one on Friday afternoon, and one Saturday, included with general admission.  He will also be autographing and doing photo ops on Saturday and Sunday, will do a VIP script reading on Sunday morning, will participate in our guest receptions on Friday & Saturday evenings, and has a separate Diamond Pass; all of these require purchase (see below.)  Additionally, he is included in the TARDIS Tag package….

The con will also have Billie Piper, Alex Kingston, and a flock of other Doctor Who actors, writers, and production people.

(4) WHO HOLIDAY SPECIAL. Inverse tells how “2023’s Wildest Sci-Fi Show is Bringing Back Its Most Underrated Secret Weapon”.

… With this episode being the first one to contain Gatwa as the sole Doctor, this could mean a shift in the Doctor Who we know and love. Original reboot showrunner Russell T. Davies may be back, but there’s a new Doctor and a new companion at the start of a new season, why not try a new (old) genre as well?

Even if this is just a temporary jaunt into the world of fantasy, it’s proof of exactly what the third special “The Giggle” established: The Doctor took a break to rest and deal with the literal centuries of trauma that he has undergone, and now he can find himself in silly high jinks that are more suited to a classic children’s novel instead of a hardboiled sci-fi paperback….

(5) ECCLESTON’S PRICE. CBR.com listens in as “Christopher Eccleston Reveals His Conditions for Doctor Who Return”.

Eccleston, who played the ninth Doctor in the first season of the show’s revival in 2005, had a relatively brief spell at the helm before being replaced by David Tennant. Eccleston has since been vocal about his mixed feelings about his time on the show. While speaking at the For The Love of Sci-Fi fan convention over the weekend, Eccleston was asked about if he would come back to Doctor Who, and what the BBC would need to do in order to make that happen. Eccleston was brutally honest with his answer, telling audiences, “Sack Russell T Davies. Sack Jane Tranter. Sack Phil Collinson. Sack Julie Gardner. And I’ll come back. So can you arrange that?”…

(6) MOVE TOWARDS STREAMER TRANSPARENCY. Netflix today debuted its first semi-annual report of hours of content viewed on the streaming site. Or as The Verge puts it: “Netflix reveals how many hours we spent watching The Night Agent and Queen Charlotte”.

Netflix is going to start publishing a new report twice a year that details the most popular shows and movies on the platform. The first report, released today, details the most-watched content from January to June 2023, and it’s perhaps the best look yet at how much people are actually watching Netflix’s gargantuan library of titles.

“What We Watched: A Netflix Engagement Report” will track three metrics: hours watched, whether a show is available globally, and a show’s release date. In this first report, the first season of The Night Agent tops the list with more than 812 million hours viewed, followed by Ginny & Georgia’s second season (665.1 million hours viewed), The Glory’s first season (622.8 million hours viewed), Wednesday’s first season (507.7 million hours viewed), and Queen Charlotte: A Bridgerton Story (503 million hours viewed). Those are only the top five; the full list contains more than 18,000 titles. (Content is included if it has been watched for more than 50,000 hours.)

(7) SUBSTACK’S NAZI PROBLEM. Max Gladstone, in “Substackers Against Nazis”, told readers:

I’m taking part in a collective action on Substack today. I did not help draft the letter below, but I agree with it. I’ve been planning to shift this newsletter off Substack for a while now, and this is one of the reasons why.

Gladstone signal-boosted a mass letter which begins:

Dear Chris, Hamish & Jairaj:

We’re asking a very simple question that has somehow been made complicated: Why are you platforming and monetizing Nazis? 

According to a piece written by Substack publisher Jonathan M. Katz and published by The Atlantic on November 28, this platform has a Nazi problem: 

“Some Substack newsletters by Nazis and white nationalists have thousands or tens of thousands of subscribers, making the platform a new and valuable tool for creating mailing lists for the far right. And many accept paid subscriptions through Substack, seemingly flouting terms of service that ban attempts to ‘publish content or fund initiatives that incite violence based on protected classes’…Substack, which takes a 10 percent cut of subscription revenue, makes money when readers pay for Nazi newsletters.”

As Patrick Casey, a leader of a now-defunct neo-Nazi group who is banned on nearly every other social platform except Substack, wrote on here in 2021: “I’m able to live comfortably doing something I find enjoyable and fulfilling. The cause isn’t going anywhere.” Several Nazis and white supremacists including Richard Spencer not only have paid subscriptions turned on but have received Substack “Bestseller” badges, indicating that they are making at a minimum thousands of dollars a year….

Filer Robin Anne Reid also circulated the letter to her Substack readers.

(8) CHENGDU CATCHUP. [Item by Ersatz Culture.]

Two new articles published by Southern Weekly

On Wednesday 13th, Southern Weekly published two long articles following up from the Worldcon.

The first is titled ‘“They gave me comfort, and I risked my life to do something for them”: The birth of a Hugo-award winning science fiction fanzine’, and is an interview with Best Fanzine winner and Best Fan Writer finalist RiverFlow.  Extracts via Google Translate, with manual edits:

“In those two years, I was in so much pain that I couldn’t communicate with people normally, and I couldn’t take care of myself to a certain extent.  My daily spiritual support was to communicate with a group of science fiction fans on the Internet,” he said.  “They could give me some comfort. Even if I risk my life, I can do something for them.”  For a young man who is used to being self-isolated, these kindnesses and comforts from strangers are almost unbelievable…

He decided that he was not a “science fiction fan” in the strict sense, but a “fan of science fiction fans.”

So, he found another way to do something for his friends.  The idea of starting a fan magazine was mentioned by someone in the group, and it stirred something in his heart. He searched for public information about Chinese science fiction fans and found that there was almost no specialized research in the country.  “Why do the groups of science fiction fans who cared about me seem to have no part in the narrative of the entire history of Chinese science fiction and seem to have disappeared?”

In July 2020, the first issue of “Zero Gravity News” was released.  RiverFlow only took one day to typeset it in Word.  The issue was not detailed, just excerpting some science fiction news, group discussions, etc.  But the sci-fi fanzine had taken one small step.

RiverFlow also posted some comments on Weibo about the piece.

The second article is ‘A conversation with science fiction scholar San Feng: Why is science fiction fan culture important?’  Much of the article covers the history of the Worldcon, western SF fandom etc and seems to be aimed at a general audience, and so will be already familiar ground to File 770 readers.  Later on it moves onto SF in China, which will probably be of more interest.  (Again, this is via Google Translate with manual edits.)

Southern Weekly: Does the Chinese science fiction circle also have a similar structure [to SF in the West]?

San Feng: Our science fiction fan culture is relatively recent. According to our research, it was not until the late 1970s and early 1980s that science fiction fans in the strict sense began to appear.

Liu Cixin said that he is the first generation of science fiction fans, including Han Song, Yao Haijun, etc. It can be understood that people born in the 1960s fell in love with science fiction in the early 1980s. At that time, Chinese science fiction did not have a distinct cultural identity of science fiction. Science fiction clubs or science fiction research societies were established in many places, but most of them were in a top-down manner. Many places wanted to organize people to write science fiction, so they set up science fiction research associations.

