Pixel Scroll 5/19/17 And He Beheld White Scrolls And Beyond Them A Far Green Pixel Under A Swift Sunrise

(1) BUSINESS MEETING. Worldcon 75 has posted the Business Meeting Agenda [PDF file] on the WSFS Business Meeting page. It’s 18 pages — and it may not be done growing yet.

(2) DELANY. The New Republic devotes an article to “Samuel R. Delany’s Life of Contradictions”.

The first volume, In Search of Silence, begins in 1957, when the author was just fifteen, a student at the academically exclusive (and very white) Bronx High School of Science. It ends in 1969, when he was already a successful novelist, about to leave for San Francisco to spend arduous years crafting the novel Dhalgren, his masterpiece. Traversing Delany’s youth, we see a precocious mind grappling with his own talent. Remarkably absent are extended reflections on the difficult circumstances of his outer life: At the time, Delany was navigating through the racism and homophobia of his era, and struggling with poverty, an early marriage, and his own disability. In light of this, the diaries’ portrayal of his serenely intellectual inner life is startling.

(3) COMING TO GRIPS. “On convention hugging” by Sigrid Ellis is a rational model for solving a social dilemma.

It’s SF/F convention season again, and once more we are all presented with the conundrum —

Do I hug this person hello and goodbye, or not?

Social hugging! It’s a thing! Yet, it is MOST DEFINITELY NOT A THING for a lot of people.

Here is how I, personally, navigate these situations. While this may not work perfectly for you, feel free to modify it for your own use….

(3) EMERGING INDIGENOUS VOICES. Silvia Moreno-Garcia says:

We are in touch with the Indigenous Studies Association (ILSA) and it seems this [award] will become a reality. Therefore you can find an IndieGoGo to funnel money via: https://www.indiegogo.com/projects/emerging-indigenous-voices#/. My name doesn’t appear on that page, it says Robin Parker, but I am in touch with Robin so don’t worry.

Through today, $70,485 has been pledged. Moreno-Garcia’s latest update has further information:

The Indigenous organization in question will reveal details about how the money will be handled once some logistics are determined, but they are a trustworthy group so don’t be afraid, the money will reach a good place.

There are many other place you could support: Indian and Cowboy, Red Rising Magazine. There’s the Centre for Indigenous Theatre, Native Earth Performing Arts, and last but not least Full Circle, which supports the development of Indigenous playwrights.

There are other ways to support Indigenous creators. Read, share and discuss their books. This should not be a one-time occurrence, guilt should not be the vector that guides your actions, virtue-signaling should not be your driver.

(4) APPERTAINMENT AT THE NEBULA CONFERENCE. They couldn’t slip a blatant typo like this past the pros:

(5) KAREN DAVIDSON OBIT. Karen Lynn Davidson, wife of Amazing Stories’ Steve Davidson, passed away today after a long battle with cancer. Steve said on Facebook, “Goodbye baby doll. I hope you got where you wanted to go.”

He also wanted everyone to know how much credit Karen deserved for the existence of Amazing Stories.

It is very important for me to be sure that everyone knows the following:

Behind the scenes, Karen made Amazing Stories happen.

Before we were married, Karen became well acquainted with my love for science fiction. She was not as interested (preferring Stephen King), but she happily indulged my passion…including all of my books.

When I discovered that the Amazing Stories trademarks had lapsed, Karen was the one who double checked me and confirmed that unbelievable fact.

When it came time to register new trademarks for the name, Karen was the one who agreed to spend some of our (very limited) cash reserves to fund the project.

When our investors dried up, Karen agreed to go back to work and allow me to try to bootstrap the magazine.

Whenever I was unsure what direction to take, Karen always provided valuable insight.

Whatever you may think of Amazing Stories, please know that without Karen, none of it would have happened.

This makes me wonder how many other non-fan supporters are owed a big debt by fandom and the genre for that support.

I’m taking the time now to thank Karen for this very special thing she did for me. If you know someone like her, it might be a good idea for you to do the same.

(6) TODAY IN HISTORY

  • May 19, 1928 — First Jumping Frog Jubilee in Calaveras County, California.
  • May 19, 2011 — HP Lovecraft’s The Whisperer in Darkness opens in Los Angeles.

