Tag Archives: Mary Shelley

Pixel Scroll 5/18/25 Pixels Tickle When They Walk Through You

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(1) ZELAZNY-INSPIRED ART. Michael Whelan discusses the series of covers he created for “The Collected Stories of Roger Zelazny” from the NESFA Press.

I rank Roger Zelazny as one of the best F/SF writers of his generation. One of my prime regrets is that I never got to meet him.

I was immediately intrigued when offered the chance to provide covers for a multi-volume collection of his works by NESFA Press, the publishing side of the New England Science Fiction Association.

While pitching the project, the publisher explained that Roger had said in an interview that he always wished to have me do a cover for one of his books; alas that it didn’t come to pass during his lifetime. But I was happy to show my respect for his legacy through my art….

…Upon reflection I settled on a blend of 1) managing elements of RZ stories that applied to tales within a particular volume, and 2) adding things ‘on the fly’ as a part of the process of doing the painting, using connections that popped up while adding details to the composition.

I’m not going to lie…it did occur to me that I could paint anything at random, knowing that a connection could be found between what I chose to depict and some narrative or thematic element in Zelazny’s writing.

That was liberating. I felt free to develop the composition from a “big design” standpoint since there was such a wealth of material to draw on to “populate” the image areas.

The idea of running one image across the spines of the seven books was discussed early on; I believe Alice Lewis, jacket designer on this project, was the one who originally mentioned it. The challenge of making it work seemed exciting, so I was drawn to that approach right away….

(Paul Weimer has reviewed the first five books in the series for File 770: “Paul Weimer Review: Roger Zelazny’s Threshold”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Two: Power & Light”; “Paul Weimer Review: The Collected Stories of Roger Zelazny, Volume Three: This Mortal Mountain”; “Paul Weimer Review: The Collected Works of Roger Zelazny, Volume Four, Last Exit to Babylon”; and “Paul Weimer Review: The Collected Stories of Roger Zelazny: Volume 5: Nine Black Doves”.)

(2) SEATTLE WORLDCON 2025 CONSULTATIVE VOTE IS OPEN. Seattle Worldcon 2025 is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting. Voting runs from May 1 to May 31 and is accessed through the member registration portal in the same manner as the Hugo Award voting. More information is available on the Consultative Vote Webpage.

As previously announced, Seattle Worldcon is holding a consultative vote of WSFS members on two of the proposed Constitutional amendments passed on from the Glasgow 2024 Business Meeting to the Seattle Worldcon: the proposed revisions of the Hugo Award categories for best professional artist and best fan artist, and the proposed amendment to abolish the Retro Hugo Awards.

The purpose of the consultative vote is to test whether this type of vote is feasible, in case the practice is someday adopted as a formal part of the WSFS decision-making process. These proposals were chosen because they have clearly generated wide interest among the Worldcon community.

(3) ON THE WAY. “Frankenstein in the Age of CRISPR-Cas9” at Nautilus.

…[Mary] Shelley drew on a mythology of technology that goes back to the 6th century B.C. when the figure Prometheus stole fire from the gods and bestowed it to mankind. The “fire bringer,” is often associated with Lucifer, (literally meaning “light bearer”), who pilfered light from the heavens and brought it down to Earth. The “fall of man” implies an age when mortals are illuminated with knowledge. Immanuel Kant was the first to modernize the term, when he nicknamed his pal, Benjamin Franklin, “the Prometheus of modern times” for his nifty work with kites. In the early 19th century, Shelley’s Frankenstein, or The Modern Prometheus put the concept into terms of controlling biological forces. She not only arguably invented science fiction, but her novel offered a plot device for modern tales, including Flowers for Algernon, The Stand, The Andromeda Strain, Jurassic Park, 2001: A Space Odyssey, and Yann Martel’s short story “We Ate the Children Last.” We all understand the illusions. A scientist sets out to create a more perfect entity, only to have it backfire as the thing he creates gets out of control.

…By the early 1980s, Richard Mulligan at the Massachusetts Institute of Technology isolated genetic code and wrapped it up in a virus, returning it to humankind as a tool. In the same decade, companies such as Biogen and Genentech claimed the patents to control the first applications of genetic engineering. Scientists today are using the gene editing tool CRISPR to do things such as tinker with the color of butterfly wings, genetically alter pigs, and engineer microbes with potentially pathogenic or bioterror purposes. Last year, a group of 150 scientists held a closed-door meeting at Harvard Medical School to discuss a project to synthesize the code of a human genome from scratch using chemical techniques. As Andrew Pollack wrote in The New York Times, “the prospect is spurring both intrigue and concern in the life sciences community because it might be possible, such as through cloning, to use a synthetic genome to create human beings without biological parents.” In August, Shoukhrat Mitalipov at the Oregon Health and Science University in Portland reported using CRISPR to alter a human embryo….

…We are at the very start of the “industrial revolution of the human genome,” just as Shelley was writing at the start of the Industrial Revolution. Her essential insight is that science and technology can progress but will never achieve social control without a willful and ongoing abdication, or repression, of our agency. Shelley wants to tell us that what we seek from technology is based on our existential fear of being in control over our own lives, which have no ultimate solution, and which compels us to so eagerly pursue what psychologists call an external locus of control. But mythology is often first presented as a utopia, only to result in a dystopian reality…

(4) THE SF COLLECTION SOME OF US GREW UP WITH. “A Treasury of Great Science Fiction, Volume One & Two, Anthony Boucher editor, 1959 Doubleday & 1960 SF Book Club” features at A Deep Look by Dave Hook.

The Short: I recently reread one of my favorite SF anthologies as a much younger person, A Treasury of Great Science Fiction, Volume One and Volume Two, Anthony Boucher editor, 1959 Doubleday/1960 Science Fiction Book Club. It was available for purchase only as a two volume set when new. I am not aware of any other SF anthology that includes two novels and 10 pieces of short fiction, much less one that includes four novels and 20 short fiction works in the set. My favorite novel included is the classic The Stars My Destination by Alfred Bester, and my favorite short fiction is the classic “The [Widget], the [Wadget], and Boff“, a novella by Theodore Sturgeon. My overall average rating is 3.73/5, or “Very good”. It was great to rediscover how great the John Wyndham novel Re-Birth is…. 

(5) GOING ROGUE IS RECOMMENDED. “Five Takeaways From Rewatching ‘Rogue One’ After ‘Andor’” at The Ringer.

…The makers of Andor have teased how transformative it can be to revisit Rogue One after the prequel-to-a-prequel’s conclusion. As of last week, Andor creator Tony Gilroy hadn’t rewatched Rogue since finishing Andor, but he hyped the practice anyway: “Other people around me have done it. So I’ve been reassured. And I’ve seen bits and pieces of it; it comes on, and you’re like, ‘Oh my god, holy crap. Look what that does.’” Diego Luna was even more insistent. “I urge people to see Rogue One right after the end of Season 2,” the actor who plays Cassian said. “They’re going to see a different film.”…

There follow five takeaways which, as you should expect, are full of spoilers.

(6) AS IMAGINED IN THE TWENTIETH CENTURY. [Item by Andrew Porter.] “When a president goes rogue: In these books, it already happened” at Salon. Discussion of several novels including The Man In The High Castle and Parable of The Sower.

…As the second Trump administration lurches into its third month, moving fast and breaking government, I’ve been studying what American writers have suggested would occur if a demagogue were elected president. A next step, in novels such as Sinclair Lewis’ “It Can’t Happen Here,” involves a direct attack on the Supreme Court if it declines to affirm a president’s agenda. Much the same forces are at work 90 years later. Alternative histories, particularly dystopias, reflect their societies’ radical pessimism, as  Harvard professor and New Yorker writer Jill Lepore suggested in 2017:  

“Dystopia used to be a fiction of resistance; it’s become a fiction of submission, the fiction of an untrusting, lonely, and sullen twenty-first century, the fiction of fake news and Infowars, the fiction of helplessness and hopelessness.”…

(7) INTERNATIONAL BOOKER THOUGHTS. [Item by Steven French.] A couple of genre related novels top the Guardian’s list of contenders for the International Booker Prize: “A Danish Groundhog Day or tales of millennial angst… What should win next week’s International Booker?”

What unites the books on the shortlist for this year’s International Booker prize? Brevity, for one thing: five of the six are under 200 pages, and half barely pass 100. They are works of precision and idiosyncrasy that don’t need space to make a big impression. Themes are both timely – AI, the migration crisis – and evergreen: middle-class ennui; the place of women in society. And for the second consecutive year, every book comes from an independent publisher, with four from tiny micropresses. Ahead of the winner announcement on 20 May, here’s our verdict on the shortlist….

(8) MEMORY LANE.

[Written by Cat Eldridge.]

May 18, 1962 — Twilight Zone’s “I Sing The Body Electric”

They make a fairly convincing pitch here. It doesn’t seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. — Intro narration.

On this date in 1962, The Twilight Zone aired “I Sing The Body Electric”. 

It was scripted by Ray Bradbury and although he had contributed several scripts to the series, this was the only one produced. (His first script, “Here There Be Tygers,” was accepted but never filmed.)

It became the basis for his 1969 short story of the same name, named after an 1855 Walt Whitman poem which celebrates the human body and its connection to the universe. It was according to Whitman anti-slavery. The original publication, like the other poems in Leaves of Grass, did not have a title. In fact, the line “I sing the body electric” was not added until the 1867 edition.

Bradbury’s short story would be published first in McCall’s, August 1969. Knopf would release his I Sing The Body Electric collection in October of that year. It’s been included in least fifty collections and anthologies.) 

James Sheldon and William F. Claxton directed the episode; Sheldon directed some of The Man from U.N.C.L.E episodes; Claxton is known for Bonanza and Little House on the Prairie. I’ll confess to having seen a fair amount of the former but none of the latter. 

A large ensemble cast was needed as, minor spoiler alert, the primary cast here are shown at two ages, hence Josephine Hutchinson, David White, Vaughn Taylor, Doris Packer, Veronica Cartwright, Susan Crane and Charles Herbert all being performers even though the actual script calls for very few characters. 

Another spoiler alert. Perhaps I’m being overly cautious but we did get a complaint about spoiling a 50-year-old episode of a program by not noting that I was going to say something about that program, hence spoiler alerts for these programs.

Auntie, the organic one, caring for the children has decided they are too much of a burden and has decided to leave. So father decided to get a robot grandmother, a new fangled invention in their city. The mechanical grandmother after some resentment by one child is accepted by all after she saves one child from mortal injury and Serling says after that —

As of this moment, the wonderful electric grandmother moved into the lives of children and father. She became integral and important. She became the essence. As of this moment, they would never see lightning, never hear poetry read, never listen to foreign tongues without thinking of her. Everything they would ever see, hear, taste, feel would remind them of her. She was all life, and all life was wondrous, quick, electrical – like Grandma.

So this gentle tale that only Bradbury could write of the children who love her and the ever so wonderful mechanical grandmother ends with Serling saying the words scripted of course by Bradbury for him:

A fable? Most assuredly. But who’s to say at some distant moment there might be an assembly line producing a gentle product in the form of a grandmother whose stock in trade is love? Fable, sure, but who’s to say?

This was the year that the entire season of the series won the Best Dramatic Presentation Hugo at Chicon III. Just my opinion, but I think of all the nominees that it was clearly the far superior choice to win the Hugo. Really superior. 

It is streaming on Paramount+. 

There’s also a boy in the family but I couldn’t find an image of all three children, the father and the grandmother that was as good as this one is.

(9) COMICS SECTION.

(10) EXPECT A CODA FOR THIS SEASON OF DOCTOR WHO. BBC Doctor Who reveals: “Special episode of Doctor Who: Unleashed announced celebrating 20 years of revival”.

Travel back with David Tennant, Billie Piper and host Steffan Powell through a host of Whoniversal history…

As Season 2 comes to a climax, a special edition of Doctor Who: Unleashed is set to air on BBC Three, BBC iPlayer and BBC Wales. Steffan Powell is once again set to take a trip through the time vortex as he invites viewers on a journey celebrating the last twenty years since Doctor Who returned, and he will be joined by a host of cast and creatives that have played a part in bringing the show back into the Whoniverse.

Joining Steffan for the ride are some of the show’s most recognisable faces, including past Doctors David Tennant and Jodie Whittaker, former companions Billie Piper, Pearl Mackie, and Mandip Gill, ex-showrunners Steven Moffat and Chris Chibnall, the current Doctor Ncuti Gatwa alongside his newest companion Varada Sethu, as well as the current showrunner and the man who brought the show back in 2005, Russell T Davies.

As well as chatting with the stars about what Doctor Who means to them, Steffan will be revealing secrets from behind the scenes with interviews with those who work behind the cameras to bring Doctor Who to life….

 (11) PRECURSORS? Facebook’s group for David Attenborough Fans discusses the Silurian Hypothesis.

…The idea of the Silurian Hypothesis was inspired by an episode of Doctor Who, where intelligent reptilian creatures called Silurians awakened from 400 million years of hibernation due to nuclear testing. While this was a work of fiction, the hypothesis raised a profound possibility: What if there were once other advanced civilizations on Earth that have completely vanished?

Humans often think that their existence and their civilization are eternal, but history teaches us otherwise. Take ancient Egypt, for instance. For over 3,000 years and across 30 dynasties, Egyptians lived under the shadow of the pyramids, fished the Nile, and mingled with other cultures. To them, their civilization seemed everlasting, yet it too disappeared. Similar fates befell the Mesopotamians, the Indus Valley civilization, the Greeks, Nubians, Persians, Romans, Incas, and Aztecs. These great empires, once thriving with millions, left behind scant evidence of their grandeur.

Modern humans have been around for about 100,000 years, a mere blip in the hundreds of millions of years that complex life has existed on Earth. Given this vast expanse of time, it’s conceivable that other intelligent species might have risen and fallen long before us. Would we even know they had been here?…

…The Silurian Hypothesis suggests looking for markers of industrialization on a global scale. One key marker is changes in the isotopic composition of elements, which can be detected in sedimentary layers. For instance, human activities have altered the nitrogen cycle and increased the levels of certain metals like gold, lead, and platinum. Most notably, the burning of fossil fuels has changed the carbon isotope ratios in the atmosphere, known as the Suess effect, which is detectable in sediment cores.

Interestingly, a sudden global change in carbon and oxygen isotope levels was observed 56 million years ago during the Paleocene-Eocene Thermal Maximum (PETM). The PETM saw Earth’s temperature rise by six degrees Celsius over 200,000 years, with fossil carbon levels spiking. Some scientists speculate that a massive volcanic eruption caused this, but the exact cause remains unknown. Could it have been evidence of an ancient civilization? Probably not, but it does show how such an event could leave a detectable mark.

The Silurian Hypothesis, while not proving the existence of ancient civilizations, provides a framework for searching for them, not just on Earth but also on other planets. The Drake Equation estimates the number of extraterrestrial civilizations in our galaxy, suggesting there could be anywhere from 150,000 to 1.5 billion. If intelligent life can arise multiple times on a single planet, as the Silurian Hypothesis proposes, it opens up exciting possibilities for finding civilizations throughout the galaxy….

(12) THE INSIDE (THE BOOKSHOP) STORY. [Item by John King Tarpinian.] The Howling (1981) Bookshop scene was filmed at the Cherokee Bookshop, which was on Cherokee just off of Hollywood Boulevard.  The wandering customer is Forry Ackerman.   

(13) PITCH MEETING. Ryan George takes us inside the “Thunderbolts* Pitch Meeting”.

[Thanks to Kathy Sullivan, Teddy Harvia, Mike Kennedy, Jeffrey Smith, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mark Roth-Whitworth, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/1/25 I’m A Hellbound Jetpack

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(1) DYSON SWARM GAME – PLAY FREE. Joe Stech of Compelling Science Fiction today announced that his online Dyson Swarm Game is ready to play.

Happy New Year! Late is better than never, right? You can now play Dyson Swarm here! The game takes less than an hour for a full playthrough.

Here’s a quote that I love from MR, one of the beta testers for the game:

“As someone who does not really consume hard science fiction whatsoever, I felt delightfully bewildered by everything that was happening, and I enjoyed the gameplay, it made me feel like I was playing cookie clicker yet somehow also being productive and learning things”

This is exactly what I was trying to achieve — I want players to have fun and learn about the hard science fiction concepts I love! I based all my calculations for the game on Gerard K. O’Neill’s original 1974 paper “The Colonization of Space”, so the mass numbers are all fairly accurate.

And Stech has written an article about developing the game: “Dyson Swarm: How I built a hard science fiction game with AWS services”.

…Dyson Swarm is an incremental (clicker) game about dismantling the solar system in order to completely envelop the sun in space habitats. You start as a simple game developer, and progress through stages, building up resources as you go along.

I originally thought that development would only take 10-20 hours, but the scope of the game ballooned, and ultimately I ended up spending closer to 70 hours developing the game (the entirety of which were spent after my wife and kids went to sleep at night, which is my excuse if you encounter a bug). Effort estimates are one of the most difficult parts of software engineering!…

(2) OUR SAGA. Christopher Lockett thinks about Sam Gamgee and the story we’ve landed in: “Of Elections and Stewed Rabbit” at The Magical Humanist.

…Preparing a rabbit stew, Sam laments the lack of taters. The nominally reformed Gollum, now going by his original name Sméagol, expresses confusion. “What’s taters, precious?” To which Sam spells out, “Po—ta—toes … The Gaffer’s delight, and rare good ballast for an empty belly.” The film embellishes this exchange with the oft-memed line “Boil ‘em, mash ‘em, stick ‘em in a stew.”

This is one of my favourite lectures to deliver. I begin with a discussion of Tolkien’s use of food in LOTR—or more specifically, the fact that he rarely goes into detail about food.1 That hobbits love to eat is a fact often repeated, but with the exceptions of two feasts of mushrooms early in Fellowship, we don’t get many menu details. Unlike, say, George R.R. Martin’s A Song of Ice and Fire, which doesn’t go more than a few pages without a lavish description of a capon roasted with honey and crusted with herbs, or the Harry Potter novels with their feasts magically heaped on the groaning tables of Hogwarts, Tolkien is sparing in his depictions of food. He mostly reserves his considerable descriptive talents for wilderness and landscape. All of which makes this moment of Sam’s cookery stand out….

… In this respect, he is not unusual in children’s literature, which often features unlikely heroes. Nevertheless, Gandalf brings Bilbo on board almost as a self-conscious rejection of certain narrative conventions, noting that their party can hardly be expected to assault Smaug the Dragon head-on. “That would be no good,” Gandalf points out, “not without a mighty Warrior, even a Hero. I tried to find one, but warriors are too busy fighting one another in distant lands, and in this neighbourhood heroes are scarce.” These Warriors and Heroes, presumably, are those whom Sam mentions actively seeking adventures: “I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them.” By contrast, in “the tales that really mattered”—which I take to mean stories of actual historical significance—folk “seem to have been just landed in them.”…

(3) NOT THE FANDOM HE SEES IN THE MIRROR. {Item by Andrew Porter.] BBC Sounds shares The Forum episode “The rise of fans and fandom”. Mostly concerned with pop star and media fandom. Science Fiction and Comics fans never mentioned. Fanzines are mentioned, about 15 minutes in, but only in connection with Star Trek fandom in the 1960s. Comic-Con mentioned about 35 minutes in. No relationship between cosplay and earlier SF/Comics fandom.

