Pixel Scroll 4/19/20 If You Like My File And You Think I’m Pixely, Come On Baby Let Me Scroll

(1) ’45 CALIBER. Ian Moore’s “Where to find the 1945 Retro Hugo Awards finalists” on Secret Panda is a Homeric compilation of publicly available material and alternative sources for learning about the Retro nominees. And it ends with a great cat photo.

…But what of the 1945 Retro Hugo Awards finalists? There is unlikely to be a Voter Packet for these, so how are Hugo Awards voters to go about making an informed choice here? Fortunately, many of the works that will be on the ballot are available online, either on the Internet Archive or elsewhere. Below I have compiled links to as many of these as I could find, and provided information about whether items are in print or otherwise…. 

(2) RESIZING THE FELLOWSHIP OF THE RING. The Hard Times reports “Middle Earth Temporarily Bans Fellowships of More Than Five”.

MINAS TIRITH — The White Council of the Wise issued a decree today that all fellowships in Middle Earth shall be no larger than five companions for at least the next quarter-age to help slow the spread of the Samund-01 curse that has already killed over 30,000 elves, dwarves, and men.

(3) BLACKOUT. Connie Willis blogged her “Journal Of The Coronavirus Year III”.

…It does feel like we’re living through another Black Death.

But in recent days, as the horrors of the coronavirus pandemic have begun to unfold,
I’ve also been reminded of similarities of this pandemic to the Blitz:

1. The disruption of our daily lives.
The orderly schedules of the British people was completely upended by the Blitz. People found themselves sleeping under the kitchen table or in basements or tube shelters. They went to work in the morning after a sleepless night with bombs falling overhead, only to find that their place of work was closed or bombed out, and when they went home, they found that had been bombed out, too. Everything changed in an instant. Theaters and museums were closed, and the way of life they’d always known disappeared overnight as if it had never been….

She comes up with three more parallels before concluding –

Everybody’s rising to the occasion, and, in spite of my having occasional worried thoughts about all of us becoming the crazy characters in Shirley Jackson’s WE HAVE ALWAYS LIVED IN THE CASTLE, we’re doing great. When this is all over, we’re going to be able to say, just like the British, “This was their finest hour.”

(4) SEEKING DONATIONS. The Ray Bradbury Experience Museum (RBEM) asks for help to open ‘The Martian Chronicles’ exhibit area for the Ray Bradbury Centennial celebration in “Green Town” in 2020. The donation link is here.

(5) WHO MEMORIAL. “Farewell, Sarah Jane” on the official Doctor Who YouTube channel.

Today marks the anniversary of the passing of Elisabeth Sladen, who played the Doctor’s friend Sarah Jane Smith. In a new video, scripted by Russell T Davies and narrated by Jacob Dudman, Sarah Jane Smith’s closest friends come together to say “Farewell, Sarah Jane”.

(6) MORE SARAH JANE. Coincidentally, SYFY Wire ran this story a couple of days ago — “Wire Buzz: Elizabeth Sladen’s Daughter In Doctor Who Radio Drama”.

Doctor Who is keeping it in the family.

Sadie Miller, the actress daughter of the late Elizabeth Sladen, is boarding the TARDIS in the role her mother made famous on the iconic BBC sci-fi series — that of intrepid investigative reporter Sarah Jane Smith — in Big Finish‘s highly anticipated audio drama Doctor Who: Return of the Cybermen.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 19, 1907 Alan Wheatley. Best remembered  for being the Sheriff of Nottingham in The Adventures of Robin Hood TV series, with Richard Greene playing Robin Hood. In 1951, he had played Sherlock Holmes in the first series about him, but no recordings of it are known to exist. And he was in Two First Doctor stories as Temmosus, “The Escape” and “The Ambush” where he was the person killed on screen by Daleks. (Died 1991.)
  • Born April 19, 1925 Hugh O’Brian. He was Harry Chamberlain in Rocketship X-M which you can see here. (It was nominated in the 1951 Retro Hugo Awards given at The Millennium Philcon but lost out to Destination Moon.)  He would later play Hugh Lockwood in Probe, the pilot for Search, and Search itself, an SF series. His only other genre appearance I think was playing five different roles on Fantasy Island. (Died 2016.)
  • Born April 19, 1933 W.R. Cole. Author of A Checklist of Science Fiction Anthologies, self-published In 1964. Ok, I’m including him today because I’m puzzled. SFE said of this work that ‘Though it has now been superseded and updated by William Contento’s indexes of Anthologies, it is remembered as one the essential pioneering efforts in Bibliography undertaken by sf Fandom.’  Was this really the first time someone compiled an index of anthologies? I seem to remember earlier efforts though I can’t remember precisely who. (Died 2002.)
  • Born April 19, 1935 Herman Zimmerman, 84. He was the art director and production designer who worked between 1987 and 2005 for the Trek franchise. Excepting Voyager, he worked on all other live-action productions including the first season of Next Gen, the entire runs of Deep Space Nine and Enterprise, as well as six Trek films. As Memory Alpha notes, “Together with Rick Sternbach he designed the space station Deep Space 9, with John Eaves the USS Enterprise-B and the USS Enterprise-E. His most recognizable work though, have been his (co-)designs for nearly all of the standing sets, those of the bridge, Main Engineering (co-designed with Andrew Probert) and Ten Forward for the USS Enterprise-D in particular.” Not surprisingly, he co-wrote the Star Trek: Deep Space Nine Technical Manual with Rick Sternbach and Doug Drexler.
  • Born April 19, 1936 Tom Purdom, 84. There’s very little on him on the web, so I’ll let Michael Swanwick speak for him in the introduction to his Lovers & Fighters, Starships & Dragons collection: ‘How highly do I regard Tom’s fiction?  So highly that I wrote the introduction to the collection — and I hate writing introductions.  They’re a lot of work.  But these stories deserve enormous praise, so I was glad to do it.’  He’s written five novels and has either one or two collections of his stories. He’s deeply stocked at the usual digital suspects. 
  • Born April 19, 1946 Tim Curry, 74. Dr. Frank-N-Furter in The Rocky Horror Picture Show of course, but it’s not his first genre appearance as he’d appeared a year earlier at the Scottish Opera in A Midsummer Night’s Dream as Puck. And yes I know that he appeared in the live show which was at the Chelsea Classic Cinema and other venues before the film was done. Other genre appearances include playing Darkness in Legend, an outstanding Cardinal Richelieu  in The Three Musketeers, Farley Claymore in The Shadow (great role), another superb performance playing Long John Silver in Muppet Treasure Island and in Rosencrantz and Guildenstern Are Dead as The Player.
  • Born April 19, 1952 Mark E. Rogers. Best remembered for the Samurai Cat series which in the first book, The Adventures of Samurai Cat, lampooned Tolkien, Lovecraft and Howard. Indiana Jones. Burroughs’ Barsoom and Star Wars would also get their due. (Died 2014.)
  • Born April 19, 1967 Steven H Silver, 53. Fan and publisher, author, and editor. He has been nominated for the Hugo Award for Best Fan Writer twelve times and Best Fanzine four times.  He’s a longtime contributing editor to SF Site and has written that site’s news page since its beginning. Over twenty years ago, he founded the Sidewise Award for Alternate History and has served as a judge ever since. He publishes his own fanzine, Argentus, and is a Hugo nominee this year for his work on Journey Planet.
  • Born April 19, 1968 Ashley Judd, 52. Best known genre wise for playing Natalie Prior in the Divergent film franchise. She was also Carly Harris-Thompson in the Tooth Fairy film, and was Ensign Robin Lefler in a few episodes of Next Gen. She played Beverly Paige on several episodes of Twin Peaks as well. 

(8) GAULD Q&A. On NPR: “Scientists Are Human, Too: Questions For Cartoonist Tom Gauld”.

As a sci-fi and fantasy nerd, of course I love the cartoon of the scientist being tempted by science fiction. Where did that one come from?

