Pixel Scroll 5/26/25 Oh, I’ve Got A Brand New Pair Of Pixel Scrolls, You’ve Got To Godstalk Me

(1) GERMAN TOWN’S STEAMPUNK CELEBRATION. Cora Buhlert lets us ride along in “Hanseatic Steampunk: Cora’s Adventures at the 2025 Aethercircus Festival in Buxtehude”. Lots of photos of what she saw at the con, her food, and everything along the way. A fascinating read.

… Of course, there were also plenty of Steampunks about, ranging from cosplayers in full Steampunk gear via historical costumers and goths (I spotted a Wednesday Addams) to people who borrowed grandpa’s old suit and regular folks who accessorised their outfits with a few Steampunk piece such as an elderly lady in regular street clothes with a Steampunk necklace. Naturally, the Aethercircus attracted cosplayers who wanted to show off their costumes, but it was also heartening to see how many regular non-fannish folks made an effort to fit in. So enjoy these photos of great costumes…

(2) MURDERBOT SOUNDTRACK. Amanda Jones’ musical compositions for the first season of Murderbot are available at many platforms, including Bandcamp: “Murderbot: Season 1 (Apple TV+ Original Series Soundtrack)”. Several of the tracks are free to sample, including the “Sanctuary Moon Main Title Theme”. How can you resist?

(3) LUCAS MUSEUM ISSUES. “As George Lucas’s ‘Starship’ Museum Nears Landing, He Takes the Controls” reports the New York Times. (Article is behind a paywall.)

…Even now — 15 years since Lucas first proposed a museum, and eight years after ground was broken in Los Angeles — many questions remain about an ambitious but somewhat amorphous project that is now slated to be completed next year.

There has also been turbulence as the museum nears its final approach. In recent weeks the museum has parted ways with its director and chief executive of the past five years and eliminated 15 full-time positions and seven part-time employees, including much of the education department. Lucas is now back in the director’s chair, installing himself as the head of “content direction” and naming Jim Gianopulos, a former movie studio executive and Lucas Museum trustee, as interim chief executive….

… The museum recently said it could not give figures for the size of its staff or its projected operating budget. “As the museum is now in the process of moving from completion of construction to implementation of exhibitions and opening to visitors,” the museum spokeswoman said in an email, “both the staffing and operating budget are currently in transition and can better be addressed as we conclude our pending budgeting process.”…

…What has not changed is the fact that the core of the institution’s collection would be items amassed by Lucas over the years. Beyond Hollywood memorabilia from his films and digital animation, his collection includes book and magazine illustrations assembled over 50 years, including those by R. Crumb and N.C. Wyeth; comic books; and Norman Rockwell’s paintings — such as the artist’s 1950 cover for the Saturday Evening Post, “Shuffleton’s Barbershop,” purchased from the Berkshire Museum in 2018….

… Some of those involved in the institution’s development say they believed that Jackson-Dumont came up against Lucas’ role as the ultimate decision maker with a long history of creative control as well as his bottom-line, where-the-buck-stops primacy as founder and underwriter of the 300,000-square-foot museum. The filmmaker has had a hand in every detail of the museum’s development, former staffers say, from architectural details to exhibition layout to wall text.

Robert Storr, an art historian, critic and former dean at the Yale School of Art, said it is important for major collectors to understand the need for curatorial expertise and experience to shape exhibitions and give them scholarly context.

“If he thinks he’s the single arbiter, then he’s just like all these megalomaniacal patrons who think they know more than anyone they can hire,” Storr said. “They don’t have any methodology for how they talk about the evolution or digestion of ideas. It’s a serious intellectual problem that’s at the heart of all this.”

Conscious of his age (he turned 81 on May 14) — and the escalating construction bill — Lucas is eager to get the museum finished and open, those interviewed said, seeing it as his legacy and a long-awaited chance to share his collection with the public….

(4) NOT A POTTER NOVEL. Camestros Felapton has favorable things to say about this finalist: “Hugo 2025 Novel: Alien Clay by Adrian Tchaikovsky”.

…Tchaikovsky writes a lot of books and I’ve enjoyed each one I’ve read but this is one of the strongest of his, although structurally one of the simplest. It has a relatively small cast of characters and it mainly (aside from one part) proceeds as a first person linear account by Arton Daghdev of his experiences as a prisoner on Kiln. I suspect, part of Tchaikovsky’s secret to his prolificness actually is mirrored by how life on Kiln works. Tchaikovsky’s books rework and remix a variety of recurring ideas in new settings and new combinations….

(5) COVERT FANAC. [Item by Mike Kennedy.] “The CIA Secretly Ran a Star Wars Fan Site” says 404 Media (article is behind a paywall). A screenshot of the site can be seen at the link. The headlined Star Wars fan page was only one of many such CIA communication sites.

“Like these games you will,” the quote next to a cartoon image of Yoda says on the website starwarsweb.net. Those games include Star Wars Battlefront 2 for Xbox; Star Wars: The Force Unleashed II for Xbox 360, and Star Wars the Clone Wars: Republic Heroes for Nintendo Wii. Next to that, are links to a Star Wars online store with the tagline “So you Wanna be a Jedi?” and an advert for a Lego Star Wars set.

The site looks like an ordinary Star Wars fan website from around 2010. But starwarsweb.net was actually a tool built by the Central Intelligence Agency (CIA) to covertly communicate with its informants in other countries, according to an amateur security researcher. The site was part of a network of CIA sites that were first discovered by Iranian authorities more than ten years ago before leading to a wave of deaths of CIA sources in China in the early 2010s….

(6) DI FILIPPO CELEBRATES NEW COLLECTION. “Sci-Fi Writer Paul Di Filippo Talks Hiveheads & Nine Hundred Grandmothers!” with Mark Barsotti.

An entertaining chinwag with a first-rate writer of the fantastic (and other genres), Paul Di Filippo. We discuss Paul’s latest short story collection, THE VISIONARY PAGEANT AND OTHER STORIES. He also reveals he’ll be doing a novel set in a John Vance universe! Recorded May 6, 2025.

(7) MEMORY LANE.

[Written by Cat Eldridge.]

May 26, 1995Johnny Mnemonic

Ok, I’m assuming that most of you have read the Nebula-nominated story that the film Johnny Mnemonic was based off of? It was originally published in the May 1981 issue of Omni magazine but it has been reprinted quite a few times in the forty years since then. I could’ve sworn it got nominated for a Hugo but the Hugo Awards site tells me it wasn’t. 

Well the film had its premiere thirty years ago on this date. I for one did not see in theatre, indeed did not know it existed until maybe a decade later. My opinion of it will be noted below.

The screenplay was supposedly by William Gibson as it says as IMDb so we can’t fault the script here being crafted by others, can one? Well it was as you’ll see below. 

Was it at all good? Well, the critics were divided on that. Roger Ebert in his Chicago Sun-Times review said “Johnny Mnemonic is one of the great goofy gestures of recent cinema, a movie that doesn’t deserve one nanosecond of serious analysis but has a kind of idiotic grandeur that makes you almost forgive it.” 

Caryn James of the New York Times has the last word: “Though the film was written by the cyberpunk master William Gibson from his own story and was directed by the artist Robert Longo, ‘Johnny Mnemonic’ looks and feels like a shabby imitation of ‘Blade Runner’ and ‘Total Recall.’ It is a disaster in every way. There is little tension in the story despite the ever-present threat of an exploding brain. The special effects that take us on a tour of the information superhighway — traveling inside the circuits of Johnny’s brain, or viewing his search for information while wearing virtual reality headgear — look no better than a CD-ROM. Visually, the rest of the film looks murky, as if the future were one big brown-toned mud puddle.”

Now let’s talk about numbers. It’s generally accepted that a film needs to make at least three times what it cost to produce to just break even in the Hollyworld accounting system. Johnny Mnemonic didn’t even come close to that. It cost at least thirty million to produce (the numbers are still are in dispute even to this day as the Studio stored them in a file cabinet in a basement guarded by very hungry accountants) and made just double that and that’s not even taking into account that the Studio got at best fifty percent of the ticket price. 

There were two versions of this film. The film had actually premiered in Japan earlier on April 15th, in a longer version, well six minutes longer, that was closer to the director’s cut that came out later (yes there was a director’s cut — there’s always a director’s cut, isn’t there?), featuring a score by Mychael Danna and different editing. I doubt any version makes it a better film.

I haven’t discussed the film or the cast, so NO SPOILERS here. It’s possible, just possible, that someone here hasn’t seen it yet. 

I have. Shudder. Just shudder. Bad acting, worse story and that SFX? The lead actor who I shall not name here was so wrong as being cast that role as to defy comprehension as to why he got cast for it.  Well this unfortunately was due to a common occurrence in Hollywood that the studio decided to make the casting calls so the person that I won’t mention was picked up by the studio, so we can blame them for him. Frell. 

Then there were the numerous script rewrites were forced upon them by the studio, so Gibson, the producer  and the writing staff who had a great script, at the beginning according to Longo, ended up with a piece of shit again according to him. Now that piece of shit was one that the studio loved. Idiots. Obviously not science fiction fans there, were they? Turning into what it became proved that.

A black-and-white edition of the film, titled Johnny Mnemonic: In Black and White was released three years ago. Robert Longo, the producer, says it is closer to what he and Gibson envisioned. It is available on Blu-Ray. 

Now y’all are free to give away as much as you want for spoilers. That’s on your heads. Or memory chips. 

Someday I’m hope for a better interpretation of a Gibson film.  I’ve hopes for the soon to be Neuromancer series on Amazon. Really I do. I’m even to once again going to break my long standing stance of not seeing anything made off a work I liked a lot. I did with Johnny Mnuemonic and I’m still regretting it. 

I didn’t see The Peripheral series on Sci-Fi as I don’t subscribe to that streaming service. Who watched it? Opinions please. 

It wasn’t at all liked by the audience reviewers at Rotten Tomatoes Neuromancer who gave it a rating of just thirty-one percent when I originally wrote the first version of this but there’s no pages for it there now. Interesting… 

The most excellent Burning Chrome collection which has this story is available in dead tree format from your favorite bookseller but not for purchase on Amazon though it available if you have Kindle Unlimited; iBooks also known as Apple Books has it available but not Kobo.  

(8) COMICS SECTION.

(9) A SUPER LATE NIGHT. ScreenRant is breathless: “I Can Barely Believe It, But Stephen Colbert Is Now Part of DC’s Official Canon All Because of Superman”.

Yes, it’s true, Stephen Colbert has just been officially canonized in DC Comics lore, thanks to his appearance on an upcoming variant cover, which features Superman sitting at the iconic late night host’s desk for an interview. Notably, Colbert’s introduction into DC lore follows suit with his long-time canon status within the rival Marvel Universe.

Colbert and DC Comics shared a clip from his show on Instagram, in which the host revealed artist Dan Mora’s special variant cover for Batman/Superman: World’s Finest #40, written by Mark Waid, with art by Adrián Gutiérrez, which features a broadly smiling Superman holding up a copy of his new self-help book, alongside a beaming Stephen Colbert.

(10) SNAKE! IT HAD TO BE SNAKE! “Review and photos of Snake Plissken sixth scale action figure” by Captain Toy. Lots of photos at the link.

John Carpenter has been responsible for some of the greatest movies of the 70’s/80’s, including Halloween, the Thing, Assault on Precinct 13, They Live, Big Trouble in Little China, and of course – Escape from New York. This sci-fi action flick was a hit for Carpenter, and it made Kurt Russell an action star.

There have been a few attempts at recreating the protagonist Snake Plissken in action figure form, but the success has been questionable. I have the sixth scale version done by Sideshow, and it left a lot to be desired. Now Asmus is releasing a new, very high end version complete with ‘rooted’ hair and moving eyeball, all for the high end price of about $350. This is part of their Crown Collection, their top line series. 

There’s actually more than one version – there’s a version with sculpted hair that will run $280, one with rooted hair that runs around $350 at retailers, and an exclusive version (reviewed here) only available through the Asmus website, that includes a diorama base and costs $375…

This is the figure’s base:

(11) USE THE MEDICAL INSURANCE, LUKE. “This working Star Wars speeder bike seems too good to be true” says T3. 

Polish company Volonaut claims have to invented an “Airbike flying motorbike” that hovers and can fly at speeds up to 200kph. The compact flying machine takes us a step closer to the world imagined by Star Wars, where everyone seems to have some type of personal hovering transport.

While hover bikes are common across the Star Wars universe, the best known is the Aratech 74-Z, the speeder bikes used by the Empire’s scout troopers on the Endor during Return of the Jedi.

The person who sent File 770 the link is certainly skeptical: “First, 200 KPH on that thing? You’ve got to be kidding, right? There’s not even a windscreen. Second, there are no wheels on this sucker. Which might seem OK and I can see why they absolutely need to avoid the mostly parasitic weight and drag of those. But if you come in for a landing with a significant forward speed left and those skids catch on something, you’re gonna be eating a lot of dirt. Not from the dust being kicked up, but from your face slamming into the ground as you flip over the front of the bike. Third, there’s a long tube sticking out in front. This does sort of enhance the resemblance to the Star Wars Storm Trooper speeder bike. But I don’t think that’s the point. It looks to me like it could be a pitot tube, which makes it a piece of functioning equipment as it’s the way the bike will sense forward speed. That actually plays together with the previous point in that bending that tube could cause speed to be read incorrectly and a moderate tipping forward on landing could make the tube contact the ground or other obstacle. Depending on the overall flight control system, I’m not sure how much of a serious effect that would have. But, I could see trust vectoring having an issue balancing hover and propulsion if it got an incorrect speed reading. I’ve never been a motorcycle rider (heck, I don’t even ride bicycles) but I think even very experienced recreational motorcyclists might want to let somebody else try this out for a while first.” 

(12) YOU HAVE TO GO BACK. Saturday Night Live 50th season-ending episode includes this parody of a teen time travel adventure: “Will and Todd’s Radical Experience”. (And their phone both is not bigger on the inside.)

Two time-traveling students (Andrew Dismukes, Marcello Hernández) try to return historical figures (Quinta Brunson, Kenan Thompson, Mikey Day, Chloe Fineman, Emil Wakim) back to their own timeline.

(13) VIDEO OF THE DAY. Ryan George thinks we ought to hear what it would be like “If Red Carpet Interviews Were Honest”. What did we ever do to him?

[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/14/25 First Shalt Thou Take Out The Holy Pixel

(1) INAUGURAL CLIMATE FICTION PRIZE. And So I Roar wins Climate Fiction Prize 2025”. The Climate Fiction Prize is a new literary prize that celebrates the most inspiring novels tackling the climate crisis. The Prize, worth £10,000, was awarded at a ceremony in London, on May 14.

Abi Daré has won the inaugural Climate Fiction Prize for And so I Roar (Sceptre, Hodder). The novel follows fourteen-year-old Adunni from her life in Lagos, where she is excited to finally enroll in school, to her home village where she is summoned to face charges for events that are in fact caused by climate change.

“A book of real energy and passion which both horrifies and entertains with a cast of compelling characters, a story of how the climate crisis can provoke social crisis where often women and children are the victims. Despite the tragedy, Abi Daré holds faith in the strength of individuals and relationships and her hopefulness leaves us inspired.”

– Madeleine Bunting, Chair of Judges

(2) MARTHA WELLS Q&A. Martha Wells did a Reddit r/television Ask Me Anything today. You can read the answers here: “This is Martha Wells, a four-time Hugo, two-time Nebula, and five-time Locus Award winner for The Murderbot Diaries, a book series published by Tordotcom. Ask Me Anything”.

Here’s one exchange.

BiasCutTweed

I have two pedantic world building questions I would love to ask though, if you’re game to answer:

  • Is there any sort of nominal governance structure in the Corporation Rim? Like just enough to support a judicial and monetary system, and the regulatory stuff that occasionally gets mentioned. I know Murderbot could absolutely give zero damns and it’s our narrator but I’m weirdly curious.
  • There are alien remnants everywhere but we never see any living advanced aliens. Do they exist? Might we ever?
  • And a show-specific question – did you/they ever consider Fleabag-style 4th wall breaks for Murderbot’s inner thoughts? Or would that be way too much eye contact for it?

marthawellswriter

  1. There is basically a committee structure that handles that stuff, with different people from various dominant corporations being appointed to it, and it works about as well as you might expect.
  2. They might still exist, but I don’t think I’d take the story in that direction.
  3. I think they did early on, because I saw some auditions that used it, but I actually think the voiceover works much better and I’m glad they went with it.

(3) WIL WHEATON’S FAVES. JustWatch has teamed up with sci-fi icon Wil Wheaton to spotlight his all-time favorite science fiction movies and TV shows in a newly released editorial feature on JustWatch.com.

In this exclusive Why to Watch editorial, Wheaton shares a curated list of titles that have shaped his lifelong love of science fiction. From intergalactic epics to overlooked cult gems, the collection offers fans a rare peek into the streaming watchlist of one of pop culture’s most enduring sci-fi personalities. “Wil Wheaton’s Top 6 Sci-Fi Movies & Shows That Are Not Star Trek”.

Here is perhaps his most obscure pick.

Sugar (2024)

Wheaton also loves the cult Apple TV+ series Sugar. “It’s one of the great sci-fi series of the last five years that I never really heard people talk about,” the actor says. The show is a noir thriller that blends in fantastic sci-fi elements and follows a private investigator (Colin Farrell) who has a secret of his own. “I loved it,” Wheaton continued, “I thought it was brilliant and extremely well-done.”

(4) APPOINTMENT VIEWING. Will British cultural icon ITV be sold? “ITV Sale Speculation: Inside Deal Everyone And No One Is Talking About” at Deadline.

If you’ve watched ITV’s The Assembly, you will know that it involves stars like Danny Dyer and David Tennant subjecting themselves to no-holds-barred questions from a captivating cast of neurodivergent interrogators. It makes for illuminating viewing, producing genuine revelations from its disarmed but obliging subjects, who enter the show in a spirit of openness. 

Far from the cameras, in a colorless room in the basement of London’s 11 Cavendish Square townhouse on Tuesday, ITV chairman Andrew Cosslett was similarly squirming in the face of questioning, with less comical results. Chairing ITV’s Annual General Meeting (AGM), Cosslett was grilled, almost heckled, by an angry shareholder demanding to know when the British broadcaster’s 78p share price will rise after flatlining for more than three years.

“This is not good enough, you must have some idea, you guys are very highly paid,” said the shareholder. Cosslett struggled to answer, reaching for what by now feels like an old fail-safe. “If you can explain to me what Donald Trump will do next, then maybe I could,” he said.

Questions around ITV’s sticky share price — Cosslett and ITV boss Carolyn McCall faced three during the 45-minute AGM alone — are inextricably linked to the constant mutterings around its potential sale. On this matter, ITV has been a little less forthcoming with answers than the celeb bookings on The Assembly. The company that gave the world Downton Abbey has been finding new ways to say “no comment” to inquiries about whether it will submit to suitors, including RedBird IMI and Banijay….

(5) MISSING BUT NOT NECESSARILY LOST. “Doctor Who archive legend says missing episodes ‘certainly’ exist in private collections” – quotes in Radio Times.

