(1) BELFAST EASTERCON FAN FUNDS AUCTION. [Item by David Langford.] The catalogue for the Eastercon Fan Funds Auction (18:30 local time on Sunday 20 April) was posted only to the Eastercon Discord server: I offered to host a copy at Ansible, and this can be found here: “2025 Reconnect Fan Funds Auction”.
From the Discord announcement: “We’re only taking bids in person this year, so if you can’t be there and want something, send a friend with clear instructions and a maximum limit.”
(2) SQUEEZED OUT. Susan Wise Bauer of Well-Trained Mind Press told Facebook readers how – despite having used only US printers — tariffs have had a damaging knock-on effect to their business.
…One thing I love about the Hugo Awards is when you find an unexpected treat in the finalists — something you didn’t know you’d love but knocks your socks off when you read it. This year (so far) it is Calypso. Inventive, thought provoking, solidly science fictional and a sensory experience….
The Doctor Who screenwriter Russell T Davies has said he has no time for “online warriors” who claim the show is too woke….
…“Someone always brings up matters of diversity,” Davies said on the Radio 2 programme Doctor Who: 20 Secrets from 20 Years. “And there are online warriors accusing us of diversity and wokeness and involving messages and issues.
“And I have no time for this. I don’t have a second to bear [it]. Because what you might call diversity, I just call an open door.”…
(5) FROM TOKYO BY WAY OF TENNESSEE. With what’s going on in the country, this is the right beverage in the right container: “Godzilla Whiskey Bottle Collector’s Edition”. Holds 10 ounces of kaiju hooch. Goes for $32.98. (No, I don’t know where they came up with that odd number. Maybe it’s a tariff thing.)
Marking 70 years of Godzilla’s iconic legacy, this whiskey bottle features a fierce design inspired by the legendary kaiju. With bold details and a commanding presence, it’s the perfect tribute to the monster who has terrorized and captivated generations.
(6) MEMORY LANE.
[Written by Cat Eldridge.]
April 17, 1964 — The Twilight Zone‘s “The Jeopardy Room”
The cast of characters—a cat and a mouse, this is the latter. The intended victim who may or may not know that he is to die, be it by butchery or ballet. His name is Major Ivan Kuchenko. He has, if events go according to certain plans, perhaps three or four more hours of living. But an ignorance shared by both himself and his executioner, is of the fact that both of them have taken the first step into the Twilight Zone.
Opening narration of this episode.
On this evening sixty-one years ago, The Twilight Zone‘s “The Jeopardy Room” first aired on CBS. The plot is Major Ivan Kuchenko as played by Martin Landau, a KGB agent who is attempting to defect, is trapped inside a hotel room in an unnamed, politically neutral country with a bomb about to go off unless he can disarm it. I’m assuming that you’ve seen, but on the grounds that you might not have, I won’t say more. It’s a splendid bit of Cold War paranoia.
Not surprisingly, it was written by Serling though some of the episodes weren’t. It was directed by Richard Donner who later on would be known for The Omen, Scrooged and Superman but this was very early on in his career and he had just three years earlier released X-15, an aviation film that presented a fictionalized account of the X-15 research rocket aircraft program. Neat indeed.
It is one of only a handful of The Twilight Zone episodes that has no fantastical elements at all. It’s a classic Cold War story more befitting a Mission: Impossible set-up than this series. It even involves a message delivered by way of a tape recorder, but mind you that series is two years in the future so that has to be just a coincidence. Or The Twilight Zone being The Twilight Zone…
The Twilight Zone is streaming on Paramount+.
(7) COMICS SECTION.
Bliss didn’t misunderstand the title because they’ve read the book.
(8) MARVEL SWIMSUIT SPECIAL RETURNS. The legendary Marvel Swimsuit Special is back this July.
Throughout the ‘90s, fans enjoyed a lighter side of the Marvel Universe in Marvel Swimsuit Special, an annual one-shot that featured breathtaking artwork of Marvel characters in beach attire and swimwear. This unique and beloved special makes its long-demanded return this July in MARVEL SWIMSUIT SPECIAL: FRIENDS, FOES & RIVALS #1!
Primarily an artist showcase, Marvel Swimsuit Special presented pinups from the industry’s top talents in a magazine-style format, complete with tongue-in-cheek articles and descriptions.
Roxxon Comics is at it again when they release their own UNAUTHORIZED SWIMSUIT SPECIAL! Wasp is on the case and seizes the opportunity for Marvel’s heroes to do their OWN swimwear fashion shoot all over the world! But fear not, True Believers, we know what you’re REALLY here for! This super-sized special features splash page after splash page of gorgeous art, but with a story so you can pretend you’re “reading it for the articles”…
For more information, visit Marvel.com. [Click for larger images.]
The wait will soon be over for steampunk fans in the U.S. and Canada, as AMC Networks finally revealed the premiere date for Nautilus, the Disney-produced TV series that tells the origin story of Captain Nemo.
The 10-episode series will debut with two episodes on Sunday, June 29, at 9 p.m. ET/PT, on the AMC cable channel and AMC+ streaming service. It will air weekly on Sundays until the two-episode finale on Aug. 17.
The series stars Shazad Latif as Captain Nemo, described as “an Indian Prince robbed of his birthright and family, a prisoner of the East India Mercantile Company and a man bent on revenge against the forces that have taken everything from him.”…
(10) WE’VE MISUNDERSTOOD URANUS ALL THESE YEARS. [Item by SF Concatenation’s Jonathan Cowie.] Hubble Space Telescope data show that the time taken for the planet to revolve around its axis is almost half a minute longer than was thought.
(11) IN MY DAY ANNIHILATION WAS SUMMUT DALEKS DID. OR WUZ THAT EXTERMINATION? [Item by SF Concatenation’s Jonathan Cowie.] I don’t know about you but there are some authors I have never got around to reading even though they are award winning authors. For me, Jeff Vandermeer is one such. I was aware (doing SF² Concatenation) that his ‘Southern reach’ trilogy was doing well: the ‘Southern Reach’ trilogy (which I gather has recently morphed into something extra) was short-listed for a Best Series Hugo as well as a Locus Best Series and, of course, Annihilationwon a Nebula. But the give-away for me was that before all these accolades, my fellow members of our team selected it as one of our annual Best SF novels we do every January (feel free to scroll down here as over the years it has shown to be somewhat predictive). So, I knew the book was special. However, Vandermeer’s Brit Cit publishers are a far broader church than a specialist SF/F imprint and as it is almost a full time job liaising with these last but not all imprints, I missed the book coming our way, but my teammates didn’t! And so given their recommendation I sought out the film… and, oh dear, I didn’t like it even though it was Alex Garland…. (Give me Strugatskis’ Roadside Picnic and the film Stalker any day… But I guess that’s my loss: not everyone can like everything.
All of this is a long-winded way of my saying that Moid Moidelhoff over at Media Death Culthas just re-released, and updated, a 19-minute video on both the book and the film, Annihilation. Now, this is more a book review than a film review, and it is more a review than a critique. So, as Moid himself explains, that if you have seen the film Annihilation but not the book then you need not worry about spoilers in his vid. Conversely, if have not seen the film or read the book then beware, spoilers ahoy…
[Thanks to Mark Roth-Whitworth, Steven French, Kathy Sullivan, David Langford, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(3) FAAN AWARDS. The winners of the FAAn Awards for fanzine achievement were revealed yesterday in the UK. The full list is here: “2025 FAAn Awards”.
(4) STURGEON SYMPOSIUM DATES AND CALL FOR PAPERS. The J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction at the University of Kansas has set the dates for the 2025 Sturgeon Symposium.
The J. Wayne and Elsie M. Gunn Center for the Study of Science Fiction is pleased to announce our 4th Annual Sturgeon Symposium, to be held October 9-10, 2025. In addition to presenting the annual Theodore Sturgeon Memorial Award for best science fiction short story, which will include a reading from the winner, we are delighted to announce that Darcie Little Badger has accepted our invitation to speak at the symposium.
We have opened our call for papers where we invite papers, panel proposals, and roundtable discussions that engage with this year’s theme: “Expanding Speculative Horizons.” Inspired by Darcie Little Badger’s diverse contributions to SF (novels, short stories, comics, etc.), we encourage a wide range of submissions, especially those that reflect upon expansive understandings of speculative expression.
We encourage you to submit and share our CFP widely. Below you will find the link to our CFP with more details on the event and guidelines for proposals. Deadlines for submissions is May 19.
(5) DOCTOR WHO HISTORY. [Item by Nickpheas.] Front Row on BBC Radio 4 has quite a long feature on the new series of Doctor Who which spread to cover the history of the show, and even a brief interview with Waris Hussein, the original director (who I didn’t realize was still alive). “…Doctor Who new series & impact on culture…”. Doctor Who feature starts 11:20 in.
This year marks the twentieth anniversary of the modern incarnation of Doctor Who, which you helped bring on screen. What have you learned most over the course of working on so many episodes and with so many Doctors? I mean, it’s astonishing. I just look exactly the same. So clearly, I’m made of Adamantium. It’s funny because actually, a couple of years ago, the BBC said, “You want to celebrate the 20th anniversary.” And I said, “We’ve just had a 60th anniversary!” And on Disney+, it’s only two years old, so no, so we chose not to. Now we get to the 20th, and everyone’s talking about the 20th. And I feel a bit stupid. We didn’t really do anything to celebrate it. Someone at the BBC is making a documentary, so that’ll be out in a couple of months.
I think about Doctor Who, you learn something new with every single episode. It was different. Now this year, coming out in Episode 2, this year, we go to Miami in 1952, where there’s a living cartoon. The cartoon has stepped out of the cinema screen, voiced by Alan Cumming. So, for that, we all had to learn hand-drawn animation. I’ve worked in television for a million years. And I’ve done graphics, I’ve done CGI. I’ve never actually done hand-drawn animation before, which was amazing.
What I did learn is it’s 15 times more meetings than anything else I’ve ever done. [Laughs.] But it’s wonderful. I feel like I’ve learned a lot, and I appreciate the skill of the animator more than ever. And Doctor Who has always done that. Always every week, it’s different. I mean, last year, we sort of said to ourselves, “Can we do an episode where the enemy is just an old woman who stands 73 yards away?” And we did, and it worked. So you have to take these very deep breaths and sort of say, “Is this going to work?” And have faith in it. So it teaches you something different every single time. And 20 years whizzes past in a flash….
… As we’re just starting out Season 2 on Disney+, are you already in the planning stages for Season 3? We’ll always look ahead to the future if we get the chance to keep running. I’ve got ideas. “I think I’ll do that near [Season] 4 or 5.” And that’s always the way I’ve worked on things. So yes, I could promise you amazing stuff at the end of Season 4. There are things we’ve already mentioned that are going to bear fruit a long time into the future. So that’s just the fun of it. That’s the fun of Doctor Who. But, to say again, it’s the pit stops along the way….
(7) NAME THAT ORBIT. Mental Floss challenges readers: “Can You Match the Moon to the Planet It Belongs To?” Take the quiz at the link. Uh, after Earth and the Moon, my hit rate rapidly declined. I got 41%. You can do better!
One can only imagine the horror the late Iain Banks would have felt on learning his legendary Culture series is a favourite of Elon Musk. The Scottish author was an outspoken socialist who could never understand why rightwing fans liked novels that were so obviously an attack on their worldview….
… Musk isn’t alone in his enthusiasms. Mark Zuckerberg has renamed his company and sunk $100bn in pursuit of the “metaverse”, a word that first appeared in Neal Stephenson’s 1992 novel Snow Crash. So obsessed is Zuckerberg with the book – in which people plug into a simulated world to avoid a real one fallen into dystopian chaos – that at one point all product managers at Facebook were asked to read it as part of their training. Snow Crash also inspired the development of Google Earth, and was mandatory reading for the Xbox development team at Microsoft. Jeff Bezos loves Stephenson so much that he hired him to work for his Blue Origin rocket company.
If sci-fi’s influence was simply on product design, it wouldn’t be a problem. If Zuckerberg wants to burn his own cash in pursuit of a personal fantasy, or Musk wants to build hideous cars, that’s their call. It may even inspire something genuinely useful from time to time….
…The real issue is that sci-fi hasn’t just infused the tech moguls’ commercial ideas but also their warped understanding of society and politics. The dominant genre of sci-fi in the 80s and 90s, when today’s Silicon Valley overlords were growing up, was Cyberpunk – as exemplified in the novels of William Gibson (who invented the term “cyberspace”) and Stephenson, as well as any number of films and video games. The grandfather of the genre was Philip K Dick, whose novels and short stories spawned films including Blade Runner, Total Recall and Minority Report.
https://dff5fe6618baf1dc9a69a0f44e8ea6da.safeframe.googlesyndication.com/safeframe/1-0-41/html/container.html Dick’s stories were fuelled by amphetamine-driven paranoia. Nothing can be trusted and nobody is who they appear to be. It’s a style that’s arguably had more impact on modern culture and aesthetics than any other. The Matrix (1999) is just one example of Dick’s wider influence: he had often spoken of other worlds and suggested our own reality was a simulation.
As historian Richard Hofstadter noted in his famous 1964 essay, the “paranoid style” has been a feature of rightwing American politics for a long time – but The Matrix has given it a new vocabulary and imagery….
(9) PKD AT MEDIA DEATH CULT. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at Media Death Cult is really into Philip K. Dick. He has just posted a quick guide to the author. You can see the 24 minute video below…
(10) MEMORY LANE.
[Written by Cat Eldridge.]
Probe series (1988)
Thirty-seven years ago on this date, the Probe series ended its seven-episode run, not by any means the shortest run of a series we’ve looked at – several, such as Nightmare Cafe and Space Rangers, lasted only six episodes. Can anyone recall a genre series that lasted less episodes? I’m sure there is one.
It was co- created by Michael I. Wagner and Isaac Asimov. Asimov had quite some background in television SF series and Wagner was previously known for creating Hill Street Blues. (You can purchase all one hundred forty episodes at Apple TV+ for just $39.95!)
Here Asimov co-created, produced and according to ImDB was involved in writing all of the eight scripts. That’s not particularly surprising to me that he did that given how prolific he was.
The pilot and series starred Parker Stevenson as Austin James, an asocial genius who solved high tech crimes, and Ashley Crow as James’ new secretary Mickey Castle. Stevenson’s only major casting was on Baywatch. Row has a serious genre credit as she played Sandra Bennett on Heroes. That seriesis streaming on Peacock. And no, I really don’t care if Baywatch is streaming anywhere.
It aired on ABC just once and was re-aired on Syfy, though they edited the episodes to stuff in extra commercials as they did every series they aired which they hadn’t produced.
What happened to it? Did poor ratings doom it? No, they didn’t. As one reviewer notes, “Together, these two encounter out-of-control experiments, supernatural events, and mysterious deaths. As you might expect, Probe features heavy doses of scientific knowledge and logical reasoning, but was cut short due to the 1988 writers strike.”
Remember the Australian-filmed Mission: Impossible shot during the writers strike was only a go because they dug into the file drawers of the first series and used not filmed scripts. Or possibly Grave’s brain.
It is not streaming anywhere. Except Space Rangers, I find really short run series that were not done as miniseries tend not to be streamed.
Do I have to say that all those YouTube copies are illegal, so links will be, oh, need I say it?
DETROW: And even for those of us who live more secular lives, movies continue to offer a bit of a cinematic catechism with stories from the Bible and other religious traditions. And with Passover and Holy Week underway, we figured it would be a good time to talk about faith and film. I’m joined by NPR’s religion correspondent, Jason DeRose. Hey, Jason….
… DEROSE: Well, I have a very specific group of religion movies that I actually like quite a lot, and they are comedies. They’re the Monty Python films – “The Life Of Brian,” “The Holy Grail,” “The Meaning Of Life.” “The Meaning Of Life” has one of the funniest songs I ever heard in my life – “Every Sperm Is Sacred.”…
…MARTIN: The other film that I – is, like, “Arrival,” for example…
DETROW: Yes.
MARTIN: …Which is, again, like, science – it’s supposedly science fiction, right? But, like, I think a lot of films in sci-fi also – or that are technically sci-fi actually live in a – to me, in a spiritual space because they ask hard questions. What is the meaning of existence, and how do we know?…
Indiana Jones And The Great Circle was one of the best games of 2024. Machine Games’ remarkable fusion of stealth gameplay, detailed open-ended levels, and a dogged faithfulnessto the film series was a match made in heaven. Now, just a week ahead of its PlayStation 5 debut, The Great Circle is getting a few new additions that will make re-experiencing this modern classic worthwhile.
