By Steve Vertlieb: I was a lonely, introverted, deeply sensitive little boy with a fertile imagination as big and as vast as the sea. The 1950’s opened the door for me to a magical kingdom, overflowing with wonders that fed my appetite, enticing my yearning heart with the promise of worlds, oceans, and a dimensional universe of both dreams and promise. While my physical world was confined to emotional conflict, and the youthful constraints of intellectual subservience, a magical little box called television opened up limitless vistas of travel, exploration, and journeys to the stars. I could escape my fears, vulnerability, and self-doubts simply by turning that fertile “Dial of Destiny” on our new television set, inviting me to a gentle path along a beloved “Yellow Brick Road.” It was there, and only there, that I might, perhaps, find release from the bonds and fleeting ignorance of childhood, and fly away upon wings of fancy to “Never Never Land.”
As the newborn light within its circular dome flickered hesitantly to life, I found myself riding my valiant stallion across the Western plains alongside saddle pals like Hop-A-Long Cassidy, Roy Rogers, John Wayne, and Bob Steele. I galloped together with Zorro’s Fighting Legion, sat astride a camel’s humps with Buster Crabbe as Captain Gallant of the Foreign Legion, fought together with Gene Autry to escape The Phantom Empire, and the underground city of the future, “Murania.” I journeyed to a Forbidden Planet at my local neighborhood Benner Theater, on a Saturday matinee, savored exotic fruits upon the surface of Altair 4, and rocketed to the Planet Mongo every weekday afternoon, during my lunch break from school, with “Chuckwagon Pete”, and his identical twin brother, “Uncle Pete” (both played by beloved early Philadelphia children’s television host Pete Boyle, the real life father of Young Frankenstein, Peter Boyle), sharing the fabled exploits of Doctor Zharkov, Prince Barin, Dale Arden, Princess Aura, Ming the Merciless and, of course Larry “Buster” Crabbe as Flash Gordon.
Buzz Corry (Ed Kemmer) courageously commanded the star cruiser “Terra,” along with Cadet Happy and I … “Uncle Milty” (Milton Berle) owned Tuesday nights … Ed Sullivan was the Toast of the Town … and a gravel-throated cinematic magician known affectionately to “children of all ages” as “Uncle Walt” brought a magic kingdom to life for millions of adoring kids. He brought us Zorro every Thursday night on ABC TV, while sprinkling his special wand across generations over NBC Television with mythical stories and legends of Davy Crockett (starring Fess Parker), Zorro (played by swashbuckling Guy Williams … later to star in Lost in Space), The Nine Lives of Elfego Bacha (with Robert Loggia), The Swamp Fox (with Leslie Nielsen), Johnny Tremain (with Hal Stalmaster), Treasure Island (with Bobby Driscoll and Robert Newton), The Scarecrow of Romney Marsh (with the star of tv’s The Prisoner, Patrick McGoohan), The Hardy Boys, (with Tim Considine and Tommy Kirk), The Story of Robin Hood and His Merry Men (starring Richard Todd), The Adventures of Spin and Marty (with Tim Considine, David Stollery, Harry Carey Jr, and Annette Funicello), The Wonderful World of Disney, and the show that changed our youthful lives forever, The Mickey Mouse Club.
Walt Disney had been entertaining, and enchanting the children of the world since 1928 when he introduced “Steamboat Willie,” and a mouse named “Mickey” to motion picture screens. However, it wasn’t until 1954, with the premier of Walt Disney’s Disneyland, followed by The Mickey Mouse Club in 1955, and Walt Disney Presents in 1958 that this master showman made his everlasting mark on television. The memorable lyrics from Pinocchio” sung by Jiminy Cricket (Cliff Edwards), brings me to tears still, while Uncle Remus (James Baskett) singing “Zip-A-Dee-Doo-Dah” shall bring a smile of remembrance to my lips for as long there remains breath in my body. When I first visited my little brother and lifelong best friend, Erwin, in Los Angeles in 1974, I fulfilled a childhood dream by visiting the land of dreams … Disneyland. As we entered the park inside the Monorail, my eyes filled with tears, and I began to sob. I couldn’t understand why until I realized that the voice of that legendary little cricket was singing over the loudspeakers … “When You Wish Upon A Star … Makes No difference Who You Are … Anything Your Heart Desires Will Come To You. If Your Heart Is In Your Dream … No Request Is Too Extreme … When You Wish Upon A Star As Dreamers Do. Fate Is Kind … She Brings To Those Who Love … The Sweet Fulfillment of Their Secret Longing. Like A Bolt Out of the Blue … Fate Steps In and Sees You Through … When You Wish Upon A Star … Your Dreams Come True” (Leigh Harline and Ned Washington). I guess that’s when I lost it. I was six years old once more.
It was during the Christmas season to come that “Uncle Walt” told us of his newest feature film attraction, a cinematic re-telling of Jules Verne’s immortal fantasy classic novel, 20,000 Leagues Under The Sea. Directed by Richard Fleischer, with music by veteran Disney composer Paul Smith, and starring Kirk Douglas as Ned Land, James Mason as Captain Nemo, Peter Lorre as Conseil, and Paul Lukas as Professor Pierre Aronnax, this spectacular new film version was previewed on the weekly television Disney program with a special documentary about the making of the film. The highlight of the promotional film was a brief look at the giant squid luring the vessel to its ultimate destruction, both the interior and exterior of Captain’s Nemo’s fantastic submarine, the Nautilus, and Kirk Douglas performing his soon to be “hit” recording of “A Whale of A Tale.”
My eyes grew wide, and my little jaw dropped open as I encountered the Nautilus for the very first time. She was utterly magnificent. I’d never seen anything quite like her. I was utterly entranced by this vision of wonder. My expectations grew over the weeks to come, and it was during the week between Christmas and New Years Eve, 1954, that my mother took me downtown to, perhaps, the most majestic of old movie palaces in Philadelphia, “The Mastbaum Theater,” to see Walt Disney’s production of 20,000 Leagues Under The Sea for the very first time. Located at 2001 Market Street in the very heart of the city, its vast lobby and auditorium were stunning beyond verbal description. As luck would have it, my mom deposited me at the theater a few moments late, and I can recall missing the opening credits of the movie. I was just nine years old when the movie opened, but I can still vividly remember walking slowly down the aisle in the already darkened theater, and seeing the Nautilus speeding toward its unwitting prey, a Victorian steamship, sailing blithely across the waves to its impending doom and destruction, as the Nautilus rammed into her bow, sinking the great vessel and her crew “Down to the Sea in Ships.” Consumed by the ravaging waters of the eternal sea, the nautical victim of Nemo’s vengeance sank to her inevitable doom.
Early in 2023, the city of Philadelphia became the joyous recipient of the Walt Disney Company’s “100th Birthday Celebration Exhibition,” the very first stop on a worldwide tour encompassing many of the studio’s most famous, fabulous, and most cherished artifacts and treasures. I purchased tickets to the show, being held at the famed Franklin Institute, along its fabled Parkway, for my girlfriend, Shelly, and I in late Spring. From the moment that we arrived at the exhibit, I happily shed the outer garments of maturity, and became an innocent once more. I had dwelt in ecstasy for countless hours within the land of enchantment. Few experiences in my own fragile seventy-seven years had ever come remotely close to the special feeling of bonding, and to returning “Home” that I felt upon entering this ‘Wonderful World of Disney,” this incomparable miniature “Disneyland” at my doorstep. It was as though I had traveled back to “Oz.”
The celebration of 100 years reached its zenith, however, when the sight that I’d dreamed of for nearly seventy years came at last in view. I’d seen a short television special on a local station in which the hosts took a brief tour of the exhibition, and so I knew that it was there … there within the confines of the museum in my own home town. I had met Kirk Douglas in 1974 on the set of the Gene London children’s tv program in 1974, twenty years after the film’s original release. I had even encountered the original “Robby, the Robot” full-sized prop from MGM’s 1956 science fiction classic, Forbidden Planet, at the home of William Malone, a well known film director. There was nothing, however, that could have prepared me for the sight of the actual model of the Nautilus, used in Walt Disney’s 1954 epic 20,000 Leagues Under The Sea. I gasped audibly when she came into my view at last, and my eyes filled with tears of joy and remembrance. Here she was, actually before me, in all of her restored glory. It remains a moment … a memory that shall lovingly occupy both my memory and my heart for all the remaining years of my life …never to be erased or forgotten.
(1) SCA DIGITAL SECRECY COMPROMISED. Creative Administration, “an unofficial blog about the governance and logistics of the ‘Business Side’ of the Society for Creative Anachronism”, has disclosed that many of the Society’s supposedly confidential email communications were exposed to the internet for an extended period of time: “The SCA Lists Archive Breach”. Full details at the post.
TL/DR: An SCA IT web configuration error exposed confidential email messages.
For three years, the SCA mistakenly published all email sent to Board of Directors’ feedback address, allowing anyone on the Internet to read messages that had been sent in confidence, including reports of harassment and sexual assault.
If you emailed [email protected] between March 6, 2020 and February 2, 2023, you should be aware that the message you sent is no longer secret and has likely been read by other people outside of the organization’s leadership.
Six mailing lists used by committees for internal communication were also affected….
(2) PLEASE REMOVE YOUR BLINDFOLDS. At Young People Read Old SFF, James Davis Nicoll unleashes the panel on The Crystal Spheres by David Brin.
This month’s Young People Read Old Hugo Finalists is David Brin’s Hugo-winning1 short story “The Crystal Spheres.” In his day, Brin was a major SF figure. This rocket Brin took home was merely one of an impressive number of awards on what I assume was an increasingly overcrowded mantle-piece throughout the 1980s, to a lesser extent the 1990s, and even lesser extent subsequent decades.
Brin’s stand-alone hard SF tale is a solution to the ever-vexing Fermi paradox. Put simply: “where is everyone?” Readers clearly enjoyed the tale. “The Crystal Spheres” beat2, in order, “The Aliens Who Knew, I Mean, Everything” by George Alec Effinger, “Symphony for a Lost Traveler” by Lee Killough, “Salvador” by Lucius Shepard1, “Ridge Running” by Kim Stanley Robinson, “Rory” by Steven Gould.
Of course, Reagan-era reader tastes and modern tastes can diverge, often quite dramatically. Are the Young People as enthusiastic about Brin’s story as their parents or grandparents might have been? Let’s find out….
Eva Green has hailed her victory over what she described as a group of men who tried to use her as a scapegoat, after winning a bruising legal battle over the collapse of a sci-fi film.
The actor had sued White Lantern Films and SMC Speciality Finance for a $1m (£802,000) fee that she said she was owed. However, she faced a counter-claim alleging she pulled out of the making of A Patriot, which collapsed in 2019, and breached her contract.
In a judgment on Friday, Mr Justice Michael Green ruled in her favour, saying she was entitled to the fee, and dismissed the counter-claim.
Her victory follows a case in which Green gave evidence, saying it was “humiliating” that private WhatsApp messages she had sent were revealed in court.
Those messages included her comments about being “obliged to take [the producer’s] shitty peasant crew members from Hampshire” after the location was switched from Ireland. They also included her description of the production as a “B-shitty-movie” and the executive producer, Jake Seal, as “pure vomit”, a “devious sociopath” and “evil”.
Reacting to the judgment, Green said she had been “forced to stand up to a small group of men, funded by deep financial resources, who tried to use me as a scapegoat to cover up their own mistakes”.
“I am proud that I stood up against their bullyboy tactics,” she added.
“A few people in the press were only too delighted to reprint these lies without proper reporting. There are few things the media enjoys more than tearing a woman to pieces. It felt like being set upon by hounds; I found myself misrepresented, quoted out of context, and my desire to make the best possible film was made to look like female hysteria. It was cruel and it was untrue.”
During her evidence, Green denied the allegations that she was not prepared to go ahead with the project, saying: “In the 20 years that I have been making films, I have never broken a contract or even missed one day of shooting.”
In the 71-page judgment, released by email, Mr Justice Green concluded: “In particular, I find that Ms Green did not renounce her obligations under the artist agreement; nor did she commit any repudiatory breaches of it.”…
Disney’s series of 7,000 layoffs, which began in late March, has now reached its animation and kids divisions. Disney TV Animation’s SVP of Current Series, Khaki Jones, is leaving after 13 years with the studio. Jones supervised all series and short-form content produced for Disney’s linear channels and Disney+. Also on the chopping block are Claire McCabe and Meghan de Boer, VP and Executive Director of the Kids Unit, respectively. Both execs were promoted only a year prior to develop unscripted kids’ projects based on existing Disney IPs.
The multi-phase layoff plan was originally ordered by Disney CEO Bob Iger in February to reduce costs by $5.5 billion. In the process, Marvel Entertainment was absorbed into the companylast month, and Disney chairman Isaac “Ike” Perlmutter was axed after decades of service, despite being instrumental to the success of the MCU.
In the face of looming layoffs in animation, Iger revealed in early February that the company is moving ahead with sequels for the Frozen, Toy Story, and Zootopia franchises. While the news of upcoming sequels is exciting, the decision is most likely in the name of boosting a sagging stock price….
What does the imminent horror spread by a shark on approach sound like? Or the globe-trotting escapades of a heroically adventurous archeologist? How do you express the grandiosity of the rebels and empires of a galaxy far, far away?
Considering such ideas, feelings, and concepts he transposed into world-famous and instantly recognizable musical notes over an illustrious career spanning nearly seven decades, it wouldn’t be a stretch to call the 91-year-old John Williams the most legendary film composer living today, with 53 Academy Awards and 73 Grammy nominations under his belt (which he won 5 and 25 of them respectively).
But what makes Williams one of the ultimate legends of this cinematic art form is not his endless and well-earned awards and accolades—it’s his ability to connect with the audiences as a musical storyteller and activate their universal emotions without language barriers. And that unique gift of his was cause for celebration on Tuesday night in New York at New York Philharmonic’s Spring Gala organized in his honor….
(6) ANOTHER GOH DISINVITED. IndyFurCon, due to take place in August, tweeted that they have canceled Cassidy Civet as this year’s Guest of Honor.
No explicit reason was given (a lesson cons have learned from the JDA lawsuit). There are merely hints from third parties in comments on IFC’s tweet and Cassidy Civet’s own Twitter response.
I feel completely blindsided.
Being asked was such a rush, I cancelled my Furrydelphia 22 to attend and be announced at closing ceremonies at IFC 22.
Then, complete silence from the con for months, I reached out, then today the rug got pulled out from under me.
So let’s talk about Bruce Sterling’s Islands in the Net. Published by Arbor House in 1988, which is, to borrow to a phrase from Max Headroom, set twenty minutes in the future. As a result the setting and the characters are completely believable as is the fascinating story.
I’m not going to say more other than I’ve read this novel a number of times.
Now our Beginning…
The sea lay in simmering quiet, a slate-green gumbo seasoned with warm mud. Shrimp boats trawled the horizon.
