Tag Archives: StokerCon

Pixel Scroll 4/26/25 (Light) Years To You, Space Family Robinson, Earworms Love You More Than Etaoin Shrdlu

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(1) CEMETERY DANCE KERFUFFLE HAS CONSEQUENCES. StokerCon today announced on Facebook a punitive action against small press Cemetery Dance in response to publisher Richard Chizmar’s exchange with an author who wrote to him seeking overdue royalties.

Due to recent information coming to light, Cemetery Dance will not be allowed to hear pitches during StokerCon. The Horror Writers Association stands up for the rights of its members, including the right to receive royalties as contracted, to have their works published as contracted, and to have its members treated with civility and respect. Cemetery Dance appears to be lacking in all of these areas.

Todd Keisling is the author whose experience at the hands of Cemetery Dance publisher Richard Chizmar led to HWA’s action. It seems he did finally get paid.

Screencaps of the exchanges were posted by Keisling in comments on Facebook after Chizmar doubled down on calling Todd a funny little man and then did a “dirty delete” of the comment.

Several authors have followed up with comments about having to dun Cemetery Dance for payment.

(2) MAURICE BROADDUS’ BOOKSHELF. Shelfies, edited by Lavie Tidhar and Jared Shurin, “Takes a unique peek each week into one of our contributors’ weird and wonderful bookshelves.” A recent entry was “Shelfies #33: Maurice Broaddus”. Photo at the link.

The why I do what I do shelf. This is the shelf of books that have inspired me or push me to do what I do. Futureland (Walter Mosley) was the first book that made me re-think my writing trajectory. When I read it, I thought to myself “we can do that?” It was the first sf book I read that had characters who looked like me, that had worldbuilding done through a different cultural lens….

(3) TOO GOOD TO BE TRUE, CHAPTER 37. Victoria Strauss introduces Denise Beck-Clark’s writeup before turning over the microphone in “Guest Post: My Twenty-Four Hour Dream” at Writer Beware.

I’ve written many scam case studies and investigations on this blog, all of which reference and/or describe writers’ direct experiences (while protecting their identities, as Writer Beware always promises to do). But when the essay below landed in my inbox this week, it presented the perfect opportunity to offer a different perspective: a writer’s own first-person description of her encounter with a scammer.

The scam in question is an extremely common one: out-of-the-blue contact from someone claiming to be a well-known film producer/famous movie director/executive with a major production company supposedly eager to turn the writer’s book into a movie. The essay details all the typical elements of this often-elaborate fraud: praise and promises carefully calibrated to manipulate the writer’s hopes and dreams (and ego), contracts and other items that lend a veneer of authenticity, even a phone call from the famous director attached to the project! But also warning signs, which this writer didn’t ignore but too many writers do–such as American movie people speaking with strong foreign accents.

Denise Beck-Clark has kindly given me permission to use her name and bio (at the bottom of the post). Hopefully her experience will help other writers recognize and avoid this type of scam. (My favorite part of the story: when the scammer recommends using Writer Beware.)…

(4) JOSH ROUNTREE Q&A. “Nuts & Bolts: Author Josh Rountree on Transitioning From Short Stories to Novels” on the Horror Writers Association blog.

Q: How is writing a novel different from writing short fiction?

A: I don’t think there’s one perfect answer for this, but in general I think short stories and novels require us to access different parts of our writer brains.

Being a short story writer, my brain is always telling me to tighten, tighten, tighten. Leave nothing in the story that’s not important to character, advancing plot, etc. You try to make every sentence you write do double duty.

When I transitioned to working on a novel, I felt that same instinct, and I had to remind myself that it’s okay to let things breath.  I can go deeper into the characters, their personal stories, and figure out who these people are on a deeper level. I still want every sentence to work hard, advancing the story and building the character, but I can be a bit more leisurely about it.

Some people are skilled at one form and not the other. I think I’m one of them. Short stories come easily to me, but novels are much more challenging.  I wrote a half dozen novels that will never see the light of day, for good reason. Books that I thought were wonderful at the time, but with hindsight I can see they’re a mess. As much as I love short story writing, I did want to prove to myself I could write a novel, but the process became discouraging with each new failure.

Finally, I decided to split the difference and see if I could write a novella.  I told myself it was really nothing more than a longer short story. I was consciously trying to trick myself, and ultimately it worked.

(5) ALEXANDER SKARSGÅRD Q&A. There are four Murderbot questions near the end: “Alexander Skarsgård: The Empire Interview” at Empire Online.

How did you approach that evolution, of portraying a machine that is becoming a bit more human?

Ironically, I found Murderbot more relatable than most characters I’ve ever played.

(6) NEW AI COPYRIGHT SUIT. “Publisher of PCMag and Mashable Sues OpenAI” reports the New York Times. (Behind a paywall.) “Ziff Davis, which owns more than 45 media properties, is accusing the tech company of infringing on the publisher’s copyrights and diluting its trademarks.”

… In a 62-page complaint filed in federal court in Delaware, where OpenAI is incorporated, Ziff Davis says the tech company has “intentionally and relentlessly reproduced exact copies and created derivatives of Ziff Davis works,” infringing on the publisher’s copyrights and diluting its trademarks. It claims that OpenAI used Ziff Davis content to train its artificial intelligence models and generate responses through its popular ChatGPT chatbot.

“OpenAI has taken each of these steps knowing that they violate Ziff Davis’s intellectual property rights and the law,” the complaint says.

The company is seeking at least hundreds of millions of dollars in its lawsuit, according to two people familiar with the matter.

A spokesman for OpenAI said in a statement that its models were “grounded in fair use,” referring to the legal standard for use of copyrighted material….

(7) COLONEL MUSTARD IN THE MOVIE THEATER WITH THE CASH REGISTER. CrimeReads says it’s time to praise this 1985 movie: “The Clues, the Clueless, and the Critics: Appreciating Clue” at CrimeReads.

…[It] is this latter element of the film (the board game come to life) that all its contemporary critics found both equally vexing and ingenious. The film, written and directed by Johnathan Lynn, features three different endings. Three different outcomes to the mystery, just as is possible in the board game. There is no motive in the board game, so one must be supplied for the film to have any meaning. That is, if it strives for meaning. It doesn’t. Instead, it embraces the randomness of a shuffled card deck, offering three random endings that might satisfy the clues in the story as well as the next.

This is what Ebert in referencing in the aforementioned quote, the start of his review of the film—an element that, on its own, he found brilliant. “The way Paramount is handling its multiple endings,” he wrote, “is ingenious. They’re playing each of the endings in a third of the theaters where the movie is booked. If this were a better movie, that might mean you’d have to drive all over town and buy three tickets to see all the endings.” He concludes, though, “[w]ith ‘Clue,’ though, one ending is more than enough.”

But he was correct in finding creative merit in this aspect of Clue. Writing in 2021, the scholar Milan Terlunen noted that “Clue lays bare the inner workings of all detective stories. Clue‘s multiple endings aren’t just a clever cinematic translation of the board game’s structure — they reveal something crucial about the nature of clues in general.” He goes on to explain that the very point of “solving” a mystery is “the process of distinguishing clues from red herrings… [t]here’s always too much evidence in a detective story, which fits beautifully with the general too-muchness of Clue.”…

(8) MEMORY LANE.

[Written by Cat Eldridge.]

April 26, 2010 — Iron Man II

Fifteen years ago the sequel to the highly successful and quite popular Iron Man se premiered in select markets before opening nationwide on May 7. 

Titled just Iron Man 2, it was directed by Jon Favreau who had done the first film, and written by Justin Theroux, who had not done the first film (which had been written by a committee of Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway. Hey it worked, didn’t it?) The first film got nominated for a Hugo at Anticipation. 

Iron Man 2 premiered at the El Capitan Theatre, a fully restored movie palace in Hollywood. This theater and the adjacent Hollywood Masonic Temple (which are now known as the El Capitan Entertainment Centre) are owned by the Disney Company and serve as the venue for a majority of the Disney film premieres.

Although fandom is very fond of saying it did substantially worse than the first film at the box office that’s a lie as it actually did better. Iron Man did five hundred and eighty million against one hundred and forty million in costs, whereas this film took in six hundred and thirty million against the same production costs. 

So how was it received by critics at the time? Anthony Lane at the New Yorker liked it better than its competitors Spider-Man and Superman: “To find a comic-book hero who doesn’t agonize over his supergifts, and would defend his constitutional right to get a kick out of them, is frankly a relief.” 

Roger Ebert writing for the Chicago Sun-Tribune was impressed: “Iron Man 2 is a polished, high-octane sequel, not as good as the original but building once again on a quirky performance by Robert Downey Jr.”

Audience reviewers at Rotten Tomatoes currently give it a rather good seventy-two percent rating. 

It is of course streaming where all things Marvel are which is Disney+. I am going to have to subscribe, aren’t I?

(9) COMICS SECTION.

(10) ANTI-RULES. Karl K. Gallagher has done an interesting thought experiment on X:

(11) BATTLING THE BLAHS. [Item by Steven French.] The Guardian’s Luke Holland considers the declining fortunes of assorted TV ‘super-franchises’ and comes up with some radical suggestions for reviving their fortunes: “May the force be with you! How to save every tired TV superfranchise, from Star Wars to Game of Thrones”.

It’s amazing to think that, not so very long ago, people were actually excited at the prospect of a new Star Wars show. Or when it emerged that a fresh Lord of the Rings saga was, through some kind of Gandalfian wizardry, being squeezed on to the small screen, the reaction was one of giddy awe. Even the faintest whisper of another trip to Hogwarts would have set the whole internet ablaze. And now? Well, here’s a test: there’s a new Harry Potter series coming out soon. How does that make you feel? Exactly.

There’s no doubt about it – a worrying number of what used to be the world’s most untouchable franchises are in trouble. But how did they arrive at this point of terminal audience ennui? And is there any route for them back into our hearts?

(12) TATOOINE-ALIKE. “Rare exoplanet orbits twin stars in ‘Star Wars’-like twist” reports Phys.org.

Astronomers have discovered a planet that orbits at a 90-degree angle around a rare pair of strange stars—a real-life ‘twist’ on the fictional twin suns of Star Wars hero Luke Skywalker’s home planet of Tatooine.

The exoplanet, named 2M1510 (AB) b, orbits a pair of young brown dwarfs—objects bigger than gas-giant planets but too small to be proper stars. Only the second pair of eclipsing brown dwarfs known—this is the first exoplanet found on a right-angled path to the orbit of its two host stars.

An international team of researchers led by the University of Birmingham made the surprise discovery using the European Southern Observatory’s Very Large Telescope (VLT). The brown dwarfs produce eclipses of one another, as seen from Earth, making them part of an “eclipsing binary.”

Publishing their discovery in Science Advances, the researchers note that this is the first time such strong evidence for a “polar planet” orbiting a stellar pair has been collected.

