(1) HWA YIELDS TO SAFETY CONCERNS. This year’s StokerCon will be virtual: “StokerCon™ 2021 Special Announcement”. The virtual event will keep the announced May 20 to 23 dates. Next-year’s in-person event will take place in Denver at the same hotel they intended to use in 2021.
The Horror Writers Association has made the difficult decision to shift StokerCon™ 2021 from an in-person event to a virtual platform during its originally scheduled May 20 to 23 dates. With the ongoing pandemic, the emergence of viral variants, and the broad range of travel obstacles around the world, we have deemed this to be the safest, most responsible way to hold the event.
As might be expected with an event of this size, switching to a virtual footing poses many challenges, but Con co-chairs, James Chambers and Brian Matthews; HWA President, John Palisano; Vice President, Meghan Arcuri; Administrator, Brad Hodson; and the officers and trustees of the HWA Board have made significant progress in executing this change. Our hope is to preserve the spirit of StokerCon™ and create an event that will resemble as closely as possible our usual programming—panels, presentations, interviews, author readings, ceremonies, and the Bram Stoker Awards® presentation. At this time our plans include the Ann Radcliffe Academic Conference, Librarians’ Day, Horror University, and the Final Frame Film Competition. And while we won’t be able to gather in the same place, all attendees of this virtual StokerCon™ will receive—or, outside the U.S., have the option to receive—a printed copy of the beautiful souvenir book created and edited by Josh Viola and HEX Publishing….
(2) BOSKONE’S INTERVIEW SERIES. Boskone 58, to be held February 12-14 has been running a series of interview posts.
…If you were planning a holiday or vacation and could visit any location, whether in the real world or fictional worlds, where would you go? Why?
I love portal fantasies. I always dreamed of the doors in other peoples’ writing and of walking through those doors into enchanted lands. Then I wrote my own. I now want to visit the house in Borderlanders and travel to strange places. I seldom want to visit anywhere I’ve written about, for I know all the downsides of all the places, but doors that lead to hidden seas or to rooms lined with liquid glass? That’s different.
…Hour of the Wolf premiered in early 1971, somewhere between January and early March. I was to engineer the majority of her programs. Adler came up with the title,taken from the 1967 Ingmar Bergman film of the same name starring Liv Ullman and Max von Sydow. Initially there was no consistent opening music theme until early 1972, when we saw the environmentally-aware science fiction movie Silent Running. The best thing in the film (IMO) was the fabulous soundtrack by Peter Schickele of P.D.Q. Bach fame. There is a grand scene in the movie in which we see small robots caring for and watering the last trees in existence; the camera then pans out to an exterior perspective showing us that this is one of many ships set up as environmental domes. The name of this music is “The Space Fleet,” and once we found a copy in a bin in a 69-cent store, it became the official theme music of the show….
…In 1973, Margot and I both passed the entrance qualifications for the Clarion West Science Fiction Writers Workshop — an intense six-week seminar that featured a different teacher each week that was a veritable Who’s Who of progressive writing in the era. I could not afford to go to Seattle for that long, much less the entrance fee, plane fare, and room and board. Furthermore, Margot told me if I could not go, I would take over Hour of the Wolf in her absence. And that’s what happened. When Margot came back, she was offered a 7-9 AM slot twice a week, which fit her schedule better, and it was agreed that I would stay over after Hour of the Wolf and engineer her show as well….
… Every single time we start talking about who the next Doctor should be, people invariably start suggesting names so absurd and unlikely that you have to wonder if they’ve recently returned from a parallel universe, where appearing in a popular British sci-fi series is the pinnacle of creative and financial achievement.
Tilda Swinton? Richard Ayoade? Idris Elba? If people seriously think these sort of names are realistic, they haven’t been paying attention to the way the show is made, or its demands. It’s like watching the judges on The Masked Singer confidently predicting that Brad Pitt has decided to dress up as a talking clock and sing ballads on ITV primetime – while technically possible, not a suggestion that anyone could really take seriously….
(5) PRO TIPS. Lou J. Berger drew on his 15 years of experience for this writing advice on Facebook.
… The second bit of advice is to write for yourself, first and foremost. If you are changing your manuscript because you know exactly how each of your critique partners will judge it, see the above advice about finding a new group. The value of a strong critique group will ALWAYS be better than writing in a vacuum. Unless there’s toxicity. Then get the hell out, immediately.
Writing for yourself means that you write something you want to read. And when you read it through other people’s eyes, you are catering to another person’s will. We’ve been through enough in our lives, bending to the will of others. Don’t let your prose get sullied by that same desperate need to conform. It is in the writing of your HEART that you will find release, and the passions that stir you, in the quiet hallways of your own mind, deserve the treatment that only you, and you alone, can give them. Write your HEART and let the others be damned. If there’s one thing in this godforsaken world that you can lay claim to, it is your innermost, private thoughts, and they shall always be yours, the true essence of what makes you unique….
(6) MEDIA BIRTHDAY.
