Pemmi-Con, this year’s NASFiC in Winnipeg, has posted the 2024 Site Selection ballot at their Site Selection page.
The only filed bid for the 2024 NASFiC is for Buffalo, NY. Their proposed dates are July 18-21, 2024. Details of their bid, including their organizing document and their facilities agreement with the Buffalo Niagara Convention Center and the Hyatt Regency Buffalo, can be found on the NASFiC Bids website or their bid webpage.
Other groups may file as write-in bids up until the close of at-convention voting, currently scheduled for Friday, July 21, 2023, 6 PM Central. To file a bid in advance of the convention, send it by email to [email protected].
Kevin Standlee provided the following explanation:
The 2024 NASFiC Site Selection ballot is posted with instructions on how to vote at the Pemmi-Con Site Selection page
Only members of Pemmi-Con can vote, although you can buy a membership before voting or by including a separate membership payment with a site selection ballot.
Ways to vote:
1. In person at Pemmi-Con, the 2023 NASFiC in Winnipeg. Voting will be open on Thursday, July 20 and Friday, July 21, 2023, and closes at 6 PM on July 21. Payment in person of the Advance Supporting Membership (voting) fee of CAD 40 / USD 30 can be in cash, cheque/check/money order, or by credit card. Credit card payments are processed in CAD.
2. Download and print the 2024 NASFiC Site Selection ballot from the Site Selection page and send a completed ballot by postal mail to one of the addresses on the ballot. Postal ballots must be received by July 11. (Payment can be by CAD or USD checque/check/money order or by paying of a Voting Token online through the Pemmi-Con registration site.)
3. Download and print the 2024 NASFiC Site Selection ballot, purchase a Voting Token through the Pemmi-Con registration site, complete the ballot, scan/photograph it, and send the ballot to the Site Selection administration. Email ballots must be received by 4 PM on Friday, July 21.
4. Send a completed ballot with someone else to deliver to Site Selection in person in Winnipeg.
HITHER CAME CONAN is a compilation of two successful examinations of all of Robert E. Howard’s original Conan the Cimmerian stories (and one story fragment) with about 15 additional essays included. It is also the single most-inclusive repository of REH Conan story data to date. This alone makes this title invaluable; coupled with the almost 60 essays it makes this THE BOOK to shelve alongside your Wandering Star/DelRey Conan trilogy. The majority of essays (and opinions!) come from the Bob Byrne led ‘Hither Came Conan’ series hosted by Black Gate Magazine and the ‘Conan Re-Read’ of Bill Ward and Howard Andrew Jones in conversation on Howard’s blog. Data compiled for each story by Dierk Günther includes tidbits such as the probable age of both Conan and Howard, the location, the major characters, the word count, date and source of first publication, and the first recorded public reaction to be found. HITHER CAME CONAN is a wealth of all the information any reader of Conan could desire.
(2) JOHN MANSFIELD SERVICE ONLINE TOMORROW. Linda Ross-Mansfield has announced the Facebook link for the livestream of the funeral service for Pemmi-Con’s fan guest of honour, John Mansfield. Funeral begins May 12, 2:00 p.m. Central.
Murray Moore adds that at the convention there will be a special display and a memory book for fans who wish to share their memories with the family and others.
It’s hard to overstate the anticipation I had for Eastercon 1968. It was going to be the largest national convention ever, with over 200 fans expected! In the end I understand that something like 150 people turned up; still the largest British national convention yet….
… Pulling content off the service goes hand in hand with making less of it, or, as CEO Bob Iger put it on the call, “getting much more surgical about what we make.”
He said the company has spent a lot of time and money producing and marketing content that didn’t move the needle in terms of subscribers.
“When you make a lot of content, everything needs to be marketed. You’re spending a lot of money marketing things that are not going to have an impact on the bottom line, except negatively due to the marketing costs.”
Iger gave a shout-out to theatrical films, especially tentpoles, as great sub drivers. “But we were spreading our marketing costs so thin that we were not allocating enough money to even market them when they came onto the service. Coming up, Avatar, Little Mermaid, Guardians of the Galaxy, Elemental etc.. where we actualy believe we have an opportunity to lean into those more, put the right marketing dollars against it, allocate more basicaly away from programming that was not driving any subs at all.”
He called it “part of the maturation process as we grow into a business that we had never been in. We are learning a lot more about it. Specifically, we are learning a lot more about how our content behaves on the service and what customers want.”
“Forget your personal tragedy,” Ernest Hemingway exhorted his dear friend F. Scott Fitzgerald in a tough-love letter of advice. “Good writers always come back. Always.” It is an insight as true of writers as it is of all artists and of human beings in general, as true of personal tragedy as it is of collective tragedy — something Toni Morrison articulated in her mobilizing manifesto for the writer’s task in troubled times: “There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
That is what Jorge Luis Borges (August 24, 1899–June 14, 1986) — born the same year as Hemingway, writing two decades before Morrison — conveys with uncommon splendor of sentiment in Twenty-Four Conversations with Borges: Including a Selection of Poems (public library) — the record of his dialogues with the Argentine journalist and poet Roberto Alifano, conducted in the final years of Borges’s life, by which point he had been blind for almost thirty years.
…Imagine losing your rudder out at sea and sending out a distress call. And then the largest ocean-going wooden sailing ship in the world comes to your rescue. Or in the words of the sailors on the sailing boat: “This moment was very strange, and we wondered if we were dreaming. Where were we? What time period was it?”
Paul Cornell’s “The Copenhagen Interpretation”was published first in Asimov’s in their July 2011 issue. It was nominated for the Best Novelette Hugo at Chicon 7, and also for the Theodore Sturgeon Memorial Award.
You know that I don’t do spoilers, so I won’t do any for this extraordinary well-written story. Annoyingly, while doing research found a number of descriptions of “The Copenhagen Interpretation” that gave everything away. Idiots.
And for the Beginning…
The best time to see Kastellet is in the evening, when the ancient fortifications are alight with glow worms, a landmark for anyone gazing down on the city as they arrive by carriage. Here stands one of Copenhagen’s great parks, its defence complexes, including the home of the Forsvarets Efterretningstjeneste, and a single windmill, decorative rather than functional. The wind comes in hard over the Langeline, and after the sun goes down, the skeleton of the whale that’s been grown into the ground resonates in sympathy and gives out a howl that can be heard in Sweden.
Hamilton had arrived on the diplomatic carriage, without papers, and, as etiquette demanded, without weapons or folds, thoroughly out of uniform. He watched the carriage heave itself up into the darkening sky above the park, and bank off to the southwest, swaying in the wind, sliding up the fold it made under its running boards. He was certain every detail was being registered by the FLV. You don’t look into the diplomatic bag, but you damn well know where the bag goes. He left the park through the healed bronze gates and headed down a flight of steps towards the diplomatic quarter, thinking of nothing. He did that when there were urgent questions he couldn’t answer, rather than run them round and round in his head and let them wear away at him.
The streets of Copenhagen. Ladies and gentlemen stepping from carriages, the occasional tricolour of feathers on a hat or, worse, once, tartan over a shoulder. Hamilton found himself reacting, furious. But then he saw it was Campbell. The wearer, a youth in evening wear, was the sort of fool who heard an accent in a bar and took up anything apparently forbidden, in impotent protest against the world. And thus got fleeced by Scotsmen.
He was annoyed at his anger. He had failed to contain himself.
He walked past the façade of the British embassy, with the Hanoverian regiment on guard, turned a corner and waited in one of those convenient dark streets that form the second map of diplomatic quarters everywhere in the world. After a moment, a door with no external fittings swung open and someone ushered him inside and took his coat.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 11, 1920 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1918 — Richard Feynman. Ok, not genre as such but certainly genre adjacent. I wholeheartedly recommend Genius: The Life and Science of Richard Feynman by James Gleick for an entertaining look at his life. (Died 1988.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1952 — Shohreh Aghdashloo, 71. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1952 — Frances Fisher, 71. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on Medium, X-Files, Outer Limits, Resurrection, The Expanse and has some role in the forthcoming Watchmen series.
Born May 11, 1976 — Alter S. Reiss, 47. He’s a scientific editor and field archaeologist. He lives in Jerusalem, he’s written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years.
(10) BREAKING THINGS THAT WORK. Today, via a comment on Seanan McGuire’s discussion of Patreon (thread starts here), I learned about the Trust Thermocline. John Bull’s thread starts here.
I am astonished by companies whose logic on price hikes is, counter to everything we know about the psychology of pricing, "Well, they didn't all quit last time we did this, so they won't quit this time either."
One of the things I occasionally get paid to do by companies/execs is to tell them why everything seemed to SUDDENLY go wrong, and subs/readers dropped like a stone.
So, with everything going on at Twitter rn, time for a thread about the Trust Thermocline /1
(11) DO YOUR PULP HOMEWORK HERE. The Popular Culture Association’s Pulp Studies area now has a website with links and resources: “Pulp Studies”.
What is a “Pulp”?
Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper. They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content. They were sold for modest sums, and were targeted at (sometimes specialized) readerships of popular literature, such as western and adventure, detective, fantastic (including the evolving genres of science fiction, fantasy, and horror), romance and sports fiction. The first pulp Argosy, began life as the children’s magazine The Golden Argosy, dated Dec 2, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, Nov 1971.
…On the surface, no play epitomizes this more than his first tragedy, the grisly Titus Andronicus. It is the Saw franchise of Elizabethan theatre, filled with as much shock and gore as Shakespeare could possibly have packed into a single play. As well as a full complement of stabbings, hangings, and beheadings, the audience is treated to Aaron being buried up to his neck until he starves to death, seeing Lavinia’s hands removed and tongue cut out, watching on as Alarbus’s arms and legs are cut off and he is thrown into a fire, and finally, Shakespeare delivers the coup-de-grace as Chiron and Demetrius are baked into a pie and then fed to their mother. Let it not be said that gore is a new thing in popular entertainment.
And yet, for all these horrors, this play never quite captures an audience (or a classroom) like some of his later, less graphic, tragedies. Why is that? Seen through the lens of a horror writer, Shakespeare’s progression as an artist is not just in his ability to play with structure, form, and character, but rather that he gains a deeper understanding of how to really scare people. As he grew as a writer, he learned there are better ways to emotionally wound an audience than the surface kills and thrills, and it’s this that ends up really defining him as a playwright….