Thomas Baycroft, a Ph.D. student at the University of Birmingham who led the study commented, “I’m particularly excited to be involved in detecting credible evidence that this configuration exists.’…

(13) TRAILER PARK. “Love Death + Robots Volume 4”. Extreming May 15 on Netflix.

The Emmy-winning anthology of twisted tales from strange worlds returns, with stories featuring MrBeast and the Red Hot Chili Peppers

[Thanks to SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/5/24 O Quam Tu Pixel Es

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(1) GERMAN TOLKIEN SOCIETY EVENT. The twentieth seminar of the German Tolkien Society (Deutsche Tolkien Gesellschaft e.V.) will be a hybrid event. Full details at the link. “Tolkien and His Editors – Tolkien Seminar 2024”

It is not only in Aachen that the 20th Seminar of the Deutsche Tolkien Gesellschaft e.V. will take place from 11 to 13 October. You can also follow the conference worldwide via the internet from Friday at 2pm. Listeners and participants can look forward to numerous exciting lectures on this year’s theme “Tolkien and His Editors” by speakers from all over the world….

(2) THE RICHES OF HORROR WRITING? [Item by Michael J. Walsh.] Out of curiosity I looked at the Stokercon2025 hotel rates.  Oh my. $474 a night! (Or more.)

(3) RED DWARF TRIVIA. “Roll up, smegheads! It’s the ultimate Red Dwarf quiz”. The Guardian challenges the show’s fans: “From hologram destruction techniques to the very point of existence itself: how good is your knowledge of the sci-fi comedy classic?”

(4) ANSIBLE EDITIONS. [Item by David Langford.] The Frank Arnold Papers (edited by Rob Hansen), collecting the mostly unpublished essays and reviews of that old-time UK fan, came out as a TAFF ebook in 2017 with a brief introduction by Michael Moorcock. We’ve since unearthed more material, both published and unpublished, that expands the ebook by about a third to 58,000 words. That seemed to be the cue for a first ever paperback edition, which like the revised ebook was officially released October 1.

Frank Arnold was a long-time regular of the London First Thursday science-fiction pub meetings from their beginning in the 1940s until his death in 1987, and kept the famous Visitors’ Book. He had been active in British SF fandom since the very early days of the 1930s. Although he published one SF collection, a handful of articles and several book reviews, most of his nonfiction never appeared in print.

Cover photo, left to right: Ted Carnell, Ted Tubb, and Frank Arnold at the 1952 London convention. Photo from the Vince Clarke collection.

(5) CLI-FI COLLECTION. Grist’s second anthology of climate fiction short stories is being published soon. Metamorphosis: Climate Fiction for a Better Future includes 12 stories from Grist’s recent Imagine 2200: Climate Fiction for Future Ancestors short story contests. For the first time in book form, you can read these narratives of hope, abundance, solutions, and community resilience for a better future. 

Metamorphosis is available for pre-order right now at the link. It arrives in bookstores October 22.

(6) THE QUALITY OF DISTORTION IS NOT STRAINED. [Item by Steven French.] In this physics-based critique of Constellation and Dark Matter, Robert P Crease and Jennifer Carter pose a crucial question. “Constellation and Dark Matter: the TV series that could change your view of quantum mechanics” at Physics World.

…So are fictional works based on quantum-travel-between-worlds just examples of “harmlessly enabling distortion” (HED, done for a good purpose)? Or should we think of them as examples of “fake artistic distortion” (FAD, done for special effects without caring how science works)? It’s an interesting question especially for philosophers, who have long worried about art having to appeal to its audience’s “sense” of reality, and its tendency to reinforce that sense despite its distortions.

In a similar way, the appeal of TV series based on many-worlds interpretations depends on how agreeably and acceptably they manipulate popular preconceptions about quantum mechanics, such as about time travel, alternate worlds, the reality of superposition, and – most of all – the illusion that the fundamental structure of the world is up to us.

But wouldn’t it be more artistic to portray a universe where quantum systems are what they are – in some cases coherent systems that can decohere, but not via thought control (as in Dark Matter)? If we did that, then artists could speculate about what it’d be like to meet and even trade places with other selves without introducing fake scientific justifications. We could then try to understand if and why we would want or benefit from such identity-swapping, on both a physical and emotional level.

That might really shatter and reconfigure what it means to be human…

(7) YOU’VE SEEN IT. Most likely. “A 400-Acre Movie Ranch Outside Los Angeles Is Listed for $35 Million” – in the New York Times (behind a paywall.)  “Sable Ranch, about 30 miles north of Hollywood, includes an Old West movie set. It has been used for productions like ‘American Horror Story’ and ‘Oppenheimer’.”

When Frank Vacek arrived at Sable Ranch in the 1970s, with its chaparral-covered hills bounded by the mountains of the Angeles National Forest, he instantly saw a California dream.

Mr. Vacek, who with his wife had fled the Nazis in Czechoslovakia three decades earlier, rewrote his fortunes by opening a successful camera shop in downtown Los Angeles in the 1950s. But 30 miles north at Sable Ranch, where cattle grazed amid oak trees, he pictured an even grander second act for his life. He bought the ranch and the property next to it and built an Old West movie set on its land, bringing Hollywood — with its gun shows, cowboys and insatiable appetite for entertainment — to his doorstep.

… In recent years, the ranch has hosted “Curb Your Enthusiasm,” “Criminal Minds” and “24.” After crews from “Fear Factor” used the ranch in 2001, they returned in 2007 to make another game show, “Wipeout,” where contestants compete in an obstacle course with large pools. So Mr. Hunt built water tanks that could each hold millions of gallons of water — an amenity that attracted Billie Eilish to the ranch in 2021, when she was scouting locations for her underwater music video for “Happier Than Ever.”

“You feel the Hollywood legacy when you’re on the property,” said Aaron Kirman of Christie’s International Real Estate Southern California, who alongside Sam Glendon of CBRE is representing Mr. Hunt in the sale…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born October 5, 1971 – Paul Weimer, 53. Although he has a few short stories to his credit, Paul Weimer is far better known in science fiction reviewing and criticism circles. Having gotten his real start at places like The Functional Nerds and SF Signal, Paul has, and continues to write, for a number of venues and publications across the internet, from traditional fanzines to guest posts on blogs, and always, always telling people that pre-orders are love. 

Paul had a minor but notable role in the Sad and Rabid Puppies Debarkle (h/t Camestros Felapton), showing up on podcasts and blogs, trying in vain to bridge divides and see multiple viewpoints. 

In addition to writing, Paul is a member of the Hugo finalist Skiffy and Fanty podcast, and has shown up on a wide range of other SFF podcasts as a guest. He also has been playing and running TTRPGs, including Play by Email ones, for decades. 

Paul is known in SFF circles, too, as an enthusiastic amateur photographer who is likely to show up at your con with his camera in tow. At the 2024 Glasgow Worldcon, he was a member of the convention’s official Photography Team. As a DUFF Delegate in 2017, he traveled to the Australian and New Zealand Natcons in 2017, and his trip report “What I did on my Summer Vacation” holds the record for most photos in a published Fan Fund report.

After the unpleasantness of being one of the Chengdu Worldcon Ineligibles, Paul won two Hugos at the 2024 Glasgow Worldcon, for Best Fan Writer, and as part of the team of the Best Fanzine Winner, Nerds of a Feather. He also won an Ignyte award for Best Critics as part of the Nerds of a Feather team.

But he’s really just this guy, you know?

(9) COMICS SECTION.

(10) DEBATE OVERFLOW. Most of you will get it.

(11) TODAY’S THING TO STOP WORRYING ABOUT. Deadline reports “Jim Henson Company Lot On La Brea Not Being Sold To Scientology, Owners Say; “Not In Any Business Dealings With The Church,” Family Declares”.

… Despite reports in the Rupert Murdoch-owned New York Post and other outlets that the Henson family was unloading the 1917 lot originally known as the Charlie Chaplin Studios, the estate was very specific today that the lot would not be joining Scientology‘s extensive real estate portfolio any time soon

A spokesperson for the Jim Henson family said: “In regards to recent rumors about the sale of the La Brea studio lot, the Henson family is not in any business dealings with the Church of Scientology, and that organization is not in consideration as a potential buyer of the property. It is still the family’s intention to move The Jim Henson Company to a new location it can share with Jim Henson’s Creature Shop, but at this time the family is not in escrow with any buyer.”…

(12) PRACTICALLY NEIGHBORS. “Scientists find astonishing planet near to Earth” reports The Independent.

A planet has been found around the closest single star to us.

The planet orbits around Barnard’s star and has been given the name Barnard b. It could be one of a number of planets waiting to be found around that nearby sun.

It was spotted using the the European Southern Observatory’s Very Large Telescope (ESO’s VLT).

The newly-discovered planet – called Barnard b – has at least half the mass of Venus and on it a year lasts slightly more than three Earth days.

The findings also suggest there may be three more exoplanet candidates, in various orbits around the star.

(13) WALKING BACK NEGATIVE TIME. Sabine Hassenfelder demurs from what the clickbait press is saying in “Negative Time is Real, Physicists Confirm. Kind Of.” “Well first of all, this negative time has nothing to do with passage of time. It’s just a way to speak about how a bunch of photons travel through a medium and how their phases shift.”

In a new paper, a group of physicists claims to have confirmed the existence of “negative time.” I had never heard of this, but I had a look at the paper. And I think I have figured it out.

[Thanks to Teddy Harvia, Mike Kennedy, Andrew Porter, Patrick McGuire, Michael J. Walsh, Mark Roth-Whitworth, Robin Anne Reid, Dann, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Joyce Carol Oates Added as StokerCon 2025 GoH

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The Horror Writers Association today welcomed Joyce Carol Oates as a Guest of Honor at StokerCon 2025 in addition to Paula Guran, Tim Waggoner, Gaby Triana, Scott Edelman, and Adam Nevill.

Joyce Carol Oates

Joyce Carol Oates is the author of numerous novels and novellas, plays, short stories, essays and poetry.   She is a recipient of the National Book Award, two O. Henry Awards, the National Humanities Medal, the Jerusalem Prize, the prix Fitzgerald and the Cino Del Duca World Prize, as well as several Stoker awards, a World Fantasy Award, and the Lifetime Award of the Bilbao International Festival of Literature and Art with Humor. Among Oates’ most notable works of horror are The Corn Maiden, Dis Mem Ber, The Doll Master, Haunted, Night Gaunts, Black Water, Zombie, and Butcher. Her most recent collection of mystery and suspense fiction is Flint Kill Creek (Mysterious Press).

StokerCon 2025 will be held in Stamford, CT from June 12-15, 2025.

StokerCon 2025 Adds GoHs Adam Nevill, Scott Edelman

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The Horror Writers Association today announced Adam Nevill and Scott Edelman as Guests of Honor at StokerCon 2025 in addition to Paula Guran, Tim Waggoner, and Gaby Triana.

A sixth and final Guest of Honor will be announced Friday September 27.