When the writer Sir Arthur Conan Doyle killed off his most famous literary creation, Sherlock Holmes, readers were so angry that thousands cancelled their subscriptions to the magazine in which the stories appeared. The editor and Conan Doyle himself were overwhelmed with letters from a furious public – fans who instead of accepting the death of their favourite fictional character then started to write and share their own stories featuring Holmes. They eventually formed clubs and appreciation societies, brought together by a common interest. 

This practice is something we recognise today across the globe. In areas as diverse as sport, music, film and TV (to mention just a few), fans are not just passive consumers as the recent activities of Swifties (Taylor Swift fans) demonstrate. They’re actively engaged, creating content of their own and connecting with others to nurture a shared identity. The internet has made that easier than ever before, with fans now using their platform to influence political discourse too.

Iszi Lawrence discusses the history and inexorable rise of fandom, with guests Paul Booth, Professor of  Media and Pop Culture at DePaul University in Chicago in the United States; Areum Jeong, Assistant Professor of Korean Studies at Arizona State University in the US and Corin Throsby from the University of Cambridge in the UK, whose research focuses on Romantic literature and early celebrity culture. 

The programme also includes contributions from Julian Wamble, Assistant Professor of Political Science at George Washington University and the creator of Critical Magic Theory: An Analytical Harry Potter Podcast, and listeners around the world share their fan stories. 

Produced by Fiona Clampin for the BBC World Service.

(4) DOCTOR WHO IN MEMORIAM. [Item by Kathy Sullivan.] Toby Hadoke has posted the “Doctor Who In Memoriam 2024”.

(5) GEORGE FOLSEY JR. (1939-2024). Film editor and producer George Folsey, Jr. died December 30 reports Deadline. He worked on many of John Landis’ projects.

… [In 1967] Folsey Jr edited and was an executive producer on Schlock, a sci-fi horror comedy that marked the feature debut of a 21-year-old named John Landis. It started a collaboration that would eventually include editing Landis’ pics The Kentucky Fried Movie (1977), National Lampoon’s Animal House (1978), The Blues Brothers (1980) and the “Thriller” music video Landis directed for Michael Jackson, which became a worldwide phenomenon when it debuted in 1983.

Folsey also produced the Landis movie An American Werewolf In London (1981).

Folsey Jr was an assistant producer on Twilight Zone: The Movie, on which a helicopter crashed during the filming of Landis’ segment of the anthology film in July 1982 in Santa Clarita, CA. The crash, later found by the National Transportation Safety Board to have been caused by explosives used in the scene detonating too close to the low-flying copter, killed actor Vic Morrow and child actors Renee Shin-Yi Chen and Myca Dinh Le.

Landis, Folsey Jr, the pilot, the production manager and and explosives expert were all acquitted of manslaughter charges in the subsequent trial.

Folsey Jr went on to edit pics including … Steve Pink’s Hot Tub Time Machine (2010). 

(6) TODAY’S DAY.

“Mary Shelley’s ‘Frankenstein’ is published | January 1, 1818” – History will tell you all about it.

Frankenstein; or, The Modern Prometheus is published. The book, by 20-year-old Mary Wollstonecraft Shelley, is frequently called the world’s first science fiction novel. In Shelley’s tale, a scientist animates a creature constructed from dismembered corpses. The gentle, intellectually gifted creature is enormous and physically hideous. Cruelly rejected by its creator, it wanders, seeking companionship and becoming increasingly brutal as it fails to find a mate….

(7) MEMORY LANE.

[Written by Cat Eldridge.]

Ellen Kushner and Chocolate

Let’s talk about Ellen Kushner’s Riverside during the Winter and with their obsession with hot chocolate. Well let’s let her tell us about it…

IN THE MORNING, THERE WAS CHOCOLATE.

Betty seemed recovered from the previous day’s excesses. She must not have been working the party. The tray barely rattled as she set it down by the bed, and a heavenly rich scent filled the room.

I got up at once to engage with the little pot of bitter chocolate, set out with an entire jug of hot cream, as much sugar as I should care to put into it and, oh, the loveliest china cup to mix it in! I wished my mother were there to share it with me. I poured slowly, watching the cream swirl in the cup. It made the confusions and indignities of last night seem a little more worth it; I felt even better when Betty said, “And your new clothes have come, too.”

The chocolate was marvelous, but I gulped it down, assuring myself, There will be more again tomorrow, and tomorrow, and again the day after that. — The Privilege of The Sword

Now it’s not going to surprise you that the fans of Riverside have created a cuisine for it, all the result of a contest from The Fall of the Kings audiobook launch.

And Ellen being Ellen has kindly collected those recipes including of course those for hot chocolate on her excellent site. As she puts it there, “you’ll find everything from recipes and menus created by fans of the series to delight the Mad Duke Tremontaine and his Riverside friends, to ones created by friends of the author to keep her at her desk.” 

And yes, I’m deeply, madly in love with all three novels but particularly The Privilege of The Sword because of its central character. I’ve read them many, many times and even the Suck Fairy gets a warm fuzzy feeling every time she reads them. I just started listening to them again for the first time in a decade or so.  There was a full cast performance done, but it seems to have disappeared from this reality. No idea why. 

If anyone has read the Tremontaine stories written by others, tell me about them please. I’ve not yet done so. 

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 1, 1954 – Midori Snyder, 71.

This first novel by Midori Snyder that I read was The Flight of Michael McBride, a three decades old work by her set in the old American West blending aspects of First Folk, Irish-American and Mexican folklore. A most excellent read.

Like Pamela Dean with her Tam Lin novel, she’s delved in Scottish myth as her first novel, Soulstring, was inspired by the Scottish legend of Tam Lin. 

It was however not her first published work as that was “Demon” in the Bordertown anthology, the second of the Bordertown series.  She would later do two more Bordertown stories, “Alison Gross” that’d be in Life on the Border, and “Dragon Child” in The Essential Bordertown.

Midori Snyder

Now don’t go looking for any of these as ePubs as, like the Year’s Best Fantasy & Horror series which I noted in Ellen Datlow’s Birthday a few days ago, ePub rights weren’t written into the publication contracts, and getting retroactive story rights, well, let’s not go there. 

The newest Bordertown anthology, Welcome to Bordertown, is available as an ePub.

Next up is a trilogy of books that remind me of Jane Yolen’s The Great Altar Saga in tone  — New Moon, Sadar’s Keep, and Beldan’s Fire. They were published as adult fantasy by Tor Books starting thirty-four years ago where they were The Queens’ Quarter Series. Interestingly they would be reprinted as young adult fantasy by Firebird Books just eighteen years ago as The Oran Trilogy. I see that Firebird is no longer the domain of Sharyn November which it was explicitly related for.

Now I positively adore The Innamorati which draws off the the Commedia dell’Arte theatre and the Roman legends as well. This stellar novel gained her Mythopoeic Fantasy Award for Adult Literature. It is without doubt her best novel – great characters, fascinating setting and a wonderful story.

Hannah’s Garden was supposed to be one of the novels inspired by a painting by Brian Froud. (I remember de Lint’s The Wild Wood and Windling’s The Wood Wife are two of the others but I forget the fourth. I know they got their novels with his art but I don’t if she or the fourth writer did.) It’s a more personal novel, more scary in tone I think than her other work is. 

Except the Queen was written by her and Yolen. It’s a contemporary fantasy featuring two fey who are banished here in the guise of old women. I’ll not spoil what happened next. That was her last novel and it was published thirteen years ago. 

She wrote the title short story for Windling The Armless Maiden and Other Tales for Childhood’s Survivors anthology anthology about child abuse survivors. Grim reading but recommended. It was nominated for an Otherwise Award.

It’s one of a not deep number of short stories she’s written, just fifteen, none collected so far. 

She did the text to the “Barbara Allen” graphic story Charles Vess illustrated and first published in his Ballads chapbook in 1997 which I’ve got here somewhere. Let me go see… yes, it’s also in the autographed copy of The Book of Ballads that he sent me. That came out on Tor eighteen years ago. God, time goes by fast! 

A check of ISFDB shows she retired from writing genre fiction fifteen years ago with her last work being ”The Monkey Bride” in Datlow and Windling’s The Beastly Bride: Tales of the Animal People.

Though not about her fiction writing, she would win a World Fantasy Award for her editorial work on Windling’s Endincott Studio website. It is a fascinating site covering what Terri, Midori and others think is interesting in fairy tales, myth, folklore, and the oral storytelling tradition. It is here now.

(9) COMICS SECTION.

(10) RPG IN 2025. [Item by Steven French.] “Games to look forward to in 2025: Clair Obscur: Expedition 33” in the Guardian. “An ambitious French epic inspired by 20th-century surrealist painters and the belle époque will push the turn-based RPG genre forward.”

In the 1990s, the turn-based RPG was unstoppable. From Pokémon to the multimillion-selling PlayStation Final Fantasy games, there was nothing cooler than vanquishing blocky beasts via drop down menus. Then came the new millennium. As computing power blossomed and western-made games rose in popularity, traditional Japanese-made RPGs slowly but surely fell out of fashion.

“What Final Fantasy was doing before – a more realistic, grounded take on the turn-based genre – now, nobody is doing that. And that’s where we want to be,” says Guillaume Broche, CEO of Sandfall Interactive and creative director of Clair Obscur: Expedition 33. Citing 2007’s Xbox 360 classic Lost Odyssey as the last truly high-budget turn-based RPG, the ex Ubisoft employee founded a studio with a mission to move the genre forward.

The result is Clair Obscur: Expedition 33. The name is a baffling mouthful, but this ambitious French epic is inspired by France’s 20th-century belle époque and surrealist painters. A lavishly rendered party of adventurers move through a world that shimmers with a dreamlike quality, from a Little Mermaid-esque underwater kingdom to gothic, grandiose mansions.

It’s not just the setting and aesthetic that separate Expedition 33 from its peers, but its fast, fluid combat. “I’m a bit burned out on turn-based RPGs, because I’ve just played far too many,” Broche shrugs. “So for players like me, we wanted to make sure the turn-based battles feel more interactive and different, requiring skill and offering something fresh.”

(11) BEETLEJUICE BEETLEJUICE EFFECTS. Animation World Network tells how “Framestore Crafts Some Ghostly and Ghastly VFX for ‘Beetlejuice Beetlejuice’”. “Led by VFX supervisor Matthew Krentz, the studio delivers 253 visual effects shots on Tim Burton’s hit ‘Beetlejuice’ sequel, including baby Beetlejuice, a stop-motion Charles Deetz being bitten by a shark, and the famed ghost’s dismembered ex-wife Delores.”

… “We looked at the original movie quite a few times for references and one of things we specifically studied was when Beetlejuice [Michael Keaton] is shrunken down in the model,” remarks Krentz. “When he is digging into the grave, there are all these layers of Styrofoam and different practical things that made it look like a model.  We tried recreating that when breaking up of the set piece when it cracks open and reveals Beetlejuice for the first time.” There were a couple of different elements that were part of the Beetlejuice reveal sequence.  Krentz continues, “We did this earthquake that travels along the ground of the model, it breaks apart, and that’s when Beetlejuice comes into the attic for the first time.  We had a full LiDAR scan of the practical model because we had to work with what they had shot.  The model was built in two separate pieces that broke apart in the middle and separated out. The only thing that we did in the reveal was add some smoke and atmosphere.  We had some uplighting to make it look more interesting.  That portion of it was a lot more in-camera trickery versus the stuff we did when the camera is following along the middle of the model, which was completely digitized.”  An interesting challenge was distinguishing the differences between a real and miniature house.  “We had to make a miniature house look real and then dumb it down so you could see all of the subtleties that the modelmakers would have made.”…

(12) ON THE WEB. [Item by Steven French.] From The Smithsonian Magazine (the ‘discoveries’ in question are mostly from the ‘natural world’ rather than the lab and include examples such as antimicrobial secretions from ants): “Seven Scientific Discoveries From 2024 That Could Lead to New Inventions”.

…In another breakthrough, researchers built an ultra-sensitive microphone informed by spider silk, which vibrates with the subtle perturbations of sound waves moving through the air. By mimicking that strategy, the microphone can be made more compact than standard ones, which are instead designed after the human eardrum. Building on this invention, researchers said in May that spider silk could continue to revolutionize sound technology—from helping to identify hearing loss early to picking up on low-frequency sounds known to precede tornadoes that might enable life-saving early warnings….

[Thanks to Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 7/21/24 Did I Ever Tell You About The Man Who Taught His Pixel To Scroll?

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(1) FRANKENSTEIN UNBOUND. [Item by SF Concatenation’s Jonathan Cowie.] We have had an SFnal real treat over here in Blighty with a fresh take on the Frankenstein mythos in the form of a three-part audio drama, and through the wonders of the world-wide interwebby thingy, you can enjoy it too.  Brian Aldiss constantly told us that the novel Frankenstein was the first true SF novel (with everything genre-related before that being ‘proto-SF’).  And now BBC Radio 4 have aired a three-part audio drama that is a post-modern and an ultra-SFnal revamp of the story.

It is set in the future here a researcher creates an artificial intelligence (AI) based on the Frankenstein author’s (Mary Shelley’s) mother, Mary Wollstonecraft. Mary Wollstonecraft was herself well known for her book A Vindication of the Rights of Woman hence the title of this audio play, A Vindication of Frankenstein’s Monster.

Starting with Mary Wollstonecraft’s ground-breaking feminist text, A Vindication of the Rights of Woman (1792), and moving into a radical re-imagining of Mary Shelley’s Frankenstein (1818), through to the contemporary world of Artificial Intelligence, Linda Marshall Griffiths’ drama asks what would happen if a woman created a woman?

In the first episode of this three part drama, Lizzie walks through Mary Wollstonecraft’s world at the end of the 18th Century and she has questions.  Tracing Wollstonecraft’s extraordinary life, she is challenged by her bravery, her incredible mind and her capacity to fall in love with the wrong men. But this is not time-travel, Lizzie is creating a Virtual Reality world at the centre of which is Mary Wollstonecraft. But as the ‘AI’ Wollstonecraft comes to life, trapped in her virtual world, she begins to question exactly what has changed for women more than two hundred years after the publication of her manifesto – have women achieved equality and freedom? And Lizzie, pregnant and recently diagnosed with an aneurysm, must decide whether to allow her life to be constrained by her health, her lover Max, her impending motherhood or whether to complete her work, following Wollstonecraft’s journey to Norway…

You can download all three episodes:

(2) WHO TAKES. Charlie Jane Anders’ June newsletter Happy Dancing has “11 Hot Takes About Doctor Who”. Here’s the first one.

1) Doctor Who has wasted some great story seeds from “Genesis of the Daleks”

Steven Moffat has mined this 1975 classic for story ideas at least twice: in “The Magician’s Apprentice”/”The Witch’s Familiar” and more recently in “Boom.” But there’s still some great material that nobody has touched. In particular: the Doctor’s suggestion that “many future worlds could become allies” because of the threat of the Daleks, and that something good could come of the Daleks’ evil… this is something I’d love to see dramatized on screen. (When Terry Nation wrote this line, the memory of Stalin, Roosevelt and Churchill joining forces against the Nazis was somewhat fresh, but of course that alliance didn’t exactly last.) Also, I’ve long been tantalized by the bit at the very beginning where a Time Lord warns the Doctor about a possible future where the Daleks have won — becoming the only surviving life form in the universe. It would be fascinating to visit that alternate future and perhaps see the Daleks trying to establish it as the main timeline.

(3) A PLUS FOR PHYSICAL BOOKS. “BookTok’s Latest Craze: Books With Sprayed Edges!” at Yahoo!

If you’ve stepped into a bookstore or scrolled Bookstagram and BookTok recently, you’ve likely noticed an increasing number of books with beautiful sprayed edges, or as book lovers call them, “spredges.” This is a design feature where the edges of the book pages are beautifully embellished with color or intricate designs. Sprayed edges might sound like a fun new bookish trend, but they’ve actually been around for centuries. Dating back to the 10th Century, books and sometimes Bibles often had detailed scenes painted on their edges. This practice was called fore-edge painting and now it’s having a renaissance! In recent years, books with sprayed edges have started adorning shelves everywhere, and their immense popularity is only growing. We talked to book pros about why readers are so drawn to this trend, what makes sprayed edges so special and more….

(4) SEE YOU IN THE FUNNY PAGES. The L.A. Breakfast club will host “Tales from the Comic Book Crackdown with Ben Dickow & Company” on August 14 from 7:00 AM – 9:00 AM. Tickets at the link.

Ben Dickow’s new musical Tales From the Comic Book Crackdown brings to life the dramatic Senate hearings on Juvenile Delinquency of April 21, 1954, which were designed to bring down the comic book industry as a whole. These hearings resulted in years of censorship and repression of the comic book industry.

One man stood up for comics and free expression: 32-year-old Bill Gaines, the most successful comic book publisher of his day, was the sole witness to come forward and testify on behalf of comic books. Despite his best efforts, the authorities carried the day, and Bill almost lost everything.

Mr. Beaser: Is there any limit you can think of that you would not put in a magazine because you thought a child should not see or read about it?

​Mr. Gaines: My only limits are the bounds of good taste, what I consider good taste.

​Sen. Kefauver [alluding to the cover illustration for Crime SuspenStories #22]: This seems to be a man with a bloody ax holding a woman’s head up which has been severed from her body. Do you think that is in good taste?

​Mr. Gaines: Yes, sir, I do, for the cover of a horror comic….

You can listen to the music online: “Comic Book Crackdown”.

(5) THOUGHT EXPERIMENT. Sterling Ulrich asks “What if Faramir Joined the Fellowship in The Lord of the Rings?” at CBR.com.

One of the biggest additions to the extended edition of Peter Jackson‘s The Lord of the Rings: The Two Towers film was a flashback to the moment before Boromir set out for Rivendell. Denethor learned about the upcoming Council of Elrond and wanted to send a representative to ensure that the One Ring was used for the benefit of Gondor. Faramir offered to travel to Rivendell, but Denethor had no faith in his younger son and dispatched Boromir instead….

…On the surface, it seems Faramir’s presence at Amon Hen would have been beneficial. However, the Fellowship’s failures at the Battle of Amon Hen in The Lord of the Rings had consequences that were instrumental to Sauron’s eventual defeat. Merry and Pippin only met the Ents because they ran into Fangorn Forest after escaping their Uruk-hai captors. Likewise, Aragorn, Legolas, and Gimli only met Éomer because they crossed paths with him while chasing after the Uruk-hai. Without these chance occurrences, Saruman would have had free rein over Rohan, leaving Gondor without help from its neighboring kingdom in the Siege of Minas Tirith….

(6) SUNDAY MORNING TRANSPORT. “Father Ash” by Rachel Hartman is July’s third free read from Sunday Morning Transport.

Remember, this month, we’re running an annual membership drive of epic proportions — so if you haven’t already, please consider signing up, and if you are signed up, please share this link with your friends.

(7) LYUBOMIR NIKOLOV–NARVI (1950-2024). [Item by Valentin D. Ivanov.] The Bulgarian speculative fiction community lost its doyenne Lyubomir Nikolov–Narvi (1950-2024) on Jul 20. He translated the famous trilogy of J. R. R. Tolkien into Bulgarian and gave the readers many pleasant hours. Nikolov translated from seven languages all together.

He was also an excellent writer on his own – The Tenth Righteous Man (1999) won the fandom award for the best Bulgarian book of the decade – that is, of the last decade of the twentieth century. This amazing novel describes a singularity of sorts – a sudden change in the physical constants gives every person immeasurable destructive power. Will the society survive this challenge?

Nikolov was active until recently – his latest novel appeared in 2022. Ne was known for introducing the game-books in Bulgarian – many kids have learned to read on them. He won an EuroCon (1987), a SotsCon (1989) and many other accolades.