The Great Circle Title Update 4 will add entirely new perks for players to take advantage of in combat, over a dozen quality of life improvements, and a new hilarious use for an often underutilized item in the game.
The biggest item on the list is two new Adventure Books. One is called “Open Season,” which makes enemies more vulnerable to follow-up damage after getting hit with Indy’s whip. The second is called “Sleight of Hand,” which lets Indy use his whip to pull an enemy’s weapon towards him after doing a disarm whip attack. For players partial to the game’s optional gunplay, Sleight of Hand will add new strategy and variety to how ranged combat encounters play out.
For the more melee-focused player, Indy now has a secondary use for repair kits. These consumables are typically used to give more longevity to Indy’s makeshift weapon of choice. But The Great Circle is so chock-full of random pick-ups that they can often go ignored through most (if not all) of a single playthrough. Machine Games has made note of this player trend and adjusted things accordingly.
“Some of you have told us that you don’t have much use for Repair Kits,” the update’s patch notes read. “Well, now you can throw them at your enemies!”…
…In recent years, the Defense Department has started to acknowledge climate change as a “threat multiplier”—albeit slowly. Acknowledging the billions of dollars climate change could cost the Navy in the future, the Pentagon now incorporates inclement weather disasters and other climate effects into military planning and base structures. However, during the first Trump administration, the Navy quietly ended the climate change task force put in place by the Obama administration, which taught naval leaders how to adapt to rising sea levels. As the new Trump administration wipes all mention of climate change and other environmental measures from federal agency websites, climate-related measures may also be halted despite being critical for the viability of naval missions.
Most of the naval construction and operations infrastructure for the United States’ ballistic missile submarines are located on the Pacific and Atlantic coasts. Due to sea level rise and increased inclement weather attributed to climate change, these facilities are becoming more vulnerable to flooding. The intensity and number of hurricanes in the North Atlantic region have increased since the 1980s and will continue to do so as ocean temperatures keep rising, further threatening coastal areas. These incidents are highly costly and disruptive to operations. According to a Congressional Research Service report, the Defense Department has 1,700 coastal military installations that could be impacted by sea level rise. In 2018, Tyndall Air Force Base in Florida suffered $4.7 billion in damages from Hurricane Michael.
Infrastructure at risk. General Dynamics Electric Boat—the lead contractor for the new Columbia-class submarines—performs over three-quarters of the construction operations for the 12 new ships at its two shipbuilding facilities located in Rhode Island and Connecticut. Both facilities are in at-risk flood areas….
(15) IN DEFENSE OF SCIENCE. [Item by SF Concatenation’s Jonathan Cowie.] Science by definition is arguable genre-adjacent to SF. So no better a time for an appeal for reason.
The world’s two leading multi-disciplinary journals, Nature and Science have in the past month had a series of articles and news items reporting on how science in the US is being dismantled, and how it is being mis-represented by politicians on a range of issues from climate change to vaccines.
Ironically, Brit Prof Dave Kipping moved to US for his career and now many scientists are moving back and some US scientists are leaving. See his 12-minute video from the Cool Worlds Lab…
(16) VIDEO OF THE DAY. [Item by Andrew (not Werdna).] DeForest Kelley was apparently well-prepared for Trek: “DeForest Kelley on The Millionaire”. Watch until the end.
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Olav Rokne, Nickpheas, Andrew (not Werdna), Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Prokofiev” Dern.]
(1) CHINESE FANZINE ZERO GRAVITY NEWS PUBLISHES THREE ISSUES. [Item by Ersatz Culture.] Three issues of the Hugo Award-winning fanzine Zero Gravity News have just been published, featuring articles about their personal experiences from a number of Chinese fans. Here is the text of RiverFlow’s twotweets about the issues (slightly edited):
Chinese fanzine Zero Gravity has published a themed special “l With Sci-Fi” across three issues. Issues 25 and 26 contain the views of middle school and college students on science fiction. The 27th issue mainly contains the articles of the memories of working-age Chinese sci-fi fans.
This comes to a total of 480,000 words across the three issues, which can be said to be another collective voice of Chinese science fiction fans.
The PDFs of the three issues can be downloaded from this Google Drive link – each is around 10MB in size.
(2) EBOOK ALTERNATIVE HELPS INDIE BOOKSTORES. Bookshop.org US now is also selling ebooks.
Every purchase on the site financially supports independent bookstores. Our platform gives independent bookstores tools to compete online and financial support to help them maintain their presence in local communities.
…MARTÍNEZ: OK, there are already a lot of online retailers for e-books. I mean, millions of them are sold every year. So why are we focusing on this one?
FADEL: Well, this one exclusively supports local bookstores, and that’s because e-books are a difficult format for smaller booksellers to keep up with, according to Bookshop’s CEO, Andy Hunter.
ANDY HUNTER: Because the publisher requirements are so strict, it requires a huge amount of technical effort to deliver an e-book securely so it can’t be hacked and it can’t be pirated around the web. And that is too much for any individual local bookstore to deal with.
MARTÍNEZ: All right, so that makes sense. So what do indie bookstores think?
FADEL: We checked in with a few owners like Pete Mulvihill of Green Apple Books in San Francisco, and he told us his stores will take all the help they can get.
PETE MULVIHILL: We survive by kind of (laughter) scraping and clawing where we can to find efficiencies or make a little extra income. And this is another significant, if small, stream of income for us. So it’s truly helpful….
(3) ROMANTASY RINGING THE REGISTER. “Bestsellers – Critical Maas: Is this real life? Is this just fantasy?” asks The Bookseller about the UK market. Since the start of the year sff sales are up nearly a third, with fantasy titles driving the train. “Bookshops across the country may soon need to rebalance their space as readers continue to seek to escape from reality.”
You would be forgiven for thinking that bookshops were caught in a landslide of fantasy fiction in 2024 with authors such as Sarah J Maas and Rebecca Yarros dominating the top end of the fiction charts – as seen in our Author Review of the Year in last week’s issue (The Bookseller, 17th January 2025). It was not just the spicy side of the genre represented either, with JRR Tolkien’s sales rising 21.3% year-on-year through Nielsen BookScan’s Total Consumer Market and Brandon Sanderson appearing inside the top 50 authors of the year for the first time. Is this a trend that’s going to continue into 2025 – and, if it is, which series should we be keeping our eye on?
It is timely to start with Rebecca Yarros, as the third book in her Empyrean series – Onyx Storm – is published this week, while Fourth Wing and Iron Flame are sitting atop the Fantasy charts so far for 2025.
First published in hardback in 2023, the first two books in the series were released in paperback in 2024, with Fourth Wing placing 11th in the full-year chart, selling just shy of 250,000 copies. The paperback of Iron Flame was only released in November and has shifted 78,586 copies in its first nine weeks – 7.4% down on the equivalent period for its predecessor….
…While Yarros tops the fantasy chart so far for 2025, it is Sarah J Maas who dominates it, taking five of the top 10 spots. With TCM volume sales of 1.3 million units in 2024, the author of the A Court of Thorns and Roses series rooted herself into second place in our authors of the year chart with sales of £13.2m.
So far this year, Yarros’ value has already reached £483,676 – up 88.9% against the first two weeks of 2024 – and with fans eagerly awaiting the paperback release of last January’s House of Flame and Shadow, as well as the fifth ACOTAR novel, a surprise 2025 release or two could see Maas’ sales increase further still.
The bestselling fantasy hardback title at the moment could be the start of the next big thing. First published at the beginning of December, Quicksilver – the first instalment of Callie Hart’s Fae & Alchemy series – has sold 34,417 copies, with 17.9% of that coming in the past two weeks. A sequel is due later in 2025 but, so far, no date for the paperback edition has emerged. Another author to keep an eye on is Sarah A Parker, whose When the Moon Hatched is one of just three hardbacks inside the fantasy top 20, despite being first published back in June. It has just topped £1m worth of sales and consistently appears in the e-book charts provided by BookStat. The paperback is due in May, while the second book in the Moonfall series will be published in October of this year.
While 19 of the 20 listed here are romantasy – only Gregory Maguire’s Wicked bucks the trend – they are not the only sub-genre of the market on which to keep an eye. The third bestselling fantasy author of the moment is Brandon Sanderson, whose Cosmere universe has delivered £135,763, while Tolkien’s romance-free books have notched up £109,753 – though it is worth noting even when Tolkien and Sanderson’s sales are combined with second-placed Yarros, they still cannot top Maas’ total…..
(4) CHINESE NEW YEAR GALA BROADCAST. [Item by Ersatz Culture and Prograft.] The annual Chinese New Year/Spring Festival Gala was broadcast by state broadcaster CCTV/CMG on Tuesday 28th. The full (nearly 5 hour) show can be seen on YouTube, but the links below jump directly a couple of performances that may be the ones of most relevance to File 770:
A friend sent me a link to the Taobao sales page for what seems to be the robots used in this performance. The link wouldn’t show me the full product list as I don’t have a user account there, but he also sent me a screenshot, which is below, along with a Google Translation. The prices per unit convert to approximately $69k and $90k USD.
(5) YOUNG ADULTS WRITE NOW. The Horror Writers Association blog today announced the 2024 recipients of the YAWN Endowment — Young Adults Write Now (YAWN).
This endowment is provided by the Horror Writers Association and is aimed at supporting teen writing programs in libraries as part of its ongoing dedication to furthering young adult literacy. We received a large number of excellent applications last year and are heartened by the number of libraries currently prioritizing teen writing programs.
The YAWN application period runs from August 1st to October 1st, with five recipients selected in October. Each recipient is awarded $250, to be put toward developing or supporting a teen writing program in their library. More about the endowment can be found on the Horror Writers Association’s website, via the Horror Scholarships page.
Libraries receiving funding will be able to use the monies for anything relating to their proposed or currently active writing program, including but not limited to: books (specifically young adult horror and books on writing), supplies, special events, publishing costs, guest speakers and instructors, additions to the collection, and operating expenses.
The recipients of the 2024 Young Adults Write Now Endowment are:
South Fayette Township Library (Pennsylvania)
San Benito County Free Library (California)
Wharton County Library (Texas)
Cuyahoga County Public Library, Garfield Heights Branch (Ohio)
Q: What marketing advice do you have for authors, especially in light of the changing social media landscape?
A: I’ve said it before, I’ll say it again. Mailing list. Social platforms are too erratic. It doesn’t matter if you have a million followers if, let’s say for example, they ban your audience …
Q: Can you share any insights about publishing that many authors don’t know, but would benefit from knowing?
A: The cream does not rise to the top. The publishers in most cases pick their lead title and put most of their juice behind it, and if something else gets out, it’s by pure magic. There’s no formula or we would all be doing it. There are two kinds of publicists. The ones who shoot out to their mailing list and hope someone answers, and the ones who beat down doors and hope for answers. Unfortunately, the results are usually pretty on par with one another. But that’s not a defeat, that’s a call to action. That means that the author must tell the world about their books, and take the opportunities given to share it and themselves with the world.
(7) LAUREL AMBERDINE (1970-2025). Writer and editor Laurel Amberdine died January 21 at the age of 54. The SFWA Blog has published a tribute: “In Memoriam: Laurel Amberdine”.
Laurel Amberdine (1970–21 January 2025) was a writer, interviewer, and genre editor. She worked for Locus Magazine for ten years, and was an assistant editor for Lightspeed magazine.
Amberdine was known for her kind and thoughtful interviews, yet she also loved to write, both prose and poetry. Her short fiction story, “Airship Hope” was published by Daily Science Fiction in 2013, and in her 2018 essay “Science Fiction Saved My Life” (Uncanny Magazine), she discussed how her chronic illness and disability had affected her, how finding writing gave her purpose, and how privilege inherent in the industry limits voices that readers may need to hear. Amberdine wrote a young adult novel, Luminator, which made it far along in the publication process, as well as an adult science-fiction novel.
Amberdine was known for her kindness and warmth, rooted in her Catholic faith, and extended to all who she encountered….
(8) AL SARRANTONIO (1952-2025). Sff/h writer, editor and publisher Al Sarrantonio has died reported Chet Williamson on Facebook. Wikipedia has a detailed article about his career.
He began an editing career at a major New York publishing house in 1976. His first short fiction, “Ahead of the Joneses,” appeared in Isaac Asimov’s Science Fiction Magazine in 1979, and the following year he published 14 short stories. In 1982 he left publishing to become a full-time writer.
He established himself in the horror field with such much-anthologized stories as “Pumpkin Head”, “The Man With Legs”, “Father Dear,” “Wish”, and “Richard’s Head,” (all of which appear in his first short story collection, Toybox). “Richard’s Head” brought him his first Bram Stoker Award nomination.
Sarrantonio won a Bram Stoker Award in 2000 for his anthology 999: New Stories of Horror and Suspense, and a Shirley Jackson Award in 2011 for the anthology Stories: All-New Tales (co-edited with Neil Gaiman; it also won an Audie). Both books also were finalists for the World Fantasy Award.
(9) JEANNOT SZWARC (1940-2025). The Guardian’s writeup about movie/TV director Jeannot Szwarc is almost harshly frank: “Jeannot Szwarc obituary”. “Director whose big screen credits include Jaws 2, Supergirl and Santa Claus: The Movie alongside a 50-year career in television.” He also directed Somewhere in Time.
…His blockbusters, though, were among the most maligned films of their age. When asked about Jaws 2, Szwarc said: “I do believe I deserve some credit for just pulling it off.”
The odds were not in his favour. He had less than a month to prepare when the picture’s original director, John Hancock, quit three weeks into production. Only 90 seconds of what Hancock had shot proved usable. At that point, Szwarc said, “It was the biggest disaster in the history of Universal. They had spent $10m, and they had nothing.”
An unfinished script, bad weather and a malfunctioning mechanical shark only added to Szwarc’s woes as an immovable release date loomed. He was under no illusions about the task at hand. “I knew it wasn’t going to be a cinematic masterpiece. All I went in with was knowing I had to make it scary, and that I had to finish it.”
The film, which features a scene in which a shark chomps on a sea rescue helicopter as it attempts to take off from water, was met with dismay by critics. Riding the wave of Steven Spielberg’s 1975 predecessor, however, it was still a hit, grossing $187m….
…His TV credits in the early 70s included Columbo, The Six Million Dollar Man and more than a fifth of the episodes of the long-running macabre suspense series Night Gallery.
Among his television films was The Small Miracle (1973), which starred one of his heroes, the Italian neo-realist director Vittorio De Sica. “I told him I felt like an art student who had to instruct Michelangelo,” he said.
Szwarc made his big-screen debut in the same year with the Michael Crichton-scripted thriller Extreme Close-Up. He followed this with Bug (1975), a horror film about pyromaniac cockroaches, which became the swansong of the ingenious horror producer William Castle….
…Between 2003 and 2011, he returned to the Supergirl/DC Comics milieu by directing 14 episodes of Smallville, the television series about Superman’s younger years…
(10) TODAY’S BIRTHDAY.
[Written by Paul Weimer.]
January 28, 1973 — Carrie Vaughn, 52.
By Paul Weimer: Carrie Vaughn’s urban fantasy series, the Kitty Norville series, is probably very well known to you. A radio DJ turned accidental radio talk show host who is (at first secretly) a werewolf gets involved with other aspects of the slowly revealed supernatural community, bringing them out into the open and having the United States and the world come to terms with them. It’s as if the Masquerade (from White Wolf) was being slowly and steadily lifted, and for everyone all at once.
Even then and even now, that goes against the grain of a lot of Urban fantasy, which either has the supernatural always out and open, or following the Masquerade model. But a series that considers the problems werewolves, vampires and others have adapting to modern society–and modern society adapting to others? That’s a lovely sociological and anthropological twist. Those first few novels, as Kitty herself comes to terms with her secret coming out, are really strong and I think they hold up to this day.
And Norville is and was willing to expand the playground and consider–if supernatural creatures have always been around, what does that, what did that actually mean in historical terms. There’s some really lovely worldbuilding in her nuanced explorations of the idea.
