(1) MERRILL’S TRICK. The Paris Review reaches deep in its bag for this 1982 interview with James Merrill: “The Art of Poetry No. 31”.
INTERVIEWER
The Ouija board, now. I gather you use a homemade one, but that doesn’t exactly help me to imagine it or its workings. An overturned teacup is your pointer?
MERRILL
Yes. The commercial boards come with a funny see-through planchette on legs. I find them too cramped. Besides, it’s so easy to make your own—just write out the alphabet, and the numbers, and your yes and no (punctuation marks too, if you’re going all out) on a big sheet of cardboard. Or use brown paper—it travels better. On our Grand Tour, whenever we felt lonely in the hotel room, David and I could just unfold our instant company. He puts his right hand lightly on the cup, I put my left, leaving the right free to transcribe, and away we go. We get, oh, five hundred to six hundred words an hour. Better than gasoline.
He had a lesson plan for the semester, but I had given him a novel featuring owls that I thought particularly fine and that, as his superior, I had made a strong case for to the exclusion of all else….
(3) VERSE FOR TODAY. A Halloween Poetry link courtesy of the Paris Review:“History”.
(4) KEEP UP WITH YOUR HUGO READING. The Hugos There podcast discusses the 2021 Best Novelette finalists with Cora Buhlert, Sarah Elkins, Olav Rokne of the Hugo Book Club Blog, Juan Sanmiguel and Ivor Watkins. The audio is here. The video is here –
(5) JUST BECAUSE IT’S JUNE. Tawana Watson considers “The Poetic Power of Nostalgia” at SPECPO, the official blog of the Science Fiction and Fantasy Poetry Association.
…A poet I have found that inspired nostalgia and the subsequent emotional reaction within myself is David C. Kopaska-Merkel with his poem “June Lockhart’s Recurring Nightmare” appearing in Asimov’s Science Fiction Magazine. The first thing that grabbed my attention was the name within the poem, June Lockhart. June Lockhart is an actress that appeared in many television shows that I watched while growing up. Seeing just the name, June Lockhart, brought me back to Saturday morning, sitting on the floor in front of the television with my brother, eating Count Chocula cereal watching Lost in Space, one of June Lockhart’s popular television shows. On the title alone, I wanted to dive into the poem to see what the poet, Kopaska-Merkel, was writing about. The second thing that grabbed my attention was the vivid visuals of the scenery within the poem….
(6) ZOOMING WITH BLACKFORD.SPECPO also presents “An Interview with Jenny Blackford”, 2021 Rhysling Award winner, conducted by Lauren Frosto.
LRF: Can you tell me a little about the poem that won the Rhysling for the Long Form Category, “Eleven Exhibits in a Better Natural History Museum, London.”
JB: It came about because of my husband. My other muse, Felix [Jenny’s cat], is not sufficient as a muse, though he is my “mews”. A couple of years back, my husband Russell and I were in London on our way to the World Science Fiction Convention in Dublin, and our activity for the day was visiting the Natural History Museum, London, which is a wonder of the world. Because it was a public holiday, we were standing in the sun in a line that just snaked around and around going nowhere for hours and we started talking about what we were going to see when we finally got inside. My husband said something like, well there might be an emerald the size of a whale, and it went from there. Since he threw up some possibilities and I elaborated, he gets 10% of my sales for this. You’ve got to reward your muse.
(7) MEDIA BIRTHDAY.
2000 – Twenty-one years ago, Gen¹³ premiered. If you’re scratching your head for not remembering this film, relax as it wasn’t one of the major films that year. It was based on the Gen¹³ series that was published by WildStorm Productions, a subsidiary of DC Comics. WildStorm Productions was founded by Jim Lee, currently the Publisher and Chief Creative Officer of DC Comics.
It was directed by Kevin Altieri, and produced by Jim Lee, Karen Kolus and John Nee. The screenplay by Kevin Altieri and Karen Kolus from a story by Jim Lee, Brandon Choi and J. Scott Campbell, the latter better known for his own Danger Girl series. The Gen¹³ series was by the trio who wrote the story.
Voice cast was Alicia Witt, John de Lancie, E.G. Daily, Flea, Cloris Leachman, Lauren Lane and Mark Hamill.
It apparently is not available in the United States because The Mouse considers it an advertisement for DC Comics and won’t release it here. It is available in Europe. That being said, audience reviewers at Rotten Tomatoes currently give it a rather excellent eighty four percent rating.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 31, 1923 — Arthur W. Saha. A member of the Futurians and First Fandom who was an editor at Wollheim’s DAW Books, including editing the annual World’s Best SF from 1972 to 1990 and Year’s Best Fantasy Stories from 1975 to 1988. And he’s credited with coming up with the term “Trekkie” in 1967. (Died 1999.)
Born October 31, 1936 — Michael Landon. Tony Rivers inI Was a Teenage Werewolf. (That film made two million on an eighty thousand dollar budget. Nice.) That and lead as Jonathan Smith in Highway to Heaven are, I think, his only genre roles. (Died 1991.)
Born October 31, 1946 — Stephen Rea, 75. Actor who’s had a long genre history starting with the horror films of Cry of the Banshee, The Company of Wolves (from the Angela Carter short story)and The Doctor and the Devils. He’d later show up Interview with the Vampire, The Musketeer, FeardotCom, V for Vendetta, Underworld: Awakening, Werewolf: The Beast Among Us and Ruby Strangelove Young Witch. He has the role of Alexander Pope in the most excellent Counterpart series.
Born October 31, 1958 — Ian Briggs, 63. He wrote two Seventh Doctor stories, “Dragonfire” and “The Curse of Fenric”, the former of which of which introduced Ace as the Doctor’s Companion. (The latter is one on my frequent rewatch list.) He novelized both for Target Books. He would write a Seventh Doctor story, “The Celestial Harmony Engine” for the Short Trips: Defining Patterns anthology.
Born October 31, 1959 — Neal Stephenson, 62. Some years back, Longfellow Books had a genre book group. One of the staff who was a member of that group (as was I) took extreme dislike to The Diamond Age: Or, A Young Lady’s Illustrated Primer. I don’t remember now why but it made me re-read that and Snow Crash. My favorite novel by him by far is The Rise and Fall of D.O.D.O. which he did with Nicole Galland and I’ve got the sequel, The Master of Revels, done with her as well, on the to-be-listened-to list.
Born October 31, 1961 — Peter Jackson, 60. I’m going to confess that I watched and liked the first of the Lord of The Rings film but got no further than that. I was never fond of The Two Towers as a novel so it wasn’t something I wanted to see as a film, and I like The Hobbit just fine as a novel thank you much. Now the Adventures of Tintin is quite excellent indeed. The Fellowship of The Ring won the Hugo for Best Dramatic Presentation at ConJosé, The Two Towers likewise at Torcon 3 and, no surprise, The Return of The King did so at Noreascon 4.
Born October 31, 1979 — Erica Cerra, 42. Best known as Deputy Jo Lupo on Eureka, certainly one of the best SF series ever done. She had a brief recurring role as Maya in Battlestar Galactica, plus the artificial intelligence A.L.I.E. and her creator Becca in The 100. Her most recent genre role was a recurring one as Duma on Supernatural. She also showed up in Blade: Trinity as the goth Vixen Wannabe, and in Percy Jackson & the Olympians: The Lightning Thief in the plum role of Hera.
Born October 31, 1993 — Letitia Wright, 28. She co-starred in Black Panther playing Shuri, King T’Challa’s sister and princess of Wakanda. (Yes, she is in both Avengers films.) Before that, she was Anahson in “Face the Raven”, a Twelfth Doctor story, and was in the Black Mirror’s “Black Museum” episode. She has a recurring role as Renie in Humans, a Channel 4 SF series. It is based off Äkta människor (Real Humans), a Swedish series.
…[Margaret] Brundage is just one of a number of women creators who helped develop the horror genre. June Tarpé Mills was another pioneer, but she had to drop her first name when signing her work in order to create a masculine sounding pen name. Best known for creating the early female action hero Miss Fury (who some argue is the first female superhero), she also created “The Purple Zombie,” one of the earliest ongoing horror characters in comics. Mills’s horror resume also includes “The Vampire” and “The Ivy Menace,” two horror tales that appeared during the late 1930s, well before horror comics gained widespread popularity. “The Vampire” even included a twist ending—an uncommon device for comics at the time, but which became a staple of EC horror comics by the 1950s and in cinema decades later….
(11) THE MEANING OF IT ALL. [Item by Joel Zakem.] The Scroll has run a few pieces on Zukerberg’s Meta, so you might be interested that in Hebrew, Meta can apparently be translated as “she is dead.” The Forward elaborates in “Meta means ‘is dead’ in Hebrew. Discuss.”
…On Thursday, Mark Zuckerberg unveiled the new name for Facebook to mark its transition to what he calls “the metaverse.” The name, which is, perhaps unsurprisingly, Meta, doesn’t translate well. Unless that’s the point.