Right now he is probably smoking a pipe in the writers section of Paradise, discussing the fate of Middle Earth with some other esteemed fellows.

More about him here (in Bulgarian, but Google is your friend).

(8) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 21, 1948 – Garry Trudeau, 76.

By Paul Weimer: Trudeau as a cartoonist and as a creator has a number of wide ranging credits: Alpha House, where Republican Senators share a house, and hilarity ensues. Tanner, a satirical look at a fake presidential campaign. And many columns in many publications.

But you’re here, and I am here, for Doonesbury. 

Cartoonist Garry Trudeau, the fifth Rathbun Visiting Fellow, delivers “Harry’s Last Lecture on a Meaningful Life.” By Linda A. Cicero / Stanford University News Service.

Doonesbury had been a fixture of comic strips in newspapers for as long as I was reading physical newspapers, from the 70’s all the way to around 2000 when I moved to California and finally stopped reading physical newspapers on a regular basis. (I would soon just read Doonesbury online)  It felt scandalous, even transgressive for me to read and enjoy the comic, once I was old enough to figure out just what the comic was about, because its politics were very much to the left of the politics of my family.  I suppose if my parents had paid more attention, they might have decried the comic’s politics, but they didn’t pay attention, and so I could read it in peace. 

I was way too young for the Watergate series in Doonesbury, which of course was its first high water mark.  Where I remember Doonesbury hitting a height for me was in 1989 and Tiananmen Square. I remember conversations with my older brother, who was enthusiastic that “China is going to become a Democracy!” in exultation.  I was far more realistic, even pessimistic, and I have Doonesbury to thank for helping me get parallax, perspective and point of view on the events happening in Beijing that year. (And I remember that when the protests turned violent, the strip went into re-runs, and that really helped bring home to me how serious it all was).

Ever since, I’ve paid attention to when people complain or try to get strips of Doonesbury pulled or show anger against it. That’s when I know that such a venerable comic strip, from such a talented and abiding creator as Trudeau, has once again hit a sensitive mark. And his influence and inspiration to multiple generations of political cartoonists cannot be underestimated. 

(9) COMICS SECTION.

(10) CLOSER TO THE SKY. If you’re ever near Cusco, Peru, Atlas Obscura says you shouldn’t miss: “Area 21 Cusco – Cusco, Peru”.

AREA 51 MIGHT BE BARRICADED by barbed wire and military guards, but this open-air exhibit welcomes all intrepid travelers. Signs that say Abducción Gratis (“Abduction Free”) and the looming figure of a crashed UFO greet visitors, encouraging guests to meet ET’s distant relatives. Situated atop a hill on the outskirts of Cusco along a winding path, visitors can pose with an assortment of extraterrestrials of all shapes, sizes, and home planets.

However, this is more than a kitschy roadside attraction or opportunity for an Instagram photo-op. The interactive art compilation, crafted by Tupaq Kamariy Candia, perfectly melds Peruvian culture and science fiction, illuminating Peru’s rich history with the cosmos….

(11) I’M DREAMING OF A WHITE CHRISTMAS. Buffalo NASFiC guests of honor Kaja and Phil Foglio took a stroll outside the convention.

(12) REBEL MOON PODCAST PREQUEL. “Zack Snyder’s Rebel Moon Announces Surprising Spinoff” at Comicbook.com.

Zack Snyder’s Rebel Moon is getting a prequel. Netflix has announced The Seneschal, an upcoming narrative fiction podcast that will take audiences 500 years before the events of Rebel Moon to explore the origins of the robot knights, the Jimmys. The new podcast is set to debut with its first episode on July 29th with five additional episodes dropping weekly wherever you listen to podcasts.

“Now that you’ve met the Jimmys in the movie, I want to tell their story, their creation, and how they came to be,” Snyder said in a video teaser for the podcast. “I can’t wait for you to listen.”

The Seneschal will star Fallout‘s Ella Purnell as the voice of Raina, Naveen Andrews as Grigory, Alfred Enoch as Adwin, Peter Serafinowicz as Bartholomew, and Jason Isaacs as King Ulmer. You can check out the official description of The Seneschal below.

(13) ROSSEAU, LEWIS AND L’ENGLE. The Science Fiction Makers is free to view on YouTube.

The Science Fiction Makers: Rosseau, Lewis and L’Engle is a feature documentary that examines three integral writers who over the past century wrote within the Christian Science Fiction genre. Through interviews with scholars and current writers, reenactments, archival materials and excerpts from their works, we explore a genre that has been counterculture since its beginning. They were outsiders within the larger Sci-Fi genre and they would face harsh criticism, dismissal, and even hostility from all sides for putting their faith and imagination into their writing. In the end, Victor Rosseau, C. S. Lewis, and Madeleine L’Engle were pioneers of a sub-genre that would doggedly survive and continue to influence popular culture to this day.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Valentin D. Ivanov, Kathy Sullivan, Teddy Harvia, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]

Pixel Scroll 7/9/24 We Also Walk Cats (But Not Through Walls)

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(1) FIRST LAWS OF ROBOTICS. South China Morning Post has a few details —  “China’s Laws of Robotics: Shanghai publishes first humanoid robot guidelines”.

Shanghai has published China’s first governance guidelines for humanoid robots, calling for risk controls and international collaboration, as tech giants like Tesla showed off their own automatons at the country’s largest artificial intelligence (AI) conference.

Makers of humanoid robots should guarantee that their products “do not threaten human security” and “effectively safeguard human dignity”, according to a new set of guidelines published in Shanghai during the World Artificial Intelligence Conference (WAIC) on Saturday.

They should also take measures that include setting up risk warning procedures and emergency response systems, as well as give users training on the ethical and lawful use of these machines, according to the guidelines.

The document was penned by five Shanghai-based industry organisations including the Shanghai Law Society, Shanghai Artificial Intelligence Industry Association and the National and Local Humanoid Robot Innovation Centre.

…China has made it a goal to have mass production of humanoid robots by 2025 and wants global leadership in the sector by 2027, according to a plan published by the Ministry of Industry and Information Technology (MIIT) in November last year.

By 2027, humanoid robots should become “an important new engine of economic growth” in China, the MIIT urged. Robots are expected to be popularised in industries including healthcare, home services, agriculture and logistics, according to the document….

(2) 3RD ANNUAL STURGEON SYMPOSIUM REGISTRATION. Registration is now open for the 3rd Annual Sturgeon Symposium, Oct 24-25, celebrating the groundbreaking work of author and critic Samuel R. Delany. The symposium will include a reading by the winner of the Sturgeon Award for best speculative fiction story published in 2023, scholarly panels, and appearances by Delany himself. Fee waiver available for students and others with financial need. Join us!

Register here: Sturgeon Symposium | Stars in Our Pockets: Celebrating Samuel R. Delany Tickets, Thu, Oct 24, 2024 at 9:00 AM | Eventbrite T-shirt, lunch, and Thursday reception are included with registration.

More information here, including updates to schedule: 

(3) VIRTUAL STOKERCON PANEL REPORTS. Lee Murray has put together highly informative summaries of two panels convened during the Horror Writers Association’s 2024 Virtual StokerCon event.

Trigger Warning: This article addresses issues of grief, loss, and mental health.

Moderated with compassion by Mo Moshaty, an author-producer with experience working closely with death doulas, the panel commenced with a round-robin of introductions, including the panellists’ relevant work, and also their particular interest in the topic of grief horror. 

Panelists included Mark Mathews, Clay McLeod Chapman, Nat Cassidy, Katherine (Kat) Silva, Ally Malinenko, and Laura Keating.

From the opening comments, it was clear that this was going to be a confronting and also humbling session, with panelists sharing their own experiences of trauma and grief, with their specific experiences discussed in more detail over the course of the panel. 

Moshaty kicked off the discussion by stating that grief, as a universal emotion, touches everyone in society, so it follows that we would want to represent grief in our horror literature. Mark Matthews and Nat Cassidy agreed that horror is a genre that is grounded in grief. Clay McLeod Chapman admitted to feeling inspired and intimidated to talk frankly about the topic, but also that he expected the discussion to be eye-opening and cathartic. He was especially interested in how we move through grief while also tackling it in our work….

Striking a sustainable work-life balance for the long-game in horror takes time and experience. Eric LaRocca, Christa Carmen, Ace Antonio-Hall (Nzondi), Pamela Jeffs, and EV Knight offer their insights in a panel moderated by L. E. Daniels on how to protect our bodies and minds as we navigate dark fiction.

Recently, I had the pleasure to attend the Self-Care for Horror Writers panel offered in the virtual space at StokerCon 2024. Given the close alignment of the topic to the work of the HWA Wellness Committee and our Mental Health Initiative, this panel was a must-view for me, and I wasn’t disappointed. Expertly moderated by Bram Stoker-nominee and Wellness Committee member L. E. Daniels, the discussion was wide-ranging and engaging, with speakers offering insightful gems and tried-and-true strategies for maintaining well-being. Key points are summarised in this report.   

Daniels began by asking her panelists how they have developed a sustainable work-life balance for the long game that is writing, publishing, and writers’ events….

(4) SCOTS GOTHS. [Item by Steven French.] For those who might be in the Edinburgh area in September, here’s an interesting event at the National Library of Scotland – and it’s free! “Treasures: Mary Shelley, Frankenstein, and the Scottish Gothic Tradition”, Thursday, September 5 at 17:30 at the National Library of Scotland in Edinburgh.

Hear from Dr. Emily Alder and Professor Daniel Cook, both leading experts in the field of Gothic literature, as they consider the ways in which Frankenstein and the Gothic permeate Scottish fiction to this day. Chaired by one of our foremost cultural commentators and interviewers, Dr. Alistair Braidwood.

With the recent success of the film adaptation of Alasdair Gray’s ‘Poor Things’, and the debt Gray’s novel owes to ‘Frankenstein’ and Gothic fiction, how might we consider the influence of Mary Shelley’s masterpiece on subsequent writers and their work? Where does James Hogg’s ‘Justified Sinner’, Robert Louis Stevenson’s ‘Jekyll and Hyde’, or more recent works by Muriel Spark, James Robertson, Alice Thompson, A. L. Kennedy, and Alasdair Gray fit into a Scottish Gothic tradition?

This event celebrates our new Treasures display, featuring items relating to Byron and Mary Shelley.

(5) RETRO PIXEL. [Item by SF Concatenation’s Jonathan Cowie.] Regarding the July 5 Pixel Scroll’s “(9) SCIENCE EXHIBITION IN LONDON” by Steven French, who wrote, “If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society…”

Actually, it lasted the previous four weekdays too. I usually go and was, indeed, there this year wearing my climate science hat.

Jonathan Cowie at the Royal Society exhibition

At the exhibition, I am pointing to a graph of past temperatures as revealed by a 900,000 year Antarctic ice core at a particular point called the Mid-Brunhes Event before which glacials were less cold with interglacials being more cold, and after this point where – like today – glacials are colder and interglacials warmer. ‘Why is this so?’ you may well ask. Alas, we don’t know, though theories abound.

Antarctic ice core drilling continues. We are currently looking at another location where the ice hopefully has a record going back over a million years: ideally to 1.5 million years so as to cover the Mid-Pleistocene Transition which saw a major change to glacial-interglacial cycles that was possibly due to the arrival of large, long-term ice over Antarctica and substantive northern hemisphere glacial ice sheets. (At least, that’s the working hypothesis I go with.)

This year, six of us went to the Royal Society’s Summer Exhibition, including another member of the SF² Concatenation team.

If you like science – and many science fiction fans do – then this annual event is worth checking out.

If you need post-exhibition sustenance, the near-by Golden Lion pub is sufficiently off the tourist track that while it is usually busy Mondays to Fridays up until 7.45 it then quietens down. It has hand-pump beers and reasonable hot pub food but note it closes early Mon-Thurs at 10pm. On the way there, you can see typical 19th century West-End London architecture.  Some old buildings have been demolished, but the past decade or so has seen developers knock down buildings but keep the frontage walls: so the building looks the same from the outside but is completely modern inside.

The Royal Society (Britain’s Science Academy) is housed in Germany’s former London embassy up to World War II.  Its (the Society’s) President’s office today has a marble swastika in the floor (under a carpet but conserved as the swastika apparently has a heritage preservation order on it).

Keep an eye out next year in early July for another Royal Society summer exhibition. Avoid the weekend day as that is very crowded (Dublin Worldcon levels of crowding) with parents bringing children.

(6) THE INSTALLMENT PLAN. Eugen Bacon offers an intriguing alternative at Reach Your Apex: “What if you wrote your novel story-by-story, using your strength as an author of short stories?” — “For Writers: Writing the Novel – For Short Story Authors”.

…Maybe you’ve even won or been a finalist in awards with your short story, you’ve been killing it in anthologies—as in editors have you on speed dial, critics raving about your short story (you kinda hog the lot, you’re getting a bit self-conscious about it—maybe not, it’s fucking awesome). And you have a short story collection or three… But your mate, your family, maybe a literary agent… has been on your case, as in: “So where’s that novel?”

And imposter syndrome is creeping in, and you feel you gotta write that effin novel.

Or maybe you’ve written a short story you like so much, you want it as a starting point for a novel. Perhaps more characters are popping up, too many to contain in a short story. Or maybe you want to stretch the story—by timeline or theme or view point. The start is the same, the closing is the same, but the inside of the story is becoming longer. It demands more history, more world-building, a deeper look. Now you really need that novel.

But short stories are your strength. You don’t want to get entangled in a tortured story or a runaway plot. What if the short story is just what it is—the point of it could be lost in expanding it. Who wants a bloody novel? You do. What if the short story has told itself out: do you really need that novel? Yes, bloody yes, every inch of you shouts.

But you do love the energy in a short story—yes, Carver: Get in, get out. Don’t linger.   

So what if you could retain all that you love about the short story, and still write that novel? What if you could write about a moment in time, something experimental and decentralized, something flexible, economic, dynamic, mimetic, metaphoric, immediate, intense—and it’s still a novel?

This is how it happens: What if you wrote your novel story-by-story, using your strength as an author of short stories?…

(7) PIDGIN DROPPINGS.  “Preliminary Notes on the Delvish Dialect” by Bruce Sterling at Medium.

…Also, the human owners/managers of Large Language Models have extensively toned-up and tuned-down these neural network/deep learners/foundation-platforms, so that these “writers” won’t stochastically-parrot the far-too-human, offensive, belligerent, and litigous material that abounds in their Common-Crawl databases.

The upshot of this effort is a new dialect. It’s a distinct subcultural jargon or cant, the world’s first patois of nonhuman origin. This distinctive human-LLM pidgin is a high-tech, high-volume, extensively distributed, conversational, widely spoken-and-read textual output that closely resembles natural human language. Although it appears as words, it never arises from “words” — instead, it arises from the statistical relationships between “tokens” as processed by pre-trained transformers employing a neural probabilistic language model.

And we’ll be reading a whole lot of it. The effort to spread this new, nonhuman dialect is a colossal technical endeavor that ranks with the likes of nuclear power and genetically modified food. So it’s not a matter of your individual choice, that you might choose to read it or not to read it; instead, much like background radioactivity and processed flour from GMO maize, it’s already everywhere.

Technically, this brave-new-world dialect is actually a wide number of different Language-Model idiolects, which arise from different databases and different LLM training methods. Machine-translation AIs speak a thousand human languages at once. Consumer-facing chatbots speak with courtly circumlocutions. LLMs exist that are specially trained for marketing, warfare, cooking, legal boilerplate, code generation, website design. And so on….

(8) HALF PAST HUMAN… [Item by SF Concatenation’s Jonathan Cowie.] In recent years I have moved more from the current climate change issue into looking at the deep time evolution of the Earth system as well as that of life. (This is the ‘co-evolution of life and planet’ narrative in case any of you were wondering.) It is a big topic, but one of the things I have been looking at is not just where we have come from (and how) but where we are going. One instance (of a number) is that across deep-time both geology and biology have seen increasing ‘information’: each key step in deep-time evolution has seen increased information (in the geological record) and increased information processing (in the case of biology). However, we (modern humans) are now using technology, starting with using new alloys not found in nature to make ploughs which in turn helped us sustain a larger population and a non-agrarian population which could do things like science (as well as paint pretty pictures etc). And now our technology itself is processing more information.  If DNA were represented as information (and we have already coded all the sonnets of Shakespeare as DNA) then the amount of computer information we hold globally now rivals (if not exceeds – my last data point for this was over half a decade ago) the DNA in life planet-wide….

The other thing that has happened across deep time is that we have seen earlier stages of life incorporated into more advanced stages: for example prokaryotes became incorporated into eukaryotes through endosymbiosis. Which begs the question of whether we will merge with information processing technology…

Here I venture possibly ‘yes’ but not necessarily (biomedical treatments aside) with a huge load of invasive technologies embedded in our bodies like the Star Trek’s Borg.

Instead, we will increasingly interact with technology, and we can all see how our society is (in one sense sadly) increasingly digital.  We increasingly carry technology around with us (smartphones) and even wear it, for example, joggers these days can wear a watch that keeps track of their pulse.

Are we becoming more like cyborgs????

Well, you have had a taste of my musings (if you want more, you’ll have to ask for a talk at a con). But I’m a bio-/geoscientist.  The SF view of cyborgs tends to be more engineering orientated. Witness the $6 million man… we can build him faster, better… Though none of the ladies thought to tell Steve Austin that faster is not always better. But if you do want a more engineering/physics approach to the cyborg trope then it’s Isaac Arthur to the rescue…

It was, this last weekend, sci-fi Sunday over at “Science Futures with Isaac Arthur” where he looked at “Cyborg Civilizations”. Is this where we are heading? Isaac thinks that cyborgs may be a way to colonise the galaxy…

(9) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 9, 1944 – Glen Cook, 80.

By Paul Weimer: Glen Cook is a trailblazer whose fingerprints are all over modern fantasy in two separate subgenres.

Let’s put aside some of his interesting single novels  such as Tower of Fear, which is an interesting standalone fantasy novel, and A Matter of Time, where he shows that he can do twisty time travel in a Cold War setting. 

Glen Cook in 2011. Photo by Harmonia Amanda.

First up, Glen Cook doesn’t get enough love, I think, for his Garrett PI series. I’ve seen more prominent authors take up his mantle, but Garrett is the true heir to Lord Darcy (but in a secondary fantasy world) of a private investigator doing his job on the mean streets of TunFaire. The Titular Garrett is a character out of mystery fiction (and really the novels lean more heavily into mystery than the fantasy, for all being in a city of multiple species and magic). Garrett follows a lot of tropes that readers of, say, Raymond Chandler will see right away. Garrett isn’t overly ambitious, he just wants enough to get by day by day, but trouble keeps finding him (and yes, this is hardboiled detective fiction, so the trouble includes the cops (the watch), the mob (the outfit), femme fatales) and much more. I get the sense that Cook had a hell of a lot of run writing them (a dozen or so at this point).  Great literature? No.  Entertaining? If you are a fan of the Chandler school of writing and also like SFF, get thee to a bookseller. I’ve seen the fingerprints of Garett in other characters and authors, but few really capture the idea as well as Cook does.

