Pixel Scroll 2/7/17 I Will Set My Scrolls of Silver And I’ll Sail Toward The Pixel

(1) GET IN ON THE ART. Many museums are offering free downloadable coloring books this week, February 6-10, as part of the #Color Our Collections event. There is quite a lot of fantastic imagery of interest to fans — indeed, one item literally is fan art.

Orycon. (October 30, 1981 – November 1, 1981). A review of Orycon ’80 – Document 1, Page 1 Fritz LeiberScience Fiction & Fantasy Convention Flyers & Programs. Special Collections, University of Houston Libraries,

From February 6-10, 2017, libraries, archives, and other cultural institutions around the world are sharing free coloring sheets and books based on materials in their collections. Users are invited to download and print the coloring sheets and share their filled-in images, using the hashtag #ColorOurCollections.

All content is sourced from the collections of participating institutions. With participants from around the globe, this campaign offers an opportunity to explore the vast and varied offerings of the library world, without geographical constraints. Last year’s campaign included over 210 institutions and featured coloring sheets based on children’s classics, natural histories, botanicals, anatomical atlases, university yearbooks, patents, and more.

Here is a list of participating institutions.

(2) THE ECHOING GREEN. Diana Pavlac Glyer’s Bandersnatch: C. S. Lewis, J. R. R. Tolkien, and the Creative Collaboration of the Inklings reviewed by Donald T. Williams at The Five Pilgrims.

Glyer’s detective work is not only intriguing; it is also often insightful.  Her readers will gain useful perspectives on two things: many of the Inklings’ works that they already love, and the writing process itself, especially the role of collaboration and encouragement in it.  Judged by their longevity and their output, the Inklings were surely the most successful writers’ group ever assembled.  There are reasons why.  Each chapter of Bandersnatch ends with a sidebar entitled “Doing What They Did.”  People interested in starting their own writers’ groups, or those already involved in one who want to make it work better, will find a gold mine of practical wisdom there.

(3) WHO WINS. The BBC Audio Drama Awards, shortlisted here last month, were presented on January 30. Just one item of genre interest won this year —

Best Online Only Audio Drama

Dr Who – Absent Friends Big Finish Productions

 

(4) CLARKE CONVERSATION. The first in a series of interviews exploring themes of science fiction and STEM, sponsored by the Arthur C. Clarke Award, is online at Medium, a conversation between Anne Charnock and Ada Lovelace Day founder Suw Charman-Anderson.

[Charman-Anderson] …The first of my cherished books was Stranded at Staffna by Helen Solomon. Mrs Solomon was my English teacher and when I was nine she gave me a signed copy of her book:

I hope you enjoy reading this story about Morag MacDonald, Susan, and that you agree with me?—?that she was a real heroine. With love, Helen Solomon. December 1980.

Mrs Solomon was right?—?I did enjoy it and I did agree with her that Morag was amazing. It’s the first book I remember crying at the end of, not least because it’s based on the true story of Mary MacNiven, who rescued a horse from a shipwreck in 1940.

I was already an enthusiastic reader, but Mrs Solomon was the person who helped me understand that books didn’t just appear out of nowhere, that someone sat down and wrote them. It was around this time, I think, that I wrote my first complete story, about a girl who lost her sight when she was hit on the head, and who entered into a parallel world when she slept. It was a complete rip-off of Marianne Dreams by Catherine Storr, of course, but I structured it properly and even had character development! It was then that I started to think that I would become a writer when I grew up.

(5) AUTHORITY DIES, Professor Irwin Corey, the comedian, died February 6 at the age of 102.

It’s impossible to provide a short explanation of Corey’s surreal brand of comedy, which was most potent when delivered in his seemingly nonsensical stream of non sequiturs. But the breadth of his career hints at his creative genius: Who else could have appeared in the 1976 film Car Wash, two years after accepting a National Book Award on behalf of the reclusive Thomas Pynchon?

Billed as “the World’s Foremost Authority,” Corey’s guise as an absent-minded professor offered a way to poke fun at multisyllabic jargon and those who use it. When political or scientific authorities seemed to annex a chunk of language, there was Corey to claw it back — a very human antidote to our complicated modern times.

(6) TODAY IN HISTORY

  • February 7, 1940 — Walt Disney’s movie Pinocchio debuted

(7) FAN WRITER, FANZINE, EDITOR: Rich Horton posted the final installment of his recommendations, — “Hugo Nomination Thoughts — Other Categories” — which included some very kind comments about Filers, such as the fan writing of Camestros Felapton and Greg Hullender’s Rocket Stack Rank.

But of course there are many wonderful fan writers out there. For years I have been nominating Abigail Nussbaum, especially for her blog Asking the Wrong Questions (http://wrongquestions.blogspot.com/), and I see no reason not to do so again this year. I will note in particular her review of Arrival, which captured beautifully the ways in which the movie falls short of the original story, but still acknowledges the movie’s strengths.

Another fan writer who has attracted my notice with some interesting posts is Camestros Felapton (https://camestrosfelapton.wordpress.com/). Some of the most interesting work there regarded (alas) the Puppy Kerfuffles, and I was quite amused by this Map of the Puppy Kerfuffle: https://camestrosfelapton.wordpress.com/the-puppy-kerfuffle-map/. But the blog is much more than Puppy commentary – indeed, it’s much more than SF commentary. In the more traditional fanwriting area, I can point to the most recent entry (as I write), a well-done review of Greg Egan’s Diaspora.

Another possibility is Greg Hullender at Rocket Stack Rank (http://www.rocketstackrank.com/). The site is run by Greg along with his partner Eric Wong, and both deserve a lot of credit – I mention Greg in particular because of article like his analysis of the effect of slate voting on the 2016 Hugos (http://www.rocketstackrank.com/2016/09/reanalysis-of-slate-voting-in-2016-hugo.html)

(8) THE REAL ESTATE. Curbed reports a bit of literary history is for sale — “A.A. Milne’s Real-Life ‘House at Pooh Corner’ Hits the Market”.

Christopher Robin Milne, the son of Winnie the Pooh creator A.A. Milne, grew up in this quaint brick manse in the English countryside. Christopher Robin inspired the young boy of the same name in Milne’s iconic children’s stories and, so too did the bucolic setting of the family home serve as the backdrop. Known as Cotchford Farm, and on the market for the first time in more than 40 years, the Grade II listed estate spans 9.5 acres of lawns, forest, and streams. The six-bedroom main house, the quintessential English country house if there ever was one, is listed for $3.22M. There’s more to the Milne house than just Pooh, as it was also later owned by Brian Jones of the Rolling Stones, who reportedly died on the property.