While the word, now applied to such narratively self-aware works as “Adaptation” and “Deadpool,” derives from the Greek prefix meaning “after” or beyond,” and indicates something that transcends the word it latches onto (think metaphysics), in Hebrew the word “Meta” is the feminine form of “is dead.” Don’t just take my word for it!…
(12) THE FIRST THING WE SHOULD SAY. [Item by JeffWarner.] When Scotty shouted “There Be Whales” this became genre: “Are We on the Verge of Chatting with Whales?” in Hakai Magazine. (“Dolphins as practice for First Contact” is my go-to panel topic.) We should probably apologize…
“I don’t know much about whales. I have never seen a whale in my life,” says Michael Bronstein. The Israeli computer scientist, teaching at Imperial College London, England, might not seem the ideal candidate for a project involving the communication of sperm whales. But his skills as an expert in machine learning could be key to an ambitious endeavor that officially started in March 2020: an interdisciplinary group of scientists wants to use artificial intelligence (AI) to decode the language of these marine mammals. If Project CETI (for Cetacean Translation Initiative) succeeds, it would be the first time that we actually understand what animals are chatting about—and maybe we could even have a conversation with them….
(13) WHAT MUSIC THEY MAKE. In the Washington Post, Alexandra Petri has suggestions for your Halloween music playlist. “The 50 best Halloween songs for your party playlist”. There’s a reason this is on the bottom of her list:
50. “The Wobblin’ Goblin,” by Rosemary Clooney: I am only sorry that by virtue of mentioning this song for this list, I may have made people aware of this song who previously weren’t. Your life may be going well; it may be going poorly; one thing I will guarantee is that hearing “The Wobblin’ Goblin” will make it worse. I hesitate to throw around phrases like “a crime against all reason and civilization,” but this song has no redeeming characteristics whatsoever yet still immediately gets stuck in your head. The universe it sets up makes no sense, one in which goblins are riding around on broomsticks but also responsive to air-traffic control, and buying an airplane is a logical solution to having a broken broom. Why wouldn’t the goblin just buy another broom that wasn’t broken? Was this sponsored by Big Air Travel?
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Joel Zakem, JeffWarner, Cora Buhlert, Daniel Dern, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]
The winners of the Prix Utopiales, Prix Utopiales Jeunesse, and Prix Utopiales BD (BD = Bande Dessinée = Comic Strip) for 2020 and 2021 were announced at Utopiales, the International Science Fiction Festival of Nantes, on October 31.
The Prix Utopiales recognizes a novel, or a collection, published in French during the eligibility period by a European author. The prize has a cash value of 2000 euros.
PRIX UTOPIALES 2021
• After® by Auriane Velten (France), (Mnémos)
PRIX UTOPIALES 2020
• Rosewater by Tade Thompson (Grande-Bretagne), J’ai lu.
The Prix Utopiales Jeunesse (Utopiales Youth Award) recognizes a novel or a collection of short stories by a European author, published or translated into French during the eligibility period. The winner is chosen by a jury of readers aged 13-16. The prize has a value of 2000 euros.
PRIX UTOPIALES JEUNESSE 2021
• Félicratie by H. Lenoir (France) (France), (Sarbacane)
PRIX UTOPIALES JEUNESSE 2020
• Et le désert disparaîtra by Marie Pavlenko (France), Flammarion Jeunesse.
The Prix Utopiales BD (BD = Bande Dessinée = Comic Strip), worth 2000 Euros, is awarded by the sci-fi comics readers club of the Nantes municipal library.
How do you feel about a storyline that you wrote in “Snow Crash” now turning into our potential global future?
It’s flattering when readers take the work seriously enough to put their own time and money into bringing similar ideas to fruition. After all the buildup in the last few weeks, the Meta announcement has a ripping-off-the-bandaid feeling.
Almost since the beginning of the genre, science fiction writers have occasionally been given credit for inspiring real-life inventions, so this is not new and it’s not unique. I was aware of that fact thirty years ago when I wrote “Snow Crash,” but I didn’t necessarily expect it to happen.
Good science fiction tries to depict futures that are plausible enough to seem convincing to the readers — many of whom are technically savvy, and tough critics.
So when depicting a future technology in a work of science fiction, you have to make it plausible. And if it’s plausible enough, it can be implemented in the real world.
(2) FUTURE TENSE. The series of short stories from Future Tense and Arizona State University’s Center for Science and the Imagination continues with “Furgen,” a new short story by Andrew Silverman, about a retriever, his owner, and his A.I.-enabled minder.
Caro had only once before felt such elation from a text alert, and that was when she first got Tucker in the mail. She ordered him from an exclusive breeder in Tokyo, of all places. She remembered she was watching videos of puppies learning to swim when her phone buzzed, followed by a message stating that Tucker, her beautiful new retriever, had just arrived on her doorstep. She shrieked with glee, ran outside to the porch, and opened up the hole-punched box containing the love of her life.
It doesn’t take any special technology to see that dogs love people. Hildegard von Bingen, in the 11th century, noted that “a certain natural community of behavior binds [the dog] to humans. Therefore, he responds to man, understand him, loves him and likes to stay with him.” It could fairly be said that, like Othello, dogs love not wisely, but too well. Their loyalty to our capricious species has seen dogs led into wars, ill-fated Arctic expeditions, and many other tragic misadventures.
But are there limits on dogs’ capacity for love?…
(3) WFC 2021 ANNOUNCES DAY MEMBERSHIPS. World Fantasy Convention 2021 in Montréal will be selling day memberships. See more information at their website. The prices in Canadian dollars are:
Thursday $75
Friday $100
Saturday $100
Sunday $50
World Fantasy Convention 2021 will be held at the Hotel Bonaventure Montréal from November 4-7.
(4) KEEP PUTTING ONE FOOT IN FRONT OF ANOTHER. At Eight Miles Higher, Andrew Darlington delves into the history of the UK’s most long-lived prozine: “SF Magazine History: ‘INTERZONE’”.
In terms of simple longevity, ‘Interzone’ must be credited as Britain’s most successful SF magazine ever. In January 1991 it comfortably coasted past the forty-one issue limit achieved by ‘Nebula’. Then by August 1994, it surpassed the eighty-five editions of ‘Authentic Science Fiction’. Leaving ‘Science Fantasy’ in its wake, until eventually, by the July-August 2009 issue, through stealth and persistence, it finally outdistanced the 222 incarnations of ‘New Worlds’. Nothing can now compete with that total. And throughout that regularly-spaced life-span, unlike the bizarre array of relaunches, rebirths and reconfigurations that characterized its predecessors, ‘Interzone’ has retained its recognizable appearance on the newsagent’s shelf as a reassuringly attractive glossy A4 magazine.
Game of Thronesshowrunners David Benioff and D.B. Weiss didn’t wind up making their Star Wars movie, but the duo is working on a new science-fiction series for Netflix: The Three-Body Problem.
…According to Deadline, the show has begun casting, announcing 12 stars for the upcoming series. Among them are two Game of Thronesalums: John Bradley and Liam Cunningham….
With actors hailing from the Marvel Cinematic Universe and a number of popular films, it seems The Three-Body Problem will have a fairly recognizable cast. The creators haven’t revealed who’s playing who, but further updates should be on the horizon.
(6) NIGHT LIFE IN SANTA FE. There will be “A Night of Wild Cards!” at G.R.R. Martin’s Jean Cocteau Cinema in Santa Fe, NM on November 13 at 4:00 p.m. – ticket info at the link.
Have you been touched by the Wild Card?
Spend an evening with authors George R.R. Martin, Melinda Snodgrass, and John Jos Miller as they speak about the Wild Cards Series, up coming projects, and remember fellow author and friend, Victor Milan.
Help us celebrate the life of Victor Milan, the release of “Turn of the Cards” in Trade Paperback, and “Death Draws Five” in Hardcover!
The Jean Cocteau is also a place where you can see Dune, the “Once-in-a-generation film,” as it was meant to be seen — on the big screen with a specially handcrafted cocktail in your hand.
(7) SIT DOWN, JOHN. In Debarkle Chapter 70, Camestros Felapton tells how the sf field finally said out loud they were ready for “Life After Campbell”.
…Torgersen’s Sad Puppies 3 slate and been something of a last hurrah for Analog at the Hugo Awards, with four Analog stories becoming finalists on the strength of the Puppy campaigns. Torgersen also included Kary English on the slate due to their common connection with Writers of the Future. No Writers of the Future from a year after 2015 would be a finalist again in the following years nor would any story from Analog make it onto the ballot…
…Like many contemporary intellectuals, William and Henry took ghosts seriously. They were friendly with Frederic W. H. Myers, who headed the Society for Psychical Research, and Henry was recorded in the minutes of a society meeting in London reading a report on behalf of his absent brother about a female medium who was occasionally overtaken by the spirit of a dead man. Society researchers sought positivistic evidence of ghosts and provided a steady stream of testimonies for public consumption. These accounts of specter sightings, which numbered in the thousands, were in turn avidly consumed by readers, who couldn’t get enough of them.