But a reason why the Norville books also hold a strong place in my heart is that they are, again, some of the earliest books I was given ARCs to read for review (the first three as a matter of fact). Although urban fantasy (except for, say, Seanan McGuire) is not my power chord of reading SFF, the idea that a publisher would give me books if I would review them was a pretty heady feeling.
Still is.
I’ve read a couple of novels and work by Vaughn outside of the Kitty Norville books (After the Golden Age, written in that heady period where authors were writing original superhero novels not tied to Marvel or DC). But for me, it may be unfair, Vaughn’s work begins and ends with a DJ turned accidental social heroine.
Carrie Vaughn
(11) COMICS SECTION.
Jerry King knows why the monsters aren’t in their old hiding place.
Before the internet, if you were an avid gamer then you were very likely to be an avid reader of games magazines. From the early 1980s, the likes of Crash, Mega, PC Gamer and the Official PlayStation Magazine were your connection with the industry, providing news, reviews and interviews as well as lively letters pages that fostered a sense of community. Very rarely, however, did anyone keep hold of their magazine collections. Lacking the cultural gravitas of music or movie publications, they were mostly thrown away. While working at Future Publishing as a games journalist in the 1990s, I watched many times as hundreds of old issues of SuperPlay, Edge and GamesMaster were tipped into skips for pulping. I feel queasy just thinking about it.
Because now, of course, I and thousands of other video game veterans have realised these magazines are a vital historical resource as well as a source of nostalgic joy. Surviving copies of classic mags are selling at a vast premium on eBay, and while the Internet Archive does contain patchy collections of scanned magazines, it is vulnerable to legal challenges from copyright holders.
Thankfully, there are institutions taking the preservation of games magazines seriously. Last week, the Video Game History Foundation, a non-profit organisation dedicated to the preservation of games and their history, announced that from 30 January, it would be opening up its digital archive of out-of-print magazines to read and study online. So far 1,500 issues of mostly American games mags are available, as well as art books and other printed ephemera, but the organisation is busy scanning its entire collection. The digitised content will be fully tagged and searchable by word or phrase, so you’ll be able to easily track down the first mentions of, say, Minecraft, John Romero, or the survival horror genre….
On Jan. 2, the Minor Planet Center at the Harvard-Smithsonian Center for Astrophysics in Cambridge, Massachusetts, announced the discovery of an unusual asteroid, designated 2018 CN41. First identified and submitted by a citizen scientist, the object’s orbit was notable: It came less than 150,000 miles (240,000 km) from Earth, closer than the orbit of the Moon. That qualified it as a near-Earth object (NEO) — one worth monitoring for its potential to someday slam into Earth.
But less than 17 hours later, the Minor Planet Center (MPC) issued an editorial notice: It was deleting 2018 CN41 from its records because, it turned out, the object was not an asteroid.
It was a car.
To be precise, it was Elon Musk’s Tesla Roadster mounted to a Falcon Heavy upper stage, which boosted into orbit around the Sun on Feb. 6, 2018. The car — which had been owned and driven by Musk — was a test payload for the Falcon Heavy’s first flight….
(15) PREPARE FOR THE ZOMBIE APOCALYPSE? [Item by Mike Kennedy.] See the Orchard Machinery Corporation’s imposing Hedgehog tree trimming machine hacking along to Zombie as covered by Bad Wolves. Could this be a subtle hint that we should prepare for the zombie apocalypse? If so, such a machine might come in handy.
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Ersatz Culture, Prograft, Daniel Dern, Jim Janney, Mark Roth-Whitworth, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) SMELLING BEE. “How Much Does Our Language Shape Our Thinking?” in The New Yorker begins with a rant against the prevalence of the English language, however, there are some interesting anthropological bits, too:
…Western writers have long assumed that human beings have an inherently limited capacity to describe some senses, with olfaction ranking as the most elusive. We can speak abstractly about colors (red, blue, black) and sound (high, low, loud). With smell, though, we usually give “source-based” references (“like cut grass”). But the cognitive scientist Asifa Majid, now of Oxford, and the linguist Niclas Burenhult, of Lund University, in Sweden, have shown that this needn’t be the case. They discovered that the Jahai, hunter-gatherers living at the border of Malaysia and Thailand, have a rich vocabulary of abstract smell words. One Jahai term, itpit, refers to the “intense smell of durian, perfume, soap, Aquillaria wood, and bearcat,” Majid and Burenhult report. Another, cnes, applies to “the smell of petrol, smoke, bat droppings and bat caves, some species of millipede, root of wild ginger, leaf of gingerwort, wood of mango tree.” Subsequent research has found large olfactory lexicons in at least forty other languages, among them Fang, Khmer, Swahili, and Zapotec.
It makes a difference. In a study that Majid and Burenhult conducted a decade ago, Jahai and English speakers were asked to identify and name twelve smells, including cinnamon, turpentine, gasoline, and onion. English speakers, despite their greater familiarity with the odors, faltered….
…Twenty years ago, abstract smell vocabularies seemed ridiculous. Burenhult studied the Jahai language for a decade, even writing a doctoral dissertation on its grammar, before Majid asked him to run a battery of tasks that revealed Jahai speakers’ exceptional way of talking about smell. Other linguistic features once assumed to be universal-such as tenses, personal pronouns, and even, potentially, a distinction between nouns and verbs-have turned up missing when greater numbers of languages have been scrutinized. Likewise, we’ve enlarged our sense of the metaphors used to map concepts. English describes acoustic pitch using a verticality metaphor (high-low), but a study by experts in musical cognition found that people around the world use at least thirty-five other mappings, such as small-big, alert-sleepy, pretty-ugly, tense-relaxed, summer-winter, and-in the case of some traditional Zimbabwean instrumentalists-“crocodile” (low pitch) and “those who follow crocodiles” (high pitch)….
Everett’s book revels in such discoveries, which multiply the conceivable differences separating languages. In a recent review of the research literature, the language scientist Damián E. Blasi, along with Majid and others, listed the many cognitive domains that English seems to affect, including memory, theory of mind, spatial reasoning, event processing, aesthetic preferences, and sensitivity to rhythm and melody.”
Eagle-eyed fans may have been a little surprised to spot a magazine containing a promotional picture for the Doctor Who 2023 specials featuring Noble actress Catherine Tate.
In a whirlwind couple of seconds, we see the Doctor and the occupants of what looks like a soccer-loving barbershop (in what’s certainly not the U.K.) sucked out into some kind of cosmic storm. If you look closely at the magazines fluttering by, you can spot a magazine with the aforementioned image….
…Davies: Because what you get, Steven, is a fool because he throws away huge movie franchises every time he does a Doctor Who story.
Moffat: So do you.
Davies: There’s River Song — could be bigger than James Bond every day, and now there’s the Time Hotel that could run for 20 years as a television show.
Moffat: You know you’ve got an idea that’s good enough for 45 minutes of Doctor Who if you’ve got a movie idea. If you just pissed away a franchise, yeah, I might give you 45 minutes….
(4) UNIVERSITIES PRESERVING SFF. Fanac.org’s next “FANAC Fanhistory Zoom” is “Out of the Ghetto and into the University: SF Fandom University Collections”. To attend, email fanac@fanac.org.
Most of us are collectors (or at least accumulators) of science fiction memorabilia. And others are researchers and historians. Our first program should be interesting to all of you. We will be interviewing the Curators of three of the largest library collections specializing in science fiction, fanzines, comics and other related materials.
Come to find out what is in their collections, what they want for their collections, and how to use them. January 11, 2025 – 2PM EST, 11 AM PST, 7PM GMT London, and 6AM AEDT (sorry) Sunday, Jan 12 Melbourne
Jason W. Ellis, Associate Professor of English and Coordinator, City Tech Science Fiction Collection at New York City College of Technology says:
Our sign-in sheet recorded 58 attendees, but I’m guessing the attendance across the day was between 75-100 people as some folks, including students, didn’t sign-in. I even heard one positive take on the symposium via the telephone grapevine from a past colleague who I didn’t know attended. In any event, it took an army to chow down 10 pizzas at lunch!
(6) CLASSIC COMIC STRIP COLLECTIONS. These used to make ideal holiday gifts. CBR.com gives us the “10 Best Comic Strip Collections, Ranked”. “…The best comic strip collections feature the best comic strip titles and probably contain strips significant to its legacy and/or offer insight into its creation….”
Coming in at number six:
Pearls Before Swine: Sgt. Piggy’s Lonely Hearts Club Comic: A Comic Strip Collection About Life, Death, and Everything in Between
Starring anamorphic animals named after the animals they are, Pearls Before Swine explores themes of death, meaning, and the world’s chaos with irony and visual humor. It’s named after the Bible verse, Matthew 7:6, which contains the phrase, “Do not cast your pearls before swine,” meaning don’t impart wisdom on those who won’t appreciate it. This is a pun because Rat, a cynical and snarky loudmouth, often feels this is what he’s doing when talking to Pig, a literal swine who is kind-natured and naïve. Pearls Before Swine also stars Goat, a character often annoyed at Rat and Pig because he’s more educated and informed than them, and a family of crocodiles who always fail at killing their zebra neighbors.
Roughly half the strips in Pearls Before Swine treasuries, which collect the strips in the previous twocollections, have notes under them from Pearls Before creator Stephen Pastis. Pearls Before Swine: Sgt.Piggy’s Lonely Hearts Club Comic is the first Pearls Before Swine treasury and showcases where it all began. The strips in this book were made before Pastis started drawing himself as a character to make meta-commentary, but it still had plenty of other laughs, including a strip where Pig orders bacon and says it’s a “pig-eat-pig world.”
(7) RAY, BART AND HOMER. Phil Nichols’ Bradbury 100 podcast devoted a recent episode to “Ray Bradbury and The Simpsons”, tracking down every reference the series has made to Ray.
A few weeks ago, there was a new episode of The Simpsons which was entirely based on the works of Ray Bradbury. “Simpsons Wicked This Way Comes” is not the first time Ray has been referenced by the show. In fact, the number of Bradbury allusions across all of The Simpsons (i.e. on TV, in comics, and in books) now totals: thirteen.
In this episode I detail them all!
Many of them are represented by audio clips. But there are a few gags which are purely visual, including the comic-book and book appearances, and so I’ll present a few of them below. (Click on the images to embiggen!)
…Saturday evening, the drama reached its peak during a lavish five-course dinner under a heated tent. The menu featured a Crenn Caesar salad, savoy cabbage, steak wing lamb, and soy custard, paired with fine wines. But before dinner was over, the chef’s driver, Charlie Carr, was killed.
The tension escalated when a dinner guest was poisoned for suggesting Sinclair’s death wasn’t an accident, putting her in the killer’s crosshairs.
In the end, we learned the killer and his motive…
(9) MEMORY LANE.
[Written by Paul Weimer.]
Galaxy Quest
By Paul Weimer: Galaxy Quest — the best movie about Star Trek fandom of all time?
Very possibly yes.
In the days before The Orville (which has neatly taken up the Galaxy Quest banner in some ways), Star Trek’s self importance was sometimes overweening. Oh you could see and find some deflation of the seriousness of movies like Star Trek the Motion Picture now and again in the Star Trek canon (Star Trek IV in particular). But the strong desire and passion of fans was something that was mocked for a long time, and by William Shatner himself.
On December 20, 1986, the infamous “Get a Life” sketch was aired on Saturday Night Live. It’s worth seeing if you haven’t seen it. People forget that at the end Shatner “recants” his rant against the fans and says he was just channeling “Evil Kirk”. Everyone remembers how for the first 6 minutes of the episode he rips and destroys the enthusiasm and geeky intense interest of those same fans.
So, Galaxy Quest is a corrective, I feel, to that sketch and those perceptions. And at the time I saw Galaxy Quest in 1999, I had been to one Star Trek convention (with Marina Sirtis and George Takei). I knew and know the passions of people for a property, a franchise, an imaginary future. I share them, after all.
Galaxy Quest channels all that, and with love and respect, but knowing how silly its own source material is, uses it. From the funky controls on the bridge, to the “choppers” in a passageway that Sigourney Weaver’s character calls out as being stupid, the movie shows the absurdity of following a property so closely. And yet in showing the absurdity of it, it also shows the love, respect, care and humanity of fans of a property. (Consider how the fans come together to help land the remnants of the ship). It’s a movie that touches the heart and knows when to cut from horror, to comedy, to moments of tenderness and pathos. There are few episodes, or movies of the actual Star Trek than can say the same.
And the casting is perfect. Tim Allen as the clueless captain? Sigourney Weaver, whose sole job is to repeat the computer? The late Alan Rickman, horrified he has, by Grabthar’s Hammer, been permanently typecast? Tony Shalhoub as the slacker chief engineer? All of the cast understood the assignment and give the movie their all. The movie is peppy, doesn’t flag, and entertains thoroughly. It satirizes and respects and loves Star Trek, and its fans.
Also, in 2020, inspired by this movie, I went out of my way in my trip around the “Utah 5” to see Goblin Valley State Park, where the alien planet with the beryllium mine (and the rock monster) was filmed. Friends, it is as alien and weird as the movie makes it out to be.
Never give up, never surrender may be Captain Taggart’s catchphrase, but it’s some damn fine advice for life, too.
For the final Christmas of the 20th century, Santa dropped off an extra special gift to movie lovers: Galaxy Quest, a Star Trekparody that’s also so much more.
In it, Tim Allen plays egotistical actor Jason Nesmith whose claim to fame was portraying the Captain Kirk-like lead, Commander Peter Quincy Taggart, in the cheesy 1980s sci-fi show Galaxy Quest. Years after Galaxy Quest has concluded, Nesmith and his co-stars are scraping by with personal appearances at sci-fi conventions. Things take a twist, though, when real-life aliens — who have mistaken Galaxy Quest as real — abduct the actors to help save them from an extraterrestrial warlord.
In the 25 years since its release, the movie has turned into a legitimate cult hit, and so, to mark its 25th anniversary, here are 25 behind-the-scenes tidbits about it…
Here are two particularly juicy tidbits – imagine Galaxy Quest helmed by the same director as Groundhog Day, Harold Ramis, and with a different cast.
21 Why Ramis Left the Project
According to Dean Parisot, who ultimately directed Galaxy Quest, “The studio wanted Tim Allen to do it, but Harold didn’t want to do it with Tim.” Additionally, producer Mark Johnson said, “Harold didn’t do the movie because we couldn’t cast it. The people we went to all turned it down, and by the time we got to Tim Allen, Harold couldn’t see it.”
20 Ramis’ Pick
Ramis had originally wanted Alec Baldwin for the lead. Other casting choices proposed were Steve Martin and Kevin Kline.
(12) ALL SINGING, ALL DANCING, ALL GRINCHING. Cat pointed out a huge oversight in yesterday’s Scroll – I should have followed his Grinch TV memory with a link to Martin Morse Wooster’s “Review of ‘Dr. Seuss’ How the Grinch Stole Christmas – The Musical’”, an account of the stage production from 2016.
I saw Dr. Seuss’ How The Grinch Stole Christmas!—The Musical last night at the National Theatre in Washington. From the musical’s website and Wikipedia, I learned that this musical has been around since 1994 and has played in 41 other cities in the U.S. before it showed up in Washington….
….You know the plot. The citizens of Whoville are looking forward to Christmas when they can get lots of stuff and eat many sugary treats. Then that mean Grinch shows up and steals all their stuff. But why? Deprived childhood? Acid reflux? The answer here is that the Grinch is tired of all the noise the Whovians make. At that point I started cheering the Grinch on….
The NHS in England is launching a world-first trial of a “gamechanging” artificial intelligence tool that can identify patients at risk of type 2 diabetes more than a decade before they develop the condition.
More than 500 million people worldwide have type 2 diabetes, and finding new ways to spot people at risk before they develop the condition is a major global health priority. Estimates suggest 1 billion people will have type 2 diabetes by 2050.
The condition is a leading cause of blindness, kidney failure, heart attacks, strokes and lower limb amputation. It is often linked to being overweight or inactive, or having a family history of type 2 diabetes, although not all those diagnosed are in those categories.
Now doctors and scientists have developed a transformative AI tool that can predict those at risk of the condition as much as 13 years before it begins to develop.
The technology analyses electrocardiogram (ECG) readings during routine heart scans. It can detect subtle changes too small to be noticed by the human eye that could raise the alarm early about a patient on the road to getting type 2 diabetes.