The best part of the news item might be that the author’s name is “Rob Bear.”

(8) HEAVENS TO MURGATROYD. Cartoon Brew has the story — “Warner Bros. Reboots Snagglepuss As A Gay Playwright Being Hunted By The U.S. Government”.,

The eight-page story will debut this March in the Suicide Squad/Banana Splits Annual #1, before turning into a regular DC series this fall. “I envision him like a tragic Tennessee Williams figure,” writer Marc Russell told HiLoBrow.com. “Huckleberry Hound is sort of a William Faulkner guy, they’re in New York in the 1950s, Marlon Brando shows up, Dorothy Parker, these socialites of New York from that era come and go.”

The sexual orientation was never affirmed in the Hanna-Barbera cartoons, but Russell, who has also done an updated take on The Flintstones for DC Comics, is making Snagglepuss’ sexuality a key part of the story, in which the pink mountain lion is dragged before the Communist-hunting House Un-American Activities Committee (HUAC). He’s accused of being a pinko, get it?

This is the first I’ve heard that Snagglepuss was pink. I watched those cartoons when I was really young — the station they were on was still broadcasting in black-and-white.

(9) THE CAT’S MEOW. Naomi Kritzer is releasing her collection Cat Pictures Please and Other Stories” in July 2017.

Table of Contents:

  • “Cat Pictures Please” (Clarkesworld) (Hugo Award-winning story)
  • “Ace of Spades” (not previously published)
  • “The Golem” (Realms of Fantasy)
  • “Wind” (Apex)
  • “In The Witch’s Garden” (Realms of Fantasy)
  • “What Happened at Blessing Creek” (Intergalactic Medicine Show)
  • “Cleanout” (The Magazine of Fantasy and Science Fiction)
  • “Artifice” (Analog Science Fiction and Fact)
  • “Perfection” (not previously published)
  • “The Good Son” (Jim Baen’s Universe)
  • “Scrap Dragon” (The Magazine of Fantasy and Science Fiction)
  • “Comrade Grandmother” (Strange Horizons)
  • “Isabella’s Garden” (Realms of Fantasy)
  • “Bits” (Clarkesworld)
  • “Honest Man” (Realms of Fantasy)
  • “The Wall” (Asimov’s Science Fiction)
  • “So Much Cooking” (Clarkesworld)

(10) BACK TO WORK. The Hugo Nominees 2018 Wikia site has gone live. Not to early to list the 2017 works you love that might deserve an award next year.

(11) BIG BROTHER WAS WATCHING WHAT YOU WERE WATCHING. The FTC found that Vizio’s TVs were reporting moment-by-moment viewing, plus location info, back to a server.

TV maker Vizio has agreed to pay out $2.2m in order to settle allegations it unlawfully collected viewing data on its customers.

The US Federal Trade Commission said the company’s smart TV technology had captured data on what was being viewed on screen and transmitted it to the firm’s servers.

The data was sold to third parties, the FTC said.

Vizio has said the data sent could not be matched up to individuals.

It wrote: ” [The firm] never paired viewing data with personally identifiable information such as name or contact information, and the Commission did not allege or contend otherwise.

“Instead, as the complaint notes, the practices challenged by the government related only to the use of viewing data in the ‘aggregate’ to create summary reports measuring viewing audiences or behaviours.”

(12) HOLY PUNCHOUT. Netflix is bringing Marvel’s Iron Fist to television in 2017.

[Thanks to John Lorentz, Bruce D. Arthurs, Chip Hitchcock, Mark-kitteh, Gregory N. Hullender, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Lee.]

Pixel Scroll 11/29/16 In A Scroll On The Web There Lived A Pixel

(1) FURTHER DISCOVERIES. Two more Star Trek: Discovery cast members have been announced reports Variety.

Doug Jones and Anthony Rapp have joined Michelle Yeoh as the first official cast members of “Star Trek: Discovery.”

Jones will play Lt. Saru, a Starfleet science officer and a member of an alien species new to the “Star Trek” universe. Anthony Rapp will play Lt. Stamets, an astromycologist, fungus expert, and Starfleet science officer aboard the starship Discovery. Yeoh, whose addition to the cast was reported last week by Variety, will play Captain Georgiou, the Starfleet captain aboard the starship Shenzhou.

(2) IT IS WHAT IT AINT. Mike Resnick, in “What Science Fiction Isn’t”, says the history of science fiction is littered with discarded definitions of the genre. The creator of the field, Gernsback, SFWA founder Damon Knight, critic James Blish, all were sure somebody else was doing it wrong.

And what’s driving the purists crazy these days? Just look around you.

Connie Willis can win a Hugo with a story about a girl of the future who wants to have a menstrual period when women no longer have them.

David Gerrold can win a Hugo with a story about an adopted child who claims to be a Martian, and the story never tells you if he is or not.

I can win Hugos with stories about books remembered from childhood, about Africans who wish to go back to the Good Old Days, about an alien tour guide in a thinly-disguised Egypt.

The narrow-minded purists to the contrary, there is nothing the field of science fiction can’t accommodate, no subject – even the crucifixion, as Mike Moorcock’s Nebula winner, “Behold the Man”, proves – that can’t be science-fictionalized with taste, skill and quality.

I expect movie fans, making lists of their favorite science fiction films, to omit Dr. Strangelove and Charly, because they’ve been conditioned by Roddenbury and Lucas to look for the Roddenbury/Lucas tropes of movie science fiction – spaceships, zap guns, cute robots, light sabres, and so on.

But written science fiction has never allowed itself to be limited by any straitjacket. Which is probably what I love most about it….

(3) A PRETTY, PREDICTABLE MOVIE. Abigail Nussbaum’s ”(Not So) Recent Movie Roundup Number 22” includes her final verdict on Doctor Strange.