The James brothers’ views on ghosts were rooted in contemporary science, and also in their personal convictions about the fate of consciousness after death. Having enjoyed such fertile minds, and interacted with so many others, neither could accept that these vital organs would simply expire with the body….
Salvation came in the form of Viviana García Besné, a film-maker, archivist, self-described “popular film activist” and descendant of Mexico’s cinematic Calderón clan….
“I thought the best, and most obvious, thing would be to send them all to the big film institutions in Mexico,” she says. “I told them about this marvellous collection of films, photos and paperwork, and thought they’d all jump for joy. But they were like, ‘We’ll have that, and maybe that, but not that.’”
Unwilling to split up the collection – “It’s the work of a company that began in 1910 and made films until 1990; that’s 80 years of cinema history,” she says – García Besné decided to hang on to it all and to embark on a quest to rescue and reappraise Mexico’s cine popular.
Her Permanencia Voluntaria (Double Feature) archive, which has extended beyond the Calderón collection and now holds some 400 films, is being showcased in Madrid this month in a season at Spain’s national film archive, the Filmoteca Española.
Despite the archive’s growing international reputation – it has restored 10 films over the past four years, and the collection is housed between the Mexican town of Tepoztlán and the UCLA film archive and the Academy film archive in Los Angeles – its genesis and survival have been far from easy….
(10) MEDIA BIRTHDAY.
1987 – Thirty-four years ago, The Hidden premiered. Directed by Jack Sholder and produced by committee as it had three producers (Michael L. Meltzer, Gerald T. Olson and Robert Shaye). It was written by Jim Kouf (under the pseudonym Bob Hunt. Kouf being an Edgar Award winning screenplay writer apparently decided not to be associated with this film. It had a cast of Kyle MacLachlan, Michael Nouri, Clu Gulager, Chris Mulkey, Ed O’Ross, Clarence Felder, Claudia Christian and Larry Cedar.
Critics liked it with Roger Ebert calling it “a surprisingly effective film“. Not surprisingly it has gained cult status. Audience reviewers at Rotten Tomatoes currently give it an excellent seventy-three rating. It likely more or less lost at least something even after making ten million as it cost five million to make and figuring in publicity costs that suggests a loss.
A sequel, The Hidden II, direct to DDV, came out six years later. It did not have the cast of the original film. Let’s just say that it’s wasn’t well received and leave it there.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 30, 1923 — William Campbell. In “The Squire of Gothos” on Trek, which was a proper Halloween episode even if it wasn’t broadcast then, he was Trelane, and in “The Trouble With Tribbles” he played the Klingon Koloth, a role revisited on Deep Space Nine in “Blood Oath”. He appeared in several horror films including Blood Bath, Night of Evil, and Dementia 13. He started a fan convention which ran for several years, Fantasticon, which celebrated the achievements of production staffers in genre films and TV shows and raised funds for the Motion Picture & Television Fund, a charitable organization which provides assistance and care to those in the motion picture industry with limited or no resources, when struck with infirmity and/or in retirement age. (Died 2011.)
Born October 30, 1939 — Grace Slick, 82. Lead singer first with Jefferson Airplane and then with Jefferson Starship, bands with definite genre connections. “Hyperdrive” off their Dragonfly album was used at the MidAmeriCon opening ceremonies. And Blows Against the Empire was nominated for Best Dramatic Presentation at Noreascon 1, a year that had no winner.
Born October 30, 1947 — Tim Kirk, 74. His senior thesis would be mostly published by Ballantine Books as the 1975 Tolkien Calendar. Impressive. Even more impressive, he won Hugo Awards for Best Fan Artist at Heicon ’70, L.A. Con I, Torcon II, Discon II and again at MidAmeriCon. With Ken Keller, he co-designed the first cold-cast resin base used at MidAmeriCon. He also won a Balrog and was nominated for a World Fantasy Award as well.
Born October 30, 1951 — Harry Hamlin, 70. His first role of genre interest was Perseus on Clash of The Titans. He plays himself in Maxie, and briefly shows up in Harper’s Island. He also has two choice voice roles in Batman: the Animated Series, Cameron Kaiser in “Joker’s Wild” and even more impressive as the voice of werewolf Anthony “Tony” Romulus in “Moon of the Wolf”. Since I know a lot of you like the series, I’ll note he plays Aaron Echolls in Veronica Mars.
Born October 30, 1951 — P. Craig Russell, 70. Comic illustrator whose work has won multiple Harvey and Eisner Awards. His work on Killraven, a future version of H. G. Wells’ The War of the Worlds, collaborating with writer Don McGregor, was lauded by readers and critics alike. Next up was mainstream work at DC with I think his work on Batman, particularly with Jim Starlin, being amazing. He also inked Mike Mignola’s pencils on the Phantom Stranger series. He would segue into working on several Moorcock’s Elric of Melniboné projects. Worth noting is his work on a number of Gaiman projects including a Coraline graphic novel. Wayne Alan Harold Productions published the P. Craig Russell Sketchbook Archives, a 250-page hardcover art book featuring the best of his personal sketchbooks.
Born October 30, 1958 — Max McCoy, 63. Here for a quartet of novels (Indiana Jones and the Secret of the Sphinx, Indiana Jones and the Hollow Earth, Indiana Jones and the Dinosaur Eggs and Indiana Jones and the Philosopher’s Stone) which flesh out the backstory and immerse Indy in a pulp reality. He’s also writing Wylde’s West, a paranormal mystery series.
Born October 30, 1972 — Jessica Hynes, 49. Playing Joan Redfern, she shows up on two of the best Tenth Doctor stories, “Human Nuture” and “The Family of Blood”. She’d play another character, Verity Newman in a meeting of the Tenth and Eleventh Doctors, “The End of Time, Part Two”. Her other genre role was as Felia Siderova on Randall & Hopkirk (Deceased) in the “Mental Apparition Disorder” and “Drop Dead” episodes. Her last genre adjacent role is Sofie Dahl in Roald & Beatrix: The Tail of the Curious Mouse.
…As the editor of The Year’s Best Horror anthology from 1980 until his death in 1994, Wagner showcased writers like Steven King, Harlan Ellison, Robert Bloch and Ramsey Campbell. Imagery from Wagner’s Lovecraftian short story “Sticks” influenced works like “The Blair Witch Project” and the “devil’s nests” branch constructs in the first season of “True Detective.”
“Wagner was ripped off,” said the late horror writer Dennis Etchison in a documentary interview. “That is only my opinion so the makers of ‘Blair Witch’ should not sue me. … I can only say that is my personal opinion, as an expert witness.”
But as large as a presence as he was in 1980s horror scene, his personal fame never matched the far-reaching influence of his ideas and taste. Wagner’s books and short stories are out of print and hard to obtain….
(14) NO SPARE CHANGE. [Item by Mike Kennedy.] Now this is meta. (Even though it has nothing to do with the newly renamed Meta.) New Yorker magazine has published a book review for a book about how Amazon is changing the way books are written—Everything and Less: The Novel in the Age of Amazon (Verso), by literary scholar Mark McGurl. “Is Amazon Changing the Novel?”
…McGurl’s real interest is in charting how Amazon’s tentacles have inched their way into the relationship between reader and writer. This is clearest in the case of [Kindle Direct Publishing]. The platform pays the author by the number of pages read, which creates a strong incentive for cliffhangers early on, and for generating as many pages as possible as quickly as possible. The writer is exhorted to produce not just one book or a series but something closer to a feed—what McGurl calls a “series of series.” In order to fully harness K.D.P.’s promotional algorithms, McGurl says, an author must publish a new novel every three months. To assist with this task, a separate shelf of self-published books has sprung up, including Rachel Aaron’s “2K to 10K: Writing Faster, Writing Better, and Writing More of What You Love,” which will help you disgorge a novel in a week or two. Although more overtly concerned with quantity over quality, K.D.P. retains certain idiosyncratic standards. Amazon’s “Guide to Kindle Content Quality” warns the writer against typos, “formatting issues,” “missing content,” and “disappointing content”—not least, “content that does not provide an enjoyable reading experience.” Literary disappointment has always violated the supposed “contract” with a reader, no doubt, but in Bezos’s world the terms of the deal have been made literal. The author is dead; long live the service provider….
There is a sixth dimension beyond that which is known to man, as vast as space and as timeless as infinity, lying somewhere just past the Twilight Zone, between the pit of Mark Zuckerberg’s fears and the summit of Mark Zuckerberg’s knowledge. It is an area we call … Meta, the new rebranded name of the Facebook parent company. Here are a few tales from this place….
Three beloved dinosaur statues that were snatched from a Central Texas museum are back home thanks to the help of an eagle-eyed tipster. Unfortunately, two were heavily damaged.
Attention was widespread after the statues – named Minmi, Dilong and Dimetrodon, each 6 to 10 feet long – were stolen from their exhibit areas at The Dinosaur Park in Cedar Creek on Oct. 20, the park announced on its Facebook page. The dinosaurs were later recovered at a UT Austin fraternity, a representative for the museum confirmed to McClatchy News.