With 97 of the missing Doctor Who episodes still unaccounted for, Sue Malden, the BBC’s first archive selector who has worked to find episodes across the years, has assured fans that she believes some “certainly” still exist in private collections.

Twenty-six stories from the show’s first six years are currently incomplete, because the BBC erased or reused tapes in the 1960s and 1970s to save storage space and costs. In recent years some of these episodes have now been recreated via animation, as tapes of audio recordings have survived for every episode.

Still, there remains hope amongst fans that other full episodes could still exist to this day, something Malden has suggested is a very real possibility.

Speaking at the RECOVERED festival at the Phoenix Cinema and Art Centre in Leicester, hosted by Film is Fabulous!, Malden was asked about the current situation regarding missing Doctor Who episodes.

Malden said: “As far as Doctor Who goes, we do not have a statement or anything to make at the moment. We do know fairly certainly that there are episodes missing in private collections. Some members of the Film is Fabulous! team are in a considerably significant position to help on that.”…

(6) FINAL MISSION:IMPOSSIBLE. [Item by Mike Kennedy.] My summary: Mostly glowing reviews, especially about the action sequences. Some grumbles about the runtime and convoluted plot. “Mission: Impossible The Final Reckoning First Reactions” in the Hollywood Reporter.

“Tom Cruise has done it again!” That’s the very early verdict from press screenings for the Hollywood icon’s latest film, Mission: Impossible – The Final Reckoning, with the film variously described as “astonishing,” “jaw-dropping,” “insane” and the “action movie of the summer.”

Following a series of press screenings, first reactions to Final Reckoning are hitting social media after the embargo lifted on Monday night. The social media reactions come ahead of official critics’ reviews, which drop on Wednesday.

The eighth film in the long-running Paramount Pictures spy action franchise, Final Reckoning has a lot riding on it for the studio as well as the domestic box office. In November 2024, The Hollywood Reporter reported that the project has had a long and difficult journey, with a budget approaching a hefty $400 million amid production delays — partly due to the 2023 Hollywood strikes — making it one of the most expensive films ever made….

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

May 14, 1944George Lucas, 81.

By Paul Weimer: To talk about George Lucas for me is to first talk about Star Wars

Star Wars lurked in my imagination long before seeing any of it. I didn’t see Star Wars in the theater but my younger brother and I got a joint Christmas gift of a Death Star playset, and a few action figures. We only had the commercials for the set to go on, not Lucas’ own vision, and so our playing of the set led to very strange scenarios having nothing to do with the movie. 

It would not be until 1983, and Return of the Jedi, that I saw a George Lucas movie at all, and in the theater. I saw the magic of his world, having only the fuzziest idea of the first two movies, but I was swept along. This shows the power of Lucas harnessing the power of serial fiction to allow watchers to get in on the action quickly. This is something the Marvel cinematic universe could still learn from Lucas today. It’s not just the crawls at the beginning, its the economy of storytelling, the establishment of characters that let you hit the ground running. 

Like Star Wars, I missed the first Indiana Jones movie in theaters, but did see Temple of Doom (Lucas did not direct but his story was the basis of the film). And of course, too, Indiana Jones and the Last Crusade.  Same principle applies. Early Lucas knew the power of crafting episodic sequels and making them work. 

In keeping with those films, Lucas was also responsible for getting me hooked into the idea of the Hero’s Journey, since I read the Joseph Campbell book The Power of Myth thanks to Lucas’ forward in the book. Sure, the Hero’s Journey is a very outdated, patriarchal and restrictive story framework but it was my first real engagement with the nature and form of stories. Lucas helped introduce me to that whole new world. 

However, I would not see another Lucas directed film until the late 1990’s…but that is another story, one that deserves its own entry.

George Lucas with his wife, Mellody Hobson

(8) COMICS SECTION.

  • Bliss has a child “helpfully” point something out.
  • Mike de Jour finds that word doesn’t mean what you think it means. 
  • Mutts – did he answer the question? 
  • Rubes can’t come up with an original excuse. 
  • Wumo might be an annoying fan. 

(9) DE-RE-BRANDING. The Hollywood Reporter says “Warners Is Changing Max’s Name Again — Back to HBO Max”. Sigh. Please just make up your mind.

… Thirty minutes into Wednesday’s Warner Bros. Discovery upfront, Bloys revealed the name change to media buyers. The news was met with laughter, light applause and exactly one whistle. Bloys did follow with a solid joke: “I know you’re all shocked, but the good news is I have a drawer full of stationery from the last time around.”…

(10) COMMUNITY RESPONDS TO BOOK BURNING. “Man burns 100 library books on social media; residents donate 1,000 more” on News 5 Cleveland.

Members of an Interfaith Group Against Hate (IGAH) gathered outside a Northeast Ohio church to stand united against hate. This comes after reports that a man checked out 100 books related to race, religion, and LGBTQ+ topics from the Cuyahoga County Public Library in Beachwood — then burned them in a video posted to social media.

View the news video here.

(11) IRONHEART. Gizmodo lets everyone know “Finally, the First Ironheart Trailer Is Here”.

Black Panther: Wakanda Forever introduced audiences to Riri Williams (Dominque Thorne), an MIT genius who built her own Iron Man-esque armored suit and helped the Wakandans fight the Talokanil.

She may have left her suit behind in Wakanda, but she hasn’t given up trying to make new ones that truly establish her as the next big talent. While back home in Chicago, she crosses paths with Parker Robbins (Anthony Ramos), a misfit with a hood that lets him use dark magic and wants her to be a part of what he’s building up. Things seem good at first, but once she starts getting wise to the shadier parts of his dealings, Riri’s gotta armor up and protect Chicago and her loved ones….

(12) SUPER TRAILER PARK. “Superman’s Full Trailer Gives Us Our Best Look Yet at DC’s New Era” reports Gizmodo.

…[James] Gunn teased the trailer on social media as the “full trailer” he’d been “waiting too long to share.” And indeed, we see Superman facing off with an array of baddies, including a giant scaly monster and several supervillains—including, most intriguingly, a smirking Lex Luthor. He also stops a war and gets in trouble for it with the U.S. government, and gets grilled about it by the toughest journalist he knows: Lois Lane, who definitely knows Clark is Superman this time around…

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 1/21/25 Shattered Like A Glass Scroll

(1) COSTUME-CON 43 CANCELED. Costume-Con 43 chair Henry Osier announced on Facebook today that the 2025 convention has been canceled reports Eric Hildeman of Starship Fonzie. The event was to have been held in Milwaukee this April.

Due to lack of pre-convention funds Costume-Con 43 has been canceled.

We regret having to make this decision. We wanted to create a truly unique and memorable convention for everyone and with insufficient funds this will not be possible. We had hoped to help educate costumers of all experience levels and backgrounds, as well as help people connect with other people interested in costuming from across the continent.

We are informing you at this time so that you may cancel your hotel reservations and travel plans.

If you have already paid for a membership/ticket you will be reimbursed….

(2) THE CLOCK OF THE LONG NOW.  “It’s been an idea for over three decades. How did the clock that will run for 10,000 years become a reality?” Alec Nevala-Lee looks for the answer in “Chimes at Midnight” at Asterisk. The clock, designed to keep accurate time without human intervention for 10,000 years, is currently nearing completion on Jeff Bezos’s property in Texas.

…[Danny Hillis] had been dreaming about the clock for years, but he first set it down in detail in an essay — later published in Wired — dated February 15, 1995. Noting that society had trouble picturing the far future, he proposed a symbolic object to encourage long-term thinking: “I want to build a clock that ticks once a year. The century hand advances once every one hundred years, and the cuckoo comes out on the millennium.” It would keep accurate time for ten millennia, or roughly as long as human civilization had already existed. The musician Brian Eno, who later developed the chimes, named it the Clock of the Long Now.

Hillis initially explored the idea in an unlikely setting. He joined a Disney fellowship program, created expressly for him, as a vice president of research and development, although what he really wanted was to work on his clock. The Imagineers made their machine shops and staff available at cost, as long as the company retained the right to build a clock of its own, and he spoke long afterward as though he were designing a theme park attraction: “Time is a ride, and you are on it.” 

Independently of Disney, he built two prototypes of the clock, but his efforts to invent a corresponding narrative — or myth — sometimes led to confusion. “A lot of people who hear about the clocks think it is just a story,” Hillis wrote earlier this year. “They are surprised to find out there are actual clocks.” In his Wired essay, he shared a provocative suggestion from the magician Teller: “The important thing is to make a very convincing documentary about building the clock and hiding it. Don’t actually build one. That would spoil the myth if it was ever found.”…

(3) LUMIÈRES AWARDS. “’Flow’ Wins Animation Award at Lumières”. Animation Magazine also reports the non-genre film Emilia Pérez won the most awards — five, including Best Film and Best Director. 

One of this year’s awards season frontrunner, Gints Zilbalodis’ indie animated feature Flow has captured another prize. The critically acclaimed Latvian contender has been awarded Best Animated Feature at the 30th Lumières.

The Lumières are considered France’s version of the Golden Globes, as the winners are judged by members of the international press based in the country. This year, representatives of 38 countries voted on the category winners, which were announced in Paris on Monday.

Flow was nominated alongside Into the Wonderwoods (directed by Vincent Parannaud and Alexis Ducord); The Most Precious of Cargoes (Michel Hazanavicius); Maya, Give Me a Title (Michel Gondry); and Savages (Claude Barras)….

(4) BOOK APP’S BIGOTED MESSAGES. The New York Times reports “Fable, a Book App, Makes Changes After Offensive A.I. Messages” – you can just imagine what that program was trained on.

…In an Instagram post this week, Chris Gallello, the head of product at Fable, addressed the problem of A.I.-generated summaries on the app, saying that Fable began receiving complaints about “very bigoted racist language, and that was shocking to us.”

He gave no examples, but he was apparently referring to at least one Fable reader’s summary posted as a screenshot on Threads, which rounded up the book choices the reader, Tiana Trammell, had made, saying: “Your journey dives deep into the heart of Black narratives and transformative tales, leaving mainstream stories gasping for air. Don’t forget to surface for the occasional white author, okay?”

Fable replied in a comment under the post, saying that a team would work to resolve the problem. In his longer statement on Instagram, Mr. Gallello said that the company would introduce safeguards. These included disclosures that summaries were generated by artificial intelligence, the ability to opt out of them and a thumbs-down button that would alert the app to a potential problem.

Ms. Trammell, who lives in Detroit, downloaded Fable in October to track her reading. Around Christmas, she had read books that prompted summaries related to the holiday. But just before the new year, she finished three books by Black authors.

On Dec. 29, when Ms. Trammell saw her Fable summary, she was stunned. “I thought: ‘This cannot be what I am seeing. I am clearly missing something here,’” she said in an interview on Friday. She shared the summary with fellow book club members and on Fable, where others shared offensive summaries that they, too, had received or seen.

One person who read books about people with disabilities was told her choices “could earn an eye-roll from a sloth.” Another said a reader’s books were “making me wonder if you’re ever in the mood for a straight, cis white man’s perspective.”…

(5) COVER NEWS. DAW has shared the new US cover for John Wiswell’s Wearing the Lion, which will be released June 17.

Wiswell brings a humanizing, redemptive touch to the story of Heracles and his complicated relationship with the goddess Hera saying, “Wearing the Lion is an epic fantasy about the things that make us feel monstrous, and about how facing monsters can make us feel whole. It’s about traditional family, found family, and growing when people say there’s nothing left for you.”

(6) STATUS OF BUTLER GRAVE. Gizmodo reassures readers “Beloved Sci-Fi Author Octavia Butler’s Gravesite Survived Los Angeles Fire”.

…The Afrofuturist’s grave rests in Altadena, which was hit hard amid the recent fires that left thousands of Californians without their homes. But her burial site survived: the AP shared an image of the location and reported that it received “minimal damage,” citing a statement on the Altadena Mountain View cemetery’s web site. Butler passed in 2006 and her footstone reads “All that you touch, you change. All that you change, changes you,” a quote from Parable of the Sower.

However, what the Associated Press specifically reported is:

…A spokesperson at the Mountain View cemetery confirmed the accuracy of the website’s announcement to The Associated Press, but would not comment on the status of individual markers….

(7) JULES FEIFFER (1929-2025). Pulitzer Prize-winning cartoonist Jules Feiffer died January 17. NPR pays tribute: “Jules Feiffer, cartoonist and playwright, dies at 95”.

… It wasn’t just on the page that he hurled himself so intrepidly into the unknown. In life, too, he continually aimed for unseen horizons. When he died Jan. 17 of congestive heart failure at his home in Richfield Springs, N.Y., he left an abundant legacy across a range of artistic media. The history of graphic art, literature, film and the theater bear the imprint of his ever-distinctive, ever-wayward pen….

…. Straight out of high school, he looked up Will Eisner in the phone book and buttonholed the legendary comics mastermind in his downtown office. Eisner “couldn’t have been more pleasant until he looked at my work, and then he told me that the work was s***,” Feiffer told the Voice in 2018. Even so, Eisner allowed the boy to contribute bits and pieces to the studio’s comics. Feiffer filled in black-ink areas and ruled panel borders. More importantly, he talked to Eisner about the form. Eventually Feiffer graduated to writing stories for The Spirit, continuing until he was drafted in 1951. He served in the U.S. Army Signal Corps until 1953….

…The assassination of John F. Kennedy prompted him to pen his first full-fledged play, 1967’s Little Murders. (Though its Broadway debut was a flop, an Off-Broadway production won an Obie award in 1969.)…Perhaps most memorably, he penned the screenplay for 1971’s Carnal Knowledge, directed by Mike Nichols…

…For the younger set he was the magical artist behind 1961’s The Phantom Tollbooth….

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

January 21, 1923Judith Merril. (Died 1997.)

By Paul Weimer: Judith Merril, to me, has always been a science fiction editor, writer, and activist whose work, and life, has invariably and inexorably been tied to her fearlessly progressive politics.

I came across various stories of Merril in my early reading of a lot of the early stories of the field in the 1980s.  “That Only a Mother”. That story, with a mother with a mutant baby but unable to or unwilling to see that her baby IS in fact, severely deformed. Even from the beginning here, Merril showed her interest in the psychology and personality of her characters as the main drivers of her plots. And yeah, the ending of that story left a mark.

Or perhaps “The Tomorrow People”, with its deep psychological look at a group of people in space after a disastrous trip to Mars. In a way, that story always felt like to me as a forerunner to Frederik Pohl’s Gateway (but not its sequels!).  Both could be considered forerunners of the New Wave movement. 

Beyond her writing, she’s probably known even better for being an editor, having edited volumes of Canadian SF (the Tesseract series) as well as many Best of Science Fiction volumes. Her point of view and her editorial choices and viewpoint helped move science fiction away from the pulp era and into the aforementioned New Wave movement.  Merill is one of the people who helped prove that science fiction (or at least a significant segment of it) could be a full-on high literary genre.

But it is her politics that I know her work best. She was a signatory to the infamous anti-Vietnam War ad that ran in Galaxy.  Not long after that ad ran, she moved to Canada and became very active in the Canadian SF movement, from hosting episodes of Doctor Who, to endowing science fiction collections and the aforementioned editing of Canadian SF.  She never stopped speaking her mind and heart about politics, especially her views on war and the military and eventually became a Canadian citizen. 

A veritable force of nature in the science fiction field. 

Judith Merril Staying in the home of Michael Moorcock

(9) TOMORROW’S BREAKFAST.

[Written by Cat Eldridge.]

Rex Stout’s Omelet

Rex Stout’s recipe for his perfect omelet in And Be a Villain (British title, More Deaths Than One), the Nero Wolfe novel that was first published by the Viking Press here in 1948. 

It’s also in The Nero Wolfe Cookbook which was published by Viking Press in 1973 where the Viking editors then credit it to Wolfe a quarter of a century later. Why it’s not credited in the actual novel is a bit odd. 

If you decide to purchase this cookbook, do not buy the 1981 paperback as it has but a sampling of the 1973 recipes. Boo, hiss! The problem is that the first printing not unexpectedly has become quite pricey running as well over a hundred and fifty dollars! 

And now, here’s Stout’s perfect omelet recipe.

It is better to make two small omelets than a large one. Beat four eggs in a bowl, adding two Tbsps. of milk or cream if you wish; I don’t. Season to taste with salt and pepper. Heat one scant Tbsp. butter in a skillet over a hot fire. When the butter is hot but before it smokes, add the eggs all at once. Quickly, with a fork, pull the edges of the egg mass toward the center as they thicken. The liquid part will immediately fill the vacant spaces. Repeat until there is no more liquid but thei eggs are still very soft. Gently press the handle of the skillet downward and let the omelet slide toward it. When 1/3 of the omelet has slid up the edge of the pan, fold it toward the center with a spatula. Raise the handle to slide the omelet in the opposite direction, and when 1/3 is up the far edge hold a dish (heated) under it. As the rim of the omelet touches the dish, raise the handle until the skillet is upside down. The result should be an oval-shaped light-brown omelet.

(10) MEMORY LANE.

[Written by Cat Eldridge.]

Charlie Chan in Paris (1935)

Ninety years ago, Charlie Chan in Paris, the seventh in that series, premiered. It was directed by Lewis Seiler as written by the trio of Earl Derr Biggers, Philip MacDonald and Stuart Anthony. All the films featured Warner Oland, a Swedish-American actor who had also played Fu Manchu. Oland would play this role sixteen times.

Honolulu Police detective Lieutenant Chan was created by Biggers who wrote six novels in which he appears. The House Without a Key is the first one. It’s available from the usual suspects for ninety-nine cents. 

Biggers loosely based Chan on Hawaiian detective Chang Apana and was intended to be the opposite of Fu Manchu. The real detective actually solved very few murder cases as he worked mostly on opium cases, opium being a major problem then. 

Over the years eleven different actors would portray him including Peter Ustinov and Ross Martin. 

This film was considered lost for decades until a print was discovered in Czechoslovakia with a collector in the seventies. After a number of showings in various revival cinemas throughout the States, it was released on DVD as part of a collection.  All of the films are in the public domain so you can watch it here.

(11) COMICS SECTION.

(12) LEGEND OR MYTH – YOU DECIDE. “30 years later, Fallout creator Tim Cain is searching for a legendary D&D player who cheesed an entire competitive dungeon with a lightning-fast Monk build” reports GamesRadar+.

… In a recent YouTube video, Cain explores the legend of the ‘1 million XP dungeon’, a first-edition D&D competition he says he heard about in 1993 at a gaming convention in California. In the competition, players had to run through a complex, multi-layered dungeon and become the first to reach the goal at its end. To do so, however, they were each given one million XP with which to craft a character.

XP could be used to level up, or it could be converted into gold coins at a ratio of one XP to one gold, with that gold used to buy magical items based on their assigned value in the rules. Cain explains that that meant some players would max out on levels, while others might rely on a bevy of magical items to get them through the dungeon. Most sat somewhere between those extremes, but the eventual winner was a player who pushed the rules to their limit.

