Tag Archives: Mimi Mondal

Pixel Scroll 8/19/22 One Sturgeon, One Spock, One Bierce

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(1) F&SF COVER REVEAL. Bob Eggleton created the art on the cover of The Magazine of Fantasy and Science Fiction’s Sept/Oct 2022 issue.

(2) B&N. Barnes & Noble seems to be shifting away from hardcovers and promoting paperbacks, and Middle-Grade / YA authors are particularly worried. At Book Riot, Jenn Northington tries to explain “What Is Going On With Barnes & Noble?”

…Let’s take the newest news first: While much of this is anecdotal, it’s not likely that Barnes & Noble would go on the record about this kind of policy and there are enough supporting responses on Bethany Baptiste’s tweet on August 17th to make it clear that many authors with hardcover releases, particularly in Kids and Middle-Grade, are not being stocked even in their local B&N stores. This isn’t limited to debut authors, either; Kelly Yang, the award-winning author of the Front Desk series, posted a video in which she announced she had been specifically told that B&N would not be stocking the newest book in the series. Scroll through the responses to Baptiste’s tweet, and you’ll see many others with the same story. Independent publisher Disruption Books weighed in to note that this holds true with their own experience.

B&N is a key piece of the in-person bookselling world. Despite Amazon controlling the lion’s share of book sales in the US, everyone in publishing (including indie bookstores) seems united in agreeing that without B&N as even a small counterweight to the e-commerce behemoth, bookselling as we know it would be doomed. As Ellen Adler, publisher of New Press, told the New York Times, “It’s funny how the industry has evolved so that they are now a good guy… I would say their rehabilitation has been total.”… 

So let’s add that together for B&N: Central ordering has been down-sized, publishers can no longer pay for placement, stores have less display room, and hardcover sales are down. Add to that the anecdata about B&N buyers being even warier of bringing in newer authors, and you’ve got a recipe for panic.

Which brings us to impact. Discovery is the perennial Holy Grail of publishing: how do you get someone to see or hear about (and then hopefully buy) your new book? There’s no one right answer (and anyone who tells you otherwise is selling something) but physical discovery, i.e. walking into a bookstore and seeing that book on a display table, has long been one of the key elements – which is why publishers have historically been willing to pay for those display spots….

… All of which adds up to, any shift by B&N to carry fewer hardcovers is a blow to discovery, and therefore to authors. If the only hardcovers you can find at your local branch are also the ones that are on the bestseller list, which are also the ones getting marketing dollars, which are also the ones that the algorithms are suggesting to you online, then the chances of, say, a debut author from a marginalized community getting their book in front of your face long enough for you to see it and consider buying it are lower than ever. And let’s be real here: decreases in discovery disproportionately affect authors from marginalized communities.

Laura Anne Gilman posted her response to the B&N news on Facebook.

There is panic once again rumbling through the publishing industry because Barnes & Noble has announced a new hardcover policy that basically fucks over anyone who isn’t already a number one best seller.

This is not good, on very many levels.

However, and I cannot emphasize this enough, this policy appears to apply only to hardcovers, and it’s unclear to my reading if it will apply to all imprints. It’s still not good, but it’s not going to destroy genre publishing. Not until they decide that they’re only gonna take the top book in mass market and or trade, too.

ETA: I would not be entirely surprised if the chains were to do this. They’ve tried it before, it has not worked out well for them.

(Hardcovers have become increasingly expensive, so I’ve been expecting trouble to surface, but I honestly thought it would come from publishers, not booksellers)

And even then, depending on how much autonomy they actually are giving their local stores… well, personally I’m waiting to see how this decision plays out, and how long they keep it in place. If it’s a sales disaster, they will pretend it never happened.

Meanwhile, continue supporting your local and non-local Indies

(3) THEY’RE OFF. The second Self-Published Science Fiction Competition has left the starting line. The SPSFC blog has details: “Let the Games Begin! SPSFC2 is Go!”

Books have been allocated, checked. Covers have been dispersed. The judges are prepped and ready!

WHAT’S NEW THIS YEAR?

This year we’ve made a few adjustments and wanted to highlight them for those following along.

Re-submissions

Firstly, this year we struggled to get to the cap of 300 submissions, so we decided that we would open up the competition to re-submissions for those books who didn’t make it through the slush pile last year. This really helped us hit the cap as we received 112 re-submissions!

With plenty of new judges (currently at 59, with only about 15 returning from last year) we hope to get a fresh set of eyes on these contestants.

… This year we’re going to try our hardest to keep the team progress and communication centralized. We’ll be playing with some ways to keep that going and please tag us on Twitter (@thespsfc) or in the Facebook Group with feedback.

(4) SFF COMMUNITY CALLS FOR VISA TO BE GRANTED TO NIGERIAN AUTHOR. Mimi Mondal is one of many using social media to call for justice in granting a visa so Oghenechovwe Donald Ekpeki can attend Chicon 8. However, they homed in on the U.S. Consul General in Lagos. Consul General Will Stevens, to make this appeal.

Oghenechovwe Donald Ekpeki says, “Apparently that’s the guy in charge. The main man. That could make it all go away with a wave of his hand.”

(5) INTERNATIONAL BARRIERS. Jason Sanford adds some big-picture comments in ”The Barriers Faced By Authors and Creatives Around the World Limit the Future of the SF/F Genre” on Patreon.

Last year I wrote about the financial barriers faced by authors and creatives around the world, barriers that limited their participation in the science fiction and fantasy genre even as the genre grows increasingly global. These barriers are frequently not seen by many people in the United States, Europe, and Australia, even as people in these countries extol the increasing world-wide reach of the SF/F genre.

Sadly, financial barriers aren’t the only walls keeping people in many parts of the world from fully taking part in the SF/F genre. The latest example of such a barrier is Nigerian author Oghenechovwe Donald Ekpeki being denied a visa by the U.S. government to attend the World Science Fiction Convention in Chicago, where he is a Hugo Award finalist in two categories.

Ekpeki describes what happened in a must-read thread….

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to share brunch on Eggs Benedict with Michael Jan Friedman in Episode 178 of the Eating the Fantastic podcast.

Michael Jan Friedman

Michael Jan Friedman [has] written more than 70 books — around half of them set in the Star Trek universe. In 1992, he wrote Reunion, the first Star Trek: The Next Generation hardcover, which introduced the crew of the Stargazer, Captain Jean-Luc Picard’s first command. Friedman has also written for the Aliens, Predator, Wolf Man, Lois and Clark, DC Super Hero, Marvel Super Hero, and Wishbone licensed book universes. Eleven of his books, including Hollywood Hulk Hogan and Ghost Hunting (written with Syfy’s Ghost Hunters), have appeared on the New York Times bestseller list. He’s also produced more than 200 comic book stories, including the Darkstars series from DC Comics, which he created with artist Larry Stroman, and the Outlaws limited series, which he created with artist Luke McDonnell. He also co-wrote the story for the second-season Star Trek: Voyager episode “Resistance,” which guest-starred Joel Grey.

We discussed the comic book he refused to trade for Fantastic Four #1 as a kid, how the X-Men might actually be a deconstructed Superman, whether it mattered the Marvel Universe was set in New York rather than DC’s series of fictional cities, why his two favorite superheroes are Green Lantern and Martian Manhunter, the lesson he took from an early encounter with Issac Asimov, how he easily solved a stardate conflict which allowed him to keep Chekov in one of his Star Trek novels, what it was like helping Hulk Hogan write his autobiography, and much more.

(7) TOLKIEN RIGHTS SALE. [Item by David Doering.] Not sure if I should be scared or not. (The Swedes being neutral and all, maybe they are as good a custodian as any.) But it would be like Britain selling the Crown Jewels or Windsor Castle. “Swedish gaming giant buys Lord of the Rings and Hobbit rights” in the Guardian.

The company that owns the rights to JRR Tolkien’s works, including The Lord of the Rings and The Hobbit, has been bought by the Swedish gaming firm Embracer Group, which has hinted it could make spin-off films based on popular characters such as Gandalf, Aragorn and Gollum.

Embracer has acquired Middle-earth Enterprises, the holding company that controls the intellectual property rights to films, video games, board games, merchandise, theme parks and stage productions relating to Tolkien’s two most famous literary franchises.

The deal also includes “matching rights” in other Middle-earth-related literary works authorised by the Tolkien Estate and HarperCollins – primarily The Silmarillion and The Unfinished Tales of Numenor and Middle-earth – which were published after Tolkien’s death in 1973….

(8) IT’S ALL ON THE TABLE. Meanwhile, the Embracer Group shows up in another news report, about the board game market: “The Great Nerdification” at Publishers Weekly.

Once upon a time not so very long ago, any board games beyond the household staples like Monopoly and Scrabble were the exclusive property of, well, nerds. And during this not so very long time ago nerds dwelled on the sidelines, wallflower-like: by near definition they were the opposite of popular.

Today, however, we’re living in what Marc Gascoigne, publisher at Aconyte Books (the fiction imprint of the games publisher and distributor Asmodee Entertainment), calls “the great nerdification.” Thanks to hit TV shows like Stranger Things, which reintroduced the public to the seminal role-playing game Dungeons & Dragons, all types of tabletop games have become more mainstream—and they’re exploding in growth, and raking in big bucks.

According to the research report “Board Games Market by Product, Distribution Channel, and Geography-Forecast and Analysis 2021–2025” by Technavio Research, the market (which spans tabletop, card and dice, and RPGs) will see a year-over-year growth of 7.1% in 2021 alone, and grow at a compound annual growth rate of roughly 13% between 2020 and 2026. Additionally, the research firm Arizton Advisory & Intelligence estimates that tabletop games will rake in more than $4 billion in incremental revenues during this time frame.

This growth spurt in the board game category is partly due to the pandemic, which forced the world indoors and impelled people to find new (or old) ways to entertain themselves and socialize at home.

“The pandemic has only strengthened people’s fun and enjoyment playing board games,” Gascoigne says. “And you can now play many of them online if you can’t play in person.”

Though the board games industry is still small (if not miniature) potatoes in comparison to the video games market, which is forecast to be $300 billion by 2025, according to the Unity Gaming Report 2022, it’s expanding enough to catch the eye of video game companies, such as Swedish gaming developer the Embracer Group…. 

(9) AND IN THIS CORNER. The Guardian wonders “Who should Predator fight next? Yoda, Children of the Corn, or Sid from Toy Story?”

…It’s perhaps no coincidence that at a time when nobody really wanted another Predator movie, the straight-to-streaming prequel Prey has reinvigorated interest in the long-running saga. Set in North America in 1719, its less-is-more strategy pays off by pitching the alien against a young Native American woman who must use guile and her understanding of the warrior code to fend off an attack from the mandible-sporting alien.

The premise is much more intriguing than the execrable Alien vs Predator movies, and of course the Twittersphere has gone into a predictable loop-the-loop with suggestions for future episodes. Top of the pile is Stephen King’s idea that the extra-terrestrial hunter take on the Children of the Corn, the murderous kids who featured in his 1977 short story (and subsequent torrent of inexplicably bad movies).

Is King joking? Who cares! It’s another sideways option that would keep the Predator franchise searingly alive. Maybe the alien comes down to Earth in search of “He Who Walks Behind the Rows”, the horrible green demon worshipped by the juvenile citizens of Gatlin in King’s novel, and finds he has bitten off more than he can chew. (Can you chew with mandibles?)…

(10) MEDIA BIRTHDAY.  

1998 – [By Cat Eldridge.] The first film of the Blade trilogy had its premiere in New York City on this date. Based off the Blade series by writer Marv Wolfman and artist Gene Colan, the screenplay was written by David S. Goyer who would also write Nick Fury: Agent of S.H.I.E.L.D. 

Wesley Snipes who plays the very special human-vampire hybrid Blade here would be one of the three producers. And I thought the cast was interesting: Stephen Dorff, Kris Kristofferson, N’Bushe Wright and Donal Logue. 

A. Asbjørn Jøn raised the question whether Kris Kristofferson’s Whistler character was based off a character named Whistler in A Dozen Black Roses by Nancy A. Collins which came out two years earlier. Given that filming for this film started at least eighteen months before it got released and that means the screenplay was written at least a year before that, I think not. 

To save having to do SPOILERS, I will skip talking about the story which frankly is far less interesting than the sheer physical action here. It’s really watching fun Blade kill vampires in new and frankly gory manners. Snipes is fascinating to watch as he has a dancer’s physical grace as brutally stabs a vampire. Cool. Way cool.

The Blade here is not the Blade of the comics. Goyer replaced the daggers Blade used in the comics with a sword and gave him a more samurai-like aesthetic which explains the dance-like grace I saw in him. 

It cost forty million to produce and made a rather excellent one hundred and thirty million. 

Critics generally liked it. Roger Ebert of the Chicago Sun-Tribune made a good point when he noted that, “Blade is a movie that relishes high visual style.” And Peter Bradshaw writing for the Guardian said, “Blade is an entertainingly macabre and excitingly staged action horror, with a propulsive energy..” 

Audience reviewers at Rotten Tomatoes give a quite stellar seventy eight percent rating. 