UT Austin is about 21 miles from The Dinosaur Park….
(17) FRIGHT AT NIGHT. Keith Roysdon talks about how he geeked out on horror in the 1960s building Aurora monster kits and reading Famous Monsters Of Filmland in “Growing Up Spooky” at CrimeReads.
.. A couple of years before I was born, the classic 1930s and 1940s Universal horror films were sold to TV stations around the country in the so-called “Shock” syndicated package. “Dracula,” “Frankenstein,” “Murders in the Rue Morgue,” “The Invisible Man.” They were all there, or in the “Son of Shock” package to follow.
Suddenly, movies that had only been seen in theaters – in rare re-releases – for two or three decades were there for audiences old and new through television. Most stations packaged them as “Shock Theater” or “Nightmare Theater,” the latter a late-night double feature hosted by Sammy Terry, a genial ghoul played for Indiana viewers by Bob Carter, a mild-mannered musical instrument salesman by day who terrified us late at night each weekend….
(18) CLICK THAT CRITIC. Dom Noble tackles the new Dune movie. How good an adaptation of the book is it?
An auction house handling an estate sale for a recently deceased Indiana woman said a sealed copy of 1988 video game Super Mario Bros. 2 sold for a whopping $88,550.
…That said, there’s a formidable tradition of films that express horror according not to a set of established guidelines but to freely expressive impulse, evoking, through far-reaching imagination rather than blood and guts, the emotions of fear, dread, foreboding, and a sense the uncanny. Here are ten of my favorites….
The list includes –
“Shadow of the Vampire”
(2000, E. Elias Merhige)
This extravagant horror drama, played earnestly, is nonetheless also a giddy comedy of counterfactual cinematic history. It’s centered on the shoot of “Nosferatu,” the founding vampire film, in which the titular bloodsucker—bald-headed, pointy-eared, pop-eyed, long-clawed, and fanged—runs rampage through the bedrooms of Transylvania. The wild premise of Merhige’s film (written by Steven Katz) is that the real-life actor playing that role, a little-known one named Max Schreck (the last name actually means “fright” in German), was cast in the role because he was a real-life vampire. John Malkovich plays Murnau, who, in order to cast Schreck, both deceives his cast and crew and puts them at grave risk; Schreck is played by Willem Dafoe, who is conspicuously having the time of his life playing a monster straight. Merhige, too, overtly delights in the misunderstandings that divide humans from monsters—and also offers a monstrous metaphor of cinematic history itself, the real-life depredations on which the classic cinema was founded.
(21) WHAT MUSIC THEY MAKE. Overly Sarcastic Productions takes on Werewolves for Halloween!
You know ’em, you love ’em, but you might not know ’em quite as well as you think you do! Today let’s dive into one of the big-name creatures of the night!
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Floor 9.5” at Vimeo, Tony Meakins says if the elevator stops between the ninth and tenth floor, don’t get off!
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Bonnie McDaniel, Darrah Chavey, Jennifer Hawthorne, StephenfromOttwa, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on kabobs with E. Lily Yu in episode 157 of the Eating the Fantastic podcast.
E. Lily Yu
[Because Readercon went virtual] the award-winning E. Lily Yu and I each ordered kabob from local restaurants, and nibbled our take-out remotely as I questioned her about how she spins magic out of her words.
E. Lily Yu won the Astounding Award for Best New Writer in 2012. Her short story “The Cartographer Wasps and the Anarchist Bees” was published in Clarkesworld in 2011, and was nominated for the Hugo Award for Best Short Story and the World Fantasy Award for Best Short Fiction. Her short fiction has appeared in Fantasy and Science Fiction, Uncanny, Apex, Lightspeed, and many other venues. Her work has been reprinted in twelve best-of-the-year anthologies, including The Year’s Best Science Fiction, The Best Science Fiction and Fantasy of the Year, The Best Dark Fantasy and Horror, and The Best American Science Fiction and Fantasy. Her first novel, On Fragile Waves, was published in February by Erewhon Books.
We discussed why she was glad that when she first came up with the idea for her novel On Fragile Waves she had no idea how long it would take to complete, what she learned through each successive draft of the novel before she was satisfied, why it can be exhausting to see people as they are rather than as you want them to be, the effort required to make the effortful appears effortless, the reasons rejection can be a blessing (especially during the early part of your career), what she learned reading slush for Fantasy magazine, how writing interactive video games helped her write better short stories, and much more.
… The town’s inn, an intricately rendered two-story building, is now blackened, its left side plunged into spiky rubble: Smoke machines give the impression that it is still smoldering. There are holes in roofs, artfully destroyed beams. Every house—interior and exterior—has been charred enough so that it shows on camera. The actors who wander the Two Rivers are made up to match. Rosamund Pike, who starred in Gone Girl, is smudged with soot….
…It’s November 2019, and the production—comprising hundreds of, and on some days nearly a thousand, people—is filming the end of the first episode of what everyone hopes will be a television show that runs for, well: six seasons? Eight? A show that will be as epic and sensational and ubiquitous as Game of Thrones once was. On one side of the green, a camera sits on a long dolly track; another camera operator stalks the scene, taking various close-ups. The episode’s veteran television director, Uta Briesewitz, is arranging four of the show’s main cast of relatively unknown young actors in a moment of reckoning: Pike’s character, a woman with mysterious powers, has arrived to awaken them and set them on their way. “Your life isn’t going to be what you thought,” Pike intones, as various cameras circle her. Pike runs through her speech, which is heavy with exposition for both the characters and the audience, a few times. “Can I do one more?” she asks Briesewitz, while apologizing to the extras scattered about. “I think that one got a bit phony.”
Finally, Briesewitz calls “cut.” Pike retreats from the weather into a nearby tent. “It’s not like working with David Fincher,” she says to me, referring to the Gone Girl director’s penchant for shooting 70 takes of a scene. The production is huge and moving at warp speed. Pike has to know things backward and forward. She has to get her lines out as dozens of crew members and background actors get soaked in the cold rain and actual living horses wander around while makeup women with transparent plastic bags dart in and out to touch up extras and guys with smoke canisters paddle mist into the edges of shots. This set they’re on—not just a few hollow façades set up to create the impression of reality, but real buildings, in every direction—is giant, immersive, and won’t last past this episode….
In a weightless, microgravity environment like space, what do ability and disability look like? How can someone with partial sight or impaired mobility navigate in a confined space like the space station? As scientists and innovators continue to push the boundaries of spaceflight and the possibility of human life on other planets, how can we build space infrastructure that is inclusive of all humans?
The Mission: AstroAccess project aims to answer these questions, starting with a historic parabolic flight that took off from Long Beach on Oct. 17, 2021. A group of 12 disabled scientists, veterans, students, athletes and artists launched into a zero-gravity environment as a first step toward understanding what is needed to make space inclusive for all.… The 12 AstroAccess Ambassadors selected for this first microgravity flight included four blind or low-vision Ambassadors; two deaf or hard-of-hearing Ambassadors; and six Ambassadors with mobility disabilities, all carrying out a variety of tasks and challenges in the weightless environment. One of the challenges was seeing whether all crew members could perform basic safety and operational tasks, like navigating to oxygen masks. The crew also tested a procedure to see whether sound beacons can be used for blind members to orient themselves, and the effectiveness of haptic devices in communicating commands. They’re also investigating how American Sign Language will be impacted by microgravity….
…In the coming months, I hope to address more aspects of a vigorous, wide, multidisciplinary arts/space effort, including a call for all-artist analogue missions. (I’ve even submitted, and received an enthusiastic reply, for just such a mission proposal to an analogue facility being developed at Biosphere 2.) But here I want to concentrate on one specific suggestion for increased systematic arts engagement in space activities: mission laureates.
Mission laureates
The term “laureate,” of course, refers to someone who receives an honor, deriving from the ancient Greek tradition of placing a laurel wreath on the head of the honoree. The laurel tree was sacred to the god Apollo, patron deity of poets. In more recent history, countries such as Great Britain and the United States have had offices of poet laureates, a tradition that has spread to states, cities, and towns. The poets are asked to engage the public by presenting outward-facing work for non-literary audiences.
Here I want to argue for a new kind of laureate, one attached not to a region but to a mission, specifically missions to space. In brief, mission laureates would create work inspired by missions—robotic and crewed—for wider public engagement.
I am not calling for art that is propaganda—a danger with laureates in the past—but, rather, work that provides new and exciting perspectives that can link a mission to wider currents in human affairs. It’s likely that artists interested in this opportunity will be pro-space but they surely will bring the nuance and complexity that we all need in confronting the paradoxes, promises, and perils of the human endeavor in space….
…Charging $19 for a piece of cloth about the size of two stacked dollar bills is bold even by Apple’s standards, a company whose legions of loyal customers are conditioned to stomach steep prices. An Apple-branded set of four wheels to “improve mobility” for the Mac Pro, the company’s most expensive desktop computer, is priced at $699, for instance.
But the Polishing Cloth stands out because it is far more expensive than widely available alternatives. MagicFiber, a popular brand of microfiber cloth that uses ultrafine fibers to clean glass without scratching the surface, offers a pack of six for $9 on Amazon.
