Pixel Scroll 11/9 My Heart Says “Bang!”

(1) “It appears there’s a Northwesteros football team,” reports Tom Galloway. “Personally, I find this amusing given that when he was at Northwestern, George R.R. Martin was a mainstay of, not the football team, but the chess team (he’s written a story where the starting point is a real life match against the arch-rival UChicago team).”

GRRM at Northwestern COMP

(Photo posted by Northwestern Athletics.)

(2) The decision to stop using Lovecraft’s image on the World Fantasy Award was, needless to say, unpopular with many commenters on H.P. Lovecraft’s Facebook page.

(3) Nick Mamatas is running a poll asking “What should the New World Fantasy Award be?” – where participants get to choose among his own satirical answers.

(4) Sam Kriss explains, in “The Englishman and the Octopus”, why Spectre is really a Lovecraft story, not a Bond movie.

This film doesn’t exactly hide its place within Lovecraftian mythology. You really think that creature on the ring is just an octopus? Uniquely for a Bond film, it starts with an epigraph of sorts, the words ‘the dead are alive’ printed over a black screen – a not particularly subtle allusion to the famous lines from the Necronomicon: ‘That is not dead which can eternal lie/ And with strange aeons even death may die.’

(5) Houghton Mifflin Harcourt will launch a new SF/F book line edited by John Joseph Adams reports Locus Online.

The new list, called John Joseph Adams Books, will begin in February 2016 with print editions of three backlist Hugh Howey titles. Adams will serve as editor at large for the line. He began his association with HMH when he became series editor for the Best American Science Fiction & Fantasy series, launched this year.

(6) Buddy’s Antique Auction in Arab, Alabama might not be the first place you’d look to buy a genuine Lunar Rover — but it should be! That salvaged LRV recently in the news will be there for sale to the highest bidder on November 21 at Noon.

LRV_7We are proud to announce that we have been commissioned to sell at public auction this very special piece of historical value. This Lunar Rover or “Moon Buggy” as it is comonly called is a prototype from the mid 1960s. NASA engineers were studying ways for the astronauts to be mobile while on the moon. This buggy never went to the moon but has been authenticated by a retired NASA scientist and he believes Wernher Von Braun was photographed on this buggy. “Moon Buggies” were used on the moon and three are still there. This is definitely a piece of history some space enthusiast could lovingly bring back to its original glory….

This is a special auction and will be for the Moon Buggy. This will be the only item in this auction and will be held at 12:00 Noon at the Worley Brothers Antiques building.

More photos here.

(7) Sarah Chorn writes frequently about accessibility, and her latest post at Bookworm Blues is a status report in general about conventions’ support for special needs.

I saw a lot of praise this year about conventions that had sign language interpreters in attendance, and I thought, “Good. I’m glad that conventions are finally getting this accommodation, but what does it say about us that this is something to be praised rather than part of our normal convention going experience?”

That’s the thing that really irks me about this issue. Accommodation is still something to be praised rather than a normal thing. It’s an event rather than an occurrence. Furthermore, there are still times when there are problems and people get excluded or edged out due to these problems. The dialogue about this is still minimal in the genre. There is still almost no discussion about these problems until something happens and there is a small outcry.

(8) Roger Tener gave permission to reprint his account of Nancy Nutt’s memorial service from Chronicles of the Dawn Patrol.

Saturday [November 7] was the Memorial Service for Nancy Nutt.

David and Sherrie Moreno, Cathy, and I drove up to Kansas City It was an opportunity to spend time with friends to comfort each other and remember Nancy.

There was a couple of tables set up in a small room with pictures that Nancy had taken over the years. Nancy’s family told us to take any of the pictures we wanted.  There were several pictures of Fans and airplanes. More specifically airplanes that I had flown Fan gatherings.

During the service many us fans told various stories of Nancy that brought a smile. (Like Mickey Mouse committing suicide in the back 52 Tango while flying over Walt Disney World.)

After the service many of us gathered at Genghis Kahn for supper. After we ate we stood outside the restaurant and talked and talked and talked in the finest Fannish tradition.

We will miss you Nancy.

(9) Kameron Hurley, asked “Do Goodreads Ratings Correlate to Sales?”, answered affirmatively. (Her post is inspired by Mark Lawrence’s earlier “What do Goodreads ratings say about sales?”)

(10) Misty Massey says there are reasons for not “Breaking the Rules” at Magical Words.

And one more that’s happened recently (and been done by more than one person)  “If you’re new to us, send us a writing sample of the first five pages of your published work.” And instead, you send us a link to your website. Sure, that website may have oodles of your work on it, but you just showed us that you can’t follow simple instructions. Why would I believe I should work with you?

The point of all this is to make sure you guys who DO follow the rules and who DO read the guidelines carefully know that we on the other end of those guidelines appreciate the effort you take. We may not open our next letter to you with the words “I see that you followed our guidelines” but you can just bet that you’re even hearing from us because you did. And one other thing to remember…publishing is a tightly-knit business. If you behave in a jerkish manner, breaking rules and skipping guidelines for one editor, don’t be surprised when another editor seems uninterested in working with you.  Word gets around.

(11) Rachael Acks’ contribution to SF Signal’s MIND MELD: Must hear audio fiction, accidentally left out of the main article, appeared today.

I listen to a lot of audio books, because I’ll have them playing while I’m describing core, processing data, or driving. (And I tend to listen to them over and over again, since I will miss things sometimes.) The two authors whose audiobooks I own the most of are Lois McMaster Bujold and NK Jemisin. I’m not sure if that’s because their work lends itself particularly well to the format, or just because I love everything they write anyway. I actually didn’t own a written copy of any of Bujold’s books until this year, and reading it normally felt weird—so many things weren’t spelled the way I thought they would be. This also made reading The Hundred Thousand Kingdoms after I’d listened to it first a slightly odd experience.

(12) Jim C. Hines says it’s time for a “NaNoWriMo Pep Talk” about hitting the wall.

This is the time in Jim’s writing process where, like Charlie Brown kicking at that elusive football, I lose my footing and end up flat on my back, staring into the sky and wondering what the heck just happened.

My shiny new idea isn’t quite so shiny anymore. I’ve gotten lots of words down, but they don’t exactly match what I was imagining. And this next part of the outline doesn’t make any sense at all, now that I think about it more closely. Good grief, the Jim who was outlining this thing last month is an idiot. And now I have to fix his mess….