February 7, 1992 — The Ray Bradbury Theater aired “The Utterly Perfect Murder” episode. Based on a short story by Bradbury, it concerns the long anticipated revenge of a boy tormented in his childhood who now thinks he has plotted the utterly perfect murder. It’s directed by Stuart Margolian, and stars Richard Kiley, Robert Clothier and David Turri. You can watch it here.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born February 7, 1478 – Sir Thomas More. Recognized as a saint in the Catholic Church. Renowned among us for Utopia, which would be just fine if we read it carefully enough to realize that, as Lafferty had a fictional TM repeat in Past Master, it’s a satire. (Died 1535) [JH]
Born February 7, 1812 – Charles Dickens. Many of us know “A Christmas Carol”, with ghosts; he wrote fourscore more fantastic stories, among much else he is still famous for; some say he believed the end of Mr. Krook in Bleak House was possible, others call it fantasy. I can’t let CD’s greatness go without saying, but it’s mostly outside our field. (Died 1870) [JH]
Born February 7, 1883 – John Taine. A dozen novels, three shorter stories. Under another name he earned a Ph.D., taught math at Cal Tech, wrote Men of Mathematics which he wanted to entitle The Lives of Mathematicians, and several others, The Queen of the Sciences, The Handmaiden of the Sciences, The Development of Mathematics, Mathematics: Queen and Servant of Science, of substantial literary ability in this subject which is far easier to do than to write prose about. (Died 1960) [JH]
February 7, 1908 — Buster Crabbe. He played the lead roles in the Tarzan the Fearless, Flash Gordon, and Buck Rogers series in the Thirties, the only person to do so although other actors played some of those roles. He would show up in the Seventies series Buck Rogers in the 25th Century as a retired fighter pilot named Brigadier Gordon. (Died 1983.) (CE)
Born February 7, 1913 – Henry Hasse. His superb “He Who Shrank” is in the superb Healy-McComas anthology Adventures in Time and Space. Since this is File 770, I’ll note HH is named co-author of Ray Bradbury’s “Pendulum”, Sep 41 Super Science Stories, which I understand is RB’s first publication in a prozine. A story “The Pendulum” appeared in the Fall 39 Futuria Fantasia, RB’s fanzine. The Kent State Univ. Collected Stories of RB vol. 1 lists both: do you know how they differ? I can’t get at these sources just now. But we digress. One novel; twoscore more shorter stories, two with RB, two with Emil Petaja, two with Albert de Pina. (Died 1977) [JH]
Born February 7, 1921 – John Baltadonis. Today is the hundredth birth-anniversary of this fannish giant (he was in fact 6’2″ [1.9 m] tall). See the note about him yesterday, No. 6 in the Pixel Scroll. Don’t neglect his fanart; we did during his life, he never had enough Best Fanartist nominations even to reach the Hugo ballot. [JH]
February 7, 1949 — Alan Grant, 72. He’s best known for writing Judge Dredd in 2000 AD as well as various Batman titles from the late 1980s to the early 2000s. If you can find it, there’s a great Batman / Judge Dredd crossover “Judgement on Gotham” that he worked on. His recent work has largely been for small independents including his own company. (CE)
February 7, 1950 — Karen Joy Fowler, 71. Michael Toman in a letter to our OGH asked we note her Birthday as he has a “A Good Word for one of his favorite writers” and so do I. Her first work was “Recalling Cinderella” in L Ron Hubbard Presents Writers of the Future, Vol I. Her later genre works are Sarah Canary, the Black Glass collection and the novel The Jane Austen Book Club, is not SF though SF plays a intrinsic role in it, and two short works of hers, “Always” and ““The Pelican Bar” won significant Awards. Her latest genre novel, We Are All Completely Beside Ourselves, is being adored far and wide. (CE)
February 7, 1952 — Gareth Hunt. Mike Gambit in The New Avengers, the two-season revival of The Avengers that also starred Joanna Lumley as Purdey and Patrick Macnee as John Steed. Quite excellent series. He was also Arak in the Third Doctor story, “Planet of The Spiders”. (Died 2007.) (CE)
February 7, 1955 — Miguel Ferrer. You likely best remember him as OCP VP Bob Morton in RoboCop who came to a most grisly death. Other notable genre roles include playing FBI Agent Albert Rosenfield on Twin Peaks and USS Excelsior helm officer in Star Trek III: The Search for Spock. In a very scary role, he was Director of Hatcheries and Conditioning in Brave New World. Lastly I’d like to note that he did voice work in the DC Universe at the end of his life, voice Martian Manhunter (J’onn J’onzz) in Justice League: The New Frontier and Deathstroke (Slade Joseph Wilson) in Teen Titans: The Judas Contract. (Died 2017.) (CE)
February 7, 1960 — James Spader, 61. Most recently he did the voice and motion-capture for Ultron in Avengers: Age of Ultron. No, I did not enjoy that film, nor the Ultron character. Before that, he played Stewart Swinton in Wolf, a Jack Nicholson endeavor. Then of course he was Daniel Jackson in Stargate, a film I still enjoy though I think the series did get it better. He also plays Nick Vanzant in Supernova andJulian Rome in Alien Hunter. (CE)
Born February 7, 1990 – Jessica Khoury, age 30. Seven novels. “Read as much as you can, in as many genres as you can. Read insatiably. Read ingredients on your food. Read warning labels on heavy machinery. Read the newspaper, read magazines, read manga”. [JH]
Last week, reported The Hollywood Reporter, a near-mint copy of the Batman No. 1 comic, published in 1940, “sold as part of Heritage Auction’s comics and comic art events. … The final price was $2,220,000, which included the buyer’s premium fee.” Just in case you’re worrying about how you’re going to pay your monthly health insurance premium or children’s college tuition, that number, to repeat, was $2,220,000—a record for “the most expensive Batman comic ever sold.”
Does that mean that other comic books have sold for more? Well, according to Helen Stoilas in The Art Newspaper, “The rare 1940 issue, which marks the first appearance of the Joker and Catwoman, is the second most-expensive comic book ever sold. Even before the live sale opened on Thursday [Jan. 14], the start of Heritage’s four-day Comics and Comic Art event, online pre-bidding for the comic book had shot up to $1.9 million. Its sale of $2.22 million, to a U.S. bidder on the auction house’s online HA Live platform, knocked out the previous Batman record holder, a copy of 1939’s Detective Comics #27, which introduced the character to the world and sold for $1.5 million at Heritage this past November.”
(10) THROWBACK TEAM. “Justice Society: World War II” on YouTube is a trailer for a new WB cartoon about the original matchup of DC superheroes.
It’s a world of corsets, stays and chemises. Of weskits, bum rolls, breeches and hoop panniers. For actors, wearing period costume has long meant literally stepping into the past: lacing soft modern flesh into antique shapes and learning how to use the toilet without peeling off multiple layers.
“Bridgerton,” Shonda Rhimes’s racially diverse Netflix series set in 1813 England, has suddenly ignited new interest in Regency fashions. But a global community of hobbyists has been designing, making and wearing clothing from the 19th century and earlier for many years. Long a private obsession fueled by films like “The Leopard” and “Pride and Prejudice,” social media has widened the conversation, with fans of all ages and backgrounds worldwide now trading notes on how best to trim a sleeve or adjust a straw bonnet.