The prize was claimed, Cain believes, by a level 11 human Monk. A class often defined by unarmed attacks and no armor, Monks might have seemed a risky pick, but Cain explains how this character had a strong armor class, several useful resistances and immunities, and the ability to shrug off damage on most saving throws. On top of that, at level 11, Monks have a move speed of 25 – double the base speed of pretty much any other character, and faster than both horses and players under the effect of haste spells. Clearly, the strategy was to go very fast, but the Monk faced one major hindrance – their class was limited to just three magical items. With 700,000XP given over to leveling, they risked not being able to get the most out of their build.

The items they opted for included a Cloak of Protection +5 to enhance their already strong armor class and give a +5 to their already-enhanced saving throws, which they boosted even further with a Scarab of Protection. The real cherry on top, however, was the Ring of Air Elemental Command – as well as some extra bonuses like the Gust of Wind spell, that ring offered unlimited flight and visibility.

Players entering the competition were matched up with a DM in groups of three to five, with the first person to reach the final goal out of all the entrants winning the contest. To hear Cain tell it, the Monk in question lined up with their fellow players, went invisible, and took off running. Moving twice as fast as everyone else, able to fly over any traps and remain invisible to any enemies, it sounds as though there was no contest whatsoever. The Monk reached their goal on the final floor of the dungeon before most other players had even made it off the first floor – several players were yet to even get into the castle….

(13) PLONK YOUR MAGIC TWANGER. SF Gate visits “The Bay Area shop that sends rent checks to George Lucas”.

Beautifully restored banjos and 18th-century violins line the walls of Amazing Grace, a San Anselmo music store that has faced more threats than Luke Skywalker in “The Empire Strikes Back.” In fact, the shop wouldn’t exist if George Lucas, the “Star Wars” franchise creator and longtime San Anselmo resident, hadn’t stepped in to rescue it in 2004.

There are other Lucas connections too. One of Lucas’ children took guitar lessons at the shop. And many employees at Lucasfilm’s Industrial Light & Magic, the Marin County special-effects company founded by Lucas, have stopped by the store for decades to buy instruments for movie props, repair their own gear or just to chat with the mom-and-pop owners who have run Amazing Grace since 1983.

Amazing Grace has been at the heart of the thriving Marin music scene throughout its incarnations in three buildings and with three pairs of owners (all local musician couples) since its founding in 1970. But by 2004, during every Marin storm, rainwater leaked through the roof and a back door of the dilapidated 1936 building, a former commuter train depot near the San Rafael-San Anselmo border.

“We thought we’d have to jump ship and start repairing instruments in our garage,” says shop co-owner, master luthier (string instrument-maker) and old-time string band musician John Pedersen. “But then George’s property manager convinced him to buy the land and build a new and bigger shop. I’d met George a few times when my band played at his Fourth of July parties at the [Lucasfilm Skywalker] ranch, and I understand that he liked the idea of supporting a mom-and-pop business.”

Lucas has also built a park in downtown San Anselmo, where Yoda and Indiana Jones statues are a hit, and rescued at least one other local business. “We see him around town, but we don’t bother him,” Pedersen says. “We just send him a rent check each month.”…

(14) GIGO. “AI-Generated Junk Science Is a Big Problem on Google Scholar, Research Suggests”Gizmodo has the story.

AI-generated scientific research is polluting the online academic information ecosystem, according to a worrying report published in the Harvard Kennedy School’s Misinformation Review.

A team of researchers investigated the prevalence of research articles with evidence of artificially generated text on Google Scholar, an academic search engine that makes it easy to search for research published historically in a wealth of academic journals.

The team specifically interrogated misuse of generative pre-trained transformers (or GPTs), a type of large language model (LLM) that includes now-familiar software such as OpenAI’s ChatGPT. These models are able to rapidly interpret text inputs and rapidly generate responses, in the form of figures, images, and long lines of text.

In the research, the team analyzed a sample of scientific papers found on Google Scholar with signs of GPT-use. The selected papers contained one or two common phrases that conversational agents (commonly, chatbots) undergirded by LLMs use. The researchers then investigated the extent to which those questionable papers were distributed and hosted across the internet.

“The risk of what we call ‘evidence hacking’ increases significantly when AI-generated research is spread in search engines,” said Björn Ekström, a researcher at the Swedish School of Library and Information Science, and co-author of the paper, in a University of Borås release. “This can have tangible consequences as incorrect results can seep further into society and possibly also into more and more domains.”

The way Google Scholar pulls research from around the internet, according to the recent team, does not screen out papers whose authors lack a scientific affiliation or peer-review; the engine will pull academic bycatch—student papers, reports, preprints, and more—along with the research that has passed a higher bar of scrutiny.

The team found that two-thirds of the papers they studied were at least in part produced through undisclosed use of GPTs. Of the GPT-fabricated papers, the researchers found that 14.5% pertained to health, 19.5% pertained to the environment, and 23% pertained to computing….

(15) YOUTHFUL ZITS OF THE UNIVERSE. “Webb’s Stunning Discovery: Could These Mysterious ‘Little Red Dots’ Be the Universe’s Earliest Black Holes?” asks Sci Tech Daily.

Shortly after NASA’s James Webb Space Telescope began its science operations, astronomers encountered an unexpected discovery in the data: small, red objects scattered across the distant, early universe. These intriguing phenomena, now referred to as “little red dots” (LRDs), remain poorly understood, raising fresh questions and inspiring new theories about the processes shaping the universe’s infancy.

By analyzing publicly available Webb data, a team of astronomers recently compiled one of the largest samples of LRDs to date. Nearly all of these objects are believed to have existed within the first 1.5 billion years after the Big Bang. The researchers concluded that a significant portion of the LRDs are likely galaxies hosting growing black holes at their centers….

(16) BAKER CAKE. Tom Baker celebrated his 91st birthday yesterday and a photo of him posing with his cake has been shared online.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Alec Nevala-Lee, Eric Hildeman, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Jones.]

Pixel Scroll 5/14/24 Down The Seven Pixels Scroll

(1) BUTLER CONFERENCE AT HUNTINGTON THIS MONTH. The Huntington Library in Pasadena, CA will host a two-day conference, “Futurity as Praxis: Learning from Octavia E. Butler” on May 23-24.

Octavia Butler.

The year 2024 marks the beginning of the critical dystopian future Octavia E. Butler (1947–2006) envisioned in her groundbreaking novel Parable of the Sower. Her fiction and the story of her life compel us to reckon with power, leadership, creativity, the Earth, human relationships, and the unknown possibilities that await us in the stars. Now, intellectuals from different communities will gather to contemplate her legacy. This conference asks how we have learned from Butler’s writing and what her archive at The Huntington—a short distance from where the author spent her formative years in Pasadena, California—can help future generations discover.

One of the panels will feature well-known sff creators.

Session 1: Creativity as Praxis

  • Moderator: Sage Ni’Ja Whitson
    Queer & Trans anti-disciplinary artist and writer, Department of Dance and Department of Black Study at UC Riverside
  • Damian Duffy
    Author of the graphic novel adaptations of Kindred and Parable of the Sower
  • Steven Barnes
    Author of The Eightfold PathMarvel’s Black Panther: Sins of the King podcast series, and Horror Noire: A History of Black Horror on Shudder
  • Sheree Renée Thomas
    Editor of The Magazine of Fantasy & Science Fiction and the Dark Matter anthologies, poet, author of Nine Bar Blues: Stories from an Ancient Future

Tickets for the two-day conference are available here. General: $25 (Students free). Optional lunch: $20 (each day)

(2) ROMAN AROUND. “’Megalopolis’: New Teaser Trailer Drops Ahead of Cannes Premiere” reports Deadline.

Ahead of its world premiere here at Cannes, Francis Ford Coppola has dropped a teaser trailer for his master epic Meglopolis. While the first trailer showed Adam Driver’s ambitious architectural idealist Cesar attempting suicide atop a skyscraper, yet stopping time, here we see a montage of the pic’s action: a devastated city indulged in neon and noir infused Bacchanal.

Coppola’s latest is billed as a Roman Epic fable set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare.  Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

(3) FROM SOUP TO NUTS. The Guardian has a long feature on the history of Coppola’s efforts to make this film: “’Has this guy ever made a movie before?’ Francis Ford Coppola’s 40-year battle to film Megalopolis”.

Early reactions to Megalopolis have been mixed. After a private screening in Los Angeles last month, one executive described it as “batshit crazy”….

…Others, however, were fulsome in their praise. “I feel I was a part of history. Megalopolis is a brilliant, visionary masterpiece,” said the director Gregory Nava after the screening. “I was so overwhelmed that I couldn’t do anything for the rest of the day.” An anonymous viewer at a London screening went even further: “This film is like Einstein and relativity in 1905, Picasso and Guernica in 1937 – it’s a date in the history of cinema.”…

(4) CAROL SHIELDS PRIZE. The 2024 Carol Shields Prize for Fiction, which provides $150,000USD to the winner, is the largest English-language literary prize in the world for women and non-binary authors. So the announcement of the winner may be of interest to you even if the book is not genre.

V. V. Ganeshananthan has been named the winner for her novel Brotherless Night, published by Random House.

(5) COMPUSERVE GETS A PLAQUE. It didn’t take as long as you might have expected for one of the building blocks of personal computing to earn its own historic marker. Alex Krislov shared a photo of Ohio’s salute to CompuServe.

(6) LATEST ITERATION OF FANHISTORIC CLIFTON’S. Boing Boing says “Legendary L.A. eatery Clifton’s Cafeteria is back! (but is called Clifton’s Republic now)”.

…To say Clifton’s is kitschy doesn’t begin to capture it. It’s more like if uber-kitschy, ur-kitschy and mondo-kitschy had a baby….

We’re interested because LASFS used to meet at Clifton’s in the late 1930s. And consequently, Discover Los Angeles’ article “Clifton’s Republic: The Story of an LA Icon” has the tidbit of greatest interest to fans:

…The third floor is home to the Gothic Bar, which features a booth named after sci-fi writer Ray Bradbury, a patron of the original Clifton’s who became a pal of Meieran’s. The back bar is a repurposed 19th-century gothic altar. The third floor also features Clinton Hall, a live performance and private event space, and lots of taxidermy dioramas created in consultation with experts from the Natural History Museum….

(7) HE’S ON THE COVER. Fantasy author Lev Grossman in on the front of Publishers Weekly.

(8) DON’T REIGN ON THEIR PARADE. Scavenger’s Reign may get a second chance on another platform. “Netflix Just Saved 2023’s Most Underrated Sci-Fi Show From Cancelation” reports Inverse:

Scavengers Reign, the remarkable but underseen sci-fi series that premiered on Max in late 2023. Scavengers Reign was widely regarded as one of the year’s best shows, and one of many projects that heralded a golden age for indie animation. Unfortunately, the series was canceled on May 10… but that development has a silver lining.

Per VarietyScavengers Reign will remain on Max (a rare concession for WB’s canceled shows), but its first season will also stream on Netflix. The rival streamer is reportedly interested in picking up the show for more seasons, but continuation is contingent on Scavengers’ success on the platform.

… Given Netflix’s growing interest in adult animation, the streamer might be an ideal destination. Scavengers Reign follows the crew of a deep space freighter after they crash on a hostile alien planet. Across 12 episodes, the crew works to find their way back to their ship, and survive a world trying to annihilate them. The series doesn’t shy away from dark themes, so it should feel at home alongside Netflix originals like Blue Eyed Samurai….

(9) TEDDY HARVIA CARTOON.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born May 14, 1944 George Lucas, 80. I can say without doubt George Lucas was a director whose first work I encountered was THX 1138. What a damn strange film that is. Upon rewatching it twenty or so years later, the Suck Fairy wasn’t pleased by it as I’ll say she holds that it just feels really dated now which I agree with her. 

Ahhh but then was Star Wars, and no I won’t accept the renaming it. Simply didn’t happen. The film itself which I’ve seen at the theater and watched a number of times since is extraordinary. That it garnered a Hugo at IguanaCon II shouldn’t surprise anyone here. 

George Lucas in 2009.

Confession time. I’ve not watched any of Star Wars films past the first three. I adore The Empire Strikes Back, a Hugo winner at Denvention Two, actually my favorite of the first three films. I don’t dislike the final film, Return of the Jedi, Hugo of course, this time at L.A. Con II, but I really do think the story is better in The Empire Strikes Back. Also, Lucas gave his screenwriting credit to Leigh Brackett for that film after her death from cancer.

So, what’s my next film that he did that I really like? Oh guess. It was when he was story writer and executive producer on the first four Indiana Jones films, which his colleague and good friend Steven Spielberg directed, so it is Raiders of The Lost Ark is my favorite film here (with Indiana Jones and the Temple of Doom being almost as good), and the last should been not have been done. So not surprisingly Raiders of The Lost Ark would win him and Spielberg a Hugo, this time at Chicon IV.

Need I say that The Young Indiana Jones Chronicles was wonderful? Yes, it stretched probability to the breaking point and way beyond continuously in terms of who young Indy met, but that was the sheer fun of the series. No Hugo nomination, why, oh why?

Did you know he wrote the story for Willow? (Not the screenplay.) Well, he did. Cool. I mean really cool. Noreascon 3 nominated it for a Hugo but a rabbit from Toon Town won that year. Speaking of really cool films, he was executive producer and co-edited Labyrinth with director Jim Henson. Yes, you nominated it for a Hugo, this time at Conspiracy ’87. 

He produced Howard the Duck, which the French had the gall to name on the one-sheets Howard Une nouvelle race de héros (Howard: A New Breed of Hero) was considered his worst film by far. It’s not a film I like but I feel that it should be noted here. No, you did not nominate Howard Une nouvelle race de héros for a Hugo. Nor did French give it any Awards either.

Finally for me, he also was the creator and executive producer of the Star Wars: The Clone Wars animated series which premiered with a feature film of the same name that aired just before its first episode. 

I know he’s done a lot more including some new material now on Disney+ but I’m not taking that streaming service now. At some point, I’ll gorge myself over there but not yet. 

(11) COMICS SECTION.

  • Bizarro depicts the benefits of home delivery.
  • UFO lets a great line go astray.

(12) SPEAKING OF GEORGE. “’Grow up. These are my movies, not yours’: George Lucas Won’t be Happy How Star Wars Fan Group is Illegally Saving the Original Trilogy” Fandomwire says confidently.

A long time ago, in a galaxy far, far away began George Lucas’ epic space opera tale that eventually grew into the pop culture phenomenon we know today as Star Wars. The original trilogy of films Lucas made during the 70s and 80s, became beloved across the globe, but the theatrical cuts of the movies have neared the brink of extinction following Lucas’ special edition re-releases.

As a result, a group of rebel Star Wars fans have taken it upon themselves to not only preserve but also digitally restore the original cuts so that the fanbase can enjoy the version of the films they first fell in love with. However, the group’s activities directly clash with Lucas’ vision for his franchise and border on a legal grey area. Here is why George Lucas won’t be happy with the rebel fans trying to preserve the original cuts of the original trilogy.

The original trilogy of Star Wars films, spearheaded by George Lucas were critical and commercial successes. However, in 1997 Lucas released the “Special Edition” of the films for the trilogy’s 20th anniversary, which featured extensive changes to the original theatrical cuts.

The original cuts have since become scarce. However, a group of Star Wars fans, known as Team Negative One have reportedly almost completely digitally restored the original cuts in 4K using 35-millimeter prints of the original trilogy….

To show how serious Lucas is about his later cuts —

…Similarly, when the National Film Registry aimed to preserve 1977’s Star Wars (later retitled Star Wars: Episode IV – A New Hope), Lucas reportedly refused to provide them with a copy of the original theatrical release…

(13) Q&A ABOUT FUNDRAISING ANTHOLOGY. Broken Olive Branches is a charity anthology; over 30 authors in the horror community donated stories to help the civilians of Palestine. The proceeds from the anthology go to ANERA and the Palestinian Children’s Relief Fund. Roseanna interviews the editor and some of the authors involved in “Roundtable Interview: Broken Olive Branches” at Nerds of a Feather.

(14) WHERE’S THE BEEF? AI raises the dead: “It was a classic rap beef. Then Drake revived Tupac with AI and Congress got involved” on NPR’s “Planet Money”.

In late April, Senator Thom Tillis (R-North Carolina) began his testimony before a Senate subcommittee hearing by doing something unusual for a stuffy institution like Congress: He played a new song from the rapper Drake.

But it wasn’t Drake’s rap verse that Tillis felt was important for Congress to hear. Rather it was a verse in the song featuring the voice of the legendary — and long dead — rapper Tupac Shakur.

In a kind of uniquely modern sorcery, the song uses artificial intelligence to resurrect Tupac from the dead and manufacture a completely new — and synthetic — verse delivered in the late rapper’s voice. The song, titled “Taylor Made Freestyle,” is one in a barrage of brutal diss tracks exchanged between Drake and Kendrick Lamar in a chart-topping rap battle. Kendrick is from California, where Tupac is like a god among rap fans, so weaponizing the West Coast rap legend’s voice in the feud had some strategic value for Drake, who is from Toronto.

Drake, apparently, thought it’d be okay to use Tupac’s synthetic voice in his song without asking permission from the late rapper’s estate. But, soon after the song’s release, Tupac’s estate sent a cease-and-desist letter demanding that Drake take the song down, which he did. However — given the murky legal landscape regulating AI creations — it’s unclear whether Tupac’s estate actually has the law on their side.

And so the beef between Drake and Kendrick Lamar has become not only one of the most brilliant — and most vicious — battles in the history of rap. It’s also become a historic flashpoint for the issues posed by what you might call AI necromancy — resurrecting traits of the dead using AI technology.

We’ve entered a new world where anyone can conjure the voice or visual likeness of a dead celebrity — or really anyone, dead or alive — with a few clicks using AI software.

(15) JEOPARDY! SFF. [Item by David Goldfarb.] Catching up on Jeopardy Masters and also watching tonight’s episode, here’s the SFF content I saw:

Jeopardy Masters, Wednesday 5/8/2024

Game 1:

Literature: Who Said It? $2000: “I freewheel a lot…I reckon I’ll become president of the galaxy, and it just happens, it’s easy”

Matt Amodio got the right book but the wrong character: “What’s Dent?”

(One of his quirks is that he never bothers to change his question words but just always says “What’s…?”)

Amy Schneider gave us, “Who is Beeblebrox?”

Most Filers I assume know this, but just in case I’ll fill in that the book was The Hitchhiker’s Guide to the Galaxy, and the characters Arthur Dent and Zaphod Beeblebrox.

Literature: Who Said It? $1600: “For if he is still with the quick un-dead, your death would make you even as he is. No, you must live!”

Yogesh Raut knew or correctly guessed, “Who is Van Helsing?”

Literature: Who Said It? $1200: A Daily Double for Yogesh, who wagered all of his 15,400 points. “She betrayed you, Winston. Immediately — unreservedly. I have seldom seen anyone come over to us so promptly”.

Yogesh hesitated a bit, then tried, “Who is…O’Brien?” And this was correct, the inquisitor from 1984.

Literature: Who Said It? $400: “What’s taters, precious, eh, what’s taters?”

Matt got it: “What’s Gollum?”