(13) Today’s Birthday Boy

  • Born November 9, 1934 – Carl Sagan

(14) Today In History

  • November 9, 1984Silent Night, Deadly Night premieres. To protest the film, critics Roger Ebert and Gene Siskel read the credits out loud on their television show saying, “Shame, shame, shame” after each name.

(15) Contrary to what some people may believe, John Scalzi’s cat Zeus does not require any more attention from the internet than he’s already getting.

One, he’s perfectly fine, merely not at the center of my public discussion of cats in the last week as he neither a) a kitten, b) a newly-passed on senior cat. You should be aware that Zeus has been perfectly fine not being the center of media attention in the last several days, as he is a cat and has not the slightest idea either that I write about my cats here, or that any of you have any idea who he is. But he is alive and well and doing what he does.

(16) “A Death Star Filled With Plastic Stormtroopers Is a Better Bucket of Army Men” opines Andrew Lizsewski at Toyland.

If there’s one toy that defines cheap and mass-produced, it’s those buckets full of tiny green plastic army men. They really stop being desirable once you turn six, except when those plastic soldiers are replaced with tiny white stormtroopers led by an equally tiny Darth Vader.

Star Wars army men

(17) Alastair Reynolds tells what it was like to be a huge fan of the original Star Wars at Approaching Pavonis Mons by balloon.

Through that summer, I collected complete sets of both the blue and red-bordered bubble-gum cards. In that autumn, as I started at The Big School (Pencoed Comprehensive, where I still help out with creative writing workshops) I got hold of George Lucas’s novel of the film. Yes, it was amazing, wasn’t it, that George Lucas had not only found time to make this film, but also scribble down a novelisation of it? It was only later that Alan Dean Foster was credited, but not on my edition. It was a shiny paperback with a yellow cover and a set of colour photos stitched into the middle. It was a holy relic, as far as I was concerned, and when I accidentally dented one of the corners, I felt as if my world had ended. I also got the 7″ disco-funk version of the Star Wars music:

https://en.wikipedia.org/wiki/Meco

Which was only the third record I’d ever bought, after the Jaws theme and Queen’s We Are The Champions.

(18) If Reynolds doesn’t know these 12 facts about Yoda already, he soon will.

When Stuart Freeborn, the make-up artist who was tasked with creating Yoda, looked into a mirror, he saw Yoda. No, it wasn’t a Disney magic mirror, but rather it was Freeborn’s own reflection that inspired Yoda’s final look.

When Freeborn modeled himself and started sculpting Yoda, he emphasized his bald scalp, wrinkles, and pointed chin in order to bring Yoda into the world. According to Freeborn, the only part of Yoda that wasn’t based on himself was the upper lip, in which he removed the famous mustache of Albert Einstein and ported it onto Yoda’s face. This move was meant by Freeborn to trigger a subconscious association in the audience with Einstein’s intelligence and wisdom, thus making Yoda appear intelligent before he even spoke a word of advice in his lovable, fractured English.

(19) Even before the internet you couldn’t believe everything you read as Matt Staggs proves in “Four Times Science Almost Flew Off The Rails: Bat Men On The Moon, Phantom Planets, Ghosts, and The Hollow Earth” at Suvudu.

2) When We Thought Bat People Lived On The Moon Ah, 19th century New York City: a place where the lanterns burned all night, Bill the Butcher and his gang of Know-Nothings spattered the streets with blood, and four-foot tall bat people looked down upon it all from their home on the moon. What, you don’t know about the flying lunar bat people? That’s because they were the invention of a master troll named Matthew Goodman, editor of the Sun newspaper.

(20) “Mariah Carey To Run LEGO Gotham City” says SciFi4Me:

Singer and actress Mariah Carey has joined the cast of The LEGO Batman Movie.

According to The Hollywood Reporter, she’ll voice the mayor of Gotham City. This report is contrary to a Deadline report that she would be playing Commissioner Gordon — which only works if she’s playing Commissioner Barbara Gordon from the animated Batman Beyond. Of course, that’s completely possible, too, given how the first LEGO Movie mashed up characters from all over the story multiverse….

The LEGO Batman Movie is scheduled for release on February 10, 2017,

(21) This just in – eight years ago.

Alrugo Entertainment, bring you: ITALIAN SPIDERMAN Unearthed for the first time in 40 years and lovingly restored at Alrugo Studios Milan, this rare theatrical trailer for the 1968 Italian classic ‘Italian Spiderman’ is a real treat. Featuring Franco Franchetti of ‘Mondo Sexo’ fame in his last ever role before being killed in a spear fishing accident in 1969. Alrugo entertainment will be releasing the FULL, remastered ITALIAN SPIDERMAN film on the web starting MAY 22. STAY TUNED

Italian Spiderman has its own Wikipedia article!

Italian Spiderman is an Australian film parody of Italian action–adventure films of the 60s and 70s, first released on YouTube in 2007. The parody purports to be a “lost Italian film” by Alrugo Entertainment, an Australian film-making collective formed by Dario Russo, Tait Wilson, David Ashby, Will Spartalis and Boris Repasky.

Ostensibly an Italian take on the comic book superhero Spider-Man, the film is a reference to foreign movies that misappropriate popular American superheroes such as the Turkish film “3 Dev Adam”, and licensed series such as the Japanese TV series “Spider-Man”, both of which alter the character of Spider-Man for foreign audiences. Other notable entries include the Indian version of Superman (1987), I fantastici tre supermen (3 Fantastic Supermen) (1967) and La Mujer Murcielago (The Batwoman) (1968).

(22) A Robot Chicken video, “The Nerd on The CW,” parodies Arrow and The Flash.

[Thanks to Mark-kitteh, DMS, Tom Galloway, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peter J.]

Pixel Scroll 10/14 The pixel will see you now…

(1) What could be more appropriate to continue a discussion launched in yesterday’s Scroll than Jurassic Park: High Heels Edition! Thanks to Cathy for dropping this into the comments.

(2) “Emperor Palpatine and Sauron in the Afterlife” by Steve Ogden. Here is the first frame of the comic —

Sauron COMP

This crazy comic sprung from a Twitter conversation I was having with Scott King. He said he was considering writing an essay, the events of Star Wars as seen from Emperor Palpatine’s point of view. I said it would be a terrible idea, but really funny, to have a conversation in the afterlife between two dead bad guys, sort of swapping horror stories about how badly everything went for them at the hands of the Good Guys. Scott admitted it was both terrible and funny, and why don’t I go write it then. So I did, and here you have it.