Marvel’s latest standalone movie has a great opening scene, and a final battle that toys with some really interesting ideas, finally upending a lot of the conventions of this increasingly formulaic filmic universe.  In between these two bookends, however, there’s an origin story so tediously familiar, so derivative and by-the-numbers, that by the time I got to Doctor Strange‘s relatively out-there conclusion, all I wanted was for the thing to end.  As noted by all of its reviewers, the film is very pretty, positing a society of sorcerers who fight by shaping the very fabric of reality, causing geography and gravity to bend in on themselves in inventive, trippy ways.  The film’s opening scene, in which bad guy Kaecilius (Mads Mikkelsen) and Dumbledore-figure The Ancient One (Tilda Swinton) stage such a battle in the streets of London, turning buildings and roads into a kaleidoscope image, is genuinely exciting.  For a brief time, you think that Marvel might actually be trying something new. Then the story proper starts, and a familiar ennui sets in….

(4) THE CASH REGISTER IS MIGHTIER THAN THE SWORD, Fanartists have been doing this all along – so Mr Men thought to himself, “I should get paid!” — “Mr Men to release a series of Doctor Who themed books”.

dr-twelfth

In a fun new partnership, BBC Worldwide and Mr Men publishers Sanrio Global have got together to create a series of Mr Men books based on each of the 12 Doctors….

The books be published by Penguin Random House and will combine “the iconic storytelling of Doctor Who” with the Mr Men’s “whimsical humour and design”.

And, of course, there will also be a series of related merchandise released to coincide with the first four books’ release in spring 2017.

They will follow stories based on the First, Fourth, Eleventh and Twelfth Doctors, played by William Hartnell (1963-1966), Tom Baker (1974-1981), Matt Smith (2010-2013) and Peter Capaldi (2013-present). The remaining Doctors’ stories will follow on an as-yet unconfirmed date.

(5) NORTHERN FLIGHTS. Talking Points Memo says the Internet is fleeing to Canada. Well, okay, I exaggerated….

The Internet Archive, a digital library non-profit group that stores online copies of webpages, e-books, political advertisements and other media for public record, is fundraising to store a copy of all of its contents in Canada after Donald Trump’s election to the presidency.

Five hundred years from now will somebody be writing “How the Canadians Saved Civilization” like that book about the Irish?

(6) STOP IT OR YOU’LL GO BLIND. Gizmodo found out “Why Spaceflight Ruins Your Eyesight”

Astronauts who return to Earth after long-duration space missions suffer from untreatable nearsightedness. Scientists have now isolated the cause, but finding a solution to the problem will prove easier said than done.

The problem, say researchers from the University of Miami Miller School of Medicine, has to do with volume changes in the cerebrospinal fluid (CSF) found around the brain and spinal cord. Prolonged exposure to microgravity triggers a build-up of this fluid, causing the astronauts’ eyeballs to flatten, which can lead to myopia. A build-up of CSF also causes astronauts’ optic nerves to stick out, which is also not good, as the optic nerve sends signals to the brain from the retina. This is causing nearsightedness among long-duration astronauts, and it’s problem with no clear solution in sight (so to speak).

(7) APPLAUSE. Congratulations to JJ – her post about Walter Jon Williams’ Praxis series got a shout-out in Tor.com’s newsletter —

Your Praxis Primer Impersonations is the latest book in Nebula Award winning author Walter Jon Williams’ Praxis series, a standalone story that fits into the bigger arc of Williams’ ongoing space opera adventure. For a helpful rundown on the series, check out this guide to the Praxis universe, with links to excerpts for each installment! If you enjoy fast-paced, fun military science fiction like David Weber’s Honor Harrington books, pick up Impersonations, or start with The Praxis: Dread Empire’s Fall, the first book in the series.

(8) CARTER OBIT. Author Paul Carter has died at the age of 90 reports Gregory Benford. “I wrote a novella with him about Pluto and had many fine discussions at the Eaton and other conferences. A fine man, historian, fan.”

David Weber in his introduction to The Year’s Best Military SF & Space Opera (2015) credited C. L. Moore & Henry Kuttner’s “Clash by Night” (Astounding, March 1943) and Paul Carter’s “The Last Objective” (Astounding, August 1946) as two of the earliest examples of military science fiction (by which he means something a bit more cerebral than all the space opera that preceded them):

The Last Objective by Paul Carter appeared in 1946, but Carter wrote the story while he was still in the Navy; his commanding officer had to approve it before it could be sent to Astounding. It’s just as good as [Moore & Kuttner’s] Rocketeers, but it’s different in every other fashion.

Carter describes wholly militarized societies and a war which won’t end until every human being is dead. Rather than viewing this world clinically from the outside, Carter focuses on  a single ship and the varied personalities who make up its crew. (The vessel is tunnelling through the continental plate rather than floating on the sea, but in story terms that’s a distinction without a difference.)

Carter is pretty sure that his CO didn’t actually read the story before approving it. My experience with military officers leads me to believe that he’s right, though it’s also possible that his CO simply didn’t understand the story’s horrific implications.

Carter also wrote a book about sf history. The Science Fiction Encyclopedia says his The Creation of Tomorrow: Fifty Years of Magazine Science Fiction (anth 1977) “demonstrated an intimate and sophisticated knowledge of the field.”

(9) TODAY IN HISTORY.

  • November 29, 1948 — Kukla, Fran and Ollie debuted on television. (And a couple of years later, my father worked as a cameraman on the show)

(10) TODAY’S BIRTHDAY BOY

  • Born November 29, 1898 – C. S. Lewis

(11) HINES AUCTIONS KRITZER CRITIQUE. In the fourth of Jim C. Hines’ 24 Transgender Michigan Fundraiser auctions, the item up for bid is a story critique from award-winning author Naomi Kritzer.

Attention writers: Today’s auction is for a critique of a short story, up to 7500 words, by Hugo award-winning author Naomi Kritzer.

Kritzer has been writing and selling her short fiction since before the turn of the century, and she’ll use that experience and expertise to help you improve your own story.

Disclaimer: Winning this auction does not guarantee you’ll win a Hugo award — but you never know, right?

(12) WE INTERRUPT THIS NOVEL. George R.R. Martin will attend a book fair in Mexico. Then he’s going to finish Winds.

