Tremendous Pushback Against Barkley YA Award Name Proposal

Since Chris Barkley released his “Proposal to Re-Name the Young Adult Book Award” yesterday it has been heavily criticized, and five of the nine signers have removed their names —  Juliette Wade, Melinda Snodgrass, Pablo Miguel Alberto Vasquez, and Shawna McCarthy, and Vincent Docherty, who says his name never should have been included to begin with.

Last year, the Worldcon 75 business meeting finalized creation of a new YA Award for the World Science Fiction Convention, ratifying it by a vote of 65-27, and a motion naming it the Lodestar award received first passage. (For a complete explanation of how the committee chose that name, read the YA Award Full Report.)

Barkley’s proposal urges the award be given a different name — though just what name he planned to keep embargoed until the start of this year’s business meeting. (“There is very good reason why the name will not be revealed at this time and that explanation will also be given at that time.”)

However, when Melinda Snodgrass told Facebook readers why she was no longer a signer, she also revealed the proposed name.

So I have apparently inadvertently stepped into the middle of a science fiction fandom/Hugo/Worldcon hornet’s nest. So do pass on to anyone who might care that this was done innocently and was me attempting to not seem to be slighting Ursula K. Le Guin who was one of our greatest writers.

How this all happened — I had the vague memory that we now have a YA award of some kind and when I got a request to put my name on a petition to have it named for Le Guin it seemed churlish to refuse. I thought it was another make nice sort of honorary thing so I said sure even though it didn’t matter to me one whit.

But apparently this process has consumed fandom and worldcon like a wildfire for the past several years, and I have apparently been pulled into this fight when I didn’t even know there was a fight.

So consider this me stating that I don’t have a dog in this fight. I’m not taking a side because I didn’t know there were sides to be taken, I’ve requested my name be removed and I’m backing slowly away from the whole thing so I can get back to writing and working to get Wild Cards on the air.

Once this whole thing gets settled I will be happy to vote for a YA novel because I really enjoy YA novels. And I don’t care what they call the award.

Chris Barkley sent File 770 this comment “on the record”: “I do not have any comment at this time. If anyone wants to know what name will be officially revealed, they are welcome to attend the Preliminary Business Meeting at Worldcon 76.”

Also, Ellen Datlow, although not listed in Barkley’s post on File 770, announced on Facebook that she has removed her name from the petition.

Renay of Lady Business has made the most thorough critical response to the motion. Jump on the thread here:

At another point she underscores how the proposal disrespects the process used to create the award —

She is not the only one to see the proposal as demeaning people’s work on the award:

While the name was still unknown, Brian White voiced his deepest fear….

However, it needs to be made clear that the Worldcon was not the author of this idea —

Stacy Whitman satirized the proposal in a thread —

And a writer who knows something about the years of debate behind the award wryly suggested another new name:

[Thanks to Mark Hepworth, JJ, and Chris Barkley for the story.]

A Proposal to Re-Name the Young Adult Book Award at Worldcon 76

By Chris M. Barkley

“When the mind is free, magic happens.”
— Young Adult author C.G. Rousing

“Harry Potter” blew the roof off of children’s literature. But that doesn’t mean the work is done — for YA authors, it just means more scope for the imagination.”
Huffington Post reporter Claire Fallon, June 2017

Reading is one of the great pleasures in life. For a time in our modern age, it is seems as though young grade and high school kids had abandoned reading books.

Then, in 1997, along came J.K. Rowling and her creation, the world of Harry Potter. And now, after twenty-one years, it’s hard to imagine what might have happened to entire generation of young readers if Bloomsbury and Scholastic Books hadn’t taken a chance on the saga of a young wizard and his friends and deadly enemies.

The Harry Potter novels, which continue to sell, provided a mighty tide that raised the fortunes of a great many writers; new authors such as Suzanne Collins, Garth Nix, Veronica Roth, Rick Riordan and Tamora Pierce, led story hungry children to the older works of seasoned professionals like Octavia Butler, Isaac Asimov, Anne McCaffrey, Madeline L’Engle, Ursula K. Le Guin and Robert A. Heinlein.

In 2006, The Science Fiction and Fantasy writers of America created the Andre Norton Award, which is given to the author of the best young adult or middle grade science fiction or fantasy work published in the United States in the preceding year.

Five years later, a serious effort was started to establish a Hugo Award for young adult books. The World Science Fiction Convention Business Meeting, which governs the WSFS Constitution that administers the Hugo Awards, several committees over several years, determined that the proposed award would better be served as a separate category, to be on par with the other non-Hugo category, the John W. Campbell Award for Best New Writer.

The amendment to add the Lodestar Award for Best Young Adult Book to the WSFS Constitution was first ratified last summer at the 75th World Science Fiction Convention in Helsinki, Finland by the members of the Business Meeting and must be ratified a second time at this year’s Worldcon in San Jose, California to begin it’s official trial run as a category.

This year’s Worldcon Convention Committee (headed by Kevin Roche) has graciously accepted to administer the Young Adult Book award in addition to the new Best Series and Campbell Awards.

The nomination period for the Hugos, Lodestar Award for Best Young Adult Book and the John W. Campbell Award for Best New Writer opened February 5.

We, the undersigned, wish to congratulate the various YA Committee for reaching a consensus with their diligent work in crafting the parameters of the YA Award for the World Science Fiction Convention. However, we also think that the name of this new award should have a name which not only should be universally recognizable, but have an equivalent weight to the name of John W. Campbell, Jr.

We, the undersigned, will respectfully submit a new name for the Young Adult Book Award at the Preliminary Session of the Worldcon 76 Business Meeting on August 17, 2018 as a strike though substitution for the name ‘Lodestar’, under the rules governing the WSFS Business Meeting.

We will also embargo the name until the start of the Preliminary Session.

There is very good reason why the name will not be revealed at this time and that explanation will also be given at that time.

While we also understand that while this motion may cause a great deal of consternation, we also feel that this would be an excellent opportunity to generate a great deal of interest about the Worldcon and bring MORE attention to this new award to potential nominators, readers of all ages, booksellers and the public at large.

The proposed name will forever be known and honored in perpetuity with the Hugo Awards, the John W. Campbell Award, and the World Science Fiction Convention.

Proposed by Worldcon 76 Attending Members:
Juli Marr
Robert J. Sawyer
Steven H. Silver
Chris M. Barkley

Update 03/07/2018: Removed Melinda Snodgrass and Juliette Wade as signers. Also removed Vincent Docherty, who said in a comment his name was included in error, he never was a signer. // Subsequently, Shawna McCarthy and Pablo Vasquez have asked to have their names removed.

YA Award Passes

The proposed YA Award (unnamed) passed 65-27 at the Worldcon 75 business meeting on August 11.

A motion to name the YA Award the “Lodestar” also passed, subject to ratification next year.

However, there was also a ruling that the name cannot be retroactive. So for the first year it will run as simply the YA Award.

Coverage of the business meeting debates can be found on Alex Acks’ blog, and a concise summary of today’s progress through the agenda has been reported by Kevin Standlee.

Worldcon’s YA Award Study Committee Releases Report

Next month in Helsinki the Worldcon 75 Business Meeting will vote on whether to ratify an award to honor the best Young Adult book of the year. The motion gained initial passage in 2016. A second favorable vote will make it an official part of the convention’s annual activities.

In advance of the business meeting, the YA Award Committee has published its report on the Worldcon 75 website: http://www.worldcon.fi/files/YA_Award_Full_Report.pdf

The proposal was passed in 2016 without choosing a name for the award. After canvassing the public and discussing ideas internally, the committee is recommending that it be called the Lodestar Award.

From lode (“journey, course, guide”) + star; a Lodestar is a star that guides or leads, especially in navigation, where it is the sole reliable source of light—the star that leads those in uncharted waters to safety. The guiding star frequently appears in speculative fiction and is tied to the notion of the hero’s quest. While it evokes stargazers and adventurers, it also calls to mind distant galaxies and travel through space. It therefore applies to both Fantasy and Science Fiction, is international in scope, and has symbolism that is cross-generational.

The Business Meeting will have to decide if approving an award name is permissible this year, or requires its own motion and ratifying vote. If the award is ratified without a nickname being approved, it is expected to begin life as simply the “YA Award” given by the Worldcon. The YA Award is not a Hugo, but would be voted on by Worldcon members at the same time that they vote on the Hugos and Campbell Award.

Among those who participated in the public survey, 52% wanted the YA Award named for a person, but 48% did not. The report says the committee also found this question “tricky and contentious” and a section is devoted to outlining the arguments for and against:

Arguments for Using Personal Names

– A person’s name recalls the history of SFF literature

– The Hugo/Campbell Awards are themselves named after editors

– Celebrates professionals who influenced current Worldcon readers/writers

– 52% of the respondents said they would prefer the award to be named after a person when asked to choose a category of naming type

– Avoiding author names in order to prevent offensiveness can border on discrimination or erasure

Arguments against Using Personal Names

– 48% voted that the award should be called something other than a person’s name

– Award should celebrate SFF worlds and ideas, not individual people

– Award designation shouldn’t be about “us” and what we liked, but instead about current and future teens

– Better to have more universal name that can have meaning for each generation, rather than one that may become outdated and meaningless to later readers

– Worldcon is an international community, but individual authors are inherently associated with specific nations and languages

– Not the award’s job to “educate” the youth by naming the award after one particular author

– Teens’ changing social expectations make the work of several of the suggested authors objectionable

– Because early SFF YA was a didactic genre, most writers had agendas that will be unacceptable to people today

– Naming an award after a person expresses approval for all the author’s books, including any that are unfitting

– Ties the award too closely to the life of the named person, so that their baggage carries over to the award

– Many people on public forums said emphatically that they were opposed to a personname

– Attempts to name award after person will lead to very heated and contentious debates, which will hurt the award

The committee decided not to recommend anyone’s personal name. They surveyed the public about six abstract names: Anansi, Lodestar, Ouroboros, Spellcaster, Tesseract, and Worldcon.

