Tag Archives: Alasdair Stuart

Pixel Scroll 1/24/20 I Pass The Test. I Will Comment, And Go Into The Thread, And Remain Galadriel

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(1) TFL. Alasdair Stuart’s The Full Lid (24th January 2020) is filled to overflowing —

This week TFL takes a look at all the iconic characters getting third acts, what’s good, what’s bad and who’s missing. I also take a look at the excellent charity ‘zine Visitor’s Pass, inspired by The Magnus Archives, process the emotions of my partner finally being out of the Visa system, embrace the joy of getting weird fiction-related and talk about what’s next for The Full Lid.

Signal Boost this week covers upcoming show PodUK2020 and Escape Artists’ role there, fiercely inventive RPG Trophy hitting Kickstarter, Rachel E. Beck‘s latest cyberpunk thriller becoming available for pre-order and friend and colleague Kit Power prepping to launch the crowdfunding campaign for the first collection of his superb Ginger Nuts of Horror column, My Life in Horror

Here’s an excerpt:

Keep a very, very close eye on the Captain’s Biography series from Titan. Firstly because they’re immense fun (the ‘Edited by’ tag kills me every time) and secondly because they’re a useful canary. Or to put it another way, we’ll know the Pike-Era Enterprise show is a go (and I’m 99% sure it is), once the Chris Pike biography is announced…

Anyway, Janeway is a perfect fit for the Picard treatment. She successfully guided a disparate crew home across an incalculable distance, assisted in dealing a near-mortal blow to Starfleet’s most relentless enemy and happily accepted a promotion, something we know Picard struggled to do. I’d love to see a show following her in the same time period. Interestingly, and with typical eloquence, Kate Mulgrew is less sure. I can see why too. (Incidentally, Mulgrew is fantastic as the narrator of The Space Race, which I’ll be writing about the remainder of here shortly.)

(2) SURVIVOR. CrimeReads’ Maureen Johnson provides “Your Guide to Not Getting Murdered in a Quaint English Village”.

It’s happened. You’ve finally taken that dream trip to England. You have seen Big Ben, Buckingham Palace, and Hyde Park. You rode in a London cab and walked all over the Tower of London. Now you’ve decided to leave the hustle and bustle of the city and stretch your legs in the verdant countryside of these green and pleasant lands. You’ve seen all the shows. You know what to expect. You’ll drink a pint in the sunny courtyard of a local pub. You’ll wander down charming alleyways between stone cottages. Residents will tip their flat caps at you as they bicycle along cobblestone streets. It will be idyllic.

Unless you end up in an English Murder Village. It’s easy enough to do. You may not know you are in a Murder Village, as they look like all other villages. So when you visit Womble Hollow or Shrimpling or Pickles-in-the-Woods or Nasty Bottom or Wombat-on-Sea or wherever you are going, you must have a plan. Below is a list of sensible precautions you can take on any trip to an English village. Follow them and you may just live….

 (3) THAT’S THE QUESTION. “Quiz of the week: Do you know Jones’s Python characters?” This week’s BBC News Quiz leads off with a Python question. How many Filers will get it?

(4) FADED. NPR film reviewer Mark Jenkins finds“No Love, Little Craft In Pulpy Body-Horror Flick ‘Color Out Of Space’ “.

It wasn’t like any color I’d ever seen before,” explains a dazed New England patriarch, trying to describe the unearthly phenomena at the center of Color Out of Space. Such an assertion might work in “The Colour Out of Space,” the 1927 story by H.P. Lovecraft, whose work oozes with mysteries that can’t be fully comprehended or even perceived. But viewers of the movie have already seen the unearthly hue by the time it’s so described.

It’s purple.

So are many things in this indigestible stew of modern sci-fi and antiquarian horror, notably Nicolas Cage’s characteristically unhinged performance. Cage plays Nathan Gardner, a failed painter and would-be farmer who’s frantic to protect his wife, three kids, dog, and flock of alpacas. Alpacas? They’re among many additions to the tale that would bewilder its original creator.

Like this movie, Lovecraft’s pulp-fiction mythos combines extraterrestrial and occult threats, although the author was never concerned with plausible science. So it’s not such a stretch that the first Gardner to be introduced is one invented altogether by the filmmakers: teenage Lavinia (Madeleine Arthur), whose blonde tresses are partly dyed, yes, purple. She’s an aspiring witch spied by the movie’s narrator, visiting hydrologist Ward Phillips (Elliot Knight), as she’s performing a ritual in the woods.

…In the original, the narrator arrives years after the events have occurred, and struggles to piece it all together. His investigation leaves questions and doubts, allowing readers to complete the story in their heads and decide for themselves what they believe. Color Out of Space takes a more explicit, less artful course: It turns ominous possibilities into a gory mess that proves utterly unbelievable.

(5) SOMTOW’S NEW OPERA. A story behind a paywall at the Financial Times, however, I was able to access the article from Google (no idea if that will work for you.) The headline is: “Helena Citrónová — Somtow Sucharitkul’s Auschwitz-set opera premieres in Bangkok.”

A work of intriguing moral ambiguity was sung with passionate commitment at the Thailand Cultural Centre 

When he first saw the BBC’s landmark 2005 documentary on Auschwitz, the Thai-born, British-educated composer and author Somtow Sucharitkul was immediately struck by a Slovakian prisoner’s interview about her relationship with a Nazi officer. Sensing its operatic potential, he soon fashioned a libretto inspired by their story. 

The music came later, mostly in fits and starts. But last autumn Somtow unveiled a suite from the opera during a European concert tour, and the piece quickly gained traction after a broadcast in Slovakia. All this helps explain why, amid this month’s 75th anniversary commemorations of the liberation of Auschwitz, the opera Helena Citrónová made its premiere last week in Bangkok with the imprimatur of the German and Israeli ambassadors to Thailand. 

Opera Siam, which Somtow originally formed as the Bangkok Opera in 2001, is a scrappy outfit largely moulded from its founder’s diverse interests. Halfway through presenting south-east Asia’s first Ring Cycle — its Siegfried has been postponed at least twice — the company began devoting resources to Somtow’s epic cycle Ten Lives of the Buddha (it has now reached chapter six).

Emotionally, the evening took its cues directly from Cassandra Black’s Helena and Falko Hönisch’s Nazi guard Franz Wunsch, who acutely revealed their emotional range in one standout scene, in which Franz is interrogated and Helena is tortured (at opposite ends of the stage), smoothly transitioning from dramatic quartet to lyrical love duet. Other standouts (in multiple roles) were Stella Grigorian’s maternal presence as Helena’s sister and Franz’s mother, and Damian Whiteley’s all-round villainy as both chief prisoner and a German captain.

(6) A MERE FORCE GHOST OF ITSELF. Variety says things are looking dark: “Obi-Wan Kenobi Series at Disney Plus Loses Writer, Seeks to Overhaul Scripts”.

Pre-production on the Obi-Wan Kenobi-focused TV series in the works at Disney Plus has been put on hold as the streamer and Lucasfilm look to overhaul early scripts and find new writers, sources tell Variety.

Hossein Amini had been attached to write. The news follows recent talk that the entire series was being scrapped altogether.

(7) TODAY IN HISTORY.

  • January 24, 1969 – Trek’s “That Which Survives” first aired on NBC.

“What is it, Jim?”

“A planet that even Spock can’t explain.”

– McCoy and Kirk, on the Kalandan outpost

This episode has the Enterprise crew members stranded on a ghost planet and terrorized by Losira, the image of a beautiful woman. (Former Miss America Lee Meriwether plays her.) It was the seventeenth episode of the final season.  It was directed by Herb Wallerstein. It was written by John Meredyth Lucas as based on a story by D.C. Fontana under the pseudonym Michael Richards. In her original “Survival” story, Losira is much more brutal, and actively encourages the crew to turn on each other and fight.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 24, 1911 — C. L. Moore. Author and wife of Henry Kuttner until his death in 1958. Their collaborative work resulted in such delightful works as “Mimsy Were the Borogoves” and “Vintage Season”, both of which were turned into films which weren’t as good as the stories. She had a strong writing career prior to her marriage as well with such fiction as “Shambleau” which involves her most famous character Northwest Smith. I’d also single out “Nymph of Darkness” which she wrote with Forrest J Ackerman. I’ll not overlook her Jirel of Joiry, one of the first female sword and sorcery characters, and the “Black God’s Kiss” story is the first tale she wrote of her adventures. She retired from writing genre fiction after Kuttner died, writing only scripts for writing episodes of Sugarfoot, Maverick, The Alaskans and 77 Sunset Strip, in the late fifties and early sixties. Checking iBooks, Deversion Books offers a nearly eleven-hundred page collection of their fiction for a mere three bucks. Is their work in the public domain now? (Died 1987.)
  • Born January 24, 1917 — Ernest Borgnine. I think his first genre role was Al Martin in Willard but if y’all know of something earlier I’m sure you’ll tell me. He’s Harry Booth in The Black Hole, a film whose charms still escape me entirely. Next up for him is the cabbie in the superb Escape from New York. In the same year, he was nominated for a Razzie Award for Worst Supporting Actor as Isaiah Schmidt in the horror film Deadly Blessing. A few years later, he’s The Lion in a version of Alice in Wonderland. Merlin’s Shop of Mystical Wonders is horror and his Grandfather isn’t that kindly. He voices Kip Killigan in Small Soldiers which I liked, and I think his last role was voicing Command in Enemy Mind. Series wise let’s see…  it’s possible that his first SF role was as Nargola on Captain Video and His Video Rangers way back in 1951. After that he shows up in, and I’ll just list the series for the sake of brevity, Get Smart, Future Cop, The Ghost of Flight 401, Airwolf where of course he’s regular cast, Treasure Island in Outer Space and Touched by an Angel. (Died 2012.)
  • Born January 24, 1937 — Julie Gregg. A performer that showed up in a lot of SFF series though never in a primary role. She was in Batman: The Movie as a Nightclub Singer (uncredited) in her first genre role, followed by three appearances on the series itself, two as the Finella character; one-offs on I Dream of Genie, Bewitched, The Flying Nun, Mission: Impossible, Kolchak: The Night Stalker and Incredible Hulk followed. Her only lead role was as Maggie Spencer in Mobile One which can’t even be stretched to be considered genre adjacent. (Died 2016.)
  • Born January 24, 1944 — David Gerrold, 76. Let’s see… He of course scripted “The Trouble With Tribbles” which I absolutely love, wrote the amazing patch-up novel When HARLIE Was One, has his ongoing War Against the Chtorr series and wrote, with Robert J. Sawyer, Boarding the Enterprise: Transporters, Tribbles, and the Vulcan Death Grip in Gene Roddenberry’s Star Trek. Besides his work as a novel writer, he’s been a screenwriter for Star Trek, Star Trek: The Animated Series, Land of the Lost, Logan’s Run (the series), Superboy, Babylon 5, Star Trek: Deep Space Nine, Sliders, Star Trek New Voyages: Phase II, and Axanar. Very, very impressive.
  • Born January 24, 1949 — John Belushi. No, he was no in a single SFF series or film that I can mention here though he did voice work on one such undertaking early in his career that I’ll not mention here as it’s clearly pornographic in nature. No, he’s here for his brilliant parody of Shatner as Captain Kirk which he did on Saturday Night Live which you can watch here. (Died 1982.)
  • Born January 24, 1967 — Phil LaMarr, 53. Best known I think for his voice work which, and this is a partial list, includes Young Justice (Aquaman among others), the lead role on Static Shock, John Stewart aka Green Lantern on Justice League Unlimited, Robbie Robertson on The Spectacular Spider-Man, various roles on Star Wars: The Clone Wars and T’Shan on Black Panther. Live roles include playing a Jazz singer in the  “Shoot Up the Charts” episode of Get Smart, a doctor on The Muppets in their ”Generally Inhospitable” segment, a lawyer in the “Weaponizer” episode of Lucifer and the voice of Rag Doll in the “All Rag Doll’d Up” episode of The Flash. 
  • Born January 24, 1970 — Jeffrey Andrew Weinstock, 50. It’s been awhile since I’ve done an academic so let’s have one. He’s not a specialist — instead he’s tackled the Gothic (The Cambridge Companion to the American Gothic), cult television (Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television), popular culture (Critical Approaches to Welcome to Night Vale: Podcasting Between Weather and the Void) and even cult film (Reading Rocky: The Rocky Horror Picture Show and Popular Culture). His The Age of Lovecraft anthology (co-edited with Carl Sederhlm) has an interview by him with China Miéville on Lovecraft.  
  • Born January 24, 1985 — Remy Ryan, 35. You most likely remember as her as ever-so-cute hacker urchin in RoboCop 3 who saves the day at the end of that film. She actually had her start in acting in Beauty and the Beast at four and was in The Flash a year later. At twelve, she’s in Mann & Machine. A year later is when she’s that urchin. Her last genre undertaking was in The Lost Room eight years ago and she retired from acting not long after.

(9) RETRO ROCKETS. Cora Buhlert covers another 1944 contender — “Retro Review: ‘The Lake’ by Ray Bradbury”.

“The Lake” is a short story by Ray Bradbury, which was first published in the May 1944 issue of Weird Tales and is therefore eligible for the 1945 Retro Hugos. The story may be found online here. This review is also crossposted to Retro Science Fiction Reviews.

Warning: There will be spoilers in the following….

(10) OVER THERE. Galactic Journey’s Mark Yon review two new (in 1965) issues of British prozines: “[January 24, 1965] A New Beginning… New Worlds and Science Fantasy Magazine, January/February 1965”.

Summing up New Worlds

New Worlds is an eclectic mixture this month and there are signs that Moorcock is making his own stamp on the magazine. The addition of factual science articles and more literary reviews reflect this, and it must be said that the expansion of literary criticism has been one of Mike’s intentions since he took over as Editor. It’ll be interesting to see how the regular readers respond to it.

By including such material of course means that there’s less space for fiction, and I suspect that whilst that might ease Moorcock’s load a little – he is writing and editing a fair bit of it, after all – it may not sit well with readers. But then we are now monthly…

(11) TROPES IN SPACE. If, like me, you don’t remember ever hearing about 1990’s computer game “Master of Orion”, no problem — Digital Antiquarian tells us everything we missed. And about a few other PC sff games, too.

…A new game of Master of Orion begins with you choosing a galaxy size (from small to huge), a difficulty level (from simple to impossible), and a quantity of opposing aliens to compete against (from one to five). Then you choose which specific race you would like to play; you have ten possibilities in all, drawing from a well-worn book of science-fiction tropes, from angry cats in space to hive-mind-powered insects, from living rocks to pacifistic brainiacs, alongside the inevitable humans. Once you’ve made your choice, you’re cast into the deep end — or rather into deep space — with a single half-developed planet, a colony ship for settling a second planet as soon as you find a likely candidate, two unarmed scout ships for exploring for just such a candidate, and a minimal set of starting technologies.

(12) ABOUT WHAT YOU’D EXPECT. Mad Genius Club’s Peter Grant hasn’t quite learned how to fake sincerity: “Things To Ponder”.

…Whilst I don’t sexually objectify (or subjectify, for that matter) attack helicopters in any way (the ones I saw in my younger days, I was usually trying to shoot down!), and I’m more of a transgressor than a transgender, I nevertheless sympathize with the author.

(13) DEER LORD ABOVE, WHY? SYFY Wire reports “Bambi to get The Lion King treatment as latest Disney ‘live-action’ remake”.

The Lion King won’t be the only Disney film about an animal losing a parent to be made even more realistic and emotional thanks to modern technology. Now the 1942 animated classic Bambi will be getting what Disney calls a “live-action” remake (even though it’s actually impressive CGI that aims to be photoreal).

(14) THE MUMMY SPEAKS. “Egyptian priest’s voice heard 3,000 years after death” — 2-second video.

The voice of a 3,000-year-old ancient Egyptian priest has been recreated using cutting-edge 3D printing and speech technology.

Nesyamun’s voice was reproduced as a vowel-like sound that is reminiscent of a sheep’s bleat.

The research – carried out by academics at Royal Holloway, University of London, the University of York and Leeds Museum – is published in the Scientific Reports journal.

He distinctly said “To blave.”

(15) MMM-MMM-GOOD? “Space cookies: First food baked in space by astronauts”.

Chocolate chip cookies have become the first food to be baked in space in a first-of-its-kind experiment.

Astronauts baked the cookies in a special zero-gravity oven at the International Space Station (ISS) last month.

Sealed in individual baking pouches, three of the cookies returned to Earth on the SpaceX Dragon spacecraft on 7 January.

The aim of the experiment was to study cooking options for long-haul trips.

The results of the experiment, carried out by astronauts Luca Parmitano and Christina Koch, were revealed this week.

The question is: how do they taste? The answer: nobody knows, yet

A spokesman for Double Tree, the company that supplied the dough, told the BBC the cookies would “soon undergo additional testing by food science professionals to determine the final results of the experiment”.

These tests will establish whether the cookies are safe to eat.

(16) PROTO ST. AQUIN. “What we can learn about robots from Japan”, according to BBC writer Amos Zeeberg.

While the West tends to see robots and artificial intelligence as a threat, Japan has a more philosophical view that has led to the country’s complex relationship with machines.

At a certain 400-year-old Buddhist temple, visitors can stroll through peaceful stone gardens, sit for a quiet cup of tea, and receive Buddhist teachings from an unusual priest: an android named Mindar. It has a serene face and neutral appearance, neither old nor young, male nor female. Beyond the realistic skin covering its head and upper torso, it looks unfinished and industrial, with exposed tubes and machinery. But Mindar is philosophically quite sophisticated, discoursing on an abstruse Buddhist text called the Heart Sutra.

If you had to figure out where you could find this robotic priest, you might need only one guess to conclude it’s in Japan, at the beautiful Kodai-ji Temple in Kyoto. Japan has long been known as a nation that builds and bonds with humanoid robots more enthusiastically than any other. While this reputation is often exaggerated abroad – Japanese homes and businesses are not densely populated by androids, as hyperventilating headlines imply – there is something to it.

Some observers of Japanese society say that the country’s indigenous religion, Shinto, explains its fondness for robots. Shinto is a form of animism that attributes spirits, or kami, not only to humans but to animals, natural features like mountains, and even quotidien objects like pencils. “All things have a bit of soul,” in the words of Bungen Oi, the head priest of a Buddhist temple that held funerals for robotic companion dogs.

According to this view, there is no categorical distinction between humans, animals, and objects, so it is not so strange for a robot to demonstrate human-like behaviours – it’s just showing its particular kind of kami. “For Japanese, we can always see a deity inside an object,” says Kohei Ogawa, Mindar’s lead designer.

Japan’s animism stands in contrast with the philosophical traditions of the West. Ancient Greeks were animistic in that they saw spirits in natural places like streams, but they thought of the human soul and mind as distinctly separate from and above the rest of nature.

(17) FAST SHOOTING. Via Slashdot: “Ultrafast Camera Takes 1 Trillion Frames Per Second of Transparent Objects, Phenomena”.

After developing the world’s fastest camera a little over a year ago, Caltech’s Lihong Wang decided that wasn’t good enough and started working on an even faster device. A new paper published in the journal Science Advances details a new camera from Wang that can take up to 1 trillion pictures per second of transparent objects.

(18) VIDEO OF THE DAY. In “Le Silence de la Rue” on Vimeo, Marie Opron discusses the hazards of city life.

[Thanks to John King Tarpinian, Martin Morse Wooster, Cat Eldridge, JJ, Mike Kennedy, Chip Hitchcock, Michael Toman, Jeffrey Smith, Daniel Dern, N., and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day Andrew.]

Pixel Scroll 1/10/20 A Lighter Shade of Scroll

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(1) DROP INN. [Item by Errolwi.] Upside when your house gets covered in fire retardant, house probably doesn’t burn. Downside, it is now pink! Upside, you have a fun medium to present a message to the ‘fireys’.