(3) That was a strange experience – reading Alexandra Erin’s “Millennial Pledge: Trouble Edition”, which translates “Trouble in River City” into a bullet-pointed blog post.

(4) Recommended: Ty Templeton’s comic ”What if Bob Kane has created Bat-Man without Bill Finger?”

(5) Most of “The 20 Biggest Bombshells J.K. Rowling’s Dropped Since ‘Harry Potter’ Ended” are less cheerful than —

chocolate frogs COMP

Chocolate Frogs

Harry, Ron and Hermione all wound up with their own chocolate frog cards, which Ron reported as his “finest hour.”

Harry’s card says that he is “the first and only known wizard to survive the Killing Curse, most famous for the defeat of the most dangerous dark wizard of all time, Lord Voldemort.”

Ron’s card gives him credit for “destroying the Horcruxes and subsequent defeat of Voldemort and revolutionizing the Ministry of Magic.”

On hers, Hermione gets credit for being “the brightest witch of her age” and that she “eradicated pro-pureblood laws” and campaigned for “the rights of non human beings such as house-elves.”

(6) Remember the Star Wars blooper reported by Screen Rant that I posted here the other day? Io9 checked with Mark Hamill who says it never happened.

Instead of calling Carrie Fisher’s name out, Hamill insists that he started to say “There she is!”—dialogue provided in ADR that was cut short by Leia and Luke’s embrace.

(7) “Make Sure to Check Your Camera Settings” — a funny Flash reference at Cheezburger.

(8) Today In History –

(9) John ONeill profiled The Complete Short Fiction of Clifford D. Simak, Volumes 1-3 at Black Gate.

The lack of a complete collection of Clifford D. Simak’s short stories has been keenly felt among many old-school fans. So as you can imagine, I was delighted to discover that Open Road Media has undertaken the first comprehensive collection of all of Simak’s short stories — including his science fiction, fantasy, and western fiction. The first three books, I Am Crying All Inside, The Big Front Yard, and The Ghost of a Model T, go on sale later this month.

All three, like all six volumes announced so far, are edited by David W. Wixon, the Executor of Simak’s Literary Estate. Wixon, a close friend of Simak, contributes an introduction to each volume, and short intros to each story, providing a little background on its publishing history and other interesting tidbits.

As a special treat the first volume, I Am Crying All Inside, includes the never-before-published “I Had No Head and My Eyes Were Floating Way Up in the Air,” originally written in 1973 for Harlan Ellison’s famously unpublished anthology Last Dangerous Visions, and finally pried out of Ellison’s unrelenting grip after 42 very long years.

(10) Margaret Hamilton’s pioneering work on NASA computers is covered by Wired in “Her code got humans on the moon – and invented software itself”.

Then, as now, “the guys” dominated tech and engineering. Like female coders in today’s diversity-challenged tech industry, Hamilton was an outlier. It might surprise today’s software makers that one of the founding fathers of their boys’ club was, in fact, a mother—and that should give them pause as they consider why the gender inequality of the Mad Men era persists to this day.

As Hamilton’s career got under way, the software world was on the verge of a giant leap, thanks to the Apollo program launched by John F. Kennedy in 1961. At the MIT Instrumentation Lab where Hamilton worked, she and her colleagues were inventing core ideas in computer programming as they wrote the code for the world’s first portable computer. She became an expert in systems programming and won important technical arguments. “When I first got into it, nobody knew what it was that we were doing. It was like the Wild West. There was no course in it. They didn’t teach it,” Hamilton says.

She’s an unsung heroine of Apollo 8, because she got them home after a fatal input error in the spacecraft somebody at NASA insisted would never happen.

(11) Scientists measured the erosion of terrestrial river rocks to deduce — “Pebbles on Mars Shaped by Ancient Long-Gone Rivers Dozens of Miles Long”.

Using publicly available images of the rounded pebbles on Mars from the Curiosity rover mission, the scientists calculated that those rocks had lost about 20 percent of their volume. When they factored in the reduced Martian gravity, which is only about 40 percent of Earth’s, they estimated that the pebbles had traveled about 30 miles (50 km) from their source, perhaps from the northern rim of Gale Crater.

(12) NASA’s Hubble Space Telescope has been used to produced new maps of Jupiter – the first in a series of annual portraits of the solar system’s outer planets.

New imagery from NASA’s Hubble Space Telescope is revealing details never before seen on Jupiter. High-resolution maps and spinning globes (rendered in the 4k Ultra HD format) are the first products to come from a program to study the solar system’s outer planets each year using Hubble. The observations are designed to capture a broad range of features, including winds, clouds, storms and atmospheric chemistry. These annual studies will help current and future scientists see how such giant worlds change over time.

 

(13) Well, this is bizarre, but extremely well-edited (NSFW) humor video, a mashup of Hitchcock’s movies with Jimmy Stewart and Kubrick’s sf/horror movies.

(14) Free Nick Mamatas!

No, no, you don’t need to bail him out — just read his story free on the Glittership webpage (or listen to it on the podcast) — Episode #18 — “Eureka!” by Nick Mamatas.

Adam hadn’t worn the crushed velvet blouse in his hands for a long time. It was from his goth phase, twenty pounds and twenty years prior. He shuddered at the thought of it distending around his spare tire these days, but he couldn’t bring himself to put it in the box he’d set aside for Out of the Closet either. And not only because it would be embarrassing if anyone saw it.

There were memories in the wrinkles of the velvet—well, not memories exactly. Half-memories, images and glimpses and smells. Two decades of gimlets and bad decisions and a few teeth and a trio of cross-country moves. What was the place? It was Huggy Bear’s on Thursdays, when they played disco for a majority black clientele, but on most nights it was just The Bank. A real bank, in the sepia-toned days when great-grandma worked in an Orchard Street sweatshop, a goth/darkwave club now….

(15) Kameron Hurley interviewed at SFFWorld:

With The Mirror Empire, you’ve challenged many genre assumptions/expectations/tropes, most notably genre roles and expectations.  What other genre expectations did you seek to challenge but instead readers accepted easily?

So far readers have pretty much balked at everything I thought they would, though I admit I’ve been surprised at the reactions to Anavha, which were far more perplexed and passionate than I anticipated. It seemed like a fairly straightforward plotline to me, but putting characters with unexpected genders into those roles surprised people. I think it really made them think hard about reading abusive relationships like that in other books.