“Tesseract” received the most favorable response of six prospective award names in the public survey, however, feedback comments revealed that Tesseract is the name of a Canadian speculative-fiction publishing house (Tesseract Books), as well as a long time anthology begun in 1985 and edited by Judith Merril (the Tesseract Anthology has had 20 volumes).

After acquiring the Shortlist Voting Survey results, the Chairs reached out to EDGE/Tesseract Books. The publisher asked that we not use the name. Therefore, given the term’s established use by SFF colleagues and Canadian fandom, as well as the explicit request of Tesseract Books, the committee agreed that the name Tesseract should not be used.

That is why the committee has recommended the award be given the second most popular name in the survey, Lodestar.

The report includes many tables of data extracted from the survey and stratified according to age, Worldcon participation, and a Likert-scale response to the six names.

The report also says the committee declined a publisher’s offer to sponsor the award if it would be named after a particular author.

Angus Killick from Macmillan Children’s Publishing contacted WSFS to suggest the name L’Engle for the award. He manages the division’s marketing. Killick explained that they and the L’Engle family were interested in any way of honoring L’Engle, given that 2018 is the release of the Wrinkle in Time movie and it is the 100th anniversary of L’Engle’s birth.

The members of the study committee are: Anna Blumstein (chair); Helen Gbala and Katie Rask (Co-chairs); Warren Buff, Tim Illingworth, Joshua Kronengold, Laura Lamont, Julia Mccracken, Farah Mendlesohn, David Peterson, Christine Rake, Marguerite Smith, Adam Tesh, Clark Wierda, Lewis Wolkoff (Committee Members); Leigh Bardugo, Kate Elliott, Daniel José Older (YA Author Members); and Kevin Standlee (WSFS Parliamentary Advisor).

Especially when considering the prior history of WSFS committees assigned to work on the issue, this committee deserves congratulations for its hard work and transparency, and its valiant effort to navigate the rocks and shoals of existing brands and the divided opinions in social media.

Pixel Scroll 5/17/17 Round Up The Usual Pixels

(1) THE REAL AMERICAN GODS. Mark-kitteh says, “This may be the perfect combo of SF and cats for us–”

(2) ANIMAL FILIBUSTER. The Washington Post’s John Kelly interviewed Ralph Nader, who has written a fantasy novel, Animal Envy, in which animals are given the power to speak via a software program and “are given a 100-hour special broadcast” to discuss all their issues — “In his odd new book, Ralph Nader talks to the animals –and they talk back”.

Ralph Nader –tireless windmill-tilter –is standing at the National Zoo recalling a conversation he once had with an editor at The Washington Post about what he felt was the paper’s less-than-adequate coverage of his presidential campaign.

“I remember saying, ‘There are times I say to myself, I wish I was a panda, given the coverage The Post gives to pandas,’” Nader said.

Well, Nader still isn’t a panda, but he is a kangaroo, a dolphin, an elephant, a crocodile, a squirrel, an owl, an Arctic tern, a German cockroach, a European corn borer, a radioactive Chernobyl beaver, and dozens of other mammals, reptiles, birds and insects.

They’re all characters he assumes in his new book, “Animal Envy: A Fable.”

He is also a cheetah: Safe at any speed…

(3) LUNCH OR HISTORICAL REENACTMENT? “Cynthia Felice and I break into the Watergate Hotel!” That’s what Scott Edelman says in his dramatic invitation to listen to Episode 37 of Eating the Fantastic.

Grab lunch at the Watergate with my unindicted co-conspirator Cynthia Felice in Episode 37 of Eating the Fantastic.

I visited the Watergate Hotel recently, and in case those of you familiar with the history of that infamous location might be thinking I went there to bring down a president with a Bob Woodward/Carl Bernstein-style investigation, let me quickly add … no. Rather, I went there to investigate the food at the recently opened Kingbird restaurant, with a guest who surprised me with her sudden visit to Washington, D.C., and whom I somehow managed to convince that a meal with me would be oh, so much more fun than visiting the National Air and Space Museum.

Joining me within the walls of the Watergate Hotel was Cynthia Felice, who published her first short story, “Longshanks,” in 1976 in the pages of Galileo, a science fiction magazine published by the late, great Charlie Ryan, and her first novel, Godsfire, two years later. She is also the co-founder with Ed Bryant — about whom, alas, I must also say late and great — of the Colorado Springs Writer’s Workshop.

We discussed how Frank Herbert’s Dune made her say, “Hey, I can do that,” the virtues of owning a motel while being a writer, the marriage advice Kate Wilhelm gave her at Clarion, what Thomas M. Disch told her that fixed one of her short stories, why we all loved the late, great Ed Bryant, the extraordinary lengths David Hartwell went to as he edited her second novel, how her collaborations with Connie Willis began, and more.

(4) THOSE SIDEKICKS, THEY DO GET WEARY. ComicMix’s John Ostrander, in “Sidekicking Around”, delves into one of comics’ well-known formulas.

Robin falls into a strange category of the child or teen sidekick. He was originally introduced to lighten up the Dark Knight Detective and, again, to give Batman someone to talk to rather than himself. Robin humanized the Bat. His popularity gave rise to a whole slew of child/teen associates such as Wonder Girl, Kid Flash, Speedy, and Aqualad. Later, these five went from supporting characters to central ones when they formed their own super-team, the Teen Titans (later, just the Titans when they all outgrew their teenage years).

The original Robin, Dick Grayson, later grew out of his shorts and tights to become a full-fledged hero of his own, first as Nightwing and then later, briefly, actually taking Bruce Wayne’s place as Batman before reverting back to Nightwing. There have been other Robins since then, including one — Jason Todd — who was killed by the Joker. Don’t worry; he got better. The role is currently being filled by Bruce’s son, Damian. I believe he died as well at one point but is also now feeling better.

(5) STEAMPUNK BIBLIOPHILE RETURNS. This week 2012 Hugo Finalist Selena Chambers released Calls For Submission, her new short fiction collection.

Selena Chambers’ debut collection guides readers out of space and time and through genre and mythos to explore the microcosmic horrors of identity, existence, and will in the face of the world’s adamant calls for submission. Victorian tourists take a virtual trip through their (and the Ottoman empire’s) ideal Orient; a teenage girl learns about independence and battle of the bands, all while caring for her mesmerized, dead mother; a failed Beat poet goes over the edge while exploring the long-abandoned Government Lethal Chambers.

Chambers was a Related Work co-Hugo Finalist in 2012 with Jeff VanderMeer for their collaboration on The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature.

(6) MORE YA AWARD WSFS WANK. Kevin Standlee says, “You’d Think I’d Remember These Things”. You need to read all four steps to follow his argument, but here’s a foretaste of what you’ll be getting into if your click the link….

  1. Item 1 means that that as it currently stands, the Worldcon 75 WSFS Business Meeting does not have the authority to name a YA Award. However, the 2018 WSFS Business Meeting could apply a name to the Award in a single vote because of that provision. (Of course, this is all moot if the base proposal fails to be ratified.)

  2. Should the 2017 Business Meeting decide to ratify that YA proposal without the provision, the 2017 Meeting could then move as a new amendment to insert a name into the Award, with the name being something that could be passed in 2017 and ratified in 2018, like any other WSFS Constitutional amendment. That means the YA Award would have no official name in 2018, but (assuming 2017 passes a naming amendment that is ratified in 2018), it could get an official name for 2019 and beyond.

(7) BREW FOR TWO. Sounds like anybody who makes it through the Worldcon 75 Business Meeting will probably need to stop over in Iceland on the way home to chill out — “Beer baths to open in North Iceland in June”.

Kaldi brewery in Ãrskogssandur, just north of Akureyri in North Iceland, will be opening beer baths and spa in the coming month.

“The construction of the baths is progressing and everything is according to plan,” says Agnes Anna Siguroardottir, CEO of Kaldi brewery.

There will be seven beer baths in total, all suitable for two people. All guests that have reached 20 years in age can relax in their beer baths with a beer in hand, as there will be a pump by each bath. 20 is legal drinking age in Iceland.

(8) TRIVIAL TRIVIA

Film director Stanley Kubrick was a big admirer of Steve Martin’s movie The Jerk. (Source: IMDB)

(9) TODAY IN HISTORY

  • May 17, 1902 –The Antikythera mechanism is recovered. Today’s Google Doodle celebrates the occasion.

(10) THE BIRD BLABS. The Vulture knows what might have been: “The Secret History of William Gibson’s Never-Filmed Aliens Sequel”

But there’s an alternate universe where the series’ propulsive momentum only increased –a reality in which the third Alien film featured advanced xenomorphs exploding in batches of half a dozen from people’s legs, stomachs, and mouths; where cold-warring rival space stations of communists and capitalists race to outdo one another with their genetic experiments on the aliens’ tissue; where a flock of the phallic horrors flies through the void of space, only to be beaten back by a gun-toting robot. Oh, and there’s a thing called the New Beast that emerges from and sheds a shrieking human’s body as it “rips her face apart in a single movement, the glistening claws coming away with skin, eyes, muscle, teeth, and splinters of bone.”

This is the alternate universe where legendary science-fiction writer William Gibson’s Alien III (that’s “III,” not “3”) screenplay was realized. It is, perhaps, a better world than ours….

You can find the screenplay in an antiquated .txt file online, and there have been occasional discussions of it on message boards and niche blogs, but for whatever reason, it hasn’t been appropriately acknowledged as the remarkable genre-fiction artifact that it is. Indeed, with studio backing and the right production team, one can imagine the finished film being on par with Alien and Aliens, and it certainly would have altered the course of the franchise’s history. With the arrival of Alien Covenant –a movie that, whatever its merits, largely retreads ideas from the series’ previous installments –it’s time to tell the story of how Gibson’s Alien III came to be, why it never crossed the finish line, and what made it special.

(11) KIDPROOFING. John King Tarpinian recommends, “Take the kids to see Alien this weekend, then put this cookie jar out. They will never “steal” a cookie again.” ThinkGeek’s Alien Ovomorph Egg Cookie Jar:

(12) CONDIGN REVENGE. Isn’t Aidan channeling me here?