(7) TODAY’S BIRTHDAY BOY

(8) NATAL YEAR FLIX. Thrillist invites you to check out “The Biggest Movie From the Year You Were Born”. It’s no surprise that I was considered old enough to see the “biggest” picture long before the “Best Picture” winner.

If you were born in 1953…

The BIGGEST movie was The Robe , which grossed $17.5 million in the United States.

The Best Picture winner was From Here to Eternity, which also won Oscars for Best Director (Fred Zinnemann), Best Supporting Actress (Donna Reed), Best Writing, Screenplay, Best Supporting Actor (Frank Sinatra), Best Cinematography, Black-and-White, Best Film Editing, Best Sound

But the best movie was Tokyo Story. A delicate, heart-crushing view into the lives of two grandparents reaching out to their narcissistic children for support and finding none — marked by director Ozu Yasujiro’s pristine attention to detail and framing.

(9) A HUNK OF BURNING LOVE. Add this to the list of things I’ve never heard about before: “China claims breakthrough in mining ‘flammable ice'”.

The catchy phrase describes a frozen mixture of water and gas.

“It looks like ice crystals but if you zoom in to a molecular level, you see that the methane molecules are caged in by the water molecules,” Associate Professor Praveen Linga from the Department of Chemical and Biomolecular Engineering at the National University of Singapore told the BBC.

Officially known as methane clathrates or hydrates, they are formed at very low temperatures and under high pressure. They can be found in sediments under the ocean floor as well as underneath permafrost on land.

Despite the low temperature, these hydrates are flammable. If you hold a lighter to them, the gas encapsulated in the ice will catch fire. Hence, they are also known as “fire ice” or “flammable ice”.

Chip Hitchcock suggests, “Filers may remember a sudden release of hydrated methane starting off a John Barnes(?) novel.”

(10) ICE HOUSE. Meanwhile, in the land of the midnight blog, Jon Del Arroz trolls the Worldcon.

(11) MEMORY VERSE. Carl Slaughter thought I should know this:

“I do not aim with my hand,
I aim with my eyes.

 

I do not shoot with my hand,
I shoot with my mind.

 

I do not kill with my gun,
I kill with my heart.” – The Gunslinger

 

The Dark Tower
Stephen King

(12) TRAGIC TROPE. Steven Harper Piziks tells “Why I Won’t See Alien: Covenant” — and he hopes everyone else will give it a miss, too. BEWARE SPOILERS.

I will not see this movie. I will not rent the DVD. I will not support this movie. And here’s why.

SPOILERS (you are warned)

According to various on-line sources, the sins of the same-sex relationship portrayal are the standard ones we’ve come to expect. First, although there were several initial shots to the contrary, there is little or no indication of a marriage–or any kind of relationship–between the two men throughout the film. They don’t touch. They don’t exchange endearments. There was apparently a brief moment of hugging between them in a preview, but that scene has been cut from the film, and that preview has been removed from the Internet. In other words, gay people are still invisible. No LGBT characters are actually in the spotlight. No LGBT protagonists. Just a couple of background guys who may or may not be in a relationship.

But the worst sin comes early in the second act. Hallett, one of the (so far probably) gay men, becomes infected with the alien infection, and a baby alien bursts out of his face. (Not his chest, like in the other movies, but out of his freakin’ face. He’s probably gay, so we have to up the nastiness.) While the ship’s captain leans in to murmur quiet apologies, Lope, the other probably gay guy, whispers, “I love you” and then is forced to walk away.

One more time, we have the gay tragedy….

(13) CRACKED CORNERSTONE. Critics gave the movie that launched the franchise a cool reception (for different reasons) — “‘Alien’: Why Critics in 1979 Hated It”. (I liked it a lot, myself.)

