Engholm posted the full text of Dublin 2019’s letter to him along with his own comments in response here.
Dublin 2019’s letter says:
Thank you again for reaching out, and apologies for the time it took to get this response to you.
We do not consider Jeannette Ng’s speech to be a breach of our Code of Conduct.
From our perspective Ng was speaking to Campbell’s part in shaping the sci-fi landscape, which was notably exclusionary of minorities, people of colour and women at the time during which he was a part of it and which has had knock on effects to this day. Our Code of Conduct was, in a large part, designed to ensure people who have previously been excluded from fandom were safe and included at our convention – not to punish people who speak out against its exclusionary past.
We do not believe her words were targeted at anyone other than Campbell and his actions. There is no issue with being male or white, and unless a person also identified with Campbell’s more problematic beliefs and actions, they have no reason to feel attacked. Additionally, being a fan of Campbell’s work does not mean you need to stand by his beliefs; it is possible to appreciate his contribution to the community whilst also understanding some of his viewpoints were problematic.
Thank you again for taking the time to contact us with your concerns – I hope this helps clarify our position on the situation.
Sarah Brennan, Listener and Code of Conduct Area Head Dublin 2019
Engholm, in his commentary, says he believes the Code of Conduct has been applied inequitably, whether judged by past precedents, or on its own terms.
Thanks for a reply, even if it took two months…
But the reply is not very satisfying, and I’ll explain why. A basic principle for acceptable ethics is that it applies equally to all. If not, it’s unethical, immoral – in crass terms, evil.
In 2016 Dave Truesdale was kicked out from the Worldcon for talking about “snowflakes” – a rather mild expression – not pointing to any person or ethnic or social group. But in 2019 it seems perfectly OK to accuse a named person for being a follower of one of history’s most evil ideologies, on the worldcon’s biggest stage.
It becomes clear that this does not apply equally to all. You – ie all responsible for the CoC – even openly admit that not being applied equally was what “Our Code of Conduct was…designed to ensure”. Thus the CoC loses its legitimacy. It’s a set of made-up private laws that allows the intimidation it pretends to protect from.
Engholm disagrees with Sarah Brennan’s evaluation of Ng’s speech (“There is no issue with being male or white…”)
As for Ng’s racist slurs, you seem to simply ignore them, the charges about “whites” being “sterile” and “haunt” the genre. You just falsely claim it’s “no issue” – but it is. You can’t even follow your own instructions that “We do not tolerate harassment of convention attendees in ANY FORM”. That’s what it says, but obviously you do tolerate harassment if it is in the form certain people like. People have reason to feel attacked!
“I certainly did. As a white male writer who goes back to the Campbell era I felt directly under attack, as well as being angered by the inaccurate slander being directed at Campbell, and I was so upset by her statements and the obvious audience approval of them that I left the ceremony as soon as I could appropriately get out the door “
That was a a testimony from a well-known longtime sf professional whom I shall not name.
Engholm asserts that what people complain about in Campbell is the byproduct of his “intentionally provoking intellectual style.” He also tells why in his view (and that of Harry Harrison) Campbell was not, politically, a fascist, therefore Ng was mistaken in calling him one. The complete text of Engholm’s commentary is here.
(1) SECOND CARR COLLECTION IS A FREE READ. David Langford has released the Terry Carr
collection Fandom Harvest II at the TAFF
website. Download it free – and please consider making a donation to the
Trans-Atlantic Fan Fund as thanks.
Complementing the 1986 Fandom Harvest and even longer, this further selection of Terry Carr’s fine fanwriting was assembled by David Langford with much help from others and released as an Ansible Editions ebook for the TAFF site on 1 June 2019. Cover art by Steve Stiles from The Incompleat Terry Carr (1988 edition). Over 118,000 words.
With thanks to Carol Carr for her permission and encouragement to produce this new ebook. (For the many further credits, see within.)
Langford spotlights his selections in the Introduction:
Of the above, Fandom Harvest was the first choice for a TAFF ebook since it’s not only the largest by far of these collections but was published as a printed hardback that was relatively easy to convert to digital text. The next logical step seemed initially to be an ebook of The Incompleat Terry Carr, but unfortunately there’s considerable overlap between this collection and Fandom Harvest. After removing duplications (“Trufan’s Blood”, the “Fandom Harvest” column selections, “The Fastest Ham in the West” and “Confessions of a Literary Midwife”), what remained of The Incompleat Terry Carr was an unsatisfactorily slim volume. This has been augmented with the fannish items reprinted in Between Two Worlds, the four best pieces from The Portable Carl Brandon, and many more notable articles, columns, editorials and stories not previously included in any Terry Carr collection. Ranging from 1955 to 1987, it’s a great read throughout.
And I appreciate Dave sending me the scoop in advance of the
Monday edition of Ansible!
(2) UK GAMES EXPO ENFORCES CODE
OF CONDUCT. Sexual violence in an RPG scenario hosted by a volunteer
violated UK Games Expo’s code of conduct. The committee took action, explained
It was brought to our attention that in an RPG game on Friday afternoon a GM volunteer included content that was completely unacceptable and breached both the letter and spirit of the UK Games Expo. The scenario included descriptions of sexual violence involving the players. The players were understandably distressed and shocked by this content.
This content was not set out in the game description. If it had been included in the submission it would have been rejected as unacceptable even for a game with an 18 rating. All games must still comply with the policies and the spirit of UKGE.
We have spoken personally to the player who first raised the issue and have unreservedly apologized for the distress caused. We are currently contacting the other players so we can offer them our apologies and any assistance they might need. We have made it clear that this kind of behavior and content has no place at UKGE and will not be accepted.
We immediately halted the game the GM was currently running and cancelled all of the games he was due to run.
The GM has been ejected from the show and will not be allowed access to any of the NEC halls or Hilton function rooms that are under the control of UK Games Expo.
He has also been banned from submitting any games for the foreseeable future…
Science fiction purports to be based on science. I hate to tell you this, but a lot of SF is as close to science and math as Taco Bell is to authentic Mexican cuisine.
I revelled and still revel in mass ratios and scale heights, albedos and exhaust velocities, evolutionary biology and world history. (I’m not the only one. Big wave to my homies out there.) So…as much as I love SF, I’m constantly running head-on into settings that could just not work the way the author imagines. My SOD (suspension of disbelief) is motoring along merrily and suddenly, bang! Dead in its tracks. Perhaps you can understand now why so many of my reviews grumble about worldbuilding….
Nothing pairs better with a cold rainy Sunday and a warm baby Loxodonta quite like a Rockaway Nitro Black Gold Stout. About one-third of the way through Tim Burton’s Dumbo, I ordered a second, and as it was delivered to me in the dark, I was struck by the scene where V.A. Vandevere (Michael Keaton)–evil, conniving moneybags and Dreamland amusement park owner–explains to the scrappy, DIY road circus owner Max Medici (Danny DeVito) that of course he should bring his entire operation, airborne pachyderm included, into his opulent fold. Why? Because the future of entertainment is bringing the people to you, not the other way around.
Sipping Dumbo suds at Alamo Drafthouse in Downtown Brooklyn, I couldn’t have agreed more, and as attested by the typical full house, I was not alone….
…After Disney, Southerland moved on to Mattel to help develop shows for two of their toy lines: Enchantimals and Monster High. As a showrunner, Southerland was able to expand on those worlds while placing female characters—and their close friendships—at the center. She particularly enjoyed working on Monster High because of the opportunity to create more complex teenage characters, and she eventually developed the idea for Adventures of the Ghoul Squad, a miniseries in which the main friends—all children of famous monsters—travel the world to help others and solve mysteries….
(7) CASTING COWL. Rachel
Bloom, of Crazy Ex-Girlfriend and
“F*ck Me Ray Bradbury” fame, voices Batgirl in the recently released animated video
Batman vs. Teenage Mutant Ninja Turtles
Batman, Batgirl and Robin forge an alliance with The Teenage Mutant Ninja Turtles to fight against the Turtles’ sworn enemy, The Shredder, who has teamed up with Ra’s Al Ghul and The League Of Assassins.
…I attended my first World Fantasy Con in 1993, in Minneapolis. Dennis met me almost as soon as I arrived, and started introducing me to everyone. One of the editors I met there – Stephen Jones – would buy my first short story a year later, and go on to become the editor I’ve worked with the most.
That convention was an amazing experience. I rented a car and became Dennis’s driver for a few days. At the time Dennis was embroiled in a feud with Harlan Ellison, and I still laugh when I think of him telling me that he’d put any five of his stories up against any five of Harlan’s stories (Dennis was also a wrestling fanatic, which made this even more amusing). I drove Dennis to a signing at the massive Mall of America; no one came to the signing, so Dennis, Poppy Z. Brite, and Melanie Tem read their stories to each other while I listened in….
…After serving at Fort Dix in New Jersey from 1944 to 1946, he returned to the comic-book business. He did a lot of work for Avon Comics, he said, because unlike some other imprints it allowed artists to sign their work. (Early in his career he used the name “Everett Raymond” for brevity’s sake, though he eventually switched to his full name.)…
As part of its Distinguished Illustrators Series,
Norman Rockwell Museum exhibited “Everett Raymond Kinstler: Pulps to
Portraits,” in 2012.
Highly-regarded as a prominent American portraitist, Everett Raymond Kinstler began his career as a comic book artist and illustrator working for the popular publications of his day. The artist’s original illustrations and portraits of noted celebrities—from Katharine Hepburn, Tony Bennett, and Tom Wolfe to artists James Montgomery Flagg, Alexander Calder, and Will Barnet [was] on view in a lively installation that explores the process of capturing likenesses of his subjects for posterity.
(10) TODAY IN HISTORY.
June 1, 1955 — This Island Earth premiered.
June 1, 1984 — Star Trek III: The Search for Spock could be found in theaters.
June 1, 1990 — Total Recall made its memorable debut.
(11) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born June 1, 1874 — Pierre Souvestre. He was a journalist, writer and avid promoter of motor races. He’s remembered today for his co-creation with Marcel Allain of the master criminal Fantômas. The character was also the basis of various film, television, and comic book adaptations. Some of these could be considered genre. (Died 1914.)
Born June 1, 1937 — Morgan Freeman, 82. Lucius Fox in The Dark Knight trilogy and less notably Azeem in Robin Hood: Prince of Thieves (and yes I saw it). He’s God in Bruce Almighty as he is in the sequel, Evan Almighty. And he played the President in Deep Impact.
Born June 1, 1940 — René Auberjonois, 79. Odo on DS9. He’s shown up on a number of genre productions including Wonder Woman, The Outer Limits, Night Gallery, The Bionic Woman, Batman Forever, King Kong, Star Trek VI: The Undiscovered Country, Enterprise, Stargate SG-1 andWarehouse 13. He’s lent both his voice and likeness to gaming in recent years, and has done voice work for the animated Green Lantern and Justice League series.
Born June 1, 1947 — Jonathan Pryce, 72. I remember him best as the unnamed bureaucrat in The Adventures of Baron Munchausen. He’s had a long career in genre works including Brazil, Something Wicked This Way Comes as Mr. Dark himself, Pirates of the Caribbean: The Curse of the Black Pearl and Pirates of the Caribbean: At World’s End as Governor Weatherby Swann, The Brothers Grimm, in the G.I. Joe films as the U.S. President and most recently in The Man Who Killed Don Quixote as Don Quixote.
Born June 1, 1950 — Michael McDowell. Screenwriter and novelist whose most well-known work is the screenplay for Tim Burton’s Beetlejuice. He also did work on Burton’s The Nightmare Before Christmas though he’s not listed as the scriptwriter. He wrote eleven scripts for Tales from the Darkside, more than anyone else. And he wrote a lot of horror which Stephen King likes quite a bit. (Died 1999.)
Born June 1, 1966 — David Dean Oberhelman. Mike has an an appreciation of him here. The Intersection of Fantasy and Native America: From H.P. Lovecraft to Leslie Marmon Silko which he co-wrote with Amy H. Sturgis was published by The Mythopoeic Press. ISFDB lists just one genre essay by him, “From Iberian to Ibran and Catholic to Quintarian”, printed in Lois McMaster Bujold: Essays on a Modern Master of Science Fiction and Fantasy. (Died 2018.)