I think the scientist character in that cartoon is a bit like me when I’m making these cartoons, because I have to resist the temptation to draw silly robots and over-the-top science fiction technology every week. I am a SF/F nerd myself and while that’s one of the things that draws me to science, I have to remind myself to look in all the different areas of science to find cartoon themes.

(9) MARLOWE AND THE QUEEN. Francis Hamit, who frequently shared with File 770 readers his experience as a writer publishing via early indie platforms, and has spent years trying to get a movie made, sends this update.

I dissolved the Kit Marlowe Film Co, Ltd in February after five years and one month of trying to get CHRISTOPHER MARLOWE produced.  My recent surgery for spinal stenosis, (the first of two with the second on hold now because of the pandemic) makes it impossible for me to produce anything, even if our great producer Gary Kurtz hadn’t died in September, 2018, the HMRC had not changed the EIS rules and Brexit had not changed all of the assumptions we had when we started the company in 2014.   I’m an old poker player.  I know when to fold a losing hand.  Rising from the ashes, however, is the five-time award-winning screenplay and the curious fact that BFI says our letter of comfort for the film tax relief can be used by any UK film production company.  That’s a twenty percent rebate on the spend in the UK.  But coronoavirus has shut down the entire industry in the USA and UK.  Except for “development” and I have that script and two others out for consideration.  (Details on Facebook). 

I also have a few hundred copies of The Shenandoah Spy and The Queen of Washington left in the distributor’s warehouse.  I am reducing the retail price to $12.95 and $14.95 respectfully.  This is slightly below my break-even point but will free up cash to get another book to market.  Regular publishing has ls shut down so it may be DIY for the one I’m working on now STARMEN, a multi-genre romp that begins in El Paso, Texas in 1875 with the Pinkertons, who investigated all sorts of strange things.  I might also do some crowd-funding. 

Anyway those who would like to buy a copy of either book should call Pathway Book Service at 1-800-345-6665.  The Shenandoah Spy is $12.95 plus shipping and handling and they take credit cards.  The Queen of Washington is  a hardbound at $14.95 plus shipping and handling.  Amazon has a few copies at the old prices but has stopped taking third party distributors’ books to deal with the emergency.  Both books are in e-book at $9.99 on Amazon Kindle and as audiobooks at  Audible, Amazon and iTunes, sometimes for free. 

Anyone who wants a signed copy should contact me directly. ([email protected]). (My other books are also available but not discounted.)

Direct sales will be $27.50 per book, $50 for two plus $5.00 shipping each and these will be signed.  I’m running out of copies here and will have to order some from Pathway, which costs me for shipping.  If they are able. In the current emergency.  We can’t be sure.   On the other hand they will be signed.

Gail Shalan and I are converting The Shenanoah Spy audiobook to a Young Adult title.  That simply means we are going to cut the more graphic sexual content. Probably less than a thousand words that won’t be missed.  Times have changed since 2008 when the book was first published and we don’t want to provide “triggers” that get some readers upset and detract from the story. That means the sexual content is still there but more is left to the imagination.  Gail’s performance will be intact.  BTW the audiobook is “free” if it is a title used to sign up for Audible and Gail and I split a nice bonus.

(10) RABBIT TRACKS. Up for sale are “Charming letters and early drawings by a young Beatrix Potter showing Peter Rabbit from the 1890s”Daily Mail has the story

An archive of early drawings and letters by children’s author Beatrix Potter have emerged for sale for £250,000.

The charming illustrations date from the 1890s when the writer was honing her craft and had not yet become a household name.

One drawing from 1894 shows Peter Rabbit seven years before the first of his famous tales was published.

(11) A MONSTROUS REGIMENT. JDA shares another secret of his success.

(12) A WELL-DONE ENDING. Richard Paolinelli auditions as a script doctor.

(13) MIDDLE-EARTH’S BOTTOM LINE. “Here’s how much money the Lord of the Rings franchise has made”Looper added it up. (If only they’d had a good script doctor!)

.. The first three films in Jackson’s Middle-earth franchise raked in nearly $3 billion worldwide. And no, that number doesn’t account for DVD or memorabilia sales, or the sale of the trilogy’s television broadcast rights.

(14) SFF ART ON THE BLOCK. Heritage Auctions’ 2020 April 24 Illustration Art Signature Auction online sale includes two cover paintings for Weird Tales: Virgil Finlay’s ‘The Thief of Forthe’ (July 1937) and Lee Brown Coye’s ‘The Vampire’ (July 1947).

(15) FROST READS. The editors of the Beatles-themed anthology Across the Universe, Michael A. Ventrella and Randee Dawn, are posting videos of various authors in the anthology reading from their work. Here, Gregory Frost reads “A Hard Day’s Night at the Opera.”

[Thanks to Cat Eldridge, John King Tarpinian, Martin Morse Wooster, JJ, Chip Hitchcock, Mike Kennedy, Michael Toman, Steve Green and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

2020 Nommo Nominations Longlist

The African Speculative Fiction Society has released the 2020 longlist for the Nommo Awards for African Speculative Fiction.

The African Speculative Fiction Society, composed of professional and semiprofessional African writers, editors, publishers, graphic artists and film makers, was founded in 2016.

The Nommos were presented for the first time in 2017. The awards are named for twins from Dogon cosmology who take a variety of forms, including appearing on land as fish, walking on their tails.

The long lists consist of all titles in their respective categories that were nominated by members of the ASFS. All works are speculative fiction, were published between January 1, 2018 – December 31 2019, and are thought to be by Africans as defined by the ASFS and Nommo Awards Guidelines. Some of these works were nominated once, some just missed the shortlist.  The ASFS lists them in full to draw attention to all the works members felt worthy of consideration.

A short list of about five works in each category will be announced in mid May and ASFS members will then vote.  The winners will be announced at an online ceremony some time this autumn.

2020 NOVEL LONG LIST

  • Akwaeke Emezi — PET (Faber and Faber)
  • Eugen Bacon — CLAIMING T-MO (Meerkat Press)
  • Frank Owen — NORTH (Penguin Random House South Africa)
  • Lauri Kubuitsile — BUT DELIVER US FROM EVIL (Penguin Random House South Africa)
  • Masande Ntshanga — TRIANGULUM (Penguin Random House South Africa)
  • Mary Watson — THE WICKERLIGHT (Bloomsbury)
  • Mary Watson — THE WREN HUNT (Bloomsbury)
  • Myles Ojabo — BLACK RIVER (Dafel Books)
  • Namwali Serpell — THE OLD DRIFT (Penguin Random House/Vintage/Hogarth)
  • Nerine Dorman — SING DOWN THE STARS (Tafelberg)
  • Nerine Dorman — THE COMPANY OF BIRDS (Immanion Press)
  • Rachael A.Z. Mutabingwa — KUNDA (Zaaz Press) free on Kindle
  • Suyi Davies Okungbowa — DAVID MOGO, GODHUNTER (Simon and Schuster)
  • Tade Thompson — ROSEWATER REDEMPTION (Orbit)
  • Tade Thompson — ROSEWATER INSURRECTION (Orbit)
  • T C Farren — THE BOOK OF MALACHI (Kwela)
  • Temi Oh — DO YOU DREAM OF TERRA TWO? (Simon and Schuster)
  • Toby Bennet — THE MUSIC BOX (Tafelberg)
  • Tochi Onyebuchi — WAR GIRLS (Razorbill Penguin Group)
  • Tomi Adeyemi — CHILDREN OF VIRTUE AND VENGEANCE (Macmillan Publishers/Henry Holt and Co.)
  • Yolandie Horak — A STUDY OF ASH & SMOKE

NOVELS NOMINATED BUT NOT ELIGIBLE

  • Evan Winters — A RAGE OF DRAGONS – first published in 2017
  • Mugabi Byenkya — DEAR PHILOMENA – first published 2017 (Discovery Diversity Publishing)
  • Tochi Onyebuchi — RIOT BABY – published 2020 (Tom Doherty/Tor.com)
  • Tomi Adeyemi — CHILDREN OF BLOOD AND BONE – Shortlisted 2019 (Macmillan Publishers/Henry Holt and Co.)