StokerCon will be held in Stamford, CT from June 12-15, 2025.

Adam L. G. Nevill

Adam L. G. Nevill was born in Birmingham, England, in 1969 and grew up in England and New Zealand. He is an author of horror fiction. Of his novels, The Ritual, Last Days, No One Gets Out Alive and The Reddening were all winners of The August Derleth Award for Best Horror Novel. He has also published three collections of short stories, with Some Will Not Sleep winning the British Fantasy Award for Best Collection, 2017.

Imaginarium adapted The Ritual and No One Gets Out Alive into feature films and more of his work is currently in development for the screen.

 The author lives in Devon, England. More information about the author and his books is available at: www.adamlgnevill.com

Scott Edelman

Scott Edelman has published 125+ short stories in magazines such as Lightspeed, Analog, Apex, and The Twilight Zone, and in anthologies such as Why New Yorkers Smoke, Crossroads: Southern Tales of the Fantastic, and MetaHorror.

His collection of zombie fiction, What Will Come After was a finalist for the Shirley Jackson Memorial Award. His most recent collections include Tell Me Like You Done Before: and Other Stories Written on the Shoulders of Giants and Things That Never Happened, the latter of which caused Publishers Weekly to write, “his talent is undeniable.” He has been a Bram Stoker Award finalist eight times, both in the category of Short Story and Long Fiction.

He’s also the host of the Eating the Fantastic podcast, which since February 2016 has allowed listeners to eavesdrop on his meals with creators of science fiction, fantasy, horror, comics, and more.

Pixel Scroll 7/9/24 We Also Walk Cats (But Not Through Walls)

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(1) FIRST LAWS OF ROBOTICS. South China Morning Post has a few details —  “China’s Laws of Robotics: Shanghai publishes first humanoid robot guidelines”.

Shanghai has published China’s first governance guidelines for humanoid robots, calling for risk controls and international collaboration, as tech giants like Tesla showed off their own automatons at the country’s largest artificial intelligence (AI) conference.

Makers of humanoid robots should guarantee that their products “do not threaten human security” and “effectively safeguard human dignity”, according to a new set of guidelines published in Shanghai during the World Artificial Intelligence Conference (WAIC) on Saturday.

They should also take measures that include setting up risk warning procedures and emergency response systems, as well as give users training on the ethical and lawful use of these machines, according to the guidelines.

The document was penned by five Shanghai-based industry organisations including the Shanghai Law Society, Shanghai Artificial Intelligence Industry Association and the National and Local Humanoid Robot Innovation Centre.

…China has made it a goal to have mass production of humanoid robots by 2025 and wants global leadership in the sector by 2027, according to a plan published by the Ministry of Industry and Information Technology (MIIT) in November last year.

By 2027, humanoid robots should become “an important new engine of economic growth” in China, the MIIT urged. Robots are expected to be popularised in industries including healthcare, home services, agriculture and logistics, according to the document….

(2) 3RD ANNUAL STURGEON SYMPOSIUM REGISTRATION. Registration is now open for the 3rd Annual Sturgeon Symposium, Oct 24-25, celebrating the groundbreaking work of author and critic Samuel R. Delany. The symposium will include a reading by the winner of the Sturgeon Award for best speculative fiction story published in 2023, scholarly panels, and appearances by Delany himself. Fee waiver available for students and others with financial need. Join us!

Register here: Sturgeon Symposium | Stars in Our Pockets: Celebrating Samuel R. Delany Tickets, Thu, Oct 24, 2024 at 9:00 AM | Eventbrite T-shirt, lunch, and Thursday reception are included with registration.

More information here, including updates to schedule: 

(3) VIRTUAL STOKERCON PANEL REPORTS. Lee Murray has put together highly informative summaries of two panels convened during the Horror Writers Association’s 2024 Virtual StokerCon event.

Trigger Warning: This article addresses issues of grief, loss, and mental health.

Moderated with compassion by Mo Moshaty, an author-producer with experience working closely with death doulas, the panel commenced with a round-robin of introductions, including the panellists’ relevant work, and also their particular interest in the topic of grief horror. 

Panelists included Mark Mathews, Clay McLeod Chapman, Nat Cassidy, Katherine (Kat) Silva, Ally Malinenko, and Laura Keating.

From the opening comments, it was clear that this was going to be a confronting and also humbling session, with panelists sharing their own experiences of trauma and grief, with their specific experiences discussed in more detail over the course of the panel. 

Moshaty kicked off the discussion by stating that grief, as a universal emotion, touches everyone in society, so it follows that we would want to represent grief in our horror literature. Mark Matthews and Nat Cassidy agreed that horror is a genre that is grounded in grief. Clay McLeod Chapman admitted to feeling inspired and intimidated to talk frankly about the topic, but also that he expected the discussion to be eye-opening and cathartic. He was especially interested in how we move through grief while also tackling it in our work….

Striking a sustainable work-life balance for the long-game in horror takes time and experience. Eric LaRocca, Christa Carmen, Ace Antonio-Hall (Nzondi), Pamela Jeffs, and EV Knight offer their insights in a panel moderated by L. E. Daniels on how to protect our bodies and minds as we navigate dark fiction.

Recently, I had the pleasure to attend the Self-Care for Horror Writers panel offered in the virtual space at StokerCon 2024. Given the close alignment of the topic to the work of the HWA Wellness Committee and our Mental Health Initiative, this panel was a must-view for me, and I wasn’t disappointed. Expertly moderated by Bram Stoker-nominee and Wellness Committee member L. E. Daniels, the discussion was wide-ranging and engaging, with speakers offering insightful gems and tried-and-true strategies for maintaining well-being. Key points are summarised in this report.   

Daniels began by asking her panelists how they have developed a sustainable work-life balance for the long game that is writing, publishing, and writers’ events….

(4) SCOTS GOTHS. [Item by Steven French.] For those who might be in the Edinburgh area in September, here’s an interesting event at the National Library of Scotland – and it’s free! “Treasures: Mary Shelley, Frankenstein, and the Scottish Gothic Tradition”, Thursday, September 5 at 17:30 at the National Library of Scotland in Edinburgh.

Hear from Dr. Emily Alder and Professor Daniel Cook, both leading experts in the field of Gothic literature, as they consider the ways in which Frankenstein and the Gothic permeate Scottish fiction to this day. Chaired by one of our foremost cultural commentators and interviewers, Dr. Alistair Braidwood.

With the recent success of the film adaptation of Alasdair Gray’s ‘Poor Things’, and the debt Gray’s novel owes to ‘Frankenstein’ and Gothic fiction, how might we consider the influence of Mary Shelley’s masterpiece on subsequent writers and their work? Where does James Hogg’s ‘Justified Sinner’, Robert Louis Stevenson’s ‘Jekyll and Hyde’, or more recent works by Muriel Spark, James Robertson, Alice Thompson, A. L. Kennedy, and Alasdair Gray fit into a Scottish Gothic tradition?

This event celebrates our new Treasures display, featuring items relating to Byron and Mary Shelley.

(5) RETRO PIXEL. [Item by SF Concatenation’s Jonathan Cowie.] Regarding the July 5 Pixel Scroll’s “(9) SCIENCE EXHIBITION IN LONDON” by Steven French, who wrote, “If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society…”

Actually, it lasted the previous four weekdays too. I usually go and was, indeed, there this year wearing my climate science hat.

Jonathan Cowie at the Royal Society exhibition

At the exhibition, I am pointing to a graph of past temperatures as revealed by a 900,000 year Antarctic ice core at a particular point called the Mid-Brunhes Event before which glacials were less cold with interglacials being more cold, and after this point where – like today – glacials are colder and interglacials warmer. ‘Why is this so?’ you may well ask. Alas, we don’t know, though theories abound.

Antarctic ice core drilling continues. We are currently looking at another location where the ice hopefully has a record going back over a million years: ideally to 1.5 million years so as to cover the Mid-Pleistocene Transition which saw a major change to glacial-interglacial cycles that was possibly due to the arrival of large, long-term ice over Antarctica and substantive northern hemisphere glacial ice sheets. (At least, that’s the working hypothesis I go with.)

This year, six of us went to the Royal Society’s Summer Exhibition, including another member of the SF² Concatenation team.

If you like science – and many science fiction fans do – then this annual event is worth checking out.

If you need post-exhibition sustenance, the near-by Golden Lion pub is sufficiently off the tourist track that while it is usually busy Mondays to Fridays up until 7.45 it then quietens down. It has hand-pump beers and reasonable hot pub food but note it closes early Mon-Thurs at 10pm. On the way there, you can see typical 19th century West-End London architecture.  Some old buildings have been demolished, but the past decade or so has seen developers knock down buildings but keep the frontage walls: so the building looks the same from the outside but is completely modern inside.

The Royal Society (Britain’s Science Academy) is housed in Germany’s former London embassy up to World War II.  Its (the Society’s) President’s office today has a marble swastika in the floor (under a carpet but conserved as the swastika apparently has a heritage preservation order on it).

Keep an eye out next year in early July for another Royal Society summer exhibition. Avoid the weekend day as that is very crowded (Dublin Worldcon levels of crowding) with parents bringing children.

(6) THE INSTALLMENT PLAN. Eugen Bacon offers an intriguing alternative at Reach Your Apex: “What if you wrote your novel story-by-story, using your strength as an author of short stories?” — “For Writers: Writing the Novel – For Short Story Authors”.

…Maybe you’ve even won or been a finalist in awards with your short story, you’ve been killing it in anthologies—as in editors have you on speed dial, critics raving about your short story (you kinda hog the lot, you’re getting a bit self-conscious about it—maybe not, it’s fucking awesome). And you have a short story collection or three… But your mate, your family, maybe a literary agent… has been on your case, as in: “So where’s that novel?”

And imposter syndrome is creeping in, and you feel you gotta write that effin novel.

Or maybe you’ve written a short story you like so much, you want it as a starting point for a novel. Perhaps more characters are popping up, too many to contain in a short story. Or maybe you want to stretch the story—by timeline or theme or view point. The start is the same, the closing is the same, but the inside of the story is becoming longer. It demands more history, more world-building, a deeper look. Now you really need that novel.

But short stories are your strength. You don’t want to get entangled in a tortured story or a runaway plot. What if the short story is just what it is—the point of it could be lost in expanding it. Who wants a bloody novel? You do. What if the short story has told itself out: do you really need that novel? Yes, bloody yes, every inch of you shouts.

But you do love the energy in a short story—yes, Carver: Get in, get out. Don’t linger.   

So what if you could retain all that you love about the short story, and still write that novel? What if you could write about a moment in time, something experimental and decentralized, something flexible, economic, dynamic, mimetic, metaphoric, immediate, intense—and it’s still a novel?

This is how it happens: What if you wrote your novel story-by-story, using your strength as an author of short stories?…

(7) PIDGIN DROPPINGS.  “Preliminary Notes on the Delvish Dialect” by Bruce Sterling at Medium.