(2) #AUTHORSFORFIREYS. Check out the #AuthorsForFireys hashtag for fund-raising by authors on Twitter.

Genre authors responding include —

https://twitter.com/AmieKaufman/status/1213969059563196416
https://twitter.com/LBardugo/status/1214247708401078272

There’s also a website supporting the auctions:

Authors For Fireys is an auction of signed books, illustrations, unique experiences, one-off opportunities and writers’ services. Over 500 writers and illustrators are auctioning on Twitter from 6th Jan 2020 under the hashtags #AuthorsForFireys and #AuthorsForFiries. The auction ends on 11th Jan 2020 at 11pm (Syd/Mel time). 

(3) PIXELS AUF DEUTSCH. [Item by Cora Buhlert.] kulturzeit is a German language daily cultural TV program I’ve been watching for a long time now. They’re normally not what you’d consider SFF friendly, but today they had a report about Hopepunk. Alexandra Rowland is namechecked and quoted and they also interview a few German science fiction authors, who wrote Wasteland, the first German language hopepunk novel. The video is here. Only in German, alas.

kulturzeit‘s books for younger readers recommendation column also included the graphic novel West, West Texas by Hugo finalist Tillie Walden today: “’West, West, Texas’ von Tillie Walden” The other recommended book, a picture book, is genre as well — the video is here. The book is Emilia and the Boy from the Sea by Dutch writer and illustratator Annet Schaap. Maybe an SFF fan joined their staff.

(4) RETRO REVIEWS. Cora Buhlert also has posted a second review of fiction eligible for CoNZealand’s edition of the Retro Hugos. “Retro Review: ‘The Wedge’ a.k.a. “The Traders” by Isaac Asimov” discusses one of two eligible Foundation stories from 1944. She says the review for “The Big and the Little”, the other 1944 Foundation story, will go up next week.

(5) EATING THE FANTASTIC. L. Penelope had a little lamb in Episode 113 of the Eating the Fantastic podcast. Host Scott Edelman tells what all is on the auditory bill of fare:

L. Penelope

My guest for the first Eating the Fantastic episode of 2020 is Leslye Penelope — who publishes as L. Penelope. She started out as a self-published author, and her debut fantasy novel Song of Blood & Stone was so successful it was later picked up by St. Martin’s Press. That book earned (among other things) the 2016 Self-Publishing EBook Award from the Black Caucus of the American Library Association, and after being republished and brought to a wider audience, named as one of TIME magazine’s top fantasy books of 2018. She has since published two sequels, Breath of Dust & Dawn and Whispers of Shadow & Flame. Additional installments in the series are forthcoming.

We got together for lunch in Columbia, Maryland at The Turn House — because I’d heard about chef Thomas Zippelli, who has put in time at both the French Laundry and Eleven Madison Park, and wanted to check the place out. It turned out to be worth the visit for the porchetta alone.

We discussed why The Neverending Story was her favorite childhood movie, which Octavia Butler quote inspired one of her tattoos, why she decided to go the self-publishing route — and how her indie success resulted in her first novel getting picked up by a traditional publisher, the catalytic scene which sparked her Earthsinger Chronicles series, how she manages to meet the expectations of both fantasy readers and paranormal romance readers, her advice for breaking out of writers block, and much more.

(6) WHERE THE ‘F’ IS PERHAPS ‘FANTASY’. [Item by Daniel Dern.] On Zoe’s Extraordinary Playlist on NBC, an earthquake (the show is set in San Francisco) while she’s getting an MRI results in Zoe, a programmer who’s already established as listening to bunches of music along with listening to audiobooks, episodically experiencing people around her burst into song (and dance), apparently expressing their innermost thoughts.

So, lots of good singing and dancing, including great larger production numbers. E.g., on “Help!”

The NPR reviewer said the show didn’t really get into gear until mid-Episode-2, I disagree, and, ahem, felt it founds its groove from the start. Recommended.

(Note, the pilot episode just ran — it’s on YouTube already — but no more episodes until mid-February.)

(7) IT’S A MAGILLA. “Feds launch probe into problem-plagued $41M Hunters Point library” – the New York Post has the story.

Books aren’t the only thing being checked out at this Queens library.

The feds are now probing the problem-plagued new library branch in Hunters Point, The Post has learned.

The US Attorney’s Office in Brooklyn hired an architectural expert to conduct a December survey of the $41.5 million book hub to look for violations of the Americans with Disabilities Act, new Brooklyn federal court filings in a lawsuit against the library reveal.

An attorney for the city’s Law Department blew the lid off the probe in documents filed for the pending suit, saying they needed more time because they’re still awaiting the investigation’s results.

The decade-in-the-making outpost of the Queens Public Library system was hailed by officials as a “stunning architectural marvel” when it opened in September.

But it has since come under fire for its stacks of design and construction problems — including a three-tiered fiction section, a rooftop garden and a reading space on the children’s floor that are all inaccessible for people who use wheelchairs.

(8) NONE TO BEAM UP. The voyages may be continuing, but that doesn’t mean the actors are — “Noah Hawley Suggests His ‘Star Trek’ Movie Will Include New Cast” according to The Hollywood Reporter.

In November, news broke that Fargo and Legion creator Noah Hawley would write and direct Star Trek 4, a movie said to continue the voyages of Chris Pine’s Captain Kirk and his crew. But a few weeks later, star Simon Pegg turned heads when he suggested that the news had been incorrect, and that his Enterprise crew would not be returning for Hawley’s movie. Now Hawley himself is suggesting that is indeed the case.

“To call it Star Trek IV is kind of a misnomer. I have my own take on the franchise as a life-long fan,” Hawley told The Hollywood Reporter podcast TV’s Top 5, in an interview set to bow in April.

(9) PEART OBIT. Neil Peart, drummer and primary lyricist for Rush, dead at 67 hreports the CBC.

The band was much honoured at home, including with an induction into the Canadian Music Hall of Fame in 1994, Canada’s Walk of Fame in 1999; a lifetime achievement honour at the 2012 Governor General’s Performing Arts Awards; and an Order of Canada — the first time that a group was chosen to receive the honour. 

The trio was inducted into the U.S. Rock & Roll Hall of Fame in 2013, after years of lobbying by devoted fans.

Peart also co-authored two books in the Clockwork Angels series with Kevin J. Anderson. They also co-authored the short story “Drumbeats” in the Shock Rock II anthology.

(10) HENRY OBIT. Buck Henry died January 8. The Hollywood Reporter paid tribute —

Buck Henry, the impish screenwriter whose wry, satirical sensibility brought comic electricity to The Graduate, What’s Up, Doc?, To Die For and TV’s Get Smart, has died. He was 89.

Henry, a two-time Oscar nominee who often appeared onscreen — perhaps most memorably as a 10-time host (all in the show’s first four years) on Saturday Night Live — died of a heart attack Wednesday at a Los Angeles hospital, his wife, Irene, told The Washington Post. He had suffered a stroke in November 2014….

Henry wrote for Get Smart and was the show’sstory editor for the first couple of seasons.

Henry, who won an Emmy (shared with Leonard Stern) in 1967 for writing the two-part episode “Ship of Spies,” came up with the cone of silence shtick for the sitcom.

…For TV, Henry also created the 1967 NBC comedy Captain Nice, centered on a mild-mannered guy (William Daniels) who becomes a superhero, and the late ’70s NBC sci-fi spoof Quark, which starred Richard Benjamin. Both series were short-lived.

(11) TODAY IN HISTORY.

  • January 10, 1967 – The Invaders made its TV premiere. Created by Larry Cohen, it aired on ABC for two seasons. Roy Thinnes stars as David Vincent is the star of the series. Gold Key Comics published four issues of an Invaders comic book based off the series. The series was a Quinn Martin production who was also responsible for A Twist in the Tale, an anthology series that did some SFF, and a film called The Aliens Are Coming. 
  • January 10, 1997 — The Relic premiered.  It was directed by Peter Hyams and based on the SFFish Relic novel written by Douglas Preston and Lincoln Child. It starred Penelope Ann Miller, Tom Sizemore, Linda Hunt and James Whitmore. Some critics really liked, some really like it and it holds a 34% rating among the frankly astounding 26,735 reviewers who took the time to give it a review.  Oh and it bomb at the box office. 
  • January 10, 1999 — Batman Beyond premiered on Kids’ WB. It was created by Bruce Timm. Will Friedle as Terry McGinnis, the new Batman and you know who played the old Batman. It lasted three seasons and fifty-two episodes. The actual origin episode for Terry is to be found on Justice League Beyond in the “Epilogue” episode. The episode was originally intended to be the series finale for Justice League and the DCAU in general but they got renewed for a third season after it aired as the second season finale. If you’ve the DCU streaming service, all three seasons are there. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 10, 1902 — Andrew Bensen. Sometimes the time someone spends in our universe is very brief. Bensen has but one credit in SFF, the cover for Weird Tales for May 1926. Now admittedly it’s a great cover even if not particularly SFFish. His cover for Real Detective Tales and Mystery Stories for August 1926 is striking in its artistic similarities. He later drew comic book stories for Dell’s Roy Rogers Comics in the late 1940s, and drew a number of other Western themed projects. (Died 1976.)
  • Born January 10, 1904 — Ray Bolger. The Scarecrow In The Wizard of Oz, the villainous Barnaby in Babes in Toyland, two appearances on Fantasy Island, and Vector In “Greetings from Earth” on the Seventies version of Battlestar Galactica.  (Died 1987.)
  • Born January 10, 1908 — Bernard Lee. He’s best known for his role as M in the first eleven Eon Productions James Bond films ending with Moonraker. He also portrayed Tarmut the sculptor in Terence Fisher’s Hammer Horror picture Frankenstein and the Monster from Hell. And he appeared in several episodes of Danger Man. (Died 1981.)
  • Born January 10, 1924 — Mike Butterworth. In 1965, he became the primary script writers at Ranger magazine where he was responsible for scripting the space opera The Rise and Fall of the Trigan Empire which remains to this day one of the most popular boys’ adventure strips ever published in the UK. Between Ranger and later Look and Learn, it would have a run of 854 issues in total, divided between the two magazines. (Died 1986.)
  • Born January 10, 1937 — Elizabeth Anne Hull, 83. Scholar, and widow of Frederik Pohl with whom she co-edited the most excellent Tales from the Planet Earth anthology. Not surprisingly, she later edited Gateways: Original New Stories Inspired by Frederik Pohl. She has been a member of the panel for the John W. Campbell Memorial Award for best SF novel since 1986.
  • Born January 10, 1944 — William Sanderson, 76. I remember him best as J. F. Sebastian, the possibly insane genetic designer working for Tyrell in Blade Runner, but he’s had a career obviously after that film including appearing as Skeets in The Rocketeer, voicing Dr. Karl Rossum on Batman: The Animated Series, playing the character Deuce on Babylon 5 (a series I’ve watched through at least three times), E. B. Farnum on Deadwood (ok, it’s not genre, but it’s Will and Emma’s favorite show so let’s let it slide) and Sheriff Bud Dearborne on True Blood. 
  • Born January 10, 1947 — George Alec Effinger. I’ve read his Marîd Audran series at least twice as it’s an amazing series in both the characters and the setting. I never read the short stories set in this setting until Golden Gryphon Press sent me Budayeen Nights for Green Man to review.  (Died 2002.)
  • Born January 10, 1959 — Jeff Kaake, 61. He’s on the Birthday Honors list as he was Captain John Boon on the Space Rangers which lasted only six episodes. Damn. That was a fun show! He was also Thomas Cole on Viper which lasted four seasons. And he showed up in the Stormageddon film (which sounds like the name a Filer would give to a SJW Cred) as well. 

(13) COMICS SECTION.

(14) IT WAS 20 YEARS AGO TODAY. Ian McKellen still has his receipts —

I am aware of the high expectations of Tolkien’s fans – like myself. But, never having imagined that I would ever play any sort of wizard, I am ill-prepared. I just worked with a witch, however, a white one, whose spells are formidable. Her energy is impressive. I shall have to come to understand the nature of Gandalf’s energy – what keeps him going. What keeps any of us going?

(15) FURTHER DUBLIN 2019 COVERAGE. An advance post alert has gone out for SF2 Concatenation’s second conreport on the Dublin Worldcon, this one by Marcin “Alqua” Klak, one of the staff volunteers.

Marcin “Alqua” Klak is a fan form Poland who loves conventions and exploring fandom in different countries. He regularly blogs about conventions he visits and about other fannish matters on his blog: www.FandomRover.com.  In 2018 he was a GUFF (Get Up-and-under Fan Fund) delegate to attend Continuum XIV in Melbourne, Australia.  Currently, he chairs the SFF club in his home city of Kraków.

(16) NO TRUE SCOTSMAN. [Item by David Goldfarb.] I was watching the second game of the current “Greatest of All Time” tournament on Jeopardy!, and in the Double Jeopardy round this was the $1600 answer in the category “Pop Culture People”:

Feeling regenerated in “Doctor Who”, this actress confessed, “Sorry, half an hour ago I was a white-haired Scotsman”

File 770 readers should have no problem finding the right question to that one!

(17) ICONIC STYLE. At Print, Steven Heller extols “The Church Lettering Art Style”.

Show card lettering artists were usually anonymous to the public. Art was a commercial service and few people signed their names or were credited for their craft. Edgar Church (1888 – 1978) was among the few who received a certain amount of acclaim – and some of that recognition today is thanks to Chuck Rozanski, an avid comics collector (drag queen) and founder of Mile High Comics. Church was one of the leading comics collectors in the 20s, 30s and 40s. The two disciplines, comics and graphic design/lettering, were intertwined — and comics splash panels certainly influenced his work.

Church maintained his art service studio in the Denver area from about 1910-1965, with the majority of his work – clichés, spot art and custom lettering, produced from 1918-1950. He also created numerous color paintings and landscapes during this time. He was hired on a freelance basis for variegated lettering styles, borders and pen and ink illustrations for ads running in the Colorado Yellow Pages. Rozanski states that Church worked “in the evenings and on weekends for literally thousands of small businesses, creating everything from letterheads, to Christmas cards, to full-page ads in local newspapers.”

…His renown, however, derives from the collection of comic books that he amassed, later known as the “Edgar Church collection.” Under the umbrella of the “Mile High collection”, Church is most famous for his valuable stash, including between 18,000 and 22,000 early comic books….

Andrew Porter sent the link with the comment, “Gorgeous examples of his work at the link. But I bet one company later changed their name…”

(18) INSIDE STORY. The Full Lid returns from the holiday break with a look at the interesting common ground the new Master on Doctor Who has with The Witcher’s own hype man, Jaskier. We also take a look at remake culture and find a very surprising musical example of how to do it right. This week’s Signal Boost covers One YA A Day’, a new blog series looking at the Cast of Wonders back catalog, new Leverage watch-along show The Pod Job, tour dates for the NoSleep Podcast live tour and details of the Last Fleet RPG Kickstarter. The link is: The Full Lid – 10th January 2020.  

(19) VIDEO OF THE DAY. Robert Downey, Jr. runs the Dolittle – Auditions.

[Thanks to John King Tarpinian, Dann, David Goldfarb, Errolwi, Andrew Porter, Martin Morse Wooster, Mike Kennedy, JJ, Chip Hitchcock, Alasdair Stuart, SF Concatenation’s Jonathan Cowie, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 11/22/19 The Pixels Scrolled Too Greedily And Too Deep

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(1) NYT’S PICKS OF THE YEAR. The editors of The NY Times Book Review choose the best fiction and nonfiction titles this year in “The 10 Best Books of 2019”. Ted Chiang’s collection Exhalation is one of them:

Many of the nine deeply beautiful stories in this collection explore the material consequences of time travel. Reading them feels like sitting at dinner with a friend who explains scientific theory to you without an ounce of condescension. Each thoughtful, elegantly crafted story poses a philosophical question; Chiang curates all nine into a conversation that comes full circle, after having traversed remarkable terrain.

The nonfiction selections include Midnight in Chernobyl by Adam Higginbotham.

(2) GENESIS. sisterMAG’s “The Beginnings of Science Fiction” leads off:

The beginning of modern science fiction lies in the age of Industrial Revolution, when the significance of science and technology steadily increased….

Daring, aren’t they?

(3) HAPPY BIRTHDAY, LID. This week, The Full Lid turns 3! Alasdair Stuart’s preview of The Full Lid 22nd November 2019 hits the highlights:

To celebrate we’ve got thematically resonant Lego, some thoughts about Gary Oldman and Jackson Lamb, a look at Karen Gillen’s extraordinary directorial debut and an advanced review of Ryan Ferrier and George Kambadais’ excellent horror noir comedy, I Can Sell You A Body.

(4) THEY CALL THE WIND ANYTHING BESIDES MARIA. NPR speaks to the air apparent: “Disney Animation Chief Jennifer Lee Is The Queen Behind Elsa And Anna”.

In a windowless room at Walt Disney Animation Studios in Burbank, Calif., supervising sound editor Odin Benitez plays different sound effects for the creative team of Frozen II. Directors Jennifer Lee and Chris Buck are commenting on the wind sounds.

Wind — like water, air, earth and fire — is important to the story in Frozen II. Playful “Gale,” as she’s called, swooshes around an enchanted forest carrying with her a flurry of leaves that fly around to flute-like sounds. Angry Gale is loud and gusty and, at times, sounds almost like a “backwards inhale,” Lee says approvingly.

As Benitez plays different sounds, Buck and Lee talk about the importance of this anthropomorphic wind. When she’s angry, Buck says “she blasts that tree limb away from Anna.” When Gale interacts with Elsa, who has the power to make ice and snow, they need a sound that implies Gale is saying “You’re the magic,” Lee says.

Getting the sound effects for this short scene just right is a team effort, as is every other aspect of an animated Disney movie. “You go shot by shot, moment by moment, frame by frame, and discuss everything from the emotion to the effects to the camera,” Lee says.

Lots of make-believe Elsas and Annas are about to finally get their wishes when Frozen II hits theaters this weekend. The first Frozen melted young hearts around the world when it was released in 2013 — up until this year, it was the highest-grossing animated film worldwide. (The 2019 remake of The Lion King now holds the top spot.)

Also remarkable: Jennifer Lee co-directed and wrote the screenplays for both Frozen and Frozen II. She has since been named the chief creative officer of Walt Disney Animation Studios — the first woman to hold such a position.

(5) CREATING. A New York Times Q&A with artist Jim Kay: “How a Harry Potter Illustrator Brings the Magical to Life”.

When you’re drawing imaginary creatures that doesn’t exist, how do you make them look real?

You’re trying to get people to buy into an alternative world. The more you can seat it in apparent reality, the better it works.

On a more practical level, it’s much easier to draw if you have something in front of you. If it doesn’t exist, I make it. If there isn’t something in the wild or it’s not in a museum, I’ll try to make it out of clay or plasticene. I’m not one of those illustrators who can pull stuff out of my head, I’m afraid. I’m not that good.

“It’s much easier to draw if you have something in front of you. If it doesn’t exist, I make it,” Kay said.

(6) COLBERT AND PETER JACKSON. The comedy continues!

Stephen Colbert’s epic quest to become The Newest Zealander takes him to Peter Jackson’s top-secret Wellington studio, where Colbert convinces Jackson to direct a new trilogy centered around his character from “The Hobbit: The Desolation Of Smaug.” Watch as the two debut the trailer for Stephen Colbert presents Peter Jackson’s The Lord of the Rings series’ The Hobbit: The Desolation of Smaug’s “The Laketown Spy” is Darrylgorn in Darrylgorn Rising: The Rise of Darrylgorn The Prequel to Part One: Chapter One.