2020 NOVELLA LONG LIST

  • Bill Masuku — MISFORTUNISM (Sera Blue Books)
  • Bill Masuku — PSYCHOPHAGY (Sera Blue Books)
  • Caldon Mull — WEATHERMAN (Caldon Mull)
  • Caldon Mull — TERRAFORM TRIPTYCH (Caldon Mull)
  • C L Corona — HIGH TOWER GODS (Amazon Digital Services)
  • Cat Hellisen — EVEN WHEN THE WORLD HAS TOLD US WE HAVE ENDED (ebook)
  • Kerstin Hall — THE BORDER KEEPER (Tor.com)
  • Unathi Slasha — JAH HILLS (Black Ghost Books) — NB: copyright 2017, published 2018
  • Wole Talabi — INCOMPLETENESS THEORIES — (single-author anthology, INCOMPLETE SOLUTIONS, Luna Press)

2020 SHORT STORY LONG LIST

  • Acan Innocent Immaculate — SONG BIRD (Brittle Paper and Go the Way Your Blood Beats, anthology edited by Anathi Jongilanga, Brittle Paper)
  • Ada Nnadi — TINY BRAVERY (Omenana)
  • Ama Josephine Budge — A SHOAL OF LOVERS LEADS ME HOME (Anathema Magazine)
  • Ayodele Olufintuade — THE STORM PAINTER (Strange Horizons)
  • Caldon Mull REFUGIA — (Omenana)
  • Chikodili Emelumadu — SIN EATER (Omenana)
  • Chinelo Onwualu — WHAT THE DEAD MAN SAID (Slate.com)
  • Dare Segun Falowo — VAIN KNIFE (The Dark Magazine)
  • Deji Bryce Olukotun — BETWEEN THE DARK AND THE DARK (Lightspeed)
  • Ekari Mbvundula — THE BLUE BALL (Story Ink Africa)
  • Ekpeki Oghenechovwe Donald — IFE-IYOKU (Selene Quarterly)
  • Eugen Bacon — A PINING (StylusLit),
  • Eugen Bacon — THE DAY CHIVALRY DIED (AntipodeanSF),
  • Eugen Bacon — A GOOD BALL (Other Terrain Journal); (the three Bacon stories are from the single-author anthology DYING AND OTHER STORIES)
  • Hannah Onoguwe — WHERE THE PALM NUT GROWS (Timeworn Literary Journal)
  • Haku Jackson — THE SILENT GOD (Omenana)
  • Imade Iyamu — ODUDUWA: THE RETURN (in anthology YOUNG EXPLORERS ADVENTURE GUIDE VOL 6 edited by Corie and Sean Weaver, Dreaming Robot Press)
  • Innocent Chizaram Ilo — FEMALE COMPUTER WANTED APPLY WITHIN (Fireside Fiction)
  • Innocent Chizaram Ilo — RED CROWS (Cosmic Roots and Eldritch Shores)
  • Ivana Akotowaa Ofori — PRINCIPLES OF BALANCE (Jalada)
  • Kathleen Kayembe — THE OCEAN THAT FADES INTO SKY (Lightspeed)
  • Keletso Mopai — BECOMING A GOD (from the single-author anthology IF YOU KEEP DIGGING, Jacana Media) (Omenana)
  • Keletso Mopai – FOURTEEN (from single-author anthology IF YOU KEEP DIGGING, Jacana Media)
  • Kofi Nyameye — THE LIGHTS GO OUT ONE BY ONE (Asimovs Science Fiction)
  • Lesley Arimah — SKINNED (McSweeney’s Quarterly Concern)
  • Mame Bougouma Diene — ANOTHER DAY IN THE DESERT (EscapePod)
  • Mame Bougouma Diene — THE LAST OF HER KIND (Omenana)
  • Mandisi Nkomo — DROPZONE (Mandisi Nkomo)
  • Mohale Mashigo – MUTSHIDZI (anthology A WORLD OF HORROR edited by Eric J Guignard, Dark Moon Books)
  • Nick Wood — A MILLION REASONS WHY (from single-author collection LEARNING MONKEY AND CROCODILE, Luna Press)
  • Nikhil Singh — THE RE-EVOLUTION OF CLOUD 9 (from anthology THE UNQUIET DREAMER: A TRIBUTE TO HARLAN ELLISON edited by Preston Grassman, PS Publishing)
  • Olufunke Ogundimu — IN-BETWEEN (Jalada)
  • Ope Adedeji — AFTER THE BIRDS (McSweeney’s Quarterly Concern)
  • Osahon Ize-Iyamu — FLAGS FLYING BEFORE A FALL (Strange Horizons)
  • Osahon Ize-Iyamu — IN THE GARDEN WATCHING NIM-NOMS (Omenana)
  • Osahon Ize-Iyamu — WHO HAS NEVER LOVED A GENTLE HOUSE? (Strange Horizons)
  • Osahon Ize-Iyamu — THEREIN LIES A SOUL (The Dark Magazine)
  • ‘Pemi Aguda — MANIFEST 11 (Granta)
  • ‘Pemi Aguda — 24 ALHAJI WILLIAMS STREET (Zoetrope)
  • Rafeeat Aliyu — WHERE THE RAIN MOTHERS ARE (Strange Horizons)
  • Rafeif Ismail — SOMETHING LIKE REVOLUTION (Meanjin Quarterly)
  • Shingai Kagunda — HOLDING ON TO WATER (Omenana)
  • Stephen Embleton — THE GIRL WITH TWO BODIES (Kalahari Review)
  • Suyi Davies Okungbowa — THE HAUNTING OF 13 OLÚWO STREET (Fireside)
  • Suyi Davies Okungbowa — A LIGHT FOR THE DARK UNDER (Brick Moon) (also in the anthology IT STARTS WITH A HEIST (Brick Moon)
  • Tariro Ndoro — A TALE OF TWO SISTERS (anthology HOTEL AFRICA, Short Story Day Africa)
  • Tariro Ndoro — THE CURE (in NOWHEREVILLE: WEIRD IS OTHER PEOPLE, Broken Eye Books)
  • T L Huchu — CORIALIS (Fiyah)
  • Tiah Marie Beautement — THE AMERICAN REFUGEE (Cast of Wonders Podcast)
  • Tobi Ogundiran — FAÊL (Beneath Ceaseless Skies)
  • Wole Talabi — WHEN WE DREAM WE ARE OUR GOD (Apex Magazine and ALL BORDERS ARE TEMPORARY, TrAP Magazine)
  • Wole Talabi — ABEOKUTA52 (Omenana)
  • Wole Talabi — TENDS TO ZERO (in NOWHEREVILLE: WEIRD IS OTHER PEOPLE, Broken Eye Books)

SHORT STORIES LONG LISTED BUT NOT ELIGIBLE

  • Blaize Kaye — BRAND NEW WAYS TO LOSE YOU OVER AND OVER – short listed 2019 (Omenana)
  • Dare Segun Falowo — NGOZI UGEGBE NWA – published 2020 (The Dark Magazine)
  • Derek Lubangakene — ORIGAMI ANGELS – not eligible shortlisted 2019 (Omenana)
  • Henrietta Rose-Innes — LIMERENCE – first published 2016 (Some Such Stories)
  • Innocent Chizaram Ilodianya — RAT AND FINCH ARE FRIENDS – published 2020 (Strange Horizons)
  • Tiah Marie Beautement — MOMENTO MORI – shortlisted 2019 (Omenana)
  • T L Huchu NJUZU – shortlisted 2019 (first published in AfroSFV3 edited by Ivor W. Hartmann and in the Johannesburg Review of Books)