To truly build a science fiction fan community from the bottom up, I think the landmark event was Yao Haijun’s founding of the science fiction fan magazine “Nebula” in 1988 (note: some say it was 1986).  At that time, he was still working as a lumberjack in Yichun [in northeast China].  Because he liked science fiction, he used a mimeograph in his spare time to publish a science fiction fan magazine “Nebula”, which was shared with science fiction fans all over the country.  If you got in touch with him and sent a little money to him, maybe a few cents, he would send you a mimeographed magazine.

(Note: both of the above links are to mobile versions of the articles, and have subheadings stating that they will only be freely available for some unstated time period, before going behind a paywall.  There are desktop versions of those pages, but those have truncated content, requiring a login to see the full article.)

Three Worldcon reports

The following Chinese-language con reports all strike quite different tones from each other.  (All extracts via Google Translate, with manual cleanup edits.)

The first one is by Shen Yusi, and was posted on the Zero Gravity Weixin/WeChat account on November 15th.  This one is very positive about the event.

If Liu Cixin won the Hugo Award and let the world hear the strongest voice in Chinese science fiction, then in 2023 the World Science Fiction Convention held in Chengdu allows the world to truly see what the Chinese science fiction community looks like…

I had seen the aerial view of the Chengdu Science Fiction Museum on the official website, which is quite shocking. It looks like a huge piece of silver metal foil flying down by the lake. I once joked that I would never be able to witness this form of the venue with my naked eyes – after all, I can’t fly. From the ground, the venue looks like a huge alien aircraft, with a silver-white outer shell and mostly icy blue light inside. From an aesthetic point of view, this sci-fi feel is relatively avant-garde, rather than being something from the present day…

There were many young people and children at the event, which I had never thought about before.  Groups of primary school students visited this event under the guidance of their teachers.  There was also an award ceremony for the essay competition in an exhibition hall on the second floor.  I can’t do anything other than praise Chengdu’s education sector!  Maybe the next Liu Cixin will emerge from these children?

There were many college students on site, including booth staff and student media interviewing guests.  As a person who was very capable of making waves when they were in college, I can’t help but sigh and think that it’s great to be young! Many of these college students have not yet shed their youthfulness, and they are full of bookishness and strong idealism. After all, science is “fantastical”. If you don’t have a little bit of the second spirit, how can you have the ambition to conquer the stars and the sea?

The second report was posted to Zhihu – which I think usually gets compared to Western Q&A websites like Stack Overflow or Quora – by Chen Mengyu on November 6th.  This one is slightly more mixed; it seems like they enjoyed the more literary, fannish or creative activities, but were bored stiff by some of the more “corporate” events that they stumbled into.

At lunch, the sun was just right and the lake was like a mirror. I lay on a soft chair and had a bite of fried chicken and a Coke, feeling comfortable.

[A woman I’d met previously] invited her friends over, and there were more people.  Everyone had finished eating and wandered around chatting. While chatting, I felt that most of the people who like science fiction are middle-class people. There was also a man who flew over from Guangzhou to attend the conference.

I went to the Trisolaris [Three-Body Problem] fan meeting and found that there was a queue of two to three hundred meters. Haha, the last time I saw such a queue was at the National Museum. We gave up on queuing.

Soon we found an area where people were playing a creative game. We were divided into several groups, and given a common starting prompt, each group would start writing one sentence at a time, and at the end there was a vote for the group with the best writing…. My group won first place, and as a reward each person chose a book. I chose

[2021 novel] Tales from a Small Town, and I was very happy….

Then I went to the Shenzhen Science and Fantasy Growth Fund panel. My friends became bored, so instead they queued up for the The Three-Body Problem panel. I was the only one who stayed, and I have to admit that it was really boring… The top ten sci-fi cities in the country, as calculated by complex formulas, were announced in the panel: Shanghai, Beijing, Shenzhen, Chongqing, Guangzhou, Xi’an, Chengdu, Hangzhou, Wuhan and Nanjing.  This looked familiar to me – the top ten cities ranked by GDP.  The list was exactly the same except that Xi’an is not in the top ten by GDP… Then I wrote down a piece of data and was shocked! Beijing and Chengdu have the highest density of science fiction writers, reaching a level of 27 science fiction writers per million people…

Because I drew a lottery ticket for the closing ceremony, I attended it on the next day, but there was nothing interesting in the closing ceremony… there were only two things worth  mentioning; one was the simultaneous interpretation, either English to Chinese or Chinese to English.  After choosing, if someone speaks English, the interpreter would translate it on the spot and read it out into the earphones, which I found very interesting.

[The other was that] next year’s science fiction convention was represented by Vincent in a kilt.  It is foreseeable that there will be many Scottish hunks in kilts at next year’s Worldcon.

(Attached images: chenmengyu[123].jpg)

The final report is a Weibo post from October 23rd, which to be honest is a bit of a snarky rant.  This isn’t completely unjustified, as the poster was unable to attend due to the rescheduling, despite living relatively close to Chengdu in a neighbouring province, nor did they have much success with the online component of the con, with both the livestreams and the Hugo voting failing for them.

Your science fiction conference this year is really terrible. I really can’t help but want to curse, but after thinking about it, I might as well forget it…

Since I couldn’t attend in person, I bought an online ticket.  However the website locked up, and I couldn’t get in to watch the live broadcast. They didn’t give me a refund. When I asked, they said it wasn’t allowed.

It’s 2023, and a “science fiction conference” that can’t even be broadcast online is awesome.

The Hugo Awards have always been voted for by members who spend money, and I have been a member for a long time.  I have been voting for the Hugo Awards in the past few years, but this year I was inexplicably unable to vote.  I really admire this organizer.

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 14, 1916 — Shirley Jackson. (Died 1965.) I was surprised to learn how prolific she was — she composed six novels, two memoirs, and more than two hundred short stories! 

Shirley Jackson in 1940.

Her first novel, The Bird’s Nest, she considered a mainstream work of fiction but the publisher didn’t and marketed it as the publishing house marketed it as a psychological horror story. She was right as it’s a woman with multiple personalities, not horror at all.

Her following novel, The Sundial, concerned a family of wealthy eccentrics who believe they have been chosen to survive the end of the world, and was definitely genre as there’s a ghostly presence. 

Jackson’s fifth novel, The Haunting of Hill House, Is one that we all know about it. It has been made into two feature films and a play, and is the basis of a Netflix series. It was done as The Haunting in 1963, and then as, errr, The Haunting thirty-six years later. The latter is not faithful to the novel as it is (SPOILER ALERT) an explicit fantasy horror film in which all the main characters are terrorized and two are killed as explicitly supernatural deaths (END SPOILER). 

Elizabeth Hand’s A Haunting on the Hill is the first authorized novel set in the world of Hill House. The novel takes place decades after the events of The Haunting of Hill House, as a group of theater professionals rent Hill House to workshop a new play. Lis is reviewing it for us. 

The same year she wrote The Bad Children, a one-act children’s musical based on the “Hansel and Gretel” tale. She wrote the book and lyrics with the music being by Allan Jay Friedman.

I’d talk about “The Lottery” short story but I’ve honestly never figured out the appeal of that frankly abhorrent story, so I won’t. If you won’t to, go ahead. Now “The Missing Girl” short story first published in The Magazine of Fantasy and Science Fiction in their December 1957 issue is a chilling work of horror well worth you reading.

It’s available in a collection comprising fifty four stories of the hundred and four that she did called Just an Ordinary Day. Remarkably it’s a Meredith Moment I’d say at just $7.99! 