J. G. Ballard’s modern fable High-Rise is almost fifty years old. In the past few decades, its potency has come closer to resembling prophecy, yet Ballard’s obsession with affluence and self-isolating communities isn’t limited to this novel alone. Novels like Super-Cannes, Concrete Island, and Cocaine Nights all invoke similar themes of alienation, isolation, and unrestrained affluence from the depths of his back catalogue, the rich coiling tightly around one another to block out the pressing realities of the wider, poorer world. Yet High-Rise remains a singular invocation, summoning a sturdy mental image with ease, a fraught zoo, a series of stacked cages, a social order imprinted on the quivering skyline in concrete—a book that has shaped its legacy at times with just a title and a stark image on the cover.
(15) FAILURE MODE. A Nature editorial says, “Space companies should not lose heart when things go wrong. The first Moon missions failed repeatedly — and provided lessons on how to achieve success in space and beyond.” “In space, failure is an option — often the only one”
“Failure is not an option,” NASA’s legendary flight-operations director Gene Kranz is said to have remarked, as seen in the 1995 film Apollo 13. Actor Ed Harris portrayed Kranz as he guided his team to save a spacecraft that had run into trouble on the way to the Moon. In the movie, as in real life, the three astronauts on the Apollo 13 mission pulled off a spectacular fix and returned safely to Earth.
Not all space ventures have such a tidy ending. A 2019 attempt by Israeli company SpaceIL to land on the Moon crashed. On 20 April this year, a spectacular intentional detonation ended the first major test flight of Starship, the world’s largest rocket, which SpaceX in Hawthorne, California, is building to carry humans back to the Moon and to Mars. The craft had spun out of control four minutes after lifting off its launch pad in Texas. Five days later, a robotic mission from the Japanese company ispace, based in Tokyo, tried and failed to land safely on the Moon…
“…The scientists and engineers involved should not be discouraged by these failures. Space is hard. This is a truism trotted out every time there’s an attempt to launch from this planet or land on another. But it is accurate. Those who wish to explore the cosmos should expect to fail — perhaps many times — before they can succeed.”
(16) OCTOTHORPE. In episode 83 of the Octothorpe podcast, John Coxon would like more drawers, Alison Scott uses the floor, and Liz Batty is okay with shelves. They also discuss fan funds briefly, and the 2023 Eastercon (Conversation) at some length. Listen here: “Efffffffff”.
Nintendo Switch gamers may be excited to see this promo bus for “The Legend of Zelda: Tears of the Kingdom,” the highly anticipated sequel to 2017’s “Breath of the Wild” parked on First Avenue by 12th Street…
…This appears to confirm that we’ll get another full trailer for the trilogy of specials at some point during the Eurovision Song Contest, as had previously been rumoured….
— Bad Wolf Archives (@BadWolfArchives) May 9, 2023
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Hampus Eckerman, Murray Moore, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) CLARKESWORLD AGAIN DELUGED WITH AI MSS. Neil Clarke told Facebook readers today his magazine Clarkesworld has been inundated with another round of AI-produced submissions.
After a bit of a reprieve, we started getting hit hard with generated submissions/spam again this month. We’re approaching 300 for the month. This morning, I finally figured out where they were coming from. Took some effort to track down since the video (and its copycats) aren’t in English. Another make quick money scam, but this time targeting us specifically. The person behind it shows our website and even lingers around the “No ChatGPT” statements in the guidelines and submission form, before going to ChatGPT, generating, and submitting. He was previously banned for this, so he knows it won’t work. Have filed a complaint with YouTube, but I doubt they’ll do anything about it.
I’m not looking to start another round of the AI argument. It’s just our policy, like word count limits and genre restrictions.
I have upped our settings on my home-grown spam filter, so if you are submitting and use a proxy or VPN, you might find yourself with a slower response time.
(2) MEANWHILE, A CLARKESWORLD SUCCESS. Neil Clarke’s May Clarkesworld editorial says that when it comes to one of his sf-in-translation projects, “Something Went Mostly Right”.
…Finally, in early 2023, we were in a position to launch our pilot project. From January 15th through February 15th, we held our first open call for submissions written in Spanish, but never published in English.
The key element for this project was having a strong team that was well-aligned with our tastes and goals. I want to express my deepest gratitude to Nelly Geraldine Garcia-Rosas, Cristina Jurado, and Loreto ML for their time and work as part of the fiction team. They handled all of the first reading for the 1124 submissions we received, providing me with detailed summaries and personal assessments. From there, we narrowed the pile down to thirty-three works. Those endured a much more in-depth second round of consideration that ultimately led to the acceptance of eight stories that we will translate and publish over the course of next year.
In the interest of transparency, I want to explain how the second round evaluation process was carried out. Each of the thirty-three works was read by the entire team. In my case, that required the use of machine translation. These tools are horribly unreliable, but understanding that, I placed more emphasis on the reader’s description and team members’ individual feedback. Those bad translations often prompted me to ask more questions, which led to a better understanding of the strengths and weaknesses of each story. Just as with our English language submissions, there were strong works that were ultimately rejected because they didn’t fit our publication. (If there was a trend among those, it might have been that they drifted a bit further into horror than I typically like.)…
(3) WINNIPEG NASFIC WILL RAISE MEMBERSHIP RATES. Pemmi-Con, the 15th North American Science Fiction Convention, announced that membership rates will increase May 15. Full details at the link.
The convention is happening July 20-23 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg.
Like all good Star Wars stories, it began with a vital transmission. Except, this one wasn’t from Princess Leia, nor was it delivered in the memory unit of an R2 droid.
It was, simply, a phone call to the offices of Aardman Animations – beamed from Skywalker Ranch, home of the legendary Lucasfilm, to the Bristol-based HQ of Britain’s most beloved animation studio, back in March 2021. It was, says Aardman’s Executive Creative Director Sarah Cox, “a mysterious call”. And like Leia’s message, it came with a mission: for the quintessentially British stop-motion studio behind Wallace & Gromit and Chicken Run to create its very own short for animated anthology Star Wars: Visions, with an open remit for what that might entail. The possibilities were vast. But for the studio that once delivered a definitive answer on whether the moon is made of cheese (it is, as we now know, similar to Wensleydale) Cox had one big question: “Can we be funny?”
Comedy has rarely been at the forefront of Star Wars’ mind. Thankfully, pushing the boundaries of what Star Wars can be is Visions’ entire raison d’être. Volume 1, released in September 2021, was a thrilling visual and narrative experiment, letting seven Japanese anime studios loose on the iconography of the galaxy far, far away to interpret as they pleased – resulting in everything from black-and-white samurai showdowns, to vibrant rock band rhapsodies. For all the wildness, it remained rooted in the Japanese traditions that George Lucas drew from when first creating Star Wars – a cyclical cultural exchange. In Volume 2, streaming from today on Disney+, the series goes worldwide, featuring shorts from countries including India, Ireland, South Africa, Chile, France – and, yes, the UK. “I always framed it as, ‘Think of it like the Street Fighter map’,” laughs Lucasfilm’s James Waugh. “The cultural element of Volume 1 was so unique, that we felt that could happen in Volume 2 with multiple perspectives. There was an opportunity here to really showcase all of those incredible voices.”…
(5) BRUCE MCCALL (1935-2023.) Humorist and illustrator Bruce McCall died May 5. The New York Times obituary discussed his memorable satires.
Bruce McCall, whose satirical illustrations for National Lampoon and The New Yorker conjured up a plutocratic dream world of luxury zeppelin travel, indoor golf courses and cars like the Bulgemobile Airdreme, died on Friday in the Bronx. He was 87.
His wife, Polly McCall, said his death, at Calvary Hospital, was caused by Parkinson’s disease.
Borrowing from the advertising style seen in magazines like Life, Look and Collier’s in the 1930s and ’40s, Mr. McCall depicted a luminous fantasyland filled with airplanes, cars and luxury liners of his own creation. It was a world populated by carefree millionaires who expected caviar to be served in the stations of the fictional Fifth Avenue Subway and carwashes to spray their limousines with champagne…
…A wider audience knew Mr. McCall through the collections “Bruce McCall’s Zany Afternoons” (1982), “The Last Dream-o-Rama: The Cars Detroit Forgot to Build, 1950-1960” (2001), and “All Meat Looks Like South America: The World of Bruce McCall” (2003).
He was “our country’s greatest unacknowledged design visionary,” the critic and graphic designer Michael Bierut wrote in Design Observer in 2005, “the visual poet of American gigantism.”…
(6) MEMORY LANE.
2013 – [Compiled by Cat Eldridge.]
Today’s Beginning is from Esther Friesner who has written a lot of fiction that I’ve read. Her humorous style of writing can be a bit much sometimes but I like it when I’m in the right mood.
She has won no Hugos but did garner two Nebulas for short stories, “Death and the Librarian” and “A Birthday”. (The latter got her a Hugo nomination at L.A. Con III.) She also got a much deserved Edward E. Smith Memorial Award for Imaginative Fiction.
I decided upon E. Godz which was co-written by Esther Friesner and Robert Asprin. It was published by Bean Books a decade ago. The cover was illustrated by Gary Ruddell.
This being Baen Books, it is not available from the usual suspects but only from Bean Books. Surely you’re not surprised, are you?
So here’s our Beginning. I think it’s quite interesting…
On a lovely spring morning in the hyperborean wilderness of Poughkeepsie, New York, Edwina Godz decided that she had better die. She did not make that decision lightly, but in exactly the manner that such a (literally) life-altering choice should, ought, and must be made. That is to say, after a nice cup of tea.
It wasn’t as if she was about to kill herself. Just die.
She reached the aforementioned decision almost by accident, while pondering the sorry state of her domestic situation and seeking a cure for the combination of headache, tummy trouble, and spiritual upheaval she always experienced every time she thought about her family. Under similar circumstances, most women would head right for the medicine cabinet, but Edwina Godz was a firm believer in the healing power of herbs. Better living through chemistry was all very well and good, yet when it came down to cases that involved the aches, pains, and collywobbles of day-to-day living, you couldn’t beat natural remedies with a stick.
Especially if the stick in question was a willow branch. Surprising how few people realized that good old reliable aspirin was derived from willow bark.
Edwina realized this, all right. In fact, she was a walking encyclopedia of herbal therapy lore. It was partly a hobby, partly a survival mechanism. You didn’t get to be the head of a multicultural conglomerate like E. Godz, Inc. without making a few very . . . creative enemies. When you grew your own medicines, you didn’t have to worry about the FDA falling down on the job when it came to safeguarding the purity of whatever remedy the ailment of the moment demanded. Perhaps it was a holdover from her chosen self-reliant life-style all the way back in the dinosaur days of the ’60s, but Edwina Godz was willing to live by the wisdom that if you wanted to live life to the fullest, without the pesky interference of the Man, you should definitely grow your own.