My first real visit to Mexico starts tomorrow, when I jet down to Guadalajara for the Guadalajara International Book Fair: https://www.fil.com.mx/ingles/i_info/i_info_fil.asp I’m one of the guests at the conference. I’ll be doing interviews, a press conference, a live streaming event, and a signing. I expect I will be doing some tequila tasting as well. I am informed that Guadalajara is the tequila capital of Mexico. I am looking forward to meeting my Mexican publishers, editors, and fans. This is my last scheduled event for 2016. My appearance schedule for 2017 is very limited, and will remain so until WINDS is completed. So if you want to meet me or get a book signed, this will be the last chance for a good few months…

(13) THEIR TRASH IS HIS TREASURE. Artist Dave Pollot’s business is improving old, clichéd, mundane art prints and selling them to fans through his Etsy store:

holy-seagulls-batman

This is a print of repurposed thrift store art that I’ve painted parodies of Batman and Robin into….

The Process: This is a print of one of my repurposed paintings. I find discarded prints and paintings (ones you may have inherited from great grandma and brought to your local donation bin), and make additions. Sometimes I paint monsters, other times zombies, and most times some pop culture reference- Star Wars, Futurama, Ghostbusters, Mario Brothers…the list goes on. I use oil paints and do my best to match the style of the original artist. My hope is to take these out of the trash can and into a good home; full-circle- from a print that proudly hung on your Grandma’s wall, to a print that proudly hangs on yours.

(14) BANZAI LAWYERS. SciFiStorm reduces the bad news to basics: “MGM sues Buckaroo Banzai creators over rights; Kevin Smith exits project”.

Let me see if I can sum this up, as it seems a lot has happened very rapidly…MGM and Amazon struck a deal to develop a series based on the 1984 film The Adventures of Buckaroo Banzai Across the 8th Dimension, and signed on Kevin Smith, the creator of Clerks and all the other Jay and Silent Bob movies and the guy I’d most like to just hang out and have a beer with, as the showrunner. But original writer Earl Mac Rauch and director Walter D. Richter claim they have the rights to a TV series. So MGM preemptively filed a lawsuit to have a court to seek declaration of the rights.

Telling fans in a Facebook video…that the lawsuit was “news to me,” Smith announced that he has dropped out of the project.

(15) PLAQUE. Gregory Benford sent along a photo of the plaque he received as a Forry Award winner last weekend at Loscon.

forry-award-min

(16) TREE FULL OF TENTACLES.  Archie McPhee is working desperately hard to sell you this seasonal abomination:

While her Cthulhumas Wreath Creature guards the entrance to the house, this year there’s a bright red Cthulhumas tree watching everyone and everything and it never, ever sleeps.

‘Twas a week before Cthulhumas, when all through the house every creature was trembling, in fact so was the house. Not one stocking had been hung by the chimney this year, for fear that Dread Cthulhu was already near.

The cats were nestled all snug in their beds, completely indifferent to our cosmic dread. And mamma in her robes and I in my mask, had just steadied our minds for our infernal task, when from deep in the basement there arose such a din, at last we knew the ritual was soon to begin.

Down to the cellar I flew like a flash, lit all the candles and sprinkled the ash. Light on the altar came from no obvious point, it soon became clear time was all out of joint.

When what to my cursed bleeding eyes did appear, but a fathomless void, then I felt only fear. With a wriggle of tentacles and shiver of dread, I knew in a moment I was out of my head.

Then a nightmarish god, with his eight mewling young, burst forth from the dark and shrieked, “Our reign has begun!“

christas-cthulhu

(17) SPEED TYPIST. Just the other day File 770 lined to a clip from Chris Hardwick’s Almost Midnight all about Chuck Tingle.

Looks like it took no time at all for Tingle to write a book commemorating the occasion: Hard For Hardwick: Pounded In The Butt By The Physical Manifestation Of My own Handsome Late Night Comedy Show.

tingle-hard-for-hardwick

(18) ONE STAR REVIEWS. One-star reviews were a weapon used by some in last year’s literary fracas, though never with any sense of humor. But a Chicago Cubs blogger just put out a book about their World Series season — and it is getting the funniest bunch of one-star reviews I’ve ever read. Read this sample and it will be easy to guess why the author received such a hostile reception….

I know this author from the Internet. He runs a website and routinely posts opinions and people comment on those opinions.

Ín real life he routinely bans commenters on his website that disagree with him. This leads to one of the bad features of this book. If you think a bad thought about the book, it shuts close and you are unable to read it until you contact the author by email and apologize. This is an annoying feature.

Also in real life when one of the author’s website opinion posts are disliked by the majority of readers he deletes the post and comments like it never happened. This book has a similar feature in that the words disappear from the pages over time and eventually you are left with 200+ blank pages that really aren’t good for anything but the bottom of a bird cage. This decreases the value of the book and does not make it suitable for archiving.

Overall, I can’t recommend.

[Thanks to John King Tarpinian, JJ, Andrew Porter, and Harold Osler for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 5/6/16 Waggin’ Train

(1) WELL WISHING. James H. Burns, the frequent File 770 columnist, is in the hospital – keep him in mind.

Hey, folks: Quite unexpectedly, I’m in Mercy Hospital, in Rockville Center, at least through the weekend. Cards and visitors welcome! Room 245A.1000 N Village Ave.Rockville Center, NY.11570

(2) NEW BEST FANZINE FINALIST. Lady Business acknowledged its nomination in “Hugo Ballot Finalist Announcement, or More Ladies and Queers on Your Ballot”.

We at Lady Business are excited to announce that we have accepted a place on the final ballot for Best Fanzine in the 2016 Hugo Awards.

This is a strange year to be be a Hugo finalist. If you’ve been following the Hugo Awards, you know that the last couple of years have been controversial. We prefer not to dwell on the controversy here, but if you’re unfamiliar and would like a summary, Fanlore has a good overview. After the 2016 finalists were announced, one of the original five Fanzine finalists, Black Gate, withdrew from consideration. The Hugo administrators contacted us to let us know that we were next in the voting tally, and offered us the open slot. After some conflicted deliberation, we decided that we wanted to acknowledge the people who voted for us in the nomination phase, and we accepted a place on the final list….

(3) KRITZER ON SHORT STORY NOMINATION.

(4) PARTY PLANNER. George R.R. Martin welcomes “The Replacements”. And contemplates their impact on the Alfies.

…((Though I am curious as to whether these two new finalists were indeed sixth. It seemed to take MAC a rather long time to announce the replacements after the withdrawal, something that could presumably be accomplished in minutes just by looking at the list and seeing who was next up — unless, perhaps, there were other withdrawals along the way? We’ll find out come August)).