Pilings rose in clusters, like blackened fingers, yards out in the gentle surf. Once, Galveston beach homes had crouched on those tarstained stilts. Now barnacles clustered there, gulls wheeled and screeched. It was a great breeder of hurricanes, this quiet Gulf of Mexico.
Laura read her time and distance with a quick downward glance. Green I indicators blinked on the toes of her shoes, flickering with each stride, counting mileage. Laura picked up the pace. Morning shadows strobed across her as she ran.
She passed the last of the pilings and spotted her home, far down the beach. She grinned as fatigue evaporated in a flare of energy.
Everything seemed worth it. When the second wind took her, she felt that she could run forever, a promise of indestructible confidence bubbling up from the marrow. She ran in pure animal ease, like an antelope.
She passed the last of the pilings and spotted her home, far down the beach. She grinned as fatigue evaporated in a flare of energy.
Everything seemed worth it. When the second wind took her, she felt that she could run forever, a promise of indestructible confidence bubbling up from the marrow. She ran in pure animal ease, like an antelope.
The beach leapt up and slammed against her. Laura lay stunned for a moment. She lifted her head, then caught her breath and groaned. Her cheek was caked with sand, both elbows numbed with the impact of the fall. Her arms trembled as she pushed herself up onto her knees. She looked behind her.
Something had snagged her foot. It was a black, peeling length of electrical cable. Junked flotsam from the hurricane, buried in the sand. The wire had whiplashed around her left ankle and brought her down as neatly as a lariat.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 28, 1840 — Palmer Cox, 1840- 1924. He was known for The Brownies, his series of humorous books and comic strips about the troublesome but generally well-meaning sprites. The cartoons were published in several books, such as The Brownies, Their Bookfor some forty years starting in the 1870s. Due to the immense popularity of his Brownies, one of the first popular handheld cameras was named after them, the Eastman Kodak Brownie camera. (Died 1924.)
Born April 28, 1910 — Sam Merwin Jr. He was most influential in the Forties and Fifties as the editor of Startling Stories, Fantastic Story Quarterly, Wonder Stories Annual, Thrilling Wonder Stories and Fantastic Universe. He wrote a few stories for DC’s Strange Adventures and Mystery in Space but otherwise wasn’t known as a genre writer. (Died 1996.)
Born April 28, 1914 — Philip E. High. Made his name first in the Fifties by being published in Authentic Science Fiction, New Worlds Science Fiction and Nebula Science Fiction, and was voted “top discovery” in the Nebula readers’ poll for 1956. A collection of his short stories, The Best of Philip E. High, was published in 2002. He wrote fourteen novels but I can’t remember that I’ve read any of them, so can y’all say how he was as a novelist? (Died 2006.)
Born April 28, 1929 — Charles Bailey. Co-writer writer with Fletcher Knebel of Seven Days In May, a story of an attempted coup against the President. Rod Serling wrote the screenplay for the film. ISFDB says it got one review in the trade, in Analog Science Fact & Science Fiction, February 1963 by P. Schuyler Miller. (Died 2012.)
Born April 28, 1948 — Terry Pratchett. Did you know that Steeleye Span did a superb job of turning his Wintersmith novel into a recording? You can read the Green Man review here titled also Wintersmith by Kage’s sister Kathleen. My favorite Pratchett? Well pretty much any of the Watch novels will do for a read for a night when I want something English and really fantastic. (Died 2015.)
Born April 28, 1953 — Will Murray, 70. Obviously MMPs still live as he’s writing them currently in the Doc Savage Universe to the tune of eighteen under the house name of Kenneth Robeson since 1993. He’s also written in the King Kong, Julie de Grandin, Mars Attacks, Reanimator Universe, Nick Fury, Agent of S.H.I.E.L.D.,Tarzan, Destroyer and The Spider media franchises. So how many do you recognize?
Born April 28, 1957 — Sharon Shinn, 66. I’m very fond of her Safe-Keepers series which is YA and really fine reading. The Shape-Changers Wife won her the William L. Crawford Award which is awarded by the International Association for the Fantastic in the Arts for best first fantasy novel. And she was twice nominated for the Astounding Award.
In pictures published on Thursday, the pair are seen wearing 1960s-style outfits, with Gatwa, 30, sporting a double-breasted blue-and-white pinstripe suit with a white shirt, tie and sideburns.
Gibson, who will feature as the Time Lord’s sidekick, Ruby Sunday, wears a “swinging 60s” look, with white knee-high boots and a black-and-cream dress.
The BBC announced this month that the US drag artist Jinkx Monsoon would play a “major role” in the new series as the Doctor’s “most powerful enemy yet”.
Monsoon – who won two seasons of RuPaul’s Drag Race, including an All Stars season – was pictured in the Doctor Who images wearing a black-and-white outfit featuring piano keys….
12 years ago–after producing five short films, three features, and receiving critical acclaim for his work–animator, filmmaker, author, and manga artist Makoto Shinkai faced a crisis of purpose after the Great East Japan Earthquake of March 11, 2011. It was the most powerful earthquake ever recorded in Japan, and the fourth most powerful earthquake in the world. More than a hundred evacuation sites were washed away and the snowfall, which accompanied the tsunami and the freezing temperature, hindered rescue. The official figures released in 2021 reported 19,759 deaths, 6,242 injured, and 2,553 people missing.
“What I felt when that big earthquake happened was, of course, concern about whether all the people of the Tohoku region were okay, but also relief at the fact that we weren’t directly harmed by it,” says Shinkai, a resident of Tokyo at the time. “All those feelings came together to leave me with an intense feeling of guilt. Even when Japan was going through so much, was it really right for me to just carry on producing animation for entertainment purposes?”
He continues, “I wanted to take on some sort of role. And the work I’m good at is creating animated films… I think, in modern Japan, it’s impossible to separate yourself from disasters. Disasters are happening right below our feet all the time. We Japanese people live on land that could start to shake at any moment. That’s why I wanted to write a story that could only be told here, and I spent these past 10 years writing in the form of an animated film for entertainment.”
Suzume, now showing in U.S. theaters, is produced by CoMix Wave Films, and distributed by Toho. It’s Shinkai’s seventh feature, following his award-winning triumphs Your Name and Weathering With You, and follows a 16-year-old girl named Suzume who meets a traveler named Souta. The young man bears the responsibility of being a “Closer,” and journeys around Japan closing doors in abandoned locations before the doors can release a natural disaster, such as an earthquake….
(11) MORE ARE WATCHING EAST ASIAN SFF. How has East Asian content has changed over 4 years? JustWatch took a closer look at the quality, quantity and the most popular movies and TV shows and says this is what they found:
The worldwide success of the Oscar winning Korean movie “Parasite” began a new wave in entertainment. After the release of the phenomenon “Squid Game”, there was an explosion in Asian movies and shows – more than double than before.
Additionally, the quality has increased as well, with movies and shows in 2023 averaging 0.55 higher rating on IMDb than in 2019. It is expected that this trend will continue into 2023, with hit shows like “Physical 100” coming out regularly.
(12) HE WAS GONE IN A FLASH. DC’sThe Flash opens in theaters June 16.
Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?
(13) VIDEO OF THE DAY. [Item by N.] YouTuber Ryan Hollinger’s video on this year’s M3GAN, where he counters its middling reception and contends it may fit better in the sci-fi thriller genre than the horror it’s been sold as. “Why M3GAN is Better Than You Think”.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Andrew Trembley, N., Steve Vertlieb, Steven French, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Johnstick.]
(1) DON’T MISS IT. That’s what Frank Cifaldi of GameHistoryOrg said after he encountered Filer “Orange Mike” Lowrey working at a bookstore in the Milwaukee Airport. Lowrey told him the whole fascinating story of how the store came to exist. Thread starts here.
I was so enthralled I went up to the register and was like "hey, I'm fascinated by this place, can we chat?" A man with an orange hat, orange glasses, and an orange shirt pushed aside his laptop and said "oh, heavens yes." His name is Orange Mike, and he's worked here since 1979. pic.twitter.com/qAhqejSuAA
(2) QUANTUM OF IMAGINATION. The winner, runner-up, and People’s Choice of the Quantum Shorts Film Festival have been announced.
Missed Call has taken First Prize in the Quantum Shorts film festival! The emotive short film by director Prasanna Sellathurai tells of a physics student grappling with his father’s health crisis.
“I am thrilled and honoured to be awarded first place in this year’s Quantum Shorts Film Festival!” says Prasanna Sellathurai. “I’ve often heard that quantum physics can be considered difficult to approach. This award proves to me that passionate stories, that find creative ways to marry the most personal with the most complex, can speak to all of us.”
Missed Call was one of two winners selected by Quantum Shorts judges Ágnes Mócsy, Alex Winter, Honor Harger, Jamie Lochhead, José Ignacio Latorre and Neal Hartman from a shortlist of nine quantum-inspired films. THE observer was selected as Runner Up. A public vote on the shortlist picked The Human Game for the People’s Choice Prize, rounding out the top three films in the festival.
In addition to an engraved plaque, the winner gets $1500, the runner-up $1000, and the People’s Choice $500.
…The author Judy Blume says a rise in intolerance in America has led to a “much worse” epidemic of book banning than she experienced in the 1980s.
The children’s and young adult author, whose frank depictions of adolescence and puberty have long caused controversy, said it was time to fight back against censorship.
In an interview on the BBC’s Sunday with Laura Kuenssberg, Blume said of book banning: “I thought that was over, frankly … I came through the 80s when book banning was really at its height. And it was terrible. And then libraries and schools began to get policies in place and we saw a falling-off of the desire to censor books….
(4) IT’S A FEATURE NOT A BUG. Blue Beetle comes to theaters August 18.
From Warner Bros. Pictures comes the feature film “Blue Beetle,” marking the DC Super Hero’s first time on the big screen. The film, directed by Angel Manuel Soto, stars Xolo Maridueña in the title role as well as his alter ego, Jaime Reyes. Recent college grad Jaime Reyes returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the Super Hero BLUE BEETLE.
… The letters NCC should be familiar to most, from avid Star Trek fans to casual viewers. They are painted across the majority of Federation starships, or at least are present within most of the franchise’s main vessels. Most people pay attention to the actual name given to the ship, such as Voyager or, of course, Enterprise. For example, the iconic ship’s name is the USS Enterprise, followed by NCC and a number indicating which iteration of the ship this is….
(6) IN SPACE, EVERYONE CAN HEAR YOU FOOL. [Item by Mike Kennedy.] Space.com compiled the “Best space pranks: From space apes to smuggled sandwiches”. Be sure to click through to the article and follow all the Twitter links especially on the last entry.
It turns out the sky is not the limit when it comes to a good old-fashioned practical joke.
Here we explore some of the best pranks carried out in space, from a forbidden sandwich to a gorilla at large on the International Space Station (ISS).
These pranks show the lighter side of space exploration. …
(7) LESLIE H. SMITH (1958-2023). [Item by Ken Josenhans, her husband.] Leslie H. Smith died unexpectedly of heart disease on March 26, age 64. The family obituary is here.
A second-generation fan, she was the daughter of Beresford ‘Smitty’ Smith.
Professionally, she was first a copyeditor, later a musician and voice teacher.
Smith was an active fanzine fan from the 1970s through the 1990s, at first in New Jersey and Philadelphia. With Linda Bushyager, she was a co-editor of the fanzine Duprass. With her husband, Ken Josenhans, she was co-OE of the music apa ALPS, and co-host of the fanzine fans convention Ditto 7 in Ann Arbor.
She was slated to be the copyeditor for the 1987 revival of Weird Tales, but instead she moved away to Ann Arbor, Michigan.
She gafiated around 2000 as classical song and opera became her calling, but she remained in contact with her fannish friends.
(8) MEMORY LANE.
2017 – [Compiled by Cat Eldridge.]
Let me first note that Ann Leckie’s Translation State, a stand alone novel in this universe, will be out in June. The publisher is billing it as a mystery.
Our Beginning this Scroll comes from Provenance which follows the Ancillary trilogy and like Translation State is a stand alone novel. It was published by Orbit Books in 2017. It apparently is a mystery as near as I can tell having not read it yet.
Without further commentary, here is the Beginning…
There were unexpected difficulties,” said the dark gray blur. That blur sat in a pale blue cushioned chair, no more than a meter away from where Ingray herself sat, facing, in an identical chair.
Or apparently so, anyway. Ingray knew that if she reached much more than a meter past her knees, she would touch smooth, solid wall. The same to her left, where apparently the Facilitator sat, bony frame draped in brown, gold, and purple silk, hair braided sleekly back, dark eyes expressionless, watching the conversation. Listening. Only the beige walls behind and to the right of Ingray were really as they appeared. The table beside Ingray’s chair with the gilded decanter of serbat and the delicate glass tray of tiny rose-petaled cakes was certainly real—the Facilitator had invited her to try them. She had been too nervous to even consider eating one.
“Unexpected difficulties,” continued the dark gray blur, “that led to unanticipated expenses. We will require a larger payment than previously agreed.
“That other anonymous party could not see Ingray where she sat—saw her as the same sort of dark gray blur she herself faced. Sat in an identical small room, somewhere else on this station. Could not see Ingray’s expression, if she let her dismay and despair show itself on her face. But the Facilitator could see them both. E wouldn’t betray having seen even Ingray’s smallest reaction, she was sure. Still. “Unexpected difficulties are not my concern,” she said, calmly and smoothly as she could manage. “The price was agreed beforehand.” The price was everything she owned, not counting the clothes she wore, or passage home—already paid.
“The unexpected expenses were considerable, and must be met somehow,” said the dark gray blur. “The package will not be delivered unless the payment is increased.”
“Then do not deliver it,” replied Ingray, trying to sound careless. Holding her hands very still in her lap. She wanted to clutch the green and blue silk of her full skirts, to have some feeling that she could hold on to something solid and safe, a childish habit she thought she’d lost years ago. “You will not receive any payment at all, as a result. Certainly your expenses must be met regardless, but that is no concern of mine.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 3, 1783 — Washington Irving. Best known for his short stories “Rip Van Winkle” and “The Legend of Sleepy Hollow”, both of which appear in The Sketch Book of Geoffrey Crayon, Gent. collection. The latter, in particular, has been endlessly reworked downed the centuries into genre fiction including the recent Sleepy Hollow series which crossed over into the Bones series. (Died 1859.)
Born April 3, 1927 — Donald M. Grant. He was responsible for the creation of several genre small press publishers. He co-founded Grant-Hadley Enterprises in 1945, Buffalo Book Company in 1946, Centaur Press in 1970 and Donald M. Grant, Publisher, Inc. in 1964. Between 1976 and 2003, he won five World Fantasy Awards and a Balrog Award as well. (Died 2009.)
Born April 3, 1928 — Colin Kapp. He’s best remembered for his stories about the Unorthodox Engineers which originally largely appeared in the New Writings in SF anthologies. I’d also single out his Cageworld series which is set in the future when humanity lives on nested Dyson spheres. Both series are available at the usual digital suspects. (Died 2007.)