No question about it, Edwina had grown her own, and it didn’t stop at herbs for all occasions. However, at the moment, herbs were the subject under consideration.
Specifically: which one to take to fix Edwina’s present malaise? It wasn’t going to be an easy choice, not by a long shot. Peppermint tea was good for an upset tummy, though ginger was better, but valerian was calming and chamomile was the ticket if you were having trouble getting to sleep. Then again, green tea was rich in antioxidants, which were simply unsurpassed when it came to maintaining one’s overall health, and ginseng was a marvelous source of all sorts of energy, while gingko biloba—
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 7, 1912 — Clyde Beck. Fan and critic who wrote what Clute says in EoSF is the first work of criticism devoted to American SF: Hammer and Tongs which was published in 1937 by Futile Press. It was assembled from four essays and the reviews Beck wrote for The Science Fiction Critic, a fanzine by his brother Claire P. Beck with a newly written author’s preface by Clyde. He wrote four pieces of genre fiction between the Thirties and Fifties. None of what he wrote is in-print. (Died 1986.)
Born May 7, 1918 — Walt Liebscher. His fanzine Chanticleer was a finalist for the 1946 Retro-Hugo; Harry Warner said “Liebscher did incredible things with typewriter art. He specialized in little faces with subtle expressions…. the contents page was frequently a dazzling display of inventive borders and separating lines.” His later pro writing was collected in Alien Carnival (1974). He was given the Big Heart, our highest service award, in 1981. (Died 1985.) (JJ)
Born May 7, 1922 — Darren McGavin. Carl Kolchak on Kolchak: The Night Stalker — How many times have I seen it? I’ve lost count long, long ago. Yes, it was corny, yes, the monsters were low rent, but it was damn fun. And no, I did not watch a minute of the reboot. By the way, I’m reasonably sure that his first genre role was in the Tales of Tomorrow series as Bruce Calvin in “The Duplicates” episode. (Died 2006.)
Born May 7, 1931 — Gene Wolfe. He’s best known for his Book of the New Sun series. My list of recommended novels would include Pirate Freedom, The Sorcerer’s House and the Book of the New Sun series. He’s won the BFA, Nebula, Skylark, BSFA and World Fantasy Awards but to my surprise has never won a Hugo though he has been nominated quite a few times. He has been honored as a Grand Master by the Science Fiction and Fantasy Writers of America. (Died 2019.)
Born May 7, 1940 — Angela Carter. Another one taken far too young by the damn Reaper. She’s best remembered for The Bloody Chamber and Other Stories where she took fairy tales and made them very, very adult in tone. And I’d also recommend The Curious Room as it contains her original screenplays for the BSFA-winning The Company of Wolves which starred Angela Lansbury, and The Magic Toyshop films, both of which were based on her own original stories. Though not even genre adjacent, her Wise Children is a brilliant and quite unsettling look at the theatre world. I’ve done several essays on her so far and no doubt will do more. A smattering of her works are available at the usual suspects. (Died 1992.)
Born May 7, 1951 — John Fleck, 72. One of those performers the Trek casting staff really like as he’s appeared in Next Generation, Deep Space Nine in three different roles, Voyager and finally on Enterprise in the recurring role of Silik. And like so many Trek alumni, he shows up on TheOrville.
Born May 7, 1951 — Gary Westfahl, 72. SF reviewer for the LA Times, Internet Review of Science Fiction and Locus Online. Editor of The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders; author of Immortal Engines: Life Extension and Immortality in Science Fiction and Fantasy (with George Slusser) and A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films.
IDW Media will lay off 39% of its staff and delist from the New York Stock Exchange in what the company called “cost-cutting measures” taken in “response to operational challenges.”
Among the staff affected by layoffs are the entire marketing and PR departments and half of the editorial department, including publisher Nachie Marsham, who has served in the role since September 2020. In all, 28 employees are being let go and IDW has budgeted $900,000 to cover severance costs.
IDW has also announced several changes to senior management in light of the staff reduction and NYSE delisting. CEO Allan Grafman will be replaced by Davidi Jonas, who most recently served as IDW’s chief strategy officer, and is the son of IDW chairman Howard Jonas. Grafman had served as CEO since August 2022. Additionally, CFO Brooke Feinstein has been let go, and Amber Huerta, previously senior v-p of people and organizational development, has been promoted to COO.
IDW operates in two groups—its publishing division, which publishes comic books and graphic novels and includes the Top Shelf imprint, and its entertainment division, which produces and distributes multimedia content based on the publishing group’s original book content….
(9) MAURICE HORN (1931-2022). Comics historian, author, editor and curator Maurice C. Horn passed away on December 30, 2022, at the age of 91. The Comics Journal profiles his achievements and controversies.
… The success of the encyclopedias gave Horn the financial stability and clout to write about other comics-related topics. Books such as Comics of the American West (Winchester Press, 1977), Women in the Comics (Chelsea House, 1977), Burne Hogarth’s The Golden Age of Tarzan, 1939-1942 (Chelsea House, 1977), and Sex in the Comics (Chelsea House, 1985) proved commercially successful enough to warrant multiple printings and new editions over the course of several decades, but none had the lasting impact of The World Encyclopedia of Comics. Marshall laments that too many of Horn’s later works “essentially were rehashes of his pioneering books, brought out in multi-volume editions to enhance library-sale profits, or justified by anniversaries of the business.”
100 Years of American Newspaper Comics, published by Gramercy in 1996, was Horn’s final major publication.Horn returned to his roots in 1996 with 100 Years of American Newspaper Comics, an illustrated encyclopedia published by Gramercy in belated celebration of the centennial of the Yellow Kid. The 414-page volume, with its tighter focus, less-rushed publication schedule and dedicated team of writers and researchers who benefited from the nearly decades of comics scholarship that followed the publication of The World Encyclopedia of Comics, is considered by many historians to be Horn’s most accurate and comprehensive work….
Q. What do you think of the “science fiction future”, in re the fiction out there?
A. It seems about the same as ever, although way more diverse. And there’s more emphasis on social issues and the environment. Not as much wild science as I’d like to see, but that stuff is hard to invent. As ever, a good procedure is to glom onto some standard SF trope and work it into a transreal novel about your own life. Transreal? That’s a word I invented in 1983 to describe my process of writing SF novels in which characters are based either on me or on people I know. See my “Transrealist Manifesto.”
Transrealism is kind of a beatnik thing, writing novels about your own life. And of course Phil Dick and Kurt Vonnegut and Kim Stanley Robinson did it too…
In Portis’s final story, a local reporter investigates a billionaire-funded project in which armies of monkeys generate massive volumes of text to supersede the “old elitist notion of writing as some sort of algebra.”
. . . Is the musty old prophecy at last being fulfilled? We now have millions of monkeys pecking away more or less at random, day and night, on millions of personal computer keyboards. We have “word processors,” the Internet, e-mail, and “the information explosion.” Futurists at our leading universities tell us the day is at hand when, out of this maelstrom of words, a glorious literature must emerge, and indeed flourish.
So far, however, as of today, Tuesday, September 14, late afternoon, the tally still seems to be fixed at:
Shakespeare: 198, Monkeys: 0
(12) VIDEO OF THE DAY. Just for fun, here’s Amaury Guichon sculpting a Stormtrooper helmet out of chocolate. Jennifer Hawthorne says, “His chocolate creations are amazing but this is the first time I’m aware of that he’s done something of the SFF genre. Maybe a campaign could be organized to request that he do the NCC-1701, or a chocolate Balrog!”
I have created this wearable chocolate helmet in preparation of May the 4th! It was a lot of fun crafting it without the use of any molds. What do you think of the final result?
[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Paul Di Filippo, Jennifer Hawthorne, Murray Moore, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) PRO TIPS. With in-person cons resuming throughout fandom, Cass Morris has advice for “Giving Good Panel” in her latest newsletter.
Practice (and tailor) your introduction
Introducing yourself at the start of the panel isn’t the time to go into your full CV or publication history. It’s not even the time to recite your full 100 word bio that’s printed in the program.
A good formula? “Hi, I’m [name], I’m the author of [most recent publication or series] and [something else relevant to your writing career]. I’m also [whatever your day job is, or if you don’t have one, mention a hobby].”
Then, if there’s anything particularly relevant to the panel I’m on, I’ll mention that. I tend not to go into my background as a Shakespeare scholar, for instance, because that’s usually not directly relevant — but at RavenCon last April, it was! I was on a panel called “Elements of the Fantastic in Shakespeare,” so it was good to establish my credibility to speak on that particular topic.
Keep the intro to your book or series brief — an apposition, just a short phrase. “I’m the author of the Aven Cycle, historical fantasy set in an alternate ancient Rome” or even just “I’m the author of epic fantasy series the Aven Cycle.”…
(2) X CORP. No, not X-corps (a Heinlein reference). X Corp is the successor to Twitter, Inc. — which “no longer exists.” Slate reports “Twitter Isn’t A Company Anymore”.
In a court filing on Tuesday, April 4, Twitter Inc. quietly revealed a major development: It no longer exists. The company is currently being sued by right-wing provocateur Laura Loomer, who accused it of violating federal racketeering laws when it banned her account in 2019. Loomer has a Twitter account again, and her absurd lawsuit is bound to fail—but until it does, Twitter, as a defendant, must continue to submit corporate disclosure statements to the court. And so, in its most recent filing, the company provided notice that “Twitter, Inc. has been merged into X Corp. and no longer exists.” As the “successor in interest” to Twitter Inc.—that is, the survivor of the merger—X Corp. is now the defendant in Loomer’s suit. Its parent corporation is identified as X Holdings Corp.
…On a spring day in 2019, Ellie Newell, the youth-services librarian at the main branch, in a historic post office in downtown Kalispell, hosted a special story time for a visiting class of preschoolers. Newell was raised by librarians and had taken the job straight out of graduate school, drawn to Flathead’s reputation for “doing cutting-edge library stuff.” Several years earlier, the library had rebranded to adopt a new name and logo, as well as an updated, possibly foolhardy mission. The Flathead County Library System became the ImagineIF Libraries and set out to use technology and interactive programs to bring together far-flung residents of the county. This new approach earned ImagineIF a John Cotton Dana Award (the equivalent of a library Oscar) and the title of State Library of the Year.