(16) Steve Davidson, taking as his sample the recommendations made so far at Sad Puppies 4, theorizes quite reasonably that works available for free are more likely to be recommended for awards. By implication, he wonders what will happen to authors who like to get paid.

I do believe that there is a distinct trend represented:  freely available, easily accessible works may very well swamp the nominations – if those works are given a little initial traction by readers, like including them on a recommendation list, because (I belabor), the fewer “objections” you place between a consumer and a potentially desirable product, the more likely they are to “buy”.  In other words, “click here and invest a few minutes” is far more attractive than “click here, pull out your credit card, wait for delivery, invest a few minutes”.

(17) Brandon Kempner latest survey “Hugo/Nebula Contenders and Popularity, October 2015” for Chaos Horizons. I’m late picking this up, and as Kempner notes in the post, Leckie’s book was still on the way when he wrote it.

Last year, I tried to track Goodreads stats a measure of popularity. This year, I’m tracking both Amazon and Goodreads.

I’ve been disappointed in both of those measures; neither seems particularly accurate or consistent, and they don’t seem to predict the eventual Hugo/Nebula winner at all. What is useful about them, though, is getting at least an early picture of what is popular and what is not. I do believe there is a minimum popularity cut off, where if you fall below a certain level (1000-2000 Goodreads votes), you don’t have much of a shot at winning a Hugo or Nebula. This also allows good comparisons between books that are similar to each other. If you think Uprooted and Sorcerer to the Crown are both contenders as “experimental”-ish fantasy books, one of those (Uprooted) is 10 times more popular than the other. If you had to pick between one of them being nominated, go with Novik.

(18) Dawn Witzke, in “Taking Sides” , says George R.R. Martin has convinced her to pick a side.

[GRRM] I have no objection to someone starting a people’s choice award for SF. Hell, I might even win it, since I have the sort of mass following that tends to dominate such awards. But it would not be as meaningful to me as winning a Hugo.

[Nitzke] There is no need to start a people’s choice award for SFF, one already exists. You may have heard of it, it’s called the Hugo Awards. And, I believe you might have won one of those once. After reading Game of Thrones, I can say it was definitely worthy of Hugo. (Trust me, that’s not a good thing.)

I do want to thank you, Mr. Martin. Without your rich elitist bullshit, I might have continued to sit on the sidelines again this year. Instead, I will be forking over the cash for a membership, because those of us who can’t afford to blow money on cons are just as much true fans as those who can. So you can go stuff it in your asterisk.

(19) Not everyone is tired of the subject —

https://twitter.com/horriblychris/status/654462570842091520

(20) Talk about a really sad puppy – William Shatner:

William Shatner is exploring strange new worlds in trash-talking his former “Star Trek” co-star George Takei.

Shatner, who played Captain James T. Kirk on the iconic sci-fi series, lashed out at Takei in an interview with Australia’s news.com.au published Monday.

“He is a very disturbed individual, the truth of the matter is,” Shatner said of Takei, who played Hikaru Sulu on the series and subsequent movie franchise. “I don’t know him. I haven’t seen him in 25 years, I don’t know what he is up to. It is not a question that has any meaning to me. It is like asking about George Foreman or something.”

And when asked about director J.J. Abrams, who is currently filming Star Trek Beyond, he told the Australian press:

“No matter what plans I make it is J.J. Abrams who makes the plans and no I don’t think he is planning anything with me,” Shatner said. “I would love to. In one year it will be our 50th anniversary and that is incredible.”

(21) “California nixes warrantless search of digital data”

In what’s being called a landmark victory for digital privacy, California police will no longer be able to get their hands on user data without first getting a warrant from a judge.

Governor Jerry Brown on Thursday signed the California Electronic Communications Privacy Act (CalECPA), SB 178, which requires state law enforcement to get a warrant before they can access electronic information about who we are, where we go, who we know, and what we do.

US privacy rights groups have long been concerned that law enforcement hasn’t considered it necessary to get a search warrant before they can search messages, email, photos and other digital data stored on mobile phones or company servers.

States such as California, tired of waiting around for Congress to update 29-year-old federal electronic privacy statutes, are taking reform into their own hands.

(22) H.G. Wells took a shot at foretelling the future — “A Peek Ahead” at Futility Closet tells you how well he scored.

Readers of the London Evening Standard saw a startling headline on Nov. 10, 1971: “The Prophecy H.G. Wells Made About Tonight’s Standard.” Wells had published a story in 1932 in which a man unaccountably receives a copy of the newspaper from 40 years in the future. “He found himself surveying a real evening newspaper,” Wells wrote, “which was dealing so far as he could see at the first onset, with the affairs of another world.”

Most of “The Queer Story of Brownlow’s Newspaper” is devoted to Wells’ prophecies regarding world events in 1971, and most of these, unfortunately, are misses. Newspapers today are printed in color and the Soviet Union has fallen, but geothermal energy has not replaced the age of combustion, body clothing has not (quite) been reduced to a minimum, finance and nationalism still thrive, gorillas are not extinct, the human birthrate has not dropped to “seven in the thousand,” and there are no plans to add a 13th month to the year.

(23) Here’s a massive cosplay photo gallery from New York Comic Con. (Activate by clicking on arrows in upper right corner of image displayed for Slideshow #1 and Slideshow #2.)

Look for an amazing Raiden, an outstanding Mr. Freeze, a spot-on Nosferatu, and a glorious Muto from Godzilla. Spider-Woman, Hawkgirl, Princess Amidala, Mystique, gender-swapped Booster Gold, Ratchet, Venom… the list goes on and on! Take a look at the slideshows below and share your favorites in the comments!

(24) The sf magazine market contraction predicted by Neil Clarke is not far off, but L. Jagi Lamplighter doesn’t want it to begin with Sci Phi Journal, so she is making an appeal for donations.

Jagi, here.  I learned this morning that Sci Phi Journal needs help.

For those who don’t know it, Sci Phi Journal offers science fiction stories that have a philosophy to them. It is one of the few periodicals offering a place to the kind of stories that Sad Puppies stood for…in fact, it was on the Hugo ballot this year, as was one of the stories that appeared in it (“On A Spiritual Plain” by Lou Antonelli).

Sci Phi offers a venue for the very kinds of stories that we all want to read but seldom get to see. It features some of the best new authors, like Josh Young and Brian Niemeyer, and a number of others. Both John and I have had stories appear in its pages.

It would be a real shame if it folded!

What can you all do to help?