But it is epic fantasy where Cook really sings and really has had his influence. Even beyond some of his other fantasy series, I am referring here to The Black Company.  Grimdark before Grimdark was ever a thing, the story of a band of mercenaries who get caught up in wars to decide the fate of the world, grey protagonists in a world of black to white and all the shades, The Black Company is one of the ur-texts for writers like Abercrombie, Erikson, and their ilk. (I could see the fingerprints of The Black Company as inspiration for Adrian Tchaikovsky’s House of Open Wounds, for instance). The Black Company members are caught in intrigues between themselves and their superiors, desperately try to survive hopeless battles they are thrown in, and slowly start to learn about their own origins and history. The cast shifts and changes across the series (and sub series), but the core of the idea of an elite mercenary unit working mostly for rather disreputable and treacherous powers is one that holds up to this day. The Bridgeburners, Caul Reachey’s Men, and many others owe their existence to Croaker and his crew.

(10) COMICS SECTION.

(11) CAGE MATCH. Variety reports “Spider-Man Noir Series at Amazon, MGM+ Casts Brendan Gleeson”.

Brendan Gleeson has joined the cast of the upcoming Spider-Man Noir series at Amazon, Variety has learned from sources.

This marks one of Gleeson’s first announced project since his Academy Award and Golden Globe nominated turn in “The Banshees of Inisherin.” Gleeson will star in the series opposite previously announced series lead Nicolas Cage as well as the recently cast Lamorne Morris. The show, now titled “Spider-Noir,” was formally ordered to series in May with Cage in the lead role. As previously reported, the show will debut domestically on MGM+’s linear channel and then globally on Amazon Prime Video….

(12) OVERTIME. Futurism takes notes while “Former Astronaut Explains How the Astronauts Stranded in Space Might Be Feeling”.

NASA astronauts Suni Williams and Butch Wilmore are still stranded on the International Space Station after Boeing’s plagued Starliner spacecraft finally managed to drop them off last month.

Since then, technical issues affecting the spacecraft have delayed their return journey indefinitely, with multiple helium leaks kicking off an investigation.

Williams and Wilmore were originally meant to return on June 14 — over three weeks ago — and NASA has yet to announce when its latest attempt will be to bring them back down to Earth.

It raises an interesting question: how are Williams and Wilmore feeling about the delay? One former colleague says that the extended stay on board the orbital outpost could actually be a blessing rather than a curse.

“Well, my first reaction was it’s probably good news for the two Boeing astronauts,” retired Air Force colonel and NASA astronaut Terry Virts told NPR. “They’re, you know, they get a few bonus weeks in space. And you never know when your next space flight is going to happen, and so I’m sure the astronauts are happy to get some bonus time and space.”

Virts also argued that the rest of the station’s crew would be “happy” to get some “free labor.”…

… Virts also took the opportunity to send a message to Williams and Wilmore.

“I would just say enjoy it,” he told NPR. “And stay busy. You don’t want to, you know, just sit around. But I know these two, they’re not going to sit around. And I’m sure NASA will have plenty of work for them to do.”

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Astrophysicist Dr Smethurst at Dr. Becky YouTube Channel takes a look at some of the science portrayed in the SF series Battlestar Galactica. 12-minute video below.

In this episode of Astrophysicist reacts we’re watching Battlestar Galactica season 1 episode 1 “33” to pick out the science from the fiction in this sci-fi show. We’re chatting about faster than light speed travel, special relativity including time dilation and length contraction, and Newton’s third law of motion.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Mlex, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, Kathy Sullivan, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 7/5/24 Shhhh, The Pixels Are Resting Right Now, Let’s Not Disturb Them

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13

(1) SHERYL BIRKHEAD’S FANZINE COLLECTION. [Item by Rich Lynch.] I’m sad to report that my friend Sheryl Birkhead unfortunately is now in the midst of severe vascular dementia.  This is resulting in her being relocated from her house into an assisted living situation.  As a result, her house (in Montgomery County, MD) will be put up for sale soon, and in the near future there will need to be a disposition of her extensive collection of fanzines, many of which are historically valuable.

So, on her behalf, I am looking for indications of interest from university libraries which have existing collections of fanzines.  Sheryl’s collection will be a significant and valuable addition to one of these library collections.

If you have a contact with a university library fanzine collection curator, please pass this information on to him/her. I am the point of contact and I can be reached at rw_lynch@yahoo.com

Your assistance is appreciated in helping to preserve this valuable collection.

(2) FRANKENSTEIN AND BILBO COMMAND BIG BUCKS. A first edition of Mary Shelley’s Frankenstein sold for $843,000, and a first edition presentation copy of The Hobbit went for $300,000 in Heritage Auctions’ The William A. Strutz Library, Part I, Rare Books Signature® Auction yesterday. “One For the Books: Inaugural Auction Featuring Selections from William Strutz’s Celebrated Library”.

Frankenstein was published in three volumes on January 1, 1818, by a small London publishing house, Lackington, Hughes, Harding, Mavor & Jones, with a small print run of 500 copies. The first edition appeared anonymously, and featured an unsigned preface by Percy Shelley, and a dedication to Mary’s father, philosopher William Godwin. Mary Shelley didn’t publicly claim her novel until four years later, when her novel was adapted into a popular play.

Also:

…what is now the most valuable Hobbit in the world, a presentation copy of J. R. R. Tolkien’s novel that realized $300,000.

Bidders also fought over a first edition presentation copy of Tolkien’s 1937 The Hobbit, featuring a dust jacket — likewise the creation of Tolkien — so brilliant-bright its snow-capped mountains seem to burst out of its famously verdant landscape. Tolkien gifted this copy to dear friends, writing inside, “Charles & Dorothy Moore / from. / J.R.R.T / with love / September 1937.”

(3) THE SOUNDEST BITES. The Big Think excerpts Guy P. Harrison’s Damn You, Entropy! 1,001 of the Greatest Science Fiction Quotes: “31 genius sci-fi quotes that offer real-world wisdom”.

…Science is our most effective tool or process for discovering and understanding reality. It also enables us to create technologies with godlike powers. Unfortunately, this comes with the risk of placing too much trust in scientists and too much reliance on technology. The question of who gets to control and benefit most from deadly, invasive, or dehumanizing technology is a common science-fiction theme. 

“When a population is dependent on a machine, they are hostages of the men who tend the machines.” — Robert A. Heinlein, “The Roads Must Roll,” 1940 short story

“Aren’t these the people who taught us how to annihilate ourselves? I tell you, my friends, science is too important to be left to the scientists.” — Carl Sagan, Contact, 1985 novel

“It has undoubtedly occurred to you, as to all thinking people of your day, that the scientists have done a particularly abominable job of dispensing the tools they have devised. Like careless and indifferent workmen they have tossed the products of their craft to gibbering apes and baboons.”  — Raymond F. Jones, This Island Earth, 1952 novel

On the other hand, prominent astronomer Fred Hoyle wrote a science-fiction novel in the 1950s that contained the suggestion that scientists don’t have enough power. 

“Has it ever occurred to you, Geoff, that in spite of all the changes wrought by science—by our control over inanimate energy, that is to say—we still preserve the same old social order of precedence? Politicians at the top, then the military, and the real brains at the bottom.” — Fred Hoyle, The Black Cloud, 1957 novel…

(4) SCAM I AM. Victoria Strauss investigates “The Curious Case of Fullers Library and Its Deceptive Link Requests” at Writer Beware.

…All of the websites targeted for Fullers’ link suggestions include resource pages or otherwise offer lists of outbound links, and each suggested link is seeded across multiple recipient sites: for example, a websearch on the rain garden article yields six pages of results, with many different “student” names supposedly responsible for recommending it. The articles are, for the most part, like Nora’s: superficial but not overtly bogus, just the kind of thing that you could believe an enthusiastic young student might find helpful.

As for the sites to which the suggested links direct, in some cases they are a semi-plausible match for the articles they host (for example, an article on paper bag crafts hosted at a printing company, and an article on pickleball hosted at a playground equipment vendor), but more often it’s like the examples above: the article has zero relevance to its host, and isn’t accessible from the host menu. Many of these hosts–some of which are pretty shady-seeming–are home to multiple Fullers-recommended articles.

In other words, Fullers is running a link building scam….

(5) SFF AUDIO DRAMA. [Item by SF Concatenation’s Jonathan Cowie.] The BBC’s Radio 4 (formerly the Home Service) airs some excellent audio dramas with some solid SF in the mix.  The latest such offering is The Skies Are Watching.

Heather Haskins went missing two years ago. Discovered aboard a flight without a ticket or identification, she now believes she’s a woman named Coral Goran, it’s 1938, and that she was abducted on the night of Orson Welles’ infamous</I> War of the Worlds <I>broadcast. Her family struggles to come to terms with this turn of events while searching for answers…

Episode 1 airs Friday, July 5 and can for a month be accessed here.

(6) TEDDY HARVIA CARTOON.

(7) TODAY’S BIRTHDAY.

[Written by Paul Weimer.]

July 5, 1957 — Jody Lynn Nye, 67. 

By Paul Weimer. I mainly know the work of Nye as a collaborator and facilitator, working with other people’s work.  Sure, she has written a slew of short stories, and several novels of her own. But when I think of her work, I don’t think of those as much as I should.  Instead, I think of her work with Robert Asprin, and Anne McCaffrey. 

Neither is a surprise. One of the strong arrows in Nye’s quiver is humor, and collaboration with Asprin on some of the later works in the MYTH series must have seemed natural to both of them when they decided to do it. Both engage in both broad humor and subtle wordplay, laugh out loud at the moment, and later poleaxing bits of humor as profound as they are funny. And coming in as she did late in the series, it provided a fresh infusion of ideas for the MYTH series at the time and helped extend the series into the 2000s. 

Jody Lynn Nye

And then there is Anne McCaffrey. The first thing I read by Nye is not her standalone novels, or MYTH, but rather her guide to Pern. Even then, intensely interested in worldbuilding, of COURSE I had to pick this one up (it would be one of several I picked up, including one on Julian May’s Pliocene exile, the Visual Guide to Castle Amber, et cetera).  I only in retrospect realized that the Nye who wrote this would be the one who collaborated with McCaffrey in the other arena McCaffrey is known more: The Ship Who Sang. That original novella, way back in the 1960’s led to Nye and McCaffrey collaborating on more stories and novels about a sentient spaceship. Nye also continued the series on her own, as did other authors like S M Stirling.  (In point of fact, Nye seems to like to do that, to continue on series. She did it with MYTH and with some other series as well, extending and building them outward. 

And then there is the odd collaborative/shared world Exiled Claw, which is an alternate earth where intelligent bipedal cats (think Kzinti but not as stupidly aggressive ) take on intelligent dinosaurs in a bronze age/early iron age technology verse.  Nye shows off yet another arrow in her quiver in those two volumes. Pity they stopped after two volumes and not even Nye has had the opportunity to write any more. Alas!

It would be a Mythstake, indeed, to discount Nye’s work in the SFF field as “merely” being collaborative. (She also teaches at DragonCon every year, too).  Collaborations and working in other people’s sandboxes is hard, not easier, than original ideas, and Nye has a talent (and clearly, a proclivity) for it.

(8) COMICS SECTION.

(9) SCIENCE EXHIBITION IN LONDON. [Item by Steven French.] If anyone happens to be in London over the weekend, there’s some neat stuff going on at the Royal Society: “Summer Science Exhibition 2024”.

Discover cutting-edge research and innovation at the Royal Society’s unmissable Summer Science Exhibition, taking place from 2 – 7 July 2024, an interactive experience open to everyone with a curious mind. This is a free event and no ticket is required. 

This year, visitors can get hands-on with personal brain scanners, hear real ice core samples from Antarctica, marvel at a chandelier made from a waste product, or learn how stem cells are revealing secrets of the embryo. Find out more about the 14 main exhibits and plan your visit.

One of the exhibits is about “DUNE: The Deep Underground Neutrino Experiment”.

DUNE, the Deep Underground Neutrino Experiment, is a cutting-edge experiment developed by the international neutrino physics community to study a broad range of science, including neutrino oscillations, neutrinos from nearby supernovae, and proton decays.

The Near Detector of the experiment will be hosted by Fermilab, IL, USA, with its Far Detector 1300 km away in South Dakota at the Sanford Underground Research Facility (SURF). Surprisingly, no tunnel is needed for the neutrinos to travel through because these ghostly particles pass easily through soil and rock as they rarely interact with matter. The Long-Baseline Neutrino Facility (LNBF) at Fermilab will deliver a neutrino beam of unprecedented power, which is needed for the detailed measurements DUNE is due to take of such elusive particles.

Probably the most well-known goal of the experiment is to study neutrino oscillations. This has driven the large-scale design of the experiment as neutrinos need to travel a large distance for oscillation to take place. This will help solve some fundamental questions, such as why the Universe is made of matter and not antimatter, and provide more information about the masses and nature of neutrinos….

(10) CHINA SMASH! [Item by Mike Kennedy.] Not satisfied, one supposes, with the NASA effort to redirect asteroids in the DART mission, China claims they will one up that by “smashing“ a 30-meter asteroid by 2030. (It might be noted that the smaller asteroid, (Dimorphos) of the double asteroid NASA targeted—the one actually impacted—was ~170-meters and thus much more massive than China’s target.)

All that said, having two nations working on planetary defense is much better than having only a single nation doing so. “China Planning to Smash Asteroid in Planetary Defense Test” at Futurism.

China is planning to launch a spacecraft with the aim of smashing a nearby asteroid, in an impact designed to test the feasibility of protecting against any Earth-threatening asteroids like the one that killed off the dinosaurs about 66 million years ago.

Researchers outlined their plans in a recent paper published in the Journal of Deep Space Exploration and spotted by The Planetary Society, saying that a test mission should happen before 2030 and that an asteroid with a diameter of about 30 meters will be the target….

(11) A BOON FROM ARES. The LAist gets a scientist to explain to us “Why a new method of growing food on Mars matters more on Earth”.

That led to a career in space agriculture, figuring out how to grow food on other planets. She credits time later spent living among the Kambeba, an Indigenous tribe in the Amazon rainforest she is descended from, for her conviction that it is essential that she do more than explore distant worlds. She wants to preserve this one, too.

“It’s a very conscientious topic within the world of space agriculture science,” said Gonçalves, noting that “every single piece of research that we produce must have direct benefits to Earth.”

That ideal makes her latest research particularly timely. She and a team at the Wageningen University & Research Centre for Crop System Analysis found that an ancient Maya farming technique called intercropping works surprisingly well in the dry, rocky terrain of Mars.

Their findings, published last month in the journal PLOS One, have obvious implications for the possibility of exploring or even settling that distant planet. But understanding how to grow crops in the extraordinarily harsh conditions on other planets does more than ensure those colonizing them can feed themselves. It helps those here at home continue to do the same as the world warms.

“People don’t really realize [this], because it seems far away, but actually our priority is to develop this for the benefit of Earth,” said Gonçalves. “Earth is beautiful, and it’s unique, and it’s rare, and it’s fragile. And it needs our help.”…

Intercropping, or growing different crops in close proximity to one another to increase the size and nutritional value of yields, requires less land and water than monocropping, or the practice of continuously planting just one thing. Although common among small farmers, particularly across Latin America, Africa, and China, intercropping remains a novelty in much of the world. This is partly because of the complexity of managing such systems and largely unfounded concerns about yield loss and pest susceptibility. Modern plant breeding programs also tend to focus on individual species and a general trend toward less diversity in the field….

(12) VIDEO OF THE DAY. Host David Agranoff is joined by Alec Nevala-Lee and Seth Heasley on Postcards From A Dying World #148 to discuss “SF Hall of Fame #6 Nightfall by Isaac Asimov”.

[Thanks to Steven French, Teddy Harvia, Kathy Sullivan, Rich Lynch, Mike Kennedy, Andrew Porter, John King Tarpinian, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 10/26/23 It Was An Early Evening Pixel And The Scroll Had Just Opened Up

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(1) LIGHTNING STRIKING AGAIN AND AGAIN. Charlie Jane Anders asks “Why Is It So Hard For Hollywood To Create Brand New Heroes?” at Happy Dancing.

…I actually have no idea why Hollywood’s heaviest hitters keep coming back to the same characters. To find out more, I asked Javier Grillo-Marxuach, the creator of The Middleman (which I praised in last week’s newsletter.) Javi recently pitched a Hitchhiker’s Guide to the Galaxy TV show that wouldn’t include Arthur Dent, so I was curious to find out what he thought about this topic. Here’s what he told me.

Star Wars has arguably had a hard time moving away from the Skywalkers — every Star Wars TV show or movie up to now features characters who are at most two Kevin Bacons away from Luke. The Wizarding World has stumbled when it tries to move too far away from Harry Potter — the Fantastic Beasts movies very quickly pivoted to being about Harry’s mentor Dumbledore. The only Hunger Games spinoff is a prequel that focuses on a guy who spent a lot of time with Katniss. Why is it so hard to move away from characters we already know, or the familiar version of the saga?

Having worked on one or two franchise projects, I would add the caveat that it’s easy to armchair quarterback some of these decisions when one is not aware of the parameters under which they were made. That said, the biggest issue is always money. Every single project you mentioned above is an investment of hundreds of millions of dollars that has to be recuperated — not to mention that these projects also have to buttress entire empires of merchandising, theme park attractions, and publishing across all media. It’s not a business model that rewards risk.

There’s also what I call “The Fog of War,” by which I mean the often desperate need to make things work for no reason other than being committed to a something like the availability of a piece of talent, or setting a release date before having a robust concept, or a weird contractual obligation (like Sony needing to produce a Spider-Man movie every six years on pain of losing the rights to the characters), or having too many powerful producers who disagree about everything, and needing something — anything — to put before the camera. Those sorts of artificial constraints lead directly to the lowest-hanging fruit, and often to decisions that make little sense when examined with the benefit of a greater perspective….

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

113 recommended short SF stories

I’m not sure what – if any – connection this list of stories has to the Worldcon – possibly it’s related to the reaction to Hai Ya’s Hugo win, as covered in yesterday’s Scroll?  It seems to have been crowd-sourced, and is a mix of Chinese and non-Chinese works.  Hopefully most of the Western authors and works are still recognizable after the “Translate content” link does its work; whilst it doesn’t always successfully reverse-engineer the correct original titles from their translated titles, it should be close enough for them to be identified.

“Celebrity” and other photos from Xiaohongshu

I was mildly amused when the algorithm behind the Xiaohongshu app started categorizing some photos of people who will be recognizable to Filers – or who are actually Filers – as “celebrities”.  Most if not all of the following links contain a variety of photos, but I’ve highlighted the names of people who appear in some of those photos.

Vincent Docherty at left
Devin McCullough

A couple of other photos and videos:

A couple more con reports from Chinese fans

(via Zimozi Natsuco on Twitter).  A slight word of warning: I think this pair of con reports don’t fare as well with machine translation (well, Google Translate at least) as does a lot of non-fiction material.  Part of this is that Google Translate doesn’t seem to have been trained on fannish materials.  For example “二次元” becomes “second dimension” or”two-dimensional”, which is correct in a literal sense, but would be more understandable as “anime”, “anime-styled” or “animation”.

The first is from an anime fan, and probably covers the overall Chinese speculative fiction and media scene more than the con itself.  A couple of extracts via Google Translate, with minor cleanup edits:

Compared with the dazzling array of two-dimensional products, looking at Chinese science fiction, what products have been developed over the years that are well-known to the public?

“The Three-Body Problem”!  Anything else?

“The Wandering Earth”!  Anything else?

Um, “Sun of China“?  Are there any works other than those of Liu Cixin?

…Umm, “Shanghai Fortress“?

…

When science fiction was introduced to China by Lu Xun, Liang Qichao and others in the early 20th century, it was included in a utilitarian direction as soon as it was involved. Of course, this was also due to the ambiguity of the meaning of “science fiction” proposed by Hugo Gernsback. Most people now equate “speculative fiction” with “fiction about science”, and the “fantasy” aspect of speculative fiction is ignored. lThis makes more sense in Chinese: “科幻” is translated as “science fiction”, but it is actually an abbreviation of “科学幻想”, which are the words “科学” science and “幻想” fantasy.)]