Like most children’s librarians, Newell did a lot of story times and kept a stack of read-aloud books on her desk. She considered it important to mix things up: some books with animals, some with people; some classics, some new releases. At the top of Newell’s pile that day was “Prince & Knight,” a fairy-tale picture book published in 2018. The story features a charismatic dragon, but no lady who wins a warrior’s heart. The romance instead unfolds between the titular prince (a man) and knight (also a man). Newell thought the book was sweet: a bit edgy in its gayness, but still chaste and traditional, culminating in marriage. Her calendar didn’t show any special book requests or even the name of the visiting school, so she grabbed “Prince & Knight” off her desk and went out to read it. She opened her eyes wide behind her glasses and swivelled to connect with every member of her audience. The children giggled and clapped. But, at the end of the reading, their teacher looked upset.
The class had come from a Catholic school, and, a few days later, the teacher wrote to the Daily Inter Lake, a local newspaper, saying how “shocked and grieved” she was by the presentation of a book about “homosexual marriage.” She argued that “such a controversial topic” should not be introduced to “innocent children.”…
…During the pandemic, Flathead became the fastest-growing county in the state, thanks in part to new migration. The arrivals were split between lovers of the outdoors (of various political persuasions) and people in search of a Trumpian refuge from urban ills. The responses to the “Prince & Knight” reading tracked with the county’s divergent politics. Was the story time a sign of open-mindedness or proof that the library was promoting “all these alternative lifestyles,” as one Kalispell man wrote to the Inter Lake? The Catholic schoolteacher filed a formal challenge to “Prince & Knight,” seeking its removal from ImagineIF’s collection. The library director, Connie Behe, recommended that the book be retained because the work as a whole conformed to ImagineIF standards. The final decision was up to the library’s five-member board of trustees….
…The warning on the opening pages of the 2023 reissue of Thank You, Jeeves reads: “Please be aware that this book was published in the 1930s and contains language, themes and characterisations which you may find outdated. In the present edition we have sought to edit, minimally, words that we regard as unacceptable to present-day readers.”
The NR article goes on to state that the changes do not affect the story itself. The 2022 edition of Right Ho, Jeeves has also been edited and features the same disclaimer.
Wodehouse, who died in 1975, is known for authoring over 90 books, his oeuvre often hailed as the funniest in the English language. The Jeeves stories follow the idle upper-class gentleman Bertie Wooster and his resourceful valet Reginald Jeeves. The stories served as the basis for the well-known British comedy Jeeves and Wooster, which starred Stephen Fry and Hugh Laurie. The show was broadcast on ITV in the 1990s.
Racial terminology has been removed throughout the novels. A racial term used to describe a “minstrel of the old school” has been removed in Right Ho, Jeeves. In Thank You, Jeeves, whose plot hinges on the performance of a minstrel troupe, numerous terms have been removed or altered, both in the dialogue between characters and from the first-person narration of Bertie Wooster.
Another National Review article has declared such efforts to be the work of a “cabal of history vandals” that bear a strong resemblance to the clueless elites that populate Wodehouse’s works. “The Literature Vandals Don’t Know When to Stop”.
It is an impossible coincidence that the people endorsing retroactive edits to the works of P. G. Wodehouse are the very types of thickheaded dilettantes Wodehouse spent most of his 90 years lampooning.
“I’m not proud of it,” Joe R. Lansdale said in a recent phone interview, “but I’ve been in a lot of fights. You start to learn what’s real and what isn’t.”
He draws on his background as a martial artist, bouncer, and bodyguard from a rough part of East Texas when writing his fight scenes. Most real fights are over fast, he said, and it’s possible to reflect that in your writing while still giving them impact.
“I always think less is more,” he said. “To make it seem like you’ve given a lot of description, but you haven’t. You’ve chosen the right words. You have to write like a cinematographer. I’ve always found that the greatest thing outside experience is stopping and thinking about it from an observational standpoint. The more you do it, the more you’re able to envision that action sequence.”
For action sequences, he recommends short sentences and paragraphs. Another way of injecting a sense of immediacy is to give it a stream-of-consciousness structure, as in: “I spin and dodge his fist, then hit him with …”
“Some people will say that’s a run-on sentence,” he said. “It isn’t, if it’s done right.”
(6) OF INTEREST TO TOLKIEN AND SFF SCHOLARS. Robin A. Reid has assembled a list of hybrid and virtual conferences of interest to those working in Tolkien studies. The first edition is available at “The Online Conference Project”.
After seeing outstanding presentations at the 2021-22 Virtual PCA conferences by a significant number of Tolkien scholars who had never been able to attend the f2f PCA in the past, and who will not be able to attend future f2f PCA conferences because of the various barriers, I started the Online Conference Project.
My goal is to collect and share information about conferences that are either hybrid (meaning allowing for both virtual and in-person presentations and attendance) or virtual (meaning completely online), especially those of interest to those of us working in Tolkien studies and fantasy/speculative fiction studies generally
… In the list below, I provide basic information: conference name/theme, organization or institution organizing it; proposal submission deadline; delivery mode (hybrid, meaning an online track added to a f2f conference; or virtual, meaning entirely online); registration fee (if available); dates of conference…
Lincoln Center will bring back its Summer for the City festival this year, the organization announced on Monday, continuing its efforts to attract new audiences by embracing a wide variety of genres, including pop and classical music, social dance and comedy.
An opera based on Octavia E. Butler’s novel “Parable of the Sower,” by the folk and blues musician Toshi Reagon and the composer Bernice Johnson Reagon, will get its New York City premiere at Geffen Hall on July 14.
John Mansfield in 2015. Photo taken by and (c) Andrew Porter.
(8) PAST WORLDCON CHAIR DIES. John Mansfield, chair of the 1994 Worldcon in Winnipeg, died April 19. He was to be fan guest of honor at this year’s NASFiC, Pemmi-Con, also in Winnipeg.
Mansfield co-founded the Ontario Science Fiction Club (OSFiC) in 1966 with other Toronto locals he’d met at that year’s Worldcon, Peter Gill, Mike Glicksohn, Ken Smookler, and Maureen Bournes. Mansfield had decided to attend the Worldcon after reading a series of articles about fandom in If written by Lin Carter.
Mansfield also had a connection to early Star Trek fandom, contributing an article to the 1968 Comerford/Langsam fanzine Spockananalia 2, “Communication From Starfleet Intelligence”, about Klingon military techniques for interrogating Vulcans:
… Since the prisoner will show no emotion, it will be very hard to determine his mental state as he tries to adapt to captivity. They are a proud race, and consider many of the other Galactic races below them. We have found that if one breaks, he will break completely, and all the past frustrations and emotions will pour out. Experienced interrogators describe this as a rather long and sometimes boring experience….
Mansfield served in the Canadian Armed Forces for 25 years, retiring in 1990. While stationed in New Brunswick, he chaired OromoctoCon in 1970, with attendance of about 30, including some fans who drove up from Boston.
He and his wife, Linda Ross-Mansfield, ran the Pendragon Games specialty store at various locations in Winnipeg over the decades. His influence in gaming fandom is reflected in the fact that the Origins Awards, presented at the Origins Game Fair, are referred to as his “brainchild” in the official history.
He helped develop Winnipeg’s regional Keycon. Beginning in 1989 he published ConTRACT, a zine for Canadian conrunners, continuing until 2002. In the last issue he delivered this snapshot of his life at the time:
Here in Winnipeg, I get to do lots. …I’m part of a Media con and a Horror con, with more possibilities to come. I have the chance to promote some 20 movies a year. I am responsible for promoting various game companies via tournaments from Thunder Bay to Alberta. I’m still running the second largest Game store in Canada, that continues to grow in sales ever since our start in 1982. I know that I am only held back by my imagination and the time I wish to commit to my world.
When he led the 1994 Worldcon (ConAdian) committee, knowing that attendance would be sparse in comparison to Worldcons held in cities many times larger than Winnipeg, he showed a degree of commercial ingenuity that may be common among trade shows but had never been equaled by any previous Worldcon. He courted dozens sponsors and advertisers to gain new sources of revenue at the same time he unsentimentally cut expenses. At opening ceremonies the Mayor of Winnipeg said ConAdian would be the largest conference gathering in Winnipeg this year — the audience buzzed with interest when they heard that.
By then, I was already chair of the forthcoming 1996 Worldcon (L.A.con III), and I was deeply appreciative for all the times John sat with me to share his knowledge and experience.
He would have liked to bring the Worldcon back to Winnipeg for 2003, and started a bid, but the Toronto bid for that year became the unified Canadian entry, winning over a bid for Cancun.
He co-chaired the 2005 Westercon in Calgary. In 2012 he helped start the short-lived A.E. Van Vogt Award for Canadian science fiction on behalf of the Winnipeg Science Fiction Association (WINSFA), Conadian, and Science Fiction Winnipeg (SFW).
He is survived by his wife, Linda Ross-Mansfield, NASFiC co-chair.
(9) MEMORY LANE.
2016 – [Compiled by Cat Eldridge.]
The entire Terra Ignota series was nominated at Chicon 9 for a Hugo Award for Best Series. It was also nominated for an Otherwise Award,
The first work was Too Like The Lightning was published by Tor Books seven years ago. It was rapidly joined by the rest of the quartet, Seven Surrenders (2017), The Will to Battle, (2017) and finally Perhaps the Stars (2021).
I think it’s a brilliant if somewhat flawed series and that is all I’ll say here.
Now shall we read the Beginning of Too Like The Lightning? Of course we will…
A Prayer to the Reader
You will criticize me, reader, for writing in a style six hundred years removed from the events I describe, but you came to me for explanation of those days of transformation which left your world the world it is, and since it was the philosophy of the Eighteenth Century, heavy with optimism and ambition, whose abrupt revival birthed the recent revolution, so it is only in the language of the Enlightenment, rich with opinion and sentiment, that those days can be described. You must forgive me my ‘thee’s and ‘thou’s and ‘he’s and ‘she’s, my lack of modern words and modern objectivity. It will be hard at first, but whether you are my contemporary still awed by the new order, or an historian gazing back at my Twenty-Fifth Century as remotely as I gaze back on the Eighteenth, you will find yourself more fluent in the language of the past than you imagined; we all are.
