Monthly Archives: December 2020

Pixel Scroll 12/16/20 She’s Got A Pixel To File

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(1) PAY THE WRITER. In “Star Wars novelist Alan Dean Foster’s Disney royalties issue, explained” at Polygon, Andrew Liptak examines the terrain of what is likely to be an uphill struggle, documents the increasing number of writers with the same grievance, and gives an overview of what some have heard from lawyers.

…Still, after the success of Star Wars, Foster found himself a go-to person for movie novelizations. Over the years, he’s penned dozens of novelizations for franchises like Aliens, Star Trek, Dark Star, The Black Hole, Clash of the Titans, Outland, The Thing, Krull, The Last Starfighter, Starman, The Chronicles of Riddick, and others. They were all written in addition to his own original novels.

The nature of a work-for-hire contract means an author who’s written a tie-in novel will have little control over where their story ends up; how characters, situations, or details are used after they turn in their manuscript; and even the copyright of the work itself. It’s a tradeoff: Foster might not own the book, but the product may provide a steady revenue stream for years, especially if the franchise is popular with audiences. Write enough of them, and those tributaries will feed a healthy river.

Shortly after Disney acquired 20th Century Fox last year, Foster says that his royalties for his Alien novels stopped coming. He and his agent first attempted to resolve the issue with the book’s publisher, Warner Books. According to Foster’s agent Vaughn Hansen, while Foster and the organization [SFWA] were working to uncover the provenance of those rights, it became clear there were also missing payments for his Star Wars novels….

Unpaid royalties appear to be an issue that affects other writers. Four additional authors have come forward to Polygon to confirm that they haven’t been paid royalties for work now owned by Disney, for works that appear to have been transferred to other publishers: Rob MacGregor, who wrote the tie-in novel for Indiana Jones and the Last Crusade, as well as several additional tie-in novels; Donald Glut, author of the Empire Strikes Back novelization; James Kahn, author Return of the Jedi and Indiana Jones and the Temple of Doom novelizations; and Michael A. Stackpole, author of the X-Wing comics, Star Wars: Union, and Star Wars: Mara Jade — By the Emperor’s Hand. Without seeing contracts or the full details of the nature of the transfer of property from Lucasfilm to Disney, it’s hard to know if each author falls into the same situation as Foster, but the result appears to be the same: They haven’t received money that they feel entitled to for the work that they published….

(2) A NOBEL PURSUIT. The Arthur C. Clarke Center for Human Imagination’s Into the Impossible podcast has reached its milestone 100th episode: “100: Barry Barish – Black Holes, Nobel Prizes & The Imposter Syndrome”

Barry Barish is an emeritus professor at Caltech, where he has worked since 1963. He became director of the LIGO (Laser Interferometer Gravitational-wave Observatory) project in 1997, which led to his Nobel Prize in 2017. He has many other awards and is a fellow of the National Academy of Sciences and American Physical Society, of which he was also president.

Barry joins our Nobel Minds playlist on the INTO THE IMPOSSIBLE podcast. He shared the 2017 Nobel Prize in Physics with Rai Weiss and Kip Thorne “for decisive contributions to the LIGO detector and the observation of gravitational waves.” We discuss Barry’s long and remarkable career that covers many disciplines within physics. It’s not the standard model, but he has a confidence about himself, and his contributions that make it seem perfectly natural to have been part of such varied, noteworthy projects during his career. Despite that, Barry also admits to feeling like an imposter at times, especially when singing the same Nobel register as Einstein. What a moment!

(3) A LEAGUE OF THEIR OWN. Not Pulp Covers is the place to admire Alphonse de Neuville’s engravings for 20000 Leagues Under the Sea by Jules Verne.

(4) SCREEN TIME. Kellie Doherty analyzes the experience of “Being a Panelist in a Virtual World” at Fantasy-Faction.

As an author, one key thing I always need to be doing is marketing, and events are wonderful marketing tools. Events allow us authors and other creatives to reach a new audience base, network with fellow creatives, and get our names out there. It allows people to gush about what they love while also opening doors for others who are looking to get into those fields. It even helps to demystify the careers of creatives. Plus, events are great for selling—vendor tables are usually bustling, and panels/workshops are key places to chat about all the creative endeavors.

But what about virtual events? Is it still a great experience for the panelists?…

(5) DON’T TOUCH THAT DIAL. “Stephen King Has Thoughts About Stephen King TV Shows” – and the New York Times takes notes as he shares them. For example —

‘It’

1990

This two-part ABC mini-series, an adaptation of King’s sprawling 1986 novel about a child-murdering monster in small-town Maine, is perhaps best remembered for Tim Curry’s frightening performance as Pennywise the Clown.

“I liked that series a lot, and I thought Tim Curry made a great Pennywise,” King said. “It scared the [expletive] out of a lot of kids at that time.”

In fact, King credits the impact of the series on children with the later success of the film version, which starred Bill Skarsgard as the diabolical clown and was a box-office sensation in 2017. (A 2019 sequel, based on the second half of the novel, was similarly successful.)

“One of the reasons the movie was a big hit was because kids remembered seeing it on TV,” King said. “So they went to see it.”

(6) POINT OF NO RETURN. “‘Heroes’ Was Supposed to Be Leonard Roberts’ Big Break. Instead, It Nearly Broke Him” – the actor tells Variety readers about the end of his time on the once-popular show.

As he details in his account below, he experienced immediate friction with his main co-star Ali Larter — and perceived indifference from creator and showrunner Tim Kring — that led him to feel singled out as a Black actor, a feeling that only grew more intense after he was fired from the show after its first season.

…As the first season played out, I learned two other non-white lead characters would be killed off and I started to wonder whether D.L. would suffer the same fate. His presence on the show kept getting smaller, and by the mid-season finale he had been shot more times than 2Pac. I even had my management inquire about the possibility of me being killed off. While I was initially thankful for the opportunity, the experience had become creatively unfulfilling and I thought moving on might be best for everyone. I was told, however, that the production’s response was “We love Leonard.” And in March 2007, while filming the penultimate episode of the season, a producer told me that I was indeed returning for Season 2. I took it as a positive sign, and looked forward to new possibilities.

One of our last publicity obligations that first season involved a photoshoot for Entertainment Weekly, in which cast members, based on their characters’ relationship on the show, were featured on collector’s edition covers. The release of the covers was to coincide with the network’s upfront presentation for the 2007-2008 season in New York.

Upon arriving backstage at Radio City Music Hall for a rehearsal, I caught my co-star’s eye. “I’m hearing our cover is selling the least of all of them,” she told me. It was the first and only thing she said to me that night and I believed the subtext was clear: I was tarnishing her brand….

(7) ANOTHER REASON TO BEWARE. Longshot Press owner Daniel Scott White, publisher of Unfit and Unreal magazines, doubles down on his unhinged strategy of making enemies of SFWA writers.

Two of his magazines were the subject of complaints last February, covered by File 770’s roundup: “Is This Practice Unreal or Unfit? It’s Both”. Then two weeks ago White called for submissions to the magazines, but added “Tip: SFWA members not eligible” (see here, item #2.)

White’s latest assault is against Benjamin C. Kinney, first person to put his name to the complaints brought out in February. Thread starts here.

And White is also working on a Nixonian enemies list.

https://twitter.com/longshotpress/status/1337375395541217280
https://twitter.com/longshotpress/status/1337737288780894208

(8) MEDIA ANNIVERSARY.

  • 2008 — Twelve years ago, Catherynne M. Valente had the unusual honor of winning the Mythopoeic Fantasy Award for Adult Literature for not one novel but for two novels in the same series, The Orphan’s Tales: In The Night Garden and  its sequel, The Orphan’s Tales: In the Cities of Coin and Spice. It is the only time that this has happened as far as we can determine. An Otherwise Award would also go to The Orphan’s Tales: In The Night Garden. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 16, 1880 – Anna Alice Chapin.  Children’s book from the Victor Herbert operetta Babes in Toyland with its libretticist Glen MacDonough.  Half a dozen more fantasies; ten other books; shorter stories for magazines and newspapers; a play with her husband, and three more stories, made into films.  (Died 1920) [JH]  
  • Born December 16, 1917 — Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome.  I never saw him but he was well known among the small British community there and I passed by his residence one day. I’ll admit that I’ve not read that much by him — Childhood’s End, Rendezvous with Rama and that novel are the only long form works by him I’ve read.  I’ve read a lot of short fiction including of course Tales from The White Hart. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.) (CE) 
  • Born December 16, 1927 — Randall Garrett. Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. (The later Lord Darcy collection has two previously uncollected stories.) Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.) (CE):
  • Born December 16, 1937 — Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley.  He had a number of truly  great works, both genre and not genre, including Eva, The Tears of the Salamander and The Flight of Dragons. The Ropemaker garnered a well-deserved Mythopoeic Fantasy Award for Children’s Literature. His James Pibble upper class British mystery series are quite excellent as well. (Died 2015.) (CE)
  • Born December 16, 1928 – Philip K. Dick.  Four dozen novels, ten dozen shorter stories, half a dozen poems; letters in The Alien Critic and Psychotic, Riverside Quarterly, SF Commentary.  A Hugo for The Man in the High Castle; Campbell Memorial Award for Flow My Tears, the Policeman Said; British SF Ass’n Award for A Scanner Darkly; Kurd Laßwitz Prize for VALIS.  SF Hall of Fame.  See too The Shifting Realities of PKD (L. Sutin ed. 1995).  Curiouser and curiouser.  (Died 1982) [JH]
  • Born December 16, 1937 – Norm Metcalf.  His Index of SF Magazines 1951-1965 followed Day’s Index to the SF Magazines 1926-1950.  His fanzine New Frontiers drew contributions from fannish pros e.g. Poul Anderson, Tony Boucher, Sprague de Camp.  Active in many apas, e.g. FAPA (fifty years), IPSO, OMPA, SAPS (forty years), SFPA, The Cult.  (Died 2019) [JH]  
  • Born December 16, 1948 – Steve Forty, age 72.  Indispensable Vancouver fan.  Served as President of BCSFA (British Columbia SF Ass’n – to bring in a Tom Digby joke, not its real name, which is West Coast SF Ass’n), editor of BCSFAzine, chair of VCON 20, perhaps inevitably Fan Guest of Honour at VCON 40.  BCSFAzine was printed by Gestetner mimeograph until the late 1980s; S.40 had at least six Gestetners, each carrying a different colour ink (note spelling, these are Canadians), so as to manage multi-color covers.  BCSFA’s VCON Ambassador for Life.  Aptly a steel-burnisher by trade.  To us in the States he is the North Forty, but what do we know?  [JH]
  • Born December 16, 1956 – Alexander Bouchard, age 64.  Fanzines Scopus:3007, Lightning Round.  Podcaster, costumer, conner (we have filkers, costumers –).  Fanwriting at least as early as “Asimov, the Foundation of SF” in Lan’s Lantern 34.  I’ve heard of but not seen the vegan electric-pressure-cooker recipe book over this name so can’t say if his, but you probably know fans who’re vegan electric pressure cookers.  [JH]
  • Born December 16, 1957 — Mel Odom, 63. An author deep into mining franchise universes with work done into the Buffyverse, Outlanders, Time Police, Rogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. (CE) 
  • Born December 16, 1967 — Miranda Otto, 53. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. (I stopped watching after The Fellowship of The Rings.) She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an an amazing cast even if the Tomatometer gives it’s 5% rating. (CE)
  • Born December 16, 1971 – Roz Clarke, age 49.  Three anthologies with Joanne Hall (2 vols. of Airship Shape and Bristol Fashion; Fight Like a Girl); four short stories.  “Haunt-Type Experience” reprinted in Stories for Chip (i.e. S.R. Delany; tribute anthology).  [JH]

(10) THE WATCH. A trailer is out for The Watch Season 1. Premieres January 3.