Born June 1, 1973 — C. E. Murphy, 46. Her Urban Shaman series was one of the best such series I’ve read in recent years. She had The Walker Papers – Alternative Views which used other characters as viewpoint narrators but none appealed to me alas as much as Joanne Walker, her primary character.
Born June 1, 1996 — Tom Holland, 23. He’s known for playing Spider-Man in five films: Captain America: Civil War, Spider-Man: Homecoming, Avengers: Infinity War,Avengers: Endgame, and the forthcoming Spider-Man: Far From Home.
(12) PUNCHLINE CREATOR.
At Kalimac’s Corner, DB digs up more
info about award-winning comics writer E. Nelson Bridwell, ending with perhaps
his most widely-known contribution to pop culture: “this is the joke”.
…Evanier’s announcement credits Bridwell with co-creating a comic called The Inferior Five, which I’d never heard of either. A quick visit to its Wikipedia page proves that it’s exactly what it sounds like, a sort of precursor to Mystery Men, a rare case of a superhero movie I rather liked. So I might enjoy The Inferior Five as well, especially as Evanier says that Bridwell’s “writing was marked by a wicked sense of humor.”…
In 1951, astronomer Kenneth Heuer, author in 1953 of The End of the World, wrote Men of Other Planets(Pellegrini & Cudahy, NYC) where he speculates on the kinds of humanoid life that was possible on the other planets, moons and asteroids of outer space. In those days thousands of people were actually trying to book passage on space ships. With jet propulsion and atomic fuel bringing space travel into realms of possibility, the mysteries of flying saucers, possible invasions of the earth from another worlds were closer to reality and yesterday’s science fiction was moving into tomorrow’s news.
The full-page scratch board illustration by R.T. Crane adds both a science fact and fictional aura to the quirky propositions in this book…
(Spoiler alert: even though it’s called Dungeons & Dragons, beginning level characters should not try to slay a dragon. They will fail. However, I have a policy with brand new players: I promise that their characters won’t die in the first three sessions. If they really do try to slay a dragon, the dragon may just beat them up, take all their stuff, and leave them naked outside the nearest town. Or more likely, the dragon will singe them a bit, then say, “Okay, if you don’t want to die, you have to agree to run an errand for me…”)
It would be fair to say that for me, coming into contact with fandom in this period, my image of “fan art” was formed by Tim Kirk’s work, along with two more artists who won for their 1970s work, William Rotsler and Alexis A. Gilliland.
(16) WALK THIS WAY. The New York Post’s 2013 profile of the band contains a previously unsuspected (by me) bit of sff trivia: “First KISS”.
…Simmons then modeled his demon walk after a serpentine, loping-gaited martian named Ymir that stop-motion effects master Ray Harryhausen designed for the 1957 science fiction film “20 Million Miles to Earth.”
“I realized I couldn’t copy the movements of Mick Jagger or the Beatles because I didn’t have a little boy’s body,” Simmons says. “But I could be a monster.”
Look up into the sky and it’s hard to imagine where the Earth’s atmosphere ends and outer space begins.
Commonly referred to as the Karman line, that imaginary border is 62 miles (100km) away and on Friday a group of students from across the US and Canada are hoping to send an unmanned rocket through it.
It’s the brainchild of 19-year-old rocket-obsessed North Carolina University student Joshua Farahzad, who said he came up with the idea during his “boring” summer vacation last year.
“I was always fascinated with space, I built a small rocket in high school after watching a movie called October Sky, and thought to myself how one day I’d like to build a bigger one,” he said.
…Without the help of a large financial backer, engineering professionals, or teachers, Operation Space began collaborating on the project remotely from their various locations across the US and Canada, using a Slack message channel, video chats and phone calls.
Operation Space is not the only group of students to build and launch spacecraft. Last month, students from the University of Southern California (USC) successfully sent their Traveler IV rocket across the Karman line.
While he’s full of praise for them, Joshua said his team is unique. “USC is cool but we are different because we are doing this all remotely with no university help,” he explained.
A Lego-themed pop-up is coming to six U.S. cities this summer. The Brick Bar, which is not technically affiliated with the brand btw, is built with over 1 million blocks and will debut in NYC June 19.
The bar opened its first temporary location in London back in January 2018, and the “nostalgia trip” was an instant hit. Now the concept is expanding to a number of North American cities including New York, L.A., Miami, Houston, Cincinnati, and Denver. It will also hit Toronto and Vancouver in July.
“The bar will feature sculptures made completely from building blocks as well as an abundance of blocks for people to shape into their own creations. There will also be local DJ’s spinning tunes all day,” the website says. “We will have an Instagram worthy menu as well including a Brick Burger and Cocktails!
(20) A FORK IN THE ROAD. Compelling Science Fiction Issue #13 is available for purchase. Beginning with this issue, says publisher Joe STech, the magazine no longer posts its contents free online.
We start with LA Staley’s “Steps in the Other Room”. An elderly woman reports that her husband has been kidnapped. This seems difficult, since he has been dead for many years (2040 words). Our second story is “Sasha Red” by Tyler A. Young. In it, a woman fights to rescue refugees from Mars (6100 words). The third story this issue, Mark Parlette-Cariño’s “Bodybit,” is a story about the social effects of a fitness device that tracks sexual performance (4630 words). Next we have “What We Remember” by Mark Salzwedel. This one is first-contact story about a telepathic fungus (2800 words). Our fifth story is “Love and Brooding” by M. J. Pettit. Inspired by mouth-brooding tilapia, this story explores a very alien life cycle (5000 words). Our final story is “Steadies” by returning author Robert Dawson. A doctor is conflicted when she decides to prescribe her husband an anti-cholesterol drug that has also recently been found to strengthen relationships (3400 words).
…This novel is an exercise in trusting an author. When it starts like another novel I didn’t like, it proved me wrong to misjudge it. When it doesn’t explain its setting or history from the start, it respected my patience by giving me enough to keep going and eventually answering my questions…
…The novel is a rather slippery fantasy to try and get a hold of. Is it a Portal fantasy, as the back matter and the title suggests? Yes, and no, the Portal aspects of the fantasy are not the central theme. Is it a coming of age story, of a young woman coming into herself? Yes, but there is much more going on with theme, history, theory and thought on it. The book is, however, a fantasy about the power of stories, and where stories come from, and how stories, for good, and bad, accurately and inaccurately, shape us and mold us, and make us what we are–and sometimes, if we find the right story, what we want and need to be…
(23) RETRO REVIEWS. Steve J. Wright has completed his Retro-Hugo novella finalist reviews:
(24) VIDEO OF THE DAY. In Albatross Soup on Vimeo, Winnie Cheung solves the riddle of why a guy killed himself after having a bowl of albatross soup in a restaurant.
Chip Hitchcock, JJ, John King Tarpinian, Cat Eldridge, Mike Kennedy, John
Hertz, Martin Morse Wooster, Carl Slaughter, and Andrew Porter for some of
these stories. Title credit goes to File 770 contributing editor of the day Mister
…Speakers over the weekend included Brianna Wu, a congressional candidate from Massachusetts who was one of the most high-profile victims of an online harassment campaign aimed at women in the video game industry in recent years.
In conversations with the attendees on Sunday — an intimacy organizer Chris Castro said is a selling point of BayCon over larger conventions — Wu and moderator Gregg Castro discussed activist burnout and creating spaces for people who want to help but may not be comfortable canvassing or making phone calls. Wu also encouraged more women to run for office, calling it “the best job in the world.”
Also presenting at that panel was Sarah Williams, who grew up in Fremont and now lives in Davis. She said discussing social issues and activism is “almost necessary” in science fiction because it’s so forward-looking. The panels are also useful in fans’ personal lives, she said. As a queer woman, Williams said she knew she had to be supportive when her daughter told her she was a transgender girl.
Still, she said, she needed guidance on what support her daughter would need. She could access that through panels such as “Transfans,” a presentation held on Sunday morning about transgender science fiction fans. Williams said she also knew she could look up the speakers and reach out to them for advice.
However, Sumiko Saulson was present at another panel which didn’t reflect that kind of acceptance, and wrote about the experience on Facebook:
I’m reluctant to get into what happened when I was on a panel yesterday because it was fairly traumatic, but the short of it is that a well-known author guest (David Brin) started the panel by saying he wouldn’t trust regular Americans with this but we’re alpha sci fi writers, then went into a very ableist spiel about how we all know some beings – including, specifically certain humans, and he referenced the developmentally disabled – are inferior, people are just too politically correct to say so. Then he asked a moral dilemma question about if it would be more ethical to uplift animals and have them as servants than to genetically alter humans as servants and make them low IQ
Then he got into an argument with a young enby [non-binary] person in the audience who was sitting near Darcy (Chris Hughes) and the rest of the extremely poorly moderated panel included lots of yelling between the audience and panel, as he’d set the tone. He seemed to be intentionally asking baited or loaded questions….
(The report goes on for several more paragraphs in which some
panelists’ conduct grew even more disturbing.)
…as of April 14th, 2019, Eric Torgersen has been suspended from AnimeNEXT staff, pending this investigation, and will not be present at the 2019 event. AnimeNEXT and Universal Animation, Inc. have hired a neutral third party to conduct the investigation.
Additionally, Mr. Torgersen has not been a member of the board since 2018 and has not been Convention Chairman since 2017.
AnimeNEXT and Universal Animation, Inc. want our convention to be a safe and positive experience. As such, we do not condone harassment of any kind. We appreciate your patience and understanding until this investigation is completed.
While Amazing Stories editor Steve Davidson was holding down a booth at Balticon, the Capital Region’s largest sci-fi convention, I was an hour away at the Museum of Science Fiction’s annual convention: Escape Velocity 2019.
Escape Velocity is a different sort of con than anything else in sci-fi. Visually it looks like a media con, with lots of large-scale movie props and cosplayers, but behind the closed panel doors, there’s a serious attempt to create a fusion of pop-sci-fi culture, accessible science, resources for educators, and even a few policy wonks talking about the future of space conflict….
(4) PROOF NEGATIVE. Fabrice Mathieu unblushingly presents MOON SHINING » or: How Stanley Kubrick shot
the Apollo 11 Mission? — “an imaginative behind the
scenes of the Moon Landing of Apollo 11 directed by Stanley Kubrick in 1969!”
… Captain Marvel counters with a handshake and introduces herself. The man tells her: “People call me… The Don.”
Releasing an unimpressed “wow”, Captain Marvel then unleashes her superhero powers on the man, sending electrical pulses through her hand, forcing the man to his knees in pain.
“Here’s a proposition for you,” she says. “You’re going to give me your jacket, your helmet and your motorcycle, and in return, I’m going to let you keep your hand.”
He quickly hands over his keys, and Captain Marvel lets go, adding: “What, no smile?”
In just a minute-long scene, Captain Marvel sums up what’s wrong with men telling women to smile, and unsurprisingly, that’s made some men angry.
…The men criticising the scene — and attacking Larson — are missing the point, and being purposefully obtuse as to its message.
Yes, it shows Captain Marvel using her powers to harm someone else, but plenty of superheroes before her have done exactly the same, and gone much further than she did. That Captain Marvel is called out for behaviour that male superheroes have got away with for decades is sexist.
And saying the scene will hurt “feminist causes” is a fundamental misunderstanding of what feminism is about — women want equality, and that partially means dismantling the idea that the only good women are nice women.
…. Both sides have, as you can predictably guessed, gone up in arms. Both make some good points, and both make some bad points.
However, the reason I chose to take some time out of my crunched day to post about this was because at its core, the argument Disney’s marketing team and the writers of Captain Marvel have claimed is … well, wrong.
Vers isn’t a hero in that scene. Not by any definition of the term. And to see people so aggressively defending Vers actions as “heroic,” even the writing team? Well … I think that’s in part why the Captain Marvel had the problems it had.
See, the problem isn’t that the scene exists, but that people, creators included, are insisting that it is “heroic.” And it isn’t. It’s far from it, in fact, unless you’re aiming to redefine “heroism” as something completely different. Which I don’t think the writers are trying to do … They just genuinely don’t seem to know what heroism is.
Already there are people defending the “heroism” of the scene online by saying that naysayers are only unhappy because it’s “a woman,” declaring that no one had issues with a male character doing similar in Terminator 2.
No. Because in Terminator 2 the T-800 is nota hero. He’s an anti-hero. If someone declares that heroic, than they’re wrong. Flat out. He threatens physical harm to innocents because he doesn’t care, and has no morals. Classic anti-hero trait.