This definition deeply influenced Chinese science fiction literature in the 1970s and 1980s. Even now, many people still believe that science fiction should be scientific, and the fantasy part is excluded. This situation was particularly serious when “The Three-Body Problem” first became popular. At that time, the Internet was full of comments such as “hard science fiction is science fiction, soft science fiction is not as good”

…

Our old friend Game Grape also published an article on the last day of the Chengdu Science Fiction Conference called “The second dimension is getting colder. Is science fiction the next trend in the gaming industry?” In the article, a game company boss revealed to Putao that “the next trend may be science fiction.”

Nowadays, more and more two-dimensional mobile games are beginning to put on the skin of science fiction. In the second trailer for Honkai Impact 3 released in September, it is not difficult to see the dominance of science fiction: the stage is placed in the universe.

The second is by Zimozi himself.  Again, via Google Translate with minor edits

But the conference was a real success. Please read the news reports: We have received the highest attendance in the decades-long history of the World Science Fiction Convention. The foreign guests present are sincerely praising the venue and services. Chinese writers have gained a lot from the Hugo Awards and even [appeared on the TV news], Bai Yansong enthusiastically discusses with the audience, “Where is China’s science fiction going?”…

So, do I have a problem?

….

Science fiction is also an industry. The industry is not child’s play, nor is it a few science fiction fans who want to start a science fiction fanzine…  There are carefully arranged corporate exhibitions, grand and enthusiastic talent introduction, and the intensive construction of talent housing — opposite the venue are several new talent apartments and new real estate projects that are in full swing, attracting science fiction talents from all over the world to settle down in Chengdu. In industry summits one after another, we have seen one after another novel support plans and science fiction awards, as well as countless new institutions integrating industry, academia and research. 

(3) HUGO WINNERS ON TV. Chris Barkley sent a link to video of “the press conference Neil Clarke and I were a part of after the Hugo Awards Ceremony.” — here.

(4) SIXTIES PARANORMAL SERIES. Todd Allen made a discovery – “Martin Landau’s Lost Occult Detective TV Show”. It will probably be news to you, too.

…I stumbled into Martin Landau’s lost occult detective TV show a couple weeks ago.

His what?!? Yes, that was my reaction, too. I later asked a few people I’d expect to have heard of such a thing and none of them had, so now I’ll tell you about it.

I’d been watching The Brides of Dracula on Prime and was flipping through the list of films people who watched that also watched, I came across what appeared to be an old Martin Landau horror movie called The Ghost of Sierra de Cobre. I hadn’t heard of this or associated Landau with horror, so I looked it up and proceeded to be shocked.

It seems that back in 1964, James Aubrey (the president of CBS) commissioned Joseph Stefano to produce a pilot called “The Haunted.” Does the name “Stefano” sound familiar? He wrote the screenplay for Alfred Hitchcock’s Psycho and was one of the writer/producers on the first season of The Outer Limits.

The Haunted would have starred Martin Landau – two years before Mission: Impossible – as Nelson Orion, an architect who moonlights as a paranormal investigator….

(5) OCTOTHORPE. In episode 95 of the Octothorpe podcast – “Hugo, Girl!” – John Coxon is playing a game, Alison Scott is in New Zealand, and Liz Batty’s head is on fire.

We discuss the Hugo Award winners, Anna Karenina, what the word “semiprofessional” means, and what continent/timezone/day of the week Alison is in. Art by the very talented España Sheriff.

(6) APPLE+$. “Apple TV+ Price Increase: Apple Raises Monthly Fee to $10” says The Hollywood Reporter.

Apple is hiking the price of Apple TV+ significantly, raising the monthly subscription fee to $9.99 per month from its current $6.99 per month price point. The cost of an annual plan is going from $69 to $99.

(7) OTHER SERVICES TOO. Reuters adds to its Apple+ coverage this info about Disney+ and Netflix.

Netflix increased subscription prices for some streaming plans in the United States, Britain and France when it reported results last week. Disney said in August it would raise by 27% the price of the ad-free tier of the Disney+ service to $13.99 and hike by 20% the no-ad version of Hulu. 

(8) DOCTOR APPOINTMENTS. “Doctor Who confirms air dates for 3 specials with David Tennant” – Radio Times has the schedule – and the publicity posters.

The BBC has announced that David Tennant’s Fourteenth Doctor will officially be bursting back onto our screens on Saturday 25th November, with the second and third specials following on Saturday 2nd December and Saturday 9th December respectively.

The poster for The Star Beast featuring The Doctor, Donna (Catherine Tate) and her daughter Rose (Yasmin Finney).
Catherine Tate as Donna Noble and David Tennant as The Fourteenth Doctor for Wild Blue Yonder. BBC
The Toymaker (Neil Patrick Harris, centre background) torments Donna Noble (Catherine Tate) and The Fourteenth Doctor (David Tennant) BBC

(9) HUNGARIAN SFF AUTHOR TRANSLATED. [Item by Bence Pintér.] One of the best contemporary Hungarian sci-fi writers, Botond Markovics (AKA Brandon Hackett) had his Zsoldos Award-winning book Disposable Bodies translated into English. He also set up an English-language Facebook page on which he wrote about this.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 26, 1934 — Dan McCarthy. The grand old man of New Zealand fandom. He belonged to Aotearapa, New Zealand’s APA, for 25 years, and was its official editor from 1986-1987 and 2001-2003. As a member, he contributed 77 issues of his fanzine Panopticon, for which he did paintings and color graphics. His skills as a fanartist were widely appreciated: he was a Fan Guest of Honour at the New Zealand national convention, a nominee for the Sir Julius Vogel Award, and he won NZ Science Fiction Fan Awards (the predecessor of the Vogel) Best Fan Artist twice. (Died 2013.) (JJ) 
  • Born October 26, 1945 — Jane Chance, 78. Scholar specializing in medieval English literature, gender studies, and J. R. R. Tolkien with a very, very impressive publication list for the latter such as Tolkien’s Art: A “Mythology for England, Tolkien the Medievalist, The Lord of the Rings: The Mythology of Power and Tolkien, Self and Other: “This Queer Creature”. She’s garnered four Mythopoetic Award nominations but no wins to date.
  • Born October 26, 1954 — Jennifer Roberson,69. Writer of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells that tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
  • Born October 26, 1962 — Faith Hunter, 51. Her longest running and most notable series to date is the Jane Yellowrock series though I’ve mixed feelings about the recent turn of events. She’s got a nifty SF series called Junkyard that’s been coming out on Audible first. Her only award to date is the Lifetime Achievement award to a science fiction professional given by DeepSouthCon. 
  • Born October 26, 1963 — Keith Topping, 60. It being the month of ghoulies, I’ve got another academic for you. He’s published Slayer: The Totally Cool Unofficial Guide to Buffy, Hollywood Vampire: An Expanded and Updated Unofficial and Unauthorised Guide to Angel, The Complete Slayer: An Unofficial and Unauthorised Guide to Every Episode of Buffy the Vampire Slayer and one and one for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written some novels in the Doctor Who universe, some with Martin Day, and written non-fiction works on the original Avengers, you know which ones I mean, with Martin Day also, and ST: TNG & DS9 and Stargate as well with Paul Cornell. 
  • Born October 26, 1971 — Jim Butcher, 52. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his Cinder Spires series which sounds intriguing? 

(11) FRANKENSTEIN. [Item by Steven French.] With Halloween almost upon us, Leeds Central Library has a nice blog piece about its 3rd edition copy of Mary Shelley’s classic which includes the first illustration of the monster, looking quite different from the movie version! “Mary Shelley – The First Science Fiction Author” at Secret Library.

…Leeds Central Library has a third edition copy of this novel, published in 1831 by Richard Bentley and Henry Colburn and the first illustration of Frankenstein’s monster can be found on the first page. This stunning and slightly disturbing drawing was drawn by Theodor von Holst, a student of Henry Fuseli. The image is a visualisation of an extract from the text that is written at the bottom of the page. The quote reads;

‘By the glimmer of the half-extinguished light, I saw the dull, yellow eye of the creature open; it breathed hard, and a convulsive agitation seized its limbs…I rushed out of the room.’

At the right side of the illustration, you can see Victor Frankenstein fleeing the room, the look of pure fear on his features. However, the main focus of the image is the ‘monster’ who is on the floor with an agonised look on his face as he takes his first breaths. The Gothic meets romantic style of the image as well as the symbols of both death and science perfectly capture the themes that Shelley conveyed in this novel.

This edition was edited from the original version that Mary Wollstonecraft Shelley wrote in 1816 when she was only 18 years old. This version contains an introduction from Shelly in which she answers the question “How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea”….

(12) THE “TRANSPORTER” BEFORE THE TRANSPORTER. “Read Gene Roddenberry’s First Sci-Fi TV Show Pitch in Its Original Doc” at IndieWire.

…In 1955, Roddenberry had begun writing for Ziv TV, a production company for TV shows in syndication, specifically for the titles “Mr. District Attorney” and “Highway Patrol.” He had gotten into television writing by acting as a liaison for the LAPD, when he worked as a police officer in the early 1950s, to the show “Dragnet.” In that capacity he helped condense actual case files into story treatments that the show’s writers could turn into teleplays.

“Science Fiction Theatre” was a Ziv TV production as well. Hence why at the top of this document you see the company listed, before Roddenberry crossed that out in favor of the name of a production executive he’d be pitching. Here’s the document, and give it a closer look in PDF format here….

…The description of his pitch for the episode reads:

The proposed story is of the invention of the “Transporter” — a device which is television, smellovision, soundovision, all rolled into one. A device which creates an artificial world for the user, capable of duplicating delight, sensation, contentment, adventure–all beyond the reach of the ordinary person living the ordinary life. With it you can voyage to far-off lands, argue with Socrates, earn and spend a million dollars, or lay Marilyn Monroe. Take your choice.

And this is the story of the inventor who, after achieving this miracle, suddenly realizes that a commercial, greedy, sometimes inhuman world would take over his miracle. And it might be used as they have used the miracle of radio, television, the motion pictures–with much more devastating results. It could become the most powerful totalitarian enslaving device; it could become the most powerful opiate; it could create wants and desires for which the world would destroy itself–a dying race sitting at their “transporters.”

(13) TAIKONAUTS. “China’s youngest-ever crew of astronauts heads to space station” — Reuters has the story.

The youngest-ever crew of Chinese astronauts departed for China’s space station on Thursday, paving the way for a new generation of “taikonauts” to advance the country’s space ambitions in the future.

The spacecraft Shenzhou-17, or “Divine Vessel”, and its three passengers lifted off atop a Long March-2F rocket from the Jiuquan Satellite Launch Centre in northwest China.

Leading the six-month mission was former air force pilot Tang Hongbo, 48, who was on the first crewed mission to the space station in 2021.

His return to the orbiting outpost Tiangong, or “Celestial Palace” in Chinese, also set a new record for the shortest interval between two spaceflight missions by taikonauts – coined from the Chinese word for space – suggesting a faster rotation of taikonauts in coming years.

Tang, from China’s second batch of astronauts in 2010, had to wait more than a decade before he was picked for his inaugural spaceflight in 2021.

By contrast, his fellow Shenzhou-17 crew members Tang Shengjie, 33, and Jiang Xinlin, 35, both travelling to space for the first time, joined China’s third batch of astronauts in September 2020….

(14) POISONING PIXELS IN THE PARK. [Item by Jim Janney.] There’s an article in MIT Technology Review about a tool that lets artists “poison” their images in ways that mess with generative AI: “This new data poisoning tool lets artists fight back against generative AI”. It seems to work by manipulating pixels in ways that the human eye doesn’t notice, so wouldn’t be directly applicable to large language models.

…The tool, called Nightshade, is intended as a way to fight back against AI companies that use artists’ work to train their models without the creator’s permission. Using it to “poison” this training data could damage future iterations of image-generating AI models, such as DALL-E, Midjourney, and Stable Diffusion, by rendering some of their outputs useless—dogs become cats, cars become cows, and so forth. MIT Technology Review got an exclusive preview of the research, which has been submitted for peer review at computer security conference Usenix.   

AI companies such as OpenAI, Meta, Google, and Stability AI are facing a slew of lawsuits from artists who claim that their copyrighted material and personal information was scraped without consent or compensation. Ben Zhao, a professor at the University of Chicago, who led the team that created Nightshade, says the hope is that it will help tip the power balance back from AI companies towards artists, by creating a powerful deterrent against disrespecting artists’ copyright and intellectual property. Meta, Google, Stability AI, and OpenAI did not respond to MIT Technology Review’s request for comment on how they might respond. 

Zhao’s team also developed Glaze, a tool that allows artists to “mask” their own personal style to prevent it from being scraped by AI companies. It works in a similar way to Nightshade: by changing the pixels of images in subtle ways that are invisible to the human eye but manipulate machine-learning models to interpret the image as something different from what it actually shows…. 

(15) SMALLER ON THE INSIDE. [Item by Mark Roth-Whitworth.] Nature reports“Mars has a surprise layer of molten rock inside”. “Fresh investigations find that the red planet’s liquid-metal core is smaller than scientists thought.”

A meteorite that slammed into Mars in September 2021 has rewritten what scientists know about the planet’s interior.

By analysing the seismic energy that vibrated through the planet after the impact, researchers have discovered a layer of molten rock that envelops Mars’s liquid-metal core. The finding, reported today in two papers in Nature1,2, means that the Martian core is smaller than previously thought. It also resolves some lingering questions about how the red planet formed and evolved over billions of years.

The discovery comes from NASA’s InSight mission, which landed a craft with a seismometer on Mars’s surface. Between 2018 and 2022, that instrument detected hundreds of ‘marsquakes’ shaking the planet. Seismic waves produced by quakes or impacts can slow down or speed up depending on what types of material they are travelling through, so seismologists can measure the waves’ passage to deduce what the interior of a planet looks like….

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Mark Roth-Whitworth, Jim Janney, Bence Pintér, Mike Kennedy, Andrew Porter, and Ersatz Culture for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 9/12/22 The Following Scroll Was Taped In Front Of An Audience Of Live People (Plus Some Zombies)

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(1) YOU’RE THE TOPS. The Self-Published Science Fiction Competition announced the winner of its 2022 Best Covers poll. Voters said Kirk DouPonce’s cover for Debunked: Volume One was the best among the entries to this year’s edition of the contest.

(2) PROGRESS REPORT. The New York Times says Dragon Con is “Redefining What Nerd Culture Looks Like”.

…Mr. Sherman, who traveled from Lake Charles, La., for Dragon Con, has attended nearly every year since 2008. That first year, Mr. Sherman, a former journalist, took photos of cosplayers he was impressed by. “One of my friends half jokingly asked, ‘Were you the only Black guy there?’” he said. He looked through his pictures and counted about 20 or 30 Black cosplayers. He posted an album on Facebook with all of them and named it: “Proof that I’m not the only one: Black geeks at Dragon Con.”

The Facebook photo album became an annual tradition and eventually morphed into an annual meet-up.

Meet-ups happen at Dragon Con for all types of groups, from Deadpool cosplayers to Trekkies. “If you can imagine it, there’s a photo shoot for it,” Mr. Sherman said. But at the time, there wasn’t one for the Black community, so the Black Geeks of Dragon Con meet-up was born.

The first meet-up in 2015 brought in a little more than 20 people. In the years that followed, Mr. Sherman and his friend and meet-up co-founder David Somuah handed out cards at the con inviting Black cosplayers to join, and word spread.

“We went from 20 to 80, then all of a sudden it just jumped to 200 or 300,” Mr. Sherman said. “In 2019, going through the pictures, we were close to 350 people. You couldn’t see the back of the stairs.”

Angela and Tim Haynes cosplaying as Eddie Munson and a mash-up of LL Cool J and Eleven from “Stranger Things.”Ari Skin for The New York Times

In recent years, Dragon Con has made an effort to broaden its scope. A diversity track has been added to the programming that features panels on cosplay and disability, dealing with hate as a cosplayer, and representation in fantasy media.

(3) AFTER ACTION REPORT. Cora Buhlert delivers her epic analysis of this year’s Hugos in “Some Comments on the 2022 Hugo Award Winners and the Hugo Ceremony in General”.

…There were also no names mispronounced that I noticed – and mine was pronounced correctly, so thank you to Annalee and Charlie Jane – though the hosts forgot to read out Marguerite Kenner, editor of Best Fanzine finalist The Full Lid. There was also some unpleasantness involving Best Semiprozine finalist Strange Horizons, who have a large staff and have long fought for all of them to be listed. The hosts did not read out the entire long list of names, which was agreed upon with Strange Horizons beforehand, but the dramatic pause before “…by the Strange Horizons editorial collective” generated laughter in the auditorium, which may not even have been ill intended, but which nonetheless hurt the Strange Horizons people, especially given the crap they’ve gotten over the years, e.g. last year when many people blamed Strange Horizons for complaining about the (eventually repealed) “only four people plus ones at the Hugo ceremony and reception rule”, even though it was a completely different team that complained. Finally – speaking as someone who’s been there three times now – it is a thrilling feeling to hear your name read out at the Hugo ceremony. Having that thrilling feeling marred by having your name mispronounced, omitted or people laughing about it is not cool. I was still in the finalist Zoom green room with Sonia Sulaiman of Strange Horizons, when Best Semiprozine was announced, and I could tell she was hurt. That said, Annalee and Charlie Jane have apologised by now….

(4) WHAT AM I BID? Heritage is auctioning some of Harlan Ellison’s collection in October: “2022 October 21 Harlan Ellison Comics & Comic Art Signature® Auction #7335”. Thumbnails of the artwork at the link.

(5) 2022 EASTERCON REPORT. [Item by SF Concatenation’s Jonathan Cowie.] The SF2 Concatenation has just released a convention report on the 2022 UK Eastercon by Arthur Chappell ahead of its seasonal edition.

It was for many of us an emotional reunion with dear friends, with moving tributes to the fans who didn’t make it through the maelstrom, especially poignantly referenced during the opening and closing ceremonies. The former included a very moving presentation by Doug S. on the ravages and toll the CoVID virus has had on fandom since the first ripples of the tragic virus started rolling round the world in December 2019…

(6) A COLD APPRAISAL OF FRANKENSTEIN. Scholar Michael Bérubé is interviewed by PennStater Magazine about his work on an edition of Mary Shelley’s Frankstein that gives new emphasis to the polar mission in the story: “He’s (Still) Alive!”

Q: You mentioned that the actual science is somewhat understated in Frankenstein. What’s interesting to you about how Shelley’s approach to this has aged?
Bérubé: To go back to the Marilyn Butler edition, a lot of her argument relies on the fact that the Shelleys’ personal physician was a leading exponent of materialism—the belief that we’re just matter, there’s nothing that separates humans from animals in that respect. Butler’s reading is that as Shelley got older, she got more conservative—she knew very well the horrified reaction her book produced, and she wanted to take some of the edge off. In some ways I’m just following that: This is about the history of science; this is a question of what life means. Most people treat the polar expedition as basically a framing, just a setup, whereas I think it’s fascinating in its own right.