And yes, I like it rather a lot having seen it at the cinema and then watched it several times on video. I’m not at all fond of the two sequels though. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 19, 1921 — Gene Roddenberry. Oh, you know who he is. But did you know he wrote a lot of scripts for Have Gun – Will Travel? Indeed his script for the show, “Helen of Abajinian” would win the Writer’s Guild of America award for Best Teleplay in 1958. And yes, he would share a Hugo for Star Trek’s “The City on the Edge of Forever” episode which was awarded at Baycon. (Died 1991.)
  • Born August 19, 1928 — Richard N. Farmer. Author of Islandia Revisited: A Sequel By Other Hands which he claims to be a sequel to Austin Tappan Wright’s Islandia. No, it wasn’t at all authorized. There are authorized sequels to Islandia, three of them, all written by Mark Saxton, the man who edited the original Islandia manuscript. They are, in this order, The Islar, Islandia Today – A Narrative of Lang III, The Two Kingdoms and Havoc in Islandia. Sylvia Wright, Wright’s daughter and the executrix of the estate, died shortly before the third Saxton book was completed. Mark Saxton himself died in 1988, so it’s not really likely that we will see any additional Islandia novels.(Died 1987.)
  • Born August 19, 1930 — D.G. Compton, 92. SWFA Author Emeritus whose The Steel Crocodile was nominated for the Nebula Award. The Unsleeping Eye, The Continuous Katherine Mortenhoe in the U.K., was filmed as Death Watch which the Audience Reviewers at Rotten Tomatoes actually like giving it a 60% rating. His two Alec Jordan near-future police stories are superb. He selected for the Cordwainer Smith Rediscovery Award.
  • Born August 19, 1938 — Diana Muldaur, 84. She appeared in the original series in two episodes, first in “Return to Tomorrow” as Dr. Ann Mulhall / Thalassa and then in “Is There in Truth No Beauty?”  as Dr. Miranda Jones. She, of course, is up again in Next Gen as Dr. Katherine Pulaski.  She voiced Dr. Leslie Thompkins in that animated Batman series as well. 
  • Born August 19, 1940 — Jill St. John, 82. She’s best remembered as Tiffany Case, the Bond girl in Diamonds Are Forever. She was the first American to play a Bond girl. She shows in The Batman in “Smack in the Middle” and “Hi Diddle Riddle” as Molly. And she played Jennifer Holmes in the 1960 film version of The Lost World. Even more fascinatingly she’s one of the uncredited dancers on Rowan & Martin’s Laugh-In! 
  • Born August 19, 1950 — Mary Doria Russell, 72. The Sparrow series, The Sparrow and its sequel Children of God, are awesome. The Sparrow won the Clarke, BSFA, and Tiptree Awards, and it was the reason she won the Astounding Award for Best New Writer. Though not genre, Doc and its sequel Epitaph are mysteries using the historic character of Doc Holliday. 
  • Born August 19, 1952 — Jonathan Frakes, 70. Best known for his portrayal of Commander William T. Riker in Next Gen and I’m fond of his voicing David Xanatos on the Gargoyles series which had at least five Trek actors doing voice work. Interesting bit of trivia: For a time in the Seventies, he worked for Marvel Comics at Cons as Captain America. He has directed more than seventy television episodes, including episodes of myriad Trek series, Marvel’s Agents of S.H.I.E.L.D., Leverage, The Librarians and The Orville.

(12) A NICE TURN OF PHRASE. Says Icona:

(13) DEAD RECKONING. Book Riot’s K. W. Colyard spotlights “Murder Mysteries In Space: 10 Thrillers Set Where No One Can Hear You Scream”. First on the list:

THE TEA MASTER AND THE DETECTIVE BY ALIETTE DE BODARD

Aliette de Bodard’s Hugo- and Nebula-nominated novella centers on The Shadow’s Child: a sentient spaceship who has settled into her new life as a wounded veteran. Her latest client is Long Chau: a researcher who needs The Shadow’s Child‘s help acquiring a dead body. But when they realize the body they’ve found is that of a murder victim, this newly acquainted dynamic duo have no choice but to investigate in The Tea Master and the Detective.

(14) IT’S ABOUT TIME. Another SFnal-ish Isaac Arthur here: “Time Wars & Alternate Timelines” on YouTube.

Temporal Paradox and Time Travel delight us in science fiction, but what would a war across time really look like?

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Day Shift Pitch Meeting,” Ryan George explains the new Jamie Foxx vampire hunter movie begins with Jamie Foxx fighting a valued senior citizen, killing her, and stealing her fangs because in this world, the older the vampire, the more valuable their fangs.  We learn about the vampires because Foxx and another character “have an exposition battle where they quiz each other on how much they know.”  Also, many characters pee their pants and this is a plot point because “vampires don’t pee.”

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Gordon Van Gelder, Scott Edelman, Jason Sanford, David Doering, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Mimi Mondal Wins SLF’s 2022 A.C. Bose Grant

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The Speculative Literature Foundation announced today that Mimi Mondal is the winner of the 2022 A.C. Bose Grant for South Asian Speculative Literature worth $1,000 for her work “Twenty-Nine Days Before Remaking the World.”

Mimi Mondal (she/they) was nominated for the Nebula Award in 2020 for her novelette “His Footsteps, Through Darkness and Light” (Tor.com/Realm.fm). Her debut Dungeons & Dragons adventure, named “In the Mists of Manivarsha” and inspired by Bengal from the 5th-6th century CE, is forthcoming in the book Journeys Through the Radiant Citadel (Wizards of the Coast, June 2022). Her fiction can be found on Strange Horizons, Fireside Magazine, Nightmare Magazine, The Gollancz Book of South Asian Science Fiction, Vol. 1 and elsewhere, and her nonfiction column “Extraordinary Alien” on Hindustan Times.

Mimi was born and raised in Kolkata, India, and currently lives in New York City, where she grows hydroponic flowers in the winter, reads (e)books on the grass at public parks in the summer, and takes late-night walks by the East River in all seasons.

“Twenty-Nine Days Before Remaking the World” was originally written in 2019 under the patronage of the Internationales Literaturfestival Berlin, which published the story in German translation by Anke Caroline Burger. The current version of the story is somewhat different from what it was three years ago, and may undergo a few other changes before it appears in Clarkesworld Magazine.

[Based on a press release.]

Pixel Scroll 11/21/19 Because The Scroll Belongs To Pixels

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(1) CHENGDU ROLLS OUT THE RED CARPET. An international array of visiting writers and Worldcon runners will attend the 5th China (Chengdu) International Science Fiction Conference this weekend.

China Daily previewed the event in an English-language article “Sci-fi conference to be held in Chengdu”.

…The guests are from 14 countries and regions, and over 40 events will be organized during the three-day conference.

…Chengdu, the capital of Southwest China’s Sichuan province which is best known as the home of pandas, is the cradle of “Science Fiction World,” China’s most popular sci-fi periodical.

Founded 40 years ago, the magazine has cultivated a large number of well-known sci-fi figures including Han Song, Wang Jinkang and Hugo Award-winner Liu Cixin.

Chengdu has made great efforts in recent years to develop the sci-fi culture industry and build itself into China’s science fiction town. It has put in a formal bid to host the 81st World Science Fiction Convention in 2023.

Chengdu’s bid is competing with two other bids Nice, France, and Memphis, TN.

A partial list of the international writers and conrunners who are in Chengdu includes CoNZealand (2020) co-chairs Kelly Buehler and Norman Cates, DisCon III (2021) co-chairs Colette Fozard and William Lawhorn, Chicago in 2022 bid co-chairs Dave McCarty, Helen Montgomery, plus Crystal Huff, Pablo M.A Vazquez, Ben Yalow, Derek Künsken, Mimi Mondal, Robert J. Sawyer, and Francesco Verso.

Pablo M.A Vazquez is a winner of the Shimmer Program’s Two-Way Exchange Fund, chaired the 2017 NASFiC, and will co-chair of the 2020 Corflu.

Some of the guests and visitors were also part of the group photo below taken at the China Science Fiction Conference two weeks ago (November 2-3) in Beijing, China. SFWA President Mary Robinette Kowal is at center, with Vazquez on the left, and Vincent Docherty (co-chair 1995 and 2005 Worldcons) to the right.

(2) ILM INNOVATION. Slashfilm fires the imagination with its description of a new visual media tech: “How Lucasfilm’s New ‘Stagecraft’ Tech Brought ‘The Mandalorian’ to Life and May Change the Future of TV”

… Kennedy adds an interesting little tidbit about the material used to create the screen:

“But I’m going to add one other thing that I didn’t know anything about this and it’s an interesting little tidbit. You have to grow the crystals for these screens. Who knew? You have to wait five years for the crystals to grow. And the crystals means a limited number of screens. Not only do you have to grow them but if you have volume, it’s important that you have the same bunch of LCD screens so that all the crystals are growing together. And then, how they refract the light, then they go into a whole pass on the ground crystals to then curate which ones are refracting the light in the same way so Its quite a process.”

So now the soundstage, a performance capture volume like the one James Cameron used on the Avatar films, is wrapped with these very high-resolution LED screens that present footage either shot on location or “in combination with CG environments.” Brennan explains further:

“And we’re able to have the perspective with cameras, but that means that you can change from Iceland to the desert in one [minute] from setup to setup so it really changes the flow of production. I think it also helps because actors are not in a sea of green. They’re actually seeing the environments that they’re in. And you add to that, after the puppetry and they’ve got characters to perform against in the environments that they are in and I think it does change.”

(3) BEST SFF. Silvia Moreno-Garcia and Lavie Tidhar pick “The best science fiction and fantasy of 2019” for Washington Post readers. They make a wide, international sweep.

Silvia: I like mosaic novels so it’s no wonder I thought “Automatic Eve” by Rokuro Inui was cool, but it also had a Phillip K. Dick meets steampunk Japan vibe that is hard to miss. The other science fiction novel I recommend is Maurice Carlos Ruffin’s “We Cast a Shadow,” in which a black lawyer wants his son to undergo an expensive procedure that will render him white. It’s a near-future, socially charged and pretty impressive debut.

(4) TOP OF THE DECADE. And Paste Magazine figures with only a month to go it’s safe to call these titles “The 30 Best Fantasy Novels of the 2010s”. I’ve actually read four of them – yay me!

1. The Fifth Season by N.K. Jemisin (2015)

The first book in N.K. Jemisin’s Broken Earth trilogy introduces a stunning world in the midst of an apocalyptic event. To avoid major spoilers, let’s just say that The Fifth Season is brimming with gloriously intense family drama and includes one of the most phenomenal magic systems ever created. It also boasts a complex protagonist who is a mother, gifting us with one of the most formidable and fascinating characters of the 21st century. Jemisin made history by winning the Hugo Award for Best Novel three years in the row for this trilogy, cementing her status as an essential voice in fantasy literature. But critical success aside, simply diving into her luminous prose will be enough for you to discern why she’s such a brilliant, must-read author. —Frannie Jackson

 (5) TODAY IN HISTORY.

  • November 21, 1942 — “Tweety Bird” debuted.
  • November 21, 1969 — First ARPANET link put into service.  

ARPANET was an early computer network developed by J.C.R. Licklider, Robert Taylor, and other researchers for the U.S. Department of Defense’s Advanced Research Projects Agency (DARPA). It connected a computer at UCLA with a computer at the Stanford Research Institute, Menlo Park, CA. In 1973, the government commissioned Vinton Cerf and Robert E. Kahn to create a national computer network for military, governmental, and institutional use. The network used packet-switching, flow-control, and fault-tolerance techniques developed by ARPANET. Historians consider this worldwide network to be the origin of the Internet.

  • November 21, 1973 — The Michael Crichton scripted Westworld premiered. Starring Yul Brynner, Richard Benjamin and James Brolin, critics gave it mixed reviews but it has an 86% rating among watchers at Rotten Tomatoes. 
  • November 21, 2012 — The animated Rise Of The Guardians enjoyed its premiere.  The feature starred the talents of Hugh Jackman, Jude Law and Isla Fisher. Based on William Joyce’s The Guardians of Childhood series, it really bombed. However the audience rating at Rotten Tomatoes is very healthy 80%. 

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 21, 1924 — Christopher Tolkien, 95. He drew the original maps for the LoTR. He provided much of the feedback on both the Hobbit and LoTR and his father invited him  to join the Inklings when he was just twenty-one years old, making him the youngest member of that group. Suffice it to say that the list is long of his father’s unfinished works that he has edited and brought to published form. I’ll leave to this group to discuss their merit as I’ve got mixed feelings on them.
  • Born November 21, 1937 — Ingrid Pitt. Actor from Poland who emigrated to the UK who is best known as Hammer Films’ most sexy female vampire of the early Seventies. Would I kid you? Her first genre roles were in the Spanish movie Sound of Horror and the science-fictional The Omegans, followed by the Hammer productions The Vampire Lovers, Countess Dracula, and The House That Dripped Blood. She appeared in the true version of The Wicker Man and had parts in Octopussy, Clive Barker’s Underworld, Dominator, and Minotaur. She had two different roles in Doctor Who – somewhat of a rarity – as Dr. Solow in the “Warriors of the Deep” episode and as Galleia in “The Time Monster” episode. (Died 2010.)
  • Born November 21, 1941 — Ellen Asher, 78. Editor who introduced many fans to their favorites, as editor-in-chief of the Science Fiction Book Club (SFBC) for thirty-four years, from 1973 to 2007 (exceeding John W. Campbell’s record as the person with the longest tenure in the same science fiction job). She was personally responsible for selecting the monthly offerings to subscribers, and oversaw the selection of individual works for their special anthologies and omnibuses. She has been honored with a World Fantasy Special Award and an Edward E. Smith Memorial Award for Imaginative Fiction. In 2009, she was given a World Fantasy Award for Life Achievement, and she was Editor Guest of Honor at Worldcon in 2011.
  • Born November 21, 1942 — Jane Frank, 77. Art collector along with her husband quite beyond belief. Really. Together they put compiled a legendary collection of genre artwork, The Frank Collection, that has won awards. She is the author of numerous articles on illustration art, artists and collecting, and the book The Art of Richard Powers which was nominated for a Hugo, The Art of John Berkey, and The Frank Collection.
  • Born November 21, 1944 — Harold Ramis. Actor, Writer, and Producer, best-known to genre fans for his role as Egon Spengler in the Saturn-winning, Oscar- and Hugo-nominated Ghostbusters and its lesser sibling Ghostbusters II (the scripts for both of which he co-wrote with Dan Aykroyd). He had voice roles in Heavy Metal and Spacehunter: Adventures in the Forbidden Zone, and a cameo in Groundhog Day, for which he received Saturn nominations for writing and directing. He was also director and producer of Multiplicity. (Died 2014.)
  • Born November 21, 1945 — Vincent Di Fate, 74. Artist and Illustrator who has done many SFF book covers and interior illustrations since his work first appeared in the pages of Analog in 1965. He was one of the founders of the Association of Science Fiction and Fantasy Artists (ASFA), and is a past president. In addition to his Chesley Award trophy and 7 nominations, he has been a finalist for the Professional Artist Hugo 11 times, winning once; two collections of his artwork, Infinite Worlds: The Fantastic Visions of Science Fiction Art and Di Fate’s Catalog of Science Fiction Hardware, have been Hugo finalists as well. He was Artist Guest of Honor at the 1992 Worldcon, for which he organized their Art Retrospective exhibit. He was inducted into the Science Fiction Hall of Fame in 2011. You can see galleries of his works at his website.
  • Born November 21, 1946 — Tom Veal, 73. He’s a con-running fan who chaired Chicon 2000. He was a member of the Seattle in 1981 Worldcon bid committee. He chaired Windycon X.  In 2016 he married fellow fan Becky Thomson. And he wrote the “1995 Moskva 1995: Igor’s Campaign“ which was published in  Alternate Worldcons and Again, Alternate Worldcons as edited by Mike Resnick.
  • Born November 21, 1950 — Evelyn C. Leeper, 69. Writer, Editor, Critic, and Fan, who is especially known for her decades of detailed convention reports and travelogues. A voracious reader, she has also posted many book reviews. She and her husband Mark founded the Mt. Holz Science Fiction Club at Bell Labs in New Jersey (Mt = abbreviation for the labs’ Middletown facility), and have produced their weekly fanzine, the MT VOID (“empty void”), since 1978; it is currently at Issue #2,041. She was a judge for the Sidewise Award for Alternate History for 20 years. She has been a finalist for the Hugo Award for Best Fan Writer twelve times, and Fan Guest of Honor at several conventions, including a Windycon.
  • Born November 21, 1953 — Lisa Goldstein, 66. Writer, Fan, and Filer whose debut novel, The Red Magician, was so strong that she was a finalist for the Astounding Award for Best New Writer two years in a row. Her short fiction has garnered an array of Hugo, Nebula, and World Fantasy Award nominations, as well as a Sidewise Award. The short story “Cassandra’s Photographs” was a Hugo and Nebula finalist and “Alfred” was a World Fantasy and Nebula finalist; both can be found in her collection Travellers in Magic. Her novel The Uncertain Places won a Mythopoeic Award. You can read about her work in progress, her reviews of others’ stories, and other thoughts at her blog.
  • Born November 21, 1965 — Björk, 54. Who bears the lovely full name of Björk Guðmundsdóttir. I like Icelandic. And I’ve got boots of her band somewhere here I think. She’s here for The Juniper Tree which is a 1990 Icelandic film directed and written by Nietzchka Keene which is based  on “The Juniper Tree” tale that was collected by the Brothers Grimm. She’s one of five performers in it. Oh, and because her last album Utopia explored that concept even using cryptocurrency as part of the purchase process.