Game 2:

On the Director’s Résumé, $2000: He spoke the silent language of horror in 1922’s “Nosferatu”

Victoria Groce got it: “Who is Murnau?”

Regular Jeopardy!, Monday 5/13/2024

In the Double Jeopardy round:

TV’s Fantastical Places, $1200: This undersea abode of cartoon fame is based on an actual atoll used for atomic testing between 1946 and 1958

Michael Richter tried, “What is SpongeBob Squarepants?” but this was the name of the show, not the place.

Returning champ Will Stewart knew, “What is Bikini Bottom?”

TV’s Fantastical Places, $2000: First seen in 1969, this planet on “Doctor Who” was caught up in a time war with the Daleks

Will knew it: “What is Gallifrey?”

Literary Title Occupations, $800: In a special edition, J.K. Rowling did her own illustrations for the story collection title “The Tales of Beedle the” this

Michael got it: “What is a bard?”

Literary Title Occupations, $400: Emily Chambers is one of these spiritual intermediaries in a C.J. Archer novel, hunting a demon & talking to a ghost

Will: “What is a medium?”

Literary Title Occupations, $1200: In “The Magician’s Nephew”, animals talk like humans & Jadis, an evil witch, flees from Charn & reaches this fantasy land

Will got this one too: “What is Narnia?”

TV’s Fantastical Places, $800: This castle was the ancestral home of Ned Stark & family on “Game of Thrones”

Will, evidently an SFF watcher, knew “What is Winterfell?”

TV’s Fantastical Places, $800: Mystic Falls is the locale for blood-sucking brothers Damon & Stefan on this long-running CW show

Joyce Yang got in for “What’s The Vampire Diaries?”

Jeopardy Masters, Friday 5/10/2024

Game 1, Double Jeopardy round:

Oscars for Makeup & Hairstyling, $1600: For this 2015 film, Lesley Vanderwalt got the idea for Furiosa’s look from an image of a girl with clay across her forehead

Mattea Roach got it: “What’s Mad Max: Fury Road?”

Oscars for Makeup & Hairstyling, $1200: This man has won 7 Academy Awards for makeup, including one for his work on “An American Werewolf in London”

Amy Schneider responded, “Who is Baker?” And Rick Baker was correct.

Oscars for Makeup & Hairstyling, $400: Makeup artist Ve Neill used moss to make Michael Keaton look like he crawled out from underneath a rock for this 1988 film.

Mattea asked us, “What’s ‘Beetlejuice’?”

Game 2, Single Jeopardy round

A Literary Tipple, $600: It takes a lot of flowers (weeds, some say) to make a batch of this stuff, the title of a Ray Bradbury novel

James Holzhauer knew it was dandelion wine.

Made You Say It, $1000: Compelled by his people’s naiveté, this Trojan said, “Don’t trust the horse…even when they bring gifts, I fear the Greeks”

Victoria Groce gave us, “Who is Laocöon?”

(16) ALIEN EMBASSIES. [Item by SF Concatenation’s Jonathan Cowie.] It was the monthly  ‘Sci-Fi Sunday’ over at Science & Futurism with Isaac Arthur with a look at the SF trope of alien embassies.

Because it was a Sci-Fi Sunday episode, Isaac assumed some sort of FTL travel but not instantaneous communication. He takes a (he himself says) simple assumption of all civilizations arising together and expanding their sphere of influence, which in 3-dimensions would give each 12 neighbors.

With regards to SF, he draws mainly on cinema and TV looking at embassies Babylon V, Star Trek and Stargate.  However Niven and Pournelle’s A Mote in God’s Eye,  and Dune do get a look in.

He also points to flaws in many SF shows’ plot arising out of mis-understandings making a fairly plausible case against such actually taking place.

He opines that the embassy would be in space for control biological contaminants (both ways) and here, it is bacteria rather than viruses are the major problem. He also notes that assuming an advanced planetary system might be colonized out to the equivalent of it Kuiper belt, such is the distance between stars that any traveler passing through a stellar empire would likely come no closer than many thousands of times the Kuiper orbit distance to a single star’s civilization and so no need or practicality to control travelers simply passing through.

“We often imagine encountering many alien civilizations, and establishing trade and relationships with them, but what would being an alien ambassador be like?”

35-minute episode below…

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]

Pixel Scroll 4/26/24 A Pixel Lives Forever, But Not So Files And Scrolls

(1) NOBODY’S HOME. [Item by Steven French.] Extract from a new book in that old chestnut, where is everybody? Smithsonian Magazine asks “Where Is Everybody in Our Universe?”

…There is no doubt that the simplest answer to the questions “Why the Great Silence? Why don’t we hear any SETI signals?” is that we don’t hear signals because no one is sending them. There are a number of other explanations that have been put forward, and we can look at them briefly before taking William of Ockham seriously. Basically, the explanations can be divided into three categories:

1. They really are out there, but they’re not interested in us.

2. They really are out there, but they’re protecting us.

3. They really are out there, and we’re going to get it unless we mend our ways.

An example of the first category would be a race of extraterrestrials living in a Dyson sphere, happy as clams with their star’s energy and supremely uninterested in anyone else. Another possibility would be extraterrestrials on a rogue planet who can’t imagine a planet near a star being inhabitable. An example of the second item in the list is seen in the Star Trek series, where spacefarers obey the Prime Directive, which forbids them from interfering with the development of other life forms. The last category is portrayed in the classic 1950s film The Day the Earth Stood Still, in which an extraterrestrial visitor warns that Earth will be destroyed unless we control our use of atomic weapons:

Klaatu barrada nikto!” …

[Excerpt condensed for print from Exoplanets: Diamond Worlds, Super Earths, Pulsar Planets, and the New Search for Life beyond Our Solar System © 2017 by Michaels Summers and James Trefil]

The authors’ conclusion makes for grim reading: there is no one out there and that’s because evolution produces warlike, aggressive species that use their newly developed scientific expertise to wipe themselves out, a fate that awaits us too.

(2) SIMULTANEOUS TIMES. Space Cowboy Books has posted episode 74 of the Simultaneous Times podcast with Eric Fomley & Tonya R. Moore. Stories featured in this episode:

  • “Control” by Eric Fomley; with music by Phog Masheeen
  • “Halfway House” by Tonya R. Moore; with music by Patrick Urn
    Theme music by Dain Luscombe

(3) SHORT OF PERFECTION. [Item by Steven French.] When you’re looking for a disappointing utopia … “The Illustrated Map of America’s Worst Utopias” at Atlas Obscura.

THERE ARE MANY WHO WANT to believe that a utopia—a perfect society, an ideal world—can exist. Even in America.

Yet, as quickly as leaders eagerly build utopias, they often crumble in a glorious heaping mess. Some fall to sex scandals, others toil in hunger, while many are struck with bad luck. From nudist colonies to bioterrorist cults, we map and explore six of the most disappointing and unfortunate utopias in the United States.

(4) CORA BUHLERT VISITS 1969. Here are links to Cora Buhlert’s recent contributions to Galactic Journey, the blog that keeps track of the latest in science fiction – 55 years ago.

She reviewed The Face in the Frost by John Bellairs and Slaughterhouse Five by Kurt Vonnegut. Cora says, “I lobbied for the Slaughterhouse Five review, considering I actually knew people who survived the bombing of Dresden”: “[March 14, 1969 ] (March 1969 Galactoscope)”.

Cora also wrote an article about the non-Conan Robert E. Howard works that came back into print in the late 1960s in the wake of the huge success of the Conan reprints: “[March 28, 1969] Life Beyond Conan: The Other Heroes of Robert E. Howard”.

(5) GEORGE LUCAS, REAL ESTATE TYCOON. “Chicago’s Most Expensive Condo Being Constructed By Director George Lucas” at Chicago YIMBY.

“Star Wars” creator George Lucas, have expanded his real estate portfolio with the purchase of a $11.2 million 66th-floor penthouse in Streeterville’s 800 N Michagan Avenue building from Citadel founder Ken Griffin. They plan to merge this penthouse with their existing 65th-floor condo, bought in 2015 for $18.75 million, to create a 16,000-square-foot duplex penthouse. The total cost for this project is estimated at $33.5 million, setting a new record for Chicago’s most expensive condo. Architect Scott Fortman of Gibbons, Fortman & Associates is overseeing the design, which includes adding two new interior staircases and upgrading electrical and mechanical systems as reported by the Chicago Tribune.

(6) JUBILEE CHO (1998-2024). SFWA today posted “In Memoriam – Jubilee Cho”, honoring the author of the upcoming middle grade fantasy novel Wishing Well, Wishing Well who died on March 6 at the age of 25.

Cho grew up near Disneyland, enamored with stories of fantastical princesses. Yearning to see herself included in such tales, she wrote her own to help give new generations of children something she’d needed to create for herself. Cho planned a long writing career and wanted to use her platform to foster awareness about disability and mental health, and to share the beauty of trans joy with the world.

Author Kwame Mbalia who had reached out as a mentor says, “In the briefest of moments that I was able to interact with Jubilee, her desire to not only write, but to write for young readers about drawing upon their own identity and sharing that with others, was an inspiration. She is an inspiration, and her light is gone too soon, though its glow will live on in the hearts of those who knew her.”

Author E.D.E. Bell said, “Jubilee was a princess who wanted everyone to know that they too can be included in stories, in joy, in femininity, in Pride, in gathering, in any magic they desired. I hope children will find their own spirit in her lovely, hopeful story, and let it lift them to soar.”

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 26, 1945 M. John Harrison, 79.

Paul Weimer wrote this Birthday.

M John Harrison taught me about the joy of inconsistent and contradictory worldbuilding.

For most writers of fantasy, for most works of fantasy, I am always looking for the consistency and the power of the worldbuilding. Inconsistent, and worse, lazy and weak worldbuilding, can catapult me right out of a story or a novel, permanently. This has happened for me as a reader just this month with a brand-new novel. 

M. John Harrison

M John Harrison is the exception to that for me. My reading of his work is almost exclusively Viriconium. But it is precisely in Viriconium, Harrison’s carved out territory in the Dying Earth subgenre, that I learned that worldbuilding is not the be all and end all of fantasy writing. The contradictions, the inconsistencies, the lack of cohesion is part of the point of the dying world of Viriconium. Not being able to rely on previous stories and novels in the sequence to understand what is happening in a particular work is something that Harrison relies on, and it is something that I learned to accept, and even expect in the Viriconium stories. 

Really, Viriconium’s world building is beside the point, and that is why Harrison writes it in a way that you can’t rely on it. Instead, to use modern parlance, Viriconium is much more all about the “vibes”, and what vibes!  Vance and Wolfe may have perfected Dying Earth as a subgenre, but Harrison gives it a feel that few authors have managed to hit ever since. There are few authors I’ve read that have managed to embody the vibe of the subgenre they are writing in as well as M John Harrison has. And with such language and writing. On a sentence by sentence level, Harrison is one of the most talented writers I’ve ever read, of any genre. 

A singular talent.

(8) COMICS SECTION.

  • Free Range has a guest who’s forgotten it’s a talk show.
  • Close To Home has an ethical use of a time machine.
  • Off the Mark shows that patience is not unlimited.
  • Bizarro launches an alternate astronaut/
  • Macanudo might be a Zelazny reference. Or if not, then certainly Bradbury.
  • Rhymes with Orange discovers something about homemade phones.

(9) WOULD YOU LIKE TO BE MY NEIGHBOR? Eh, maybe not: “How Scientists Are Preparing for Apophis’s Unnervingly Close Brush With Earth” at Gizmodo.

In about five years’ time, a potentially hazardous asteroid will swing by Earth at an eerily close distance of less than 20,000 miles (32,000 kilometers). During this rare encounter, Apophis will be ten times closer to Earth than the Moon and scientists want to take full advantage of its visit….

…Private space companies like Blue Origin and startup Exploration Labs, or ExLabs, have come up with proposals for missions to rendezvous with Apophis before its anticipated flyby, SpaceNews reported. During a recent workshop at a European Space Agency center in The Netherlands, the companies pitched their mission concepts in an effort to learn more about the asteroid and other space rocks that could pose a potential risk to Earth….

…NASA’s OSIRIS-APEX spacecraft, formerly known as OSIRIS-REx, is already on its way to study Apophis and observe changes the asteroid may endure from its close encounter with Earth. After dropping off samples from the Bennu asteroid in the Utah desert, the spacecraft was repurposed for a new errand, having to carry out close passes to the Sun, as well as three Earth gravity assists, to reach Apophis in five years….

(10) NASA BRINGS HOME THE HARDWARE. “NASA Wins 6 Webby Awards, 8 Webby People’s Voice Awards”.

NASA was recognized [April 25] by the 28th Annual Webby Awards with six Webby Awards and eight Webby People’s Voice Awards, the latter of which are awarded by the voting public. The Webbys honors excellence in nine major media types: websites and mobile sites, video, advertising, media and public relations, apps and software, social media, podcasts, games, the metaverse, and virtual and artificial intelligence (AI).

Full List of NASA’s 28th Annual Webby Award Wins

NASA.gov
Webby Winner, People’s Voice Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Government & Associations
This is the fifth Webby Award and the 12th People’s Voice Award for the agency’s website

NASA’s Curious Universe: Suiting Up for Space
Webby Winner, People’s Voice Winner
Best Podcasts-Individual Episodes | Science & Education

NASA’s Immersive Earth
Webby Winner, People’s Voice Winner
Artificial Intelligence (AI), Metaverse & Virtual-General Virtual Experiences | Science & Education

NASA: Message in a Bottle
NASA Jet Propulsion Laboratory
Webby Winner, People’s Voice Winner
Advertising, Media & PR-PR Campaigns | Best Community Engagement

OSIRIS-REx Asteroid Sample Return (Official 4K NASA Live Stream)
People’s Voice Winner
Video-General Video | Events & Live Streams

NASA’s First Asteroid Sample Return Mission
Webby Winner, People’s Voice Winner
Social-Social Campaigns | Education & Science

NASA+ Streaming Service
Webby Winner
Websites and Mobile Sites-General Desktop & Mobile Sites | Television, Film & Streaming

Annular Solar Eclipse
People’s Voice Winner
Social-Social Campaigns | Events & Live Streams

Hubble’s Inside the Image
NASA, Origin Films
People’s Voice Winner
Video-Video Series & Channels | Science & Education

(11) CLIPPING SERVICE. Here’s a Heinlein photo from the San Pedro CA News Pilot, dated August 14, 1948.

(12) VIDEO OF THE DAY. Ryan George shares footage of “The Focus Group That Gave Us The Internet”.

[Thanks to Kathy Sullivan, Mike Kennedy, Andrew Porter, Paul Weimer, Bill, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/19/24 Ocean’s Elevenses

(1) GAIMAN COLLECTION AUCTION RESULTS. March 15 was “The Day Neil Gaiman Swapped His Original Comic Art, Comic Books and Collectibles for More Than $1 Million”.

[He offered] 125 prized pieces from his collection — everything from original comic artwork to signed books, a Coraline puppet used in the film to limited-edition sculptures, handmade Christmas stories given as gifts, to the awards he received. It was a day well spent: The completely sold-out Neil Gaiman Collection Comics & Comic Art Signature ® Auction, which drew more than 1,200 bidders worldwide, realized $1,029,392.

A portion of the auction’s proceeds will benefit The Hero Initiative, which provides medical and monetary assistance to veteran comics creators, writers and artists needing a helping hand. Some proceeds will also go to the Authors League Fund, which assists professional authors, journalists, critics, poets and dramatists in financial need because of medical or health-related problems, temporary loss of income or other misfortunes.

Gaiman will also share some of the proceeds with the artists who made his imagination tangible enough to put on Bristol board.

“I love the idea of benefitting charities that look after authors who’ve fallen on hard times, that look after the artists and writers and creators of comics who’ve had hard times,” Gaiman told the packed auction gallery Thursday morning. “And I like the idea of normalizing the idea that we who do have art we bought for $50 a page or $100 a page that now sells for tens of thousands of dollars a page get into the idea of giving something back to the artists who originally drew it. That seems to me an important thing to do.”

This single page of art alone went for $132,000: “Dave Gibbons and John Higgins Watchmen #7 Story Page 16 Original Art”.

… Not far behind was the only piece of Sandman-related artwork Gaiman had ever purchased: Jean Giraud’s 1994 painting of Death of the Endless, sister of the titular Sandman whose epic tale spans the universe’s origin through the present day. This painting by the man called Moebius sparked a bidding war that drove its final price to $96,000. That was also the amount realized for John Totleben’s cover of Miracleman No. 16, the last issue written by Moore before Gaiman took the reins.

One of the auction’s most sought-after, fought-over pieces was among its smallest: an on-screen, camera-used puppet of Coraline in her orange polka-dot pajamas accompanied by her ever-present companion, The Cat — “fully posable actors,” as Gaiman explained. He told the audience that Coraline “has been in my bedroom in a glass case since 2009, and I had more qualms about letting her go than I did anything else in this entire auction. She’s there. She smiles at me. She’s special.”

It was so special that a bidding war broke out over Coraline, who eventually went to a new home for $72,000….

(2) KGB. Ellen Datlow has posted photos from the Fantastic Fiction at KGB reading on March 13, 2024 where Moses Ose Utomi and Richard Butner read.

(3) EVIDENCE THAT SCHOOL TOSSED BOOKS WHICH WERE OBJECTED TO BY STAFF OR PARENTS. “Publishers Issue Letter to NYC DOE Over Discarded Books”Publishers Weekly has details.

Candlewick Press, Charlesbridge Press, Hachette Book Group, Macmillan Publishers, Penguin Random House, Simon & Schuster, Sourcebooks, and the organization Authors Against Book Bans have issued a letter to the New York City Department of Education over reports that hundreds of books were discarded by a Staten Island elementary school on ideological grounds.

On March 11, Gothamist reported that hundreds of new books featuring characters of color and LGBTQ themes were found near the garbage at PS 55. Some of the books, pictured in the report, were marked by sticky notes that marked certain titles “not approved,” with reasons such as “Boy questions gender,” “teenage girls having a crush on another girl in class,” and “Witchcraft? Human skulls.”

The discarded books included copies of My Two Border Towns by David Bowle, illustrated by Erika Meza; Kenzy Kickstarts a Team (The Derby Daredevils #1) by Kit Rosewater, illustrated by Sophie Escabasse; Black Panther: The Young Prince by Ronald Smith; We Are Still Here: Native American Truths Everyone Should Know by Traci Sorell, illustrated by Frané Lessac; and Nina: A Story of Nina Simone by Traci N. Todd, illustrated by Christian Robinson.

Gothamist reporter Jessica Gold found that no formal challenge to the books had been raised through official channels and that “the removal of the books resulted from an objection raised by staff or parents.” The NYC DOE has reportedly announced it is conducting an investigation into the incident.

In response, a coalition of publishers whose books were discarded teamed with Authors Against Book Bans to pen a letter to New York City’s DOE over the report about the book removal, stating, “If true, such action amounts to unlawful censorship and violates authors’ and students’ First Amendment rights.”…

(4) SENDAK FELLOWS. “2024 Sendak Fellows Announced”Publishers Weekly has the names.