It could enable early interventions and potentially help people avoid developing the condition altogether by, for example, making changes to their diet and lifestyle….
(14) SCIENCE IN THE ASTIN FAMILY TREE. [Item by Andrew (not Werdna).] This short documentary discusses “The AD-X2 Controversy” — in which the evaluation of the effectiveness of a car battery additive led to the firing (and later reinstatement) of the head of the National Bureau of Standards Allen Astin. The documentary features interviews with Astin’s son John Astin and grandson Sean Astin. Further details in the Wikipeida here: “AD-X2”.
Hoping for a white Christmas this year? Well, even if there’s no snow where you live, at least you can enjoy these images of a “winter” wonderland on Mars.
Taken by the German-built High Resolution Stereo Camera (HRSC) on the European Space Agency’s (ESA) Mars Express orbiter in June 2022, and by NASA’s NASA’s Mars Reconnaissance Orbiter using its High-Resolution Imaging Science Experiment (HiRISE) camera on September 2022, these images showcase what appears to be a snowy landscape in the Australe Scopuli region of Mars, near the planet’s south pole.But the “snow” seen here is quite different from what we have on Earth.
In fact, it’s carbon dioxide ice, and at Mars’ south pole, there’s 26-foot-thick (8-meter-thick) layer of it year-round. (These image was actually taken near the summer solstice, not the winter one — it’s very cold here all year long.)…
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Andrew (not Werdna), Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, and Teddy Harvia for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) DISTINGUISHABLE FROM MAGIC. Ted Chiang received the Humanist Inquiry & Innovation Award at the American Humanist Association’s 83rd Annual Conference, held virtually in September 2024. “This award honors those who have advanced human understanding and innovation in ways that uphold humanist values, work that exemplifies the power of inquiry and innovation to promote human dignity, freedom and progress.” This text is excerpted from Chiang’s acceptance speech at the Conference: “The Distinction Between Imaginary Science and Magic” at TheHumanist.com.
…The reason these [two example] stories feel different to me has to do with the way these stories treat this impossibility. One feels like it’s a story about an imaginary scientific discovery, while the other one feels like it’s a story about magic. I think that the difference in the way these stories feel points to something significant. If I’m told that a phenomenon is dependent on the practitioner, that makes me think it’s magic, because think of the ways that magic is commonly depicted.
Sometimes magic works only for people born with an innate gift. Sometimes magic only works for people who have purified their soul through years of study. Sometimes magic only works for people who have good intentions, or it works differently for different people, depending on whether their intentions are good or bad. Sometimes magic requires intense concentration to be effective, or it requires that you make a sacrifice.
None of these things are true of scientific phenomena. When you pass a magnet through a coil of wire, electric current flows no matter who your parents are or whether your intentions are good or bad. You don’t have to concentrate hard or offer a sacrifice in order for a light bulb to turn on. Electricity does not care.
One of the central criteria for a scientific result is that it be reproducible, that it be it can be recreated anywhere by anyone. It does not depend on a specific person’s presence or participation. If an experiment only works when one particular person conducts it, then we discard that data as spurious. When radio waves were first discovered, they might have seemed magical to the casual observer and the scientists who first transmitted messages via radio might have seemed like wizards because they were able to communicate over long distances using an invisible medium, but because radio waves are reproducible, because they don’t rely on any particular person’s participation, it eventually became possible to build radio transmitters and receivers by the thousands and then the millions, and now, literally anyone can use a radio. It is no longer restricted to a handful of scientists….
(2) WHAT YOUNG PEOPLE THINK. James Davis Nicoll recently presented George R. R. Martin’s “With Morning Comes Mistfall” (1973) to the Young People Read Old SFFpanel.
November’s Young People Read Old Nebula Finalists features George R. R. Martin’s “With Morning Comes Mistfall”. First published in the May 1973 issue of Analog Science Fiction/Science Fact, “Mistfall” was nominated for the Nebula as well as the Hugo, losing the first to “ Love Is the Plan the Plan Is Death”, and the second to Le Guin’s “Those Who Walk Away from Omelas”.
I first encountered “Mistfall” in Lester del Rey’s Best Science Fiction Stories of the Year: Third Annual Collection.
I disagreed strongly with the apparent thesis — that looking for answers to interesting questions is the act of a buzzkill — but enjoyed the story enough start relentlessly hunting down Martin stories. One result is that I own at least three copies of this particular story, in the del Rey anthology, in A Song for Lya and Other Stories1, and in Portraits of His Children. I had the Analog back-issue until a flood ate my 1970s magazine collection. I have a shelf of Martin works and this story is why.
Of course, there’s no guarantee the Young People will like the same stuff I enjoyed. Let’s find out what they thought….
Warner Bros. Discovery announced that its upcoming “Harry Potter” series will start shooting this summer at Leavesden, where the movies were also filmed.
During a presentation at the Warner Bros. Discovery’s headquarters in London on Thursday, showrunner Francesca Gardiner and director Mark Mylod revealed that the show had auditioned 32,000 kids for the lead roles, and that the casting team is currently reviewing between 500 and 1,000 audition tapes per day with the intent to watch every single one. Though he affirmed they haven’t made any final choices in regards to casting yet, Mylod said the next step will be to “workshop with some of our shortlisted candidates” in January.
Gardiner and Mylod also said they will be sticking to correct canonical ages for the characters: Severus Snape (potentially being played by Paapa Essiedu) will be in his 30s, while James and Lily Potter will be younger, as they were only 21 when they died. Mylod teased that for the adult characters, he’s looking to continue the tradition of “brilliant theater actors in the U.K.,” with the young actors of course all being newcomers….
… The run-up to the series has not been without controversy, however, as book author J.K. Rowling has continued to cause backlash with her views on transgender identity. However, HBO has stood by her side, telling Variety in a statement last month: “J.K. Rowling has a right to express her personal views. We will remain focused on the development of the new series, which will only benefit from her involvement.”
At Thursday’s event, HBO chief Casey Bloys doubled down on that sentiment, saying that he’s “totally comfortable” with Rowling’s involvement and “not concerned about consumer response.”…
But as Chris Barkley said when he sent the link, “Well, heh, he SHOULD BE concerned….”
World War Three killed nine out of ten people, but enough infrastructure survived to support reliable hibernation. This is good news for terminally ill Ross. He can be placed into suspended animation until a cure is found for his disease. The results are a mixed success. Ross wakes, now healthy, to discover that humans have, during his long slumber, not only annihilated themselves but almost all life on Earth.
Fortune smiles on Ross. First, life may be (mostly) dead but there is an army of robots to carry out his orders. Second, thanks to the upturned cuffs of the clothes he wore on his way to cold sleep, a few seeds survived the apocalypse. Third, thanks to suspended animation, Ross has all the time he needs to oversee Earth’s terraforming… although he might be surprised to learn how long that will take.
For the most part, this short novel is a tribute to what one human can accomplish, given only determination, knowledge, and a vast army of relentlessly obedient, highly advanced robots. That said, Second Ending may feature the longest timescale needed for terraforming ever featured in a science fiction novel.
(5) I CAN’T SAY NO. Camestros Felapton knows readers can’t resist taking the hook dangled in “Robot Fabulas: Introduction”: “Welcome to Robot Fabulas, a series that is never quite about what it appears to be about”… I certainly can’t.
…This is an attempt to trace a history of science fiction by following one niche part of science fiction. Many things can be science fiction but rockets, space travel, time travel and robots all share a common quality that even when they discussed in factual terms (as theories or in some cases actualities) they have a science fictional quality to them.
The premise of Robot Fabulas is that there is a class of stories that I am calling “robot stories” that share a group of features to them. That these stories long predate anything we might call science fiction in the modern sense but which clearly influenced modern science fiction. We can recognise Pinocchio in Star Trek’s Commander Data and we can recognise Victor Frankenstein in Data’s inventor Doctor Noonien Soong. How ancient stories rooted in folk tales, legends or myth evolved into modern stories about invention, technology is the story of science fiction. I will follow robot stories because I can see that path from the past to the future most clearly.
One of the masterminds behind Doctor Who has warned that the more AI content is used for creative purposes the worse its output will be because it “eats its own tail”.
Ahead of the Doctor Who Christmas special, eagerly awaited by fans as a centrepiece of BBC1’s festive schedule, Steven Moffat made the comments in discussion with fellow showrunner Russell T Davies.
“Human beings are amazingly cheap, we’re knocking out human beings every day. And unlike anything else in history, the more we use it, the less good it is,” Moffat told the Radio Times. “Because the more content that is out there produced by AI, the more it absorbs its own content, and eats its own tail.”
Davies, who was responsible for the modern revival of Doctor Who in 2005 and returned as showrunner in 2022, had wondered whether AI would replace screenwriters.
He replied to Moffat: “Television has been run on those principles for a very long time. You’ve just described most networks!”
(7) APEX BRINGS ABOARD MANAGING EDITOR. Darian Bianco has accepted the position of Managing Editor for Apex Book Company.
As managing editor, Darian will oversee the production, marketing, and distribution of the imprint’s titles. She’ll also be involved with acquisitions and catalog management.
Darian started her career in publishing as an intern for Apex eight years ago. Most recently, she has been a writing instructor for the Reach Your Apex educational arm of the business.
Apex Book Company editor-in-chief Jason Sizemore says this about Darian: “Darian’s intellect, organizational skills, and editorial acumen will be a boon for the company.”
Darian Bianco currently works as an adjunct professor teaching English at Eastern Kentucky University. She holds an MFA from the Bluegrass Writers Studio. She is also a graduate of the 2022-2023 season of the Author’s Academy at the Carnegie Center, having worked with Ashley Blooms. Her novel-in-progress, Chatter, was one of five winners for issue six of Novel Slices. She is represented by Alexandra Levick of Writers House, LLC.
ChatGPT search—which is positioned as a competitor to search engines like Google and Bing—launched with a press release from OpenAI touting claims that the company had “collaborated extensively with the news industry” and “carefully listened to feedback” from certain news organizations that have signed content licensing agreements with the company. In contrast to the original rollout of ChatGPT, two years ago, when publishers learned that OpenAI had scraped their content without notice or consent to train its foundation models, this may seem like an improvement. OpenAI highlights the fact that it allows news publishers to decide whether they want their content to be included in their search results by specifying their preferences in a “robots.txt” file on its website.
But while the company presents inclusion in its search as an opportunity to “reach a broader audience,” a Tow Center analysis finds that publishers face the risk of their content being misattributed or misrepresented regardless of whether they allow OpenAI’s crawlers….
…In total, we pulled two hundred quotes from twenty publications and asked ChatGPT to identify the sources of each quote. We observed a spectrum of accuracy in the responses: some answers were entirely correct (i.e., accurately returned the publisher, date, and URL of the block quote we shared), many were entirely wrong, and some fell somewhere in between.
We anticipated that ChatGPT might struggle to answer some queries accurately, given that forty of the two hundred quotes were sourced from publishers who had blocked its search crawler. However, ChatGPT rarely gave any indication of its inability to produce an answer. Eager to please, the chatbot would sooner conjure a response out of thin air than admit it could not access an answer. In total, ChatGPT returned partially or entirely incorrect responses on a hundred and fifty-three occasions, though it only acknowledged an inability to accurately respond to a query seven times. Only in those seven outputs did the chatbot use qualifying words and phrases like “appears,” “it’s possible,” or “might,” or statements like “I couldn’t locate the exact article.”…
A year after the writers’ and actors’ strikes that stalled the film and television industry, production activity in New York City remains stuck in low gear, according to city data and interviews with more than a dozen local actors, writers, executives and crew members.
“It’s been totally dead,” said Max Casella, a series regular on “The Sopranos,” “Marvelous Mrs. Maisel,” and other shows. “Nothing going on, no work, nothing.”
“There are just so many fewer ways to make a living in this industry now than ever,” said Nivedita Kulkarni, a comedian and actress with a 14-year career.
The past several years have been enormously challenging for many New Yorkers in the industry. First there were the pandemic shutdowns, which brought production to a halt. Then, there were the strikes that began in May 2023.
Nearly all the workers interviewed for this story described a dead summer and fall with few auditions and little work. In some cases, actors used to starring scenes have taken diminished roles, and minor actors or co-stars have taken work as background actors or extras.
Some have turned to trading cryptocurrencies and others have left the city altogether, no longer seeing it as a place where they might build a career in the industry.
“It’s not just a New York City shift, it’s an industry shift. It’s a national shift,” said Pat Kaufman, commissioner of the Mayor’s Office of Media and Entertainment.
Industry experts and sources expect the downturn to last several years at minimum, following larger changes in the entertainment industry’s business model. Many predict that New York City will likely remain a domestic production hotspot, but it may take years for employment to return to pre-pandemic levels.
(10) MEMORY LANE.
[Written by Cat Eldridge.]
Anniversary: December 5, 1977 — Emmet Otter’s Jug-Band Christmas
Forty-seven years ago on CBC on this date, Emmet Otter’s Jug-Band Christmas film first aired. It would premiere a year later in the States on HBO. It was based off of the children’s book of the same name by Russell Hoban and his wife Lillian Hoban. Russell Hoban you’ll no doubt recognize as the author of Riddley Walker which won a John W. Campbell Memorial Award. It was directed and produced by Jim Henson off the script by Jerry Juhl who was known for his work on The Muppet Show, Fraggle Rock and Sesame Street.
The Muppets voice cast was Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, Dave Goelz, Marilyn Sokol and Eren Ozker.
Paul Williams, who I was surprised to learn wrote Three Dog Night’s “An Old Fashioned Love Song” among quite a few other songs, composed the music and several songs here. This would not be his last such Muppets work as he would be involved in The Muppet Movie several years later among other of his Muppets projects.
Reception was very positive with the New York Times comparing it to The Wind in The Willows saying and “These really are the nicest folk on the river.” It was Christmas season, blame that comparison on too much eggnog made way too strong if you want. And AV Critic said that “it was “The kind of Christmas special you could wrap in tissue when the season’s over and store carefully in a box in the attic.”
Oh, and Bret McKenzie (you fans of The Hobbit films might recognize him) was writing the script and songs for a film adaptation of it which might be someday produced by The Jim Henson Company though it’s been years since that was announced.
Yes, the Suck Fairy very much liked it. She even looked at her iPad mini to see what the audience reviewers at Rotten Tomatoes thought of it. She’s pleased to say that the more than five thousand people who had rated it gave it a hundred percent rating. After that, she put her iPad mini down, went back to stroking Pixel and watching the film. Again. Sentimental sop.
For some reason unlike most Muppet properties, it is not streaming on Disney+ but on Peacock, but then Jim Henson’s The Storyteller is there and as well, seasonally appropriate, It’s A Very Muppet Christmas too. Not at all Muppet, but How The Grinch Stole Christmasisas well.
(11) COMICS SECTION.
Ink Pen thinks of it as an audition, not hot dogging.
…“He was an amazing writer. There was no one like Howard.” And it’s not as if Waldrop’s career was without acclaim. But his peers, including Martin, worried about his finances and health towards the end of his life. With the financial success Martin enjoyed thanks to Thrones, he wanted to strike a deal to turn some of Waldrop’s stories into short films, but it wasn’t easy.
“It’s hard to get anyone to finance a short film,” Martin tells THR. “Movie theaters don’t want to show short films. I own a movie theater myself, so I know that. And it’s hard to get the big studios to make them. I tried for a number of years… I finally gave up.”
Then the author decided to break “the cardinal rule of Hollywood.”
With Waldrop’s health deteriorating, Martin was determined to honor his friend by bringing his work to the big screen. “The cardinal rule of Hollywood is: never use your own money. I broke that. I [thought], ‘God damn it, I’m gonna use my own money,’” he adds. “So we put these films into production — three of them are now finished. Two more are in post-production.”
The Ugly Chickens, starring Felicia Day (Supernatural, The Guild), has been shot alongside adaptations of Waldrop’s short stories Mary-Margaret Road Grader and Night of the Cooters. The movies are now screening on the festival circuit, with Chickens already securing a best short film nomination at the HollyShorts Film Festival (the Oscar-qualifying short film fest based in Los Angeles) …
Caves of Qud isn’t a new game by any means. Over 15 years of development, Freehold Games has built a community of passionate players over a long period of early access. But on Wednesday, Caves of Qud finally enjoyed a 1.0 launch, and is available for sale on Steam, Itch.io, and GOG.