Short Story and Fanzine were two categories where the Rabid Puppies had swept the field, top to bottom. Accordingly, they were also two categories that I had earmarked as being in need of Alfies. But the withdrawals and replacements broke the Rabid stranglehold, leaving me with a decision to make — do I still present Alfies in those categories, or no?

I am going to need to ponder that for a while.

(5) KNOCK-ON EFFECT. With SF Signal’s announcement fresh in mind. Adam Whitehead discusses “Blogging in the Age of Austerity” at The Wertzone.

…For bloggers who do have day jobs and families, it’s become clear that the lack of material reward for blogging means greater pressure to step away and spend that time instead with loved ones or doing other things. And that’s why it’s easy to see why the guys at SF Signal decided to step away. If I get one of the several jobs I’m currently going through the recruitment process for, the amount of blogging on the site will have to fall as I devote time to that instead.

Is there a way around this? Should there be? Kind of. For a lot of bloggers, blogging is a springboard into writing fiction and once they make that transition, the blogging is left behind. For me, I have no interest in writing fiction day in, day out. I may one day try my hand at writing a short story or a novel if a story demands to be told, but I’m never going to be a career fiction writer. I much prefer writing about the genre as a critic, but the paid market for that is much smaller. After over five months doing the rounds with my agent, A History of Epic Fantasy has failed to garner as much as the merest flicker of interest from a professional publisher, despite the people nominating it for awards (and in any year but this one, it might even have stood a chance of making the shortlist) and clamouring for the book version (look for an update on that soon). But even if that takes off, that’s just one project. Being an SFF critic isn’t much of a career path these days, especially with venues drying up (even the mighty SFX Magazine seems to be in financial trouble and may not last much longer)….

(6) WITHOUT MUMBLING. At Fantasy Literature Sam Bowring takes up the perpetual challenge — “Coming Up with Fantasy Names: A Somewhat Vague and Impractical Guide”.

One of the hardest aspects of writing a fantasy story, I find, is conjuring a bunch of made-up names that don’t sound like I spilled alphabet soup on a crossword puzzle. It’s important to get names right, of course. I’m sure I’m not the only one who has flung away a potential read in disgust because the blurb said something about a protagonist called ‘Nynmn’dryhl of the Xyl’turym’. Can I buy a vowel, please? I’m also guessing this is one reason why so few fantasy worlds include any equivalent of telephones, for everyone would be forever spelling their names over them.

That said, personal appreciation of fantasy names is about as subjective as it gets. One person’s ‘Nynmn’dryhl’ may be another’s ‘Bilbo Baggins’. It would be arrogant for me to sit here (I really must get a standing desk so I can sound more authoritative when I type) and tell you what does or does not make a good fantasy name, especially when I myself have created names I know for a fact that others find cringe-worthy. One of my good friends, for instance, never lets me forgot that I named a place ‘Whisperwood’. ‘Whisperwood,’ he will say, years later, out of the blue, shaking his head in dismay.

Thus instead I’ll merely tell you about general approaches I find to be useful. One such, which I imagine is a common starting point for many authors, is to simply diddle around with various syllables, rearranging them in different ways until striking upon a pleasing combination. I do not own the patent for this, and mind altering drugs are optional. Losara, Olakanzar, Lalenda, Elessa are all the results of such a ‘process’, as we shall kindly call it…

(7) SCIENCE TOO. The Traveler at Galactic Journey begins “[May 6, 1961] Dreams into Reality (First American in Space)” by connecting the dots.

I’ve been asked why it is that, as a reviewer of science fiction, I devote so much ink to the Space Race and other scientific non-fiction.  I find it interesting that fans of the first would not necessarily be interested in the second, and vice versa.

There are three reasons non-fiction figures so prominently in this column:

1) I like non-fiction;

2) All the science fiction mags have a non-fiction column;

3) Science fiction without science fact is without context.

(8) SENSE8. From SciFiNow, “Sense8 Season 2 sneak peek photos give a look at what’s to come”.

Sense8‘s co-creator Lana Wachowski shared a tonne of brand new Season 2 production stills on the show’s official Tumblr page recently (sense8.tumblr.com if you’re bored…), and they are absolutely delightful. They also look potentially spoilerific, so browse through the above gallery with caution.

(9) TRIBAL THEORY. Damien G. Walter takes up the topic “Have the Locus awards been hit with ‘myopic sexism’” at The Guardian.

Taken as a whole, the Locus awards were broadly representative of a sci-fi field that is continuing to grow in diversity: 18 female to 17 male writers, with many upcoming writers of colour among the voters’ top picks. Placed in that context, the way the YA category has turned out seems less like myopic sexism, and more indicative of the older demographic of readers who read Locus magazine and see the YA genre from their own preferences. When I caught up with Joe Abercrombie, nominated twice in the category for his Shattered Seas trilogy, he agreed.

“I think this has much more to do with adult SF&F readers voting for the authors they recognise, and tending to read YA that crosses over into SF&F territory.” Abercrombie’s popularity among adult readers has carried over to his YA books, which in America have been sold and marketed as adult fantasy; it’s that adult readership, who recognise Abercrombie as one of their tribe, whose votes count in the Locus award. “I’m pleased people voted for me,” he says, “but I don’t think it’s ever a good thing when someone’s on the same shortlist twice.”

(10) SF IN PORTUGAL. Luis Filipe Silva’s new entry on Portugal for the Science Fiction Encyclopedia chronicles the past century of sf/f there. The focus is on fiction, as one would expect, with this being the only comment about the interaction between literature and national politics:

Nevertheless, if utopia bewitches the faithful, it frightens the unbelievers. A decade of political and social turmoil, following the Regicide in 1908 that turned Portugal into an uneasy Republic, inspires some highly pamphletary Dystopian fiction: in A Cidade Vermelha [“The Red City”] (1923) by Luís Costa, the misguided Portuguese people welcome a full Republican/Communist government, only to see the country devolve into absolute chaos; it is not surprising that the people then cry for the return of the unjustly deposed monarch, who comes back from exile and sets things right again. Amid such strong ideological trends, any text that pictures an ideal future based solely on the workings of science and technology becomes a rarity: in the landmark vision of Lisboa no Ano 2000 [“Lisbon in the Year 2000”] (1906), Melo de Matos (years) turns Lisbon into a major world economic hub thanks to advances in Transportation and Communication made by Portuguese Scientists.