Pre-pandemic, they gathered in Los Angeles at Costume College, an annual conference, at Venice’s Carnival and the Fêtes Galantes at Versailles. Some lucky Europeans, like Filippa Trozelli, find themselves invited to wear their historical clothing to private parties at ancient local estates….
A USS Enterprise and Deep Space Nine themed cat tree: it’s what every Star Trek loving feline owner’s home has been missing. And now thanks to Etsy seller CE360designs, you can finally fill that void with a custom Star Trek Enterprise 1701D and DS9 Wood Cat Tower. You know they say good things come in small packages, but I imagine this box being on the larger side.
According to the sales copy, “The bottom is a wormhole but can be a Borg ship.”
A laser-light sensor that can identify bacteria in a wound may sound far-fetched, but it’s already becoming a reality, thanks in part to NASA’s Mars Exploration Program. The technology is going to Mars for the first time on Perseverance, which will touch down on the Red Planet in February, but it’s already detecting trace contaminants in pharmaceutical manufacturing, wastewater treatment, and other important operations on Earth.
That’s not the only technology headed to Mars that’s already paying dividends on the ground. Here on Earth, these innovations are also improving circuit board manufacturing and even led to a special drill bit design for geologists….
Researchers at the University of Maryland have turned ordinary sheets of wood into transparent material that is nearly as clear as glass, but stronger and with better insulating properties. It could become an energy efficient building material in the future.
Wood is made of two basic ingredients: cellulose, which are tiny fibres, and lignin, which bonds those fibres together to give it strength.
Tear a paper towel in half and look closely along the edge. You will see the little cellulose fibres sticking up. Lignin is a glue-like material that bonds the fibres together, a little like the plastic resin in fibreglass or carbon fibre. The lignin also contains molecules called chromophores, which give the wood its brown colour and prevent light from passing through.
Early attempts to make transparent wood involved removing the lignin, but this involved hazardous chemicals, high temperatures and a lot of time, making the product expensive and somewhat brittle. The new technique is so cheap and easy it could literally be done in a backyard….
In each episode, we perform a reading and discussion of his works with a special guest. Avram Davidson (1923–1993) was a writer of fantasy, science fiction, and crime fiction. Davidson was born in Yonkers, NY and and served in the Navy during World War II. His life work includes 19 novels and over 200 short stories, all of which have been widely recognized for their wit and originality. Davidson’s works have won awards in three genres: an Edgar Award for mystery, a Hugo Award for science fiction, and three World Fantasy Awards.
(17) VIDEO OF THE DAY. In “Professor Layton” on Honest Game Trailers, Fandom Games says that while Professor Layton is “the world’s worst Sherlock Holmes cosplayer” the game’s many quizzes should appeal to fans of “anime, Agatha Christie, and people who enjoy the puzzle section in the newspaper.”
[Thanks to Andrew Porter, Michael Toman, JJ, Will R., Darrah Chavey, Martin Morse Wooster, John King Tarpinian, John Hertz, Mike Kennedy, Michael J. Walsh, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]
The groups say the merger between Bertelsmann’s Penguin Random House (PRH) and Simon & Schuster would create an unbalanced industry with one grossly outsized company, which, among other things, will inevitably lead to less competition for authors’ manuscripts. The takeover would, for instance, result in Bertelsmann controlling a 70% market share in the literary and general fiction market in the United States. Bertelsmann would also control 70% of the action and adventure, horror, political, legal, medical, erotica, and coming-of-age submarkets and 60% of biography.
The letter notes that Bertelsmann’s case for taking over Simon & Schuster is the various threats to its business posed by Amazon’s monopoly over book sales, and Amazon’s increasing power over book publishing, printing, warehousing and many other activities. However, while the writers groups agree that Amazon’s monopoly poses a variety of threats, they contend that the strategy of attempting to address dangerous monopolies by building countervailing monopolies has already been tried and failed.
The Department [of Justice] adopted precisely such an approach in 2013 when it approved Bertelsmann’s takeover of Penguin – even though that deal reduced the ranks of top-tier trade publishers from six to five. The fact that Bertelsmann is now proposing another giant deal clearly proves that the previous concentration of power was not sufficient to counterbalance Amazon’s monopoly and create a more level playing field.
What a Bertelsmann acquisition of Simon & Schuster would do, however, is increase the already huge pressures on the remaining larger publishers to compete with the outsized company on manuscripts, distribution, printing, and procurement. Many predict that the remaining three of the current “Big 5” will be forced to merge with each other to stay in the game, leaving the United States – a powerful and diverse nation of 330 million people – with two dominant publishers.
As was true last year when the Department blocked Quad/Graphics takeover of LSC, Bertelsmann’s acquisition of Simon & Schuster is a threat to democracy and must be stopped.
But the time has also come to recognize that simply blocking takeovers is no longer sufficient. The Department of Justice must begin today to proactively restructure the entire U.S. market for books in ways that also deal with the danger posed by Amazon. In this way alone will the Department fulfill its mission of protecting the interest of the public as a whole, and of every reader and author in the United States, from dangerous concentrations of power and control over America’s authors, editors, booksellers, and readers, and over public debate itself.
According to Publishers Weekly, “PRH execs argue that, once ViacomCBS put S&S up for sale in the spring, the odds were good that the trade publishing industry was in for another round of consolidation, and that PRH is the best positioned to implement a smooth transition.”
If regulators approve, the deal is expected to be completed this year.
