The 2024 Audie Awards winners were announced by the Audio Publishers Association (APA) on March 4.
The complete list of winners is here. Categories and other winners of genre interest include:
AUDIO DRAMA
Third Eye (Audio) By Felicia Day. Performed by Felicia Day, Neil Gaiman, full cast
AUTOBIOGRAPHY/MEMOIR
Making It So (Audio) Written and narrated by Patrick Stewart. Published by Simon & Schuster Audio
FANTASY
The Dragon Reborn By Robert Jordan. Narrated by Rosamund Pike. Published by Macmillan Audio
HISTORY/BIOGRAPHY
Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh (Audio) By Ann Thwaite, preface by Frank Cottrell-Boyce. Narrated by Simon Vance. Published by Tantor Audio, a division of Recorded Books
LITERARY FICTION & CLASSICS
The Iliad (Audio) By Homer, translated by Emily Wilson. Narrated by Audra McDonald. Published by Audible Studios
SCIENCE FICTION
Cassandra in Reverse (Audio) By Holly Smale. Narrated by Kristin Atherton. Published by HarperAudio
YOUNG LISTENERS
The Skull (Audio) By Jon Klassen. Narrated by Fairuza Balk and Jon Klassen. Published by Dreamscape Media
(1) LOCUS REACHES CROWDFUNDING TARGET. The Locus Magazine Indiegogo appeal hit the target today. When I checked in they had exceeded their $75,000 goal and were at $78,571. Although today was the announced deadline, Locus has extended the appeal to the end of the year.
…But, wait, it’s not over yet! On advice from those that know, we are going to extend our campaign to the end of the year: if we hit $85k that will cover all of the expenses of the fundraiser and we will get the whole $75k. FTW!
Also, we really want to reach our Special Short Story Issue stretch goal!! At $85,000 we’ll dedicate one of our 2023 monthly issues to the art of short fiction, and already have Kelly Link, Usman T. Malik, and Ted Chiang lined up for a roundtable feature.
Oh, and (Jan-Erik Zandersson might want to cover his eyes here) Locus hitting its goal means John Scalzi is going to do a Christmas story.
The $75k mark has been hit (thank you!) so a Christmas story is on its way by 12/24 — but remember, if the @locusmag fundraiser makes it to $85k I throw in an audio version of that story too. So there's still time to get on it! https://t.co/8UjhPPm5mH
(2) TRUMP’S BIG ANNOUNCEMENT. Former President Trump’s hyped “big announcement” would probably not be covered in today’s Scroll except that it proved to be the introduction of his “’official Donald Trump Digital Trading Card’ collection with a picture of himself in superhero costume, cape and ‘Trump Champion’ belt.” “’Losing the plot’: Trump mocked after announcing superhero card collection” at Yahoo!
… But when the announcement came on Thursday, Trump said he was merely offering supporters “limited edition cards featur[ing] amazing ART of my Life & Career”, which he promised would prove “very much like a baseball card but hopefully much more exciting”.
“GET YOUR CARDS NOW!” the 76-year-old former president commanded, above the picture of himself standing in a ring for boxing or wrestling, muscles rippling under a red leotard and wearing high blue boots emblazoned with “45” (his presidential number) and an American flag as a cape.
The cards, the declared candidate for the Republican nomination in 2024 said, cost “Only $99 each” and “would make a great Christmas gift”….
And how did the base react? We take you now to Jon Del Arroz’ reaction video titled “Trump HUMILIATES Himself With His New CRINGE Announcement. Make It STOP!”
“This is ridiculous. This reeks of an nft scam where you’re just like collecting these things that are not actually collectible. They’re digital pictures just like this one. Just take a screenshot friends and you’ll have it yourself. Let’s go to the website and check it out. All right. Collecttrumpcards.com here we go. [laughs] And it’s loading slow, too, how exciting. How exciting. Gosh this is so sad. I mean to me like a president doing this, somebody who is a 2024 Contender or kind of was. Uh, the site’s not even loading. Womp womp uh it is actually embarrassing. Like he he should not be stooping to this kind of thing, especially as like a big businessman or whatever. Like I mean you’d think that he’d have a better sort of business plan going forward to where he’s making real money. I mean this is like selling stupid trinkets that aren’t even actual trinkets, you don’t even get anything out of it, and it’s just kind of sad to watch. I think this is really the downfall of Trump when you’re doing a big announcement in all this and this is what you come out with….”
It’s my blog so I don’t have to run an image of Trump’s superhero card to illustrate this item. I think that’s a right guaranteed to me by the Constitution. Or the LA County sanitation code. Somewhere.
In Christmases past, we featured Charles Dickens’ hand-edited copy of his beloved 1843 novella A Christmas Carol. He did that hand editing for the purposes of giving public readings, a practice that, in his time, “was considered a desecration of one’s art and a lowering of one’s dignity.” That time, however, has gone, and many of the most prestigious writers alive today take the reading aloud of their own work to the level of art, or at least high entertainment, that Dickens must have suspected one could. Some writers even do a bang-up job of reading other writers’ work: modern master storyteller Neil Gaiman gave us a dose of that when we featured his recitation of Lewis Carroll’s “Jabberwocky” from memory. Today, however, comes the full meal: Gaiman’s telling of A Christmas Carolstraight from that very Dickens-edited reading copy….
(4) HORROR HOSTESS. Via the Horror Writers Association blog, “Nuts and Bolts: Interview with Aurora Gorealis”. There’s a substantial excerpt at the link, however, only HWA members have access to the full article.
In the tradition of such sinister seductresses as Vampira and Elvira, Aurora Gorealis is a Baltimore-based horror host who weaves dark magic from a combination of campy movies, sassy attitude, and the occasional pun of dubious quality.
Since 2017, Aurora (aka: Melissa LaMartina) has been playing the character during “Shocktail Hour” at the Golden West Café in Baltimore, combining live comedy and screenings of off-the-wall classics such as “Phantom of the Paradise” and “House on Haunted Hill” (complete with William Castle-style gimmicks)….
…“Lots of us have read this book called ‘Into the Wild,’” said Lola Shub, a senior at Essex Street Academy, referring to Jon Krakauer’s 1996 nonfiction book about the nomad Chris McCandless, who died while trying to live off the land in the Alaskan wilderness. “We’ve all got this theory that we’re not just meant to be confined to buildings and work. And that guy was experiencing life. Real life. Social media and phones are not real life.”
“When I got my flip phone, things instantly changed,” Lola continued. “I started using my brain. It made me observe myself as a person. I’ve been trying to write a book, too. It’s like 12 pages now.”
Briefly, the club members discussed how the spreading of their Luddite gospel was going. Founded last year by another Murrow High School student, Logan Lane, the club is named after Ned Ludd, the folkloric 18th-century English textile worker who supposedly smashed up a mechanized loom, inspiring others to take up his name and riot against industrialization….
… “But that wasn’t enough,” she said. “So I put my phone in a box.”
For the first time, she experienced life in the city as a teenager without an iPhone. She borrowed novels from the library and read them alone in the park. She started admiring graffiti when she rode the subway, then fell in with some teens who taught her how to spray-paint in a freight train yard in Queens.And she began waking up without an alarm clock at 7 a.m., no longer falling asleep to the glow of her phone at midnight. Once, as she later wrote in a text titled the “Luddite Manifesto,” she fantasized about tossing her iPhone into the Gowanus Canal.
While Logan’s parents appreciated her metamorphosis, particularly that she was regularly coming home for dinner to recount her wanderings, they grew distressed that they couldn’t check in on their daughter on a Friday night. And after she conveniently lost the smartphone they had asked her to take to Paris for a summer abroad program, they were distraught. Eventually, they insisted that she at least start carrying a flip phone….
For years, archival traces of the novelist Thomas Pynchon have been almost as rare as sightings of the man himself.
Only a handful of confirmed photos of him are known to exist. While letters by him sporadically pop up for sale, those that have surfaced in publicly accessible archives have tended to disappear from view just as quickly, following protests from the famously private author.
But now, the Huntington Library, Art Museum and Botanical Gardens in San Marino, Calif., has acquired Pynchon’s literary archive, promising to open a window into the mind and methods of an author whose dense, erudite, playfully postmodern and often extremely long novels like “Gravity’s Rainbow” (760 pages) and “Against the Day” (1,085) have inspired serious scholarship, cultish devotion and wild-eyed conspiracy theories.
The archive includes 48 boxes — 70 linear feet, in archivist-speak — of material dating from the late 1950s to the 2020s. There are typescripts and drafts of all his published books, from “V.” (1963) to “Bleeding Edge” (2013). And there are copious research notes on the many, many subjects (World War II rocketry, postal history, 18th-century surveying) touched on in his encyclopedic novels.
But for all its richness, those hoping for a more intimate view of the man who twice made a cheeky cameo on “The Simpsons” with a paper bag over his head may be out of luck.
The archive includes correspondence relating to the publishing process, the library said, but no private letters or other personal material. And no, there are no photographs of Pynchon either…..
(7) DEFENDING SANDMAN. [Item by SF Concatenation’s Jonathan Cowie.] Last night BBC Radio 4 Front Row arts programme had Neil Gaiman. Neil, apparently, has been getting a fair bit of criticism saying that Sandman is too woke what with non-binary characters and all. Neil thinks this strange as 30 years ago when Sandman first came out there was no problem. OK, so woke did not exist then, but Neil points out that nobody back then complained that Sandman was too PC.. “Neil Gaiman, China’s art censorship in Europe, Decline of the working class in the creative industries”.
(8) MEMORY LANE.
1995 — [By Cat Eldridge.] Winnie statues in the London Zoo
Yes, we already had a look at the Winnie the Pooh statue in White River, Ontario, but neither one of those statues is of him. Rather the examples today are of the bear that inspired A.A. Milne to create that marvelous bear.
The first, not at all surprisingly, stands close to the War Memorial.
This bronze statue, which is called the Winnie the bear and Lt. Colebourn Statue, was sculpted by Canadian artist William (Bill) Epp, and donated to London Zoo by the Canadian province of Manitoba. A copy of an identical statue in the Assiniboine Park Zoo, Winnipeg.
The plaque reads:
Winnie and Lt. Colebourn by Bill Epp presented by the people of Manitoba unveiled July 1995
But it’s not the only sculpture of Winnie you’ll find here in the London Zoo! There is another bronze of Winnie, shown as a young cub, by sculptor Lorne McKean. It was unveiled by Christopher Robin Milne in 1981. It is located near Animal Adventure right by the Blackburn Entrance.
McKean likes swans since two of her commissions have been them, Girl and A Swan and simply Swans. She also did a stellar Fox fountain with a bronze fox on a rock with water in Old Fox Yard, Stowmarket.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 15, 1923 — Freeman Dyson. Physicist best known in genre circles for the concept he theorized of a Dyson Sphere which would be built by a sufficiently technologically advanced species around a sun to harvest all solar energy. He credited Olaf Stapledon in Star Maker (1937), in which he described “every solar system… surrounded by a gauze of light traps, which focused the escaping solar energy for intelligent use,” with first coming up with the concept. (Died 2020.)
Born December 15, 1937 — John Sladek. Weird and ambitious would be ways to describe his work. The Complete Roderick Is quite amazing, as is Tik-Tok, which won a BSFA, and Bugs is as well. He did amazing amounts of short fiction, much of which is collected finally in the ironically named Maps: The Uncollected John Sladek. He is generously stocked at the usual suspects. (Died 2000.)