“Don’t race to [Alien] expecting the wit of Star Wars or the metaphysical pretentions of 2001: A Space Odyssey and Close Encounters of the Third Kind,” wrote Vincent Canby of The New York Times. A better comparison, he wrote, would be Howard Hawks‘ 1951 monster movie The Thing from Another World, all suspense and jump scares. Canby wasn’t the only critic to associate Alien with the kinds of horror flicks that played at 1950s drive-ins. Variety compared the film to It! The Terror from Beyond Space (1958), and The Guardian’s Derek Malcolm to The Creature from the Black Lagoon (1954). To these critics, Scott’s film was a throwback to a less sophisticated era of filmmaking. That’s why The Chicago Sun-Times’ Roger Ebert dismissed Alien as “basically just an intergalactic haunted-house thriller,” while Chicago Reader‘s Dave Kehr described the film’s conceit as “a rubber monster running amok in a spaceship.”

(14) PRIZE-WINNING ADS. Adweek reports “Graham, the Human Redesigned to Survive Car Crashes, Wins Best of Show at New York Festivals”. “Field Trip to Mars” and “Gravity Cat” also received awards.

Clemenger BBDO Melbourne has won Best of Show at New York Festivals for “Meet Graham,” the PSA campaign for Australia’s Transport Accident Commission (TAC) that involved the model creation of a human designed to withstand car-crash forces.

Automobiles have evolved much faster than humans. Graham was created by artist Patricia Piccinini, with help from a trauma surgeon and an accident research engineer, after she was commissioned to study the effects of road trauma on the human body. As the only “human” developed to withstand trauma on our roads, Graham is meant to make people stop and think about their own vulnerability, Clemenger says.

Two other campaigns received two Grand Prize Awards each: Lockheed Martin’s “The Field Trip to Mars” by McCann New York, in Activation & Engagement and Outdoor/Out of Home Marketing; and Sony Interactive Entertainment/Gravity Daze 2’s “Gravity Cat” by Hakuhodo Tokyo, in Branded Entertainment and Film–Cinema/Online/TV.

[Thanks to Chip Hitchcock, Mark-kitteh, Cat Eldridge. Steve Davidson, Carl Slaughter, John King Tarpinian, and Michael J. Walsh for some of these stories. A little bit short today because I’m fighting a terrible cold. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/16/17 Will No One Pixel Me This Troublesome Scroll?

(1) CLOSE THE GAP. David Dean Bottrell, Producer, Sci-Fest LA, is asking people to help support The Tomorrow Prize, due to be presented this weekend:

Although Sci-Fest LA has been temporarily side-lined our amazing short story competitions continue!! Unfortunately, a grant we were depending on, has fallen through at the last second, and the awards are this coming weekend! We need your help to make up a $500.00 gap IMMEDIATELY needed to award the prizes to our winners!

Donate at:  http://www.lightbringerproject.org/support/

You can make a donation via our new non-profit sponsor, LIGHTBRINGER PROJECT. Please add a note during the payment process for what the donation’s for — You can mention Sci-Fest, Tomorrow Prize or Roswell Award.

(2) INDIGENOUS VOICES. Silvia Moreno-Garcia has posted an update about her efforts to fund and launch an Emerging Indigenous Voices Award. (This would not be an sff award, but was prompted by the Canadian literary controversy reported here last week.)

I’ve gathered $4355 in pledges from people who wish to make this a reality. I’ve also e-mailed Robin Parker, who has also obtained pledges for a similar drive. We could be talking about more than $7,000 if we pool those resources together.

I have sent an e-mail to folks at the UBC Longhouse asking for some guidance.

I feel that if an award does become a reality, it must be managed by an Indigenous organization. I aim merely to help funnel money to them.

It may take some time to sort things out. I am putting together documentation tracking who pledged, how much, etc.

In the meantime, you can fund or support local organizations which represent Indigenous people in your community.

We should not turn to Indigenous and marginalized groups only when bad stuff happens and there are ways to support them that don’t involve donations. Read and review Indigenous literature. Suggest Indigenous artists as guests of honor at conventions. If you have access to a platform, invite them to write op-eds, guest posts, etc….

(3) ESCHEW CHRONOLOGICAL SNOBBERY. L. Jagi Lamplighter Wright raised her voice in defense of Anne McCaffrey at Superversive SF — “When New Is (Not) Best–The Degradation of Grand Master Anne McCaffrey”.

People talk about strong female characters today. Sometimes they mean kickbutt fighters. But when the term first got started, it meant females who held their own, who acted and achieved and accomplished, female characters who were smart.