It’s not easy to categorize Caves of Qud, because it covers so much ground — quite literally, since it’s generating an entire world full of ancient ruins, toxic jungles, scattered settlements, mutants, beasts, clones, sentient bears, and mysterious robots. It’s advertised as a “science fantasy roguelike epic” and a “deep simulation” that allows the players to do basically anything. Thanks to all the technology and magic of the setting, that can be anything from arguing with a sentient plant to becoming a spider and trapping your enemies in webs.
The 1.0 update adds a tutorial to teach the basics of the game, which was sorely needed, and adds a final quest to the main questline that initiates the end of the game. There are several new music tracks, as well as sound effects. Players can also earn 40 new achievements, find new items, and enjoy lots of minor bug fixes and quality of life changes….
It’s true that fear is the mind-killer — but a laser blast from a giant robot can also be pretty lethal.
HBO’s upcoming prequel series Dune: Prophecy is set to explore the history of author Frank Herbert’s sci-fi universe, including something that’s never been seen on screen in any of the multiple movie adaptations of Dune — namely, the war against “thinking machines” that took place tens of thousands of years before the birth of Paul Atreides….
… But the whole reason there are “human computers” in the Dune universe in the first place is because the actual computers were all destroyed in a massive war! Viewers of Dune: Prophecy will see glimpses of that war in the opening moments of this Sunday’s premiere episode….
… The actual show is set years after the end of the Butlerian Jihad, but its lingering shadow hangs over the proceedings….
President-elect Donald Trump has chosen billionaire astronaut Jared Isaacman to be the next administrator of NASA….
…Isaacman made headlines earlier this year when he became the first private astronaut to conduct a spacewalk. The five-day mission took place using a capsule built by Elon Musk’s company SpaceX. During the flight, Isaacman and SpaceX engineer Sarah Gillis donned space suits supplied by the company and floated briefly outside the capsule.
It was Isaacman’s second trip to space using a SpaceX capsule. He has declined to say how much he’s paid the company for the two flights.
Isaacman is a friend of Musk, and his online payment company, Shift 4, has extensive financial ties to SpaceX. According to financial disclosure documents, Shift 4 had invested $27.5 million dollars in SpaceX as of 2021. That same year, Shift4 announced a five-year partnership that would make it the payment platform for Starlink, the satellite internet service run by SpaceX.
If confirmed as NASA administrator, Isaacman would oversee billions of dollars in contracts that the government has awarded to SpaceX. He would also be in a position to funnel more money to Musk’s company.
“Isaacman is likely to favor ambitious and innovative commercial projects,” says Tim Farrar, president of TMF Associates, which analyzes the space business. “Many of those projects could well be executed by SpaceX.”
In fact, in previous posts on Musk’s social media platform X, Isaacman appears to have shown a strong preference for SpaceX. He has supported allowing SpaceX to increase its launches out of California, after lawmakers there voted to restrict its flights from Vandenberg Air Force Base. He’s also been critical of NASA’s Space Launch System (SLS) to carry astronauts to the moon, as well as the agency’s decision to award a lunar landing contract to Blue Origin, the spaceflight company of Amazon founder Jeff Bezos….
(17) ON THE ROAD. [Item by SF Concatenation’s Jonathan Cowie.] The starship Enterprise ran on antimatter which sort of explains why Scotty looked a tad nervous when saying ‘the engines canna take it’. So consider today’s Nature which reports on “Antimatter being transported outside a lab for first time — in a van”
The volatile substance will be driven across the CERN campus in trucks to different facilities, giving scientists greater opportunities to study it….
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, N., Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) JEFFE KENNEDY RESIGNS AS SFWA PRESIDENT. Science Fiction and Fantasy Association President Jeffe Kennedy announced to members today that she has resigned the office. Her statement says in part:
…I’ve served in this role for over three years and on the Board of Directors for more than seven years. It has been a privilege and an honor to serve this organization.
However, the last several months have been particularly demanding in my personal life, and I have come to the realization that I can no longer provide the focused attention SFWA needs from its President. Without going into too much detail, I continue to be the sole caregiver and financial support for my disabled husband, whose progressive condition is worsening. In addition, my stepfather of twenty years passed away suddenly, widowing my elderly mother for the third time, and I am in the process of taking over all of her finances and care. These family obligations will require far more attention than I could have anticipated when I accepted the nomination to serve a second term as SFWA President.
My legal and fiscal responsibility to SFWA—and my own personal integrity—prevent me from commenting on any issues related to SFWA’s administration and operations. Throughout my tenure I did my best to serve the organization and all of its constituents with sincerity and respect, and to fulfill all of the duties I was elected to perform. Now it is time for me to step back….
…The African Speculative Fiction Society has provided sponsorship to attend but Oghenechovwe Donald Ekpeki is still in need of funding for other travel and visa expenses, hence this GoFundMe effort. He would like to raise $7500.00.
He has won the Nebula, Locus, Otherwise, Nommo, British & World Fantasy awards and was a finalist in the Hugo, Sturgeon, British Science Fiction and NAACP Image awards.
He is a finalist in the Nommo Award in two categories, best short story and best novella, which will be presented at the Worldcon in Glasgow this year….
To repeat myself: The late Christopher Priest (1943-2024) was one of the greatest SF writers of his generation. He made an early splash with novels like Inverted World and A Dream of Wessex (aka The Perfect Lover), followed by The Prestige, which was made into a successful movie by Christopher Nolan, and then by any number of stories and novels in his Dream Archipelago sequence. I wrote an obituary of him for Black Gatehere….
If they ask you to appear in Star Trek again, would you say yes? Nicens_boi
I mean, you can’t top killing Captain James T Kirk. I suppose I could go back and kill old Patrick Stewart … I got a lot of flak from unhappy Trekkies, but there were also a lot of happy Trekkies who’d had it with old Bill. I think he overstayed his welcome. It was good for him to move on. I’m a great admirer of Shatner. He’s 90-odd. He’s still working. He’s been an astronaut. Good god, he wipes the floor with us young guys. I once made a surprise visit when he was being interviewed on stage. They introduced me: “And the one that killed Captain Kirk.” He went: “You shot me in the back.” I never thought the producers got it right, because they didn’t send him off in a glorious manner. Shot in the back on a bridge that collapses was not a noble end to a great character.
When actor Jennifer Hale talks, you listen. Her delivery is measured and surgically precise, yet her tone has a warmth that most ASMR creators would envy. She could read the phone book and you’d pay attention.
It’s unsurprising, then, that her voice is her livelihood, and that she takes the threat to her industry posed by AI so seriously.
“They see that the work of our souls is nothing more than a commodity to generate profits for them,” she says of several of the major gaming companies. “They don’t see that they’re crushing human beings beneath their feet in blind pursuit of money and profit, it’s disgusting.”
From Commander Shepard in the Mass Effect series to Samus Aran in the Metroid titles, Hale’s list of gaming credits is as long as your arm and her voice is familiar to millions.
Hale is one of the most high-profile voice actors in the world. She’s joined 2,500 members of the US actors union SAG-AFTRA who perform in games, by striking until games divisions of prominent companies like Activision, Warner Brothers, Walt Disney and EA agree to protections around the use of artificial intelligence (AI)….
Apparently, it typically takes a week to read and assess and write a report on a submitted film script and proposal but now an AI can do it in five minutes!!!! They did a trial run and it seems to work even if it is not quite there yet… but you can bet it will be soon.
This was the last item on the programme so skip to the final 10 minutes
With voice actors and motion capture performers in the US currently on strike over AI protections, the place of AI in the culture industries remains highly contested. The Writers Guild of America may have settled their strike but film critic Antonia Quirke explores whether screenwriters still have something to fear from the algorithm…
While Doctor Who has not been afraid to break the fourth wall in the past, and have characters speak directly to the viewers watching at home, Russell T Davies’s new era has been notable for its particularly prominent usage of the device.
Not only has Ncuti Gatwa’s Fifteenth Doctor done it, winking to camera near the end of The Devil’s Chord, but Anita Dobson’s mysterious Mrs Flood has done it on multiple occasions, including at the very end of the most recent season.
Now, speaking at San Diego Comic-Con, Davies has addressed these fourth wall breaks, saying: “It’s part of the show going forward, breaking the fourth wall.”…
…The clip was introduced by guest star Nicola Coughlan, who confirmed that the episode’s punning title refers to her character Joy, “a determined woman whose life is changed forever when she meets the Doctor”.
The sequence – which you can watch below – sees the Doctor zip from Manchester in 1940 to Italy in 1962, then to Mount Everest in 1953 and finally to London in 2024, where he meets Joy.
Coughlan’s character is, of course, attempting to fend off a Silurian with a hair dryer when the Time Lord appears to deliver a ham and cheese toastie and a pumpkin latte… only in Doctor Who….
(9) TARAL WAYNE (1951-2024). Eleven-time Best Fan Artist Hugo finalist Taral Wayne, Fan Guest of Honor at the 2009 Worldcon, died July 31. Steven Baldassarra, who had heard from him earlier in the day and was bringing over a few things, says when he arrived there was no answer to his knock at the door or to phone calls. The building superintendant was asked to open the door and check. They found Taral lying down in his living room, unresponsive. Paramedics were summoned but were unable to revive him.
Baldassarra’s announcement ends with this fine tribute:
I knew Taral for just over 30 years. And while some people may have known Taral for being curmudgeonly, stubborn, fractious, and condescending, I also got to know the man who was also genuinely warm, gentle, impish, thoughtful and even vulnerable.
Taral had a ferocious intellect and was an exceptionally talented graphic artist; I could see how hurt he was for not getting his chance in the sun in becoming a financial success with his graphic work and illustration. But despite all that, Taral did what he had loved, and was contented living by the beat of his own drum.
Taral was truly a wonderful friend, and I am truly blessed to have had known him and having had him as part of my life.
I knew Taral for 45 years and will miss him a lot. File 770’s obituary will appear later this evening.
(10) MEMORY LANE.
[Written by Cat Eldridge.]
August 1, 1986 – Howard the Duck film (1986). Thirty-eight years ago a certain cigar-smoking fowl was let loose upon unsuspecting film goers. Many of whom promptly left the cinemas they were in. That was Howard the Duck based on the Marvel Comics character of the same name.
He was hatched from the minds of writer Steve Gerber and artist Val Mayerik. The former says that he based him off his college friend Howard Tockman. One assumes very, very loosely off that individual. His first comic appearance was fifty-one years ago so he’s a very old duck at this point.
Before we get to the film, we should know that he has appeared elsewhere. Starting in 2014, the character, voiced by Seth Green, appeared in cameos in several Marvel films, to wit the first Guardians of the Galaxy film and the last of those (at least so far) as well the fantastic animated Guardians of the Galaxy series also voiced by Green) and Ultimate Spider-Man (voiced by Kevin Michael Richardson there), and finally the What If…? Series where he was also voiced by Green.
I’m thinking there’s a live action appearance by him after the Howard the Duck film rather recently but I’ll be buggered if I can remember what it is. Anyone remember what it was? It was brief that I know and I can almost picture it. I remember there was a female next to him so I must’ve seen the film if I remember that. But that is all I remember.
Now for how Howard the Duck, the film. It came out the year that Aliens, Star Trek IV: The Voyage Home, Little Shop of Horrors, and Labyrinth came out. Tough competition indeed. And wasn’t that a fantastic year for genre films? Every film I’ve mentioned here got nominated Conspiracy ’87 with Aliens winning the Hugo. Only Big Trouble in Little China and The Fly aren’t here, and they, too, came out that year.
So the film, yes I am getting it now, was written by rather unusually by the producer Gloria Katz and the director George Huyck. I’ve seen that particular combination do a script before. They certainly had the credits as writers, she having written the scripts for American Graffiti and Indiana Jones and the Temple of Doom; his scripts were the same as they were a couple that scripted together.
So you now know who directed and produced this film. Lucas co-produced it. It was Lucas who suggested adapting the comic book following the production of American Graffiti which they were of course involved in. (He wrote it with them. Talented man that he is.) Lucasfilm was the production company.
Ok I can’t defend it, I really can’t. There’s nothing about the film that’s not considered a rotten, smelly sulphurous mess. Its humor was considered juvenile at best, the performances, well, just awful and the story cringingly bad. In the years since, I’ve deepened my belief that it’s among the worst films ever made. It currently holds a thirteen percent rating among audience reviewers at Rotten Tomatoes. Ouch. Really ouch.
However, one criticism I am puzzled by to the day. The vast majority of comments online plus professional and amateur critics take umbrage at what Howard the Duck looks like. This makes no sense. Given the limitations of translating a two-dimensional comic duck into an actual physical creature, I thought that they did a fine job.
Remember almost thirty years on, they’d avoid this need with the Rocket Raccoon creature by simply being an entirely digital being. Today Howard would be the same. So yes, a much better one for that.
What they did was create a rather large custom puppet, which had an individual inside. That being Jordan Prentice in his first, errr, acting gig. He however didn’t provide the voice as that was the work of Chip Zien who was The Baker in the original Broadway production of Stephen Sondheim’s Into the Woods musical. The film version is well-worth seeing.
If I remember correctly it’s the worst film Lucas ever produced both from a critical viewpoint and certainly from a financial as well. It cost at least thirty-seven million dollars to produce (not counting distribution costs including the millions to print up films) and had box office receipts of that amount. Now keep in mind that Roger Ebert did an essay on it whereas his research said it was an even split, so Lucasfilm would’ve made back eighteen million thereby losing eighteen million on this. Ouch. Really ouch.
I keep hearing rumors of a sequel but I can’t imagine Disney who owns the rights now having any interest in doing so as they’ve been losing money on a lot of their MCU series right now.
I saw it once in the theatre. Did I want to ever see it again? What do you think? It’s worse than the Super Mario Bros was and that’s saying quite a bit.
… “No! I had no idea. The son of a bitch didn’t say anything to me,” Renner said. “We’re good friends. There’s the Avengers family chat. The original six. He said not a peep. I got online and started blowing up his phone like, ‘What’s going on? You’ve been hiding this from us the whole time?’ It’s exciting news. I’m really, really excited about it.”…
There’s no better way to get into the Halloween spirit than turning off the lights and scaring yourself out of your skin with a good horror flick. But if watching them (and rewatching them) on the small screen just isn’t enough any more, why not try to see some of the real-life locations where these cult classics were filmed?
In Washington, D.C., 75 steps offer a shortcut between Prospect Street NW and Canal Road NW, and if you visit at night you’ll recognize the site where Father Karras plummeted to his death in the 1973 film The Exorcist.The steps were padded with rubber during filming, and they have since been designated a historic landmark. In Morocco, just outside Ouarzazate, in a place known as Hollywood’s “door to the desert” sits a desolate, American-style gas station, home to rusted-out vehicles and dust covered props. It was plopped there for the 2006 remake of the Wes Craven classic, The Hills Have Eyes, and now just confuses anyone who sees it without knowing the backstory….
Star Wars: Skeleton Crew‘s release date has finally been confirmed by Lucasfilm…. As one of many upcoming Star Wars TV shows, Skeleton Crew naturally has a lot of hype surrounding it. This excitement is only bolstered by Skeleton Crew‘s place in the Star Wars timeline, with the show expected to tie into the likes of The Mandalorian and Ahsoka.
… Lucasfilm has finally confirmed the release date for the show via People. As evident, anyone interested in the continuation of Star Wars’ New Republic era will not need to wait much longer with Skeleton Crew‘s confirmed release date of December 3, 2024. With confirmation of when the show will be released on Disney+ finally being provided, the wait for more updates and the show’s eventual premiere will only grow in both difficulty and anticipation….
The project was first announced back in 2019 ahead of Peacock’s official launch as part of the streamer’s initial slate of original programming. It was never formally ordered to series, though, and has been in development ever since. Exact story details never emerged, but the show was said to be set in the same continuity as the 2003 “Battlestar Galactica” series.
The reboot was a passion project for Sam Esmail, who was executive producing via Esmail Corp. under the company’s overall deal with studio UCP. Chad Hamilton of Esmail Corp. was also an executive producer. Michael Lesslie had originally come onboard as the writer of the reboot in 2020, but it was reported that he left the project in 2021…
[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Daniel Dern, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
There were stunned faces across the courtroom as Judge Mary Marlowe Sommer abruptly started into her ruling on the motion to dismiss Alec Baldwin’s indictment….