Born December 15, 1949 — Don Johnson, 73. Though Miami Vice is where most will know him from, he has impressive genre creds including the lead in the Ellison-derived A Boy and Dog, voicing Wazir’s Son in Aladdin and the Wonderful Lamp, Office Andy Brady in the Revenge of the Stepford Wives film and another Sheriff, Earl McGraw, in the From Dusk till Dawn: The Series.
Born December 15, 1951 — David Bischoff. His “Tin Woodman” which was written with Dennis Bailey and nominated for a Nebula would be adapted into a Next Generation story. He also wrote the Next Gen story “First Contact” (with Dennis Russell Bailey, Joe Menosky, Ronald D. Moore and Michael Piller.) And he continued the Bill the Galactic Hero story with Harry Harrison. He’s also written a kickass excellent Farscape novel, Ship of Ghosts. (Died 2018.)
Born December 15, 1952 — Marta DuBoi. Her first genre role is on the Starman series as Dr. Ellen Dukowin the “Fever” episode though you’ll likely better recognize her as Ardra on the “Devil’s Due” episode of the Next Generation. She also had roles on The Land of The Lost, The Trial of the Incredible Hulk and Tales of the Golden Monkey. (Died 2018.)
Born December 15, 1953 — Robert Charles Wilson, 69. He’s got a Hugo Award for Spin, a John W. Campbell Memorial Award for The Chronoliths, a Theodore Sturgeon Memorial Award for the “The Cartesian Theater” novelette and Prix Aurora Awards for the Blind Lake and Darwinia novels. He also garnered a Philip K. Dick Award for Mysterium. Very, very impressive indeed.
Born December 15, 1963 — Helen Slater, 59. Was Supergirl in the film of that name, and returned to the 2015 TV series of the same name as Supergirl’s adoptive mother. Also within the DC Universe, she voiced Talia al Ghul in in Batman: The Animated Series. Recently she also voiced Martha Kent in DC Super Hero Girls: Hero of the Year. And Lara in Smallville… And Eliza Danvers on the Supergirl series. Me? I’m not obsessed at all by the DC Universe. Her other genre appearances include being on Supernatural, Eleventh Hour, Toothless, Drop Dead Diva and Agent X.
Born December 15, 1970 — Michael Shanks, 52. Best known for playing Dr. Daniel Jackson in the very long-running Stargate SG-1 franchise. His first genre appearance was in the Highlander series and he’s been in a lot of genre properties including the Outer Limits, Escape from Mars, Andromeda (formally titled Gene Roddenberry’s Andromeda and there’s a juicy story there), Swarmed, Mega Snake, Eureka, Sanctuary, Smallville, Supernatural and Elysium. Wow!
(10) A “KING KONG” BIRTHDAY CAKE. [Item by Steve Vertlieb.] For my 70th birthday (December 15th, 2015), dear friends Bruce and Ann Gearhart in Baltimore surprised me with the most wonderful celebratory cake I’ve ever been given.
“The Girl In The Hairy Paw,” edited and compiled by Ronald Gottesman and Harry M. Geduld, with wonderful cover art by Dave Willardson, was published by Avon Books in 1976 and featured, as its lead chapter, my lengthy essay on the making and production of the original “King Kong.” Its release was a significant benchmark in my life and career, as it was the first time that my work had ever been published in a book.
The opening chapter of this legendary volume was adapted from my series of articles comprising the cover story for the premiere issue of “The Monster Times” in 1972. This astonishing birthday sheet cake, replicating the book’s famous “King Kong” cover, thrilled me beyond words.
Carving into this wondrous pastry was delayed by a solid half hour while we all took pictures of it. It was simply too precious to deface. Fortunately, sanity eventually prevailed and this wondrous cake was ravenously devoured. Still, I wish that it might somehow have been preserved forever…. a delectable artifact commemorating my lifelong favorite film.
After seven years, the astonishing, childlike joy of having received this unforgettable gift brings a wondrous smile to my aging lips.
An 11,000-year-old carving in Turkey is the earliest known portrayal of a narrative scene. Archaeologists have uncovered other etched images in southeastern Turkey from the Neolithic period, which in the Near East stretched roughly from 10,000 bc to 7,000 bc and includes the transition from nomadic life to settlements. But, unlike previously identified images, the latest discovery consists of two adjacent panels with a progressing storyline….
(12) SF READER LITMUS TEST. [Item by Daniel Dern.] Having pre-registered as press for the rapidly-approaching CES (I’m not going IRL/F2F, but want some of the PR email barrage), Daniel Dern just got this:
Subject: CES to Feature FoodTech Sessions, Exhibits & More – Connect w/ Cultivated Meat CEO Panelist?
Dern asks/thinks (but did not reply with) this, to a mix of fellow tech journalists and Filers: Who else first quick-read this as a, with all due respect to SF writer Terry Bisson [1] ‘made-of-cultivated-meat’ panelist rather than the more likely meaning?
A team of physicists determined that enigmatic ‘antinuclei’ can travel across the universe without being absorbed by the interstellar medium. The finding suggests we may be able to identify antimatter that is produced by dark matter in deep space.
The physicists estimated the Milky Way’s so-called transparency to antihelium-3 nuclei—meaning, how permissive the galaxy’s interstellar medium is to antinuclei zipping through space.
“Our results show, for the first time on the basis of a direct absorption measurement, that antihelium-3 nuclei coming from as far as the centre of our Galaxy can reach near-Earth locations,” said ALICE physics coordinator Andrea Dainese, in a CERN release….
In the late 1970s, a Detroit-area aeronautical engineer who helped make NASA’S Apollo program possible dreamed up an amusement park called Space World. He hoped to build it on what was then farmland in Ypsilanti Township. He eventually broke ground on the park in nearby Huron Township, but down-to-earth troubles like high interest rates scrubbed the project.
This group of schoolchildren is getting older, so it’s time they got… “the talk”. That is of course, the talk about what “Avatar” is and why they should care.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Daniel Dern, Steve Vertlieb, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
The Literature-Map is part of Gnod, the Global Network of Discovery. It is based on Gnooks, Gnod’s literature recommendation system. The more people like an author and another author, the closer together these two authors will move on the Literature-Map.
(2) NEW HELMSMAN FOR STARLINE. The Science Fiction & Fantasy Poetry Association announced a change in editorship for its official poetry publication — “Introducing StarLine’s new editor, Vince Gotera”
With the upcoming 40.4 issue of Star*Line we welcome its new editor Vince Gotera, and thank F.J. Bergmann for her exemplary service and vision in what a journal of speculative poetry can be. We look forward to the approach Vince Gotera will take in the years ahead, especially with the arrival of the 40th anniversary of the SFPA in 2018.
Vince Gotera is an award-winning member of the international Science Fiction and Fantasy Poetry Association, and he has been nominated for Rhysling Awards.
Vince was born and raised in San Francisco and lived in the Philippines for part of his childhood. He completed undergraduate studies at City College of San Francisco and Stanford University, where he earned a BA. He earned an MA at San Francisco University and both an MFA and a PhD at Indiana University. He is the author of the poetry collections Dragonfly (1994) , Ghost Wars (2003) and Fighting Kite (2007) and the critical volume Radical Visions: Poetry by Vietnam Veterans (1994). His upcoming volume of poetry is Pacific Crossings.
He is also a former editor of North American Review and was the poetry editor of the journal Asian America.
That is where you get to see exactly why director Ridley Scott’s movie is considered so important and so influential. His vision of a future Los Angeles that is all torrential rain, steam and blue searchlights piercing through ruin is nothing short of jaw-dropping.
But it’s also in this final cut that Scott reinserts two scenes the studio removed. They hold the key to Deckard’s status. Near the end of the film, Deckard has a dream about a unicorn. Later, he is escaping with Rachael — the beautiful next-generation replicant whom he has fallen for. Just as they walk out the door of his apartment, he finds an origami figure in the shape of a unicorn that was left by his former police partner Gaff. This signals that Gaff (who has a major origami habit) knows about Deckard’s dream because it’s not really Deckard’s. It’s an implant. Every replicant’s memories and dreams are fake. They are implanted to give a “back story” needed to stabilize the replicant’s artificial personality.
So the unicorn dream is central to the “Deckard as replicant” argument….
“There is a big difference when the mediums are different,” Del Toro says during a recent interview on the phone from Toronto, where he lives part time and also where “At Home With Monsters,” the traveling museum exhibition of his memorabilia, artwork and ephemera, recently opened.
In explaining the distinctions between the different methods of storytelling, be it movies, television, books or graphic novels, Del Toro also points out the ways in which they interrelate.
“TV now you have to plan it, you structure it for binge watching,” he says. “Meaning, you structure the whole season like a three-act play. You have a first act, the first third of the season, second act is the middle third and you structure it like that. Whereas a movie you’re dealing with a continuous experience that’s going to last around two hours, so it’s more traditional.
“The other mediums, like video games or books, may follow different sets of rules,” he continues. “But what I find really interesting as a storyteller is that each of those mediums informs the other. You find yourself applying tricks that you learned developing a video game in telling a movie. Little tricks that you learn structurally working in TV, you apply them to a movie and so forth.”
“When you try something for four years of your life, people really start to think you’re wacko,” he told the Times.
What some people may find “wacko,” however, is the price. Dighera is selling Pumpkinsteins for about $75 wholesale, with retailers marking them up to $100 and even $125.
For a pumpkin. A very cool pumpkin that looks like Frankenstein, but still a pumpkin.
Where Matheson shines is in his depictions of ordinary horror, the way strange goings-on affect everyday people, and his ambiguous endings leave plenty of room for further thought. As a bonus, editor LaValle offers an enlightening introduction that discusses Matheson’s influence on his own work and even offers up the story behind what he calls his “Matheson moment,” giving more heft to the stories that follow.
Anyway, I’m standing there and Tasha and Lianne are coming through the doorway and then I heard it, a sound in the kitchen. Knocking. Not all that loud, but I was close to the kitchen and getting closer. By that I mean that Tasha and Lianne were taking off their coats and I ran away. Later I told Cedric I went to “get them water,” but there’s no other way to say it: I fled.
As soon as I entered the kitchen the knocking stopped. I figured it might be their boiler kicking in. It was winter after all. I knew I’d run away though so I came up with the water idea and went scrounging for cups. This led me on a chase through the cupboards as, in the other room, Cedric called for me. And then I reached their pantry door. This style of one-family home had a separate little pantry, about the size of a small walk-in closet. I found the door there and, still hunting for glasses, I tried the handle and found it locked. Then Cedric walked into the kitchen.
“Cheese,” he said. “You making me look bad.”
(8) TAINT BY NUMBERS. Junot Diaz’ introduction to Global Dystopias, “To Map, to Warn, to Hope”, from the Boston Review.
William Gibson has famously declared, “The future is already here—it’s just not very evenly distributed.” Gibson’s words have been much on my mind of late. How could they not be? The president is a white nationalist sympathizer who casually threatens countries with genocide and who can’t wait to build a great wall across the neck of the continent to keep out all the “bad hombres.” After a hurricane nearly took out Houston, the country’s most visible scientist, Neil DeGrasse Tyson, stated that the effects of climate change may have grown so severe that he doubts the nation will be able to withstand the consequences.
For me, literature, and those formations that sustain it, have ever been a eutopic enclave against a darkening dystopian world.