Lessa was all that. To me, she was the sole female character in SF who really had the qualities I wanted to have. I adored her.

Recently, I was in a store and I picked up a copy of Dragonflight, the original Pern book. I remember thinking, Huh, it probably wasn’t that good. I’ve just glamorized it. Let me see… After all, some of her later books were a bit fluffy. Maybe this early book was just fluff, too, and I had just not noticed. I started flipping through it.

I read an astonishing amount of it before I realized I was standing in a bookstore and embarrassedly put it down.

It was still that good.

(4) THEY KNOW WHEN YOU’RE AWAKE. An author tells about eavesdropping on fan sites in “The Big Idea: Megan Whalen Turner” at Whatever.

As a newbie author, I was self-Googling like mad and just before The King of Attolia was published. I found a livejournal site dedicated to my books. I lurked. I did tell them I was lurking, but I knew right from the start that having authors around is a great, wonderful, exciting thing—right up until they make it impossible to have an honest conversation about their books, so I was careful not too lurk too often. In return, I got to watch these smart, funny people pick through everything I’d written and I became more and more convinced that they didn’t need my input, anyway. Everything in my books that I hoped they’d see, they were pointing out to one another. Watching them, I decided I should probably probably keep my mouth shut and leave readers to figure things out for themselves. That’s why when they got around to sending me a community fan letter, I’m afraid that my answer to most of their questions was, “I’m not telling.” Over the years, it’s hardened into a pretty firm policy.

(5) SPACE OPERA WEEK. Tor.com has declared: It’s Space Opera Week on Tor.com!

Alan Brown has a handle on the history of the term: “Explore the Cosmos in 10 Classic Space Opera Universes”.

During the Golden Age of Science Fiction, there was a lot of concern about the amount of apparent dross being mixed in with the gold. The term “space opera” was originally coined to describe some of the more formulaic stories, a term used in the same derisive manner as “soap opera” or “horse opera.” But, like many other negative terms over the years, the term space opera has gradually taken on more positive qualities. Now, it is used to describe stories that deal with huge cosmic mysteries, grand adventure, the long sweep of history, and giant battles. If stories have a large scope and a boundless sense of wonder, along with setting adventure front and center, they now proudly wear the space opera name.

Ellen Cheeseman-Meyer discusses why she embarked on her Vorkosigan Saga reread series for Tor.com in Space Opera and the Underrated Importance of Ordinary, Everyday Life

The Vorkosigan series is space opera in the really classic style. There are big ships that fight each other with weapons so massive and powerful that they don’t even have to be explained. The most dramatic conflicts take place across huge distances, and involve moving people, ideas, and technology through wormholes that span the Galactic Nexus, and watching how that changes everything. So it’s also about incredibly ordinary things—falling in love, raising children, finding peace, facing death.

And Cheeseman-Meyer’s latest entry “Rereading the Vorkosigan Saga: Borders of Infinity covers a lot of ground, but I must applaud this comment in particular —

At this point, I suddenly realize how little time we really get to spend with the Dendarii Mercenaries, who have now appeared as a fighting force in only two of the seven books in the reread.

Liz Bourke, in “Sleeps With Monsters: Space Opera and the Politics of Domesticity”, reminds readers that relationships are the web that connect the infinite spaces of this subgenre.

Let’s look at three potential examples of this genre of… let’s call it domestic space opera? Or perhaps intimate space opera is a better term. I’m thinking here of C.J. Cherryh’s Foreigner series, now up to twenty volumes, which are (in large part) set on a planet shared by the (native) atevi and the (alien, incoming) humans, and which focus on the personal and political relationships of Bren Cameron, who is the link between these very different cultures; of Aliette de Bodard’s pair of novellas in her Xuya continuity, On A Red Station, Drifting and Citadel of Weeping Pearls, which each in their separate ways focus on politics, and relationships, and family, and family relationships; and Becky Chambers’ (slightly) more traditionally shaped The Long Way to a Small Angry Planet and A Closed and Common Orbit, which each concentrate in their own ways on found families, built families, communities, and the importance of compassion, empathy, and respect for other people’s autonomy and choices in moving through the world.