Though in extremely poor health, she produced two final works of note. The first being We Have Always Lived in the Castle, a Gothic mystery novel. Time magazine noted it as one of the Ten Best Novels of 1962.

The following year, she published Nine Magic Wishes, an illustrated children’s novel about a child who encounters a magician who grants him numerous enchanting wishes.

At just one forty-eight years of age, her heart failed, according to both of her biographers, due to a combination of heavy smoking, alcoholism and extreme dependence on pain killers prescribed by physicians who didn’t know better at the time. 

(10) COMICS SECTION.

  • Frazz is for those of us who like big words.
  • Shoe goes well with Frazz.

(11) I SEE NONEXISTENT PEOPLE. “Imaginary Friends ARE Real in ‘IF’ Teaser Trailer” – Animation News Network explains how it works.

…Ask yourself the question, “What if all your imaginary friends were real?” And what if your superpower was you could see them all? Then your life would look a lot like the story of IF, John Krasinski’s upcoming comedy adventure about a girl who discovers that she can see everyone’s imaginary friends and the magical adventure she embarks upon to reconnect forgotten ‘IFs’ with their kids….

(12) MR. ROBOT NOW HAS A UNIVERSE. GQ tells readers, “Confirmed: ‘Leave the World Behind’ Takes Place in the ‘Mr. Robot’ Extended Universe”.

Leave the World Behind, Sam Esmail’s first feature film since the success of his tech-thriller series Mr. Robot, deals with themes similar to those of his acclaimed USA Network show. But the connections may not stop there. As one keen-eyed Reddit user noted, the film references a hacking in the tri-state area that nearly led to a catastrophic meltdown at a nuclear power plant. This seems to clearly be a nod to the 11th episode of Season 4, “eXit,” in which Rami Malek’s Elliot nearly hacks a nuclear plant, with catastrophic potential damage….

(13) FIRST, LET’S IGNORE ALL THE LAWYERS. As usual, people aren’t interested in legal advice that would keep them from doing what they’ve already decided to do: “Meta used copyrighted books for AI training despite its own lawyers’ warnings, authors allege” – Reuters has the story.

…Meta Platforms’ (META.O) lawyers had warned it about the legal perils of using thousands of pirated books to train its AI models, but the company did it anyway, according to a new filing in a copyright infringement lawsuit initially brought this summer.

The new filing late on Monday night consolidates two lawsuits brought against the Facebook and Instagram owner by comedian Sarah Silverman, Pulitzer Prize winner Michael Chabon and other prominent authors, who allege that Meta has used their works without permission to train its artificial-intelligence language model, Llama.

… In the chat logs quoted in the complaint, researcher Tim Dettmers describes his back-and-forth with Meta’s legal department over whether use of the book files as training data would be “legally ok.”

“At Facebook, there are a lot of people interested in working with (T)he (P)ile, including myself, but in its current form, we are unable to use it for legal reasons,” Dettmers wrote in 2021, referring to a dataset Meta has acknowledged using to train its first version of Llama, according to the complaint.

The month prior, Dettmers wrote that Meta’s lawyers had told him “the data cannot be used or models cannot be published if they are trained on that data,” the complaint said….

(14) SOUNDS LIKE THE NEEDLE IS STUCK. “NASA working to solve Voyager 1 computer glitch from billions of miles away” reports CNN.

NASA’s Voyager 1 spacecraft has experienced a computer glitch that’s causing a bit of a communication breakdown between the 46-year-old probe and its mission team on Earth.

Engineers are currently trying to solve the issue as the aging spacecraft explores uncharted cosmic territory along the outer reaches of the solar system.

Voyager 1 is currently the farthest spacecraft from Earth at about 15 billion miles (24 billion kilometers) away, while its twin Voyager 2 has traveled more than 12 billion miles (20 billion kilometers) from our planet. Both are in interstellar space and are the only spacecraft ever to operate beyond the heliosphere, the sun’s bubble of magnetic fields and particles that extends well beyond the orbit of Pluto.

Voyager 1 has three onboard computers, including a flight data system that collects information from the spacecraft’s science instruments and bundles it with engineering data that reflects the current health status of Voyager 1. Mission control on Earth receives that data in binary code, or a series of ones and zeroes.

But Voyager 1’s flight data system now appears to be stuck on auto-repeat, in a scenario reminiscent of the film “Groundhog Day.”

A long-distance glitch

The mission team first noticed the issue November 14, when the flight data system’s telecommunications unit began sending back a repeating pattern of ones and zeroes, like it was trapped in a loop.

While the spacecraft can still receive and carry out commands transmitted from the mission team, a problem with that telecommunications unit means no science or engineering data from Voyager 1 is being returned to Earth.

The Voyager team sent commands over the weekend for the spacecraft to restart the flight data system, but no usable data has come back yet, according to NASA….

(15) IN A HOLE IN THE GROUND THERE LIVED…OUR ANCESTORS. IndieWire sets the frame for “’Out of Darkness’ Trailer: A Stone Age Survival Horror Story”.

Set during the Stone Age, the horror film “Out of Darkness” brings a modern twist to the survival story.

The film, which marks both director Andrew Cumming and screenwriter Ruth Greenberg’s respective feature debuts, centers on a teenager (Safia Oakley-Green) who must survive immigrating across the sea and into a foreign land that may or may not house monsters.

The official synopsis for the indie horror film reads: “A group of six have struggled across the narrow sea to find a new home. They are starving, desperate, and living 45,000 years ago. First they must find shelter, and they strike out across the tundra wastes towards the distant mountains that promise the abundant caves they need to survive. But when night falls, anticipation turns to fear and doubt as they realize they are not alone. Terrifying sounds suggest something monstrous at large in this landscape, something that could kill or steal them away. As relationships in the group fracture, the determination of one young woman reveals the terrible actions taken to survive.”…

(16) VIDEO OF THE DAY. [Item by Joel Zakem.] Loontown is a nearly 18-minute animated noir set in a city reminiscent of Los Angeles, whose denizens are talking balloons, gasbags and others of their ilk. It was written by World Fantasy Award winning author Lavie Tidhar and directed, animated and scored by Nir Yaniv, who had previously collaborated with Tidhar on the 2009 novel The Tel Aviv Dossier. Loontown can currently be viewed on YouTube.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Ersatz Culture, Joel Zakem, Kathy Sullivan, Soon Lee, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day JJ.]

Pixel Scroll 8/5/23 We Only Pixel The Scrolls We Don’t File, You’re Probably Gonna Be Okay

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(1) CAT RAMBO PREVIEW. Read a 2-chapter excerpt from Cat Rambo’s Devil’s Gun at Tor.com. The sequel to You Sexy Thing and second book of her Disco Space Opera series arrives on August 29.

Life’s hard when you’re on the run from a vengeful pirate-king…

(2) HUGO, GIRL! HUGO VOTER PACKET. Hugo, Girl! the Podcast is a finalist for Best Fancast.

Their submission to the Chengdu Worldcon Hugo Voter Packet is available in a public Google drive folder here.

They chose to include their episodes covering Ringworld, Neuromancer, Among Others, and Kallocain.

(3) BROOKLYN BOOKS & BOOZE. Rooftop Readings is now Brooklyn Books & Booze. Their next event is on August 15 at 7:00 p.m. at Barrow’s Intense Tasting Room at 86th 34th Street, Brooklyn, NY where there will be readings by Michael Swanwick, Alex Segura, W. Lance Hunt and Susan Breen.