2020 GRAPHIC NOVEL LONG LIST

  • BEAST FROM VENUS — (Avandu Vosi) Kiprop Kimutai (author) and Salim Busuru (artist)
  • BLACKMOON (Comic Republic) — Tobe Max Ezeogu (author) and Tobe Max Ezeogu, Tobe Ezeogu, Ozo Ezeogu, Kelechi Isaac (artists)
  • CAPTAIN SOUTH AFRICA Part 1: Origins (Enigma Comix) — Bill Masuku (author and artist)
  • DANFO (TAG Comics) — Morakinyo Araoye, and Steven Akinyemi (authors) Ogim Ekpezu (artist)
  • HAWI (Etan Comics)– Beserat Debebe (author) and Stanley Obende (artist)
  • IYANU CHILD OF WONDER (YouNeek Studios) — Roye Okupe (author) and Godwin Akpan (artist)
  • JEMBER (Etan Comics) — Beserate Dbebe (author) and Stanley Obende (artist)
  • KAMI (Mira Hirwa publisher) — Mika Hirwa (author and artist)
  • MOONGIRLS (Drama Queens Gh) — Akosua Hanson, Suhaidatu Dramani, George Hanson, Tsiddi (authors) and AnimaxFYB Studios (artists)
  • LAND OF GODS: ORUN (Vortex Comics) — Kevin Sampong and Somto Ajuluchukwu (authors) Gemahel Kamgain (art)
  • NANI (Kugali Comics) — Ziki Nelson (author) Jasonas Lamy (artist)
  • SANU (Elupe Comics) — SSentogo Charles (author and artist)
  • WELCOME TO DEAD WORLD (Sam Graphico Anthology) — Bill Masuku (author and artist)

GRAPHIC NOVELS NOMINATED NOT ELIGIBLE

  • TATASHE — Cassandra Mark (author) and Tobe Max Ozeogu (Comic Republic) shortlisted 2019.
  • ROVIK — Yvonne Waniyoke (author) and Salim Busuru (Avandu Vosi) shortlisted 2019.

[Thanks to Geoff Ryman for the story.]

The Tolkien Society Awards 2020

The Trustees of The Tolkien Society have announced the winners of The Tolkien Society Awards 2020.

Best Artwork

  • The Professor” by Jenny Dolfen [T-shirt design for the Tolkien2019 event in Birmingham, UK]

Best Article

Best Book

Best Online Content

Outstanding Contribution Award

2020 ITW Thriller Awards Nominees

The finalists for the 2020 International Thriller Writers Awards have been announced. The award is given by the International Thriller Writers, whose board of directors boasts such famous members as Lee Child and R.L. Stine. ITW will announce the winners at a virtual ThrillerFest on July 11.

BEST HARDCOVER NOVEL

  • David Baldacci — ONE GOOD DEED (Grand Central Publishing)
  • Joe Clifford — RAG AND BONE (Oceanview Publishing)
  • Blake Crouch — RECURSION (Crown)
  • Rachel Howzell Hall — THEY ALL FALL DOWN (Forge Books)
  • Adrian McKinty — THE CHAIN (Mulholland Books)
  • Denise Mina — CONVICTION (Mulholland Books)

BEST FIRST NOVEL

  • Samantha Downing — MY LOVELY WIFE (Berkley)
  • Angie Kim — MIRACLE CREEK (Farrar, Straus and Giroux)
  • John McMahon — THE GOOD DETECTIVE (G.P. Putnam’s Son)
  • Alex Michaelides — THE SILENT PATIENT (Celadon Books)
  • Lauren Wilkinson — AMERICAN SPY (Random House)

BEST PAPERBACK ORIGINAL NOVEL

  • Max Allan Collins — GIRL MOST LIKELY (Thomas & Mercer)
  • Alison Gaylin — NEVER LOOK BACK (William Morrow Paperbacks)
  • Alastair Luft — JIHADI BRIDE (Black Rose Writing)
  • Dervla McTiernan — THE SCHOLAR (Penguin Books)
  • Lisa Sandlin — THE BIRD BOYS (Cinco Puntos Press)
  • Kate White — SUCH A PERFECT WIFE (Harper Paperbacks)

BEST SHORT STORY

  • Hector Acosta — “Turistas” (Down & Out Books)
  • Michael Cowgill — “Call Me Chuckles” (Ellery Queen Mystery Magazine)
  • Tara Laskowski — “The Long-Term Tenant” (Ellery Queen Mystery Magazine)
  • Lia Matera — “Snow Job” (Ellery Queen Mystery Magazine)
  • Twist Phelan — “Fathers-in-Law” (Ellery Queen Mystery Magazine)

BEST YOUNG ADULT NOVEL

  • Jen Conley — SEVEN WAYS TO GET RID OF HARRY (Down & Out Books)
  • Naomi Kritzer — CATFISHING ON CATNET (Tor Teen)
  • Natalie Lund — WE SPEAK IN STORMS (Philomel Books/Penguin Young Readers)
  • Randy Ribay — PATRON SAINTS OF NOTHING (Kokila/Penguin Young Readers))
  • Tom Ryan — KEEP THIS TO YOURSELF (Albert Whitman & Company)

BEST E-BOOK ORIGINAL NOVEL

  • Brett Battles — NIGHT MAN (Brett Battles)
  • Sean Black — THE DEEP ABIDING (Sean Black)
  • Brian Shea — MURDER BOARD (Severn River Publishing)
  • LynDee Walker — LEAVE NO STONE (Severn River Publishing)
  • Kerry Wilkinson — CLOSE TO YOU (Bookouture)

[Thanks to Cora Buhlert for the story.]

2020 Derringer Award Finalists

The Short Mystery Fiction Society unveiled the 2020 Derringer Awards shortlist on April 3.

The results of membership voting will be posted May 1.

Best Flash Story (up to 1,000 words)

 “Lucky,” by Trey Dowell
 “The Two-Body Problem,” by Josh Pachter
 “2 Percent,” by Lissa Marie Redmond
 “Birdbrain,” by C.J. Verburg
 “The Six-Year-Old Serial Killer,” by Chris Chan

Best Short Story (1,001 to 4,000 words)

 “The Kindly Dark,” by J.B. Toner
 “Love, or Something Like It,” by Michael Bracken
 “A Sure Thing,” by C.C. Guthrie
 “On the Road with Mary Jo,” by John Floyd
 “Pig Lickin’ Good,” by Debra H. Goldstein

Best Long Story (4,001 to 8,000 words)

 “Miss Starr’s Good-bye,” by Leslie Budewitz
 “None Shall Sleep,” by Sylvia Maultash Warsh
 “Pretty Dreams,” by Peter W.J. Hayes
 “See Humble and Die,” by Rick Helms
 “Lucy’s Tree,” by Sandra Murphy

Best Novelette (8,001 to 20,000 words)

 “Her Sister’s Secrets,” by Brendan DuBois
 “The Cripplegate Apprehension,” by Rick Helms
 “The Concrete Smile,” by Frank Zafiro
 “The Dutchy,” by Doug Allyn
 “I Called to Say You’re Dead,” by Stephen Greco

A vote of the SMFS membership will determine the winner in each category. Results will be announced in May 2020.

[Thanks to Cora Buhlert for the story.]

StokerCon 2021 Announces
Guests of Honor

The Horror Writers Association‘s StokerCon 2021 will be held May 20-23, 2021 at the Curtis Hotel in Denver CO. The convention’s guests of honor were revealed at the end of last night’s Bram Stoker Awards ceremony.