Vers threatening a slimy guy past simply shutting him down isn’t heroism with the goal of stealing his possessions isn’t heroism. It’s the mark of an anti-hero, just as it was with the T-800….
…A New Zealand husky rescue charity that has dealt with hundreds of abandoned dogs after Game of Thrones ramped up the breed’s popularity is pushing for reform outlawing “backyard breeders.”
Michelle Attwood, who founded the Canterbury-based charity Husky Rescue NZ in 2009, said that hundreds of huskies had been abandoned to her charity every year since Game of Thrones launched – their TV connection clear through names like Ghost, Nymeria, Stark and Snow.
Huskies have become a real “status symbol,” she said, with Thrones fans driving a vicious cycle.
Peter Dinklage publicized the problem
At the time he released a statement:
‘Game of Thrones’ star Peter Dinklage is asking fans to stop buying huskies as pets just because they resemble the fictional direwolves in the blockbuster HBO show. The actor warns fans the pups still need constant care after the novelty wears off. “Not only does this hurt all the deserving homeless dogs waiting for a chance at a good home in shelters, but shelters are also reporting that many of these huskies are being abandoned,” Dinklage said Tuesday in a statement released by PETA.
(8) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 28,1908 — Ian Fleming. The James Bond novels of course which are no doubt genre but also Chitty-Chitty-Bang-Bang which originally was published in three volumes and became a much beloved film. Like Heinlein, he would do a travelogue, this one called Thrilling Cities. (Died 1964.)
Born May 28,1951 — Sherwood Smith, 68. YA writer best known for her Wren series. She’s also co-authored The Change Series with Rachel Manija Brown. She also co-authored two novels with Andre Norton, Derelict for Trade and A Mind for Trade.
Born May 28,1954 — Betsy Mitchell, 65. Editorial freelancer specializing in genre works. She was the editor-in-chief of Del Rey Books. Previously, she was the Associate Publisher of Bantam Spectra when they held the license to publish Star Wars novels in the Nineties.
Born May 28, 1977 — Ursula Vernon, 42. She is best known for her Hugo Award-winning graphic novel Digger which was a webcomic from 2003 to 2011. Vernon is also the creator of The Biting Pear of Salamanca, a digital work of art which became an internet meme in the form of the LOL WUT pear.
Born May 28,1982 — Alexa Davalos, 37. Her first genre role i think was Gwen Raiden on the fourth season of Angel. She‘s Juliana Crain currently on The Man in the High Castle. And she was Andromeda in the remake of Clash of the Titans.
(9) HUGO AWARDS ON
JEOPARDY! TOMORROW.For once you
get the news before the show is
aired. Kevin Standlee says, “The
Hugo Awards will be featured in a category on Jeopardy! on Wednesday, May 29.”
…Necromantica is, essentially, a love story. You feel it in the way Lama speaks to Mornia. You see it in Mornia’s behavior. Remember, they’re not sharing a drink. They’re in the midst of the battle and they slaughter enemies. Call it a dark fantasy romance. I mean, you don’t write a story called Necromantica without it being dark, right?
Lama and Mornia share heart-wrenching stories. Mornia used to live a free, spiritual life and wanted to grow into a healer. By the time the story begins, her life has been robbed from her and ell her loved ones killed. She survived, but she’s broken. Whatever magic she possessed, she used for revenge. Instead of healing people, she focused on black arts and necromancy. …
Last year, when the Avengers: Infinity War trailer revealed that Chris Evans’ Steve Rogers had grown a beard, the internet went wild. How is it possible that Evans, this hunky cinnamon roll of a golden retriever boy scout bro, could get even hotter? It was almost unfair, yet there it was. We mourned the loss of Cap-beard for an extended period of time on SYFY FANGRRLS, but it also got us thinking as to what it was about some well-organized facial hair that had us all aflutter.
It turns out that there’s a scientific reason for that. It’s not just pure shallowness! According to a study in 2013 on the subject, facial hair acts as a major influence in shaping people’s ideas about what we expect from men in society. The study revealed that “women judged faces with heavy stubble as most attractive and heavy beards, light stubble and clean-shaven faces as similarly less attractive.” For men, it was the opposite case, with full beards as the most attractive. Those conducted for the study also revealed that full beards were judged as an excellent sign of parenting ability and healthiness, so all your daddy Steve Rogers jokes paid off in a big way.
They go on to judge the beard-appeal and stylings for
Jason Momoa, Chris Evans, Henry Cavill, Chris Hemsworth, John
Krasinski, Rahul Kohli, Keanu Reeves, and Jason Mantzoukas.
…Many of the more famous anime and manga is often defined and remembered because of a certain iconic character, unique setting, or piece of machinery (which is often Mecha). Some imported Japanese animations or comics are lucky enough to be imported wholly to the West along with other associated products like models, video games, or toys. Others were not so lucky and came over to our shores in pieces and over a great length of time, forging fans along with way….
…What is “Armored Trooper VOTOMS”? VOTOMS is the brainchild of Fang of the Sun Dougram creator Ry?suke Takahashi and despite being developed in 1983, VOTOMS is still an on-going Japanese military science fiction franchise encompassing anime TV series, OVAs, video games, models, and toys. At about the time that Fang of the Sun Dougram was ending its run on Japanese television, Takahashi and Nippon Sunrise animation studio would continue the mecha-centered war stories with the VOTOMS 52 episode television show that aired on TV Tokyo from April 1st, 1983 through March 23rd, 1984….
Hugo Award voting just opened at the start of May and continues through the end of July. For those of you new to the Science Fiction/Fantasy genre, the Hugo Award is one of the most prominent awards for works in the genre, with the Award being given based upon voting by those who have paid for at least a Supporting Membership in this year’s WorldCon. As I did the last two years, I’m going to be posting reviews/my-picks for the award in the various categories I feel qualified in, but feel free to chime in with your own thoughts in the comments….
The Folio Society recently announced that it was releasing a special collector’s edition of A Game of Thrones, the first novel in George R.R. Martin’s A Song of Ice and Fire series. Now, on the cusp of the series finale for HBO’s Game of Thrones, it looks like we can expect even more—the entire A Song of Ice and Fire, including those famously still-unwritten books. Of course, that all depends on whether Martin ever finishes them.
In a statement to io9, the Folio Society’s representative confirmed that it was following up its A Game of Thrones hardcover edition with other books in the A Song of Ice and Fire series. The publisher says the project is a collaborative with Martin, who’s been involved “every step of the way.” The first book is available for preorder, and is set to come out on July 16.
Back in 2016, mobile technology the like of which had not been seen before rolled into the remote community of Funhalouro, in Mozambique.
Pulled by donkey, the container consisted of four LCD screens, powered by solar panels.
It was a mobile roadshow, starting with music to draw a crowd and then switching to a three-minute film on the biggest of the screens.
While the topic – digital literacy – was not the most entertaining, it was engaging for the audience, many of whom had never seen a screen or moving images before.
After the film, the audience was invited to use smaller touchscreen tablets to answer a series of questions about what they had seen.
There were prizes of T-shirts and caps for those with the highest scores.
For those who couldn’t read, the questions were posed in diagram form….
(16) VIDEO OF THE DAY. In “The Shocking Truth of Lightsabers vs.
Lightning,” on YouTube, Martin Archer, a physicist at Britain’s Queen
Mary’s University, says that if lightsabers are made of plasma, having two of
them blast each other is a bad idea and having lightning bolts sent toward a
lightsaber is a really bad idea.
Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Cat Eldridge, John King
Tarpinian. Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Kurt Busiek.]
Crowds are expected to be intense for Disneyland’s new section of the park, Star Wars: Galaxy’s Edge. The company announced that you’ll need reservations (at least at first) to take this particular intergalactic journey. Now they’ve released details on just how and when you can score those reservations.
Star Wars: Galaxy’s Edge, aka Batuu, aka Black Spire Outpost, aka Star Wars Land opens Friday, May 31, and reservations open on May 2 — a week from Thursday. The reservations are free and are currently required to get into Galaxy’s Edge between opening day and Sunday, June 23.
Those reservations open May 2 at 10 a.m., and the park promises that full details on how to make those reservations will be released that morning at 8 a.m. You’ll be able to get those specifics via the Disney Parks Blog and Disneyland.com.
The opening of the 14-acre land is expected to create such a crush of fans that Disneyland engineers and landscapers have been working for several months to come up with ways to widen walkways and improve queueing systems to accommodate more visitors.
The new land, which will resemble an out-of-the-way outpost on the planet Batuu, will feature two rides, four eateries, one space-themed cantina and five retail shops.
Only one of the two rides in the land — the interactive Millennium Falcon: Smugglers Run — will operate when the land opens. The second attraction in the new land — Star Wars: Rise of the Resistance — will open later in the year.
On Tuesday morning, the estate and family of Tolkien issued a terse statement in which they announced their “wish to make clear that they did not approve of, authorise or participate in the making of this film”, and that “they do not endorse it or its content in any way”.
A spokesperson for the estate told the Guardian that the statement was intended to make its position clear, rather than heralding future legal action.
John Garth, author of the biography Tolkien and the Great War, said he felt the estate’s response to the film was “sensible”.
“Biopics typically take considerable licence with the facts, and this one is no exception. Endorsement by the Tolkien family would lend credibility to any divergences and distortions. That would be a disservice to history,” he said. “As a biographer, I expect I’ll be busy correcting new misconceptions arising from the movie. I hope that anyone who enjoys the film and is interested in Tolkien’s formative years will pick up a reliable biography.”
StokerCon 2019 chair Brian W. Matthews wrote a stronger-than-average post about
the convention’s antiharassment policy: “A
Fellowship of Respect”.
…Reports of harassment at StokerCon™ 2019 will be followed up by the convention chairs, Lisa Morton and Brian Matthews. Anyone found to have violated these rules may be sanctioned, up to and including expulsion from the convention without refund, and if warranted, involvement of the Grand Rapids Police.
It pains me to have to state the obvious, let alone make it the subject of a blog post, but harassment exists, and it will not be tolerated. No one should be subjected to uncomfortable or unwanted attention. Ever. As a community, we understand horror. We write about it all the time. Protagonists. Antagonists. Good people put into terrible situations. Bad people out to cause harm. We live inside the heads of these characters. Frightened? Threatened? The feeling that you want to throw up? We get it.
Not to put too fine a point on it, but when it comes to StokerCon™ 2019, don’t be the villain.
Be the hero.
(4) RETURN TO THE HAGUE. Reunicon 2020, the 30th anniversary celebration of
ConFiction 1990, is building increasingly
detailed memory webpages to attract prospective attendees.
It all started with a phone call from a fan in New York way back in 1984. Then it took three years of bidding to win the race in Brighton in 1987. Another three long years to make ConFiction1990 a fact in The Hague, the second World Science Fiction Convention on the continent of Europe.
We have created this website and social media avenues to preserve the past for the future and… to promote our intended Reunicon 2020 to commemorate 30 years after ConFiction 1990.
We look forward hearing from you or seeing you in 2020 in The Hague and till then, enjoy the memories we wish to like and follow or share with you all ConFiction1990.
(5) LEGO CATHEDRAL. In the Washington Post, Marylou Tousignant says the Washington National Cathedral, as
a fundraiser, is building a Lego version of itself that will ultimately be
500,00 bricks in total. Visitors can buy bricks for $2 and put them on
the cathedral. The project is patterned after a similar project at the
Durham Cathedral in England. “At
Washington National Cathedral, another church is rising — out of 500,000
This touchiness runs in both directions. Who can forget Harlan Ellison’s obituary last year in this newspaper, in which he was quoted as saying: “Call me a science fiction writer. I’ll come to your house and I’ll nail your pet’s head to a coffee table. I’ll hit you so hard your ancestors will die.”
Iannucci’s verbally dazzling style of comedy often revolves around forcing characters who hate each other to be stuck in the same room, No Exit-style—meetings, plane flights, more meetings—and then letting them insult each other as elaborately and obscenely as possible. And “on a cruise ship surrounded by the deadly vacuum of outer space” is the most “stuck in the same room with people I loathe” that it’s theoretically possible for a character to achieve, so expect fireworks.