“You have to give them credit for the chutzpah to charge $19,” Walter Gonzalez, president and founder of Goja, the parent company of MagicFiber, said of Apple….
(6) SJW CREDENTIAL OWNERS ALERT. New York Review of Books is marketing On Cats with a Margaret Atwood introduction.
In 2019, Notting Hill Editions published an anthology about canines, On Dogs. Now on its tail comes a companion edition for ailurophiles, On Cats, which includes an introduction by Margaret Atwood and more than two dozen essays, stories, and excerpts about the peculiar, sometimes affectionate, and often fickle character of our feline friends.
(7) FINE-GRAINED SIMULATION. A meteorologist and some climate modelers decided to find out if Frank Herbert’s imagined world was plausible, and for a change were not party poopers: “The climate on the Dune world of Arrakis, simulated” in Popular Science. The accompanying graphics are stellar.
Dune, the epic series of sci-fi books by Frank Herbert, now turned into a movie of the same name, is set in the far future on the desert planet of Arrakis. Herbert outlined a richly-detailed world that, at first glance, seems so real we could imagine ourselves within it.
However, if such a world did exist, what would it actually be like?
We are scientists with specific expertise in climate modelling, so we simulated the climate of Arrakis to find out. We wanted to know if the physics and environment of such a world would stack up against a real climate model.
…Be it magical stores with books floating from shelf to shelf, comic book stores owned by supernatural beings, or picturesque but ordinary little shops, fictional bookstores like these make fans and viewers wish that they were real….
(10) MEDIA BIRTHDAY.
1993 – Twenty-eight years ago, The Nightmare Before Christmas premiered. It was directed by Henry Selick (in his feature directorial debut), and produced by Denise Di Novi and Tim Burton. The screenplay by Caroline Thompson from the poem by Tim Burton. Yes, poem. Danny Elfman wrote the songs and score, and provided the singing voice of Jack. The principal voice cast also includes Ed Ivory, Chris Sarandon, Catherine O’Hara, William Hickey, Ken Page, Paul Reubens and Glenn Shadix. Critics loved it though the NAACP condemned Oogie Boogie as a racist stereotype. The Box Office was excellent for it as it earned over a hundred million on a budget of eighteen million. And it has a stellar ninety-one percent rating among audience reviewers at Rotten Tomatoes. It was nominated for a Hugo at ConAdian, the year that Jurassic Park won.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 29, 1906 — Fredric Brown. Author of Martians, Go Home which would made into a movie of the same name. He received compensation and credit from NBC as their Trek episode “Arena” had more than a passing similarity to his novelette which was nominated for Retro Hugo at CoNZealand. Interestingly, a whole lot of his Edgar Award-winning mysteries are being released on the usual suspects in December. (Died 1972.)
Born October 29, 1928 — Benjamin F. Chapman, Jr. He play the Gill-man in the land takes in Creature from the Black Lagoon. Ricou Browning did the water takes. His only other genre appearance was in Jungle Moon Men, a Johnny Weissmuller film. His entire acting career was only eleven years long and had but eight acting credits. (Died 2008.)
Born October 29, 1935 — Shelia Finch, 86. She is best remembered for her stories about the Guild of Xenolinguists which aptly enough are collected in The Guild of Xenolinguists story collection. She first used it her 1986 Triad novel. The term would later be used to describe the character Uhura in the rebooted Trek film. Her Reading the Bones novel, part of the Guild of Xenolinguists series would win a Nebula.
Born October 29, 1938 — Ralph Bakshi, 83. Started as low-level worker at Terrytoons, studio of characters such as Heckle and Jeckle and Mighty Mouse which I adore. His first major break would be on CBS as creative director of Mighty Mouse and the Mighty Heroes. Fast forwarding to Fritz the Cat which may or may not be genre but it’s got a foul-mouthed talking cat when should make it genre, yes? Genre wise, I’d say Wizards which features voice work by Mark Hamill and whose final name was Wizards so it wouldn’t be confused with you know what film. It was nominated for a Hugo at IguanaCon II when Star Wars won. Next up was The Lord of the Rings, a very odd affair. That was followed by Fire and Ice, a collaboration with Frank Frazetta. Then came what I considered his finest work, the Mighty Mouse: The New Adventures series! Then there’s Cool World…
Born October 29, 1947 — Richard Dreyfuss, 74. Roy Neary in Close Encounters of the Third Kind. And The Player in Rosencrantz & Guildenstern Are Dead. Not to mention the voice of Mister Centipede in the ever so James and the Giant Peach. And yes, he’s Hooper in Jaws that we declared was genre sometime back.
Born October 29, 1954 — Kathleen O’Neal Gear, 67. Archaeologist and writer. I highly recommend the three Anasazi Mysteries that she co-wrote with W. Michael Gear. She’s a historian of note so she’s done a lot of interesting work in that area such as Viking Warrior Women: Did ‘Shieldmaidens’ like Lagertha Really Exist? And should you decide you want to keep buffalo, she’s the expert on doing so. Really. Truly, she is.
Born October 29, 1954 — Paul Di Filippo, 67. Ciphers: a post-Shannon rock-n-roll mystery was his first work. He is, I’d say, an acquired taste. I like him. I’d suggest first reading you don’t know him should be The Steampunk Trilogy and go from there. His “A Year in the Linear City” novella was nominated at Torcon 3 for Best Novella, and won the 2003 World Fantasy Award and the 2003 Theodore Sturgeon Award. Oh, and he’s one of our stellar reviewers having reviewed at one time or another for Asimov’s Science Fiction, The Magazine of Fantasy and Science Fiction, Science Fiction Eye, The New York Review of Science Fiction, Interzone, Nova Express and Science Fiction Weekly.
Born October 29, 1971 — Winona Ryder, 50. Beetlejuice of course but also Edward Scissorhands and Bram Stoker’s Dracula. Not to mention Alien Resurrection and Star Trek as Spock’s human mother Amanda Grayson. Which brings me to Being John Malkovich which might be the coolest genre film of all time if not the strangest one.
(12) COMICS SECTION.
Questionable Content this week has been guest-starring (or would this be a cameo) a familiar, um, figure (all week, so click some “Next”s). Note, QC already has its share of SF-y characters, namely robots and AIs, along with one character’s mom living in an orbital space station.
Over in Dustin, the titular teenager and one of the younger kids — presumably (info via Wikipedia) “Hayden, a precocious seven-year-old kid and next-door neighbor,” have chosen familiar and we-still-miss-’em Halloween costumes this week.
Sally Forth hints at another reason to wear Halloween costumes.
(13) WONG TAKES ON IRON FIST. Writer Alyssa Wong and artist Michael YG introduce a new Iron Fist to the Marvel Universe on February 16 when a new hero claims the power of K’un-Lun.
Award winning writer Alyssa Wong, known for her outstanding work on Doctor Aphra, will team up with artist Michael YG, an extraordinary artist making his Marvel Comics debut, in Iron Fist. The five-issue limited series will see the legendary mantle of Iron Fist passed on to a new hero in a revolutionary transformation of one of Marvel’s most fascinating mystical mythologies.
After giving up his power to save the world earlier this year in IRON FIST: HEART OF THE DRAGON, Danny Rand believes he’s seen the last of the Iron Fist. But when demons begin to attack cities around the world, a new hero appears, hands blazing with the Chi of Shou-Lao the Undying! Who is this new Iron Fist? And does his power really come from the Dragon of K’un-Lun… Or from something far more sinister? Fans will have to wait until the first issue to discover his identity but they can see him now on the stunning cover for IRON FIST #1 showcasing a brand-new costume design by superstar artist Jim Cheung!
Here’s what Wong had to say this upcoming series:
“It’s an incredible honor to introduce a new Iron Fist to the Marvel Universe. I’m excited to delve into the comic’s rich mythos and build on it. What does it mean for someone to take up the mantle of the Iron Fist right now, today? As a newcomer, how does one interact with legacy, and how does one honor it while forging a new path?”
A new promotional video for Marvel’s Guardians of the Galaxysees various streamers getting “rickrolled,” with singer Rick Astley himself joining in on the fun. The recently-released sci-fi superhero title, developed by Eidos-Montreal, seeks to capture the spirit of the team’s live-action films while also embracing the characters’ comic book roots. Marvel’s Guardians of the Galaxy‘s 80’s soundtrack helps to inform the backstory of protagonist Star-Lord while also playing a role in combat.
Rickrolling goes cosmic with the man himself @RickAstley
… The latest artist, Joe Staton along with the entire Dick Tracy team has brought innovation to the Dick Tracy world, incorporating a bevy of crossovers such as The Green Hornet, The Spirit and a villain named the Jumbler, who gives Jumble puzzles as clues to the police.
Now Staton has passed his two-way wrist radio, Detective Tracy’s trademark yellow trench coat and fedora over to his long-time Dick Tracy teammate, Shelley Pleger.