(13) PUN TIME. Yes, I think this is funny, too.

(14) SHADOW CLARKE JURY GOES INTO OVERTIME. Now they need to deal with the actual Clarke Award shortlist.

With both the Sharke Six and the official Clarke shortlist now out of the bag, I thought I’d like to reflect a little on some of the books I encountered that did not make the running, either through being ineligible (i.e US-published) or through not being submitted. I’ve found myself wanting to talk about them because even now at the end of Phase One of my Sharke reading and with a sizeable number of eligible submissions under my belt, these omissions still feel notable, with discussion around the Clarke Award seeming the poorer for their absence.

The Booker Prize has already had its debate about allowing American novels into the mix, with predictably divided responses. Whether or not the Clarke should open itself up to US submissions is a discussion that lies beyond the remit of this essay, though it does seem a shame that there have been and will continue to be books that stand central to any discussion of the year’s SF and yet under current Clarke rules must remain excluded from one of its most prestigious awards.

I still haven’t reviewed two of the books on my original shortlist. As it happens, we now know that neither of the books made it onto the Sharke Six, and neither made it onto the official Clarke Award shortlist, though I suspect for rather different reasons. So I thought I would take this opportunity to consider why they might not have been chosen.

I’ll start with Good Morning, Midnight by Lily Brooks-Dalton.

Superficially, this seems to be exactly the sort of novel that has often found its way onto the Clarke shortlist. It is an elegantly, at times beautifully written novel, as here when an astronaut moves from the spinning outer ring of a spaceship to the gravity-free core:

Of all the books that I personally shortlisted for this project The Power is the one that I find most challenging to judge and to write about. I chose it precisely because of this difficulty; I had read it before and felt decidedly mixed about it. I have loved some of Alderman’s earlier work — her debut Disobedience (2006) was one of the first books that I reviewed online — and have read her assiduously, with great pleasure. Yet this fourth novel, her breakthrough book, left me unsure and unsettled. While friends and critics turned out in numbers to praise its ingenuity and confidence, its bold engagement with the dynamics of power and gender, I hung back and sat on my immediate reaction. Which was: Yes, all those things, but… I couldn’t decisively put my finger on what the ‘but’ was; it was just there, throwing up a barrier between the book and me. At the same time, I couldn’t dismiss it; I was niggled. It stayed with me. So much so, that when it came time for creating my Clarke shortlist I knew The Power had to be on it. Whatever my personal reservations, it was clearly one of the more thought-provoking and eloquent of the submitted books. I felt I owed it a re-read, to test my first response.

Other commentators have already discussed the alternate history setting of Azanian Bridges (Paul Kincaid on this site and Gautam Bhatia at Strange Horizons, while Mark Bould also provides a useful list of other African alternate histories on his own website), and I don’t see any real point in recapitulating what they’ve already said so well.

Instead, I want to focus on the relationship between Martin van Deventer, the white psychologist, and Sibusiso Mchuna, the young black man whom he is attempting to treat. Sibusiso, a trainee teacher, has withdrawn into himself after witnessing the murder of his friend, Mandla, at an anti-government rally. At a loss to know what else to do for him, his father has agreed to his being admitted to the local mental asylum for treatment. We can only speculate as to why his father did this rather than taking Sibusiso home but for now consider it as only one among many markers of the fact that Sibusiso is metaphorically as well as literally a long way from home, living in a white world, among people who have no idea about him.

(15) WE INTERRUPT YOUR READING FOR AN IMPORTANT ANNOUNCEMENT. Now that Chuck Tingle’s professional porn has been linked from the Hugo Voter Packet, Hugo administrator Nicholas Whyte feels the need to clarify his cameo appearance in the work — thus his LiveJournal post “Pounded In The Butt By My Second Hugo Award Nomination, by Chuck Tingle”:

Second paragraph of third section:

“Hello, I’m Chuck,” I say, formally introducing myself.

I am quoted (well, paraphrased) in the crucial second section, in which author Chuck Tingle, miserable after the defeat of Space Raptor Butt Invasion in the 2016 Hugo Awards, receives notification from the 2017 Hugo Awards adminstrator that he has been nominated this year. Let’s just say for the record that the demands subsequently and consequently made of him as part of the Hugo process are not those actually required of Hugo finalists in real life.

(16) THE BEST DAY OF HIS LIFE. “This 10-year-old donated thousands of comic books to veterans”The Week has the story.

Carl Scheckel knows that not all heroes wear capes. In a show of support for American soldiers, the 10-year-old comic-book aficionado from New Jersey decided to collect and donate thousands of comic books to veterans in hospitals and servicemen deployed overseas. The mastermind of carlscomix.com, Scheckel gathered roughly 3,500 books for the nearby Joint Base McGuire-Dix-Lakehurst, When he arrived to donate them in person, officers treated him to a surprise VIP tour of the base, where he got to try on military gear and explore the inside of a place. ‘It was the best day of my life!’ wrote Carl on his website.

(17) AN OPPORTUNITY ON MARS. It’s been there for over 13 years! “Mars rover reaches site that scientists still can’t explain”.

Opportunity, which is much, much smaller than its car-sized Curiosity cousin, was sent to Perseverance Valley in hopes of shedding some light on its origins. Scientists studying Mars know that the valley was carved by some dramatic force, but with a handful of possibilities including water, wind, and even muddy rocks, there’s still no clear answer. With the rover in place, researchers plan to use its observations to generate a detailed map which will be used to plan the vehicle’s driving route along the rim and eventually into the valley itself.

(18) ON THE WAY TO THE FINAL FRONTIER. I found out about LUNAR from BoingBoing:

Motion designer Christian Stangl and composer Wolfgang Stangl created this gorgeous short film, titled LUNAR, from thousands of NASA photographs taken by astronauts.

 

[Thanks to John King Tarpinian, Hampus Eckerman, Mark-kitteh, Martin Morse Wooster, Cat Eldridge, JJ, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Darrah Chavey.]

Pixel Scroll 4/29/17 Let Us Now Pixel Famous Scrolls

(1) YA AWARD NAME. Annalee Flower Horne makes a preemptive strike.

Is this just gratuitous Heinlein hatred? Dude hatred? Have I missed a news item? Or maybe I haven’t. Kevin Standlee recently wrote that if the YA Award passes the Helsinki Business meeting, then the Business Meeting can take up the issue of what its name should be.

There was a nonbinding survey  asking fans’ preferences among six names (Anansi, Lodestar, Ouroboros, Spellcaster, Tesseract, and Worldcon), but that places no limits on the Business Meeting.

(2) A REAL VIKING. Hampus Eckerman recommends, “For those Filers that will combine their visit to WorldCon with a visit to Sweden, a new Viking Museum, called Viking Life, opened this weekend. Some comments about being the only real place to see Vikings in Stockholm has already sparked a fight with the Historical Museum. The Historical Museum retorted that they had largest Viking exhibition in the world and that all authentic artifacts displayed at the Viking Museum had, in fact, been borrowed from the Historical Museum.

“But the thing that put Swedish twitter on fire was not this spat. It was the pictures of the Swedish king at the inauguration. Please enjoy a real Viking King.”

(3) HE’S THIRSTY. OK, Steve Drew is sold on going to the Worldcon.

(4) VON BRAUN’S HUGO. Bill Mullins visited a space shrine:

I was at the U.S. Space and Rocket Center today for my son’s graduation from Space Camp. After the ceremonies, we toured the museum and saw Wernher von Braun’s retro-Hugo (1954, from Boston’s Noreascon 4 in 2004) in the Best Related Work category, for his book Conquest of the Moon, co-written with Fred Whipple and Willy Ley. His office at Marshall Space Flight Center has been recreated there as a permanent exhibit, and his award is sitting on his desk.

Patrick Molloy also wrote about it here in 2012.

(5) CONTROVERSIAL EDITS. Natalie Luhrs articulates how “Failures of Empathy” are an sff community issue.

Recently, Seanan McGuire (1, 2, 3) and J.Y. Yang (thread) have talked on Twitter about copyeditors making changes which fundamentally alter the story, and not for the better. The change in question: redacting the use of the singular they—used by nonbinary characters—to whichever binary gender the copyeditor felt like substituting. This is an act of erasure and, as Yang points out in the linked thread, an act of violence.

Many nonbinary people use the singular they as their pronoun—while this is a relatively new usage, it is not incorrect (copyeditors of the world, take note). I have seen it become more widely used over the last few years and at this point anyone griping about it is basically using it as an opportunity to be a prescriptivist jerk.

…We have an empathy problem in the SFF community. These failures are more obvious when a convention dismisses the safety concerns of their female Guest of Honor in favor of their friend the serial harasser, but you can also see it at a smaller scale: World Fantasy’s initial decision to retain the H.P. Lovecraft pin and Brian McClellan suddenly deciding to tweet about how unprofessional it is to talk about your bad copyedit is when a person of color is the one talking. It’s an entire spectrum of failure, this lack of empathy.

(6) COMPANIONABLE ALIEN. ScreenCrush catches up with “Karen Gillan on ‘Guardians of the Galaxy Vol. 2,’ ‘Avengers: Infinity War,’ and Nebula’s Near-Death Experience in ‘Guardians 1’”.

I think it’s fair to say that when the first Guardians came out, these were the most obscure characters to get their own Marvel movie. Now, of course, the first movie is beloved and everyone knows the characters. Did that change anything about how you guys went about making the sequel? Was there new pressure that wasn’t there before?

That was quite an interesting thing for me as well, because I was wondering if anyone was going to be feeling the pressure; like second album syndrome or something. Maybe they did and they didn’t really show it, but I didn’t because I didn’t feel I had the responsibility of the film on my shoulders. I just got to come in and play this fun character.

(7) ANCESTRY. I can’t believe a spellchecker did this – but how else would you get that typo?

(8) COMICS EVERYONE BOUGHT. You can infer these are not all that rare, right? Yahoo! News lists “The top 10 best selling comic books of all time”.