This is a monthly (usually third Tuesday) in-person event that showcases three (or four) authors reading from their recent works. It’s free, but a ticket purchase gets you a drink. For more information, go to BrooklynBooksBooze.com. To buy tickets, go to Eventbrite.

(4) MAKING CAPITALISM WORK FOR THEM. The Guardian maps the latest obstacles to getting a game-playing kid to engage in a family visit to New York City: “‘Can I bring my switch?’: A family holiday throws up existential questions”.

…I exhaled. I was regretting my draconian stance on screen time yesterday. Now he’d think I’d left the charger behind on purpose, in the name of being together as a family! My mind flashed back to those holidays in Skibbereen, the grim forced marches through the rain with nothing to look forward to but fresh air …

“Well, the thing is,” I said. “We can’t charge the Switch right now because … ”

“Because we’re going to the Nintendo store!” my wife interrupted.

“There’s a Nintendo store?” I repeated.

“There’s a Nintendo store?!” My son was so excited that he momentarily put down his actual Nintendo.

“Yes!” my wife said, flourishing her phone with a somewhat maniacal look. “The flagship store is in Rockefeller Plaza.”

I breathed a sigh of relief. Of course there was a Nintendo store. This was the centre of global capitalism. Good old capitalism!

My wife thought we should get the charger right away. But the fact that the good people of Nintendo had seen fit to grace New York with their presence had given the city a real boost in my son’s eyes. Excited that he’d shown an interest in a location actually to be found on planet Earth, I thought we could use the store visit as a carrot to lure him to other destinations – a kind of tourism by stealth.

First stop was the Empire State Building, now so colossally expensive that King Kong would probably give it a pass. “This is a world-famous view,” I told my son. “You can see the whole of Manhattan from here.” “Can you see the Nintendo store?” he asked. I checked. “No,” I said. My son frowned. “It’s still there,” I assured him. “But you can’t see it,” he said. “Right, but I can’t see lots of things and they still exist.” “But you don’t know for sure.” “Your family is adorable,” a woman told my wife….

To be honest, I can see the kid’s viewpoint. Back in Ye Olde Sixties I brought along a stack of library books on a family road trip and annoyed my father no end by sitting in the back seat reading instead of looking out the window at the places he was taking us.

(5) TWILIGHT ZONED OUT. MeTV throws in some made-up titles and challenges fans to decide “Are these real Twilight Zone episodes… or nah?” I got 12 out of 15 – but can you run the table?

(6) AVERT THOSE CURSES. The Scene newsletter takes us inside“The Fascinating World of Theatre Superstitions”.

The world of theater is a realm where creativity, artistry, and superstition intermingle. Behind the glitz and glamour of the stage lies a rich tapestry of traditions and beliefs that have been passed down through generations of performers, directors, and stagehands. These theater superstitions add an air of mystery and intrigue to an already captivating world. Join us as we explore the meaning and origins behind ten intriguing theater superstitions.

First on their list is:

“BREAK A LEG” – The phrase “Break a Leg” is a well-known theatrical superstition used to wish performers good luck. Interestingly, it is considered bad luck to wish someone good luck directly before a performance. The origin of this phrase is subject to debate, but one plausible theory is that it dates back to ancient Greece when audiences would stomp their feet instead of clapping to show appreciation. A successful performance would result in so much stomping that an actor might “break a leg.” Additionally, some believe it could be a way to confuse or trick malevolent spirits who might be listening.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 5, 1891 — Donald Kerr. Happy Hapgood in 1938’s Flash Gordon’s Trip To Mars which might be one of the earliest such films. His only other genre appearances were in the Abbott and Costello films such as Abbott and Costello Meet the Mummy and Abbott and Costello Meet the Invisible Man in uncredited roles. (Died 1977.)
  • Born August 5, 1940 — Natalie Trundy. First, she was one of the Underdwellers named Albina in Beneath the Planet of the Apes. Next, she played Dr. Stephanie Branton, a specialist studying apes from the future who came into our present day in Escape from the Planet of the Apes.  Then in Conquest of the Planet of the Apes and Battle for the Planet of the Apes, she played the chimp Lisa.  (Died 2019.)
  • Born August 5, 1943 — Kathleen Sky, 80. She wrote two Trek novels, Vulcan! reissued as Star Trek Adventures 11: Vulcan! and Death’s Angel reissued as Star Trek Adventures 10: Death’s Angel, both on Bantam.  They were two of the earliest novels written off the series. She had four other SF novels —Birthright, Ice Prison,Star Rooks and Witchdame. She appeared as an Enterprise crewmember in the recreation deck scenes in Star Trek: The Motion Picture. 
  • Born August 5, 1947 — Élisabeth Vonarburg, 76. Parisian born, she’s Quebec resident. She was the literary director of the French-Canadian SF magazine Solaris. Her first novel, Le Silence de la Cité, was published in 1981. Since then she’s been a prolific writer of novels and short fiction. In 1993, her website notes received a Prix spécial du Jury Philip K. Dick Award for In the Mothers’ Land.  H’h. I’m pleased to say that iBooks is deeply stocked in her works. Kindle has nothing at all by her.
  • Born August 5, 1956 — Robert Frezza, 67. Wrote five SF novels of a space opera-ish nature in five years covering two series, McLendon’s Syndrome and The VMR Theory, and The Small Colonial War series which is A Small Colonial War, Fire in a Faraway Place and Cain’s Land) before disappearing from writing SF twenty years ago.
  • Born August 5, 1956 — Maureen McCormick, 67. Though better known for being Marcia Brady on The Brady Bunch, she has done some genre performances. She was Eve in Snow White: A Deadly Summer and Officer Tyler in Return to Horror High, both decidedly pulpish horror film. A step up in class was her portrayal of the young Endora in two episodes of Bewitched, “And Something Makes Three” and “Trick or Treat”. She shows up in another magical show, I Dream of Jeannie, as Susan in “My Master, the Doctor”.  And she was used in six different roles on Fantasy Island.
  • Born August 5, 1968 — Matt Jones, 55. Started as columnist for Doctor Who Magazine. A decade later, he wrote two of the Tenth Doctor scripts, a two-parter, “The Impossible Planet” and “The Satan Pit”, and one for Torchwood, “Dead Man Walking”. He co-authored with Joan Ormond, Time Travel in Popular Media.
  • Born August 5, 1980 — JoSelle Vanderhooft, 43. Former Green Man reviewer with a single novel so far, Ebenezer, and several collections, Steam-Powered: Lesbian Steampunk Stories and Steam-Powered II: More Lesbian Steampunk Stories. She also co-edited with Steve Berman, Heiresses of Russ 2011: The Year’s Best Lesbian Speculative Fiction. Ossuary was nominated for Stoker Award for Superior Achievement in a Poetry Collection.

(8) COMICS SECTION.

  • Tom Gauld’s monster checklist.

(9) CLEANING UP IN THE MARKETPLACE. Of course you would pay $38 for four bars of Marvel’s Avengers-themed soap. Don’t try and deny it. Dr. Squatch is waiting for your order.

(10) WHAT DO YOU WANT? It didn’t take a thousand words for Nghi Vo to tell what this picture should be worth.