(7) POLLARD OBIT. Actor Michael J. Pollard, best known for his work in the movie Bonnie and Clyde, died November 20 at the age of 80. As the Washington Post summed up: “The film remained the pinnacle of Mr. Pollard’s screen career, even as he continued working in dozens of films over the next five decades, playing all manner of eccentrics and creeps.” His TV work included episodes of Lost in Space, Star Trek, The Girl from U.N.C.L.E., and Superboy (“Mr. Mxyzptlk”), The Ray Bradbury Theater, and Tales from the Crypt.

(8) TRIVIAL TRIVIA.

The first ever product to be purchased using a bar code was a 10-pack of Juicy Fruit gum at a Marsh supermarket in Ohio on June 26, 1974.

(9) TODAY IN HISTORY.

  • November 22, 1968 — Star Trek’s “Plato’s Stepchildren” featured what is said to be the first interracial kiss in prime time television in the kiss between Kirk and Uhura. Memory Alpha disputes this with a listing of previous kisses.
  • November 22, 1989 — Back to the Future II premiered. Starring Michael J. Fox,  Christopher Lloyd and Lea Thompson, the critics gave it a mix response but it holds a solid 65% approval rating on Rotten Tomatoes. 
  • November 22, 1996  — Star Trek: First Contact premiered. Starring the cast of Star Trek: The Next Generation and Alice Krige, this film did well at the box office and currently holds an 89% approval among viewers at Rotten Tomatoes. It was Jonathan Frakes first directing effort. 
  • November 22, 1999 — Donkey Kong 64 was released, an adventure platform video game for the Nintendo 64 console.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 22, 1932 — Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being  in Teenage Caveman, Starship Invasions, The Lucifer Complex, Virus, Hangar 18, Battle Beyond the Stars, Superman III,  C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that title?), Transylvania Twist and Witch Academy. God, did he do some awful films. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
  • Born November 22, 1940 — Terry Gilliam, 79. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don Quixote, Tideland, The Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his for the children’s series Do Not Adjust Your Set which had staff of Eric Idle, Terry Jones, and Michael Palin.  Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup.  He’s also co-directed a number of scenes.  Awards? Of course. Twelve Monkeys is the most decorated followed by Brazil with two and Time Bandits and The Fisher King which each have but one.  My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits.
  • Born November 22, 1943 — William Kotzwinkle, 76. Fata Morgana might be his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories are quite excellent too.  Neither Apple Books or Kindle we particularity well stocked with his works. 
  • Born November 22, 1949 — John Grant, 70. He’d make the Birthday list solely for being involved in the stellar Hugo Award winning Encyclopedia of Fantasy which also won a Mythopoeic Award.  And he did win another well-deserved Hugo Award for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective.  Most of his short fiction has been set in the Lone Wolf universe, though I see that he did a Judge Dredd novel too. 
  • Born November 22, 1958 — Jamie Lee Curtis, 61. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well that’s my claim. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives. She would reprise the role of Laurie in four sequels, including Halloween H20,  Halloween: Resurrection, Halloween II and Halloween III: Season of the Witch.  She shows up in up of my fav SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version.   Is True Lies genre? Probably not but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say. No, I’m not listing all her films here as OGH would likely start growling. [*growl*] Suffice to say she’s had a very impressive career.
  • Born November 22, 1967 — Mark Ruffalo, 52. Dr. Bruce Banner and The Hulk in the MCU film franchise. (Some silly SFF sites only credit him as the former saying the latter is all CGI.) He was The Boyfriend in Where the Wild Things Are, and was in the most excellent Eternal Sunshine of the Spotless Mind as Stan. Early on, he played two different roles in the Mirror, Mirror horror anthology series.
  • Born November 22, 1979 — Leeanna Walsman, 40. Spoiler alert. She’s best known as the assassin Zam Wesell from Attack of The Clones.  Being Australian, she’s shown up on Farscape, a Hercules series (but not that series), BeastMaster and Thunderstone series and Spellbinder: Land of the Dragon Lord. 
  • Born November 22, 1988 — James Campbell Bower, 31. He‘s best recognized  for his roles in the Twilight franchise, the young Gellert Grindelwald in Harry Potter and the Deathly Hallows – Part 1 and Fantastic Beasts: The Crimes of Grindelwald, Jace Wayland in The Mortal Instruments: City of Bones and playwright Kit Marlowe in the short-lived series and highly fictionalised Will.

(11) COMICS SECTION.

  • Not SF (except for the talking rat!) but I think a lot of Filers will understand the sentiment in today’s Pearls Before Swine.

(12) SPOILER TOY WARNING. “Bootleg Baby Yoda Merchandise Bountiful as Fans Clamor For New ‘Star Wars’ Character” says The Hollywood Reporter.

Star Wars fans have made it clear: Baby Yoda (or whoever the cute little tyke actually is) is a massive hit. In fact, there is such a clamoring for the breakout star of Disney+ series The Mandalorian that bootleg merchandise has flooded the Internet, as nothing officially licensed has been released as of Friday. 

A quick search on eBay for Baby Yoda results in a plethora of items, including shirts, mugs and stuffed toys. “He protects. He attacks. He also takes naps,” a shirt reads. A coffee mug proclaims “Adorable he is. Protect him, I will.” 

(13) DOCTOR DOCTOR. “Doctor Who: Sheffield university honours cast and crew” – BBC has the story.

The cast and crew of a Doctor Who episode that was filmed in Sheffield have accepted honorary doctorates from one of the city’s universities.

The opening episode of series 11, The Woman Who Fell to Earth, featured Jodie Whittaker as the first female Doctor.

Chris Chibnall, showrunner and executive producer on the series, was awarded the honour of Doctor of Arts by Sheffield Hallam University.

He said it was a “massive team effort” and praised the people of Sheffield.

“From the moment we made the decision for the Doctor to fall out of the sky into the streets and homes of Sheffield in 2018, the residents and the city have treated us brilliantly, on screen and off.

(14) BEHIND THE GLASS. The Washington Post’s Sonia Rao interviews Tim Blake Nelson, who plays Looking Glass on Watchmen, and offers insights into his character and how the current version of Watchmen differs from Moore and Gibbons’s graphic novel: “‘Watchmen’ actor Tim Blake Nelson reflects on the ‘unspeakable trauma’ of Looking Glass’s youth”.

…“I can do what actors do, which is to use my imagination to trick myself into a reality, meaning that the mask is always reminding me . . . no one can really see what I’m doing with my face,” Nelson said. “If I play that reality, I get all the power and status that wearing a mask is meant to confer.

“There don’t need to be any histrionics, there don’t need to be any demonstrations of power. Everything can happen simply and quietly and with restraint, because the power is just there. What I’ve tried to do as a performer is just aggregate a stillness with Wade that I think is there in the writing.”

(15) [THERE WAS NOT SUPPOSED TO BE] AN EARTHSHATTERING “KABOOM!” “SpaceX Starship prototype blows its top”. BBC’s story includes a short video.

SpaceX’s Starship rocket prototype experienced a major failure during pressurisation testing on Wednesday.

A video from the scene in Texas showed the top part of the vehicle rupture.

Cryogenic propellants that were being loaded at the time dispersed across the Boca Chica facility in a huge cloud.

The US company bills Starship as an all-purpose transportation system of the future. It will be used to ferry people and cargo off Earth, and to destinations around the globe.

The Mk-1 prototype was due to begin practice flights to an altitude of 20km in the coming weeks.

In a tweet, SpaceX CEO Elon Musk said that could no longer happen and the ship would be retired.

Development work is already being directed at another prototype, labelled the Mk-3.

(16) TASTY SCIENCE. “Antarctic Research Takes The Cake In These Science-Inspired Confections” – NPR has the story with lots of cool [sic] pictures.

When Rose McAdoo got back to New York after spending several months working as a sous chef in Antarctica, her friends had questions. Are there penguins? How do you get supplies? Are you, like, on an iceberg?

McAdoo set about answering their questions the best way she knows how: with cake.

“Cake is my canvas,” she says. “It’s my way of making big ideas literally digestible.”

The result was a series of descriptive desserts McAdoo developed to tell the story of life and work at McMurdo Station, a U.S.-run research station in Antarctica. She’s says she chose projects that showcase the diversity of the research that’s happening on the continent. She is now releasing photographs of the cakes, and the stories and science behind them, on her Instagram page.

See whiskmeawaycakes on Instagram.

[Thanks to Rich Horton, JJ, John King Tarpinian, Mike Kennedy, Martin Morse Wooster, Rob Thornton, Andrew Porter, Chip Hitchcock, Daniel Dern, Contrarius, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Kyra.]

Pixel Scroll 10/26/19 A Møøse Once Bit My Pixel

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(1) MORE MCU DEFENDERS, ER, AVENGERS SPEAK OUT. On The Late Show with Stephen Colbert, “The Avengers Respond To Marvel Movie Critics.”

You’re right, Hulk. The “Godfather” films do glorify violence.

(2) HELP IS ON THE WAY. S.L. Huang’s Ask an Author post “Cancelling Contracts and Norms in Publishing” does a full-spectrum post about contract cancellation – its infrequency, significance, how it can be handled badly, how a publisher ought to handle it, and what an author can do.

What makes cancellations worse:

There are two interrelated problems when a publisher has to suddenly cancel multiple contracts. The first is biting off more than they could chew as a press, which obviously isn’t ideal and can be a worrying comment on the state of their business, but it can happen without ill intent. But the second is how the publisher handles it.

Here are some things that can escalate a cancellation from unfortunate to disturbingly unprofessional: …

What a publisher should do in a situation like this:

Clarity. Communication. Transparency. Exploring any possible avenues before taking a route so extreme. If there are no other options, then: Apology, honest dialogue, taking responsibility, an immediate reversion of rights, an admission of the disservice they’ve done to the authors.

Ideally, a kill fee would be offered.

S&%t happens in publishing. How we treat people when it does is important. And yes, this is a business — but businesses have ethics, and norms, and professionalism. Contracts should be treated as if they mean something.

(3) TRICK OR TRICK. Former Horror Writers Association President Lisa Morton clues in the Washington Post about “The frightening history of Halloween haunted houses”.

It is unclear why exactly the pranks got so bad. Irish immigrants had carried over the Halloween tradition of pranking to the United States, but they had been pretty innocent. One of the most popular was to disassemble a neighbor’s front gate and reassemble it on top of a building. That one was so common that some people called Halloween “Gate Night.”But by the 1920s and ?30s, teenage boys had co-opted the pranking tradition, and they were on a Halloween warpath. They broke streetlights. They started fires. They tied wires across sidewalks to trip people….

“They were costing cities millions of dollars even in the early ’30s,” said Lisa Morton, author of “Trick or Treat: A History of Halloween,” in an interview with The Post. “There were a lot of cities that were really considering banning the holiday at that point. It was really, really intense.”

Parents and civil groups needed a solution. A distraction. Or a bribe.

And from this cauldron of parental panic, they pulled out an idea that, to this day, is part of what defines American Halloween.

They thought to throw the kids a party, but “because this was the Great Depression, a lot of people didn’t have the money … so one of the first things they did was called ‘house-to-house parties.’”

And the Guardian’s PD Smith devotes an article to Morton’s book in “Trick or Treat by Lisa Morton review – a history of Halloween”.  

(4) ALL OF HISTORY AND MORE Rudy Rucker’s book review “Two Dimensional Time and Annalee Newitz’s 2nd Novel” incorporates a detailed study of the genre’s different approaches to time travel – a virtual candy store of ideas.

The Newitz Option: Two Dimensional Time

Newitz takes an approach to the time paradoxes that’s kind of strange. She allows time travel and timeline editing. But she insists that there’s only one timeline. No parallel timelines, no branching timelines. Just our one timeline: “Our only timeline, whose natural stability emerged from perpetual revision.”

So, somehow, when you travel back in time, you alter the timeline..for everyone. But you yourself remember how it was before the change. This might be viewed as hopping to a different timestream, but Newitz doesn’t want that. She wants to have just one timestream. But the timestream is changing.

(5) FUTURE TENSE. Slate’s latest Future Tense story is Cory Doctorow’s “Affordances”, about how technical restrictions start with powerless people before coming for us all.

…Ninety-Two’s work in Building 34 was as an exceptions—catcher for a Re-Cog facial recognition product. All around the world, millions of people stepped in front of cameras and made a neutral face and waited: for their office door to unlock, for the lift to be summoned, for the gates at the airport to swing open. When the camera couldn’t figure out their face, it asked them to try again, and again, and again. Then it threw an exception, and 92, or someone else in Building 34, got a live view of the feed and tapped an icon: NO-FACE (for anything that wasn’t a face, like a picture of a face, or a balloon, or, one time, a pigeon); BAD SCENE (poor lighting, dirt on the lens); CRIME (once, a decapitated man’s head; once, an unconscious woman; once, a woman in terror, a hand in her hair); and OTHER (for suspected malfunctions).

Nettrice Gaskins, an artist-educator who collaborates with A.I., wrote the response essay “Not Just a Number”.

In “Affordances,” we see various forms of intelligence agents erase people’s names and identities, particularly those who are held back by and are fighting societal barriers. These people are reduced to numbers, to maps of their faces, to their risk scores. Facial recognition software identifies protesters and otherwise serves as a technological gatekeeper. Online filters flag or block video footage of migrants, and racially biased algorithms determine whether alleged perpetrators are taken into custody or released. In our world, the power of Facebook, Google, and other technology companies is so immense that it can feel futile to push back against them, especially for marginalized groups. But that sense of helplessness can also enable a dangerous complacency. It is exactly because these companies are so powerful that we need people to interrogate their work and challenge it….

(6) A BIG SQUEEZE FOR MAKING LEMONADE. James Davis Nicoll shows Tor.com readers “Five Ways To Benefit If Planet 9 Turns Out To Be a Black Hole”.

Finding a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin object somewhere in the outer boroughs of the Solar System should be easy—I’m sure that some grad student or professor angling for tenure is hard at work right now! But what would be the use to the rest of us of a five-Earth-mass, ten-centimetre-diameter, 0.004 Kelvin primordial black hole (PBH) orbiting somewhere in the outer boroughs of the Solar System?

OK, sure: if it’s there, it offers us the chance to do some wonderful science; we’d be able to run experiments in regions of intense gravity. But people in general don’t seem to care all that much about pure science. So, what applied applications are there?

(7) TRIVIAL TRIVIA.

Ray Bradbury did not like the ending of It’s The Great Pumpkin Charlie Brown! because the Great Pumpkin did not appear.  Chuck Jones was a friend of Ray’s and he did not like the ending either.  Together they wrote a script about Halloween.  They could not sell it to any studio.  So, Ray turned the script into his book, The Halloween Tree.  The book was successful enough, it has never gone out of print, and it was finally sold as a half-hour animation special, which won an Emmy in 1994.  The lead character was voiced by Leonard Nimoy. [Source: John King Tarpinian.]

(8) TODAY IN HISTORY.

  • October 26, 1984 — Gale Anne Hurd and James Cameron’s The Terminator premiered. Starring Arnold Schwarzenegger and Linda Hamilton, it was received well by reviewers and audience alike with the notable exception of Ellison who noted successfully that the screenplay was based on a short story and the “Soldier” episode of The Outer Limits he had written. 
  • October 26, 1984  — V finally premiered as a regular weekly series  with “Liberation Day”. There were two previous miniseries.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
  • Born October 26, 1945 — Jane Chance, 74.Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for England, Tolkien the Medievalist, The Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”. 
  • Born October 26, 1954 — Jennifer Roberson, 65. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1960 — Patrick Breen, 59. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quellek, a Thermian who forms a bond with Alexander Dane. it’s a wonderful role. 
  • Born October 26, 1962 — Cary Elwes, 57. He’s in The Princess Bride as as Westley/Dread Pirate Roberts/The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw film franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things.
  • Born October 26, 1963 — Keith Topping, 56. Some of the best Who stories aren’t televised but written. The Hollow Men, his Seventh Doctor novel, is damn good and riffs off a Fifth Doctor story. He’s also written guides to that show plus The Avengers, Trek, Buffy and the X-Files.
  • Born October 26, 1971 — Jim Butcher, 48. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 
  • Born October 26, 1971 — Anthony Rapp, 48. Lieutenant Commander Paul Stamets on Discovery. His first role ever was Wes Hansen in Sky High, showed up early in his career as Jeff Glaser in the “Detour” episode of X-Files. He was Seymour Krelbourn in a national tour of Little Shop of Horrors.
  • Born October 26, 1973 — Seth MacFarlane, 46. Ok, I confess that I tried watching the Orville which he created and is in and it just didn’t appeal to me. For those of you who are fans, why do you like it? Having it described as trying to be a better Trek I admit ain’t helping.

(10) GO AWAY OR I SHALL TAUNT YOU SOME MORE. Myke Cole and Sam Sykes got into it again.  Thread starts here (I hope).

And on the sidelines…

(11) THE FULL LID. Alasdair Stuart previews The Full Lid 25th October 2019.

Here’s the opening paragraph from the entry about Clipping.

Clipping are one of the most interesting musical acts on the planet right now. Jonathan Snipes, William Hutson and Daveed Diggs don’t so much embody modern hiphop as surround it. Diggs, best known of course as everybody’s favorite fighting Frenchman, is the crispest MC on Earth, No syllable escapes his sight, no word or metaphor gets free from the specific gravity of his boundless, graceful flow. This is a man who dances with the words, building structures and meaning, narrative and plot out of them and demolishing it just as easily. Snipes and Hutson in the meantime, excel at building audio landscapes for Diggs to bound across and occasionally be pursued through.Vast walls of noise, found audio, field recordings, structural jokes and aural wit. It’s all here and all at the control of these three flat out musical geniuses. And, in There Existed An Addiction to Blood, they’ve produced another genre adjacent work which is both completely in line with their previous work and sees them evolve once again.

(12) GREAT LEAP FORWARD. According to Forbes, “The UK’s First Moon Rover Will Be A Tiny Jumping Spider In 2021”.

Spacebit, a U.K.-based startup, has announced details of its planned lunar mission in 2021 – revealing a spider-shaped rover that will scuttle across the lunar surface.

As we first revealed last month, Spacebit has a contract with U.S. firm Astrobotic to hitch a ride on their Peregrine lunar lander. Originally part of the canceled Google Lunar XPRIZE, this private endeavor will now attempt to reach the Moon after launching on a Vulcan rocket from Cape Canaveral in Florida in late 2021.

(13) WORTHY OF A MUSEUM. Behind a paywall In the October 21 Financial Times, Tom Faber profiles Jenova Chen, whose moody and artistic games have been exhibited at the Museum of Modern Art and the Smithsonian American Art Museum.

Chen studied computer programming before moving to California to enrol at the University of Southern California.  It was there that he made Cloud, a game inspired by periods he spent hospitalised as an asthmatic child. Players are cast as a boy who daydreams about flying out of his hospital window and manoeuvering clouds to combat pollution.  For Chen it was wish-fulfillment.  In Shanghai there’s a lot of pollution, but during my childhood everyone said it was mist,’ he says.  ‘I think making the game I was subconsciously trying to clean the city and the air.’

It was an unusual game, with no scores, violence or competition. Still, it went viral, crashing the university servers with more than 600,000 downloads.  Chen received messages from fans all over the world.  ‘They told me they cried while playing, I think because of the deep desire to feel free.  People need to know gaming is not just about guns, soccer, and competition,’ he says.  ‘It can be something healing and positive.’

(14) VARIATIONS ON A THEME. The South China Morning Post tells readers “What cosplay is like in China, where home-grown heroes thrive, ‘play’ is emphasised and it’s not all about copying”. 

…Having characters that look Chinese matters, especially when the cosplay industry is obsessed with exactly replicating fictional characters, but the irony of cosplay in China is that it is less about copying and more about interpretation. According to Wang Kanzhi’s research for a master’s programme in East Asian Studies at Lund University in Sweden, cosplay in China is more open to interpretation because the “Great Firewall” has isolated the community from not only other cosers but also original source materials.