#10. The Amazing Spider-Man (Vol. 1) #583 – 530,000 copies sold

This comic, featuring Spidey’s encounter with then President Barack Obama, became a must-have collectible after being highlighted on news programs around the country.

#9. The Amazing Spider-Man (Vol. 3) #1 – 533, 000 copies sold

After a yearlong storyline that involved Doctor Octopus posing as Spider-Man, fans were more than happy to celebrate this back-to-basics approach to the friendly neighborhood wall crawler.

(9) FOUNDATION AND EMPIRE. Here’s the moos – The Boozy Cow, a restaurant chain with a charitable foundation and donates all its profits to charity, has opened a fourth location in Scotland: “Charity restaurant chain opens fourth Scottish eatery”.

The Boozy Cow chain – launched by philanthropist Garreth Wood two years ago – already has premises in Aberdeen, Stirling and Edinburgh, has now opened a venue in Dundee.

Mr Wood also revealed that a further five charities will receive a share of the profits from The Boozy Cow chain – Hot Chocolate Trust, Mid-Lin Day Care, Dundee Woman’s Aid, Art Angel and Help for Kids.

This brings the number of good causes currently supported by the company to 18.

Last month, the organisation announced it was giving away £210,000 to charities including CHAS, The Archie Foundation and the Youth and Philanthropy Initiative in Edinburgh, with almost half a million pounds given away since the company opened its first venue in Aberdeen in 2014.

(10) DAVIS OBIT. SF Site News reports the death of Grania Davis (1943-2017) on April 28.

Author Grania Davis (b.1943) died on April 28. Davis was married to Avram Davidson for 3 years and served as his primary editor after his death. She co-authored several works with Davidson as well as writing works on her own.

(11) DEPARTMENT OF ANTIQUE COMPAINTS. Nevertheless, back in 1962, The Traveler tells Galactic Journey readers he is giving a vote of no confidence in new F&SF editor Davidson’s handiwork: “[Apr. 28, 1962] Changing of the Guard (May 1962 Fantasy and Science Fiction)”

I never thought the time would come that reading The Magazine of Fantasy and Science Fiction would be the most dreaded portion of my duties…and yet, here we are.  Two issues into new Editor Avram Davidson’s tenure, it appears that the mag’s transformation from a great bastion of literary (if slightly stuffy) scientifiction is nearly complete.  The title of the digest might well be The Magazine of Droll Trifles (with wry parenthetical asides).

One or two of these in an issue, if well done, can be fine.  But when 70% of the content is story after story with no science and, at best, stream-of-consciousness whimsy, it’s a slog.  And while one could argue that last issue’s line-up comprised works picked by the prior editor, it’s clear that this month’s selections were mostly Davidson’s.

Moreover, Robert Mills (the outgone “Kindly Editor”) used to write excellent prefaces to his works, the only ones I would regularly read amongst all the digests.  Davidson’s are rambling and purple, though I do appreciate the biographical details on Burger and Aandahl this ish.

(11a) TODAY’S BIRTHDAY BOY

  • Born April 29, 1923 — Irvin Kirschner, filmmaker, director of The Empire Strikes Back.

(11b) TODAY’S DAY

International Astronomy Day

Astronomy allows us to see the history of the universe with our own eyes. The stars that twinkle as you look out on a dark, clear night may not exist right now. They existed at whatever point in history they emitted that light, which has taken millions of years to reach Earth.

(12) LATE EASTER EGG STANDING. Hey, I’d already forgotten there was one — “Explaining the mid-credits scene in Suicide Squad”. BEWARE SPOILERS.

Suicide Squad’s mid-credits scene features a meeting between Amanda Waller and billionaire playboy Bruce Wayne. The conversation starts off simply enough: Waller needs help when it comes to keeping everything that happened in Midway City (and her involvement) on the down low. In order to protect herself from Enchantress’ wrath and keep her reputation in the green, Waller makes a deal with Wayne to maintain damage control surrounding the movie’s events. Of course, she has to bring something to the table to make the deal happen…

(13) EXPANSIVE. Aaron Pound reviews Leviathan Wakes by James S.A. Corey at Dreaming About Other Worlds.

Full review: The first book in the Expanse series, Leviathan Wakes is a kind of hard-ish medium future science fiction almost Space Opera story that feels a little bit like Firefly and a little bit like a Dashiell Hammett novel. The book is full of adventure, intrigue, and excitement, but it is the kind of industrial, oil-covered adventure, intrigue, and excitement that results in broken bones, bullet holes, and dead characters. Alongside the truckers and detectives in space in the book is just enough alien weirdness to shake things up and add a bit of inhuman horror to the impersonal dangers of living in a hostile environment that will probably kill you if you make a mistake.

(14) NEWS TO SOMEBODY. Vox (the website, not the Rabid Puppy) said in its February review,, “Forget ‘white saviors’: The Great Wall is really about fighting giant lizard monsters”.

A few things you should know about The Great Wall: It’s simultaneously 400 percent more movie than most and 10 percent as much movie as most — huge, bombastic, colorful, explosive, and containing almost no story at all. It’s roughly equivalent to watching the assault-on-Mordor bits of The Lord of the Rings: The Return of the King for 103 minutes. It was filmed in 3D, and I ducked a few times while watching. It also made me seasick, but that’s my own damn fault for sitting too close to the screen.

(15) THE LONG VIEW. AI viewed with alarm: “Viewpoint: Is inequality about to get unimaginably worse?”. Chip Hitchcock snarks, “He probably wouldn’t have been paid if he’d just posted a link to ‘With Folded Hands’…”

Inequality goes back at least 30,000 years.

Hunter-gatherers were more equal than subsequent societies.

They had very little property, and property is a pre-requisite for long-term inequality.

But even they had hierarchies.

In the 19th and 20th Centuries, however, something changed.

Equality became a dominant value in human culture, almost all over the world. Why?

It was partly down to the rise of new ideologies such as humanism, liberalism and socialism.

(16) AND THE THIRD LITTLE MARTIAN PIG… There may be no straw or timber, but — “Scientists just discovered something awesome about the soil on Mars”.

The research, which was published in Scientific Reports, reveals that the soil on Mars is particularly well-suited to brick making. In fact, the dirt is so easily formed into bricks that building a rigid structure out of it wouldn’t require any special substance or even heat to bake them, and it’s all thanks to the same material that gives the Mars surface its reddish hue.

At first, engineers at the university were trying to figure out exactly how much additional polymer would be needed for the Mars soil to be shaped into bricks. As they gradually reduced the amount of additive used with their soil simulant they eventually realized that they didn’t need any at all. The team was able to successfully compact iron-oxide-rich Mars dirt with a flexible container which was then pressurized. The result was small, firm blobs of soil which were stable enough to be cut into brick-like shapes.

(17) SHINY. The New York Times tells where to buy “A Solid Gold Darth Vader for the Sith Who Has Everything”.

For less than the cost of a trip to Tatooine, one lucky Star Wars fan will soon be able to own a solid gold Darth Vader mask — perfect for bartering, though perhaps not so good for heavy breathing.

On Tuesday, the Japanese jeweler Ginza Tanaka unveiled the imposing headgear and announced that it would go on sale at the company’s flagship store in Tokyo on May the fourth (do we need to spell this out for you?) to celebrate Star Wars’ 40th Anniversary.

The price? A mere 154 million Japanese yen, or about $1.4 million. Tax included!

(18) ON ICE. This is the lede of an article by Helen Brown in the April 22 Financial Times (behind a paywall.)

A survey recently found that the most popular song among prison inmates in the UK was ‘Let it Go,’ the big number from Disney’s 2013 blockbuster Frozen.

Despite the incongruity of old lags carrolling along to a song more easily associated with preschoolers dressed as animated princesses, anyone alive to the emotional truths of the film would not be surprised to find it resonating with prisoners struggling to own the guilt of the past and move on…..

(19) AI SCRIPTWRITER RETURNS. “It’s No Game–A Sci-Fi Short Film Starring David Hasselhoff” is a commentary on the forthcoming writer’s strike, featuring David hasselhoff as an android, that explains what happens when writers are replaced by the Golden-Age-Ophile and the Sorkinator.

 [Thanks to Dawn Incognito, Martin Morse Wooster, Bill Mullins, JJ, John King Tarpinian, and Carl Slaughter for some of these stories. Title credit goes to Fie 770 contributing editor of the day Matthew Johnson.]

Update: Corrected item one to the name Annalee Flower Horne. (Not Newitz, as I mistakenly wrote to begin with.) Apologies to all concerned.

Take Online Survey of Shortlisted YA Award Titles

The Worldcon’s YA Award Committee asked fans last year to suggest a name for the prospective award, which received its first passage at MidAmeriCon II and is up for ratification at Worldcon 75 in Helsinki.

The committee received 1,138 responses, giving them 460 unique names to winnow.

Some names have been eliminated because they are already attached to other awards: The Stargazer, the Codex, the Nautilus, the Silver Tree, the Beacon, the Portal, the Unicorn, and the names of authors like Robert Heinlein, Andre Norton, Jane Yolen, and Anne McCaffrey.

Other names have been ruled out to avoid copyright and trademark issues: Golden Snitch, Earthsea, Bilbo Baggins, etc.

And the committee enjoyed but also won’t be using any of the funny suggestions — the Read It and Reap Award, the Rodent of Unusual Size Award, and the Chesterfield Sofa.

They have settled on a six name shortlist and are asking everyone for their opinion in “The <blank> Award for Best Young Adult Book Shortlist Survey”.  The names are —

  • Anansi
  • Lodestar
  • Ouroboros
  • Spellcaster
  • Tesseract
  • Worldcon

The survey will be open until March 15, 2017.

In addition to the survey, the committee is listening to feedback from groups of experts on cultural sensitivity and trademarks, and will also incorporate advice from a panel of three Young Adult authors.

[Thanks to JJ for the story.]