If you should feel moved to make a donation, you can do so here. (The donate button is on the right. You may need to page down.)

(25) Monty Python’s Terry Gilliam will appear at Live Talks Los Angeles on October 19, 2015 at the Alex Theatre. It’s the launch event for Gilliam’s memoir. He gave an interview to a local paper to promote the appearance.

Terry Gilliam

What led you to write the book?

It really was supposed to be a book about just my art — whatever my art is — starting with childhood cartoons. My daughter Holly assembled a chronology of the work I’ve done. I would sit with a microphone and talk about it. Somewhere along the line, the publisher says “Oh, God, this is better as an autobiography.” It ended up being that, even though it’s a very incomplete one. I refer to it as my “Grand Theft Autobiography.” It’s a high-speed chase, crashing around the place, a lot of bodies left all over the place. It’s not the great summation of my life in the last hours of my life.

What was your reaction when you started digging into the art you had made?

I was surprised because I don’t linger in the past. Things I’d done over the years had been filed away. Holly had been archiving and dredging this stuff out. The other day I found something and I thought, “God, I can’t believe I could draw that well 20 years ago!” I can’t draw that well anymore.

(26) A Back To The Future prediction still has an opportunity to come true.

At one moment in the 1989 film a billboard reveals the Chicago Cubs have won the 2015 World Series, the joke being that the Cubs hadn’t won the baseball World Series since 1908 and likely never would do.

“A hundred-to-one shot,” the charity fundraiser jokes with Marty, “I wish I could go back to the beginning of the season and put some money on the Cubs!”

But now it’s looking like the Chicago team could actually win the 2015 World Series.

The Chicago Cubs beat the St. Louis Cardinals this week to proceed to the National League Championship Series (NLCS) and will face the New York Mets or LA Dodgers on Saturday for the chance to play in the coveted World Series. Think of it as a sort of regional semi-final for the biggest game of the baseball season.

The film’s writer Bob Gale said he chose the Cubs as the winning 2015 team as a joke, saying: “Being a baseball fan, I thought, ‘OK, let’s come up with one of the most unlikely scenarios we can think of’.”

The Dodgers, if they advance, will have to start the back end of their rotation which would really boost the Cubs’ chances. No time-traveling DeLorean will be swooping in from 1963 delivering Koufax and Drysdale to save LA.

(27) A high-tech prank — Real Mjolnir (Electromagnet, Fingerprint Scanner)

A replica of Mjolnir (Thor’s Hammer) from The Avengers that’s pretty much unliftable unless you’ve got my fingerprints!

 

[Thanks to Cathy, David K.M. Klaus, Will R.,and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]

Pixel Scroll 10/4 Second pixel to the right, and straight on ’til scrolling

(1) Steve Davidson’s ears were burning when he read Neil Clarke’s latest Clarkesworld editorial.

Despite how much I admire what Neil has managed to do over the course of nine years with Clarkesworld, I think his take on the current and developing situation in the genre short fiction market comes from a decidedly glass-half-empty point of view.

I have to be up-front about my reaction to reading that editorial.  My initial summation of the points Neil makes is:  the market is contracting, those of us who have managed to get somewhere need all the help we can get, so please, don’t try to start a new short fiction magazine.

Were it not for the completion of our first writing contest (for which we offered the minimum professional payment), I’d have been able to largely dismiss the doom and gloom, but the fact that Amazing Stories is now firmly on the path to becoming a regular paying market makes me feel as if I and Amazing Stories are part of the “problem” Neil was addressing.

(2) J. K. Rowling sets her fans straight again.

https://twitter.com/geekdarlings/status/649796080759017474

https://twitter.com/Riverfeather207/status/649914540574965760

https://twitter.com/HEIROFSLYTHERlN/status/649915885704970240

(3) The Martian is making a killing at the box office.

Late night receipts showed 20th Century Fox’s The Martian grossing an estimated $56M over three days, putting it on course to be the highest opening film ever in October. However, this morning, some bean counters are scaling back those projections. 20th Century Fox is calling the weekend for the Ridley Scott film at $55M, while others see it busting past the $55.8M made by Warner Bros.’ Gravity two years ago. As the old line goes: It all boils down to Sunday’s hold. Currently, Martian is the second best debut for October, Scott, and Matt Damon.

(4) Abigail Nussbaum commented on The Martian.

When coming to write about The Martian, Ridley Scott’s space/disaster/survival movie about an astronaut stranded on Mars, it’s hard to resist the impulse to draw comparisons.  The Martian is perhaps best-described as a cross between Alfonso Cuarón’s Gravity and Robert Zemeckis’s Cast Away.  Its focus on the engineering challenges that survival on Mars poses for hero Mark Watney, and on the equally thorny problem of retrieving him before his meager food supply runs out, is reminiscent of Ron Howard’s Apollo 13.  The fact that Watney is played by Matt Damon (and that the commander of his Mars mission is played by Jessica Chastain) immediately brings to mind Christopher Nolan’s Interstellar.  The problem with all these comparisons is not so much that they show up The Martian‘s flaws, as that they throw into sharper relief the very narrow limits of what it’s trying to be.

(5) Gary Westfahl gushed about the Martian in “’A Huge Moment for NASA’ … and Novelists: A Review of The Martian at Locus Online.

Let me immediately say that Ridley Scott’s The Martian is the best film I’ve seen in a long, long time, and it can be enthusiastically recommended as involving and uplifting entertainment.

(6) Frank Ochieng’s review of The Martian is posted at SF Crowsnest.

As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

(7) “’The Martian’ Author Andy Weir Asks: Why Send Humans to Mars?” at Omnivoracious.

Robots don’t need life support during their trip to the Red Planet, and they don’t need to return at all. They don’t need abort options. If there’s a mission failure, all we lose is money and effort, not human life. So why would we go to the extra hassle, expense, and risk of sending humans to do a robot’s job?

Because scientific study is not the end goal. It’s one step along a path that ends with human colonization of Mars.

(8) And exploring Pluto is proving to be profitable for New Horizons’ lead scientist.

Alan Stern, principal investigator of the New Horizons mission, has a deal with Picador for a “behind the scenes” account of July’s flyby.

The publisher announced Thursday that the book is called “Chasing New Horizons: Inside Humankind’s First Mission to Pluto.” It’s scheduled for publication in spring 2017. David Grinspoon, a planetary scientist and award-winning science writer, will co-write the book.