The Maurice Sendak Foundation has announced this year’s Sendak Fellows: Charlotte Ager, Rocío Araya, and Cozbi A. Cabrera.

The four-week fellowship will take place May 13 through June 9 at Milkwood Farm in South Kortright, N.Y., and comes with a prize of $5,000. During the residency, artists will focus on a project of their choosing, meet with visiting artists and professionals in the field, and explore Sendak’s house and archives in Ridgefield, Conn.

Originally from the Isle of Wight, Ager is a freelance illustrator based in London. Her clients have included the New York Times, Google Design, Penguin Random House, and Flying Eye Books. Araya is an illustrator from Bilbao, Spain, currently living in France. Rocío’s first English-language translation of her book Head in the Clouds will be published by Elsewhere Editions in 2024. And Cabrera is the author-illustrator of Me & Mama, which received a Coretta Scott King Honor and Caldecott Honor, and My Hair Is a Garden.

(5) NOT QUITE INFINITE COMBINATIONS. Den of Geek says “It’s Official: TV Shows Have Run Out of Titles”. (Fanzines have run into the same problem – how else to explain “File 770”?)

Back when it was all fields around here, TV show titles were in abundance. In the days when television used to be hand-stretched and sun-dried and made at a gentlemanly pace by artisanal methods, there were titles galore. Worzel GummidgeStarsky and HutchLast of the Summer Wine. Distinct and descriptive titles milled around drinking holes, and all writers had to do was toss in a lasso and drag out a Sapphire & Steel or a Knight Rider.

But thanks to streaming, nowadays TV is made in windowless factories and injected with antibiotics and e-numbers. There can never be enough. Every streamer requires a chunky flow of television shows they can release all on the same day, not tell anybody about, and quickly delete for tax purposes before anybody watches them. And the first casualty (aside from the livelihoods of the writers, directors, crew, cast and the collective human spirit)? The titles.

The problem is, the glut has dried up the supply. Abstract nouns. Character names. Place names. Common phrases. “Fun” puns. Creepy lines from nursery rhymes for psychological thrillers. Every combination of words in the English language has already been used to name a TV show. ITV got lucky with Mr Bates Vs the Post Office, but it’s hardly a long-term solution.

Neither is it a uniquely new problem, but it is getting worse. Time was that two competing TV shows with the same title would be released a good many years apart, by which point, who could really remember the first one? When HBO brought out android interplanetary sci-fi Raised by Wolves in 2020, it was several years after the Channel 4 comedy Raised by Wolves set on a Wolverhampton council estate, and fairly difficult to confuse the two….

(6) DON’T TRY THIS AT HOME? “George Lucas Backs Bob Iger in Disney Proxy Fight with Nelson Peltz: ‘Creating Magic Is Not for Amateurs’” – a quote in The Hollywood Reporter.

… The Star Wars and Indiana Jones filmmaker is weighing in on The Walt Disney Company’s ongoing proxy fight with activist investors, and he is throwing his support firmly behind CEO Bob Iger and Disney’s board.

“Creating magic is not for amateurs. When I sold Lucasfilm just over a decade ago, I was delighted to become a Disney shareholder because of my long-time admiration for its iconic brand and Bob Iger’s leadership,” Lucas said in a statement Tuesday. “When Bob recently returned to the company during a difficult time, I was relieved. No one knows Disney better. I remain a significant shareholder because I have full faith and confidence in the power of Disney and Bob’s track record of driving long-term value. I have voted all of my shares for Disney’s 12 directors and urge other shareholders to do the same.”…

… Disney is facing a proxy fight against two activists: The corporate raider Nelson Peltz, and Blackwells Capital. Notably, Peltz has billions of dollars in shares pledged by Ike Perlmutter, who, like Lucas, sold his company (Marvel) to Disney and became a major shareholder. Perlmutter remained with Disney until being laid off last year….

(7) ARE YOU GOING TO BELIEVE YOUR LYIN’ EYES? Meanwhile, Variety reports Disney’s Star Wars cash register has rung up another sale: “’The Acolyte’ Trailer: New Star Wars Show Gets First Look on Disney+”.  

…Disney has released the trailer for its newest “Star Wars” series “The Acolyte,” which is set to stream on Disney+ June 4.

The series takes place 100 years before the franchise’s prequel trilogy during the High Republic era of the “Star Wars” universe, which is the furthest back in the timeline “Star Wars” has gone in a live-action production. An official logline for the series reveals, “An investigation into a shocking crime spree pits a respected Jedi Master (Lee Jung-jae) against a dangerous warrior from his past (Amandla Stenberg). As more clues emerge, they travel down a dark path where sinister forces reveal all is not what it seems.”…

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 19, 1928 Patrick McGoohan. (Died 2009.) I don’t how times I’ve seen the opening of The Prisoner series as it’s been separately shown from the episodes online pretty much since The Prisoner series first aired. Not sure in what context I watching it but that it was. It was, without doubt, one of the the best openings I’ve seen.

Then there was the series. Weird, thrilling, mysterious. Eminently watchable over and over and over again. Was it SF? Or was it a spy series set in the very near future? Who knew? And then there was Number Six, the never named intelligence agent played by Patrick McGoohan. He seemed destined to play this role.

He was an American-born Irish actor, director, screenwriter, and producer. Now it turns out that The Prisoner was his creation. He was also one of the writers – there were five in fact — and he was one of four directors. In other words, he had his hand in every facet of the series and its sixteen episodes. 

Before he was that unnamed intelligence agent he was, and I’m not at all convinced that McGoohan meant this to be a coincidence, secret agent John Drake in the Danger Man espionage series. I’ve seen a few episodes, it’s well crafted.  

Danger Man (retitled Secret Agent in the United States for the revived series) was a British television series broadcast between 1960 and 1962, and again between 1964 and 1968. (A neat bit of history here: Ian Fleming was brought in to work on series development, but left before that was complete. Apparently he didn’t like the way the secret service was to be portrayed.) 

After The Prisoner, McGoohan’s next genre endeavor was as the narrator of Journey into Darkness is a British television horror film stitching together two episodes derived from late sixties anthology television series Journey to the Unknown.

We are now leaving genre and headed for, well the Colombo series. Why so? Because he was good friends with Peter Falk and directed five episodes of the series, four of which he appeared in, winning two Emmys in the process. McGoohan was involved with the series in some way from 1974 to 2000. 

He was said that his first appearance on Columbo was probably his favorite American role. He had top billing as Col. Lyle C. Rum, fired from a military academy, in “By Dawn’s Early Light”, one of the  Colombo films that preceded the series.

His daughter Catherine McGoohan appeared with him in the episode “Ashes To Ashes” The other two Columbo episodes in which he appeared are “Identity Crisis” and “Agenda For Murder”.  

Yes, he reprised his role as Number Six for The Simpsons in “The Computer Wore Menace Shoes”.  Homer Simpson fakes a news story to make his website more popular, and he wakes up in a prison that is a holiday resort. As Number Five, he meets Number Six. 

McGoohan’s last movie role was as the voice of Billy Bones in the animated Treasure Planet.

He received the Prometheus Hall of Fame Award for The Prisoner.

(9) COMICS SECTION.

(10) JEOPARDY! [Item by David Goldfarb.] On last night’s Jeopardy! episode, the Double Jeopardy round had a category, “Horrors!”

$1200: This horror master turned director to translate his own novella “The Hellhound Heart” to the screen as “Hellraiser”

Yogesh Raut knew this was Clive Barker.

$1600: H.P. Lovecraft wrote that the “U”s in the name of this “hellish entity” should sound “about like that in ‘full’ “

Ben Chan stumbled over the pronunciation a bit but gave “Cthulhu”.

$2000 – Daily Double. Yogesh: “I’ve wanted to say this ever since I was a child. Alex, I’ll make it a true Daily Double.” His bet: $15,200.

The title of this 1962 Ray Bradbury novel is a Shakespeare line that rhymes with “By the pricking of my thumbs”.

Very unsurprisingly, Yogesh got this right, parlaying this into a runaway win for the round.

$800: His Christmas ghost story “The Haunted Man” sold 18,000 copies on its first day of publication in 1848

Yogesh picked it as Dickens.

$400: Catriona Ward’s “The Last House on Needless Street” is partly narrated by Olivia, one of these animals, & that can’t be good luck

Troy Meyer tried, “What is a pig?”

Yogesh said, “What’s a cat?” and on prompting added “black” and was scored right.

Catriona Ward squeed about being a clue.

(11) GONE BUT NOT FORGOTTEN. “Researchers Name Ancient Species of Giant Turtle After a Universe-Vomiting Stephen King Character”IGN unravels the references.

Researchers have named a newly discovered species of giant prehistoric turtle after a universe-creating character that features in Stephen King’s novel It, alongside the Dark Tower series of books.

The monstrous armoured reptile was thought to have lived between 40,000 to 9,000 years ago, during the Pleistocene period, during which time it may have lived alongside and potentially been hunted as a source of food by early humans in the Amazon….

…The fossil’s gigantic proportions lead the scientists to name the species Peltocephalus Maturinin reference to the fictional, god-like turtle Maturin, which vomited out the universe that serves as the setting for Stephen King’s novel It. The benevolent turtle also appears as one of the guardians of the beams featured in King’s eight-part Dark Tower book series, which, like It, has been adapted into a live-action movie, though perhaps the less said about that the better.

As noted in the paper published in the scientific journal Biology Letters – and by the author himself on X after reading the news – King’s character was itself named in reference to the fictional doctor Stephen Maturin, who, in the course of Patrick O’Brian’s seagoing novel H.M.S. Surprise, names a giant tortoise….

(12) LIFE IS SHORT, ART IS LONG. ShortCon2024, “the Premiere Conference for Short Crime Fiction Writers”, takes place Saturday, June 22, and Michael Bracken and Brendan DuBois – familiar around here – are among the presenters.

Join acclaimed crime fiction professionals for an immersive, one-day event and learn how to write short crime fiction, get your stories published, and develop and sustain a long-term career writing short. 

(13) THUMBS UP. Camestros Felapton gives us his eyewitness account in “Review: Zombie the Musical”.

… The show starts off with the hapless cast rehearsing their production of “It’s a Musical! (The Musical!)” with requisite sailors singing about the wonders of New York. In reality, the cast is a mix of a not-so-bright leading man whose acting career is magically failing upwards, a leading woman sick of playing two-dimensional characters, an ageing actress whose career is effectively over and a perpetual understudy with genuine talent but no chance of ever becoming a professional. Outside it is Sydney 1999 and people are worried about Y2K and excited about the Olympics coming in 2000. The tone is set with broad parodies about musicals and the sexism of the theatre industry (especially circa the 1990s).

The world of musicals begins breaking down when the leading man quits and the news on the radio warns of a rapidly spreading infection. Will there even be an audience for their opening night?…

Here’s a “sneak preview” from last fall.

[Thanks to Steven French, Mike Kennedy, Andrew Porter, Kathy Sullivan, David Goldfarb, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/16/23 Hush Little Pixel, Mama’s Going To Buy You A Scroll

(1) DOCTOROW ON FABLES TABLE-FLIP. Cory Doctorow’s Pluralistic post “Bill Willingham puts his graphic novel series ‘Fables’ into the public domain (15 Sept 2023)” assesses many IP rights issues triggered by Willingham’s announcement.

…It’s been 21 years since Bill Willingham launched Fables, his 110-issue, wide-ranging, delightful and brilliantly crafted author-owned comic series that imagines that the folkloric figures of the world’s fairytales are real people, who live in a secret society whose internal struggles and intersections with the mundane world are the source of endless drama.

Fables is a DC Comics title; DC is division of the massive entertainment conglomerate Warners, which is, in turn, part of the Warner/Discovery empire, a rapacious corporate behemoth whose screenwriters have been on strike for 137 days (and counting). DC is part of a comics duopoly; its rival, Marvel, is a division of the Disney/Fox juggernaut, whose writers are also on strike.

The DC that Willingham bargained with at the turn of the century isn’t the DC that he bargains with now. Back then, DC was still subject to a modicum of discipline from competition; its corporate owner’s shareholders had not yet acquired today’s appetite for meteoric returns on investment of the sort that can only be achieved through wage-theft and price-gouging….

…Rather than fight Warner, Willingham has embarked on what JWZ calls an act of “absolute table-flip badassery” – he has announced that Fables will hereafter be in the public domain, available for anyone to adapt commercially, in works that compete with whatever DC might be offering.

Now, this is huge, and it’s also shrewd. It’s the kind of thing that will bring lots of attention on Warner’s fraudulent dealings with its creative workforce, at a moment where the company is losing a public relations battle to the workers picketing in front of its gates. It constitutes a poison pill that is eminently satisfying to contemplate. It’s delicious.

But it’s also muddy. Willingham has since clarified that his public domain dedication means that the public can’t reproduce the existing comics. That’s not surprising; while Willingham doesn’t say so, it’s vanishingly unlikely that he owns the copyrights to the artwork created by other artists (Willingham is also a talented illustrator, but collaborated with a who’s-who of comics greats for Fables). He may or may not have control over trademarks, from the Fables wordmark to any trademark interests in the character designs. He certainly doesn’t have control over the trademarked logos for Warner and DC that adorn the books….

It is also interesting to read that Bill Willingham, praised today by Cory Doctorow for striking a blow against corporate IP abuse, attended BasedCon last weekend.   

(2) FANTASY REQUIRES A GOOD MAP. [Item by Bruce D. Arthurs.] Interesting piece at Mapping As Process about a 1917 map of Fairyland by artist Bernard Sleigh, with references to many stories in folklore and fable. There’s a link to a high-resolution image that can be zoomed in on: “An Anciente Mappe of Fairyland”.

…In December 1917, the British artist and wood engraver Bernard Sleigh (1872–1954) published a six-foot long, panoramic map of Fairyland in three sheets. Its style was that of the Arts and Crafts movement, an aesthetic championed by William Morris (1834–1896) in the second half of the nineteenth century, in reaction to the apparent destruction of individual skills and traditional designs by mass industrialization. Arts and Crafts generated intricately detailed designs and a retrogressive appeal to folk aesthetics. Sleigh, trained by one of Morris’s followers, cultivated a stylized mediaevalism in both the design and the subject matter of his drawings, prints, murals, and stained glass (Cooper 1997)….

(3) VOCAL COMPLAINT. Behind a paywall at Fortune: “Actor Stephen Fry says his voice was stolen from the Harry Potter audiobooks and replicated by AI—and warns this is just the beginning”. Wealth of Geeks has this report about what is in the article: “Actor Stephen Fry Claims AI Replicated His Voice from ‘Harry Potter’ Audiobooks”.

…Actor Stephen Fry claims that producers used AI to replicate his voice from the Harry Potter audiobooks without his permission. AI has become a central point of contention of both the WGA and SAG-AFTRA strikes.

As reported by Fortune, Fry told an audience at a London festival, “I’m a proud member of [SAG-AFTRA], as you know we’ve been on strike for three months now. And one of the burning issues is AI.”

At the festival, Fry played a clip of AI mimicking his voice as the narrator of a historical documentary. “I said not one word of that—it was a machine. Yes, it shocked me,” he said. “They used my reading of the seven volumes of the Harry Potter books, and from that dataset an AI of my voice was created and it made that new narration. What you heard was not the result of a mash-up, this is from a flexible artificial voice, where the words are modulated to fit the meaning of each sentence.”…

(4) DON’T BE A SUCKER. Victoria Strauss gives Writer Beware readers the “Anatomy of a Fake Film Company Scam: The Greendot Films / Better Bound House”.

…Here’s how it works. A film company–with a website and everything–calls or emails out of the blue with a tempting offer: your book has the potential to be made into a movie/TV series! And they want to represent you to studios/pitch you to producers/take you to a major conference where scores of film people will be present! Just one requirement: you need a screenplay/a pitch deck/a storyboard/some other product. Don’t have those things? No problem–they know a reputable and expert company that can create them for you…for a fee.

It’s a classic bait-and-switch setup. The “film company” is a front for the service provider, which in turn is owned by a parent company overseas. And that initial service that was pitched to you as absolutely essential? It’s just the start. By paying, you’ve marked yourself as fair game for escalating sales pressure and fraudulent offers involving large upfront payments. And the sales reps who staff the scams–who earn a commission on every dollar you spend–will take every opening you give them, and won’t stop unless you stop them.

This post takes a look at a real-life example, thanks to an author who has given me permission to share their experience.

Dramatis Personae

The fake film company: The Greendot Films. Its website includes a slideshow of movies Greendot is hoping you’ll assume they were responsible for creating, along with a fake history claiming that they’re a successor to two defunct production companies. The Greendot name itself has been “borrowed” from yet another defunct film company, Green Dot Films….

(5) BARRIERS TO FANDOM. Pocket reposts a 2021 Teen Vogue article which asks, “Who Actually Gets to ‘Escape’ Into Fandom?” and discusses antiracism resources.

… Escapism isn’t actually possible for everyone because of the nature of both fandom and the world around us. The best-worst example of the limits of fandom escapism? Racism.

Racism is global, and it infiltrates everything that we do; it’s close to inescapable offline, and it’s just as common online. Fandom is no exception.

In 2019, Dr. Rukmini Pande did an interview with Henry Jenkins about her book Squee From The Margins: Fandom and Race. “I found that while it is certainly possible for fans of color to ‘pass’ within online fan spaces, their modes of escapism are mostly contingent – I can enjoy a source or fan text until it gets racist,” Pande said in the interview. “Other fans articulated the importance of finding networks of fellow non-white fans so that they could curate their experiences to be safer. In all cases, fandom certainly isn’t a space where these fans can escape from race/racism even if it is not something that is engaged with publicly or vocally.”

It makes sense that people would resort to fandom escapism following natural disasters, or to have something to do other than overthink their local government’s COVID-19 response. But what about the times we’ve seen people talk about fandom being their “safe space” from them dealing with or seeing viral video recordings of Black people being killed, as we saw in the summer of 2020? What about people in the U.S. delving into fandom so they don’t have to think about American politics?

No matter the fandom, fans of color can’t reliably escape into fandom, because people don’t stop being racist just because they like the same things that people of color do. There’s always a racist person in fandom. There are always racist fanworks. There are always racist creators. There’s always racism in the source material that people will defend in your mentions for days….

(6) NM-AZ STATE BOOK AWARD SHORTLIST. The finalists for the 2023 New Mexico-Arizona Book Awards include these science fiction books:

  • 3VE by Jason DeGrey
  • Mountain Knight by Avery Christy
  • Planet Quest by Kate Harrington
  • The Yewberry Way by Jack Gist

(7) NO, THERE IS ANOTHER. “C.I.A. Discloses Identity of Second Spy Involved in ‘Argo’ Operation” reports the New York Times.

In the midst of the 1979 Iran hostage crisis, the C.I.A. began what came to be noted as one of the spy agency’s most successful publicly known operations: the rescue of six American diplomats who had escaped the overrun U.S. Embassy — using a fake movie as the cover story.

“Argo,” the real-life 2012 movie about the C.I.A.’s fake movie, portrayed a single C.I.A. officer, Tony Mendez, played by Ben Affleck, sneaking into Tehran to rescue the American diplomats in a daring operation.