Then, as if on cue, Puerto Rico, a U.S. colony almost completely bankrupt by neoliberal malfeasance, was struck by Hurricane Maria with such apocalyptic force that it more or less knocked the island into pre-modernity. Earlier today a former student informed me that more skin bleaching is consumed in India than Coca-Cola, and on the edge of my computer a new site is announcing that the Chinese government has made it nearly impossible for its 730 million Internet users to express opinions online anonymously. Plus this little cheery gem from the Federal Reserve: the top 1 percent of the U.S. population controls 38.6 percent of the nation’s wealth, an inequality chasm that makes the Middle Ages look egalitarian. Whether we’re talking about our cannibal economics or the rising tide of xenophobia or the perennial threat of nuclear annihilation, it seems that the future has already arrived.
What makes this protein, called Hemo, so unusual is that it’s not made by the mother. Instead, it is made in her fetus and in the placenta, by a gene that originally came from a virus that infected our mammalian ancestors more than 100 million years ago.
Hemo is not the only protein with such an alien origin: Our DNA contains roughly 100,000 pieces of viral DNA. Altogether, they make up about 8 percent of the human genome. And scientists are only starting to figure out what this viral DNA is doing to us.
Recently, Rapa Nui has become the ultimate parable for humankind’s selfishness; a moral tale of the dangers of environmental destruction. In the “ecocide” hypothesis popularised by the geographer Jared Diamond, Rapa Nui is used as a demonstration of how society is doomed to collapse if we do not sit up and take note. But more than 60 years of archaeological research actually paints a very different picture—and now new genetic data sheds further light on the island’s fate. It is time to demystify Rapa Nui.
The ‘ecocide’ narrative doesn’t stand up
The ecocide hypothesis centres on two major claims. First, that the island’s population was reduced from several tens of thousands in its heyday, to a diminutive 1,500-3,000 when Europeans first arrived in the early 18th century.
Second, that the palm trees that once covered the island were callously cut down by the Rapa Nui population to move statues. With no trees to anchor the soil, fertile land eroded away resulting in poor crop yields, while a lack of wood meant islanders couldn’t build canoes to access fish or move statues. This led to internecine warfare and, ultimately, cannibalism….
…Perhaps, then, the takeaway from Rapa Nui should not be a story of ecocide and a Malthusian population collapse. Instead, it should be a lesson in how sparse evidence, a fixation with “mysteries,” and a collective amnesia for historic atrocities caused a sustainable and surprisingly well-adapted population to be falsely blamed for their own demise.
(11) WE HATES IT. How much does the New York Times’ Jeannette Catsoulis dislike Goodbye Christopher Robin? This much:
As predictable as mermaid frocks at the Oscars, Hollywood greets the end of the year by suddenly noticing that roughly a third of moviegoers (and three-quarters of art-house audiences) are over 50, most of them women. This annual phenomenon can lead to theaters clogged with old-lady bait, which usually means something British and upper-crusty, preferably with literary roots. A dollop of war, a death or two, and it’s off to the awards races. “Goodbye Christopher Robin” checks all the boxes. Drenched in dappled light and Carter Burwell’s honeyed score, Simon Curtis’s glowing picture dangles the story of how the author A. A. Milne (Domhnall Gleeson) created the Winnie-the-Pooh tales using the stuffed animals of his son, Christopher Robin (beautifully played by little Will Tilston). What we’re really watching, though, is no less than a stiffly depressing portrait of toffee-nosed child abuse….
Wolverine co-creator Len Wein, who died in September at the age of 69, was one of the most influential comic book writers and editors ever, leaving his mark on the DC and Marvel Universes. At the time of his death, he was hard at work on a new story about the iconic DC Comics character he co-created with Bernie Wrightson: Swamp Thing, the avatar of the Green.
Before he died, Wein had completed the script for the first issue of a new series about the vegetation-covered monstrosity formerly known as Alec Holland, which would be illustrated by his 2016 Swamp Thing miniseries partner Kelley Jones. While we won’t ever see this series come to fruition, EW can exclusively reveal that fans will get a chance to read the first issue of the planned series in 2018 when DC Comics releases Swamp Thing Winter Special #1 (on sale Jan. 31), which will present the story in both its original script form with art by Jones.
(13) TODAY IN HISTORY
October 15, 2003 — China launched its first manned space mission becoming the third country in history to send a person into orbit.
When Matt Ryan first played the title role on NBC’s Constantine, the peacock network was a little nervous about acknowledging two things about the character: his bisexuality and his chain smoking. And while they let John Constantine occasionally hold a cigarette, his being into guys was kind of a sore spot steadfastly avoided by the show. Ryan has since reprised the part on The CW’s Arrow, which merged the continuities. With the addition of a forthcoming CW Seed animated series, many fans of the comics’ version of the character have hoped his sexuality would be finally addressed.
And we’re happy to say, it will be.
It’s been announced that Matt Ryan’s Constantine will guest star on a Legends of Tomorrow two parter this season, and when he does his bisexuality will be directly acknowledged….
(15) BRANCH OFFICES. If the government did this for employees, it would be a scandal. A private company did it, so it’s a nice feature article, “Microsoft built tree houses for its employees”. The Verge has the story.
The tree houses are a part of Microsoft’s “outdoor districts” which are connected to buildings around its Redmond campus. They feature weatherproof benches, hatches that hide electricity sockets, rustproof rocking chairs, a fireplace, wood canopies, and an outdoor Wi-Fi network. There are ramps built in for those who need them. If you get hungry, there’s also an indoor cafeteria that’s extended outside and a barbecue restaurant built into a shipping container.
Microsoft said it had been planning renovations and surveyed employees to see what they cared about the most. Employees said if they were given the opportunity, they would work outside more.
After a strong two-part premiere and a decent transitional episode last week, “The Butcher’s Knife Cares Not for the Lamb’s Cry” is a bit of a disappointment. After cramming a ton of set-up and plot into its first three episodes, what the show needs now is to establish a new normal and give the characters a reprieve from the constant barrage of Events! Happening! so the audience can get to know these people we’re supposed to care about. This is a needle that was successfully threaded in “The Vulcan Hello” and “Battle at the Binary Stars,” where we were given a nice prologue and several flashbacks to establish Burnham’s character and her friendship with Captain Georgiou, and this gave weight to the events at the end of the second episode, setting up Burnham for a redemption arc over the rest of the series. Last week’s episode contrived to get Burnham onto the Discovery and introduced a new cast of characters, so the next logical step would be to show us more of how these characters interact with each other, what makes them tick, or even just how Burnham settles in to the normal rhythm of life on the ship. Instead, this episode features another crisis, but it struggles throughout to convey why any of these events should matter to the viewer….
Warning: SPOILERS FOLLOW.
(17) IT CAN HAPPEN TO YOU IF YOU’RE YOUNG AT HEART. Now Creation Entertainment is running a cycle of Once Upon A Time conventions. The next is in Burbank, CA in November.
Every once in a blue moon a television series captures the hearts of viewers who become passionate about their love of the storyline, the look and feel of the show, and the actors that breathe life into the characters we come to cherish. ABC’s Once Upon A Time certainly fills that rare bill as fans worldwide have made this show one that is the talk of the Internet and eagerly followed by viewers, much in the tradition of other series that Creation Entertainment has been involved with in its 45-year history.
So, if you click that link, you’ll see a couple notable paragraphs:
CBS has put in developmentUnthinkable, an FBI crime drama from Jerry Bruckheimer Television and MacGyver executive producer David Slack. CBS Television Studios, where both JBTV and Slack are based, is the studio.
Written and executive produced by Slack, Unthinkable, based on Chuck Wendig’s 2016 novel Invasive, is about a brilliant futurist, trained to see danger around every corner, who’s recruited by an uncharacteristically optimistic FBI Agent to identify the threats only she can see coming – and stop them before it’s too late.
(19) NOT JUST A COMIC CON. Japanese pop culture will be celebrated at Youmacon2017 in Detroit from November 2-5.
Downtown Detroit is filled with people in costumes, and it has nothing to do with Halloween. Thousands of Japanese pop culture fans have come from all over the country to Youmacon…
Youmacon is a popular culture event similar to most “Comic Cons”, however instead of focusing on comic books, Youmacon is a celebration of Japanese popular culture and its influence on our own culture over the past few decades. Common themes throughout the event are Anime (Japanese animation), Video Games, Japanese style artwork and comics, and the rising internet culture influenced by all of the above.
Youmacon brings a unique all-ages mix of interactive events, celebrity guest panels, and live musical performances to Downtown Detroit. One of its most popular events, “Live Action Mario Party”, emulates the video game experience – often filling the room to fire code capacity. Players participate in gameshow-like mini-games to help their teams advance and win.
Wearing costumes, or “Cosplay” as it’s known at conventions, is very popular with attendees of Youmacon.
Vincent Price might have been the Merchant of Menace in classic fright films like House on Haunted Hill, The Tingler, and House of Wax, but he was also quite the Renaissance man. Besides being a familiar face in horror films, Price was renowned for his impressive collection of fine art (even selling tasteful paintings for Sears!) and his wizardry in the kitchen as a master chef.
One of Price’s best-selling cookbooks is getting an expanded makeover by Dover’s Calla Editions and being re-released in a deluxe volume, which includes additional material, memories, and comments by his daughter, Victoria, and son, V.B.
(21) IF YOU WANT IT DONE RIGHT. Here’s s link to Archive.org’s recording of Patrick Magee reading Flann O’Brien’s The Third Policeman originally aired by the BBC in 1997. One reviewer said:
This is a unique work by Flann O’Brien – funny, oblique,odd, beguiling, and horrific by turns. It’s got a peculiar, pastoral, otherworldly quality, yet at the same time you can believe that it really is taking place in some deranged Irish backwater town. To give you an example something that made me howl with laughter, the central character falls foul of the law, and is sentenced to be hanged, on a trumped up charge, so they build a gallows in the police station yard, but the chippie is scarcely competent, so he prevails on the narrator to give him a hand….
[Thanks to John King Tarpinian, Lace, Carl Slaughter, Chip Hitchcock, Martin Morse Wooster, JJ, David K.M. Klaus, Cat Eldridge, Nigellicus, and Andrew Porter for some of these stories.. Title credit goes to File 770 contributing editor of the day Kip W.]
(1) THINKING INSIDE THE BOX. “This was amazing,” says James Bacon about a special feature of Lazlar Lyricon 3, a Hitchhiker’s Guide to the Galaxy convention held last weekend. “I was on the committee and it was an incredible endeavour.”
Even with our self-imposed restrictions we struggled to think of anything at first. Every idea was discarded as being too profligate, too big, too small or simply impractical.
Then, bouncing around ideas with the aid of a bottle of wine (or two), our conversation drifted onto computer games and how in games like Skyrim there are treasure chests scattered around from which the player can take loot. In any particular game, all the treasure chests have an identical appearance and the player quickly associates that graphic with a reward even though sometimes the chests are empty. This led the conversation into Pavlovian conditioning and Skinner’s pigeon experiments and then bang! We asked ourselves a question.
What happens if we applied the same psychology in the real world by scattering boxes containing treasure around a convention? ….
What’s In The Box
Our first step was to brainstorm lots of ideas for box contents which we then loosely organised into different types. After some refinement we ended up with five classes of boxes inspired by the five levels of Maslow’s hierarchy: rewards, treasures, activities, quests and meta. Each of the types had a different purpose and place in the overall game.