“Due to the different understanding of the original pieces, local cosplayers tend to add their own ideas and points of view into the activity, which obviously changes the original characters,” Wang says. “In other words, the local cosplayers do not only duplicate fictional characters, but add their own creative points to the original form and content.”

(15) LIGHTEN UP. NPR’s Mark Jenkins reports that “‘The Current War: Director’s Cut’ Shines At Low But Steady Wattage”.

Electricity’s domestication is a triumph of American ingenuity. But The Current War, despite depicting the likes of Thomas Edison and George Westinghouse, doesn’t feel very American at all. That’s probably one of the reasons the movie was received with so little enthusiasm when it debuted at the 2017 Toronto Film Festival. (Another problem is that the film was then a product of the Weinstein Co., which collapsed soon after.)

As its subtitle announces, The Current War: Director’s Cut is the not the same movie that nearly succumbed to critical disdain more than two years ago. For those of us who didn’t see the original, ascertaining any improvement is impossible. But the latest version is not bad at all. It’s just sort of odd.

Of the three central characters, only Westinghouse is played by an American, Michael Shannon. As Edison, Benedict Cumberbatch employs an accent that is, well, not British. Nicholas Hoult’s Nikola Tesla speaks in an indeterminate Eastern European mode that can be heard, symbolically at least, as true to his Austro-Serbian-Croatian origins.

The movie doesn’t mention that Tesla had worked for an Edison-affiliated company in Paris before was he encouraged to move to the U.S. In this telling, he’s hired on a whim by the Wizard of Menlo Park, who’s eager to light American cities with his newly perfected bulbs, powered by direct current.

Edison’s nemesis is Westinghouse, who promotes alternating current — cheaper and more versatile but potentially deadly. The two men are competing for the same prize: a contract to illuminate Chicago’s Columbian Exposition in 1893, a full 13 years after the film’s event-packed story begins. Edison wants to win so badly that he’s prepared to electrocute large animals to demonstrate AC’s dangers.

(16) GAMER STRIKES BACK. Not exactly man bites dog: “Gamer buys Fallout 76 add-on domain to criticise Bethesda”.

What would you do if a company did something you didn’t like?

Some people would take to social media to voice their frustrations. Others might consider writing a letter to the business.

But when game developer Bethesda introduced a new subscription to their online game Fallout 76, David Chapman felt he had to do something with more impact.

He made a website.

And not just any website – he pinched the domain from right under the developer’s nose, so anyone looking for information about the subscription would instead be greeted with his critique.

“My motivation stems from a frustration with Bethesda,” he told the BBC. “And in general the current trend of the gaming industry.”

He added: “They said players had been asking for this – players never asked to pay a subscription for features hidden behind a pay wall.

“That was the straw that broke the camel’s back and made me make this website.”

Wait, what did Bethesda do?

Bethesda Softworks developed and published post-apocalyptic game Fallout 76.

It is an online-only game, meaning that gamers must be connected to the internet to play, and will see other people they don’t know while they’re playing.

There is no monthly cost to play online, but in a sense this is about to change.

Now players will be offered additional features which affect the gameplay, such as the ability to play without strangers or store as many items as they like, for the annual price of £99.99.

The new service, called Fallout 1st, has angered gamers who point out Bethesda promised not to charge for additional features in the past.

(17) THE ADLER SANCTION. “Migrating Russian eagles run up huge data roaming charges”.

Russian scientists tracking migrating eagles ran out of money after some of the birds flew to Iran and Pakistan and their SMS transmitters drew huge data roaming charges.

After learning of the team’s dilemma, Russian mobile phone operator Megafon offered to cancel the debt and put the project on a special, cheaper tariff.

The team had started crowdfunding on social media to pay off the bills.

The birds left from southern Russia and Kazakhstan.

The journey of one steppe eagle, called Min, was particularly expensive, as it flew to Iran from Kazakhstan.

Min accumulated SMS messages to send during the summer in Kazakhstan, but it was out of range of the mobile network. Unexpectedly the eagle flew straight to Iran, where it sent the huge backlog of messages.

The price per SMS in Kazakhstan was about 15 roubles (18p; 30 US cents), but each SMS from Iran cost 49 roubles. Min used up the entire tracking budget meant for all the eagles.

…The SMS messages deliver the birds’ coordinates as they migrate, and the team then use satellite photos to see if the birds have reached safe locations. Power lines are a particular threat for the steppe eagles, which are endangered in Russia and Central Asia.

(18) TASTES LIKE CHICKEN. All That’s Interesting invites you to “Be One Of The First In History To Witness A Supermassive Black Hole Destroy A Star”.

Have you ever wondered what a star looks like as it’s ripped apart by a supermassive black hole? Probably not. But thanks to the diligent eyes at NASA and Ohio State University, you don’t have to wonder, you can see it for yourself.

According to local Ohio radio station WOSU, a NASA satellite and a network of robotic telescopes known as the All-Sky Automated Survey for Supernovae — or ASAS-SN for short — located at the university captured the cosmic battle for the first time on film.

[Thanks to JJ, Cat Eldridge, John King Tarpinian, Mlex, Mike Kennedy, Martin Morse Wooster, John A Arkansawyer, Chip Hitchcock, and Andrew Porter for some of these stories.  Title credit goes to File 770 contributing editor of the day Cassie B.]

Pixel Scroll 10/11/19 Keep Them Pixels Scrollin’, Though The Files Are Swollen, Five-Hide!

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(1) WHAT YOUNG PEOPLE THINK OF MACLEAN. James Davis Nicoll’s Young People Read Old SFF returns with the panel’s responses to “Unhuman Sacrifice” by Katherine MacLean. Mikayla and the other young hands weigh in.

Katherine MacLean (1925 – 2019) was active as a short story writer mainly in the 1950s (although pieces appeared as late as 1997) and as a novelist mainly in the 1970s. Her Second Game saw her a Hugo finalist in 1959; Missing Man won a Nebula in 1972. Rediscovery offers MacLean’s “Unhuman Sacrifice”, an uplifting tale of a human missionary convinced he knows best for a community of just-contacted aliens. No doubt it can only end well.

The plan for this phase of Young People was to shift to a conversation-based format, using Slack to facilitate discussion. I then sabotaged this by getting sick the week the reviews came in. Ah, well. Next time it will all work swimmingly.

(2) MANY CHEFS. Daniel Brotzel’s SFWA Blog post “Collaboration” includes this advice for making it work:

…Writing a book with someone else can be a nightmare or it can be pure pleasure. In our case, lots of things fell into place almost by accident, things which I can now see are essential to making a collaboration work. These include:

• a shared passion for the project and the idea
• mutual respect for each other’s writing and ideas
• a practical way of working that can accommodate everyone’s schedules and constraints
• a willingness to set egos aside and make compromises for the good of the project (and the ultimate benefit of the reader)
• an attitude that embraces sharing and the ambition to see things through
• a good blend of the skills and capabilities that you to get a book off the ground – and beyond

(3) ANIMANIACS. SYFY Wire confirms the “Animaniacs Cast Will All Return”.

Almost a full year ago we found out that the Animaniacs will be revived on Hulu with Steven Spielberg executive producing. And that was pretty exciting. But the larger question hung in the air: What about the original cast?

Well you can breath easy: They’re all back. Yes, Rob Paulsen, Jess Harnell, Tress MacNeille, and Maurice LaMarche are all returning to the fold. Or the water tower, I guess. It’s a massive relief. It’s not that animated characters can’t be recast, it’s just that these specific actors are, frankly, a pure distillation of so many childhoods that it would be a shame if they weren’t all returning to Animaniacs. Hooray! Everyone likes good news!

(4) WHO’S AFRAID OF THE BIG BAD AMAZON? amNY reveals “The secret to The Mysterious Bookshop’s 40-plus years of success”.

…Book clubs also keep loyal readers inspired, including a Book of the Month subscription that includes a signed first edition of the shop’s choosing and an unclassifiable club that includes books that do not fall into the traditional mystery genre. For example, Rob Hart’s “The Warehouse,” which takes place in a near-future dystopian world where a company has become a totalitarian force, would not traditionally be shelved in a bookstore’s mystery section, but has been extremely popular in The Mysterious Bookshop.

Speaking of corporate monopolies, Penzler isn’t fearful of big box competitors.

“We can compete with Amazon because they don’t offer signed books,” he says. “I shouldn’t say that so loudly because they’ll probably do it, but every mystery writer comes to sign at our store. Half of books sold are signed and we don’t charge more for them!”

(5) ONE IS ENOUGH. NPR’s Mark Jenkins pans both performances: “Clone Gunman: Will Smith Vs. Will Smith In Sluggish, Sterile ‘Gemini Man'”.

Long before digital imaging, German philosopher Walter Benjamin opined that reproductions of artworks lacked the “aura” of the original. But what about reproductions of people? To judge by Will Smith’s double act in Gemini Man, the forerunner can be just as lacking as the copy.

Conceived more than 20 years ago as a Tony Scott-directed action flick, Gemini Man eventually fell to Ang Lee, who has recently shown more interest in cinematic technology than storytelling. Once a versatile stylist, the Taiwan-born director of The Life of Pi now seems consumed by advances in CGI. His latest trick, casting Will Smith against a digitally backdated version of himself, can’t save this movie from being bland, sluggish, and sentimental.

…There’s something else that Gemini Man shares with The Da Vinci Code: clunky dialogue. Credited to three writers but reportedly the work of many more, the movie’s script offers a preposterous scenario that might have been finessed by visual and verbal wit. It has little of either….

(6) THE NEED FOR SPEED. Leonard Maltin, on the other hand, was won over by the technical virtuosity as he says in the beginning of his review “Gemini Man: Two Will Smiths For The Price Of One”.

I was wary approaching Gemini Man, which I saw at 120 frames per second (about four times normal film speed) in 3-D. I got a headache the last time I watched a high-frame-rate feature but I came away from this film a believer. Director Ang Lee is trailblazing new territory, as he did in Billy Lynn’s Halftime Walk, but this time he has a highly enjoyable, action-packed story and a perfect star in Will Smith. The entertainment value is high and cutting-edge technology organically suits the content….

(7) INSIDE THE CANISTER. Alasdair Stuart says this is what readers of “The Full Lid 11th October 2019” have in store:

This week’s Full Lid soars above London with the parkour and violence enthusiasts of the Assassins Creed Symphony! Then I’m off to Sheffield to discover my new favorite poem at an event that celebrates science and art and where they mix. This piece genuinely left me speechless and I’ve been riding an endorphin wave from being able to see it all week.

Finally, I take a look at Swedish SF movie Aniara, adapting the epic poem and Horror Christmas reaches The Silence of the Lambs. If you like what you read, please share and subscribe and I’ll see you next week. Happy Friday, everyone!

(8) PEN OUT LOUD. In a wide-ranging conversation with author Marlon James, acclaimed writer and former PEN America President Salman Rushdie previewed his latest novel Quichotte, a modern take on Miguel de Cervantes’ 17th-century novel Don Quixote, at a PEN Out Loud evening in New York City. There’s also a transcript at the link: “Salman Rushdie and Marlon James Discuss Language, Reality, and Nostalgia at PEN Out Loud”.

RUSHDIE: Intimate, but you know, [English is] not my mother tongue. That’s to say. I grew up in a kind of environment in India where everybody’s kind of multilingual because you have to be. But basically the language we spoke at home was mostly not English, mostly Urdu. But I went to what they call an English medium school. So when I went to school, I was being taught in English. So I grew up more or less bilingual. One of the reasons that I never make a spelling mistake is because I had to learn the language. People who just have the language very often can’t spell.

JAMES: Yes, when you said that, I heard my high school teacher in the back of my head going “dot your i’s, cross your t’s, and leave a full stop by the end of every single sentence.”

RUSHDIE: Yes, exactly. We got taught that shit.

JAMES: Yes, but I remember for a long time my biggest struggle with writing in English is, I would put something down, or I’ll speak, and it took me a while to realize I sounded like the butler.

RUSHDIE: Like a butler?

JAMES: Yeah. Like it was a very colonial English.

RUSHDIE: Like Jeeves.

JAMES: Yeah.

RUSHDIE: I can’t imagine you writing, the books you’ve written, as if you were Jeeves.

JAMES: I’m telling you, I used to use shit like “betwixt.”

(9) LEONOV OBIT. Cosmonaut Alexei Leonov, the first to walk in space, died at the age of 85 on October 11. CollectSpace paid tribute:

…Selected alongside Yuri Gagarin among the first 20 Soviet Air Force pilots to train as cosmonauts in 1960, Leonov flew twice into space, logging a total of 7 days and 32 minutes off the planet.

Launched on Voskhod 2, the world’s 17th human spaceflight, on March 18, 1965, Leonov made history as the first person to exit his spacecraft for an extravehicular activity (EVA).

“The Earth is round!” he exclaimed, as he caught his first view of the world. “Stars were to my left, right, above and below me. The light of the sun was very intense and I felt its warmth on the part of my face that was not protected by a filter,” said Leonov in a 2015 interview with the Fédération Aéronautique Internationale (FAI) on the 50th anniversary of his spacewalk.

The New York Times obituary tells how that mission was almost fatal for Leonov:

…What Mr. Leonov did not reveal until many years later was that he and his fellow cosmonaut, Pavel I. Belyayev, who was also an Air Force pilot, were fortunate to have survived.

Mr. Leonov’s specially designed suit had unexpectedly inflated during his walk, and its bulk was preventing him from getting back inside the Voskhod.

“I knew I could not afford to panic, but time was running out,” he recalled in the book “Two Sides of the Moon” (2004), written with the astronaut David Scott, about their experiences in space.

Mr. Leonov slowly deflated the suit by releasing oxygen from it, a procedure that threatened to leave him without life support. But with the reduced bulk, he finally made it inside.

“I was drenched with sweat, my heart racing,” he remembered.

But that, he added “was just the start of dire emergencies which almost cost us our lives.”

The oxygen pressure in the spacecraft rose to a dangerous level, introducing the prospect that a spark in the electrical system could set off a disastrous explosion or fire.

It returned to a tolerable level, but the cosmonauts never figured out the reason for the surge.

When it came time for the return to Earth, the spacecraft’s automatic rocket-firing system did not work, forcing the cosmonauts to conduct imprecise manual maneuvers during the descent that left them in deep snow and freezing temperatures in a remote Russian forest, far from their intended landing point.

(10) PITTS OBIT. The SFWA Blog noted the death of J.A. Pitts:

SFWA member John A. Pitts died on October 3 from amyoidosis.  Pitts began publishing short fiction in 2006 with “There Once Was a Girl from Nantucket (A Fortean Love Story),” co-written with Ken Scholes.  He went on to write several short stories on his own and in 2010 began publishing novels under the name J.A. Pitts with Black Blade Blues, the first novel in his series about Sarah Beauhall.

(11) TODAY IN HISTORY.

  • October 11, 1957 — The Black Scorpion debuted. Starring Richard Denning, Mara Corday and Carlos Rivas, Rotten Tomatoes gave it a 33% rating. Mystery Science Theater 3000, well, see for yourself here what they thought of it. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • October 11, 1921 — Linda Stirling. Sheila Layton in the 1945 The Purple Monster Strikes serial, also known as D Day on Mars. The sequel to this serial was the 1950 Flying Disc Man from Mars, which simply recycled much of the footage from the original. (Died 1997.)
  • October 11, 1940 — Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.)
  • October 11, 1960 — Nicola Bryant, 59. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas.
  • October 11, 1965 — ?Sean Patrick Flanery, 54. I really think that his best work was on The Young Indiana Jones Chronicles and the films that followed. 
  • October 11, 1972 — ?Claudia Black, 47. Best known for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in The CW’s Containment series.
  • October 11, 1976 — Emily Deschanel, 43. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. 
  • October 11, 1985 — Michelle Trachtenberg, 34. Dawn, one of the most annoying characters in television ever, on Buffy the Vampire Slayer.

(13) NANCY. A Slate Q&A with Olivia Jaimes reveals “Nancy’s Artist Revived an 80-Year-Old Comic Strip by Writing Fan Fiction”

Matthew Phelan: Is working with someone else’s characters emotionally freeing? Or do you feel an intense, world-historic duty to do justice to classic Nancy? 

Olivia Jaimes: It feels like I’m writing Nancy fan fiction, which is very freeing. I’ve said the same thing to my editor before, and she’s gently broken it to me that my Nancies are canon, but fan fiction is what it feels like nonetheless. Maybe what I mean by this is that I feel comfortable transforming the strip in ways that suit me because I trust readers to know “the rules” of transformative works like fan fiction. It’s your take on characters that are shared by everyone. You’re not trying to pass seamlessly as the original author; you’re stretching and bending the original work to make it say what you want it to say.

(14) FLASH REFERENCES FLASH. [Item by Daniel Dern.] Am I the only one who (a) couldn’t tell what the words were, in the episode, (b) wouldn’t have recognized this as a Queen tune, even if I had, nor necessarily which movie it was from, (c) don’t mind, since, if nothing else, Cisco (formerly “Vibe”) had “been waiting for the perfect moment to use it, and Caitlin (aka Killer Frost) recognized it. Io9’s James Whitbrook’s episode recap “The Flash Finally Did It” explains:

… And, via Cisco, The Flash finally, finally does something that is incredibly goofy, completely rad, and something it has simply been yearning to do since it first began: Cisco taps a key on STAR Labs’ sound system.

And Queen’s Flash Gordon theme starts playing.

It’s so dumb. It’s so good. It is, as Cisco argues, the perfect moment to deploy the 1980 classic. You don’t care that the black hole CG comes with all the questionable success CW-budget computer effects usually bring. You don’t care that this has been, otherwise, a pretty humdrum episode of The Flash, and weirdly low key for a season premiere. This is what this show has always been, and hopefully always will be, about: embracing the sheer, kinetic, camp audacity of superhero comics and just having an absolute whale of a time while doing so.

(15) SAILOR SHIPPING OVER. ScienceFiction.com says “Sailor Moon Is Returning To The Big Screen In 2020 In ‘Bishoujo Senshi Sailor Moon Eternal’”.

(16) GAMES TRANSFORMED TO NARRATIVES. “Ubisoft Planning Animated TV Adaptations of Popular Game Franchises” – The Hollywood Reporter has the story.

Video game giant Ubisoft is getting cartoonish.

The Paris-based company’s film and television division is developing a slate of animated series inspired by its existing IP. First up: a Mars-set Rabbids Invasion special, after four successful seasons of the France 3/Netflix/Nickelodeon kids show. Other family-friendly programs in the works include a comedy-adventure inspired by the popular Rayman franchise and Hungry Shark Squad, based on the mobile game Hungry Shark.

… For slightly older viewers, Ubisoft is toning down its M-rated Watch Dogs action-adventure franchise for a tamer “cybermystery” aimed at tweens. The show centers on a teenaged “super hacker” who solves crimes in her high school.

(17) CHINA’S PROXY CENSOR. Zack Beauchamp, in “One of America’s Biggest Gaming Companies Is Acting As China’s Censor” on Vox, says that Activision Blizzard banned Chung Ng Wa, who plays as “Blitzchung,” after he won a Hearthstone Grandmasters tournament and then put on goggles and a face mask and said, “Liberate Hong Kong, revolution of our time.”

On Tuesday, Blizzard came down hard on Chung. In an official statement on Hearthstone’s blog, the company announced that it would be suspending Chung for a year, forcing him to forfeit thousands of dollars in prize money from 2019 and firing the casters (commentators) who conducted the interview.

This is a big deal.

Blizzard, who created (among other things) World of Warcraft, is a massive company. It brought in about $7.5 billion in revenue in 2018. Like the NBA, which has rebuked the Houston Rockets’ general manager over a pro-Hong Kong tweet, Blizzard is not merely trying to operate within the confines of Chinese censorship but acting as its agent.

(18) HEY, THE TIMING IS NOT THE ROBOT’S FAULT. “Istanbul Airport Robot Has A Message for You!” on YouTube describes the friendly robots helping passengers at Istanbul Airport.