Green, Misha – Lovecraft Country, Season 1, Episode 1: “Sundown” (Affeme, Monkeypaw Productions, Bad Robot Productions, Warner Bros. Television Studios)
Green, Misha and Ofordire, Ihuoma – Lovecraft Country, Season 1, Episode 8: “Jig-a-Bobo” (Affeme, Monkeypaw Productions, Bad Robot Productions, Warner Bros. Television Studios)
James, Natalie Erika and White, Christian – Relic (AGBO, Film Constellation, IFC Midnight)
LaManna, Angela – The Haunting of Bly Manor, Season 1, Episode 5: “The Altar of the Dead” (Intrepid Pictures, Amblin Television, Paramount Television Studios)
Weekes, Remi – His House (Regency Enterprises, BBC Films, Vertigo Entertainment, Starchild Pictures)
Whannell, Leigh – The Invisible Man (Universal Pictures, Blumhouse Productions, Goalpost Pictures, Nervous Tick Productions)
Superior Achievement in a Poetry Collection
Borski, Robert – Carpe Noctem (Weird House Press)
Brandeis, Gayle – Many Restless Concerns (Black Lawrence Press)
Clarke, Cassandra Rose – Sacred Summer (Aqueduct Press)
Crum, Amanda – The Day You Learned To Swim (Self-Published)
Manzetti, Alessandro – Whitechapel Rhapsody: Dark Poems (Independent Legions Publishing)
McHugh, Jessica – A Complex Accident of Life (Apokrupha)
Murray, Ronald J. – Cries to Kill the Corpse Flower (Bizarro Pulp Press)
Pelayo, Cynthia – Into the Forest and All the Way Through (Burial Day Books)
Sng, Christina – A Collection of Dreamscapes (Raw Dog Screaming Press)
Tantlinger, Sara – Cradleland of Parasites (Rooster Republic Press)
Superior Achievement in an Anthology
Bailey, Michael and Murano, Doug – Miscreations: Gods, Monstrosities & Other Horrors (Written Backwards)
Cagle, Ryan and Jenkins, James D. – The Valancourt Book of World Horror Stories, Volume 1 (Valancourt Books)
Flynn, Geneve and Murray, Lee – Black Cranes: Tales of Unquiet Women (Omnium Gatherum Media)
Givens Kurtz, Nicole – Slay: Stories of the Vampire (Mocha Memoirs Press)
Kelly, Michael – Shadows & Tall Trees 8 (Undertow Publications)
Kolesnik, Samantha – Worst Laid Plans: An Anthology of Vacation Horror (Grindhouse Press)
Neal, David T. and Scott, Christine M. – The Fiends in the Furrows II: More Tales of Folk Horror (Nosetouch Press)
Rector, Jeani and Wild, Dean H. – The Horror Zine’s Book of Ghost Stories (HellBound Books Publishing, LLC)
Tantlinger, Sara – Not All Monsters: A Strangehouse Anthology by Women of Horror (Rooster Republic Press)
Yardley, Mercedes M. – Arterial Bloom (Crystal Lake Publishing)
Superior Achievement in Non-Fiction
Florence, Kelly and Hafdahl, Meg – The Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films (Skyhorse)
Glasby, Matt – The Book of Horror: The Anatomy of Fear in Film (White Lion Publishing)
Heller-Nicholas, Alexandra – 1000 Women in Horror (BearManor Media)
Keene, Brian – End of the Road (Cemetery Dance Publications)
Kerestman, Katherine – Creepy Cat’s Macabre Travels: Prowling Around Haunted Towers, Crumbling Castles, and Ghoulish Graveyards (WordCrafts Press)
Peirse, Alison – Women Make Horror: Filmmaking, Feminism, Genre (Rutgers University Press)
Stallings, Courtenay – Laura’s Ghost: Women Speak About Twin Peaks (Fayetteville Mafia Press)
Waggoner, Tim – Writing in the Dark (Guide Dog Books/Raw Dog Screaming Press)
Weinstock, Jeffrey Andrew – The Monster Theory Reader (University of Minnesota Press)
Wetmore, Jr. Kevin J. – The Streaming of Hill House: Essays on the Haunting Netflix Adaption (McFarland)
Superior Achievement in Short Non-Fiction
Clasen, Mathias – “Why the World Is a Better Place with Stephen King in It: An Evolutionary Perspective” (Evolutionary Perspectives on Imaginative Culture) (Springer)
Clasen, Mathias; Johnson, John; Kjeldgaard-Christiansen, Jens; and Scrivner, Coltan – “Pandemic Practice: Horror Fans and Morbidly Curious Individuals Are More Psychologically Resilient during the Covid-19 Pandemic” (Personality and Individual Differences) (Elsevier)
Jackson Joseph, Rhonda – “The Beloved Haunting of Hill House: An Examination of Monstrous Motherhood” (The Streaming of Hill House: Essays on the Haunting Netflix Adaptation) (McFarland)
Pelayo, Cynthia – “I Need to Believe” (Southwest Review Volume 105.3)
Renner, Karen J. – “Degeneration through Violence: Stephen King’s Rage” (Children and Childhood in the Works of Stephen King) (Lexington Books)
Robinson, Kelly – “Hell is Other Mushroom People: Societal Decay in Matango” (Scary Monsters Magazine #117)
Robinson, Kelly – “Lost, Found, and Finally Unbound: The Strange History of the 1910 Edison Frankenstein” (Rue Morgue Magazine, June 2020)
Sng, Christina – “Final Girl: A Life in Horror” (Interstellar Flight Magazine, October 2020)
Waggoner, Tim – “Speaking of Horror” (The Writer)
Weinstock, Jeffrey Andrew – “What is IT? Ambient Dead and Modern Paranoia in It (2017), It Follows (2014), and It Comes at Night (2017)” (Horror Studies v.11, no.2)
The Horror Writers Association (HWA) has announced the recipients of the 2020 HWA Diversity Grants.
The grants were created because “The Horror Writers Association believes barriers—often unseen but very real—exist which limit the amount of horror fiction being published by diverse voices. The goal of these Grants is to help remove some of the barriers and let those voices be heard.” They are open to “underrepresented, diverse people who have an interest in the horror writing genre, including, but not limited to writers, editors, reviewers, and library workers. Like the Diverse Works Inclusion Committee, the Diversity Grants have adopted the broadest definition of the word diversity to include, but not limited to, gender, gender identity, race, ethnicity, sexual orientation, disabled, and neurodiverse.”
Supported by NoveList, LibraryReads, ARRT, and RA for All, each 2020 Grant is worth $500 and may be spent on approved expenses for a period of two years following the awarding of the Grant.
The 2020 grant recipients are —
Jacqueline Dyre (they/them) is the editor and publisher of Novel Noctule. You can find them in the sunshine state, drinking poorly-made coffee and consuming psychological horror in lieu of meals.