(9) MCINTYRE MEMORIAL. Announced
on CaringBridge: Vonda N. McIntyre’s memorial will be
held Sunday afternoon on June 9 at The Mountaineers Goodman Auditorium at 7700
Sand Point Way NE in Seattle, Washington. Doors will open at 1:45, an event
will start at 2:30, and the memorial will end at 4:30pm.
(10) MCGOVERN OBIT. Guy
H. Lillian III reports:“Tom McGovern, a long-term member of the
Southern Fandom Press Alliance, whose article on leaving the Jehovah’s
Witnesses made a strong article for my genzine Challenger, apparently died of cancer April 21 or 22.”
(11) TRIVIAL TRIVIA.
Several theories exist about the question mark’s origins but the most widely accepted version is that Alcuin of York, an English scholar and poet born in 735 and a member of Charlemagne’s court, created it. Originally named the “punctus interrogativus” or “point of interrogation,” this mark was a dot with a symbol resembling a tilde or lightning bolt above it, to represent the rise in pitch when a person asks a question. But it wasn’t until the mid-19th Century that it was first referred to as a “question mark.”
April 23: World Book
and Copyright Day. Pays
tribute to authors and books and their social and cultural contribution to
(13) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born April 23, 1879 — Talbot Mundy. English-born, but based for most of his life in the United States, he also wrote under the pseudonym of Walter Galt. Best known as the author of King of the Khyber Rifles which is not really genre and the Jimgrim series which is genre, much of his work was published in pulp magazines. (Died 1940.)
Born April 23, 1923 — Avram Davidson. Equally at home writing mystery, fantasy or science fiction, he wrote two splendid Ellery Queen mysteries, And on the Eighth Day and The Fourth Side of the Triangle. I’m fond of his Vergil Magus series if only for the names of the novels were the like as The Phoenix and the Mirror or, The Enigmatic Speculum. (Died 1993.)
Born April 23, 1935 — Tom Doherty, 84. Once publisher of Ace Books who left that in 1980 to found Tor Books. Tor became a subsidiary of St. Martin’s Press in 1987; it became part of the Holtzbrinck group, now part of Macmillan in the U.S. Doherty was awarded a World Fantasy Award in the Lifetime Achievement category at the 2005 World Fantasy Convention for his contributions to the fantasy field.
Born April 23, 1946 — Blair Brown, 73. Emily Jessup In Altered States (based on the Paddy Chayefsky novel) was her first genre role. Later roles include Nina Sharp, the executive director of Massive Dynamic, on Fringe, an amazing role indeed, and Elizabeth Collins Stoddard in the 2004 television remake of Dark Shadows. Her last genre was Kate Durning on Elementary.
Born April 23, 1956 — Caroline Thompson, 63. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family.
Born April 23, 1973 — Naomi Kritzer, 46. Her 2015 short story “Cat Pictures Please” was a Locus Award and Hugo Award winner and was nominated for a Nebula Award. Ok, I’m impressed. Indeed, I just went and purchased Cat Pictures Please and Other Stories on iBooks so I could read it. So what else by her should I read?
Born April 23, 1976 — Gabriel Damon, 43. Remember Hob, the smart wise assed villain in Robocop2? Well this is the actor who played him at the age of thirteen years old! I see he also was on Star Trek:Next Generation in “The Bonding” episode as Jeremy Aster, and on Amazing Stories in their “Santa ’85” episode as Bobby Mynes.
(15) BODILY EXPERIENCES. Ursula Vernon, suffering from some typical traveler’s ailments, has been receiving unsolicited medical advice. One friend suggested leeches. Another said —
(16) THROUGH THE YEARS. Standback recommends a project to Filers —
In Jewish tradition, we count each day of the seven weeks between Passover and Pentecost; 49 days. Sefer Ha’omer is posting a historical SF/F book review every day of the counting — reviewing a 1901 book on Day 1, a 1902 book on Day 2, and so on.
I’ve read some of the essays and really enjoyed them — and I like the historical literature tour, and the selection of lesser-known works by classic authors
…Sargent had been shopping the initial anthology around for several years without luck. Publishers generally felt the market for such an anthology would be small. She got a lucky break when Vonda N. McIntyre asked Vintage Books how it was that despite having done all-male anthologies, they’d never published an all-women one. Vintage was interested in the idea, provided that someone not on their staff did the editing. McIntyre introduced Sargent to the folks at Vintage and the rest is SF history.
Remember, this is the UK public’s cinema theatre box office we are talking about, and not fantastic film buffs’ views. Consequently below this top ten we have included at the end a few other worthies well worth checking out as well as (in some years) some warnings-to-avoid. Also note that this chart compilation calculation did not include DVD sales or spin-off product earnings, and our chart is also subject to weekly vagaries.
(22) DC. Daniel Dern brings
word that DC Universe upped its streaming library — now ~20,000
comics. (Marvel says they have 25,000 on theirs.) “Set eye balls to ‘glaze over’!”
(23) INFINITY ROCKS. Avengers:
Endgame Cast Sings
“We Didn’t Start the Fire” on The
Tonight Show Starring Jimmy Fallon.
The cast of Avengers: Endgame recaps the entire Marvel franchise by singing their own superhero version of Billy Joel’s “We Didn’t Start the Fire.”
John King Tarpinian, Heather Rose Jones, Alan Baumler, Martin Morse Wooster,
JJ, Chip Hitchcock, Mike Kennedy, Cat Eldridge, Guy H. Lillian III, SF
Concatenation’s Jonathan Cowie, Daniel Dern, Carl Slaughter, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Soon Lee.]
What inspired this story, and how did you construct this future?
I’d seen on YouTube a discussion from scientists about if an AI possessed an exact neural map of the human brain that it would not be out of the realm of possibility to believe that they would also be imbued with curiosity and maybe even a sense of responsibility for the Earth because now they, too, were a part of its systems. Around the same time, I stumbled on articles written by social scientists who believed that in taking care of certain economic necessities, humanity ideally could free up resources for creative problem-solving on the world scale and exploration.
These points of reference were really the general jumping-off points for me to try to logically extrapolate a human society that accommodated AIs (though not without some implied struggle) because the AIs were not, in fact, seeking a judgment day. They wanted to live and progress just as humans, and though their consciousness was not exact to humans, they were their own kind and just as worthy to be respected. We recognize this in intelligent animals, or even animals as a whole, so my thinking was it could be possible for AIs as well.
Consider, for example, your trash. What happens to it? How do you dispose of it? Is it a garbage can next to your desk or in the kitchen? What happens to it once the can is full? Where does it go? Who deals with it? Do you know? Or does it simply “vanish?”
Well, here’s the thing. It definitely doesn’t vanish. Refuse is refuse: Someone has to do something with it or it piles up. Waste from your home, for example, at least in the US, is collected in a larger can and taken to the side of the road for a garbage truck to collect (99% of the time. The US’s coverage with this system is so ubiquitous that I’ve been to rural places where the only vehicle in town that isn’t a four-wheeler or a boat is the town garbage truck). That truck then takes it to a landfill or a processing center. At the first, the garbage is dumped out. At the second, it’s sorted and separated, usually with an end-goal in mind of dividing up the garbage into smaller, more dedicated end-states, from compost to recycling.
(4) NYRSF READINGS. Jim
Freund asks, “Why waste your time with the State
of the Union, when we have such a brilliant and more fulfilling alternative?”
The New York Review of Science Fiction Readings
Series resumes Tuesday, February 5.
Mimi Mondal (Bone Stew) writes about history and politics, occasionally disguised as fiction. Her first co-edited anthology, Luminescent Threads: Connections to Octavia E. Butler won a Locus Award and was nominated for a Hugo Award in 2018. In the past Mimi has worked as an editor at Penguin India and Uncanny Magazine, and spent eleven years at universities in India, Scotland and the US, from which she is currently recovering in New York and at @Miminality on Twitter.
Karen Heuler’s stories have appeared in over 100 literary and speculative magazines and anthologies, from Conjunctions to Clarkesworld to Weird Tales, as well as a number of Best Of anthologies. She has received an O. Henry award, been a finalist for the Iowa short fiction award, the Bellwether award, the Shirley Jackson award for short fiction (twice), and others. She has published four novels and a novella, and her fourth story collection has just been published by Tartarus Press.
The events begins at 7:00 p.m. in
The Brooklyn Commons Café, 388 Atlantic Avenue (between Hoyt & Bond St.)
in Brooklyn, NY.
Once we get inside, we’re quickly pointed to the counter. The food and drink offerings here are relatively run-of-the-mill Seoul cafe classics: Americanos, various flavored lattes and milk teas, and fruity adeS. On the menu, they promise chocolate wands are coming soon, and on select days there’s Butterbeer. Dessert-wise there’s a selection of cakes, none of which are themed, save for one: the wizard cake, a mini replica of the birthday cake Hagrid brings to Harry. We ordered the wizard cake for a cool 17,000 Won (around $15), grabbed our pager, and began to explore.
And trust me, there’s a lot to explore. Everywhere you turn there’s a poster or a reference to something Harry Potter-esque. Quotes in English and Korean line the staircases along with posters and portraits. Even the elevator is fully decked out.
(6) NO CODE FOR THIS
CONDUCT. The infosec industry conference
DerbyCon is calling it quits after this year. Their explanation sounds like “We’re closing
down rather than resorting to enforcing our code of conduct.”
…This year, we had to handle issues that honestly, as an adult, we would never expect to have to handle from other adults. Conferences in general have shifted focus to not upsetting individuals and having to police people’s beliefs, politics, and feelings. Instead of coming to a conference to learn and share, it’s about how loud of a message a person can make about a specific topic, regardless of who they tear down or attempt to destroy. To put it in perspective, we had to deal with an individual that was verbally and mentally abusive to a number of our volunteer staff and security to the point where they were in tears.
This is not what we signed up for.
Admittedly, we had no idea how to handle this person, and in fear of repercussion of removing this person, allowed them to stay at the conference in order to “not upset the masses”. The best we could do was just apologize, for other apologies, and apologize more for another’s actions. This is just one example of many we have had to deal with over the past few years, and each year it becomes increasingly harder for us to handle. We do everything as a conference to ensure the safety, security, and go above and beyond that of others. Maybe that puts us on a different level where something that would normally not be an issue explodes into a catastrophic situation on social media.
Who knows? What we do know is each year it gets harder and harder.
…Some in the infosec community read the organizers’ statement and began to blame the shutdown on “Social Justice Warriors,” and women who complained too much. For example, far right blog Gateway Pundit pointed to an incident where an attendee complained that other attendees were joking about sexual assault outside of the conference’s Mental Health Village. Others on Twitter latched on to the rumor that “SJWs” killed DerbyCon.
While some women in the cybersecurity world were discussing the toxic interactions, sexual harassment, and assaults they’ve faced in the infosec community, members of a popular closed Facebook hacking group called “illmob” began to attack women who have spoken up about these issues, including Georgia Weidman, a security researcher who recently tweeted that her career was hurt by attending and speaking at DerbyCon in 2013….
(7) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born February 4, 1925 – Russell Hoban. Riddley Walker may well be one of the most difficult novels I’ve ever read but it’s certainly also worth it. ISFDB lists a lot of other SF works by him but I must say I hadn’t realised that he’d written any beyond this work. Had any of you known this? (Died 2011.)
Born February 4, 1940 – John Schuck, 79. My favorite SF role by him is as the second Draal, Keeper of the Great Machine, on the Babylon 5 series. I know it was only two episodes but it was a fun role. He’s also played the role of Klingon ambassador Kamarag in Star Trek IV: The Voyage Home and in Star Trek VI: The Undiscovered Country. He guest starred in Deep Space Nine as Legate Parn In “The Maquis: Part II”, on Star Trek: Voyager as Chorus #3 in the “Muse” episode, and on Enterprise as Antaak in the “Divergence” and “Affliction” episodes. Oh, and he was Herman Munster in The Munsters Today. Now that was a silly role! Did you know his makeup was the Universal International Frankenstein-monster makeup format whose copyright NBCUniversal still owns?
Born February 4, 1961 – Neal Asher, 58. I’ve been reading and enjoying his Polity series since he started it nearly twenty years ago. Listing all of his works here would drive OGH to a nervous tick as I think there’s now close to thirty works in total. I’m listening to The Line War right now and it’s typically filled with a mix of outrageous SF concepts (Dyson spheres in the middle of ten thousand year construction cycles) and humans who might not be human (Ian Cormac is back again). He’s the sort of writer that I think drives our Puppies to madness — literate pulp SF pumped out fast that readers like.