[Thanks to John King Tarpinian, Cat Eldridge, JJ, Chip Hitchcock, Martin Morse Wooster, Daniel Dern, James Davis Nicoll,. Mike Kennedy, Michael Toman, John A Arkansawyer, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 9/29/19 My Room In The Luna Hotel Had A Harsh Mattress

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(1) ALL’S WELLS THAT ENDS WELLES. This meeting between H.G. Wells and Orson Welles was broadcast on Radio KTSA San Antonio on October 28, 1940.

(2) DIFFERENCE DECIDERS. Rochelle Spencer assesses “A New Hope: Ebony Elizabeth Thomas’s Vision for “The Dark Fantastic”” at LA Review of Books.

…Thomas’s investigation leads to one of the most radiant and thought-provoking descriptions of the potentials of fantastic literature. In particular, what Thomas terms “the dark fantastic” — fantasy that includes but hinders or stereotypes people of color — is problematic. Still, if we’re to write what Thomas terms “an emancipatory dark fantastic” — stories that break the cycle of the tragic, sacrificial Dark Girl, and instead, reveal her as complex, defiant, central, and vibrant — we may ultimately succeed in “decolonizing our fantasies and our dreams.” And, as Thomas suggests, the ability to reconsider and reinterpret “the crisis of race in our storied imagination has the potential to make our world anew.”

…Thomas wants us to consider difference as relative and circumscribed by power. Who has the power to label someone as different or monstrous?

(3) FINALLY RETURNING TO LONG FORM. Only her second, Susanna Clarke’s next novel will be sff and appear next fall.

Bloomsbury nabbed world English rights to the sophomore novel by the author of the 2004 bestseller Jonathan Strange & Mr. Norrell. Susanna Clarke’s Piranesiis slated for a global laydown in September 2020. A Bloomsbury spokesperson said the novel is set in “a richly imagined, very unusual world.” The title character lives in a place called the House and is needed by his friend, the Other, to work on a scientific project. The publisher went on: “Piranesi records his findings in his journal. Then messages begin to appear; all is not what it seems. A terrible truth unravels as evidence emerges of another person and perhaps even another world outside the House’s walls.” Jonathan Strange & Mr. Norrell has, per Bloomsbury, sold more than four million copies worldwide. Clarke, who’s won both a Hugo Award and a World Fantasy Award, was represented by Jonny Geller at Curtis Brown.

(4) FATHOM EVENTS. “‘Twilight Zone’ Anniversary Show Set for Nov. 14” – Variety has the story. The Fathom Events info is here.

Fathom Events and CBS Home Entertainment have scheduled a Nov. 14 showing for “The Twilight Zone: A 60th Anniversary Celebration” at more than 600 North American cinemas.

The shows will combine digitally restored versions of six episodes with an all-new documentary short titled “Remembering Rod Serling” about the life, imagination and creativity of the show’s creator. It’s the first time that original episodes of the series, which ran from 1959 to 1964, have been presented on the big screen.

Fathom Events CEO Ray Nutt said, “‘The Twilight Zone’ has inspired many filmmakers and storytellers, so it is a great honor to be able to bring these classic stories to the big screen, and to offer such an incisive look into the mind of the man who created them.”

(5) 2020 ACCESSIBILITY. CoNZealand asks those coming to the 2020 Worldcon: “Let us know if you have accessible accommodation needs”.

Do you have disability or accessibility requests for your accommodation in Wellington? We are busy confirming hotel information to share with our members later this year, and need to know your current accessibility requests as part of this planning by 15 October 2019.

If you have hotel accessibility needs, please email [email protected] with details of your hotel accessibility requests and an indication of the number of nights you think you will be staying as well.

(6) PRISING OFF THE LID. Alasdair Stuart previews this week’s Full Lid (27th September 2019). It opens with —

— the UK strand of Netflix’s new anthology show [Criminal UK] which is massively impressive and COLD in a way very little drama manages to be.  Then it’s a very welcome return for Warren Ellis, Jason Howard and co’s Trees from Image Comics. The third series is a Strugatskian deep dive into one of the oddest places in the scarred and painfully human world of the series and it’s off to a great start. Finally, I take a look at Ad Astra, equal parts towering spectacle, moments of surprising emotion and near total tonal misfire. 

(7) NELSON OBIT. VentriloquistJimmy Nelson, Jimmy Nelson – known for his Farfel and Danny O’Day characters – died September 24 at age 90.

(8) TODAY IN HISTORY.

  • September 29, 1967 — Trek aired the “The Changeling” episode. When Star Trek: The Motion Picture premiered in 1979, many fans suggested that the plot was simply a remake of this episode. 
  • September 29, 1967 — Captain Scarlet and the Mysterons first premiered into Supermarionation. This process was used extensively in the puppet series of Gerry and Sylvia Anderson

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 29, 1873 — Theodore Lorch. He might have the earliest birthdate in these Birthday Honors so far. He’s the High Priest in 1936’s Flash Gordon serial. He’s also shows up (uncredited originally) as Kane’s Council Member in the 1939 Buck Rogers serial as well. (Died 1947.)
  • Born September 29, 1930 — Naura Hayden. Her best-known film appearance is a starring role in The Angry Red Planet where she was Dr. Iris “Irish” Ryan. Yes, she was a redhead. Unless you can her uncredited appearance as a harem girl in Son of Sinbad, this is her only film or series genre role. Though in 1955, she joined a Canadian musical cast of Li’l Abner. This was made possible by Sidney W. Pink who wrote the script for The Angry Red Planet. (Died 2013.)
  • Born September 29, 1942 — Ian McShane, 77. Setting aside Deadwood, which is the favorite series of Emma Bull and Will Shetterly, where he’s Al Swearengen, he portrays Mr. Wednesday in American Gods.and it turns out, although I don’t remember it, he was Dr. Robert Bryson in Babylon 5: The River of Souls film. And he’s Blackbeard in Pirates of the Caribbean: On Stranger Tides. Now you tell me what your favorite genre role is by him. 
  • Born September 29, 1944 — Isla Blair, 75. Her first credited film appearance was in Dr. Terror’s House of Horrors as an art gallery assistant.  She was Isabella in The King’s Demons, a Fifth Doctor story. She’s in Indiana Jones and the Last Crusade as the wife of her real-life husband Julian Glover, and credited as Mrs. Glover. 
  • Born September 29, 1952 — Lou Stathis. During the last four years of his life, he was an editor for Vertigo. He had a fascinating work history including collaborating with cartoonist Matt Howarth by co-writing the first few issues of Those Annoying Post Bros. (Kindle has them available.) He was also a columnist and editor for Heavy Metal and a columnist for Ted White’s Fantastic magazine during the late Seventies through early Eighties. His fanwriting included the “Urban Blitz” column for OGH’s Scientifriction (the first installment appearing in 1977, Issue 9, page 29). (Died 1997.)
  • Born September 29, 1959 — Scott MacDonald, 60. He’s been on four Trek shows:  Next Generation, Voyager, Deep Space Nine, and Enterprise. He’s also up on Space Above and Beyond, Babylon 5, X-Files, Stargate: SG-1, Carnivale and Threshold. He was also in Jack Frost 2: Revenge of the Mutant Killer Snowman, a film which you can guess the rating at Rotten Tomatoes is. 
  • Born September 29, 1961 — Nicholas Briggs, 58. A Whovian among Whoians. First off he’s the voice of the Daleks and the Cybermen in the new series of shows. Second he’s the Executive Producer of Big Finish Productions, the audioworks company that has produced more Doctor Who, Torchwood and other related works that you’d think possible. Third he’s appeared as himself in The Five(ish) Doctors Reboot. 
  • Born September 29, 1969 — Erika Eleniak, 50. Her film debut was a small part in E.T.: The Extra-Terrestrial as one of Elliott’s classmates.  Her first film role as an adult was as Vicki De Soto, a victim of the creature in the 1988 horror remake The Blob. She’s Vice-Captain Aurora in Dracula 3000, a film that had to have a disclaimer that it wasn’t a sequel to Dracula 2000. 
  • Born September 29, 1981 — Shay Astar, 38. At age eleven, she portrayed Isabella, the imaginary friend of a young girl aboard the Enterprise in the Next Generation episode “Imaginary Friend”. She’s best known for her work as August Leffler, a recurring character on 3rd Rock from the Sun. Her only other genre role is as Mary Elroy in the “A Tale of Two Sweeties (February 25, 1958)” episode of Quantum Leap.

(10) FUR CHRONICLES. The late Fred Patten’s nonfiction book Furry Tales: A Review of Essential Anthropomorphic Fiction is now available from McFarland.

Tales featuring anthropomorphic animals have been around as long as there have been storytellers to spin them, from Aesop’s Fables to Reynard the Fox to Alice in Wonderland. The genre really took off following the explosion of furry fandom in the 21st century, with talking animals featuring in everything from science fiction to fantasy to LGBTQ coming-out stories.

In his lifetime, Fred Patten (1940–2018)—one of the founders of furry fandom and a scholar of anthropomorphic animal literature—authored hundreds of book reviews that comprise a comprehensive critical survey of the genre. This selected compilation provides an overview from 1784 through the 2010s, covering such popular novels as Watership Down and Redwall, along with forgotten gems like The Stray Lamb and Where the Blue Begins, and science fiction works like Sundiver and Decision at Doona.

(11) EMSH EXHIBITION. “Dream Dance: The Art of Ed Emshwiller”, the first major monographic exhibition of the artist’s groundbreaking work in film, video, and visual art, will be presented at the Lightbox Film Center in Philadelphia from October 18-December 7. Full details and ticket information at the link. See Vimeo preview here.

With an immensely diverse body of creative work, Ed Emshwiller (1925-90) is perhaps one of the most significant yet under-recognized artists of the latter half of the 20th century. 

Emshwiller’s career spanned abstract expressionist painting, commercial illustration, film, video and computer art, and collaborations with dancers, choreographers, and composers.  Dream Dance includes the preservation of two of Emshwiller’s earliest films, Dance Chromatic (1959) and Lifelines (1960), which will be screened at Lightbox along with 19 of his other films—some of which have never been publicly presented in Philadelphia—as well as notable films by other filmmakers for which he served as cinematographer. 

A concurrent exhibition at the Rosenwald-Wolf Gallery highlights Emshwiller’s visual and fine art background, including video works, early paintings, notes, sketches, ephemera, and many early science fiction cover paintings. Dream Dance is a full scale investigation of the artist’s legacy, presenting his multidisciplinary oeuvre to a new generation of audiences.

(12) VOYAGE TO THE INDIES. Cora Buhlert signs in with the highlights of “Indie Speculative Fiction of the Month for September 2019”.

Once again, we have new releases covering the whole broad spectrum of speculative fiction. This month, we have epic fantasy, urban fantasy, military fantasy, dark fantasy, Arthurian fantasy, Asian fantasy, Wuxia, paranormal mystery, space opera, military science fiction, time travel romance, Steampunk, LitRPG, horror, ghosts, fae, pirates, space marines, conscientious objectors, traffickers, trailblazers, time travel, crime-busting witches, crime-busting werewolves, literary characters come to life, Arthur and Merlin, defiant empires and much more.

(13) THOSE DARN REPLICANTS. By the time you reach the end of this list — “Blade Runner: 10 Things That Make No Sense” — ScreenRant will have you thinking the whole movie makes no sense. (Maybe it doesn’t?)

10 IDENTIFYING A REPLICANT

In the beginning of the film, it’s established that in order to retire a replicant, they must be subject to a VK test to determine their empathy levels. When Holden is sent to give the test to Leon, why doesn’t he recognize him? It’s established that all replicants have dossiers, because we see their mugshots lined up later on in the film. This proves there’s a unique database that exists of every replicant’s face on record.

Also, if it comes to identifying replicants in the streets, why can’t Deckard or other Blade Runners use an EMF reader to locate them? They have machine components under their synthetic flesh, so their electromagnetic impulses would assuredly register on such devices.

(14) STARSHIP NEWS.  “SpaceX knows what a rocket should look like!” says John King Tarpinian, who sent in this photo. Meanwhie,BBC reports “Elon Musk upbeat on Starship test flights”.

The American entrepreneur Elon Musk has given a further update on his Starship and Super Heavy rocket system.

He plans to use the new vehicles to send people to the Moon and Mars, and also to move them swiftly around the Earth.

The SpaceX CEO is in the process of building prototypes and plans to start flying them in the coming months.

…Both parts of the new rocket system, which together will stand 118m tall on the launch pad, are being designed to be fully reusable, making propulsive landings at the end of their mission.

Mr Musk is well known for his aggressive scheduling, which even has a name: “Elon time”.

The scheduling often slips, but eventually he does tend to deliver.

(15) MARS SOCIETY. The organization has posted the “2019 Mars Society Convention Schedule Online”.

The full itinerary for the 22nd Annual International Mars Society Convention is now available for viewing online. Please visit https://bit.ly/2kPIDqa to see the four-day conference schedule, running from October 17-20 at the University of Southern California (Los Angeles).

The Mars Society convention program includes a series of plenary talks, panel discussions and public debates on important issues related to planning for a human mission to the Red Planet and general space exploration.

Conference highlights will include an update about NASA’s Curiosity rover with Ashwin Vasavada, a talk about SpaceX and its mission to Mars by Paul Wooster, a debate about NASA’s proposed Lunar Gateway project, an update about the Mars InSight mission by Tom Hoffman, a review by Shannon Rupert of her experiences with Mars analog research, the finals of the Mars Colony Prize Contest involving student teams from around the world and, as always, an address by Mars Society President Robert Zubrin.

[Thanks to Michael Toman, Martin Morse Wooster, JJ, Chip Hitchcock, John King Tarpinian, Sherrill Patten, Mike Kennedy, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/20/19 Pixels Are Finite, Scrolls Are Infinite

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(1) TIPTREE BIOGRAPHER COMMENTS FURTHER. Julie Phillips, author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon blogged about “On Tiptree and naming” on September 17.

A number of people are reading the manner of Alli and Ting’s Sheldon’s death as an instance of caregiver murder, in which a person with a disability is killed by a person responsible for caring for them. There is a pattern of murders like this being downplayed or dismissed as “understandable” because the caregiver “must have been under such strain.” This is extremely upsetting and hurtful to people living with disabilities. You can read more about this here and here. (Content warnings: suicide; Americans’ appalling lack of access to heath care.)

Mostly I’ve been asked for factual answers: Did it happen? Did it not happen? It may be that a name that calls up painful associations should be changed in any case. But I believe it matters to talk about what we know and don’t know, and here are some thoughts about Ting’s and Alli’s choices.

(2) GETTING WARMER. Andrew Liptak chronicles sff’s track record with other issues before asking “Does Science Fiction Have a Moral Imperative to Address Climate Change?”

… Topics such as pollution, overcrowding, and a warming Earth began to appear more frequently within the genre. Harry Harrison’s 1966 novel Make Room! Make Room! (later adapted—and firmly embedded in pop culture consciousness—as Soylent Green) examined the plight of an overcrowded Earth, though today the main drivers of climate change are far less attributable to rising populations in less developed areas of the world and far more to do with mass consumerism in the developed world.

J.G. Ballard’s 1962 novel The Drowned World specifically imagines a post-apocalyptic 2145 in which global warming (caused by solar wind heating the atmosphere, rather than specifically fossil fuel emissions) lead to sea-level rise, ruining London. Even nearly 60 years ago—long before “climate change” had become a source of widespread anxiety, it was a stark vision; reviewer Peter Brigg noted, “Ballard created in this novel the most pervasive demonstration of the frailty of ‘technological’ man.”

(3) NEW SFF COMPETITION. The Clarke Award is publicizing “A New Science Fiction Competition For Young People”. 

The Rumble Museum, in association with the Arthur C. Clarke Award, is delighted to announce a national science fiction competition for young people who would like to see their ideas turned into a short story by a professional science fiction author.

Anyone 15 years or younger can enter, and full entry details can be found here. Deadline for entries October 31.

HOW TO ENTER

To enter, please submit a premise and opening lines for a science fiction short story. We would like to see a description of the world or society your story is set in, an outline of the main characters and plot, and first 350 words or first page.

(4) SIXTY-FOUR ON THE FLOOR. Galactic Journey contributors assemble! A trio of reviewers comment on the latest (in 1964) novels from PKD, Leiber, Bulmer and Farmer in this omnibus post: “[September 20, 1964] Apocalypses and other trivia (Galactoscope)”. Jason Sacks begins —

…Like many fans, I first became really aware of Philip K. Dick after he won the 1963 Hugo Award for Best Novel for his remarkable The Man in the High Castle. That book dazzled in its chronicle of an alternate history in which the Nazis and Japanese won World War II (which opened up many areas of thought and conversation for me and my friends) as well as in its brilliant world-building and the fascinating, multifaceted characters at the heart of Dick’s award-winner.

High Castle was also an amazingly tight novel, packing a dense plot into its mere 240 pages. As many of us Dick fans have learned, not all of his works are quite so tightly plotted. I adored his Martian Time-Slip and Dr. Bloodmoney from last year, but those books tended to both delight and annoy in their meandering, nearly stream-of-consciousness styles.

The newest Philip K. Dick novel, The Penultimate Truth (just out in paperback from Belmont) fills a bit of the gap between his ’62 masterpiece and the challenging ’63 books. This thoroughly delightful book wanders a bit but always held me in its comforting grasp.

(5) LID O’CLOCK ROCK. Alasdair Stuart’s newest Full Lid embraces the profoundly weird career of Gerard Butler, examines the Hot Zone and attends the Battle of Big Rock: “The Full Lid 20th September 2019”

(6) IT’S THE PITTS. NPR’s Chris Klimek reports that “‘Ad Astra’ Soars”

With its austere surfaces and jaundiced view of humanity’s interplanetary destiny, James Gray’s stirring sci-fi epic Ad Astra can’t help but evoke Stanley Kubrick’s 2001: A Space Odyssey, the paterfamilias of all “serious” space movies. But in fact it’s a closer cousin to another long-delayed, wildly over-budget spectacle that initially fared better with ticket-buyers than critics, only to be revealed in time as a masterpiece: Francis Ford Coppola’s Apocalypse Now.

Like Coppola’s surreal Vietnam War movie, Ad Astra is told to us by a haunted man on a mission into the unknown. After a thrilling set piece involving an unplanned high-altitude skydive from the “International Space Antenna,” Brad Pitt’s Major Roy McBride is dispatched to investigate the cause of a series of destructive cosmic ray bursts emanating from Neptune.

McBride is given the task because his superiors believe these disruptions might somehow have been caused by his father (Tommy Lee Jones), commander of an exploration mission that was presumed lost some 16 years earlier. In the event the old man has somehow survived and gone all Colonel Kurtz on them, they’re hoping his baby boy might be able to talk him down.

One needn’t have seen 2001 — or for that matter, last year’s undervalued Neil Armstrong biopic First Man — to grok that emotional availability is the one area in which McBride is seriously deficient. (His heart rate has never risen above 80, his dossier says.) In space, no one can hear you cry…

… though they are sometimes privy to your internal monologue. “We are the world-eaters,” McBride laments in voiceover as he takes in the Applebees and Hudson News shops that pimple the near side of the moon in the mid-to-late 21st century. The only thing Ad Astra shares with the comparatively upbeat adventure The Martian is a notion we might be wiser to leave space exploration to our robots. We see McBride file a psychological self-evaluation each time he’s getting ready to launch; only if the A.I. concurs with his assessment that he’s fit to fly is he permitted to go.

(7) TODAY IN HISTORY.