…Also, the human owners/managers of Large Language Models have extensively toned-up and tuned-down these neural network/deep learners/foundation-platforms, so that these “writers” won’t stochastically-parrot the far-too-human, offensive, belligerent, and litigous material that abounds in their Common-Crawl databases.

The upshot of this effort is a new dialect. It’s a distinct subcultural jargon or cant, the world’s first patois of nonhuman origin. This distinctive human-LLM pidgin is a high-tech, high-volume, extensively distributed, conversational, widely spoken-and-read textual output that closely resembles natural human language. Although it appears as words, it never arises from “words” — instead, it arises from the statistical relationships between “tokens” as processed by pre-trained transformers employing a neural probabilistic language model.

And we’ll be reading a whole lot of it. The effort to spread this new, nonhuman dialect is a colossal technical endeavor that ranks with the likes of nuclear power and genetically modified food. So it’s not a matter of your individual choice, that you might choose to read it or not to read it; instead, much like background radioactivity and processed flour from GMO maize, it’s already everywhere.

Technically, this brave-new-world dialect is actually a wide number of different Language-Model idiolects, which arise from different databases and different LLM training methods. Machine-translation AIs speak a thousand human languages at once. Consumer-facing chatbots speak with courtly circumlocutions. LLMs exist that are specially trained for marketing, warfare, cooking, legal boilerplate, code generation, website design. And so on….

(8) HALF PAST HUMAN… [Item by SF Concatenation’s Jonathan Cowie.] In recent years I have moved more from the current climate change issue into looking at the deep time evolution of the Earth system as well as that of life. (This is the ‘co-evolution of life and planet’ narrative in case any of you were wondering.) It is a big topic, but one of the things I have been looking at is not just where we have come from (and how) but where we are going. One instance (of a number) is that across deep-time both geology and biology have seen increasing ‘information’: each key step in deep-time evolution has seen increased information (in the geological record) and increased information processing (in the case of biology). However, we (modern humans) are now using technology, starting with using new alloys not found in nature to make ploughs which in turn helped us sustain a larger population and a non-agrarian population which could do things like science (as well as paint pretty pictures etc). And now our technology itself is processing more information.  If DNA were represented as information (and we have already coded all the sonnets of Shakespeare as DNA) then the amount of computer information we hold globally now rivals (if not exceeds – my last data point for this was over half a decade ago) the DNA in life planet-wide….

The other thing that has happened across deep time is that we have seen earlier stages of life incorporated into more advanced stages: for example prokaryotes became incorporated into eukaryotes through endosymbiosis. Which begs the question of whether we will merge with information processing technology…

Here I venture possibly ‘yes’ but not necessarily (biomedical treatments aside) with a huge load of invasive technologies embedded in our bodies like the Star Trek’s Borg.

Instead, we will increasingly interact with technology, and we can all see how our society is (in one sense sadly) increasingly digital.  We increasingly carry technology around with us (smartphones) and even wear it, for example, joggers these days can wear a watch that keeps track of their pulse.

Are we becoming more like cyborgs????

Well, you have had a taste of my musings (if you want more, you’ll have to ask for a talk at a con). But I’m a bio-/geoscientist.  The SF view of cyborgs tends to be more engineering orientated. Witness the $6 million man… we can build him faster, better… Though none of the ladies thought to tell Steve Austin that faster is not always better. But if you do want a more engineering/physics approach to the cyborg trope then it’s Isaac Arthur to the rescue…

It was, this last weekend, sci-fi Sunday over at “Science Futures with Isaac Arthur” where he looked at “Cyborg Civilizations”. Is this where we are heading? Isaac thinks that cyborgs may be a way to colonise the galaxy…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 9, 1944 – Glen Cook, 80.

By Paul Weimer: Glen Cook is a trailblazer whose fingerprints are all over modern fantasy in two separate subgenres.

Let’s put aside some of his interesting single novels  such as Tower of Fear, which is an interesting standalone fantasy novel, and A Matter of Time, where he shows that he can do twisty time travel in a Cold War setting. 

Glen Cook in 2011. Photo by Harmonia Amanda.

First up, Glen Cook doesn’t get enough love, I think, for his Garrett PI series. I’ve seen more prominent authors take up his mantle, but Garrett is the true heir to Lord Darcy (but in a secondary fantasy world) of a private investigator doing his job on the mean streets of TunFaire. The Titular Garrett is a character out of mystery fiction (and really the novels lean more heavily into mystery than the fantasy, for all being in a city of multiple species and magic). Garrett follows a lot of tropes that readers of, say, Raymond Chandler will see right away. Garrett isn’t overly ambitious, he just wants enough to get by day by day, but trouble keeps finding him (and yes, this is hardboiled detective fiction, so the trouble includes the cops (the watch), the mob (the outfit), femme fatales) and much more. I get the sense that Cook had a hell of a lot of run writing them (a dozen or so at this point).  Great literature? No.  Entertaining? If you are a fan of the Chandler school of writing and also like SFF, get thee to a bookseller. I’ve seen the fingerprints of Garett in other characters and authors, but few really capture the idea as well as Cook does.

But it is epic fantasy where Cook really sings and really has had his influence. Even beyond some of his other fantasy series, I am referring here to The Black Company.  Grimdark before Grimdark was ever a thing, the story of a band of mercenaries who get caught up in wars to decide the fate of the world, grey protagonists in a world of black to white and all the shades, The Black Company is one of the ur-texts for writers like Abercrombie, Erikson, and their ilk. (I could see the fingerprints of The Black Company as inspiration for Adrian Tchaikovsky’s House of Open Wounds, for instance). The Black Company members are caught in intrigues between themselves and their superiors, desperately try to survive hopeless battles they are thrown in, and slowly start to learn about their own origins and history. The cast shifts and changes across the series (and sub series), but the core of the idea of an elite mercenary unit working mostly for rather disreputable and treacherous powers is one that holds up to this day. The Bridgeburners, Caul Reachey’s Men, and many others owe their existence to Croaker and his crew.

(10) COMICS SECTION.

(11) CAGE MATCH. Variety reports “Spider-Man Noir Series at Amazon, MGM+ Casts Brendan Gleeson”.

Brendan Gleeson has joined the cast of the upcoming Spider-Man Noir series at Amazon, Variety has learned from sources.

This marks one of Gleeson’s first announced project since his Academy Award and Golden Globe nominated turn in “The Banshees of Inisherin.” Gleeson will star in the series opposite previously announced series lead Nicolas Cage as well as the recently cast Lamorne Morris. The show, now titled “Spider-Noir,” was formally ordered to series in May with Cage in the lead role. As previously reported, the show will debut domestically on MGM+’s linear channel and then globally on Amazon Prime Video….

(12) OVERTIME. Futurism takes notes while “Former Astronaut Explains How the Astronauts Stranded in Space Might Be Feeling”.

NASA astronauts Suni Williams and Butch Wilmore are still stranded on the International Space Station after Boeing’s plagued Starliner spacecraft finally managed to drop them off last month.

Since then, technical issues affecting the spacecraft have delayed their return journey indefinitely, with multiple helium leaks kicking off an investigation.

Williams and Wilmore were originally meant to return on June 14 — over three weeks ago — and NASA has yet to announce when its latest attempt will be to bring them back down to Earth.

It raises an interesting question: how are Williams and Wilmore feeling about the delay? One former colleague says that the extended stay on board the orbital outpost could actually be a blessing rather than a curse.

“Well, my first reaction was it’s probably good news for the two Boeing astronauts,” retired Air Force colonel and NASA astronaut Terry Virts told NPR. “They’re, you know, they get a few bonus weeks in space. And you never know when your next space flight is going to happen, and so I’m sure the astronauts are happy to get some bonus time and space.”

Virts also argued that the rest of the station’s crew would be “happy” to get some “free labor.”…

… Virts also took the opportunity to send a message to Williams and Wilmore.

“I would just say enjoy it,” he told NPR. “And stay busy. You don’t want to, you know, just sit around. But I know these two, they’re not going to sit around. And I’m sure NASA will have plenty of work for them to do.”

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Astrophysicist Dr Smethurst at Dr. Becky YouTube Channel takes a look at some of the science portrayed in the SF series Battlestar Galactica. 12-minute video below.

In this episode of Astrophysicist reacts we’re watching Battlestar Galactica season 1 episode 1 “33” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, special relativity including time dilation and length contraction, and Newton’s third law of motion.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/9/24 Filefjonk, Scrollmaiden, And Other Moominpixels

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(1) INSTRUMENTS INSPIRED BY SFF. Guitar.com invites you to “Check out these sci-fi-inspired guitars, made with old model kits and even unused Covid tests”.

…Custom guitar brand Devil & Sons has launched a new series of sci-fi inspired guitars called Craftcasters, and their bodies are hand-constructed via the ‘kit bashing method’, where parts of old model kits, everyday items, hand cut plastic, sculpted epoxy, and yes (in this case), unused Covid tests, are pieced together to create unique artwork.

The uber-cool, spacecraft-like models were created across three years by artist and luthier Daniel Wallis, and according to him, they’ve been made using the same techniques model makers have been using for screen props since the original Star Wars and Alien films. Upon close inspection, you’ll be able to spot bits of train sets, remote controls, Warhammer models, and even old vacuum cleaner parts on their surfaces….

(2) DEFIANT PREQUEL. Abigail Nussbaum’s new blog post shares thoughts on Furiosa: A Mad Max Saga, “a film that is missing its final act, that has a great gaping hole at its center, and which is nevertheless an exhilarating and entirely satisfying action extravaganza, and worthy companion to Fury Road.” ”Furiosa: A Mad Max Saga” at Asking the Wrong Questions.

…And now of course it must be acknowledged that Furiosa does work. I won’t get into the question of whether it’s as good as Fury Road; it obviously can’t deliver the same sharp blow to the head as that movie did, and once you allow for that, the two movies are too different for a side-by-side comparison to make much sense. But it does make you feel the same exhilaration, the same joyful disbelief at the fact that someone can do this with the cinematic medium, the same pulse-pounding desire for this ride to just keep going and going, and the same profound connection to and investment in its characters. Which obviously raises the question: how?…

(3) STOKERCON GOH SUBTRACTION. One of StokerCon 2025’s announced guests of honor, Graham Masterson, has backed out due to a scheduling conflict the committee told Facebook readers today. “Whether it can be worked out or not remains to be determined,” they said.

(4) THE END IS NEAR. Ted Gioia says sci-fi will soon follow the western in “The 6 Laws of Dying Hollywood Franchises” at The Honest Broker.

…The same reliance on aging cowboys was evident at movie theaters. John Wayne was still the top western movie star until his death at age 72.

You can laugh at that, but Hollywood has pushed to even more ridiculous extremes with Harrison Ford. The studios cast him in three action franchises (Indiana Jones, Star Wars, and Blade Runner) at an even older age than Wayne in his final film. (In a curious twist, this was Wayne’s little known role in Star Wars.)