But lest we forget the reason Tor.com exists, Renay Williams plugs the franchise in “A Plethora of Space Operas: Where to Start With the Work of John Scalzi”.

101: Beginner Scalzi

If you’re brand-new to Scalzi’s work, there a few possible starting places. If you want a comedic space opera adventure, you’ll want to start with Old Man’s War and its companion and sequel novels, The Ghost Brigades and The Last Colony. If you’re in the mood for straight up comedy SF, then Agent to the Stars is your entry point. And if you want some comedy but also kind of want to watch a political thriller in your underwear while eating snack food and don’t know what book could possibly meet all those qualifications at once, there’s The Android’s Dream, which is the funniest/darkest book about sheep I’ve ever read.

(6) AMEN CORNER. The celebration also includes a reminder from Judith Tarr: “From Dark to Dark: Yes, Women Have Always Written Space Opera”.

Every year or two, someone writes another article about a genre that women have just now entered, which used to be the province of male writers. Usually it’s some form of science fiction. Lately it’s been fantasy, especially epic fantasy (which strikes me with fierce irony, because I remember when fantasy was pink and squishy and comfy and for girls). And in keeping with this week’s theme, space opera gets its regular turn in the barrel.

Women have always written space opera.

Ever heard of Leigh Brackett? C.L. Moore? Andre Norton, surely?

So why doesn’t everyone remember them?

Because that second X chromosome carries magical powers of invisibility.

And having read that, who would you be looking to for an “Amen!” Would you believe, Jeffro Johnson at the Castalia House Blog? Not from any feminist impulse, but because it fits his own narrative about the Pulp Revolution — “The Truth About Women and Science Fiction”:

…Yes, the “Hard SF” revolution did turn the field into something of a boy’s club. The critical frame that emerged from it has unfairly excluded the work of a great many top tier creators that happened to be female. And much as it pains me to admit it, feminist critics do have a point when they complained about women being arbitrarily excluded.

However… when they treat the Campbellian Revolution as the de facto dawn of science fiction, they are perpetuating and reinforcing the real problem. If you want creators like Leigh Brackett and C. L. Moore to get the sort of attention they deserve, you have to recover not only the true history of fantasy and science fiction. You have to revive and defend the sort of classical virtues that are the root cause of why they have been snubbed in the first place.

(7) TODAY’S DAY

Sea Monkey Day

The history of sea monkeys starts, oddly enough, with ant farms. Milton Levine had popularized the idea of Ant-farm kits in 1956 and, presumably inspired by the success of his idea, Harold von Braunhut invented the aquatic equivalent with brine-shrimp. It was really ingenious looking back on it, and ultimately he had to work with a marine biologist to really bring it all together. With just a small packet of minerals and an aquarium you’d suddenly have a place rich with everything your brine-shrimp needed to survive. So why sea monkeys? Because who was going to buy brine-shrimp? It was all a good bit of marketing, though the name didn’t come about for nearly 5 years. They were originally called “instant life”, referencing their ‘just add water’ nature. But when the resemblance of their tails to monkeys tails was noted by fans, he changed it to ‘Sea-Monkeys’ and so it’s been ever since! The marketing was amazing too! 3.2 million pages of comic book advertising a year, and the money just flowed in the door. So what are Sea Monkeys exactly? They’re clever mad science really. Sea Monkeys don’t (or didn’t) exist in nature before they were created in a lab by hybridization. They’re known as Artemia NYOS (New York Ocean Science) and go through anhydrobiosis, or hibernation when they are dried out. Then, with the right mixture of water and nutrients they can spring right back into life! Amazing!

Wait a minute, that sounds a lot like Trisolarians!

(8) TODAY’S BIRTHDAY BOY

(9) COMIC SECTION. Daniel Dern recommends today’s Candorville: “We already knew the creator’s a Star Trek geek, clearly he’s also a (DC) comic book fan…”

(10) DOCTOROW. This is the book Cory Doctorow was promoting at Vromans Bookstore when Tarpinian and I attended his joint appearance with John Scalzi a couple weeks ago. Carl Slaughter prepared a summary:

WALKAWAY
Cory Doctorow
Tor
April 25, 2017

Hubert was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be?except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society?and walk away.