(9) Did someone say, “Don’t you think he looks tired?” There are rumors Doctor Who is facing cancellation.

The alleged BBC insider said that “drastic action may be needed” to correct the falling figures. Although a spin-off series has just been announced targeted towards teenagers, the unnamed source said that Doctor Who’s falling ratings are worrying. “At this stage all options are being ­considered,” explained the source.

(10) But before he goes, the sonic screwdriver may be back

Doctor Who’s Peter Capaldi has been sans Sonic Screwdriver since he threw Davros a bone in the two-part series 9 opener but will the iconic Who accessory be making a comeback?

Speaking in a video for Doctor Who’s official YouTube channel, Moffat hinted that we might not have seen the last of Twelve’s trusty tool. “I’m sure the screwdriver will show up again some day” he teased.

(11) Short review of “City of Ash” by Paolo Baciagalupi on Rocket Stack Rank.

In a near-future, water-starved Phoenix, AZ, Maria hides from the smoke of distant forest fires and thinks about everything that went wrong.

(12) “A Sunday Review” by Laura “Tegan” Gjovaag at Bloggity-Blog-Blog-Blog.

The Philosopher Kings by Jo Walton. First up: the completely non-spoiler review. Starting almost 20 years after an infamous debate ended the experimental Just City (an attempt to create Plato’s Republic in the distant past), this book shows how the fractured populace gets on without help from Athena and the robot workers she provided. This book is not nearly as unsettling as the first in some ways, but in other ways… whew. It’s a wild ride.

Much more follows in Rot13.

(13) Nick Mamatas reviews A Country of Ghosts by Margaret Killjoy on Bull Spec.

Subtitled a book of The Anarchist Imagination, Margaret Killjoy’s A Country of Ghosts is more appropriately a work of anarchist speculation. Structurally a Utopian novel—someone from a society very similar to the statist systems we’re all familiar with travels to a Utopia and is told how things work—we can count this book as a “hard” utopia. There’s no quantum computing or frictionless engine that makes the economy go, and the people living in the anarchist confederation of Hron have found themselves in the crosshairs of the Borolian Empire.

(14) Today’s birthday girl:

Anne Rice was born on Saturday, October 4, 1941.

(15) This Day in History –

  • Sunday, October 4, 1931: The comic strip Dick Tracy, created by Chester Gould, made its debut. (Apple Watch was just fiction back then.)
  • In 1957, the Soviet Union launched the first man-made space satellite, Sputnik 1. The Soviet’s successful launch caught America by surprise and was the spark which ignited the Space Race.

(16) “Pokemon demands $4000 from broker superfan who organized Pokemon party” reports Cory Doctorow on Boing Boing.

Larkin Jones is a hardcore Pokemon fan who loses money every year on his annual Pokemon PAX party; he makes up the shortfall from his wages managing a cafe. This year, Pokémon Company International sued him and told him that even though he’d cancelled this year’s party, they’d take everything he had unless he paid them $5,400 in a lump sum (they wouldn’t let him pay it in installments).

Jones charges $2 a head to come to his party, and spends the $500 he grosses from tickets on a DJ, gift cards, decorations, cash prizes, and a Kindle Fire door-prize. He’s lost money on the party every year since he started throwing them in 2011.

He took up a collection on GoFundMe to pay the shakedown:

The day before the PAX party, Pokemon sued me. Without even a  cease and desist.Totally didn’t expect that. I cancelled the party, refunded everyone the 2 dollars I charged to help cover all the prizes I bought for the cosplay contest and smash bros tournament. Pokemon wants $4000 that I just don’t have. I told them I would pay it over a year and they denied that. They want it now with in the next 45 days.

(17) What people in 1900 France thought the year 2000 would like like, from the Washington Post.

There are few things as fascinating as seeing what people in the past dreamed about the future.

“France in the Year 2000” is one example. The series of paintings, made by Jean-Marc Côté and other French artists in 1899, 1900, 1901 and 1910, shows artist depictions of what life might look like in the year 2000. The first series of images were printed and enclosed in cigarette and cigar boxes around the time of the 1900 World Exhibition in Paris, according to the Public Domain Review, then later turned into postcards.

school COMP

(18) Late night TV guests of interest to fans this week.

[Thanks to SF Signal, Rogers Cadenhead, John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day IanP.]

Pixel Scroll 9/20 Scroll My Tears, The Would-Be Contributing Editor Said

(1) Ernie Hudson has filmed a cameo for the new Ghostbusters. All was forgiven sometime after gave this interview (quoted on The Mary Sue)….

Back in October of last year, Hudson told The Telegraph, “If it has nothing to do with the other two movies, and it’s all female, then why are you calling it Ghostbusters? I love females. I hope that if they go that way at least they’ll be funny, and if they’re not funny at least hopefully it’ll be sexy. I love the idea of including women, I think that’s great. But all-female I think would be a bad idea. I don’t think the fans want to see that.”.

 

(2) Mashable has the story – Astronauts on the International Space Station got an advance screening of The Martian.

Duncan Long asked, “Isn’t this a little like showing The Poseidon Adventure on a cruise ship?”

(3) Lincoln Michel in “Is It Time for Literary Magazines to Rethink the Slush” on Electric Literature.

Last month, I got entangled in a long twitter conversation about submission fees. The author Nick Mamatas took issue with The Offing magazine—an exciting new offshoot of the LA Review of Books focusing on promoting marginalized writers—deciding to charge a $3 fee for submissions. You can read Mamatas’s storify plus this follow-up blog post to see his side of things. Here’s a defense of fees from Nathaniel Tower for the other side. In general, the literary world is far too shy about talking about money, and publishing can be quite closed to marginalized voices who can’t afford unpaid internships, reading fees, and other entry barriers. This is a conversation we need to have.

Overall, I agree with Mamatas that there’s an ethical issue in charging submission fees. We never instituted them at Electric Literature for Recommended Reading, Gigantic, or any other magazine I’ve worked on. Plenty of journals barely take any work from the slush, but even a magazine that only publishes slush is likely only taking 1-2% of submissions. So the majority of unpublished writers are funding the minority of published, which isn’t a great foundation. Imagine if every worker had to pay to get a job interview? (Or, since most magazines don’t pay, maybe the analogy is paying to get an unpaid internship.) The defense of submission fees is that the fee is pretty small, perhaps only as costly as snail mail postage. But $3 adds up quickly. I’ve often heard the average story gets rejected twenty times before an acceptance. 21 x 3 = $63. The Offing pays $20-50, meaning you’d expect to lose between 13 and 43 bucks per story. Literary writers can’t expect to make much money from quiet short stories about cancer and obscure poems about birds, but surely we don’t need to actively lose money to get published!