(11) SCHOLARSHIP. Danny Sichel assures me this is “technically science fiction.”

(12) THE KINDEST CUT OF ALL. MeTV claims ”Mr. Spock’s Music from Outer Space” is underrated” and reviews the album cut-by-cut.  

The year was 1967. The Beatles released Sgt. Pepper’s Lonely Hearts Club Band. Mrs. Robinson was trying to seduce Dustin Hoffman in The Graduate. Muhammad Ali was stripped of the heavyweight championship for his conscientious objection regarding the war in Vietnam. These were heady times.  

As the Space Race captured the world’s imagination, so too did the adventures of the Enterprise crew on Star Trek. Captain Kirk may have been the leader, but it was easy to see why a certain Vulcan remained a fan favorite. Something about Leonard Nimoy as Spock created this passion and demand among fans. People were desperate for more Spock, and executives were eager to capitalize….

Here’s an example of their commentary:

3. “Where Is Love?”

Bet you didn’t know Spock did show tunes! If you’ve ever fantasized about Leonard Nimoy singing a song from hit West End music Oliver!, we have great news for you. This is the one that Oliver sings after getting thrown into the basement of a funeral parlour (also “parlor”). Neat!

(13) VOYAGER 2 ANSWERS THE CALL. WHEW! Yahoo! has good news: “NASA restores contact with Voyager 2 spacecraft after mistake led to weeks of silence”.

NASA’s Voyager 2 spacecraft was back chatting it up Friday after flight controllers corrected a mistake that had led to weeks of silence.

Hurtling ever deeper into interstellar space billions of miles away, Voyager 2 stopped communicating two weeks ago. Controllers sent the wrong command to the 46-year-old spacecraft and tilted its antenna away from Earth.

On Wednesday, NASA’s Deep Space Network sent a new command in hopes of repointing the antenna, using the highest powered transmitter at the huge radio dish antenna in Australia. Voyager 2’s antenna needed to be shifted a mere 2 degrees.

It took more than 18 hours for the command to reach Voyager 2 — more than 12 billion miles (19 billion kilometers) away — and another 18 hours to hear back.

The long shot paid off. On Friday, the spacecraft started returning data again, according to officials at California’s Jet Propulsion Laboratory….

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Danny Sichel, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]

Pixel Scroll 8/1/23 Scrolling To Filezantium

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(1) FANTASY MAGAZINE R.I.P. Fantasy Magazine editors Christie Yant and Arley Sorg announced today their October 2023 issue will be the last.

This is the editorial we’ve been dreading having to write. We’ve been trying not to think about it too much, but we can’t put it off any longer.

We relaunched Fantasy Magazine in November of 2020–what a weird thing to do at an exceptionally weird time!–and we did it with high hopes, but realistic expectations based on our many years of experience in this field.

It is with real sadness that we have to announce that October 2023 will be our last issue. People will want to know why, of course, and the answer is the expected one: Unfortunately Fantasy never reached a point of paying for itself, and with the Kindle Periodicals mess it’s just not sustainable. We’ve actually carried on a little longer than we originally anticipated, because ending on our third anniversary made sense….

(2) VINTAGE COVERS RECREATED. Boing Boing shows us how “Author Michael Chabon recreates the Science Fiction section from the bookstore of his youth”

Acclaimed bestselling and Pulitzer Prize-winning author Michael Chabon spent his Covid quarantine lovingly and meticulously creating a digital tribute to / replica of the Science Fiction and Fantasy section in the bookstore of his youth. And it is glorious.

(3) CLARION WEST GETS BIG DONATION. Author David D. Levine, a Clarion West ’00 grad, has made a $10,000 donation toward 2024 Workshop housing.

…Clarion West hopes to be in person in 2024 and has a tentative hold on accessible housing on the beautiful University of Washington campus! More information will be forthcoming as the organization works toward ensuring the workshop continues to be affordable and can sustain the higher costs of the in-person workshop.

“This support will help us focus on securing the new location for 2024,” says Marnee Chua, Clarion West Executive Director. “As the board focuses on meeting our budget goals for this year and raising the funds necessary to support the 2024 workshop, donations like this one help meet our goals for an in-person workshop!”

We extend our deepest gratitude to David for his contribution, which will undoubtedly make a significant impact on the workshop’s presence in Seattle.

To learn more about our search for housing and the challenges ahead, visit our November blog post on the topic, Clarion West Needs a New Home.

(4) THE END GAME. Publishers Weekly reports that the “Judgment Phase of Internet Archive Copyright Case Appears Imminent”. The Internet Archive lost the case; now comes a decision about damages and other relief.

…In their last request for an extension the parties reported they were “very close” to “finalizing the terms of a consent judgment, subject to appeal” and said they expected to be able to submit the proposal “in a week or so.”

In his emphatic March 24 opinion, Koeltl found the Internet Archive infringed the copyrights of four plaintiff publishers by scanning and lending their books under a legally contested practice known as CDL (controlled digital lending). “At bottom, IA’s fair use defense rests on the notion that lawfully acquiring a copyrighted print book entitles the recipient to make an unauthorized copy and distribute it in place of the print book, so long as it does not simultaneously lend the print book,” Koeltl held in his decision. “But no case or legal principle supports that notion. Every authority points the other direction.”

In court filings, the publishers have asked for damages and injunctive relief, including the destruction of potentially infringing scans. Lawyers for the Internet Archive have argued that statutory damages should be remitted per section 504 of the Copyright Act, which offers some relief where the infringer is a “nonprofit educational institution, library, or archives,” and the infringers “believed and had reasonable grounds for believing” that its use of the work was fair use….

(5) “RIGHTING” RUSSIAN HISTORY WITH TIME TRAVEL. The new episode of BBC’s The Documentary is “Invading the past: Russia and science fiction”.

Science fiction flourished from the earliest days of the Soviet Union. A rare space to explore other realms and utopian dreams of progress. But with the Soviet Union’s collapse different narratives bubbled up. 

Many of them reactionary, imperial, violent with one sub genre flourishing above all – Popadantsy: accidental time travel where protagonists return to World War Two or the Imperial past to set the path of Russian history on the ‘right’ course, perhaps with the aid of Stalin or even Hitler. The enemies are frequently the US, Britain and the West. 

Historian Catherine Merridale explores how the once visionary world of Russian science fiction shifted in the time of Vladimir Putin to become a reactionary playground. Did the real invasion of Ukraine actually began amid the pages of such dark fictions? 

(6) TOODLES, TWITTER. [Item by SF Concatenation’s Jonathan Cowie.] SF² Concatenation has just ceased using Twitter alerts for new content.

Their Twitter followers amounted to less than 1% of the site’s typical monthly unique visitors (which are invariably in five figures). What prompted this was Twitter insisting they strengthen their password (presumably with the addition on upper and lower cases, an irrational number and a Klingon hieroglyph). This by itself would not be a problem but the e-mail address associated with the Twitter account is their old, deprecated one from over a decade ago, and they feel that there is no reason for Elon Musk to have their current address on his X server.

There is, though, an RSS Feed for those that like them, but SF² Concatenation’s seasonal posting times remain regular.

(7) JULEEN A. BRANTINGHAM (1942-2023). Author Juleen A. Brantingam died on July 22. She started as a writer of children’s stories and finished her career writing science fiction, appearing in Amazing Stories, Asimov’s, and Omni with a career spanning from 1979-99. The family obituary is here.