  • Maurice Broaddus: Maurice’s body of work goes back over twenty years, with multiple short story publications, several novellas, two anthologies, and five novels, including his Knights of Breton Court series. His anthology, Dark Faith, co-edited with Jerry Gordon, was a finalist for the 2010 Bram Stoker Award. He worked for twenty years as an environmental toxicologist and was formerly the executive director of Cities of Refuge Ministries. Maurice currently teaches middle school and has a middle school detective novel series, The Usual Suspects. His website is http://mauricebroaddus.com/.
  • Joe R. Lansdale has won ten Bram Stoker Awards, a British Fantasy Award, the Spur Award for Best Historical Western, and an Edgar Award. He has received the Raymond Chandler Lifetime Achievement Award, as well as the Lifetime Achievement Award from the Horror Writers Association. His works include novels, short stories, screenplays, and television scripts. His novella, Bubba Ho Tep, was made into a movie and became a cult classic, while his Hap and Leonard novels became a successful television series. His website is http://www.joerlansdale.com/.
  • Seanan McGuire is a Hugo, Nebula, and Locus award-winning writer, who also received the John W Campbell Award for Best New Writer by the 2010 World Science Fiction Convention. A prolific writer, she has published novels under her name as well as under her pseudonym, Mira Grant. The latter includes the political thriller/zombie series Newsflesh. In 2013, Seanan received a record five Hugo Award nominations, two under her Grant pseudonym and three under her own name. Her website is http://www.seananmcguire.com/.
  • Silvia Moreno-Garcia is a the author of the novels Mexican GothicGods of Jade and ShadowCertain Dark ThingsUntamed Shore, and a bunch of other books. She has also edited several anthologies, including the World Fantasy Award-winning She Walks in Shadows (a.k.a. Cthulhu’s Daughters). She is a columnist for the Washington Post. Her website is https://www.silviamoreno-garcia.com/blog/.
  • Lisa Morton is a screenwriter, author of non-fiction books, and award-winning prose writer whose work was described by the American Library Association’s Readers’ Advisory Guide to Horror as “consistently dark, unsettling, and frightening”.  She is the author of four novels and 150 short stories, a six-time winner of the Bram Stoker Award®, past President of the Horror Writers Association, and a world-class Halloween expert. Her website is https://lisamorton.com/zine/.
  • Steve Rasnic Tem: A Colorado native, Steve is, according to fellow guest of honor Joe Lansdale, “a school of writing unto himself.” Steve is a past winner of the World Fantasy, British Fantasy, and Bram Stoker Awards (incl. 2014’s Blood Kin for novel). His short fiction work is legendary, with over 450 short stories published in a 40+ year career. You’ll find some of his best in Figures Unseen: Selected Stories. His latest is The Night Doctor and Other Tales. His website is http://stevetem.com/.

2019 Bram Stoker Awards® Winners

Bram Stoker Award trophy

The Horror Writers Association (HWA) presented the 2019 Bram Stoker Awards® in a livestreamed ceremony on April 18.

2019 Bram Stoker Awards®

Superior Achievement in a Novel

  • Goingback, Owl – Coyote Rage (Independent Legions Publishing)

Superior Achievement in a First Novel

  • Read, Sarah – The Bone Weaver’s Orchard (Trepidatio Publishing)

Superior Achievement in a Young Adult Novel

  • Nzondi – Oware Mosaic (Omnium Gatherum)

Superior Achievement in a Graphic Novel

  • Gaiman, Neil & Doran, Colleen – Neil Gaiman’s Snow, Glass, Apples (Dark Horse Books)

Superior Achievement in Long Fiction

  • LaValle, Victor – Up from Slavery (Weird Tales Magazine #363) (Weird Tales Inc.)

Superior Achievement in Short Fiction

  • Kiste, Gwendolyn – “The Eight People Who Murdered Me (Excerpt from Lucy Westenra’s Diary)” (Nightmare Magazine Nov. 2019, Issue 86)

Superior Achievement in a Fiction Collection

  • Tremblay, Paul – Growing Things and Other Stories (William Morrow)

Superior Achievement in a Screenplay

  • Peele, Jordan – Us (Monkeypaw Productions, Perfect World Pictures, Dentsu, Fuji Television Network, Universal Pictures)

Superior Achievement in an Anthology

  • Datlow, Ellen – Echoes: The Saga Anthology of Ghost Stories (Gallery/Saga Press)

Superior Achievement in Non-Fiction

  • Kröger, Lisa and Anderson, Melanie R. – Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction (Quirk Books)

Superior Achievement in Short Non-Fiction

  • Kiste, Gwendolyn – “Magic, Madness, and Women Who Creep: The Power of Individuality in the Work of Charlotte Perkins Gilman” (Vastarien: A Literary Journal Vol. 2, Issue 1)

Superior Achievement in a Poetry Collection

  • Addison, Linda D. and Manzetti, Alessandro – The Place of Broken Things (Crystal Lake Publishing)

Pixel Scroll 4/18/20 You Can’t File All Of The Pixels All Of The Time

(1) EASTERCON 2021. Next year’s UK Eastercon site has been selected reports the Friends of Eastercon blog.

ConFusion 2021 won an online bidding session for the 2021 Eastercon, to be held at the Birmingham NEC again, with 95% of the vote. Permission to record the session was refused.

(2) AID FOR ARTISTS. Publishers Lunch linked to the newly announced  “Maurice Sendak Emergency Relief Fund”.

The Maurice Sendak Foundation has granted $100,000 to the New York Foundation for the Arts for an emergency relief grant program “to support children’s picture book artists and writers impacted by the COVID-19 crisis.” They will provide grants of up to $2,500 a person, and hope to raise at least another $150,000 in the initial phase.

(3) AND RESCUE FOR RETAILERS. The New York Times tells how “Comic Creators Unite to Benefit Stores”.

A large group of comic book creators are banding together to help support comic book retailers whose business have been disrupted by the coronavirus pandemic.

Using the Twitter hashtag #Creators4Comics, more than 120 creators will be auctioning comic books, artwork and one-of-a-kind experiences. The auctions will run from Wednesday through Monday and will benefit the Book Industry Charitable Foundation, which is accepting applications from comic book shops and bookstores for emergency relief.

The effort was organized by the comic book writers Sam Humphries and Brian Michael Bendis, along with Kami Garcia, Gwenda Bond and Phil Jimenez. Humphries will be auctioning “How to Break Into Comics by Making Your Own Comics,” which are video-chat sessions with aspiring writers. “It mirrors my own comic book secret origin story,” he said in an email. More information can be found at the Creators 4 Comics website….

(4) CONZEALAND VIRTUAL ATTENDING MEMBERSHIPS. The 2020 Worldcon website has been updated with information about attending memberships for its Virtual Convention.

An Attending Membership is for people who will engage in the live, interactive Virtual Convention. There are a number of different types of Attending Memberships. Attending Memberships are all inclusive. You do not have to pay anything more for access to any of our online activity.

You will receive all our publications. This also comes with the right to nominate and vote in the Hugo Awards in 2020. You can also vote in Site Selection for the 2022 Worldcon.

  • Young Adult Attending is based on being born in 2000.
  • Unwaged Attending is a NZ resident of any age who does not have a consistent wage. This includes students, retirees, beneficiaries etc. Please contact us if you have questions about this.
    • We will trust that if you become waged by the convention, that you will upgrade to a Full Attending.

(5) RE-VOYAGER. “Garrett Wang And Robert Duncan McNeill Are Launching A ‘Star Trek: Voyager’ Rewatch Podcast” reports TrekMovie.com. The podcast’s twitter account is @TheDeltaFlyers.

This morning, Star Trek: Voyager star Robert Duncan McNeill (Tom Paris) announced that he has teamed up with co-star Garrett Wang (Harry Kim) on a new podcast called The Delta Flyers. The new pod promises inside stories as the pair plan to rewatch every episode of Voyager, with the first episode arriving in early May. 

(6) EISNER AWARDS. Newsarama reassures that “2020 Eisner Awards Going Forward Despite SDCC Cancellation”.

“I’m happy to report that the judging has been handled mostly virtually to date,” SDCC’s Chief Communications and Strategy Officer David Glanzer told Newsarama. “Things are in flux as you can imagine but our hope is to be able to have a list of Eisner winners for 2020.”

Longtime awards administrator Jackie Estrada is working with this year’s judges Martha Cornog, Jamie Coville, Michael Dooley, Alex Grecian, Simon Jimenez, and Laura O’Meara.

(7) OUT OF PRINT. In “This Is The Book That Outsold Dracula In 1897″, CrimeReads’  Olivia Rutigliano shows why an old bestseller is likely to remain in obscurity despite that singular achievement.

Bram Stoker’s Dracula has remained in print since it was first published in April 1897. A bestseller in its day, it has gone on to spawn countless derivatives and become one of the most indelible pop-cultural touchstones in recent history. Obviously. But, upon its first release, it was seriously outsold by another novel, a supernatural tale of possession and revenge called The Beetle, which fell out of print after 1960. And let me tell you, it’s something else.