Anyone can be a hero. ‘The Watch’, an all-new series inspired by characters created by Sir Terry Pratchett stars Richard Dormer as Vimes and Lara Rossi as Lady Sybil Ramkin.

(11) ON THE BOTTOM. John Picacio tweeted photos of his 2020 Hugo which features something I’ve never seen on the trophy before – writing on the bottom of the base. The text explains the design elements.

(12) TIME CONSIDERED. “Christopher Nolan On Why Time Is A Recurring Theme In His Movies”: NPR’s “All Things Considered” interviewed the filmmaker. Audio and a transcript at the link.

CHRISTOPHER NOLAN: Time is the most cinematic of subjects because before the movie camera came along, human beings had no way of seeing time backwards, slowed down, sped up. And I think that went some way to sort of explain to me why I’ve been interested in exploring it in movies because I think there’s a really productive relationship. And I had this visual notion of a bullet that’s in a wall, being sucked out of the wall and into the barrel of the gun it was fired from. And I put the image in “Memento,” my early film, as a…

(13) AN EXPANSIVE LETTER TO THE EDITOR. [Item by Daniel P. Dern] “Catching Up to ‘The Expanse,’ the Space Opera You Love” is a review by Mike Hale at the New York Times.

“The undisputed heir to ‘Battlestar Galactica’ begins its fifth (and next to last) season on Amazon Prime Video.”

DPD comments (note, I’m also submitting a shortened-for-length-restrictions version of this to the NYTimes online comments to the review, which already has a modest but informed discussion going):

While this is basically a favorable-enough review of the TV series, I want to pick a few nits, from the perspective who

a) is a life-long sf fan — written, also comics, movies and TV

b) has read all the Expanse books (and some of the novellas/stories) and is current watching the previous seasons

c) Never watched the original Battlestar G; watched maybe 2-3 eps of the 2004 reboot.

1) Hale says, with respect to The Expanse (show), “The series capably fulfills the basic requirement of speculative science-fiction: It keeps you guessing about where the journey’s going to end.”

Huh? This makes me wonder how much Hale knows about science fiction as a genre, as opposed to having watched a bunch. Discuss amongst yourselves.

2) “With regard to the show’s intensely devoted following, a binge only confirms what was obvious from the first few episodes. ‘The Expanse’ is the natural heir to the cult-favorite ‘Battlestar Galactica’ (2004-9); it’s another old-fashioned, hard-core space adventure set within an up-to-date clash-of-civilizations political allegory. It was an easy move for the ‘Galactica’ faithful.”

Since, like I said above, I haven’t watched (enough) B/G, I can’t agree or disagree with the “natural heir” point, nor whether B/G faithful found it an “easy move.” I will challenge “allegory” (and I’m dubious about “civilizations”).

3) “’The Expanse’ operates on a smaller, more intimate scale than ‘Galactica,’ …it doesn’t imagine ships zapping among star clusters. It’s contained within our solar system.” Hello? Venus whack? Galactic gateway? I’m not convinced Hale has watched the most recent two seasons. Or wasn’t paying attention.

4) “’The Expanse’ builds its future world in a schematic way that provides an efficient framework for plot and, I’m guessing, appeals to viewers who like their science-fiction highly diagramed.”

I’m not sure what Hale means by “schematic,” much less “highly diagrammed,” and even if I did, I don’t think I’d agree, assuming I could figure out what he meant. I mean, you could make similar claims about Game of Thrones, no?

5) “Into this setup, the show introduced a golem-like alien substance (called, with a notable lack of imagination, the protomolecule)”

“Notable lack of imagination”? Talk about setting phrasers to “Snark!”

“In its facelessness and inexorability, it was a decent stand-in for the cylons of ‘Galactica.’””

First, isn’t Cylon a proper noun, worth of initial-capping?

Arguably, also, the p-mol isn’t completely faceless, e.g., using the appearance (and perhaps more) of Detective Miller at times, to manifest to James “F***ing” Holden.

Like I said, Hale’s review is basically positive, but the off-notes irk me. Again, my theory is that Hale’s watched his share of TV/movie sf, but hasn’t read a significant amount of it.

Anyhoo, I’m looking forward to the new season.

(14) DRAWN THAT WAY. Publishers Weekly asked critics to name the year’s best graphic novels. Not too much genre on their list, unless you’re coming from a place that all graphic novels check that box: ‘”Kent State’ On Top of PW’s 2020 Graphic Novel Critics Poll”.

Released in September during the 50th anniversary year of the 1970 tragedy, Kent State: Four Dead in Ohio (Abrams ComicArts) by veteran comics journalist Derf Backderf garnered the majority of votes in PW’s annual Graphic Novel Critic’s Poll, receiving eight votes from a panel of 14 comics critics.

… The PW Graphic Novel Critics Poll is compiled by asking participating critics to list up to 10 trade book releases they consider the best graphic novel and comics works of the year. The book receiving the most votes wins; and we share the remaining top vote-recipients. Titles listed as Honorable Mentions each received a single vote. Taking part in this year’s poll are PW graphic novel reviewers Gilcy Aquino, Chris Barsanti, Maurice Boyer, Rob Clough, John DiBello, Glen Downey, Shaenon Garrity, Rob Kirby, Cheryl Klein, Maia Kobabe, Sarah Mirk, and Samantha Riedel. Also participating are PW Graphic Novels Reviews editor Meg Lemke and PW senior news editor Calvin Reid.

(15) VIDEO OF YESTERDAY. Family Planning (1968) on YouTube is a 1968 Disney cartoon, featuring Donald Duck, done in cooperation with the Population Council.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Shazam!  The History of Shazam!” on YouTube is a 2019 documentary, narrated by Cooper Andrews, about the character originally known as Captain Marvel and, from 2011 onwards, completely known as Shazam.  It’s of course tied in to the 2019 movie Shazam, and we learn that the reason Billy Batson in the movie is part of a foster family was because of a 2012 revision of the character by Geoff Johns.  I think the lawsuits over whether Captain Marvel was a Superman knockoff are more interesting than the character itself.  It’s primarily comics-oriented because the only filmed appearances of the character until 2019 were in a 1940s serial and what looks like a cheezy 1970s Saturday morning series,  I think the most fun facts in the documentary are a visit to the DC archive (known as the Vault) and learning that one of the chief enemies of Captain Marvel, Dr. Sivana, was modeled after co-creator C.C. Beck’s dentist. I did think it was worth an hour.

[Thanks to John King Tarpinian, JJ, Daniel Dern, Cat Eldridge, Martin Morse Wooster, Michael Toman, John Hertz, Mike Kennedy, Andrew Liptak, Trey Palmer, Rich Lynch, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

2020 Dream Foundry Writing and Art Contest Winners

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Dream Foundry announced the winners of its 2020 contests for beginning artists and writers working in science fiction, fantasy, or other speculative fields. 

First place in the art contest is awarded the Monu Bose Memorial Prize, worth $1000. The first place winner of the writing contest also receives $1000 in prize money. For both the art contest and the writing contest, second place is awarded $500, and third place is awarded $200. In addition to cash prizes, all six winners will receive first pick of workshop seats at Flights of Foundry and showcase events at the online convention in April 2021.

The Art Contest winners are:

  1. Thaleia Demeter
  2. Lauren Blake
  3. Michaela Matthews

Dante Luiz served as the art contest coordinator.  Hugo-nominated artist Grace P. Fong served as judge.

The Writing Contest winners are:

  1. “Surat Dari Hantu” by Lisabelle Tay
  2. “The Failed Dianas” by Monique Laban
  3. “The Loneliness of Former Constellations” by P. H. Low

William Ledbetter and Vajra Chandrasekera served as the writing contest coordinators. Neil Clarke, editor of Clarkesworld Magazine, and Hugo-award winning author S.L. Huang, served as judges for this year’s contest.

Dream Foundry is a registered 501(c) non-profit dedicated to bolstering the careers of beginning professionals working in the speculative arts.  Their Discord community is at discord.gg/dreamfoundry, their blog a dreamfoundry.org/blog,

[Based on a press release.]

Semiprozine.org Eligibility List Updated by Neil Clarke

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Neil Clarke has updated the Semiprozine Directory for the benefit of Hugo voters who want to know what’s eligible in the Best Semiprozine category.

He tells File 770 —

I can’t say that there’s been much activity. Not shocking considering the year we’ve had. 

We had a few magazines that didn’t publish new issues in 2020 (possible they could return) and some new ones that just missed meeting the four issue minimum requirement, but are on-track for eligibility in 2021. Over the course of the year, there were a few new additions, but I believe that most of them were previously eligible and we just didn’t know about them.

No one has moved from semipro to professional in 2020. Similarly, no one has taken themselves out of the running for the award this year.

As usual, if there are any publications that would like to be added to the list, they should feel free to contact me. 

The updated  Semiprozine Directory lists:

  • 53 publications that are currently eligible for the Hugo Award for Best Semiprozine;
  • Other semiprozines that are ineligible for the 2021 Hugos because they did not publish an issue in 2020;
  • Other zines that are ineligible for nomination as semiprozines because they are professional publications or fanzines (answering specific reader inquiries – not intended as an exhaustive list).