Born April 3, 1929 — Ernest Callenbach. Ecotopia: The Notebooks and Reports of William Weston was rejected by every major publisher so Callenbach initially self-published it. Ecotopia Emerging is a prequel published later. Yes, I read both. The Suck Fairy with her steel toed boots has not been kind to either work. If you can find a copy, Christopher Swan’s YV 88: An Eco-Fiction of Tomorrow which depicts the regreening of Yosemite Valley, it is a much more interesting read. (Died 2012.)
Born April 3, 1936 — Reginald Hill. Now this surprised me. He’s the author of the most excellent Dalziel and Pascoe copper series centered on profane, often piggish Andrew Dalziel, and his long suffering, more by the book partner Peter Pascoe solving traditional Yorkshire crimes. Well there’s a SF mystery tucking in there set in 2010, many years after the other Dalziel and Pascoe stories, and involves them investigating the first Luna murder. I’ll need to read this one.
Born April 3, 1946 — Lyn McConchie, 77. New Zealand author who has written three sequels in the Beast Master series that Andre Norton created and four novels in Norton’s Witch World as well. She has written a lot of Holmesian fiction, so I’ll just recommend her collection of short stories, Sherlock Holmes: Familar Crimes: New Tales of The Great Detective. She’s deeply stocked at the usual digital suspects.
Born April 3, 1968 — Jo Graham, 55. Her first novel, Black Ships, re-imagines The Aeneid, and her second novel, Hand of Isis, features the reincarnated main character of the first novel. If that‘s not enough genre cred for you, she’s written Lost Things, with Melissa Scott and a whole lot of Stargate Atlantis and Stargate SG-1 novels.
(10) COMICS SECTION.
Brewster Rockit refines the search for extraterrestrial intelligence.
And about the April 2 Sally Forth, Daniel Dern says, “I’m not sure whether this is fourth wall or some other wall…”
(Dern footnote about Sally Forth: “Sidney The Hat” is a well-known-to-some newspaper/journalism reference. A friend who I’d the link to, knew the reference, and replied to me with “Sidney The Hat!” and, after I did a quick web search on that, I know now about it.” See “Sally Forth 40th Anniversary Special: The Sad True Story of Sidney and the Hat”. And now so do you.)
Cast your mind back to mid-2021, and you remember the announcement of a new DC Comics show called My Friend Superman.With how quiet it’s been since that initial reveal, you wouldn’t be wrong in thinking that it got quietly canceled, especially in light of Warner Bros. Discovery’s recent scuttling (or reshuffling) of animated series, DC or otherwise, in the last several months. And it doesn’t help that there’s been only one image of the show to go off of, as seen above.
But the show definitely still exists. Earlier in the week alongside the grand reveal of Genndy Tartakovsky’s Unicorn: Warriors Eternal(set to premiere on May 4), Warner Bros. Discovery confirmed My Friend Superman would air on Adult Swim after Unicorn completes its run during the spring and presumably summer. After hitting Cartoon Network’s more adult-focused airing block, episodes will encore during Saturday nights over on the Toonami sub-block. It’ll also hit HBO Max, but at time of writing, it’s not clear what release schedule (or method) the show will run on for the streaming service….
…Oliver continued, “The fact is anyone wanting to use the Steamboat Willie Mickey Mouse will probably still be taking a risk but if you know anything about this show by now, we do like to take a risk every now and then.”
The late-night host then introduced “a brand new character for this show” in the form of a black and white Mickey Mouse.
Although Mickey Mouse is set to enter the public domain in 2024, Oliver added, “we are staking our claim to Mickey Mouse right now and I know Disney’s lawyers might argue that this Mickey is closely associated with their brand. Although they should know that he’s pretty associated with our brand now too.”
Oliver pointed out that the Steamboat Willie Mickey Mouse had been appearing in the opening credits for Last Week Tonight throughout his latest season and he doesn’t doubt that “Disney has some other legal arguments up their sleeve.”
“We’re only likely to find out what the [arguments are] if and when they sue,” he said before introducing a costumed Mickey Mouse character…
Monsoon is set to be playing a major role in the series.
“In a galaxy of comets and supernovas, here comes the biggest star of all. Jinkx Monsoon is on a collision course with the TARDIS, and ‘Doctor Who’ will never be the same again,” showrunner Russell T Davies said.
“I’m honored, thrilled, and utterly excited to join ‘Doctor Who!’ Russell T Davies is a visionary and a brilliant writer — I can’t wait to get into the weeds with him and the crew! I hope there’s room in the TARDIS for my luggage,” Monsoon said….
NASA and the Canadian Space Agency (CSA) announced the four astronauts who will venture around the Moon on Artemis II, the first crewed mission on NASA’s path to establishing a long-term presence at the Moon for science and exploration through Artemis….
The approximately 10-day Artemis II flight test will launch on the agency’s powerful Space Launch System rocket, prove the Orion spacecraft’s life-support systems, and validate the capabilities and techniques needed for humans to live and work in deep space.
…The flight, set to build upon the successful uncrewed Artemis I mission completed in December, will set the stage for the first woman and first person of color on the Moon through the Artemis program, paving the way for future for long-term human exploration missions to the Moon, and eventually Mars. This is the agency’s Moon to Mars exploration approach.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Rich Lynch, Ken Josenhans, Daniel Dern, Paul Weimer, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) NEW FUTURE TENSE FICTION PODCAST. The first episode of the Future Tense Fiction podcast series dropped this week. Produced by Slate, it’s hosted by science journalist Maddie Stone, and each episode features a voice actor reading one of the Future Tense stories, followed by a conversation with the author about how their own experiences with technology informed their writing and vision. The first episode features Sturgeon Award–winning story “When Robot and Crow saved East St. Louis,” by Annalee Newitz. The podcast is free and is available through any podcast service that people use (including but not limited to Apple Podcasts, Spotify, Stitcher, and Radio Public).
Decibel Jones and the Absolute Zeroes have finally made it to the blue carpet. WHAT.
I could not possibly be more excited to announce that Space Opera, the literary lovechild of @Eurovision & a drunk thesaurus, is officially part of the #BigEurovisionRead and #Eurofestival, sponsored by @bbcarts and @thereadingagency this year!
From a throwaway joke on Twitter to really being part of actual #Eurovision? Oh. My. God.
It truly isn’t possible to express how thrilling it is for an utterly cringe #Eurovision dork like me to be anywhere near the actual event, let alone a small official part of it. I am so honored, so grateful, and I hope Dess and the gang find a whole new galaxy of friends.
Space Opera has been such a ride, and the sequel is out this fall! Thank you so much to all the librarians that chose this book and everyone who has jumped on Mr. Jones’ Wild Ride over the last five years.
“Admission is now open to Starfleet Academy! Explore the galaxy! Captain your destiny! For the first time in over a century, our campus will be re-opened to admit individuals a minimum of 16 Earth years (or species equivalent) who dream of exceeding their physical, mental and spiritual limits, who value friendship, camaraderie, honor and devotion to a cause greater than themselves,” Kurtzman and Landau said. “The coursework will be rigorous, the instructors among the brightest lights in their respective fields, and those accepted will live and study side-by-side with the most diverse population of students ever admitted. Today we encourage all who share our dreams, goals and values to join a new generation of visionary cadets as they take their first steps toward creating a bright future for us all. Apply today! Ex Astris, Scientia!”
The official logline for the series states that it “will introduce us to a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves and a new enemy that threatens both the Academy and the Federation itself.”
… Production on “Star Trek: Starfleet Academy” will begin in 2024….
(4) GOODNIGHT MOON. Here’s a strange exercise: “Every Page of Goodnight Moon, Ranked” at McSweeney’s Internet Tendency. This page is ranked next to last – and the commentary is one reason I’m not sure this article succeeds at being funny.
21. And goodnight mouse (Page 16) Separated from the toy house on page 3, we see this mouse for what it really is: a thinly constructed, two-dimensional character. What had once seemed whimsical now appears in stark reality: a mouse running around a child’s bedroom, the treatment of which should neither be celebrated nor encouraged.
Deep in the midst of pandemic lockdowns, a plan was hatched: a new illuminated edition of Carlo Collodi’s Pinocchio, engineered to unDisnify one of the strangest, most startling pieces of fiction ever to be beloved by generations of children worldwide.
The seed was planted by cartoonist and author Mike Mignola (Hellboy), who had been pondering his own take on the puppet for decades. With the world closed up due to COVID, he teamed up with idiosyncratic publisher Beehive Books and holed up in his studio to create a portfolio of over fifty original illustrations re-envisioning Collodi’s tale. When author Lemony Snicket (A Series of Unfortunate Events) got wind of the project, he couldn’t resist joining, offering elaborate hand-typed annotations of his own maddening encounter with this singular text.
Pinocchio, though one of the most popular literary works of all time, is somewhat paradoxically ill-remembered. Collodi originally published the story as serialized installments in a children’s magazine. The original series ended with Pinocchio hung from a tree, dead by the hands of assassins, and was continued only because of an outcry from readers who couldn’t stand to see such a beloved character reach such a dismal end. This is the true nature of Collodi’s tale — who better than Mike Mignola to illustrate the unremitting darkness and strange whimsy that characterized this bizarre children’s classic?
This exhibition will feature his full portfolio of yet-to-be-published Pinocchio illustrations, including drawings, paintings, process work and other ephemera of Mignola’s pandemic Pinocchio project. The Land of Toys, the City of Catchfools, the Blue Fairy, Fire Eater, the feline Assassins – as seen through the eyes of a modern master of illustration and storytelling.
(7) JOE GIELLA (1928-2023). Comics artist Joe Giella died March 21 at the age of 94 reports Heritage Auctions.
Joe Giella is best known for his work at DC in the 1950s and 60s as an inker. But his career spanned 60 years! He studied art at three different schools before his first gig at age 17 in 1946 where he did “Captain Codfish” for Hillman. After some free-lance at Fawcett, former classmate Mike Sekowsky helped him land a job at Timely as an inker. He met Frank Giacoia there and went with Frank when he took a job at DC in 1949. Over the next two decades, at one time or another, Joe inked nearly every feature that Julius Schwartz edited.
By 1970, Joe had started working with the syndicates and drew or inked Batman, Flash Gordon, the Phantom, while still doing occasional work for DC. In 1991, he took over the Mary Worth strip, where he continued to work until his retirement in 2016. Joe passed away at age 94 on March 21, 2023.
(8) MEMORY LANE.
1972 – [Compiled by Cat Eldridge.]
Clifford Simak’s A Choice of Gods was published fifty-one years ago by G.P. Putnam & Sons with a simultaneous edition done by SFBC. The superb cover art was by Michael Hinge.
Sixty years ago at Torcon II, it would be nominated for Best Novel though Isaac Asimov’s The Gods Themselves would take home the Hugo that year.
Without being explicit, I will say that I think it shares some similarity in themes to City.
I think A Choice of Gods has one of the finest Beginnings that I’ve ever had the pleasure to read, so without further commentary on my part, here it is…
Aug. 1, 2185: So we begin again. Actually, we began again fifty years ago, but did not know it then. There was hope, for a time, that there were more people left and that we could pick up where we had left off. We thought, somehow, that we could hang onto what we had, once the shock was over and we could think more clearly and plan more cleverly. By the end of the first year we should have known that it was impossible; by the end of five we should have been willing to admit it, but we weren’t. At first we refused to face the fact and once we had to face it we became stubborn with a senseless sort of faith. The old way of life could not be revived; there were too few of us and none with special knowledge and the old technology was gone beyond all restoration. The technology had been too complex and too specialized and too regimented to be picked up and carried on without a large work force equipped with appropriate skills and knowledge that were necessary not only to operate the technology itself, but to produce the energy that went into it. We are now no more than scavengers feeding on the carcass of the past and some day we’ll be down to the bare bones of it and will be finally on our own. But over the years we have been recovering or rediscovering, whichever it may be, some of the older and more basic technology geared to a simpler way of life and these basic rudimentary skills should keep us from sinking into utter savagery.
There is no one who knows what really happened, which does not, of course, deter some of us from formulating theories that might explain it all. The trouble is that all the theories boil down to simple guesses, in which all kinds of metaphysical misconceptions play a part. There are no facts other than two very simple facts and the first of these is that fifty years ago last month the greater fraction of the human race either went somewhere or was taken somewhere. Out of more than eight billion of us, which was certainly far too many of us, there are now, at most, a few hundred left. In this house in which I sit to write these words, there are sixty-seven humans, and only that many because on the night it happened we had invited some young guests to help us celebrate the coming of age of our twin grandsons, John and Jason Whitney. Of the Leech Lake Indians there may be as many as three hundred, although we now see little of them, for they have taken up again, quite happily and to their great advantage, or so it would seem to me, their old tribal wanderings. At times rumors reach us of other little pockets of humanity still surviving (the rumors chiefly brought by some loose-footed robot), but when we’ve gone to hunt for them, they are never there, nor is there anything to indicate they ever had been there. This, of course, proves nothing. It stands to reason that elsewhere on the Earth there must be others left, although we have no idea where. We hunt for them no longer, even when the rumors come, for it seems to us that we no longer have any need of them. In the intervening years we have become content, settling down into the routine of a bucolic life.
The robots still are with us and we have no idea how many there may be. All the robots that were ever in existence must still remain. They did not go or were not taken as was the human race. Over the years a number of them have come to settle in with us, doing all the work and chores necessary for our comfortable existence, becoming, in all truth, a part of our community. Some of them at times may leave and go elsewhere for a while and there are occasions when new ones float in and stay, either for good or for varying periods. It might seem to someone unacquainted with the situation that in the robots we had the labor force we needed to keep at least a small sector of the more vital parts of the old technology alive. It is possible the robots could have been taught the necessary skills, but the rub here is that we had no one who was equipped to teach them. Even if we’d had, I have some well-founded doubt that it would have worked. The robots are not technologically minded. They were not built to be. They were built to bolster human vanity and pride, to meet a strange longing that seems to be built into the human ego—the need to have other humans (or a reasonable facsimile of other humans) to minister to our wants and needs, human slaves to be dominated, human beings over which a man or woman (or a child) can assert authority, thus building up a false feeling of superiority. They were built to serve as cooks, gardeners, butlers, maids, footmen (I have never got quite straight in mind what a footman is)—servants of all kinds. They were the flunkeys and the inferior companions, the yea-sayers, the slaves. In a manner of speaking, in their services to us, I suppose they still are slaves. Although I doubt the robots think of it as slavery; their values, while supplied by human agency, are not entirely human values. They serve us most willingly; thankful of a chance to serve, they press their services upon us, apparently glad to find new masters to replace the old. This is the situation as it applies to us; with the Indians it is different. The robots do not feel at ease with the Indians and the Indians, in turn, regard them with an emotion that borders upon loathing. They are a part of the white man’s culture and are readily acceptable to us upon the basis of our onetime preoccupation with machines. To the Indians they are unclean, something that is repulsively foul and alien. They will have no part of them. Any robot stumbling into an Indian camp is summarily hustled off. A few of the robots serve us. There must be many thousands more. Those that are not with us we have fallen into the habit of calling wild robots, although I doubt they, in any sense, are wild. Often, from our windows or while sitting on the patio, or while out walking, we see bands of wild robots hurrying along as if they had an urgent destination or were involved in some great purpose. We have never been able to determine where the destination or what might be the purpose. There are certain stories of them that we hear at times, but nothing more than stories and with no evidence, and not worth repeating here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 30, 1904 — Herbert van Thal. Editor of the Pan Book of Horror Stories series, twenty-four volumes that appeared from 1959 to 1983. Back From the Dead: The Legacy of the Pan Book of Horror Stories is a look at the series and it contains Lest You Should Suffer Nightmares, the first biography of him written by Pan Book of Horror Stories expert Johnny Mains. (Died 1983.)
Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon occupation at that time. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel which I’d recommend as it reads similarly to Heinlein. (Died 1993.)
Born March 30, 1930 — John Astin, 93. He is best known for playing Gomez Addams in Addams Family, reprising it on the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode. Years later I remember that episode and him in it.
Born March 30, 1934 — Dennis Etchison. As an editor, he received two World Fantasy Awards for Best Anthology, MetaHorror and The Museum of Horrors. As a writer, he’s best remembered as a short story writer of quite tasty horror. Talking in the Dark Is his personally selected collection of his stories. (Died 2019.)
Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was ‘Serendipity: Do, Some Thoughts About Collaborative Writing‘ which was published in the MagiCon Program. (Died 2010.)
Born March 30, 1950 — Robbie Coltrane. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. (Died 2022.)
Born March 30, 1965 — Maurice LaMarche, 58. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced Kellogg’s Froot Loops spokesbird Toucan Sam and the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.
(10) COMICS SECTION.
Sheldon shows that the Vanishing Cabinet from Harry Potter may have had other uses of interest to Valdemort.
Sheldon, again, depicts Pippin explaining so clearly and simply why it’s time for another meal that even a future King should be able to understand.
Order of the Stick has a magic trap that makes it a bit difficult to determine when the trap has been tripped.
(11) CAT CHAT. Did we do this before? Well, if so, let’s do it again. CatGPT. It seems to be a one-joke idea, so I won’t excerpt the answer I received to my question “What makes a good social justice credential?”
Isaac “Ike” Perlmutter, chairman of Marvel Entertainment, has been laid off at Disney. Marvel Entertainment will be folded into the larger Disney business units, a Disney spokesperson confirmed.
The move comes as Disney looks to eliminate 7,000 jobs in multiple rounds of layoffs that kicked off this week, in what CEO Bob Iger calls part of a “strategic realignment.”
Rob Grosser, a longtime third-party Marvel security consultant who is also considered to be Perlmutter’s fixer, is also out, according to two insiders with knowledge of the situation. In addition, Disney has terminated the employment of Rob Steffens, who served as co-president of Marvel Entertainment, and John Turitzin, who held the position of chief counsel for the same division….
…The metaverse division is headed by Mike White, who was promoted to the role from SVP of consumer experiences and platforms in February 2022 and charged with getting Disney deeper into the web3 space. The unit aimed to find ways to tell more interactive stories in immersive formats using Disney’s extensive library of intellectual property, according to WSJ. Aside from the Disney we all know and love, that extensive library includes Pixar, Marvel and all of the Star Wars movies and shows.
All 50 or so members of the team have lost their jobs, sources told WSJ. White will remain at the company, but it’s not clear in what capacity….
(14) WJW INTERVIEW. A 90-minute video interview with Walter Jon Williams has been posted on Tubi by the program “About the Authors TV”. The Q&A is conducted by author and biographer Jake Brown.
Williams posted the link along with a self-deprecating comment: “I’ve viewed only a few minutes of the interview, enough to be amused by the way Zoom’s filters kept making parts of my anatomy appear and disappear. If you’re looking for inadvertent hilarity, or possibly an epileptic seizure, this is the place for you!”
A wedding proposal in a movie theater went viral on TikTok for a creator’s rendition of A24’s “Everything Everywhere All at Once,” and viewers say they’re in awe of the effort.
“I rented out a theater room, did some photoshop, brought her inside, edited a fake video with trailers in the beginning,” TikTok user Daniel Le, who goes by @danyo_le, wrote.
The TikTok, which garnered over 2 million views and included a film Le named “Anniething Anniewhere All at Once” after his girlfriend, showed clips from the acclaimed film and parody versions edited in by Le….
(16) JEOPARDY! Andrew Porter did not touch that dial while contestant flailed on tonight’s episode of Jeopardy!
Category: Quoth the title
Answer: Philip Pullman quoted Milton, “Unless the Almighty Maker them ordain” these “to create more worlds”
Wrong questions: “What are men?” and “What are children of men?”
Correct question: “What is ‘His Dark Materials’?”
Answer: The title of this “Hainting” Noel Coward comedy comes from Shelley’s “To a Skylark”
No one could ask, “Shelley wrote, ‘Hail to thee, “Blithe Spirit’.”
(17) OCTOTHORPE. The eightieth episode of the Octothorpe podcast, “Four Constituent Blobs”, is now up!
John Coxon is jetlagged, Alison Scott is working, and Liz Batty is under pressure. We get excited about the upcoming Eastercon, barely even mention Chengdu at all, talk a bit about science fiction, and round it all out with Gaming Corner, sponsored by Mark Plummer. Art by the fabulous Sue Mason.
[Thanks to Cat Eldridge, Mike Kennedy, SF Concatenation’s Jonathan Cowie, Dann, Joey Eschrich, Stephen Granade, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman, for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) BARD’S TOWER CLOSES. Bard’s Tower tweeted an announcement today that they have ceased operation. Bard’s Tower was Alexi Vandenberg’s book sales business noted for running autograph sessions at conventions to “provide celebrity experiences with the authors of SciFi and Fantasy.”
Let me begin by thanking all of our amazing authors, creative storytellers, patrons, and fans.
Since 2016 Bard’s Tower has provided a place for authors in the pop culture convention landscape. Unfortunately it has become clear that after 2020 and the subsequent 2021 and 2022 seasons that the financial and personal costs of running Bard’s Tower make its continued operation impossible.
I regret to inform everyone that as of today The Bard’s Tower will not continue in operation.
Thank you for your support and understanding.
For the past few years Bard’s Tower has been dogged by complaints, charges of late pay or no pay, and other forms of business malpractice.
SUMMARY: Alexi Vandenberg was supposed to sell $10,000 worth of rare books from the estate of a multiply decorated combat veteran. The inheritor is the veteran’s disabled niece. Over 17 months later, he has not paid a cent to the estate, nor returned the books.
UPDATE: Two days after this post, after many exchanges on how to pay electronically, he has paid the estate his estimated value of the books.
Alexi Vandenberg, owner of Rabid Fanboy, styles himself as “The Merchant Prince of Fandom,” and “Steampunk Jesus,” and claims to be a serial entrepreneur, running Bard’s Tower, Prince of Cats Literary Productions, and the ironically-named Super Villain’s Network. However, aside from Rabid Fanboy, none of these companies actually exist. Alexi Vandenberg has used these as aliases to gain his perennial status as a vendor at science fiction conventions. You have likely seen him selling books as Bard’s Tower or Bard’s Tower Celebrity Experience….
(2) PRACTICUM. “Nuts and Bolts Interview with John Gray” is conducted by Tom Joyce for the Horror Writers Association blog, part of a monthly series of interviews and features dealing with the practical aspects of writing.
What are the different considerations that go into writing a screenplay, vs. writing a novel?
Novels and screenplays are very different animals — with scripts, you are always fighting the clock, especially in television, where there are usually pre-set running times. You are often having to sacrifice backstory and subplots, which can keep the work from rising above the superficial. With novels, there are no such limitations, and while it is still your responsibility as a writer to be economic and entertaining, you have much more freedom to explore your characters and their pasts, their inner lives, their thoughts, and you can complicate your plots in really satisfying ways, not always possible in film and television.
(3) FILM FESTIVAL VENUE SCOTCHED. Edinburgh’s Dead by Dawn Horror Festival has reluctantly announced that their longtime venue, the Filmhouse, is “boarded up and for sale.” Director Adele Hartley wrote on Facebook:
I was, like everyone else, hanging on for a miracle but miracles seem a little thin on the ground these days.
Filmhouse on Lothian Road needed a financial hand to get back on track and could then have continued to support itself going forward. A city which can find bewildering sums of money for bewildering projects apparently could not or would not help.
It’s hard to understand how a government seemingly so passionate about independence appears not to value independent arts on its own doorstep….
…As every horror fan knows, when the beast is lying in the dust, seemingly destroyed so the sun can come up and the final girl can go home, the camera will linger on the hand just long enough that we might see the pinkie give a tiny twitch – a death throes reflex, or a sequel? Only time will tell.
All I ever wanted to do was watch horror films with horror fans and I’m so glad you were there to do that with me for the last 29 years. I had a blast.
Less than two weeks before almost 29,000 trade visitors and illustrators were walking past a large Moomins R&B display at the 60th Bologna Children’s Book Fair, the United States’ largest bookstore chain, Barnes & Noble, announced a new licensing rights deal with the estate of Tove Jansson (1914-2001), the Swedish-speaking Finnish illustrator and writer best remembered for creating the Moomin books for kids.
Handled by Moomins Characters Oy Ltd. in Helsinki, the official rights holder of all the Moomin characters, the deal is bringing the Moomins to more than 600 Barnes & Noble stores in the United States. And it will surprise many in Europe and the United Kingdom—where Moomins can seem as ubiquitous as Disney characters are in the States—to know that many Americans are seeing these portly white figures for the first time…
I love books. If I go to the bookstore to check a price, I walk out with three books I probably didn’t know existed beforehand. I buy second-hand books by the bagful at the Friends of the Library sale, while explaining to my wife that it’s for a good cause. Even the smell of books grips me, that faint aroma of earthy vanilla that wafts up at you when you flip a page.
The problem is that my book-buying habit outpaces my ability to read them. This leads to FOMO and occasional pangs of guilt over the unread volumes spilling across my shelves. Sound familiar?
But it’s possible this guilt is entirely misplaced. According to statistician Nassim Nicholas Taleb, these unread volumes represent what he calls an “antilibrary,” and he believes our antilibraries aren’t signs of intellectual failings. Quite the opposite.
… [Kevin Mims’] preferred label is a loanword from Japan: tsundoku. Tsundoku is the Japanese word for the stack(s) of books you’ve purchased but haven’t read. Its morphology combines tsunde-oku (letting things pile up) and dokusho (reading books)….
(6) LANCE REDDICK (1963-2023). Although best known for his roles in The Wire, Bosch, and the John Wick movies, actor Lance Reddick, who died March 17 at age 60, also worked in many genre productions.
He was in Godzilla vs. King Kong. He appeared in episodes of TV’s Lost, Fringe, Quantum Break, Young Sheldon, and Resident Evil. He voiced characters in episodes of the animated series The Avengers: Earth’s Mightiest Heroes, Tron: Uprising, Beware the Batman, Rick & Morty, Duck Tales, and The Legend of Vox Machina. He also did voice work in many video games.
(7) MEMORY LANE.
1970 – [Compiled by Cat Eldridge.]
Tony Hillerman’s The Blessing Way: A Leaphorn & Chee Novel is the start of the most excellent series. Published in hardcover by Harper & Row, fifty-three years ago, it was the first of seventeen novels that he wrote involving those two members of the Navajo Tribal Police, separately and together.
The novels are rich in the details of Reservation life and the interaction with larger society around them. This novel delves into the mythology of Navajo culture in ways I can’t discuss here without spoiling the story for you. (Do not read the Wikipedia article, really I mean it.) Hillerman who lived much of his life in the Southwest obviously loved this region and it shows here.
His daughter Annie wrote seven more so far. I’ve read three and they were quite well done. They’re different but still akin to his novels.
It’s not a spoiler to note these novels were made to a series. His novels Skinwalkers, A Thief of Time and Coyote Waits were adapted for television as of the American Mystery! series by the Public Broadcasting Service.
And now here’s our Beginning…
LUIS HORSEMAN LEANED the flat stone very carefully against the piñon twig, adjusted its balance exactly and then cautiously withdrew his hand. The twig bent, but held. Horseman rocked back on his heels and surveyed the deadfall. He should have put a little more blood on the twig, he thought, but it might be enough. He had placed this one just right, with the twig at the edge of the kangaroo rat’s trail. The least nibble and the stone would fall. He reached into his shirt front, pulled out a leather pouch, extracted an odd-shaped lump of turquoise, and placed it on the ground in front of him. Then he started to sing:
“The Sky it talks about it. The Talking God One he tells about it. The Darkness to Be One knows about it. The Talking God is with me. With the Talking God I kill the male game.”
There was another part of the song, but Horseman couldn’t remember it. He sat very still, thinking. Something about the Black God, but he couldn’t think how it went. The Black God didn’t have anything to do with game, but his uncle had said you have to put it in about him to make the chant come out right. He stared at the turquoise bear. It said nothing. He glanced at his watch. It was almost six. By the time he got back to the rimrock it would be late enough to make a little fire, dark enough to hide the smoke. Now he must finish this.
“The dark horn of the bica, No matter who would do evil to me, The evil shall not harm me. The dark horn is a shield of beaten buckskin.”
Horseman chanted in a barely audible voice, just loud enough to be heard in the minds of the animals.
“That evil which the Ye-i turned toward me cannot reach me through the dark horn, through the shield the bica carries. It brings me harmony with the male game. It makes the male game hear my heartbeat. From four directions they trot toward me. They step and turn their sides toward me. “
“So my arrow misses bone when I shoot. The death of male game comes toward me. The blood of male game will wash my body. The male game will obey my thoughts.”
He replaced the turquoise bear in the medicine pouch and rose stiffly to his feet. He was pretty sure that wasn’t the right song. It was for deer, he thought. To make the deer come out where you could shoot them. But maybe the kangaroo rats would hear it, too. He looked carefully across the plateau, searching the foreground first, then the mid-distance, finally the great green slopes of the Lukachukai Mountains, which rose to the east. Then he moved away from the shelter of the stunted juniper and walked rapidly northwestward, moving silently and keeping to the bottom of the shallow arroyos when he could. He walked gracefully and silently. Suddenly he stopped. The corner of his eye had caught motion on the floor of the Kam Bimghi Valley. Far below him and a dozen miles to the west, a puff of dust was suddenly visible against a formation of weathered red rocks. It might be a dust devil, kicked up by one of the Hard Flint Boys playing their tricks on the Wind Children. But it was windless now. The stillness of late afternoon had settled over the eroded waste below him.