I’d like to note here that The Offing is hardly the only magazine to charge a fee. Missouri Review, Sonora Review, Crazyhorse and so many others charge that when I asked about this on Twitter, I was told it would be easier to make a list of those who don’t. And the fact that The Offing pays $20-50 already puts them ahead of the vast majority of lit mags who pay nothing at all…

Could it be that The Singularity is not engaged in some kind of literary war crime but, in comparison to other magazines that don’t pay contributors, deserves to be commended for not charging a submission fee? (Rocks incoming in 5…4…3…)

(4) Yoon Ha Lee in “Outlining a Novel” —

[First 3 of 8 points.]

  1. I use parts of Randy Ingermanson’s snowflake method for writing a novel. If you haven’t looked at this (I’ve mentioned it several times in the past), it’s worth a look–it probably takes only a few hours to figure out whether or not it’s something that’ll work for you.

The parts I use are the first few steps:

– The one-sentence summary of the novel. I want to nail the core conflict and the protagonist. Ingermanson suggests fewer than 15 words. I use that as a rough guideline–sometimes I have to go a little over because the plot needs some sf/f setting setup. But not much over.

– One-paragraph summary. You can use three-act structure or similar if you like that. Ingermanson suggests “three disasters plus an ending.” It’s not a bad starting place.

– One-page summary. At this point I’m just expanding things out. I sometimes skip this step.

  1. I write down an unsorted list of elements and events that I want to make sure to include. Key scenes, particular relationships, cool tech toys, whatever.
  2. Determination of POVs. Mostly I base this on:

– Characters who are going to have growth arcs.

– Coverage of plot events.

– Information control. For example, some characters can’t be POVs because they spoil the entire damn book to the reader.

There are other considerations that come into play sometimes but they tend to be edge cases.

(5) Michael Cavna of the Comic Riffs blog on the Washington Post reports women swept the Small Press Expo’s Ignatz Awards given for outstanding achievement in comics and cartooning.

I JUST want to know, cartoonist C. Spike Trotman joked, how she’s going to get those three bricks through airport security.

Trotman, as emcee of the Small Press Expo’s Ignatz Awards ceremony Saturday night, was quickly finding the funny as Sophia Foster-Dimino hit the brick trifecta, picking up three trophies — which are an inspired nod to George Herriman’s “Krazy Kat” — and leading the field for the esteemed indie award.

The night felt like a coronation for Foster-Dimino, who dazzled voters with her “Sex Fantasy” comic and was selected best Promising New Talent. At the lectern, the cartoonist looked genuinely moved by the moment. And how better to build a young career than brick by brick?

Sophie Goldstein also picked up multiple awards; her work “The Oven” was voted Outstanding Comic and Outstanding Graphic Novel. When Goldstein kept her remarks brief upon her second win, she warmly joked that she was following Foster-Dimino’s humbled lead.

And just two years after every presenter at the Ignatz ceremony was a woman, now, at this year’s event, every winner was a woman.

(6) Don’t miss out on the current membership rate for the Helsinki Worldcon!

(7) On Startalk Radio Neil deGrasse Tyson holds A Conversation with Edward Snowden (Part 1)

In this week’s episode, Neil deGrasse Tyson chats with whistleblower Edward Snowden via robotic telepresence from Moscow. The two card-carrying members of the geek community discuss Isaac Newton, the difference between education and learning, and even how knowledge is created. They also dive into the Periodic Table and chemistry, before moving on to the more expected subjects of data compression, encryption and privacy. You’ll learn about the relationship between private contractors, the CIA, and the NSA, for whom Edward began working at only 16 years old. Edward explains why metadata tells the government much more about individuals than they claim, and why there’s a distinction between the voluntary disclosure of information and the involuntary subversion of individual intent. Part 1 ends with a conversation about Ben Franklin, the Fourth Amendment of the U.S. Constitution, the Universal Declaration of Human Rights, the CIA’s oath of service, and government Standard Form 312, which is the agreement Snowden violated.

(8) David Gerrold wrote on Facebook

I’ve had the name “Noah Ward” registered as an official pseudonym with the Writers’ Guild since the late 70s. (I’ve actually used it twice.)

In the planning for the Hugo award ceremony, one of the gags in the script was that if No Award won, I would accept the trophy as “Noah Ward.” Tananarive would protest, and I would whip out the letter from the Writers’ Guild to demonstrate the official-ness of my pen name. Tananarive would then explain the difference between No and Noah and I would grumpily give up the trophy.

If a second category came in as No Award, I was prepared to do “You like me, you really like me.”

But …

As it became clear that we might be looking at as many as 5 categories with No Award and that the voters seemed to be heading toward a massive smackdown of the slates, that joke had to be jettisoned.

In retrospect, that was the right choice. No Award in any category is an uncomfortable moment, even if that’s the result you voted for. So any attempt to add a joke to the moment would have been in very bad taste. And as much as I love a tasteless joke, this wasn’t the place for it.

It was fun to think about, it was the kind of gallows humor that people indulge in to release energy and frustration, but when it came down to the final moments, it was obvious that it wouldn’t play.

Even when explained by somebody who thought the asterisks were a good idea, it’s impossible to see why it was a hard choice to cut this gag….

[Thanks to Michael J. Walsh, and John King Tarpinian for some of these stories. Title credit belongs to File 770 would-be contributing editor of the day Nigel.]

Pixel Scroll 9/5 Their Eyes Were Watching Cod

(1) As noted by Patrick on Making Light, the Guardian has an editorial about the sudden turnaround in British public opinion regarding the need to help Syrian refugees, “a shift clearly caused by the heartrending photographs of young Aylan Kurdi’s drowned body washed up on a Turkish beach.” More commentary about the main topic in his post, but here’s the reason someone sent me the link —

Likewise, I’m as small-minded and focused on the local as anybody else. Normally the displacement of millions of innocent Syrians tends to weigh on me as merely one of a seemingly endless series of humanitarian crises for which there is never enough attention or care. But put one particular namecheck into a Guardian editorial and you have my undivided attention:

[I]t is also an astonishingly vivid demonstration of the inadequacy of statistics to move our moral sentiments compared with the power of pictures, and still more of pictures that bring to life stories, to affect us in ways that reasoning never could. As the critic Teresa Nielsen Hayden observed, “Story is a force of nature.” One single death and a refugee family have moved a nation to whom 200,000 deaths and 11 million refugees had remained for years merely a statistic, and not a very interesting one at that.