  • September 20, 1979 — The film version of Buck Rogers was edited for television as “Awakening” to serve as the very first episode of Buck Rogers in the 25th Century. It would last two seasons.
  • September 20, 2006 — Jericho aired its pilot episode on CBS.  It was cancelled after its first full season, because of poor ratings. A fan campaign persuaded the network to bring the show back for another season, of seven episodes, after which it was cancelled again. IDW has done two seasons in comic book form. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 20, 1935 — Keith Roberts. Author of Pavane, an amazing novel. I’ll admit that I’ve not read anything else by him, so do tell me about other works please. (Died 2000.)
  • Born September 20, 1940 — Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape.  He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
  • Born September 20, 1948 — George R. R. Martin, 71. I’ll admit that I’ve only read the first two volumes of ASOFI.  I loved The Armageddon Rag and think that he’s a wonderful short writer.  And no, I’ve not watched A Game of Thrones. 
  • Born September 20, 1955 — David Haig, 64. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet in The Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the 2006 film remake of A for Andromeda. Finally, I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back. 
  • Born September 20, 1959 — James Blaylock, 69. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. 
  • Born September 20, 1986 – Aldis Hodge, 33. He plays Alec Hardison on Leverage. Ok, I know it’s not SFF but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use are technology of that series are keeping with MI spirit. He’s also had one-offs on Charmed, Buffy the Vampire Slayer, Supernatural, The Walking Dead, Star Trek Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)
  • Born September 20, 1989 — Malachi Kirby, 30. He shows up on Doctor Who as Gastron in “Hell Bent”, a Twelfth Doctor story, and he’s on Black Mirror as Stripe in their “Men Against Fire” episode. 

(9) MAKER MAKES NEWS. In the Washington Post, Patti Restivo profiles cosplayer Kyle Wilhelm, whose crosstitiching on his costume as “Wolf Shaman” at the Maryland Renaissance Festival was so good that he got an apprenticeship at Outback Leather, whose clients include  the Renaissance Festival, Medieval Times,  a nearby horse racing track, and several motorcycle clubs. “A costume wizard brings his skills to Maryland Renaissance Festival”. Photo gallery here.

…Like Sargent, Wilhelm describes himself as mostly self-taught. He said he trained as a blacksmith and in animal care-taking, and previously worked part-time gigs as an actor, model and stuntman.

For at least a decade, the 29-year-old said he did leather crafting in his basement before landing at Outback Leather with Sargent and finding his calling.

“Ron’s like my second dad,” Wilhelm said.

(10) HUGO LONG LIST. David Steffen says his “Long List Anthology Volume 5” Kickstarter has now raised enough money to acquire all the stories he could get the rights to.

After the Hugo Awards each year, the World Science Fiction Society (who administer the award) publishes a longer list of works that fans cast nomination votes for.  The works on the ballot get a lot of attention, the purpose of this anthology is to get more readers for these other stories that were also loved by so many fans.  The result each year is a big and ecclectic collection of fiction very different in tone and theme that can act as a sampler for work enjoyed by the Hugo voting audience.

This project is not endorsed by nor affiliated with the Hugo awards, WSFS, WorldCon, or any associated entities. The Hugo name is used with permission.

(11) ALL WET. LAist shows why it’s only natural that a 20-minute theme park show would be more successful than the namesake 3-hour movie: “What Universal Studios’ Waterworld Got Right About A Stunt Show, Wrong About Climate Change”.

“It’s a really odd situation where I think the attraction is far more popular than the movie, in most ways,” Shawn Marshall of theme park site Parks And Cons said. “Probably for a lot of theme park fans, when you say ‘Waterworld,’ we’re all thinking of the Universal show moreso than the movie at this point.”

If you haven’t seen the show, it simplifies the movie’s story and packs it into 20 minutes of pure action. After a pre-show getting the crowd hyped and explaining/showing that you may get very, very wet if you’re in the splash zone, a deep voice comes on over the loudspeakers to explain the story.

(12) THIS IS GENIUS. Richard Paolinelli sent a DMCA takedown notice to the Internet Archive requiring them to remove all saved copies of pages from his blog. And they did. What a hack! Who would have thought he had it in him.

(13) HUNGER GAMES FOR ADULTS. NPR’s Jason Heller finds that “‘The Divers’ Game’ Depicts An Unimaginably Unjust, All Too Believably Cruel World”.

Dystopian stories are, in essence, thought experiments. And few come as thoughtful as The Divers’ Game.

The latest novel from acclaimed author Jesse Ball depicts a world both unimaginably unjust and all too believably cruel: Society has been split into two distinct halves, the pats and the quads, with the former group given unchecked supremacy over the second. It isn’t the most original premise in dystopian fiction, but Ball clearly isn’t trying to reinvent any genre tropes. Rather, he’s plumbing the depths of a familiar conceit, attacking it from a fresh angle, and constructing a parable that’s jarring in its subtle complexity and profound, horrific revelation.

…Ball’s bombshell is undisguised and unapologetic: He’s taking dead aim at current U.S. policy in regard to immigration and the detention of asylum-seekers, and the repercussions he speculates upon leave no doubt as to his standpoint on the topic — even as he expresses them in nested sequence of vicious satire. But his series of modest proposals culminates in the second section of the book, in which the titular’s divers’ game is unveiled. It’s a game played by quad children, and it’s as much of a Shirley Jackson-esque premise as it is an exquisite probe of liminal zones and psychogeography between the privileged and the oppressed.

(14) “…WHAT YOU THINK IT MEANS”. “Remake The Princess Bride? Inconceivable!”

Another week, another set of divided opinions online about, well, almost everything.

But this week one thing seemed to unite most people – if Twitter is anything to go by, at least.

Remaking the classic 1987 film The Princess Bride is a bad idea. An even worse idea, in fact, than getting involved in a land war in Asia.

The debate was started by an interview by Variety with Norman Lear, the film’s producer.

He said “very famous people, whose names I won’t use, but they want to redo The Princess Bride.”

Even that tantalising hint was enough to make many fans reach for the gifs.

(15) SHE’S A WONDER. SYFY Wire pens “An ode to Robin Wright, from princess to queen”.

Robin Wright’s breakout role as Buttercup in The Princess Bride left a mark on a lot of childhoods, and it would be difficult to dismiss the importance of that role in her film career going forward. While she’s gone on to play a wide variety of complicated characters, it is also true that the no-nonsense and self-possessed attitude of Buttercup would be a defining characteristic, not just of Wright’s career, but of Wright herself.

More recently, Wright had the chance to play a new icon of feminine power for audiences of all ages with her role as General Antiope in Wonder Woman. In many ways, these are two incredibly different characters, but they both carry with them that sense of sustained defiance that audiences have come to admire in many a Robin Wright role.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Andrew Liptak, Michael Toman, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 9/13/19 One Pixel, One File and One Scroll, Well, My Fandom, She Gone, She Gone Tonight

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(1) A CLASSIC. Deadline reports Clifford D. Simak’s novel Way Station, a 1964 Hugo winner, will be developed for Netflix: “Matt Reeves’ 6th & Idaho To Turn Sci-Fi Tale ‘Way Station’ Into Netflix Movie”. In years gone by this was my #1 favorite sf book!

Here’s the logline on Way Station: For more than 100 years Enoch Wallace has been the keeper of a Way Station on Earth for intergalactic alien travelers as they teleport across the universe. But the gifts of knowledge and immortality that his intergalactic guests have bestowed upon him are proving to be a nightmarish burden, for they have opened Enoch’s eyes to humanity’s impending destruction. Still, one final hope remains for the human race.

(2) GRRM WILL CO-AUTHOR GOT TV PREQUEL. “‘Game of Thrones’: Second Prequel in the Works at HBO” – The Hollywood Reporter has the story.

A second Game of Thrones prequel is in the works at HBO.

Sources confirm to The Hollywood Reporter that the premium cable network is near a deal for a pilot order for a prequel set 300 years before the events of the flagship series that tracks the beginnings and the end of House Targaryen. Ryan Condal (Colony) and Game of Thrones author George R.R. Martin will pen the script for the drama, which is based on Martin’s book Fire & Blood.

(3) COPING WITH CHANGE. M.L. Clark provides a deeply thoughtful analysis of the conversation about award names in “Letting Go of Our “Heroes”: Ongoing Humanist Training and the (Ex-)James Tiptree, Jr. Award” at Another White Atheist in Colombia.

…I asked myself three questions, then, to challenge my knee-jerk defense of the status quo–and I’d encourage you to employ similar the next time a group decision focussed on harm-reduction finds you, initially, “on” or “on the other side of” the fence.

1. To whom are you listening in this debate?

In the wake of my defensiveness, I had to make a concerted effort to read counterpoints to my perspective. Lots of them. And as I did, I took note of the times when I felt the greatest urgency to seek out both-sides-ism, to return to the security of others whose initial reactions were the same as mine: folks reluctant to change the name of this award, to own up to the pain Sheldon’s story has left in the hearts of many living human beings.

Critically, too, I didn’t then seek out those arguments when I wanted to–because what need did I have of them? They’d be sheer preaching to the choir, like the reading of apologetics for some Christians when faced with doubts. But I did note the contexts in which I most wanted to dive for shelter… and those contexts? They were usually when someone said something that challenged me to reason from empathy, to recognize the humanity of other people marginalized by Sheldon’s prominence at potential cost to the value of her disabled husband’s life. At those points most of all, I felt the urge to hide behind the presumption of neutrality, in superficial phrasing like, Well, no one can say for sure what happened that night! 

Which, sure, is true… but then why was I still automatically favouring one interpretation–the more convenient interpretation–over another that people were actively telling me did harm to their sense of full and safe inclusion in SF?

(4) EX-MEN. Cian Maher helps Polygon readers remember “That time the X-Men’s humanity was put on trial in a real court of law”. Because the Toy Biz company could get a lower tariff rate if the figurines were deemed nonhuman.

…Toy Biz’s motion acknowledged that the X-Men “manifest human characteristics at varying degrees,” but argued that most are more of a mixed bag of human and non-human aspects. For example, the document specifically calls out Wolverine (rude!) for having “long, sharplooking [sic] claws grafted onto his hands that come out from under his skin along with wolf-like hair and ears.”

Don’t body-shame Wolverine! He tries very hard!

Judge Barzilay’s official ruling, in which Toy Biz prevailed, states “the action figure playthings at issue here are not properly classifiable as ‘dolls’ under the HTSUS by virtue of various non-human characteristics they exhibit.”

(5) THESE THINGS HAVE TO BE DONE CAREFULLY… Vance K offers advice to parents in “Let’s Frighten Children! Vincent Price & Scooby-Doo” at Nerds of a Feather.

You’re a parent. You love horror. But horror is scary. So how to share this love of horror with your young, innocent, in-love-with-the-world child?

…For me and my family, the first step to introducing horror was to introduce the language of scares without, really, the fear. It’s hard to be a little kid. You are tiny, and surrounded by giants. Nothing makes sense, and every outcome is uncertain. Mom’s leaving…Will she come back?! How long is an hour?! It’s unknowable. And worse, there might actually be a monster under the bed. Or in the closet — you just don’t know.

This is where Vincent Price and Scooby-Doo came in handy. It’s pretty unlikely any kid is going to be legitimately frightened by an episode of Scooby-Doo. And yet, there are ghosts, goblins, witches, vampires, werewolves, creepers, and more, all running about. I’m actually not a huge Scooby fan, but I found the Cartoon Network Scooby-Doo Mystery Incorporated series to be excellent. I watched a big chunk of it with my kids, who were five and seven at the time. They loved it, and still do. We re-watch episodes regularly. In a world where asking a kid who has grown up with an iPhone to watch Bela Lugosi’s Dracula seems like a bridge too far, this is a show that is fast-paced, conversant in horror tropes, dabbles in grotesque/frightening imagery, and is funny, smart, and good. It’s also a show that prominently features Vincent Van Ghoul, who is a not-at-all-disguised representation of Vincent Price.

(6) ALA ADDRESSES MACMILLAN CEO. Publishers Weekly covers an American Library Association press conference where “Librarians Launch National Campaign to Oppose Macmillan’s Library E-book Embargo”.

…So far, that action includes two rather modest initiatives, unveiled on Wednesday. One is an online petition (eBooksForAll.org) urging Sargent and Macmillan to reconsider the publisher’s recently announced embargo. The other is a new online book club, in partnership with OverDrive. The “Libraries Transform Book Pick” will offer library users unlimited access to a selected e-book for two weeks, with no holds list and no waiting. The first pick is Kassandra Montag’s debut novel After the Flood (HarperCollins), which will be available for unlimited e-book checkouts at public libraries from October 7-21.

(7) WORDS OF A FEATHER. Paul Di Filippo’s F&SF column “Plumage from Pegasus” tells all about a collaboration by two of the genre’s founders that was largely unknown ‘til a couple of years ago: Flora Columbia: Goddess of a New Age, by Jules Verne and H. G. Wells.

In the year 1901, with the publication of his ninth novel, The First Men in the Moon, H. G. Wells, then a thirty-five-year-old wunderkind, cemented his reputation as the leading purveyor of “scientific romances.” The acclaim accorded to this British upstart, however, did not sit well with the aging lion of the nascent genre, Jules Verne—then an ailing seventy-three and just a few years away from his own death. Verne did not care for Wells’s less-stringent approach to scientific speculation, nor for his wilder imagination. In fact, Verne was so perturbed that he gave vent to his famous direct criticism of the novel: “I sent my characters to the moon with gunpowder, a thing one may see every day. Where does M. Wells find his cavorite? Let him show it to me!”

So much is a matter of historical record. But what came next remained secret until just recently.

Both irked and disappointed by the jab from this venerable figure who had done so much to pioneer imaginative literature and whose respect he would have relished, Wells did a daring thing. On a mission both conciliatory and confrontational, he journeyed to France to confront the Master. In Amiens, at 44 Boulevard de Longueville, he was received with a wary hospitality. But after some awkward conversation over a lunch of calvados and choucroute garnie, the two writers found a shared footing in their mutual love of “science fiction,” a term they would not even have recognized. And then, impulsively, they decided to seal their tentative new friendship in a manner befitting their shared passion.

They would collaborate on a short novel….

(8) COLLINS OBIT. Charles Collins (1935-2019) died August 26 at the age of 83. He worked as a Publisher’s Representative, eventually becoming co-owner of Como Sales Company. Also, with Donald M. Grant, he co-founded Centaur Press, later renamed Centaur Books, a small press active from 1969 through 1981.

With Donald M. Grant, left, and Robb Walsh at the launch of Kingdom of the Dwarfs, 1980. Photo by © Andrew Porter

It was primarily a paperback publisher, though one of its more successful titles was reissued in hardcover. It was notable for reviving pulp adventure and fantasy works of the early twentieth century for its “Time-Lost Series.”

Authors whose works were returned to print include Robert E. Howard, Arthur O. Friel, Talbot Mundy, H. Warner Munn, and William Hope Hodgson. In the sole anthology it issued, the press also premiered a new work by Lin Carter. In later years it also published longer works by contemporary authors, including Carter, Galad Elflandsson, and Robb Walsh. Its books featured cover art by Jeff Jones, Virgil Finlay, Frank Brunner, Stephen Fabian, Randy Broecker, and David Wenzel.

The family obituary is here. Collins’ own history of Como Sales Company is here.

(9) TODAY IN HISTORY.

  • September 13, 1969 – CBS introduced Scooby Doo, Where Are You? 50 years ago this week: Quoting the Wikipedia —

The first episode of Scooby-Doo, Where Are You! “What a Night for a Knight” debuted on the CBS network Saturday, September 13, 1969. The original voice cast featured veteran voice actor Don Messick as Scooby-Doo, radio DJ Casey Kasem (later host of radio’s syndicated American Top 40) as Shaggy, actor Frank Welker (later a veteran voice actor in his own right) as Fred, actress Nicole Jaffe as Velma, and musician Indira Stefanianna as Daphne.[15] Scooby’s speech patterns closely resembled an earlier cartoon dog, Astro from The Jetsons (1962–63), also voiced by Messick.[2] Seventeen episodes of Scooby-Doo Where are You! were produced in 1969–70.

  • September 13, 1974  — Planet of the Apes debuted as a weekly television series with the  “Escape from Tomorrow” episode. Roddy McDowall was once again Galen. Due to really poor rating, CBS canceled the series after 14 episodes. 
  • September 13, 1999 — On this day, in the timeline inhabited by the crew of Space: 1999, the events told in the “Breakaway” premier episode happened.  

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 13, 1898 — Arthur J. Burks. He  sold his first stories to Weird Tales in 1924. He became one of the “million-word-a-year” men in the pulp magazines by dint of his tremendous output. He wrote in the neighborhood of eight hundred stories for the pulps. Both iBooks and Kindle have some of his fiction available for free if you care to see how this pulp writer reads. (Died 1974.)
  • Born September 13, 1926 — Roald Dahl. Did you know he wrote the screenplay for You Only Live Twice? Or that he hosted and wrote for a sf and horror television anthology series called Way Out which aired before The Twilight Zone for a season? He also hosted the UK Roald Dahl’s Tales of the Unexpected.  My favorite Dahl work is The BFG. What’s yours? (Died 1990.)
  • Born September 13, 1931 — Barbara Bain, 86. She’s most remembered for co-starring in the original Mission: Impossible television series in the 1960s as Cinnamon Carter, and Space: 1999 as Doctor Helena Russell. I will confess that I never watched the latter. Her first genre role was as Alma in the “KAOS in CONTROL” episode of Get Smart! 
  • Born September 13, 1932 — Dick Eney. Most notably, in 1959 he published Fancyclopedia 2, an over two hundred page encyclopedia of all things fandom. He worked on committees for Discon I, Discon II, and Constellation and was the Fan Guest of Honor at L.A.Con II, the 1984 Worldcon. He served as OE of FAPA and SAPS and was a member of The Cult and the Washington in ’77 Worldcon bid. He was toastmaster at Conterpoint 1993. (Died 2006.)
  • Born September 13, 1936 — Richard Sapir. Pulp writer in spirit if not in actuality. Among his many works is The Destroyer series of novels that he co-created with Warren Murphy. (Murphy would write them by himself after death of Sapir starting with the seventy-first novel until the series concluded with ninety-sixth novel.)  And the main character in them is Remo Williams who you’ll no doubt recognize from  Remo Williams: The Adventure Begins where Fred Ward played Remo which I’ve watched but remember nothing of thirty years on. (Died 1987.)
  • Born September 13, 1939 — Richard Kiel. He’s definitely  best remembered  for being the steely mouthed Jaws n The Spy Who Loved Me and Moonraker. Now let’s see what other SFF films he’s been in… His very last genre work was voicing Vlad in the animated Tangled with first his being The Salorite in The Phantom Planet. He was Eegah in the low budget horror film Eegah,  a giant House of the Damned, Dr. Kolos in The Human Duplicators, Psychiatric Hospital Patient in Brainstorm, Bolob in the Italian L’umanoide, internationally released as The Humanoid, and he reprised his Jaws character in Inspector Gadget. Series wise, he’s shown up in The Man from U.N.C.L.E., Twilight Zone,  Kolchak: The Night Stalker, The Wild Wild West (where he working in a recurring role with Michael Dunn as Dr. Miguelito Loveless), I Dream of Jeannie, Gilligan’s Island, Land of The Lost and Superboy. (Died 2014.)
Richard Kiel, right, in Wild Wild West
  • Born September 13, 1944 — Jacqueline Bisset, 75. I never pass up a Bond performance and so she’s got on the Birthday Honors by being Giovanna Goodthighs in Casino Royale even though that might have been one of the dumbest character names ever. As near as I can tell, until she shows up in as Charlotte Burton in the “Love the Lie” episode of Counterpart that’s her entire encounter with genre acting.
  • Born September 13, 1947 — Mike Grell, 72. He’s best known for his work on books such as Green Lantern/Green Arrow, The Warlord, and Jon Sable Freelance. The Warlord featuring Travis Morgan is a hollow Earth adventure series set in Skartaris which is a homage to Jules Verne as Grell points out “the name comes from the mountain peak Scartaris that points the way to the passage to the earth’s core in Journey to the Center of the Earth .
  • Born September 13, 1961 — Tom Holt, 59. Assuming you like comical fantasy, I’d recommend both Faust Among Equals and Who Afraid of Beowulf? as being well worth time. If you madly, truly into Wagner, you’ll love Expecting Someone Taller; if not, skip it. 
  • Born September 13, 1969 — Bob Eggleton, 50. He’s has been honored with the Hugo Award for Best Professional Artist eight times! He was guest of honor at Chicon 2000. There’s a reasonably up to date look at his artwork,  Primal Darkness: The Gothic & Horror Art of Bob Eggleton  which he put together in 2010 and was published by Cartouche Press.