This is not the sign of a healthy genre. Hollywood is now suffering at the box office, but you could have predicted it years ago, just based on its aging stars and franchises….

… How will this play out in the future? Well, let’s summarize what we learned from the rise and fall of the western genre.

  1. Genres die slowly, especially popular genres with large mass audiences. In those instances, the decline can continue for decades after a genre’s commercial peak.
  2. The final stages of decline are marked by total market saturation—reaching ridiculous levels. Far more product is churned out than even the core audience can absorb.
  3. The proliferation of merchandise aims to expand the franchise, but actually accelerates the pace of decline.
  4. During the period of decline, the average age of the core fan base gets older. Youngsters may continue to have some interest in the genre, but without the enthusiasm of the old days.
  5. Even more ominous, the box office stars start showing their age—and are far too old to lead any movement. They are hired out of desperation, because holding on to old fans is now more important than attracting new ones.
  6. As a result, everything about the genre starts to feel stale. The stories were fresher twenty years ago. The lead stars were definitely fresher twenty years ago. The only thing that isn’t stale is the movie popcorn out in the lobby—and even that’s not a sure thing.

This is obviously happening with almost every major Hollywood franchise today. We’re now almost fifty years beyond the release of Star Wars (1977)—that was long ago and in another galaxy. But even never-ending franchises eventually come to an end….

(5) VERY COOL BEANS. [Item by Danny Sichel.] Yes, it’s a few years old, but James D. McDonald posted an interesting little short story on his blog Madhouse Manor, and I felt it deserved more attention.

It’s called “The Coldest Equations Yet”, from 2017, and it’s a remix that might have made Tom Godwin smile and John W. Campbell grumble.

(6) THE REALLY BIG ONE. [Item by Jeffrey Smith.] I buy various volumes of The Best American series of short stories and essays every year, often starting them but rarely finishing them. I’ve decided to start cleaning some of them up, and am almost finished with The Best American Science and Nature Writing 2016. In her introduction, the editor said she felt the most important piece in the book was “The Really Big One” by Kathryn Schulz. (See The New Yorker version from 2015, “The Earthquake That Will Devastate the Pacific Northwest”.)

Over the last few years I’ve come to really appreciate Kathryn Schulz’s writing, reading her pieces in The New Yorker and often reprinted in these volumes. (The next of these I will finish, The Best American Travel Writing 2017, also has a piece by her.)

The article is about the potential for a massive earthquake to hit the Pacific Northwest, the fault there being more dangerous than the San Andreas. The editor lives at the southern tip of the fault, and says a) that she knows people who sold their houses and moved away after reading it, and b) the state governments are looking into developing early warning systems and strengthening infrastructure because of it.

“I simply cannot overstate the power of this piece,” the editor wrote. “When you read it, imagine you live where I live. Your life would change because of this story, just like mine did. That’s the power of great writing.”

It’s a long piece, and starts out with a lot of background information. The second half, though, is terrifying.

It was interesting to read this now in part because we recently watched a set of three Norwegian disaster movies: The Wave; The Quake; and The Burning Sea. (You have to hunt them down — they’re each on a different streaming service.) Judging by the article, the filmmakers did reasonably well with the science.

Here’s the beginning of Schulz article in The New Yorker:

When the 2011 earthquake and tsunami struck Tohoku, Japan, Chris Goldfinger was two hundred miles away, in the city of Kashiwa, at an international meeting on seismology. As the shaking started, everyone in the room began to laugh. Earthquakes are common in Japan—that one was the third of the week—and the participants were, after all, at a seismology conference. Then everyone in the room checked the time.

Seismologists know that how long an earthquake lasts is a decent proxy for its magnitude. The 1989 earthquake in Loma Prieta, California, which killed sixty-three people and caused six billion dollars’ worth of damage, lasted about fifteen seconds and had a magnitude of 6.9. A thirty-second earthquake generally has a magnitude in the mid-sevens. A minute-long quake is in the high sevens, a two-minute quake has entered the eights, and a three-minute quake is in the high eights. By four minutes, an earthquake has hit magnitude 9.0.

When Goldfinger looked at his watch, it was quarter to three. The conference was wrapping up for the day. He was thinking about sushi. The speaker at the lectern was wondering if he should carry on with his talk. The earthquake was not particularly strong. Then it ticked past the sixty-second mark, making it longer than the others that week. The shaking intensified. The seats in the conference room were small plastic desks with wheels. Goldfinger, who is tall and solidly built, thought, No way am I crouching under one of those for cover. At a minute and a half, everyone in the room got up and went outside.

It was March. There was a chill in the air, and snow flurries, but no snow on the ground. Nor, from the feel of it, was there ground on the ground. The earth snapped and popped and rippled. It was, Goldfinger thought, like driving through rocky terrain in a vehicle with no shocks, if both the vehicle and the terrain were also on a raft in high seas. The quake passed the two-minute mark. The trees, still hung with the previous autumn’s dead leaves, were making a strange rattling sound. The flagpole atop the building he and his colleagues had just vacated was whipping through an arc of forty degrees. The building itself was base-isolated, a seismic-safety technology in which the body of a structure rests on movable bearings rather than directly on its foundation. Goldfinger lurched over to take a look. The base was lurching, too, back and forth a foot at a time, digging a trench in the yard. He thought better of it, and lurched away. His watch swept past the three-minute mark and kept going.

Oh, shit, Goldfinger thought, although not in dread, at first: in amazement. For decades, seismologists had believed that Japan could not experience an earthquake stronger than magnitude 8.4. In 2005, however, at a conference in Hokudan, a Japanese geologist named Yasutaka Ikeda had argued that the nation should expect a magnitude 9.0 in the near future—with catastrophic consequences, because Japan’s famous earthquake-and-tsunami preparedness, including the height of its sea walls, was based on incorrect science. The presentation was met with polite applause and thereafter largely ignored. Now, Goldfinger realized as the shaking hit the four-minute mark, the planet was proving the Japanese Cassandra right.

For a moment, that was pretty cool: a real-time revolution in earthquake science. Almost immediately, though, it became extremely uncool, because Goldfinger and every other seismologist standing outside in Kashiwa knew what was coming. One of them pulled out a cell phone and started streaming videos from the Japanese broadcasting station NHK, shot by helicopters that had flown out to sea soon after the shaking started. Thirty minutes after Goldfinger first stepped outside, he watched the tsunami roll in, in real time, on a two-inch screen.

In the end, the magnitude-9.0 Tohoku earthquake and subsequent tsunami killed more than eighteen thousand people, devastated northeast Japan, triggered the meltdown at the Fukushima power plant, and cost an estimated two hundred and twenty billion dollars….

(7) DON’T DO THIS, DO THAT. Editor Demi Michelle Schwartz decided this was a good day to share the writing problems she runs into most often. Thread starts here. Excerpted below are the first two out of five. The second one became a subject of dispute.

(8) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

Born, sort of, June 9, 1934 — Donald Duck, 90. Before I get to the history of Donald Duck, let me tell you why I chose this date. 

The first ever reference to the character by name was in The Adventures of Mickey Mouse, published by David McKay Company, Philadelphia in 1931 — although the actual character wasn’t shown. On the first text page, it says, “Mickey has many friends in the old barn and the barnyard, besides Minnie Mouse. They are Henry Horse and Carolyn Cow and Patricia Pig and Donald Duck…” Not characteristic at all of what is to come, just animals in a barnyard. 

The following year, a duck with the same name made another printed appearance in Mickey Mouse Annual #3, a 128-page British hardback. This book included the poem “Mickey’s ‘Hoozoo’: Witswitch, and Wotswot”, which listed some of Mickey’s barnyard animal friends: “Donald Duck and Clara Hen, Robert Rooster, Jenny Wren…” Again, nothing to do with the Disney character.

So when do we get that character? That was really when he was made the star of the Silly Symphony strips in 1937 and his nephews Huey, Dewey, and Louie, who debuted who debuted later that year. The team who did the strip made a city sophisticate instead of, as they called him, a country bumpkin. (Never saw him as the latter.) 

“The Wise Little Hen”, officially released on June 9, 1934 was his first animated appearance. It was directed by Wilfred Jackson and of course produced by Walt Disney from a script by Otto Englander.  It is based on the fairy tale The Little Red Hen. I have not looked for videos of it on YouTube or Vimeo as the film’s copyright was renewed in 1961, so it will not enter the public domain until January 1, 2030. 

What does he look like there? Pretty much like he does today as you can see for yourself. He really hasn’t changed that much since introduced physically, just his character become more of the smart ass that I think he is. 

He would star in his own series that started in 1937 and ran for 24 years with “Donald’s Ostrich”, although two previous shorts, “Don Donald” and “Modern Inventions”, both from 1937, were later  included in this series, with “The Litterbug” being the conclusion to this series. 

Though he appeared in “The Wise Little Hen” short, the Walt Disney company officially lists the Don Donald short which was released in 1937 as his official release. No idea why. It off is still under copyright  as are allthe myriad shorts he did until Disney stopped producing his shorts in 1961. 

The one I now want to see is the second one which was released on May 29, 1937  titled “Museum of Modern Marvels” as it’s full of SF wonders including Robot Butler. 

I think I’ve prattled on long enough tonight. I do like the character a lot. I’m not a Disney fan first, being a Warner Brothers fan deep in the bone but I appreciate them. 

Editor’s Note: And courtesy of John Scalzi at Whatever we learned a new Donald Duck short dropped today: “D.I.Y. Duck”.

(9) COMICS SECTION.

(10) THAT OTHER DUCK. “Darkwing Duck Returns: Dynamite Entertainment to Reprint Every Comic Book Story” reports IGN.

Dynamite Entertainment has become the source for Disney fans who yearn for the return of some of their ’90s favorites. Gargoyles has found new life at the publisher, and now Darkwing Duck is making his comeback.

Today Dynamite announced that they’ll be launching a new Darkwing Duck comic book series with the involvement of original animated series creator/writer Tad Stones. But before that book gets off the ground, Dynamite will be rereleasing every previous Darkwing Duck comic in a trio of graphic novel compendiums…

…Dynamite is turning to Kickstarter to crowdfund the Darkwing Duck reprints. The first volume will collect the entirety of writer Amanda Deibert and artist Carlo Cid Lauro’s 2023 series. The second volume will collect Lauro and writer Roger Langridge’s miniseries Justice Ducks and writer Jeff Parker and artist Ciro Cangialosi’s miniseries Negaduck. The third volume will collect all of the pre-Dynamite Darkwing Duck comics, including stories originally published in Disney Adventures magazine.

The Darkwing Duck Kickstarter campaign is live now….

(11) FAKE NEWS. [Item by SF Concatenation’s Jonathan Cowie.] Well this is firmly genre adjacent as fake news is fiction and it is spread by technology.