Must have been a truck, Horseman thought, and the feeling of dread returned. He moved cautiously out of the wash behind a screen of piñons and stood motionless, examining the landscape below him. Far to the west, Bearer of the Sun had moved down the sky and was outlining in brilliant white the form of a thunderhead over Hoskininie Mesa. The plateau where Horseman stood was in its shadow but the slanting sunlight still lit the expanse of the Kam Bimghi. There was no dust by the red rocks now, and Horseman wondered if his eyes had tricked him. Then he saw it again. A puff of dust moving slowly across the valley floor. A truck, Horseman thought, or a car. It would be on that track that came across the slick rocks and branched out toward Horse Fell and Many Ruins Canyon, and now to Tall Poles Butte where the radar station was. It must be a truck, or a jeep. That track wasn’t much even in good weather. Horseman watched intently. In a minute he could tell. And if it turned toward Many Ruins Canyon, he would move east across the plateau and up into the Lukachukais. And that would mean being hungry.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin. She’s readily available at the usual digital suspects. (Died 1901).
Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role as an actress, she played two roles, Maria and her double, the Maschinenmensch, plus several uncredited roles as well. She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and in particular attacking Jewish financial speculators. (Died 1996.)
Born March 17, 1945 — Tania Lemani, 78. She played Kara in the Trek episode “Wolf in the Fold”. She first met Shatner when she was offered her a role in the pilot for Alexander the Great which starred him in the title role (although the pilot failed to be picked up as a series). She had parts in The Man from U.N.C.L.E., The Bionic Woman and she shows up in the fanfic video Star Trek: Of Gods and Men. I assume as Kara, though IMDb lists her as herself.
Born March 17, 1947 — James K. Morrow, 76. I’m very fond of the Godhead trilogy in which God is Dead and very, very present. Shambling Towards Hiroshima is a lot of satisfying satirical fun as is The Madonna and the Starship which is also is a wonderful homage to pulp writers. Lazarus Is Waiting is his forthcoming novel.
Born March 17, 1948 — William Gibson, 75. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. The works I struggled with are Pattern Recognition, Spook Country and Zero History. I’ve tried all of them, none were appealing. Eh?
Born March 17, 1949 — Patrick Duffy, 74. Surely you’ve seen him on Man from Atlantis? No? Oh, you missed a strange, short-lived show. His other genre credits are a delightfully mixed bag of such things as voicing a Goat on Alice in Wonderland, appearing on The Secret Adventures of Jules Verne as Duke Angelo Rimini in the “Rockets of the Dead” episode and voicing Steve Trevor in the incredibly excellent “The Savage Time” three-parter on Justice League.
Born March 17, 1951 — Kurt Russell, 72. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good and he’s fantastic in it.
For nearly four decades, Jean-Luc Picard of “Star Trek” has largely been presented as genteel, erudite and — at times — quite buttoned up. Yes, he loses his temper. Yes, he was reckless as a callow cadet many years ago. Yes, he occasionally gets his hands dirty or falls apart.
But the Enterprise captain-turned-admiral stepped into a different place in last week’s episode of the streaming drama “Star Trek: Picard.” Now, he’s someone who — to the shock of some and the delight of others — has uttered a profanity that never would have come from his mouth in the 1990s: “Ten f—-ing grueling hours,” Patrick Stewart’s character says at one point during an intense conversation in which he expects everyone will die shortly.
…Over the weekend, “Star Trek” Twitter reflected that tension.
“Totally out of character,” said one post, reflecting many others. Some complained that it cheapened the utopia that Gene Roddenberry envisioned, that humans wouldn’t be swearing like that four centuries from now, that someone as polished as Picard wouldn’t need such language….
…Thanks to innovations in 3D printing, anyone can now get an action figure customized with their own likeness through Hasbro’s Selfie Series program—assuming they’ve got the patience to wait a few months for it to be made. Disney’s new Tron Identity Program promises customized action figures in about 16 minutes by skipping the 3D printing altogether.
In fact, the new collection of Tron action figures don’t feature face sculpts at all. The secret to their speedy customization is hidden inside a slick helmet each figure is wearing. Behind the transparent visor is an LCD screen that displays images of digitally captured faces making different expressions, and when played back in sequence, it can even make the figure look like it’s talking….
Only Available at the Happiest Place on Earth
Creating the customized figures only takes around 16 minutes—plenty of time to browse the rest of the gift shop—and they arrive in packaging that looks like a miniaturized Tron arcade cabinet.
With a $90 price tag, the Tron Identity Program Experience is about $30 more expensive than ordering a customized Hasbro Selfie Series figure, but the price difference is probably due to the added electronics in the Tron figures. However, if you want one, you’ll also have to factor in the cost of a trip to Walt Disney World, because while Hasbro’s Selfie Series figures are available to anyone who can use a smartphone app, the Tron Identity Program Experience is only available at the park, outside the TronLightcycle attraction, in Florida.
(12) VIRGIN ORBIT HITS THE PAUSE BUTTON. [Item by Mike Kennedy.] Or is that a full stop? When Virgin Orbit had an unsuccessful launch in early January, some pundits predicted that they would run out of money by sometime in March. It is now sometime in March. “Virgin Orbit pauses all operations” in Ars Technica.
It’s been a rough first quarter of 2023 for Virgin Orbit, Sir Richard Branson’s US-based flagship satellite launch company. First, the company had a disastrous UK launch attempt in January; the launch failed after a problem with the rocket’s second-stage engine. The company’s already precarious financial situation went critical in the wake of that failure. As Ars’ Eric Berger reported at the time, several financial analysts predicted that the company would run out of money sometime in March.
Those analysts proved quite prescient. BBC News reports that the beleaguered company will pause its operations on Thursday and furlough almost all its staff, although the company did not officially confirm the furloughs to BBC News. In a statement, the company merely said, “Virgin Orbit is initiating a company-wide operational pause, effective March 16, 2023, and anticipates providing an update on go-forward operations in the coming weeks.” Shares dropped 18.8 percent to 82 cents (72p) in extended trading in response to the news….
(13) A NEW FRONTIER FOR NOISE POLLUTION. [Item by SF Concatenation’s Jonathan Cowie.] I think there are implications (which they don’t say) for SETI. “Are telescopes on the Moon doomed before they’ve even been built?” — an open access article at Nature. “Booming exploration and commercial activity could ruin the quiet environment of the lunar far side.”
For radioastronomers, the far side of the Moon could be the last unspoilt refuge in the Solar System. Planet Earth — and all the human-made electromagnetic noise it spews out into space — stays permanently below the horizon, so that any radio observatories positioned there would be free to observe the cosmos without interference.
But an upcoming boom in lunar exploration could put that at risk. In the next ten years or so, the Moon will be the target of hundreds of orbiters and landers, each of which could create radio noise. Researchers voiced their concerns last month at a conference called Astronomy from the Moon: The Next Decades, which took place at the Royal Society in London….
…Astronomers face an uphill struggle. The same technological advances that promise to make the Moon more accessible for their experiments will also make the environment more crowded. More than 250 Moon missions are expected over the coming decade from the space agencies of the United States, Europe, Russia, South Korea, China, Japan, India, Canada and the United Arab Emirates — as well as a host of private companies. That will add up to a US$100-billion ‘lunar economy’, according to Northern Sky Research, a consulting firm in Cambridge, Massachusetts. There are also plans to install a lunar satellite navigation system, which could be a source of noise.
lanna Krolikowski, a political scientist at Missouri University of Science and Technology in Rolla, thinks that researchers should push for international treaties to protect the Moon. “There is now widespread recognition that we need governance for this forthcoming lunar renaissance,” she told last month’s conference…
Choked by a smog of sulphuric acid and scorched by temperatures hot enough to melt lead, the surface of Venus is sure to be lifeless. For decades, researchers also thought the planet itself was dead, capped by a thick, stagnant lid of crust and unaltered by active rifts or volcanoes. But hints of volcanism have mounted recently, and now comes the best one yet: direct evidence for an eruption. Geologically, at least, Venus is alive.
The discovery comes from NASA’s Magellan spacecraft, which orbited Venus some 30 years ago and used radar to peer through the thick clouds. Images made 8 months apart show a volcano’s circular mouth, or caldera, growing dramatically in a sudden collapse. On Earth, such collapses occur when magma that had supported the caldera vents or drains away, as happened during a 2018 eruption at Hawaii’s Kilauea volcano….
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lee Whiteside, Michael J. “Orange Mike” Lowrey, SF Concatenation’s Jonathan Cowie, Lise Andreasen, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) AFROPANTHEOLOGY. Oghenechovwe Donald Ekpeki today announced his new imprint, genre, and debut collection with Joshua Uchenna Omenga — Between Dystopias: The Road to Afropantheology. The book’s release date is October 24, 2023 and it can be preordered at Arc Manor Books. The cover is by Cyrielle Prückner.
Afropantheology is a portmanteau of Afro and Pantheology. Pantheology is the study of gods, religions, and the bodies of knowledge associated with them. Afropantheology, thus, is the study of African (and African-descended) religions, gods, and the bodies of knowledge associated with them. It captures the gamut of African works which, though having fantasy elements, are additionally imbued with the African spiritual realities.
African literary scholars and storytellers have long grappled with the incompatibility of stories of African mysticism with the extant literary labels which seem to erase or dismiss essential aspects of African mysticism in their definitions. Between Dystopias: The Road to Afropantheology takes a stab at this age-old problem that cuts across the continent’s non-monolithic literature rooted in religion and culture. Afropantheology encapsulates the essence and value of African mysticism and dystopia through its award winning and original stories that cut across forms—essays, short stories, novelettes and novellas. It acknowledges the continent’s history in its inexorable journey through time’s spiral, from its origins to the present and into the future. ‘Mother’s Love, Father’s Place’, captures a ‘dark’ moment in the history of certain parts of Africa where the culture forbade the birthing of twins. 02 Arena, on the hand, is a contemporary ‘dystopic’ reality. The Witching Hour reflects the apprentice system in the voodoo practice still extant in many parts of Africa. ‘The Deification of Igodo’ is a tale of creation of deities from among the ancestors in African cosmology. ‘A Dance with the Ancestors’ tells of the interconnection between the world of the living and the world of the dead. And ‘Land of the Awaiting Birth’ is a mystic tale of the link between the born and the unborn in African cosmology.
Ekpeki says the collection will be published by a collaboration of Caezik Books of ARC Manor Books his new Pantheology imprint, “OD Ekpeki Presents”. The imprint logo is by Wilson Ofiavwe.
(2) CONAN BCE (BEFORE COPYRIGHT ERA) AND AFTER. Chuck Dixon’s The Siege Of The Black Citadel is an unauthorized Conan graphic novel published in February by Vox Day’s Castalia House. The original stories published during Robert E. Howard’s lifetime are in public domain in Europe, and Vox Day expressed confidence he will not run afoul of the rights connected with the work of L. Sprague de Camp and others.
This is going to be considered competition with the new authorized Conan novel recently released by Titan Books, S. M. Stirling’s Conan – Blood of the Serpent: The All-New Chronicles of the Worlds Greatest Barbarian Hero, although one reviewer calls it “a 304-page prologue to Robert E. Howard’s Red Nails” which is included in this very volume (rounding out the total page count to 417).
…The reason for the alarm is that over the last decade, Kindle subscriptions have become a significant part of the overall circulation for a large number of science fiction and fantasy magazines. Essentially, people like the convenience and ease of buying and reading e-books and expect the same from their magazine subscriptions.
By ending the Kindle Newsstand program, Amazon would no longer allow people on their platform to subscribe directly to magazines. Instead, Amazon announced it would allow certain magazines to remain on the platform through their Kindle Unlimited program.
As Rajiv Moté said, this means Amazon would be “moving e-magazines to a Spotify model, just like music. You pay the sales platform, not the producers.”…
(4) 2022 ENDEAVOUR AWARD OPEN FOR SUBMISSIONS. The Endeavour Award for science fiction or fantasy is now open for 2022 submissions.
Since 1999, The Endeavour Award has recognized science fiction or fantasy works of 40,000 words or more, or single-author collections of short fiction. The author(s) must have been living [maintaining legal or physical residence] in the Pacific Northwest [Alaska, Oregon, Washington, Idaho, The Yukon, and British Columbia] when the publisher accepted the book, and must affirm that they wrote the majority of the book while living in the Pacific Northwest. The books must have been published in the United States or in Canada with a copyright date in 2022.
In addition to recognition and a handsome physical award, the winner also receives a cash prize of $1,000.
We require submitted books in electronic form (5 copies if they are copy protected), which will be shared with our preliminary readers. We can also accept NetGalley links. No physical copies will be accepted.
The preliminary readers will use a grading system to select a list of finalists. A trio of judges to be announced will select a winner from these finalists.
Please send completed entry forms and submissions to Jim Kling at [email protected]. Deadline for submissions is May 31, 2023.
(5) INTERNATIONAL BOOKER PRIZE. The International Booker Prize 2023 Longlist of 13 works was released today. There appears to be one item of genre interest, Cheon Myeong-Kwan’s Whale. The shortlist will come out on April 18 and the winner will be announced May 23. Publishing Perspectives breaks down the amount of the prize.
…The focus of this Booker is translation, and its £50,000 prize (US$60,734) is to be split into £25,000 (US$30,367) for the author and £25,000 for the translator—or divided equally between multiple translators. There also is a purse of £5,000 (US$6,072) for each of the shortlisted titles: £2,500 (US$3,036) for the author and £2,500 for the translator or, again, divided equally between multiple translators….
It was chased out of Chicago by preservationists, only to become the object of a bidding war between Los Angeles and San Francisco. When George Lucas finally decided to build his $1 billion museum in Los Angeles, its arrival was jeered by some critics who saw it not as a civic gift but a vanity project. The museum is “a terrible idea,” wrote Christopher Knight, the art critic for The Los Angeles Times.
Since then, the Lucas Museum of Narrative Art has been beset by more delays: it is not expected to open until 2025, seven years after ground was first broken on a parking lot across the street from the Los Angeles Memorial Coliseum with a promised 2021 opening.
But even in the haze of construction, a seemingly endless swirl of workers, cranes and girders, the enormous scope of the project is coming into focus as its futuristic new home rises in Exposition Park: a grand homage to one of the nation’s best-known filmmakers, and a massive repository for his eclectic collection of 100,000 paintings, photographs, book illustrations and comic book drawings.
Its huge expanse of curving gray metal hovers over the landscape like a low-flying spaceship, or perhaps the unfinished Death Star being built in “Return of the Jedi,” a fitting tribute to its namesake and patron, who created the Star Wars franchise. It stands five stories high, with enough gallery space to fill one-and-a-half football fields, and it takes 15 minutes to walk across its sprawling campus….
(7) MEMORY LANE.
1933 – [Compiled by Cat Eldridge.]
Lester Dent’s best remembered work was of course Doc Savage, but it was not the only pulp work that he did. Ninety years ago, he created his scientific detective Lynn Lash who headquarters was in a New York skyscraper where he took on those science fiction threats the police were unable to handle. This in large part led to Dent’s greatest character, Doc Savage.
Hell in Boxes: The Exploits of Lynn Lash and Foster Fade gathers up the six stories that he wrote with these characters. Our Beginning is that of the first story, “The Sinister Ray”. It is available from the usual suspects.
And now our Beginning…
A WOMAN screamed—piercing shrieks torn between hoarse gasps of indrawn breath.
“My eyes! My eyes!”
A taxi driver howled, jerked his hands from his wheel to his eyes.