Reward boxes were primarily a simple psychological conditioner. Inside these boxes were sweets or other gifts along with instructions to €˜help yourself’. These boxes were designed to build a positive association with opening boxes. Treasures were like rewards except they only contained a single valuable item which anyone could take if they chose. This introduced rarity and encouraged people to look in the boxes quickly before someone else took the item. Activity boxes instructed the opener to do something such as play a game or challenge someone to a duel. In these boxes were appropriate things (like a deck of cards or toy guns) but unlike the reward boxes, the instructions only suggested the box opener used them, not keep them. Meta-boxes contained nothing except a quote from the Hitchhiker’s Guide To The Galaxy. The chosen quotes were amusing in their own right but also all related to the theme of hunting for the meaning of life.
Part of the purpose of this interview is to promote Olivia Koski’s and Jana Grcevich’s book, Vacation Guide to the Solar System, which plans vacations using current astronomical knowledge.
(4) WHAT MUSIC THEY MAKE. Seanan McGuire recently had a special encounter with some children in an airport. The Twitter stream here is well worth a gander.
Oh, wow. Little girl in full meltdown because when her mom packed movies for the trip, she only packed the little boy's favorites.
(5) KICKSTARTER REACHES GOAL. The 2017 Fantastic Fiction at KGB Kickstarter is a huge success, reports co-host Matthew Kressel, providing enough funds to keep the series running for at least six more years. The Fantastic Fiction at KGB reading series Kickstarter ran from May 17 through June 14 and raised $9,771 (before Kickstarter and credit card processing fees)€¦. Dozens of rewards were chosen by 196 different backers.
Why We Needed Financial Support Each month we give the authors a small stipend, we tip the bartenders (who always give the authors free drinks), and we take the authors and their partners/spouses out for dinner after the reading. Since it typically costs us around $120 per month, we need $1500 per year to maintain the series. We were looking to raise $4500, which would allow us to keep the series running for another three years. Each additional $1500 let us run for an additional year. Fantastic Fiction has been a bright light in the speculative fiction community for nearly two decades, and because of your help we will continue for many more years to come. Thank you!
(7) OH BOTHER. Goodbye Christopher Robin is the “based on a true story” movie about A.A. Milne, his son, and the Winnie-the-Pooh stories.
(8) HARRYHAUSEN ART. Tate Britain will host an exhibition of The Art of Ray Harryhausen from June 26 through November 19.
Explore drawings and models by Ray Harryhausen with some of the art that inspired him
The American-born Ray Harryhausen (1920-2013) is one of the most influential figures in cinema history. In a succession of innovative, effects-laden movies, from The Beast from 20,000 Fathoms 1952 to Clash of the Titans 1981, Harryhausen created fantastic worlds and creatures that have inspired generations. He is acknowledged as the master of stop-motion animation techniques, involving models being moved and filmed one frame at a time to create the illusion of movement.
Harryhausen attended art classes as a young man, and readily acknowledged his debt to earlier painters and illustrators. The epic scenery and towering architecture of 19th century artists Gustave Dore, and John Martin were especially important to him, and he collected prints and paintings by both artists.
(9) TODAY IN HISTORY
June 15, 1973 — The Battle for the Planet of the Apes premiered
(10) TODAY’S BIRTHDAY BOY
Born June 15, 1941 — Graphic artist Neal Adams.
Adams has worked hard in the comics industry bringing to life such fascinating characters as Superman, The Flash, Green Lantern, The Spectre, Thor, The X-Men, and countless others. For those wanting to know about the man and his career, you can check out his website right here. Adams was born on this day in 1941.
Romping in space is a “real concern” for astronauts, a top university professor has warned.
It’s something we know little about — but it’s crucial if we ever want to colonize other planets like Mars.
During a recent Atlantic Live panel, Kris Lehnhardt, an assistant professor at George Washington University, said the topic needs to be addressed immediately.
He said: “It’s a real concern — something we really don’t know about is human reproduction in space.”
“If we actually want to go places and stay there, there’s a key component and that’s having babies,” he added.
(12) MIGRATION. Richard Curtis, President of Richard Curtis Associates, Inc. broadcast this information:
Our curtisagency.com server crashed, and as it’s been happening a little too often lately I’m going to switch to gmail. So please use [email protected] going forward.
(13) PARSEC DEADLINE. Podcasters who have been nominated for a Parsec Award must submit their judging sample by July 16.
Podcast material released between May 1, 2016 and April 30, 2017 is eligible for the 2017 awards.
Material released needs to be free for download and released via a mechanism that allows for subscriptions (RSS Feed, iTunes, YouTube…). More rules and guidelines are posted at our website.
(14) EXTRA CREDITS. Top 10 Marvel post-credit scenes. Carl Slaughter says, “Notice this is an Avengers heavy list. Also, there is a conspicuous X-Men and Guardians absence.”
[Thanks to James Bacon, Cat Eldridge, John King Tarpinian, Rose Embolism, Jon Del Arroz, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]
The second last entry in Phase I of Young People Read Old SFF is Vonda N. McIntyre’s 1973 Nebula award-winning “Of Mist, and Grass, and Sand”, later expanded into the Hugo winning novel, Dreamsnake. I am pretty confident the double win is a good sign, and that McIntyre is modern enough in her sensibilities to appeal to my Young People.
Mind you, I’ve been wrong on that last point before….
The lines between book genres can get a blurry as authors push against boundaries, trying to do something new with a story. Sometimes the result is a novel that incorporates the best parts of several genres, creating a category all its own. Gregory Benford’s The Berlin Project is one of those books—equal parts alternate history, spy thriller, history lesson, and physics textbook, it’s one of the smartest, most entertaining sci-fi novels of the year.
(3) EXPANSE. Aaron Pound’s review of Caliban’s War is online at Dreaming About Other Worlds.
Full review:Caliban’s War continues the story started in Leviathan Wakes, with James Holden returning along with the rest of the crew of the Rocicante to deal with yet another interplanetary crisis. They are joined by new characters who replace the missing Detective Miller as view point characters – the tough Martian marine Bobbie, the naive Ganymedean botanist Prax, and the calculating and shrewd U.N. official Avasarala, all of whom must navigate the crisis caused by the raw tensions between the governments of Earth, Mars, and the Belt. Against the backdrop of this raging internecine human conflict, the mysterious alien protomolecule carries out its enigmatic programming on the surface of Venus, sitting in the back of everyone’s mind like a puzzle they cannot understand and an itch they cannot scratch.
Do you want to put people on your rocket? There are legal requirements for that, too. There are three types of people you might take to space or on a suborbital jaunt: space flight participants, crew, and government astronauts. The FAA isn’t allowed to regulate how you design or operate your rocket to protect the people on board until 2023, unless there has been a death, serious injury, or a close call. Because the crew are part of the flight safety system, the FAA determined it could have regulations in place to protect the crew. That those requirements might also protect space flight participants is purely a coincidence. However, just because the FAA can’t tell you what to do to protect the space flight participants doesn’t mean you are out of its clutches. You have to provide the crew and space flight participants, but not the government astronauts because they already know how dangerous this is, informed consent in writing. You have to tell them the safety record of your vehicle and others like it, that the government has not certified it as safe, and that they could be hurt or die.
It is an official tie-in beer with The Walking Dead and has a cool blood red label with a turtle on it!
(6) NEWS TO SOMEONE ELSE. Daniel Dern sent me a non-spoiler review of Suicide Squad when I was in the hospital last August. I didn’t notice it again until today. Sorry Daniel!
(“Non-spoiler” as in, assumes you have seen some or all of the three trailers, particularly trailer #2, done to Queen’s “Bohemian Rhapsody”…)
I enjoyed it enough. Hey, it’s a comics-based movie.
I’ve skimmed some reviews listing the flaws in S/S. Probably mostly correct, but arguably BFD.
The good: it didn’t thematically overreach or overbrood, unlike (cough) BvS (which I liked enough, but accept that it had big problems). A lot of good lines (you’ll see many/most in the trailers), good action, etc. A little (but not too much) Batman.
The big challenges S/S faced IMHO:
– DEADPOOL has set/upped the ante and standard for humor/violent comic-based live-action movies. Particularly the BluRay version of Deadpool, which is what I saw. And before that, lots of Guardians of the Galaxy bits.
– S/S’ Trailer # 2. I would have been happy/er with a shorter, even 12-minute, video not bothering with plot, just lovely musical jump cuts and snappy lines.
– Is it just me, or did S/S seem to do the “who’s who” twice, and not really bring in the antagonist (“big bad(s)”) for an astonishingly long time?
– This is an A-level plan? I mean, Captain Boomerang? Having seen Ghostbusters a week earlier, I would have considered sending that team in instead, in this case.
On the other hand, at least it wasn’t Manhattan that got trashed this time.
I can see how if you aren’t a superhero comic fan you’d find this less satisfying. Granted, I’m still happy-enough when it simply looks reasonable, doesn’t insult continuity gratuitously, and doesn’t try to go all philoso-metaphysical on us.
Recommended enough, particularly if you can get a bargain ticket price…
The renewal is pretty much everyone save Sleepy Hollow, Grimm, Frequency, and possibly iZombie and Agents of S.H.I.E.L.D. The Arrowverse of course was kept intact.
If you’ve not watched the second season of Legends, do so as its far entertaining than the first season was.
(8) O’HARA OBIT. Quinn O’Hara (1941-2017), a Scottish-born actress who starred in The Ghost in the Invisible Bikini, died May 5. The Hollywood Reporter elaborated:
In The Ghost in the Invisible Bikini (1966), from American International Pictures, O’Hara played Sinistra, the nearsighted daughter of greedy lawyer Reginald Ripper (Basil Rathbone); both were out to terrorize teens at a pool party held at a creepy mansion. She also sang “Don’t Try to Fight It” and danced around a suit of armor in the horror comedy.
(9) TODAY IN HISTORY
May 8, 1886 — Coca-Cola went on sale.
(10) THE SAME OLD FINAL FRONTIER. Tom Scott explains “Why Sci-Fi Alien Planets Look The Same: Hollywood’s Thirty-Mile Zone.”
There’s a reason that a lot of planets in American science fiction look the same: they’re all filmed in the same places. But why those particular locations? It’s about money, about union rules, and about the thirty-mile zone — or as it’s otherwise known, the TMZ.
(11) MEMORIAL NIGHT. See Poe performed in a Philadelphia graveyard, May 18-20.
As the sun sets over the cemetery’s historic tombs, The Mechanical Theater will bring some of Edgar Allan Poe’s most haunting tales to life in this original production, directed by Loretta Vasile and featuring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.
Two young men hide out in the shadows of Laurel Hill Cemetery while hosting a secret on-line auction. The clock is ticking as they try to sell a priceless, stolen object known only as The Anathema. When the antique expert finally arrives to verify the object’s authenticity, he shares with them some of The Anathema’s dark history as well as rumors of its power. But as the night goes on, one of the thieves starts to suspect these stories are far more than legend. This anthology piece will include Edgar Allan Poe’s “Hop-frog,”“The Masque of the Red Death,” and “The Pit and The Pendulum.” Written and directed by Loretta Vasile. Starring Connor Behm, Neena Boyle, Nathan Dawley, Tamara Eldridge and Nathan Landis Funk.
The Arthur C. Clarke Center for Human Imagination presents an evening with Sir Roger Penrose, the celebrated English mathematician and physicist as well as author of numerous books, including The Emperor’s New Mind: Concerning Computers, Minds, and the Laws of Physics. The talk is titled “Fashion, Faith and Fantasy and the Big Questions in Modern Physics.” A book signing will follow.