(7) ZOMBIES APPERTAIN THEIR FAVORITE BEVERAGE. [Item by Errolwi.] Complaints about a “terrifying to children” TV ad for New Zealand soft drink L&P have been rejected by the NZ advertising watchdog. Stuff has the story — “‘Frightening’ L&P zombie ad attracts 40 complaints from viewers”.

Coca-Cola Amatil, which produces the beverage, said the ad was a light-hearted parody of “zom-com” or “zomedy” movies such as Shaun of the Dead and Warm Bodies. 

…The Advertising Standards Authority dismissed the complaints, saying that while the ad may be distasteful to some viewers, it did not reach the threshold to be considered likely to cause harm or serious offence.

It noted that since receiving the complaints, the advertiser had decided to reschedule the ad to be screened after 7pm.

(8) BEWARE THIS SORT OF SPOILER. Whoops, too late. SYFY Wire insists: “Worry you must not! Yoda Baby merchandise will be coming in time for Christmas”.

We still don’t know what the titular hero of The Mandalorian is going to do with the little “asset” that he found in the first live-action Star Wars series, but it is more than clear that the real world wants a piece of it. Everyone wants merchandise for the “Yoda Baby,” and there’s good news on the horizon. 

Disney and Lucasfilm purposely held back this bit of salesmanship to avoid spoilers, but that starship has flown. CNBC reports that all kinds of toys and apparel based on the character will be out in time for the holidays. 

(9) IN WIRED. [Item by Martin Morse Wooster.] The December WIRED has three articles on Star Wars that I thought were interesting. These are:

  • Angela Watercutter interviews cosplayers who enjoy cosplaying Rey because her costume is relatively simple and because she is the first female character in Star Wars to wield a lightsaber: “Everybody Loves Rey, a Star Wars Story”.

Annamarie McIntosh is coming undone. People in comic-book tees are rushing past her, lit up by too-bright fluorescents. She’s surrounded by massive signs with corporate logos, from Nintendo to DC Comics. The cavernous hall is 460,000 square feet, and McIntosh is taking up about three of them, trying to cinch the beige bandages wrapped around her arms. “We’re having issues here,” she says, with an exasperated giggle. “It’s been falling down all day.” With an assist by her mom, the 17-year-old finally twists and tucks her costume into place. All things considered, the fix is easy. It’s 2019’s Comic-Con International, and compared to the wizards and warlocks and Wonder Women crowding the floor, the outfit of the Jedi Rey is plain, simple. Sensible.

  • Adam Rogers undertakes “A Journey to Galaxy’s Edge, the Nerdiet Place on Earth” — and discusses how the park is a form of storytelling.  He says that cosplaying in Star Wars: Galaxy’s Edge is banned, although “I saw a few women cosplaying on the down low, hair done weird, rocking galactically appropriate boots.” This graf of Rogers is news to me:

Eventually, Star Wars: Galactic Starcruiser will open. That’s a two-day stay adjacent to the Orlando park in a hotel designed to look like a Star Wars spaceship, a luxury liner called the Halcyon.  The windows will somehow look out onto space; families will get tours of the bridge, and ‘port day’ will connect to Galaxy’s Edge.  Apparently even the hotel building ill be bermed off from arriving guests–all they’ll see is the ‘terminal’ where they board a shuttle to the Halcyon in orbit above.

The biggest battle in Star Wars is between its mythic arcs—the heroes’ journeys—and its political stories. Padmé fell on the political side so squarely that the prequel trilogy expended significant visual and narrative energy trying to drag her toward the mythic, where Anakin Skywalker was waiting.

She never got there. Her realm was that of the negotiation and the vote, and nothing was able to bring her into line with the adventure and the myth.

(10) KIWI IN TRAINING. Stephen Colbert has spent the week masquerading as The Newest Zealander. I don’t think any WorldCon venues are in shot, but parts are right next to Museum of NZ.

Prominent New Zealand celebrities Lucy Lawless (“Xena: Warrior Princess”) and Bret McKenzie (“Flight of the Conchords”) show Stephen around the town of Wellington and offer him tips on how to blend in as a local.

[Thanks to JJ, Cat Eldridge, Michael Toman, N., Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, Errolwi, Tom Boswell-Healey, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 9/7/19 Two Thousand Million Or So Years Ago Two Pixels Were Scrolling

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(1) MOSLEY QUITS STAR TREK: DISCOVERY. Walter Mosley tells “Why I Quit the Writers’ Room” in an op-ed for the New York Times. His piece doesn’t name the show he quit. The Hollywood Reporter does: “Author Walter Mosley Quits ‘Star Trek: Discovery’ After Using N-Word in Writers Room”. Mosley writes —  

Earlier this year, I had just finished with the “Snowfall” writers’ room for the season when I took a similar job on a different show at a different network. I’d been in the new room for a few weeks when I got the call from Human Resources. A pleasant-sounding young man said, “Mr. Mosley, it has been reported that you used the N-word in the writers’ room.”

I replied, “I am the N-word in the writers’ room.”

He said, very nicely, that I could not use that word except in a script. I could write it but I could not say it. Me. A man whose people in America have been, among other things, slandered by many words. But I could no longer use that particular word to describe the environs of my experience.

…I do not believe that it should be the object of our political culture to silence those things said that make some people uncomfortable. Of course I’m not talking about verbal attacks or harassment. But if I have an opinion, a history, a word that explains better than anything how I feel, then I also have the right to express that feeling or that word without the threat of losing my job. And furthermore, I do not believe that it is the province of H.R. to make the decision to keep my accusers’ identities secret. If I’ve said or done something bad enough to cause people to fear me, they should call the police.

My answer to H.R. was to resign and move on. I was in a writers’ room trying to be creative while at the same time being surveilled by unknown critics who would snitch on me to a disembodied voice over the phone. My every word would be scrutinized. Sooner or later I’d be fired or worse — silenced….

The Hollywood Reporter solicited CBS’ take on Mosley’s departure –

CBS TV Studios responded to Mosley’s op-ed on Friday in a statement provided to The Hollywood Reporter: “We have the greatest admiration for Mr. Mosley’s writing talents and were excited to have him join Star Trek: Discovery. While we cannot comment on the specifics of confidential employee matters, we are committed to supporting a workplace where employees feel free to express concerns and where they feel comfortable performing their best work. We wish Mr. Mosley much continued success.”

(2) CHANDRAYAAN-2. The lander and rover apparently didn’t make it: “‘We Came Very Close:’ Indian Prime Minister Modi Lauds Chandrayaan-2 Team After Moon Lander Goes Silent”.

India’s space program will bounce back strong from the apparent failure of Friday’s (Sept. 6) lunar landing attempt, Prime Minister Narendra Modi stressed.

The nation’s Chandrayaan-2 moon orbiter dropped a lander called Vikram toward the lunar surface Friday afternoon. Everything went well for a while, but mission controllers lost contact with Vikram when the craft was just 1.3 miles (2.1 kilometers) above the gray dirt.

As of this writing, the Indian Space Research Organisation (ISRO) had still not officially declared Vikram lost; the latest ISRO update stated that descent data are still being analyzed. But Modi’s comments strongly suggest that Vikram and Pragyan, the rover that was supposed to deploy from the lander, are dead.

…Indeed, India plans to develop a Chandrayaan-3 moon mission in the coming years, and the nation also intends to put humans on the lunar surface at some point. ISRO is working to send a second orbiter to Mars in the mid-2020s as well. (The nation’s first Red Planet probe, Mangalyaan, has been studying Mars from orbit since September 2014.)

And there’s still the other half of Chandrayaan-2 to consider. The mission’s orbiter, which arrived at the moon last month, is scheduled to operate for at least a year. The spacecraft is using eight science instruments to study the moon in a variety of ways — creating detailed maps of the lunar surface, for example, and gauging the presence and abundance of water ice, especially in the south polar region.

(3) TIME FOR THE TESTAMENTS. NPR has the answer to “Why Margaret Atwood Said ‘No’ To A ‘Handmaid’s Tale’ Sequel — Until Now”.

…Atwood says it just seemed like the time for a sequel. “People had been asking me to write a sequel for a long time, and I always said no, because I thought they meant the continuation of the story of Offred which I couldn’t do,” she says. “But then I thought, what if somebody else were telling the story? And what if it were 15 or 16 years later? And it was also time, because for a while we thought we were moving away from The Handmaid’s Tale. And then we turned around and started going back toward it, ominously close in many parts of the world. And I felt it was possibly time to revisit the question of, how do regimes like Gilead end? Because we know from The Handmaid’s Tale that it did end.”

(4) DANCING MARVELS. Popsugar features some amazingly skilled kids – who apparently are their high school’s counterparts to my daughter’s colorguard team. “Oh, Snap: This High School Dance Team’s Avengers Routine Is Pretty Freakin’ Marvelous”.

A year after their viral Harry Potter dance routine, the students of Arizona’s Walden Grove high school are at it again with some incredible Avengers-themed homecoming choreography. The talented PAC dance team put their own twist on Marvel’s Cinematic Universe and brought the beloved superheroes back to life — with some badass moves.

The full routine is an intergalatic trip through the Avengers: Infinity War and Avengers: Endgame storylines. […]

(5) WITH RECEIPTS. Mimi Mondal is “Rewriting the history of science fantasy fiction” in the Hindustani Times.

…In 2016, a bust of HP Lovecraft was removed as the trophy for the World Fantasy Award, but the change had caused so much debate that a new trophy — a twisted tree girdling a full moon — wasn’t released till the next year. Last year, after the death of Harlan Ellison, obituaries from grieving fans were mixed with accounts of his serial sexual harassments, including of women author peers. Two months later, NK Jemisin made history by winning her third consecutive Hugo Award for the best novel. Veteran author Robert Silverberg denounced her acceptance speech as “graceless and vulgar” for having passionately spoken against the obstacles faced by black women writers in SFF, again to the thundering applause of the auditorium in San Jose, which I was present to witness. Jemisin’s speech was in more than one way a precursor to Ng’s.

The change in our genre is a reflection of the change that’s happening in the world. As a genre, SFF is fairly new — barely a century old — and, while science fiction in particular (less so fantasy and horror) has always worn a progressive veneer, the stories of progress have always belonged to a small, privileged group of people. But SFF is also a hugely popular and consumer-facing genre, which means trends are driven by those who consume the stories. Changes in SFF are a direct result of the changing reader and buyer demographic, which no longer simply constitutes white men in the West….

(6) YOU’RE GETTING COLDER. “Was Walt Disney Frozen?” Snopes says nope. Is there nothing left for us to believe in?

Half a century onwards, the rumor that Walt Disney’s body was put in cryonic storage remains one of the most enduring legends about the entertainment giant.

(7) LYNLEY OBIT. Actress Carol Lynley died September 3 of a heart attack reports the New York Times. She was 77. Her genre appearances included The Man From U.N.C.L.E., Night Gallery, and Tales of the Unexpected, She was in the feature films Beware! The Blob and Future Cop, and the TV movies that gave rise to series Kolchak: The Night Stalker and Fantasy Island.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 7, 1795 — John William Polidori. His most remembered work was “The Vampyre”, the first published modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story is his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
  • Born September 7, 1937 — John Phillip Law. He’s probably best remembered as the blind angel Pygar in the cult  film Barbarella which featured Jane Fonda in that bikini. He shows up in Tarzan, the Ape Man as Harry Holt, and he’s in a South African SF film, Space Mutiny, as Flight Commander Elijah Kalgan, that’s set on a generation ship. Look actual SF! (Died 2008.)
  • Born September 7, 1955 — Mira Furlan, 64. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least briefly in Marc Zicree’s Space Command.
  • Born September 7, 1960 — Christopher Villiers, 59. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
  • Born September 7, 1966 — Toby Jones, 53. He appeared in “Amy’s Choice”, an Eleventh Doctor story, as the Dream Lord. In Harry Potter and the Chamber of Secrets, he voiced Dobby the house elf. And in 
  • Finding Neverland, Mr. Smee, Captain Hook’s bo’sun. Guess what work that film was based on. Finally I’ll note that he was — using motion capture — Aristides Silk in The Adventures of Tintin. 
  • Born September 7, 1973 — Alex Kurtzman, 46. Ok, a number of sites claim he destroyed Trek. Why the hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems them for me.
  • Born September 7, 1974 — Noah Huntley, 45. He has appeared in films such as 28 Days Later, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (excellent film), Snow White and the Huntsman (great film), Event Horizon (surely you’ve something else to do) and Dracula Untold (woo, not so great). He’s Gawain in The Mists of Avalon series and shows up as Donovan Osborn in the CW series Pandora which, I’m not kidding, got a Rotten Tomatoes zero percent approval rating. Ouch. 
  • Born September 7, 1993 — Taylor Gray, 26. He’s best known for voicing Ezra Bridger on the animated Star Wars Rebels which I highly recommend if you’re into Star Wars at all as it’s most excellent.  He also played Friz Freleng in Walt Before Mickey. 