Barkley — So Glad You (Didn’t) Ask: A Column of Unsolicited Opinions — #4 

I YA

The Young Adult (Hugo) Award: A Minority Report

By Chris M. Barkley: Author’s Note: Of all the columns I have written so far, the following was the hardest and took the longest period to write. From my own, subjective viewpoint, I may be too close to the trees to actually perceive the forest. Nonetheless, I promised Mike Glyer a column about the Young Adult Award. Since I initially proposed it in 2010, I feel a certain sense of responsibility, to all those who are fervent supporters of this idea and to the committee members who have slaved over its composition and torturous course through numerous Worldcon Business Meeting over the past few years.

I spoke at the 2016 Business Meeting at MidAmeriCon II and my remarks are included in a video link provided with this article. While I do not renounce my support of the YA amendment in its current form, this column also serves as a minority report that I feel I should have presented to the Business Meeting.

While recounting the events that have led us to the current status of the YA Award, I felt compelled to point out some deficiencies of the process and some of the critical decisions that have been made over this period of time. By doing so, I do not mean to denigrate the efforts of the members of the YA committees, past or present and I apologize in advance if this report is perceived in that matter.)


On the morning of Saturday, August 20, my fellow activist Dan Berger and I were seated in Room 2104AB of the Kansas City Convention Center for the third session of the World Science Fiction Convention Business Meeting. As the morning progressed, we watched a seemingly endless parade of observations, objections and motions to various agenda items.

At one indeterminable point, Dan exclaimed, “Is this EVER going the end?”

I casually turned to Dan and said, “This is how the sausage is made.” I was not new to the process; since the year 2000, I have attended many Business Meetings. Way, way too many, I sometimes think to myself.

As the meeting marched onwards to a vote on the Young Adult Award amendment to the Constitution of the World Science Fiction society, I had mixed feelings. On the one hand, this issue was finally being dealt with on the floor with an up or down vote. On the other hand, I felt that the committee’s recommendations fell far short of what I had in mind. Still, better to compromise for a half a loaf of something than no bread at all.

As we waited, I glanced down at the notes of my statement that I had hastily scribbled down on a scrap of paper that morning. I was not stranger to speaking in public, having been a radio talk show host and a retail bookseller. Still, I felt unduly nervous. I have maintained some particularly strong feelings about establishing this award over the years and here it was, probably the final opportunity to forcefully speak in its favor.

Finally, debate began on the amendment. I arose, was recognized by the chair and I slowly made my way to the podium to face my peers…

I first became aware of the Science Fiction Achievement Awards as a fifteen year old in high school with my discovery of the book club edition of The Hugo Winners Volumes One and Two, edited by Isaac Asimov.

The stories, which ranged from rousing tales of adventure (Murray Leinster’s “Exploration Team”), tragedy (“Flowers for Algernon” by Daniel Keyes), elegant fantasy (Jack Vance’s “The Dragon Masters” and “The Last Castle”) to head spinning metaphors (“’Repent Harlequin!’, said the Ticktockman” by Harlan Ellison and Samuel R. Delany’s “Time Considered as a Helix of Semi-Precious Stones”).

Needless to say, I was hooked for life.

In his various introductions to the stories, Asimov continually alluded to “conventions” where the awards were voted on and given out. The trouble was that he said nothing about how these things happened. I was blissfully unaware until my best friend and I stumbled upon a local convention in Cincinnati, Midwestcon, in the summer of 1976.

In those forty years, I have attended several hundred local and regional conventions and twenty-eight Worldcons.

After a near death experience in 1996, I began to be more active as a fan writer and activist. This in turn, led to a more direct involvement with the Hugo Awards.

Since 1999, I have proposed changes to the Best Dramatic Presentation Award and Best Editor categories, the establishment of the Best Graphic Story award and was one of the many co-sponsors of the Best Fancast award.

As a young reader, I cherished the authors and works that made me the reader I am today. The resurgence of YA and children’s books since the advent of the works J.K. Rowling and other breakout YA authors in the late 1990’s have made an enormous impact on the reading habits of children, teenagers and a great many adult readers of this generation, especially for those who love fantasy and sf.

Although gene oriented YA has been stereotypically been tagged as tales of young people struggling against dystopias, I think that there has been a wealth of stories being published about how young women and men struggle with their feelings about themselves, their friendships, parents, authority figures, magic and technology.

Starting in 2011, I decided to ask and poll fans privately about the possibility of a YA Award. The responses I received were numerous and enthusiastic enough that I established a Facebook page to spearhead the effort.

I pleaded with Chicon 7 convention committee to try it out as a special category award (which is legal under the World Science Fiction Constitution), but was eventually turned down because they deemed a test the Fancast Hugo, which had just passed through on its first ratification at Renovation the year before, was a more pressing concern.

In addition, I also privately petitioned the San Antonio, London and Sasquan Worldcon committees for a special award, but they all chose not to do so. While I was disappointed with their reactions, I said nothing since nothing because there was nothing to been gained by complaining publicly about the situation.

In the meantime, the amendment remained in various committees for four years.  I participated in deliberations of the first committee but not on the subsequent panels.

In retrospect, I bear much of the blame for the current state of affairs; my lack of participation in these committees amounts to a failure of leadership on my part. Even though I remained the lead administrator of the YA Hugo Facebook page, this was the extent of my participation in the process. This, in part, was due to some personal problems I was undergoing at the time and ineptitude, for which I alone take responsibility for.

The YA committee report is on the following link, on pages 48 (as C.3.2) and 130-133 (Appendix 2):

http://www.wsfs.org/wp-content/uploads/2016/10/2016-WSFS-Minutes-Final.pdf

The Young Adult amendment that was passed at MidAmeriCon II reads as follows:

Short Title: Young Adult Award

Moved, to amend the WSFS Constitution for the purpose of establishing an award for Young Adult literature by striking out and >adding words as follows:

  1. Insert words in existing sections 3.7.3 and 3.10.2 as follows:

3.7.3:

Nominations shall be solicited only for the Hugo Awards, And the John W. Campbell Award for Best New Writer, and the <blank> Award for Best Young Adult Book.

3.10.2:

Final Award ballots shall list only the Hugo Awards, and the John W. Campbell Award for Best New Writer, and the <blank> Award for Best Young Adult Book.

  1. Insert the following section before existing Section 3.4.:

3.X: <blank> Award for Best Young Adult Book.

The <blank> Award for Best Young Adult Book is given for a book published for young adult readers in the field of science fiction or fantasy appearing for the first time during the previous calendar year, with such exceptions as are listed in Section 3.4.

Provided that filling the < blank> in this amendment to name the award shall not be considered a greater change in the scope of the amendment.

Provided that unless this amendment is re-ratified by the 2021 Business Meeting, Section 3.X shall be repealed and the modifications to 3.7.3 and 3.10.2  reversed; and Provided further that the question of re-ratification shall automatically be placed on the agenda of the 2021 Business Meeting.

The following is a summary of the committee report that was distributed at the Business Meeting:

Members of the YA Award Committee

Commentary: The YA award Committee is proposing a new WSFS award for Young Adult fiction that, like the Campbell Award, would not be a Hugo but would be administered by the WSFS. There have been many attempts going back to the 1990s to create a YA Hugo award, but none of these were successful. The previous year’s YA Hugo Committee (2014-2015) determined that a Hugo was not feasible, while this year’s Committee determined that an award in the mold of the Campbell has merits.

For details of the Committee’s findings, please see the Report submitted to the Business Meeting. In brief, no sponsor is required for an award, which would be a WSFS-sponsored award. Like the Hugo and Campbell, it would be added to the Constitution. The award would be paid for and administered by each Worldcon and presented during the Hugo Ceremony.

This proposal represents the closest we could come to a consensus in the time allotted. Although there are areas where the members of the Committee do not perfectly agree, we feel this proposal reflects our general feeling that a YA award at Worldcon is viable. We recommend its passage and the creation of a separate committee to move forward with consideration of a name for this new award and the physical template for it

In turn, I offer my counterpoints to both summaries:

The report mentions the previous committee reported that a YA Hugo category was “not feasible”.  (That report can be read here: http://dothraki.com/yareport_sasquan.pdf). I will beg to differ on this point. The main point in the report states that, “Under the existing methodology of the Hugo Awards, however, a separate category for YA fiction is not practical. That is, the Hugo fiction categories are defined by word count, not by age categories. We suggest instead the creation of a Campbell-like award, since the Campbell addresses authors and thereby functions outside the Hugo methodology.”

I find the logic of the argument baffling. After all, the Locus Award and the Edgar Awards offer a Young Adult categories and seeming have no problems either garnering viable nominations or administering the awards annually. The same could be said of the Andre Norton Award presented by the Science Fiction and Fantasy Writers of America (even though they chose to go the “Campbell-like” route with their award).

Why is the Hugo Award perceived differently? Because of the awards are governed by a word count, specifically, that the Novel category in the WSFS Constitution states that a novel must exceed 40,000 words in length. I maintain that a great many YA novels published today easily exceed that limit and that any nominees that fall below that could fall into any of the other fiction categories. This, in other words, is a non-issue.

There was a great deal of consternation during the committee deliberations over the definition of a young adult book, to quote the report:

A Campbell-like award solves a lot of the problems that have come up in past business meetings. A Campbell-like award based on age-group solves the issue of defining what YA is and how the award would be categorized if it were a Hugo. A very strong definition of YA is not a good idea because trends change, and each year’s Worldcon should be allowed to define what they think is YA.

This is the definition of the YA category used by the Mystery Writers of America:

Best Young Adult Mystery: Hardbound or Paperback books, Grades 8 – 12. Ages 13 -18.

That’s it.

Well, it is my opinion that a “Campbell-like” award cannot be equated to an actual Hugo Award. It may be mitigated or regarded as a supplemental award, as the Andre Norton Award, but not as an equal in stature. The John W. Campbell Award for Best New Writer is regarded as a prestigious award due to it being named after an influential editor of modern science fiction, it’s longevity and, of course, the annual presentation of the tiara.

The perception that a YA award should be seated at a separate table from the Hugos unsettles me on a personal level. I have always loved YA novels through my youth through today as a professional bookseller. To me, the act of placing YA books in a separate category from the rest of the other categories seems to imply that it is a lesser for of literature, seated, as it were, at the kids table during a Thanksgiving feast.