This is not an official list, but a tool that Clarke has excellent sources for keeping current. He invites any editor or publisher of a qualified semiprozine who wants their zine added to contact him at neil(@)clarkesworldmagazine.com

Pixel Scroll 12/15/20 All These Pixels Are Yours. Except Europa. Attempt No Scrolling There

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(1) INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at Literary Hub.

…After some back and forth—and plenty of discussion with the editor acting as mediator—we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry—even as the figures revolved around a central “moon” shape that remained static—they felt much more alive. The designer came back with revisions and, in relatively quick succession, Wild Seed and Mind of My Mind had approved covers…

(2) DIFFERENT WISDOM. At the SFWA Blog, Sunny Moraine says “Explicit Sex Scenes and the Work of Stories” are far from mutually exclusive.

The origins of this piece lie in an annoyed Twitter thread I posted, in response to a tweet (possibly joking, I don’t know) to the effect of “movies shouldn’t have sex scenes in them, we’re past that now”. 

The origins of my annoyance go back a lot further. 

I’ve been writing explicit sex pretty much since I began writing. Like many of us, I got my start in fanfiction, and while fanfiction’s reputation for being heavily smut-focused isn’t entirely deserved, it isn’t entirely undeserved, either. Which is rather the point, because given that I started out writing a lot of explicit sex, I learned quite early just how much story-work one can do with a well-written sex scene. Especially a very explicit one, without a judicious fade-to-black or Vaseline on the camera lens. 

I want to be clear about something: I am not claiming ultimate authority over what a “good” sex scene consists of. Sex scenes, like sex itself, are highly subjective and personal, and different people will find that different things resonate. 

That said, my opinion is that a good sex scene is usually sexy, and one of the best ways to be sexy is to go deep into not only the physical descriptions of what’s happening, but also what’s going through these characters’ heads as they’re doing the sex. 

Which is one of the places where we get into the work explicit sex can do in a story, and in a way really no other kind of scene can manage in precisely this way….

(3) GETTING THE WORD OUT AND THE DOLLARS IN. James Van Pelt shares “The Frustrations (and the Surprising Successes) of Marketing Your Book” at Black Gate.

…Marketing is easy. Effective marketing that actually sells books, however, is hard. My son works for Facebook, so he helped me with an advertising campaign on the platform. We had a $250 budget for one of my collections, The Experience Arcade and Other Stories. One of the ads reached 1,900 readers. 103 people clicked on it. We did sell books, but not enough to pay back our investment. We found the same pattern to be true on the other books we promoted on Facebook….

(4) ON THE PINNACLE. The Hugo Book Club Blog surveys the top sff awards and why they are in “The Award For Best Award”.

… There are in fact enough award systems to warrant the effort of analysis to help decide which awards are worth paying attention to. Of course, dichotomous and divisive “success or failure” judgments are less useful than comparing how they’re organized and speculating about what might contribute to a robust and respected award. Examining the growing pains of recently created awards and thinking about why several smaller awards have managed to establish long-term relevance can also be helpful….

(5) SFRA. The Fall 2020 issue of the Science Fiction Research Association’s SFRA Review is available to download. Many articles and reviews, including an update from Rachel Cordasco about SF in Translation.

(6) WITH OR WITHOUT CHIPS. “’Scenarios of disruption’: Sci-fi writers asked to help guard France” – Australia’s The Age has the story,

Attacks from floating pirate states and hackers on soldiers with neural implants are just two scenarios dreamed up by a “Red Team” of 10 leading science fiction writers tasked with helping the French army anticipate future threats to national security.

“Astonish us, shake us up, take us out of our habits and comfort zone,” Florence Parly, the French defence minister, told the writers at a Defence Innovation Forum this month.

Many of the “scenarios of disruption” that they have been asked to imagine to challenge military planners are to remain top secret to avoid giving ideas to potential enemies. They were asked to stick to potential threats between 2030 and 2060….

(7) SWATTING A NEW FIREFLY. [Item by Olav Rokne.] One for the “wishful thinking” file. Questionably sourced rumors are bouncing around the internet about a Disney+ Firefly reboot. As much as I would love to believe this, I gotta express significant skepticism.  Adam Whitehead does a pretty good job of analyzing why this rumour likely ain’t true at The Wertzone: “RUMOUR: FIREFLY reboot under consideration for Disney+”.

… I find this rumour dubious for multiple reasons. The first is that Firefly‘s fanbase remains, despite the passage of almost twenty years, both voluble and passionate. Rebooting the show from scratch and dropping the previous actors and continuity would go down very badly. The second is that Firefly‘s universe was designed from scratch to be slightly more morally murky and complex, and that’s part of the show’s appeal. Making it more PG (or PG-13, if you’re in the USA) seems pointless. …

(8) NEW ALLEGATION AGAINST FLEGAL. Artist Sovereign has attached a three-page statement to her tweet: “Trigger warning: Sexual harassment / 1FW. I am speaking up about the harassment I received from Sam Flegal of One Fantastic Week. I’ve been quiet long enough and there are too many that still deserve an apology.”

(9) SEPTEMBER SONG. The date for a Chicago pulp collectors’ event is sliding later in 2021: “Windy City Pulp and Paper Convention Announces Rescheduled 2021 Dates of September 9 – 12, 2021”. Full details at the link. Doug Ellis begins —

As 2020 draws to a close, we’re feeling pretty confident that we will be able to hold our show in 2021.  However, given the current status of the COVID-19 pandemic and the timing on the various vaccines, we became increasingly concerned that it would not be feasible or prudent to hold our show as originally scheduled from April 15-18, 2021.

We can now announce that we’ve reached an agreement with our hotel (the Westin Lombard Yorktown Center in Lombard, Illinois) to reschedule the convention to September 9-12, 2021. The location of the convention remains the same….

(10) MEDIA ANNIVERSARY

1984 — The Winter 1984 issue of the Missouri Review which was undated had Ursula K. Le Guin’s “The Trouble with the Cotton People”, the very first of her Kesh stories that would become part of her Always Coming Home novel which was first published by Harper & Row the following year. Nominated for the Mythopoetic Fantasy Award, it would lose out to Barry Hugart’s Bridge of Birds. Library of America published the Always Coming Home: Author’s Expanded Edition last year. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 15, 1923 — Freeman Dyson. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use” with first coming up with the concept. (Died 2020.) (CE) 
  • Born December 15, 1935 – Alma Jo Williams.  Five dozen reviews in SF Review.  Raised horses; earned a washin-ryu black belt; forty years at Cornell in the Baker Institute for Animal Health.  Of the 1984 Dune movie she said “The photography is gorgeous, the music appropriate, the special effects … well integrated….  The metamorphosed Guild navigators are laughable….  the evil of the Harkonnens was caricatured…. Only Sting, as Feyd, projected … subtle nastiness”.  (Died 2010) [JH]
  • Born December 15, 1937 — John Sladek. Weird and ambitious would be ways to describe his work. The Complete Roderick Is quite amazing as is Tik-Tok which won a BSFA and Bugs as well. He did amazing amounts of short fiction, much of which is collected finally in the ironically named Maps: The Uncollected John Sladek. (Died 2000.) (CE) 
  • Born December 15, 1944 – Ru Emerson, age 76.  Two dozen novels, a dozen shorter stories.  Under another name she has two recipes in Serve It Forth.  Sings, plays guitar, flies stunt kites, a little Irish hardshoe.  [JH]
  • Born December 15, 1944 – John Guidry, age 76.  Chaired DeepSouthCon 9 & 11, Nolacon II the 46th Worldcon.  Founded ERB-apa (Edgar Rice Burroughs fans).  Rebel Award.  Fan Guest of Honor at DSC 53.  [JH]
  • Born December 15, 1945 – Steve Vertlieb, age 75.  Often seen here.  Mr. James H. Burns gave him this tribute on his 70th, with photos and links.  [JH]
  • Born December 15, 1951 — David Bischoff. He actually started his career writing out for Perry Rhodan. His “Tin Woodman” which was written with Dennis Bailey and nominated for a Nebula would be adapted into a Next Generation story, and he’s continued the Bill the Galactic Hero story with Harry Harrison.  He’s also written a kickass excellent Farscape novel, Ship of Ghosts. (Died 2018.) (CE) 
  • Born December 15, 1953  — Robert Charles Wilson, 67. He won the Hugo Award for Best Novel for Spin, a John W. Campbell Memorial Award for The Chronoliths, a Theodore Sturgeon Memorial Award  for the novelette “The Cartesian Theater” and Prix Aurora Awards for the novels Blind Lake and Darwinia. Impressive indeed. He also garnered a Philip K. Dick Award for Mysterium. (CE) 
  • Born December 15, 1953 – J.M. DeMatteis, age 67.  Like many comics stars, has done substantial work for both DC and Marvel, including television.  Eisner Award.  Wrote Abadazad for CrossGen, then when Disney acquired it, three Abadazad books.  One novel.  One album from his years as a musician.  [JH]
  • Born December 15, 1954 — Alex Cox, 66. Ahhh the Director who back in the early Eighties gave us Repo Man. And did you know that he got a co-writer credit for the screenplay of Fear and Loathing in Las Vegas before it was completely rewritten by Gilliam? And as we know he directed a student film version of Harry Harrison’s Bill, the Galactic Hero at University of Colorado Boulder just a few years ago! (CE) 
  • Born December 15, 1958 – Leslie Smith, age 62.  Co-chaired Ditto 7 (fanziners’ con; named for a brand of spirit-duplicator machine).  Fanzine, Duprass (see Cat’s Cradle) with Linda Bushyager.  [JH]
  • Born December 15, 1981 — Krysten Ritter, 39. She played Jessica Jones on the series of that name and was in The Defenders as well. She had a recurring role in the Veronica Mars series which a lot of a lot is us adore (it’s one of the series that Charles de Lint and his wife MaryAnn Hartis are avid followers of, and they contributed to the film Kickstarter) and I supposed it’s sort of genre adjacent, isn’t it? (Do not analyze that sentence.) She’s been in a number of horror flicks as well, but nothing I groked.  (CE)
  • Born December 15, 1982 — Charlie Cox, 38. He played the role of Matt Murdock / Daredevil in Netflix’s Daredevil and The Defenders, was Tristan Thorn Thorn in Stardust based off the Gaiman novel and Dennis Bridger in the remake of A for Andromeda. (CE)

(12) SF AND WORKERS’ RIGHTS. FutureCon will stream a panel about “Capitalism and workers’ rights on Science Fiction” on Saturday, December 19 at 12 p.m. (noon US Eastern Time). Participants will be Alec Nevala-Lee (USA), Alexey Dodsworth, (Brazil) Fabio Fernandes (Brazil, host), Jorge Baradit (Chile), Marie Vibbert (USA), and Olav Rokne (Canada).