I was curious, after reading many posts by Sarah A. Hoyt.

(11) COMMONWEALTH SHORT STORY PRIZE. Locus Online reports a speculative story by Tina Makereti is one of five winners of the 2016 Pacific Regional Commonwealth Prize.

The 2016 Commonwealth Short Story Prize judges have announced this year’s five regional winners, including the speculative story “Black Milk” by Tina Makereti (New Zealand) for the Pacific region.

…The Commonwealth Short Story Prize is awarded to the best piece of unpublished short fiction in English, and short stories translated into English from other languages (stories may be submitted in their original language if not in English). Five winning writers from five different Commonwealth regions receive £2,500 (USD $3,835), and the overall winner receives £5,000 ($7,670)….

(12) BLAME HARRY. Fantasy causes brain damage, according to a school headmaster in the UK — “Nailsworth teacher claims Harry Potter books cause mental illness”.

A headmaster has urged pupils not to read Harry Potter – claiming the books cause mental illness.

Graeme Whiting also said other fantasy titles such as Lord of the Rings, The Hunger Games and Terry Pratchett encourage ‘difficult behaviour’. He told parents to steer clear of JK Rowling’s ‘frightening’ books and they should read classics like Wordsworth, Keats, Shelley and Shakespeare. Writing on his blog, Mr Whiting, head of the independent Acorn School in Nailsworth, Gloucester, thinks that people should have a ‘special licence’ to buy fantasy books. He wrote: “I want children to read literature that is conducive to their age and leave those mystical and frightening texts for when they can discern reality, and when they have first learned to love beauty….”

(13) AFTERMATH. Anne Heche and James Tupper have been cast as the leads in Syfy’s forthcoming post-apocalyptic series Aftermath. Deadline reports the former Men in Trees co-stars will reunite on screen  as a married couple who “have to contend with supernatural creatures as well as their own teenage children after a series of natural disasters finally sticks a fork in life as we know it.”

[Thanks to John King Tarpinian, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Will R.]

Kritzer, Lady Business Added to Hugo Ballot

MidAmeriCon II has backfilled the vacancies on the 2016 Hugo Awards ballot created by the withdrawal of Thomas A. Mays and Black Gate.

The official announcement on Facebook reads:

Thomas A. Mays has withdrawn his short story “The Commuter”. It will be replaced on the ballot by the story “Cat Pictures Please” by Naomi Kritzer (Clarkesworld, January 2015).

John O’Neill has withdrawn the fanzine Black Gate. It will be replaced on the ballot by Lady Business, edited by Clare, Ira, Jodie, KJ, Renay, and Susan.

Naomi Kritzer’s “Cat Pictures Please” also a 2016 Nebula nominee, can be read at Clarkesworld. Her blog is Will Tell Stories for Food.

Click here to read Lady Business.

Puppies To The Right of Them, Puppies To the Left of Them 4/14

Today leaders of the Sad Puppies and Rabid Puppies react to a ruling by the Hugo administrator that one work from each of their slates is ineligible and has been dropped from the Hugo final ballot.

David Gerrold and Connie Willis say it will not be business as usual at the Hugo ceremony.  Larry Correia, John C. Wright and George R.R. Martin parry and riposte. Laura Mixon says send a message by voting her a Hugo.

Then, while “you missed the point” is a phrase oft resorted to in these arguments, Michael Stackpole eloquently describes the point he says Sad Puppies have missed.

Vox Day on Vox Popoli

“John C. Wright work disqualified” – April 14

I think this is a serious mistake by Sasquan. Just as Dune and Ender’s Game served as precedents for a shorter work reworked and published as a longer one, which was the case with both “One Bright Star to Guide Them” and “Big Boys Don’t Cry”, John Scalzi’s Old Man’s War serves as precedent for a work that appeared on the web prior to being professionally published and subsequently declared eligible in the latter year.

 

Brad R. Torgersen

“Two Hugo final ballot changes, and a question” – April 14

I would like to take this opportunity (as the coordinator of the Sad Puppies 3 effort in 2015) to note that John C. Wright’s piece, “Yes, Virginia, There is a Santa Claus” was not on the Sad Puppies 3 list. It appears this story was on the copycat Rabid Puppies alter-ego slate, being put forth by Vox Day.

Many people have been conflating the two slates (Sad Puppies, Rabid Puppies) for the past ten days, and I think it’s important to make clear the fact that the two slates are different, while still being similar. I congratulate Thomas Olde Heuvelt, whose story “The Day The World Turned Upside Down” (from Lightspeed magazine) now takes a place on the 2015 Hugo final ballot. Good work, Thomas! And good luck!

One person who was on the Sad Puppies 3 ballot — Jon Eno [http://www.joneno.com/] — has been disqualified. I am sorry about that, Jon! I tried as best as I could to do my due diligence in researching the Hugo qualification rules, when I put you forward in that category. I think you’ve been doing a lot of very beautiful spec fic art, and I hope you continue to share your illustrations with all of us who follow you on Facebook.

Taking Jon’s place on the ballot is Kirk DouPonce, from the Rabid Puppies slate. Kirk’s been doing a bang-up excellent job with cover design, many examples of which can be seen at his site. Congratulations, Kirk! Terrific stuff, sir.

My question for the masses is: the year-to-year interpretations of the rules seem to occasionally be inconsistent. For example, John Scalzi’s Old Man’s War was indie published (to Scalzi’s web site) long before it was licensed by TOR for traditional publication, yet Old Man’s War was on the short list for Best Novel in 2006. Did anyone (at that time) ask for clarification? Seems to me if John C. Wright’s story can be bumped for prior web publication, this would have applied in Scalzi’s case too; unless the specific rules have changed since 2006.

 

 

David Gerrold post on Facebook – April 14

I had asked Connie Willis to present the Campbell award — she declined. Because she cannot pretend that this year’s awards are business as usual.

In fact, none of us can. And as the host of the award ceremony, I can’t either.

So, Brad, Larry, Vox — congratulations. You’ve spoiled the party. Not just mine, but everyone’s.

I waited nearly a half century to get here, and when I do get here, there’s ashes.

It hurts.

Not just me. Everyone.

And I don’t care how you dodge and weasel, how you rend your garments and play the victim game, how you pretend it’s everyone else’s fault — that’s bullshit. You’ve made it impossible to have a Hugo ceremony that is a joyous celebration of the best in our genre.