(11) ROLLING ON THE RIVER. Kelly Lasiter recommends a book at Fantasy Literature: “Mapping Winter: A character and a world that will stick with me”.

Mapping Winter (2019) is Marta Randall’s reworking of her 1983 novel, The Sword of Winter. (Randall talks more about the story behind the book here.) Its release as Mapping Winter was followed shortly by the all-new sequel The River South, with the two novels making up the RIDERS GUILD series. It’s a secondary-world fantasy, but without magic; I was about two-thirds of the way through the book when I realized, “Huh, I don’t think there’s been any magic!” What it does have is a nation poised between feudalism and industrialization.

(12) SCHOOL DAZE. James Davis Nicoll rings up our magic number: “Five SFF Stories About Surviving the Dangers of Boarding School” at Tor.com.

Kazuma Kamachi’s ongoing series of short novels and their associated manga and anime (A Certain Magical Index, A Certain Scientific Railgun, A Certain Scientific Accelerator, etc.) is set in Academy City. The city is home to over two million students, most of whom have some degree of reality-breaking Esper power. Some can control electromagnetism; some can keep objects at a constant temperature. Imagine the Xavier School for the Gifted with the population of Paris, France. Unlike the leadership of Xavier’s school, however, the people running Academy City are ambitious people entirely unfamiliar with the concepts of consent or ethics….

(13) ABOUT THAT DEAD HORSE. Good point – after all, how many people would watch a channel that mostly runs commercials?

(14) YOU’VE GOT MAIL. Paul Weimer says people who like a character-focused story will love it: “Microreview: This Is How You Lose The Time War, by Amal El-Mohtar and Max Gladstone” at Nerds of a Feather.

…In a world of twitter, and direct messages, and texts, and instant social media, long form letters are a delightful retro technology and form. Epistolary novels and stories, never the most common of forms even when letters were dominant as a means of communication, are exceedingly distinctive just by their format in this day and age. It’s a bold choice by the authors to have the two agents, Red (from a technological end state utopia) and Blue (from a biological super consciousness utopia) to start their correspondence and to have their letters (which take increasingly unusual forms as described in the narrative) be the backbone of the action. Every chapter has one of the principals in action, and a letter from the other principals, giving a harmonic balance for the reader as far as perspective. But it is within the letters themselves that the novella truly sings and shows its power.

(15) BOG STANDARD. Nina Shepardson reviews Ghost Wall by Sarah Moss at Outside of a Dog.

The theme of Sarah Moss’s latest novel, Ghost Wall, can be summed up by a William Faulkner quote: “The past is never dead. It isn’t even really past.” Sylvie’s father plans an unusual vacation for their family: joining a local college professor’s project to spend a couple of weeks living the way British people did in the Bronze Age. This involves some of the physical discomforts you would expect, such as foraging for food in the summer heat and living in huts. But things take a darker turn as Sylvie’s father’s fascination with the period deepens into obsession. And not all the hazards of the era were natural ones; there’s evidence that a nearby bog was a site of human sacrifice….

(16) ALASDAIR STUART. It’s Full Lid o’clock!

(17) THE MESSAGE. Joseph Hurtgen has just released his second sff novel with a theme chosen for reasons he explains in “Why I Wrote an Anti-Gun, Anti-Trump, Environmental Science Fiction Novel “. “This novel is an exercise in hoping our democracy outlasts this election cycle, hoping our generation doesn’t destroy the planet, and hoping that we could rise above greed to make our nation safe for our children. What better place to do all this hoping than in the pages of science fiction?”

The book follows William Tecumseh Sherman as he time travels around America’s history, talking to presidents that like their guns and aren’t interested in instituting environmental protections. 

I realize that it’s a bit of stretch that Sherman would get involved politically. Sherman once said if he was elected, he wouldn’t serve. But isn’t that precisely the kind of leader America needs? Someone disinterested in leadership wouldn’t likely have ulterior motives for holding a position of power: no Putins to please, no buildings to build in Moscow or the Middle East.

But the reality of American politics is that those willing to profit from power are rewarded for it. In 2019, the emoluments clause might as well be struck from the record. It clearly isn’t taken seriously. But emoluments are only the tip of the ugly iceberg.

(18) “THE SCREAM”. “Comedy Wildlife Photography Awards 2019: Here are the finalists” — minimal text, great photos.

(19) THEATER AS GAME. “Variant 31: ‘Pushing the boundaries’ of immersive theatre”.

It’s being promoted as the biggest live immersive game yet. Variant 31 is theatre – there are 150 real-life performers involved. But its creator is hoping it will bring in video gamers – and people who like jumping out of aircraft.

If you heard reports of reanimated cadavers roaming at will beneath New Oxford Street you might suppose London had been having a particularly bad day for public transport.

But producer Dalton M Dale is proud to stand in a slightly musty former shop basement and talk of the malevolent band of marauding zombies he’s adding to the growing world of immersive theatre.

He’s from North Carolina but in 2017 he came to London after a few years working on immersive shows in New York.

“London is the place to push the envelope of what immersive storytelling can do: the point about Variant 31 is that as you move through our really large site you get actively involved in the story. That’s instead of standing at a slight distance and observing and admiring, which has often been the case with even the best immersive experiences.”

…”You start at Patient Intake at Toxico Technologies,” Dale explains. “Toxico 25 years ago has manufactured strange and nefarious materials for chemical warfare. You are given a piece of wrist technology which at key points across 35 floors will allow you to do various things: you can alter the lighting and open hidden passages and even change the weather.

“Creatures emerge as you move through. From the moment you step into this world the hunt is on and someone wants to catch you. Oh, and always bear in mind: the only way to kill a zombie is to aim for the head.

Players score points by killing the creatures and at the end of the experience there will be just one winner from your group. “We claim this is the first truly immersive experience: it’s not spoon-fed like some other shows. Your presence matters and genuinely changes what goes on.”

(20) DATA SAVED BY DEFNESTRATION. BBC tells how “Russian activist saves data from police with drone”.

A Russian activist used a drone to get his data out of his high-rise flat when police came to search it.

Sergey Boyko says he sent hard drives to a friend by drone when police banged at his door at 10:00 local time, to avoid them getting hold of the data.

The search was part of a nationwide crackdown on the opposition.

Around 200 raids have been carried out in the past few days after the ruling party suffered major losses in local elections in Moscow.

A YouTube video taken (in Russian) by a female companion shows Mr Boyko, who lives in the Siberian city of Novosibirsk, releasing a drone from his flat in a tall apartment block as police wait to be let in.

Mr Boyko heads the local branch of the movement of opposition leader Alexei Navalny, who campaigned for voters to defeat candidates of the United Russia party using tactical voting in Sunday’s city council election.

The activists say the raids are a form of revenge by the authorities for the setbacks.

(21) VIDEO OF THE DAY. In A Month of Type on Vimeo, Mr Kaplin animates the alphabet.

[Thanks to Mike Kennedy, JJ, Martin Morse Wooster, Chip Hitchcock, John King Tarpinian, Cat Eldridge, Joseph Hurtgen, IanP, and Andrew Porter for some of these stories. Title credit goes to File 770 contrbuting editor of the day Matthew Johnson.]

Pixel Scroll 9/1/19 I Have Pixeled The Scroll Less Tickboxed, And That Has Made All The DIfference

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(1) TIPTREE BIOGRAPHER WEIGHS IN. Julie Phillips, author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon, shared her research about the death of Tiptree and her husband. Thread starts here.

(2) STOKERCON UK ADDS GUEST. Mick Garris will be StokerCon UK’s media guest of honor in 2020.

STOKERCON UK—the Horror Writers Association’s fifth annual celebration of horror and dark fantasy in creative media and the first to be held outside of North America—is delighted to welcome award-winning American film-maker MICK GARRIS as its latest Guest of Honour.

Mick Garris began writing fiction at the age of twelve. By the time he was in high school, he was writing music and film journalism for various local and national publications, and during college, edited and published his own pop culture magazine. Steven Spielberg hired Mick as story editor on the AMAZING STORIES TV series for NBC, where he wrote or co-wrote ten of the forty-four episodes. Since then, he has written or co-scripted a number of feature films and teleplays (*BATTERIES NOT INCLUDED, THE FLY II, HOCUS POCUS, CRITTERS 2 and NIGHTMARES & DREAMSCAPES, amongst many others).

As a director and producer, he has worked in a wide range of media, including feature films (CRITTERS 2, SLEEPWALKERS, RIDING THE BULLET, NIGHTMARE CINEMA); made-for-TV movies (QUICKSILVER HIGHWAY, VIRTUAL OBSESSION, DESPERATION); cable movies and series (PSYCHO IV: THE BEGINNING, TALES FROM THE CRYPT, PRETTY LITTLE LIARS and its spin-off RAVENSWOOD, WITCHES OF EAST END, SHADOWHUNTERS, DEAD OF SUMMER, ONCE UPON A TIME); network mini-series (THE STAND, THE SHINING, BAG OF BONES); series pilots (THE OTHERS, LOST IN OZ) and series (SHE-WOLF OF LONDON). He is also the creator and executive producer of Showtime’s MASTERS OF HORROR anthology series, as well as creator of the NBC series, FEAR ITSELF.

Mick is known for his highly-rated podcast, POST MORTEM WITH MICK GARRIS, where he sits down with some of the most revered film-makers in the horror and fantasy genre for one-on-one discussions, including the likes of Stephen King, John Carpenter, Roger Corman, Walter Hill, Neil Gaiman, and many others….

(3) COMPARE AND CONTRAST. John Coxon has posted his report: “Dublin 2019: An Irish Worldcon”. Lots of in-depth talk about facilities, parties and program.

Finally, let’s talk parties. These were so much better than Loncon 3 and Helsinki, and represent the first party scene outside a US Worldcon that I’ve thought really worked. The model of having programme rooms by day become party rooms by night worked well, and in general it was a fun time. There was a failure mode — the queue to get a drink in the Glasgow in 2024 party was as big as the room, making it difficult to actually enjoy the party after you’d got your drink through no fault of the organisers — but most parties were a good mixture of people, pleasant to spend time in, and had interesting drinks and snacks (although the expense of having to use conference centre catering meant these often ran out quite early). Having the bar just down one floor meant that if you got bored of the parties you could head back, and vice versa. This felt nicer than the fan village in Loncon 3 mostly because that space was one, gigantic space with no nooks or crannies, which to me fails to capture what’s nice about drinking at Eastercon, i.e. the ability to find a little niche and settle with friends, or go from niche to niche changing context. Dublin very much captured that feeling, and the nightlife felt much, much more like a giant Eastercon than it did at Loncon 3. I liked that the bar was named in honour of Martin Hoare, who died shortly before the convention.

(4) AUTOPSYING THE ART BOOK CATEGORY. 2019 Hugo Administrator Nicholas Whyte’s extensive analysis of “A Hugo Award for Best Art Book: the 2019 experiment”, on his blog From the Heart of Europe, includes this statistical summary:

So, we unleashed it along with the other Hugo and Retro Hugo categories in January, and tallied the results after nominations closed in May. Participation at nominations stage was frankly disappointing.

  • Best Art Book had the lowest participation at nominations stage of any 2019 category (248 voters compared to the next lowest two: 290 for Best Fan Artist and 297 for Best Fanzine).
  • It had the lowest number of nominees (78, compared to the next lowest two: 91 for Best Semiprozine and 102 for Best Fanzine).
  • The top finalist in the category had the lowest number of votes for a top finalist in any category (51, compared to the next lowest two: 70 for the top finalist in Best Fan Writer and 72 for the top finalist in Best Fancast).
  • The lowest-placed finalist had the second lowest number of votes for the lowest-placed finalist in any category (28, ahead of 25 for the lowest-placed finalist in Best Fan Artist but behind 33 for the lowest-placed finalist in Best Graphic Story).
  • The sixteenth-ranked nominee had the second lowest number of votes for any category (6, compared to 5 for Best Fan Artist and 8 for Best Fanzine).
  • The count for Best Fan Artist had the second lowest number of rounds of any category (36, ahead of 31 for Best Fanzine, behind 43 for Best Semiprozine).
  • The votes cast for the top 16 nominees were 51, 47, 47, 39, 30, 28, 25, 24, 24, 19, 15, 12, 12, 10, 8 and 6.

(5) WFC 2019 ROOMS. This year’s World Fantasy Con committee reminded everyone time is fleeting – click here for room reservations.

As a reminder, the World Fantasy Convention 2019 hotel discount block closes on September 30! You can reserve a hotel room at the Marriott Los Angeles Airport Hotel for $149 (plus taxes & fees) by visiting our Venue page below, and clicking on the “Book Your Room Now” rate.

(6) HUGO LOSERS PARTY. Beyond the File 770 comments section, there have been trenchant responses to George R.R. Martin’s post about the party.

Alex Acks writes, “I didn’t feel personally belittled until this moment: George’s Hugo Losers Party explanation”.

There are a few things in particular I’d like to respond to in George’s epic non-apology.

I do not know that anything I can say will appease those who did not get into the party… but I can at least explain what happened, and why.

We’re writers. Words and word choice matter, and we’re not going to pretend otherwise. I do not need to be appeased like a tantrummy child, and I don’t appreciate the implication. I wanted an apology for those of us left out in the cold.

I actually do appreciate the explanation of the communication issues, of how things got so messy. The party is a large undertaking. It’s also George’s party, and as I have stated before, he can invite who he bloody well pleases. I also do appreciate this:

We knew the capacity of the floor we were renting well in advance, and worried whether the 450 limit would be a problem for us.   The possibility was there, we all saw that.    But there was no easy answer, so in the end we decided to go ahead as planned in the hopes that things would work out.   The final decision was mine.   It was the wrong decision.

Which is then rather deflated by:

A number of the louder Twitterers have stated SOMETIMES IN SCREAMING CAPS that it is simplicity itself to calculate the number of attendees at a party.   That makes me suspect that none of them have ever organized one, at least not one as big as the Hugo Losers Party.

Feel free to name me if you have a problem with me. I certainly used screaming caps because I was, I would hope understandably, upset…

Renay, part of the team that creates Lady Business, this year’s Best Fanzine Hugo winner, took issue with the entire post, of course, especially objecting to this phrase:

Also, whereas in the past categories like fanzine and semiprozines only had one editor, and therefore one nominee (Andy Porter for ALGOL, DIck Geis for ALIEN CRITIC, Charlie Brown for LOCUS, Mike Glyer for FILE 770, etc.), now most of them seem to be edited by four, five, or seven people, all of whom expect rockets and nominee invitations.

Thread stars here.

Alexandra Erin makes extensive comments beginning here.

Kat Tanaka Okopnik, who experienced the inconvenience of waiting to get into the party, shared observations on Facebook.

We (waiting outside) had no idea the buses weren’t supplied by GRRM. It added to the consternation.

It was raining intermittently, the buses had left, and there as no shelter and no seating. Most of us were willing to stand, although it was cold and most of us were not prepared for standing outside — femme party clothes don’t prioritize weatherproofness. We asked for seats for people who needed not to be standing.

…I’m writing this account in hopes of adding to the aggregate narrative about the night, and with the expectation that having more facts and viewpoints available affects the way someone might think of the events and choices that lead to them. GRRM’s generosity is legendary, but it’s true that we shouldn’t expect it to be bottomless. I thank him for both his hospitality and for the accounting he has shared with us giving insight into his planning process.

Lastly, someone slipped a joke onto the internet!

https://twitter.com/SamFromInternet/status/1168257941197271041?s=19

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 1, 1875 — Edgar Rice Burroughs. Bradbury declared him “the most influential writer in the entire history of the world.” Now I’d not necessarily disagree or agree wth that statement but I would note that he has largely fallen out of public notice once again. (Died 1950.)
  • Born September 1, 1936 — Gene Colan. He co-created with Stan Lee the Falcon, the first African-American superhero in mainstream comics. He created Carol Danvers, who would become Ms. Marvel and Captain Marvel, and was featured in Captain Marvel. With Marv Wolfman, he created Blade. (Died 2011.)
  • Born September 1, 1941 — Elen Willard, 78. She’s best known for her portrayal of the character Ione Sykes in “The Grave” episode  of The Twilight Zone. You can rent it on iTunes or Amazon. She also shows up in The Man from U.N.C.L.E.‘s “The Jingle Bells Affair”. 
  • Born September 1, 1942 — C. J. Cherryh, 77. I certainly think the Hugo Award winning Downbelow Station and Cyteen are amazing works but I think my favorite works by her are the Merchanter novels such as Rimrunners.
  • Born September 1, 1943 — Erwin Strauss, 76. A noted member of the MITSFS, and filk musician who born in Washington, D.C. He frequently is known by the nickname Filthy Pierre. He’s is the creator of the Voodoo message board system once used at cons such as Worldcon, WisCon and Arisia. 
  • Born September 1, 1951 — Donald G. Keller, 68. He co-edited The Horns of Elfland with Ellen Kushner and Delia Sherman which I highly recommend. He is a contributor to The Encyclopedia of Fantasy and he’s member of the editorial board of Slayage, the online Encyclopedia of Buffy Studies.
  • Born September 1, 1952 — Brad Linaweaver. Mike’s remembrance post is here. (Died 2019.)
  • Born September 1, 1952 — Timothy Zahn, 68. Apparently he’s known more these days for the Thrawn series of Star Wars novels.
  • Born September 1, 1964 —Martha Wells, 55. She’s has won a Nebula Award, a Locus Award, and two Hugo Awards. Impressive. And she was toastmaster of the World Fantasy Convention in 2017 where she delivered a speech called “Unbury the Future”. Need I note the Muderbot Dairies are amazing reading? 
  • Born September 1, 1967 — Steve Pemberton, 52. He’s on the Birthday List for being Strackman Lux in the Eleventh Doctor stories of “Silence in the Library” and “Forest of the Dead” but he has other genre credits including being Drumknott in Terry Pratchett’s Going Postal, Professor Mule in Gormenghast and Harmony in Good Omens.

(8) BIRTHDAY PARTY IN PROGRESS. [Item by Standback.] Cassandra Khaw’s “Birthday Microfiction” has been exploding all over Twitter and it’s fantastic. You can see lots and lots and LOTS of people throwing their hat into the ring here.

Lots of great ones, large and small. My favorite so far is Marissa Lingen’s “hardest experience in a magic ollege major” thread; they’re on-point and fantastic.

Some excellent ones that could use some more prompts:

* A continuing story, @fromankyra:

* Strange dubbed TV, Laura Blackwell:

* Imaginary TV shows, Evelyn Chirson:

…and, I’m doing one too, if you want to hear how your themed birthday party is going to pan out.

It’s a lot of fun

(9) SPOOKY HISTORY. ‘Tis the season to remember who made it up — “Have You Ever Heard of a Halloween Tree?”

It can be speculated that the Halloween tree got its start from the 1972 fantasy novel by Ray Bradbury. In the novel, eight boys are out trick-or-treating on Halloween night when they realize their friend Pipkin has been taken away. The trick-or-treaters find their way through time, wandering through Ancient Egypt, Ancient Greek, and Ancient Roman cultures, Celtic Druidism, the Notre Dame in Medieval Paris, and finally the Day of the Dead in Mexico. As the friends travel through time, they learn the origins of Halloween and in the end, the Halloween Tree, filled with jack-o-lanterns, serves as a spooky metaphor for all the different cultures and how they celebrate Halloween.