(13) PAWS IN THE ACTION. Sean D talks about a “gorgeous novella” at Nerds of a Feather: “Microreview [Book]: When the Tiger Came Down the Mountain by Nghi Vo”.

It’s hard to pen a story in which the lines are blurred but the narrative is always clear. Ambiguity and warring perspectives can hurricane into incomprehensible pandemonium. However, When the Tiger Came Down the Mountain manages to have characters who not only inhabit both the bodies of animals and humans, but have characters performing oral storytelling that’s just as fluid. What kept me engaged wasn’t rigidity and linearity, but a narrative voice that always had control with a grip greater than any rigidity….

(14) A SFF LOOK AT POLICING. No Police = Know Future edited by James Beamon is available in both print and electronic formats from publisher Amazing Stories and online book outlets.

When the concept of defunding the police (a concept we believe really means re-examining and reforming the concept of policing), arose during this year’s protests, we saw a perfect opportunity to put those beliefs into practice.

James Beamon, our editor, put it this way in his solicitation:

“After the brutal murder of George Floyd by the police, the world responded in righteous protest, with cries of “Black Lives Matter.” The police responded to these calls in large part with even more brutality, with video after video emerging that showed an assault on the public. And more cries came forth, with calls to defund the police.

But what’s that mean?

Science Fiction writers, this is your call to arms. Give us your potential (and hopefully positive) futures that involve alternatives to modern day policing. We want stories that replace the police entirely, dramatically reform them, or create parallel systems to refocus policing. We’re also seeking alternate concepts of rehabilitation and punishment as well, more emphasis on the carrot. In a world where police are perpetually brandishing their batons, I think we’ve all seen enough sticks.”

The stories collected in this volume –

  • Ryan Priest – Pro Bono Detectives
  • Lettie Prell – Justice Systems in Quantum Parallel Probabilities
  • Jared Oliver Adams – All the Mister Rogerses From Bethel A.M.E.
  • P.T. MacKim – Well Regulated
  • Minister Faust – Freeze Police
  • Stewart C. Baker – Maricourt’s Waters Quiet and Deep
  • Ira Naymen – When the Call Comes In
  • Holly Schofield – One Bad Apple
  • Brontë Christopher Wieland – Apogee, Effigy, Storm
  • Jewelle Gomez – A More Perfect Union
  • Anatoly Belilovsky – Tax Day

(15) IN GENERAL. Paul Weimer finds much to like here: “Microreview [book]: Machine by Elizabeth Bear” at Nerds of a Feather.

… Bear calls out in the acknowledgements the inspiration for Core General that was to me delightfully obvious but perhaps newer readers to SF might not be aware of. James White’s Sector General stories and novels describe the adventures of a hospital in space, and Bear’s Core General is clearly a spiritual successor and heir to White’s ideas. Bear of course brings her own sensibilities and ideas to a Hospital in Space but the bones of the homage are there, and the social mores and ideas of White’s novels are updated for modern sensibilities.  This is also done a bit explicitly within the novel itself, as corpsicles found on Big Rock Candy Mountain have some rather archaic, primitive, frankly offensive and un-Synarchy-like ideas about many things. There is a culture clash and some real conflict between Jens and the rest of the Synarchy with Helen, the AI of Big Rock Candy Mountain, and the crew of the ship that they manage to unfreeze and revive….

(16) THE NEXT RIGHT STUFF. “NASA Names Artemis Team of Astronauts Eligible for Early Moon Missions” – the names and brief bios are at the link.

NASA has selected 18 astronauts from its corps to form the Artemis Team and help pave the way for the next astronaut missions on and around the Moon as part of the Artemis program.

…The astronauts on the Artemis Team come from a diverse range of backgrounds, expertise, and experience. The agency’s modern lunar exploration program will land the first woman and next man on the Moon in 2024 and establish a sustainable human lunar presence by the end of the decade.

NASA will announce flight assignments for astronauts later, pulling from the Artemis Team. Additional Artemis Team members, including international partner astronauts, will join this group, as needed….

(17) ROCKING THE MARKET. In “Making A Point With Moon Rocks” on National Review Online, Texas Tech economist Alexander William Salter says that NASA’s contracts to acquire moon rocks (or what is technically “lunar regolith”) is “a clever strategy to nudge space policy in a pro-commerce direction” since the purchases would show that private property can be created on the Moon, a position left ambiguous in the Outer Space Treaty of 1967.

.. NASA’s purchase of moon dirt is a clever strategic move to nudge space policy in a pro-commerce direction. The United States government isn’t violating Article II [of the 1967 Outer Space Treaty], because it’s not appropriating real estate. And it’s not violating Article VI, since it’s up to Congress to determine the extent of monitoring and policing duties. What the NASA program does is create a test case for first harvesting, and then selling, outer-space resources. As David Henderson and I have argued, “Given the vagueness of international space law on property rights, the precedents created by national space law will have a decisive role in shaping the future space environment. Hence, NASA’s actions can support a pro-business turn not just for the United States, but also for the international community as a whole.” …

(18) TODAY’S THING TO WORRY ABOUT. From Fast Company: “What toys from the past can tell us about how we predict the future”.

… What if those predictions actually ended up affecting how the future unfolds, like self-fulfilling prophecies? It’s a question plaguing futurists, and now a project is trying to illustrate the problem by showing how things created in the past have colored the present. The simplest examples—items that truly shape the minds of our next generations—come in the form of children’s toys.

The Museum of Future History’s first exhibition, Toying With Tomorrow: Playthings That Anticipated the Here and Now, is curated by experimental philosopher Jonathon Keats and timed to debut at the UNESCO (the United Nations Educational, Scientific, and Cultural Organization) High-Level Futures Literacy Summit.

The idea was sparked by a growing concern among futurists, Keats says, that we have been “colonizing the future” with visions and predictions of what it will bring, and that those visions limit the opportunities or possibilities of those future generations. But this can be an abstract concept to grasp.

“What we needed was some way in which people could recognize the phenomenon in their own lives, and they could use that as a means by which to consider what sorts of predictions they make, what sort of impact those predictions might have going forward—individually as well as collectively in a society,” Keats explains. “Toys have a very direct way in which they influence the future through the children who play with them.”…

(19) WW84. “Gal Gadot, Patty Jenkins share Wonder Woman 1984 opening scene at red carpet” and SYFY Wire is there.

It’s one thing to watch Diana grow up slowly — something Wonder Woman fans delighting in witnessing as star Gal Gadot lassoed a new generation of hearts in director Patty Jenkins’ 2017 blockbuster. But it’s something else entirely to watch our Amazon hero surge from past to present at lightning speed — leaping out of her idyllic childhood and into the mean city streets — in the butt-kickin’ romp that welcomes viewers to the opening moments of Wonder Woman 1984….

(20) SPACELANES. [Item by Daniel Dern.]  Via Slashdot: “Astronomers Discover Cosmic ‘Superhighways’ For Fast Travel Through the Solar System”. Not faster than light, more like “a faster lane on the service road” IMHO.

Invisible structures generated by gravitational interactions in the Solar System have created a “space superhighway” network, astronomers have discovered. ScienceAlert reports:By applying analyses to both observational and simulation data, a team of researchers led by Natasa Todorovic of Belgrade Astronomical Observatory in Serbia observed that these superhighways consist of a series of connected arches inside these invisible structures, called space manifolds — and each planet generates its own manifolds, together creating what the researchers have called “a true celestial autobahn.” This network can transport objects from Jupiter to Neptune in a matter of decades, rather than the much longer timescales, on the order of hundreds of thousands to millions of years, normally found in the Solar System….

(21) MORE ABOUT BEN BOVA. The New York Times ran Ben Bova’s obituary. To accompany that note, here are a couple of Andrew Porter’s photos of Bova (sent direct to 770, not from the NYT.)

…Ben Bova was a hard-science guy — and a passionate space program booster — and his visions of the future encompassed a dizzying array of technological advances (and resulting horrors or delights), including cloning, sex in space, climate change, the nuclear arms race, Martian colonies and the search for extraterrestrials. In newspaper articles, short stories and more than 100 books, he explored these and other knotty human problems….

  • Photo by and © Andrew Porter
  • Ben and Barbara Bova at Boskone (in 1980s?) Photo by and © Andrew Porter
  • Photo by and © Andrew Porter
  • Ben Bova with Ian Ballantine. Photo by and © Andrew Porterne.

(22) BOVA FINDS. And let Tor.com contributor James Davis Nicoll tell you about “Five SFF Authors Discovered by Ben Bova”. The second of these is —

… John M. Ford’s first professionally published story was “This, Too, We Reconcile,” published in Analog Science Fiction/Science Fact, May 1976. In it, a telepath is hired to read the mind of a martyr to determine if the dead man saw anything of the afterlife as he died and if so, what that afterlife is like. Rather alarmingly, the telepath is the second person hired for the job, his predecessor having committed suicide immediately after reading the martyr’s mind. This has all the earmarks of a task from which one should flee posthaste, but unluckily for our protagonist, his diligence outweighs his prudence.

This is admittedly a minor Ford, which may explain why it was never collected in either of the two Ford collections, From the End of the Twentieth Century (1997), and Heat of Fusion and Other Stories (2004). Nor has it been included in any anthology of which I am aware. Still, Bova saw enough in the story to help launch a career that lasted until Ford’s untimely death in 2006.

(23) HONESTY IS THE FUNNIEST POLICY. [By Martin Morse Wooster.]In “Honest Game Trailers: Marvel’s Spider-Man: Miles Morales” on YouTube, Fandom Games says even though you’re not playing Peter Parker, you can still fly through a very well-detailed New York City and (virtually) cause billions in property damage!

Also dropping today: In “Honest Trailers: Lost” on YouTube, the Screen Junkies sum up the six-season series by saying the characters asked so many questions in the show “The creators got tired of answering them” and that there was so much psychodrama “the writers room needed therapy.”

Fun fact:  the reason why the flight that crashed in show was Oceanic Airlines Flight 646 was that was the flight in the action film Executive Decision.

[Thanks to Michael Toman, Martin Morse Wooster, John King Tarpinian, John Hertz, Mike Kennedy, JJ, Cat Eldridge, James Davis Nicoll, Michael J. Walsh, Daniel Dern, Olav Rokne, Steve Davidson, Doug Ellis, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

SMOFCon 37¼ Roundup

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[Notes from Kevin Standlee, Marguerite Smith, Jannie Shea, and Vincent Docherty, and James Bacon.]