No, not Big Brother, but by the people themselves.  Orwell could not have made it up. Anyway, this is the cover story of this week’s Nature.

Online misinformation is frequently highlighted as a blight that threatens to undermine the fabric of society, polarize opinions and even destabilize elections. In this week’s issue, a collection of articles probe the scourge of misinformation and try to assess the real risks. In one research paper, David Lazer and colleagues examine the effects of Twitter deplatforming 70,000 traffickers of misinformation in the wake of violent scenes at the US Capitol in January 2021. In a second paper, Wajeeha Ahmad and co-workers explore the relationship between advertising revenue and misinformation. A Comment article by Ullrich Ecker and colleagues discusses the risks posed by misinformation to democracy and elections, and an accompanying Comment article by Kiran Garimella and Simon Chauchard assesses the prevalence of AI-generated misinformation in India. Finally, David Rothschild and colleagues put the harms of misinformation into perspective, highlighting common misperceptions that exaggerate its threat and suggesting steps to improve evaluation of both the effects of misinformation and the efforts made to combat it.

(12) FUTURAMA PREVIEW. Comicbook.com is there when “Futurama Season 12 First Look Released”.

…Futurama Season 12 will be launching with Hulu on July 29th, and has finally given fans the first look at what to expect from the next wave of episodes. Confirmed to have many more seasons now in the works, the first look at Season 12 showcases a tease of where the next season will go to further differentiate itself from what went down during Season 11…. 

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] How the generations have changed. Is it true that the new generation of fans have never heard of The Prisoner? Moid Moidelhoff at Media Death Cult has a feeling that many have not as he takes a 24-minute dive into this remarkable show (one of my personal favorites). This is shot on location in Portmeirion where the series was set…. “The Most Influential Show You’ve (Probably) Never Seen”.

[Thanks to Teddy Harvia, Kathy Sullivan, Mike Kennedy, Danny Sichel, Jeffrey Smith, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 6/3/24 Rikki Don’t Lose That Pixel, You Don’t Want To Scroll Nobody Else

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(1) THE NO BODY PROBLEM. The other day File 770 linked to a report with the good news that Netflix confirmed 3 Body Problem will have a second and third season. Today, Giant Freakin’ Robot took the same story and turned it into a reason for panic: “Huge Netflix Sci-Fi Hit Gets Canceled After Season 3”. Got to get those clicks somehow!

Netflix has long had a reputation for canceling great shows right as they become mainstream hits, and it looks like that won’t be changing anytime soon. The streamer recently revealed that 3 Body Problem will be canceled after season 3.

That means that fans still have two more seasons to look forward to, but it’s not entirely clear how much of the original novels will ultimately be adapted by the show.

At first glance, the news that Netflix has canceled 3 Body Problem after season 3 comes as something of a shock.

After all, the first season was a genuine hit: it currently has a 79 percent critical rating on Rotten Tomatoes and a 78 percent audience score….

(2) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Grady Hendrix & Bracken MacLeod on Wednesday, June 12, 2024. The event begins 7:00 p.m. Eastern at the KGB Bar (85 East 4th Street, New York, NY 10003; Just off 2nd Ave, upstairs.)

Grady Hendrix

Grady Hendrix is the New York Times-bestselling author of How To Sell a Haunted House, The Final Girl Support Group, My Best Friend’s Exorcism, and many more. His history of the horror paperback boom of the ’70s and ’80s, Paperbacks from Hell, won the Stoker Award for Outstanding Achievement in Nonfiction. His books have been translated into 23 languages and sold over a million copies, which means he is guaranteed a seat on the space ark when the earth becomes uninhabitable. You can learn more useless facts about him at www.gradyhendrix.com.

Bracken MacLeod

Bracken MacLeod is a Bram Stoker, Shirley Jackson, and two-time Splatterpunk Award finalist and the author of several books including Closing Costs and 13 Views of the Suicide Woods, which the New York Times Book Review called, “Superb,” though he imagines the reviewer pronouncing that, “supOIB.” Before devoting himself to full-time writing, he’s survived car crashes, a near drowning, being shot at, a parachute malfunction, and the bar exam. So far, the only incident that has resulted in persistent nightmares is the bar exam. So, please don’t mention it.

(3) PHILLY SUMMER AUTHOR EVENTS SCRATCHED. Michael Swanwick alerted Facebook fans that the summer Author Events at the Free Library of Philadelphia have been cancelled. Apparently, the entire staff quit this morning. Here’s the announcement in its totality:

Dear Friends,

The entire lineup of scheduled Author Events is cancelled. The Author Events team is no longer with the Free Library Foundation.

With sincere thanks for your support over these many years of our program, “the big, beating heart of literature in Philadelphia,” (Philadelphia Inquirer),

Andy Kahan, Laura Kovacs, Jason Freeman, and Nell Mittelstead

Reasons for their quitting have yet to be reported.

UPDATE: The Philadelpha Free Library has followed up the earlier email with another saying that despite the resignations no Author Events have been cancelled. See the complete text of that email in Todd Dashoff’s comment below.

Here is the later message:

(4) MARK YOUR CALENDAR – AND MAP. Lev Grossman will be taking to the skies on “The Bright Sword Tour”. The full schedule is at the link. The journey starts in Brooklyn and ends at the San Diego Comic-Con

The Bright Sword is coming out on July 16th. I’m going on tour to promote it.

Not in any virtual or zoomy sense, I am actually going to transport my physical corporeal cells all around the USA. And to bits of the UK as well. Any other anglophone nations want a piece of this—Canada, Australia, New Zealand—you just let me know.

I’m really, really looking forward to it. It’s an incredible privilege to be able to travel around and talk to people about books.

There are definitely aspects of it that make me nervous. Like most writers I am a poorly distributed mix of intro- and extro-vert and I’m never quite sure which of these aspects is going to be outward-facing at any given moment.

But mostly I’m just unbelievably excited. My extrovert-face actually loves talking to crowds, especially about books and King Arthur and The Bright Sword, which I have been working on for ten years, and my family got sick of me talking about it about one year into that process, so you can imagine how much stuff I’ve got pent up. I love new places, and food, I don’t mind planes, and I actively, immoderately adore hotels of all kinds….

(5) SECOND FIFTH. “55 Years Ago, Star Trek Delivered Its Worst Finale — And Accidentally Saved the Fandom” claims Inverse’s Ryan Britt. It was the last aired episode of Star Trek: The Original Series. One of Kirk’s revenge-seeking ex-girlfriends engineers a way to swap bodies with him.

…The episode also accidentally fueled an emergent fan phenomenon: slash fiction. As fanfic readers know, the concept of slash fiction, in which fans pair one character with another, derives its name from Kirk/Spock fanfic, which imagined the famous duo as lovers. In “Turnabout Intruder,” after Spock mind-melds with Janet Lester and realizes Kirk is in her body, he holds their hand, treating Kirk like his girlfriend. It’s not subtle. Supposedly, even the actors were aware the story’s gender-role-switching elements prompted all kinds of questions about Kirk and Spock’s true feelings. In a famous outtake, William Shatner jokingly reworked his line to say, “Spock, it’s always been you, you know it’s always been you. Say you love me too.”

We know this because super-fan Joan Winston got herself onto the “Turnabout Intruder” set. In the fan-made essay collection Star Trek Lives! Winston recounted the experience in great detail, including the anecdote about Shatner jokingly professing his love to Spock. By 1972, Joan Winston would become one of the key organizers of the world’s first Star Trek conventions.

In 1970, only 300 people attended the first San Diego Comic-Con. In 1972, Winston brought 3,000 people to the first Star Trek convention. By 1974, Winston’s fourth Star Trek Lives! convention attracted at least 15,000 attendees. Star Trek conventions helped create large-scale genre-themed conventions in general, which is partially why today’s geek landscape even exists. Small fantasy and sci-fi conventions existed before Star Trek, but Trek made the idea of having a big convention possible, and Joan Winston was one of the movement’s key pioneers….

(6) SOUND INVESTMENT. “U.S. Audiobook Sales Hit $2 Billion in 2024” reports Publishers Weekly.

The audiobook market in the United States continues steadily growing, with revenue increasing by 9%, to $2 billion, in 2023, according to the Audio Publishers Association, which published data from its annual sales survey today. The sales survey, conducted by Toluna Harris Interactive, incorporates data from 27 publishers, including Audible, Hachette Audio, HarperCollins, Macmillan, Penguin Random House, and Simon & Schuster, among others.

In addition, the APA has released highlights from its 2024 consumer survey, carried out by Edison Research, which showed that 52% of U.S. adults, or nearly 149 million Americans, have listened to an audiobook. The survey also found that 38% of American adults listened to an audiobook in the last year, up from 35% reported in 2023….

(7) STOKERCON 2025. The StokerCon 2025 Guests of Honor are:

  • Paula Guran
  • Graham Masterson
  • Gaby Triana
  • Tim Waggoner

(8) SMALL WONDER KICKSTARTER FUNDS.

(9) TODAY’S BIRTHDAY.

[Compiled by Cat Eldridge.]

June 3, 1964 — James Purefoy, 60. James Purefoy has an interesting genre history though I’m going to start with his role in Hap and Leonard based off that series created by Joe R. Lansdale. There he was Hap Collins who was imprisoned for refusing to be drafted during the Vietnam War.  He and Leonard Pine are rather eccentric private investigators for Hap’s girlfriend Brett Sawyer. 

Remember A Knight’s Tale, a film that the Suck Fairy tells me that they don’t even have in their database. He played the dual role of Edward, the Black Prince of Wales and Sir Thomas Colville. It currently not surprisingly has a Rotten Tomatoes rating of eighty percent. It’s one of my favorite films. 

James Purefoy at San Diego Comic-Con in 2012.

Next on his genre work is Solomon Kane where he played that character. Based on the Robert E. Howard character, he made a stellar Kane. It currently has a Rotten Tomatoes rating of seventy-one percent. 

He was Kantos Kan, the Odwar, the commanding officer, of the ship Xavarian in the John Carter film. It currently has a much better rating than I was expecting at Rotten Tomatoes rating — sixty percent. Huh.

He is cast in a main role as Captain Gulliver “Gully” Troy / Captain Blighty in the second and third seasons of the Pennyworth series, the prequel to the Gotham series. I like it a lot better than the latter series. 

He’s Philippe de Clermont  in A Discovery of Witches series based off on Deborah Harkness’ All Souls Trilogy, and it’s named after the first book in the trilogy.  I read and really loved these novels. 

Almost on my list is his performance as Laurens Bancroft in the Altered Carbon series. Yes I read the Richard Morgan trilogy. I thought it was excellently well written story with great characters and a fascinating story. He’s a ruthless billionaire who cares for nothing but what he wants. 

What is finally on my list is something I never knew had been done. BBC Radio 4 as part of their Dangerous Visions series broadcast a two-part adaptation of Do Androids Dream of Electric Sheep? Off the Philip K. Dick work. It stars James Purefoy as Rick Deckard and Jessica Raine as Rachael Rosen.  No other cast is credited, a bit odd I think. 