Oghenechovwe Donald Ekpeki (he/him) is a Nigerian speculative fiction writer, slush reader and editor. He has been awarded an honourable mention in the L Ron Hubbard’s Writers of the Future Contest, twice and won the Nommo award for best short story by an African with his short story The Witching Hour. He has been published in the Selene Quarterly, Strange Horizons, Tor, Omenana Magazine and other venues, and has works forthcoming in several anthologies and magazines. He has co-edited several publications, including the Dominion Anthology (2020), the Best of African Speculative Fiction Anthology and the Bridging Worlds non-fiction anthology, forthcoming in 2021. He is a first reader in The Magazine of Fantasy and Science Fiction, and a member of the African Speculative Fiction Society, Horror Writers Association, Codex, BSFA, BFA, and the SFWA.
Sumiko Saulson (they/them) is an award-winning author of Afrosurrealist and multicultural sci-fi and horror. Ze is the editor of the anthologies and collections Black Magic Women, Scry of Lust, Black Celebration, and Wickedly Abled. Ze is the winner of the 2016 HWA StokerCon “Scholarship from Hell”, 2017 BCC Voice “Reframing the Other” contest, and 2018 AWW “Afrosurrealist Writer Award.”
Ze has an AA in English from Berkeley City College, and writes a column called “Writing While Black” for a national Black Newspaper, the San Francisco BayView. Ze is the host of the SOMA Leather and LGBT Cultural District’s “Erotic Storytelling Hour.”
Nicole Givens Kurtz (she/her) is an author, editor, and educator. She’s a member of Horror Writers Association, Sisters in Crime, and Science Fiction Writers of America. She’s the editor of the groundbreaking Slay: Stories of the Vampire Noire. She’s written for White Wolf, Bram Stoker Finalist in Horror Anthology: Sycorax’s Daughters, and Serial Box’s The Vela: Salvation series. Nicole has over 40 short stories published as well as 11 novels and three active speculative mystery series. You can support her work via Patreon and find more about her at http://www.nicolegivenskurtz.net.
Tejaswi Priyadarshi (he/him) is a dreamer in the horror/thriller genre. He derives inspiration from Stephen King, Michael Crichton, Dean Koontz, Takashi Miike, Alexandre Aja, Eli Roth, Quentin Tarantino, and the Ramsay Brothers.
His first book The Psychopath, The Cannibal, The Lover was India’s first splatterpunk novel. It was released in July 2020, and has since remained on multiple bestselling charts, scaling its way up to be Amazon India’s highest rated Horror Thriller with 175+ ratings.
He is currently working on his second novel, trying to amalgamate Horror, Crime, Thriller, and Social Satire. You can often find him writing fiction at a bar counter, appreciating Independent Pop music gigs, and holding screenings of all sub-genres of horror/thrillers. However, nobody knows why he adamantly screens Purani Haveli so often. Email him at email@example.com if you want to discuss anything under the sun; “How to Prep for a Zombie Apocalypse” is his favorite topic, because, what if!
Gabino Iglesias (he/him) is a writer, editor, professor, and book critic living in Austin, TX. He is the author of Zero Saints and Coyote Songs and the editor of Both Sides. His work has been nominated to the Bram Stoker and Locus awards and won the Wonderland Book Award for Best Novel. His nonfiction has appeared in the New York Times and the Los Angeles Times. His fiction has been published in five languages and optioned for film. His reviews appear in places like NPR, Publishers Weekly, the San Francisco Chronicle, Criminal Element, Mystery Tribune, Vol. 1 Brooklyn, the Los Angeles Review of Books, and other venues. He’s been a juror for the Shirley Jackson Awards twice and has judged the PANK Big Book Contest, the Splatterpunk Awards, the horror category of the British Fantasy Awards, and the Newfound Prose Prize. He teaches creative writing at Southern New Hampshire University’s online MFA program and runs a series of low-cost online writing workshops. You can find him on Twitter at @Gabino_Iglesias.
(1) CHERRYH NOW CANCER FREE. C.J. Cherryh updated fans about her battle with colon cancer in a public Facebook post yesterday.
Long story in short, I’ve had cancer. I don’t, now, and scans show I’m well and truly rid of it. Found out in February, had surgery (colon cancer), started chemo in March, and thanks to a really great medical staff and good insurance, I finished chemo successfully, had a raft of scans and another round with my excellent GI doc, and am now clean and clear—not to be cavalier about it all. Chemo is rough. It’s done a number on general strength and it does age you a bit. Or more than a bit. So I know I’ve been in a fight and I look older than I did before this started, but I refuse to settle down and act older. I’ll be exercising to get my strength back.
I owe an immense amount to Jane, who’s had to do everything from cat box to general cookery and bottlewashing and all this with the handicap of Covid restrictions, while she’s had her own issue with a ferociously painful hip problem. I’d have been in a heckuva mess without her taking care of me.
Kudos to local friends who have brought us stuff and fixed stuff that was broken. Without you, we couldn’t have kept isolation and safety. One of us exposed is both of us in danger.
So Jane and I both had a forced hiatus from writing, and everything is about 8 months behind. Our publisher has been enormously understanding. We are officially getting back to work. We had the next Alliance book 3/4 finished when this happened, and we will likely be working together, too, on the next Foreigner book, just to get our heads firmly back in the game. So we’ll be late, but we do have a hall pass.
I kept this illness under wraps because there’s nothing anybody not in reach could do, and I had no ready answers to give anybody. But the outcome is the very best. And I would urge anybody out there to go get that postponed colonoscopy. This kind can be dealt with and prevented during a colonoscopy, so go do that, eh? I was lucky. Real lucky. A clinic NP, one of my regular docs and another NP combined saw my shortness of breath as, yep, something that had to be seen to….
… Though I watched “Raised by Wolves” to escape—tearing through the first five episodes in a single weekend—it threw my terrestrial problems into stark relief. I find the show transporting, corny, and unexpectedly relatable. As I watch, I can’t stop thinking about how much better a job the androids are doing than my husband and I and our own machines. “Mother is killing it,” I whispered admiringly during one episode, my fretful firstborn grinding her teeth in her bunk bed upstairs. Never mind that almost all the original children perished, that they eat fungus and sinister spuds and sleep under burlap. Never mind that Mother murders a lot of humans in Episode 1. It doesn’t matter. Mother and Father are there for the kids, and, in their android way, for each other….