For the last 10 years, Pleger has inked and lettered Dick Tracy. Now she takes the helm as the first female lead artist Dick Tracy has ever had….
(16) NOT THE END, MY FRIEND. Netflix dropped this trailer for season 2 of The Witcher today.
A Halloween-themed ad from Twix has critics accusing the candy manufacturer of ‘ruining’ the holiday with a woke and confusing message on boys wearing dresses that has little to do with the celebration – or the product advertised.
In the ‘bite-size Halloween’ commercial, a young boy wearing a princess dress is defended from bullies by a witch nanny, who arrives at his house unannounced in a minivan while the child appears to be unattended. The nanny says she was hired by the child’s parents and she goes on to casually threaten two children questioning why the boy is dressed up when it’s not Halloween. In the last scene of the ad, a boy is making fun of the princess-dress-wearing boy at a park – the synopsis for the ad refers to him as ‘non-binary’ – and the witch makes him disappear. She says he will “probably” come back….
BEN & JERRY MIGHT BE a couple of ice cream tycoons, but they’ve remained true to their roots. Case in point: the deliciously somber Flavor Graveyard located on the grounds of their factory in Waterbury, Vermont.
Opened in 1997, the memorial to bygone flavors was originally an online-only affair, until a handful of resin headstones were mocked up and planted on a hill behind the factory….
[Thanks to JJ, John King Tarpinian, Andrew Porter, Daniel Dern, Chris Barkley, Jennifer Hawthorne, StephenfromOttawa, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
The Society for Creative Anachronism Board of Directors has removed Emerson Waite (SCA name Christian Bane), as King of An Tir, their membership territory encompassing the Pacific Northwest and parts of Western Canada. The “Resolution to Remove the Sovereign of An Tir” published yesterday reads:
On October 27, 2021, at a Special Meeting of the SCA Board of Directors, the Board took a rare step and unanimously voted to remove King Christian Bane as the current Sovereign of An Tir, effective immediately. The Board reached this painful decision after significant deliberation and with the advice of our Officers.
At this time, An Tir remains in the capable hands of Queen Helene d’Anjou, until the Coronation of the Heirs to the Throne. We wish great success to her Majesty in serving independently for the remainder of Her Reign.
The SCA Kingdom of An Tir’s borders include the states of Oregon, Washington, Northern Idaho, plus most of the Canadian Province of British Columbia, and the Yukon and Northwest Territories.
An “Announcement of Board Motions” on the Kingdom of An Tir website quotes the full motions that were before the Board and the results of the voting.
Yesterday, October 27, 2021, the SCA’s Board of Directors met and took the following actions:
Motion by Ross Roegner to remove Emerson Waite (Christian Bane) as Sovereign of the Kingdom of An Tir, effectively immediately. Second by Dale Fong-Frederick. Opposed: None. Chairman Dan Watson exercised his option to vote and did so in favor of the motion. Motion carried.
Motion by Dale Fong-Frederick to direct the Society Seneschal to issue a Temporary Removal from Participation in the Society to Emerson Waite (Duke Christian Bane) and to further direct the Society Seneschal to begin an investigation into possible sanctions up to and including revocation of membership and denial of participation, effective immediately. Second by Gigi Coulson. Opposed: None. Chairman Dan Watson exercised his option to vote and did so in favor of the motion. Motion carried.
This sanction precludes attendance or participation in any manner at any SCA activity, event, practice, or official gathering for any reason, at any time. This includes a ban on participation in officially recognized SCA social media sites, officially recognized SCA electronic email lists, and officially recognized SCA webpages.
Please note that Queen Helene is now acting as both the Sovereign and the Consort of An Tir. Crown Prince Sven and Crown Princess Roukinn are still the Heirs of An Tir. Coronation will still take place, as scheduled, at 12th Night in January. All awards, peerages, and honors bestowed prior to these board motions are still valid.
A discussion on Reddit has so far unsuccessfully tried to crowdsource the details behind the Board’s action.
A 2017 Facebook post by someone who said, “unfortunately” Christian Bane mentored her as an SCA fighter claimed “He can be cruel in his treatment of those in fealty to him, as well as manipulating those he harms into silence“ and pointed to a previous SCA disciplinary action against him.
Due to the potential for lawsuits, the SCA itself ordinarily does not give reasons for such decisions. The background tends not to come to light unless law enforcement is involved and the story makes the news, for example, as happened when an SCA King was arrested as a murder suspect in 2019.
The 46th annual Saturn Awards were presented October 26. The Academy of Science Fiction, Fantasy & Horror Films, which skipped 2020, extended the Saturn Awards eligibility period to allow works released from July 15, 2019-November 15, 2020 to contend.
The Star Wars franchise claimed seven prizes, for Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker, Disney XD animated series The Clone Wars and Disney Plus’ The Mandalorian.
The Association of Science Fiction and Fantasy Artists (ASFA) announced its 2021 Chesley Award nominees on October 28.
Member voting on the winners opens October 29 and ends November 19.
Best Cover: Hardcover Book
Tommy ArnoldHarrow the Ninth by Tamsyn Muir, Tor Books (August 2020)
Iris CompietThe Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra by Adam Cesare, Insight Editions Illustrated edition (October 2020)
Jason MowryRed Dragon by Thomas Harris, Suntup Editions (Fall 2020)
John PicacioBlack Sun by Rebecca Roanhorse, Gallery / Saga Press (October 2020)
Corinne ReidEncounters with the Imaginary Vol. 3 edited by Jeszika Le Vye and Kira Night, Boneshaker Press (September 2020)
Best Cover: Paperback or Ebook
Rovina CaiThe Fourth Island by Sarah Tolmie, Tordotcom (October 2020)
Scott FischerAshes of the Sun by Django Wexler, Orbit (July 2020)
Madolyn LockeValian Styrke: Knight of Fate by Reiter, Sylver Quill Press (November 2020)
Charles UrbachGhost Riders in the Sky by Timothy Zahn, Swallow’s End Publishing (April 2020)
Ben ZweifelThe Thousand Deaths of Ardor Benn by Tyler Whitesides, Orbit (October 2020)
Best Cover: Magazine
Arjun AmkyClarkesworld #170 (November 2020)
Evan Cagle “Stranger Things: Into the Fire #4” Variant Cover Dark Horse (July 2020)
(1) WE ARE THE CHAMPIONS. Exciting opportunity for those communicating about space to be recognized by the European Space Agency, with categories for video, artwork, storytelling, public speaking, and education. How many fans do we know who fall into these categories! “‘ESA Champions’ award initiative launched”. Check out the link for more info, and use #ESAchampion when sharing eligible projects on social media. Full details at the link.
Whether you are hosting a YouTube channel about space or volunteering to speak at your local school, we want to recognise and reward your passion and advocacy for space.
Our new ESA Champions initiative will honour outstanding contributions to communicating about space in Europe with unique awards and give you the chance to become part of an exclusive network of space enthusiasts, as well as win some awesome prizes.
We’ll be monitoring social media over the next few months for creative representations of your passion for space in Europe, in particular on Twitter, Instagram, Facebook, YouTube, LinkedIn and Pinterest.
If you’re an artist who paints or draws space-themed pieces, a writer who publishes short stories about space or a vlogger who posts videos, now is your chance to be recognised….
…“When I started, I didn’t realise how significant it was taking over from other people, but now it’s happening to me,” she tells RT. “You’re not part of it, in that you don’t know what’s happening. Who are the companions? What are they going to do?
“I’m going to watch it, be nosey and think, ‘How’s it different to ours?’”…
Speaking exclusively to Radio Times magazine, Whittaker said: “Chris [Chibnall] and I always said we were going to do three series together, but then when you get to it, it’s a very different thing.
“Sometimes it was like… ‘Are we sticking to this decision?’ There’s part of me that could absolutely say, ‘No, let’s keep going! Let’s go back on it!’ But to give the fans the level that they deserve, there has to be some sacrifice. You have to know when you’ve done it.”
…However, Gill also cautioned that fans don’t buy a hat for Yaz and the Doctor’s wedding just yet, noting that the duo’s closeness doesn’t necessarily mean they’d become involved romantically.
“At the same time, it could also head down the route of like it being platonic, because two people are allowed to travel together and not have that relationship,” she said.
“People have asked about it, people have wanted it. Me and Jodes have a lovely relationship as people, as actors, and our characters have a really, really nice relationship. And I think it’s been written very naturally.”…
(3) JMS FAQ. J. Michael Straczynski told Facebook readers today:
I’m getting a lot of nearly identical questions on various forums — here, Twitter, elsewhere — so to avoid redundancy, or repeating myself, or saying the same thing more than once in a way that doesn’t exactly sound like a repetition but serves the same purpose, I’ve created a Frequently Asked Questions file to address the issue.
17) WHATIS THE NEW BABYLON 5 PILOT/STORY ABOUT? WHAT CHARACTERS ARE IN IT? WHERE IS IT SET? All of that is classified, I can’t publicly discuss any of it. So there’s no point in asking anything about the story for the new pilot, because I can’t tell you. But patrons here will be the first to get the details as they emerge, long before it reaches the rest of the world.