SMOFCon 37¼ went well. 

This year’s event SMOFcon 38 in Montreal moved to 2022 and with next year’s 2021 event, SMOFcon Europe in Lisboa. Both SMOFcon’s agreed to host a small one-day virtual event, with two panels and three question and answer sessions for future conventions and bids. 

The event was well attended with 288 memberships were taken through Grenadine and 312 unique individuals logged into Zoom. 

It is important to us, to learn and develop, so we have messaged members and asked them to do a survey. 

We will amalgamate the information from feedback and publish the information in about a month, on our our website https://sites.grenadine.co/sites/conzealand/en/smofcon-37-14/ in late January 2021.

We have uploaded the video recordings of all programme items to the SMOFCon 37¼ YouTube Channel here: https://www.youtube.com/channel/UCLum0yU7zV-UHPMI_OO7XLg

All the questionnaires submitted for seated Worldcon, Future Worldcon bids, Seated SMOFCons and future SMOFCon bids can be found linked to their programme listing or you can find them all here: https://sites.grenadine.co/sites/conzealand/en/smofcon-37-14/documents

They will remain online until August 2021. The known contacts and URLs for the various conventions and bids have been added into the programme descriptions for the individual Question Time Session. 

Members joined Zoom from 21 countries, with some uncertainty because the Zoom report does not indicate VPN usage. The list of countries participating, ranked in order of the number of individual logins from that country, is as follows:

  • United States of America    
  • United Kingdom    
  • Canada            
  • Israel                
  • France                
  • Poland                
  • New Zealand            
  • Ireland                
  • Australia            
  • Portugal            
  • Germany            
  • Hong Kong SAR        
  • Sweden            
  • Norway            
  • Belgium            
  • Finland            
  • Japan                
  • Croatia                
  • Netherlands            
  • Italy            
  • China            

For those of you  who enjoy it, here are some Grenadine/Zoom stats 

  • Zoom practice – 35 interested – 34 attended
  • Con Suite – 141 interested – 143 attended
  • Question Time for Future Worldcon bids – 147 interested – 139 attended
  • Question Time for Seated Discon III and Chicon 8 – 126 interested – 119 attended
  • Question Time for Seated Smofcons and Future Smofcon bids -98 interested – 91 attended
  • CoNZealand Chairs Chat – 92 interested – 89 attended
  • Pivot to Virtual Conventions and Best Practices – 120 interested – 113 attended

(“Interested” = those who added the item to their personal schedule in Grenadine. “Attended” = those who used the Zoom link in Grenadine.)

The Con Suite host, Terry Fong, estimates that at peak, there were 80+ members in various break out rooms. Enthusiastic discussions were had about virtual art shows, new Grenadine features, planning for Westercon 74, the Tel Aviv in 2027 bid, and much, much more.

Much thanks to all those who joined, paricpants and back room staff who helped make the event successful. We hope that you consider supporting future SMOFcons and hope to see you there. 

/s/ Kevin Standlee, Marguerite Smith, Jannie Shea, Vincent Docherty, James Bacon

Pixel Scroll 12/14/20 Vader Di, Vader Da, Life Goes On, Hey

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(1) TOP SHELF. The Odyssey Writing Workshop Blog shares some interesting insights: “Interview: Guest Lecturer David Farland”.

You write under Dave Wolverton for science fiction stories and David Farland for fantasy stories. How did you decide on using two names for your fiction? When would you advise writers to use pseudonyms?

“Wolverton” is a cool enough name for a writer, but so often my books ended up on the bottom shelf. I thought only garden gnomes walking through the store were likely to find them. In fact, research done by Campbell’s Soups showed that 92% of people won’t stoop over to get their favorite soup from the bottom shelf. So think about it. Does that mean that 92% of my readers were being lost?

Maybe I wasn’t losing quite that many, but I think it makes a difference.

So, why change your name?

Change it if it is too close to another famous author’s name. For example, if you’re named Steve King, change your name.

Change it if it’s unpronounceable or offensive. I used to have a good friend whose last name was Shnitz. I’d change it.

Change it if it’s too long to fit on a cover. My real name, at nine letters, was a tad too long.

Change it if you’re writing to vastly different audiences. I used to know a writer who wrote erotica under one name but wrote for Christian audiences under another. He actually used more than twenty pseudonyms since he wrote for a lot of different magazines.

Basically, I try to put pride in my work, not my name. My writer’s name is just a marketing tool, not my identity.

(2) OUR ONLY HOPE. Eric Gansworth may or may not spoil The Mandalorian in “Mute Force: Why #NativeTwitter Couldn’t Stop Talking About Baby Yoda” at Literary Hub – read at your own risk!

…  Several generations later, my family prefers social media. Even members who hate technology have Twitter accounts and they share. Because traditional Indian arts rely on the supply and demand of in-person sales, our forms often include fresh subjects. Nephews send me links to Pacific Northwest superheroes and Star Wars, dubbed into Dine (Navajo). If Tuscarora or Onondaga did this, I’d be all over the effort. I’ve memorized an inappropriate percentage of Star Wars dialogue, and I spoke Tuscarora decently as a kid. The infrastructure is there in my head. I have a kid’s love for Star Wars, less embarrassed than a lot of middle-aged men. I’ve owned a beaded Batman belt-buckle for over half my life. The adult half.

Star Wars is a lens Indians have readily adopted. I love the weird visual pun of a white Rez Dog rocking an orange Stormtrooper pauldron. I also understand the brilliance of the Dine language dub. We recently lost our last Tuscarora continuous fluent speaker, in his nineties. Younger people long studied with him, but now that door is closed. We understand Princess Leia seeking Obi-Wan Kenobi. Her Only Hope was an elder’s endurance. Now that ours is gone, our language fragments float in space like Alderaan, destroyed by the Empire’s weapon, the oo-nih-SEH`rheh Gih-heh. Is it too late to reassemble and master those fragments? If someone started scrolling through my phone pics, could I tell them in Tuscarora that it’s not the droid they’re looking for? Could we laugh?

I love that Twitter doesn’t require an account. Lurking, I stumbled upon #NativeTwitter. Like many Rez gatherings, it has undercurrents of just deadly grousing and gossip, sick burns and sometimes out and out raw belligerence and trolling people who should know better. But as often, it’s an auger for indigenous sweet spots. I’ve regularly seen beginning beadwork artists ask for and receive help. It gives me hope, but not enough to create an account. I know my limitations, or some of them, anyway….

(3) THE MCKELLEN CONNECTION. We linked to David Steffen’s introductory “Universal Transitive Headcanon (UTH)” which explains the concept. Today he put up the first post applying the concept: “UTH #1: The Story of Gandalf and Magneto” at Diabolical Plots. Steffen says, “I could not be more delighted with how it turned out.”

… It is no wonder, then, that even after saving most of the then-known world from the evil power of Sauron yet again, that Gandalf would become embittered and, not only take on an entirely new persona of Eric Lensherr/Magneto (X-Men, X2: X-Men United, etc), but turn his back on his prior methods and many of the people he had fought to protect….

(4) READ MORE ABOUT PHYLLIS EISENSTEIN. Bill Higgins notes, “Phyllis and her husband Alex have been good friends to me for over forty years.  I wrote a little over at Making Light. She had friends everywhere across the SF world, I believe, and she leaves behind a large empty space in Chicago fandom.”

(5) MEDIA BIRTHDAY.

  • December 14, 1984 — On his day in 1984, Dune premiered. It was directed by David Lynch and produced by  Raffaella De Laurentiis, the screenplay was by David Lynch from the Hugo Award winning novel by Frank Herbert.  It starred Francesca Annis, Linda Hunt, Sting, Kyle MacLachlan and a cast of thousands. It did spectacularly poorly at the box office and was treated rather badly by critics. Audience reviewers at Rotten Tomatoes however give a quite spectacular sixty six percent rating. It would place in fourth in Hugo voting at AussieCon Two (1985) with 2010: Odyssey Two winning that year.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 14, 1869 – Elphinstone Dayrell.  His Folk Stories from Southern Nigeria (1910; he was then District Commissioner) published forty tales, many fantastic; the text, with its introduction by Andrew Lang, is here; most reprinted 2019 with much else in African Myths & Tales.  (Died 1917) [JH]
  • Born December 14, 1916 — Shirley Jackson. First gained public attention for her short story “The Lottery, or, The Adventures of James Harris” but it was her The Haunting of Hill House novel which has been made her legendary as a horror novelist as it’s truly a chilling ghost story which recently was made into a series.  I see that’s she’s written quite a bit of genre short fiction — has anyone here read it? (Died 1965.) (CE)
  • Born December 14, 1920 — Rosemary Sutcliff. English novelist whose best known for children’s books particularly her historical fiction which  involved retellings of myths and legends, Arthurian and otherwise. Digging into my memory, I remember reading The Chronicles of Robin Hood which was her first published novel and rather good; The Eagle of the Ninth is set in Roman Britain and was an equally fine read. (Died 1992.) (CE) 
  • Born December 14, 1939 – John Baxter, age 83.  Four novels, a dozen shorter stories; two Pacific Book of SF anthologies; film (including SF in the Cinema and biographies of e.g. Luis Buñuel, Federico Fellini), television; four volumes of memoirs; letters, essays in Australian SF Review, Relapse (which I wish had kept the title Prolapse, but what do I know?), Riverside Quarterly, SF Commentary, Trap Door, Xero.  [JH]
  • Born December 14, 1946 – Jenny Sullivan, Ph.D., age 74.  A score of books for us, a dozen others, with Welsh themes, some in both Welsh and English.  Chilton Bursary.  Two Tir na n-Og Awards.  Returns to visit Wales from her current home in Brittany.  Would you like to know about a Magic Apostrophe?  Do you think a girl your age named Astarte Perkins might make a good friend?  [JH]
  • Born December 14, 1959 — Debbie Lee Carrington. Actress who was an ardent advocate for performers with disabilities. She was the performer inside the Howard the Duck costume, a Martian rebel named Thumbelina in Total Recall, an Ewok in Return of the Jedi (and in the TV movies that followed, a Drone in Invaders from Mars, Little Bigfoot in Harry and the Hendersons, an Emperor Penguin in Batman Returns and a Chucky double in Curse of Chucky. (Died 2018.) (CE)
  • Born December 14, 1960 — Don Franklin, 60. He’s best known for his roles in seaQuest DSV as Commander Jonathan Ford, Seven Days as Captain Craig Donovan, and as one of The Young Riders as Noah Dixon). No, the last isn’t remotely genre but it was a great role. (CE) 
  • Born December 14, 1964 — Rebecca Gibney, 56. She was of Stephen King’s Salem’s Lot, and was also in King’s Nightmares and Dreamscapes mini-series. She also had one- offs in Time Trax, Farscape and The Lost World, all of which were produced either in Australia or New Zealand, convenient as she’s  New Zealand born and resident. (CE) 
  • Born December 14, 1966 — Sarah Zettel, 54. Her first novel, Reclamation, was nominated for the Philip K. Dick Award in 1996, and in 1997 tied for the Locus Award for the Best First Novel. Writing under the alias of C. L. Anderson, her novel Bitter Angels won the 2010 Philip K. Dick award for best paperback original novel. If you’ve not read her, I’d recommend her YA American Fairy Trilogy as a good place to start. (CE) 
  • Born December 14, 1967 – Ewa Bialolecka, age 53.  (The software won’t show some characters in her name; it should have a kreska ukosna “stroke” through each l – so they’re like English w – and an ogonek “little tail” on the e – so it’s nasal; the w is like English v, the c is like English ts.)  Two novels, a dozen shorter stories.  Two Zajdel Awards.  Also stuffed creatures, stained glass, drawings, jewelry; see her at DeviantArt.  [JH]
  • Born December 14, 1979 – Samit Basu, age 41.  A dozen novels, a few shorter stories; comics; film.  Turbulence and sequel Resistance much applauded e.g. in Wired.  Here is a 2017 interview.  [JH]
  • Born December 13, 1980 – Ma Boyong, age 40.  A dozen novels; also a columnist and blogger.  The First Emperor’s Games is about the first Emperor of China: what if he could play video games like Risk (yes, based on the board game) or Angry Birds?  It, The City of Silence, and The Mark Twain Robots are available in English.  People’s Literature Prize (2010).  [JH]