Sir Roger Penrose, Emeritus Professor at the Mathematical Institute of the University of Oxford, winner of the Copley Medal and the Wolf Prize in Physics, which he shared with Stephen Hawking, has made profound contributions encompassing geometry, black hole singularities, the unification of quantum mechanics and general relativity, the structure of space-time, nature of consciousness and the origin of our Universe. His geometric creations, developed with his father Lionel, inspired the works of MC Escher, and the Penrose Steps have been featured in several movies. His tilings adorn many public buildings, including the Oxford Mathematics Institute and will soon decorate the San Francisco Transit Terminal. Their five fold symmetry, which was initially thought impossible or a mathematical curiosity, has now been found in nature. In 1989 Penrose wrote The Emperor’s New Mind which challenged the premise that consciousness is computation and proposed new physics to understand it.
(13) DEARTH WARMED OVER. Trailers are supposed to sell people on a movie. But here’s a pre-dissatisfied customer.
“We’ve invested a lot in making sure the groundwater quality that we treat and send to the customers is of high quality. We also want to protect the quantity side of that,” Duffie said.
In addition to building several reverse osmosis plants to treat the water, Duffie said the community has spent about $50 million since the mid-1990s to install pipelines and purchase surface water from the Charleston Water System to supplement the water being pumped from underground.
Google currently has the right to pump up to half a million gallons a day at no charge. Now the company is asking to triple that, to 1.5 million. That’s close to half of the groundwater that Mount Pleasant Waterworks pumps daily from the same underground aquifer to help supply drinking water to more than 80,000 residents of the area.
(16) WHITE NOISE. On the other hand, sff authors are wellaware of the high noise levels from widespread communication: “Facebook – the secret election weapon”.
A quarter of the world’s population now use Facebook, including 32 million people in the UK. Many use Facebook to stay in touch with family and friends and are unaware that it has become an important political player.
For example, the videos that appear in people’s news feeds can be promoted by political parties and campaigners.
The far-right group, Britain First, has told Panorama how it paid Facebook to repeatedly promote its videos. It now has more than 1.6 million Facebook followers.
In Elizabeth Billington’s day, many half-decent singers made a living performing in music halls.
After all, Billington herself could sing in only one hall at a time.
But when you can listen to the best performers in the world at home, why pay to hear a merely competent act in person?
Thomas Edison’s phonograph led the way towards a winner-take-all dynamic in the performing industry.
The top performers went from earning like Mrs Billington to earning like Elton John.
But the only-slightly-less good went from making a comfortable living to struggling to pay their bills: small gaps in quality became vast gaps in income.
Given that he is now 79, and so he doesn’t have many directing years left, you have to ask whether it’s really the most stimulating use of [Ridley] Scott’s time and talents to churn out yet another inferior copy of a horror masterpiece that debuted nearly four decades ago. He certainly doesn’t seem to be interested in recapturing the scruffy naturalism, the restraint, or the slow-burning tension which turned the first film into an unforgettable classic.
Much of Alien: Covenant is simply a humdrum retread of Alien. Once again, there is a spaceship with a cryogenically frozen crew – a colony ship this time. Once again the crew members are woken from their hypersleep, once again they pick up a mysterious radio transmission, once again they land on an Earth-like world, and once again they discover some severely rotten eggs.
At this point, what would it cost to send someone to Mars?
Pascal Lee: The Apollo lunar landing program cost $24 billion in 1960s dollars over 10 years. That means NASA set aside 4 percent of U.S. GDP to do Apollo. To put things in perspective, we also spent $24 billion per year at the Defense Department during the Vietnam War. So basically, going to the moon with funding spread over 10 years cost the same to run the Department of Defense for one year in wartime.
Now, 50 years, later, today’s NASA budget is $19 billion a year; that’s only 0.3 percent of GDP, so that’s less than 10 times less than what it was in the 1960s.
Meanwhile, the Department of Defense gets $400 billion a year. So the number I find believable, and this is somewhat a matter of opinion, a ballpark figure, doing a human mission to Mars “the government way” could not cost less than $400 billion. And that was going to the moon. This is going to Mars, so you multiply that by a factor of 2 or 3 in terms of complexity, you’re talking about $1 trillion, spread over the course of the next 25 years.
(20) TOP TEN FELLOW WRITERS HELPED BY HEINLEIN, AND WHY: Compiled by Paul Di Filippo. None of these facts have been checked by File 770’s crack research staff.
10) A. E. van Vogt, needed money to open a poutine franchise.
9) Barry Malzberg, stuck at Saratoga racetrack with no funds to get home.
8) Gordon Dickson, wanted to invest in a distillery.
7) Keith Laumer, wanted to erect barbed wire fence around home.
6) Damon Knight, wanted to enroll in Famous Artists School.
5) Anne McCaffrey, ran out of Mane ‘n’ Tail horse shampoo during Irish shortage.
4) Joanna Russ, needed advice on best style of men’s skivvies.
3) Isaac Asimov, shared the secret file of John W. Campbell’s hot-button issues.
2) Arthur C. Clarke, tutored him in American big band music.
1) L. Ron Hubbard, helped perform ritual to open Seventh Seal of Revelation.
Dogs from petite papillons to muscular Rottweilers showed off their four-footed agility Saturday at the Westminster Kennel Club dog show, tackling obstacles from hurdles to tunnels. And next door, so did some decidedly rare breeds for the Westminster world:
Cats.
For the first time, felines sidled up to the nation’s premier dog show, as part of an informational companion event showcasing various breeds of both species. It included a cat agility demonstration contest, while more than 300 of the nation’s top agility dogs vied in a more formal competition.
It didn’t exactly mean there were cats in the 140-year-old dog show, but it came close enough to prompt some “what?!” and waggish alarm about a breakdown in the animal social order
(22) POOH ON THE RANGE. Atlas Obscura explains the popularity of “Five Hundred Acre Wood” outside London.
Every year, more than a million people travel to Ashdown Forest to find the North Pole. Ashdown Forest is 40 miles south of , but they’re not crazy. In the forest they’ll find the Five Hundred Acre Wood, and somewhere in the Five Hundred Acre Wood is the place where Christopher Robin discovered the North Pole.
Five Hundred Acre Wood is the place that inspired the Hundred Acre Wood, the magical place in which a fictionalized version of A. A. Milne’s son, Christopher Robin, had adventures with Winnie the Pooh and friends.
In 1925, Milne bought a Cotchford Farm on the edge of Ashdown Forest in East Sussex, and he brought his family there on weekends and for extended stays in the spring and summer. The next year, he published the first collection of stories about a bear that would become one of the most beloved characters in children’s literature, Winnie the Pooh, based on his son, his son’s toys, and the family’s explorations of the woods by their home.
The book’s illustrator, E. H. Shepard, was brought to Ashdown Forest to capture its essence and geography, and a plaque at Gill’s Lap (which became Galleon’s Leap in the Pooh stories) commemorates his collaboration with Milne and its importance to the forest. A pamphlet of “Pooh Walks” is available to visitors who want to visit places like Gill’s Lap, or Wrens Warren Valley (Eeyore’s Sad and Gloomy Place), the lone pine (where the Heffalump Trap was set), a disused quarry (Roo’s Sandy Pit), or, yes, the North Pole.
[Thanks to Chip Hitchcock, Martin Morse Wooster, Cat Eldridge, Andrew Porter, John King Tarpinian, and Daniel Dern for some of these stories. Title credit goes to File 770 contributing editor of the day Kurt Busiek.]
(1) GAIMAN ON PRATCHETT. The BBC says this is the first time it has featured Neil Gaiman’s complete tribute to Terry Pratchett from his memorial.
In April last year, friends, fans and colleagues of Sir Terry Pratchett gathered for a celebratory memorial service. The writer NEIL GAIMAN, Pratchett’s longtime friend and collaborator, read his funny and moving tribute, featured here in its entirety for the first time.
…Okay, so should I do an anthology of NEVERTHELESS, SHE PERSISTED, what female authors would be interested in contributing? What awesome female authors (especially POC and LGBTQ, ESPECIALLY immigrant and trans authors) should I be reaching out to?
And why only female authors?
Because this is a project about the struggles that women face from the moment their gender is announced, and the courage and tenacity that helps them rise above that deep and unending opposition.
It is a book about the experience of women, told in their voices. It is not a book about how others imagine it to be, but one deeply and personally influenced by their own fights and victories.
And sure, I’ll do an anthology as a stretch goal, titled I’M WITH HER. Men are welcome to submit to that one. But men are over-represented in the SF and political world as it is, and I want more women to be heard.
Yes, it’s fucking political. This project will be incredibly political. Intentionally. It will have middle fingers everywhere, between the lines and sometimes in them….
Gates has been editor/co-editor of spec fic anthologies Upside Down: Inverted Tropes in Storytelling, Genius Loci: Tales of the Spirit of Place, War Stories: New Military Science Fiction, Broken Time Blues: Fantastic Tales in the Roaring ’20s, and Rigor Amortis.
(3) BUSIEK INTERVIEW. Filers may be interested to know that comics guru Kurt Busiek is interviewed in the latest edition of SciFiNow magazine (issue 129). Kurt talks about his love for all things Wonder Woman in the interview.
There appears to be no sign of the interview on the SciFiNow website, so anyone wishing to read Kurt’s words will have to head to the nearest newsstand and purchase a print edition or download the digital edition.
Kurt’s name appears on the bottom line of the cover.
(4) HAWKING COMICS. Never let them tell you comics aren’t educational.
Stephen Hawking is one of the most brilliant minds of this century. Bluewater Productions is bringing you his life story in this unique comic book format. Find out all about the man the myth and the legend!
(5) AIDING LITERACY. Ann Totusek, chair of Minicon 52, has a request:
Minicon is partnering with Little Free Libraries this year. If your club/organization or any individuals in your club or organization are stewards of a Little Free Library, and you think the Library is particularly photogenic or relevant to SF/F, or just generally well done, we’d love to have pictures of it for a display at Minicon to showcase how fandom supports literacy! Picture files could be sent to me – [email protected], or hard copy photos could be sent to our snail mail address- Minicon 52 PO Box 8297 Lake Street Station Minneapolis, MN 55408-0297
If you know of a fannish club mailing list that this would be appropriate for an announcement to, please feel free to forward it.
If “no news is good news,” then this has been a very good week, indeed! The Studebaker UAW strike ended on the 7th. The Congo is no more restive than usual. Laos seems to be holding a tenuous peace in its three-cornered civil war. The coup is over in the Dominican Republic, the former government back in power. John Glenn hasn’t gone up yet, but then, neither have any Russians.
And while this month’s IF science fiction magazine contains nothing of earth-shattering quality, there’s not a clunker in the mix – and quite a bit to enjoy!
(7) TODAY IN HISTORY
February 10, 1957 — Roger Corman’s Attack of the Crab Monsters opens in theaters
(8) TODAY’S BIRTHDAY WOLFMAN
February 10, 1906 — Creighton Tull Chaney (stage name Lon Chaney, Jr.) is born in Oklahoma.
The Red House Mystery, published shortly before he became world-famous as the creator of Christopher Robin and Winnie-the-Pooh, is his only detective novel. In his tongue-in-cheek introduction, written after the Pooh craze had struck, he explains that “it is obvious now that a new detective story, written in the face of this steady terrestial demand for children’s books, would be in the worst of taste.”
For mystery enthusiasts, this is a pity…
(10) INTELLECTUAL PROPERTY. Steven H Silver says you’ll get a better deal buying J.R.R. Tolkien’s old home, which also is on the market right now.