But in reality, the agency sent two officers into Tehran. For the first time on Thursday, the C.I.A. is releasing the identity of that second officer, Ed Johnson, in the season finale of its new podcast, “The Langley Files.”

Mr. Johnson, a linguist, accompanied Mr. Mendez, a master of disguise and forgery, on the flight to Tehran to cajole the diplomats into adopting the cover story, that they were Canadians who were part of a crew scouting locations for a science fiction movie called “Argo.” The two then helped the diplomats with forged documents and escorted them through Iranian airport security to fly them home.

Although Mr. Johnson’s name was classified, the C.I.A. had acknowledged a second officer had been involved. Mr. Mendez, who died in 2019, wrote about being accompanied by a second officer in his first book, but used a pseudonym, Julio. A painting that depicts a scene from the operation and hangs in the C.I.A.’s Langley, Va., headquarters, shows a second officer sitting across from Mr. Mendez in Tehran as they forge stamps in Canadian passports. But the second officer’s identity is obscured, his back turned to the viewer.

The agency began publicly talking about its role in rescuing the diplomats 26 years ago. On the agency’s 50th anniversary, in 1997, the C.I.A. declassified the operation, and allowed Mr. Mendez to tell his story, hoping to balance accounts of some of the agency’s ill-fated operations around the world with one that was a clear success.

But until recently, Mr. Johnson preferred that his identity remain secret….

 (8) CINEMATIC HISTORY MADE HERE. “George Lucas’ former Marin Industrial Light and Magic studio closing, some employees vow to save it” reports ABC7 San Francisco.

In the North Bay, it’s the end of an era of movie-making magic.

The original soundstage and production facility in San Rafael for Industrial Light and Magic, founded by George Lucas, is going away. Lucas moved his campus to the Presidio in San Francisco almost 20 years ago.

The facility’s new owners are retiring, but one employee would like to save the studio’s history and legacy.

It may be a surprise to know hundreds of other films were created inside the nondescript building on Kerner Blvd. in San Rafael.

Now home to 32TEN Studios, this is the former campus of Lucas’ Industrial Light and Magic.

“Right after the success of ‘Star Wars,’ George Lucas wanted to remove himself from the Hollywood system, so he moved the ILM shop from Van Nuys up here,” said House.

House is a longtime model shop supervisor, and says many props and models from movies are still there. That includes the Millennium Falcon, an anchor from “Pirates of the Caribbean,” even a model of Chewbacca’s head.

Lucas relocated his campus to the Presidio in 2005 and he took the original door with him, which is now on display….

(9) BACK IN PORT. Having finished a series detailing her experiences aboard Disney’s Star Wars-themed Starcruiser, Cass Morris analyzes why it works in “The Stars Have Come Alive” at Scribendi.

As promised, this post is my attempt to analyze, for myself and for other interested parties, how the Starcruiser creates such an exceptional experience, and why it works so very well as it does.

I feel quite confident in the base assertion that it does, and has, because I’ve seen it in action on people who aren’t as deeply invested in the IP as I am. I’ve watched videos of influencers who are only surface-level conversant with Star Wars be moved to tears by Yoda’s holocron. I’ve seen parents who thought they were only their for their kids get wrapped up in the experience. I’ve seen people who arrived in civilian clothes buy garments on the ship or in Batuu so they could feel more a part of things.

And I’ve seen people who were already Star Wars fans go absolutely feral. In a good way! But the response that this experience has from people who fully give themselves over to it is astonishing.

So. It works. The Starcruiser is a phenomenal example of what immersive experiences can be. Now: Let’s unpack how and why…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 15, 1898 Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. (An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey. Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here.) His interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
  • Born September 15, 1932 Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the ever so delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
  • Born September 15, 1952 Lisa Tuttle, 71. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute”, which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include CatwitchThe Silver Bough and her Ghosts and Other Lovers collection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
  • Born September 15, 1954 Howard Weinstein, 69. At age 19, he was the youngest person to ever write a Trek script, selling “The Pirates of Orion” for use in the animated series. Though it would be his only script, he would go on to write quite a few Trek novels — thirteen are listed currently at the usual suspects — and comics. He gets a thanks credit in Star Trek: The Voyage Home. He wrote a script, “The Sky Above, the Mudd Below”, for the fanfic video affair Star Trek: New Voyages, but it never got made. And it won’t given that there’s a comic book series already made with its plot.  Paramount wasn’t at all pleased. To quote Zevon, “Send lawyers, gun and money / the shit has hit the fan.” 
  • Born September 15, 1955 Amanda Hemingway, 68. British author of fantasy novels who’s best known for the Fern Capel series written under the Jan Siegel name — it’s most excellent. I’d also recommend The Sangreal Trilogy penned under her own name. Alas her superb website has gone offline. She is available from the usual suspects — curiously her Hemingway novels are much more costly than her Seigel novels are. Oh and she invented this wonderful as noted on her Twitter site: “Schroedinger’s Cake: you don’t know it it’s been eaten until you open the tin.”
  • Born September 15, 1960 Kurt Busiek, 63. Writer whose work includes The Marvels limited series, ThuderboltsSuperman, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8. 
  • Born September 15, 1960 Mike Mignola, 63. The Hellboy stories, of course, are definitely worth reading, particularly the early ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories  are quite excellent too.  I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.

(11) COMICS SECTION.

  • Reality Check shows the results of a mixed message in Gotham.
  • Bliss explains the source of this superhero’s bliss.

(12) FEAST YOUR EYES. The Bristol Board has a wild gallery of “Basil Wolverton artwork for ‘Weird-Ass Tales of The Future’”, splash panels from Basil Wolverton’s science-fiction tales.  

(13) LOOKS WEIRD. Gizmodo delivers a “Weird Tales 100 Years of Weird Illustrated Anthology First Look”. There’s a slideshow of art at the link.

Weird Tales—which delivers exactly the kind of freaky, spooky stories you’d expect—marks its 100th anniversary this year, and is celebrating with the release of illustrated anthology Weird Tales: 100 Years of Weird. It’ll include entries from authors like Ray Bradbury and H.P. Lovecraft, as well as contemporary writers….

(14) ALL ABOARD. GameRant calls these the “Best Sci-Fi Board Games Of All Time”.

…This shared love of science fiction has led to a plethora of sci-fi-themed board games that use the themes and aesthetic of sci-fi to create immersive, unique experiences on the tabletop. The following examples provide a broad and varied selection of games, both old and new, that use science fiction as their theme to great effect.

Ranked in first place:

1. Twilight Imperium

This sci-fi space opera from Fantasy Flight Games was originally produced back in 1997. Now in its fourth edition, Twilight Imperium is grand strategy on an epic scale, tasking players with controlling the burgeoning empires of various alien races.

Each race in Twilight Imperium encourages a different playstyle, making for a broad and replayable experience. The game is mainly focused on building and positioning fleets, as well as engaging in diplomacy with fellow players. Twilight Imperium is a huge game, and not necessarily accessible, not only because it takes roughly six hours to play depending on the player count, but because it requires a heavy amount of strategizing. However, Twilight Imperium is a dramatic and immersive experience that fans of sci-fi space operas are sure to love.

(15) BUDGET BREAKER? Science explains why “Mars Sample Return risks consuming NASA science”. “Forthcoming cost estimate for budget-busting mission could lead to strict caps from Congress.”

…The cost of the mission may become altogether too mighty, however. The most recent official figure now puts it at some $6 billion, up from some $4 billion, and a leaked report suggests that, in one scenario, it could exceed $8 billion. Cost overruns for MSR and a few other large missions have already forced NASA to squeeze or delay other science missions, and calls to rethink—or even kill—Mars Sample Return  have grown. When an independent review of the project delivers a fresh cost estimate later this month, advocates are praying it stays well below $10 billion, which has emerged as a sort of red line for the mission. “It’s fair to say that the future of Mars Sample Return lives and dies with the recommendations of that panel,” says Casey Dreier, chief of space policy at the Planetary Society….

(16) WE’LL GO AT NIGHT. PBS Space-Time wonders “What NEW SCIENCE Would We Discover with a Moon Telescope?”

In order to see the faint light from objects in deepest space, astronomers go to the darkest places on the planet. In order to listen to their quite radio signals, they head as far from any radio-noisy humans as possible. But there’s nowhere on the earth, or even orbiting the Earth, that’s far enough to hear to the faint radio hum from the time before stars. In fact, we may need to build a giant radio telescope in the quietest place in the solar system—the far side of the Moon.

(17) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Moid, over at YouTube’s Media Death Cult, has a new 10-minute video filmed appropriately, in sand dunes, on “How DUNE Became The Biggest Science Fiction Book In The Universe”.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Kathy Sullivan, Bruce D. Arthurs, Francis Hamit, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 8/3/23 For Who Knows What Pixels Will Come, When You Have Shuffled Off This Mortal File

(1) GOOD OMENS GRAPHIC NOVEL KICKSTARTER BREAKS RECORDS. A Kickstarter to publish a hardcover graphic novel of Pratchett and Gaiman’s Good Omens, adapted by illustrator Colleen Doran, raised over $1 million in the first two days. According to the project page, it broke two Kickstarter records: the most successful 24 hours of any comic campaign and the most-backed comics Kickstarter.

Dunmanifestin, the publishing arm of Terry Pratchett estate, will also make GOOD OMENS: the Official (and Ineffable) Graphic Novel available to bookstores as well through a pledging pre-order process.

(2) MOVE NOW TO GET “JOHN THE BALLADEER” BONUS. Place your order for the Haffner Press’ Manly Wade Wellman collection The Complete John The Balladeer by August 10 to receive a chapbook of the unpublished Wellman story, “Not All a Dream”.

Here’s the cover for the story, and photos of the big book in final stages of production.

(3) ZOOMING THROUGH FANHISTORY. Fanac.org’s next Fanhistory Zoom Session is: Boston in the 60s, with Tony Lewis, Leslie Turek and Mike Ward, moderated by Mark Olson on September 23.To get an invite, send a note to fanac@fanac.org.

Boston in the 60s was a generative hotbed of fannish activities, with long lasting consequences. The first modern Boskone was held in 1965 by the Boston Science Fiction Society, as part of its bidding strategy for Boston in ’67. NESFA began in 1967, and the first Boston Worldcon was held in 1971. MIT provided a ready source of new fans, and they made themselves heard in fanzines, indexes, clubs and conventions (and invented the micro-filk). What was Boston fandom like in the 60s? How was it influenced by MIT? Who were the driving forces and BNFs? What were the impacts of the failed 67 bid? What made Boston unique?

September 23, 2023 at 4PM EDT (New York), 1PM Pacific (PDT), 9PM London (BST) and 6AM Sept 24 in Melbourne

(4) HE’S A CEO BRO. [Item by Mike Kennedy.] The good news: Warner Bros. believes the writer’s and actor’s strikes may be over soon.

The bad news: They’re telling investors that, meanwhile, WB is saving sooooo much money that investors should jump for joy (and maybe root for the strikes to continue). “Warner Bros. thinks the strike will end soon. Meanwhile, it’s saving millions” in the Washington Post.

…Warner Bros. Discovery expects that the Hollywood strike will end in a few weeks, executives said in a public earnings call Thursday. But even if actors and writers remain on the picket lines into next year, the studio is projecting hundreds of millions of dollars in savings as an “upside.”

Chief financial officers Gunnar Wiedenfels said a work stoppage by thousands of unionized writers in May resulted in more than $100 million in savings, which helped juice Warner’s free cash flow above projections — to $1.7 billion between April and June. The company reported about $10.4 billion in revenue for the quarter, though it still lost $1.2 billion.

Analysts expect Warner’s free cash flow to remain strong next quarter, which will include the impact of tens of thousands of unionized actors who joined the strike in July, shutting down almost all remaining production in Hollywood….

(5) DECLINED CHENGDU OFFER. The Octothorpe team, John Coxon, Alison Scott, and Liz Batty, are not taking up the Chengdu Worldcon’s offer of financial and other assistance to attend the con.

(6) STATUS OF HUGO VOTER PACKET. The Chengdu Worldcon told Facebook readers today: “We are still collecting materials for the voter packet. Hopefully, within a week we will see all. Fingers crossed!”

(7) GET OFF MY LAWN. “George Lucas learned he’s not official owner of California driveway — so he’s suing”Yahoo! has the story.

George Lucas, the creator of “Star Wars” and “Indiana Jones,” recently learned he’s not the official owner of a paved driveway leading to one of his properties in California’s Bay Area, according to a lawsuit.

Lucas, and those permitted by his agents, have driven up the strip to the San Anselmo property over the past three decades — dating back to around 1990, a complaint filed Marin County Superior Court on May 15 says

The acclaimed filmmaker suspects heirs of his deceased neighbors may have been granted the right to access part of the driveway and believes they may claim that right, the complaint says.

As a result, Lucas has filed a lawsuit against those heirs and the town of San Anselmo to ensure he’s declared the rightful owner of the strip, the complaint shows. The lawsuit was first reported by the Marin Independent Journal

(8) CLARION WEST INTERVIEWS. This summer Clarion West is featuring three interviews with people from their community. Access them at the link.

Q&A with 2023 Six-Week Workshop instructor Samit Basu
Get to know our Week 3 instructor, Samit Basu, as he shares about writing and publishing across multiple genres (and countries!), plus what he’s looking forward to with Clarion West.

Interviews with Sagan Yee (CW ’21) and Fawaz Al-Matrouk (CW ’21)
Six-Week Workshop alumni Sagan Yee and Fawaz Al-Matrouk share their virtual workshop tips and insights for this year’s class. Helpful advice on balance, self-care, and facilitating online connection — useful for anyone interested in virtual learning!

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 3, 1861 — Michel Jean Pierre Verne. Son of Jules Verne who we now know rewrote some of his father’s later novels. These novels have since been restored using the original manuscripts which were preserved. He also wrote and published short stories using his father’s name. None of these are the major works Jules is now known for. (Died 1925.)
  • Born August 3, 1904 — Clifford Simak. I was trying to remember the first novel by him I read. I’m reasonably sure it was Way Station though it could’ve been City which won a well-deserved Retro Hugo. I’m fond of Cemetery World and A Choice of Gods as well. By the way I’m puzzled by the Horror Writers Association making him one of their three inaugural winners of the Bram Stoker Award for Lifetime Achievement. What of his is truly horror? (Died 1988.)
  • Born August 3, 1920 — P. D. James. Author of The Children of Men which she wrote to answer the question “If there were no future, how would we behave?” Made into a film which she said she really liked despite it being substantially different than her novel. I like authors who can do that. ISFDB lists her as having done a short story called “Murder, 1986” which they say is genre but I’ve not read it. (Died 2014.)
  • Born August 3, 1940 — Martin Sheen, 83. So that was who that was! On Babylon 5: The River of Souls, there’s a Soul Hunter but the film originally didn’t credit an actor who turns out to be Sheen. Amazing performance. He’s been in a number of other genre roles but that’s the ones I like most. Though I will single him out for voicing Arthur Square in Flatland: The Movie
  • Born August 3, 1946 — John DeChancie, 77. A native of Pittsburgh, he is best known for his Castle fantasy series, and his SF Skyway series. He’s fairly prolific even having done a Witchblade novel. Who here has read him? Opinions please. 
  • Born August 3, 1950 — John Landis, 73. He’d make this Birthday List if all he’d done was An American Werewolf in London, but he was also Director / Producer / Writer of the Twilight Zone movie. And wrote Clue which is the best Tim Curry role ever. And Executive Produced one of the best SF comedies ever, Amazon Women on the Moon. Neat fact: he was the puppeteer for Grover in The Muppet Movie, and he later played Leonard Winsop in The Muppets Take Manhattan
  • Born August 3, 1972 — Brigid Brannagh, 51. Also credited, in astonishing number of last names, as Brigid Brannagh, Brigid Brannah, Brigid Brannaugh, Brigid Walsh, and Brigid Conley Walsh. Need an Irish red headed colleen in a genre role? Well she apparently would do. She shows up in Kindred: The Embrace, American GothicSliders, Enterprise (as a bartender), RoarTouched by an Angel, Charmed, Early Edition, Angel (as Virginia Bryce in a recurring role), GrimmSupernatural and on Runaways in the main role of Stacey Yorkes. 

(10) WHO HAS THEM? “Doctor Who missing episodes are ‘out there’, says TV archive boss” to Radio Times.

The head of TV archive Kaleidoscope has suggested that ‘missing’ episodes of Doctor Who are known to still exist, but remain in private collections.

Out of 253 episodes from the show’s first six years, 97 remain lost in their original form, due to the BBC’s policy of junking archive programming between 1967 and 1978.

As a result, numerous adventures of the First Doctor (played by William Hartnell) and the Second Doctor (played by Patrick Troughton) are either incomplete or missing in their entirety….

(11) OCTOTHORPE. In episode 89 of the Octothorpe podcast, “The Winner Does Not Receive a Pie”,  John Coxon, Alison Scott, and Liz Batty “read your lovely letters of comment before discussing podcast transcripts, podcast programme, generative AI, free trips to China (we’re not going), and picks.”

(12) OCTOTHORPE HUGO VOTER PACKET SUBMISSION. And while we’re busy making this the all-Octothorpe edition of the Scroll, the team announced they have uploaded transcripts and subtitles for Episodes 49, 62, and 72 as part of their Hugo Voter Packet submission.

(13) IN CASE YOU WERE WONDERING. “Gal Gadot Developing Wonder Woman 3 With James Gunn, Peter Safran (Exclusive)” reports Comicbook.com.

The DC Universe on film is headed in a new direction under James Gunn and Peter Safran, but it sounds like Gal Gadot is still going to be involved with Wonder Woman‘s future. Gadot debuted as Diana Prince in 2016’s Batman v Superman: Dawn of Justice. She then headlined 2017’s Wonder Woman and its 2020 sequel, Wonder Woman 1984 opposite Chris Pine as Steve Trevor, both helmed by director Patty Jenkins, while also appearing in Justice League (and the fully Zack Snyder-helmed director’s cut). As Gunn and Safran took over as co-heads of the rechristened DC Studios for Warner Bros., plans for Patty Jenkins to return for Wonder Woman 3 were scrapped. That left Gadot’s future as Wonder Woman unclear. Things became murkier when she appeared in a cameo role in Shazam! Fury of the Gods, but had a similar cameo cut from The Flash, starring Ezra Miller, where she would have appeared alongside Ben Affleck as Batman and Henry Cavill as Superman, further confusing fans.

Speaking to ComicBook.com’s Chris Killian for her new Netflix movie Heart of Stone before the SAG-AFTRA strike, Gadot said that, as she understands it, she will be developing Wonder Woman 3 together with Gunn and Safran. “I love portraying Wonder Woman,” Gadot says…. 

(14) ALL ROADS LEAD TO CURRY. [Item by SF Concatenation’s Jonathan Cowie.] You know how it is — been to see a few panels, desperately avoid spending too much in the dealers room, catch a recent art house SF film — and it’s the evening and you’ve had a few beers in the hotel bar…  So it’s time for a curry.  But for how long have people been doing this?