His cab, wild, bucked over the curb, rooted across the crowded sidewalk.
The motorman of a street car westbound on Forty-second Street doubled his arms across his face, tumbled sidewise off his stool. His car, no hand on airbrake, rolled against the lights into the Sixth Avenue junction. Automobiles piled against it like driftwood. The street car rocked on its trucks, stopped.
A man bawled out in horrible agony. More screams! More crashes! Sound became a roar in the brick and glass canyon of Forty-second Street.
The Sinister Ray had been let loose on the city!
Men, women, ran blindly, plunging into each other, colliding with whatever was in their path. Some lay on the walks, quivering, hands clawing at their eyes. On the Sixth Avenue “L” station, waiting patrons reeled about, pain-drunk, tearing at their eyes.
A few fell off the platforms among the electrified rails. Near the south end of the station, a man leaped wildly over the rail to the hard paving thirty feet below.
Wild hysteria, bedlam was rampant.
Several blocks distant from that mad corner of Forty-second Street and Sixth Avenue, in his laboratory on the sixth floor of a swanky Park Avenue apartment building, Lynn Lash abruptly laid his pencil on a sheet of paper weighted to his desk top by a glass retort and a microscope. He swung back in his deeply upholstered chair, rubbed his eyes gently with the backs of his thumbs.
“Strange I should suddenly start seeing spots in front of my eyes,” he muttered. “Never felt better in my life.”
A breeze coming in through the open laboratory windows from Park Avenue faintly stirred the petals of the gardenia in his lapel. In the reception room, he could faintly hear the telephone buzzer as it whizzed out, then the click of the receiver being lifted by Rickey Dean, his secretary.
Rickey, her voice as throaty as that of a boy, said: “Hello…. Nix! No can do. He’s busy.”
The metallic gnashings the receiver made at her carried into the laboratory.
“What of it?” she clipped. “You’re Detective Captain Sam Casey and you’ve got something important in your hair—and what of it? That don’t cut any ice.”
The receiver rattled at her again. There was a thump as she jerked it down on the Lester Dent desk.
“All right, all right, all right! Nobody but a pup of a cop would call a lady them things!”
She opened the laboratory door, came through, closed the door, but kept her right hand on the knob. She was a small girl with a boyish form, chewing gum. “Sam Casey on the phone,” she said. “He wants to talk at you.”
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 14, 1869 — Algernon Blackwood. Writer of some of the best of the best horror and ghost stories ever done according to the research I just did. Most critics including Joshi say his two best stories are “The Willows” and “The Wendigo”. The novel that gets recommended is The Centaur. If you’re interested in reading him, he’s readily available at the usual digital suspects. (Died 1951.)
Born March 14, 1918 — Mildred Clingerman. Most of her stories were published in the Fifties in F&SF when Boucher was Editor. Boucher included “The Wild Wood” by her in the seventh volume of The Best from Fantasy and Science Fiction and dedicated the book to her, calling her the “most serendipitous of discoveries.” A Cupful of Space and The Clingerman Files, neither available as a digital publication, contain all of her stories. (Died 1997.)
Born March 14, 1946 — Diana G. Gallagher. She won a Hugo Award for Best Fan Artist along with Brad W. Foster at Noreascon 3 after being a nominee at Nolacon II the previous year. She won it under the name Diana Gallagher Wu while married to William F. Wu whose Birthday we did yesterday. She was also an author filker and author who wrote books for children and young adults based on Angel, Buffy the Vampire Slayer, Charmed, Sabrina the Teenage Witch and various Trek series. Her best-known filksong was “A Reconsideration of Anatomical Docking Maneuvers in a Zero Gravity Environment.” (Died 2021.)
Born March 14, 1957 — Tad Williams, 66. Author of the Memory, Sorrow, and Thorn series, Otherland series, and Shadowmarch series as well as the most excellent Tailchaser’s Song and The War of the Flowers. I’ve heard good things about his latest novel, Into The Narrowdark which came out last year.
Born March 14, 1961 — Penny Johnson Jerald, 62. She played Kasidy Yates, the love of Ben Sisko, on Deep Space Nine. She’s played Dr. Claire Finn on the cancelled Orville, just one of many Trek cast member that you’ll find there. And she provided the voice of President Amanda Waller on the most excellent Justice League: Gods & Monsters.
Born March 14, 1964 — Julia Ecklar, 59. She’s the Astounding Award–winning author of The Kobayashi Maru which is available in English and German ebook editions. She’s also a filk musician who recorded numerous albums in the Off Centaur label in the early 1980s, including Horse-Tamer’s Daughter, Minus Ten and Counting, and Genesis. She was inducted into the Filk Hall of Fame in 1996.
Born March 14, 1971 — Rebecca Roanhorse, 52. Her “Welcome to Your Authentic Indian Experience™” which was first published in the August 2017 issue of Apex Magazine won a Hugo as best short story at Worldcon 76. (It won a Nebula as well.) She also won the Astounding Award for Best New Writer. She has six novels to date, including Trail of Lightning which was nominated for a Hugo at Dublin 2019, and Black Sun, being nominated for a Hugo at DisCon III.
Born March 14, 1974 — Grace Park, 49. Boomer on the reboot of Battlestar Galactica. She’s been on a fair amount of genre over the years with her first acting role being the Virtual Avatar in the “Bits of Love” episode of Outer Limits. After that, she shows up on Secret Agent Man, This Immortal, The Outer Limits again, Star Gate SG-1, Andromeda, and oddly enough Battlestar Galactica in a number roles other than her main one. I’m sure one of you can explain the latter. I confess that I’ve not watched it.
(9) COMICS SECTION.
Barney & Clydeshows a classroom that needs a copy of Fahrenheit 451. You can guess what the problem is.
(10) PI DAY. John King Tarpinian remembers celebrating the date at the House of Pies near the office, once upon a time.
(11) DISNEY THEME PARK CHARACTERS DISPLAYED AT SXSW 2023. [Item by Mike Kennedy.] The article shows three different ways Disney is working on to interact with theme park characters. There’s a “life” sized Tinker Bell in a lantern, who appears to be played by an off-stage actress using some sort of 3-D projection system. There’s a full-size Hulk character (that needs work on the appearance side) powered by a person inside working an exoskeleton suit. And there’s a fully robotic character still in very early development stages. “Disney Unveils Unreal New Hulk, Tinker Bell, And Prototype Robot Theme Park Characters” at Slashfilm.
… The first new innovation D’Amaro demonstrated for the crowd was a brand new, unbelievably authentic way to interact with a beloved character, namely Tinker Bell from “Peter Pan.” While Tink has had a presence at the parks for years, this latest version of the magical pixie is true-to-size and can interact with people in a very real way. Much like the lightsaber I mentioned above, what myself and the crowd on hand witnessed is remarkably close to the real thing….
Ok, agora eu quero um lightsaber desses! ???? Uma das surpresas do aguardado keynote de Josh D’Amaro, Disney Parks, Experiences & Products Chairman, aqui na @sxsw ! pic.twitter.com/hHNYe49PXk
It’s a big night for “Everything Everywhere All at Once” at the Oscars, but stars Michelle Yeoh and Ke Huy Quan are already looking to the future with “American Born Chinese.” The two actors reunite in the first teaser for the action-comedy series. Released Sunday morning by Disney+, the footage caps off with the announcement of a May 24 premiere date for the series.
The series is adapted from cartoonist Gene Luen Yang’s acclaimed 2006 graphic novel, which tells the story of Jin Wang (Ben Wang), a child of Chinese immigrants who’s struggling with growing up in a predominantly white suburb. When he meets a new Taiwanese classmate, the two become fast friends, but Jin is pulled into the battles of Chinese mythological gods.
(13) VIDEO OF THE DAY. Mrs. Davis comes to Peacock on April 20.
“Mrs. Davis” is the world’s most powerful Artificial Intelligence. Simone is the nun devoted to destroying Her. Who ya got?
[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Anne Marble, Jim Kling, Jason Sanford, Olav Rokne, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
By Steve Vertlieb: When I was just eleven years old in 1957, Walt Disney announced on The Mickey Mouse Club that a brand new Zorro television series would be airing each week on Thursday evenings over the ABC Television Network.
My heart raced … my pulse quickened … while my jaw dropped in utter paralysis and awe at the premiere opening titles of this beloved children’s TV series.
There had been the popular novel, The Curse of Capistrano, by writer Johnston McCulley in 1919. Then came the classic silent film based upon McCulley’s novel starring Douglas Fairbanks Sr. in the title role in the silent version of The Mark of Zorro. Reed Hadley wore the mask and handsome black costume, daringly astride his courageous white stallion, in the greatest film serial of them all, Republic Pictures’ 1939 serial adventure, Zorro’s Fighting Legion. Tyrone Power essayed the part for 20th Century Fox in Darryl F. Zanuck’s production of The Mark of Zorro in 1940.
However, it was Guy Williams as Don Diego De La Vega, the foppish nobleman who rode the hills of Spanish California, when the blackness of night consumed the danger filled countryside, as “El Zorro … “The Fox” … in the classic television series, who thrilled my soul with wonder, and set my young heart, and the fertile imaginations of America’s children ablaze as Walt Disney’s Zorro.
Featuring the magical title theme music by song writers Norman Foster and George Bruns, with background scoring by composer William Lava, who had also written the thunderous motion picture score for Zorro’s Fighting Legion, the Zorro theme song became an overnight sensation.
My dreams come alive once more even now as “Out of the night … When the full moon is bright … Comes the horseman known as … ZORRO.”
(1) FIGURES DON’T LIE. Cora Buhlert resumes her Masters-of-the-Universe-Piece Theatre with “Cat Fight”.
… Of course, I already have a very nice She-Ra figure, but since Mattel never made any of her friends and particularly her three canonical love interests in Origins for reasons best known to themselves (especially since they did make most of the male villains), my She-Ra was a little lonely.
However, a couple of characters from the vintage She-Ra: Princess of Power cartoons did come out in the Masterverse line, such as She-Ra’s friend/rival/enemy/lover (it’s complicated) Catra….
In the Whispering Woods: "Halt, Catra! The Whispering Woods are rebel territory. You have no business here. Leave and no one needs to get hurt." – "Not a chance, She-Ra. If I bring you back to the Fright Zone, the Mighty Hordak will reward me well." #MastersOfTheUniversepic.twitter.com/IYtwfyptTn
(2) FEMINISM IN SEVENTIES FANDOM. Fanac.org will be doing another Fan History Zoom program on March 18, “Feminism in 1970s Fandom”. Please write to [email protected] to be put on the attendance list.
Schedule for Future sessions
March 18, 2023 – 4PM EDT, 3PM CDT, 1PM PDT, 8PM London, March 19 at 7AM in Melbourne, AU – Feminism in 1970s Fandom, with Janice Bogstad, Jeanne Gomoll, and Lucy Huntzinger
April 22, 2023 – 7PM EDT, 4PM PDT, April 23 at 12AM in London, 9AM in Melbourne AU – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
(3) VISONARY WOMEN. “Back to the Future Is Female!” will be a Zoom panel with Chelsea Quinn Yarbro, Pamela Sargent, Sheree Renée Thomas, and Lisa Yaszek, publicizing the book by the same name edited by Yaszek. The online event will take place March 14 at 6:00 p.m. Eastern. Registration required.
From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.
There will be a brief Q&A at the end of the program; you will be able to type a question and submit it to the event moderator.
Recent developments in the use of technology to produce creative works have driven both insightful commentary and strong feelings in the science fiction and fantasy community. These artificial intelligence (AI) and machine learning tools and applications are being used to generate artwork, audio narration, nonfiction articles, and fictional narratives with increasing frequency. There are important considerations to be made about what the proper use of these technologies should be—practically, ethically, and legally—while recognizing that their applications are changing almost daily.
We can think of no group better to weigh in on these issues than the SFWA membership: writers and thinkers who have long considered exactly these questions and their ramifications in many great works of speculative fiction across many mediums. Therefore, we’ve created this webpage to feature our members’ recent writing and thoughts on AI and machine learning. Each of the links below will take you to a different presentation of those thoughts, whether a personal blog post, a social media thread, a video, or a magazine article….
I’ve been thinking about experimenting with resurrecting this blog so I can Rant About Issues and hopefully attract clicks that will result in book sales or other engagement. Fine. It’s 2023, I know how these things work. Also I recently joined SFWA, after achieving (modest) sales of science fiction sufficient to meet their (recently lowered) threshold and one of their challenges had to do with arguments regarding AI. I did a Facebook post about the same thing that was enjoyed by some of my friends and misunderstood by others, so I’ve got an opinion or two on the subject….
…We’re told it’s structurally, technically impossible to look into the heart of AI networks. But they are our creatures as surely as Asimov’s paper-and-ink creations were his own—machines built to create associations by scraping and scrounging and vacuuming up everything we’ve posted, which betray our interests and desires and concerns and fears. And if that’s the case, maybe it’s not surprising that Asimov had the right idea: What AI learns, actually, is to be a mirror—to be more like us, in our messiness, our fallibility, our emotions, our humanity. Indeed, Asimov himself was no stranger to fallibility and weakness: For all the empathy that permeates his fiction, recent revelations have shown that his own personal behavior, particularly when it came to his treatment of female science-fiction fans, crossed all kinds of lines of propriety and respect, even by the measures of his own time.
The union representing staffers at the Portland, Ore.-based Image Comics announced that workers voted overwhelmingly on March 1 to approve their first union contract.
In a statement released March 2, Comic Book Workers United (CBWU) celebrated the contract and thanked supporters as they continue their “collective bargaining journey.”
“We were hopeful for, but could never have imagined, the outpouring of support we received when we began our collective bargaining journey,” the union shared. “A lot has happened since that first announcement, and we cannot begin to adequately express our gratitude to the community of people within and without the industry who have stood with us during contract negotiations.”
CBWU is a new union affiliate of the Communications Workers of America. The union was launched last November by a group of 10 Image Comics staffers to represent employees in editorial, production, and marketing. No comics artist are represented….
(7) 2023 PEN LITERARY AWARDS. None of the works I identified as genre in my nominees post were winners at yesterday’s 2023 PEN Lit Awards ceremony, however, Publishers Weekly’s description of this book suggests I may have missed one:
…Among the 17 literary awards and grants presented throughout the evening, the biggest winner was Percival Everett, who received the $75,000 PEN/Jean Stein Book Award for his novel Dr. No(Graywolf Press), about a professor of mathematics who researches “nothingness” and the aspiring supervillain who attempts to recruit him. In his acceptance speech, Everett thanked Graywolf, which he said he has been with for the past 29 years, during which time he has “had one editor: Fiona McCrae.” (McCrae retired last summer.)…
(8) ELFQUEST HUMBLE BUNDLE. Humble Bundle is offering a bundle of Elfquest books with proceeds to benefit the Hero Initiative. The Hero Initiative supports comic book creators in need: “Elfquest: The Complete Dark Horse Collection”
Discover the saga of Cutter, chief of the elfin tribe of the Wolfriders, and his epic quest across the World of Two Moons in ElfQuest, Wendy and Richard Pini’s long-running fantasy graphic novel series. This collection features every volume of the series published by Dark Horse, including The Complete ElfQuest, The Final Quest, and Stargazer’s Hunt. Celebrate 45 years of ElfQuest, and help support The Hero Initiative with your purchase
(9) CHRISTOPHER FOWLER. [Item by Michael J. Walsh.] Creator of the Bryant & May series Christopher Fowler died March 2 of cancer at the age of 69. (Not to be confused with Pat Cadigan’s husband.)