…No, really. That’s it. That’s the whole story. This is the first Doctor Who story to be a single episode long. Not only that, it’s the first one in which neither the Doctor nor his companions make an appearance. I suppose he got his day off after all!
And to top it all off, this is the only episode so far in which the baddies win…
(4) HORROR U. The Horror Writers Association’s Horror University workshops, formerly only accessible in-person at StokerCon, are available online this fall at $50 for non-members and $40 for members per session. Coming up on the calendar:
2020 October 19 — Writing and Selling Short Stories
The short story market has never been healthier, and it can not only build your career and increase your professional income, it can also help you stretch as a writer. Short stories offer more creative opportunities than any other form of writing. We’ll discuss the short story structure, tips on finding killer opening hooks and powerful endings, strategies for finding paying markets, and much more. Recording? No
Instructor: Jonathan Maberry
2020 October 26 — Poetry Forms Workshop for All Writers
Not just for poets: a workshop to play with the different poetry forms to use less words to say more; heighten readers’ emotional reaction, clarify your style/voice and handle writing blocks. We will explore several poetry shapes and their rules to understand how they are created. Time will be available for attendees to practice writing, including creating writing “seeds.” Recording? Yes
Instructor: Linda D. Addison
2020 November 2 — The History of Ghosts
Are you ready to write a ghost story, but wish you knew a little more about the history of your spectral protagonist? Lisa Morton, author of the acclaimed Ghosts: A Haunted History and Calling the Spirits: A History of Seances is here to help, with a one-hour illustrated presentation that looks at the classical history of ghosts, ghosts in the Middle Ages, paranormal beliefs around the world, and modern hauntings. You’ll hear some chilling real-life ghost stories, and probably learn a few new things about these visitors from beyond. Recording? Yes
Instructor: Lisa Morton
2020 November 9 — Done to Death
With novels on the bestseller lists and movies winning Academy Awards, the horror genre is hotter than ever. But if you want your fiction to stand out from the pack, you need to do more than offer readers retreads of well-worn stories of monsters, ghosts, and demons. You need to write horror that’s original and captivating – horror only you can write. This workshop will teach you how to avoid clichés when writing horror and dark fantasy and create stories that are fresh and exciting. Recording? Yes
… It would be wrong to say that The Trial is “really” about antisemitism, as if the work’s many other theological and political dimensions were unreal. But it was his experience of being a modern European Jew at a time of profound Jewish crisis that gave Kafka such an immediate experience of the alienation and isolation, the helplessness and guilt, that would become central to the experience of so many people in the 20th century. Jewishness, he suggests, is not a unique fate but an extreme one, which equips the writer — at least, when the writer is Kafka — to see truths too terrible for most people to recognize until it is too late.
Onyebuchi’s first book for adults is about police brutality, being Black in the United States, and family. It begins with the 1992 L.A. Riots (which give the book part of its title), but it doesn’t stop there. Instead, it plows right past us into a near-future alternate reality. With its multifaceted exploration of incarceration and systemic racism, it couldn’t be more timely. It’s a beautiful and powerful book that uses sci-fi to address the very dystopian elements of today’s sociopolitical landscape. You should read it. Now.
…Roanhorse has created an epic adventure [Black Sun (Gallery/Saga), the first book in the Between Earth and Sky trilogy] exploring the decadence of power amidst the weight of history and the struggle of individuals swimming against the confines of society and their broken pasts in the most original series debut of the decade. Roanhorse will be joined in conversation by Tochi Onyebuchi, author of Riot Baby and War Girls.
(8) JANET FREER OBIT. Janet Freer, a literary agent for leading New Wave sf writers and others, has died at the age of 89. Her daughter wrote in The Guardian:
…Janet began work as a commercial artist before starting her publishing career in London around 1962. She spent several years in the sales department at Panther Books and then joined Scott Meredith Literary Agency for a short while before setting up her own agency. Janet Freer Literary Agency specialised in SF/fantasy and represented new-wave SF writers such as Michael Moorcock, Harlan Ellison, Christopher Priest and Thomas M Disch, and others associated with the SF magazine New Worlds in the60s.
In the early 70s, Janet joined Michael Bakewell and Diana Tyler at MBA Literary Agents. She represented an impressive list of authors during that time, including Anne McCaffrey, Anne Perry and Ursula K Le Guin for the UK market.
(9) MEDIA ANNIVERSARY.