One of the other questions is, what does it mean to be the first person to achieve something? At the very end of the novel—and this is another thing I love about it—Victor says, “I’ve ruined my life, I should never have opened this Pandora’s box.” He literally gets up off his deathbed on Walton’s ship; the crew is about to mutiny. They know they’re going to die, and some of them already have. And Victor hauls himself up off his deathbed and gives this impassioned speech chastising the crew for being cowards. “Of course this was going to be a dangerous mission—that’s why you took it.” As JFK put it in his 1962 announcement of the Apollo program, “We choose to go to the moon not because it is easy, but because it is hard.” Victor’s pitch is, “You have the chance here to do something glorious. Your names will go down in history.” Well, no they won’t [laughs]. No one’s going to remember the names of the crew.

So I think it’s become clear over the past 200 years that polar exploration is more like space exploration than it is like creating life: It raises questions about the utility and the dangers of boldly going where no one has gone before, but it doesn’t seem to cross any major ethical lines. The creature, by contrast, continues to resonate with us not despite our stunning technological accomplishments since then but because of them: he seems to anticipate debates about in vitro fertilization, about gene editing and genetic engineering … in short, about whether we should be trying to tinker with the stuff we’re made of, and to what end….

(7) SPECIAL INTEREST ADVOCATE. Washingtonian interviews the only lobbyist in Washington dealing with UFOs.“Alien Life: UFO Lobbyist’s Quest to Uncover the Truth”.

On a Tuesday morning in mid-May, Stephen Bassett flipped open his laptop, logged on to YouTube, and watched live-streamed coverage of America’s elected representatives doing something he’d waited years to see. Over the next hour and a half, he stared at his 43-inch LCD monitor and observed stern-faced military officials in a congressional hearing room answer lawmakers’ questions about the unidentified aerial phenomena, or UAPs—another term for UFOs—that service­members had encountered in recent years. As the proceedings got underway, one of the Pentagon higher-­ups played recently declassified footage showing a mysterious object darting across the sky. “For too long, the stigma associated with UAPs has gotten in the way of good intelligence analysis,” André Carson, the Democratic congressman from Indiana who chairs the House Intelligence subcommittee that had organized the event, told the audience. “Today, we know better. UAPs are unexplained, it’s true. But they are real.”

For Bassett, this first public congressional hearing on UFOs in more than 50 years was a milestone. As DC’s first registered UFO lobbyist, he’d spent more than a quarter century pleading for lawmakers and the administration to stop snickering at the issue. Yet as he watched official Washington finally take the topic seriously, an uneasy feeling struck him. “It’s that anxiety that you get when you’re getting close to the finish line,” he says, “but it’s still not clear it’s a done deal.”

Though long dismissed as the delusions of science fiction, UFOs have emerged as a serious subject in the nation’s capital….

(8) MEDIA BIRTHDAY.  

1993 – [By Cat Eldridge.] Twenty-nine years ago this night on ABC, Lois & Clark: The New Adventures of Superman premiered. As much romance as SF, it was lasted less time than I thought it did, just four seasons and eighty-eight episodes.

Casting had the perfect couple in Dean Cain as Clark Kent / Kal-El / Superman and Teri Hatcher as Lois Lane. They had perfect chemistry between the two of them. 

It was developed by Deborah Joy LeVine who never developed anything else of a genre nature other the Early Edition series later on. It had six, yes six, Executive Producers including her. All of which got fired after the first season. 

The series focuses on the relationship and romance between Lois and Clark as much as the adventures of Clark’s alter-ego, Superman. The DCU villains that appeared here, as far as I can tell, were Metallo, Weatherman, Lex Luthor, Prankster, Metello and Mr. Mxyzptlk. Most showed up in the second season after the Purge following the ending of the first season.

Ratings kept declining throughout the series and, though it was promised to the producers, a fifth season was never done leaving the series on the cliffhanger. 

SFBC published C. J. Cherryh’s Lois & Clark: A Superman Novel during the third season. DC produced Lois & Clark, The New Adventures of Superman with by John Bryne and others in the same season. 

It carries a bounding eighty-seven percent rating among audience reviewers at Rotten Tomatoes. 

The show streams on Amazon and HBO Max. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 — Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1914 — Desmond Llewelyn. He’s best known for playing Q in 17 of the Bond films over thirty-six years. Truly amazing. Live and Let Die is the only one in the period that Q was not in. He worked with five Bonds, to wit Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. Other genre appearances include The Adventures of Robin Hood, the Strange Case of Dr Jekyll and Mr Hyde, The Curse of the Werewolf and Chitty Chitty Bang Bang. (Died 1999.)
  • Born September 12, 1922 — John Chambers. Makeup artist who worked on the original Trek where he created the Vulcans and molded Spock’s pointed ears. He would also be principal designer of the ape makeup for Planet of the Apes and its sequels. In 1969 he received an honorary Academy Award for those designs, though it would be 1981 when a specific award category for Best Makeup would exist.  He also, among other work, was invoked with Munsters, Lost in Space and Other Limits. (Died 2001.)
  • Born September 12, 1927 — Freddie Jones. Though he was best known for his role as the showman Bytes in The Elephant Man, he did have some genre including showing up on the original Dune as Thufir Hawat. Other roles included being in Frankenstein Must Be Destroyed as Professor Richter, two Dracula films, The Satanic Rites of Dracula, one as  Professor Keeley and Son of Dracula as The Baron. He was also in Vampira aka Old Dracula as Gilmore. He was in Krull with a name I refuse to pronounce, Yny. And that’s only up to 1985. Need I say he had a busy career? (Died 2019.)
  • Born September 12, 1931 — Bill McKinney. I remember him from voicing a most believable Jonah Hex in the Batman: The Animated Series in the Joe Lansdale penned “Showdown” episode.  He’s got genre one-offs in The Adventures of Young Indiana Jones, The Lazarus Man and Galatica 1980. She was in the third Back to Future film. (Died 2012.)
  • Born September 12, 1942 — Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. The usual suspects have decent but not outstanding selections of his works including Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1960 — Robert John Burke, 62. He played the second incarnation of Robocop after Peter Weller bowed out from playing the character.  He was Donald “Don” Pierce in Limitless, a SF thriller that great reception from everyone, and he was William Anders in From the Earth to the Moon. If you watched Person of Interest, he had the ongoing role of Officer Patrick Simmon. Definitely not genre or genre related, but he played Frank McLaury in Tombstone, one of favorite films of all-time. I’ve only watched it at least a half dozen times. 
  • Born September 12, 1962 — Mary Kay Adams, 60. She was Na’Toth, a Narn who was the aide to G’Kar in the second season of Babylon 5, and she would show up as the Klingon Grilka in the episodes “The House of Quark” and “Looking for par’Mach in All the Wrong Places”. 

(10) COMICS SECTION.

  • Macanudo reveals Spider-Man’s occupational hazard.
  • Candorville tries a little experiment with a character newly in the public domain.
  • Tom Gauld as a modest suggestion for librarians:

(11) AGENT MOM.

(12) CAN’T KEEP A LID ON IT. In “Humans and Cockatoos Are in an ‘Arms Race’ Over Trash in Sydney”, Gizmodo covers the research.

…Unfortunately for the humans, cockatoos have learned how to defeat some of the simpler measures. But much as the birds are adapting, people are developing counters right back. As the researchers put it, the parrots and people of Sydney seem to be engaged in a sort of innovation “arms race,” though Klump balked at describing it as a full-on war.

“When cockatoos learn to defeat this protection measure (e.g. by pushing off bricks so that they can then open the bin), people in our survey have reported that they increase the efficacy of their protection measures (e.g. by fixing something heavy to the lid, so that it cannot be pushed off). What we have found is that bin protection (and protection types) are geographically clustered and that people learn about them from their neighbors,” Klump said….

(13) A WEE BIT OF HUGO NEWS. AbeBooks’ list “The Hugo Awards: the best science fiction & fantasy books since 1953” has been updated to include the 2022 novel winner. Go forth and buy!

(14) THEY’RE DEAD, JIM. “I Killed Everyone on My Mission to Mars” is Jennifer Billock’s travel report from Space Camp.

What’s the first thing you would say if you were the very first person to step on Mars? I had mine figured out from the start. And when I stepped onto the Red Planet, I let it out: “Welcome to Mars. Let’s colonize this bitch.” I also quickly followed that up with a comment to my crew. “Sorry I killed all of you on the way here.”

As I’m sure you may have guessed, I wasn’t actually on Mars. I was the commander of a mission to the fictional version of the planet as part of an adult Space Camp day program in Huntsville, Alabama. It had been a particularly wild adventure that day, with me leaping around on the moon’s surface, nearly puking everywhere in the multi-axis trainer (or as I call it, the gyro-chair), and then almost immediately killing my entire Mars crew once we got on our shuttle.

Oh, and the night before, I scraped my head on a space capsule in the on-site beer garden, bled everywhere, and had to go to Sick Bay. Needless to say, I’m an amazing pick for commander. And yes, you read that right: Space Camp has a German oompah bar beer garden. It’s like heaven there, folks. Here’s why you should go to adult Space Camp and what missions to do while you’re there….

(15) DO YOU THINK THAT WILL BE ENOUGH? John King Tarpinian located world Halloween cereal headquarters.

(16) LINKS TO WESTERN AND HISTORICAL FICTION AWARDS. [Item by Todd Mason.]

(17) SO BE GOOD FOR GOODNESS SAKE. Disney revives another franchise for Disney+ — The Santa Clauses.

(18) REINVENTING THE WHEEL. You know that thing people are cautioned against doing? Guess again!Universe Today explains how “Using ‘C-Shaped Wheels,’ This Rover can Climb Over More Challenging Lunar Terrain”.

… To navigate such rugged terrain, the rover uses a unique locomotion system originally designed as the RHex project at the University of Pennsylvania. These wheels allow the rover, which is only the size of an A4 sheet of paper, to traverse much larger obstacles than wheeled rovers in its size class….

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Alan Baumler, Todd Mason, Michael J. Walsh, Arnie Fenner, Daniel Dern, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 9/23/21 Shattered Like A Glass Pixel

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(1) CLARKE AWARD CEREMONY. The Arthur C. Clarke Award winner will be announced September 27. Award Director Tom Hunter adds, “Long-time subscribers may remember back to pre-pandemic times when we used to announce our winner in July rather than September, but as with last year we’ve been committed to going one step at a time across our announcements and judging process as things continue to evolve. Hopefully 2022 will allow us to return to our usual scheduling. In the meantime, as with 2020, we have decided to forego a public ceremony event this year, but I am delighted to share that this year’s winner will be revealed live by presenter & science fiction fan Samira Ahmed on BBC Radio 4’s Front Row.”

(2) UNAUTHORIZED. Will Oliver has dug up an unauthorized sequel to Robert E. Howard’s “Worms of the Earth” from 1938, decades before L. Sprague de Camp and Lin Carter started up their own Howard pastiche business: “The Robert E. Howard Bran Mak Morn Sequel: Maker of Shadows by Jack Mann” at Adventures Fantastic.

 … Lai believes that Howard first came to the attention of Cannell in 1933. After the publication of his “Worms of the Earth” in the November 1932 issue of Weird Tales, Christine Campbell Thomson included the story in her collection Keep on the Light (Selwyn and Blount, 1933). The book was the ninth in a series of collected tales of horror and the supernatural titled Not at Night. Howard had previously appeared in the eighth volume of the series with “The Black Stone,” and that anthology was titled Grim Death (Selwyn and Blount, 1932); that was also REH’s first ever appearance in a hardcover book. So taken with Howard’s Bran Mak Morn story, Cannell incorporated “Worms of the Earth” into his Gees series, the fifth book, making it a sort of sequel. The version I read came from Ramble House and, despite the poor cover, the story appeared to me to be a good reprinting of the story….

(3) BIG BUCKS. The Guardian reports that a first edition of Mary Shelley’s Frankenstein has sold for a record-breaking sum: “First edition of Frankenstein sells for record breaking $1.17m”.

Mary Shelley was just 18 when she dreamed up her story of a “pale student of unhallowed arts” and the “hideous phantasm of a man” he created. Now a first edition of her seminal classic of gothic horror, Frankenstein; or, The Modern Prometheus, has set a world record for the highest price paid for a printed work by a woman, after selling at auction for $1,170,000 (£856,000)….

(4) TENNESSEE GENRE CONNECTION. Also from The Guardian, an unpublished short story by Tennessee Williams has been discovered. And yes, this is of genre interest, because Tennessee Williams debuted in Weird Tales as a 16-year-old: “Newly discovered Tennessee Williams story published for the first time”.

 As soon as he crossed the border into Italy, Tennessee Williams found his health was “magically restored”. “There was the sun and there were the smiling Italians,” wrote the author of A Streetcar Named Desire in his memoirs. Now a previously unpublished short story by Williams describes his protagonist experiencing similar feelings – although the Italians do not feel quite so warmly towards him….

(5) BEFORE HE WAS A BESTSELLER. [Item by Cora Buhlert.] G.W. Thomas has a three part post about the lengthy writing career of John Jakes and that he wrote so much more than just historical family sagas. I actually knew that he wrote fantasy in the 1960s, but I didn’t know that he wrote in pretty much every genre and every venue:

… Did the fledgling Pulp writer (by night) and ad man (by day) have any inkling what lie ahead? Probably not, but to John’s credit he always wrote what interested him, what offered him a challenge, shifting between genres and venues. If the Pulps hadn’t died, he could have spent his entire career writing Westerns. Or Space opera. Or hard-boiled. But he did all of these, and well, before moving onto bigger things…

John Jakes, after five years in the Pulps, moved on to writing for magazines and novels. His story output slowed a little but he produced at least two novels most years, sometimes under his own name, sometimes under pseudonyms. For historical adventure he used the name Jay Scotland. He used his own name for the hard-boiled detective series starring Johnny Havoc but also wrote the last three Lou Largo novels as William Ard. The 1960s saw John writing tie-ins for Mystery television. This would later lead to him writing for The Man From U. N. C L. E.  and The Planet of the Apes novelizations in the 1970s. He also sold the first (and best) Brak the Barbarian stories to Cele Goldsmith at Fantastic…. 

John Jakes finished the 1960s writing television tie-ins along with other paperbacks. The first collections of Brak appeared alongside his best Science Fiction novels. But in 1974 everything would change with the arrival of The Kent Family Chronicles. John had several paperback novels on the bestsellers list at one time. From 1974 on he would be known not as a SF, Sword & Sorcery or Mystery writer but as a bestseller….

(6) TWO ORBIT AUTHOR Q&A’S. Orbit Live invites everyone to this pair of author conversations.

SEPTEMBER 28: Andy Marino and M.R. Carey will discuss their books and what it’s like writing supernatural thrillers. Register here.

Andy Marino is the author of The Seven Visitations of Sydney Burgess, a new supernatural horror and thriller novel. Marino has previously written several books for young readers. The Seven Visitations of Sydney Burgess is his debut book for adults.

M.R. Carey is the author of several books including The Girl With All the Gifts, the acclaimed and bestselling supernatural thriller, and The Rampart Trilogy, which began withThe Book of Koli. Carey has also written a number of radio, TV, and movie screenplays.

OCTOBER 12: Django Wexler and Melissa Caruso talk about their new books, creating fantasy worlds, and writing the middle book of a fantasy trilogy. Register here.

Django Wexler (he/him) is the author of the several adult and young adult fantasy series. Blood of the Chosen, the second book of his Burningblade & Silvereye trilogy, releases October 5.

Melissa Caruso (she/her) is the author of the Swords and Fire trilogy, which began with The Tethered Mage. The Quicksilver Court, the second book of her Rooks and Ruin trilogy, releases October 12.

(7) ZOOM INTO FANHISTORY. Fanac.org has Zoom history sessions scheduled through the end of the year. To RSVP please send a note to fanac@fanac.org

  • September 25, 2021 – 2PM EDT, 11AM PDT, 1PM CDT, 7PM London, 4AM Sydney
    Juanita Coulson
  • October 23, 2021 – 2pm EDT, 7PM London, 11AM PDT
    St. Fantony, BSFA, Brumcon and more – British Fan history with Keith Freeman and Rob Hansen.
  • December 4 (US) and December 5 (Australia), 2021 – 7PM Dec 4 EST, 4PM Dec 4 PST, 11AM Dec 5 Melbourne AU
    Wrong Turns on the Wallaby Track:: Australian Science Fiction Fandom to Aussiecon – Part 1, 1936 to 1960, with Leigh Edmonds and Perry Middlemiss

(8) MEDIA BIRTHDAY.

1962 – Fifty-nine years ago this date in prime time on ABC, The Jetsons premiered. It was created by William Hanna and Joseph Barbera who had previously produced such series as the Quick Draw McGraw and the Yogi Bear Show.  The primary voice cast was George O’Hanlon, Penny Singleton, Janet Waldo, Daws Butler and Mel Blanc. The latter voiced Cosmo Spacely, George’s boss. It would last three seasons for seventy-five roughly half-hour episodes. A number of films, reboots and one truly awful idea, The Jetsons & WWE: Robo-WrestleMania, followed down the years. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 23, 1897 — Walter Pidgeon. He’s mostly remembered for being in the classic Forbidden Planet as Dr. Morbius, but he’s done some other genre work being in Voyage to the Bottom of the Sea  as Adm. Harriman Nelson, and in The Neptune Factor as Dr. Samuel Andrews. The Mask of Sheba in which he was Dr. Max van Condon is at genre adjacent. (Died 1984.)
  • Born September 23, 1908 — Wilmar H. Shiras. Also wrote under the name Jane Howes. Her most famous piece was  “In Hiding” (1948), a novella that was included in The Science Fiction Hall of Fame anthology. It is widely assumed that it is the inspiration for the Uncanny X-Men that Stan Lee and Jack Kirby would shortly release. (Died 1990.)
  • Born September 23, 1936 — Richard Wilson, 85. He played Doctor Constantine in “The Empty Child” and “The Doctor Dances”, two Ninth Doctor stories. He played Gaius, Camelot’s court physician, in the entire of Merlin. And he’s was in Peter Pan as Mr Darling/Captain Hook  at the Royal Festival Hall, Southbank Centre. 
  • Born September 23, 1956 — Peter David, 65. Did you know that his first assignment for the Philadelphia Bulletin was covering was covering Discon II? I’m reasonably sure the first thing I read by him was Legions of Fire, Book 1: The Long Night of Centauri Prime but he’s also done a number of comics I’ve read including runs of Captain Marvel, Wolverine and Young Justice.
  • Born September 23, 1959 — Elizabeth Peña. Ok, these notes can be depressing to do as I discovered she died of acute alcoholism. Damn it all. She was in a number of genre production s including *batteries not included, Ghost Whisperer, The Outer Limits, The Invaders and even voiced Mirage in the first Incredibles film. Intriguingly she voiced a character I don’t recognize, Paran Dul, a Thanagarian warrior, four times in Justice League Unlimited. (Died 2014.)
  • Born September 23, 1967 — Rosalind Chao, 54. She was the recurring character of Keiko O’Brien with a total of twenty-seven appearances on Next Generation and Deep Space Nine. In 2010, a preliminary casting memo for Next Gen from 1987 was published, revealing that Chao was originally considered for the part of Enterprise security chief Tasha Yar. Now that would have been interesting. 
  • Born September 23, 1967 — Justine Larbalestier, 54. Writer, Editor, and Critic. An Australian author of fiction whose novels have won Andre Norton, Carl Brandon, and Aurealis Awards, she is probably best known for her comprehensive scholarly work The Battle of the Sexes in Science Fiction which was nominated for a Hugo at Torcon 3. Her Daughters of Earth: Feminist Science Fiction in the Twentieth Century, an anthology of SFF stories and critical essays by women, won The William Atheling Jr. Award.
  • Born September 23, 1971 — Rebecca Roanhorse, 50. Her “Welcome to Your Authentic Indian Experience™“ which was first published  in the August 2017 of Apex Magazine won a Hugo as best short story at Worldcon 76. (It won a Nebula as well.) She also won the 2018 Astounding Award for Best New Writer. Rebecca has five published novels: Trail of Lightning, its sequel Storm of Locusts; Black Sun; Race to the Sun (middle grade); and a Star Wars novel, Resistance Reborn. Black Sun is nominated for a Hugo this year. 