While a number of authors polled stated that they would support a separate award, I am quite certain a majority of them would prefer having a Hugo Award instead.

Also, I would stipulate that each year’s Worldcon should NOT determine what YA is, the readers and nominators have that honor. The readers who are interested in nominating a YA book for a Hugo Awards already knows what a YA novel is and certainly does not need any prompting from any one in fandom.

As for “trends changing” in sf and fantasy, I should certainly hope this is the case! Imaginative literature should chronicle the changes in culture, society, styles and explorations into the inner nature of human beings (or aliens and demons, for that matter) are the bread and butter of any sort literature that grows and endures. Literature that tends to skirt or avoid these vital issues usually wind up being disregarded, ridiculed or worse, ignored and rejected by readers.

To be sure, this is not the first time I have witnessed Worldcon committees and Business Meeting regulars indulging over in over thinking proposed changes to the Constitution AND underestimating the intelligence of the nominating readers and fans. I recall similar arguments that were made during the deliberations of the Best Dramatic Presentation, Editing and Graphic Story categories; in each set of debates, there was a considerable amount of hand wringing over whether people could be bothered to look up the running times of television shows and movies, finding out who edited a novel or whether certain comics or graphic stories should even be considered sf or fantasy.

In every instance, each of these and countless small worries and dire scenarios turned out to be entirely unfounded. And, even with the exception of the Puppy slated nominations, the nominators and voters of the Hugo Awards have consistently come through with interesting and outstanding selections for the final ballot.

I submitted a request to Worldcon 75’s committee to consider a YA category and for a while, I was actually hopeful that they might grant my request. On September 30, I was rather surprised by the announcement of their decision to present a Best Series Award next year.

My frustration was further compounded by a presumptive ruling by the next Chair of the Business Meeting, Kevin Standlee, who stated on his LiveJournal page in November that any changes to the current incomplete amendment would be considered by him as a “greater change” and thereby would need yet another year of passage through the BM.

I happen to believe that Mr. Standlee is correct in his ruling BUT, this costly delay means that the soonest a YA award might be given could be another two years away. Thus, I felt the need to make my feelings known about what has gone before

So, I strode slowly to the podium. Here’s what I said at the MidAmericon II Business Meeting, at the 4:30 mark of the link:

And I meant what I said; we cannot afford to make this a contest about egos, personal interests, political agendas, but what is in the best interests of the Hugo Awards AND the readers who vote.

Although it is highly unlikely to occur, I would not be terribly upset if the members of Worldcon 75 Business Meeting reject the current amendment and substitute a lesser change, which I offer for consideration this amendment (which was originally written in 2014, when I anticipated that I would be attending the Loncon Business Meeting, but did not due to personal obligations):

Best Young Adult Hugo Award

a) A book length young adult science fiction or fantasy book published in the previous calendar year. A book nominated in this category may not be eligible for any other fiction category.

b)Provided that unless this amendment is re-ratified by the Business Meeting three years after this amendment has been ratified it shall be immediately repealed and,

Provided that the question of re-ratification shall be automatically be placed on the agenda of the Business Meeting three years afterward with any constitutional amendments awaiting ratification.

Please note that this amendment would not require naming, it would seamlessly fit into the regular Hugo Award administrative team and it would not require an original award design, all problems which the current committee has yet to come to a consensus on of this date. The designation of “book” easily dodges any dilemma of a word count for the Hugo Administrator, but as I mentioned earlier, most nominees will easily exceed the Novel category limit.

While I personally object to the establishment of a non-Hugo category for YA novels, my first preference has always been to establish it as a Hugo category. But since I was absent from the majority of the deliberations, I chose to go agree with the compromise.

Should the members of the Business meeting of Worldcon 75 decide to keep the current framework, I strongly suggest that the only way to establish this separate award with any chance of creating and maintaining a lasting and prestigious aura is to definitely name it after a undisputed champion of young adult literature: Ursula K Le Guin, Jane Yolen, Tamora Pierce, Madeline L’Engle, Anne McCaffrey or Octavia Butler easily come to mind. And I wouldn’t worry about a nickname for the new award; the fans will probably take care of that on their own and in the age of social media, it probably won’t take very long for something to stick.

Right now there are several websites and set up to take suggestions on what the awards should be named.

Among those is the Worldcon YA page:

(https://www.facebook.com/worldconya/?hc_ref=PAGES_TIMELINE)

The Worldcon YA committee page:

https://docs.google.com/forms/d/e/1FAIpQLSdPJlnD7hXaVI7Q5vntFW3OpEp2PqF6QhqGu2VmP71JR3Fn9Q/viewform

The YA Hugo Proposal Facebook page:

https://www.facebook.com/YA-Hugo-Proposal-187492394596256/

And yes, while I recognize that there may be some strong objections to naming (or nicknaming) an award after a living person, I would like to point out that it is not without precedent.  The Science Fiction Achievement Award was eventually nicknamed the Hugo Award WHILE the namesake, Hugo Gernsback was very much alive.

As the primary instigator of many of the category changes over the past sixteen years, I have never sought credit or favor for my fan activities.  My interest has always been, and always will be, purely altruistic.  Normally, I am not the sort of person who likes to draw attention to my fannish activities but I love the idea of establishing a YA award so much that I wanted my vociferous objections about how it has been treated to be formally recorded for the public record. I am drawing attention to this minority report now express my deep frustration at the stumbling attempts to establish a Young Adult Book Award, as a separate award category or otherwise.

My goals as a fan activist has been to assure that the Hugo Awards remain fair, engaging, diverse, thought-provoking and most importantly, relevant to the times and to the people who nominate and vote for them every year.

It is my fervent hope is that this minority report will spur the passage of a Young Adult Award forward, to Helsinki’s Worldcon 75 and beyond.

Pixel Scroll 11/15/16 The Manhunt Extended Across More Than One Hundred Pixels And Eight Box Tick Scrolls

(1) NAMING CALLS. Katie Rask announced that the YA Award Survey has had over 1,200 entries so far.

(2) THE SHIRT OFF YOUR BACK. The gift-giving season approaches, so it’s time to pay another visit to the Litographs store, where you can pick up something from The Princess Bride movie, or Daniel Jose Older’s Shadowshaper, or quite a few other genre authors from Diana Gabaldon and Ellen Kushner to Kurt Vonnegut and H. P. Lovecraft.

princess-bride-t-shirtdaniel-jose-older-t-shirt

(3) LINGUISTICS IN SF. Rowan Hooper’s piece for New Scientist looks at the use of linguistics in Arrival to give a survey of how sf films have treated linguistics, with references to Contact and Interstellar — “The science behind the twisting alien linguistics of Arrival.

Science fiction thrillers usually send in gun-toting heroes like Will Smith or Tom Cruise to kick invading alien butt. Arrival is completely, wonderfully different: it sends in a linguist, played by Amy Adams.

“Language,” one character says, “is the first weapon drawn in a conflict.” The big question to ask the aliens: what is their purpose on Earth?

In Contact, the aliens used prime numbers as a Rosetta stone that could be used to decrypt their communication; in Close Encounters of the Third Kind they helpfully used five musical tones in a major scale, presumably because vibrating strings have the same harmonics in other parts of our galaxy.

(4) MR. SCI-FI NEEDS SPACE. Storage space, that is — anybody want to store a spaceship?

Writer-Director-Producer Marc Zicree needs your help! Part of the hero set of Space Command (half the floor) needs a free home! (The rest is in storage). He’s been working to get overhead down on costs such as rent, while he’s busy at work completing the two-hour pilot of Space Command and selling the show. Have some of your garage or yard free to give us some space for our spaceship floor? You can help!

 

(5) INTO THE WEST ONCE MORE. HBO has renewed Westworld reports the New York Times.

“Westworld,” an expensive sci-fi drama, had been sidetracked by development problems and its October debut was later than expected. Before it had its premiere, HBO executives were privately saying they were unsure if it would land with its audience. But landed it has. “Westworld” has regularly been the No.-3-highest-rated scripted TV show in cable, drawing nearly three million viewers each week. HBO said on Monday that after adding up additional metrics like DVR, HBO Go and HBO Now views, the show is averaging 11.7 million viewers per episode, a figure they said is higher than “Game of Thrones” and “True Detective” at similar points in their freshman seasons. And like the first season of “True Detective,” it has ignited a lot of commentary online.

(6) SERIES BASED ON ATWOOD NOVEL. Hulu is planning a 10-episode adaptation of The Handmaid’s Tale.

Taking a cue from Netflix, Hulu isn’t slowing down with its original programming. Today, the streaming service announced that it’s ordered a full series adaptation of The Handmaid’s Tale, Margaret Atwood’s seminal sci-fi novel. It centers on a totalitarian society where the birth rate is falling, and fertile women are placed in sexual slavery as “handmaids” to help humanity repopulate. Elisabeth Moss (Mad Men, Top of the Lake) will star as Offred, a handmaid working in the home of a government official named The Commander. Her main goal? To find her daughter, all the while trying to deal with her low place in society.

(7) OUTRÉ LIMITS. Sheila Williams explains why the current issue of Asimov’s consists of all fantasy stories.

Welcome to our annual slightly spooky issue. The fall double issue is always long in the making. Throughout the year, we see stories that land a little outside Asimov’s, admittedly rather soft, parameters. While we do publish one or two stories in each issue that could be called fantasy, surreal fiction, or slipstream, our focus is primarily on science fiction. Of course I get a lot of traditional science fiction story submissions, but I see a lot of uncanny submissions, too. The average issue of Asimov’s rarely features ghosts, witches, or werewolves, so during the year I tend to set aside many of my favorite outré tales while I wait to lay out the October/November issue.

(8) I KNOW. The actress kept this news on ice for 40 years — “Carrie Fisher Reveals She Had an Affair With Harrison Ford on ‘Star Wars’: ‘It Was So Intense’”.

Carrie Fisher is finally going public with a secret she has guarded closely for 40 years: When she was 19, she and Harrison Ford, then a 33-year-old married father of two, had a whirlwind three-month affair while filming the original Star Wars in 1976.