Sixteen years ago, Kage Baker’s “The Empress of Mars” novella won the Theodore Sturgeon Award and was nominated for the Hugo Award for Best Novella (Vernor Vinge‘s “The Cookie Monster“ would win) as well as the Nebula Award for Best Novella which was won by Eleanor Arnason’s “The Potter of Bones”. It was first published in the July 2003 issue of Asimov’s Science Fiction. It would be expanded into a novel five years later. You can hear Kage reading it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born October 11, 1782 – Steen Blicher. Pioneer of the novella in Danish; “the first of Danish literature’s great storytellers … one of [its] few tragic poets” (Baggesen, Blicher’s Short Stories, 1965) (in Danish). “The Rector of Veilbye” (1829, English 1907, named to the Cultural Canon of Denmark 2006) has implied supernatural elements, see here. (Died 1848) [JH]
Born October 11, 1922 – Garry Edmondson. A dozen novels for us, as many shorter stories. Also Westerns. Wrote under several names besides his own José Mario Garry Ordoñez Edmondson y Cotton. A Marine in World War II. Spoke six languages. Gardner Dozois called The Ship That Sailed the Time-Stream a classic. (Died 1995) [JH]
Born October 11, 1940 — Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.) (CE)
Born October 11, 1944 – Julek Heller, 76. Eighty covers, fifty interiors. Here is The Titus Books. Here is a Robinson Crusoe. Here is a Sleeping Beauty piano picture-book. Here is an Enchanted Horse. Here is an interior for Jack and the Beanstalk. [JH]
Born October 11, 1945 – Gay Haldeman, 75. Master’s degrees in Spanish Literature and in Linguistics. Taught thirty years at the Mass. Inst. Tech. Writing Center. Toastmaster at ConFusion 1981 (“Nine Billion Names of ConFusion”), 1992 (“Hardwired ConFusion”). Guest of Honor (with husband Joe) at e.g. Finncon 2007, ICON 43. Skylark award. Big Heart, our highest service award. Here she is on a panel at the 60th Worldcon looking back at the 26th. [JH]
Born October 11, 1949 — Sharman DiVono, 71. She was the primary writer of the Star Trek comic strip from a year in the early Eighties. She’s written a number of other strips such as Pebbles and Bamm-Bamm The Man from Planet X and Tarzan. She has written for three animated series — G.I. Joe, Bill & Ted’s Excellent Adventures and Star Wars: Droids. She’s written one genre novel, Blood Moon. (CE)
Born October 11, 1960 — Nicola Bryant, 60. Well-known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course, she’s done Big Finish Doctor Who audio dramas. (CE)
Born October 11, 1965 — Sean Patrick Flanery, 55. I think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. He appeared as Jake Greyman in Demon Hunter, a low budget horror film, and as John in The Evil Within. (CE)
Born October 11, 1972 — Claudia Black, 48. Best remembered for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in the Containment series. (CE)
Born October 11, 1972 – Nir Yaniv, 48. Author, editor, musician, filmmaker. Founded the Webzine for the Israeli Society for Science Fiction & Fantasy. A novel, ten shorter stories. See this Strange Horizons interview with him about The Universe in a Pita. [JH]
Born October 11, 1976 — Emily Deschanel, 43. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. (CE)
Born October 11, 1984 – Jaymin Eve, 36. Eight novels with Leia Stone (Anarchy a USA Today Best Seller), five and a novella with Jane Washington, a score solo, in nine universes. Paranormal fantasy. More outside our field. “I grew up in a little country town [in Australia], and the library was my favorite place in the world.” [JH]
(12) MAGNIFICENT SEVEN. So we expect, when Shift, the new UK anthology comic, is launched in newsagents and comic shops around the UK on October 29.
Featuring the best in independent creator owned stories from new talent and seasoned veterans (including Jim Krueger, Brian Haberlin, Steve Yeowell, Simon Furman, Scott Morse and many more) – there’s something for everyone with a a diverse array of exciting and thought-provoking stories
Seven stories, ongoing titles, creator interviews, articles and more..
Foot Soldiers – Jim Krueger (Earth X, Justice, Marvels X), Steve Yeowell (Zenith, The Invisibles, Sinister Dexter)
To The Death – Simon Furman, Geoff Senior. Acclaimed Transformers creative team, and creators of Marvel’s Death’s Head
Kora – Chris Geary (Ace’s Weekly)
Soulwind – Scott Morse (Littlegreyman, Elektra: Glimpse and Echo, Catwoman, Sam and Twitch)
Shifter – Brian Haberlin (Witchblade, Aria), Brian Holguin (Spawn), Skip Brittenham, Geirrod van Dyke, Kunrong Yap
Tiny Acts of Violence – Martin Stiff (The Absence)
Hungerville – Warwick Fraser-Coombe (The Shadow Constabulary, Interzone)
(13) D&D LIGHT OF OTHER DAYS. The Believer has posted on its site “Destroy All Monsters” by Paul La Farge, first published in 2006, which combines a history of Dungeons and Dragons with a report on the 2005 Gen Con and an interview with D&D co-creator E. Gary Gygax.
…The appeal of D&D is superficially not very different from the appeal of reading. You start outside something (Middle Earth; Dickens’s London; the fascinating world of mosses and lichens), and you go in, bit by bit. You forget where you are, what time it is, and what you were doing. Along the way, you may have occasion to think, to doubt, or even to learn. Then you come back; your work has piled up; it’s past your bedtime; people may wonder what you have been doing.
Once you set foot inside the cave, however, you see very quickly that D&D is quite different from a book, or movie, or soap opera. For one thing, there are a lot more rules….
(14) A SHORT HISTORY. In “The Hugo ceremony 2020, notes”, Lise Andreasen has extracted the chronology of what happened during this year’s virtual ceremony. Use it the next time you need to find something in the 3-1/2 hour Hugo video.
(16) BLOCH RADIO SERIES. Now back in circulation at Audiophile Archive, two episodes ofRobert Bloch’s Stay Tuned For Terror radio drama series.
As a huge fan of old time radio and Robert Bloch, this series has been my white whale for years. 39 fifteen-minute episodes, all adapted by Bloch himself from his own short stories? Sounds amazing — but unfortunately there’s been no episodes in circulation — until now! Huge thanks to OTR collector/historian David Lennick who discovered two episodes on a disc he got decades ago and was generous enough to send me the programs in WAV.
…Bloch prepared 39 short stories with accompanying radioplay scripts, Johnny Neblett formed his first production company to produce it, and Bloch’s friend Howard Keegan–director of many of the Lights Out productions–signed on to direct the program. Neblett and Berle Adams persuaded Weird Tales Magazine to provide a tie-in to the magazine and promoted the new program as Weird Tales’ Stay Tuned for Terror, so as to leverage Bloch’s considerable fame and popular success with that print publication.
With corrections in a comment by reseacher Karl Schadow:
Enthusiasts of both Robert Bloch and radio horror programs are elated by the posting of this audio, the quality of which is superb. However, the history of this series as presented above contains some factual inaccuracies. For example, individual episodes were recorded at station WBBM and not WMAQ. This is important as producer Johnnie Neblett had established a rapport with WBBM via his first series So The Story Goes which had been broadcast by that station since 1943, the year Neblett Radio Productions was founded. Thus, his firm had been in existence two years prior to the recording and subsequent release of Stay Tuned for Terror.
There was no conspiracy regarding the Wisconsin newspaper radio logs of Stay Tuned for Terror. The series was recorded during the early months of 1945 and released late in the spring of that same year. The newspapers accurately printed details provided to them by Chicago station WMAQ which broadcast the program for thirteen weeks.
Despite the death of Johnnie Neblett in September of 1946, Stay Tuned for Terror continued to be distributed throughout the remainder of the 1940s and into the 1950s by various firms headed by James Doolittle (Craig Dennis), Berle Adams and Rush Hughes. Neblett had sold out his share of the enterprise to James Doolittle in October of 1945….