His first novel Roofworld was a delightfully off-the-walls secret history. The Guardian calls it “a fantastical thriller about a secret community living on top of London’s buildings.” He followed that with other supernaturally tinged novels such as Spanky, Disturbia, Rune and Psychoville.
And his most well know bit of writing was 8 words:
He began his career as a copywriter and founded the film marketing company the Creative Partnership, coming up with the tag-line for the Alien movie in 1979: “In space, no one can hear you scream”
(10) MEMORY LANE.
2005 – [Compiled by Cat Eldridge.]
Christopher Fowler as Mike noted in the Scroll tonight passed recently. He had for quite some time been battling cancer as he documented on his blog.
Seventy-Seven Clocks was published in the U.K. by Doubleday eighteen years ago. It was the third novel in the series after Full Dark House and The Water Room. It was nominated by the British Fantasy Society for an Award.
I liked each and every one of the Peculiar Crimes Unit mysteries I read which was at least half of the twenty-one that came out. Bryant and May were nicely thought out characters, the Peculiar Crimes Unit was, errrr, peculiar, London of course was spot-on used by Fowler and the mysteries were not your typical mysteries in any sense of that word.
I don’t think he ever reconciled the fact that his two detectives have to be close to a century old given that Full Dark House is set during the Blitz.
As always with these Beginnings, I give absolutely nothing away. So with that note, here’s the Beginning…
Prologue
Talk me through peculiar.’
‘What do you mean?’ asked Arthur Bryant.
‘I mean,’ said the young biographer, ‘why does this special police unit of yours only get the peculiar cases?’ ‘
‘There, you can speak properly when you try,’ said Bryant. ‘I don’t hold with slang.’ He fiddled with his trouser turn-up and extracted the stem of his pipe. ‘I’ve been looking for that all morning. When we were founded as an experimental unit, “peculiar” meant “particular,” as in “specialized.” But we started to attract certain types of case, ones which were potentially embarrassing for the government, ones nobody else could get to grips with. Before we knew it, we were dealing with goat-bothering bishops and transvestite Conservatives, not that the latter constitutes much of a peculiarity these days. We acquired the cases that proved too obtuse for traditional police methods.’ ‘
‘Like the business with the Water Room.’ The biographer had just finished recording Bryant’s thoughts about this case because it had only just concluded, and everyone’s memories of it were still fresh, even though they displayed Rashomon-style discrepancies. ‘I don’t suppose you’ve ever dealt with anything like that before.’
‘Actually, you’re wrong; there was another case involving water and art, although it was very different. And it happened much earlier, in 1973.’ Bryant eyed the young man and wondered if he could get away with lighting his pipe in the small closed room. ‘
‘All right, we’ll try that. What do you remember about it?’ The biographer had given up attempting to keep his subject’s recollections in chronological order. He switched on his recording equipment in hope.
‘Not a lot,’ warned Bryant. ‘I wouldn’t make a very good elephant.’ ‘
‘I’m sorry?’
‘Memory.’ Bryant tapped the side of his bald head with a wrinkled forefinger. ‘Or rather, lack of it. Information and experience. I mean, I have them both, but I’m for ever losing the former and forgetting the latter.’ ‘If you could try to think hard,’ the biographer pleaded. His patience had been worn down over the last few weeks of interviews. He was beginning to regret embarking on his project: Bryant and May: A Life of Peculiar Crime. No one had written about London Peculiar Crimes Unit’s legendary detective team before, and he could see why.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 3, 1863 — Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
Born March 3, 1876 — David Lindsay. Best remembered for A Voyage to Arcturus which C.S. Lewis acknowledged was a great influence on Out of the Silent Planet, Perelandra and That Hideous Strength. His other genre works were fantasies including The Haunted Woman and The Witch. A Voyage to Arcturus is available from the usual suspects for free. And weirdly it’s available in seven audio narratives. Huh. (Died 1945.)
Born March 3, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E. movie, One of Our Spies Is Missing, in which he played Phillip Bainbridge. Doohan did nothing of genre nature post-Trek that I’m aware of. (Died 2005.)
Born March 3, 1936 — Donald E. Morse. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating. (Died 2019.)
Born March 3, 1955 — Gregory Feeley, 68. Reviewer and essayist who Clute says of that “Sometimes adversarial, unfailingly intelligent, they represent a cold-eyed view of a genre he loves by a critic immersed in its material.” Writer of two SF novels, The Oxygen Barons and Arabian Wine, plus the Kentauros essay and novella.
Born March 3, 1945 — George Miller, 78. Best known for his Mad Max franchise, The Road Warrior, Mad Max 2, Mad Max Beyond Thunderdome and Fury Road. He also directed TheNightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming.
Born March 3, 1970 — John Carter Cash, 53. He is the only child of Johnny Cash and June Carter Cash. To date, he’s written two fantasies, Lupus Rex which oddly enough despite the title concerns a murder of crows selecting their new leader, and a children’s book, The Cat in the Rhinestone Suit, which I think Seuss would grin at.
Lucky bidders have gotten their (presumably non-hot dog) hands on pieces of one of this season’s buzziest movies, after entertainment company A24 auctioned off dozens of props from Everything Everywhere All at Once.
… “You may only see a pile of boring forms, but I see a story,” reads the description of a pile of crumpled, colorful receipts, which sold for $7,000….
(13) GOING PRO. Chicon 2000 Worldcon chair Tom Veal announces that he has become an author. See for yourself – read his story collection Strange Tales for Strange Times.
If you think you live in strange times, these tales will show you what strangeness really is.
“The Miracle Wrought by Silas Gantry”: A down-on-his-luck pastor performs a world-shaking miracle, then has to endure the unanticipated consequences of a world where everyone believes in deity.
“Shadowloves: A Tale of Desire”: Approaching middle age, a man who let romance pass him by rekindles an old flame at an exotic resort, only to discover that it won’t let him go.
“The Monkey and the Amazon: A Tale of Illusions”: In ancient Babylon, the alleged daughter of a warrior princess finds her fate entangled with a monkey that is more than it seems.
“Igor’s Campaign: A Tale of Ambition”: The World Science Fiction Convention comes to Yeltsin-era Russia and turns into a scene of speculative stock frenzy.
“A Fire at the End of Time: A Tale of Immortality”: On the universe’s last-born planet, a young scholar is offered a fearful chance to prolong his life past the death of the stars.
“Daimon Born: The First Adventure of Theagonistes”: In the realm above the Moon, a daimon who seeks to penetrate the cosmos-enclosing Empyrean changes the Earth forever.
“Pages from the Universal Library”: The Universal Library contains every book that has been or can be written. Presented here are reviews of works that lack only a connection to our version of reality. You will discover how thwarting the 9/11 plot led to the impeachment of George W. Bush, which holiday could not be decolonized, who made cricket America’s national pastime (with an assist from the designated hitter rule) and why a German politician killed in the military coup of 1936 became a progressive hero.
“Clicks & Colluders”: A Russian spy, a naïve journalistic neophyte and the aftermath of Hillary Clinton’s election victory, which quickly veers in directions almost as strange as real life.
When you finish these stories, you will appreciate the placidity of the mundane world.
Disneyland has removed the “zip-a-dee-doo-dah” lyric played during its park parades because it comes from a movie that has been criticized for racist portrayals of Black Americans.
The lyric initially appeared in the “Magic Happens” parade when it debuted in March 2020. The parade recently returned after a nearly three-year hiatus because of the Covid-19 pandemic. Upon its re-introduction last month, spectators of the twice-daily parade, described as “celebrating magical moments from legendary Disney stories” on its website, now hear the lyric — “think of the happiest things” from “Peter Pan”— in its place….
Disneyland officials told the OC Register in 2020 that the removal of the “Zip-A-Dee-Doo-Dah” song from the theme park resort is part of a continuous process to deliver an environment that features stories that are relevant and inclusive. The OC Register also reports that in 2020, the song was removed from music played in Downtown Disney, the shopping and dining district of the Disneyland resort, and in 2021 it was removed from the music played at the King Arthur Carrousel.
A single mom named Gabbie (Rosario Dawson) hires a tour guide, a psychic, a priest, and a historian to help exorcise their newly bought mansion; after discovering it is inhabited by ghosts. Watch “Haunted Mansion” coming soon to theaters in 2023.
[Thanks to Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Steven Johnson, Dann, Daniel Dern, Michael J. Walsh, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
A collection of newly rediscovered short stories by Terry Pratchett, originally written under a pseudonym, are to be published later this year.
The 20 tales in A Stroke of the Pen: The Lost Stories were written by Pratchett in the 1970s and 1980s for a regional newspaper, mostly under the pseudonym Patrick Kearns. They have never been previously attributed to Pratchett, who died in 2015 aged 66, eight years after being diagnosed with Alzheimer’s disease.
The collection was bought by Pratchett’s longtime publisher Transworld for a six-figure sum, and will be published on 5 October.
The discovery of the stories is down to a group of Pratchett’s fans. One of the longer stories in the collection, The Quest for the Keys, had been framed on Pratchett fan Chris Lawrence’s wall for more than 40 years. When he alerted the Pratchett estate to its existence, the rest of the stories were unearthed by fans Pat and Jan Harkin, who went through decades’ worth of old newspapers to rediscover the lost treasures.
… None of the stories are set in Pratchett’s Discworld – the first book of which, The Colour of Magic, was released in 1983 – but according to the publisher they “hint at the world Sir Terry would go on to create”.
Readers, said the publisher, could expect to “meet characters ranging from cavemen to gnomes, wizards to ghosts, and read about time-travel tourism, the haunting of council offices and a visitor from another planet”….
The latest book I have been knocked flat and wowed by (they come less frequently with age, so read fast, young people) is On Strike Against God by Joanna Russ. She being one of the crown gems of science fiction, you’d expect it to be genre. But it’s not. It’s mainstream. It’s subtitled A Lesbian Love Story. And if you had to fit it into a subgenre, it would be Feminist Fiction.
Strike three, you’d think, for a guy who’s rapidly heading toward the category of Dead White Male. But no, Joanna managed the near-miraculous feat of writing prose that was simultaneously white-hot with anger and laugh-out-loud funny….
The person who made it possible is Nintendo’s game director, Shigeru Miyamoto. He’s the creator of some of the most influential and bestselling games in the industry. In addition to Mario Brothers, you got Donkey Kong and the Legend of Zelda. He joined Nintendo straight out of art school in 1977 and says a lot of his inspiration comes from his childhood experiences in nature. I sat down with Miyamoto to learn more about why his characters and games have had such a lasting impact.
When it comes to Mario, what do you think accounts for his ability to just be in the hearts of so many people?
SHIGERU MIYAMOTO: (Through interpreter) You know, before, when I was asked this question, I thought that it’s perhaps because the game sold well. And a lot of people have this experience of playing this game and playing it over and over, that it becomes commonplace for them. But now I feel that it’s a little bit different in that Mario is kind of like a – your avatar or the person that represents you in this world. And that experience is, you know, because it’s been around for so long, an experience that can be shared multi-generations, you know? A father and their children can share that experience….
The idea of editing Shakespeare to eliminate doubles entrendres and naughty words to fit in with 19th-century social mores now seems preposterous, although presumably his publishers—Messrs. Longman, Hurst, Rees, Orme, and Brown—thought it was a pretty good idea at the time.
Their 1818 The Family Shakespeare offered the assurance that “Nothing is added to the original text but those words and expressions are omitted which cannot with propriety be read aloud by a family.” Thomas Bowdler’s work on this gave rise to the term bowdlerize, meaning “to remove matter considered indelicate or otherwise objectionable,” per Merriam-Webster.
Doubtless, the Roald Dahl Story Company and Messrs. Bertelsmann, PRH, and Puffin also thought it was a pretty good idea to subject the works of Roald Dahl to the same sort of treatment for the same sort of reasons.
I’ve had a few brushes with attempts to change or stifle books.
The obvious case was Peter Wright’s tedious Spycatcher, for which Mrs. Thatcher, in a rare case of support for publishers’ profits, appointed herself marketing director for the book by trying to have it throttled.
She forgot that the United Kingdom was only able to ban books in its jurisdiction. At Heinemann, we happily imported books from Australia to satisfy the demand she had created. We even hired tele-sales people to call British booksellers to drum up orders. Phone calls from Australia were expensive, so we found traveling Australians living in London to make the calls.
We can’t tear down the existing economic framework and replace it with a better one without first telling a persuasive story about how the economy actually works. And few people in the world are more compelling storytellers than science fiction author Kim Stanley Robinson.
In his speculative near-future novel The Ministry for the Future, Stan explains complicated economic theories better than most economists. He joins Nick and Goldy for a fascinating conversation about the role of economics in both climate change fiction and climate change reality.
Kim Stanley Robinson is a New York Times bestseller and winner of the Hugo, Nebula, and Locus awards. He is the author of more than twenty books, including the bestselling Mars trilogy and the critically acclaimed New York 2140 and The Ministry for the Future.
A brief excerpt from the transcript:
David Goldstein: Well, this raises a question. This book was recommended to me by a number of people. Ostensibly, I thought it was about climate change. But really, it’s a book about economics. I’m wondering, was that your intention when you started the book, or did the economics come out in the writing?
Kim Stanley Robinson: Oh, I knew it was going to be there from the start. As I mentioned, I wrote New York 2140 in probably 2016. It’s a description of New York after sea level rises something like 50 vertical feet, so Lower Manhattan is underwater and is a supervenience, and it’s all about the financialization essentially. It’s not quite a metaphor for our current meltdowns, but it has a lot about the present, as well as the ostensible year of 2140.
So I had been working on it then, and I’d been working on the economics of climate change this whole 21st century. My Washington DC trilogy, set in DC in the near future during climate change, had a economic strand in it, but it wasn’t strong enough. It was more of, what would the federal government do, or the National Science Foundation? But, it became more and more obvious that, although we have various technical solutions to climate change, we don’t have a good way to pay for installing those technological changes, nor do we have a good way of assessing the actual economics of what we’re doing on Earth.
In other words, the gross world product, gross domestic product, whatever you want to call it, the highest rate of return profit itself, these are all crappy, cheesy, short rate, cheating rating systems that the world was run by. So, I needed to keep hammering away at it. Ministry for the Future is just the last of a long series of projects where economics take center stage because it’s crucial.
Burny Mattinson, who worked as an animator, director, producer and story artist during a 70-year career as the longest-serving “castmember” in the history of The Walt Disney Co., has died. He was 87.