I wondered once why authors of ancient days so often prostrate themselves before their audience, apologize, beg favors, pray to the reader as to an Emperor as they explain their faults and failings; yet, with my work barely begun, I find myself already in need of such obsequies. If I am properly to follow the style I have chosen, I must, at the book’s outset, describe myself, my background and qualifications, and tell you by what chance or Providence it is that the answers you seek are in my hands. I beg you, gentle reader, master, tyrant, grant me the privilege of silence on this count. Those of you who know the name of Mycroft Canner may now set this book aside. Those who do not, I beg you, let me make you trust me for a few dozen pages, since the tale will give you time enough to hate me in its own right.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 20, 1908 — Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
Born April 20, 1937 — George Takei, 86. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 84. I’ve known him for about twenty years now, met him but once in that time. He’s quite charming. (I had dinner with him here once some years back.) My favorite works? Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has a World Fantasy Award for Lifetime Achievement.
Born April 20, 1943 — Ian Watson, 80. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”. He has written in Warhammer 40,000 universe including The Inquisition War trilogy.
Born April 20, 1949 — John Ostrander, 74. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1959 — Clint Howard, 64. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in Star Trek’s “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
Born April 20, 1964 — Sean A. Moore. He wrote three Conan pastiches, Conan the Hunter, Conan and the Grim Grey God and Conan and the Shaman’s Curse. He also wrote the screenplay for Kull the Conqueror, and the novelization of it. All were published by Tor. He was active in Colorado fandom. He died in car crash in Boulder. (Died 1998.)
(11) JEOPARDY! Neal Stephenson figured in the climactic round of tonight’s Jeopardy! episode. Andrew Porter was watching.
Final Jeopardy: Modern Words
Answer: Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name
All three contestants got it wrong, with “What is powder?” “What is uber?” and “What is avalanche?”
“Buying a cassette direct from an independent artist on platforms such as Bandcamp is such a fun way to consume music. Often produced in very small runs, it is nice to receive something though the post that is relatively scarce. In these days of Spotify funnelling payments only to the superstars, it feels good to support small artists and labels. I love vinyl, too, but the magic of a cassette is that you have no way to skip tracks; you press ‘play’ and listen from start to finish with only the satisfying thud of one side ending to interrupt the experience. The noisy, tactile controls of a cassette player are the perfect tonic to the ways most of us consume media throughout the day, making it more of a special event and something to look forward to.” Dan White, 40, Norwich
(13) RECORD STORE RESOURCE. April 22 is “Record Store Day”. This link will take you to any store participating, anywhere, plus lots of other information.
This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role they play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point.
SpaceX’s Starship lifted off the pad in Southern Texas and cleared the launchpad, its first milestone, but then began tumbling as it was preparing for stage separation and the vehicle came apart some four minutes into flight.
… SpaceX’s Kate Tice said it was unclear what caused the rocket to come apart. She said that “teams will continue to review the data and work toward our next flight test.”
Still, since it was a test, SpaceX hailed the flight as a success because it would provide the company new information about how the vehicle performs in real life that will help them on future flights. And it did not damage the launchpad, a risk SpaceX CEO Elon Musk had said was his greatest worry….
Although currently there is no known threat to Earth from asteroids, strategies to protect the planet from a collision are being explored. On 26 September 2022, NASA and the Johns Hopkins Applied Physics Laboratory successfully tested one such approach: the Double Asteroid Redirection Test (DART) spacecraft was deliberately crashed into Dimorphos, a moon orbiting the small asteroid Didymos, resulting in a change in the moon’s orbit. In this week’s issue, five papers explore the test and the effects of the collision. “Successful kinetic impact into an asteroid” reconstructs the impact; a second looks at the change to Dimorphos’s orbit caused by the impact. A third paper reports observations from the Hubble Space Telescope of the material ejected during the collision. A fourth paper uses modelling to characterize the transfer of momentum that resulted from the impact. And the final paper reports on citizen science observations before, during and after the collision.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lloyd & Yvonne Penney, Moshe Feder, Danny Sichel, SF Concatenation’s Jonathan Cowie, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) ADOBE FIREFLY. [Item by Mike Kennedy.]The Verge is reporting “Adobe made an AI image generator — and says it didn’t steal artists’ work to do it”. The difference from others? Supposedly no copyrighted material was used to train the AI. Unless Adobe owned the copyright or licensed it for training. See the article for some illustrations.
Adobe is finally launching its own AI image generator. The company is announcing a “family of creative generative AI models” today called Adobe Firefly and releasing the first two tools that take advantage of them. One of the tools works like DALL-E or Midjourney, allowing users to type in a prompt and have an image created in return. The other generates stylized text, kind of like an AI-powered WordArt.
This is a big launch for Adobe. The company sits at the center of the creative app ecosystem, and over much of the past year, it’s stayed on the sidelines while newcomers to the creative space began to offer powerful tools for creating images, videos, and sound for next to nothing. At launch, Adobe is calling Firefly a beta, and it’ll only be available through a website. But eventually, Adobe plans to tightly integrate generative AI tools with its suite of creative apps, like Photoshop, Illustrator, and Premiere.
“We’re not afraid of change, and we’re embracing this change,” says Alexandru Costin, VP of generative AI and Sensei at Adobe. “We’re bringing these capabilities right into [our] products so [customers] don’t need to know if it’s generative or not.”
Adobe is putting one big twist on its generative AI tools: it’s one of the few companies willing to discuss what data its models are trained on. And according to Adobe, everything fed to its models is either out of copyright, licensed for training, or in the Adobe Stock library, which Costin says the company has the rights to use. That’s supposed to give Adobe’s system the advantages of not pissing off artists and making its system more brand-safe. “We can generate high quality content and not random brands’ and others’ IP because our model has never seen that brand content or trademark,” Costin said.
Costin says that Adobe plans to pay artists who contribute training data, too. That won’t happen at launch, but the plan is to develop some sort of “compensation strategy” before the system comes out of beta….
People who identify as gay in Uganda risk life in prison after parliament passed a new bill to crack down on homosexual activities.
It also includes the death penalty in certain cases.
A rights activist told the BBC the debate around the bill had led to fear of more attacks on gay people.
“There is a lot of blackmail. People are receiving calls that ‘if you don’t give me money, I will report that you are gay,'” they said.
The bill is one of the toughest pieces of anti-gay legislation in Africa….
What does the bill say?
The final version has yet to be officially published but elements discussed in parliament include:
A person who is convicted of grooming or trafficking children for purposes of engaging them in homosexual activities faces life in prison
Individuals or institutions which support or fund LGBT rights’ activities or organisations, or publish, broadcast and distribute pro-gay media material and literature, also face prosecution and imprisonment
Media groups, journalists and publishers face prosecution and imprisonment for publishing, broadcasting, distribution of any content that advocates for gay rights or “promotes homosexuality”
Death penalty for “aggravated homosexuality”, that is sexual abuse against a child, a person with disability or vulnerable people, or in cases where a victim of homosexual assault is infected with a life-long illness
Property owners also face risk of being jailed if their premises are used as a “brothel” for homosexual acts or any other sexual minorities rights’ activities
A small group of Ugandan MPs on a committee scrutinising the bill disagreed with its premise. They argue the offences it seeks to criminalise are already covered in the country’s Penal Code Act….
(3) GATHERING OF BOOK LOVERS. The Los Angeles Vintage Paperback show continues to rebound from the pandemic years. John King Tarpinian took this photo of the event forty-five minutes after it started last Sunday morning in Glendale, CA. (I spotted Matthew Tepper on the left margin. And the back of Craig Miller’s head, at the far end of the hall.)
(4) A LITERARY KNOCKOUT. The three novels in Liu Cixin’s Three-Body Problem series had enjoyed a resurgence to the top of China’s bestseller list due to interest generated by two TV adaptations, however, its reign at the top is over: “February’s China Bestsellers: A Crime Drama Knockout” at Publishing Perspectives.
The Knockout (Qingdao Publishing House)—by Zhu Junyi, Xu Jizhou, and Bai Wenjun—has vaulted to the No. 1 spot on the fiction list from no previous ranking, effectively blindsiding consumers and the industry.
The trilogy that The Knockout has shoved down to Nos. 2, 3, and 4 is the mighty “Three-Body Problem” series by Liu Cixin, which, as Publishing Perspectives readers know, has been surging to the tops of the monthly lists on the strength of both an animated and a live-action television adaptation….
(5) CINEMA STORY ORIGINS PODCAST RECEIVES WARNING FROM MOVIE STUDIO. [Item by Dann.] The Cinema Story Origins Podcast began originally as the Disney Story Origins podcast. Author and podcaster, Paul J. Hale, was inspired to review movies and the books that inspired them by comparing the two. Where there are multiple written works, he frequently compares the movie with the more notable written works in parallel.
Paul told Facebook followers yesterday he was recently contacted by a lawyer for a major studio and advised that he was pushing the line on fair use of the studio’s property. Paul did not name the studio, the lawyer, or the property in question. He did, however, say that fans of his podcasts include Disney executives including at least one that made a sizeable financial contribution to Paul’s efforts.
…I recently had a major film studio warn me about how perilously close to the wind I’m sailing when I use their IPs (though the lawyer told me she likes the podcast very much).
I promised that I’ll watch myself, and reminded them that there has never been a charge for people to listen to the podcast and that those who pledge and donate do so out of love for the podcast, and the kindness of their hearts. I told them that this is well meaning content, and free advertising of their products. I also shared many e-mails from listeners, telling me that because of the show they watched the movie(s), and/or read the books.
“We appreciate that,” the lawyer said, “just don’t get carried away.”
I appreciate that they contacted me and gave me a warning rather than a cease and desist order, because if that happens the show’s over. Believe. I can’t fight billion dollar corporations. …
Cinema Story Origins is currently comparing Richard Adams’ Watership Down with the movie that it inspired. The first two episodes of the Watership Down arc come in at a total of 3 hours and 41 minutes. The final episode will probably be over 2 hours.
As always, Paul’s presentations are well-researched, presented with footnotes, lively, and entertaining. You never know when he is going to toss in a moment of clarity (either humorous or serious – sometimes both!)
(6) SPUR AWARDS. The Western Writers of America recently announced the 2023 Spur Awards. (I doubt any of them are genre.)
Best Western Historical Nonfiction Book: Saving Yellowstone: Exploration and Preservation in Reconstruction America by Megan Kate Nelson
Script: Dead for a Dollar (CHAOS a Film Company/Polaris Pictures) by Walter Hill
Romance Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
First Novel: Proving Her Claim: On the Dakota Frontier by CK Van Dam (Pasque Publishing)
Biography:Before Billy the Kid:The Boy Behind the Legendary Outlaw by Melody Groves (TwoDot).
Children’s Picture Book:The Rowdy Randy Wild West Show: The Legend Behind the Legendby author Casey Day Rislov and illustrator Zachary Pullen (Mountain Stars Press).