(7) COMICS SECTION.

  • Not Pulp Covers hosts an artist’s conception of an accident between Santa and a UFO.

(8) INDIE GONE WILD. This is the kind of thing I’d expect to see at Mad Genius Club.

(9) MAKER. Here is a Swede who built his own Warhammer space marine 2.7 meters tall – see the video at SVT Nyheter (and read about him if you know Swedish.)

He previously built a panzerbear from Philip Pullman’s His Dark Materials – video and a full report in Swedish here.

(10) ELIGIBILITY BUNDLE. When I checked this “Round-up of Awards Posts by F&SF Writers, Editors, and Publishers for 2020” there were almost 150 author links.

(11) EXOCOMPLEXO. Tickets are available for “Cool Worlds: The Search for Exoplanets Livestream” on December 18 hosted by the American Museum of Natural History.

Can rocky planets around small stars hold onto their atmospheres? Are super-Earths habitable?

Laura Kreidberg, exoplanet atmosphere specialist and director of the APEx Department at the Max Planck Institute for Astronomy, reviews the latest controversies and recent discoveries of exoplanet research.

Exoplanet detection may be old news—over 4,000 have been discovered to date—but the new frontier lies in unraveling the composition of exoplanet atmospheres, their number of moons, and whether they hold the potential for life. In this month’s Frontiers Lecture, investigate how researchers approach these questions and the scientific processes and evidence supporting their hypotheses.

(12) DAILY DISASTER. And at Tor.com, James Davis Nicoll’s equation is “More Planets, More Problems: The Pessimist’s Guide to Galactic Expansion”.

Suppose for the sake of argument the Kepler data is correct when it suggests there are as many as three hundred million (300,000,000!) potentially life-bearing worlds orbiting sunlike stars in our Milky Way. Suppose we win the jackpot and they are all Earthlike enough for us to occupy. Suppose further some grand unified polity spans the whole of the Milky Way, in the manner of Asimov’s Galactic Empire. Among the many implications is the fact that the Ministry of Oh Crap What Now would have to deal with rare natural events relatively frequently. No doubt stressful for our overworked functionaries, but a godsend for SF authors with an appetite for thrilling peril….

(13) AUNT MAN. Gizmodo’s James Whitbrook knows why they look familiar: “Chilling Adventures of Sabrina: ABC’s Zelda and Hilda Return”.

Sabrina’s aunts are back! But…they’re not the aunts that this Sabrina is familiar with.

Netflix has just dropped a majorly tease-y clip from the upcoming final season of Chilling Adventures, in which Sabrina, unsure of just where she actually seems to be, finds herself meeting her “new” Aunts…except, well, they’re her old aunts.

(14) PSA. The Monster Movie Music blog has created another text-and-stills post from an old film: “DON’T BE AFRAID / Growing Up In the Early Fifties”.

Strangely enough, I found this one on Something Weird’s MONSTERS CRASH THE PAJAMA PARTY Spook Show Madness compilation DVD. 

It’s about kids and their fears, and how to conquer them, a public service short produced by Encyclopedia Britannia Films that was probably shown to 4th graders back in the day….

(15) VIDEO OF THE DAY.  It’s from 2018, but Whitney Avalon’s Aladdin “Friend Like Me” Mary Poppins style is news to me.

[Thanks to Cat Eldridge, David Steffen, Hampus Eckerman, Mike Kennedy, JJ, John King Tarpinian, Andrew Porter, Michael Toman, John Hertz, Daniel Dern, Bill Higgins, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Anna Nimmhaus inspired by Bill with an assist from OGH.]

National Film Registry Announces 2020 Selections

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A Clockwork Orange, Shrek and The Dark Knight, inspired by sf, fantasy and comics, are on the list of 25 movies inducted into the National Film Registry of the Library of Congress this year. Also, A Cabin in the Sky, which includes some fantastic elements. Librarian of Congress Carla Hayden announced the selections today.

Films Selected for the 2020 National Film Registry
(chronological order)

  1. Suspense (1913)
  2. Kid Auto Races at Venice (1914)
  3. Bread (1918)
  4. The Battle of the Century (1927)
  5. With Car and Camera Around the World (1929)
  6. Cabin in the Sky (1943)
  7. Outrage (1950)
  8. The Man with the Golden Arm (1955)
  9. Lilies of the Field (1963)
  10. A Clockwork Orange (1971)
  11. Sweet Sweetback’s Baadasssss Song (1971)
  12. Wattstax (1973)
  13. Grease (1978)
  14. The Blues Brothers (1980)
  15. Losing Ground (1982)
  16. Illusions (1982)
  17. The Joy Luck Club (1993)
  18. The Devil Never Sleeps (1994)
  19. Buena Vista Social Club (1999)
  20. The Ground (1993-2001)
  21. Shrek (2001)
  22. Mauna Kea: Temple Under Siege (2006)
  23. The Hurt Locker (2008)
  24. The Dark Knight (2008)
  25. Freedom Riders (2010)

Selected because of their cultural, historic or aesthetic importance to the nation’s film heritage, the 2020 titles include blockbusters, musicals, silent films, documentaries and diverse stories transferred from books to screen. They bring the number of films selected for preservation in the registry to 800, a fraction of the 1.3 million films in the Library’s collections.

Under the terms of the National Film Preservation Act, each year the Librarian of Congress names to the National Film Registry 25 motion pictures that are “culturally, historically or aesthetically” significant. One reason for tThe preservation program is research showing that 70 percent of the nation’s silent feature films have been lost forever and only 14 percent exist in their original 35 mm format.  The films must be at least 10 years old. More information about the National Film Registry can be found at loc.gov/film.

The Librarian makes the annual registry selections after conferring with the distinguished members of the National Film Preservation Board (NFPB) and a cadre of Library specialists. Also considered were more than 5,500 titles nominated by the public. Nominations for next year will be accepted through the fall at here.

Journey Planet Takes on
The Future of Policing in Science Fiction

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By James Bacon: Journey Planet announces the publication of their 53rd edition of their Hugo Award winning fanzine, JP53: The Future of Policing. Co-editor, author, and fan Errick Nunnally suggested the theme for this issue because he felt that it was a rich and timely subject that could be explored from a diverse set of perspectives. As he explains in his “enditorial”:

“The concept of law enforcement in speculative fiction is an old one… The entire world was just beginning to wake up to the plight of Blacks, trans-folk, Native Americans, and other minority populations with law enforcement officers and justice systems. Then the pandemic hit. And George Floyd’s name was added to the seemingly neverending list of Black people killed by the police. What has followed are the most significant and enduring protests since the Civil Rights era, altering the world’s perception of law enforcement systems. Enter fans. What you’re reading is the raw enthusiasm of fans for the theme of this issue.”

With a wonderful cover by Afua Richardson, an exclusive preview panel from The Legend of Luther Arkwright, a work-in-progress by Bryan Talbot, and a fabulous rendition of a classic film poster by Mike Carroll, the imagery is presented alongside incredible essays about the future of policing. Also included in the zine is a micro focus on the TV programme Watchmen. 

With over thirty contributors, we are pleased to offer these fabulous examples of thoughtfulness and sincerity that consider just what the hell is going on right now. 

Essays include “The Tears Of A Policeman” by Brendan DuBois, “Suspension Of Disbelief And Policing In SF.” by Christopher Golden, “The Future Is Now,” by Nicole Givens Kurtz, Brenda Noiseux’s examination of hard-pressed, cibopath detective Tony Chu from Chew, and David Ferguson’s look at Doctor Who. “The Algorithms of Policing” by Anton Marks offers a Black SF writer’s perspective from London. We also have voices from Ireland, Pádraig Ó Méalóidm and Noelle Ameijenda; China, Regina Kanyu Wang; and Germany, Tobias Reckermann. All with their own very different perspectives. 

We were especially pleased about our “Instant Fanzine” response from Jeannette Ng, who offers a realistic and determined view on the future of policing as well as fabulous insight into her thoughts on the Watchmen TV series as well as many other responses that truly capture this moment in time. 

As co-editor Erin Underwood says, “We were looking for impressions from our community within fandom and that is exactly what we received. This edition of Journey Planet is powerful. I think that may unsettle some people. Some may even argue that it has an anti-police feel because of the unvarnished truths that this fanzine shares.”

This issue was edited by Erin Underwood, Errick Nunnally, Christopher J. Garcia and James Bacon. We all hope you find this zine thought-provoking.

Click here for a PDF copy.

Pixel Scroll 12/13/20 It’s The Pixel To Scroll When You’re Scrolling More Than One

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(1) THE VALUE IN EXPERIMENTING. Nino Cipri offers some sff writing pointers. Thread starts here.

(2) BABY FOOD. Beware spoilers – but not spoilage: ‘The Mandalorian’ Season 2: A Baby Yoda food diary”) in the LA Times.