(9) MIGNOGNA SUIT WHITTLED DOWN. A Texas state judge delivered a setback to Vic Mignogna, who has brought suit to stifle some of the public #MeToo charges voiced against him. The Dallas News has the story: “In anime’s #MeToo moment, Vic Mignogna a no-show at Tarrant County hearing and his case is mostly an unholy mess”.

State District Judge John Chupp dismissed a number of the claims by Mignogna’s attorney and promised to rule on the remainder in the next 30 days.

…Friday was a significant milestone in a civil lawsuit brought by local anime voice actor Vic Mignogna against two of his Dallas-area colleagues, the fiance of one of the women, and a company that cut ties with him. Mignogna says their statements about his inappropriate behavior with women amount to an unfair campaign to destroy his career. His accusers say his lawsuit is aimed at silencing them.

After three hours of arguments between a tightly scripted defense team and Mignogna’s astonishingly unorganized — and at times ill-prepared and illogical — attorney, Chupp dismissed a number of the claims and promised to rule on the remainder in the next 30 days.

…January’s record-breaking opening of Broly also set off another round of accusations and stories on social media about the 56-year-old actor’s long-rumored inappropriate behavior with women — which allegedly has included aggressive kisses, hugs and unwanted sexual advances.

Online, thousands of anime fans rushed to pick a side in the warfare hashtagged #kickvic and #IStandWithVic. Mignogna repeatedly, and sometimes in great detail, denied all the allegations.

Amid the outcry, Flower Mound-based Funimation Productions, which dubs and distributes anime shows, including much of the Dragon Ball franchise, announced in February that it had severed ties with Mignogna after an internal investigation.

Mignogna’s lawsuit, filed April 18, alleged defamation, tortious interference, conspiracy and other charges against Funimation, voice actors Jamie Marchi and Monica Rial, and Rial’s fiance, Ron Toye. The lawsuit painted the company and three individuals as a band of conspirators leading the charge to reduce Mignogna to ruins.

Friday the 141st District Court’s gallery was packed with interested parties, and many of them were there to support Rial and Marchi.  But Mignogna was nowhere to be found. Perhaps that was for the best, given the often befuddled oral arguments of his Tyler-based attorney, Ty Beard….

And the many worldwide Mignogna fans who have contributed to the massive GoFundMe for his legal fees, a war chest which now stands at more than $242,000,  might well have wanted their money back if they had been in the courtroom today.

…At the end of the proceedings — which went an hour longer than the court had allocated — Chupp dismissed all claims against Marchi, all except defamation against Funimation and all except defamation and conspiracy against Rial and Toye.

Those outstanding claims are weighty ones — Funimation, Rial and Toye are still on a sharp hook. I suspect Chupp needed to give more consideration and study to each before making his ruling. Or maybe the amateurish performance of the plaintiff’s legal team had just worn on his last nerve to the point that the extremely patient judge  needed a break.

(10) A TOAST GOODBYE. Food & Wine says “An Official ‘Mr. Robot’ Beer Will Premiere Along with the Final Season”. Doesn’t it make you wonder what alcoholic beverages should have accompanied the cancellation of The Original Star Trek (Saurian brandy!) or Agent Carter (Crown Russe Vodka?).

All good things come to an end. Including TV shows. (Except maybe The Simpsons.) But for fans of USA Network’s critically-acclaimed hacker drama Mr. Robot, at least they’ll have a beer to toast when the series premieres its fourth and final season on October 6.

In an official collaboration, USA Network has enlisted New York’s Coney Island Brewery to produce fsociety IPA — a hazy IPA inspired by Mr. Robot. Though the connection between television show and branded beer can often feel tenuous, working with the Coney Island-based brand is actually an inspired choice since the beachy New York City neighborhood serves as a significant setting in the show.

(11) THE VEGETARIAN GODZILLA. “Japanese scientists find new dinosaur species”: Yahoo! has photos.

Japanese scientists have identified a new species of dinosaur from a nearly complete skeleton that was the largest ever discovered in the country, measuring eight metres (26 feet) long.

After analysing hundreds of bones dating back 72 million years, the team led by Hokkaido University concluded the skeleton once belonged to a new species of hadrosaurid dinosaur, a herbivorous beast that roamed the Earth in the late Cretaceous period.

A partial tail was first found in northern Japan in 2013 and later excavations revealed the entire skeleton.

The team named the dinosaur “Kamuysaurus japonicus,” which means “Japanese dragon god,” according to a statement issued by the university.

(12) ANOTHER CON REPORT. Emily Stein in CrimeReads offers “An Ode To Podcasts:  Dispatches From Podcon 2019” as a report from a podcasting convention in Seattle that won’t be held again because of financial trouble.

…Earlier this year, I traveled to Seattle to attend PodCon, an annual conference celebrating all things podcasts. While many kinds of podcasts were represented, PodCon has always had a special fondness for audio dramas, or fiction podcasts, and the fervent fandom they inspire. (Have I stayed up until midnight to hear the mind-blowing 50th episode of The Bright Sessions the second it dropped? Maybe! Did I co-create a Facebook group for listeners of I Am In Eskew to trade their nerdy fan theories? Who’s to say? Might I have joined a Discord server just to talk about Debbie’s mysterious notebook in King Falls AM? Yes, I might have. I did.)…

Four months after PodCon 2 came to a close, conference co-founder Hank Green announced that PodCon would not be returning. A variety of financial and logistical challenges had converged to make the event unsustainable, though Green expressed optimism that another conference might develop solutions to the issues they’d found insurmountable. As beloved as many podcasts are, in many ways, the medium is still finding its footing in today’s entertainment landscape. For every My Favorite Murder or Reply All, there’s a multitude of indie podcasts fighting for a wider audience, even as some bask in the glow of a small but fiercely loyal following—a coven of people who’ve found the same secret, whose days all light up when a new episode hits their feed.

(13) ACROSS A SEA OF PAPER. Polygon’s Isabella Kapur acquaints readers with the historic role of the fanzine Futurian War Digest: “Fandom under fire: how fanzines helped sci-fi survive the Blitz and beyond”.

…For the past six months, as part of the exhibition As If: Alternative Histories from Then to Now at The Drawing Center, a small art museum in New York City, I have explored illustration, novels, and posters as well as fanzine materials from as far back as the 1940s. Zines were hard for fans to get their hands on, as they were printed and collated in school clubs or at the dining room table, sometimes mailed out to subscribers and contributors one by one. And yet, these publications formed the backbone of what would become modern fan culture, not just a reflection of media but a reimagining of reality.

The cost of a mimeograph machine may have been high, but the cost of not talking to each other was higher — even in some of the most dire moments of the 20th century. The oldest zine included in As If is also the longest running fanzine to remain in distribution in Britain throughout the course of the second World War: Futurian War Digest, or FIDO, which printed from October 1940 until March 1945.

FIDO reviewed science fiction works and reflected on the fragile state of the fan community in the United Kingdom during wartime. The first issue of the zine, which was published and distributed less than a month after the start of the London bombing raids known as The Blitz, made a point of announcing the conscription of fan William F. Temple and the death on active duty of sci-fi enthusiast Edward Wade. These sombre announcements ran alongside musings about John Carter of Mars.

In a time of great uncertainty, publisher J. Michael Rosenblum said in the pages of FIDO that his self-avowed goal was to “a) to give news of and to fandom, b) to keep burning those bright mental constellations possessed by all fans.” The publication was created just as much to be an archive and time capsule as a source of entertainment, news, and distraction. By publishing the fanzine, Rosenblum recorded the history of a subculture of science fiction enthusiasts, and helped to keep a community that was being actively ripped apart together.

… The physical evidence of this transatlantic fan solidarity can be seen in the unusual shape and size of Futurian War Digest Vol. 1 #9, which was printed on four packages of paper donated by U.S. fan Forrest J. Ackerman. Ackerman, who became a pioneer in his own right, helped fund publications and initiatives similar to FIDO in the United States, contributing to Le Zombie fanzine. Le Zombie, which began production in December 1938, likewise included a “War Department” section which organized to provide fanzines to American fans who had enlisted, in order to help them maintain some level of connection and normalcy under the pressures of war.

(14) THE HARRYHAUSEN WE MISSED. Episode 27 of the Ray Harryhausen Podcast celebrates “Ray Harryhausen’s ‘Lost Movies'” (Part I).

The first of two podcasts exploring Ray Harryhausen’s unmade films, this episode features interviews with contributors to upcoming Titan Books publication, ‘Harryhausen: The Lost Movies’. The book examines Harryhausen’s unrealised films, including unused ideas, projects he turned down and scenes that ended up on the cutting room floor. This book includes never-been-seen-before artwork, sketches, photos and test footage from the Harryhausen Foundation archives.

(15) FAMILIAR FACE. Hayley Atwood will be in the next Mission: Impossible film. More details in The Hollywood Reporter.

https://www.instagram.com/p/B2Fl_JOA_bZ/

[Thanks to John King Tarpinian, Andrew Porter, BravoLimaPoppa, Cat Eldridge, Mike Kennedy, JJ, Martin Morse Wooster, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 2/4/19 Like Pixels Through File 770, So Are The Scrolls Of Our Lives

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(1) COVER REVEAL. Here is The Magazine of Fantasy & Science Fiction’s March/April 2019 cover. The cover art is by Kent Bash.

(2) BETTER WORLDS. The latest short story (and video adaptation) in The Verge’s “Better Worlds” series is “A Sun Will Always Sing,” by Karin Lowachee. (Video byYeah Haus.)

There’s also a Q&A: “Karin Lowachee on how humanity can peacefully coexist with AI” conducted by Andrew Liptak.

What inspired this story, and how did you construct this future?

I’d seen on YouTube a discussion from scientists about if an AI possessed an exact neural map of the human brain that it would not be out of the realm of possibility to believe that they would also be imbued with curiosity and maybe even a sense of responsibility for the Earth because now they, too, were a part of its systems. Around the same time, I stumbled on articles written by social scientists who believed that in taking care of certain economic necessities, humanity ideally could free up resources for creative problem-solving on the world scale and exploration.

These points of reference were really the general jumping-off points for me to try to logically extrapolate a human society that accommodated AIs (though not without some implied struggle) because the AIs were not, in fact, seeking a judgment day. They wanted to live and progress just as humans, and though their consciousness was not exact to humans, they were their own kind and just as worthy to be respected. We recognize this in intelligent animals, or even animals as a whole, so my thinking was it could be possible for AIs as well.

(3) WASTE NOT, WANT NOT. Max Florschutz offers advice about “Being a Better Writer: Garbage”. His ideas are far more realistic than J.K. Rowling’s.

Consider, for example, your trash. What happens to it? How do you dispose of it? Is it a garbage can next to your desk or in the kitchen? What happens to it once the can is full? Where does it go? Who deals with it? Do you know? Or does it simply “vanish?”

Well, here’s the thing. It definitely doesn’t vanish. Refuse is refuse: Someone has to do something with it or it piles up. Waste from your home, for example, at least in the US, is collected in a larger can and taken to the side of the road for a garbage truck to collect (99% of the time. The US’s coverage with this system is so ubiquitous that I’ve been to rural places where the only vehicle in town that isn’t a four-wheeler or a boat is the town garbage truck). That truck then takes it to a landfill or a processing center. At the first, the garbage is dumped out. At the second, it’s sorted and separated, usually with an end-goal in mind of dividing up the garbage into smaller, more dedicated end-states, from compost to recycling.

(4) NYRSF READINGS. Jim Freund asks, “Why waste your time with the State of the Union, when we have such a brilliant and more fulfilling alternative?”

The New York Review of Science Fiction Readings Series resumes Tuesday, February 5.

  • Mimi Mondal
  • Karen Heuler

Mimi Mondal (Bone Stew) writes about history and politics, occasionally disguised as fiction. Her first co-edited anthology, Luminescent Threads: Connections to Octavia E. Butler won a Locus Award and was nominated for a Hugo Award in 2018. In the past Mimi has worked as an editor at Penguin India and Uncanny Magazine, and spent eleven years at universities in India, Scotland and the US, from which she is currently recovering in New York and at @Miminality on Twitter.

Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and others. She has published four novels and a novella, and her fourth story collection has just been published by Tartarus Press.

The events begins at 7:00 p.m. in The Brooklyn Commons Café, 388 Atlantic Avenue (between Hoyt & Bond St.) in Brooklyn, NY.

(5) FIVE STORIES IN ONE. Syfy Wire gets to Hogwarts by way of Korea: “Geek Road Trip: Harry Potter fans in South Korea just opened a five-story cafe devoted to the boy wizard”.

Once we get inside, we’re quickly pointed to the counter. The food and drink offerings here are relatively run-of-the-mill Seoul cafe classics: Americanos, various flavored lattes and milk teas, and fruity adeS. On the menu, they promise chocolate wands are coming soon, and on select days there’s Butterbeer. Dessert-wise there’s a selection of cakes, none of which are themed, save for one: the wizard cake, a mini replica of the birthday cake Hagrid brings to Harry. We ordered the wizard cake for a cool 17,000 Won (around $15), grabbed our pager, and began to explore.

And trust me, there’s a lot to explore. Everywhere you turn there’s a poster or a reference to something Harry Potter-esque. Quotes in English and Korean line the staircases along with posters and portraits. Even the elevator is fully decked out.

(6) NO CODE FOR THIS CONDUCT.  The infosec industry conference DerbyCon is calling it quits after this year. Their explanation sounds like “We’re closing down rather than resorting to enforcing our code of conduct.”

Read their announcement here: “DerbyCon 9.0 – Every Beginning Has an End”.