The promise of automated cars is that they could eliminate human-error accidents and potentially enable more efficient use of roadways. That sounds, at first blush, like self-driving cars could also mean traffic reduction and lower commute times.
But researchers aren’t so sure.
(12) NUTS WANTED. In “How do you stop astronauts going mad?”, the BBC has a look at early space program history,when the shrinks had some bizarre ideas about what would make a great astronaut.
“Impulsive, suicidal, sexually-aberrant thrill seeker.” What kind of person might that describe? A Big Brother contestant? A Base jumper? A cult leader? Guess again. It is how some US Air Force (USAF) psychiatrists, back in the early days of the space race, imagined the psychological profile of would-be astronauts. Unless they were crazy, wreckless, hedonists, the doctors reasoned, there was no way they were going to be let anyone strap them into a modified intercontinental ballistic missile and then fire them into orbit.
Of course, the men in white coats were wrong, and were guided more by their lack of knowledge about space and the tropes of science fiction than reason. Instead, the personality traits of cool-headedness under pressure, deep technical know-how and sheer physical and mental endurance – “the right stuff” of Tom Wolfe’s book – ultimately led Nasa to six successful Moon landings and an utterly ingenious escape for the crew on Apollo 13, the mission that very nearly took the lives of its three crew members.
Take Solo, the “emotional radio”, for example. A wall-mounted device that resembles a large clock, it features a liquid crystal display at its centre. When you approach it, the pictogram face shows a neutral expression.
But it then takes a photo of your face, a rod or antenna on the side cranks into life, and the LCD display indicates that it’s thinking.
“When it’s doing this, it’s analysing different features of your face and deciding how happy, sad or angry you are,” explains Mike Shorter, senior creative technologist at the Liverpool-based design and innovation company, Uniform, Solo’s creator.
“It will then start to reflect your mood through music.”
(14) UNCONVENTIONAL WISDOM. What should Hollywood learn from Deadpool?
Star Wars: The Force Awakens and other Lucasfilm movies move forward into the sci-fi genre, but what of the parody/spoof genre of film? The Scary Movie team of Jason Friedberg and Aaron Seltzer will be moving forward as writers and directors of a new Star Wars spoof called Star Worlds Episode XXXIVE=MC2: The Force Awakens the Last Jedi Who Went Rogue, according to an exclusive from The Hollywood Reporter.
Scarlett Johansson is ready to star in a “Black Widow” movie, but according to the actress, a standalone film might be a long time coming. Johansson recently sat down with Total Film Magazine to talk about the upcoming cyberpunk thriller “Ghost in the Shell,” but eventually ended up touching on the Marvel Cinematic Universe’s notable lack of a “Black Widow” film. Marvel Studios currently has a slew of superhero movies planned as far out as mid-2019, but despite vocal fan support for the idea
[Thanks to Michael O’Donnell, David K.M. Klaus, Chip Hitchcock, Cat Eldridge, JJ, Carl Slaughter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Greg Hullender.]
(1) GET IN ON THE ART. Many museums are offering free downloadable coloring books this week, February 6-10, as part of the #Color Our Collections event. There is quite a lot of fantastic imagery of interest to fans — indeed, one item literally is fan art.
Orycon. (October 30, 1981 – November 1, 1981). A review of Orycon ’80 – Document 1, Page 1 Fritz LeiberScience Fiction & Fantasy Convention Flyers & Programs. Special Collections, University of Houston Libraries,
From February 6-10, 2017, libraries, archives, and other cultural institutions around the world are sharing free coloring sheets and books based on materials in their collections. Users are invited to download and print the coloring sheets and share their filled-in images, using the hashtag #ColorOurCollections.
All content is sourced from the collections of participating institutions. With participants from around the globe, this campaign offers an opportunity to explore the vast and varied offerings of the library world, without geographical constraints. Last year’s campaign included over 210 institutions and featured coloring sheets based on children’s classics, natural histories, botanicals, anatomical atlases, university yearbooks, patents, and more.
Glyer’s detective work is not only intriguing; it is also often insightful. Her readers will gain useful perspectives on two things: many of the Inklings’ works that they already love, and the writing process itself, especially the role of collaboration and encouragement in it. Judged by their longevity and their output, the Inklings were surely the most successful writers’ group ever assembled. There are reasons why. Each chapter of Bandersnatch ends with a sidebar entitled “Doing What They Did.” People interested in starting their own writers’ groups, or those already involved in one who want to make it work better, will find a gold mine of practical wisdom there.
— Nicholas Briggs Loves His Cat (@BriggsNicholas) January 30, 2017
(4) CLARKE CONVERSATION. The first in a series of interviews exploring themes of science fiction and STEM, sponsored by the Arthur C. Clarke Award, is online at Medium, a conversation between Anne Charnock and Ada Lovelace Day founder Suw Charman-Anderson.
[Charman-Anderson] …The first of my cherished books was Stranded at Staffna by Helen Solomon. Mrs Solomon was my English teacher and when I was nine she gave me a signed copy of her book:
I hope you enjoy reading this story about Morag MacDonald, Susan, and that you agree with me?—?that she was a real heroine. With love, Helen Solomon. December 1980.
Mrs Solomon was right?—?I did enjoy it and I did agree with her that Morag was amazing. It’s the first book I remember crying at the end of, not least because it’s based on the true story of Mary MacNiven, who rescued a horse from a shipwreck in 1940.
I was already an enthusiastic reader, but Mrs Solomon was the person who helped me understand that books didn’t just appear out of nowhere, that someone sat down and wrote them. It was around this time, I think, that I wrote my first complete story, about a girl who lost her sight when she was hit on the head, and who entered into a parallel world when she slept. It was a complete rip-off of Marianne Dreams by Catherine Storr, of course, but I structured it properly and even had character development! It was then that I started to think that I would become a writer when I grew up.
(5) AUTHORITY DIES, Professor Irwin Corey, the comedian, died February 6 at the age of 102.
It’s impossible to provide a short explanation of Corey’s surreal brand of comedy, which was most potent when delivered in his seemingly nonsensical stream of non sequiturs. But the breadth of his career hints at his creative genius: Who else could have appeared in the 1976 film Car Wash, two years after accepting a National Book Award on behalf of the reclusive Thomas Pynchon?
Billed as “the World’s Foremost Authority,” Corey’s guise as an absent-minded professor offered a way to poke fun at multisyllabic jargon and those who use it. When political or scientific authorities seemed to annex a chunk of language, there was Corey to claw it back — a very human antidote to our complicated modern times.
(6) TODAY IN HISTORY
February 7, 1940 — Walt Disney’s movie Pinocchio debuted
(7) FAN WRITER, FANZINE, EDITOR: Rich Horton posted the final installment of his recommendations, — “Hugo Nomination Thoughts — Other Categories” — which included some very kind comments about Filers, such as the fan writing of Camestros Felapton and Greg Hullender’s Rocket Stack Rank.
But of course there are many wonderful fan writers out there. For years I have been nominating Abigail Nussbaum, especially for her blog Asking the Wrong Questions (http://wrongquestions.blogspot.com/), and I see no reason not to do so again this year. I will note in particular her review of Arrival, which captured beautifully the ways in which the movie falls short of the original story, but still acknowledges the movie’s strengths.
Another fan writer who has attracted my notice with some interesting posts is Camestros Felapton (https://camestrosfelapton.wordpress.com/). Some of the most interesting work there regarded (alas) the Puppy Kerfuffles, and I was quite amused by this Map of the Puppy Kerfuffle: https://camestrosfelapton.wordpress.com/the-puppy-kerfuffle-map/. But the blog is much more than Puppy commentary – indeed, it’s much more than SF commentary. In the more traditional fanwriting area, I can point to the most recent entry (as I write), a well-done review of Greg Egan’s Diaspora.
Christopher Robin Milne, the son of Winnie the Pooh creator A.A. Milne, grew up in this quaint brick manse in the English countryside. Christopher Robin inspired the young boy of the same name in Milne’s iconic children’s stories and, so too did the bucolic setting of the family home serve as the backdrop. Known as Cotchford Farm, and on the market for the first time in more than 40 years, the Grade II listed estate spans 9.5 acres of lawns, forest, and streams. The six-bedroom main house, the quintessential English country house if there ever was one, is listed for $3.22M. There’s more to the Milne house than just Pooh, as it was also later owned by Brian Jones of the Rolling Stones, who reportedly died on the property.
The best part of the news item might be that the author’s name is “Rob Bear.”
The eight-page story will debut this March in the Suicide Squad/Banana Splits Annual #1, before turning into a regular DC series this fall. “I envision him like a tragic Tennessee Williams figure,” writer Marc Russell told HiLoBrow.com. “Huckleberry Hound is sort of a William Faulkner guy, they’re in New York in the 1950s, Marlon Brando shows up, Dorothy Parker, these socialites of New York from that era come and go.”
The sexual orientation was never affirmed in the Hanna-Barbera cartoons, but Russell, who has also done an updated take on The Flintstones for DC Comics, is making Snagglepuss’ sexuality a key part of the story, in which the pink mountain lion is dragged before the Communist-hunting House Un-American Activities Committee (HUAC). He’s accused of being a pinko, get it?
This is the first I’ve heard that Snagglepuss was pink. I watched those cartoons when I was really young — the station they were on was still broadcasting in black-and-white.
“What Happened at Blessing Creek” (Intergalactic Medicine Show)
“Cleanout” (The Magazine of Fantasy and Science Fiction)
“Artifice” (Analog Science Fiction and Fact)
“Perfection” (not previously published)
“The Good Son” (Jim Baen’s Universe)
“Scrap Dragon” (The Magazine of Fantasy and Science Fiction)
“Comrade Grandmother” (Strange Horizons)
“Isabella’s Garden” (Realms of Fantasy)
“Bits” (Clarkesworld)
“Honest Man” (Realms of Fantasy)
“The Wall” (Asimov’s Science Fiction)
“So Much Cooking” (Clarkesworld)
(10) BACK TO WORK. The Hugo Nominees 2018 Wikia site has gone live. Not to early to list the 2017 works you love that might deserve an award next year.
TV maker Vizio has agreed to pay out $2.2m in order to settle allegations it unlawfully collected viewing data on its customers.
The US Federal Trade Commission said the company’s smart TV technology had captured data on what was being viewed on screen and transmitted it to the firm’s servers.
The data was sold to third parties, the FTC said.
Vizio has said the data sent could not be matched up to individuals.
It wrote: ” [The firm] never paired viewing data with personally identifiable information such as name or contact information, and the Commission did not allege or contend otherwise.
“Instead, as the complaint notes, the practices challenged by the government related only to the use of viewing data in the ‘aggregate’ to create summary reports measuring viewing audiences or behaviours.”
(12) HOLY PUNCHOUT. Netflix is bringing Marvel’s Iron Fist to television in 2017.
[Thanks to John Lorentz, Bruce D. Arthurs, Chip Hitchcock, Mark-kitteh, Gregory N. Hullender, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Lee.]
Those looking forward to Star Trek Discovery’s promised streaming debut in May will have to wait even longer. According to the The Hollywood Reporter, the premiere has been pushed back right as production is due to start and CBS finishes casting and script rewrites.
“This is an ambitious project; we will be flexible on a launch date if it’s best for the show,” a CBS rep said in a statement. “We’ve said from the beginning it’s more important to do this right than to do it fast. There is also added flexibility presenting on CBS All Access, which isn’t beholden to seasonal premieres or launch windows.”
“This is an ambitious series.”