Babies have to eat — and Grogu is no different.

During the second season of “The Mandalorian,” Grogu, long referred to by fans as Baby Yoda, has been shown eating everything from a froglike alien’s eggs to fancy blue cookies. The popular Disney+ series could easily spawn a spinoff called “The Best Thing Baby Yoda Ever Ate.”

As of the seventh episode of Season 2, titled “The Believer,” Baby Yoda remains a captive of Moff Gideon and his Imperial forces. Hopefully, the Empire remembers to feed its prisoners, because Grogu is one hungry baby, if previous episodes are anything to go by.

Until Mando and Baby Yoda are reunited (and hopefully throw a celebratory feast), here’s a look back at everything Baby Yoda has been seen eating during the show so far.

(3) DINO TIMES. The Los Angeles Public Library did an “Interview With an Author: David Gerrold” about his new novel Hella.

How did the novel evolve and change as you wrote and revised it? Are there any characters or scenes that were lost in the process that you wish had made it to the published version?

I had a first draft that sat on my computer for a couple of years. It wasn’t bad, but it needed a polish. And the ending was unsatisfying. I offered it to Betsy Wollheim at DAW. I really admire her. She understands the genre better than most because she grew up in it. Her dad, Donald A. Wollheim, was one of the most underrated movers and shakers in the field. She suggested that I rethink the ending and I came up with a much stronger resolution, one that was a much better payoff. So I have to give her the credit for making Hella a better book.

(4) PRO TIP. In Isaac Asimov’s autobiography In Memory Yet Green he discusses how he continued to write letters in the pages of science fiction magazines even after he became a professional.

I began to enjoy less the writing of letters.  Yet I did write them, and often quarreled with writers who objected to something or other in one of my stories–until I received a letter from the writer Nelson S. Bond (whom I met briefly at the World Convention in 1939, and never again), saying that now that I was a professional, I should stop slugging it out in fan columns.  I took that seriously and from the moment I received that letter, I stopped writing letters to the magazines, except for very occasional ones that did not involve fannish comments.  I have always been grateful to Bond for this word in season.

(5) TWO FIFTHS. Thanks to Jim Henley for this fine example of a File 770 trope – double fifths!

(6) ANOTHER FIVE. Speaking of the magic number, James Davis Nicoll knows “Five Novels About the World After the End of the World”.

While nostalgia has had a place in tabletop roleplaying games ever since the field was old enough to have second editions—remember when tabletop roleplaying game nostalgia was new?—the recent Twilight 2000 Kickstarter is remarkable for the speed at which the project hit its funding goals: just seven minutes, a bit longer than it would take missiles launched from the Soviet Union to reach Britain.

First published in 1984, Twilight 2000 took as its background a mid-1990s Soviet-Chinese conflict that spiraled into a global war when East and West Germany tried to use Soviet distraction to reunify. By 2000 all sides are too exhausted to continue. Most campaigns begin as the war stumbles to a chaotic, exhausted halt.

T:2000 might seem to be an odd game to be nostalgic about. Perhaps it is a reflection of the Jason Mendoza principle: “Anytime I had a problem and I threw a Molotov cocktail, boom! Right away, I had a different problem.” …

(7) CHINA’S COSPLAY RESTRICTIONS. “China cracks down on cleavage at cosplay convention” – CNN has the story.

Organizers of Asia’s largest digital entertainment expo — where scantily clad models usually dress up as characters from comic books, movies and video games — say they will levy a fine of $800 on women who reveal “more than two centimeters of cleavage.”

Men are not exempt from the crackdown on exposed flesh.

They will face the same penalty if they wear low-hanging pants or expose their underwear. If models are caught dancing in cages or around a pole they will be fined a whopping $1,600, as will anyone caught striking vulgar poses.

It’s the latest example of what appears to be a government campaign for stricter morality in China.

A New York Times story on December 11 collected other examples in “Two soccer teams showed up to play. One lost because of hair dye” (repeated here by the South Florida Sun-Sentinel):

Under China’s top leader, Xi Jinping, the Communist Party’s creeping interference on the smallest details of Chinese life is being felt more and more. Censors have blurred the bejeweled earlobes of young male pop stars on television and the internet so that, in their mind, the piercings and jewelry don’t set a bad example for boys. Women in costumes at a video game convention were told to raise their necklines.

(8) BATMAN ’66 AND OTHER VINTAGE TV OPINIONS. [Item by Todd Mason.]  From 1966: “At Issue; 65; What’s Happening to Television?” This episode of the monthly series from National Educational Television makes its points, sometimes less tellingly than its creators think it does, but writer Morton Silverstein and some of those interviewed sure get their boots in on Batman, the ABC series, to a remarkable degree. Also, the blithe use of “drama” to refer only to anthology series that don’t have a slant toward one established program category or another beyond that concept. Interesting to those who are students of popular culture and news medium self-justification.

“What’s Happening to Television?” is the topic explored by no fewer than twenty-two top personalities allied to the television industry. This hour program in National Educational Television’s “At Issue” series presents timely and critical observations on daily programs, news, TV ratings, government regulations and the role of advertising. “What’s Happening to Television?” is analyzed by network executives, news commentators, advertising people, writers and critics. They comment on the growth of television, from its infant days to its present giant development, when more than 35 million Americans watch their sets for some 3 hours daily. “What’s Happening to Television?” looks back into TV history, analyzing some of the early successes, commenting on present programs, and giving the viewer a glimpse of next fall’s offerings. Some of the questions discussed include: Will television ever live up to its potential? What is the real purpose? Who determines which programs are dropped? What is the role of the program sponsors? Is the public interest being protected? Is educational television the answer to more worthy programs? What can the viewer do to control the quality of programs coming into the family living room? 

(9) GALANTER OBIT. Star Trek author Dave Galanter (1969-2020) died of cancer on December 12. Galanter has authored (or coauthored with collaborator Greg Brodeur) such Star Trek projects as Voyager: Battle Lines, the Next Generation duology Maximum Warp, The Original Series novels Crisis of Consciousness and Troublesome Minds, and numerous works of short Star Trek fiction.

(10) LE CARRE OBIT. The author of the George Smiley novels has fallen to pneumonia: “John le Carre, who probed murky world of spies, dies at 89” reports the AP News. He died December 12.

“John le Carre has passed at the age of 89. This terrible year has claimed a literary giant and a humanitarian spirit,” tweeted novelist Stephen King. Margaret Atwood said: “Very sorry to hear this. His Smiley novels are key to understanding the mid-20th century.”

…After university, which was interrupted by his father’s bankruptcy, he taught at the prestigious boarding school Eton before joining the foreign service.

Officially a diplomat, he was in fact a “lowly” operative with the domestic intelligence service MI5 —he’d started as a student at Oxford — and then its overseas counterpart MI6, serving in Germany, on the Cold War front line, under the cover of second secretary at the British Embassy.

His first three novels were written while he was a spy, and his employers required him to publish under a pseudonym. He remained “le Carre” for his entire career. He said he chose the name — square in French — simply because he liked the vaguely mysterious, European sound of it….

(11) MEDIA BIRTHDAY.

  • December 13, 2002 — On this date in 2002, Star Trek: Nemesis premiered. It directed by Stuart Baird and produced by Rick Berman from the screenplay by John Logan as developed from the story by John Logan, Rick Berman and Brent Spiner. It was the fourth and final film to feature the Next Generation cast. It received decidedly mixed reviews, was a full-blown box disaster but currently has a decent fifty percent rating among audience reviewers at Rotten Tomatoes.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born December 13, 1909 – Alan Barclay.  Five novels, two dozen shorter stories; essays “Interplanetary Navigation” in New Worlds SF, “The Bow” in SF Adventures.  “The Scapegoat” is in New Worlds SF 105 which has this neato Sydney Jordan cover.  (Died 1991) [JH]
  • Born December 13, 1923 – Faith Jaques.  Six covers, eight interiors for us.  Here is Charlie and the Great Glass Elevator and here is an interior.  Here is “The Flirtation of Two Mice”.  Outside our field I know her for this; and here are some Christmas Waits.  (Died 1997) [JH]
  • Born December 13, 1929 — Christopher Plummer, 91. Let’s see… Does Rudyard Kipling in The Man Who Would Be King count? If not, The Return of the Pink Panther does. That was followed by Starcrash, a space opera I suspect hardly anyone saw which was also the case with Somewhere in Time.  Now Dreamscape was fun and well received.   Skipping now to General Chang in Star Trek: The Undiscovered Country. Opinions everyone? I know I’ve mixed feelings on Chang.  I see he’s in Twelve Monkeys which I’m not a fan of and I’ve not seen The Imaginarium of Doctor Parnassus yet. (CE) 
  • Born December 13, 1940 – Ken Mitchell, age 80.  Co-founded the Saskatchewan Writers’ Guild and the S Playwrights Center.  A novel, a shorter story, two covers for us (here is The Tomorrow Connection); six other novels, a dozen plays.  Retired from the Univ. Regina English Department, tours as a cowboy poet.  Order of Canada.  Saskatchewan Order of Merit.  [JH]
  • Born December 13, 1945 – Drew Mendelson, age 75.  Two novels, half a dozen shorter stories.  Maybe Cora Buhlert can explain why “Once I Built a Railroad” was translated as »Einst baute ich eine Eisenbahn« which means Once I built a railroad but Pilgrimage was translated as Die vergessenen Zonen der Stadt which isn’t a bad title for it but doesn’t mean Pilgrimage.  [JH]
  • Born December 13, 1949 — R.A. MacAvoy, 71. Winner of the Astounding Award for Best New Writer. I’m very, very fond of her Black Dragon series, Tea with the Black Dragon and Twisting the Rope. The only other thing I’ve read of hers is The Book of Kells so, do tell me about her other works. (CE) 
  • Born December 13, 1954 — Tamora Pierce, 66. Her first book series, The Song of the Lioness, took her character Alanna through the trials of training as a knight; it sold very well and was well received by readers. She would win in 2005 the Edward E. Smith Memorial Award for Imaginative Fiction, a rare honor indeed. (CE)
  • Born December 13, 1954 — Emma Bull, 66. Writer of three of the best genre novels ever, Bone Dance: A Fantasy for Technophiles, Finder: A Novel of The Borderlands and War for The Oaks. Will Shetterly, her husband and author of a lot of really cool genre works, decided to make a trailer which you can download if you want. Just ask me.  She’s also been in in a number of neat bands, one that has genre significance that being Cat Laughing which has Stephen Brust, Adam Stemple, son of Jane Yolen, and John M. Ford either as musicians or lyricists. They came back together after a long hiatus at MiniCon 50. Again just ask me and I’ll make this music available along with that of Flash Girls which she was also in. (CE) 
  • Born December 13, 1960 – José Eduardo Agalusa Alves da Cunha, age 60.  (Agalusa the maternal, Alves da Cunha the paternal surname, Portuguese style.)  Two novels for us: The Society of Reluctant Dreamers just appeared in English, 2019; The Book of Chameleons won the Independent Foreign Fiction prize); a dozen others, shorter stories, plays, poetry, journalism, radio.  Int’l Dublin Literary Award.  [JH]
  • Born December 13, 1969 — Tony Curran, 51. Vincent van Gogh in two Eleventh Doctor stories, “Vincent and the Doctor” and “The Pandorica Opens”, the latter as a cameo. He’s had vampire roles in Blade II as Priest and Underworld: Evolution as Markus, and was Lt. Delcourt in The Adventures of Tintin: The Secret of the Unicorn to name but a few of his myriad genre roles. (CE) 
  • Born December 13, 1978 – Lee Isserow, age 42.  A score of novels, a dozen shorter stories for us; screenwriting; and the terrifying ABAM project, which means – yes – A Book A Month.  Has read not only Breakfast of Champions but The Master and Margarita.  [JH]
  • Born December 13, 1984 — Amal El-Mohtar, 36. Canadian editor and writer. Winner of Hugo Awards for Best Short Story for “Seasons of Glass and Iron” at WorldCon 75 and  Best Novella for “This Is How You Lose the Time War” at CoNZealand (with Max Gladstone). (The latter got a BSFA and a Nebula as well.) She’s also garnered a Nebula Award  for “Madeleine“, a World Fantasy Award for “Pockets” and a World Fantasy Award for “Seasons of Glass and Iron”. Impressive. She has edited the fantastic poetry quarterly Goblin Fruit magazine for the past four years. (CE) 