Researchers have now found on ancient culinary tools from 2,000 years ago in Southern Vietnam “culinary spices that include turmeric, ginger, finger root, sand ginger, galangal,clove, nutmeg,and cinnamon. These spices are indispensable ingredients used in the making of curry in South Asia today. [The researchers] suggest that South Asian migrants or visitors introduced this culinary tradition into Southeast Asia during the period of early trade contact via the Indian Ocean, commencing about 2000 years ago.” [Wang, W., et al (2023) Earliest curry in Southeast Asia and the global spice trade 2000 years ago. Science Advances, vol.9 (29), eadh551]

The maritime trading networks and the Silk Road linked the Eurasian continent and the ancient civilizations of the world at least since 2,000 years ago. Southeast Asia, such as the trading entrepôt, Oc Eo, is at the crossroads of the ancient maritime trading networks

Potential maritime trading networks, the realm of Funan, and the location of Oc Eo.

(15) VIDEO OF THE DAY. The Planet Zoom Players bring us “The Crystal Egg” by H. G. Wells, a play adaptation with effects.

Join us to see what kindly old Mr. Cave sees in his crystal egg. What does this new world mean for Earth’s future. This performance is enhanced with illustrations, music, and animations. This is an amateur production created by Planet Zoom Players.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/20/23 We Don’t Need No Pixelation, We Just Want Some Scroll Control

(1) SETI CONNECTION TO MISSING SUBMERSIBLE. An international effort has been launched to find a submersible with five people on board that went missing Sunday on a trip to view the wreckage of the Titanic. According to CNN, a prominent Pakistani father and son are on board the missing sub, which turns out to be of genre interest.

…While the names of those on board have not been released by the authorities, British businessman Hamish Harding, Pakistani billionaire Shahzada Dawood and his son Sulaiman Dawood, and French diver Paul-Henri Nargeolet have been confirmed to be on board the craft.

The fifth person on board is Stockton Rush, the CEO and founder of the company leading the voyage, Ocean Gate, according to a source with knowledge of the mission plan. Ocean Gate did not respond to CNN’s request for comment…

Shahzada Dawood is on the Board of Trustees of the SETI Institute, an organization whose scientists “are looking for proof – not merely of life elsewhere – but of intelligent beings in other star systems.”

(2) SFWA SILENT AUCTION INCLUDES JAMES E. GUNN COLLECTION. SFWA’s 3rd Silent Auction, which opened yesterday, includes an “Exclusive James E. Gunn collection”.

July 12, 2023, marks the start of James E. Gunn’s centenary. He died December 23, 2020 – one week after finishing his final story, which sold his final day.

Jim was a Damon Knight Memorial Grand Master, SF Hall of Fame inductee, first (with Jack Williamson) to offer SF courses in academia, former President of SFWA and SFRA, and “Science Fiction’s Dad” to the generations of authors, editors, and educators he mentored. Jim’s devotion to “Saving the world through science fiction” inspired us to reach higher, grow deeper, and become ever-more humane. His tireless dedication to what SF does was the essence of his magic, and why so many called him Dad. Our world is richer because of him.

For auction is a collection of Jim’s works, unread NOS.

Hardcovers of Transcendental, Transformation, and Transgalactic – his only trilogy, and his final books; two Easton Press leather editions: Gift from the Stars (signed first edition), and Kampus; his Hugo-winning illustrated SF history, Alternate Worlds (new, updated edition); volumes 1-4 of his essential anthologies-as-history, The Road to Science Fiction, with teaching guide; hardcovers collections Human Voices and Some Dreams Are Nightmares; new trade paper and early paperback of Jim’s classic collab with Jack Williamson, Star Bridge; hardcover and early paperback of The Dreamers; new trade paper of his best-selling The Listeners, which inspired Carl Sagan to write Contact and others to form SETI; plus a 1983 business card for his (first of its kind) Center for the Study of SF, SFWA Grand Masters trading card, and Transcendental bookmark.

Donated by the Ad Astra Institute for Science Fiction and the Speculative Imagination, spiritual successor of Jim’s original Center, run by his protégés Chris McKitterick and Kij Johnson.

(3) TRIVIA CONNECTIONS. [Item by Nickpheas.] Given the regular notes of Jeopardy! questions, here’s one from the long running BBC radio 4 show Round Britain Quiz.

Q8 (from Nigel Choyce)  Which of these is the leader and how many are missing: A cosmetic company that might come calling; a Victorian actress who travelled in the Tardis; a school of Buddhism emphasising the value of meditation; the Baker Street detective aided by a Tinker?

The question can be heard at about 22.30 through the episode.

(4) READ BAEN MEMORIAL AWARD STORY. Brad Zeiger’s 2023 Jim Baen Memorial Short Story Award winning story “The Insomniac” is now available as a free read on the Baen Books website.

(5) “I KNOW.” NO, YOU DON’T. Phil Nichols and Colin Kuskie devote episode 30 of the Science Fiction 101 podcast to “The Secrets George Lucas Kept From Leigh Brackett”.

Phil and Colin dig into “Star Wars Sequel”, the unfilmed 1978 script by science fiction legend Leigh Brackett which became Star Wars: The Empire Strikes Back. We look at what made it into the finished film and what got junked, and consider whether Star Wars creator George Lucas was keeping his screenwriter in the dark!

If you’ve never read Brackett’s script, you can find two versions of it online. There’s a PDF scan of the original typescript, which shows all of her hand-corrections and notes – fascinating for its details, if you can make them out. Or there’s this transcript, which is a lot easier to read but loses some of the fun.

For a fascinating, in-depth discussion of how “Star Wars Sequel” developed into The Empire Strikes Back, sit back and watch this interview with screenwriter Larry Kasdan, who wrote the final draft of the film’s script.

(6) FATHOMING COPYRIGHT WHERE AI IS INVOLVED. Michael Capobianco has a post about “Copyright, Contracts, and AI-Generated Material” at Writer Beware.

On March 16, 2023, the United States Copyright Office issued a publication: Copyright Registration Guidance: Works Containing Material Generated by Artificial Intelligence. The full text can be found here.

The Copyright Office’s Guidance does not have the force of law and will change as the situation evolves, especially as legal precedents are created under US law, but, as of the time of this post, it is effectively the policy in force in the United States.

The main takeaway from the Guidance can be summarized thus: the only parts of a work that are copyrightable are the human-contributed ones, and the work is not copyrightable if an AI technology determines the expressive elements of the work and the creativity is not the product of human authorship. In cases where there are both AI-generated and human-authored elements, copyright will only protect the human-authored aspects of the work, which are “independent of ” and do “not affect” the copyright status of the AI-generated material…..

(7) U.F.O.S SOUND LIKE A N.I.C.E. IDEA. Ross Douthat tells New York Times readers that “This C.S. Lewis Novel Helps Explain the Weirdness of 2023”.

Recently I reread C.S. Lewis’s 1945 novel, “That Hideous Strength,” the last book in his Space Trilogy, and since I wrote about aliens last weekend it seems like a good week to talk a little bit about the novel’s contemporary relevance….

…The story introduces a near-future Britain falling under the sway of a scientistic technocracy, the National Institute of Coordinated Experiments (N.I.C.E.), which looks like the World State from Huxley’s “Brave New World” in embryo. But as one of the characters is drawn closer to N.I.C.E.’s inner ring, he discovers that the most powerful technocrats are supernaturalists, endeavoring to raise the dead, to contact dark supernatural entities and even to revive a slumbering Merlin to aid them in their plans.

I’ll say no more about the plot mechanics except to observe that they boldly operate in the risky zone between the sublime and the ridiculous. But just from that sketch I’ll draw out a couple of points about the book’s interest for our own times.

First, the idea that technological ambition and occult magic can have a closer-than-expected relationship feels quite relevant to the strange era we’ve entered recently — where Silicon Valley rationalists are turning “postrationalist,” where hallucinogen-mediated spiritual experiences are being touted as self-care for the cognoscenti, where U.F.O. sightings and alien encounters are back on the cultural menu, where people talk about innovations in A.I. the way they might talk about a golem or a djinn.

The idea that deep in the core of, say, some important digital-age enterprise there might be a group of people trying to commune with the spirit world doesn’t seem particularly fanciful at this point. (For a small example of what I mean, just read this 2021 account of life inside one of the stranger tech-associated research institutes.) Although like some of the characters in “That Hideous Strength,” these spiritualists would probably be telling themselves that they’re just doing high-level science, maybe puncturing an alternate dimension or unlocking the hidden potential of the human mind.

Then, too, the book’s totalitarian dystopia is interesting for being incomplete, contested and plagued by inner rivalries and contradictions. Unlike in “Brave New World” and “1984,” we don’t see a one-party regime holding absolute sway; in Lewis’s story, we see a still-disguised tyranny taking shape but still falling prey to various all-too-human problems, blunders and failures that contrast with the smooth dominance of Orwell’s O’Brien or Huxley’s Mustapha Mond….

The novel’s emphasis on the limitations of any attempted secret government, finally, connects specifically to our peculiar U.F.O. discourse, where we suddenly have a government whistle-blower claiming knowledge of a 90-year conspiracy and, apparently, a chorus of anonymous sources encouraging belief.

I wrote a Twitter thread after my column, explaining why even independent of the likelihood of alien visitors or interdimensional encounters, I find it hard to imagine the kind of long conspiracy depicted by the whistle-blower: The secrets involved would be too big not to tempt would-be heroes of disclosure, the breadth of infrastructure would be too hard to hide, the political complexity and turmoil of the world would create too many opportunities for revelations (because you would need China, Russia and other powers to be in on it as well) and so on.

If there were an alien cover-up, though, I would imagine it would look more like the secrets held by N.I.C.E. in “That Hideous Strength.” …

(8) TAX-EXEMPT AT LAST. The Science Fiction Poetry Association informed members today that they have received the official confirmation from the IRS of SFPA’s 501(c)(3) status, which secures the organization’s federal tax exempt standing.

(9) RUSHDIE’S LATEST HONOR. Winner of “The 2023 German Book Trade’s Peace Prize: Salman Rushdie” reports Publishing Perspectives.

The board of the Peace Prize of the German Book Trade has announced today (June 19) that Salman Rushdie is the winner of this year’s honor, “for his indomitable spirit, for his affirmation of life, and for enriching our world with his love of storytelling.”

…As is this award’s tradition, the honor will be conferred in a ceremony on the closing day of Frankfurter Buchmesse (October 18 to 22), at the Paulskirche, a program to be broadcast live on German public television (SDF) at 11 a.m. The award carries a purse of €25,000 (US$27,302).

(10) MICHAEL A. BANKS (1951-2023). Writer and editor Michael A. Banks (Alan Gould), a longtime member of the Cincinnati Fantasy Group, died June 19 of cancer. He was 72.

In the SF field, he is perhaps best known for nonfiction works about the genre (including Understanding Science Fiction, 1980) and his collaborations with Mack Reynolds. His first published story was “Lost and Found” (1978) with George Wagner. Banks wrote several novels to his credit, including The Odysseus Solution, with Dean R. Lambe. He also worked as an acquisitions editor for publishers, including Baen Books and Harlequin. He wrote dozens of nonfiction books.

(11) MEMORY LANE.

2016 [Written by Cat Eldridge from a choice by Mike Glyer.]

So the Beginning this Scroll is from Claudia Casper’s The Mercy Journals

She’s a Canadian writer who’s  best known for The Reconstruction, about a woman who constructs a life-sized model of the hominid Lucy for a museum. 

And now for our Beginning…

On October 15, 2072, two Moleskine journals were found wrapped in shredded plastic inside a yellow dry box in a clearing on the east coast of Vancouver Island near Desolation Sound. They were watermarked, mildewed, and ragged but legible, though the script was wildly erratic. Human remains of an adult male were unearthed nearby along with a shovel and a 9mm pistol. Also found with the human remains were those of a cougar. The journals are reproduced in their entirety here, with only minor copy-editing changes for ease of reading.

March 9, 2047 | My name is Allen Levy Quincy. Age 58. Born May 6, 1989. Resident of Canton Number 3, formerly Seattle, Administrative Department of Cascadia. This document, which may replace any will and testament I have made in the past, is the only intentional act of memory I have committed since the year 2029. I do not write because I am ill or because I leave much behind. I own a hot plate, three goldfish, my mobile, my Callebaut light, my Beretta M9, the furniture in this apartment, and a small library of eleven books.

March 10 | I sit at my kitchenette island in this quasi-medieval, wired-by-ration, post nation-state world, my Beretta on my left, bottle of R & R whiskey on my right, speaking to the transcription program on my mobile. 

I was sober for so long. Eighteen years. I was sober through what seems to have been the worst of the die-off. Three and a half to four billion people, dead of starvation, thirst, illness, and war, all because of a change in the weather. The military called it a “threat multiplier.

You break it, you own it—the old shopkeeper’s rule. We broke our planet, so now we owned it, but the manual was only half written and way too complicated for anyone to understand. The winds, the floods, the droughts, the fires, the rising oceans, food shortages, new viruses, tanking economies, shrinking resources, wars, genocide—each problem spawned a hundred new ones. We finally managed to get an international agreement with stringent carbon emissions rules and a coordinated plan to implement carbon capture technologies, but right from the beginning the technologies either weren’t effective enough or caused new problems, each of which led to a network of others. Within a year, the signatories to the agreement, already under intense economic and political pressure, were disputing who was following the rules, who wasn’t, and who had the ultimate authority to determine non-compliance and enforcement.

Despite disagreements, the international body made headway controlling the big things—coal generators, fossil fuel extraction, airplane emissions, reforestation, ocean acidification—but the small things got away from them—plankton, bacteria, viruses, soil nutrients, minute bio-chemical processes in the food chain. Banks and insurance companies failed almost daily, countries went bankrupt, treaties and trade agreements broke down, refugees flooded borders, war and genocide increased. Violent conflict broke out inside borders, yet most military forces refused to kill civilians. Nation-states collapsed almost as fast as species became extinct. Eventually the international agreement on climate change collapsed completely, and the superpowers retreated behind their borders and bunkered down. The situation was way past ten fingers, eleven holes; it was the chaos that ensues after people miss three meals and realize there’s no promise of a meal in the future.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 20, 1947 Candy Clark, 76. Mary Lou in The Man Who Fell to Earth which of course featured Bowie. She also was in Amityville 3-DStephen King’s Cat’s Eye and The Blob in the role of Francine Hewitt. That’s the remake obviously, not the original. Oh, and she’s Buffy’s mom in Buffy the Vampire Slayer. Wiki being Wiki lists that as non-canon which makes absolutely no sense, does it? 
  • Born June 20, 1951 Tress MacNeille, 72. Voice artist extraordinaire. Favorite roles? Dot Warner on The Animaniacs, herself as the angry anchorwoman in Elvira, Mistress of the Dark, Babs Bunny on Tiny Toons and Hello Nurse on Pinky and The Brain
  • Born June 20, 1952 John Goodman, 71. Some may know him as the TV husband of a certain obnoxious comedienne but I’ve never watched that show. So I picture him as Fred Flintstone in The Flintstones, a role perfect for him. Mind you he’s had a lot of genre roles: voicing James P. “Sulley” Sullivan in the Monsters franchise, a cop in the diner in C.H.U.D., and he’ll even be the voice of Spike in the Tom and Jerry due out two years hence. And he’s in Argo, which is a thriller, but one in which the development of a fake sf movie is crucial.
  • Born June 20, 1956 Ed Lynskey, 67. Mainly a mystery writer with five series comprising forty novels underway but he has written one genre novel, The Quetzal Motel, a handful of genre short fiction (uncollected) that appeared in Full Unit Hookup, Aoife’s KissMaelstrom, and Three-Lobed Burning Eyed (fascinating titles, eh?) and somewhat more genre poetry.
  • Born June 20, 1967 Nicole Kidman, 56. Batman Forever was her first foray into the genre but she has done a number of genre films down the years: Practical MagicThe Stepford WivesBewitched (I liked it), The Invasion (never heard of it), The Golden Compass (not nearly as good as the novel was), Paddington, and as Queen Atlanna in the rather good Aquaman
  • Born June 20, 1968 Robert Rodriguez, 55. I’ll single out the vastly different Sin City and Spy Kids franchises as his best work, though the From Dusk till Dawn has considerable charms as well. ISFDB notes that he’s written two novels with Chris Roberson riffing off his The Adventures of Sharkboy and Lavagirl in 3-D film, The Day Dreamer and Return to Planet Droll

(13) COMICS SECTION.

  • Bizarro has a (bizarre, of course) police lineup.

(14) STAN LEE WILL RING THE BELL. An animated Stan Lee will ring the opening bell of the NYSE on June 26. The event will stream live on Kartoon Channel. “Genius Brands Moves to NYSE, Renames as Kartoon Studios” at Animation World Network.

Genius Brands International, Inc. announced a name change to Kartoon Studios and plans to transfer its listing from the Nasdaq Capital Market (Nasdaq) to the NYSE American exchange (NYSE American). Under its new name, the company expects to start trading on the NYSE American exchange when markets open on Monday, June 26, 2023. That day the company’s common stock will begin trading under a new trading symbol, “TOON,” and a new CUSIP number, 37229T 509. It will continue to trade on Nasdaq under its current trading symbol, “GNUS” until the close of market on Friday, June 23, 2023.

An animated Stan Lee will ring the opening bell of the NYSE on June 26, an indication of the company’s plans to expand on its Stan Lee IP under its new moniker. The event will stream live on Kartoon Channel!

The company controls the post-Marvel IP of Stan Lee, which was initially brought to market with a 20-year license to Marvel and the Walt Disney Company, and brand initiative commemorating Stan’s 100th anniversary at San Diego Comic-Con in July 2023….

(15) THE PICTURES MOVE, THE CAR DOESN’T. Smithsonian Magazine brings us “The History of the Drive-In Movie Theater”.

On June 6, 2008 the flag flying over the U.S. Capitol commemorated the 75th birthday of a distinctive slice of Americana: the drive-in movie theater.

It was on that day in 1933 that Richard Hollingshead opened the first theater for the auto-bound in Camden, N.J. People paid 25 cents per car as well as per person to see the British comedy Wives Beware under the stars.

…He first conceived the drive-in as the answer to a problem. “His mother was—how shall I say it?—rather large for indoor theater seats,” said Jim Kopp of the United Drive-in Theatre Owners Association. “So he stuck her in a car and put a 1928 projector on the hood of the car, and tied two sheets to trees in his yard.”…

(16) UKRAINE/STAR WARS AGAIN. [Item by Susan de Guardiola.] Continuing the Star Wars spotting in the war: check out the chest patch General Valerii Zaluzhnyi, the Ukrainian Commander-in-Chief, is sporting here:

Tolkien and Star Wars, over and over in this war.

(17) NO AIR THERE. [Item by SF Concatenation’s Jonathan Cowie.] It may be that the red dwarf star has blown away the closely orbiting planet’s atmosphere. See open access pre-print Zieba, S. et al (2023)  “No thick carbon dioxide atmosphere on the rocky exoplanet TRAPPIST-1 c”, Nature.