(10) COMICS SECTION.

(11) MADE YOU LOOK. The New Yorker’s Megan Broussard devises “Clickbait for Classic Literary Characters”. Such as —

Dorian Gray (“The Picture of Dorian Gray”)
Soul-to-Sketch Art Converter app on Google Play. Turn selfies into paintings. Start your FREE seven-day, seven-sins trial today!

(12) HOPEPUNK. Mythic Delirium Books contends that readers who are looking for hopepunk will find it in Dark Breakers the new collection of short fiction from World Fantasy Award-winning author C. S. E. Cooney which will be released in February 2022. Its two previously uncollected novellas, “The Breaker Queen” and “The Two Paupers,” and three new stories, “Salissay’s Laundries,” “Longergreen” and “Susurra to the Moon” — take place in three parallel worlds, one inhabited by humans, one ruled by the Gentry (not unlike the Fae of Earthly legend) and one the realm of goblins. The heroines and heroes of these adventures confront corruption and the threat of tyranny armed with their own wits and the life-changing power of art. Pre-orders are activating now, with e-book pre-orders widely available and Barnes & Noble allowing advance purchases of all three editions.

(13) THEY’RE COMING. IGN introduces the Invasion trailer for Apple TV+ series.

Apple has released the official trailer for its ambitious new sci-fi series, Invasion, starring Jurassic Park’s Sam Neill.

The three-episode premiere of Invasion will be available to stream on Apple TV+ on Friday, October 22, 2021. Invasion comes from the minds of X-Men and Deadpool producer Simon Kinberg, as well as The Twilight Zone’s David Weil. The series follows the events of an Alien invasion through the lens of several characters spread across multiple continents.

(14) PROPRIETIES OBSERVED. [Item by Todd Mason.] The second episode of Have Gun, Will Travel repeated this morning on the H&I Network begins with the protagonist Paladin riding his horse in rocky country.As he passes an outcropping, a woman slips out of the shadows and cocks her rifle while leveling it at his back. 

Closed Captioning as presented by H&I: “(sound of woman XXXXing rifle)”

As the Jimmy Kimmel Live show used to enjoy playing with, “Today in Unnecessary Censorship,” making the tampered-with/censored bit seem much more blue than simply letting it be would…

(15) BIG LEAGUE SHIRT. I was surprised to find a logo shirt available – and apparently sanctioned by the rights holders! The Science Fiction League Shirt.

The Science Fiction League was created by Hugo Gernsback and launched in Wonder Stories in 1934. 

Our design is inspired by the logo created for the League by Frank R Paul, and the League badges. With thanks to the Frank R Paul estate. 

(16) THE SPEED OF DARK. “New type of dark energy could solve Universe expansion mystery” according to today’s issue of Nature.

Traces of primordial form of the substance hint at why the cosmos is expanding faster than expected.

Cosmologists have found signs that a second type of dark energy — the ubiquitous but enigmatic substance that is pushing the Universe’s expansion to accelerate — might have existed in the first 300,000 years after the Big Bang….

(17) KALLING ALL KAIJU KOLLECTORS. [Item by Michael Toman.] This Deep Dive into Godzilla movie commentaries, including the two which met with disapproval from Toho and were pulled, not to mention the ones which are only available to Japanese speakers, might be of interest to Other Filer G-Fans?

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers’ No More Heroes 3” on YouTube, Fandom Games, in a spoiler-filled episode, says that the third adventure of assassin Travis Touchdown has him fighting aliens. It is a “weird (bleeping) game for weird (bleeping) gamers,” features every bad Power Ranger villain, and includes as a character director Takashi Miike, the Japanese goremaster.

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Todd Mason, Cora Buhlert, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Jack Lint.]

Pixel Scroll 8/16/21 The Scroll Of Elfland’s Pixel

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(1) BLACK STARS. There are six short tales of speculative fiction in the Black Stars series of Amazon Original Stories which will be released on August 31.

  • “2043…(A Merman I Should Turn to Be)” by Nisi Shawl
  • “The Black Pages” by Nnedi Okorafor
  • “The Visit” by Chimamanda Ngozi Adichie 
  • “These Alien Skies” by C. T. Rwizi 
  • “Clap Back” by Nalo Hopkinson
  • “We Travel the Spaceways” by Victor LaValle 

(2) NICHELLE NICHOLS CONSERVATORSHIP NEWS. The article excerpted here the other day when it was behind an LA Times paywall is now available in full online at AL.com: “Nichelle Nichols, Star Trek’s Lt. Uhura, faces heartbreaking conservatorship fight”.

… Questions around the fate of Nichols’ home — who lives in it and what happens to it — have been central to an ongoing, years-long legal battle over the finances and care of the beloved TV star, who friends and family say is financially drained and struggling with dementia.

A three-way fight over Nichols’ fate involves her only child, Kyle Johnson, who is also her conservator; her former manager Gilbert Bell; and a concerned friend, Angelique Fawcette….

(3) WEST SCHOOL HO! Deadline reports a Seanan McGuire series is being developed by Paramount: ”’Wayward Children’ Movie Franchise In Works After Paramount Lands Rights”.

After aggressively pursuing rights, Paramount Pictures has preemptively acquired the Wayward Children fantasy book series by Seanan McGuire. With six books already published and a seventh installment coming in early 2022, the studio plans to build a franchise around this universe of characters and stories.

Sources say Paramount’s Motion Picture Group president Emma Watts has had her eye on the series for some time and was  hands on in making sure the studio landed the rights. Insiders say the studio views the series as a possible franchise given the huge fanbase that is behind it, and add it has already drawn interest from top talent to be a part of it.

The series adaptations will be produced by Pouya Shahbazian. The series takes place in Eleanor West’s School for Wayward Children, a boarding school for people who have returned home from magical fantasy worlds and have trouble readjusting to their old lives. For as long as time, children have always found doorways into different worlds, whether down rabbit holes and wishing wells or through wardrobes and magic mirrors, but this series explores what happens to the ones who come back — and want nothing more than to return to those other worlds.

This surreal and subversive take on portal fantasy stories is centered around a culturally diverse group of teenagers across the LGBTQIA+ spectrum, as they work to make sense of the fantastical realms they came from and the shared world they find themselves back in….

(4) MAKERS AND SHAKERS. “From Mary Shelley to Carmen Maria Machado, women have profoundly shaped horror” in the Guardian.

You probably know the story of Lord Byron’s house party at Villa Diodati – the one in which he challenged his guests to see who could write the scariest ghost story. Teenage Mary Shelley won his challenge on infamy, if not technicality, when she wrote Frankenstein. Thus the horror genre was invented by a disenfranchised teenage girl.

While it might be more precise to say that Shelley invented science fiction in this moment, her story, a non-religious creationist myth, would upend the rules of literature. Frankenstein has become such an influential examination of the distortion of nature and hubris of man, that it looms larger in the gothic horror genre than any other work of literature.

If you want to acknowledge just how much women have contributed to the horror genre, and how much the genre continues to reflect women and women’s realities back to themselves, Frankenstein is also a useful place to start.

Horror is one of the only genres that allows for a constantly evolving interplay of the factual and fantastical. “When you enter into horror, you’re entering into your own mind, your own anxiety, your own fear, your own darkest spaces,” said American author Carmen Maria Machado, speaking to the Paris Review in 2017. Having won the Shirley Jackson award for her short story collection Her Body and Other Parties, Machado went on to use a horror framework to tell her personal story of queer domestic violence in her 2019 memoir, In the Dream House. With gothic tropes and style, Machado replayed physical and emotional abuse within the walls of her mind and the memories of the old house she shared with her partner – now haunted by the past and their relationship. “Horror is an intimate, eerie, terrifying thing, and when it’s done well it can unmake you, the viewer, the reader,” she said….

(5) ANDERS AND YU. A Room of One’s Own in Madison, WI will host A Virtual Conversation With Charlie Jane Anders, author of Never Say You Can’t Survive, and Charles Yu on August 18 at 6:00 p.m. Central

Full of memoir, personal anecdote, and insight about how to flourish during the present emergency, Never Say You Can’t Survive is the perfect manual for creativity in unprecedented times. Things are scary right now. We’re all being swept along by a tidal wave of history, and it’s easy to feel helpless. But we’re not helpless: we have minds, and imaginations, and the ability to visualize other worlds and valiant struggles. And writing can be an act of resistance that reminds us that other futures and other ways of living are possible. 

(6) BE ON THE LOOKOUT FOR THESE. Lisa Tuttle’s latest Guardian column is up: “The best recent fantasy, horror and science fiction – review roundup”. Includes —

…P Djèlí Clark’s debut novel A Master of Djinn (Orbit, £8.99) is set in an alternative-history version of Egypt. In 1912, half a century after the mystic al-Jahiz made an opening into the realm of spirits, Cairo is a modern, multicultural city running on a combination of magical, alchemical and steam-powered technology. Muslims and Copts co-exist with devotees of Hathor; djinn and humans work together; even women have won the right to vote, and are employed in jobs formerly given only to men. Fatma el-Sha’arawi of the Ministry of Alchemy, Enchantments and Supernatural Entities has already saved the universe from destruction once and is sure she can handle the little problem of an imposter in a gold mask, claiming to be al-Jahiz and stirring unrest in the rougher neighbourhoods. This fantasy is refreshingly different; a well-plotted mystery filled with engaging characters, presented with a lightly humorous touch….

(7) CLI-FI. Future Tense, a partnership of Arizona State University, Slate, and New America presents the first public event connected with their Climate Imagination Fellowship.

“Unlocking Our Climate Imagination” is on August 31 at 12 p.m. Eastern. Speakers include Kim Stanley Robinson, the three Climate Imagination Fellows, Vandana Singh, Hannah Onoguwe, and Libia Brenda, plus Nigel Topping, the UN High-Level Climate Champion for the UK, and Bina Venkataraman, Boston Globe editorial page editor and former White House climate advisor.

 The event is free and open to everyone. Register here.

(8) MEMORY LANE.

  • 1967 – Fifty-four year ago at NyCon 3 where Harlan Ellison was Toastmaster, Robert Heinlein would win the Hugo for Best Novel for The Moon is a Harsh Mistress. It had been serialized in If the previous year and published by Putnam that year. Other nominated works were Samuel R. Delany‘s Babel-17, Randall Garrett‘s Too Many Magicians, Daniel Keyes‘ Flowers for Algernon, James H. Schmitz‘s The Witches of Karres and Thomas Burnett Swann’s Day of the Minotaur.  It would also be nominated for a Nebula and it would be inducted into the Prometheus Hall of Fame. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 16, 1884 — Hugo Gernsback. Publisher of the first SF magazine, Amazing Stories in 1926. He also helped create fandom through the Science Fiction League. Pittcon voted him a Hugo titled Father of Magazine Science Fiction, and he was voted the First Fandom Hall of Fame Award. He’s the writer of the Ralph 124C 41+ novel which most critics think is utterly dreadful but Westfahl considers an “essential text for all studies of science fiction.” There’s at least nine versions of it available at the usual suspects which is sort of odd. (Died 1967.)
  • Born August 16, 1930 — Robert Culp. He’d make the Birthday Honors solely for being the lead in Outer Limits’ “Demon with a Glass Hand” which Ellison wrote specifically with him in mind. He would do two more appearances on the show, “Corpus Earthling” and “The Architects of Fear”. Around this time, he makes one-offs on Get Smart! and The Man from U.N.C.L.E. before being Special FBI Agent Bill Maxwell in The Greatest American Hero. Did you know there was a Conan the Adventurer series in the Nineties in which he was King Vog in one episode? I’ve not seen it. Do we consider I Spy genre? (Died 2010.)
  • Born August 16, 1933 — Julie Newmar, 88. Catwoman in Batman. Her recent voice work includes the animated Batman: Return of the Caped Crusaders and Batman vs. Two-Face, both done in the style of the Sixties show. They feature the last voice work by Adam West. Shatner btw plays Harvey Dent aka Two Face.  She was on the original Trek in the “Friday’s Child” episode as Eleen. She also has one-offs on Get Smart!, Twilight Zone, Fantasy Island, Bionic Woman, Buck Rogers in the 25th Century, Bewitched and Monster Squad. 
  • Born August 16, 1934 — Andrew J. Offutt. I know him through his work in the Thieves’ World anthologies though I also enjoyed the Swords Against Darkness anthologies that he edited. I don’t think I’ve read any of his novels. And I’m not Robert E. Howard fan so I’ve not read any of his Cormac mac Art or Conan novels but his short fiction is superb. His only award was a Phoenix Award which is lifetime achievement award for a science fiction professional who had done a great deal for Southern Fandom. (Died 2013.)
  • Born August 16, 1934 — Diana Wynne Jones. If there’s essential reading for her, it’d be The Tough Guide to Fantasyland with a playful look at the genre. Then I’d toss in Deep Secret for its setting, and Fire and Hemlock for her artful merging of the Scottish ballads Tam Lin and Thomas the Rhymer. Now what’s the name of the exemplary short story collection she did late in life? Ahhh it was Unexpected Magic: Collected Stories with the great cover by artist Dan Craig. (Died 2011.)
  • Born August 16, 1954 — James Cameron, 67. Let’s see… Terminator… Aliens… Terminator 2… True Lies… Strange Days… And The Abyss as well. Did you know he was interested in doing a Spider-man film? It never happened but the Dark Angel series with Jessica Alba did. And then there’s his Avatar franchise.
  • Born August 16, 1958 — Rachael Talalay, 63. She made her directorial debut with Freddy’s Dead: The Final Nightmare, and she also worked on the first four of the Nightmare on Elm Street films. Moving from horror to SF, she directed Tank Girl next. A long time Who fan, she directed all three of Twelfth Doctor’s series finales: series 8’s “Dark Water” and “Death in Heaven,” along with series 9’s “Heaven Sent” and “Hell Bent” before directing series 10’s “World Enough and Time” and “The Doctor Falls.” She capped who Who work with “Twice Upon a Time”, the last Twelfth Doctor story. Her latest genre undertaking is A Babysitter’s Guide to Monster Hunting.
  • Born August 16, 1960 — Timothy Hutton, 61. Best known of late as Nathan Ford  on the Leverage series which is almost genre. His first genre was in Iceman as Dr. Stanley Shephard, and he was in The Dark Half in the dual roles of Beaumont and George Stark. He’s David Wildee in The Last Mizo, based off “Mimsy Were the Borogoves” by Lewis Padgett (husband-and-wife team Henry Kuttner and C. L. Moore). He was Hugh Crain in The Haunting of Hill House series. I’m going to finish off this Birthday note by singling out his role as Archie Goodwin on the Nero Wolfe series. 

(10) COMICS SECTION.

  • Bizarro shows what happens when Uber goes Unter.  

(11) AVENGERS 750. When Marvel Comics presents the 750th issue of Avengers in November, it will include Christopher Ruocchio making his Marvel Comics debut alongside artist Steve McNiven in a bonus story starring Thor.

 “I’m honored to play a small part in this moment of Avengers history and thrilled to get to work with Steve McNiven to bring you all a little classic Thor,” Ruocchio said. “It’s a bit surreal to get to work with a character I grew up with, and I hope I’ve told a tale worthy of the God of Thunder.”

The rest of the supersized issue will include the introduction of The Multiversal Masters Of Evil, the deadly new group of villains fans met in this year’s Free Comic Book Day: Avengers/Hulk #1. Fans will also witness the conclusion of “World War She-Hulk”, finally learn the true purpose of the prehistoric Avengers, uncover the secret of the Iron Inquisitor, watch the Avengers recruit some surprising new members, and follow the Ghost Rider on a quest for vengeance across the Multiverse that will spark an all-new era in Avengers history.

(12) UK REVIEWERS NEEDED. Jonathan Cowie sends a head’s-up to UK based Filers: “SF2 Concatenation is on the hunt for SF/F book reviewers (especially fantasy and especially female reviewers to more even our gender balance). Sadly UK reviewers only as we have to snail-mail post books.” Full details here: “SF & Fantasy book reviewers wanted”

(13) SHINY. James Davis Nicoll knows the addresses of “Five Fictional Space Colonies From the Post-Disco Era”, and they’re definitely not orbiting mirror balls.

As previously discussed, Gerard K. O’Neill’s vision of space colonies was particularly comforting to 1970s anxieties.  Soaring population? The asteroid belt has enough material to build habitats promising many times the surface area of Earth! Energy crisis? Have said habitats pay for themselves by building solar power arrays IN SPAAACE!  Indigenous populations weirdly ungrateful for genocidal displacement by Europeans? Colonization do-over in space where there are no natives to displace or complain!…

A Plague of Angels by Toren Smith and Adam Warren (1990–1991)

When member worlds are overwhelmed by crisis, the United Galactica’s World Welfare Work Association dispatches field agents to resolve the problem. A very unlucky minority of worlds find themselves being assisted by Trouble Consultants Kei and Yuri, who are as inadvertently destructive as they are inexplicably scantily-clad. Code-named “the Lovely Angels,” the apocalyptic pair are infamous as the Dirty Pair.

Habitats are by their nature fragile. Kei and Yuri are harbingers of doom. Logic would dictate sending someone else—anyone else—to Kalevala O’Neill Colony. The 3WA sends the Dirty Pair. Kalevala is struggling to deal with smugglers. Soon, smugglers will be the least of Kalevala’s problems.

(14) PLANETARY EXPLORATION. CBS Sunday Morning did a segment on Planet Word: “Word play: A visit to D.C.’s Planet Word”. (Martin Morse Wooster recently wrote about his own visit here.)

(15) TINY WORLDS. Jeffrey Smith sent the link with a comment: “These are amazing! Not really skiffy, but what an imagination!” — “Japanese Artist Creates Amazing Miniature Dioramas Every Day For 10 Years” at Digital Synopsis. (The entire collection by Japanese artist Tatsuya Tanaka is at Miniature Calendar.) I think this first one actually does reference a well-known genre movie. The second is more typical of Tanaka’s series of inventive scenes.

[Thanks to JJ, Michael Toman, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Joey Eschrich, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Jon Meltzer.]

Pixel Scroll 8/20/20 The Pixel Came Back From Nothing At Scroll

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(1) NASFIC FAN FUND AUCTION. Michael J. Lowrey makes a last-minute appeal: We still need items for auction pretty desperately: books, fanzines, tuckerizations, fannish memorabilia, whatever, for the Virtual FanFund Auction at the virtual NASFIC on Facebook.” Post items there. The auction starts Friday. Lowrey says — 

An auction item post should include the following:

Item Name
Description
Minimum Bid

Please note that if your Fan Fund Auction Donation requires shipping, you are expected to pay for that shipping as an additional donation. If you wish to restrict shipping to your home country, say so up front.

This is a Silent Fan Fund Auction, to be held on behalf of TAFF (the Trans-Atlantic Fan Fund, http://taff.org.uk/), GUFF (the Get Up-and-over Fan Fund, https://taff.org.uk/guff.html), DUFF (the Down Under Fan Fund, https://downunderfanfund.wordpress.com/), and LAFF (The Latin American Fan Fund). These funds serve to enable fans to travel to other countries and continents to attend their major conventions and meet the local fans, people they may know only from letter columns, email, or chatty websites. And to get it all done, the funds depend on contributions of fans like you… and, of course, benefit auctions.