…This year, we had to handle issues that honestly, as an adult, we would never expect to have to handle from other adults. Conferences in general have shifted focus to not upsetting individuals and having to police people’s beliefs, politics, and feelings. Instead of coming to a conference to learn and share, it’s about how loud of a message a person can make about a specific topic, regardless of who they tear down or attempt to destroy. To put it in perspective, we had to deal with an individual that was verbally and mentally abusive to a number of our volunteer staff and security to the point where they were in tears.

This is not what we signed up for.

Admittedly, we had no idea how to handle this person, and in fear of repercussion of removing this person, allowed them to stay at the conference in order to “not upset the masses”. The best we could do was just apologize, for other apologies, and apologize more for another’s actions. This is just one example of many we have had to deal with over the past few years, and each year it becomes increasingly harder for us to handle. We do everything as a conference to ensure the safety, security, and go above and beyond that of others. Maybe that puts us on a different level where something that would normally not be an issue explodes into a catastrophic situation on social media.

Who knows? What we do know is each year it gets harder and harder.

2019 will be our last year of DerbyCon.

Motherboard reports “Hackers Baselessly Blame Women and ‘SJWs’ for the End of DerbyCon Security Conference”.

…Some in the infosec community read the organizers’ statement and began to blame the shutdown on “Social Justice Warriors,” and women who complained too much. For example, far right blog Gateway Pundit pointed to an incident where an attendee complained that other attendees were joking about sexual assault outside of the conference’s Mental Health Village. Others on Twitter latched on to the rumor that “SJWs” killed DerbyCon.

Regardless of the reason for the conference’s cancellation, the announcement renewed a conversation about toxicity in the infosec community that has been taking place in earnest since at least 2017 (and in smaller circles before then), when the Verge reported on chat logs from well-known security researcher Morgan Marquis-Boire, in which he confessed to a series of sexual assaults; the Verge and VICE corroborated that reporting with multiple women who have knowledge of the assaults.

While some women in the cybersecurity world were discussing the toxic interactions, sexual harassment, and assaults they’ve faced in the infosec community, members of a popular closed Facebook hacking group called “illmob” began to attack women who have spoken up about these issues, including Georgia Weidman, a security researcher who recently tweeted that her career was hurt by attending and speaking at DerbyCon in 2013….

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 4, 1925 – Russell Hoban. Riddley Walker may well be one of the most difficult novels I’ve ever read but it’s certainly also worth it. ISFDB lists a lot of other SF works by him but I must say I hadn’t realised that he’d written any beyond this work. Had any of you known this? (Died 2011.)
  • Born February 4, 1940 – John Schuck, 79. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in  Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today.  Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns? 
  • Born February 4, 1961 – Neal Asher, 58. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of ten thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). He’s the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like. 
  • Born February 4, 1970 – Gabrielle Anwar, 49. Currently Lady Tremaine on Once Upon a Time. On the BBC series Prince Caspian and the Voyage of the Dawn Treader, she once played Ramandu’s Daughter. Marti Malone in Body Snatchers which is the third film adaptation of that Finney novel.  She was Queen Anne in The Three Musketeers which I love and Emily Davenport in The Librarian: Return to King Solomon’s Mines. 

(8) COMICS SECTION.

  • Patriotic Ewoks will shed a tear over this Brevity.

(9) STAR TREK: RENT. On The Late Late Show With James Corden, the cast of Star Trek: Discovery leaves the bridge for this week’s episode of Carpool Karaoke. Sing along with Sonequa Martin-Green, Anthony Rapp, Doug Jones and Mary Wiseman. Complete show is accessible through an Apple app.

There’s another preview on Twitter.

(10) WORLDCON ECONOMICS. Persistent Scribble tasks an unnamed author who feels the Worldcon should give them a free membership. Thread starts here.  

(11) VAMPING IT UP. What We Do in the Shadows, from writer Jemaine Clement and director Taika Waititi, premieres March 27 on FX.

What We Do in the Shadows is a half-hour comedy series based on the feature film of the same name by co-creators Jemaine Clement and Taika Waititi. Set in New York City, the show follows three vampires who have been roommates for hundreds and hundreds of years. Stars Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillen and Mark Proksch.

(11) Y? Y NOT? The Hollywood Reporter has posted that, “‘Y: The Last Man’ Ordered to Series at FX.” Much of the cast had been announced as early as mid 2018 (The Hollywood Reporter: “‘Y: The Last Man’ FX Cast Unveiled, Diane Lane and Barry Keoghan to Star”), but FX has now definitized the series order.

File this under “years in the making.”

Brian K. Vaughan’s beloved comic series Y: The Last Man is finally coming to a screen. FX on Monday announced that it has picked up its TV adaptation to series. The network has handed out a series order for the drama from showrunner Michael Green and starring Barry Keoghan and Diane Lane. It is expected to premiere in 2020.

[…] Green (American Gods, Blade Runner 2049, Logan) and Aïda Mashaka Croal (Luke Cage, Turn) serve as showrunners and executive producers. Nina Jacobson and Brad Simpson of Color Force (American Crime Story, Pose, The Hunger Games) and Vaughan executive produce and developed the series. Melina Matsoukas (Insecure, Master of None, Beyonce: Formation) directed the pilot and exec produce the FX Productions drama. In addition to Keoghan and Lane, the cast also includes Amber Tamblyn, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland.

(12) BLUER MARBLE. BBC story says “Climate change: Blue planet will get even bluer as Earth warms”.

Rising temperatures will change the colour of the world’s oceans, making them more blue in the coming decades say scientists.

They found that increased heat will change the mixture of phytoplankton or tiny marine organisms in the seas, which absorb and reflect light.

Scientists say there will be less of them in the waters in the decades to come.

This will drive a colour change in more than 50% of the world’s seas by 2100.

(13) AS EASY AS A. Chip Hitchcock says BBC’s article “How easy will it be to build a Moon base” is an “interesting overview despite one huge error-of-fact.” (Can you spot it?)

How can astronauts build a lunar base if traditional building materials are too heavy to load into a rocket?

In 1975, three years after the final Apollo Moon landing, Space: 1999 first aired on British television. It began with a nuclear explosion wrenching the Moon, and an international lunar colony of over 300 people, out of its orbit and into an unknown journey into space.

The TV series obviously made an impression on a young Elon Musk because, when the SpaceX founder revealed their plans for a lunar colony in August 2017, he called it Moonbase Alpha after the lunar base in Space: 1999. “Cheesy show,” Musk tweeted, “but I loved it.”

SpaceX is not alone is wanting to get humans back on the Moon. The Chinese space agency CNSA (China National Space Administration) has announced the next stages of its successful Chang’e lunar exploration missions – shortly after Chang’e 4 became the first spacecraft to make a soft landing on the far side of the Moon.

Chang’e 5 and 6 will be sample return missions while Chang’e 7 will survey the South Pole, a region of specific interest for human habitation because it contains water ice. “We hope that Chang’e 8 will help test some technologies and do some exploring,” deputy head of the CNSA Wu Yanhua said in January, “for the building of a joint lunar base shared by multiple countries.”

China is not alone in this ambition. Across the globe, 50 years after the Moon landings, the practicalities of a moonbase are taking shape. The irony is that, while only the United States of America has left footprints on the Moon, the Americans are now having to play catch up. It didn’t unveil plans for a permanent moonbase until August 2018. Nasa’s primary focus until then had been Mars. The European Space Agency (Esa) was already one step ahead.

(14) YARN V. GLASS CEILING. Pixar has a new short film that blurs the line between genre and a workplace dramedy (Mashable: “Pixar’s newest short ‘Purl’ is a must-watch for every workplace”).

Pixar’s new animation program SparkShorts has released its first short film, a powerful story about the difficulty of fitting into a workplace of human males. 

“Purl” might be about a pink ball of yarn, but its title character adopts new behaviors and aggression to be one of the boys, a transparent allegory for women trying to break the glass ceiling in corporate culture.

[Thanks to Martin Morse Wooster, Gordon Van Gelder, Chip Hitchcock, Daniel Dern, Mike Kennedy, Errolwi, JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to ULTRAGOTHA.)

Pixel Scroll 9/3/18 That Was The Scroll That Was

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(1) CINERAMA. GeekWire’s Frank Catalano writes, “I thought you might like to know that I went behind the scenes at Seattle Cinerama, one of only three movie theaters left in the world that can show Cinerama-formatted films, and one of only two which still uses the ‘Cinerama’ name (the other one is in Hollywood)” — “Behind the scenes at Cinerama: Landmark movie house becomes an international pop culture draw”

“Seattle’s Cinerama has gone deeply into science fiction and fantasy pop culture, becoming something of a hub for new releases, including encouraging cosplay at premieres. Perhaps not a surprise, it’s owned by Paul Allen, former Microsoft co-founder and longtime science-fiction fan. The link above is to both my story, and a half-hour podcast walk-through of Seattle Cinerama with its manager.”

Walk into the theater with its wide curved screen, reclining red seats and star field-like ceiling panels and it, “just looks like a spaceship,” Caldwell said. “It truly does. You look at our screen when the curtains open and I like to think of it as the window looking out of the spaceship.” (You can take a virtual Google Maps tour here.)

But Cinerama has more than one screen. The one you see for most movies hides a second screen behind it, a deeply curved, two-thousand strip louvered Cinerama screen.

“We last brought it out in 2013,” Caldwell said. “It’s quite the undertaking actually. We have to tear down the existing screen, tear down the sound wall, and then erect the three panels of the 146-degree curved screen. And the sound wall for that curved screen.”

(2) WORLDBUILDING NEAR THE PRIMARY. Juliette Wade has an interview with Mimi Mondal at Dive into Worldbuilding. You can watch it on video, and read the synopsis:

…In 2013, Mimi wrote a self-contained story in the circus. She calls it her “most accepted story,” because it was published by Podcastle, and got her into Clarion West and into an MFA program.

I asked Mimi about the intersection between her stories and the science fiction/fantasy genre. The connection is actually quite fascinating. Mimi says she reads a lot of history and likes it. There was a big flourishing circus scene in India from the 1890’s to the 1930’s. Circus as a form was developing all over the world. In India, it took in many traditional performers. It has a Steampunk aesthetic to some degree, but is later than the Victorian period, because the values of the Victorians trickled into the colonies later. Mimi describes the circus as a very interesting social space, breaking traditional structures. There is space for mystery, and she uses it to explore Indian folklore. There are nonhumans here, pretending to be human. In the circus environment, you don’t ask questions because no one else is normal either. If you worked in an office, you would need paperwork, but the circus is not even grounded in one place because it travels. She started writing a long sequence of events, “chunk by chunk.” Her focus is on using parts of Indian mythology that are not well known. While she was writing these pieces, she was learning craft skills and working on her awareness of gaze….

 

(3) RADIO 4. Listen to the new Dangerous Visions drama on BBC Radio 4:

Resistance (3-part BBC radio play on BBC Radio 4)

Just broadcast this week and available on BBC i-Player for a month is a three-part radio play about antibiotic resistance.

Starting at a music festival with many from all over the globe, craft sausages from pigs fed with antibiotic growth promoters also contain more than anyone thought.

When a mysterious bacterial infection starts to spread, and then mutate, it becomes unstoppable.  When the deaths top a million, politicians start to worry…

 

SF Concatenation’s Jonathan Cowie says, “This mini-series used a microbiologist endorsed by the Wellcome Trust (the world’s largest medical research funding charity) for its science. Scary.”

(4) A KIND OF GAS STATION ON MARS. A Yahoo! columnist says “NASA will pay you up to $750,000 to come up with a way to turn CO2 into other molecules on Mars”.

Missions to Mars will need to be as lean as possible, meaning that using any available resources on the Red Planet will be of utmost importance. With that in mind, NASA just announced the CO2 Conversion Challenge, which asks teams of scientists and inventors to come up with a way to turn CO2 into molecules that can be used to produce all manner of things. And there’s big prize money on the line.

To start, NASA is asking teams to focus on converting CO2 to Glucose, but the language of the challenge suggests you can approach that goal from any angle you wish:

Help us discover ways to develop novel synthesis technologies that use carbon dioxide (CO2) as the sole carbon source to generate molecules that can be used to manufacture a variety of products, including “substrates” for use in microbial bioreactors.

Because CO2 is readily abundant within the Martian atmosphere, such technologies will translate into in-situ manufacturing of products to enable humans to live and thrive on the planet, and also be implemented on Earth by using both waste and atmospheric CO2 as a resource.

(5) REMAKING IT SO. The Star Trek: TNG cast had a reunion over the weekend:

https://twitter.com/Marina_Sirtis/status/1036475963796676609

(6) NIMBY. It won’t be coming in for a landing after all — “Plans for U.F.O.-Like Home in Norway Are Rejected” reports the New York Times.

Controversial plans by the Norwegian artist Bjarne Melgaardand the renowned architecture firm Snohetta to build a U.F.O-like home in the suburbs of Oslo have been rejected by the local authorities.

The project, which was generally known as “A House to Die In” and represented an ambitious attempt to turn expressive sketches by Mr. Melgaard into architecture, had aroused condemnation because of its location, near the former winter studio of Edvard Munch. Artists and preservationists had spoken out against the project, arguing that it represents a threat to the legacy of Munch, Norway’s best-known artist and the painter of “The Scream.”

The project had already been approved by local and national preservation authorities, but on Aug. 20, municipal lawmakers from several parties announced they would support a proposal to scuttle the plans, effectively dooming the project. A final vote by the Oslo City Council will be held next Wednesday….

(7) TODAY IN HISTORY

  • September 3, 1953 — Cat-Women of the Moon premiered

(8) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born September 3, 1849 – Sarah Orne Jewett. Maine author whose fiction reflected her lifelong fascination with the supernatural. Ash-Tree Press in 1998 collected much of her short work together in Lady Ferry and Other Uncanny People.
  • Born September 3 – Alison Lurie, 92. Editor of the Oxford Book of Modern Fairy Tales, and has written to date a number of fantasy stories such as “Counting Sheep”, “Another Halloween” and “Something Borrowed, Something Blue”. Also wrote the excellent Don’t Tell the Grown-Ups: Subversive Children’s Literature.
  • Born September 3 – Faren Miller, 68. Writer of one novel, The Illusionist, she worked full-time for Locus from 1981 to 2000, and continues to review genre fiction to this day for Locus
  • Born September 3 – John Picacio, 49. Illustrator of many a genre work. Need I say that great cover art enhances any genre work? Among the works I’ve by him that are graced by his work arête 2003 Edition of Effinger’s Budayeen Nights, the 2004 edition of Pohl’s Gateways and Bowes’ From the Files of the Time Rangers. Much of his work is gathered in Cover Story: The Art of John Picacio.