The 13-episode Discovery was originally slated to premiere this month on CBS, but was pushed back to allow the producers to better “achieve a vision” fans of the franchise would appreciate. Since then, however, the series has been dogged by a slow casting process, as well as the departure of former showrunner Bryan Fuller.
(2) WHO IS #2? A few weeks ago Theodora Goss told her Facebook readers that she was one of two Le Guin Feminist Science Fiction Fellowship recipients. I have now been able to learn the name of the second recipient from a contact at the Center for the Study of Women in Society at the University Oregon.
Roxanne Samer is a postdoctoral scholar and teaching fellow in the School of Cinematic Arts at the University of Southern California. She holds a PhD in critical studies from the School of Cinematic Arts at the University of Southern California. Samer coedited with William Whittington the book Gender, Sexuality, and Media: Audiences and Spectatorship, which is under contract with the University of Texas Press. She is also the editor of “Transgender Media,” a special issue of Spectator: The University of Southern California Journal of Film and Television Criticism 37.2 (Fall 2017). She will visit UO Libraries’ SCUA to do research toward fleshing out her dissertation, Receiving Feminisms: Media Cultures and Lesbian Potentiality in the 1970s, for publication as a book.
For example, from Arthur C. Clarke I learned that the ultimate destination of all humans is extinction. Even if some parts of humanity transcend reality, as in Clarke’s novel Childhood’s End, humanity as a species is destined to eventually disappear from this universe.
From Isaac Asimov I learned that even if our ultimate fate is to disappear, humanity can have an amazing ride while we exist.
From Ursula K. Le Guin I learned that culture shock can be both a way to awaken you to new intellectual horizons and to kill you….
Verse 6: There’s a blurb on the backside of the book. There’s a blurb on the backside of the book. There’s one story on the cover; inside the book’s another. There’s a blurb on the backside of the book.
Blurbage (as I like to call it) is the collection of stuff one finds on the covers of one’s novel. If you publish with a mainstream house as the Café staff does, you are not always—dare I say almost never—in control of what goes on the cover. Blurbage (as I an using the term) is composed of several parts: …
(5) SOMETIMES THEY DO GET WEARY. Oliver Langmead tells his readers at Fantasy-Faction“Why I Don’t Like Dragons”.
As of recent years, I’ve found myself going through dragon fatigue. Much in the same way as zombies and vampires, it feels a little bit like we hit peak dragon a while ago (pun intended). This isn’t to say that dragons can’t be great. Sure they can. Just like zombies and vampires can be brilliant from time to time, when somebody finds a really refreshing angle on them, or when we’re talking about classic texts. Just that… in fantasy, the literature of the impossible, sometimes it can feel like writers are playing it a bit too safe.
I don’t do this as much when I’m writing the first draft, but when I am editing, I will usually read everything aloud. Dialog that is unnatural, stilted, or weird is going to be obvious when you hear it, even if it looks okay when you see it.
If your family thinks you’ve gone insane, close the door or turn your radio up and get talking. Even if your writing isn’t going to get turned into an audiobook, this is still a valuable exercise to weed out stupid dialog or awkward descriptions. You don’t need to do voices, or be loud, just muttering it to yourself will usually reveal the awkward bits.
Keep in mind however, that in either format you do not want to write exactly like people talk. That’s because in real life most speakers use a lot of uhm… err… uh… pauses and brain farts.
If you write all those noises down that people make when they’re thinking of what to say, it becomes annoying for the reader. I try to use that stuff sparingly in fictional dialog, and when I do, I try to use it only when it is going to tell the reader something about that character. So if you’ve got somebody where it is important to convey their awkwardness, nervousness, or hesitancy, do it, but try not to overdo it. A realistic amount of ums and urrs will annoy readers and waste your listener’s time. Same with affections like ending every sentence with know what I’m saying? A little bit goes a long way. A good narrator is going to convey those character traits, and in written form you can convey that stuff through the story you tell around them.
Oh, and that one liner that sounded really super cool in your head? Reading it out loud will help you realize if it actually sucks.
Dick Gautier, a comic actor best known for his Tony-nominated performance as a vain rock ’n’ roll star in the Broadway musical “Bye Bye Birdie” and his recurring role as a robot with a heart on the television show “Get Smart,” died on Friday in Arcadia, Calif. He was 85.
A spokesman, Harlan Boll, said the cause was pneumonia.
Mr. Gautier had the square-jawed good looks of a leading man. But he also had a wild sense of humor — he began his career as a stand-up comedian — and for more than 50 years he was primarily a scene-stealing supporting player on sitcoms.
(8) TODAY IN HISTORY
January 18, 1644 — John Winthrop documented the first known unidentified flying object (UFO) sightings in North America.
(9) TODAY’S BIRTHDAY BOY
Born January 18, 1882 — A. A. Milne
(10) WINNIE-THE-POOH DAY. And by a stunning coincidence, this is also Winnie-the-Pooh Day.
One of the cuddliest holidays around has to be Winnie the Pooh Day, celebrated on the birthday of author A A Milne. It’s one special anniversary fans just can’t bear to miss! Every year, the occasion is marked with events such as teddy bears’ picnics, featuring plenty of honey on the menu.
The only remaining question is whether someone will be along in a few minutes to tell us that the author is foisting off unwonted xtianity on the public, like the last time I posted something from the calendar.
In recent weeks, scientists used NASA’s Curiosity Mars rover to examine slabs of rock cross-hatched with shallow ridges. All signs lead them to believe they’re mud cracks, which makes them the first to be confirmed on the Red Planet by the Curiosity mission.
“Even from a distance, we could see a pattern of four- and five-sided polygons that don’t look like fractures we’ve seen previously with Curiosity,” said Curiosity science team member Nathan Stein in NASA’s announcement. “It looks like what you’d see beside the road where muddy ground has dried and cracked.”
If this interpretation holds up, it would be evidence that the ancient era (three billion years ago) when these sediments were deposited included wet conditions, followed by drying. High resolution images have pointed to the existence of deltas, gullies and river valleys on Mars, which is why scientists view it as one of the places in our solar system most likely to be/have been home to alien life. (There are three others, according to NASA director of planetary science James Green).
One more note to begin with – though I participate with a lot of enjoyment in Hugo nomination and voting every year, I am philosophically convinced that there is no such thing as the “best” story – “best” piece of art, period….
The other obvious point to make is that the great bulk of these stories are those that I included in my yearly anthology. There are a few that didn’t make it, for reasons of length, contractual situation, balance, or even that I might have missed a story by the deadline for the book.
(14) PAGEVIEWS. Sarah A. Hoyt gives nine pieces of good advice about “How to Build a Web Presence” at Mad Genius Club.
6- Post EVERY DAY. If, like me this last week, you have to go AWL, have guest posts. You’ll still lose readers and some of them won’t come back, but it’s better than dead air. (Trust me.) I don’t know why post every day works, except through “be habit forming.”
7- Police your community. I actually have had to ban very few people, but remember the “drunken uncle at the wedding.” If a poster is just there to attack and is making other people uncomfortable, don’t be afraid to ban him. He might not be doing anything wrong, but his right to express himself doesn’t trump your right to have your normal commenters enjoy themselves. Also, if the community gets in an unpleasant rut, nudge them. My commenters once, while I was asleep, misunderstood something someone posted and attacked. He got defensive and they ran him off the blog. You don’t want that, particularly if it’s someone interesting.
People who say they’re not responsible for the tone of their comment sections are disingenuous or clueless. You can police just enough, intervening to break up things just enough that you keep it from becoming a snake pit without neutering it.
[Thanks to Chip Hitchcock, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]
(1) SPECTRUM 24 CALL FOR ENTRIES. John Fleskes, Spectrum Director, has issued an invitation for professional and student artists, art directors, publishers and artists’ representatives to submit entries to the 24th Annual Spectrum International Competition for Fantastic Art.
All artworks in all media embracing the themes of science fiction, fantasy, horror and the surreal are eligible for this show. Fantastic art can be subtle or obvious, traditional or off-the-wall, painted, sculpted, done digitally or photographed: There is no unacceptable way to create art, and there are no set rules that say one piece qualifies while another does not. Imagination and skill are what matters. Work chosen by the jury will be printed in full color in the Spectrum annual, the peer-selected “best of the year” collection for the fantastic arts.
The Spectrum 24 jury is a five member panel of exceptional artists working in the industry today, Christian Alzmann, Laurie Lee Brom, Mark Newman, John Picacio and Victo Ngai.
“Spectrum represents such a rich visual history and standard of excellence for what we collectively dream in the fantastic art field,” states John Picacio. “I’ve always been grateful any time my work was selected for inclusion in the annual, and it’s a profound honor and responsibility to give back to the book this year as a juror.”
I’ll have more to report by the end of the month, when all the tests and biopsy results finally come in. But here’s what definite:
I do have a form of Non-Hodgkin’s Lymphoma, although they still don’t know exactly what type. (That’s what’s taking so long for the biopsy to be finished.) Once they know what kind it is, they’ll start me on a chemotherapy program.
Sadly, my hopes in the hospital that since the surgery had gone so well maybe the cancer was completely gone turned out to be childish delusions. (Which I suspected myself, but…) Lymphoma is what they call a systemic cancer, which means that surgery by itself can’t do anything but arrest the malignancy for a while and provide the material needed for a thorough biopsy. But to really fight lymphoma, you need chemotherapy.
The good news is that lymphoma generally responds well to chemo, and it’s not uncommon for people to be cured of the disease altogether. We’ll see what happens in my case, but even in the worst case scenario it looks as if I’ll have quite a few years to fend the cancer off.
However, he says frankly that after chemo he may live for years to come —
if you look at it the right way. I’ll be 70 in a month. I don’t have to fight off lymphona indefinitely. I just have to fight it off long enough for something else to bump me off.
(4) EYES WIDE WHAT? Myke Cole’s next tweet will explain how his stories are like radio except with no sound.
Fans who found me via @HuntedCBS, I also write books! Like TV, but you look at paper & your brain makes pictures. https://t.co/Mjy97D94qI
(5) HOMAGE. The late Gordon Archer did a lot of commercial art for Weetabix cereal involving Doctor Who, Star Trek, Asterix and other pop culture subjects which his son now has on display on a website. [Corrected, because Archer is still with us, as his son states in a comment below.]
Winnie the Pooh creator’s letter reflects moral dilemma of pacifists faced with rise of Hitler in interwar period
…The Milne letter has been retrieved from its vast collection of documents and reflects the conflict felt by many pacifists who had experienced the horrors of the first world war and earnestly hoped “never again”.
“It encapsulates the moral dilemma that a lot of pacifists had in the interwar period,” said curator Matt Brosnan. “Milne opposed war but increasingly saw Hitler and the Nazis as an evil that had to be met by force.”
In his letter, Milne declared himself a “practical pacifist”, writing: “I believe that war is a lesser evil than Hitlerism, I believe that Hitlerism must be killed before war can be killed.”
(7) KOWAL INTERVIEW IN LOCUS. An excerpt of Locus’ interview with Mary Robinette Kowal has been posted at Locus Online.
The moment I knew I was setting something during the First World War, I knew that darkness was going to be part of it, and that I would have to work really hard to keep the darkness from completely overwhelming Ghost Talkers. When you do any reading at all about the First World War, it becomes very clear why it made such a huge, permanent mark on Europe – and the US less so, because we were not directly touched by it. It wasn’t even the death tolls, because in England a lot of men actually came home, but everyone came home wounded in some way, either physically or emotionally. I read interview after interview of survivors saying, ‘I went over the top of the trench, and everyone in my platoon died. I don’t know why I lived.’ I knew going in that dealing with someone who deals with ghosts as her job, during WWI, would mean a darker book than people are used to from me. On the other hand, the last book in the Glamourist series, I jokingly refer to as ‘Regency Grimdark.’