This is your chance to pick up any number of interesting things… art, books, fanzines, pulp magazines, t-shirts, things that somehow involve cats… the opportunity to be “Tuckerized” into a work of fiction… or other peculiar or “fannish” stuff.

Donations for the fan fund auction will be accepted via posts to this event, and we also accept monetary donations via paypal to n.a.taff.2020@gmail.com. If you would like the proceeds from your auction donation to go to a particular fan fund, indicate that in your post. The proceeds from donations without designations will be evenly split between the fan funds.

(2) SHIELDS UP. [Item by Martin Morse Wooster.] Chris Lindahl, in the Indiewire story “Embroiled In A Legal Battle, Nichelle Nichols’ Family Seeks GoFundMe Help For Star Trek Icon”, says that Nichols’s son, Kyle Johnson, is suing her manager, Gilbert Bell, saying that Bell is taking advantage of Nichols’s infirmity to abuse her fortune.  Nichols was diagnosed with dementia in 2013 and had a stroke in 2015.  The GoFundMe campaign which has raised $64,760 of its $100,000 goal is under “Shields Up Nichelle Nichols.”

Now allegedly suffering from dementia, Nichelle Nichols, 87, who played Uhura on the original “Star Trek” in the late 1960s, is embroiled in an ongoing legal battle involving her manager, Gilbert Bell. Alleging Bell took advantage of Nichols over the last decade, Nichols’ family has taken to GoFundMe to help raise money for the icon’s legal battle.

The most recent court action came earlier this month, when Kyle Johnson, Nichols’ son, filed a cross complaint against Bell. The complaint is in response to a 2019 lawsuit filed by Bell against Johnson, where Bell alleges that it is Johnson’s actions that are harming Nichols — while Bell has always had her best interests in mind.

Johnson has denied Bell’s allegations of wrongdoing against him. Bell has not yet responded in court to Johnson’s allegations. IndieWire has reached out to lawyers for Johnson, Bell, and a representative for Nichols….

(3) THE CAISSONS KEEP ROLLING ALONG. I would like to contest the claim in Steve Davidson’s title “The Science Fiction Cannon is Not a Thing; Canon is.”

…There’s also the contention that Science Fiction is a continuum, an on-going, centuries old dialogue of call and response, writers reacting to published works and offering up variations, counter-arguments, expansions in response. “We stand on the shoulders of giants” is an expression often used to acknowledge that without the work perfomed by previous generations of authors, editors, publishers, artists and fans, contemporary SF would not be where it is today.

That latter is often negatively receieved these days, and it shouldn’t be. Much is made about contemporary SF rejecting the all white heterosexual european male colonialist based SF of the 40s, 50s and 60s – but of course without the existence of such a body of work, there would be nothing to react to or reject. Call it a benign correction as the field expands to incorporate diverse voices or call it a war against patriarchy, in both estimations there is something that is being addressed and re-evaluated (if not pushed back against and excoriated).

Is there an SF Canon? Yes. But is it a moving scale? Is it inviolate? Is it mandatory?

No, no and no.

(4) CASTING THE CANON. And Doris V. Sutherland cannot resist trying to answer the question for another genre, “What is the Horror Canon?”

…Picture a bookshelf, completely empty and ready to have a tidy set of volumes lined up on it. Now imagine that someone has decided to fill it with the canonical works of horror literature. What would they start with? Frankenstein and Dracula would be obvious choices. These may well be followed with reasonably-sized collections of Poe and Lovecraft stories. Next, let’s add the complete ghost stories of M. R. James.

Now pause for thought. That’s five books – and already we’ve covered a pretty substantial chunk of the most influential horror fiction in the English language. Regardless of what else we put on the shelf – and it’s easy enough to think of further titles, from The Strange Case of Dr. Jekyll and Mr. Hyde to The Exorcist – it’s hard to deny that those above five books will cover a pretty big percentage of whatever horror canon we end up with.

Now try to imagine a bookshelf with the science fiction canon. It’s a taller order: off the top of my head, we’d have at least four books if we wanted to represent Isaac Asimov alone (I, Robot and the Foundation trilogy). When we factor in Verne, Wells, Heinlein, Clarke, Bester, Ellison, Le Guin… well, let’s just say we’re going to end up with more than five books.

So, the horror canon is smaller than the science fiction canon – or, to phrase that differently, more tightly-focused. Thinking about it, this makes sense. Horror is a genre where less is more – look at how many classics of horror fiction are short stories rather than novels, for one. And when I look back at our hypothetical bookshelf of canonical horror, I have to wonder if those books might be better described not as a horror canon, but as a set of horror archetypes.

(5) SPIRITUAL FORMATION. John Scalzi enters the confessional at Whatever and gets it all off his chest: “Okay, Sure, It’s My Fault Science Fiction is the Way It Is Right Now”.

The dimwitted bigot brigade finally came across my piece about the Science Fiction canon from a couple of weeks ago and had a predictable spasm about it, asserting how it was evidence that (I’m paraphrasing from various sources, here) a) science fiction and fantasy was dying, b) traditional publishing (the sf/f parts of it anyway) is dying too, c) I’m responsible in some measure for a) and b), despite d) the fact that apparently I don’t actually sell and/or only sell through byzantine sleight of hand by the publishing industry for reasons and also e) I suck, f) which is why I don’t want people to read older works because then they would realize that, and while we’re at it g) modern sf/f is infested with terrible work from people who aren’t straight white dudes, h) which I, a straight white dude, am also somehow responsible for, and so in short, i) everything is my fault, and j) I am simultaneously a nobody and also history’s worst monster.

It’s a lot! I think it must be tiring to be a dimwitted bigot, thinking about me….

(6) I’M BATMAN. Will there be as many of them as there were of Spartacus? Yahoo! Entertainment reports “Ben Affleck To Return As Batman In Upcoming ‘Flash’ Movie That Also Will Feature Michael Keaton As Dark Knight”.

…Affleck reportedly got the script for The Flash at the end of last week and agreed to board the project.

“He’s a very substantial part of the emotional impact of the movie. The interaction and relationship between Barry and Affleck’s Wayne will bring an emotional level that we haven’t seen before,” Muschietti tells Vanity Fair who broke the news. “It’s Barry’s movie, it’s Barry’s story, but their characters are more related than we think. They both lost their mothers to murder, and that’s one of the emotional vessels of the movie. That’s where the Affleck Batman kicks in.”

Another reason feature mythology-wise why Affleck’s Batman is coming back to The Flash, and that’s that Miller’s Flash considers him to be the original Dark Knight, the guy he fought alongside in Justice League. Hence, per Muschietti, it was necessary to have Affleck’s Batman as a starting point: “He’s the baseline. He’s part of that unaltered state before we jump into Barry’s adventure…There’s a familiarity there,” he further tells Vanity Fair.

(7) STORYBUNDLE. Available for the next three weeks: The Exclusive Dark Fantasy and SF Bundle – Curated by Douglas Smith.

2020 has been a scary year. Like some dark fantasy or horror story. Or a dystopian tale about the end of the world.

Why not embrace that spirit? Show this year from hell that you can take whatever it dishes out, because you know what dark fantasies and horror stories are really like. And you’ve seen more ends of the world than 2020 could even dream of.

…Read about curses and ghosts, about Norse gods on the Canadian prairies and what happens after Ragnarök and the end of the world. Read how life on Earth may end if we don’t stop killing our planet. Read twenty-one tales of personal apocalypses (because someone’s world is always ending), and stories from a very special and very strange bookstore. Read about post-human biopunk and day-after-tomorrow climate change adventure. Read about the boy who is either a scrawny, bullied, neglected son of insane parents or the imprisoned leader of a death cult dedicated to the goddess of discord.

…For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

  • Picking Up the Ghost by Tone Milazzo
  • Wasps at the Speed of Sound by Derryl Murphy
  • The Door to Lost Pages by Claude Lalumière
  • Tombstone Blues by Chadwick Ginther

If you pay at least the bonus price of just $15, you get all four of the regular books, plus SEVEN more books, for a total of eleven!

  • Bullettime by Nick Mamatas
  • It’s Not the End and Other Lies by Matt Moore
  • Chimerascope by Douglas Smith
  • Over the Darkened Landscape by Derryl Murphy
  • Objects of Worship by Claude Lalumière
  • Too Far Gone by Chadwick Ginther
  • Wikiworld by Paul Di Filippo.

(8) DESEGREGATION DRAMATIZED. Series developers include Black Panther’s lead actor and the creator of The Orville: “Chadwick Boseman, Seth MacFarlane, Eisa Davis team up to develop series about Little Rock Nine” – THV11 has the story.

Chadwick Boseman and Seth MacFarlane are teaming up with Eisa Davis to develop a drama based on the Little Rock Nine’s efforts to end racial segregation at Central High School in 1957.

Deadline reported the three will work on developing the project, based on Carlotta Walls LaNier’s memoir A Mighty Long Way: My Journey to Justice at Little Rock Central High.

The series will look at the desegregation of the high school and how 14-year-old LaNier and eight other students became the first Black people to attend the all-white school.

In a landmark decision, the U.S. Supreme Court ruled in 1954 that segregated schools were unconstitutional and called for the integration of all schools.

The nine students, along with Daisy Bates, became civil rights icons as they risked their lives to combat the racist school segregation policies in Arkansas.

(9) MEDIA ANNIVERSARY.

  • This week in 1950, Dimension X aired a story out of Ray Bradbury’s The Martian Chronicles in which a Martian named Eala dreams of a visitor from a planet, Earth, where they know life is impossible. This episode was unusual in that Bradbury hosted it instead of the usual Dimension X host. The story was later renamed “Ylla” which is considered the canonical title for this story but it was first published as “I’ll Not Ask for Wine” in Maclean’s, January 1, 1950. Listen here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text yet more; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. Is there a full, unedited version? (Died 1931.) (CE)
  • Born August 20, 1906 – Sheila Hawkins.  Wrote and illustrated fifty children’s books in the United Kingdom and Australia, many with animals, many fantastic.  Here is The Singing Chameleon.  Here is Taliesin.  Here is an interior for Long Ears.  Here is Wish and the Magic Nut, which won Picture Book of the Year.  Also landscapes and abstracts.  (Died 1999) [JH]
  • Born August 20, 1909 — André Morell. Best remembered as Professor Bernard Quatermass in the Quatermass and the Pit series, and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles which is quite excellent.  It’s also worth noting that he played O’Brien in BBC’s 1954 Nineteen Eighty-Four, opposite Peter Cushing as Winston Smith. (Died 1978.) (CE)
  • Born August 20, 1915 – Arthur Porges.  For us a hundred short stories, some under other names; half a dozen posthumous collections.  Many more for others e.g. detective fiction.  Translated into Croatian, Dutch, French, German, Italian, Japanese, Russian, Serbian, Spanish.  Here he is on the cover of the Sep 60 Fantastic (i.e. his story “The Shadowsmith”; cover artwork by John Duillo).  This Website is about AP and his brother Irwin.  (Died 2006) [JH]
  • Born August 20, 1942 – Joe Mayhew, F.N.  One of our finest fanartists; two Hugos for that.  Five short stories published, in Aberrations, Aboriginal, and Tomorrow; a score of reviews in Absolute Magnitude, more in the Washington Post.  A hundred seventy drawings in Asimov’s, Flag, FOSFAX, The Frozen Frog, It Goes on the Shelf, Journey Planet, Mimosa, NY Rev. of SF, PLOKTA, Squiggeldy Hoy, Vojo de Vivo; various Worldcon and other con publications.  Radio-style plays for Disclaves and Boskones.  Fellow of NESFA (New England SF Ass’n; service award).  Chaired the 1987 Disclave.  Library of Congress Recommending Officer for SF.  Fan Guest of Honor at Novacon II, Albacon 3; Ghost of Honor at Capclave 2001, Balticon 49.  Here is his cover for the Nov 98 WSFA Journal (Washington, D.C., SF Ass’n).  Here is an illustration from Mimosa 17.  (Died 2000) [JH] 
  • Born August 20, 1943 — Sylvester McCoy, 77. The Seventh Doctor and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go.  (CE)
  • Born August 20, 1951 — Greg Bear, 69. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award at L.A. Con II for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. I confess that I’ve not read him over the past few decades. What’s he done as of late that I should consider reading? (CE) 
  • Born August 20, 1961 — Greg Egan, 59. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award  and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons? (CE) 
  • Born August 20, 1961 – Jim Clemens, 59.  Three dozen novels for us, half a dozen shorter stories, some with Rebecca Cantrell; action-adventure books under another name, some with Grant Blackwood; certified SCUBA (Self-Contained Underwater Breathing Apparatus) diver; Doctor of Veterinary Medicine under yet another name – if he wants to keep these careers separate, why shouldn’t we?  Translated into Dutch, French, German, Italian.  [JH]
  • Born August 20, 1962 — Sophie Aldred, 58. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. (CE)
  • Born August 20, 1969 – Christina Diaz Gonzalez, 51. Three novels for us, three others.  Many awards for historical fiction The Red Umbrella (also in Spanish).  Born in Florida to Cuban parents.  Took a law degree, practiced law awhile.  Lives in Miami with husband, sons, a dog that can open doors.  [JH]
  • Born August 2, 1972 – Carolyn Cohagen, 48.  Four novels.  Conducts Girls With Pens, creative writing for girls 8-14.  Earlier, a stand-up comic in New York, Chicago, London, Amsterdam; studied physical theater at École international de théâtre Jacques Lecoq, Paris.  Ranks The Phantom Tollbooth about the same as Slaughterhouse-Five.  [JH]

(11) COMICS SECTON.

(12) HORRIBLE EXAMPLES. Earlier this month Titan Comics was handed a golden opportunity to publicize their collection of The Best of Hägar The Horrible by Dik Browne.

Joe Biden recently announced his choice of Kamala Harris as running mate, and in the official photograph by Adam Schultz also revealed that he keeps a framed cartoon strip on his desk – from Titan’s own Hägar the Horrible!

Bleeding Cool reported on the story, as well as quoting Biden saying that the strip had helped him through personal tragedies by reminding him “a lot of people are going through a lot worse than you’re going through, and the way they get through it is … they have people reach out, touch them, give them solace.”

This is the strip on Biden’s desk:

And here are some other examples Titan shared in its press kit, several with genre jokes.

(13) NINETEEN MINUTES OF FAME. At least, the nineteen-minute mark is where fame summons James Davis Nicoll in Isaac Arthur’s video The Fermi Paradox: Galactic Disasters. James notes, “He mispronounced my name but I am the Nicoll in Nicoll-Dyson Laser, which can reduce an Earth-sized world to vapour in a week at distances of up to a million light years.”

If anything, this video makes Cixin Liu’s Death’s End sound too cheerful.

(14) THE NAME OF MY LAST BAND. Just released on YouTube today — Live From the Space Stage: A HALYX Story is a full-length documentary.

For one glorious summer, an experimental, sci-fi band rocked Disneyland’s space stage. With a bass-playing Wookiee and an acrobatic frog, the band’s existence is nearly unbelievable, and the story behind its creation is just as incredible.

(15) TIME TO BREAK INTO THE PIGGY BANK. At Heritage Auctions, bidding is up to $180,000 for Frank Frazetta A Princess of Mars Painting Original Art (1970).

Possibly the most famous of all of the John Carter of Mars covers by Frazetta, the artist actually painted two versions in 1970, with the first being published as a Doubleday hardback dustjacket cover. Fearing that the original art would not be returned from the publisher, Frazetta immediately painted a version for himself – the stellar painting we’re offering – since he was so proud of the image. Frazetta personally related to Joe and Nadia Mannarino (see below), and presumably others, that he loved this second painting even more than the original (which he actually sold in the early 1970s). We’re showing the two paintings side-by-side online for review. Regardless of which version you prefer, both represent the quintessential heroic fantasy image, with the bold, strong hero, the voluptuous female at his legs, and surrounded by a dangerous alien environment.

(16) THE DOCTOR’S MONSTER. BBC shares some “Surprising secrets of writers’ first book drafts”.

…When Frankenstein first appeared in print in 1818, anonymously but with a preface by Percy Bysshe Shelley, plenty of readers assumed that the poet was its author. In Mary Shelley’s introduction to the 1831 edition, she wrote that people had asked her “how a young girl, came to think of, and to dilate upon, so very hideous an idea?” In keeping with the story’s eerie origins – the stormy nights and sunless summer days beside Lake Geneva – she put it down to a kind of visitation, the result of “imagination, unbidden, possessed”. Yet as the manuscript reveals, inky-fingered graft played a big role in allowing the doctor’s monster to evolve into the more tragic, nuanced creature that’s haunted our imaginations ever since. In fact, “creature”, Mary’s initial description, is later replaced by “being”, a being who becomes still more uncannily human thanks to other tweaks such as replacing the “fangs” that Victor imagines in his feverish delirium with “fingers” grasping at his neck.

Sadly, the refusal to believe that a woman barely out of girlhood could possibly have authored this transcendent Promethean fable has never quite gone away, and Percy’s notes on the manuscript have been used to bolster the theory that he at least co-authored Mary’s novel. While he’s certainly an astute line editor, the chief revelation here is domestic: the radical Romantic was a supportive, affectionate partner.

(17) FLUSHED WITH PRIDE. “Transparent Public Toilets Unveiled In Tokyo Parks — But They Also Offer Privacy”.

The idea of using a public bathroom with see-through walls may sound like the stuff of nightmares. But a famous Japanese architect is hoping to change that view, using vibrant colors and new technology to make restrooms in Tokyo parks more inviting.

“There are two things we worry about when entering a public restroom, especially those located at a park,” according to architect Shigeru Ban’s firm. “The first is cleanliness, and the second is whether anyone is inside.”

Transparent walls can address both of those worries, Ban says, by showing people what awaits them inside. After users enter the restroom and lock the door, the powder room’s walls turn a powdery pastel shade — and are no longer see-through.

“Using a new technology, we made the outer walls with glass that becomes opaque when the lock is closed, so that a person can check inside before entering,” the Nippon Foundation says.

The group is behind the Tokyo Toilet project, enlisting world-famous architects to create toilets “like you’ve never seen.”

(18) NOT COSPLAY. You couldn’t make this up: “Ninja museum: Thieves carry out heist at Japanese site”.

A ninja museum has been raided in Japan, with thieves making off with more than a million yen (£7,100).

The Iga-ryu Ninja Museum in central Japan is dedicated to the history of the famous Iga clan of ninja.

Police were called after an alarm was set off at 01:30 local time on Monday (16:30 GMT on Sunday), the museum said on Thursday.

Officers found the office door had been forced with what is thought to be a crowbar and the 150kg safe was missing.

(19) VIDEO OF THE DAY. Someone with time on their hands turns 2001 into 2020.

2020: an isolation odyssey is a reenactment of the iconic finale of 2001: A Space Odyssey (Stanley Kubrick, 1968). Restaged in the context of home quarantine, the journey through time adapts to the mundane dramas of self-isolation–poking fun at the navel-gazing saga of life alone and indoors.

[Thanks to John King Tarpinian, N., Martin Morse Wooster, John Hertz, Cat Eldridge, Mike Kennedy, JJ, Andrew Porter, Michael J. Walsh, Linda Deneroff, Chip Hitchcock, Paul DiFilippo, John A Arkansawyer, and Michael Toman for some of these stories. Title credit goes to File 770 contributing editor of the day Simon Bisson.]