Her story “The Ventriloquist’s Daughter”, originally published in Whispers 19–20 (1983), was selected by editor Karl Edward Wagner for The Year’s Best Horror Stories: Series XII (1984).

(8) BETTY ANN BRUNO (1931-2023) One of the few surviving actors who played Munchkins in The Wizard of Oz (1939), Betty Ann Bruno died July 30 at the age of 91 reports Deadline.

Betty Ann Bruno, who as a child played a munchkin in the 1939 classic The Wizard Of Oz and went on to become a TV producer and longtime reporter in the San Francisco Bay area, died Sunday in Sonoma, CA, her family said. She was 91. No cause of death was given.

Born Betty Ann Ka’ihilani on October 1, 1931, in Wahiawa, Hawai’i, Bruno grew up in Hollywood and had an uncredited bit role in John Ford’s 1937 film The Hurricane. She was 7 when she was cast with about a dozen other children of average height as Munchkins opposite the 100-plus adult little people who played the denizens of Munchkinland. Victor Fleming’s beloved film starring Judy Garland was nominated for five Oscars including Best Picture and won for Best Song (“Over the Rainbow”) and Best Score.

Among only a handful of surviving Munchkin actors, Bruno in 2020 published a book called The Munchkin Diary: My Personal Yellow Brick Road, which was written during the Covid lockdown….

… Bruno graduated from Stanford University and had a long and successful career in local television, first as a political talk show producer, then as an on-air host and later a reporter for KTVU in the Bay Area. Starting in 1971, she spent more than 20 years with the station, becoming a familiar face to its viewers. Among the major stories she covered was the horrible 1991 Oakland Hills firestorm that killed 25 people and destroyed more than 3,200 homes — including hers….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 1, 1862 — M.R. James. Writer of some of the best ghost stories ever done. A Pleasing Terror: The Complete Supernatural Writings, released in 2001 from Ash-Tree Press has forty stories which includes the thirty stories from Collected Ghost Stories plus the 3 tales published after that, and the seven from The Fenstanton Witch and Others. It’s apparently the most complete collection of his stories to date. Or so I though until I checked online. The Complete Ghost Stories of M.R. James, over seven hundred pages, is available from the usual suspects for a mere buck ninety-nine! (Died 1936.)
  • Born August 1, 1910 — Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available from the usual suspects. Member, First Fandom Hall of Fame. He was nominated five times for a Retro Hugo for Best Editor, Short Form, and once as Best Professional Editor, Short Form. (Died 1977.)
  • Born August 1, 1923 — Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.)
  • Born August 1, 1945 — Yvonne Rousseau. Australian author, editor and critic. She edited the Australian Science Fiction Review in the late Eighties. She wrote one work of non-fiction, Minmers Marooned and Planet of the Marsupials: The Science Fiction Novels of Cherry Wilder, and has a handful of stories to her name. She got nominated for three Ditmar Awards for her fan writing. (Died 2021.)
  • Born August 1, 1948 — David Gemmell. Best remembered for his first novel, Legend, the first book in his long-running Drenai series. He would go on to write some thirty novels. The David Gemmell Awards for Fantasy were presented from 2009 to 2018, with a stated goal to “restore fantasy to its proper place in the literary pantheon”. (Died 2006.)
  • Born August 1, 1954 — James Gleick, 69. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us, which is that he writes genre reviews — collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein‘s “By His Bootstraps”.
  • Born August 1, 1993 — Tomi Adeyemi, 30. Nigerian born author. She won a Lodestar Award at Dublin 2019 for her Children of Blood and Bone novel which also won her an Andre Norton Award. That novel was nominated for a BFA, a Kitchie and a Nommo.  Her latest in that series is Children of Virtue and Vengeance. 

(10) COMICS SECTION.

(11) HPL FILM FEST. The H. P. Lovecraft Film Festival is returning once more to Providence, R.I. from August 18-20 at the Columbus Theater.

(12) MOON WILL RECEIVE ART DEPOSIT. “Lunar Codex: digitised works of 30,000 artists to be archived on moon” – the Guardian has the story.

A portrait assembled from Lego bricks, woodcuts printed in Ukrainian soil and a collection of poetry from every continent are among thousands of works to be archived on the moon as a lasting record of human creativity.

The collection, known as the Lunar Codex, is being digitised and stored on memory cards or laser-etched on NanoFiche – a 21st-century update on film-based microfiche – in preparation for the missions that will ferry the material to the lunar surface.

Samuel Peralta, a semi-retired physicist and art collector from Canada who is leading the effort, describes the off-world archive as a message in a bottle to future generations to remind them that war, pandemics and economic crises did not stop people creating works of beauty.

Gathered from 30,000 artists, writers, film-makers and musicians from 157 countries, the images, objects, magazines, books, podcasts, movies and music are being divided into four capsules….

(13) WRITTEN ON THE INTERNET WALL. Cat Eldridge offers this valedictory with “apologies to Simon & Garfunkel”.

Hello Filers, my old friends
I’ve come to talk with you again
Because a Scroll softly came to be
With the work of Our Gracious Host

(14) STAY TUNED. “NASA loses contact with Voyager 2 spacecraft, operating almost 12.4 billion miles from Earth” according to CBS News.

NASA lost contact with its Voyager 2 spacecraft and it’s possible that communications won’t resume until mid-October, the space agency said Friday. 

Voyager 2, located nearly 12.4 billion miles from Earth, is currently unable to send data back to Earth or receive commands. Contact was disrupted when a series of planned commands on July 21 accidentally caused the antenna to point 2 degrees away from Earth. 

A scheduled orientation reset is programmed for Oct. 15. NASA said it believes the orientation reset, which is designed to keep Voyager 2’s antenna pointed at Earth, should allow communication to resume. NASA believes the spacecraft will stay on its planned trajectory from now until Oct. 15. 

Voyager 2 and Voyager 1 were launched in 1977. Voyager 1, which continues to operate normally, is located almost 15 billion miles from Earth. The spacecraft were designed to find and study the edge of our solar system….

(15) SETTLEMENT REACHED. “Family of Henrietta Lacks settles lawsuit against Thermo Fisher, a biotech company that used her cells without consent” reports the AP.

More than 70 years after doctors at Johns Hopkins Hospital took Henrietta Lacks’ cervical cells without her knowledge, a lawyer for her descendants said they have reached a settlement with a biotechnology company that they accused of reaping billions of dollars from a racist medical system.

Tissue taken from the Black woman’s tumor before she died of cervical cancer became the first human cells to continuously grow and reproduce in lab dishes. HeLa cells went on to become a cornerstone of modern medicine, enabling countless scientific and medical innovations, including the development of the polio vaccine, genetic mapping and even COVID-19 vaccines.

Despite that incalculable impact, the Lacks family had never been compensated….

(16) VIDEO OF THE DAY. From It’s History, “Weekly Tales of American Urban Decay as presented by your host Ryan Socash” – “Chicago’s Forgotten Moving Sidewalk over Lake Michigan”. Daniel Dern wonders, “Did this (help) inspire Heinlein’s ‘The Roads Must Roll’?”