“It was so intense,” the actress-author, 60, tells PEOPLE exclusively of the real-life romance die-hard fans of the franchise have wished for since Han Solo and Princess Leia captured hearts on-screen.

(9) POP CULTURE QUEST. The actor who convinced California to pass a law about authenticating collectibles now has turned his interest into a TV show — “Mark Hamill on Turning Professional Toy and Collectibles Explorer”.

Hamill has launched a new series, Mark Hamill’s Pop Culture Quest, on the recently-launched Comic-Con HQ subscription service – you can watch the first episode right now via DC Comics’ YouTube channel.

On the series, Hamill — an avid toy and memorabilia collector himself — travels to see different notable collections, from classic Godzilla and other Japanese-created toys kept in a fan’s home to the iconic Batman comics and items on display at DC Comics’ headquarters. I spoke to Hamill about how the series came to be, what it’s like for him to interview the subjects, and more, including his own personal history as a collector….

IGN: As we’re doing an interview right now, I’m curious, doing this show, do you enjoy getting to be the interviewer, having been on the other side of it so many times?

Hamill: Oh yes, absolutely. That’s part of the fun. I thought, “Boy, I could really get used to this.” You’re right. It’s role reversal. One thing that I discovered… Because you look at the schedule and it’s like, “We’re going to do a show about a guy who collects shoes!?” That doesn’t really grab me, but then you meet the person and it’s really the shared trait that all collectors have that you relate to and then you hear the personal stories of how they got started on whatever collection they have and that’s the connective tissue. So that’s part of the fun. I don’t personally collect some of these things, but I love seeing other people who do.

(10) NAME CHANGE. Seattle’s EMP is now Museum of Pop Culture—MoPOP.

As of Saturday, November 19, EMP will officially be named Museum of Pop Culture—MoPOP. As you know, our museum encompasses so much more than music, and as we look toward the future, MoPOP reflects the entirety of the museum and where we are headed.

Spanning science fiction, fantasy, horror, fashion, sports, and video games, MoPOP reflects our vision for curating, exploring, and supporting the creative works that shape and inspire our lives. While the name of the museum is evolving, our mission remains the same: to bring genuine human experience and perspective to pop culture through our exhibits, programs, and events that invite exploration and inspire creativity.

We are so excited to showcase the breadth of the museum and celebrate pop culture in all its diversity with our Pop Culture Party, an all-day fest that is free to the public this Saturday. Admission includes entry to all MoPOP galleries—including Star Trek: Exploring New Worlds—and will feature live music, architectural tours, pop culture games, and more fun for guests of all ages.

(11) SUBSTANDARD DANCE. Cemetery Dance has been delisted by SFWA.

Please note that, as of November 1, 2016, Cemetery Dance is no longer a SFWA-qualifying market. In 2014, SFWA increased the standard of payment from 5¢/word to 6¢/word, and this publication has not increased its pay rate to keep pace. In addition, payment for stories is capped at $250, regardless of length. Cemetery Dance was alerted in September about the issue and their upcoming de-listing and has declined to raise its rates or change the story cap. Should the magazine change its policy to meet SFWA standards, it will be reinstated to our qualifying list.

(12) THE EXPLANATION. Charles Stross thinks there are no coincidences and all the disparate parts should fit together, rather like a Tim Powers novel played out in real life.

What happened last week is not just about America. It was one move—a very significant one, bishop-takes-queen maybe—in a long-drawn-out geopolitical chess game. It’s being fought around the world: Brexit was one move, the election and massacres of Dutarte in the Philippines were another, the post-coup crackdown in Turkey is a third. The possible election of Marine Le Pen (a no-shit out-of-the-closet fascist) as President of France next year is more of this stuff. The eldritch knot of connections between Turkey and Saudi Arabia and Da’esh in the wreckage of Syria is icing on top. It’s happening all over and I no longer think this is a coincidence.

Part of it is about the geopolitics of climate change (and mass migration and water wars). Part of it is about the jarring transition from an oil-based economy (opposed by the factions who sell oil and sponsor denial climate change, from Exxon-Mobil to the Kremlin) to a carbon-neutral one.

Part of it is the hellbrew of racism and resentment stirred up by loss of relative advantage, by the stagnation of wages in the west and the perception that other people somewhere else are stealing all the money—Chinese factories, Wall Street bankers, the faceless Other. (17M people in the UK have less than £100 in savings; by a weird coincidence, the number of people who voted for Brexit was around 17M. People who are impoverished become desperate and angry and have little investment in the status quo—a fancy way of saying they’ve got nothing to lose.)

But another big part of the picture I’m trying to draw is Russia’s long-drawn out revenge for the wild ride of misrule the neoconservatives inflicted on the former USSR in the 1990s.

(13) GRIM FAIRY TALE. Easier to understand is M.A.M.O.N. (Monitor Against Mexicans Over Nationwide), “a satirical fantasy sci-fi shortfilm that explores with black humor and lots of VFX the outrageous consequences of Donald Trump´s plan of banning immigration and building an enormous wall on the Mexico – US border.”

(14) FIRST ROBOTS. Jim Meadows writes:

A college radio station in my town is airing a student production adapted from the play “R.U.R.” by Karel Capek, credited for coining the word ‘robot’.

The play, “Airing Robots” is being broadcast today and tomorrow (Tuesday & Wednesday) on WPCD, 88.7 FM in Champaign, Illinois. The station streams at its website, http://wpcd.parkland.edu/index.html

The play aired today at 10 AM Central Time, and will repeat today at 6 PM and Wednesday at 12 PM and 8 PM.

The production is the culmination of two different Communications classes at Parkland College, a public community college in Champaign.

Here’s a link to an article in Parkland’s student newspaper, the Prospectus, which actually does a fair job of summarizing key elements of the play

One aspect of “Airing Robots” and its source material Geiken finds interesting is the type of robots featured: androids as opposed to cog-and-gear machines.

“[T]he robots of R.U.R are not your typical mechanical robots that you might imagine for this sort of early sci-fi story, but more akin to cyborgs or androids made from organic matter. The robots of R.U.R. are more like the ‘Cylons’ of the 2004 version of ‘Battlestar Galactica,’ or the cyborgs of the ‘Terminator’ movie series,” he said.

?apek, who was a highly-political writer, wrote “R.U.R.” in 1920, when Europe was feeling the effects of the Russian civil war and the end of World War I. According to Czech writer and biographer Ivan Kilma, ?apek wrote the play in response to many of the societal and technocratic utopian ideas that were spreading around Central Europe at that time.

R.U.R. was first performed in 1921, Kilma states.

(15) ROSEWATER. Rosewater by Tade Thompson is a new release from Apex Publications. Thompson lives and works in the south of England. His first novel Making Wolf won the 2016 Kitschies Golden Tentacle award for best debut novel.

apex-rosewater-cover-final-v1-covercrop

Between meeting a boy who bursts into flames, alien floaters that want to devour him, and a butterfly woman who he has sex with when he enters the xenosphere, Kaaro’s life is far from the simple one he wants. But he left simple behind a long time ago when he was caught stealing and nearly killed by an angry mob. Now he works for a government agency called Section 45, and they want him to find a women known as Bicycle Girl. And that’s just the beginning.

An alien entity lives beneath the ground, forming a biodome around which the city of Rosewater thrives. The cities of Rosewater are enamored by the dome, hoping for a chance to meet the beings within or possibly be invited to come in themselves. But Kaaro isn’t so enamored. He was in the biodome at one point and decided to leave it behind. When something begins killing off other sensitives like himself, Kaaro defies Section 45 to search for an answer, facing his past and comes to a realization about a horrifying future.

[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 10/28/16 The Pixel Came Back from the Nothing-at-Scroll

(1) YOUR ONE-MAN WIKI. Remember, Camestros Felapton is reading Infogalactic so you don’t have to – “Say, Camestros what’s your new fave Voxopedia page? [Update]”.

Why, I’m glad you asked that question, disembodied voice that writes the blogpost titles. My new favourite Voxopediapage is:

LIST OF ASIAN MEN’S INVENTIONS: …

And that’s not all – Elsewhere on Voxopedia more women have gone missing:

Kitty Joyner is the lead picture for ‘engineer’ on the Wikipedia page

Look, she has a slide rule and everything! Sadly her presence was just too confusing for the poor folks at Voxopedia. Maybe that big circular gizmo in the background didn’t look pi=4 enough. So, to prevent fainting and to protect sensitive dispositions, Joyner has been replaced by Oliver Heaviside.

Phew!

(2) BIG BRAIN THEOREM. TV Guide’s Liam Matthews ranks “The 11 Smartest People Who Have Appeared on The Big Bang Theory.

The Big Bang Theory is a show about scientists, and it bolsters its academic credibility by bringing in guest stars from the world (galaxy?) of science to play themselves, as well as casting actors with graduate degrees to play characters on the show.

I’m not qualified to rank these guest stars on smarts, because I failed physics in high school. But as a professional clickbaiter, I am qualified to rank them based on how annoying I find their public persona. So without further ado, here are the 11 smartest people who have appeared on The Big Bang Theory, ranked from most to least annoying.

(3) KELLY FREAS. The Space:1970 blog posted “Kelly Freas STAR TREK Portfolio (1976)”.

In 1976, legendary science fiction illustrator, Frank Kelly Freas, published the Star Trek Portfolio, featuring gorgeous charcoal portraits of the officers of the U.S.S. Enterprise. Needless to say, it’s a highly-desired collectible these days.

spock-freas-portfoilio

JJ says, “I think that Spock bears a strong resemblance to Tommy Lee Jones! Of course, in 1976, Tommy Lee Jones looked like this…”

tommy-lee-jones-1976

(4) VERBAL ENGINEER. Popular Science interviews Ken Liu:

In your Dandelion Dynasty series, you reimagine transportation, military hardware and the rest of the technological landscape in a style you’ve come to call “silkpunk.” How did you come up with that approach?