(10) HONK IF YOU LOVE GAMING. “A gaming company is releasing something called “Untitled Goose Game” and people are losing their honking minds” – CNN has the story.

If you have ever wanted to be a “horrible goose” House House’s new video game Untitled Goose Game, may be for you.

The Australian gaming company released a honking new trailer for the game that has been in the works for three years and comes out on September 20.

And there are options. You can be a goose on your Nintendo Switch, Mac or PC and terrorize the citizens of a village.

(11) PRIORITIES. Alasdair Stuart’s The Full Lid for August 30, 2019 talks about what it’s like to not win a Hugo, and what’s worse than losing —

That is an amazing set of winners! Especially delighted to see Zen Cho, Jeanette Ng, Becky Chambers and Mary Robinette Kowal recognized. That being said. there are times when Hugo voters can, intentionally or not, be cruel. Two of them hit this year.

–Charles Payseur getting fewer votes than No Award is indefensible. Charles is a dynamo who, along with colleagues like Maria Haskins, has made short fiction reviewing viable and vital and in doing so has aided the entire field. The industry needs him, it doesn’t need to insult him. I hope next year that’s rectified.

–Didi Chanoch‘s thread here covers the ground concerning Gardner Dozois’ posthumous Hugo brilliantly. All I’ll add is this: the voters didn’t recognize the 13 years E Catherine Tobler and Shimmer put into making the industry better. That’s a massive shame.

(12) TODAY’S THING TO WORRY ABOUT. According to Vox: “Brain-reading tech is coming. The law is not ready to protect us.”

Over the past few weeks, Facebook and Elon Musk’s Neuralink have announced that they’re building tech to read your mind — literally.

Mark Zuckerberg’s company is funding research on brain-computer interfaces (BCIs) that can pick up thoughts directly from your neurons and translate them into words. The researchers say they’ve already built an algorithm that can decode words from brain activity in real time.

And Musk’s company has created flexible “threads” that can be implanted into a brain and could one day allow you to control your smartphone or computer with just your thoughts. Musk wants to start testing in humans by the end of next year.

Other companies such as Kernel, Emotiv, and Neurosky are also working on brain tech. They say they’re building it for ethical purposes, like helping people with paralysis control their devices.

This might sound like science fiction, but it’s already begun to change people’s lives. Over the past dozen years, a number of paralyzed patients have received brain implants that allow them to move a computer cursor or control robotic arms. Implants that can read thoughts are still years away from commercial availability, but research in the field is moving faster than most people realize.

Your brain, the final privacy frontier, may not be private much longer.

(13) TODAY’S OTHER THING TO WORRY ABOUT. Ars Technica: “How the NFL—not the NSA—is impacting data gathering well beyond the gridiron”.

As guards were going so far as to check inside NFL fans’ wallets as part of routine security measures before a recent preseason game at Levi’s Stadium, a different form of surveillance was taking place on the inside of the San Francisco 49ers’ one-year-old, $1.3 billion home here in Silicon Valley.

We’re not talking about facial recognition devices, police body cams, or other security measures likely zeroing in on fans. Instead, employees from San Jose-based Zebra Technologies had recently finished scanning the NFL uniforms of the 49ers and of their opponents—the Dallas Cowboys. All of a sudden, an on-the-field de facto surveillance society was instantly created when Zebra techies activated nickel-sized Radio Frequency Identification Device (RFID) chips that were fastened inside players’ shoulder pads. Every movement of every player now could be monitored within an accuracy level of all but a few inches…

(14) THREE YEARS BEFORE 1984. Andrew Strombeck looks back at “The Year of the Werewolf” at LA Review of Books and asks what it tells us about our current moment.

Why all the lycanthropy? The werewolf was an apt figure for 1981, a moment when prominent commentators worried that many Americans had become too self-focused. Tom Wolfe had first advanced the argument in 1976, dubbing the 1970s the “me” decade, wherein Americans, under the lingering influence of the counterculture, were spending way too much time cultivating their bodies and minds. Christopher Lasch’s 1979 The Culture of Narcissism was so popular that Lasch was invited to the White House, where his ideas would influence Jimmy Carter’s 1979 “crisis of confidence” speech. Linking the OPEC embargo, Watergate, and a declining economy, Carter told Americans “too many of us now tend to worship self-indulgence and consumption,” turning away from the broad project of American productivity that characterized the postwar years. By “self-indulgence,” Carter was referring to the human potential movement, a combination of therapeutic techniques, meditation, swinging, and yoga. Lasch blamed these cultures for the baffling emotional, economic, and social violence that seemed everywhere: in rising divorce rates, widespread unemployment, and the destruction of the inner city.

(15) EAST OF JAVA. BBC looks back at the “Game of Thrones makers on that coffee cup blunder and season eight”.

The Game of Thrones creators said they would be “very far from the internet” when the final episode of the show aired, and it seems they were true to their word.

It’s been more than three months and David Benioff and DB Weiss have just given their first interview addressing Game of Thrones’ controversial eighth season.

While Japan’s Star Channel didn’t ask about the nearly 2 million people that have signed a petition calling for the final season to be re-made, they did bring up that coffee cup – the one left in a scene in front of Daenerys Targaryen.

David Benioff called it their “Persian rug”.

(16) DRAGON AWARDS TRIVIA. The ceremony ran opposite Doctor Who companion Catherine Tate’s appearance and 58 other items starting at 5:30 p.m. per the list in the online schedule.

[Thanks to Standback, Jeffrey Smith, JJ, John King Tarpinian, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Contrarius, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]

Pixel Scroll 8/20/19 My Name Is Pixel, Scrolled Pixel

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(1) HUGO STATS. Dublin 2019 Hugo Administrator Nicholas Whyte has published his analysis of the voting: “2019 Hugos in detail, and reflections on the viability of Best Fanzine”. It begins —

All but two of the winners had the most first preferences in their categories. The exceptions

  • Best Dramatic Presentation, Short Form: The Good Place: “Janet(s)” came from third place to overtake Dirty Computer and The Expanse: “Abaddon’s Gate”.
  • Best Graphic Story: Monstress, Volume 3: Haven started in second place but got enough transfers to overtake Black Panther: Long Live the King.

The only category where fewer than six rounds of counting were required to determine the winner was Best Fancast, where Our Opinions Are Correct won on the fifth count.

The closest results were:

  • Best Graphic Story: Monstress, Volume 3: Haven beat Black Panther: Long Live the King by 8 votes.
  • Best Novella: “If at First You Don’t Succeed, Try, Try Again” beat “The Last Banquet of Temporal Confections” by 9 votes.
  • John W. Campbell Award for Best New Writer: Jeannette Ng beat Rivers Solomon by 43 votes.

At lower rankings, there were three closer results:

  • Best Related Work: The Mexicanx Initiative beat Astounding by 4 votes for fourth place.
  • Best Fancast: The Skiffy and Fanty Show beat The Coode Street Podcast also by 4 votes for fifth place.
  • Best Fan Writer: Bogi Takács beat Elsa Sjunneson-Henry again by 4 votes for second place.

(2) AFTER ACTION REPORT. Cheryl Morgan tries to figure out what went wrong at the Hugo Losers Party in “Worldcon #77—Day 5”.

…Quite why so many finalists were turned away isn’t clear. It isn’t the fault of the Dublin committee, because they have nothing to do with the party other than pass on invitations to the finalists. It probably isn’t the fault of the NZ people because these days I understand that organisation of the event is passed on to people who work for George. People on Twitter inevitably blamed George personally (and doubtless complained that he should be writing books rather than running parties). The fault may lie with the staff at the venue. It is all a bit murky.

What is clear is that a whole lot of people who were not Hugo finalists had got into the party long before the Hugo Ceremony finished. This is the publishing industry in action. If there is a swank party going, publishing people will find a way to get into it. And the fact that they did led to the venue being (allegedly) overcrowded and people being turned away.

(3) FUND RAISING FOR SARAH NEWTON. Sarah Newton is a game designer and author of the Mindjammer game and novels and other RPGs. Over the past 6 months she’s been caring for her husband who had with stage IV cancer and she is now raising money for his funeral expenses, to get back on her feet, and get her company up and running again: “We?re raising £3,500 to help fund the funeral expenses of Chris James, the Brown Dirt Cowboy.” The appeal has brought in £7,231.

I wanted to explain what any money above Chris’s funeral expenses will be used for. The week after next, I’ll take Chris’s ashes to the UK by car and ferry, appx £400. I’ll return to work in France by 1 October. Mindjammer Press has been mothballed since February. It’ll take me the rest of the year to start delivery, meaning I need to cover the period financially. With your blessing, it would be useful to use your gifts to reduce any loan I’ll eventually need. My outgoings are low – appx 1000 euros a month. Please let me know your thoughts.

(4) IN CASE YOU HADN’T NOTICED. Jezebel notes “Once Again, Women Casually Dominated the Hugo Awards” (based on a post at The Verge.)

… The streak is notable, because it comes even after a Gamergate-style pushback attempt in 2015.

(5) INTERNATIONAL COVERAGE. And one of those winners got a nice writeup in MalaysiaKini: “Malaysian author Zen Cho wins Hugo Award”.

Malaysian author Zen Cho has bagged the Hugo Award, a prestigious literary award for science fiction writing.

Cho’s ‘If At First You Don’t Succeed, Try, Try Again’ won in the Best Novelette category.

… “It was unexpected – I was pleased to be nominated because I was attending Worldcon this year anyway, and I was keen to go to the Hugo Losers party hosted each year by Martin.

“But I had my bets about who would win and it wasn’t me!” she was quoted as saying….

(6) GONE FROM THE VERGE. Bad news for Andrew Liptak and those of us who like to read his coverage of the sff field: Reading List: Well, that was unexpected.

So, last week didn’t turn out as I’d expected it to. I was let go from The Verge: my last day was Wednesday. The reasons are both simple and complicated, and I’m not going to go into a whole lot of detail, other than to say that I’m bummed to be out, will miss a bunch of my former co-workers, and being able to talk about some of the things that I really love to a big audience. I began work there three years ago, after applying on a complete whim. My time there has made me a much better writer from where I started, so that’s a plus. 

(7) BOND FILM GETS NAME. Esquire, in “‘No Time To Die’: Bond 25 Title And Release Date Are Finally Confirmed” says we know what the new Bond movie is and when it will be released.

At last – at long, long, long last – the next James Bond film has its title. Bond 25 can officially nestle in the bin with Shatterhand, Eclipse, A Reason To Die and however many other mooted titles which came and went….

It’s officially titled No Time To Die. It’s got a very punchy logo, and it’s out in the UK on 3 April 2020 and 8 April 2020 in the US.

(8) TODAY IN HISTORY.

  • August 20, 1973 — George Lucas signed the contract to shoot a movie called Star Wars.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. (Died 1931.)
  • Born August 20, 1890 — Howard P. Lovecraft. Virtually unknown during his lifetime, he was published only in pulp magazines before he died in poverty. He’s regarded now as one of our most important authors of horror and weird fiction. He is not the originator of the term Cthulhu mythos, that honor goes to August Derleth. (Died 1937.)
  • Born August 20, 1932 — Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors.  It is noted that enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
  • Born August 20, 1943 — Sylvester McCoy, 76. The Seventh Doctor and the last until the modern era of the official BBC Doctors. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go. 
  • Born August 20, 1947 — Alan Lee, 72. Book illustration and film conceptual designer. I think one of his most impressive works is the Tolkien centenary edition of The Lord of the Rings which he did all the art for. Though his first edition cover of Holdstock’s Lavondyss: Journey to an Unknown Region s damn impressive too. Though I don’t  like the storytelling of The Hobbit films, his and John Howe ‘s conceptual design is fantastic.
  • Born August 20, 1948 — John Noble, 71. He’s best known as Dr. Walter Bishop on Fringe, and Henry Parrish on Sleepy Hollow. He’s also played Denethor in Peter Jackson’s The Lord of the Rings trilogy. And he voiced Brainiac in Superman: Unbound, a superb film. 
  • Born August 20, 1951 — Greg Bear, 68. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery.
  • Born August 20, 1957 — Mary Stävin, 62. It’s not often we get someone in two Bond films, both of them Roger Moore affairs. In Octopussy, she played an Octopussy girl, and in A View to a Kill, she played agent Kimberley Jones. In the low budget Italian SF film Alien Terminator, she’s Maureen De Havilland, and in Howling V: The Rebirth, she’s Anna. 
  • Born August 20, 1962 — Sophie Aldred, 57. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. 
  • Born August 20, 1962 — James Marsters, 57. Spike in Buffyverse. He’s also played Brainiac on Smallville, Captain John Hart on Torchwood, Barnabas Greeley on Caprica, and Victor Stein on the Runaways. Oh and he voiced Lex Luthor in Superman: Doomsday.
  • Born August 20, 1963 — Justina Vail Evans, 56. Olga Vukavitch in Seven Days, a series I thought was extremely well crafted. She shows up in other genre series such as Super Force, The Adventures of Superboy, The X-Files, Conan and Highlander: The Series. 

(10) COMICS SECTION.

  • Today’s Speed Bump is about a disappointing turnout for an author’s event.

(11) UNDER THE LID. This week Alasdair Stuart’s The Full Lid dives into the heady, deadly romance of This is How You Lose The Time War and explores what happens to aging when we live…Longer. Rounded out by an early review of the wonderful Moonbase Theta, and Out’s second season, click here to read it: “The Full Lid 16th August 2019”. Excerpt from the Time War review —

A duel is a romance with different syncopation. A game is a conversation with rules. A dance is a fight you both get to win. A waltz between the seconds, a volta across parallel timelines. All of it driven by tempo and need, the percussion of war, the brass of ideologies clashing. The Hans Zimmer siren of massive concepts crashing against each other, of miniature disasters and minor catastrophes stitching themselves into the quilt of the world.

In the midst of all of this, Red and Blue. Soldiers. Assassins, Gardeners (Although only one would think of themselves as such), rivals and slowly, surely, something much, much more.

(12) ARE THE LIGHTS STILL ON? Camestros Felapton surmises that Vox Day’s “Castalia House has stopped publishing new science fiction”.

…The last blog post at Castalia’s blog leading with “Castalia New Release” was in November 2018 and was Day’s non-fiction riposte to Jordan Peterson. ISFDB has only one entry for Castalia in 2018 (Nick Cole’s republished Soda Pop Soldier) and while I know they are missing some titles (e.g. Cole’s sequel to that book from 2018), it is a sharp contrast from 2014-2017.

John C Wright’s “Nowither: The Drowned World” was published in 2019 but the series has shifted from Castalia to Superversive Press. Newer writer Kai Weah Cheah published a sequel with Castalia early in 2018 but his more recent books have been with Russell Newquist’s Silver Empire….

(13) BOOTH OBIT. [Item by Chip Hitchcock.] “Richard Booth: Bookshop owner and ‘king of Hay-on-Wye’ dies”. “I made the pilgrimage there before Conspiracy; If I recall, Jo Walton got married there.”

Richard Booth, who turned Hay-on-Wye into a second-hand bookshop capital, has died aged 80.

He was responsible for transforming the market town in Powys into the world’s foremost home for books.

Mr Booth – who dubbed himself “king of Hay” opened his first bookshop in the town’s former fire station in 1961 and was honoured with an MBE in 2004.

Anne Addyman, from Addyman’s Books, said: “This town has become what it is because of him.”

(14) PORTALESS FANTASY? A BBC writer takes “A bizarre journey beyond Earth’s borders”.

The Kcymaerxthaere is our global link to a ‘parallel universe’. So why don’t more people know it exists?

There’s a well-known saying from Ralph Waldo Emerson that goes: ‘It’s not the destination, it’s the journey’.

That’s kind of how I was feeling, standing in the middle of the Malzfabrik – an enormous art and design centre that began as a malting plant more than a century ago – in Berlin’s Tempelhof neighbourhood. I’d walked 20 minutes from the closest U-Bahn station, along wide, tree-lined streets almost vacant of other pedestrians to reach these towering red-brick buildings and their main square.

I was well off the city’s typical tourist routes, and since my phone’s wi-fi kept cutting out (and the lovely woman at the Malzfabrik’s front desk had never heard of the ‘Kcymaerxthaere’), I’d been wandering around this massive industrial property for over half an hour, searching for signs to a parallel universe. Finding the first one – a pillar-mounted plaque describing Sentrists, a people so self-absorbed that the centre of the universe shifts a bit when more than a few of them get together – was fairly easy, but the others (including a marker tucked within the Malzfabrik’s entry garden) took a bit more sleuthing.

“You’re looking for what?” asked my friend Maria, with whom I was staying in Berlin’s Kreuzberg neighbourhood, when I told her about the Kcymaerxthaere, or ‘Kcy’ – an ongoing, global, three-dimensional storytelling experience that has 140 installations, including a series of mostly square bronze plaques (or ‘markers’) and more complex ‘historic sites’, spread over six continents and 29 countries. Each installation pays tribute to a conceived ‘parallel universe’ called the Kcymaerxthaere, and shares bits of larger stories that are said to have taken place at or around corresponding locations in our own ‘linear’ world, but within an alternate dimension. It can be a heady thing to wrap your mind around.

(15) MACROPROCESSOR. [Item by Chip Hitchcock.] Not quite what Bill Higgins and Barry Gehm wrote of 40 years ago (*), but big enough: “Cerebras reveals world’s ‘largest computer chip’ for AI tasks”.

A Californian-based start-up has unveiled what it says is the world’s largest computer chip.

The Wafer Scale Engine, designed by Cerebras Systems, is slightly bigger than a standard iPad.

The firm says a single chip can drive complex artificial intelligence (AI) systems in everything from driverless cars to surveillance software.

…Cerebras’ new chip has 400,000 cores, all linked to each other by high-bandwidth connections.

The firm suggests this gives it an advantage at handling complex machine learning challenges with less lag and lower power requirements than combinations of the other options.

Cerebras claims the Wafer Scale Engine will reduce the time it takes to process some complex data from months to minutes.

(*) from “Home on Lagrange” (with respect to the advertised possibility of growing huge crystals in orbit): “It had 392 pins, drew fifty-seven amps of current, had a heat sink the size of a Cadillac. They called it … Macroprocessor”. (Per The NESFA Hymnal — the addition does not appear on the permitted onlining at http://www.jamesoberg.com/humor.html, so I’m not sure whether it’s original or part of the filk process.)

(16) INDIA CRAFT ARRIVES IN LUNAR ORBIT. BBC reports“Chandrayaan-2: India spacecraft begins orbiting Moon”.

India’s second lunar exploration mission has entered the Moon’s orbit, nearly a month after blasting off, officials have said.

Chandrayaan-2 began its orbit of the Moon at 09:02 local time (04:32 GMT) on Tuesday.

The craft completed the manoeuvre in around 30 minutes, the Indian Space Research Organisation (Isro) said.

India’s Prime Minister Narendra Modi hailed the mission as “an important step in the landmark journey”.

K Sivan, head of Isro, said he was confident Chandrayaan-2 would land on the Moon as planned on 7 September.

…Chandrayaan-2 (Moon vehicle 2) will try to land near the little-explored south pole of the Moon.

The mission will focus on the lunar surface, searching for water and minerals and measuring moonquakes, among other things.

See near the end of this BBC article for the orbital reason it took most of a month after launch to reach the moon.

(17) SHOW’S OVER. “‘World’s oldest webcam’ to be switched off” – BBC has the story.

The world’s oldest continuously working webcam is being switched off after 25 years.

The Fogcam was set up in 1994 to watch how the weather changed on the San Francisco State University campus.

It has broadcast almost continuously since then barring regular maintenance and the occasional need for it to be re-sited to maintain its view.

Its creators said it was being shut down because there were now no good places to put the webcam.

[Thanks to Nicholas Whyte, Trey Palmer, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]