(13) COMICS SECTION.

  • In The Far Side, it looks like the coroner’s office has already picked up this extra sized decedent.
  • And in another entry of The Far Side, they also walk dogs.

(14) IMAGINARY GIFT SHOP. [Item by Martin Morse Wooster.] The Washington Post had a short feature where they asked writers to “dream up the presents that they’d love to parcel out this year but don’t exist.”  Ken Liu says he wants a phone-sized device he can point at tweeters to see whether they are arguing in good faith or just being a troll.  Ted Chiang says he wished the Web had evolved into a subscription-based servie where people paid for sites they visited with money instead of personal data. “A guide to gifts that don’t exist but should”.

(15) THE ANSWER IS BOOKS. Of more practical use, “A gift guide for the fans of science fiction, fantasy and horror books in your life” by Silvia Moreno-Garcia and Lavie Tidhar in the Washington Post.

It’s that time of the year when the nights grow long, the air grows cold, the festive lights go up and the year’s best books lists are sprouting like mushrooms after the rain. But will any of them help you find that perfect book-gift for your friends who love science fiction, fantasy and horror? If not, we’re here to help….

(16) THE HIGH AND THE MIGHTY. Camestros Felapton is highly entertaining with “My new pointless Star Wars theory”.

The issue that had been bugging me was the inconsistent way of travelling between planets. In the films but also in The Mandalorian (less so in cartoons), characters fly in space ships between planets in two ways:

  • Using hyperspace as faster than light travel.
  • Using sub-light speed engines….

But now he has it all figured out!

(17) YES, VIRGINIA, THERE WAS A WRITER NAMED G. K. CHESTERTON? At CrimeReads, Olivia Rutigliano contends “Famed mystery writer G.K. Chesterton proudly, sincerely believed in Santa Claus”.

… Chesterton’s applied his penchant for logic in this article on “Santa Claus.” Along with providing a short history of the figure of Santa Claus in popular culture (particularly his origins, as the gift-wielding St. Nicholas of Bari in Medieval iconography), Chesterton offered a simple proposition: that a child’s ultimately ceasing to believe in Santa Claus, justified by the fact that Santa Claus is not real, is a precursor to that child’s ceasing to believe in God. And this, Chesterton explained, was a terrible phenomenon.

And then he admitted a surprising detail: “I startled some honest Protestants lately by telling them that, though I am (unfortunately) no longer a child, I do most definitely believe in Santa Claus.”

Elaborating on this decidedly ‘hot take,’ Chesterton stressed that he felt it was critical for children to believe in Santa Claus even after Santa Claus has been debunked as a real, flesh-and-blood man, because the Santa Claus that children know is ultimately a caricature of an actual saint; just because, Chesterton argued, he is not real to their eyes does not mean that he is not a genuine, spiritual entity….

(18) FIREFLY CHARACTER AS ILLUSTRATION OF PTSD. “SERENITY and Coping with Trauma” from Cinema Therapy on YouTube.

What happens when you’re kidnapped from your family, tortured, and conditioned into being an assassin? You get River Tam. And also Alan, apparently. Therapist Jonathan Decker and filmmaker Alan Seawright discuss what we can learn about coping with trauma from Summer Glau’s character River in Serenity and Firefly. They break down some of the symptoms of PTSD she exhibits, and some of the things that help her work through them and start healing. Even though most of us don’t live in a sci-fi future with space ships, space zombies, and space cowboys (along with psychics and lots of other fun), we can still learn a thing or two about how to heal from and deal with the trauma we do face in real life.

(19) ZOOMING THROUGH FANHISTORY. Fanac.org is planning a series of Zoom Interactive Fan History Sessions.

For our first session, Rob Hansen is going to give us an historic tour of fannish Holborn, London. Rob is probably the most accomplished fan historian writing these days. As most of you know, he has written the history of British fandom, Then and has put together a number of books covering various aspects of British fandom. Find many of them here. Reserve the date: Saturday, December 19, 2020 at 11AM EDT.

Despite the pandemic, Rob has done video recordings around London, and with historic photos and live description will give us a tour that covers some household fannish names and places. He has worked with Edie [Stern] over the past several months to provide an interesting and fairly detailed coverage of London’s fan heritage. This one-hour session is based on tours which Rob has given to individual fans and also developed as a group tour after the last London Worldcon. Even if you have been on one of these tours, you will find some fresh sights and insights. Of course, Rob will be live on Zoom with additional material and to answer questions.  Please send your RSVP to [email protected] as our Zoom service is limited to 100 participants.

(20) BEYOND INFINITY. Disney+ dropped a trailer for What if….? an alternate-universe animated series.

(21) MARTIANS AT THE NEW YORK TIMES. [Item by David Goldfarb.] The New York Times puzzle page has a game called “Letter Boxed”, in which you make words out of letters arranged around a square. The idea is to use all the letters with as few words as possible: there is always a two-word solution. The two-word solution for Saturday 12/12 was “Visualizing – Grok”.

(22) EDUCATE YOURSELF. Ursula Vernon ladles out more life experience. Thread starts here.

(23) RUN TO DAYLIGHT. SYFY Wire learned that “Spiders get thrown off spinning webs in zero-G…unless they have light”.

It’s one small step for insects, eight steps for spider-kind.

“Arachnauts” flown to the ISS have revealed their secret backup plan when they can’t use gravity to figure out where they are when spinning their webs. Earth’s gravity is what normally helps them make a web optimal for catching dinner—and position themselves in it. Lamps accidentally placed above the spider experiment showed that when the arachnids lose their orientation in microgravity, they use light to find their way again….  

(24) VIDEO OF THE DAY. In “Hulk (2003) Pitch Meeting” on Screen Rant, Ryan George says that people who watched the 2003 Hulk expecting that Hulk would smash things will be disappointed by the first 45 minutes, which consist of nothing but brooding and that few people will be excited by the scenes where Hulk beats up a Hulkified French poodle.

[Thanks to Jim Henley, David Goldfarb, Martin Morse Wooster, John Hertz, John King Tarpinian, Contrarius, JJ, Cat Eldridge, Michael Toman, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Bill.]

Crime Fiction Awards News Update

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STAUNCH BOOK PRIZE

The Staunch Book Prize — the award for thrillers without violence against women — has announced its 2020 shortlist and winner for novels and short stories in one fell swoop: 

WINNER

  • Heaven, My Home by Attica Locke (Serpent’s Tail)

OTHER FINALISTS

  • The Chemical Reaction by Fiona Erskine (Point Blank)
  • The Coldest Warrior by Paul Vidich (No Exit Press)
  • Death in Her Hands by Ottessa Moshfegh (Vintage)
  • Glorious Boy by Aimee Liu (Red Hen Press)
  • The Burning Island by Jock Serong (Text Publishing)

SHORT STORY SHORTLIST – STAUNCH BOOK PRIZE

WINNER

  • “Mrs Hawkins and The Orchard” by Laura Stanley

OTHER FINALISTS

  • “Flyer” by Hayley Magrill
  • “A House So Beautiful” by Malia Márquez
  • “I’ve Got The Sauce, If You’ve Got The Pasta” by Susan Morritt
  • “Manik” by Gabrielle Rupert
  • “The Lion” by Judy Upton

Bridget Lawless established the prize in 2018 in reaction to the number of films that used rape as a plot device in the 2017 BAFTA award nominees, and was inspired by the Time’s Up and Me Too movements, to encourage alternatives to violence-against-women tropes.

The award website says the award is for “a novel in the thriller genre in which no woman is beaten, stalked, sexually exploited, raped or murdered.” The Staunch Book Prize is open to traditionally published, self-published and not-yet-published works[2] and awards £2,000 (funded by Lawless).

PETER LOVESEY FIRST CRIME NOVEL CONTEST

The Peter Lovesey First Crime Novel Contest winner for 2020 has been named in a press release.

  • Don’t Know Tough by Eli Cranor

The winning manuscript was selected from more than two hundred entrants by a panel of Soho Press editors and the famed mystery novelist Peter Lovesey. The winner will be published in Spring 2022 by Soho Crime.

The contest, held to commemorate Lovesey’s 50th anniversary as a mystery writer, was announced at the 2019 Bouchercon World Mystery Convention in Dallas. Mr. Lovesey and the judges also recognized two honorable mentions: Catherine Hendricks’s “Hardways” and Dan Wever’s “The Prince of Thieves.”

LITTLE, BROWN UEA CRIME FICTION AWARD 2020

The winner of the 2020 Little, Brown UEA Crime Fiction Award has also been announced.

  • No Country for Girls by Emma Styles

[Thanks to Cora Buhlert for the stories.]