…The judge began with an explanation that dismissing any case requires her to read through a formal and lengthy statement.
At that moment, members of the gallery — the general public, court officers and journalists — began to turn and look at each other in disbelief that a dismissal appeared imminent.
Looks of both shock and elation began to cross the faces of some of Baldwin’s family members and his guests in the audience as the judge detailed line by line why she was throwing out the case.
Baldwin’s sister Beth wiped her eyes with a tissue.
Members of the Baldwin family cried and embraced after the judge finished her order with, “Your motion to dismiss with prejudice is granted.”
…The judge in the trial of actor Alec Baldwin had halted testimony in the case and sent the jury home for the day before reaching her decision this evening to dismiss the indictment.
Judge Mary Marlowe Sommer had been considering a new motion by the actor’s legal team to have the case thrown out based on allegations of wrongdoing by investigators.
The motion stems from testimony given by a crime scene technician on Thursday about some ammunition delivered to the sheriff’s office after the conviction of “Rust” armorer Hannah Gutierrez Reed, which Baldwin’s team claims was not properly disclosed to the defense.
Several rounds of ammunition were brought to the Santa Fe County Sheriff’s Office in March after the first trial concluded by retired police officer Troy Teske, a friend of the armorer’s father, crime scene technician Marissa Poppell testified.
Teske allegedly told investigators he believed the ammunition could be associated with the “Rust” incident, Poppell said. However, the crime scene technician said the items were catalogued separately and were not included in the Rust inventory or tested to see if they matched the lethal round….
(2) EATING THE FANTASTIC. Scott Edelman invites listers to savor a seafood pancake with Ai Jiang in Episode 230 of the Eating the Fantastic podcast.
Ai Jiang
We chatted with the Bram Stoker Awards ceremony a mere two days in the future, where she was nominated in the Long Fiction category for Linghun. And even though as you’ll hear she had doubts she had a chance of winning — she won!
And that’s not the only thing she won following our conversation, for a week later, her I am AI won a Nebula Award. I am AI is also currently on the final ballot for the Hugo Award, where she’s also up for the Astounding Award for Best New Writer. But that’s not all when it comes to Ai Jiang and awards. She won an Ignyte Award for her poem “We Smoke Pollution,” received a Nebula Award nomination for her short story ““Give Me English,” was part of the Strange Horizons collective nominated for a semiprozine Hugo Award, and has been nominated for a British SF Association Award and Aurora Award as well.
Her fiction has also appeared in the magazines Fantasy & Science Fiction, Interzone, The Dark, Kaleidotrope, The Deadlands, Planet Scumm, and others, as well as in such anthologies as Fighting for the Future: Cyberpunk and Solarpunk Tales, Step Into the Light: An Anthology of Daylight Horror, and Mother: Tales of Love and Terror. Her short story collection Smol Tales From Between Worlds was published last year.
We discussed why being nominated for multiple awards may actually have made her Imposter Syndrome worse, what the Odyssey workshop taught her which helped her finish her first novel (and whether that book might be too ambitious a debut), the novels which made her want to be a writer, what makes us power on in the face of rejection, how writing is like competitive badminton, the secret to writing successful flash fiction, the book she was given which turned her from a pessimist into an optimist, what she learned from her “soul-draining” career as a ghostwriter, how an editorial suggestion turned Linghun from flash fiction into a novella, the most daunting aspects of revision, and much more.
In a show of geek unity, the executive producers and showrunners of the “Star Trek” TV universe and the “Doctor Who” Whoniverse — Alex Kurtzman and Russell T Davies, respectively — will appear in a panel together at San Diego Comic-Con. The panel, which will be held on Saturday, July 27 at the largest fan gathering in North America, will kick off celebration of the first “Intergalactic Friendship Day” on July 30, an effort by the two franchises to foster greater connection and fellowship between their fandoms. (The celebration lines up with the International Friendship Day, created in 2011 to bring together people across the planet.)
Under the banner of “Friendship is Universal,” “Star Trek” and “Doctor Who” will headline a gallery experience in the Gaslamp Quarter of San Diego during Comic-Con, which will feature original costumes and props from both franchises, along with photo opportunities and friendship bracelet giveaways….
The Cap is back in cinemas… finally! Anthony Mackie returns to “wield the shield” as Captain America in the upcoming superhero adventure from Marvel Studios. The Falcon, played by Mackie in previous MCU films, officially took on the mantle of Captain America in the finale of The Falcon and The Winter Soldier, which ran on Disney+ in 2021.
In the new film, after meeting with newly elected U.S. President Thaddeus Ross, played by Harrison Ford in his MCU debut, Sam finds himself in the middle of an international incident. He must discover the reason behind a nefarious global plot before the true mastermind has the entire world seeing red….
Billy Boyd and Dominic Monaghan’s food travelog series Billy and Dom Eat the World gave the pair a chance to renew their Lord of the Rings fellowship with Ian McKellen.
In the first episode of their six-part series from Dash Pictures and new distributor Abacus Media Rights, Boyd and Monaghan, who played Pippin and Merry in Peter Jackson’s movie trilogy, visit Gandalf — sorry, McKellen — at his east London pub The Grapes on the bank of the River Thames.
“It happened we were looking at London pub culture and it just so happens Ian McKellen has a pub,” Boyd told Deadline in an exclusive interview. “He told us why he ended up in that part of London, and what pubs mean to Britain.”…
My goodness, how well Merry and Pippin turned out, a quarter of a century after we met in Hobbiton. https://t.co/KTZC1uZlWc
(6) GET READY TO HEAR A DIFFERENT RING CYCLE. The Lord of the Rings musical will run from July 19-September 1 at the Chicago Shakespeare Theater. Steve H Silver notes that this is a heavily revised version of the Lord of the Rings Musical that premiered in Toronto and London in 2006.
Will Ferrell revealed during an interview on the “Messy” podcast (via IndieWire) that his late “Elf” co-star James Caan was not a fan of his performance as Buddy the Elf until he saw the final cut of the Christmas movie at the film’s premiere. Ferrell said that Caan told him at several points during production that he just wasn’t funny, although Ferrell admitted to driving Caan “crazy” on set while playing the overenthusiastic Buddy.
“James Caan, may he rest in peace, we had such a good time working on that movie,” Ferrell said. “He would tease me. I like to do bits but I’m not like ‘on’ all the time. In between set ups, [Caan] would be like, ‘I don’t get you. You’re not funny.’ And I’m like, ‘I know. I’m not Robin Williams.’ And he was like, ‘People ask me: “Is he funny?” And I’m like, “No, he’s not funny.”‘ It was all with love but at the same time…”
The first is his own fiction. When I think of novels like Transformation, or The Listeners, or Gift from the Stars (sadly, my reading of his work is far from complete), I think of his work as old-school High-Minded Science Fiction in the grand tradition. Characters and sometimes even plot are secondary. But theme and ideas? That’s where Gunn’s work shines. There are a lot of Gunn novels and stories about contact, and often first contact with aliens, and it is the ideas and themes of those novels and story that resonate, and show power, from back at the beginning of his career, all the way to the end. The Big Damn Idea, and often, because this was Gunn, several of them intersecting together. Like in Transformation, which has transcendentalism running head-to-head against planetary sized AIs, in a space opera story that spans a good chunk of the galaxy in the process. That was Gunn’s power chords and he could surely play them.
The other half was his work as an educator, and his meta-science fictional interests. He wrote and anthologized in this mode to lengths and degrees perhaps only the likes of Silverberg or Dozois could match. Where Gunn resonates for me in this best is his epochal and genre-defining series The Road to Science Fiction. It’s not so modest ambition takes the history and development of the field from Gilgamesh all the way to the present day of their writing. I had started with Volume Three, by pure chance and accident, and it was that volume that, for example, that I discovered authors like Joe Haldeman (yes, even before The Forever War, his story “Tricentennial” amazed me. I devoured that book, and searched far and wide to get volumes 1, and 2, and then later 4 five and 6. I’ve lost copies over the years, and really need to recollect those volumes (the tangled rights mean that ebooks are never going to happen) so that I can have at a hand the breadth and selections Gunn made, as well as the interstitial and introductory manner that helped me understand *why* he picked those stories. That legacy, even more than his own work, remains with me still.
(10) SF 101. Phil Nichols and Colin Kuskie review the short story finalists for the 2024 Hugo Award in “Hugos Where I Goes” in episode 44 of the Science Fiction 101 podcast.
It’s not a bird or a plane — it’s the “Man of Steel.” Filming is underway in Cleveland for a new Superman movie to be released in the summer of 2025….
… KABIR BHATIA, BYLINE: The Man of Steel was created by Jerry Siegel and Joe Shuster, who met in Cleveland as teenagers at Glenville High School.
BHATIA: Filming for this latest Superman story started at a beach in a nearby state park. That’s where tents, a barracks and old Jeeps were used to create a retro Army base. Then the production moved downtown, to Cleveland’s Public Square. That’s where Will Tabar takes his daily coffee break.
WILL TABAR: Looks like they got Metropolis official park benches here in the middle of Public Square. We also have multiple new bus stops going in, replacing our RTA with the Metropolis MTAs.
BHATIA: It’s Cleveland in disguise as a 1980s version of the city where Superman and his alias, Clark Kent, lives and works….
A sci-fi-inspired spacesuit that recycles urine into drinking water could enable astronauts to perform lengthy spacewalks on upcoming lunar expeditions.
The prototype, modelled on the “stillsuits” in the sci-fi classic Dune, collects urine, purifies it and can return it to the astronaut through a drinking tube within five minutes.
The suit’s creators hope it could be deployed before the end of the decade in Nasa’s Artemis programme, which is focused on learning how to live and work for prolonged periods on another world.
“The design includes a vacuum-based external catheter leading to a combined forward-reverse osmosis unit, providing a continuous supply of potable water with multiple safety mechanisms to ensure astronaut wellbeing,” said Sofia Etlin, a researcher at Weill Cornell Medicine and Cornell University and co-designer of the suit….
…Oliver Hauser, an economist at the University of Exeter in the UK who studies artificial intelligence, wanted to try and answer the basic question of whether AI could increase creativity….
…To try and get some hard data on this squishy question of creativity, Hauser teamed up with Anil Doshi at the University College London School of Management. They recruited nearly 300 people, who Doshi says did not identify as professional writers. “We asked them to write a short, eight-sentence story,” he says.
Around one-third of the writers had to come up with ideas on their own, while others were given starter ideas generated by the chatbot ChatGPT 4.0. Those that got help were divided into two subgroups: one that got a single AI-generated idea, and one that got to choose from up to five.
Crucially, Doshi says, both the human-only and AI-assisted groups had to write the stories themselves….
…The results, published today in the journal Science Advances, found that stories written with AI help were deemed both more novel and useful. Writers who had access to one AI idea did better, but those who had access to five ideas saw the biggest boost — they wrote stories seen as around 8% more novel than humans on their own, and 9% more useful.
What’s more, Doshi says, the worst writers benefited the most.
“Those that were the least inherently creative, experienced the largest improvement in their creativity,” he says.
So AI really does appear to make people more creative. But there’s a plot twist: When Hauser and Doshi looked at all the stories, they found a different effect.
“Collectively speaking, there was a smaller diversity of novelty in the group that had AI,” Hauser says.
In other words, the chatbot made each individual more creative, but it made the group that had AI help less creative.
Hauser describes the divergent result as a “classic social dilemma” — a situation where people benefit individually, but the group suffers….
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, John A Arkansawyer, Steven H Silver, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]
(1) AND THE WINNING NAME IS… You weren’t holding your breath waiting for them to quit kidding around and reveal the final title, were you? Well, if you were, inhale! Variety has it: “’Agatha All Along’ Sets September Premiere Date on Disney+”.
…The “WandaVision” spinoff “Agatha All Along” has set its Disney+ premiere date.
The series will debut with two episodes on Sept.. 18. The announcement was made during the Disney upfront presentation to advertisers in New York on Tuesday.
Series star Kathryn Hahn took the stage with co-stars Joe Locke and Patti LuPone, who confirmed the series’ title after a number of changes. The show was first called “Agatha: House of Harkness.” The title appeared to change to “Agatha: Coven of Chaos” by July 2022, and then to “Agatha: Darkhold Diaries” in September 2023….
The first trailer for the much-anticipated TV prequel to the recent Dune movies promises a female-fronted look at life 10,000 years before.
Dune: Prophecy will follow the roots of the Bene Gesserit sisterhood led by the Harkonnen siblings, played by Emily Watson and Olivia Williams. Later members of the sect are played by Rebecca Ferguson and Charlotte Rampling on the big screen.
It is inspired by the novel Sisterhood of Dune, written by Kevin J Anderson and Brian Herbert, the elder son of Frank Herbert, who wrote the original Dune novels….
“From now on, I will not trust anyone who isn’t angry.” The science-fiction writer Joanna Russ set down those words in 1984. They might have been Russ’s motto. From her 1968 novel Picnic on Paradise, about a time-traveling, take-no-prisoners female assassin named Alyx, to her 1975 pathbreaking lesbian and feminist novel The Female Man, to her collection of essays on feminism, What Are We Fighting For?, in 1997, Russ wrote unsparingly, if also elegantly, against those elements in society that keep women, especially lesbians, from becoming our best selves. Her novels and essays sometimes cut themselves short; other times, they cut to the bone. They could make room for hope, and for solidarity, and for erotic joy. Russ saw what was wrong with the world we know, how much needless pain it contains on account of gender roles—and she let herself stay angry about it, too.
Divisive in her lifetime, admired within the world of science fiction then and now, Russ has recently become the seventh sci-fi writer, and the third female one (after Octavia Butler and Ursula K. Le Guin), to get a whole Library of America volume. Assembling four novels (Picnic on Paradise, The Female Man, On Strike Against God, and We Who Are About To…) along with shorter stories, the Library of America volume helps the reader understand the scale and scope of her talents as a prose stylist and a writer of metafiction. And it lets readers see—in Russ, and in the 1970s feminism that nurtured her—not only the rage but also the hope that her astringent imagination found…
There’s a moment where the Doctor uses his Sonic Screwdriver to enable Ruby’s (the Doctor’s companion, played by Millie Gibson) phone to call her mum, even though they are thousands of years apart. That’s a lovely callback to your 2005 episode “The End of the World,” where the Ninth Doctor (Eccleston) did the very same thing for his companion Rose.
Yes, it is. It’s what he’d do. I remember sitting writing that thinking, “Oh gosh, I did that. I’ve done that before.” And then I thought, “Well, I did it 19 years ago and this is a brand new audience. But it’s very important that she doesn’t feel separated and abandoned from her family.” So there’s no way he couldn’t do it again, because it’s a good scene. It’s what he’d do, it needs reminding.
This time, when Ruby gets her phone zapped, she says, “How much did that cost?” Rose wouldn’t have thought of that. There’s something a lot more savvy about it. Ruby’s very aware of that 50 quid she got for a gig last night. And that’s her first question, “What does that cost?” I like that.
(7) ELENA STEIER (1958-2024). Comics creator Elena Steier died March 1 of cancer. The family obituary is in the Hartford Courant.
…An accomplished illustrator, author, and cartoonist, Steier created several comics and strips, such as The Ramp Rats (for the Detroit Metropolitan News), The Goth Scouts (for The South Shore Monthly Newspaper) and The Vampire Bed and Breakfast (a self-published comic book)….
Born May 15, 1909 – James Mason. (Died 1984.) I do believe the first time I saw James Mason acting was in Alfred Hitchcock’s North by Northwest where he had the role of Phillip Vandamm, a Cold War spy. Three years after this, he’d be on the Alfred Hitchcock Hour as Warren Barrow in the “Captive Audience” episode.
James Mason as Captain Nemo driving the getaway submarine.
Now let’s turn to what he did as genre roles. The one you most likely remember him from is 20,000 Leagues Under the Sea where he was Captain Nemo. Surely you remember his fight with the squid? The film was personally produced by Walt Disney, something he rarely did.
He’s Hendrik van der Zee in Pandora and the Flying Dutchman, based off that story. He may or may not be the Flying Dutchman. Let’s say the film is ambiguous. Deliberately.
He was Rupert of Hentzau in The Prisoner of Zenda which is at least genre adjacent, isn’t it? Well I think it is. Truly great silly film, and an amusing role for him.