Written by Richard Marsh, the author of extremely successful commercial short fiction during this era, The Beetle is actually rather like Dracula in form and plot. In addition to its being an epistolary novel, it is similarly about a seductive, inhuman, shape-shifting monster who arrives in England from the East, entrances a citizen into becoming its slave, and wages an attack on London society. And civilization’s only hope against this invader is a motley group of middle-class individuals (including one forward-thinking young woman and one expert on the supernatural), who must figure out what the creature actually is and ascertain why it has arrived to England, before finally destroying it….

(8) A FRIGID FORMULATION. Dann is “Re-Visiting Those Damned Cold Equations” at Liberty at all Costs.

… There is a forthcoming anthology of rebuttals to The Cold Equations.  I expect many essayists to add elements that are not present in the original story to reach their own preferred conclusions.  Rather than address the story as written, they will probably add in a factor that is not otherwise evident as a lever to be used against the main purpose of the story.

Rather than discussing the merits and criticism of the story, I’m first going to travel to Texas, rhetorically.

Lt. Governor Dan Patrick implied that he was willing to die to ensure the survival of his children and grandchildren.  He went on to suggest that lots of grandparents would make the same choice.  The context of his comments was the “choice” between maintaining our self-quarantine that is significantly damaging our economy or resuming normal social habits at the demonstrable risk of killing off a substantial number of our elderly.

…We are not currently at the point where we need to be deciding who lives and who dies.  We are most certainly not at the point where we need to risk the lives of senior citizens by prematurely restarting the economy.

That being said, we do have to make choices; sometimes hard choices….

…The fact is that we all have to make choices based on what we hope is the best of information.  We are all learning now about the importance of certain types of medical and personal protective equipment.  We are learning that we had manufacturing and import capacity to cover the usual needs of society, but not enough to cover our needs during a pandemic.  We are learning that we had stockpiles sufficient to cover a few significant regional calamities, but such stockpiles were entirely insufficient for a larger catastrophe.

…Will the critics of The Cold Equations pause in their rush to suggest alternative conclusions to acknowledge the practical limitations, however ham-handedly presented, that were in play?

(9) WHAT BOX? In a review of Bishakh Som’s new collection, NPR’s Etelka Lehoczky reports that “‘Apsara Engine’ Doesn’t Break The Graphic Novel Rules — It Ignores Them”.

There’s something a bit uncanny about Apsara Engine, the new comics collection by Bishakh Som. The world of comics is all about genre — superhero, sci-fi, fantasy, horror — and most of the time it’s pretty easy to match any book to its proper slot. Even highbrow graphic novels tend to categorize themselves through the style of art they employ and the types of stories they tell. Not this book, though. Its images and concepts seem to come from a place all their own. Som’s imagination is science-fictiony, without being particularly technological, mythic without being particularly traditional, and humanistic without cherishing any particular assumptions about where we, as a species, are headed.

You might classify these comics as “literary,” but Som’s approach to storytelling is as uncanny as her style and themes. Even the book’s structure keeps the reader off-balance. Som intersperses tales of future civilizations and half-human hybrid beasts with vignettes of run-of-the-mill contemporary life, so the reader never knows if something odd is about to happen.

You might classify these comics as “literary,” but Som’s approach to storytelling is as uncanny as her style and themes.

…Som’s artistic style breaks boundaries, too. She’ll employ traditional comic-book techniques for page layouts and character designs, then toss them aside with the turn of a page. A character who’s drawn iconically, with just a few efficient lines defining her features, will become lushly realistic at a pivotal moment. A story drawn in the usual square panels will suddenly burst forth into a series of flowing, uncontained two-page spreads.

Such moments of explosive transition provide the book’s heartbeat. It’s a mesmerizing arrythmia. The deceptiveness of what we think of as “ordinary life” is a running motif, one Som explores through unexpected juxtapositions. In “Come Back to Me,” a pretty young woman engages in an utterly mundane inner monologue while walking on the beach. Her reminiscences about the time she cheated on her boyfriend, which appear above and below the drawings, continue to unspool implacably even as she’s pulled into the ocean by a mermaid….

(10) BINNS OBIT. Merv Binns’ obituary, written by Leigh Edmonds, has appeared in The Age: “A luminary of Australian science fiction”. An excerpt:

In 1970, Binns established Space Age Books, with the help of his friends Lee Harding and Paul Stevens. It soon established a reputation as the best source of science fiction, fantasy and counter-culture literature in Melbourne, and probably Australia.

Space Age became the hub of a growing science fiction community and Binns became associated with leading authors, editors and publishers, as well the growing number of fans, in Australia and internationally.

As a result, Binns and Space Age were integral to the hosting of World Science Fiction Conventions in Melbourne in 1975 and 1985. 

(11) MEDIA BIRTHDAY.

  • April 18, 1938 — Superman first appeared in Action Comics #1, a comic book published by National Allied Publications even though the cover said June. The character was created by writer Jerry Siegel and artist Joe Shuster. This was actually an anthology, and contained eleven features with the Superman feature being the first thirteen inside pages. Five years ago, a pristine copy  of this comic sold for a record $3,207,852 on an eBay auction. It was one of two hundred thousand that were printed. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 18, 1884 Frank R. Paul. An employee of editor Hugo Gernsback, he largely defined the look of both cover art and interior illustrations in the pulps of the Twenties from Amazing Stories at first and later for Planet StoriesSuperworld Comics and Science Fiction. He also illustrated the cover of Gernsback’s own novel, Ralph 124C 41+: A Romance of the Year 2660. You can see his cover for Amazing Stories, August 1927 issue , illustrating The War of the Worlds here. (Died 1963.)  
  • Born April 18, 1922 Nigel Kneale. Writer of novels and scripts merging horror and SF, he’s  best remembered  for the creation of the character Professor Bernard Quatermass. Though he was a prolific British producer and writer, he had only one Hollywood movie script, Halloween III: Season of the Witch. (Died 2006.)
  • Born April 18, 1945 Karen Wynn Fonstad. She designed several atlases of fictional worlds including The Atlas of Middle-earthThe Atlas of Pern and The Atlas of the Dragonlance World. (Died 2005.)
  • Born April 18, 1946 Janet Kagan. “The Nutcracker Coup” was nominated for both the Hugo Award for Best Novelette and the Nebula Award for Best Novelette, winning the Hugo at ConFrancisco. She has but two novels, one being Uhura’s Song, a Trek novel, and quite a bit of short fiction which is out in The Complete Kagan from Baen Books and is available from the usual digital suspects. (Died 2008.)
  • Born April 18, 1952 Martin Hoare. I’m not going to attempt to restate what Mike stares much better in his obituary here. (Died 2019.) 
  • Born April 18, 1965 Stephen Player, 55. He’s deep into Pratchett’s Discworld and the fandom that sprung up around it. He illustrated the first two Discworld Maps, and quite a number of the books including the25th Anniversary Edition of The Light Fantastic and The Illustrated Wee Free Men. Oh but that’s just a mere wee taste of he’s done as he did the production design for the Sky One production of Hogfather and The Colour of Magic. He did box art and card illustrations for Guards! Guards! A Discworld Boardgame. Finally he contributed to some Discworld Calendars, games books, money for the Discworld convention. I want that money. 
  • Born April 18, 1969 Keith R. A. DeCandido, 51. I found him with working in these genre media franchises: such as Supernatural, Andromeda, FarscapeFireflyAliensStar Trek In its various permutations, Buffy the Vampire SlayerDoctor WhoSpider-ManX-MenHerculesThorSleepy Hollow,and Stargate SG-1. Has he ever written a novel that was a media tie-in? 
  • Born April 18, 1971 David Tennant, 49. Eleventh Doctor and my favorite of the modern Doctors along with Thirteen whom I’m also very fond of. There are some episodes such as the “The Unicorn and The Wasp” that I’ve watched repeatedly.  He’s also done other spectacular genre work such as the downright creepy Kilgrave in Jessica Jones, and and Barty Crouch, Jr. in Harry Potter and the Goblet of Fire. He’s also in the Beeb’s remake of the The Quatermass Experiment as Dr. Gordon Briscoe.
  • Born April 18, 1973 Cora Buhlert, 47. With Jessica Rydill, she edits the Speculative Fiction Showcase, a most excellent site. She has a generous handful of short fiction professionally published, and she’s also a finalist for the Best Fan Writer Hugo this year. 