Today we delve into the fascinating history of Chicago’s Lost Moving Walkway from the World’s Fair. Join us as we uncover the remnants of this forgotten marvel of engineering that once mesmerized visitors during the 1893 Chicago World’s Fair. Discover the incredible technological advancements of the time and the grandeur of this forgotten transportation system

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Steven French, Eric Franklin, Steven H Silver, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/21/23 I Was Born Under A Scrollin’ Star

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(1) HUGO FINALISTS AGED IN THE CASK. At Young People Read Old SFF, James Davis Nicoll gets the panel’s reaction to William F. Wu’s story “Hong’s Bluff”.

This month’s Young People Read Old Hugo Finalists story is William F. Wu’s Hugo and Nebula-nominated ​“Hong’s Bluff”. Wu has had a long career—the 50th anniversary of his first sale is only three years off — with a respectable collection of nominations and accolades. However, honesty requires me to admit this is the first Wu story I have ever read. It was certainly… energetic. Wu is now on my acquire list….

(2) DOCUMENTING THE IMPACT OF TREK. Nana Visitor is writing a book about the women of Star Trek and their effect on culture, and would like to hear from any women who are in the medical field and were inspired by Star Trek.

(3) BURIED ALIVE IN $$$. Paste Magazine’s Jacob Oller says, “The IP Era’s Venture Capital Philosophy Has Poisoned Movies”.

Among so many heinous problems trickling down on our heads from the top of the film industry is that of intellectual property. It’s not that adaptations are new, but that the ability to make a living by creating anything else has only recently been destroyed. IP obsession has killed the mid-budget movie, it’s killed the movie star, and it’s coming for the rest of the industry. This is as much a problem for audiences as for filmmakers (at any level), and it all comes from the same place: Unchecked greed, and the familiarity with which we accept it.

Tidy, consistent, sustainable profits—the kind of thing generated by movie studios that once offered a diverse slate of reasonably budgeted adult dramas, teen-date rom-coms, family films, and fence-swinging art movies—are a thing of the past for those in charge of the industry. Other forces from the entertainment world are certainly at play, specifically the rise of prestige TV as a destination for what the movies have abandoned. But the pivot to the IP Era feels simple, because it feels familiar. It’s because tidy, consistent, sustainable profits aren’t enough. There must be growth. There must be domination. There must be Shared Universes.

This attitude goes beyond being risk-averse. Risk aversion isn’t new. Single-minded speculation, trying to alchemize IP into gold, is.

The management decisions keeping workers from their fair pay—as described by Writers Guild of America board member John Rogers in a thread about the current strike—are the same ones milking old IP for all it’s worth: “The new robber barons of Hollywood are on a suicide run.” This shift is tech-bro economics, Wall Street-fellating “vulture capitalism” here to feast on the industry, not further it….

(4) ALT-INTELLIGENCE. Chris Panatier tweeted a very funny thread about an AI writing program run amuck. Thread starts here.

Here is another excerpt:

(5) NEBULA WINNERS CONSIDERED. Cora Buhlert offers “Some Thoughts on the 2022 Nebula Award Winners”. For example:

… The winner of the 2022 Nebula Award for Best Novella is Even Though I Knew the End by C.L. Polk. This is one win I’m fully aboard with, because Even Though I Knew the End mixes a lot of elements I like – urban fantasy with a retro noir setting, a hardboiled detective story and a wonderful love story. It’s a great novella and I hope to see it on the Hugo ballot this year….

(6) A TOY STORY. Cora Buhlert also released a new “Masters-of-the-Universe-Piece Theatre: ‘Playing for Dinner’”.

…So enjoy this story of Orko and Man-e-Faces, the two entertainers at the royal palace, teaming up and taking their show on the road.

On the market place of the city of Sarnscepter…

(7) AFROPANTHEOLOGY. The latest If This Goes On (Don’t Panic) podcast features “Publishing in Africa: Afropantheology with Oghenechovwe Donald Ekpeki”.

In this Episode of Publishing in Africa, Oghenechovwe and Alan [Bailey] discuss the meaning behind Afropantheology, Oghenechovwe’s plans for Afropantheology (including a new line of books), and the International Conference for Fantasy in the Arts.

(8) DEJA FU. This seemed like the perfect video to discover on the day I began rereading the Murderbot series. “Tesla Bot Update”.

(9) IT’S TIME. See “The Muppet Show” theater at LEGO Ideas. (And there are a lot more images in the updates.)

…For nearly 70 years, Jim Henson’s creations have captured the hearts of millions of fans around the world in movies, TV shows, Disney attractions, concerts, and more. Now, for the first time ever, join Kermit the Frog, Fozzie Bear, Miss Piggy, and the Great Gonzo in this zany recreation of the Muppet Show in LEGO form!

This miniature playset beautifully houses some of the Muppet’s most hilarious and endearing production numbers through the years. The theater proscenium features an ornate red and gold facade harkening back to the show’s vaudevillian roots. Look closely at some of the art deco decor… you might spot a few easter eggs hiding in the design.

The mainstage includes three mini diorama sets and a detachable balcony. With ‘you’ as the guest star, start off the show beneath the Muppet Show’s iconic opening theme arches. Then, you’ll be able to act out wacky experiments in Muppet Labs, cook up a feast in the Swedish Chef’s Kitchen, rock out with the Electric Mayhem, or explore the final frontier on the set of the USS Swinetrek. If that’s not enough, Statler and Waldorf will throw in a quick heckle or two from their balcony seats….

(10) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

Kazuo Ishiguro, a Japanese-born British writer, has  written four SF novels including The Buried Giant: A Novel which is where our Beginning is from, the other three being Klara and The Sun, Never Let Me Go and The Unconsoled.

It was published eight years ago by Alford Knopf. It didn’t win any awards but it was nominated for both a Mythopoeic and World Fantasy Award.

The British Council, yes the British Council has a very nice literature section on their website.  They, say that “Ishiguro’s novels are preoccupied by memories, their potential to digress and distort, to forget and to silence, and, above all, to haunt.”

February of this year, the Hollywood Reporter said that Netflix planned on adapting the novel into an animated film. It will have Guillermo del Toro as director and Dennis Kelly as writer.

With that, here’s the Beginning…

The Buried Giant: A Novel to The Buried Giant: A Novel 

You would have searched a long time for the sort of winding lane or tranquil meadow for which England later became celebrated. There were instead miles of desolate, uncultivated land; here and there rough-hewn paths over craggy hills or bleak moorland. Most of the roads left by the Romans would by then have become broken or overgrown, often fading into wilderness. Icy fogs hung over rivers and marshes, serving all too well the ogres that were then the still native to this land. The people who lived nearby—one wonders what desperation led them to settle in such gloomy spots—might well have feared these creatures, whose panting breaths could be heard long before their deformed figures emerged from the mist. But such monsters were not cause for astonishment. People then would have regarded them as everyday hazards, and in those days there was so much else to worry about. How to get food out of the hard ground; how not to run out of firewood; how to stop the sickness that could kill a dozen pigs in a single day and produce green rashes on the cheeks of children.