I haven’t figured out how we’ll manage the Hugo ceremony yet. I’m still soliciting advice from the smartest people I know — people with experience, regardless of their politics. Right now, mostly what I’m hearing back is, “I’m so sorry this has happened to you, you deserve better, but I know you’ll figure it out.” (Plus a few suggestions on what to do if this or that or the other happens.)

I do have some ideas. (One of which is, “You won’t like me when I’m angry.” But you don’t like me already, so why should I give in to anger?)

There is another way to go. It’s something I learned watching Harlan Ellison. Did I mention he’s one of my role models?

So I have a choice. I can pretend it’s business as usual —

It isn’t.

Or, I can recognize that I’ve been trusted with the microphone for a reason — that the committee thinks I know what I’m doing — and use that responsibility in a way that serves the Hugos, the Worldcon, and most of all the generations of fans, thousands and thousands and thousands, from all over the world, who still respect our traditions and our awards.

 

Connie Willis

“Why I Won’t Be A Presenter at the Hugo Awards This Year” – April 14

And finally, to Vox Day, Brad Torgeson, and their followers, I have this to say:

“You may have been able to cheat your way onto the ballot. (And don’t talk to me about how this isn’t against the rules–doing anything except nominating the works you personally liked best is cheating in my book.) You may even be able to bully and intimidate people into voting for you. But you can’t make me hand you the Hugo and say “Congratulations,” just as if you’d actually won it. And you can’t make me appear onstage and tell jokes and act like this year’s Hugo ceremony is business as usual and what you’ve done is okay. I’m not going to help you get away with this. I love the Hugo Awards too much.”

 

Larry Correia on Monster Hunter Nation

“George R. R. Martin responds” – April 14

[Larry Correia] Okay. Then don’t accept our version. Go read reporter Damien Walter’s account in the Guardian about my sexist homophobic campaign to steal the Hugos last year. (by the way, how did he know about my nomination before it was announced?) Or go read his account in the Guardian where he libeled Toni Weisskopf. Or go read Entertainment Weekly, the Telegraph, Salon, Slate or the many other places where I’m a racist white guy from earlier this week.

Of course we tweak their words around to mock them, because bullies hate that.  You have to have fun with this stuff, or it’ll drive you nuts.

[GRR Martin] Take this “Wrongfan” moniker I now see popping up on Puppy sites. Neither I nor any of the other SMOFs or trufans or worldconners that I know have ever called you or your friends “wrongfans.” You guys made that up and applied it to yourself.

Damn right we did. I’m pretty sure I invented the word Wrongfun to describe how the perpetually outraged crowd on Twitter was perpetually offended that somebody somewhere was having fun wrong.

Let me give you an example of wrongfun. After my last letter to you went public I had three or four people concern trolling me on Twitter because I used the term “Twitter Lynch Mob” to describe a well-known type of behavior. They’re perched like falcons, waiting for somebody to transgress, so that they can swoop in and feel superior. If you use the wrong words, play the wrong games, read the wrong books, wear the wrong shirt, they’ll be there. These people are always looking for an excuse to shake their fingers at you for having fun wrong, hence the term, Wrongfun.

So when Teresa Nielsen Hayden (who somehow knew that SP3 had 3/5 of the best novel nominations before they were announced) started going off about us, and how we were outsiders, my people took Wrongfun and turned it into Wrongfan. I don’t recall who did that, but it was funny, and it made my people laugh, so it stuck.

Words are awesome like that. I do find it ironic that you don’t approve of my people making up words to describe the world as they see it, in the same sentence that you speak of SMOFs, Trufans, and Worldconners.

 

Kalimac on Kalimac’s Journal

“Hugonian Politics” – April 14

I think there are two courses of action here.

1) You can try to rewrite the rules to ban slates. I don’t think you will succeed. Slate advocates will find a way around the rules. Maginot line. The fathers of the U.S. Constitution thought they had eliminated political parties, and they were pretty smart guys, but in that respect they failed.

2) Or you can form a counter-slate. Many people are doing so, even among those who claim to oppose a counter-slate. They’re launching a campaign to vote for No Award. That doesn’t help them with next year’s nominations, but for the current election, No Award is their counter-slate candidate, whether they think of it as one or not.

 

Naomi Kritzer on Will Tell Stories For Food

“Vox Day’s involvement in the Sad Puppies Slate”  – April 13

So, hey. Obviously, whatever else the ELoE is, it’s an informal organization; it’s partly an in-joke and an amusing self-chosen nickname for a clique of friends. But here’s what I feel pretty confident about:

  1. This particular Evil League of Evil is Larry Correia, John C. Wright, Sarah Hoyt, and Vox Day. When Larry Correia talks about the ELoE, he doesn’t use the term like it’s a joke; he uses it as a straightforward shorthand for his clique. Vox Day is a member of the clique. In fact, the origination of the name for the clique came out of an indignant rejection of the idea that Wright might consider distancing himself from VD.
  2. Larry Correia said that the ELoE discussed and “came up with” the names and works on the SP slate.
  3. Larry Correia said that that VD “isn’t even on the slate” but I did not see anywhere that he said that VD had nothing to do with choosing the slate, and if he made that claim at this point, I guess I’d like him to unpack his previous statements about the ELoE’s involvement.

 

Michael Stackpole on Stormwolf.com

“Why Puppies Are Sad and Always Will Be” – April 14

To me, the oddest part about the Rabid Puppies and their lamenting that they don’t get awards is that they’re pointing to the wrong reason why they’re left out in the cold. It’s not because they’re an oppressed minority. It’s because they don’t write the kind of work that gets awards. The Hugo, Nebula and World Fantasy awards have traditionally been handed out to new voices addressing new ways of telling stories, addressing new issues and new technology. When geographical bias is factored out of the awards, over and over again they go to works which are imaginative, well-written and, more often than not, of diminished popularity. After the fact they might become classics, but their more-likely fate is to go out of print despite having won an award.

I’ve been working in this field since 1988 (when my first two novels came out). I’ve never been short-listed for an award of any sort in the field. Why? Because I write series fiction. Because I write fantasy. Because I write military SF. Because I write franchise fiction. I’ve been just as solidly frozen out by the literary establishment as any of the puppies, but it doesn’t bother me.

Why not?

1) Awards don’t move the needle on sales.

2) I can’t eat awards.

3) Awards are not a referendum on quality of writing.