18) WHY DID YOU HAVE GWEN STACY AND NORMAN OSBORN HAVE KIDS? They were going to be Peter’s kids but Marvel thought Norman was a swell idea and would avoid making Peter seem old. I didn’t know any better. I was an idiot. Here, rub some salt in my wounds….
19) CAN I SUGGEST ACTORS FOR THE NEW SHOW? Technically yes (provided those suggestions don’t come with character names), but really, if you don’t know for sure who the characters are going to be, how can you suggest a suitable actor? Riddle me that, Batman!
(4) NEVER THE TWAIN SHALL MEET. Michael Dirda anoints Ambrose Bierce as “One of America’s Best” in The New York Review of Books.
Ambrose Bierce (1842–1913) is arguably the finest not-quite-first-rate writer in nineteenth-century American literature. Civil War veteran, contrarian journalist, master of the short story, muckraker, epigrammatist, and versifier, he is today most widely known for that word hoard of cynical definitions, The Devil’s Dictionary, and for a handful of shockingly cruel stories about the Civil War.
In those dozen or so “tales of soldiers,” gathered in the collection eventually titled In the Midst of Life (1892, augmented in 1898 and 1909), a brother shoots his brother, a sniper is compelled to kill his father, and a cannoneer obeys the order to destroy his own house, where his wife and child await his return from battle. The best known of these contes cruels, “An Occurrence at Owl Creek Bridge,” has been called—by Kurt Vonnegut, himself a kinder, gentler Bierce—the greatest short story in American literature. Surely, no first-time reader ever forgets the shock of its final sentences….
(5) SANDCASTLES IN THE AIR. John Scalzi registers his take on the epic film: “Dune: A Review” at Whatever.
…To bring Villeneuve himself back into it, it’s fair to say that he is a very fine match for the material. To begin, Villeneuve’s visual aesthetic, and its tendency to frame people as tiny elements in a much larger composition, is right at home with the Dune source material, in which legions of Fremen and Sardaukar and Harkonnens stab at each other, and 400-meter sandworms tunnel through the dunes of Arrakis. To continue, anyone who has seen Villeneuve’s filmography is well aware he is a very very very serious dude; there’s not a rom-com anywhere in his history. Dune’s single attempt at a joke is done and over in the first 20 minutes the film, almost before it even registers. One can argue whether or not Frank Herbert’s prose and story styling in Dune is exhaustingly and pretentiously serious or not, but it is what it is. Given what it is, it needs a director whose own style matches. That’s Villeneuve. I don’t care to see Villeneuve’s take on, say, Galaxy Quest. But Dune? Yup, that’s a match….
(6) 100% ACCURATE PREDICTION. Here’s Ursula Vernon’s reaction. Thread starts here. A few highlights:
Basically it’s very pretty and very long and everyone dies.
(That’s not a spoiler. It’s Dune. What did you expect?)
HORROR THIS YEAR. Raquel S. Benedict, David Jesudason and Rich Johnson appeared on Connecticut NPR’s The Colin McEnroe Show where the host led a discussion about why horror, as a genre, is particularly resistant to Disneyfication and other topics covered were the current renaissance in Black horror cinema and An American Werewolf in London. “Not Necessarily The Nose: The year in horror, 2021”.
And: There’s an ongoing renaissance in Black horror dating back to Jordan Peele’s Get Out in 2017. This year’s best example is probably Nia DaCosta’s Candyman reboot/remake/sequel (co-written by DaCosta and Peele). But horror’s creeping (you see what I did there) reckoning with racism is having its share of ups and downs, too.
And finally: We have a largely arbitrary tradition of spending a chunk of this show on a horror classic that’s celebrating, specifically, its 40th anniversary. Previously, it’s been Halloween, Alien, The Shining. This year: An American Werewolf in London.
I came to horror the same way I came to Rihanna—later than most, but with the commensurate fiery passion of a true convert. Crime and horror have, after all, been slowly converging for many years, as domestic suspense transformed into the New Gothic, and psychological thrillers took over from procedurals as the dominant trend in the genre. And yet, despite my newfound fandom, I’m about as poorly informed a horror reader as one could be (I’ve only read one Stephen King novel and it was Mr Mercedes). So I invited a whole bunch of authors with horror novels out in 2021 to join me for a roundtable discussion on the genre and its appeal to crime fans, and in which I could stealthily attempt to figure what exactly horror is—and why we’re all enjoying it so much during the pandemic.
…As one might expect, no audience was drawn into the world of penny dreadfuls more than children and teenagers. In fact, they specifically targeted young readers. Many of the stories feature young characters, such as the schoolboy Jack Harkaway, who would become as beloved to Victorian readers as Harry Potter is today, according to the British Library. Boys of England, a periodical marketed to young boys, first introduced the character in the 1871 penny dreadful “Jack Harkaway’s Schooldays,” which details the protagonist running away from school, boarding a ship, and embarking on a life of adventure and travel. Jack even had to battle a 15-foot python when one of his many pranks went awry.
The popularity of penny dreadfuls had another side: They helped to promote literacy, especially among younger readers, at a time when, for many children, formal education was nonexistent or, well, Dickensian. The proliferation of such cheap reading material created “an incentive to require literacy,” says professor Jonathan Rose, author of The Intellectual Life of the British Working Classes. People were invested in the stories of Jack Harkaway and Sweeney Todd, and there was only one good way to keep up—learn to read.
While some historians credit compulsory education for the increased literacy of the age, “The fact is that most of the increase in literacy happened before you got universal free education,” says Rose. In England, education wasn’t required for all children until 1880, decades into the heyday of penny dreadfuls….
(10) DE PATIE OBIT. Animation producer David DePatie died September 23 at the age of 91 reports Deadline.
…Born in Los Angeles, DePatie, according to Animation magazine, was a self-described “Warner Brat” whose father Edmond DePatie was a longtime WB exec who eventually become vice president and general manager of the studio under Jack Warner. The younger DePatie began working for the studio in 1961 as a Warner Bros. Cartoon production executive.
[NY Times noted, “David started his Hollywood career as a sound and film editor at Warner Bros. He worked on several films for the studio, including “Them!” (1954)…]
According to the magazine, DePatie “oversaw the end days of this iteration of WB animation, ushering the final Bugs Bunny, Foghorn Leghorn and Tweety Bird theatrical cartoons to screens.” He would also produce TV’s The Bugs Bunny Show, The Adventures of the Road Runner and other projects including animated commercials.
In 1963, DePatie and Freleng formed their own company, soon landing a contract that would make their names: the comedy feature film The Pink Panther starring Sellers as the bumbling Inspector Jacques Clouseau. The animated opening-credit sequence featuring the panther quickly led to a United Artists commission for a separate cartoon short, which became the Oscar-winning The Pink Phink, launching the durable franchise of theatrical shorts and TV series.
For decades the DePatie-Freleng logo was a familiar sight to any kid watching Saturday morning cartoons or such primetime series as 1969’s My World and Welcome to It and the Seuss specials….
(11) MEMORY LANE.
1994 – On this day in 1994, Stargate premiered. It’d be a runner-up at Intersection to Star Trek: The Next Generation’s “All Good Things…” which won the Hugo for Best Dramatic Presentation, Long Form. It was directed by Roland Emmerich and produced by Dean Devlin, Oliver Eberle and Joel B. Michaels. It was written by Roland Emmerich and Dean Devlin. Principal cast was Kurt Russell, James Spader, Jaye Davidson and Viveca Lindfors.
It was a box office success earning over two hundred million on a budget of fifty-five million despite some critics not at all being fond of it. Ebert put it on his list of most hated films of all time, but others thought it was an “instant camp classic”. Currently it holds a most excellent rating among audience reviewers at Rotten Tomatoes of seventy-three percent.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 28, 1902 — Elsa Lanchester. The Bride in 1935’s The Bride of Frankenstein with Boris Karloff. In 1928 she appeared in three silent shorts written for her by H. G. Wells: Blue Bottles, Daydreams and The Tonic. Now she actually had a longer career than that as she’ll have roles in Mary Poppins, Blackbeard’s Ghost, Willard, Alfred Hitchcock Hour, Alice in Wonderland, The Man from U.N.C.L.E. and Night Gallery. (Died 1986.)
Born October 28, 1951 — Joe Lansdale, 70. Writer and screenwriter whose DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep, a American comedy horror film starring Bruce Campbell, is his best known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns.
Born October 28, 1952 — Annie Potts, 69. The original Ghostbusters and Ghostbusters II of course but also appeared in Hercules, The Twilight Zone and Amazing Stories series , and The Man Who Fell To Earth film. She has a cameo as Vanessa the hotel clerk in the new Ghostbusters film.
Born October 28, 1957 — Catherine Fisher, 64. Welsh poet and children’s novelist who writes in English. I’d suggest The Book of The Crow series of which the most recent, Corbenic, won the Mythopoeic Fantasy Award for Children’s Literature. Her Incarceron series earned two more Mythopoeic Fantasy Award for Children’s Literature nominations as well.