Contemporary Nonfiction Book: A Place of Thin Veil: Life and Death in Gallup, New Mexico by Bob Rosebrough (Rio Nuevo Publishers).
Contemporary Novel:Beasts of the Earth by James Wade (Blackstone Publishing).
Documentary Script:The Battle of Red Buttes by Candy Moulton and Bob Noll (Boston Productions Inc./National Historic Trails Interpretive Center).
First Nonfiction Book: American Hero, Kansas Heritage: Frederick Funston’s Early Years, 1865-1890by Clyde W. Toland (Flint Hills Publishing).
Historical Novel: Properties of Thirst by Marianne Wiggins (Simon & Schuster).
Juvenile Nonfiction Book: American Ace: Joe Foss, Fighter Pilot by Hector Curriel (South Dakota Historical Society Press).
Juvenile Fiction: Wish Upon a Crawdad by Curtis W. Condon (Heart of Oak Books for Young Readers).
Original Mass-Market Paperback Novel: Dead Man’s Trail by Nate Morgan (Pinnacle/Kensington).
Poem: “New Mexico Bootheel: A Triptych” by Larry D. Thomas (San Pedro River Review).
Short Fiction:“No Quarter” by Kathleen O’Neal Gear, published in Rebel Hearts Anthology (Wolfpack Publishing).
Short Nonfiction:“Texas Jack Takes an Encore” by Matthew Ross Kerns (Wild West).
Song:“Way of the Cowboy” by Randy Huston, released on Times Like These(Outside Circle Records).
Traditional Novel: The Secret in the Wall: A Silver Rush Mystery by Ann Parker (Poisoned Pen Press).
(7) BRUCE COULSON. Bruce Coulson, longtime fan and son of Buck and Juanita Coulson, died March 21 of cancer. His passing was announced on Facebook by his wife, Emily Vazquez-Coulson.
Tom Smith recalls, “…I knew him for a long time. He was involved in many conventions and fannish activities over the years, especially in filk and gaming, and was a gentle, caring and fun-loving fellow.”
(8) NASFIC IN MEMORIAM LIST. Steven H Silver is running the in memoriam list for Pemmi-Con, the 2023 NASFiC, which on Twitter is still called “Worldcon In Memoriam”. That’s where I learned about four recent deaths of people I was acquainted with (Gustaveson – who did art for an early fanzine of mine – plus Clemmer, Blake — who wrote the occasional letter of comment to paper File 770 — and Reaves – who, while best-known for his writing, was someone I met when he was the TA for Theodore Sturgeon’s writing class at UCLA.)
Fan Rob Gustaveson died in early March. Gustaveson was a member of LASFS and ran Graphic Illusion, through which he sold comics and books.
Fan Mike Blake died on March 7. Blake was a member of the Rhode Island Science Fiction Association and edited their clubzine. He was also a member of NESFA and contributor to APA-Q. His fanzines including Foudroyant and Proper Boskonian.
Author Michael Reaves (b.1950) died on March 20. Reaves wrote the novels Dragonworld, Hellstar, Street Magic, and several media tie-ins. He was also a screenwriter and wrote Batman: Mask of the Phantasm and episodes of several animated series.
The Beginning is that of “What Can You Say About Chocolate Covered Manhole Covers?” whose author y’all know. It was published first in All the Myriad Ways by Ballantine Books in June 1971. And yes, it’s available from the usual suspects.
In case there’s a soul who hasn’t yet read this delightful speculation, I won’t tell you a single thing about it. You are in for a real treat as Larry Niven is at his very best here.
Now our Beginning…
It was the last party. Otherwise it was only one of many, so many that they merged in the memory. We all knew each other. George had invited around thirty of us, a heterogeneous group, aged from teen to retirement, in dress that varied from hippie to mod to jeans and sneakers to dark suits, and hair that varied from crew cut to shoulder length.
It was a divorce party.
Granted that it’s been done before, still it was done well. George and Dina had planned it a year earlier, to celebrate the night their Decree became Final. The cake was frosted in black, and was surmounted by the usual wax figures, but facing outward from opposite edges of the cake. Jack Keenan donned a minister’s reversed collar to officiate. His makeshift sacrament included part of the funniest prayer in literature: the agnostic’s prayer from Zelazny’s Creatures of Light and Darkness. George and Dina kissed with obvious sincerity, for the last time, and everybody clapped like mad.
Afterward I got coffee and a piece of divorce cake and found a flat place to set them. Without a third hand to handle the plastic fork, I was as good as trapped there; and there it was that Tom Findlay found me.
Tom Findlay was all red hair and beard. The beard was full and thick, the hair long enough to tie in back with a rubber band. Once he had gone to a costume party with his hair combed forward over his eyes and the bridge of his nose, and a placard around his neck that read NOT A SHEEP DOG. He generally wore knee-length socks and leather shorts. His legs too were thickly covered with red hair. He spoke in a slow midwestern drawl, and grinned constantly, as if he were watching very funny pictures inside his head.
He was always part of these groups. Once a month he held a BYOB party of his own. He had a tendency to monopolize a conversation; but even those who avoided him on that account had to admit that he gave fair warning. He would walk up to any friend or stranger he found standing alone and open conversation with, “Hey. Would a Muslim vampire be terrified of a copy of the Koran?”
Or, “It seems to me that anarchy would be a very unstable form of government, don’t you think?”
Or, “What about chocolate covered manhole covers?”
That one fell pretty flat, I remember. What can anyone say about chocolate covered manhole covers? Most of Findlay’s ideas were at least worth discussing. Vampires, for instance. What significance has the vampire’s religion? Or the victim’s blood type? Could you hold off a vampire with a sunlamp, or kill him with a stake of grained plastic wood? If a bullet won’t kill a vampire, what about a revolver loaded with a blank cartridge and a wooden pencil?
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 22, 1911 — Raymond Z. Gallun. An early SF pulp writer who helped the genre to become popular. “Old Faithful” published in Astounding (December 1934) was his first story and led to a series of that name. “The Menace from Mercury,” a story published in the Summer 1932 issue of Wonder Stories Quarterly, was penned from a suggestion by Futurian John Michel and is considered famous among fans. His first published novel, People Minus X, didn’t appeared until 1957, followed by The Planet Strappers four years later. You can get all of his fiction at the usual suspects. (Died 1994.)
Born March 22, 1920 — Werner Klemperer. Yes, he was Colonel Wilhelm Klink on Hogan’s Heroes which I’d be hard stretched to consider even genre adjacent, but he had a fair amount of genre of work starting with One Step Beyond, and continuing on with Men in Space, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Lost in Space, Batman (where he appeared in a cameo as Col. Klink, nice touch there), and Night Gallery. (Died 2000.)
Born March 22, 1920 — Ross Martin. Best known for portraying Artemus Gordon on The Wild Wild West. I watched the entire series on DVD one summer some decades back including the films in less than a month from start to finish. Now that was fun! It looks like Conquest of Space, a 1955 SF film, in which he played Andre Fodor was his first genre outing. The Colossus of New York in which he was the brilliant Jeremy ‘Jerry’ Spensser came next, followed by appearances on Alcoa Presents: One Step Beyond, The Twilight Zone, Zorro, The Immortal, Night Gallery, Invisible Man, Gemini Man (a far cheaper version of Invisible Man), Quark (truly one of the worst SF series ever), Fantasy Island and Mork & Mindy. (Died 1981.)
Born March 22, 1923 — Marcel Marceau. Professor Ping in Roger Vadim‘s Barbarella. A French mime, and I assume you know that, this is the first time Marceau’s voice is heard on film. This is his only genre appearance unless you count the Mel Brooks film Silent Movie as genre adjacent in which case he says the only words in that film. (Died 2007.)
Born March 22, 1930 — Stephen Sondheim. Several of his works were of a fantastical nature including Into The Woods which mines deeply into both Brothers Grimm and Charles Perrault for its source material. And there’s Sweeney Todd: The Demon Barber of Fleet Street which is damn fun even if it isn’t genre. Or is it? You decide. (Died 2021.)
Born March 22, 1931 — William Shatner, 92. Happy Birthday Bill! We all know he was Captain Kirk, but how many of us watched him as Jeff Cable on the rather fun Barbary Coast series? I did. Or that he was The Storyteller in children’s series called A Twist of The Tale? I was I surprised to discover that his police show T.J. Hooker ran for ninety episodes!
Born March 22, 1950 — Mary Tamm. Another one who did far too young, damn it. She’s remembered for her role as Romana, the companion to the Fourth Doctor in “The Key to Time” story. It seemed liked she was there longer only because another actress, Lalla Ward, played her in the following season. Tamm had only one other genre gig, to wit as Ginny in “Luau” on the Tales That Witness Madness series. (Died 2012.)
Born March 22, 1969 — Alex Irvine, 54. I strongly recommend One King, One Soldier, his offbeat Arthurian novel, and The Narrows, a WW II Detroit golem factory where fantasy tropes get a severe trouncing. He’s also wrote The Vertigo Encyclopedia which was an in-house project so, as he told me back then, DC delivered him one copy of every Vertigo title they had sitting in the warehouse. For research purposes. And he’s written a fair number of comics, major and minor houses alike.
(11) FICTIONAL BIRTHDAY. James T. Kirk was born in Riverside, Iowa this day in 2233.
The issues Westworldwas exploring went from “sci-fi to documentary film” through the years, according to co-creator Lisa Joy, who hinted at what a fifth season of the HBO smash could have looked like.
Delivering a Series Mania keynote, Joy said that advances in AI and the invention of ChatGPT mean that Westworld’s subject matter has become more relevant and contemporaneous of late.
“These topics will continue to be explored if not in Westworld then in other series, taking [the topic] to new levels,” she said, in conversation with Deadline. “I think it’s an area rife with possibility.” …
The Writers Guild of America has proposed allowing artificial intelligence to write scripts, as long as it does not affect writers’ credits or residuals.
The guild had previously indicated that it would propose regulating the use of AI in the writing process, which has recently surfaced as a concern for writers who fear losing out on jobs.
But contrary to some expectations, the guild is not proposing an outright ban on the use of AI technology.
Instead, the proposal would allow a writer to use ChatGPT to help write a script without having to share writing credit or divide residuals. Or, a studio executive could hand the writer an AI-generated script to rewrite or polish and the writer would still be considered the first writer on the project.
In effect, the proposal would treat AI as a tool — like Final Draft or a pencil — rather than as a writer. It appears to be intended to allow writers to benefit from the technology without getting dragged into credit arbitrations with software manufacturers.
The proposal does not address the scenario in which an AI program writes a script entirely on its own, without help from a person.