(10) COMICS SECTION.

(11) MUSEUM STARTED WITH SALVAGED SETS CAN’T OPEN ITS DOORS. Santa Monica’s SciFi World isn’t open despite a “gala opening” on Memorial Day – the LA Times says in its story “A child porn conviction and angry ‘Star Trek’ fans: Inside the drama around a new sci-fi museum” that “The museum’s public opening is delayed indefinitely due to permitting issues with the city”. The full article is behind a paywall.

Sci-Fi World, a new “museum” that promises fans real and replica props, costumes and sets from popular films and TV shows, hosted its opening “gala” on Memorial Day in the historic former Sears building just a couple of blocks from the Santa Monica Pier.

More than a decade in the making, the museum has drawn the interest of “Star Trek” fans worldwide thanks to its genesis story: Superfan Huston Huddleston said he salvaged a replica of the bridge from “Star Trek: The Next Generation” from a discard pile outside of a Long Beach warehouse in 2011. Huddleston, known for his fanatical devotion to science fiction and horror, launched Kickstarter campaigns to restore the prop and open a museum to house it, raising nearly $163,000 in less than two years.

But now Huddleston, 54, has emerged as the nexus of questions swirling around the museum, which, despite the recent gala, did not actually open as scheduled. Some of those same sci-fi fans who were enthralled by the museum’s origin story have since learned that in 2018, Huddleston was convicted of misdemeanor possession of child pornography. He was required to serve 126 days in jail and three years of summary probation, complete 52 weeks of sex offender counseling and pay fines.

In an interview with The Times, Huddleston said he knew that any association with the museum after his conviction would be toxic for an organization that hopes to attract young fans, so he gave up control of the nonprofit and its collection of film and TV ephemera to the museum’s chief executive.

But several Sci-Fi World volunteers past and present told The Times that Huddleston remains active — if not central — in museum operations and preparations for opening. Lee Grimwade, one of the museum’s lead volunteers who quit a day before the gala, said Huddleston is “definitely 100% involved.”…

(12) AI AND SHOW BIZ. “State of Generative AI in Hollywood” — Variety has a roundup. The complete report is behind a paywall.

… It further examines the advancement and potential of video generation models that have gripped the industry, including OpenAI’s Sora and Google DeepMind’s Veo, which were announced in the first half of 2024.

Yet to understand how the tech is actively being used today also requires an understanding of its limitations and challenges. VIP+ digs into the specific factors holding back gen AI implementation as tools used to make the highest production-value content. Ethical use is now central and critical to gen AI decision making for media and entertainment companies, and it is the final focus area of this report.

Research for this special report partly draws from 28 independent interviews conducted on background from February to May 2024 with leaders at generative AI tech and service providers, those in VFX and content localization networks, film and TV concept and storyboard artists, independent filmmakers experimenting with generative AI, ethical technologists and lawyers specializing in entertainment and cybersecurity….

(13) VOICE ACTOR Q&A. “Star Wars Bad Batch: Dee Bradley Baker on Voices, Clones, Show Ending” at The Hollywood Reporter.

If The Bad Batch were a live-action series, it’d most certainly be considered an ensemble show. But given that one actor voiced 22 (!) characters in the final season of the animated series, that term might not quite fit in this case. It’s a point that the voice actor himself, Dee Bradley Baker, humbly acknowledges.

“The Bad Batch is a very different creative ask of an actor, to bring all of these full-fledged, full-bodied characters together in a scene as an ensemble, not as disconnected or one-offs,” says Baker. “This is an ensemble story in the same way that The Clone Wars was originally an ensemble story. It’s just in this particular ensemble, I’m most of the ensemble,” he adds, laughing.

The Disney+ series, which ended its three-season run on May 1, follows Clone Force 99, a special forces squad comprising clone solders who were enhanced with special abilities, in the aftermath of Order 66 (whereby Emperor Palpatine ordered the clones to kill all Jedi). The group is led by stellar tracker Hunter and includes the abnormally strong Wrecker, brilliant Tech and uber marksman Crosshair. The quintet is rounded out with Echo, a regular clone who, after cybernetic modifications, joined up with the Bad Batch. All five of those characters are voiced by Baker, who is an Emmy contender this awards season for his role as Crosshair….

Speaking of fans, what is the voice you get asked to do most often?

[In Wrecker’s voice] They want to hear Wrecker all the time. I always say Wrecker wrecks my voice, but I’ll talk like Wrecker anyway. [Switching to Crosshair’s voice] Also, Crosshair because he meant a lot to many of the fans. He was probably the most interesting character of all of the Bad Batch [switching back to his real voice] because Crosshair really had the arc, the transformational redemption arc, that was his story, and what started out to seem to be sort of an adversarial counter-character ends up being the character that you’re rooting for. And that is finally redeemed with that hug that he gets from Omega. It’s a really beautiful story, it’s an inspiring story, and people are really locked into that. But it’s a lot of fun [in Hunter’s voice] just to switch from character to character [in Tech’s voice] because each one is very different from the other [back to his real voice], and they’re all just different people, and they’re here within me.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve “Steely” Green.]

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

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(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces. 

Norton Juster

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book. 

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book)  I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery. 

And then there was Milo.  I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth.  I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness  when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book.  And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful! 

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made. 

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line.  I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth.  Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey.  And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge). 

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser).  And Lester Del Rey, for “Helen O’Loy”.  I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.  

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”.  I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard.  “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best.  Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger.  Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read:  Heart of a Small Boy. 
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film. 

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

2023 Bram Stoker Awards

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The 2023 Bram Stoker Award winners were announced on June 1 during the Annual Bram Stoker Awards Banquet at StokerCon™ 2024 in San Diego.

THE 2023 BRAM STOKER AWARDS®

Superior Achievement in an Anthology

  • Peele, Jordan, and Adams, John Joseph – Out There Screaming (Random House)

Superior Achievement in a Fiction Collection

  • Files, Gemma – Blood from the Air (Grimscribe Press)

Superior Achievement in a First Novel

  • Carmen, Christa – The Daughters of Block Island (Thomas & Mercer)

Superior Achievement in a Graphic Novel

  • Chu, Amy (author) and Lee, Soo (artist) – Carmilla: The First Vampire (Dark Horse)  

Superior Achievement in Long Fiction

  • Jiang, Ai – Linghun (Dark Matter INK)

Superior Achievement in Long Nonfiction

  • Hartmann, Sadie – 101 Horror Books to Read Before You’re Murdered (Page Street Publishing)

Superior Achievement in a Middle Grade Novel

  • Senf, Lora – The Nighthouse Keeper (Atheneum Books for Young Readers)

Superior Achievement in a Novel

  • Due, Tananarive – The Reformatory (Gallery/Saga Press/Titan)

Superior Achievement in Poetry

  • Wytovich, Stephanie M. – On the Subject of Blackberries (Raw Dog Screaming Press)

Superior Achievement in a Screenplay

  • Yamazaki, Takashi – Godzilla Minus One (Robot Communications, Toho Studios)

Superior Achievement in Short Fiction

  • O’Quinn, Cindy – “Quondam” (The Nightmare Never Ends, Exploding Head Fiction)

Superior Achievement in Short Non-Fiction

  • Bulkin, Nadia – “Becoming Ungovernable: Latah, Amok, and Disorder in Indonesia,” (Unquiet Spirits: Essays by Asian Women in Horror, Black Spot Books)

Superior Achievement in a Young Adult Novel

  • Tran, Trang Thanh – She Is a Haunting (Bloomsbury YA)

OTHER AWARDS PRESENTED

SPECIALTY PRESS AWARD

  • Thunderstorm Books

THE RICHARD LAYMON PRESIDENT’S AWARD

  • Brian W. Matthews

THE KAREN LANSDALE SILVER HAMMER AWARD

  • Lila Denning

MENTOR OF THE YEAR AWARD

  • Lisa Wood

LIFETIME ACHIEVEMENT AWARDS

  • Mort Castle
  • Cassandra Peterson.
  • Steve Rasnic Tem

Pixel Scroll 4/20/24 Was Cheops A Very Large Cat? Only The Builders Know

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(1) UKRANIAN WOMEN IN SF. Michael Burianyk’s English-language roundtable interview with Ukrainian Science Fiction and Fantasy writers Daria Piskozub, Svitlana Taratorina, Iryna Hrabovska, Natalia Matolinets and Nataliya Dovhopol has just been published in the British Science Fiction Association blog, Vector: “Ukrainian Women in SF: A Roundtable Conversation”. The wide-ranging discussion, on Ukrainian Science Fiction and Fantasy, literature and culture, language and translation, women’s writing, is insightful and often touching and even harrowing at times.

…There is a strong trend of more Ukrainian SFF being published. Why did you think this was happening?

Nataliya It’s mainly about escapism. After spending the night in a bomb shelter and doom scrolling all day, one needs something less traumatic. Yet, SFF can also help to cope with feelings, to project one’s own experiences on those in the stories. Then the ban on book imports from Russia and a growing interest in Ukrainian culture has created more of a demand for domestic literature….

(2) HORROR UNIVERSITY OPEN FOR ENROLLMENT. StokerCon has announced the 2024 Horror University Online workshop schedule. From May 30 to June 1, they will present nine live, in-person workshops at StokerCon 2024 in San Diego, CA. See items at the link.

HORROR UNIVERSITY is designed for horror writers interested in refining their writing, learning new skills and techniques, exploring new writing formats, or better understanding the genre. These workshops are taught by some of the most experienced voices in horror. Full descriptions and registration information for our STOKERCON 2024 Workshop Schedule is available in the Horror University School on Teachable: https://horror-university.teachable.com/courses/category/stokercon-2024.

REGISTRATION IS OPEN NOW!

Registration for each workshop is $65 for non-HWA-members. HWA members receive a 15% discount on individual courses or a 20% discount on registration for five or more courses. Log into the Members Only area of www.horror.org and check the discounts page for codes. General registration for StokerCon does not include Horror University programming; additional registration is required so that the Con is able to compensate each instructor for their workshop and support the cost of the program.

(3) FIVE FOR YOUR MT TBR. Lisa Tuttle’s roundup of “The best recent science fiction, fantasy and horror” for the Guardian reviews Calypso by Oliver K. Langmead; Someone You Can Build a Nest In by John Wiswell; The Familiar by Leigh Bardugo; The Underhistory by Kaaron Warren; and The Universe Delivers the Enemy You Need by Adam Marek.

(4) GAY FURRY HACKERS. Them reports“Gay Furry Hacker Group SiegedSec Breached Far-Right Media Outlet Real America’s Voice”.

The gay furry hacker group SiegedSec has done it once again, this time claiming responsibility for leaking the data from a far-right media outlet.