Mattinson died after a short illness on Monday at a Canoga Park assisted living facility in Los Angeles, the studio announced. He was due to receive his 70th anniversary service award — the studio’s first ever — on June 4.
Mattinson was working full time at Walt Disney Animation Studios as a story consultant and mentor at the time of his death….
(7) MEMORY LANE.
1962 – [Compiled by Cat Eldridge.]
Tonight’s Beginning comes to us direct from J. R. R. Tolkien’s The Adventures of Tom Bombadil, the title poem to the collection of the same name. Written by Tolkien as if they were poems written and enjoyed by hobbits, one of the writers being Sam Gamgee.
Two of the poems which feature Tom Bombadil, a character encountered by Frodo Baggins in The Lord of the Rings. And three of the poems appear in the Trilogy. Only one of the poems, “Bombadil Goes Boating”, was written specifically for The Adventures of Tom Bombadil.
Published first by George Allen & Unwin in 1962, it was illustrated by Pauline Baynes, both the cover and all of the interior art as well.
And now here’s our first poetic Beginning…
Old Tom Bombadil was a merry fellow; bright blue his jacket was and his boots were yellow, green were his girdle and his breeches all of leather; he wore in his tall hat a swan-wing feather.
He lived up under Hill, where the Withywindle ran from a grassy well down into the dingle. Old Tom in summertime walked about the meadows gathering the buttercups, running after shadows, tickling the bumblebees that buzzed among the flowers, sitting by the waterside for hours upon hours.
There his beard dangled long down into the water: up came Goldberry, the River-woman’s daughter; pulled Tom’s hanging hair. In he went a-wallowing under the water-lilies, bubbling and a-swallowing. ‘Hey, Tom Bombadil! Whither are you going?’ said fair Goldberry. ‘Bubbles you are blowing, frightening the finny fish and the brown water-rat, startling the dabchicks, and drowning your feather-hat!’
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 27, 1851 — James Churchward. He is remembered for claiming he discovered a lost continent named Mu in the Pacific Ocean. Mu shows up in Lovecraft’s “Through the Gates of the Silver Key”, and “Out of the Aeons” which he co-wrote with Hazel Heald. It also appears in Philip K. Dick’s Confessions of a Crap Artist. (Died 1936.)
Born February 27, 1902 — John Steinbeck. Yes, John Steinbeck. ISFDB lists one novel, The Short Reign of Pippin IV: A Fabrication, Plus a bevy of short fiction such as “The Wedding of King”, “The Affair at 7 Rue de M—“ and “The Death of Merlin”. I’ll admit that I didn’t know these existed. So, has anyone read these? (Died 1968.)
Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he also appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)
Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it. Writer of several impressive genre novels including Breakthrough and Replay which I’ve read and Into the Deep and Elise which are listed in ISFDB but which I’m not familiar with. Who’s read them? (Died 2003.)
Born February 27, 1957 — Frank Miller, 66. He’s both an artist and writer so I’m not going to untangle which is which here. What’s good by him? Oh, I love The Dark Knight Returns, both the original comic series and the animated film, though the same is not true of Sin City where I prefer the original series much more. Hmmm… What else? His runs on Daredevil and Electra of course. That should do.
Born February 27, 1950 — Michaela Roessner, 73. She won the Astounding Award for Best New Writer for Walkabout Woman. Her The Stars Dispose duology is quite excellent. Alas, none of her fiction is available digitally.
Born February 27, 1960 — Jeff Smith, 63. Creator and illustrator of Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil. He’s won a very impressive eleven Harvey Awards and ten Eisner Awards! Kindle, though not Apple Books, has the complete Bone for a very reasonable twenty dollars.
Born February 27, 1966 — Peter Swirski, 57. He’s a academic specialist on the late SF writer and philosopher Stanislaw Lem. As such, he’s written the usual treatises on him with such titles as Stanislaw Lem: Philosopher of the Future, Lemography: Stanislaw Lem in the Eyes of the World and From Literature to Biterature: Lem, Turing, Darwin, and Explorations in Computer Literature, Philosophy of Mind, and Cultural Evolution.
(10) THE 700 CLUB. In May, Marvel Comics will mark the 700th issue of Fantastic Four with a giant-sized wraparound connecting cover by artist Scott Koblish that will adorn both May’s Fantastic Four #7 and June’s Fantastic Four #8. This massive piece features over 700 characters, each one having appeared in a prior issue of the comic — the Fantastic Four’s fellow super heroes, past members, loyal allies, and of course, their iconic villains. For more information, visit Marvel.com. (Click for larger image.)
…. The composer finished recording the score for “Indiana Jones and the Dial of Destiny” on Feb. 10 and, while he suggested last summer that the final Harrison Ford adventure would be the last of his 100-plus film scores, that’s not quite the truth.
“I might have meant that at the moment,” he says with a smile, “but you never want to say no unequivocally. If Steven or another director should come along with something that is so moving that you want to drop the phone and rush to the piano and have it all come out — should that happen, with the appropriate energy needed to do it, I wouldn’t rule out a situation like that.”
Recording for the final “Indiana Jones” film – and three of the previous editions, starting with 1981’s “Raiders of the Lost Ark,” were Oscar-nominated for their music – began last June 28, and has continued off and on since then.
“It’s certainly got to be an hour and a half of music, maybe more,” Williams estimates. “But I’m quite happy with it. There’s a lot of new material. The old material works very well as a touchstone of memory, but I had great fun, and I have a theme that I’ve written for Phoebe Waller-Bridge, the wonderful actress.” She plays Helena Shaw, reportedly Indy’s goddaughter….
Just announced – KIOXIA is participating in HPE’s Spaceborne Computer-2 program, the first in-space commercial edge computing and AI-enabled system to run on the International Space Station.
Spaceborne Computer-2 is part of a mission to significantly advance computing and reduce dependency on communications as space exploration continues to expand. For example, astronauts can achieve increased autonomy by processing data directly on the ISS, eliminating the need to send raw data to Earth to be processed, analyzed and sent back to space….
[Thanks to Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, James Reynolds, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
…My favorite store of all the others besides Powell’s [in Portland, OR] was a used bookstore in my hometown of Muncie, Indiana, Al Maynard’s Used Book Headquarters. It was located on the second floor of a deteriorating downtown building and was the kind of inaccessible place that wouldn’t be allowed now, and rightly so. The bookstore was at the top of a long flight of stairs and Maynard, who was famed for being cantankerous, had posted a hand-lettered sign at the top of the stairs. It read something like, “There are 23 steps behind you. Shoplifters will miss most of them on the way down.”
Maynard had accumulated a wealth of books that, in my mind, was a midwestern version of the Library of Alexandria: the wooden shelves lining all the walls were filled with hardbacks, paperbacks, scholarly works, old magazines – probably every edition of National Geographic – and pulp magazines from the first half of the 20th century….
A collection of Roald Dahl’s books with unaltered text is to be published after a row over changes made to novels including Charlie and the Chocolate Factory and The Witches.
Dahl’s publisher Puffin, the children’s imprint of Penguin Random House, was criticised this week after the Telegraph reported that it had hired sensitivity readers to go over the beloved author’s books and language deemed to be offensive would be removed from new editions. In response, Puffin has decided to release Dahl’s works in their original versions with its new texts.
The Classic Collection will “sit alongside the newly released Puffin Roald Dahl books for young readers”, the publisher said in a statement, adding that the the latter series of books “are designed for children who may be navigating written content independently for the first time”….
One of Roald Dahl’s best-known characters was the Enormous Crocodile, “a horrid greedy grumptious brute” who “wants to eat something juicy and delicious”.
Now a conversation the author had 40 years ago has come to light, revealing that he was so appalled by the idea that publishers might one day censor his work that he threatened to send the crocodile “to gobble them up”.
The conversation took place in 1982 at Dahl’s home in Great Missenden, Buckinghamshire, where he was talking to the artist Francis Bacon.
“I’ve warned my publishers that if they later on so much as change a single comma in one of my books, they will never see another word from me. Never! Ever!” he said.
With his typically evocative language, he added: “When I am gone, if that happens, then I’ll wish mighty Thor knocks very hard on their heads with his Mjolnir. Or I will send along the ‘enormous crocodile’ to gobble them up.”
10 The Iconic Theme Song Was Not Introduced Until the Second Season
Even people who have not seen The Twilight Zone are familiar with the catchy “dee-dee-dee-dee” of the theme song. However, this song was not actually used during the airing of the first season of the show. The original theme was written by Bernard Herrmann, known for his collaborations with Alfred Hitchcock on films such as Psycho (1960), and while it was fittingly creepy, it didn’t pack much of a punch.
CBS was on the search for a new theme, and Lud Gluskin, the show’s director of music, hired Marius Constant, who usually composed ballet scores, to give it a go. Constant came up with two pieces of music, “Milieu No. 2” and “Étrange No. 3,” which Gluskin then joined together to create the new title theme. The song became integral to the identity of the show. Although the theme has been revamped in the various iterations of The Twilight Zone, the memorable four-note guitar riff is always present
Sometimes, of course, a spacecraft can be overtly villainous, and none are as depraved as the Event Horizon. Early on in Paul W.S. Anderson’s 1997 sci-fi horror “Event Horizon,” the eponymous ship appears to be just that: a faster-than-light spaceship that disappeared, and then reappeared, under mysterious circumstances. Later, after everything starts to get a bit eye-gougey, it turns out that the Event Horizon gained sentience after briefly crossing over into another dimension, essentially becoming the science fiction equivalent of the Overlook Hotel….
(8) MEMORY LANE.
1970 – [Compiled by Cat Eldridge.]
Our Beginning tonight is Ringworld which was published by Ballantine Books in 1970.
Ok, there is definitely sexism lurking within Larry Niven’s Ringworld, and despite winning a Hugo at the first Noreascon is considered to have been visited by the Suck Fairy by many of you as discussed here when I essayed it earlier.
But this feature is about the Beginnings and oh my Ringworld has one of the best I’ve ever had the pleasure to read as it introduces us to our protagonist in a way that makes us like him.
Now our Beginning…
In the nighttime heart of Beirut, in one of a row of general-address transfer booths, Louis Wu flicked into reality.
His foot-length queue was as white and shiny as artificial snow. His skin and depilated scalp were chrome yellow; the irises of his eyes were gold; his robe was royal blue with a golden steroptic dragon superimposed. In the instant he appeared, he was smiling widely, showing pearly, perfect, perfectly standard teeth. Smiling and waving. But the smile was already fading, and in a moment it was gone, and the sag of his face was like a rubber mask melting. Louis Wu showed his age.
For a few moments, he watched Beirut stream past him: the people flickering into the booths from unknown places; the crowds flowing past him on foot, now that the slidewalks had been turned off for the night. Then the clocks began to strike twenty-three. Louis Wu straightened his shoulders and stepped out to join the world. In Resht, where his party was still going full blast, it was already the morning after his birthday.
Here in Beirut it was an hour earlier. In a balmy outdoor restaurant Louis bought rounds of raki and encouraged the singing of songs in Arabic and Interworld. He left before midnight for Budapest.
Had they realized yet that he had walked out on his own party? They would assume that a woman had gone with him, that he would be back in a couple of hours. But Louis Wu had gone alone, jumping ahead of the midnight line, hotly pursued by the new day. Twenty-four hours was not long enough for a man’s two hundredth birthday.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 25, 1906 — Mary Chase. Journalist, playwright and children’s novelist. She’s best remembered for the Broadway playwright who penned Harvey which was later adapted for the film that starred James Stewart. Her only other genre work was the children’s story, “The Wicked, Wicked Ladies In the Haunted House”. The latter is available at the usual digital publishers but Harvey isn’t. You can get Harvey as an audiobook. (Died 1981.)
Born February 25, 1909 — Edgar Pangborn. For the first twenty years of his career, he wrote myriad stories for the pulp magazines, but always under pseudonyms. It wasn’t until the Fifties that he published in his own name in Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction. Ursula Le Guin has credited him with showing her it was possible to write humanly emotional stories in an SF setting. A Mirror for Observers is his best known work. (Died 1976.)
Born February 25, 1913 — Gert Fröbe. Goldfinger in the Bond film of that name. He also the Baron Bomburst in Chitty Chitty Bang Bang, Professor Van Bulow in Jules Verne’s Rocket to the Moon and Colonel Manfred von Holstein in Those Magnificent Men in their Flying Machines, a film that’s at least genre adjacent. (Died 1988.)
Born February 25, 1917 — Anthony Burgess. I know I’ve seen and read A Clockwork Orange many, many years ago. I think I even took a University class on it as well. Scary book, weird film. I’ll admit that I’m not familiar with the Enderby series having not encountered them before now. Opinions please. (Died 1993.)
Born February 25, 1922 — Robert Bonfils. Illustrator, known for his covers for pulp paperback covers, many of an erotic nature. I’ve not heard of him but ISFDB lists quite a few genre works that are, errr, graced by his work. Sex is certainly his dominant theme as can be seen in the covers of Go-Go SADISTO, Orgy of the Dead and Roburta the Conqueress. (Died 2018.)
Born February 25, 1968 — A. M. Dellamonica, 55. A Canadian writer who has published over forty rather brilliant short stories since the Eighties. Their first novel, Indigo Springs, came out just a decade ago but they now has five novels published with their latest being The Nature of a Pirate. Her story, “Cooking Creole” can be heard here at Podcastle 562. It was in Mojo: Conjure Stories, edited by Nalo Hopkinson.
Born February 25, 1973 — Anson Mount, 50. He is now Captain Christopher Pike on Strange Worlds, a role he first played on Discovery. He was Black Bolt in Marvel’s Inhumans series. I see he was in Visions, a horror film, and has had appearances on Lost, Dollhouse and Smallville.
Dr. Seuss fans might find their hearts growing three sizes this coming holiday season with the release of a sequel to the 1957 classic children’s book “How the Grinch Stole Christmas!”
The new book picks up one year after the original, and like the first, teaches a valuable lesson about the true spirit of the holiday, Dr. Seuss Enterprises and Random House Children’s Books announced Thursday.
The sequel entitled “How the Grinch Lost Christmas!” is not based on a newly discovered manuscript by Seuss — whose real name was Theodor Geisel — but was written and illustrated by an author and artist with previous experience in the Dr. Seuss universe.
“One of the most asked questions we receive from Seuss fans of all ages is ‘What do you think happened to the Grinch after he stole Christmas?” said Alice Jonaitis, executive editor at Random House Children’s Books, in a statement….
George Reeves signed photo as the original Superman, with bold handwriting. Reeves inscribes the photo, ”From one Judo man to another / George Reeves” for the famed martial artist Bruce Tegner, who worked with Reeves on stunts for ”Adventures of Superman”.
(13) MARKETING ADVICE. Video of a Flights of Foundry presentation, “Marketing, A Necessary Habit” with Sarah Faxon, was recently uploaded.
Are you struggling with marketing, or not sure where to start? In this talk, Sarah Faxon discusses organizational tools available to help keep marketing organized, how to find the target audience, and how to create a marketing habit.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, John King Tarpinian, Chris Barkley, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