The guild’s proposal was discussed in the first bargaining session on Monday with the Alliance of Motion Picture and Television Producers. Three sources confirmed the proposal….
In Harlan Ellison’s I Have No Mouth But I Must Scream, an artificial intelligence called IAM has become an all-powerful god. Driven by an existential hatred of mankind, it destroys the world, except for the very last remnants of humanity which it suspends in torture simulations where they’re plagued by giant monstrous birds.
Unlike Harlan Ellison’s semi-gnostic vision of a mad AI god, Theta Noir claims that a General AI—a self-sustaining machine that has far outstripped the abilities of its creators after the “singularity”—could instead prove benevolent, ending inequalities and reorganizing our mess of a world for the better. Theta Noir hopes to meld old spiritualist traditions with the cutting edge of computer engineering—a kind of mystical materialism that, on the one hand, recognizes that machines are made by mere people, but on the other, insists that one day they’ll be something more.
With a slick website, manifesto, paid membership tiers, NFT web store, and essays with titles like “Can AI heal the split between science and religion?” and “Will machines birth the next form of religious experience?,” the 10-artist collective founded in 2020 appears to be a combination of a mixed-media project, an entrepreneurial group riding the AI hype wave, and a new age AI cult.
(15) VIDEO OF THE DAY. Isaac Arthur’s Science & Futurism this month looks at that good old SF trope the apocalypse.
If the end of the world is nigh, it may be too late to avert a catastrophe. So what can we do to mitigate the damage or recover after a cataclysm comes?
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Dann, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
Pemmi-Con chairs Linda Ross-Mansfield and Robbie Bourget will take questions about reasons for fans to attend the 2023 NASFiC from Fan Fund representatives Fran Skene (CUFF), Erin Underwood (DUFF), and Mike Lowrey.. (TAFF) in a free Zoom session on March 4.
Pemmi-Con, the 2023 NASFiC, will be held July 20-23 in Winnipeg, Manitoba.
CUFF (Canadian Unity Fan Fund) is Canada’s fan fund. A fan delegate representing British/European fandom will be attending Pemmi-Con, courtesy of TAFF (Trans Atlantic Fan Fund). DUFF (Down Under Fan Fund) is the other ocean-crossing fan fund: DUFF brings a fan from Australia/ New Zealand to North America.
Pemmi-con, the 15th North American Science Fiction Convention, today announced hotel rates and the opening of room booking.
The event takes place July 20-23 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg. The Delta Hotels Winnipeg is offering these guest room types and rates to Pemmi-Con members:
Guest room (1 King bed): CA$144/night
Guest room (2 Queen beds): CA$164/night
Rates are in Canadian dollars and do not include local/provincial/federal taxes, which currently total 17.25%. The room block date range is July 17-25, 2023.
Parking is available at an additional charge.
The Delta Hotels Winnipeg is across the street from the RBC Convention Centre. Both venues were home to ConAdian, the 1994 Worldcon.
For more information and to book a room at the Pemmi-Con rate go to the convention website.
By Fran Skene (CUFF 2019 Delegate to CanCon in Ottawa): Nominations are now open for the 2023 CUFF delegate. We are looking for a fan from anywhere in Canada to travel to and attend Pemmi-Con, the 15th North American Science Fiction Convention, to be held in Winnipeg July 20-23. A hotel room has been reserved for the delegate, and the registration is comped.
Note: This year, former CUFF delegates may apply (no restriction to only new folks).
The delegate is welcome to stay longer than just the convention and hang out with local fans. Also consider visiting Winnipeg’s famous Royal Aviation Museum.
In order to be nominated for the CUFF this year, an application (see further info below) plus emails from the six nominators must be submitted by March 10, 2023 to Fran Skene at fskene(a)shaw.ca.
As well, we are asking for a bond of $20 CAD from each applicant, which will be added to the CUFF funds. This (and all donations) can be sent via either PayPal or Interac e-transfer to Fran at the above email address. (If you’d like to pay another way, email Fran to negotiate.)
In exchange for funds that will hopefully cover all costs for the trip (this will include Air Miles for the airfare from Fran), the primary responsibilities of the delegate are to:
Attend the convention, take part in programming, and report back to your fellow fans on the event.
Assist in raising funds for the next year’s delegate.
Administer (with the assistance of other Canadian fans) the process to select the next year’s fan delegate.
Promote Canadian genre-related media and fan activities.
In order to be nominated for the CUFF this year an emailed application must be submitted by March 10, 2023 to fskene(a)shaw.ca plus a bond of $20. It should contain a brief fan-related bio and how you hope to make this trip beneficial for you and the Canadian fan community. The application must have a minimum of three fan supporters from the east and three in the west (six total). (The Manitoba/Ontario border separates east and west.)
If we have more than one applicant, voting will be open March 15 and close April 15th, in order to give the successful candidate enough time to work with Pemmi-Con programming and to schedule their visit.
Nominating: Any Canadian fan or pro may individually nominate a fan to be this year’s CUFF delegate. Just email Fran from your personal email, saying briefly why you’re nominating that fan.
If you (the nominator) are not likely to be known to the current fund administrator (Fran Skene), please give the name and contact info for a fan who is likely to be well known and can confirm you are an active fan, or links to information that will make your involvement in fandom clear. The same process will hold true for voting.
Voting: Voting, when open, will be permitted by anyone who has been active in Canadian fandom for two years or more. Voters are urged to make a donation to the fund of at least $5.00 to assist with the candidate’s expenses. Votes can be sent to fskene(a)shaw.ca.
Short fiction is once again in crisis. After an era when the Internet seemed to be helping a lot of short stories find a bigger audience, the same thing is now happening to short stories that are happening to a lot of other content: the invisible hand is raising a big middle finger. Among other things, Twitter is getting to be much less useful in helping to spread the word about short stories worth reading, and Amazon just announced that it’s ending its Kindle subscription program from magazines, depriving magazine publishers of a pretty significant slice of income….
Here’s a short example out of several ideas Anders pitches.
I’d love to see more short fiction turning up in incongruous contexts
This is something I talked about a lot in the introduction to my short story collection Even Greater Mistakes (shameless plug alert!). I am always happy to see short stories show up on coffee bag labels, in pamphlets on public transit, scrawled on bathroom walls, or in the middle of a publication that mostly includes serious non-fiction pieces about politics and culture. I feel like we could be doing more to leverage the ability of short stories to show up in surprising places and suck us in with their narrative power.
(2) MEDICAL UPDATE. Paul Di Filippo’s partner Deborah Newton wrote to friends that on January 19 Paul was hit by a large SUV.
The driver stopped, spoke to Paul and gave him her phone to call Newton.
I ran the three blocks to where the accident had occurred — the ambulance passed me as I ran. Luckily there was a witness whose moving car was facing the accident when it happened and had a video camera on the dashboard. He made arrangements with the police, who had already arrived, to share the video.
Those of you who have met Paul in the flesh will not be surprised that he dragged himself up after the huge hit, and even climbed by himself into the ambulance. The Dr. at the ER later called that “adrenaline”, but I believe Paul has a stronger energy and will than most of us mere mortals.
After extensive testing in the ER it was determined he sustained no head wounds or broken bones. However, writes Newton, “He is covered with bruises and has a large hematoma on his left thigh. His hip, where he believes he landed after the hit, is excruciatingly painful.”
He is back home, presently using a walker to get around.
(3) LIVE FROM 1968. Cora Buhlert returns to Galactic Journey as one of the contributors to a “Galactoscope” column, reviewing Swords of Lankhmar by Fritz Leiber — and also talking about some of the biggest protests her hometown has ever seen. There are also reviews of Picnic on Paradise by Joanna Russ, a Jack Vance book, an Andre Norton book and several others: “[January 20, 1968] Alyx and Company (January 1968 Galactoscope)”.
… However, with the sale of the Ziff-Davis magazines to Sol Cohen, the appearances of Fafhrd and Gray Mouser in the pages of Fantastic became scarce. It seemed the dynamic duo was homeless once again, unless they shacked up with Cele Goldsmith Lalli over at Modern Bride magazine, that is.
So imagine my joy when I spotted the brand-new Fafhrd and Gray Mouser adventure The Swords of Lankhmar in the spinner rack of my trusty import bookstore…
Upstate New York Science Fiction and Fantasy Alliance Inc. is pleased to present this letter of intent, along with Visit Buffalo Niagara, to host the 16th North American Science Fiction Convention in Buffalo, New York USA in 2024 .
Details of the bid
Proposed date: July 18-21, 2024
Proposed site: Hyatt Regency Buffalo Hotel and Convention Center & Buffalo Niagara Convention Center
Proposed Headquarter Hotel: Hyatt Regency Buffalo Hotel and Convention Center
Upstate New York Science Fiction and Fantasy Alliance, Inc. is a NYS registered not-for-profit corporation focused on encouraging and running fannish activities in New York State. Members of our bid committee include individuals who have experience working on Worldcon / NASFiC events, as well as others who have organized small conventions and other events across New York and Southern Ontario https://buffalonasfic2024.org/
Sbarksy added: “Members of Pemmi-con will be able to vote in the Site Selection. Details will come at a later time. We hope to have electronic voting, similar to the Worldcon and NASFiC selections at Chicon 8. 180 days before the Start of Pemmi-Con is January 21, 2023, so the ballot is still open for additional bids.”
A bit over two years ago, I wrote about two companies, A&D Entertainment and EMP Entertainment, that appeared to have been deputized by serialized fiction app Webnovel to recruit authors to non-exclusive contracts. The contracts from both companies were (and continue to be) absolutely terrible.
EMP Entertainment no longer appears to be active (it has no website and I’ve heard nothing about it since 2020), but A&D is still going strong, and over the past two years I’ve been contacted by a lot of (mostly very young and inexperienced) writers who are confused about its complicated English-language contract, or have changed their minds about signing up and want to know how to get free (as with the contracts of so many serialized fiction apps, there’s no option for the author to terminate).
A&D recruits via a bait and switch. Writers are solicited by an editor or Author Liaison who claims to have discovered the writer’s work on Amazon or elsewhere, and invites them to publish on the Webnovel platform (the bait)….
(6) DON’T JUST ROLL THE DICE. [Item by Daniel Dern.] “5 Things SecOps Can Learn from Dungeons & Dragons” at Tech Beacon. Note, “SecOps” is tech shorthand for “Security Operations” (or possibly “Security Operators”)
… Anyone who has ever experienced a SOC 2 or ISO 27001 audit might see the parallels between a lengthy framework of rules and their arbiter. Still, D&D is significantly more fun than a cybersecurity audit. In fact, when it comes to security preparedness there are quite a few lessons that security operations (SecOps) teams that are responsible for the security of connected assets—including myriad Internet of Things (IoT) devices—can learn from D&D. And they might just have a bit of fun along the way.