Observations from the James Webb Space Telescope suggest that a second world in a seven-planet system lacks an atmosphere.

For the second time, the James Webb Space Telescope (JWST) has looked for and failed to find a thick atmosphere on an exoplanet in on one of the most exciting planetary systems known. Astronomers report1 today that there is probably no tantalising atmosphere on the planet TRAPPIST-1 c, just as they reported months ago for its neighbour TRAPPIST-1 b.

SF2 Concatenation previously reported on the innermost planet not having an atmosphere.

(18) VIDEO OF THE DAY. “Not strictly TV as it was never broadcast but here’s Jon Pertwee as Doctor Who in a corporate film circa 1981. There’s a surprising … err … twist at the end.”

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Jason Sanford, Nickpheas, Susan de Guardiola, John King Tarpinian, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 3/28/23 Pixels Yearning To Be Running With The Wild Things

(1) LINK Q&A. “Kelly Link Can’t Write Narrative Before 3pm: And Other Tips For Purposeful Writing” at Literary Hub.

What time of day do you write?
I’ve spent a lot of time trying to figure out why I hate writing so much, when it’s also the thing that I want most to do—it turns out a large piece of this is that I mostly hate writing when I’m attempting to do it between waking up to around 2 pm. For a long time, I thought that real writers settled down to do their work first thing, and so I must be a dilettante not to be able to get anything done without finding it excruciating.

Finally, after lots of experimenting, I’ve realized that before 2 pm I can’t really make much headway, and that at some point between 2 and 3 in the afternoon some little switch in my brain flips, and I can think about narrative. And so now, on days when I’m going to write (including important emails), in the morning I do dishes, play games on my phone, and even watch some TV. From 3 pm to around 1 am, given the freedom to just write, I can get a lot of work done….

(2) OBVIOUSLY WRITTEN AFTER 3 P.M. And The New Yorker has a review of Link’s new collection White Cat, Black Dog: “A Shape-Shifting Short-Story Collection Defies Categorization”.

…One thing that fairy tales teach us, of course, is that it’s wise not to examine such magic too closely—better to accept the gift gratefully than to inquire into its provenance. Still, at the risk of incurring the magician’s wrath, we might look more closely at one of these stories and see if we can figure out how it works. “Prince Hat Underground” is the second story in the new collection, and the only one that’s previously unpublished. It begins in a very un-fairy-tale-like fashion, in medias res: “And who, exactly, is Prince Hat?” This isn’t as familiar an opening as “Once upon a time,” but it does point down a well-trodden path in literary fiction—that is, toward a character portrait. “Gary, who has lived with Prince Hat for over three decades, still sometimes wonders,” Link continues. And so the plot becomes even more familiar: this is the story of a marriage, and, more particularly, a story of the secrets that persist even in long-term relationships. Already we have, in two lines, a thumbnail sketch of this relationship, between staid, reliable Gary and the boyish, fanciful Prince Hat….

(3) SMALL WONDERS KICKSTARTER NEARS FINISH LINE. Stephen Granade reports, “We’re in the final day-and-a-half of the Small Wonders Kickstarter and are tantalizingly close to funding. We’ve passed 75% funded so got to release a new story from Nebula winner John Wiswell.”

Read “Irresponsibly Human” at the link.

I already got a body. Infiltrating their planet was easy after that; theirs is a simple culture, so unevolved that social media is still legal. Give me a week of using this body and the culture’s tech, and I’ll have enough experiential data to synthesize a whole army. They won’t even know we’re here until we’ve won. I’m going to be the first person to conquer another planet as a senior thesis project….

Granade adds, “When we reach 90% we’ll release a new poem by Beth Cato, and we’ve got a new story from Premee Mohamed as a reward for us fully funding.” 

(4) YOUR NAME THERE. NASA continues to invite people to “Send Your Name to Mars” on a “Future Mars Mission” whenever that may be. In the meantime, you can download a lovely Boarding Pass. My name went to Mars with Perseverance.

(5) DIAL TIME. Do you have Indiana Jones in Cannes? Well, let him out! “Indiana Jones and the Dial of Destiny to Debut at Cannes” and The Hollywood Reporter has details.

…The French fest runs May 16-27, with Dial of Destiny eying a day two or day three debut.

It is a homecoming of sorts for the pulpy hero. Fifteen years ago, Indiana Jones and the Kingdom of the Crystal Skull debuted at the fest, which has been a launching ground for tentpoles in recent years…. 

(6) NO RESPECT. Ed Power demands to know, “This Mormon sci-fi author made $55m last year. So why isn’t he taken seriously?” The article, about WIRED’s hit job on Sanderson, is behind a paywall at The Telegraph.

From tipping the barman to pre-teen beauty pageants, America is no stranger to bizarre rituals. One of the weirdest is the glossy magazine “hit piece”. This involves a journalist pretending to be friends with a famous person and then demolishing them over 2,000 words or so. Make that 4,000 in the case of a new Wired magazine “profile” of fantasy author Brandon Sanderson, in which the best-selling writer is subjected to a thorough biffing-up….

(7) PUBLISHING NIGHTMARE AVOIDS PRISON. “Book fraudster Filippo Bernardini spared jail” – the Guardian says he will be deported instead.

…Filippo Bernardini, who worked as a rights coordinator, pleaded guilty to one count of wire fraud in New York in January.

He was yesterday sentenced by judge Colleen McMahon to time served, meaning he will not be imprisoned, according to the Bookseller. He has agreed to pay $88,000 (£72,700) to Penguin Random House to cover the legal and expert fees the company paid as a result of his scheme.

Bernardini has also been sentenced to three years of supervised release, and will be deported from the US to the UK or Italy, where he grew up….

(8) MEMORY LANE.

1992[Compiled by Cat Eldridge.]

Great secondary characters are a must in any ongoing series. So it is with Sharyn McCrumb’s Ballad series, mysteries set in her native Appalachian region. And here we get the story of Nora Bonesteel. 

The one that is our Beginning this Scroll is from The Hangman’s Beautiful Daughter which was published by Scribner in 1992. It was the second in the series after the debut novel, If Ever I Return, Pretty Peggy-O. To date, there are thirteen Ballad novels and some shorter works. 

The Appalachian Writers Association gave The Hangman’s Beautiful Daughter its Award for Best Novel. 

As per our policy here of absolutely no spoilers, I won’t say anything this novel or anything explicit about the series. I’ll only say that the author has a deft hand at writing interesting characters set in what seems to be authentic Appalachian settings with interesting stories. 

PROLOGUE 

Summer for the living, 
Winter for the dead—

The rule for solstice alignment 
of standing stones 
in pre-christian britain 

Nora Bonesteel was the first one to know about the Underhill family. Death was no stranger to Dark Hollow, Tennessee, but Nora Bonesteel was the only one who could see it coming. 

She was well past seventy, and she lived alone in a white frame house up on the part of Ashe Mountain that had been Bonesteel land since 1793. Across the patchwork of field and forest, eye to eye with the Bonesteel house, was the outcrop of rock called Hangman, looking down on the holler with a less benevolent eye than Nora Bonesteel’s. They perched on their respective summits, the granite man and the parchment woman, in a standoff older than the pines that edged the meadows. 

She seldom left her mountain fastness except to walk down the gravel road to church on Sunday morning, but she had a goodly number of visitors—mostly people wanting advice—but they’d come bringing homemade blackberry jelly or the latest picture of the grandbaby so as not to seem pushy about it. Folks said that no matter how early you reached her house of a morning with a piece of bad news, she’d meet you on the porch with a mug of fresh-brewed chicory coffee, already knowing what it was you’d come about. 

Nora Bonesteel did not gossip. The telephone company had never got around to stringing the lines up Ashe Mountain. She just knew. 

Dark Hollow folk, most of them kin to her, anyhow, took it for granted, but it made some of the townspeople down in Hamelin afraid, the way she sat up there on the mountain and kept track of all the doings in the valley; sat up there with her weaving, and her pet groundhog, and her visions. 

The night that Garrett Webster died in that wreck on the road to Asheville, Nora had the carrot cake baked to take to the funeral by the time somebody stopped in the next morning to tell her about the accident. She had a dream, she said, while she was sleeping in that old iron bedstead with the hollow pipes at the head and foot of it. Suddenly, she had heard a clang and felt the bed vibrate, as if somebody had hit those footboard pipes with the point of a sword. She’d sat up in bed, looking to see what woke her, and there was Garrett Webster standing at the foot of her bed, smiling at her from inside a glow of white light. When he saw that she’d seen him and knew who he was, he faded away, and the room was dark again. It was eight minutes past five, Nora said, and she got up right then to start fixing that cake for Esther Webster and her boys. The state trooper’s report said that the wreck between Garrett Webster’s car and a semi on Route 58 had occurred at 5: 08 that morning. It also stated that Webster never knew what hit him, but Nora Bonesteel reckoned he had. 

She knew other things, too. Who was pregnant, when to cover your tomato plants for frost, and where your missing wedding ring would turn up. She could cure nosebleeds by quoting the sixteenth chapter of Ezekiel, sixth verse; and she knew how to gauge the coming winter by the bands on a woolly worm. But that was nothing to marvel at. Every family had somebody with the simple gifts; even ones who knew when there had been a death within their family, but what made Nora Bonesteel different from others with the Sight was that for her it wasn’t only a matter of knowing about close kin. The fate of the whole community seemed as open to her as the weekly newspaper. Even newcomers, like the Underhills, outsiders who had bought an old farm and had come as strangers to settle between the mountains, were within the range of her visions. 

Nobody in Dark Hollow ever mistook her for a witch. She taught Sunday school to the early teens, and she kept her place in an old leather King James Bible with the feather of a redbird’s wing. Nora Bonesteel never wished harm, never tried to profit by her knowledge. Most times, she wouldn’t even tell people things if it was bad news that couldn’t be avoided. And if she did impart a warning, she’d look away while she told it, and say what she had to in a sorrowful way that was nobody’s idea of a curse. She just knew things, that’s all. In the east Tennessee hills, there had always been people who knew things. Most people felt a little sorry for her, and were glad they could go through life with the hope that comes from not seeing the future through well-polished glass.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 28, 1912 A. Bertram Chandler. Did you ever hear of popcorn literature? Well the Australian-tinged space opera that was the universe of the Rim World and John Grimes was such. A very good starting place is the Baen Books omnibus To The Galactic Rim which contains three novels and seven stories. If there’s a counterpart to him, it’d be I think Dominic Flandry who appeared in Anderson’s Technic History series. Oh, and I’ve revisited both to see if the Suck Fairy had dropped by. She hadn’t. (Died 1984.)
  • Born March 28, 1928 Ron Soble. He played Wyatt Earp in the Trek episode, “Spectre of The Gun”.  During his career, he showed up on a huge number of genre series that included Mission: ImpossibleThe Six Million Dollar ManShazamPlanet of The ApesFantasy IslandSalvage 1 and Knight Rider. His last genre role, weirdly enough, was playing Pablo Picasso in Pterodactyl Woman from Beverly Hills. (Died 2002.)
  • Born March 28, 1933 J. R. Hammond. Looking for companionable guides to H.G. Wells? Clute at EoSF has the scholar for you. He wrote three works that he recommends as being rather good (H G Wells: A Comprehensive Bibliography, Herbert George Wells: An Annotated Bibliography of his Works and An H G Wells Companion: A Guide to the Novels, Romances and Short Stories). Clute says that his “tendency to provide sympathetic overviews, now as much as ever, is welcome.” (Died 2018.)
  • Born March 28, 1942 Mike Newell, 81. Director whose genre work Includes The Awakening, Photographing Fairies (amazing story, stellar film), Harry Potter and the Goblet of Fire (popcorn film — less filling, mostly tasty), Prince of Persia: The Sands of Time and two episodes of The Young Indiana Jones Chronicles, to wit “Masks of Evil” and “The Perils of Cupid”.
  • Born March 28, 1944 Ellen R. Weil. Wife of  Gary K. Wolfe. She wrote a number of works with him including the non-fiction study, Harlan Ellison: The Edge of Forever. They wrote a fascinating essay, “The Annihilation of Time: Science Fiction; Consumed by Shadows: Ellison and Hollywood,” which can be found in Harlan Ellison: Critical Insights. (Died 2000.)
  • Born March 28, 1946 Julia Jarman, 77. Author of a  children’s book series I like a lot, of which I’ll single out Time-Travelling Cat And The Egyptian GoddessThe Time-Travelling Cat and the Tudor Treasure and The Time-Travelling cat and the Viking Terror as the ones I like the best. There’s more to that series but those are my favorites. I see no indication that the cats are available from the usual suspects alas. 
  • Born March 28, 1972 Nick Frost, 51. Yes, he really is named Nick Frost as he was born Nicholas John Frost. Befitting that, he was cast as Santa Claus in two Twelfth Doctor stories, “Death in Heaven” and “Last Christmas”. He’s done far more genre acting than I can retell here starting with the Spaced series and Shaun of The Dead (he’s close friends with Simon Pegg) to the superb Snow White and The Huntsman. He’s currently Gus in the Truth Seekers, a sort of low-budget comic ghost hunter series 

(10) FANAC’S FANNISH FEMINISM PANEL. Fanac.org hosted a two-part presentation about “Feminism in 1970s/80s Fandom” with Janice Bogstad, Jeanne Gomoll, and Lucy Huntzinger.

Fandom in the 70s/80s saw real influence from people with a feminist perspective, from the creation of Wiscon to fanzines like Janus and Rude Bitch, and to raising awareness of the reality women experienced.  What were the beginnings? How did Wiscon get started? Was fandom following popular culture or leading it? 

Part 1 – Panelists Janice Bogstad and Jeanne Gomoll tell us about the creation of Janus, Wiscon and the Madison nexus of feminist thought in 70s fandom, and Lucy Huntzinger brings us into the 80s with the lamentably short-run Rude Bitch, and her other experiences in fandom as a feminist.  Moderated by Edie Stern, FANAC.org webmaster, this intriguing panel reveals the unusual origins of Janus (and how the editor found out it was a fanzine!), the academic background brought to the discussions of women in science fiction, and some of the factors that made Madison the hotbed of feminist thought in fandom. 

These personal histories trace the growth of feminist discussion in broader fandom, and explore why fandom felt like a safe space for women. The panelists also discuss the sometimes negative reactions received…Wound through with personal anecdotes (“Will the real James Tiptree please stand up!”, and the production of “The Emperor Norton Science Fiction Hour”), the discussion provides a window on an important area of science fiction fan history.

Part 2 –  Panelists Jeanne, Lucy and Janice continue here with more on the reactions they received from others, and with the differences in being a feminist in fandom in the 70s and in the 80s…Part 2 has stories about dating approaches in fandom, the wonderful origins of Corflu, and a number of anecdotes (both serious and constructive as well as personal and funny) about well known women writers. There are charming anecdotes about Octavia E. Butler, Connie Willis, Sheri Tepper (and her rousing call to action on population growth), and Ursula K. Le Guin. 

You’ll also hear about the origins and early days of the Tiptree Award, and its novel funding mechanism. Finally, there are audience comments and reminiscences including a true story about the Minneapolis chicken hat…This session is lots of fun, with a serious thread underlying it. 

(11) FLIGHT HISTORY SUFFERS FIRE DAMAGE. The New York Times reports “Wright Brothers’ Airplane Factory Is Badly Damaged in Fire”.

A fire that broke out at a building complex in Dayton, Ohio, on Sunday damaged a factory founded by Wilbur and Orville Wright, the brothers who were the first people to successfully fly an airplane.

The fire throws into doubt the future of the factory, where the brothers built planes starting in the 1910s. It became part of the National Park Service’s group of aviation-related sites in Dayton in 2009.

The factory is a monument not just to the brothers and their consequential invention, but also to the role of leading industrialists of the day in giving birth to the age of commercial aviation. The factory was built shortly after Wilbur Wright visited New York in 1909 and “got buttonholed by the Vanderbilts, the Colliers, J.P. Morgan, folks like that,” said Dean Alexander, who was the park service superintendent in Dayton when the site was added. “The first thing they paid for was building that factory,” Mr. Alexander said.

The Dayton Fire Department said that it is investigating the cause of the fire, which started at 2:28 a.m. Sunday and damaged the roof and interior of buildings in the complex. No one was injured, the department said….

(12) LUCAS MUSEUM OF NARRATIVE ART. “Lucas Museum in Los Angeles Slated to Open in 2025” says the New York Times.

In the spring of 2018, after years of bidding wars, shifting proposals and changing plans, the Lucas Museum of Narrative Art broke ground in South Los Angeles.

And despite many subsequent delays, pandemic-related and otherwise, the enormous scope of the project by the “Star Wars” filmmaker George Lucas is finally coming into focus, and the museum is slated to open sometime in 2025, my colleague Adam Nagourney recently reported in The New York Times.

That may come as a surprise.

“My sense from the response to this story is that many people here were unaware of how far along the museum has come, and how big it is,” Adam, who is based in Los Angeles, told me.

As a refresher, Lucas considered building his billion-dollar museum in Chicago or San Francisco, but settled on Los Angeles, where officials were more aggressive in courting the project, which was expected to bring with it prestige and thousands of construction and museum jobs. The futuristic building, reminiscent of a low-flying spaceship, is being built on what were once parking lots in Exposition Park, across the street from the University of Southern California, Lucas’s alma mater.

The Lucas, designed by Ma Yansong, one of China’s most prominent architects, is part of a recent wave of museum construction in Los Angeles. The Academy Museum of Motion Pictures opened in 2021, and the Hammer Museum this month completed yearslong renovations. The Los Angeles County Museum of Art is also in the midst of a major overhaul….

(13) BALANCE OF POWER. “Would building a Dyson sphere be worth it? We ran the numbers” says Ars Technica. Daniel Dern posits, “If you have to ask, you can’t afford it.”

… For these and many other reasons, a Dyson sphere costs energy. So we’re going to see how long it will take to recoup the energy investment of building one and what the optimal design might be to minimize the initial investment.

To get at some numbers, we’re going to make a lot of assumptions. People like to poke fun at physicists for simplifying complex problems, sometimes beyond recognition. The old joke goes that dairy farmers reached out to a nearby university to help understand why milk production was low, and the response from the physicists began by assuming that the cows were spherical.

But there is something powerful about this simplifying approach, which is why physicists are trained in it from day one. First, it lets us answer questions when we’re not interested in precise numbers at the outset. Here, we just want a general sense of feasibility—will building a Dyson sphere take a (relatively) small, medium, or extreme amount of energy? Second, simplifying the problem helps cover up mistakes (either in calculations or our starting assumptions). If all we’re going after is a general ballpark, then a factor-of-two mistake (or even 10 or 100) won’t really change the overall intuitions our calculations enable….

Also: How about instead making a Ringworld-scale Dyson vacuum cleaner? (to suck up all that dark matter and other clutter…?)

(14) VERSE OF THE DAY. Too long to use as a title, however, it deserves Scroll honors. By Randall M:

One File makes you pixel
And one File makes you scroll
And the ones Mike Glyer sends you
Don’t go anywhere at all
Go ask Jetpack
When it’s on a roll

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Andrew (not Werdna), Randall M., Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]