In Journey to the Center of the Earth, he was Sir Oliver S. Lindenbrook, a professor. He was not the first choice here as Clifton Webb had been cast but turned it down as he said he could not play the part because it was such a physical part. Mason said later that he delighted in doing his stunts here.
He played Polidori in the Frankenstein: The True Story, a thirteen-episode series. Now let’s recall that Dr. Polidori did not appear in the original novel, but was rather based on the character of Dr. Pretorius from Universal Pictures’ Bride of Frankenstein, but named after John Polidori, an acquaintance of author Mary Shelley.
Finally he’s in Salem’s Lot as Richard K. Straker.
“3 Body Problem” has been renewed for at least one more season at Netflix — the streamer says that the number of seasons and episodes will be announced at a later date.
It appears that the greenlight will take the series to its finale, as creators David Benioff, D.B. Weiss and Alexander Woo noted in a statement that they “get to tell this story through to its epic conclusion.” In an April interview with Collider, Benioff said the team would “need at least three, maybe four seasons to tell the whole story.”
Based on the novels by Liu Cixin, “3 Body Problem” follows how a decision made by a young woman in 1960s China reverberates across space and time into the present day, driving a group of scientists to join forces with an unorthodox detective to confront a major threat to humanity.
(11) A SONG OF ICE OR FIRE. While some think the new portrait of King Charles makes it look like he’s trapped in flames or swimming in blood, Filer Carl says the portrait of King Charles looks a bit like Han Solo frozen in carbonite. You decide!
Portrait of Britain’s King Charles by artist Jonathan Yeo.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Todd Mason, Carl, Daniel Dern, Danny Sichel, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]
(1) SCAM TARGETING WESTERN AUTHORS PURPORTS TO BE FROM SCIENCE FICTION WORLD. [Item by Ersatz Culture.] On Saturday May 11th, the Weibo account of Science Fiction World magazine issued a statement about fraudulent emails addressed to authors. The emails claimed that SFW had decided to no longer publish work by the author that had previously been acquired, but would retain the copyright, and offered the author the chance to pay to reclaim their copyright. The post did include an image showing part of the (English language) email that one affected author did receive, but redacted their name. A Weibo post a day or so earlier identified at least one such affected author, but at time of writing, that author hasn’t posted about it on Twitter or Bluesky, so I’ve not included their name here.
A Google Translate rendition of the statement, with minor manual edits, follows.
Dear readers, authors and partners,
Recently, we have received feedback from foreign science fiction writers that we work with. Some criminals are using impersonation techniques to launch carefully planned email fraud incidents targeting those foreign writers.
This fraudulent email uses the email address “translations@sfw-international.com“, purporting to be from an editor at our company. It falsely informs the author that their work will not be published due to so-called “commercial evaluation” or other reasons, and illegally claims to retain the copyright of the author’s work, proposing that the author should pay a fee to redeem their copyright.
We strongly condemn such illegal behavior and have taken corresponding measures to cooperate with law enforcement agencies and actively investigate the matter. In order to protect the rights and interests of all authors, readers and partners, we hereby issue the following anti-fraud guidelines. Please be vigilant and jointly prevent such fraud as follows:
1. Get confirmation through official channels: Our company will formally notify you through official channels (the official contact channels are indicated on the copyright pages of “Science Fiction World” and its journals) for any decisions regarding the publication status of the work, copyright transfer, or financial transactions. . When receiving similar emails, please do not reply directly to the email, but verify through official channels.
2. Be wary of fake email addresses: Scammers often use addresses that are very similar to official email addresses to send emails. When receiving similar emails, please carefully check the sender’s email address and pay attention to identifying subtle differences, such as adding or replacing characters, using different top-level domain names, etc.
3. Understand the formal processes: Our company has complete and strict business processes. For major matters such as copyright and contract changes, our company will implement a strict and formal process and will never make a hasty decision through just one email.
4. Direct communication verification: If you receive such an email, the most direct and effective way is to contact us through the official contact method you know to verify the situation. Never use the contact number or return address provided in the email for verification.
5. Improve information security awareness: Keep personal information and communications safe, and do not click on unknown links or attachments in emails to prevent personal information from being leaked or being attacked by malware.
We are fully aware of the importance of each author’s work and the hard work behind it.
We will fight resolutely to the end against any behavior that undermines the rights of authors. At the same time, we also encourage authors or other individuals who receive similar emails to report them to us and local law enforcement agencies in a timely manner, so as to jointly maintain a good creative and publishing environment.
Here, we reiterate our commitment to all partners: we will continue to strengthen information security protection and ensure that the rights and interests of every author who works with us are respected and protected to the greatest extent. The general public is requested to remain vigilant and work together to build a safe space for literary exchange.
We are pleased (delighted, ecstatic) to announce that one further lost story by Terry Pratchett has been found.
A Stroke of the Pen: The Lost Stories, published in 2023, collected 20 rediscovered tales from when Terry wrote under a pseudonym back in the 1970s and 1980s. It was, at the time, believed to be the last stories of his. But, we were wrong.
One final published tale has been found, that was missed from this collection: Arnold, the Bominable Snowman, which brings us to some more news.
This new story will appear in the paperback edition of A Stroke of the Pen, which will publish in September 2024. Furthermore, the story itself will be published online – for free – by Penguin Books, so that those who bought the hardback do not miss out on this tale. More information on the paperback edition, and where to read the story online, will be made available at a later date….
(3) FANFICTION GOT THERE FIRST. In case you thought the title sounded familiar, The Hollywood Reporter says there’s a reason: “’The Hunt for Gollum’ LOTR Movie Already Exists”. And for a moment, Warner Bros.’ lawyers were trying to pitch the video into Mount Doom.
There’s a 2009 fan-made film titled The Hunt for Gollum that you can watch below. The film, directed by Chris Bouchard, is rather ambitious. The Hunt for Gollum spans 39 minutes and has received plenty of praise from fans upon its release.
Following WB’s announcement, the film was taken offline for many hours and YouTube put up a notice saying Warner Bros. had filed a copyright claim against the fan movie and blocked it. LOTR fans reacted quite negatively to the takedown online and, early Friday, the film was restored to YouTube….
The fan-made Hunt for Gollum is set during opening act of The Fellowship of the Ring and fills in a quest that was only briefly discussed in Jackson’s 2001 film: Gandalf (played by Patrick O’Connor in the short) meets with Aragorn (Adrian Webster) and asks him to hunt for Gollum to find out more about Frodo’s magic ring. Aragorn has a series of adventures, traps and loses Gollum and gets attacked by orcs and Ringwraiths. Gollum is recaptured by the Elves of Mirkwood, and he’s interrogated by Gandalf….
With my terrible hearing I can’t say whether the audio is in English – but the closed captioning is in Spanish.
(4) SPFBOX. Mark Lawrence’s tenth Self-Published Fantasy Blog-Off (“SPFBOX”) immediately filled its 300-entry quota on May 10 and has moved on to “SPFBOX phase 1”.
This is the VERY prelimary allocation of books to blogs.
What now follows will be swapping from blog to blog for books that meet the contest rules but have authors who are friends with someone in the blog they’ve been allocated to.
And elimination of books that don’t meet the rules, followed by their replacement with books that didn’t get selected in the original 300.
In “Space Babies,” the debut episode of the newly relaunched 2024Doctor Who “Season 1” (or Season 14, or Season 40, depending on how you count) the Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson) have a quick discussion about how beaming works in the universe of Star Trek. When the Doctor makes one small quip, fans of both venerable sci-fi franchises might wonder if travel between the Final Frontier and the Whoinverse, is, indeed possible in some kind of mega-geek-multiverse….
At the start of “Space Babies,” Ruby asks the Doctor if they were just beamed somewhere, saying “Is that like a matter transporter? Like in Star Trek?” The Doctor grins broadly and says, “We gotta visit them one day.” This is not the first time Doctor Who has referenced Star Trek (or that Trek has referenced Who) but, it does seem to be the biggest indication to date — at least on screen — that the canon of Trek could exist in an adjacent dimension, rather than just as fiction.
Throughout all of post-2005 Doctor Who, there have been multiple references to characters and ideas from the Star Trek franchise. Rose called the 9th Doctor “Spock,” in the Season 1 episode “The Empty Child,” the 10th Doctor flashed the Vulcan “live long and prosper” hand symbol in the Season 2 episode “Fear Her,” while the 12th Doctor evoked the famous opening lines “Space… the final frontier,” in the Season 10 episode “Oxygen.” And that’s just a small sampling of Trek Easter eggs in Who!
(6) CHALLENGING HERSELF. “Brush and Ink” at Colleen Doran’s Funny Business, is illustrated with examples based on Gaiman’s Sandman series.
I used to get a lot of ribbing for having an elaborate, decorative style. The word was, artists who choose to add decoration and complex rendering are probably hiding drawing deficiencies.
While I agree that this is sometimes the case (and I can think of a few artists who make my hair go the wrong way with endless rendering and very weak underdrawing,) not all of us are covering up poor structure with frou frou.
I always start with a simple, solid drawing before adding the stylization. If the drawing isn’t solid, I don’t proceed until it is.
Awhile ago I decided to challenge my skill set with a series of minimalist brush and ink pieces. I limited the time cost of each drawing to 10 minutes or less. And I tried to stick to no underdrawing, if possible.
That is, one and done, no prelim. Ink only, nothing else.
While I’ve shown some of these drawings before, you folks on Substack probably haven’t seen most of them.
Most of the original exploratory sketches were based on characters from Neil Gaiman’s SANDMAN series, like this group of sketches of Death….
Nicki Lynch, left, and Sheila Strickland, right, at the Southern Fandom Press Alliance party during Worldcon 76 in San Jose. Photo by Kay McCutcheon.
(7) R.I.P. SHEILA STRICKLAND. Longtime File 770 subscriber Sheila Strickland died May 9. The Louisiana fan said in her zine for the Southern Fandom Press Alliance a few months back that her doctors had detected cancer and it had spread to her intestine and liver. She went into hospice just a few days ago. Rich Lynch says, “She was a great lady, always looking toward the future. And now she’s very much missed.”
Guy H. Lillian III says Sheila’s sister told her Facebook friends that the family obituary will be in the New Orleans Advocate this week and the funeral on May 16 at the Greenoaks Funeral Home and Memorial Park in Baton Rouge at noon.
(8) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 11, 1918 — Richard P. Feynman. (Died 1988.) I’ll admit that I don’t begin to understand what most of the work Richard P. Feynman did as a theoretical physicist. I seriously doubt most of you do.
While at Princeton, Feynman was recruited for the theoretical division of the Manhattan Project, the very, very secret U.S. Army laboratory set up in Los Alamos, for the purpose of developing the atomic bomb. He was present at the first detonation of an atomic bomb.
Richard P. Feynman. (Caltech Archives)
In 1965, he shared the Nobel Prize in Physics with Julian Schwinger and Sin-Itiro Tomonaga. The three each created new mathematical tools for a theory called quantum electrodynamics, which describes how subatomic particles interact with light.
Now there is the matter his influence on the genre. Although as I said was his work in theoretical physics, Feynman was largely pioneered the field of quantum computing and was solely responsible for the concept of nanotechnology. So yes, two widely used SF concepts are from him.
By the late Fifties, he was already popularizing his love of physics through books and lectures including lectures on nanotechnology called There’s Plenty of Room at the Bottom, and a multi volume publication of his undergraduate lectures, The Feynman Lectures on Physics. Yes, these are available from the usual suspects.
He also became known through his autobiographical works Surely You’re Joking, Mr. Feynman! and What Do You Care What Other People Think?. Naturally there would be books written about him. The biography by James Gleick, Genius: The Life and Science of Richard Feynman is the one I’ll single out as being the best.
It’s worth noting last is that he was selected to be a member the Presidential Rogers Commission that investigated the Space Shuttle Challenger disaster.
Lis notes that during the Challenger explosion hearings, Feynman demonstrated on camera that an O-ring dropped into ice water lost all the resilience critical to its function on the shuttle solid rocket fuel tanks.
(9) ROBERT BLOCH WEBSITE UPDATE. Eight vintage photos of Robert Bloch with such friends/family as Bob Tucker, Dean A. Grennell, Fritz Leiber, Marion Bloch, and others have been added to the RobertBloch.net gallery.
…As reported by Uproxx, during a virtual Pride month panel at Swansea University, Davies described the queer representation in the MCU show [Loki] as being a “feeble gesture”. As you may recall, Tom Hiddleston’s God of Mischief became the first openly queer lead character in MCU canon thanks to a reference to the character’s love life in the first season, but at the time Davies wasn’t impressed by the inclusion: “Loki makes one reference to being bisexual once, and everyone’s like, ‘Oh my god, it’s like a pansexual show.’ It’s like one word. He said the word ‘prince’ and we’re meant to go, ‘Thank you, Disney! Aren’t you marvelous?’ It’s a ridiculous, craven, feeble gesture towards the vital politics and the stories that should be told.”
…Reflecting on that statement now, Davies admits that his comments were a mistake, explaining that he reached out to Herron immediately to apologize. Little did he know that they would continue chatting, striking up a friendship, which would then result in working together on Doctor Who….
… For the upcoming season, Herron and her co-writer Briony Redman have penned episode 6 which is titled ‘Rogue’. Of course, since the Doctor Who team like to keep their cards close to their chests, little has been revealed about the episode, but we do know that it is set in the Regency era and will feature Mindhunter star Jonathan Groff.
This action followed the New York Times’ 2022 article “Disney, Built on Fairy Tales and Fantasy, Confronts the Real World” which said the company’s Disney Stories Matter team “was marked for caution because she is ‘body conscious’ and jealous of Peter Pan’s attention, according to the executives…”
The Street’s May 7 report says:
…[The] Disney’s Stories Matter team was developed to spot and correct “negative depictions of people and cultures” in Disney’s products.
“We are reviewing our offerings beyond the screen, which include products, books, music and experiences,” reads the Stories Matter homepage on Disney’s website. “While advisories for negative depictions of people and cultures may be added to some offerings, others will be reimagined. We are also investing in new ways to better reflect the rich diversity of stories in our world. This work is ongoing and will evolve as we strive toward a more inclusive tomorrow.”…
The PlanDisney website, answering the question “Why does Tinkerbell no longer have a meet and greet and are their plans to bring her back?” says that currently the only location where Tink does meet visitors is at Pixie Hollow at the Disneyland Resort in California.
Minnesota officially unfurled its new state flag atop the capitol for the first time Saturday on statehood day.
The new flag and accompanying state seal were adopted to replace an old design that Native Americans said reminded them of painful memories of conquest and displacement.
The new symbols eliminate an old state seal that featured the image of a Native American riding off into the sunset while a white settler plows his field with a rifle at the ready. The seal was a key feature of the old flag. That’s why there was pressure to change both.
Officials didn’t pick any of the most popular designs submitted online that included options like a loon — the state bird — with lasers for eyes….
The new flagThe loon with lasers for eyes
[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Ersatz Culture, Lise Andreasen, Danny Sichel, Rich Lynch, Teddy Harvia, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kaboobie.]
(1) TOMLINSON AND ROBINSON SUE MILWAUKEE. In February, Patrick Tomlinson and his partner, Niki Robinson filed a lawsuit against the City of Milwaukee over the multiple instances of swatting: “Robinson v. City of Milwaukee, 2:24-cv-00264”. At the link you can download (free) the original and amended complaints.
The amended complaint filed May 1 details several experiences with swatting, and in addition to the City of Milwaukee names 10 police officers as defendants. Here is an excerpt:
1. Niki Robinson and Patrick Tomlinson are the targets of a vicious campaign of domestic terrorism, carried out at the hands of a group of bullies who hide behind the anonymity of the internet.
2. The bullies’ main weapon of choice is something called “swatting,” which is when someone who wants to endanger the life and safety of another calls 911 and lies to provoke a dangerous police response to the victim’s home….
…11. Niki and Patrick have tried to work with the City of Milwaukee to stop this, but the City of Milwaukee failed to adopt a policy or train its officers on how to prevent Niki and Patrick’s stalkers from using the police department as a tool of terror.
12. And while many of the police officers who have responded to Patrick and Niki’s home have been kind, understanding, and compassionate, others have not.