Born February 4, 1970 – Gabrielle Anwar, 49. Currently Lady Tremaine on Once Upon a Time. On the BBC series Prince Caspian and the Voyage of the Dawn Treader, she once played Ramandu’s Daughter. Marti Malone in Body Snatchers which is the third film adaptation of that Finney novel. She was Queen Anne in The Three Musketeers which I love and Emily Davenport in The Librarian: Return to King Solomon’s Mines.
(8) COMICS SECTION.
Patriotic Ewoks will shed a tear over this Brevity.
(9) STAR TREK: RENT. On The Late Late Show With James Corden, the cast of Star Trek: Discovery leaves the bridge for this week’s episode of Carpool Karaoke. Sing along with Sonequa Martin-Green, Anthony Rapp, Doug Jones and Mary Wiseman. Complete show is accessible through an Apple app.
There’s another preview on Twitter.
(10) WORLDCON ECONOMICS. Persistent
Scribble tasks an unnamed author who feels the Worldcon should give them a free
membership. Thread starts here.
(11) VAMPING IT UP. What We Do in the Shadows, from writer Jemaine Clement and director Taika Waititi, premieres
March 27 on FX.
What We Do in the Shadows is a half-hour comedy series based on the feature film of the same name by co-creators Jemaine Clement and Taika Waititi. Set in New York City, the show follows three vampires who have been roommates for hundreds and hundreds of years. Stars Matt Berry, Kayvan Novak, Natasia Demetriou, Harvey Guillen and Mark Proksch.
Brian K. Vaughan’s beloved comic series Y: The Last Man is finally coming to a screen. FX on Monday announced that it has picked up its TV adaptation to series. The network has handed out a series order for the drama from showrunner Michael Green and starring Barry Keoghan and Diane Lane. It is expected to premiere in 2020.
[…] Green (American Gods, Blade Runner 2049, Logan) and Aïda Mashaka Croal (Luke Cage, Turn) serve as showrunners and executive producers. Nina Jacobson and Brad Simpson of Color Force (American Crime Story, Pose, The Hunger Games) and Vaughan executive produce and developed the series. Melina Matsoukas (Insecure, Master of None, Beyonce: Formation) directed the pilot and exec produce the FX Productions drama. In addition to Keoghan and Lane, the cast also includes Amber Tamblyn, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland.
How can astronauts build a lunar base if traditional building materials are too heavy to load into a rocket?
In 1975, three years after the final Apollo Moon landing, Space: 1999 first aired on British television. It began with a nuclear explosion wrenching the Moon, and an international lunar colony of over 300 people, out of its orbit and into an unknown journey into space.
The TV series obviously made an impression on a young Elon Musk because, when the SpaceX founder revealed their plans for a lunar colony in August 2017, he called it Moonbase Alpha after the lunar base in Space: 1999. “Cheesy show,” Musk tweeted, “but I loved it.”
SpaceX is not alone is wanting to get humans back on the Moon. The Chinese space agency CNSA (China National Space Administration) has announced the next stages of its successful Chang’e lunar exploration missions – shortly after Chang’e 4 became the first spacecraft to make a soft landing on the far side of the Moon.
Chang’e 5 and 6 will be sample return missions while Chang’e 7 will survey the South Pole, a region of specific interest for human habitation because it contains water ice. “We hope that Chang’e 8 will help test some technologies and do some exploring,” deputy head of the CNSA Wu Yanhua said in January, “for the building of a joint lunar base shared by multiple countries.”
China is not alone in this ambition. Across the globe, 50 years after the Moon landings, the practicalities of a moonbase are taking shape. The irony is that, while only the United States of America has left footprints on the Moon, the Americans are now having to play catch up. It didn’t unveil plans for a permanent moonbase until August 2018. Nasa’s primary focus until then had been Mars. The European Space Agency (Esa) was already one step ahead.
Pixar’s new animation program SparkShorts has released its first short film, a powerful story about the difficulty of fitting into a workplace of human males.
“Purl” might be about a pink ball of yarn, but its title character adopts new behaviors and aggression to be one of the boys, a transparent allegory for women trying to break the glass ceiling in corporate culture.
[Thanks to Martin Morse Wooster, Gordon Van Gelder, Chip Hitchcock, Daniel Dern, Mike Kennedy, Errolwi, JJ, John King Tarpinian, Cat Eldridge, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to ULTRAGOTHA.)
Doctor Who’s Twitter account has shared a cute animated holiday short telling the story of how the Doctor (voiced by Whittaker) helped save Christmas once again this year. Narrated by Bradley Walsh (Graham), the Twas The Night Before Christmas-style tale is all about Santa getting stuck in a jam after his sleigh breaks down. Who can he possibly call to save the day? The Doctor, of course!
….Still, I think there’s a gap between hard SF defined so narrowly only Hal Clement could be said to have written it (if we ignore his FTL drives) and hard SF defined so broadly anything qualifies provided the author belongs to the right social circles … that this gap is large enough that examples do exist. Here are five examples of SF works that are, to borrow Marissa Lingen’s definition:
playing with science.
and doing so with a verisimilitude that’s not just plot-enabling handwaving….
(3) MYTHCON 50. Introducing artist Sue Dawe’s logo for Mythcon 50, with the theme “Looking Back, Moving Forward.” The convention will take place August 2-5 in San Diego – register here.
(4) TAFF NEWS. Avail yourself of the official Trans-Atlantic Fan Fund news – click to retrieve the PDF file:
Step-by-step instructions on how to respond to a report
In-depth discussion of relevant topics
Dozens of real-world examples of responding to reports
Valerie Aurora and Mary Gardiner were the lead authors of the Ada Initiative anti-harassment policy, which is the basis of thousands of codes of conduct in use today. Valerie has more than 7 years of professional experience writing and implementing codes of conduct for software-related companies, venture capital firms, and non-profits.
(6) NOT GOING TO DUBLIN 2019? Then a clue as to what you’ll be missing from the Science GoH is contained in this 1/2 hour BBC interview with Jocelyn Bell Burnell. “Of course, if you are going to Dublin, then don’t listen to this,” warns SF Concatenation’s Jonathan Cowie, “as there are spoilers.”
Jim Al-Khalili talks to astronomer Jocelyn Bell Burnell. Jocelyn Bell Burnell forged her own path through the male-dominated world of science – in the days when it was unusual enough for women to work, let alone make a discovery in astrophysics that was worthy of a Nobel Prize. As a 24-year old PhD student, Jocelyn spotted an anomaly on a graph buried within 100 feet of printed data from a radio telescope. Her curiosity about such a tiny detail led to one of the most important discoveries in 20th century astronomy – the discovery of pulsars – those dense cores of collapsed stars. It’s a discovery which changed the way we see the universe, making the existence of black holes suddenly seem much more likely and providing further proof to Einstein’s theory of gravity.
(7) FILMS THAT BELONG ON YOUR LIST. Looper says these are “The Best Fantasy Movies Everyone Missed In 2018.”
With major blockbusters and huge franchises taking up most of our attention these days, it can be easy to lose track of all the great releases sneaking by under the radar but these 2018 fantasy movies are well worth seeking out…
(8) TV HISTORY. Echo Ishii revisits another sff TV classic, The Stone Tape:
The Stone Tape was a television play broadcast by the BBC in 1972.
The Stone Tape begins with a man named Peter who is head of a research team for an electronics company. Like many of the characters in Beasts, the protagonist is not a pleasant person. Peter Brock, though likely very skilled at his job, is arrogant, self-absorbed, sexist, and condescending. Whereas someof the sexism and the bigoted comments may be a representation of the realities of the the business world (and TV) at the time, you are clearly meant not to like Peter Brock as a person which only amps up the unease surrounding the main plot….
(9) HOW FAR IS IT? Far out. Like, literally Far Freekin’ Out. A newly announced minor planet is the most distant known object in the Solar System (Phys.org: “Outer solar system experts find ‘far out there’ dwarf planet”). The body’s official name is 2018 VG18, but it’s nicknamed “Farout” and it’s current orbital distance is about 120 AUs.
A team of astronomers has discovered the most-distant body ever observed in our Solar System. It is the first known Solar System object that has been detected at a distance that is more than 100 times farther than Earth is from the Sun.
The new object was announced on Monday, December 17, 2018, by the International Astronomical Union’s Minor Planet Center and has been given the provisional designation 2018 VG18. The discovery was made by Carnegie’s Scott S. Sheppard, the University of Hawaii’s David Tholen, and Northern Arizona University’s Chad Trujillo.
2018 VG18, nicknamed “Farout” by the discovery team for its extremely distant location, is at about 120 astronomical units (AU), where 1 AU is defined as the distance between the Earth and the Sun. The second-most-distant observed Solar System object is Eris, at about 96 AU. Pluto is currently at about 34 AU, making 2018 VG18 more than three-and-a-half times more distant than the Solar System’s most-famous dwarf planet.
(10) COMING YOUR WAY. The Raven Tower, Ann Leckie’s new fantasy novel, arrives February 26, 2019. “My library’s already let me reserve it,” says Daniel Dern.
…Travers was the wisest woman I’ve ever met. She was the second Western woman to study Zen in Kyoto, part of the inner circle of the famous mystic G.I. Gurdjieff and did yoga daily (an exotic practice in the 1970s). One afternoon in her Manhattan apartment, we had a conversation that would later appear in Paris Review. She spoke about the meanings of Humpty Dumpty, how her book “Friend Monkey” had been inspired by the Hindu myth of Hanuman, the Zen expression “summoned not created,” the sacredness of names in aboriginal cultures and a spiritual understanding of the parable of the Prodigal Son. And as for linking “this store of wisdom and our modern life,” she lead me step by step through parallels between the kidnapping of Patty Hearst and the myth of Persephone. It was one of the richest afternoons of my life.
As she often did, Travers emphasized that she “never wrote for children” but remained “immensely grateful that children have included my books in their treasure trove.” She thought her books appealed to the young because she had never forgotten her own childhood: “I can, as it were, turn aside and consult it.”
…However, when astronauts got bored of the standard group photos they decided to spice things up a bit. And what’s a better way to do that other than throwing in some pop culture references? Fair warning the results are quite cringy, making it hard to believe that these images are actually real.
First on the list:
(12) DINJOS OBIT. Nigerian sff writer Emeka Walter Dinjos has died. Future Science Fiction Digest editor Alex Shvartsman paid tribute in “RIP Emeka Walter Dinjos”:
It is with a heavy heart that I must share the news that Emeka Walter Dinjos, a Nigerian writer of science fiction and fantasy whose novelette “SisiMumu” is featured in our first issue, passed away at the age of thirty-four on Wednesday, December 12.
Walter was admitted to the hospital a little over aweek ago, on the eve of his birthday. In his last Facebook post he shared a photo of himself in a hospital bed, writing “I once swore I would never find myself in a place like this.” He was quick to point out, “It’s just fatigue.Will probably be out in a few days.” But unfortunately he succumbed to complications related to unmanaged diabetes. Walter is survived by his siblings and extended family, to whom I extend deepest condolences on behalf of everyone at Future SF and his many friends in the SF/F community….
(13) TODAY IN HISTORY.
December 18, 1839 — John William Draper took the first photo of theMoon. (Say “Cheese!”)
December 18, 1957 — The Monolith Monsters hit theatres.
December 18, 1968 — Ian Fleming’s Chitty Chitty Bang Bang flew into theaters.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 18, 1913 – Alfred Bester. He is best remembered for perhaps for The Demolished Man, which won the very first Hugo Award. I remember experiencing it as an audiobook— a very spooky affair! The Stars My Destination is equally impressive with Foyle both likeable and unlikable at the same time. Psychoshop which Zelazny finished is in my library but has escaped reading so far. I’ve run across references to Golem100 but I’ve never seen a copy anywhere. Has anyone read It? (Died 1987.)
Born December 18, 1939 – Michael Moorcock, 79. Summing up the career of Moorcock isn’t possible so I won’t. His Elric of Melniboné series is just plain awesome and I’m quite fond of the Dorian Hawkmoon series of novels as well. Particular books that I’d like to note as enjoyable for me include The Metatemporal Detective collection, Mother London and The English Assassin: A Romance of Entropy.