But here’s where those voices have a point: if you wait till after you’ve put out your call for submissions to run around trying to fill in diversity slots for your anthology — you know, the “one of each so long as there aren’t too many of them” approach — you will more likely than not end up with a dog’s breakfast of a volume in which it’s clear that you selected writers for their optics, not their writing. That’s tokenism, not sound editorial practice. The time to be trying to make your anthology a diverse one is before submissions come in, not during or after.
On the other hand, if you just put your call for fiction out there and cross your fingers, you’ll end up with mostly the usual suspects. It’s not enough to simply open the door. Why? Because after centuries of exclusion and telling us we’re not good enough, an unlocked door is doing jack shit to let us know that anything’s changed. Most of us will continue to duck around it and keep moving, thank you very much. We’ll go where we know there are more people like us, or where there are editors who get what we’re doing.
So make up your mind that you’re going to have to do a bit of work, some outreach. It’s fun work, and the results are rewarding….
Christensen saw himself not as the “fantasy artist” label given him, but rather as an artist who paints the fantastic.
“I paint things that are not real,” he told the Deseret News in 2008. “But fantasy often ventures into the dark and scary stuff. I made a decision long ago that I would not go to dark places. There’s a lot of negativity in the world. I try not to be part of it.”
His honors and awards include being named a Utah Art Treasure as well as one of Utah’s Top 100 Artists by the Springville Museum of Art and receiving the Governor’s Award for Art from the Utah Arts Council. He had won all the professional art honors given by the World Science Fiction Convention as well as multiple Chesley Awards from the Association of Science Fiction and Fantasy.
Christensen had served as president of the National Academy of Fantastic Art, and he co-chaired the Mormon Arts Foundation with his wife, Carole.
Dave Doering paid tribute: “I loved this man. For various years he was our Artist GoH at LTUE but also quite well known in all fantasy art circles.”
(11) TODAY IN HISTORY
January 9, 1493 — On this date, Italian explorer Christopher Columbus, sailing near the Dominican Republic, sees three “mermaids”–in reality manatees–and describes them as “not half as beautiful as they are painted.”
(12) WORLDBUILDERS. At Tor.com, David Weber discusses five authors who he says are “great world-builders.” All five of the authors are women: Anne McCaffrey, Katherine Kurtz, Mercedes Lackey, Barbara Hambly, and Patricia McKillip:
“[McKillip] is, without a doubt, one of my two or three all-time favorite authors. When I first read The Riddle-Master of Hed in 1978, I immediately went out and found Heir of Sea and Fire and then waited impatiently for Harpist in the Wind. In many ways, the Riddle-Master’s world is less fully articulated than Pern or Gwynedd, but I think that’s because so much of the detail is cooking quietly away in the background behind the land rulers. There’s a sense of an entire consistent, coherent foundation and history/backstory behind all of it, but the struggles of Morgon, Raerdale, and Deth take front stage with an intensity that reaches out and grabs the reader by the shirt collar and shakes him or her to the bone. Patricia’s prose is absolutely gorgeous and evocative and her stories fully satisfy the deep love for the language my parents taught me as a very young reader. I literally don’t think it’s possible to over-recommend this series … and the rest of her stuff is pretty darn good, too.”
Saint Anthony of Padua’s the patron saint of Brazil, Portugal, pregnant women, and the elderly. He wears brown robes, and he usually holds baby Jesus and lilies. And – as one Brazilian woman discovered – a miniature figure of Santo Antônio also vaguely looks like Elrond, the elf lord of Rivendell from Lord of the Rings. Brazilian makeup artist Gabriela Brandao made the hilarious discovery last week and posted about it on Facebook for all to see. Brandao explained that her daughter’s great-grandmother prayed to the Elrond figurine daily, erroneously believing it was Santo Antônio.
(14) IMAGINARY HUGO RECOMMENDATIONS. There is no such work, except in your mind:
(15) BRIANNA WU’S CAMPAIGN. She’s already gaining media attention in Boston.
Brianna Wu was at the center of “Gamer-Gate” and received some horrific threats over social media. But instead of keeping a low profile, she tells Jim why she’s now planning on running for Congress.
[Thanks to John King Tarpinian, Steven H Silver, Andrew Porter, Rob Thornton, Arnie Fenner, and Dave Doering for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
It will come as no surprise to anyone who knows me or who has read any of the essays I’ve written in the past on copyright laws and online piracy that I generally agree with Bussel’s stance and disagree with Lamb’s. But there are some issues involved that Bussel doesn’t address which I think are actually more important than the ones she does. Another way to put it is that I don’t think she goes far enough. The essence of her argument is that the situation is more complicated than Lamb presents it as being, and is not an either/or situation. While it is true that a book sold in a used book store may represent an immediate loss to an author, it can be made up for in the long run by exposing more people to that author….
To make a living as a full time writer, or even to derive a significant income from writing, an author has to constantly recreate their readership base. The process is dynamic, not static. And the main way an author does so is by having that huge penumbra of free books—“free,” at least, from the author’s standpoint—surrounding the much smaller number of books which get sold in a way that brings direct income.
That’s why Lamb’s view of the matter is so skewed. She’s right that it’s an either/or situation, but she doesn’t understand that the relationship between “either” and “or” is a necessary and beneficial one.
Ashley Eckstein, a self-described sci-fi fangirl, believes women like her are often overlooked. So several years ago she started a company to sell apparel featuring brands like Doctor Who, Star Trek and Star Wars to other fangirls. Now, believing those same women need a voice, she is expanding into publishing….
“Liking Star Wars is not a trend; it’s part of who you are,” she said, adding that she was disturbed to see women harassed for liking sci-fi and fantasy. “It was troubling to me; it was painful for fangirls.”
Mrs. Eckstein started her company, Her Universe, in 2009 after searching for a Star Wars T-shirt at a comic book convention. Unable to find anything suited for women, she instead saw an opportunity to target an overlooked consumer. Her company has since expanded from convention and Internet sales to include retail partners like Hot Topic and, starting in March, Kohl’s, which will sell a line of Her Universe active wear.
Now, Mrs. Eckstein sees another opportunity, this time as a publisher of sci-fi novels written by women. She said she got the idea after receiving unsolicited manuscripts at conventions. “Fans would hand me a book and say, ‘I wrote a story and could not get it published,’ ” she said. “I would come home with stacks of books.”
The annual science fiction spectacular was missing from the calendar last year, but details have been announced for a revamped event in October at a larger venue and with the promise of even more for sci-fi fans to look forward to…
Mark Dean, director of Nor-Con Events Limited, said: “We’ve had a year’s break to restructure and rebrand. Due to demand we’ve moved to a larger venue at the Norfolk Showground, which will allow us to have more people, more exhibits and exhibits that will be able to move around like the Daleks and R2-D2s because we’ve got the space.”
As well as celebrities signing autographs and taking part in question and answer sessions, there will be exhibitions, demonstrations, trader stands as well as the Norwich Star Wars Club UK, comic artists and cosplay – “costume play” – groups.
(4) CRITICS’ CHOICE. The 2016 Critics’ Choice Awards were presented at a ceremony broadcast by A&E on January 18.
Mad Max: Fury Road dominated the Film division. It was the winner in nine categories including Best Action Movie, Best Actor (Tom Hardy), Best Actress (Charlize Theron) Best Director (George Miller), and Best Visual Effects.
Inside Out won Best Animated Feature.
Ex Machina was named Best Sci-Fi/Horror Movie.
In the Television division, Mr. Robot was named Best Drama Series, and its cast members won Best Actor in a Drama Series (Rami Malek) and Best Supporting Actor in a Drama Series (Christian Slater).
Outlander was selected as the Best Binge-Worthy Show.
Big Bang Theory’s Mayim Bialik received the award for Best Supporting Actress in a Comedy Series.
Also, Rachel Bloom of Crazy Ex-Girlfriend won Best Actress in a Comedy Series. (File 770 keeps track of her successes because of the Hugo-nominated Ray Bradbury music video she did back in the day.) Popsugar reports:
After the Golden Globes and the Critics’ Choice Awards, you should know who Rachel Bloom is. The star of The CW’s Crazy Ex-Girlfriend took home the Critics’ Choice Award for her role on the musical comedy on Sunday. She was clearly shocked to be taking home yet another award,…
(5) ADAMS OBIT. Television’s Grizzly Adams, actor Dan Haggerty, died January 15 at the age of 73. His New York Times obituary lists horror movies he made late in his career — Terror Night (1987), Elves (1989) — playing an alcoholic mall Santa — and Axe Giant: The Wrath of Paul Bunyan (2013).
The Star Trek stars William Shatner and George Takei have backed the Scottish National party’s ambition to establish Europe’s first spaceport in the UK.
The SNP MP Philippa Whitford led a debate in the House of Commons on Thursday on the future of the UK space industry, which she concluded by giving the Vulcan salute. The MP made the case for a spaceport to be established in her constituency of Central Ayrshire….
Welcoming the SNP debate, the actor William Shatner, Star Trek’s Captain James T Kirk, issued a statement that was read out to MPs: “Space is one of the last known frontiers mostly untouched by mankind and his politics. In opening a debate on this subject, my hope is you take the tenets of Star Trek’s prime directive to universally and peacefully share in the exploration of it. I wish you all a wonderful debate. My best, Bill.”
George Takei, Star Trek’s Lieutenant Sulu, tweeted his support: “I wish the SNP and the House of Commons well on their debate about their space program tomorrow. #WhereNoBritHasGoneBefore
(7) TODAY IN HISTORY
January 18, 2008 — After much secrecy, Cloverfield makes its theatrical debut. An Easter egg in the movie has the sea monster from The Beast from 20,000 Fathoms, which was based on Ray Bradbury’s short story The Foghorn appearing in the driver side mirror of one of the cars.
It’s been six years in the making, and now Cirque du Soleil’s “Toruk” is setting up camp in North American stadiums, bringing audiences the magical world of the moon Pandora and its inhabitants from James Cameron’s blockbuster “Avatar.” …
The story of “Toruk” is set 3,000 years before “Avatar,” long before humans set foot on Pandora. It tells of a quest to find the mysterious creature Toruk, the only one who can save the sacred Tree of Souls from destruction
(10) THE SIMPSONS. Despite the Huffington Post’s clickbait headline, neither David Bowie nor Alan Rickman appeared in this 2013 episode of The Simpsons, however, what Benedict Cumberbatch does in the clip makes it worth 60 seconds of your time —
In the parody film Bart watches, a Hugh Grant-version of the Prime Minister, who is voiced by Benedict Cumberbatch, proclaims his love for a lower class lady named Eliza Commonbottom.
The two kiss, and a Pandora’s box of silly British pop cultural references is opened, which includes one of Rickman’s most famed portrayals, Snape (whom Cumberbatch also voiced), and a Bowie-penned song ‘All the Young Dudes’.
Oh, and there’s a ‘Doctor Who’ reference in the form of a TARDIS for good measure too – obviously.
https://www.youtube.com/watch?v=ZPrYtb6diu8
[Thanks to John King Tarpinian, Hampus Eckerman, Andrew Porter, and David Doering for some of these stories. Title credit goes to File 770 contributing editor of the day, myself…]