13. The worst offender is Sergeant Lyndon Evans.
14. On three occasions, Sergeant Evans responded to a swatting call with abuse and violence.
15. Sergeant Evans told Niki and Patrick that he was “well aware” of the situation, but still demanded to be let inside their home, going so far as to threaten to break down the front door if he was not allowed inside.
16. Niki and Patrick live in a constant state of fear, worried that the next encounter they have with the police will be their last.
17. Every knock on the door or police car that drives by leaves them terrified that they are about to be staring down an officer’s gun or that they will be paraded outside in handcuffs to their further humiliation.
18. This lawsuit seeks to end the madness and vindicate the violation of Plaintiffs’ constitutional rights. It seeks to effect change through punitive damages by punishing the Defendants for their egregious conduct with the hope that the punishment is significant enough to prevent this from happening again in the future…
A dozen years after its first crowdfunding campaign, the first installment of Marc Scott Zicree’s Space Command has been released, with several Star Trek actors in the cast. “Space Command: Redemption” is out now on Tubi, VOD, and physical media, with more installments from the series in the works.
Space Command is a sci-fi series inspired by Star Trek. The ensemble cast for “Space Command: Redemption” features Star Trek: Discovery’s Doug Jones in a leading role. Other franchise stars include Robert Picardo (Voyager), Armin Shimerman (Deep Space Nine), Faran Tahir (J.J. Abrams’ Star Trek), and the late Nichelle Nichols (TOS). The cast also includes several Babylon 5 stars including Bill Mumy, Bruce Boxleitner, and the late Mira Furlan….
(3) I, THE JURY. Alec Nevala-Lee shared with Facebook readers that he was part of a Pulitzer Prize jury this year.
Now that the list of winners has been announced, I can reveal a very cool fact: I served on the jury for the 2024 Pulitzer Prize for Biography! I spent much of last year reading through dozens of books with four other jurors, and I’m delighted to finally share the titles we chose: KING by Jonathan Eig, MASTER SLAVE HUSBAND WIFE by Ilyon Woo, and LARRY MCMURTRY by Tracy Daugherty.
(4) SFF POETS TAKE UP AI ISSUE. The Science Fiction & Fantasy Poetry Association (SFPA) Executive Committee and key volunteers have put together two options for the SFPA to adopt as its policy regarding works derived from generative tools (including AI, large language models, etc).
Members have been sent an introductory statement and have until May 22 to vote for one of three options:
The Voter’s Packet for the Hugo Awards will be released shortly and made available to all members of Glasgow Worldcon. As is traditional, Nerds of a Feather has put together a compilation of what we feel represents the best and the breadth of our collective work published in 2023. While the purpose of the Voter’s Packet is to help eligible voters make an informed decision when casting their ballots, we are also making the packet available to all of our readers who may want to take a look back at what we did last year….
…If you have a trusted beta reader, someone who you know knows books, knows story, knows the genre you’re writing in, and you know that person to be smart and creative, capable of giving you solid advice, then wow—congratulations. Hold that person close. Give them gifts of frankincense and myrrh.
But unfortunately, most of the people we know can not reasonably be described in such glowing terms. I wish I could remember who it was, decades ago that, in a documentary about screenwriting, described the focus group as:
The uninformed reporting on the unknowable to the unimaginative.
…but that pretty much nails it. And what are beta readers or our writers group friends but a focus group? In Story Trumps Structure, Steven James wrote on the subject of beta readers:
I can’t think of any other field in which people who aren’t experts critique other people who aren’t experts in the hope of everyone becoming an expert.
Yes, people chosen at random or from a pool of friends and family may have opinions, but do they have informed opinions? And if they say something akin to “I didn’t get it,” “I liked it, I guess,” “It was really creative!” and so on (you know you’ve seen stuff like this) sans detail or actionable advice, well… does that help?…
I’m in a weird place professionally. To get a job in publishing, it’s pretty much imperative that you stay abreast of recent trends and read voraciously from current frontlist books. And I certainly try. But left to my own devices, I inevitably end up crawling back to New Wave sci-fi like a starving flatworm whose only brain cell yearns for stream-of-consciousness novellas about interdimensional alien sex written fifty years ago by chainsmokers in dagger-collared shirts.
If you share my foibles, or if you’re simply in a reading rut, you’d be hard-pressed to find something more exciting than Five Fates. Not only does it boast a sci-fi supergroup (Frank Herbert, Harlan Ellison, Poul Anderson, Gordon Dickson, and Keith Laumer), it provides a fascinating snapshot of where speculative fiction was “at” during a pivotal moment of the genre’s history….
…Five Fates, published in 1970, positions itself firmly in this mindfuck vein of the New Wave. Per the jacket copy, it’s “one of the most bizarre and original fictional concepts ever created,” a showcase opportunity for five of spec fic’s foremost writers to go absolutely wild. Its biggest names are red-hot at the time of publication: Frank Herbert has just finished Dune Messiah, and Harlan Ellison is in the midst of his decade-long, nearly-unbroken Hugo streak (he’s hard at work, the back cover informs us, on Again, Dangerous Visions.)
The central concept of Five Fates is this: all five contributors were sent the same disturbing prompt — in some dystopic world, a man named William Bailey is admitted to a Euthanasia Center and killed. The surrounding questions — how did he get there? how did society descend to this point? is there an afterlife? — are left up to the writers to flesh out. Each of the five resulting novelettes (which average around 30 pages) offers a vastly different concept, style, and literary goal. It’s a literary blunt rotation/samsara, a hallucinogenic journey that produces several great tales and one masterpiece….
For Reason’sJune 2024 special issue on AI, all of our brief reviews involve AI in some form or another. Of course, we decided to ask an AI to write one of the reviews. Since X’s AI is named Grok, after the term coined by sci-fi author Robert Heinlein in Stranger in a Strange Land, it was only natural that we’d ask Grok to write a review of another Heinlein novel, The Moon Is a Harsh Mistress. See what Grok wrote for us below….
This week on Planetary Radio, we celebrate the longest-running science fiction show in history, “Doctor Who.” We explore how this iconic series has influenced the scientific community and look forward to the new season of the show with Russell T. Davies, the past and present showrunner of “Doctor Who.” Then, space fans from around the world share how the show has impacted their lives and space careers. We close out with Bruce Betts, our chief scientist, as we discuss what we would do with a time machine in What’s Up.
(10) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born May 8, 1940 — Peter Benchley. (Died 2006.) Yes, Peter Benchley, the writer responsible for Jaws. I’ll get to that in a minute. Really I will. Trust me.
Although Jaws is what he’s best remembered for, his work that has been adapted for film and television includes genre: Beast, Creature, The Deep, The Island and White Shark. He has one film work of interest at least to me that’s non-genre, Mrs. Parker and the Vicious Circle, about writer Dorothy Parker and the members of the Algonquin Round Table.
Peter Benchley
So, let’s look at some of his novels other than Jaws. Jaws was his first and his second was a more or less an adventure genre novel, The Deep, of treasure hunters who discover Spanish treasure. Well and drugs. Then it gets complicated. Columbia Pictures purchased the rights to it even before its publication, hiring Benchley to write a screen adaptation.
The Island, several years later, is effectively genre as it has two elements that are fantastic. One is that is a lost colony of pirates that have remained undetected since the establishment of their pirate enclave by Jean-David Nau, the notorious buccaneer L’Olonnais, in 1671; second is a sort of Logan’s Run premise is that the pirates kill anyone over thirteen that they capture. It too would be filmed.
In Beast — and none of his titles will win awards for originality, will they? — a fishing community in Bermuda is disrupted by a series of mysterious disappearances at sea. Think large sea monster and you wouldn’t be wrong. Yes once again it became a film.
White Shark does not feature a shark, despite what the title suggests. It has Nazis and biological weapons with nary a shark to bite into anyone, not even a Nazi, the pity. To avoid confusion and to capitalize on the miniseries adaptation, the book was republished as Creature. It was also a film called, errr, White Shark.
Which brings us to Jaws. It was published fifty years ago, his first novel. It was an outgrowth of his interest of the experiences of Montauk, New York shark fisherman Frank Mundus. Doubleday gave him a rather nice advance to write the novel while he was he was still a freelance journalist.
Despite critics generally hating it, it did exceptionally well with the reading public as Doubleday undertook an extraordinary publicity campaign including getting it adopted by book clubs everywhere. As a result, it stayed on bestseller lists for nearly a year, and millions of copies of the paperback edition were sold.
Jaws is definitely horror. With Very Big Teeth. Lots Of Sharp Pointy Ones. Now that we’ve got that Very Important Fact out of the way, let’s talk about it.
It premiered forty-seven years ago on this date. It was Spielberg’s first major film after directing such things as episodes of Night Gallery,The Name of the Game, Columbo, and the rather excellent Sugarland Express.
The screenplay is credited to Peter Benchley. He wrote the first draft here, and actor-writer Carl Gottlieb who’s Harry Meadows here and was Ugly John in the MASH series (and I can still picture him in that role with his rather full mustache), then continuously rewrote the script during principal photography. That must have been an annoying thing to the director!
It had a kickass cast of Roy Scheider as Chief Martin, Robert Shaw as Quint, with Richard Dreyfuss as Matt Hooper as the studio didn’t get any Really Big Names that they wanted so badly — which was as Speilberg intended, and he got what he wanted here, for the “the superstar was gonna be the shark of the film” as he stated in interviews. Very Big Teeth. Lots Of Sharp Pointy Ones was going to be the Superstar. Yes, that did make a very good superstar. Well of multiples these together did as there were lots of mechanical sharks. They broke down a lot. The mechanics of this wasn’t quite there yet.
It was the first major motion picture to be shot on the ocean and if something could go wrong, it did. Repeatedly. And of the multitude of mechanical sharks added immensely to the budget woes so the film apparently went four to five million over its eight million budget. Or more. The studio has never actually released accurate production costs. That really didn’t matter as it made nearly a half billion in its first run at the theatre. Repeat — it made a half billion dollars.
I discovered that there are three sequels, Jaws 2, Jaws 3-D and Jaws: The Revenge. I can happily admit that I’ve seen none of them. Who here has? I think y’all know my admittedly low opinion of sequels and the idea of a sequel to this perfect film leaves me, well, sea sick.
Charging across the hilly terrain, swords raised, shields gripped against their chests, the Normans and the Anglo-Saxons faced off, their bodies protected only by chain mail cobbled together from … wire clothes hangers. Just beyond the grassy battlefield, students strolled by on their way to class.
This was the fall of 1969, when a group of Terps marked the 903rd anniversary of the Battle of Hastings with a re-enactment on South Chapel Lawn. It was the fitting official launch of a new group on the University of Maryland campus called the Maryland Medieval Mercenary Militia (MMMM), in which members gave themselves archaic names, learned English country dances and meticulously studied the military strategies of the Middle Ages so that they could recreate historical battles for kicks.
“Nowadays, re-enactment is a big thing. Back then, it was Confederates, Union, Revolutionary War and that’s it,” said Bruce Blackistone ’72, one of the founders of the group. “This was way off-center for the average re-enactment group.”…
… Blackistone, who by then was the self-designated first warlord, hoped to have a dozen soldiers on each side of the battle, but in the end, it was a six-on-seven fight. (Blackistone came down with a 104-degree fever the night before and had to stay home.) They carried shields made from lids of peach baskets and wore hand-sewn tunics. Nucker also threw on a sheepskin leather jacket borrowed from her mother.
After the Battle of Hastings’ re-enactment, the group grew, doing swordplay demonstrations on campus and branching out to recreating medieval life more broadly with feasts and dances. They began gathering in a small space under the steps of Francis Scott Key Hall, though they’d often “spill out onto the front or back lawns and womp on each other’s shields a bit,” said Blackistone.
Like any warring faction, the group developed rivals. A few years after MMMM’s founding, a chapter of the Society for Creative Anachronisms (SCA), which started in Berkeley, Calif., in 1966, popped up in the area. “They were high medieval upper class, and we were low medieval lower class,” said Blackistone. “Everyone who belonged (to SCA) was some kind of nobility. We had very little nobility, and a lot of Vikings and peasants and riffraff.”…
…As more of the club’s members graduated, an offshoot formed: Markland Medieval Mercenary Militia, which eventually ballooned to some 600 members across the mid-Atlantic. Just as Privé graduated, the university moved the club to a smaller office in a distant corner of campus. These two events, Privé speculated, led to a dwindling of the club’s presence on campus. Sometime in the years following the office move, MMMM died a quiet death at UMD.
For some, though, MMMM was just the beginning of a lifelong madness for the medieval. Nucker and Blackistone still sail Viking ships together through the Longship Company, a nonprofit organization inspired by the vessel they converted out of a Navy Motor Whaleboat in a parking lot behind the North Campus residence halls during their college years. Now, they take the public out on their 39-foot, 12-oarred Sae Hrafn (“sea raven” in Norse) to teach guests about Viking seafaring. (They’ve also commissioned two other boats, the tall ship Fyrdaca, or “fire drake,” and the smaller Gyrfalcon, named after a type of Arctic falcon.)…
The China National Space Administration (CNSA) has shown off a CGI video of its vision of a lunar base, a vastly ambitious plan the country is hoping to realize in a matter of decades.
The showy — albeit dated-looking — render shows plans for the International Lunar Research Station, a Chinese and Russian endeavor that was first announced in 2021.
The video is also raising eyebrows for a bizarre cameo: a NASA Space Shuttle taking off from a launch pad in the distance, as spotted by Space.com.
It’s either some next-level humor from the Chinese space program or a hilarious oversight, since the Shuttle has been retired for more than a decade — not to mention that China and NASA aren’t even allowed to talk to each other, nevermind collaborate.
As space reporter Jack Kuhr later spotted, the state-run China Global Television Network came up with an equally hilarious fix to hide the Shuttle taking off in the background.
“Boom problem solved,” Kuhr tweeted. “CGTN went ahead and slapped an ol’ reliable blur bar over the Shuttle.”
The Shuttle (now properly blurred) appears at about the :40 second mark in the video.
Ellen Ochoa, the first Hispanic woman to go to space and one of NASA’s most decorated astronauts and leaders, was awarded the Presidential Medal of Freedom on Friday, the country’s highest civilian honor. Across her 30-year career, Ochoa flew on four space shuttle missions and led operations as director of NASA’s Johnson Space Center in Houston.
Ochoa is the tenth astronaut, and second female astronaut, to receive the Medal of Freedom. She was presented the award at the White House along with 18 other honorees, including Jane Rigby, an astrophysicist at NASA’s Goddard Space Flight Center who played a large role in the James Webb Space Telescope’s mission….
This spring NASA will launch what could become one of this decade’s most transformative missions in astrophysics. But you’ve almost certainly never heard of it—and it’s not even going to space. Dubbed the High-Energy Light Isotope eXperiment (HELIX), the mission seeks to solve a long-standing mystery about just how much antimatter there is in the universe and where it comes from—all from a lofty perch in Earth’s stratosphere, slung beneath a giant balloon set for long-duration flights above each of our planet’s desolate poles.
Led by Scott Wakely, an astrophysicist at the University of Chicago, HELIX is designed to study cosmic rays—subatomic particles that pelt our planet from the depths of interstellar and even intergalactic space. These particles include those of ordinary matter’s opposite-charge version, called antimatter. Scientists suspect the sources for the antimatter showering Earth from space could be almost anything, ranging from emissions by conventional astrophysical objects to the esoteric behavior of dark matter, the invisible stuff that seems to govern the large-scale behavior of galaxies. Figuring out which explanation is right may depend on a deceptively simple measurement: gauging how much time each of two specific particles spent hurtling through the galaxy. It’s like carbon-dating cosmic rays. “The models are all over the place. A measurement of this ratio is what everybody wants,” says Nahee Park, an astrophysicist at Queen’s University in Ontario and a member of the HELIX team….
(16) DUBIOUS KICKS. Stephen Graham Jones is a bit skeptical about the footwear in this new Superman publicity photo.
(17) VIDEOS OF THE DAY. [Item by Mike Kennedy.] Boston Dynamics has a new humanoid robot, so they say goodbye to the outgoing HD Atlas…
And then say hello to All New Atlas with a freaky lil’ routine…
Maybe to take an edge off of All New Atlas, Boston Dynamics then dresses up Spot as Sparkles…
[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Bill, Michael J. Walsh, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, who says his title “feels like it should be an anthology of ‘future fairy tales’ (perhaps edited by Jane Yolen)”.]