Born December 18, 1946 – Steven Spielberg, 72. Are we counting Jaws as genre? I believe we are per an earlier discussion here. If so, that’s his first such followed immediately by Close Encounters of the Third Kind. Between 1981 and 1984, he put out Raiders of the Lost Ark, E.T. the Extra-Terrestrial, Twilight Zone: The Movie and Indiana Jones and the Temple of Doom. Ok so the quality of the last film wasn’t great… He’d repeated that feat between ‘89 and ‘93 when he put out Indiana Jones and the Last Crusade and Hook which I both love followed by Jurassic Park which I don’t. The Lost World: Jurassic Park followed along a string of so-so films, A.I. Artificial Intelligence, Minority Report, War of the Worlds and one decided stinker, Indiana Jones and the Kingdom of the Crystal Skull. The BFG is simply wonderful. Haven’t seen Ready Player One so I’ll leave that up to y’all to opine on.
Born December 18, 1953 – Jeff Kober,65. Actor who’s been in myriad genre series and films including V, The Twilight Zone, Alien Nation, the Poltergeist series,The X-Files series, Tank Girl as one of the kangaroos naturally, Supernatural, Star Trek: Voyager, Star Trek: Enterprise, Kindred: The Embraced and The Walking Dead.
Born December 18, 1968 – Casper Van Dien, 49. Yes, Johnny Rico in that Starship Troopers movie. Not learning his lesson, he’d go on to film Starship Troopers 3: Marauder and the animated Starship Troopers: Traitor of Mars. Do not go read the descriptions of these films! He’d also star as Tarzan in Tarzan and the Lost City, show up as Brom Van Brunt In Sleepy Hollow, be Captain Abraham Van Helsing in Dracula 3000, James K. Polkin, and — oh really Casper — the Abraham Lincoln: Vampire Hunter Sequels short, Rumpelstiltskin in Avengers Grimm and Saber Raine In Star Raiders: The Adventures of Saber Raine. That’s a lot of really bad film.
The unseen presence of one character has haunted The Good Place from the beginning, lingering like one of Bad Janet’s legendary farts since the very first moments of the very first episode: Doug Forcett.
As we all know — at three seasons and 35 episodes in — the afterlife hinges on a cumulative point system, with good deeds adding to an individual’s point total and bad or selfish deeds subtracting. People with high enough point totals enter The Good Place, while those who don’t make the cut do the whole burn-for-eternity thing down in The Bad Place. Despite all the twists, developments, reveals, and red herrings of the uniquely sharp and wacky sitcom, one constant has remained: that only one mortal has figured out the system, and he did it while on a mushroom trip back in 1972.
“Don’t Let the Good Life Pass You By” opens with the song of the same name by the Mamas and the Papas’ “Mama” Cass Elliott, itself a 70s artifact that portends something darker than its sunny melody suggests —that life is short, and if we’re not careful, we’ll screw it up. We watch as some as-yet-unnamed character tends to a series of mundane tasks, his face hidden from view. But there’s something familiar about that grizzled-blond shock of hair we see only from behind. It belongs to someone we know. Turns out that’s doubly true, as the head we’re looking at is that of legendary comedic actor Michael McKean in character as the aforementioned Forcett, now several decades older and committed to obtaining the requisite number of Good Place points.
A KiwiBot, an automated food delivery robot which is present on UC Berkeley’s campus, caught fire on Friday afternoon.
In a post, the company explained the incident was due to a faulty battery which had been mistakenly installed instead of a functioning one.
The errant battery started smoldering while the robot was idling, leading to smoke, then fire outside the Martin Luther King Jr. Student Union.
“A member of the community acted swiftly toextinguish the flames using a nearby fire extinguisher. Within moments ofthe incident occurring, it had already been contained,” the post read.
“The Berkeley Fire Department arrived shortly thereafter to secure the scene, and doused the robot with foam ensuring there was no risk of re-ignition.”
Unsurprisingly, the fire was caught on both video and stills. Pics of the subsequent candlelight memorial also appeared online. Deliveries had been taking place by the bots since 2017 but were suspended following the fire. Since then, software has been updated to more closely monitor the battery state and the fleet is back in service.
On Tuesday, the chicken chain announced that it is selling three-piece chicken-tenders meals packaged in “Emotional Support Chicken” carriers at Philadelphia International Airport. The special chicken will be available as supplies last starting Tuesday at the Popeyes location in Terminal C.
Emotional-support animals have been making headlines recently, as passengers have pushed for the ability to bring increasingly bizarre companions on flights.
Slat’s system, a 10-foot skirt attached beneath an unmoored, 2000-foot-long plastic tube, takes advantage of the wind and waves to move through the Pacific Ocean. The system aims to collect plastic from the water’s surface, which would then be picked up every few months by a support vessel and transported back to land for recycling. The garbage trap uses solar-powered lights, cameras, sensors and satellite antennas to communicate its position to Slat’s team and passerby vessels.
Weather and other delays marred what had been anticipated as a banner day for space launches Tuesday, as both SpaceX and Blue Origin were forced to postpone launches that had been scheduled to take place within minutes of each other. Both companies say they will look at moving their launches to Wednesday morning.
Artificial intelligence bots. 3-D printed human organs. Genomic sequencing.
These might seem to be natural topics of interest in a country determined to be the world’s leader in science and technology. But in China, where censors are known to take a heavy hand, several artworks that look closely at these breakthroughs have been deemed taboo by local cultural officials.
The works, which raise questions about the social and ethical implications of artificial intelligence and biotechnology, were abruptly pulled last weekend from the coming Guangzhou Triennial on the orders of cultural authorities in the southern Chinese province of Guangdong.
The artists, from Europe, Australia and the United States, were not given an official reason why their works were rejected for the show, which opens on Dec. 21 at the Guangdong Museum of Art. The pieces did not touch on the Tiananmen democracy crackdown of 1989, independence for Taiwan or Tibet or the private wealth of Chinese Communist Party leaders —topics that are widely known to be off-limits for public discussion in China.
As a result, some of the show’s curators and the affected artists havebeen left guessing as to why the works were banned. Their conclusion? The works were perhaps too timely, too relevant and therefore too discomforting for Chinese officials.
…The other banned works include “The Modular Body,” an online science fiction story about using human cells and artificial organs to create a living organism. Created by a Dutch artist, Floris Kaayk, the work is intended to raise questions about the potential for 3-D printing of human organs, about extending life with the help of technology and about the desire to design life from scratch.
Say goodbye to Sphero’s cute BB-8 robot. In fact, say goodbye to all the company’s licensed products, including R2-D2, BB-9E and Cars’ Lighting McQueen. According to The Verge, Sphero plans to sell its remaining inventory of licensed toys, but it will no longer manufacture more once it runs out. Indeed, the products’ listings on Sphero’s website says “This is a legacy product and no longer in production.” The company isn’t just discontinuing the models, though: It’s ending its licensing partnerships completely, because it’s no longer worth dedicating resources for their production.
Sphero chief Paul Berberian explained that while the toys sold well when their tie-in movies were released, fewer and fewer people purchased them as the years went by. “When you launch a toy, your first year’s your biggest. Your second year’s way smaller, and your third year gets really tiny,” he said….
An African grey parrot has made headlines recently for inadvertently making orders via his owner’s Amazon Echo. Originally reported via The Times of London [paywall], the parrot — whose name is Rocco — would mindlessly activate Alexa and have the virtual assistant tell jokes and play music. Rocco even tried to order a few items from Amazon, but the owner wisely had set up controls to prevent unauthorized purchases.
What makes the somewhat lighthearted story even more amusing is that Rocco previously had a stint living at the UK’s National Animal Welfare Trust (NAWT) but was kicked out — yes, kicked out — because he was swearing too much. As the old adage says, truth is stranger than fiction. Rocco was subsequently placed under the care of a NAWT employee named Marion Wischnewski whereupon he quickly started activating Alexa.
[Thanks to John King Tarpinian, JJ, Carl Slaughter, Elusis, Brian Z., Chip Hitchcock, Cat Eldridge, Andrew Porter, Martin Morse Wooster, Daniel Dern, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Paul Weimer.]
By Isabel Schechter: It is unfortunate that I have to make a statement regarding the incident that happened last week at LosCon 45, but there has been lack of information, misinformation, and deliberately incomplete information being put out, and given Loscon’s lack of communication, I feel I need to set the record straight on some things.
The comments made by Dr. Benford at the “New Masters of SF” panel have been discussed elsewhere, and I will not address them or the reasons for my report of them further. However, the actions of the convention and the LASFS board, and my connection or lack thereof, to those actions have been confusing, and that is what needs to be made clear.
To begin, right after the panel, there were several people who spoke with the Programming department head, Justine Reynolds, about Dr. Benford’s comments. After that, various concom staff members sought me out regarding this incident. First, Justine followed up with me to let me know that Dr. Benford had been asked to not be on programming for the rest of the convention. Later, the con chairs sought me out to tell me that they had removed Dr. Benford from the convention. The third time I was approached, it was by Ops to ask me to make an official report of the incident. Each time concom staff sought me out, I thought that was the end of it.
Apparently, that was not the end of it. It was only after the convention that I found out that Dr. Benford’s removal from the convention had been reversed. It was only after reading social media posts about the incident that I found out that Dr. Benford’s removal from the convention was not actually because of my or anyone else’s report of his comments on the panel, but rather because he didn’t follow the concom’s directions, used foul language, and referred to one of the con chairs as “honey.”
I was not informed that the con would be issuing a statement about the incident on social media, nor was I informed that they would be publicizing Dr. Benford’s statement or asked if I would like the opportunity to do the same. In addition, contrary to what at least one concom member stated, Dr. Benford and I did not have contact of any kind after the panel.
In my on-site interactions with Loscon staff, I felt that they took their Code of Conduct seriously and wanted to ensure that this kind of incident was handled appropriately. Sadly, as I have now found out from other sources more about how Loscon did not follow their own procedures and has still, one week later, not communicated any of this to me directly, I am now extremely disappointed with their disorganization and unprofessionalism.
While I appreciate that the con chairs had good intentions in taking swift action against Dr. Benford, I need to make it absolutely clear that at no point did I request, pressure, insist, or demand that Loscon bypass their policies or procedures, or to remove Dr. Benford from the convention. I was never asked by Loscon for my input or opinion regarding any actions the con took toward Dr. Benford. His removal was a decision made by the con chairs without my knowledge and only communicated to me after it was already done.
I take CoC’s very seriously and believe it is imperative that all conventions not only have a strong CoC, but to also consistently follow policies and procedures to ensure all incidents are handled in an appropriate manner. I reported Dr. Benford’s comments and spoke to File 770 about what happened at the convention because I initially trusted Loscon would properly implement their CoC rules. Unfortunately that trust was misplaced, putting me at risk. When conventions bypass their own CoC policies and procedures, misinformation and confusions result. CoC policies and procedures exist to not only protect the convention, but also to protect attendees, including those who report problems to the convention. Failure to follow procedure can often lead to those who made reports leaves them vulnerable as targets for retaliation and threats, including some I have seen encouraging physical violence against me that have made because of the unclear and conflicting statements and actions taken by Loscon. Convention attendees need to feel safe enough to report incidents, and when failures like this occur, they can discourage other attendees from reporting issues because they don’t want to expose themselves to harassment and threats for doing the right thing.
Loscon did not handle this incident well to begin with, and has made it worse with their lack of communication. I hope that they will learn from this incident and do better going forward, and that other conventions will take note and strengthen their own procedures to prevent a similar situation from occurring.
Update12/02/2018: The formal address in this post has been corrected to Dr. Benford. Isabel Schecter explains: “I was unaware the he was Dr., and would have used the proper address if I had known. I apologize for my error.”
“New Masters of Science Fiction” panel at Loscon 45 with Mel Gilden, Alvaro Zinos-Amaro, Gregory Benford, and Brad Lyau. Photo by Kenn Bates.
Over Thanksgiving weekend at Loscon 45, code of conduct violations were alleged against Gregory Benford for a couple of statements he made on the “New Masters of Science Fiction” panel. Afterwards, a Loscon co-chair took the unprecedented step of removing Benford from the convention. However, this action bypassed Loscon’s incident process. The board of directors of LASFS, which owns Loscon, got involved. The issue was returned to the process so con Ops could gather information. Loscon later made an announcement that “the actions desired by the aggrieved parties have been either met or exceeded.” However, at the time Ops met with the party who reported the incident she was still under the impression that Benford had been removed, which was not the ultimate outcome. On November 28, the club posted as its final resolution a statement written by Benford himself which says the co-chair apologized and he accepted the apology.