(18) VIDEO OF THE WEEK. “The Joker: Put On A Happy Face” on YouTube is a 2020 documentary that includes interviews with four actors who played the Joker (Jack Nicholson, Mark Hamill Jared Leto, and Joaquin Phoenix) and many writers of Joker scripts, including the Joker’s co-creator, Jerry Robinson, Frank Miller, and Denny O’Neil.
[Thanks to JJ, Martin Morse Wooster, Lise Andreasen, Cat Eldridge, Mike Kennedy, Andrew Porter, John King Tarpinian, John Hertz, Karl Schadow, Todd Mason, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Cliff.]
The recipients are Howard David Ingham and Claire Fitzpatrick.
Howard David Ingham is a writer and educator, and the author of the Bram Stoker Award-nominated book We Don’t Go Back: A Watcher’s Guide to Folk Horror. Between 2005 and 2012 their work appeared in more than forty publications for White Wolf Games Studio. They blog about film and culture at www.room207press.com .
Claire Fitzpatrick is an award-winning author of speculative fiction and non-fiction. She won the 2017 Rocky Wood Award for Non-Fiction and Criticism. Called ‘Australia’s Queen Of Body Horror’, she enjoys writing about human anatomy and the darker side of humanity. Her collection Metamorphosis from IFWG Publishing was hailed as ‘simply heroic.’ In her ‘real life’ she’s a horticulturist and enjoys collecting carnivorous and creepy-looking plants. She lives with her husband, the artist MiseryInk, and their weird goblin kids somewhere in Queensland. Visit her at www.clairefitzpatrick.net.
“We had an exceptional number of excellent presentations this year, but after numerous discussions the Committee chose two works that it believes best represent the goals of this fund,” noted Committee Chair Lisa Morton.
The scholarship, open to all horror writers (HWA membership is not required), is worth $2500, which may be spent on approved writing education over the two years following the granting of the scholarship.
The winner is Matthew Andrew.
Matthew Andrew is a retired U.S. Marine who served multiple tours in support of combat operations in Afghanistan and the Balkans.
He currently works in the finance sector in Dallas, TX. His short fiction can be found in Pantheon Magazine, Blight Digest, PMMP‘s Lost Signals anthology, & Thuglit, among others.
This scholarship, worth $2,500, is open to female horror writers. It may be spent on approved writing education over the two years following the granting of the scholarship.
The winner is Abril Altamirano.
Abril Altamirano is a cultural journalist & horror writer from Quito, Ecuador. Her work has been published in Ecuadorian printed media such as Diario La Hora, Casapalabras, & MundoDiners, as well as in international magazines Visor (Spain) and Espora (Mexico). She coedited the book Despertar de la hydra, antología del nuevo cuento ecuatoriano (The hydra awakens, anthology of new Ecuadorian short stories). Her story, “Hands tied,” is included in the anthology Señorita Satán, nuevas narradoras ecuatorianas, (Miss Satan, new Ecuadorian female narrators; 2017) and her story, “Hatching,” was a finalist in the first PEN Center Ecuador Short Story Contest 2020.
The late Rocky Wood, then HWA President, explained why the scholarship was created in 2014.
It is very clear to the HWA that there are unseen, but real, barriers limiting the amount of horror fiction being published by women. There are many fine women writers being published in our genre but we also see potential for the percentage of horror fiction being published by women to increase. This Scholarship, named after the great female horror writer, aims to encourage more female writers to enter our genre and to aid in the development of those already working within it. At the same time the HWA exists to extend the horror genre in all its aspects, so we are also establishing Horror Writers Association Scholarship, which is open to all our members, regardless of gender.
The Dark Poetry Scholarship, first awarded in 2015, is designed to assist in the professional development of Horror and/or Dark Fantasy Poets. It is worth $1,250, which may be spent on approved writing education over the two years following the granting of the scholarship.
The winner is Manny Blacksher.
Manny Blacksher, a life-long enthusiast of ghost stories and horror, grew up in Mobile, Alabama, a city that novelist Eugene Walter epitomized as “sweet lunacy’s county seat.” He studied six years at McGill University in Montreal, then returned to teach English at one of Alabama’s venerable historically black state universities. He also he earned a master’s degree in history at Trinity College, Dublin. His works have appeared in numerous publications, including Poetry Ireland Review, Books Ireland, The Guardian’s Online Poetry Workshop, Measure, Unsplendid, Works & Days, and The Maynard. He was Poetry Editor of Light: A Journal of Photography and Poetry.
The Dennis Etchison Young Writers scholarship is open to students in grades 10-12 (or the equivalent, if home schooled), with an interest in writing horror/dark fiction. The winner may apply the $500 toward college tuition, course fees (on line or traditional), and/or materials pertaining to the enhancement of writing skills.
The winner was not named publicly —
We also had a winner for the Dennis Etchison Young Writers Award, but due to the winner being a minor, their name and likeness will be unreleased due to privacy laws.
The Horror Writers Association will accept applications for its new Diversity Grants from September 1 through December 1. Membership in the HWA is not a requirement for application. Four grants will be awarded in 2020; the number available in the future will depend on the amount of funds raised.
The Horror Writers Association (HWA) believes barriers—often unseen but very real—exist which limit the amount of horror fiction being published by diverse voices. The goal of these Grants is to help remove some of the barriers and let those voices be heard.
The Diversity Grants will be open to underrepresented, diverse people who have an interest in the horror writing genre, including, but not limited to writers, editors, reviewers, and library workers. Like the Diverse Works Inclusion Committee, the Diversity Grants have adopted the broadest definition of the word diversity to include, but not limited to, gender, gender identity, race, ethnicity, sexual orientation, disabled, and neurodiverse.
Supported by NoveList, LibraryReads, ARRT, and RA for All, each 2020 Grant is worth $500 and may be spent on approved expenses for a period of two years following the awarding of the Grant.
A sub-committee of the HWA Board—consisting of four HWA member volunteers and chaired by a HWA Board member—will collect the applicants’ information, verify it, and choose the winners.