(13) COMICS SECTION.

  • Bizarro tells us what monsters sing.

(14) TOUGHER THAN DIAMOND? “DC to Sell New Comics. Here’s Why it Matters” is a Nerdist analysis of a potentially revolutionary development.

It’s been a wild month for comic book fans everywhere. Since the COVID-19 crisis fully took hold we’ve been getting used to new ways of living, working, and accessing our favorite art, even SDCC has been canceled! It was only a few weeks ago that Diamond–the comic book industry’s only physical distributor–would stop distributing single issues to comic shops. Since then, there have been plenty of rumors, failed plans, and new ideas. But now DC Comics has announced they will be selling comics directly to shops via two new distributors.

It’s great news for comics fans but also has massive implications for the future of the industry as a whole. We’re here to break down why.

… The fact that DC Comics is breaking with the exclusive deal Diamond has had with them for decades means that they are introducing two new distributors into the market for the first time in 20 years. It could essentially break the monopoly that Diamond has had on the industry. Possibly freeing up the proverbial trade routes that have long been under the control of one massive company….

(15) LEGACY OF THE PLAGUE. Sari Feldman looks ahead to “Public Libraries After the Pandemic” at Publishers Weekly.

…In a previous column, I wrote about the unprecedented library closures around the country in the wake of the pandemic. The value of public libraries is rarely questioned in times of crisis—think of the New Orleans Public Library after Hurricane Katrina, or the Ferguson Municipal Public Library during the unrest there. But this crisis—more specifically, the social distancing required to address this crisis—strikes at the very foundation on which the modern public library rests. And as the days go by, I find myself increasingly concerned about how libraries come back from these closures.

For one, I suspect that Covid-19 will change some people’s perspective on what can and should be shared. I fear many people will begin to overthink materials handling and the circulation of physical library collections, including books. It’s a reasonable assumption that people will emerge from this public health crisis with a heightened sense of risk related to germ exposure. How many of our patrons—particularly those with means—will begin to question the safety of borrowing books and other items from the library?

In terms of our buildings, open access for everyone has long been a celebrated library value. Public libraries have evolved, survived, and have even managed to thrive through a digital transformation by reconfiguring our spaces to be more social, more functional, and by offering more programs and classes. Can we maintain that in an age of social distancing? Will libraries need to supply gloves for shared keyboards? Will parents and caregivers still want to bring their children to a “Baby and Me” program? Will seniors still find respite in a library community?

(16) ONE PICTURE AND A THOUSAND WORDS. In “Revisiting Ursula K. Le Guin’s Novella About Interplanetary Racism” at New York Times Books, artist Ben Passmore visually comments on a Le Guin story.

A graphic novelist renders “The Word for World Is Forest,” a work that mixed the reality of racism with the fantasy of retribution.

(17) COUNTDOWN. In the Washington Post, Christian Davenport says NASA has authorized the first human spaceflight launching from the U.S. since 2011, with veterans Bob Behnken and Doug Hurley scheduled to go to the International Space Station on a SpaceX craft. “NASA sets a date for historic SpaceX launch, the first flight of NASA crews from U.S. in nearly a decade”.

…This time, though, the launch will be markedly different from any other in the history of the space agency. Unlike Mercury, Gemini, Apollo or the space shuttle era, the rocket will be owned and operated not by NASA, but by a private company — SpaceX, the hard-charging commercial space company founded by Elon Musk.

(18) KEEP YOUR DISTANCE. The Washington Post’s Travis M. Andrews says that last Saturday a giant music festival was held “featuring emo titans American Football, chiptune pioneers Anamanaguchi and electropop pioneer Baths,” but social distancing protocols were followed because this was a virtual festival that took place inside Minecraft. “Thousands gathered Saturday for a music festival. Don’t worry: It was in Minecraft.”

… Interested parties could “attend” in a few different ways. Some watched on the video game streaming site Twitch. To really get into the action, though, you needed to log into Minecraft, plug in the proper server info and, voilà!, you’d pop to life in a hallway and then explore the venue through your first-person viewpoint.

Purchasing a VIP pass (with real money) allowed access to special cordoned-off parts of the venue and the chance to chat with the artists on the gamer hangout app Discord. Meanwhile, the nearly 100,000 unique viewers on Twitch were encouraged to donate money to disaster recovery org Good360, which ended up with roughly $8,000 in proceeds.

(19) BIG SQUEEZE. “‘Bath sponge’ breakthrough could boost cleaner cars”

A new material developed, by scientists could give a significant boost to a new generation of hydrogen-powered cars.

Like a bath sponge, the product is able to hold and release large quantities of the gas at lower pressure and cost.

Made up of billions of tiny pores, a single gram of the new aluminium-based material has a surface area the size of a football pitch.

The authors say it can store the large volume of gas needed for practical travel without needing expensive tanks.

…As well as developing electric vehicles, much focus has been on hydrogen as a zero emissions source of power for cars.

The gas is used to power a fuel cell in cars and trucks, and if it is made from renewable energy it is a much greener fuel.

However, hydrogen vehicles suffer from some drawbacks.

The gas is extremely light – In normal atmospheric pressure, to carry 1kg of hydrogen which might power your car for over 100km, you’d need a tank capable of holding around 11,000 litres.

To get around this problem, the gas is stored at high pressure, around 700 bar, so cars can carry 4-5kg of the gas and travel up to 500km before refilling.

That level of pressure is around 300 times greater than in a car’s tyres, and necessitates specially made tanks, all of which add to the cost of the vehicles.

Now researchers believe they have developed an alternative method that would allow the storage of high volumes of hydrogen under much lower pressure.

The team have designed a highly porous new material, described as a metal-organic framework.

(20) CREDENTIAL TO KILL. NPR reveals what your SJW credential already knew — nature is full of self-propelled cat food: “The Killer At Home: House Cats Have More Impact On Local Wildlife Than Wild Predators”.

What does an outdoor cat do all day? According to new research, it could be taking a heavy toll on local wildlife.

A tracking study of more than 900 house cats shows when they kill small birds and mammals, their impact is concentrated in a small area, having a bigger effect than wild predators do….

“Even though it seems like their cat isn’t killing that many, it really starts to add up,” said Roland Kays, a scientist at North Carolina State University and the North Carolina Museum of Natural Sciences. (Full disclosure: Kays isn’t a cat or dog person but a “ferret person.”)

Kays and colleagues collected GPS data from cats in six countries and found most cats aren’t venturing very far from home.

“These cats are moving around their own backyard and a couple of their neighbors’ backyards, but most of them are not ranging very much further,” Kays said. “So initially I thought: ‘Oh, this is good news. They’re not going out into the nature preserves.’ “

Then Kays factored in how much cats kill in that small area. Some cats in the study were bringing home up to 11 dead birds, rodents or lizards a month, which doesn’t include what they ate or didn’t bring home to their owners.

“It actually ends up being a really intense rate of predation on any unfortunate prey species that’s going to live near that cat’s house,” he said.

(21) FLASHER. “Deep Sea Squid Communicate by Glowing Like E-Readers”NPR item includes video so readers can test whether they see the patterns.

Deep in the Pacific Ocean, six-foot-long Humboldt squid are known for being aggressive, cannibalistic and, according to new research, good communicators.

Known as “red devils,” the squid can rapidly change the color of their skin, making different patterns to communicate, something other squid species are known to do.

But Humboldt squid live in almost total darkness more than 1,000 feet below the surface, so their patterns aren’t very visible. Instead, according to a new study, they create backlighting for the patterns by making their bodies glow, like the screen of an e-reader.

“Right now, what blows my mind is there’s probably squid talking to each other in the deep ocean and they’re probably sharing all sorts of cool information,” said Ben Burford, a graduate student at Stanford University.