What happened at the panel: On Saturday morning the “New Masters of Science Fiction” panelists — Alvaro Zinos-Amaro, Mel Gilden, Brad Lyau, and Benford — were discussing the question: “We know the old SF masters — Heinlein, Asimov, Vogt, de Camp, McCaffrey, LeGuin — who are new masters?”
Alvaro Zinos-Amaro and Gregory Benford. Photo by Kenn Bates.
According to Kenn Bates, who was present, Benford said N.K. Jemisin should get her science right. “He did qualify his comment by saying that he liked hard SF and he was sure that his opinion was biased by that. He also said that PSI powers to control the earth and earthquakes had already been done in the fifties.”
Benford later told readers of David Weber’s Facebook page specifically, “I said, not to anyone in the room, ‘If you write sf honey, gotta get the science right.’”
Isabel Schechter says, “In addition to the ‘honey’ comment, Greg also made another comment-when one of the panelists recommended a Latino author, Greg asked him to spell the name, and then asked again several times before giving up and saying that some or those ‘names have too many vowels.’ He made this comment several times.”
Schechter, who has been in fandom over 20 years and co-chaired the successful San Juan in 2017 NASFiC bid, asked to be called on and made several comments:
I said that we were supposed to be talking about new masters but instead were talking about old ones. I remember saying “old white men” at some point in that description of the old masters, but not about the panelists (two of whom are not White). I did say that there were not any women on the panel (there was one assigned, but she didn’t show up-which I didn’t know). My comment about the female authors was in reference to the contrast between the men being discussed.
I did tell Greg that his use of the word “honey” was “offensive.” He tried to interrupt me and I told him I was still speaking. Shortly thereafter, he declared, “This panel is over!” and left the room. The panel went on without him, with panelists answering several questions after that.
The process: Isabel Schechter says she contacted the committee about events at the panel, beginning with Program organizer Justine Reynolds. Other conversations followed with Loscon co-chairs Christian McGuire and Crys Pretzman, then head of con Ops Lee Almodovar, and Robbie Bourget.
After the panel, several people were talking to me about the panel and Greg’s behavior, and Justine Reynolds, the Program Chair happened to be just outside the room as we walked out. I told her what happened, as did the other people. She apologized and said she would look into it, or something along those lines. I then went about my business. At some point, maybe an hour later, I was told that Greg had been asked to not be on any more programming. I said thanks and thought that was the end of it.
Then maybe an hour later, someone (I don’t know who, but they looked like staff) told me the conchairs wanted to talk to me, and walked me over to them, where they apologized for Greg’s behavior. They said they didn’t want me to think that the convention found his behavior acceptable and that they would not allow that kind of thing there. I thanked them, and again thought that was the end of it.
What happened next is that Christian McGuire, accompanied by someone from the hotel, located Benford at his 1 p.m. signing in the dealer’s room. According to Brandy Grote, “My husband witnessed him being escorted away by Hotel Security during his autograph session.”
Ginjer Buchanan, who read about this on David Weber’s Facebook page, commented, “Short of someone physically assaulting someone else in public, I can’t think of any reason for tracking down a person, no matter who they are, and having them do a perp walk out of a con. This strikes me as a bridge too far…”
What’s more, this step was taken without going through Loscon’s process for handling code of conduct violations. In response to my question, LASFS’ Kristen Gorlitz explained, “We do have a process for dealing with violations, but in this case, the proper channels were bypassed in favor of haste. This was thereafter rectified and the proper channels were consulted. (This is why we have an Ops team).”
Hours after Benford was led out, the committee asked Isabel Schechter to make an official statement:
Later that evening, I was asked by someone (don’t remember who) if I could make an official statement to Ops, so I went to the Ops room and gave a statement to Lee Almodovar. While doing that, [Robbie] (an older blond woman) asked me for details because it turns out that the conchairs didn’t follow convention procedures/coordinate the process with Ops. She said the conchairs overreacted or were extreme or something, and that she preferred to talk to everyone involved to try and reach a resolution, but now that Greg had been kicked out, he might not be willing to talk. She asked me if I was satisfied with the outcome or if I wanted anything like an apology. I told her I would like an apology but didn’t think I would get one. Otherwise, I was fine with the resolution. After that, I again went on about my business.
What happened to Benford led to a retaliatory petition calling for Christian B. McGuire to be removed from the LASFS Board of Directors, signed by a number of LASFS members including Larry Niven, Harry Turtledove, Laura Frankos, and David Gerrold. The next meeting of the Board is in December.
What the public was told: Ops was still collecting information on Sunday morning when LASFS asked File 770 to post this announcement (which also went up on Facebook):
Please be aware that the Loscon committee and LASFS Board are aware of an issue which occurred yesterday during a panel and are conducting a full investigation to ensure that all parties have been heard and then making a final decision based on that investigation. We would request that if anyone believes they have information to approach Ops in the Board Room. We will have an official resolution within 24 hours.
Among the people who reacted to the Facebook request was Barbara Landsman, who had a different perspective.
I was at that panel and I was horrified. I actually stood up and told her that I did not want to hear her political agenda and that she should just stop. Gregory Benford caught my eye and I just made the cut it off sign to him and he just shrugged. He finally got so pissed off that he stormed out. I again made a comment to try to stop her from continuing on with her rant and she just wouldn’t give it up. So I left. If anyone wants my testimony I’ll be very happy to speak on this. She came into this panel with a notebook and made notes and took down names and she definitely had an agenda. She wanted to fight.
Two more fans said they’d been at the panel and had given statements to Ops, but they did not repeat them on Facebook.
All parties have been spoken with either yesterday or today. The actions desired by the aggrieved parties have been either met or exceeded through the follow up actions by the Co-Chairs and Ops. We would like to remind everyone and also future Loscons of the importance of being fully aware of our Code of Conduct and how language can cause emotional and psychological harm.
The resolution: Convention committees usually keep confidential their internal deliberations about alleged code of conduct violations so, unsurprisingly, it remains unexplained why the Loscon leadership didn’t follow the process, or how LASFS decided the outcome. Nor does LASFS really show an understanding that it’s their process and they need to take ownership of the outcome, because at the end this what they distributed:
November 28, 2018
Greg Benford gave us permission to publish this statement, if you wish to update file770. Thanks!
Gregory Benford’s message to LASFS:
At the 2018 Loscon there was an incident at a panel where someone took exception to something I said in general—which that someone took to be about a third party, who was not there. Things got heated. I left the room, not wanting to continue. Apparently that someone complained to the convention chairs and they over reacted. The chair has apologized to me and I accepted it gratefully. He and his co-chair were probably trying to do the right thing in these over-heated times. We all are, I trust. I have been attending Loscon since it began, and my first LASFS meeting was in 1963. I respect these enormously.
People were upset by the way the chairs acted. Many later came up to me to say they were disturbed over it. They were more upset than I was. Since then, I’ve received vastly many emails, calls, Facebook posts, the lot. It’s exhausting. Things are fine with me now. I’m not upset. And I hope people will keep cooler heads in the future.
I want to especially thank Craig Miller, John Hertz, Matthew Tepper, Harry Turtledove, Larry Niven, Steve Barnes, John DeChancie, Gordon van Gelder and Michelle Pincus for their help in dealing with this.
At risk of being too professorial, I recommend reading
This is probably the first time the subject of code of conduct allegations ever wrote up the determination for the con committee.
When Kristen Gorlitz answered my follow-up questions about the statement, I learned she was under the impression that Isabel Schechter and Gregory Benford had met and resolved things, which never happened. (Do any other LASFSians think that happened?) Schechter says —
They did not copy me on Greg’s statement. It would have been nice if they had, given that it concerned me.
As for me and Greg resolving things, I have no idea what they mean by that. I never spoke to Greg after the panel, or at any point during the convention, before or after the panel. He did not approach me, I did not approach him, no one put us together, and we had no interaction during the convention other than during the panel. I have no idea why Kristen would say this, and am at a loss for words to explain how confused I am by her comment.
Also, Greg’s statement, “someone took exception to something I said in general—which that someone took to be about a third party, who was not there,” is misleading at best-his comment was not “in general,” he specifically named N.K. Jemisin, I did not need to make up a third party.
After neutralizing effects of the co-chair’s startling decision to walk Benford out of his autograph session, and, so far as the statement shows, managing to keep his good will, it is probably unrealistic to expect LASFS to speak explicitly to the original complaint and say whether its code of conduct was violated by Benford’s comments about Jemisin’s sf, or the spelling of Hispanic names. However, since they are standing behind his statement, how that blank would be filled-in should be easy to guess.
Update 11/30/2018: Robbie Bourget of Loscon Ops forwarded this additional information about their role: “Ops was not involved until the day after the issues, although we did take a statement from Isobel in which she did say when specifically asked ‘what would you have wished to have happen’ she said ‘for Mr Benford to be spoken to about his use of language’ and when I asked if she wanted an apology she said it would be nice but did not expect it. Therefore, since Greg was spoken to, twice, about his language – the requests (actual) of all parties were met or exceeded, since he was excluded from panels that he was scheduled for from the point the Chairs first talked to him and from the floor from after the autograph session on Saturday until sometime Sunday when he was finally interviewed by Ops.”
(1) YA FOR YA. Vicky Who Reads has a lot of interesting observations about “The Many Ways YA Books & The Community Isolates Teens”. Following up her first point, that teens lack money and often do their reading in ways that don’t register with the market (e.g., borrowing books), she says that leads to —
Adults’ money speaks, and adults oftentimes support YA novels with older characters.
Actually–scratch that. Characters who are in their teen years, but basically act like adults.
I find this is both because adult publishing doesn’t want YA-style stories–character relationships and lots of entertainment value. But adults do want to read these types of books, and they show it by influencing the YA category.
So, we end up with lots of upper YA books featuring young adult characters that are acting older and older, but they’re still the same age.
And this doesn’t mean YA readers can’t enjoy adult characters or adult novels or novels with characters that act like adults. But it does mean that these books are taking up the space of books that should be representing teens and the teenage experiences–not a YA style story representing an adult experience.
That’s a tough question because predicting what works for markets, when markets are always changing, is like trying to read tea leaves when you don’t know how. But early in my writing career, I read slush at a magazine, and that gave me some clues.
For me, tightening everything and making every image and scene as vivid as possible was part of it. And making sure first scenes are crystal clear in intent, voice, setting, and theme—essentially answering the question of why the reader should give this story their time—was part of what helped the work find its audience.
(3) SETTING BOUNDARIES. Con or Bust, which helps people of color/non-white people attend SFF conventions, has adopted a minimal set of anti-harassment policies for cons that wish to donate memberships, “because when Con or Bust accepts donated memberships, it necessarily promotes the conventions in question…” The guideline has been announced now, and will take effect in a year — “Con or Bust will require anti-harassment policies before accepting donated con memberships”.
Here are our requirements for a meaningful anti-harassment policy.
The policy’s definition of harassment must:
o include offensive verbal statements, physical contact, and actions other than physical contact (e.g., stalking, non-consensual photography or recording); and
o state that the convention prohibits harassment in relation to—at minimum—race, gender, sexuality, impairment, physical appearance, and religion.
The policy must state where and when it applies. (Does it extend to off-site events associated with the con, or to con-related online spaces? Does it apply before the con, or after?)
The policy must state what happens if someone violates it, including:
o Who can report the harassment;
o How to report the harassment. This must include a method of reporting that is not in-person and must include a method of reporting after the convention; and
o The potential consequences for both the violator and the reporter, including what privacy the reporter will be provided and to what extent the con will take the reporter’s wishes into account when determining what action to take.
(4) NO KSM AWARD. The 20Booksto50K Vegas conference came and went without a word about the “Keystroke Medium Reader’s Choice Awards” expected to debut there following last February’s announcement. I sent a query and KSM’s Josh Hayes answered:
The KSM Awards project was put on hold indefinitely. We didn’t get enough responses to produce a fair and accurate accounting of winners. It’s something we’re looking into for the future!
We have some important news to share with regards to Book Smugglers Publishing. As of December 31st 2018, we will be shifting our business away from for sale short stories, novellas, and novels….