Assemble Your Party
From wizards and warriors to clerics and rogues, there are a wide variety of classes in D&D—each with its own specializations. The key to an effective adventuring party is to combine them in a way that the strengths of one character can mitigate the weaknesses of another. Building a cybersecurity team is no different. Aside from all the specialized roles within cybersecurity, such as incident-response or threat-hunting teams, an effective approach to security preparedness requires cross-functional collaboration between IT teams, operational-technology (OT) teams, and other lines of business to better understand how to balance business objectives with security requirements….
Q: You don’t historicize The Hobbit in the naïve or narrow sense of interpreting it as a fictionalized response to real-world events. Your approach owes a great deal to the American Marxist literary theorist Fredric Jameson—the subject of your first book. What does it mean to read Tolkien as a Jamesonian?
A: “Modernism” is a dirty word among many Tolkien enthusiasts, and perhaps for Tolkien himself, but I see his desire to “create a mythology for England” as a powerfully modern thing to attempt, more like Yeats or Joyce than most mere medievalism. Also, The Hobbit and The Lord of the Rings are clearly novelistic in form, even if they deal with “epic” or “romantic” ideas.
In his work on postmodernism, Fredric Jameson refers to the “attempt to think the present historically in an age that has forgotten how to think historically in the first place.” Coming from an entirely different direction politically, I think Tolkien was deeply concerned with the modern world’s inability to “think historically,” and thus his desire to connect elements of the medieval historical world with our own time, even if—or especially if—that meant using fantasy as a way of sort of tricking us into “realizing” history.
(8) MEMORY LANE.
2021 — [Compiled by Cat Eldridge.]
Cat Rambo’s You Sexy Thing was a novel that I nominated for a Hugo. Why so? Because it is damn good. It made my top ten novels of that year by having a fantastic story, great characters that for the most part I could care about and not one but two truly interesting settings, the first being the intelligent bioship You Sexy Thing, and the other being a restaurant situated near a defunct star gate.
Now unlike the restaurant in the Douglas Adams’ The Hitchhikers Guide to Galaxy, this one is not played for laughs and is real, working environment. I don’t know if Rambo has worked in such a place but she captures the feel of it very nicely as I have a very long time ago and it seems quite right.
Now before we get to the quote, I’m very, very pleased to note that the next novel in the series is indeed out relatively soon. Here are the details courtesy of the author:
Devil’s Gun, available this August, follows the adventures of intelligent bioship You Sexy Thing and its crew. While seeking a weapon against the pirate king Tubal Last and operating a pop-up restaurant near a failed star gate, Niko and her friends encounter a strange pair of adventurers who claim to have power over the gates that link the Known Universe. But following the two on an intergalactic treasure hunt will require going into one of the most dangerous places any of them have ever faced.
Of course it will be available from all the usual suspects in both print and epub formats.
Now I normally choose the quote, but this time I’m honored to say that Cat chose her favorite quote about food from You Sexy Thing:
[Niko] looked at Dabry, who stood ignoring them, caressing the eggplant with all four hands and his eyes half closed. “Sweet Momma Sky, should we leave so you can have your way with that eggplant or should I just let you take it to your bunk?”
His eyes closed entirely, expression blissful. “Baba ganoush,” he said. “Flat wheat bread dusted with cumin. Seared protein tinctured with lemon and garlic…”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 20, 1884 — A. Merritt. Early pulp writer whose career consisted of eight complete novels and a number of short stories. H. P. Lovecraft notes in a letter that he was a major influence upon his writings, and a number of authors including Michael Moorcock and Robert Bloch list him as being among their favorite authors. He’s available at the usual suspects. (Died 1943.)
Born January 20, 1920 — DeForest Kelley. Dr. Leonard “Bones” McCoy on the original Trek and a number of films that followed plus the animated series. Other genre appearances include voicing Viking 1 in The Brave Little Toaster Goes to Mars (his last acting work) and a 1955 episode of Science Fiction Theatre entitled “Y..O..R..D..” They’re his only ones — he didn’t do SF as he really preferred Westerns. (Died 1999.)
Born January 20, 1934 — Tom Baker, 89. The Fourth Doctor and still my favorite Doctor. My favorite story? The “Talons of Weng Chiang” with of course the delicious added delight of his companion Leela played by Lousie Jameson. Even the worst of the stories were redeemed by him and his jelly babies. And yes, he turns up briefly in the present era of Who rather delightfully. Before being the Doctor he had a turn as Sherlock Holmes In “The Hound of the Baskervilles”, and though not genre, he played Rasputin early in his career in “Nicholas and Alexandra”! Being a working actor, he shows up in a number of low budget films early on such as The Vault of Horror, The Golden Voyage of Sinbad,The Mutations, The Curse of King Tut’s Tomb and The Zany Adventures of Robin Hood. And weirdly enough, he’s Halvarth the Elf in a Czech-made Dungeons & Dragons film which has a score of ten percent among audience reviewers on Rotten Tomatoes.
Born January 20, 1946 — David Lynch, 77. Director of the first Dune movie. Went on to make Twin Peaks: Fire Walk with Me which is possibly one of the weirdest films ever made. (Well with Blue Velvet being a horror film also vying for top honors as well.) Oh and I know that I didn’t mention Eraserhead. You can talk about that film.
Born January 20, 1960 — Kij Johnson, 63. Faculty member, University of Kansas, English Department. She’s also worked for Tor, TSR and Dark Horse. Wow. Where was I? Oh about to mention her writings… if you not read her Japanese mythology based The Fox Woman, do so now as it’s superb. The sequel, Fudoki, is just as interesting. The Dream-Quest of Vellitt Boe is a novella taking a classic Lovecraftian tale and giving a nice twist. Finally I’ll recommend her short story collection, At the Mouth of the River of Bees: Stories. She has won a Best Novella Hugo for “The Man Who Bridged the Mist” had several other nominations. Much of her work is available at the usual suspects.
Born January 20, 1964 — Francesca Buller, 59. Performer and wife of Ben Browder, yes that’s relevant as she’s been four different characters on Farscape, to wit she played the characters of Minister Ahkna, Raxil, ro-NA and M’Lee. Minister Ahkn is likely the one you remember her as being. Farscape is her entire genre acting career.
(10) COMICS SECTION.
Get Fuzzymakes a noble pun about a bestselling horror writer.
The monster is nestled in a glacier when the villagers dig him out, frozen but not dead, because he was undead already. Tall, broad-shouldered, hulking in his platform boots, he is instantly recognizable, and once he thaws, proves unpretentious despite his Hollywood fame.
It is 1946 in a tiny European village, and he is the most endearing of monsters: awkward, uncertain, just wanting to help out. And in “Frankenstein’s Monster Is Drunk and the Sheep Have All Jumped the Fences,” a winsome cartwheel of a show that’s part of the Origin Theater Company’s 1st Irish festival, he finds lasting romance — with a local outcast who falls in love with him at first sight. Never mind that by his own account he is “constructed from the dismembered body parts of a number of different corpses”; their sex life is fabulous….
(12) BEGIN AGAIN. The Cromcast, a sword and sorcery podcast that started as a Conan readthrough, are rereading all the Conan stories again ten years after they launched. They started with “The Phoenix on the Sword”, the very first Conan story: “Season 18, Episode 1: The Phoenix on the Sword!”
“Know, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of…”
(14) THE NATURE OF REALITY COUNTS. [Item by SF Concatenation’s Jonathan Cowie.] I know from being involved with SF2 Concatenation that quite a few fans are interested in the interface between science and science fiction: after all, the term ‘science fiction’ contains ‘science’. Consequently, it should not be any surprise that all of the four YouTube Channels I invariably check out each week are SF and/or science related.
One of these is PBS Space-Time. It is ostensibly a physics channel (though often there’s astronomy and cosmology) and there’s nothing like at the start of the day having a mug of Yorkshire builders tea (sufficiently strong that the teaspoon stands up in it) along with a short episode of PBS Space Time: it is good to limber up with some physics before embarking on the serious biological and geoscience business of the day (tough as that is for Sheldon Cooper to take).
One aspect of the SF-science border is an exploration as to the true nature of reality. Are we living in a holographic universe? Are we living in a Matrix simulation? And if so is there a simulator?
This week’s PBS Space Time asks the question as to whether the Universe is simply, and purely, mathematical (not physical)? And if so, what of parallel Universes, dimensions and alternate Universes? Indeed, are there different levels to the multiverse?
Be assured, despite maths (or ‘sums’ as we environmental scientists call it) being in the title, there are no heavy mathematics in this short video, rather it is a somewhat deep philosophical discussion. Nonetheless, don’t worry if you find your mind being stretched: that’s what daily limbering up exercises are all about.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Cora Buhlert, Daniel Dern, Alan Baumler,SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]
Pemmi-Con, the North American Science Fiction Convention, has created a First Nations Travel Fund.
The event will be held July 20-23, 2023 at the Delta Hotels Winnipeg and the RBC Convention Centre Winnipeg.
Robbie Bourget & Linda Ross-Mansfield, the Pemmi-Con co-chairs, explained how the fund will work.
Pemmi-Con has committed to reserve 10% of their Adult Attending memberships, or CAD $4,000, whichever is greater, to assist indigenous science fiction and fantasy fans to travel to Winnipeg to attend Pemmi-Con. This fund will be under the direction of indigenous groups who will contact Pemmi-Con to request funds for individuals whom they believe should be assisted to travel. Pemmi-Con will not make any decisions about who is eligible for funding.
This Travel Fund may be used for air, rail, road travel or accommodation, or any combination of these. No grant for any individual will be greater than CAD $500, in order to provide the widest outreach.
Land Acknowledgement
We acknowledge we are gathered on Treaty 1 Territory and that Manitoba is located on the Treaty Territories and ancestral lands of the Anishinaabeg, Anishininewuk, Dakota Oyate, Denesuline and Nehethowuk Nations.
We acknowledge Manitoba is located on the Homeland of the Red River Métis.
We acknowledge northern Manitoba includes lands that were and are the ancestral lands of the Inuit.
We respect the spirit and intent of Treaties and Treaty Making and remain committed to working in partnership with First Nations, Inuit and Métis people in the spirit of truth, reconciliation and collaboration.