In any case, ogres were not so bad provided one did not provoke them. One had to accept that every so often, perhaps following some obscure dispute in their ranks, a creature would come blundering into a village in a terrible rage, and despite shouts and brandishings of weapons, rampage about injuring anyone slow to move out of its path. Or that every so often, an ogre might carry off a child into the mist. The people of the day had to be philosophical about such outrages

In one such area on the edge of a vast bog, in the shadow of some jagged hills, lived an elderly couple, Axl and Beatrice. Perhaps these were not their exact or full names, but for ease, this is how we will refer to them. I would say this couple lived an isolated life, but in those days few were “isolated” in any sense we would understand. For warmth and protection, the villagers lived in shelters, many of them dug deep into the hillside, connecting one to the other by underground passages and covered corridors. Our elderly couple lived within one such sprawling warren—“building” would be too grand a word—with roughly sixty other villagers. If you came out of their warren and walked for twenty minutes around the hill, you would have reached the next settlement, and to your eyes, this one would have seemed identical to the first. But to the inhabitants themselves, there would have been many distinguishing details of which they would have been proud or ashamed.

I have no wish to give the impression that this was all there was to the Britain of those days; that at a time when magnificent civilisations flourished elsewhere in the world, we were here not much beyond the Iron Age. Had you been able to roam the countryside at will, you might well have discovered castles containing music, fine food, athletic excellence; or monasteries with inhabitants steeped in learning. But there is no getting around it. Even on a strong horse, in good weather, you could have ridden for days without spotting any castle or monastery looming out of the greenery. Mostly you would have found communities like the one I have just described, and unless you had with you gifts of food or clothing, or were ferociously armed, you would not have been sure of a welcome. I am sorry to paint such a picture of our country at that time, but there you are.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1903 — Manly Wade Wellman. I remember reading the John the Balladeer collection Karl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? And I should note he’s not that well stocked at the usual suspects. (Died 1986.)
  • Born May 21, 1917 — Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason. It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin says. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1918 — Jeanne Bates. She’s Diana Palmer in the Forties The Phantom serial, possibly the first one done. Her first genre was as Miss Norcutt in The Return of the Vampire, in a not authorized sequel to Lugosi’s 1931 Universal Studios film Dracula. Most of the films she’s known for are such horror films such as The Soul of a Monster and Back from the Dead. (Died 2007.)
  • Born May 21, 1940 — Booker Bradshaw. A record producer, film and TV actor, and Motown executive. He’s here because he’s one of those rare secondary characters that showed up more than once on Trek. He played Dr. M’Benga in “Obsession” and “That Which Survives”. Because his background story was that he served under Captain Christopher Pike, his character has been recast on Strange New Worlds and is played by Babs Olusanmokun. (Died 2003.)
  • Born May 21, 1945 — Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1954 — Paul Collins, 69. Australian writer who has been nominated for an astounding twenty Ditmar Awards. In the nineties, he won a William Atheling Jr Award for Criticism or Review for The MUP Encyclopaedia of Australian Science Fiction & Fantasy published by Melbourne University Press which alas was never updated. In his twenties, he began published and edited Void Science Fiction and Fantasy, a semi-prozine.

(12) REASON WHY A FAMOUS COMIC SHUTTERED. “’People Would Be Wishing Me Dead’: Why Calvin & Hobbes’ Creator Ended the Comic Despite Its Popularity” at MSN.com.

Bill Watterson, the creative mind behind Calvin and Hobbes, has no issues with how he left his beloved comic strip. An interview reveals Watterson’s reasoning for ending the cartoon and why he still remains confident in his decision….

…While many fans might have preferred the adventures of the comedic duo to continue, Watterson was quite happy to bring Calvin and Hobbes to its natural conclusion. In an interview with The Cleveland Plain Dealer in 2010, Watterson looks back on his career fifteen years after leaving his strip behind, saying:

“This isn’t as hard to understand as people try to make it. By the end of 10 years, I’d said pretty much everything I had come there to say.

“It’s always better to leave the party early. If I had rolled along with the strip’s popularity and repeated myself for another five, 10 or 20 years, the people now “grieving” for “Calvin and Hobbes” would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I’d be agreeing with them.”

(13) COLLECTIBLES. [Item by Ben Bird Person.] YouTuber Jules Burt just posted this video of his SF/horror Pan Books paperback collection featuring novels by Arthur C. Clarke, Robert Heinlein, and Frederik Pohl: “INCREDIBLE – Vintage PAN SF & Horror – Paperbacks – 1945 to 1979 – Herbert van Thal – John Burke”.

(14) I’VE HEARD THAT NAME BEFORE. Andrew (not Werdna) caught an interesting reference while watching the most recent episode of The Flash. A startled Chester Runk (from 2049) exclaims “Sweet N. K. Jemisin!”

It’s also mentioned in the Arrowverse Wiki episode recap “A New World, Part Three”.

(15) SHARK WEEK’S 35TH ANNIVERSARY. Entertainment Weekly reports “Aquaman himself Jason Momoa will host Shark Week”.

Aquaman star Jason Momoa has been announced as host for the annual Discovery Channel event, news that came out of the Warner Bros. Discovery upfront presentations in New York on Wednesday.

“As the host of Shark Week, I am beyond excited to take you along on this journey,” Momoa said in a statement. “This project means more to me than a week of talking about sharks. It’s a chance for me to learn and share my connection to these amazing creatures. My love of sharks came long before my time as Aquaman — it began several generations before me.”…

(16) PIPPI IN THE BEGINNING. Witness History – “Pippi Longstocking” at BBC Sounds.

In Stockholm in 1941, Astrid Lindgren made up a story for her seven-year-old daughter, Karin, about a young girl who lived alone and had super-human strength. 

Karin named her Pippi Långstrump, or Pippi Longstocking in English. 

Four years later, Astrid submitted her story into a competition and it won. Her book, Pippi Långstrump, was published and became an overnight success. It’s now been translated into more than 70 languages, as well as being made into more than 40 TV series and films. 

Rachel Naylor speaks to Astrid’s daughter, Karin Nyman. 

(17) JWST RESULTS CHALLENGE MODELS. It may be even bigger on the inside than they knew: “Rethinking the Universe: Astronomers Disturbed by the Unexpected Scale of James Webb’s Galaxies”.

… The first results from the James Webb Space Telescope have hinted at galaxies so early and so massive that they are in tension with our understanding of the formation of structure in the Universe. Various explanations have been proposed that may alleviate this tension. But now a new study from the Cosmic Dawn Center suggests an effect that has never before been studied at such early epochs, indicating that the galaxies may be even more massive.

If you have been following the first results from the James Webb Space Telescope, you have probably heard about the paramount issue with the observations of the earliest galaxies:

They are too big.

From a few days after the release of the first images, and repeatedly through the coming months, new reports of ever-more distant galaxies appeared. Disturbingly, several of the galaxies seemed to be “too massive.”

From our currently accepted concordance model of the structure and evolution of the Universe, the so-called ΛCDM model, they simply shouldn’t have had the time to form so many stars.

Although ΛCDM is not a holy indestructible grail, there are many reasons to wait before claiming a paradigm shift: The measured epochs at which we see the galaxies could be underestimated.

(18) VIDEO OF THE DAY. “It’s Quieter In The Twilight” is a documentary about the people who keep the Voyager mission going.

In an unremarkable office space, a select group of aging engineers sacrificed promotion, postponed retirement, and dedicated their lives to stay with the longest running and farthest reaching mission in NASA’s history. Fighting outdated technology and time, Voyager’s flight-team pursues humankind’s greatest exploration.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Francis Hamit, Danny Sichel, Ben Bird Person, Andrew (not Werdna), Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]