(9) DRAGON AWARDS IN PERSPECTIVE. Doris V. Sutherland covers the third round of the award in “2018 Dragon Awards: Big-Name Winners and Little Controversy” at Women Write About Comics.

One noticeable thing about this year’s Dragon Awards is just how quiet they were. The awards made their debut in 2016, in the shadow of the right-wing Sad Puppies and Rabid Puppies campaigns that had occurred at the Hugos. In their first two years, the Dragon Awards were something of a battlefield, with the Puppy campaigns inspiring multiple splinters and imitators—including the Red Panda Fraction, a left-wing group which, controversially, adopted the same tactics as the right-wing Puppies. Over time, however, the aftershocks from the Puppy campaigns quietened down, something that can be seen simply by comparing the ballots. The pro-Puppy authors John C. Wright, Brian Niemeier, and Declan Finn were finalists in both 2016 (when Wright and Niemeier won in their respective categories) and in 2017; and yet they are all missing from the ballot in 2018, despite each having at least one eligible novel.

This is not to say that pro-Puppy authors were completely absent this year. Most obviously Sarah A. Hoyt, a former leader of the Sad Puppies campaign, was amongst the winners. Also notable is that one of the Best Graphic Novel finalists, Brandon Fiadino and Djibril Morissette’s Chicago Typewriter: The Red Ribbon, was published by Rabid Puppies founder Vox Day. Day is one of the creators to have eagerly jumped aboard the current “Comicsgate” bandwagon—lending definite symbolic value to the female Thor’s victory in Best Comic Book.

In Sutherland’s view —

There is no reason for the Hugos and the Dragons to exist as rivals. They are different awards that utilise different systems. The Dragon Awards are looser and flashier, but this should not be a deal-breaker to anyone who approaches a science fiction and fantasy award as just a bit of fun.

(10) WORLDCON 76 INSIGHTS. Michael Lee’s thorough Worldcon 76 report, “In Spite of Setbacks, San Jose Comes Through for Worldcon 76”, ends with this paragraph:

Worldcon is the one convention where it’s not at all unusual to be at a stoplight with George R. R. Martin and an actual astronaut who has been in space. More than any other convention, this is one that gives you the excuse to travel to new places and meet people that you might not meet any other way, and it never really is the same convention twice. (Next year’s convention will be in Dublin, Ireland, and the year after that in New Zealand.) I enjoyed Worldcon 76, as it was a chance to connect and reconnect with friends and fans from around the world, and a chance to visit the Bay Area of California.

(11) MOUNTAINTOP EXPERIENCE. New James Bond novels are still coming out in 1963, and Galactic Journey’s Ashley R. Pollard grabbed the latest.

With the success of last year’s film adaptation of Ian Fleming’s Dr. No., I continue to predict that the next James Bond film, From Russia With Love, which is coming this October, will further raise the public’s interest in the heady delights of techno-thrillers featuring spies. So far all I’ve seen are a couple of stills from the set, so it’s hard to make any judgment on the adaptation of the story by the filmmakers.

But until the film arrives on the big screen we have a new Bond novel to sate our appetites.

On Her Majesty’s Secret Service is the tenth James Bond novel, a sequel to the previous novel (once removed), Thunderball. I was lucky to get hold of a copy of OHMSS when it came out at the beginning of April, because both the first and second print runs, totaling over 60,000 copies, sold out in the first month. This should give readers some insight into how popular James Bond has become in Britain.

…As is usual in an Ian Fleming novel, real places are used to add verisimilitude to the narrative, though some of the names are changed. In this case, the description of Piz Gloria makes clear that it is based on the Nazi German eugenic research facility Schloss Mittersill….

(12) RADIO ACTIVITY. The Book Smugglers features a talk with the creators of Dead Air, Gwenda Bond, Rachel Caine and Carrie Ryan: “Dead Air: Serialised Fiction, Podcast and Murder”.

Gwenda Bond: I’ll start us off! The process of creating Dead Air has been a fun whirlwind, a lot of work, and different than any other project I’ve done — even the collaborative ones. I originally came up with the idea of Macy (better known as Mackenzie to podcast listeners) as a character coping with a recent loss by indulging her interest in true crime on the radio, but who then gets drawn into an investigation that gets more and more personal. From the start, she was going to be a character with a lot of room to grow over the course of the story, and the radio show/podcast would be the driving force of that growth. I wanted to use Kentucky as a setting and immediately thought the thoroughbred horse-racing community would be a great backdrop for the old murder she ends up looking into.

(13) QUIRK FACTOR. NPR’s Etelka Lehoczky reports on crowdfunded comics that are out there: “From A Read-Along Record To A Profane Tarot: The Year’s Quirkiest Crowdfunded Comics”.

There’s something about crowdfunding and comics: They just taste great together. Maybe that’s because, as Iron Circus Comics publisher Spike Trotman points out, artists were crowdfunding before it was even called that. “It was something cartoonists had been doing for years: Taking our lives in our hands and asking people to PayPal us enough money to print the book,” she says. Kickstarter’s Senior Director of Publishing Margot Atwell calls comics “small but mighty,” noting that comics campaigns on the platform succeed at a 20 percent higher rate than average. This year has seen some spectacular crowdfunding efforts, like the Trogdor!! The Board Game Kickstarter, which racked up an eye-popping $1,421,903 in pledges.

(14) SMALL ROYALTY. Being stark doesn’t pay: “Richard Madden ‘not paid much’ for Game of Thrones role”.

Richard Madden has revealed he wasn’t paid that much for his role as Robb Stark in Game of Thrones.

Not that he feels hard done by, as he admits he had nothing on his CV that deserved big money as a 22-year-old.

Despite that, he explained fans often thought he was rich anyway.

(15) THANOS EFFECTS. Weta Digital’s VFX supervisor Matt Aitken narrates an account of making VFX for Thanos’s home world (and the disintegration effect): “Avengers: Infinity War – How we made the VFX for Titan”

In Avengers: Infinity War, Marvel superheroes fight to stop the villain Thanos from wiping out half of all life.

Visual effects company Weta Digital worked on the scenes which take place on Thanos’s home planet, Titan.

BBC Click speaks to VFX supervisor Matt Aitken to find out more.

[Thanks to Chip Hitchcock, Mike Kennedy, Frank Catalano, Carl Slaughter, JJ, John King Tarpinian, Martin Morse Wooster, Cat Eldridge, Ahrvid Engholm, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/10/18 Send Pixels, Scrolls and Money

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(1) CHECK YOUR CLOSET. IndieWire, in “Robert Downey, Jr.’s Original ‘Iron Man’ Suit Stolen, Valued at $325,000”, says the LAPD is reporting that someone stole Robert Downey’s Iron Man costume from a Pacoima warehouse between February and April, although the theft wasn’t reported until this week.

(2) THIRTEENTH DOCTOR. Books are on the way: “BBC Books Announce New Thirteenth Doctor Fiction!”

New work by Naomi Alderman and Juno Dawson are amongst some of the 2018 offerings for the Doctor Who list, publishing to celebrate the debut of Jodie Whittaker as the Doctor this autumn.

Penguin Random House Children’s imprint BBC Children’s Books today announces its acquisition of a brand-new Doctor Who short story from Naomi Alderman, author of The Power and winner of the Women’s Prize for Fiction 2017. Ruth Knowles and Tom Rawlinson of Penguin Random House Children’s acquired World Rights to the story from Veronique Baxter. Alderman’s tale features Jodie Whittaker’s Thirteenth Doctor battling to save the universe alongside her close and trusted friends.

… Thirteen Doctors, 13 Stories marks Alderman’s return to the Doctor Who universe, after her 2011 novel, Borrowed Time, published by BBC Books. On 19 July, to celebrate the opening of this year’s San Diego ComicCon, BBC Books will reissue a new paperback edition of this novel, along with a new edition of collected Doctor Who stories by Jenny T. Colgan, The Triple Knife. Both will have new cover designs by artist David Wardle.

(3) MONDAL INTERVIEW. At Feminism In India: “Meet Mimi Mondal: India’s First SFF Writer Nominated For A Hugo”.

The first Hugo Award nominee from India, Mimi Mondal is a speculative fiction Dalit author. She also received the Poetry with Prakriti Prize in 2010, the Octavia E. Butler Scholarship for the Clarion West Writing Workshop in 2015 and the Immigrant Artist Fellowship from the New York Foundation for the Arts in 2017.

She currently lives in New York. Her first book, Luminescent Threads: Connections to Octavia E. Butler, edited with Alexandra Pierce, is a finalist for the Hugo Awards 2018 and the Locus Awards 2018….

PV: Diversity is still treated as a token in most South-Asian mainstream media – an afterthought in a circle of people that wrongly attempts to adopt “colour-blindness” and “caste-blindness” instead of having the difficult conversation about privilege. How do you think we can change that?

MM: Mainstream media is always socially conservative. New ideas and “radical” conversations always start from individual people, then smaller, newer media outlets and by the time the venerable national newspapers from the 19th century pick up those ideas, they have already achieved enough momentum to become somewhat mainstream. This is not only true of South Asia, it’s true of everywhere.

In the West about a century ago, even basic first-wave white feminism was a radical conversation that was only possible to hold in certain small circles, and the people who tried to implement those ideas in wider circles were considered nuisances creating unnecessary trouble. Today in 2018 we cannot even imagine a world without those basic first-wave feminist ideas: women should go to school, have a vote, own property, etc.

Even the occasional unintelligent celebrity who proudly declares she’s not a feminist has systematically benefited from those changes. We cannot convert everyone to our beliefs, even the ones who’ll directly benefit when those beliefs become reality, less so the ones who will lose some systemic privilege they’ve even never had to acknowledge they had….

(4) TINGULAR SENSATION. Chuck Tingle did a Reddit Ask Me Anything yesterday

well since i am my own BIG TIME BOSS i do not really have any deadlines except for to MYSELF and really this is the most important deadline at all. i think it is so important to CHALLANGE YOUR OWN WAY and think ‘what the heck am i capiable of?’ because the anwser is always SO MUCH MORE THAN YOU KNOW! YOU CAN DO WHATEVER YOU SET YOUR MIND TO! so then i will try to meet these deadlines of my own because it makes me feel good inside so anyway thats that buddy. but simple anwser is i will sometimes go to a nearby timeline where time is realtively slower than this one and that gives me a chance to write a lot and then put out new tinglers right away so when a big time event happens i can return to this timeline and be ready thanks.

(5) VR ADVENTURE. Here’s a fresh update on Utah’s Evermore Park.

A Fantasy Lover’s Dream. Fairies, dragons, trolls, and other magical creatures come alive at Evermore Park — a living experience park that brings fantasy to reality. It’s a first-of-its-kind “smart” park, combining old world mythologies and spectacular botanical gardens with stunning cutting-edge technology to deliver a one-of-a-kind experience where guests step into a story like never before.

 

(6) TODAY’S BIRTHDAYS

(7) COMICS SECTION.

John King Tarpinian spotted some heavenly humor in Close to Home.

(8) AI UMM. NPR suspects that “Google’s New Voice Bot Sounds, Um, Maybe Too Real”.

On the first day of Google’s annual conference for developers, the company showed off a robot with a voice so convincingly human that it was able to call a salon and book a haircut – never revealing that it wasn’t a real person making the call.

CEO Sundar Pichai demonstrated the new AI technology on Tuesday at the Google I/O conference, playing audio of a female-voiced bot speaking with a receptionist over the phone, and then a male-voiced bot making a restaurant reservation. The bot peppers its speech with “um”, “uh”, and “mmm hmm” in order to imitate the tics and rhythms of human speech.

(9) FORMER BEACHFRONT PROPERTY. “Lonely asteroid tells Solar System story”. It’s in a trans-Plutonian orbit, but has minerals that could only be formed by liquid water.

Researchers have observed the first object of its kind – a carbon-rich asteroid in the Kuiper Belt.

Orbiting in the collection of icy rubble beyond Neptune, the asteroid’s composition strongly suggests it did not form there.

Instead, the 300km-wide object may have been ejected from an orbit among the giant planets, during the turbulent early history of the Solar System.

The object is so distant, it took scientists several years to analyse.

(10) SPACE POLICE GAZETTE. Ground control to…? “India police parade ‘Nasa conmen’ in space suits”.

Indian police paraded a man and his son in “space suits” before arresting them for allegedly defrauding a businessman by pretending to work for Nasa.

The duo allegedly convinced the businessman to buy a copper plate for $213,156 (£157,600), which they claimed had “special properties”, police said.

They had told him that with his investment, they could sell the plate to the US space agency for a profit.

 

(11) LEARN ABOUT HORROR. Annie Neugebauer’s horror infographic at LitReactor is getting

(12) SCARES THAT CARE. The second annual Scares That Care telethon will begin on May 11 at Noon EST. The 24-hour telethon will be broadcast live via the Project Entertainment Network’s YouTube channel. This year’s goal is to raise US$20,000 to support the 501(c)3 charity. The telethon surpassed the 2017 goal of US$10,000.

The telethon will be presented by the hosts of the award winning The Horror Show with Brian Keene; Brian Keene, Dave Thomas, Mary SanGiovanni, Mike Lombardo, Geoff Cooper, and Phoebe. Luminaries from the horror genre that are confirmed to attend include Richard Chizmar, Jeff Strand, Lynne Hansen, Dan Padavona, Discipline Theory, Chet Williamson, Stephen Kozeniewski, John Urbancik, Scott Edelman, Armand Rosamilia, Chuck Buda, Ralph Bieber, Somer Canon, Drew Williams, M. Stephen Lukac, Jay Wilburn, and Christian Jensen.

Entertainment will include a live band (Discipline Theory) performing a 30-minute set and the death (or at least common sense) defying “Wheel of Lombardo”. Other events include:

  • Jeff Strand (author) – 10-15 minute reading
  • Dan Padavona (author and son of Ronnie James Dio} – an interview and then a rap battle
  • 5:30 PM to 6:30 PM – Panel titled “So I Married A Horror Writer” with Chet and Lori Williamson, Jeff Strand and Lynn Hanson, Armand and Shelly Rose Amélia, Ralph and Cheryl Bieber Summer and Jesse Cannon Brian and Christine Picard

This year’s beneficiaries of Scares That Care are:

  • Brian – a youngster that was a victim of a household accident that is recovering from significant burns.
  • Hope – US Navy veteran and a single mother of two who is fighting Stage IV breast cancer.
  • Sawyer – a young lady suffering from a unique form of cancer that causes new tumors. She has already survived two brain surgeries. Sawyer loves Minecraft and mermaids, but not Disney mermaids!