After all, now that anyone can design and print the basic necessities of life?food, clothing, shelter?from a computer, there seems to be little reason to toil within the system.

It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down.

Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years…and the very human people who will live their consequences.

PRAISE FOR WALKAWAY

  • “Thrilling and unexpected….A truly visionary techno-thriller that not only depicts how we might live tomorrow, but asks why we don’t already.” Kirkus
  • “Doctorow has envisioned a fascinating world…This intriguing take on a future that might be right around the corner is bound to please.” ?Library Journal
  • “Memorable and engaging. …Ultimately suffused with hope.” ?Booklist
  • “The darker the hour, the better the moment for a rigorously-imagined utopian fiction. Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle. A wonderful novel: everything we’ve come to expect from Cory Doctorow and more.”?William Gibson
  • “Cory Doctorow is one of our most important science fiction writers, because he’s also a public intellectual in the old style: he brings the news and explains it, making clearer the confusions of our wild current moment. His fiction is always the heart of his work, and this is his best book yet, describing vividly the revolutionary beginnings of a new way of being. In a world full of easy dystopias, he writes the hard utopia, and what do you know, his utopia is both more thought-provoking and more fun.”?Kim Stanley Robinson
  • “Is Doctorow’s fictional utopia bravely idealistic or bitterly ironic? The answer is in our own hands. A dystopian future is in no way inevitable; Walkaway reminds us that the world we choose to build is the one we’ll inhabit. Technology empowers both the powerful and the powerless, and if we want a world with more liberty and less control, we’re going to have to fight for it.”?Edward Snowden

(11) LITFEST PASADENA. In addition to the Roswell Award  and Tomorrow Award readings, this weekend’s LitFest Pasadena includes these items of genre interest:

Saturday

Famed afro-futurist writer Nalo Hopkinson (The Chaos) joins the Shades & Shadows Reading Series for an evening of dark fiction from noir mystery to sci-fi.

Sunday

Popular comic book and TV writer Brandon Easton (Agent Carter), joins fellow comic book writers to discuss “Manga Influences on American Culture.”

(12) SPEAKING PARTS. Pornokitsch shows why someone could argue “Middle Earth Has Fewer Women Than Space”.

This research is from April 2016. The folks at The Pudding analysed thousands of screenplays and did a word count of male and female dialogue.

Unsurprisingly: Hollywood skews heavily in favour of dudes talking.

Naturally, I looked for all the nerdiest films I could find. This was a lot of fun, although the results were… pretty bleak. …..

There follows a whole chart about genre films.

2001 is literally a film about two dudes floating in space, and it has a higher percentage of female dialogue than two of the Lord of the Rings films.

(13) IOU. Jon Del Arroz thinks I should be paying him when I put him in the news. Now there’s an innovative marketing mind at work.

(14) PANTHER UNPLUGGED. Ernie Estrella at Blastr demands — “So why did Marvel pull the plug on Black Panther & The Crew after just two issues?”

How long should a comic book aimed at reaching a more socially aware audience be given latitude before it’s canceled? According to Marvel Comics, just two. Marvel is canceling one of two monthly titles that Ta-Nehisi Coates writes, Black Panther & The Crew. After two issues have underperformed in sales, the title has been abruptly put on notice. Marvel had seen enough and was not satisfied by the early numbers to stick with a title while it finds its audience. Coates told Verge that issue #6 will be the series’ finale, wrapping up the storyline that was introduced in the debut issue, which came out in this past March.

Coates co-writes the series with Yona Harvey, and together they crafted a story starring Black Panther, Storm, Misty Knight and Luke Cage investigating the murder of a civil rights activist who died while in police custody, Ezra Keith. Relevant to America’s current societal problems facing inherent racism, Coates and Harvey’s story also dives into the main four heroes and tries to look deeper at their varied experiences as black people in the Marvel Universe….

(15) NEW GRRM ADAPTATION. George R.R. Martin gives fans the background on developments they’ve been reading about in the Hollywood trade papers — “Here’s the Scoop on NIGHTFLYERS”.

In 1984 I sold the film and television rights to “Nightflyers” to a writer/ producer named Robert Jaffe and his father Herb….