In creating the silkpunk aesthetic, I was influenced by the ideas of W. Brian Arthur, who articulates a vision of technology as a language. The task of the engineer is much like that of a poet in that the engineer must creatively combine existing elements of technology to solve novel problems, thereby devising artifacts that are new expressions in the technical language.

In the silkpunk world of my novels, this view of technology dominates. The vocabulary of the technology language relies on materials of historical importance to the people of East Asia and the Pacific islands: bamboo, shells, coral, paper, silk, feathers, sinew, etc. And the grammar of the language puts more emphasis on biomimetics?—?the airships regulate their lift by analogy with the swim bladders of fish, and the submarines move like whales through the water.

(5) FABULOUS OLD STUFF. Marcin Wichary recommends the Museu de la Tècnica de l’Empordà in Figueres, Spain.

(6) WHERE’S THE BEEF? Episode 21 of Scott Edelman’s podcast Eating the Fantastic features Alyssa Wong and one of  Kansas City’s famous barbecue joints.

Alyssa Wong

Alyssa Wong

Listen in as we chow down on BBQ and talk about what franchise inspired her to write fanfic, the exciting moment when she first encountered a character who looked like her, where she hopes to be 10 years down the road, how she encountered Faceless Ghost Grandma, why she said, “I hate being bored and I don’t like rules,” and more.

(7) EUROCON LIVESTREAM. The 2016 Eurocon in Barcelona, Spain will be livestreamed on November 4, 5 and 6 — http://kosmopolis.cccb.org/bcneurocon/.

Their trilingual dictionary may come in handy —

eurocon-barcelona-trilingual-dictionary

(8) NAME THE YA AWARD. Lew Wolkoff of the Young Adult SF/F Award Committee asks fans to participate in their survey.

As you know, the World Science Fiction Society is in the process of creating a Campbell-like award for Best Young Adult Science Fiction or Fantasy Award.  The motion passed at Kansas City and was passed on to Helsinki for, hopefully, final approval.

One of the matters that has yet to be settled is the name of the award.  The Young Adult SF/F Award Committee is currently doing an online survey to get suggestions on what that name will be.  This survey ends on November 15.  The results will be tabulated, and a second survey of members of the World Science Fiction Society will be taken to get a recommended name (or names) for the 2017 Business Meeting.

Each year the World Science Fiction Society (WSFS) gives out the Hugo and Campbell awards at its annual convention, Worldcon. The awards highlight the best science fiction and fantasy works of the previous year, and they are presented for best novel, short story, graphic story, editor, artist, and a number of other categories. Thus far there has been no award to recognize young adult (YA) books.

In response to this, the Young Adult Award Committee was created to study the viability of an award recognizing excellence in YA science fiction and fantasy at Worldcon. WSFS has since supported the creation of an award for YA fiction, and the committee’s task now turns to naming it.

We are looking for an award name that is especially evocative. We hope to capture the transformative, transportational, and captivating power of books for young adults.

(9) TODAY’S BIRTHDAY GIRLS

  • Born October 28, 1902 – Elsa Lanchester, Frankie’s bride.
  • Born October 28, 1952  — Annie Potts. When you decide who ya gonna call, she answers the phone.

(10) KEEPING YOUR UNIQUE VOICE. Credit where it is due – Dave Pascoe had a good column of writing advice today at Mad Genius Club.

One significant trick I learned from Dean Wesley Smith is focusing on a specific writing technique for a story. Make sure you get the sensory information into every page. Whether it’s a mention of the odors you characters smell, or the vivid colors around them (or drab, if that’s the way you roll, you dystopianist, you), or the moan of the chill wind between the weathered slats of the abandoned homestead in which your people are sheltering for the night, give the reader anchors for their imagination. And then, let the reader know the character’s reactions. That low moan, that sends a prickle up the spine of your hero, that recalls the hunting cat that terrified him as a child.

(11) TEXT TO SCREEN. Those who have been participating in the adaptation discussion here will want to eyeball Violette Malan’s “My Top Ten Novel-to-Movie Adaptations” at Black Gate.

I want to begin by saying that I’m making no judgments (well, hardly any) on which is the better version, the book or the movie. I’m only saying I thought the adaptations were good. Anyway, in no particular order, here are my top ten film adaptations (at least for this week) with the screenwriter, the source material, and the director identified.

The Princess Bride William Goldman from his own novel, directed by Rob Reiner I can’t think of anything new to say, at least not today, about what is probably my favourite movie of all time.

The Shawshank Redemption Frank Darabont adapted and directed from the Stephen King novella (Rita Hayworth and the Shawshank Redemption)

The single greatest change from novella to movie was casting the Red character as a black man. Whether that was done because they wanted Morgan Freeman, or whether it was done beforehand, I don’t think matters. A couple of other things were changed (the kid whose testimony could have freed Andy Duschesne wasn’t murdered in the original) but in each case it was done to underline some aspect of character or plot that the conciseness of screenwriting (see above) necessitated.

(12) A VIKING FUNERAL. Anne C. Perry witnesses “The Extinction Event: The Beginning of the End” at Pornokitsch.

Five years later, Jurassic has published almost fifty books. That’s thousands upon thousands of pages of stories by over a hundred authors, with art by a dozen artists, which have (so far) raised more than £8,000 for charity along the way, which is a hell of a history. Especially given that Jurassic London lost fully half of its staff after the first year, when one of the two of us (me!) leveraged her experience founding a small press to get a job in traditional publishing.

If, five years ago, we could have chosen how we’d end Jurassic, The Extinction Event is exactly what we would have wanted: it’s big, bold, brilliant and beautiful. It contains 33 stories, some from previous publications and some which are entirely original, and features new art from nine artists. In Extinction you’ll find apocalypse, bombast, lightning and lava. You’ll also fine joy and sorrow and laughter and misery, cowboys and werewolves and mummies and spaceships… and, for some reason, rather a lot of spiders.

(13) TUCKERIZING RAISES BONANZA. Monster Hunter Nation came through in a big way to help pay someone’s medical bills. Larry Correia reports:

Earlier this week I posted about taking donations to help out my buddy Mitch with his medical bills, and that we’d be taking donations in exchange for me using your name in a book.

So many of you jumped in that we had to close it the next day. We raised over $20,000 in a day and a half….

Logistically speaking, that many names is going to take me a long time and several books to work through. There are a few spots in Monster Hunter Siege I will be able to use for charity red shirts, but this is going to take years.

I tell you, once I run through these names, and I’m doing this again for some other cause several years down the road, I’m totally going to jack up the price on you guys. 🙂

The important thing is that you are awesome, and you did something amazing for a good man. Mitch is already using this money to pay bills. Once again the Monster Hunter Nation has come through. I love you guys.

(14) SCHADENFREUDE. If you like seeing someone dish it out, Michaele Jordan’s “MidAmeriCon II: Con Report” at Amazing Stories is for you. She flays the programming division, MidAmeriCon’s version of LonCon’s Fan Village, Dave Truesdale, and Charlie Lippincott.

This programming bias came back to bite them in the butt. When [Charles] Lippincott saw that MidAmericon II was planning a Star Wars day, he decided this was his chance to cash in. He prepared his own ‘MidAmericon II’ program. (We know he prepared it in advance because 4-page, 10 x 14, glossy fliers with full color illustrations do NOT happen overnight.) It was to be an all-day media event, hawking autographs ($50.00 apiece) and featuring talks, slideshows and Q&A (conflicting with numerous other con functions, including the masquerade, and again not free). He did NOT consult with the con about this program.

Having laid his plans, he proceeded to escalate his demands to MidAmericon II, demanding more money, more publicity, more perks, etc. (As I was working the press room, I saw some of his emails myself, and can personally verify that he took a high-handed ‘gimme-gimme’ approach to what we will laughingly call negotiations.) When the con failed to meet some of his new demands, he canceled on the day before the con.

He then proceeded to hold his own stream of events anyway, just across the street — without removing MidAmericon II’s name from his glossy flyer — while bad-mouthing the con at every opportunity. He stood by his plan to charge high prices for attendance at his events. I mean, really. Would YOU pay $50.00 for Charles Lippincott’s autograph? Or another $50.00 to see a slide show of scenes from movies you already know well?

Well, turnabout is fair play. The Lippincott counter-con was a disaster.

(15) THE BIRD. Why, no, Stubby, I didn’t know these authors were acquainted! “When Charles Dickens & Edgar Allan Poe Met, and Dickens’ Pet Raven Inspired Poe’s Poem ‘The Raven’”.

“There comes Poe with his raven,” wrote the poet James Russell Lowell in 1848, “like Barnaby Rudge, / Three-fifths of him genius and two-fifths sheer fudge.” Barnaby Rudge, as you may know, is a novel by Charles Dickens, published serially in 1841. Set during the anti-Catholic Gordon Riots of 1780, the book stands as Dickens’ first historical novel and a prelude of sorts to A Tale of Two Cities. But what, you may wonder, does it have to do with Poe and “his raven”?

… It chanced the following year the two literary greats would meet, when Poe learned of Dickens’ trip to the U.S.; he wrote to the novelist, and the two briefly exchanged letters (which you can read here). Along with Dickens on his six-month journey were his wife Catherine, his children, and Grip, his pet raven. When the two writers met in person, writes Lucinda Hawksley at the BBC, Poe “was enchanted to discover [Grip, the character] was based on Dickens’s own bird.”

(16) SANDERSON HITS JACKPOT. “DMG Nabs Rights to Brandon Sanderson’s ‘Cosmere’ Book Universe in Massive Deal” reports Variety.

DMG Entertainment has nabbed film and licensing rights to “Cosmere,” Brandon Sanderson’s acclaimed series of interconnected fantasy novels. The entertainment and media company has committed to spending $270 million, which will cover half of the money needed to back the first three movies made from Sanderson’s canon. That makes it one of the largest literary deals of the year. DMG beat out several interested parties for rights to the series. As part of the pact, insiders say Sanderson will receive a minimum guarantee on each film that is produced, as well as a rich backend, allowing the author to make millions.

[Thanks to JJ, John King Tarpinian, Hampus Eckerman, and Scott Edelman for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Wright.]