WHAT: The Horror Show with Brian Keene 2018 Telethon – a live, 24-hour event that will be streamed around the world for free, during which we will raise $20,000 for charity.

WHEN: May 11 and 12, 2018

WHERE: In person at Courtyard Marriott 2799 Concord Road, York PA 17402, or listen for free from the comfort of your home.

TO BE PART OF THE STUDIO AUDIENCE: Click here and buy a ticket. Limited to 80 people.

The Horror Show with Brian Keene will be announcing more information via their FB page tomorrow.

(13) TOLKIEN ON EXHIBIT. Horatia Harrod in “The Man who made Middle-earth”  in the May 5 Financial Times has a long article about the forthcoming exhibition of 200 items from Tolkien’s papers at the Bodleiaan Library at Oxford from June 1-October 28.  The 500 boxes of papers are preserved in a strongroom next to six large canisters of halon gas designed to preserve the collections.  Half of Tolkien’s papers are still sealed.

Among the items to be exhibited is fan mail from Iris Murdoch, W H Auden, and “a 19-year-old Terence Pratchett.”  The Bodleian is also planning to showcase the manuscripts of The Lord of the Rings and The Hobbit which Tolkien sold to Marquette University for 1,500 pounds in 1957.  The exhibition, the first to be ticketed in the Bodleian’s history, has a website at https://tolkien.bodleian.ox.ac.uk/. [Note: Financial Times articles are usually behind a paywall. I don’t know why the link above allowed me to read the article. It may or may not work for you.]

(14) SFF THEATRE WORKSHOPS IN LONDON. Cyborphic’s “Science Fiction Theatre Research Lab” for writers, directors and performers will take place 21-24 May at the venue of the London Theatre Workshop in central London (near Bank station).

The workshops include: Introduction to Science Fiction Theatre, Adaptation, Worldbuilding, Devising Science Fiction Theatre, Directing & Writing Science Fiction Theatre.

Registration is £10 per individual workshop and £30 for the entire series.

(15) THANKS FOR PLAYING. Andrew Porter tuned in tonight’s Jeopardy! and saw this go down:

Answer: This Heinlein novel begins, “Once upon a time there was a Martian named Valentine Michael Smith”

Wrong question: “What is The Martian Chronicles?”

(16) HE’S VERY SORRY. Deadpool 2 promo — David Beckham doesn’t want to accept Deadpool’s apology.

(17) EARTH ATTACKED. And going to a soccer match might not be that safe anyway! More aliens are on the way! Occupation Official Trailer.

(18) AND ATTACKED AGAIN. The aliens are going to have to stand in line, I tell you —The Predator Teaser Trailer. In Theaters September 14, 2018.

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home in Shane Black’s explosive reinvention of the Predator series. Now, the universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a young boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

 

[Thanks to John King Tarpinian, JJ, Camestros Felapton, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Carl Slaughter, Dann, Nicholas Whyte, Mark Hepworth, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Cmm.]

Pixel Scroll 8/20/17 A Pithy Pixel Portion Produced Promptly

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(1) IT’S ALWAYS NEWS TO SOMEONE. Some Filers have already traveled hundreds of miles to get in position to see the eclipse tomorrow, however, there might be somebody who’s just heard it’s about to happen. These NASA resources will help the latecomers prepare:

  • NASA Eclipse Facts
  • NASA Eclipse Path (this is an interactive national map showing eclipse times at each location)
  • NASA Eclipse State Maps: Eclipse State Maps (includes viewable and printable maps showing the eclipse pathway and times)

(2) ART OF DARKNESS. In advance of the eclipse, Steve Duin of The Oregonian finds a thematically appropriate piece of unpublished sf art — “Alex Schomburg and ‘The Day the Sun Died'”.

The family discovered “The Day the Sun Died” several years ago, matted and tucked inside a 9×11 manila envelope. The artwork, in gouache, was apparently meant to illustrate a novel by Daniel F. Galouye, but the editors of Imagination Science Fiction selected a different cover.

 

(3) HAMIT WINS. Francis Hamit’s screenplay for Christopher Marlowe won the award for Best Screenplay at the New Renaissance Film Festival in London today. Shown here is one of the film’s Executive Producers, Stuart Malcolm Honey, who accepted the award on Hamit’s behalf.

Stuart Malcolm Honey

(4) THIRD ROCK. At NPR, Amal El-Mohtar reviews N.K. Jemisin: “In ‘The Stone Sky,’ Some Worlds Need To Burn”.

But the fact that The Stone Sky sticks the landing of this astonishing trilogy with timeliness and rigor is the smallest, simplest thing I have to say about it. The gratitude and love I feel for these books, and for what The Stone Sky adds to the triptych, is staggering….

(5) MEMORY. Decades-old memories can be a hazard. In 2015 Douglas Knipe posted a great gallery of photos from Noreascon 2 (1980) with almost 50 authors, plus shots of the Hugo ceremony. But not unlike this week’s unveiling of the digital photos from the Jay Kay Klein collection, it has a tremendous number of mistaken identifications, leading to a considerable amount of unintentional humor. For example, a photo of Craig Miller accepting the Hugo for Alien is misidentified as George R.R. Martin with his novelette Hugo, while a few pictures later the unrecognized (“?”) person receiving a Hugo from Harlan Ellison is the real George R.R. Martin.

(6) HEAD OF THE GLASS. At Nerds of a Feather, Charles Payseur has come up with an entertaining motif for their short fiction reviews: “The Monthly Round – A Taster’s Guide to Speculative Short Fiction, 07/2017”. The reviews include the kind of remarks a connoisseur would make about a “tasting flight” of assorted beers.

“Waiting on a Bright Moon” by JY Yang (Tor dot com)

Notes: Conflict mingles in the form of a carbonated fizz, giving this drink a shine that cannot hide a complex and mature flavor, and packs a surprising punch.

Pairs with: Belgian Ale

Review: Tian’s life is defined by duty and distance, and as an ansible singer she is part of a power that allows her empire access to the far reaches of the galaxy. As the story opens, though, bubbling tensions are beginning to boil and the relative safety of being an ansible is shattered as corruption, magic, and murder all meet to devastating effect. The story looks very closely at the ways that Tian has been pushed into living as a literal resource for the Empire, used for her talent but denied the open expression of her identity, stripped of her chance to be someone important because of who she loves. And even then, the story shows that as the Empire allows her a sort of space to be herself, it’s defined by distance, by denial. She isn’t allowed to be with the person she loves, isn’t allowed a physical expression of her desire, is instead pushed into being ignorant and, save for the beauty of the song she shares over lightyears, alone. Until a different woman enters her life with magic of her own and the power to break through the walls keeping Tian isolated and repressed. It’s an opening up even as it comes at a time of growing fear, uncertainty, and danger. They both end up becoming a part of a resistance that pushes them to the breaking point and maybe beyond, each of them willing to risk everything once they realize that they never really had anything, just the lies and illusions of securing and contentment they were fed by the powers that be. The story is violent and fast while still maintaining a definite weight around the very small and intimate actions Tian makes. And even amid the galaxy-altering conflict the story doesn’t lose sight of Tian and her desires, holding to the hope that they won’t be consumed by the ravenous jaws of war.

(7) SPINNING. Bleeding Cool succeeded in getting an interview with Alisa Norris: “We Talk To The Supergirl Cosplayer ‘Along For The Ride’ At The White Nationalist Rally In Charlottesville”. It’s not a very sophisticated exchange:

…Alisa was clearly getting more annoyed and certain tropes seemed to start emerging. She told me:

“There were a couple of KKK members out of thousands. The lying press is labeling every person there a ‘Nazi’.”

I stated that the swastika flags didn’t help. She told me:

“Most flags were American or confederate or white nationalist flags… Of course they only show the swastika… Nazi Germany is dead and doesn’t even have anything to do with what happening today. It was stupid of those protestors to fly swastikas.”

(8) ROCKET MAN. Aaron Pound gives his thoughts about the effectiveness of the rules changes in “2017 Hugo Award Longlist” at Dreaming About Other Worlds.

This was the first year in which the E Pluribus Hugo voting system for nominations was implemented, and it seems to have worked as well as one could possibly hope to expect. The change in the voting rules, coupled with their waning ability to whip their adherents into a frenzy after being shellacked in the voting in 2015 and 2016, resulted in the Sad Puppies kind of slinking away after not even putting a token effort into putting together a voting slate. The Rabid Puppies continued their Quixotic quest, but changed tactics, putting forward only one or two candidates in each category in order to try to get someone on the ballot via “bullet voting”, and that seems to have had mixed results. They managed to get eleven finalists on the ballot, while five more appear on the longlist. They could have had five more finalists, but Rabid Puppy leader Theodore Beale is apparently really terrible at understanding the eligibility rules, so those five potential finalists were all disqualified as ineligible. The Rabid Puppies were able to get no more than one finalist per category.

(9) LEWIS OBIT. Comedian Jerry Lewis died today; the Daily Mail collected the celebrity tributes from Twitter: “‘The world is a lot less funnier today’: Jim Carrey, William Shatner and George Takei lead stars in paying tribute to comedy icon Jerry Lewis after his passing at age 91”.

William Shatner and George Takei were among the numerous celebrities to pay tribute to comedy legend Jerry Lewis, who died Sunday at the age of 91.

‘Condolences to the family of Jerry Lewis. The world is a lot less funnier today,’ Shatner, 86, tweeted on Sunday morning.

‘We have lost a great comedian and even greater heart,’ Takei, 80, tweeted. ‘Thank you for the laughs and the feels, Jerry Lewis.’

Lewis even did a genre movie – Visit To A Small Planet (1960). His legacy also includes more than $2.5 billion raised for the Muscular Dystrophy Association through the annual Labor Day telethon. I remember being at a Worldcon (Chicon 2000?) where, in one of the rooms not taken by the con, MDA was hosting a viewing and fundraiser.

(10) TODAY IN HISTORY

  • August 20, 1973 — Twentieth Century Fox Studio executive Alan Ladd Jr. blessed George Lucas with a small contract to first develop a shooting script and then direct Star Wars for the silver screen.
  • August 20, 1995 — Amanda & The Alien, based on a story by Robert Silverberg, aired on TV.

(11) TODAY’S BIRTHDAY BOYS

  • Born August 20, 1890 – H. P. Lovecraft
  • Born August 20, 1943 — Sylvester McCoy, the 7th Doctor. (He also played the wizard Radagast the Brown in Peter Jackson’s film adaptations of The Hobbit.

(12) COMIC SECTION. John King Tarpinian got a laugh from Off the Mark.

(13) SJW CREDENTIAL DOMINO EFFECT.

(14) CHANGE IN RANKING FOR BEST NOVEL. The Best Novel Hugo voting stats have been updated to reflect the change in fifth and sixth places.

(15) SWEEP. Mimi Mondal’s article in Scroll.in, “Women science fiction writers won big at the Hugo awards this year. Here are five you should read”, is illustrated with great photos by K. Tempest Bradford.

The 2017 Hugo Awards were announced on August 11 at the World Science Fiction Convention (WorldCon) in Helsinki. It has already made headlines for women writers and editors winning all twelve of the individual Hugos, as well as the John W Campbell award. The women writers are a significant part of the team awards as well.

This clean sweep is a first, although women have been dominating the international science fiction and fantasy awards for years now. It is also a triumph, especially for the Hugos, which have been plagued since 2015 by a malicious right-wing voting bloc called the Sad Puppies, who sabotage the nominations every year and oppose any kind of “diversity” in the genre.

(16) TURN DOWN THE LIGHTS, THE PARTY’S OVER. The Worldcon 75 social media crew takes a victory lap: “The Road to Worldcon 75”.

To my own astonishment, this tweet gained a lot of traction, being retweeted by over 100 people during the course of a few days. It was my first taste of Worldcon 75 Social Media awesomeness and resulted in me being assigned to work as a Social Media (SoMe) staffer.

I’ve since then been working Worldcon 75-Social Media almost all of my waking hours for 2 years, save for a few breaks, work, and other cons. I did expect to work a lot, but in the end I worked a lot more than initially expected, just because it was such a wonderful experience, and unexpectedly rewarding. I love interacting with people online, and working customer service. Another benefit of working Social Media is that it gave me an overview of the all the different corners of the convention and included working closely with all the other divisions, meeting with and chatting with lovely staffers from all over the world. It’s the best position I could ever have hoped for.

(17) WSFS ROUNDUP. Michael Lee also chimed in with a “Worldcon 75 WSFS Division Post-Con Report”. Here’s a chance to read about something besides the Hugos —

Site Selection

We had done Site Selection for the Kansas City Worldcon, and we new Dublin was unopposed, so much was easier there. I was happy that Johan Anglemark signed on as a Site Selection admin as I wanted to see someone Nordic in the division, and he did an outstanding job.

Despite some mild trolling I participated in of some people opposed to electronic site selection, we never seriously considered it. I’m convinced that generally the current method works for now, and given the political opposition I think there are  other ways to improve the process. Note that emailing signed scanned ballots to someone else to print out and hand carry is allowed.

Electronic validation of voters against the registration database is something that worked and can be improved for future Worldcon site selection. Carrying around all of that Personally Identifiable Information on paper at Kansas City was nerve wracking, and something that could be improved without changing the overall traditions of a paper based site selection. I gather we didn’t save Dublin as much time after receiving the data as we hoped, but that may be something that future Worldcons could improve.

We accepted Dublin’s Advance Supporting Membership rate without sufficient consideration; which had differing amounts in Euro and USD. This was an error, as people would want to shop for the rate that was cheaper when they mailed items in, and our credit card banking was in Euro. Currency rates are complicated, especially for mail in ballots.

(18) VIRTUAL REALITY THEME PARK. The latest progress report on Utah’s Evermore Park, now under construction.