Humboldt squid crowd together in large, fast-moving groups to feed on small fish and other prey.

“When you watch them it looks like frenzy,” Burford said. “But if you pay close attention, they’re not touching each other. They’re not bumping into each other.”

(22) THE HORROR. Consequence of Sound introduces a video publicizing Stephen King’s novella collection — “Stephen King Reads From New Book If It Bleeds: Watch”.

Stephen King jumped into the live stream game on Friday afternoon. The Master of Horror flipped on the camera to read the first chapter from his new book If It BleedsAs previously reported, the book collects four different novellas — similar to Different Seasons or Four Past Midnight — and is available for Constant Readers on April 21st.

Wearing a Loser/Lover shirt from It: Chapter One, which is just all kinds of charming, King read from the first novel Mr. Harrigans Phone. The story continues the author’s mistrust of technology in the vein of Cell, and should make us all think twice about our respective smart phones. So, think about that as you watch King from your couch.

[Thanks to Michael Toman, JJ, Cat Eldridge, Bella Michaels, Martin Morse Wooster, John King Tarpinian, Chip Hitchcock, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]

Honoring Miklos Rozsa’s Birthday

Portrait of Miklos Rozsa by artist Bill Levers. The great Oscar winning composer was born on April 18th, 1907.

By Steve Vertlieb: Miklos Rozsa’s magnificent musical signature reached its conclusion on July 27th, 1995. Commemorating the life of one of cinema’s most revered composers as we celebrate his musical legacy. Born April 18, 1907, Miklos Rozsa remains among the most revered composers in film history.

The 3-time Oscar winner for Best Original Score For A Motion Picture was a pioneering musician who, along with Bernard Herrmann, Alfred Newman, Max Steiner, Erich Wolfgang Korngold, Franz Waxman, Dimitri Tiomkin, and Victor Young brought dramatic, melodic musical form and structure to the sound of film, thereby forever altering the way we listen to movies.

Elmer Bernstein considered both Miklos Rozsa and Bernard Herrmann the finest practitioners of the developing art form of Music For The Movies in the remarkable history of the medium. In a career that comprised some forty-five years of scoring and achievement, Miklos Rozsa created lush, romantic scoring for such beloved fantasy films as Alexander Korda’s The Thief of Bagdad, and the tale of a young Wolf Boy named Mowgli for The Jungle Book.

He became the defining voice of classic Film Noir with such scores as Double Indemnity, Brute Force, The Killers, The Naked City, and The Lost Weekend for director Billy Wilder and, as the 1950s approached, virtually invented the epic motion picture score for such films as Quo Vadis, Ivanhoe, Knights of the Round Table, Ben Hur, King of Kings, and El Cid.

He was a musical chameleon who reinvented both himself and the remarkably diverse genres for which he composed Time After Time. Here, then, is this published career retrospective and tribute to a consummate artist whose Lust For Life elevated the craft and power of Cinema to sublime ascension.

Together with Miklos Rozsa at Indiana University in Bloomington, Indiana, circa 1977, for a film conference…a wondrous event (also featuring George Pal) in which I spent eleven sublime hours in the intimate company and shadow of this giant 3-time Oscar winning musical genius. It just doesn’t get any better than that. One of the greatest experiences, and most unforgettable honors of my nearly seventy-four years on this all too mortal plain. 

Vertlieb and Rosza in 1977.

Honoring Miklos Rozsa’s 100th birthday on April 18th, 2007, here is a special birthday proclamation issued by The Hungarian Ambassador To The United States. I’d been invited to a special commemoration of the composer’s life at the Hungarian Embassy in Washington, DC by the ambassador, and was delighted to have met Juliet Rozsa for the first time after years of correspondence.

I carried this precious document with me to the nine-day Miklos Rozsa Film Festival which I’d programmed at Christmas of that year, and was privileged to read its contents to an audience of seven hundred enthusiastic film fans gathered together at The Castro Theater in San Francisco, California.

I lovingly presented the official proclamation to Juliet Rozsa, the three time Oscar winning composer’s daughter on stage, prior to a live thirty-minute interview with her, in which we shared remembrances of her father’s life and career, followed by a spectacular presentation of William Wyler’s Ben Hur on the giant Castro screen.

After the screen presentation, we were invited by the ambassador to a sumptuous private supper at the embassy residence.

In 2007 I was asked by the folks who ran the venerable Castro Theater in San Francisco to put together a Miklos Rozsa film festival for their historic venue. I chose seventeen films to reflect a variety of moods expressed on screen by the wondrously gifted composer.

The film festival ran for nine days toward the end of December, 2007, and into January, 2008. I wrote the notes for the official program handed out for the once in a lifetime event, and hosted a thirty minute interview “live” on stage with Juliet Rozsa, daughter of this illustrious composer, before a paying crowd of some seven hundred movie goers prior to a presentation of the composer’s masterpiece, Ben Hur, on the giant Castro screen.

Proclamations, tributes, and testimonials were written for the occasion by the Hungarian Ambassador To The United States, The Honorable Mayor of San Francisco, and legendary writer Ray Bradbury. Here is a first person report by Michael Guillen, an independent film journalist sitting among the capacity crowd during that memorable evening. “MIKLÓS RÓZSA—An Onstage Tribute”

Vertlieb read Bradbury’s tribute to the Castro audience and the Rózsa family members on stage: “In all my life I’ve never had a more complete relationship with a composer than with Miklós Rózsa. When MGM asked me to write the narration for King of Kings, I immediately joined a partnership with Margaret Booth, the film editor, and we became fast friends. The most wonderful moment in my life was when I went on the sound stage to watch Miklós Rózsa conduct the score for King of Kings and then heard my own voice booming out over the orchestra and dear Miklós’ head as I spoke the narration. I wish that I had a recording today of my voice with his music because it became a partnership and a great friendship for life. To everyone hearing his wonderful music this week, I send my love and regard to the memory of Miklós Rózsa.”

Miklos Rozsa remains one of the most revered and legendary motion picture composers in screen history, and it was my sublime honor and privilege to know him for nearly three decades. A sublime inspiration guiding the direction and trajectory of my own life and career, we remember and commemorate the monumental influence, and birthday, of this superlative artist and man.

SF2 Concatenation Spring 2020 Issue Now Online

By Jonathan Cowie: The SF2 Concatenation’s spring edition is now up. Principal contents include

    • SF Convention go-er appeal.  At home in lockdown?  Do you have a favourite convention you go to time and again? Want to make an SFnal mark? How about giving them a promotional puff?

Plus there are many standalone SF/FH book and non-fiction SF & science book reviews.

Full details at SF2 Concatenation’s What’s New page.

Looking ahead, in September SF² Concatenation will (hopefully, depending on its lock-down) have its autumnal (northern hemisphere) edition. This will consist of some articles and some standalone book reviews. (Many thanks to its book review panel members who have been sending in their reviews on USB memory sticks by old-fashioned snail-mail post as SF² Concatenation’s mission control is digitally isolated.) Alas, there will be no seasonal news page in September for the autumn as publishers are going rather quiet on the book promotion front, cinemas are closed to new films, and all SF conventions have been cancelled.

Looking further ahead SF² Concatenation will be suspending operations (other than receiving books from publishers for review). They will not be checking their e-mails (their mission control is digitally isolated during UK lock-down — ironically to prevent computer virus infection/master site hacking etc.) but they will pick up articles submitted by e-mail at some point in the future when they can get to their office.

Still further into the future, they aim to resume their seasonal editions three months after British lock-down ends. (This is because many publishers have ceased sending out physical review copies of books during the current SARS-CoV-2 crisis and so they will have to wait to accrue a season’s worth of books and review them before they can resume full editions.) They say they will though pick up their e-mails as soon as lock-down ends and liaise with contributors at that time. SF² Concatenation will also monitor publishers’ catalogues as soon as the resumption of production of new ones recommences and so their first seasonal news page may have lengthier forthcoming books listings as these will include recent releases not previously covered.