After much thought, discussion, and agonizing–we came to the only decision that we felt was fair for our readers and our creators: to focus on our key Book Smuggler strengths as a website, and as a publisher of short fiction. Moving forward, we will continue to focus on The Book Smugglers as a website with our regular coverage of books–just as we’ve always done since the beginning. We would like to still acquire short stories in the future, but they will only be available for free on our website and without the for sale distribution into e-retail markets.
(6) RAPPING FOR SCIENCE. Rivkah Brown, in “When Rap Gets Physical” in the Financial Times, discusses rapper Consensus, who works with CERN to produce rap videos that explain particle physics. (I could access the article from Bing, but the URL copied here ends up at a paywall. So no link.) His latest video can be found is you look for “Consensus Dark Matter” on YouTube,’
Realising how rapidly CERN’s research moved, Consensus decided to avoid the theoretical and stick to facts. “I didn’t want to write a song, only for the science to change.”
The result of his research was ConCERNed. Released last year, the album condenses an astronomical amount of physics into nine tracks. The most densely packed is, unsurprisingly, “Higgs”. The other eight tracks, Consensus tells me, respect the fact that “there’s only so much people can absorb in four minutes”. But to do justice to the Higgs boson, a particle to which many devote their entire careers, he would have to surpass that saturation point.
Indeed, the lyrics to “Higgs” are pretty cryptic to those who don’t have a deep understanding of the science (“I’m looking to vacuum whatever you’ve got / And the value of what I’m expecting is not / To be zero”). They are, however, menacing. Borrowing from battle rap, Consensus delivers a guttural rhyme that moves between boasts (“People call me Higgs ’cos I’m massive”), insults (“You’re weak, and your life isn’t long”) and threats (“Treat ’em like the LHC / Smash ’em up collide”) to personify a particle that — given that it is known as the “God” particle — probably should intimidate. As he says on the track, “I’m practically the reason you exist.”
(7) DORRIS OBIT. Marcia Illingworth writes, “It pains me to have to tell you that Maurine [Dorris] passed away last night [November 11], shortly after 01:00 AM. She passed peacefully with her son Jimmy and friend JoAnn Parsons by her side.”
Maurine is old time SF Fandom. She and Joann Parsons started World Horror Convention. She was active in WorldCon Fandom and World Fantasy. She in known for running ASFA Suites and SWFA Suites at quite a few Worldcons.
(8) RAIN OBIT. Canadian actor Douglas Rain, who was the voice of HAL 9000 in 2001 and 2010, died November 11. (He also voiced Bio Central Computer 2100, Series G, the computer aiding in Our Leader’s cloning in Woody Allen’s comedy Sleeper.)
(9) TRIVIAL TRIVIA.
The SAL9000 was voiced by Candice Bergen.
(10) TODAY IN HISTORY
November 11, 1951 — Flight to Mars premiered in theatres.
November 11, 1994 – Interview with the Vampire was released.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born November 11, 1916 – Donald Franson. Author of A Key to the Terminology of Science-Fiction Fandom. Also wrote A History of the Hugo, Nebula, and International Fantasy Awards, Listing Nominees & Winners, 1951-1970 and An Author Index to Astounding/Analog: Part II—Vol. 36, #1, September, 1945 to Vol. 73 #3, May, 1964, the first with Howard DeVore. When I first stumble across an author and their works I’m reminded how deep the genre is. (Died 2002.)
Born November 11, 1917 – Mack Reynolds. Author of a couple hundred published short stories and several novels, he sold more work to John W. Campbell Jr.’s Analog than just about anyone — but not the oft-anthologized “Compound Interest” which appeared in F&SF. His 1962 story “Status Quo” was a Hugo nominee, and he had two stories up for the Nebula in 1966, the clever Sherlock Holmes pastiche, “Adventure of the Extraterrestrial,” and “A Leader for Yesteryear.” OGH met him at the 1972 Worldcon. (Died 1983.)
Born November 11, 1922 – Kurt Vonnegut, Jr.The Sirens of Titan was his first SF novel followed by Cat’s Cradle which after turning down his original thesis in 1947, the University of Chicago awarded him his master’s degree in anthropology in 1971 for this novel. Next was Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death which is one weird book and an even stranger film. It was nominated for best novel Nebula and Hugo Awards but lost both to Ursula K. Le Guin’s The Left Hand of Darkness. I’m fairly sure Breakfast of Champions, or Goodbye Blue Monday is his last genre novel there’s a lot of short fiction where something of a genre nature might have occurred. (Died 2007.)
Born November 11, 1925 – Jonathan Winters. Yes he did do quite a few genre performances including an early one as James Howard “Fats” Brown in “A Game of Pool”, a 1961 episode of The Twilight Zone. He next shows up as Albert Paradine II in the TV movie More Wild, Wild West. He had a recurring role in Mork & Mindy as a character named Mearth. You’ll find him in The Shadow, The Adventures of Rocky and Bullwinkle, The Flintstones, both of The Smurfs films and quite a bit more. He even of course was a guest on The Muppets Show. (Died 2013.)
Born November 11, 1945 – Delphyne Joan Hanke-Woods. Artist and Illustrator whose grandfather taught her to read using science fiction pulp magazines. After discovering genre fandom at Windycon in 1978, she became one of the leading fan artists in fanzines of the time, including providing numerous covers for File 770. In addition to convention art shows, her art also appeared professionally, illustrating books by R.A. Lafferty, Joan D. Vinge, and Theodore Sturgeon, and in magazines including Galaxy, Fantastic Films, and The Comics Journal. She won two FAAn Awards for Best Serious Artist and was nominated six times for the Best Fan Artist Hugo, winning in 1986. She was Fan Guest of Honor at several conventions, including back at a Windycon, where her fandom started. (Died 2013.)
November 11, 1948 – Kathy Sanders, 70, Costumer and Fan from the Los Angeles area who has chaired/co-chaired Costume-Cons, and has worked on or organized masquerades at a number of Westercons, Loscons, and a Worldcon. She received Costume-Con’s Life Achievement Award in 2015. She is a member of LASFS and of SCIFI, and ran for DUFF in 1987. Her essay “A Masquerade by Any Other Name” appeared in the L.A.con III Worldcon Program Book.
Born November 11, 1960 – Stanley Tucci, 58. Actor, Director, and Producer with a lengthy resume of character roles in genre films including The Core (Yay! The Core!), Prelude to a Kiss, A Midsummer Night’s Dream, Muppets Most Wanted, Beauty and the Beast, The Lovely Bones, Captain America: The First Avenger, Jack the Giant Slayer, Percy Jackson: Sea of Monsters, and The Hunger Games films, as well as numerous voice roles including Leonardo da Vinci in Mr. Peabody & Sherman.
The story of the giant gold-digging ants date back to Herodotus, the father of lies and history. The story goes that these giant dog-sized, furry ants dig grains of gold from the ground. They guard this gold with military precision and diligent action.
It’s a ridiculous tall tale story, but where did it come from?
And is an ant really an ant when it is quite that big and furry?
Herodotus was also very keen on there being winged serpents in Egypt. I’ve long thought of him as travel writer keen to tell you all the stories random people tell him at the pub.
And with the ants, it is possible that it’s just a misunderstanding born out of a translation error. The Persian word for marmot and mountain ant are similar, and there is indeed a species of fox-sized marmot who regularly uncover gold dust in a province of Pakistan due to how rich that ground is in gold.
(13) DOCTOR WHO DOSSIER. Find out what police officer Yasmin Khan has on file about the Pting.
The sector known as one of the film world’s most stable — “Incredibles 2” and “Hotel Transylvania 3” were both hugely lucrative this past summer — is slowly playing out its own mythic dramas, if with less-catchy music.
Companies are beset by mergers, or #MeToo scandals. Studios are wedded to big ambitions, or shackled to past successes.
And internal questions are only the start. Leaders such as Disney and Pixar are trying to maintain dominance over the field, while close competitors like Illumination are closing in. Once-great studios such as DreamWorks are struggling to find their way back. And well-funded upstarts from Sony to Netflix are seeking to knock them all off.
…In interviews with The Washington Post, 16 animation executives and experts, many of whom spoke on the condition of anonymity because of the highly competitive nature of the field, described a world of intense battles, complex strategies and, maybe most telling, modern motivations. In an era in which entertainment has become fragmented and niche, with kids and parents rarely agreeing on what to watch, animation’s reliable power to attract whole families is the reason studios can’t let it go.
At stake is not just which Hollywood conglomerate will reap financial bounties — major franchises like Toy Story can take in $2 billion or more globally — but which will define the tone and style of animation moviegoers see for years to come. Will the category continued to be dominated by the computer-generated soulfulness of Disney and Pixar? Or will the off-kilter, European flavor of Illumination and its lovably goofy “Minions” make more inroads?
The Gate to Women’s Country has a reputation for being among the great works of feminist science fiction, and it may have been at the time, but now thirty years after it was first published, The Gate to Women’s Country does not quite hold up to that legacy. Its importance to the canon of science fiction is not in question. The Gate to Women’s Country has earned that importance. Its reputation as a novel that remains great today is, however, very much in question.
Kate Jackson/CrossExaminingCrime, ROCKET TO THE MORGUE, Anthony Boucher
Curtis Evans, THE ELECTION BOOTH MURDER, Milton M. Propper
Elisabeth Grace Foley, REST AND BE THANKFUL, Helen MacInnes
Rich Horton, SKIN HUNGER and SACRED SCARS, Kathleen Duey
Jerry House, STAR OVER BETHLEHEM AND OTHER STORIES, Agatha Christie Mallowan
George Kelley, END OF THE LINE, Burt and Dolores Hitchens
Margot Kinberg, DESERT HEAT, J.A. Jance
Rob Kitchin, SIRENS, Joseph Knox
B.V. Lawson, VOICE OUT OF DARKNESS, Ursula Curtiss
Evan Lewis, THE SEVEN PERCENT SOLUTION, Nicholas Meyer
Steve Lewis, SHADY LADY, Cleve Adams
Todd Mason, THE AMERICAN FOLK SCENE ed. David DeTurk & A. Poulin, Jr.; BOB
DYLAN: DON’T LOOK BACK transcribed & edited by DJ Pennebaker et al.;
DANGEROUSLY FUNNY by David Bianculli
Kent Morgan, IN A TRUE LIGHT, John Harvey
J. F. Norris, MAYNARDS’S HOUSE, Herman Raucher
James Reasoner, THE COMPLETE MIKE SHAYNE, PRIVATE EYE, Ken Fitch and Ed Ashe (1960s comics adaptation)
Richard Robinson, THE WAY THE FUTURE WAS, Frederik Pohl
Mike Sind/Only Detect, DARKNESS TAKE MY HAND, Dennis Lehane
Kevin Tipple, CORKSCREW, Ted Wood
TomCat, THE HOUSE OF STRANGE GUESTS, Nicholas Brady
TracyK, THE BIRTHDAY MURDER, Lange Lewis
(17) VIDEO OF THE DAY. In “Why Does The Grim Reaper Exist?” on YouTube, The New Yorker looks at the 132 Grim Reaper cartoons published in their magazine (including ones by Charles Addams and Gahan Wilson) to see why the Grim Reaper exists and why we think he can be mocked.
[Thanks to JJ, Marcia Illingworth, Karl-Johan Norén, Cat Eldridge, John King Tarpinian, Carl Slaughter, Martin Morse Wooster, Andrew Porter, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day cmm.]
Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…
While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:
“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”
To which Moffat replied:
“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”
Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.
Click to find out how the director answered the question.
(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.
I walked into the taco place and "the Final Countdown" started playing. Now I really want to fight a climactic battle with someone for these tacos.
HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….
…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities. He tries to identify the military unit involved using evidence from the photos, yet, each step takes him deeper into a an ever, menacing conspiracy. He follows a trail of clues with lead him to several other anomalies: one town controlled by subliminal programming; another town in which people are being abducted by UFO’s; yet another town comprised entirely of people who’ve been erased like Tom. Veil himself is often captured, tracked, and subject to further experiments.
Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.
In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….
(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.
…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and JJ.]
Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.
In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:
Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.
Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.
FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.
Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….
I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.
…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.
It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?
Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018. Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:
The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.
Researchers are ramping up plans for living on the Moon.
Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.
…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.
This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]