In VR we have been able to virtually walk around our park and understand many of the intricate details that frankly just a few years ago was not possible. 3D renderings on a 2D screen is not the same as walking around in what looks and feels like real space. We were able to fix many aspects of the park prior to the expense of physical construction. For example, one of our buildings was much to small, yet in 2D there was no way assess scale, but standing in front of the building (just like you would in the real world) showed us that it had scale issue and we were able to make adjustments with our architects prior to breaking ground. We were also able to use VR to understand and refine our garden/landscape design and sightlines, etc., making many adjustments. In the next week we will be launching our new website that will provide many new and exciting details about Evermore, including a closer look at the park and our Festival/Shows, Themed Parties and Garden Adventures.

(19) CHANNEL SURFING. British TV science fiction is quite the thing in 1962. Galactic Journey has the story — “[August 20, 1962] A Galaxy of Choices (British TV: The Andromeda Breakthrough)”.

Science fiction on British television used to be one of those once-in-a-blue-moon events.  When it happened, what we got could often be very good.  Certainly Nigel Kneale’s Quatermass series was compelling viewing, which drew in a large audience from the general population with millions tuning in each week to find out the fate of the infected astronauts.

The impact of Quatermass cannot be over stated, the name having taken root in the British public’s imagination.  And, now we have a sequel to A for Andromeda, which I reported on last year, to carry the torch for science fiction on British TV, which also looks like it will enter public’s lexicon.  With the additional transmission of the anthology show, Out of this World, we seem to be entering a golden age of science fiction on television.

(20) DEFENDERS. Today, TV shows air in beautiful living color. Camestros Felapton gives his opinion about one of the newest: “Review: The Defenders (Netflix) – minimal spoilers”.

Imagine Pixar’s Inside Out but for grown-ups – each character represents one of the four key emotions: Guilt, Petulance, Sarcasm and Luke Cage. Luke Cage is an emotion now or at least he should be – some sort of combination of every positive association with masculinity you might want, with a deeply smooth voice and an excellent soundtrack.

(21) A VAGRANT THOUGHT. I gather The Philadelphia Story was on TCM today….

https://twitter.com/TCMwithaTwist/status/899398057761980416

(22) NOW, VOYAGER. An overview of our furthest spacecraft on their 40th anniversary: “Voyagers: Inside the world’s greatest space mission”.

Remarkably, both Voyager spacecraft are still working. Whenever Voyager 1 sends back a signal, it is from the furthest distance any human-made object has travelled from Earth.

Voyager 1 left the solar system in 2013 and is (at the time of writing) 20 billion kilometres (12 billion miles) away. Voyager 2, on a different trajectory, is 17 billion kilometres (10.5 billion miles) away. Maybe it’s easier to imagine it like this: it takes a radio signal, travelling at the speed of light, 38 hours to travel from the Earth to Voyager 1 and back. And it’s some 30 hours for Voyager 2. (For their latest position, visit the Voyager home page.)

Chip Hitchcock adds, “Amusing note: the receiver station they mention using is the direct successor to the one that picked up the pictures of Armstrong setting foot on the moon, as vaguely remembered in The Dish.”

(23) IMAGINE THAT. Another sci-fi trope bites the dust – the BBC says most hackers aren’t sophisticated.

The ways in which young people become involved in this sort of activity were recently detailed in a report by the UK’s National Crime Agency (NCA). The average age of those arrested for malicious hacking activities was just 17 – the offences included vandalising websites, stealing data and breaking in to private computers.

Because our world is so much more connected than ever before, and those connections are often woefully insecure, it’s relatively easy to find ways of exploiting computer systems illegally. And ransomware in general is increasingly successful. In 2016, criminals made an average of $1,077 with every attack. For the BBC’s Cyber-hacks series, Click’s Spencer Kelly discovered how cyber-criminals can acquire off-the-shelf ransomware using only a search engine.

As Woodward points out, the easiest thing to do is “just cast it out there” – whether it’s ransomware, spyware or spam – and see what comes back. Many people are often surprised by the amount of spam they receive, especially because so many of the scams are so obviously illegitimate. But the reason you still get emails from a Nigerian prince offering cash out of the blue is because people continue to fall for such stories. Not huge numbers, but a few. And that’s all it takes to make a profit.

(24) BOARD OUT OF THEIR MINDS. Metro.uk has obviously played these: “Your favourite retro games renamed with the titles they really deserve”. Like the famous game of insincere apologies —

If board games were honest Credit: Smoosh.com

[Thanks to JJ, David Doering, Chip Hitchcock, Cat Eldridge, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day David Doering.]

Pixel Scroll 12/20/16 Where’s The Pixel? There Was Supposed To Be A Scroll-Shattering Pixel!

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(1) CUTTING ROOM FLOOR. From ScienceFiction.com I learned about Vashi Nedomansky’s video that collects all the Rogue One material used in publicity that never shows up in the movie.

It is a good sign when on the first weekend a film is out fans are already scrutinizing footage and looking for information about how it was put together, and trying to figure out if there are any extra pieces to the puzzle out there that they can view. Fortunately for us all, one man in particular was so enamored by ‘Rogue One‘ (and I do not blame him as I too loved the movie) that he took the time to comb through the teaser, the trailers, and all of the promos he could find for ‘Rogue One’ and discover 46 shots used in the marketing campaign that did not actually make the final cut of the film.

 

(2) THOSE WERE THE DAYS. AND STILL ARE. There’s a lot to learn about the history of sf publishing from “Tor’s Best- and Worst-Selling Author: A Conversation Between Tom Doherty and L.E. Modesitt Jr.” at Tor.com.

The next phase of the conversation was something that can really only result when you get a couple of people with several decades of industry experience together.

DOHERTY: Of course, when I became publisher of Ace, that was the year that the Science Fiction Writers of America discontinued the publisher Hugo. I could almost take that personally. Pat LoBrutto, who was at Ace then, went over to Doubleday, and I brought Jim Baen in from Galaxy. Jim’s heart always was in short stuff, though. He loved military science fiction, but he really loved magazines and the magazine approach. Eventually, well—I liked much of what Jim did, but I didn’t want it to be all we did.

MODESITT: Well, but that’s what he’s done at Baen, in essence.

DOHERTY: And it worked out fine because, when I brought David in from Timescape, Ron Bush had gone from publisher of Ballantine, where he had renamed the Ballantine science fiction Del Rey after Judy-Lynn, over to Pocket Books. As president of Pocket Books, Ron tried to hire Jim away, because Ron, having come out of running Del Rey, was very high on science fiction and wanted a strong science fiction line over there, but Jim didn’t want to go to work for a big corporation. I knew Ron quite well over the years, so I called him up and said “hey Ron, look, Jim doesn’t want to join a big corporation, but he’s always dreamed to have his own company to do things in the way he saw them. And he’s a fine editor. You’re trying to hire him, you know that. Suppose we make a company for you to distribute, and you’ll be the distributor and we’ll be the publisher. We’ll make what we can make but you’ll make a guaranteed profit on the distribution.” And he thought, why not?

MODESITT: Well, it’s still working for him.

DOHERTY: It’s still working, and that’s how we started Baen Books. I actually gave Jim the inventory to start Baen. I allowed him to take any authors who wanted to go to the startup with Simon & Schuster, any authors that he had brought in that he had worked on. And that was the initial inventory, the first year of Baen. So they would have been Tor books.

MODESITT: I don’t know. I think it worked out better for all sides.

DOHERTY: I think it worked out just great. Baen is still a healthy company doing nicely under Toni [Weisskopf], and, hey, I’m still a partner over there.

MODESITT: Sort of the silent partner.

DOHERTY: A very silent partner. They do it all themselves. It would be conflict of interest to get too involved, but it’s fun to be part of it even on the outside.

(3) DARK SIDE OF THE ENT. Mariel Katherine shares “My Darth Vader Christmas Tree.”

(4) ALL WE ARE SAYING IS, GIVE ALT A CHANCE. From the Newsthump style manual —

“I’m not Sith, I’m Alt-Jedi, clarifies Darth Vader”

The Alt-Jedi are best known for rejecting mainstream Jediism in favour of provocative behaviour designed to outrage the consensus, such as force-choking people and destroying worlds in colossal gouts of laser fire.

(5) HINES BENEFIT AUCTION #21. The twenty-first of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions is for a manuscript critique – up to 80K words – by Leah Bobet.

Attention authors: today’s auction is for the critique of a manuscript, up to 80,000 words, from award-winning author Leah Bobet. You’ll send your manuscript to Bobet by February 1, and she’ll return your critique by March 15.

This auction is open worldwide.

(6) BOND. 24-POUND BOND. Remember when writers only had to worry about producing manuscripts? Now Writers Digest is even offering advice about “5 Life-Saving Techniques for Surviving a Garden Gnome Attack During the Holidays”.

Keep reading if you want to live.

Garden gnome attacks rise sharply during the holidays. This phenomenon is because people’s affection for Santa’s elves causes them to confuse friendly North Pole helpers with the vicious murdering murderers known as garden gnomes (gnomus hortus).

We must always remember that while gnomes enjoy a public image whitewash that passes them off as symbols of merriment and goodwill, they are secretly planning home invasions all over the world in a grand plan of evisceration and death. (Wait a minute—does that gnome look a little closer to the pet door than yesterday? Better board up the house just to be safe.) While we don’t know why gnomes attack us—for our metal? our spices?—we can be certain that they want us all dead. In 2016, the Gnome Defense Hotline based in Berlin has recorded 1,017 confirmed attacks worldwide….

(7) POPPINS RETURNS. Mary Poppins is coming back to the screen in 2018. SciFiNow says Dick Van Dyke, Angela Lansbury and Lin-Manuel Miranda will be in there with her somewhere. But I hope they get busy filming, because two of the three are quite antique.

Mary Poppins Returns set to take place 25 years after the events of the original film, and will see Mary Poppins, um, return to the Banks’ household when Jane and Michael experience a personal loss.

Chicago and Into The Woods director Rob Marshall is helming the film, which will feature an original screenplay from David Magee based on childrens’ author PL Travers’ The Mary Poppins Stories. Marshall, John DeLuca and Marc Platt are producing. It will also feature an all-new score by Marc Shaiman and original songs by Shaiman and Scott Wittman.

Joining Streep as Topsy, Miranda was Jack the Street Lamplighter and Lansbury in an unconfirmed role in Mary Poppins Returns are Emily Blunt as Mary Poppins, Colin Firth as bank manager William Weatherall Wilkins, Ben Whishaw as Michael Banks, Emily Mortimer as Jane Banks and Christian Dixon as the Milkman.

(8) THE SCRIPT DOCTOR IS IN. Jason Sanford loathes Passengers but says he has come up with a quick rewrite which totally fixes the film. I haven’t read the end of his post because I’m not ready for spoilers, though he insists he’s morally entitled to deliver them. The fact is, I don’t know if I’m even going to see the film. Whenever I’m ready Sanford’s link will be waiting for me here….

In light of Passengers being a SF story loved only by manipulative stalkers orbiting the manosphere, here’s a quick script rewrite which saves the film and keeps the rest of us from wasting two hours of our life on sexist BS.

And yes, spoilers.

Big big spoilers.

But if you still want to see this crap film you deserve to have it spoiled.

(9) A CONDEMNATION OF HARRY POTTER. Mimi Mondal, who grew up in Calcutta, asserts “Characters Are Not A Coloring Book Or, Why the Black Hemione is a Poor Apology for the Ingrained Racism of Harry Potter” at The Book Smugglers.

This adamant refusal to see color is the reason why I didn’t feel awkward with Harry Potter at the age when I started reading it; the reason why I can no longer read it without cringing. And color isn’t even the only thing that Harry Potter refuses to see. Sexuality,  religion—you name it. Harry Potter isn’t an offensive text, but it’s equally inoffensive to the homophobic, xenophobic readers. And maybe those are the things that we need to talk about, when we are shocked that the fandom we loved so much as children also managed to nurture the people who are so hateful towards our mere existence.

The inescapable fact is that most minorities never really did exist in Harry Potter, except in a tokenistic way, or retconned into the narrative afterwards. Much before the controversy over the black Hermione, there was the controversy over the gay Dumbledore—one that played out pretty much along the same lines. Nothing in the books suggests that Dumbledore couldn’t have been gay, but nothing in them actually establishes, leave alone defends, his homosexuality either. You can read the vaguest hints of a homoerotic friendship with Grindelwald, but the fan-fiction community had been shipping everyone with everyone else for years, and I can never be sure of what might have been an intended hint in the books. (Sirius Black and James Potter were definitely homoerotic too, right? Non?) In the actual books, Dumbledore was just the generic unpartnered male. I’d have never known, if I didn’t read the “official” announcement on Rowling’s website, that she intended him to be gay.

….I want the racists in my stories, and I want the racists to lose. I want people like the Dursleys to call people like me Paki, nigger, gangster, terrorist, job-stealer, the proverbial dogs that their country is going to, and then I want to see them eat their words. I want to see the Death Eaters swelling with ancestral wealth built over centuries of slavery and colonialism—because aren’t they all old British aristocrats, and how else did those people get rich?—and mouthing their ancestral slurs. (Do you really think Draco Malfoy would’ve let Hermione off with just “Mudblood”, if she happened to be black?) I don’t want Mudblood to be a half-hearted allegory for gay, non-white or any other minority, I don’t want house-elves to enact a half-baked allegory of slaves, because minorities are not allegorical in this world, they’re not equal to the straight white people, and I’m sure Rowling knows that as well as I do.

Now that people have been reading and re-reading these books for going on two decades some have discovered the intrinsic social issues — struggles of the minority wizards versus the majority Muggles, between the wizard-born and “mudbloods,” of totalitarians against the free, or the exercise of supernatural power without allegiance to a deity (controversial among evangelical Christians) – aren’t virulent enough to keep pace with what they’ve learned about life in the real world. (Which is not a complaint you can make about Huckleberry Finn, whatever else someone might think about it.) So were the books inadequate from the start, or is this a consequence of someone who loved them outgrowing them? Rowling dislikes the first possibility as much as anyone, and has tried to patch things by reinterpreting several characters after the fact. But her efforts have been fatally undercut by making a hash of the Pottermore expansion into Native American magic. What does Mondal’s text say should be done with Harry Potter now? I find she doesn’t feel a strong need to erase these books from her Kindle – she simply says “I hate to discover myself more and more rejected by it on each subsequent read.” Mondal may still be making up her mind about the ultimate answer.

[Thanks to John King Tarpinian, JJ, Dave Langford, and Jim C. Hines for some of these stories. Title credit goes to File 770 contributing editor of the day Cadbury Moose.]