This new NIGHTFLYERS television series — actually, it is just a pilot script at present, still several steps short of going on-air, but I am told that SyFy likes the script a lot — was developed based on the 1987 movie, and the television rights conveyed in that old 1984 contract. Robert Jaffe is one of the producers, I see, but the pilot script is by Jeff Buhler. I haven’t had the chance to meet him yet, but hope to do so in the near future.

Since I have an overall deal that makes me exclusive to HBO, I can’t provide any writing or producing series to NIGHTFLYERS should it go to series… but of course, I wish Jaffe and Buhler and their team the best of luck. “Nightflyers” was one of my best SF stories, I always felt, and I’d love to see it succeed as a TV series (fingers crossed that it looks as good as THE EXPANSE).

[Thanks to Greg Hullender, Carl Slaughter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, with an assist from Camestros Felapton.]

Clash Over Cultural Appropriation Spawns Opposing Canadian Awards

Hal Niedzviecki, now the former editor of Write, quarterly magazine of the Writers’ Union of Canada, started a row when he said he did not believe in cultural appropriation. Prefacing an issue focused on the work of Indigenous authors he said:

In my opinion, anyone, anywhere, should be encouraged to imagine other peoples, other cultures, other identities… I’d go so far as to say there should even be an award for doing so – the Appropriation prize for best book by an author who writes about people who aren’t even remotely like her or him.

He argued this would help Canadian literature shed its “exhaustingly white and middle class” identity.

Get outside your own head. Relentlessly explore the lives of people who aren’t like you, who you didn’t grow up with, who don’t share your background, bank balance and expectations. Set your sights on the big goal: win the Appropriation prize.

His editorial set off an uproar: he was criticized by some of the issue’s Indigenous contributors, pilloried in social media, and repudiated by the Writers’ Union in an apology for the “pain and offense” caused by his article. Niedzviecki also apologized and resigned as editor.

However, it did not end there.

As sff author Silvia Moreno-Garcia explains:

The editor of the magazine subsequently resigned and the conversation turned inevitably towards Internet mobbing and freedom of speech, in the very adult form of ‘I’ll write about Indigenous people if I want to!’

Which I expected and which, I must admit, did not bother me terribly since it is the kind of thing I hear constantly.

But then in a case of ‘hold my beer,’ yesterday, members of Canada’s writing and publishing community, people who work for such ‘Canadian’ institutions as Macleans, started to organize online to create an Appropriation Award.

Ken Whyte, a founding editor-in-chief of Canada’s National Post and editor-in-chief of Maclean’s, started tweeting along these lines —

And in no time a flock of Canadian editors and writers who’d been looking for permission to push back against Niedzviecki’s critics began to pledge money toward the award.

Moreno-Garcia said:

Yes. This is the petty thing that the Canadian community came together to create, offering in the end more than $3,000 for a crass award. This is the equivalent of someone, in the midst of a discussion about women in the arts, jumping in to create the Manly Man Literary Award.

I will be candid: I cried. And I don’t cry often. Up until that point the whole thing seemed to me an odd, if amusing situation which would be resolved positively (I can be naive). After that, I have been left feeling like the Canadian literary community is a cold, callous and indifferent sphere to which I do not wish to belong.

I have felt hopeless. I do not know what to do, not for myself, but for young Indigenous writers who may be looking at this and dropping their pens, deleting their Word document, and giving up on the whole artistic creation thing.

She decided one way would be to answer with a positive award which encourages Indigenous writers. She offered the first contribution of prize money, and began asking how to find an administering organization.

I said online I would pony up $500 for the creation of an Emerging Indigenous Voices Award and I am actually serious about that, though I have no idea which would be the best organization to run with this.

I have always told people that Canada is a good country because it aims to be better, even when mistakes are made. Yesterday, the Canadian literature scene proved me wrong.

However, rather than discuss the editorial or the formation of that gross award, I want to focus on Indigenous writers, on marginalized writers. Please, contact me, tell me how we can do some good and build something beautiful together. Surely we can and do not need #CanadaLit for that.

In an update to her post, Moreno-Garcia said she’d already received $2,500 in pledges, and contacts from people offering to give if a GoFundMe appeal was launched.

[Thanks to James Davis Nicoll for the story.]