4) Awards reflect notoriety during a mote of time, neither conferring immortality nor success upon the recipients.

5) Readers who only read or respect award-winning authors and their work are outside my target demographic: that being people who want to read a rousing good tale that, maybe, will allow them to reflect on an issue or conundrum now and again.

 

Laura Mixon

“Standing in the Borderlands of Discourse” – April 13

I’ve spoken to an expert in the matter who has studied our case, who tells me that RH’s abuses (like Vox Day’s) are highly unlikely to stop by themselves, if she follows the trajectory of other people who act as she has. Over and over, for more than a decade, she has blown up communities by positioning herself as a victim and finding people to cover for her, who either feel they don’t have a right to criticize her, or are willing to overlook her behavior for the sake of other concerns.

That’s why I accepted the nomination, and why I continue to speak. The community is still at risk. A vote for me sends a clear signal that the community stands firm on this basic principle: that our politics can’t outweigh our humanity. That everyone has a fundamental right to be here, to engage in online and in-person discourse without being threatened with annihilation. We have to find a way—not to deny our own beliefs and experiences—but to talk across the divides.

I don’t have good answers for how we can help the center hold, but I do believe we need to rally as a community around a set of norms. A covenant of sorts. An agreement that, whatever the fractures in our community—whatever our disagreements—whatever personal circumstances brought us to this genre in the first place—at its heart, SFF has room for all of us.

 

John C. Wright in a comment on George R.R. Martin’s Not A Blog

Sir, you commented “John C. Wright SIX TIMES!!! John C. Wright, a writer famed far and wide for having no opinions on politics, race, religion, or sexual orientation, and would never dream of injecting such messages into his Damned Good Stories.”

I assume here you are being ironic, and stating that I do indeed put messages into my fiction.

However, we have worked together in the past. You edited the anthology SONGS OF THE DYING EARTH in which my short story, ‘Guyal the Curator’ appeared.

Were there or were there not pro-conservative messages in that story? You may not recall it, but I know you read it.

If, since you are an honest man, you will say that story had no overt political message in it, on what grounds do you assume I put overt political messages in my other stories?

In other words, you are accusing me of hypocrisy, I, who have never said a bad word about you in public or private to anyone, and who have always hitherto held you in the highest esteem. What is the factual basis for the accusation please?

If there is no factual basis, why make the accusation?

 

George R.R. Martin replying to John C. Wright’s comment on Not A Blog – April 14

Actually, I don’t recall “accusing” you of anything. I was pointing out that the Sad Puppy stance against “message fiction” rang kind of false when they nominate someone (six times) who has lots of “message” in his fiction. It would have been more honest for the Pups to say they don’t want liberal/ feminist/ “SJW” / socialist/ atheist/ etc messages in their stories, but they think conservative, libertarian, and Christian messages are just dandy.

Truth be told, I think there are messages in every story, whether the author intended to put them in there or not. The things we write are invariably colored by the ways we see the world.

At this date, I don’t recall the details of your story in SONGS OF THE DYING EARTH. I would need to review it. Yes, of course I read it. I bought it. I liked it. You knew your Vance, and captured the Dying Earth quite well.

Jack Vance himself was quite conservative, as you may or may not know, and grew even more so in the last years of his life. You can see it in some of his stories, though it requires careful reading; he never stopped a story for a lecture. Vance is only one of many conservative SF authors that I hold in high esteem. Actually, Vance is probably my favorite SF writer, and as a fantasist I rank him up there with Howard, Leiber, and Tolkien.

I also like Heinlein, Kipling, Niven & Pournelle, Lovecraft, Blish… I love Poul Anderson. That does not mean I believe there were no messages in their fiction. That also does not mean I agree with those messages. They wrote great stories.

What annoys me is the Sad Puppy stance that liberal writers are producing “message fiction” while guys on their ticket are just writing Ripping Good Yarns untroubled by politics or opinions.

 

Brad Templeton on Brad Ideas

“Second musings on the Hugo Awards and the fix”  – April 13

To deal with the current cheating and the promised cheating in 2016, the following are recommended.

  1. Downplay the 2015 Hugo Award, perhaps with sufficient fans supporting this that all categories (including untainted ones) have no award given.
  2. Conduct a parallel award under a new system, and fête it like the Hugos, though they would not use that name.
  3. Pass new proposed rules including a special rule for 2016
  4. If 2016’s award is also compromised, do the same. However, at the 2016 business meeting, ratify a short-term amendment proposed in 2015 declaring the alternate awards to be the Hugo awards if run under the new rules, and discarding the uncounted results of the 2016 Hugos conducted under the old system. Another amendment would permit winners of the 2015 alternate award to say they are Hugo winners.
  5. If the attackers gave up, and 2016’s awards run normally, do not ratify the emergency plan, and instead ratify the new system that is robust against attack for use in 2017.

 

Noah Ward on Sad Puppies

“Enemies of the Revolution Resort to Underhanded Tactics” – April 14

Some may believe that with the nominations announced, the hardest part of our campaign has already been accomplished and all that remains is to coast to victory, but recent events prove the need for continuing vigilance. The eligibility committee at Sasquan has today disqualified two of our works from the final ballot based upon minor technicalities! They did this even though last year they permitted the entirety of the Wheel of Time, the first volume of which was published when the Soviet Union was still a going concern, to be nominated, with free copies of the entire series distributed to voters. In so doing they severely undermined Larry Correia’s Warbound by admitting an entire series that attracted votes away from the Sad Puppies base of adventure-loving readers.

 

David Gerrold on Facebook – April 14

Once again, I have to remind people that I have the name “Noah Ward” as a legally registered pseudonym with the WGAW.

People using that name are doing so without my authorization.

I’m not saying this to spoil anyone’s fun, but to protect my legal rights as well as to make sure that no one thinks I am behind the various “Noah Ward” pages and sites.

 

Heraldic Arms of the Hugo Justice Workers (c) 2015 by Moshe Feder

Heraldic Arms of the Hugo Justice Workers (c) 2015 by Moshe Feder

Heraldic Arms of the Hugo Justice Workers © 2015 Moshe Feder All Rights Reserved

Permission for reuse is granted to anyone fighting to restore and preserve the traditional fair play of the Hugo Awards and to send the Sad Puppy and Rabid Puppy vandals back to their noisome kennels.

“I will fear no puppies.”