In a Monday post to its Telegram channel, the group announced that it had hacked the app for Real America’s Voice, a right-wing media outlet founded in 2020 that regularly features far-right activists like Steve Bannon and Charlie Kirk. The outlet also frequently platforms conspiracy theories and transphobic rhetoric.

As part of SiegedSec’s ongoing hacktivism campaign OpTransRights, the group said they released the personal information of over 1,200 users on the app, including their full names, phone numbers, and email addresses. The group also said they “went poof on their files,” wiping user data from the app’s API and its cloud storage.

“[T]hroughout our attacks on transphobic entities, we have received concerns that our attacks will be used to label the LGBTQ+ community as ‘terrorists’ and ‘criminals,’” the group wrote in a Telegram message. “[T]he thing is, these types of people will blame the LGBTQ+ community regardless of what we do. they will look for a reason to hate, they won’t listen to reason, they want to spread lies to shun people different than them.”…

(5) COPYRIGHT’S WOBBLY LEGAL LINE. “Author granted copyright over book with AI-generated text—with a twist” reports Ars Technica.

…The novel draws from Shupe’s eventful life, including her advocacy for more inclusive gender recognition. Its registration provides a glimpse of how the [Copyright Office] is grappling with artificial intelligence, especially as more people incorporate AI tools into creative work. It is among the first creative works to receive a copyright for the arrangement [emphasis added] of AI-generated text.

“We’re seeing the Copyright Office struggling with where to draw the line,” intellectual property lawyer Erica Van Loon, a partner at Nixon Peabody, says. Shupe’s case highlights some of the nuances of that struggle—because the approval of her registration comes with a significant caveat.

The USCO’s notice granting Shupe copyright registration of her book does not recognize her as author of the whole text [emphasis added] as is conventional for written works. Instead she is considered the author of the “selection, coordination, and arrangement of text generated by artificial intelligence.” This means no one can copy the book without permission, but the actual sentences and paragraphs themselves are not copyrighted and could theoretically be rearranged and republished as a different book. [emphasis added]

(6) GLASGOW 2024 NEWS. The Glasgow 2024 Worldcon “In Memoriam” list is being constantly updated by Steven H Silver. They ask of you know of someone you believe should be included, please let us know.

(7) DUNE MUSICAL AT WORLDCON. Glasgow 2024 also invites members to “Prepare for a unique twist on Frank Herbert’s masterpiece with Dune! The Musical. Solo artist Dan Collins will take you on a whimsical one-hour journey across Arrakis with humour and song.” There will be a performance at the Worldcon.

A memoir in song by the Earl of Caladan, trusted adviser to the Padisha Emperor and beloved troubadour-warrior, the bard Gurney Halleck.

Following the success of his work on “A Child’s History of Muad’Dib” Gurney will perform hits from his back catalogue and introduce never-before-heard songs from his time among the Fremen.

Sing along with little Paul Atreides on his journey to Sietch Tabr; can he tame the worm, save the world and get the girl?

Forget everything you know about Arrakis and get ready for Dune! The Musical…

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

Born April 20, 1939 — Peter S. Beagle, 85. [By Paul Weimer.] It’s Rankin and Bass’ fault that I got into the work of Peter S. Beagle.  As a voracious young reader, I saw The Last Unicorn in the library and somehow, even given my small “c” catholic tastes in SFF, saw that it was somehow not going to be for me. So I didn’t pick it up. I passed it by.

Fast forward to the mid-1980’s. NYC’s Channel 11, an independent TV station, aka “New York’s movie station”, introduced me to a gigantic swelter of movies.  

One of them, by accident, was the 1982 animated version of The Last Unicorn. I remember not remembering at the time or realizing at the time that it was based on the Beagle novel, but after I was transported and transformed by the adaptation, I went and sought out the original novel.  As fine and charming as the movie is, the novel truly gave me a sense of the power and lyric nature of Beagle’s work.

I was hooked.

Peter S. Beagle

I came across my favorite Beagle, The Innkeeper’s Song, in the mid 90’s. I was in a strong fantasy vein at the time and was interested in a variety of narrative forms. The Innkeeper’s Song, with its multiple first-person narration, was a revelation in escaping the usual multiple third-person points of view that were the norm at the time. Even today, Innkeeper’s Song feels fresh and unique in its approach to narrative, point of view, and literary interest. Even before Gene Wolfe, I think Beagle’s fantasy was my first real immersion into what one might call literary fantasy.

But even more than literary talent or line by line skill, what Beagle’s work does to me, from the Last Unicorn to today, is make me feel. I think his shorter fiction is where the distillation of his skill, craft, mood and the ability to evoke emotion is at its best in the short form.  “Two Hearts”, a sequel to The Last Unicorn, is a particular favorite, because Griffins. His TNG written episode “Sarek” is one of the most moving pieces of Star Trek to this day. And yes, to this day, The Last Unicorn, the movie, brings tears to my eyes.

(9) COMICS SECTION.

(10) CLOSING WORDS. GiantFreakinRobot discusses “The Last Essay Ray Bradbury Wrote Before He Died”.

…At points, he describes how his librarian would get upset with him because he’d check out so many books when she didn’t think he’d read them all. But he did, he read every word he could get his hands on. As Bradbury explains, books “are the building blocks, the DNA, if you will, of you.”

Reading fed Ray Bradbury’s appetite for knowledge and his curiosity, which led to his understanding of writing and imagination. He expressed his love for books throughout his work, including, famously, in his 1953 novel Fahrenheit 451, which describes a future world where books and reading is against the law.

Having his last essay be about the art of reading in general is more than a little fitting for Ray Bradbury. It acts as something of a career summation, an explanation for why literature and the act of reading are just so very important for us as humans. There really is no better sendoff for the writer, an inspiration for all us.

(11) BLUEY. Chris Barkley assures me sff fans will want to know this news: “’Bluey’ Drops Surprise New Episode on Disney” at The Hollywood Reporter. I’m guessing Chris knows this show exists because he has kids in his life. When my daughter was young I knew about Blue’s Clues and Mister Rogers Neighborhood in detail. Now kids’ TV is an undiscovered country for me.

… The new episode comes a week after “The Sign,” a special, 28-minute installment of the beloved kids’ show debuted (most Bluey episodes run under 10 minutes). The special drew waves of critical praise for its emotional storyline centering on the Heeler family possibly selling their home and moving to another city where dad Bandit would take a new job, as well as a wedding between the Heelers’ Uncle Rad and Frisky.

Coupled with the preceding episode, “Ghostbasket,” the special spawned widespread speculation that Bluey was ending. While the long-term future of the show, originally commissioned by Australia’s ABC and the BBC in the U.K. hasn’t been decided — “the BBC has asked for me never to talk about the kids’ voices or the future of Bluey,” creator Joe Brumm told The Hollywood Reporter in 2023 — “Surprise” ensures that “The Sign” isn’t the last episode of the series.

Bluey has been a breakout hit for Disney+ in the United States. It’s the most streamed show in the country this year in terms of total viewing time, according to Nielsen’s streaming ratings, after ranking second in 2023 and sixth in 2022….

(12) LESSONS FROM THE UKRAINE. The New York Times asks “Do Tanks Have a Place in 21st-Century Warfare?”

… Despite their power, tanks are not impenetrable, and they are most vulnerable where their heavy plated armor is the thinnest: on the top, the rear engine block and the space between the hull and the turret. For years they were mainly targeted with land mines, improvised explosive devices, rocket-propelled grenades and anti-tank guided missiles, like “shoot and scoot” shoulder-fired systems. These were widely used early in the Ukraine war because they could strike tanks from above and hit them up to 90 percent of the time.

The drones that are now being used against tanks in Ukraine are even more accurate. Known as first-person view drones, or FPVs, they are equipped with a camera that streams real-time images back to their controller, who can direct them to hit tanks in their most vulnerable spots. In several cases, the FPVs have been sent in to “finish off” tanks that had already been damaged by mines or anti-tank missiles so that they could not be retrieved from the battlefield and repaired, Colonel Reisner said.

Depending on their size and technological sophistication, the drones can cost as little as $500 — a paltry investment for taking out a $10 million Abrams tank. And some of them can carry munitions to boost the impact of their blast, said Colonel Reisner. These could be rocket-propelled grenades, he said, or self-forging warheads known as explosively formed penetrators, or EFPs, that were widely used in roadside bombs during the war in Iraq. Colonel Reisner has collected videos of tanks in Ukraine being chased down by the drones or drones flying into their open turrets.

“Welcome to the 21st century — it’s unbelievable, actually,” said Colonel Reisner, a historian and former armor reconnaissance officer who oversees Austrian forces’ training at the Theresian Military Academy….

(13) MILITARY AI. “’Machines set loose to slaughter’: the dangerous rise of military AI” – a 2020 article from the Guardian.

The video is stark. Two menacing men stand next to a white van in a field, holding remote controls. They open the van’s back doors, and the whining sound of quadcopter drones crescendos. They flip a switch, and the drones swarm out like bats from a cave. In a few seconds, we cut to a college classroom. The killer robots flood in through windows and vents. The students scream in terror, trapped inside, as the drones attack with deadly force. The lesson that the film, Slaughterbots, is trying to impart is clear: tiny killer robots are either here or a small technological advance away. Terrorists could easily deploy them. And existing defences are weak or nonexistent.

Some military experts argued that Slaughterbots – which was made by the Future of Life Institute, an organisation researching existential threats to humanity – sensationalised a serious problem, stoking fear where calm reflection was required. But when it comes to the future of war, the line between science fiction and industrial fact is often blurry. The US air force has predicted a future in which “Swat teams will send mechanical insects equipped with video cameras to creep inside a building during a hostage standoff”. One “microsystems collaborative” has already released Octoroach, an “extremely small robot with a camera and radio transmitter that can cover up to 100 metres on the ground”. It is only one of many “biomimetic”, or nature-imitating, weapons that are on the horizon…

(14) NO SIRENS ON TITAN. “Dragonfly: NASA Just Confirmed The Most Exciting Space Mission Of Your Lifetime” enthuses Forbes.

NASA has confirmed that its exciting Dragonfly mission, which will fly a drone-like craft around Saturn’s largest moon, Titan, will cost $3.35 billion and launch in July 2028.

Titan is the only other world in the solar system other than Earth that has weather and liquid on its surface. It has an atmosphere, rain, lakes, oceans, shorelines, valleys, mountain ridges, mesas and dunes—and possibly the building blocks of life itself. It’s been described as both a utopia and as deranged because of its weird chemistry.

Set to reach Titan in 2034, the Dragonfly mission will last for two years once its lander arrives on the surface…

(15) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Nearly 200,000 views and not even out for two days…. Matt O’Dowd over at PBS Space Time wonders “Why Is The World Rushing Back To The Moon?”

The Moon has been one of the most important theoretical stepping stones to our understanding of the universe. We’ve long understood that it could also be our literal stepping stone: humanity’s first destination beyond our atmosphere.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Michael Burianyk, Francis Hamit, SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]