Born October 28, 1958 — Amy Thomson, 63. Writer of four novels over a decade twenty years ago, including Virtual Girl. She won the Astounding Award for Best New Writer. She published one piece of short fiction, “The Ransom of Princess Starshine”, in 2017 in Stupefying Stories which is edited by Bruce Bethke.
Born October 28, 1962 — Daphne Zuniga, 59. Her very first role was as Debbie in The Dorm That Dripped Blood, labeled a Video Nasty in the UK. You know her much better as Princess Vespa in Spaceballs, and she also in The Fly II being Beth Logan. Series work include Nightmare Classics, Batman Beyond, Happily Ever After: Fairy Tales for Every Child, Twilight Zone, The Outer Limits and, no surprise here, Spaceballs: The Animated Series where she voicedPrincess Vespa again.
Born October 28, 1967 — Julia Roberts, 54. How can I resist giving Birthday Honors to Tinker Bell in Hook? Not to mention she was in the seriously weird Flatliners that I saw at a virtually empty theater. Of course, there’s the ever weirder Mary Reilly with her in the title role. For something more charming, she voiced Charlotte the Spider in Charlotte‘s Web. I’m going to skip her as a Smurf I think for the sake of you not imagining her as such…
Born October 28, 1972 — Matt Smith, 49. He’s the current and longest-serving editor of long-running 2000 AD, and also the longest-running editor of its sister title Judge Dredd Magazine. He’s written three Judge Dredd novels plus a number of other genre novels based off the properties he edits. Along with Alan Ewing and Michael Carroll, he’s written the Judge Dredd audiobook, a take on the newly deputized Dredd.
…While comic book shopping in 1972, I spotted The House of Mystery #204. The cover featured a disgusting multi-eyed green blob creeping across the floor in pursuit of a screaming femme. In the lower right hand corner the illustrator’s signature was a simple “bw” that I later learned belonged Bernie Wrightson, the artist who’d soon become my comic book hero as well as a later inspiration for my writing. Wrightson’s cover became my gateway into the world of 1970s horror comics.
Five years later I had the pleasure of seeing the original pen and ink drawing in its entire poetic, grotesque splendor hanging on the wall of the New York Comic Art Gallery. I stared at that image with the same intensity I’d give the the Mona Lisa three decades later. It was scary, yet moving and damn near alive. Wrightson imagined things and made the horror real. However, the rules of the then-active Comics Code stated, “No comic magazine shall use the word horror or terror in its title,” so the books were referred to as mysteries or suspense….
Happy birthday, Call of Cthulhu! Forty years ago on Halloween 1981, the roleplaying world met and grew to love the Lovecraft-inspired game in which characters boldly confront the unknown before being consumed by it! If there’s one thing humans seem to desire, it’s to have their skulls cracked open like walnuts and their minds consumed by entities whose true nature would drive the sanest person mad, were they unlucky enough to understand what had them gripped in its tentacles.
Of course, Lovecraft wasn’t the first author to dabble in cosmic horror nor has he been the last. In honor of Halloween and forty years of Call of Cthulhu, allow me to suggest the following five works of cosmic horror….
(16) IN CONCLUSION. Cinefex, the visual effects magazine, has called it quits. The announcement was made earlier this year, and since then the publication has been doing a few activities to call attention to its winding down.
After 41 years of publication, we are sad to report that Cinefex 172, just off the presses, will be our final issue. We extend heartfelt thanks to our loyal readers and advertisers who sustained us through the years, and to the countless filmmakers and artists who told us their stories, shared their secrets, and trusted us to write and preserve the history of motion picture visual effects. A fond farewell to you all.
(17) MONUMENTAL RESEARCH. At Mystery File, veteran collector Walker Martin reviews Ed Hulse’s new volume, “The Art of Pulp Fiction”.
…Many collectors contributed to this book by lending paperbacks to Ed. Also he visited several art collectors. His visit to my house can serve as an example of his methods in borrowing so many books. One afternoon several months ago, he visited me and we went through the rooms discussing and looking at my paperback collection. We started on the second floor in the room that my wife and kids call “The Paperback Room”. The entire room is devoted to detective and mystery paperbacks including what may be a complete set of the hundreds of Dell mapbacks. Also in the room is some original cover art and several paperback racks which took me decades to find. These wooden racks were made to hold paperbacks for sale and were usually destroyed or lost over the years.
We then went to my basement where we looked and talked about my science fiction, western, and mainstream paperbacks. Ed ended up borrowing two boxes full of paperbacks, perhaps 75 to 100, of which close to 50 may have been used in the book. By the way, I noticed one paperback lacked the 50 words of comment. If there is a reprint or revised edition in the future. page 116 needs comments for Poul Anderson’s Brain Wave….
… Reitman’s change of heart began with the idea of a girl in a cornfield, wearing a proton pack.
“A decade ago, I had this vision of a girl shooting a proton pack in a cornfield and suddenly popcorn flying up and her catching and eating it,” Reitman said with a far off look in his eye as he sipped on his morning coffee inside his home office. The sun shined in from his backyard window beside his desk.
“It was just one of those images where I was like, ‘Well, I don’t know what to do with that,'” he continued.
Reitman is the first to admit that he usually doesn’t embrace these types of ideas. His movies, up to this point, have been grounded in reality. He’s preferred the independently-financed dramas that explore the human condition and usually feature women going through challenging times in their lives like a teenaged pregnancy (“Juno”) or a mid-life crisis (“Tully”).
He’s always had the same answer when asked if he’ll ever make a “Ghostbusters” movie: “No.”…
(19) AND IF YOU WANT TO PLAY ALONG AT HOME. Gizmodo reports “Hasbro’s fan-funded Haslab is offering the chance to purchase a full-scale model of the iconic prop” – “Ghostbusters Proton Pack”.
…Furthermore, the prop even has “a metal V-hook bracket that connects to the metal V-hook bracket on the bottom of the Neutrona Wand,” the Neutrona Wand being another Hasbro Pulse item you can preorder here for $125. If you’re not up on your Ghostbusters equipment lingo, the Neutrona Wand… well, it’s the gun that connects to the proton pack, so if you really want to get your cosplay on, you’re looking at dropping $525 for the pair. That is, assuming the Proton Pack project gets fully funded, but I wouldn’t be too worried about that. More than half of the 7,000 backers needed have signed up since the project launched yesterday, and there are still 45 days to go…
(20) OCTOTHORPE. Time for the 43rd of Octothorpe. Listen here! “Clip That Out, John”.
John Coxon is critically bereft, Alison Scott made a mistake, and Liz Batty is carving papayas. We discuss Hallowe’en and then we move onto discussing problematic Guests of Honour in the context of convention bidding, before wrapping up with quick picks.
(21) TWO CHAIRS TALKING. Perry Middlemiss and David Grigg “celebrate St. Crispin’s Day by discussing recent awards, what they’ve been reading, both non-fiction and fiction, and summarizing their thoughts about this year’s Hugo Award nominees” in episode 64 of Two Chairs Talking: “And gentlemen in England now-a-bed”.
(22) SWEDEN’S SOLAR SYSTEM MODEL. [Item by Ingvar.] In the intermittent “Ingvar investigates planets”, I found the Jupiter model. It is pretty big, and publicly accessible without having to do anything, except walk.
At this haunted house, the ghosts and ghouls sometimes elicit more than screams.
The Haunt in Atascadero keeps extra pants on hand for visitors so frightened that they lose control of their bodily functions.
Two people have requested the pants, said Sandi Andersen-Tarica, the Haunt’s production manager.
And the staff keeps a list of those who wet themselves — at least 31 “confessed pee-ers” in the last two years.
“Some people, when they know what’s happening, they like to sign it as sort of a badge of honor,” Andersen-Tarica said. “And we do have it on a sign that we will provide emergency pants upon request.”
Nestled among coffee shops and restaurants in downtown Atascadero, the Haunt draws about 4,000 visitors each year….
Our generation could realistically be the one to discover evidence of life beyond Earth. With this privileged potential comes responsibility. The magnitude of the question of whether we are alone in the Universe, and the public interest therein, opens the possibility that results may be taken to imply more than the observations support, or than the observers intend. As life-detection objectives become increasingly prominent in space sciences, it is essential to open a community dialogue about how to convey information in a subject matter that is diverse, complicated and has a high potential to be sensationalized. Establishing best practices for communicating about life detection can serve to set reasonable expectations on the early stages of a hugely challenging endeavour, attach value to incremental steps along the path, and build public trust by making clear that false starts and dead ends are an expected and potentially productive part of the scientific process….
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Dr. Emma J. King, Sandra Miesel, Raquel S. Benedict, Lise Andreasen, Ingvar, Daniel Dern, James Davis Nicoll, SF Concatenation’s Jonathan Cowie, StephenfromOttwa, Carl Coling, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, a combiner of Elton John and Dune motifs, who admits Benny And The Gesserits also was a Portland, Oregon band, with at least one song from 2015, “I Guess That’s Why They Call This Place Dune”.]