That was…unexpected.

(2) The impression I get from Larry Correia’s “MHI Challenge Coin Update” is that today – the 5th – is the last day to order Monster Hunter International challenge coins. Unlike another famous Puppy, he probably has only one 5th in his deck.

Monster Hunter International challenge coin

Monster Hunter International challenge coin

(3) Steve Davidson ends his new opinion piece about SP4 on Amazing Stories on a satirical note:

But until the event is scheduled, we’ve still got Sad Puppies IV to deal with, because the problem is, as spokesperson for that effort, Kate Paulk’s words do not match her stated intent.

I’ll shortly be announcing the creation of the One True SF/F Award Run by Real Fans for Real Reasons, which will be presented at a soon-to-be-announced convention, the One True SF/F Genre Convention Run by Real Fans for Real Reasons. Which no doubt will be quickly shortened to SFFGCRBRFFRRCon, just as the awards themselves (a silver flying saucer base, above which will be mounted a symbol for science fiction, fantasy or horror that will be crowd-sourced and unique every year) will soon be known as the SFFGCRBRFFRRies.

Everyone attending the convention will receive a ribbon to attach to their ID badge. That ribbon will state that the wearer is a REAL FAN for REAL REASONS. Additional ribbons, containing short, pithy summations of REASONS can be appended to the RFRR ribbons for those who wish greater specificity. Summations such as: “I’m clueless about fandom but it must be doing something wrong because I am not the center of attention”, “Money is the root of all evil, I earn so much I must be Evil”, “The message in my message fiction is that message fiction sucks” and “Someone on the internet told me that someone on the internet is doing it wrong”. For a fee, personal REASON ribbons will be made on site.

(4) Patrick May – “Sad Puppies 4:  A Slate By Any Other Name”

Recommendations will be collected on the Sadpuppies 4 website, where one page will be dedicated to each category. In February or March, Paulk’s stated goal is to post “a list of the ten or so most popular recommendations in each Hugo category, and a link to the full list in all its glory.” Paulk goes on to say “If you want to see your favorite author receive a nomination and an award, your best bet will be to cast your nomination ballot for one of the works in the top ten or thereabouts of The List.”

And therein lies the problem. Even though SP4 is not positioning their list as a slate and even though the organizers plan to provide a recommendation list with more entries than allowed nominees, the approach of ranking the recommendations and suggesting that people vote for more popular works gives the appearance of attempting to game the Hugo nomination process. As we saw at Sasquan, this raises the ire of a significant percentage of Hugo voters. Yes, some people voted against the works themselves and, yes, some people voted against the Sad Puppies personally, but many voted No Award because slates violate what they see as the spirit of the process. Skewing the voting patterns from anything other than purely individual choices will be interpreted similarly.

(5) We interrupt this Scroll to link “If You Were A Platypus, My Dear – A Play In As Many Acts As Is Required” by RedWombat (Part I and Part II)

Puppies: DO YOU SEE THIS ANTI-RURITANIAN SCREED!? IT WON THE HUGE AWARD!

Commenter D: No, it was only nominated—

Puppies: THIS IS WHAT IS WRONG WITH THE HUGE AWARD!

Troll B: You’re all so racist against Ruritanians.

Commenter B: You’re the one who brought them up in the first place! No one was saying anything about Ruritanians!

Troll B: As an outsider, it’s obvious to me that’s what you were talking about. You should just admit that you all think they’re tax cheats.

Commenters J-Q: …we don’t. No one thinks that. That would be racist.

Troll B: JUST LIKE THAT RACIST PLATYPUS WHO HATES RURITANIANS

FFA: *makes popcorn*

(6) A post on Hackaday admires Sasquan’s Hugo base, made by Matthew Dockery (aka gfish):

A lot of hackers like science fiction. If you aren’t one of them, you might not know that the Hugo is a prestigious science fiction award handed out at the World Science Fiction Convention every year. The statue looks like a rocket ship, but every year the base the rocket ship rests on is different. Kinetic sculptor [gfish] realized the convention would be in Spokane (his hometown and near his current residence) and decided to enter the competition to create the bases. He won, so the 2015 Hugos all have [gfish’s] bases on them and it’s pretty neat that he’s shared the process he used to make them.

And base maker “gfish” takes you step-by-step through the design and manufcaturing process:

The image I had in mind was a kind of spiky, tessellated… something. Rocket blast, maybe, or the central plateau of Washington state, surrounded by mountains. I wanted to leave it ambiguous…

Once I was happy with the design, I needed to find a way to “unfold” it into individual polygons. I had heard of the Japanese papercraft program Pepakura being used by costumers to make armor, so I tried that. It worked — and it even let me test my design in paper first! I’m glad it did, because this let me refine the design in a very fast and cheap way. Things always look different in real life.

I’ve wondered whether people have been shanking themselves on the edges while carrying these Hugos. Flashback: In 1989 Deb Geiser says she cut herself working on a Hugo (mine, as it turned out) and those weren’t sharp at all.

Gfish/Dockery continued a tradition started by Hugo-maker Jack McKnight — missing part of the con to finish working on the awards —

There was a slight panic at the last minute because I sized the holes wrong on one of the nameplates before sending the file to the laser etching service, but that was easily solved with my dad’s drill press. And I missed the masquerade because I was stuck in a hotel room bolting on rockets. But you know what? That was absolutely okay. This is probably the closest I will ever come to winning a Hugo myself, and I loved every minute of it.

(7) Cracked delivers another round of honest movie posters.

little orphan ani

(8) Thomas Olde Heuvelt comments on John C. Wright’s “Hugo Controversy Quiz Questions”

What struck me is your answer to question 6. You state: “Do you remember how science fiction began? We write stories about space princesses being rescued by space heroes from space monsters, pirates, and evil robots. Those who attempt to find a deeper meaning or a social crusade in that are ill informed illwishers whose ulterior motives are unfriendly to our genre.” This much boils down to something I’ve read was part of the main argument for Sad Puppies 3 (I believe it was Brad Torgersen who said it, but I may be mistaken): that they wanted stories about tentacles, not social issues. A pledge for more ‘adventure’, to generalize. Which is a fair argument, I think.

Except… your story that got replaced by mine, “Yes, Virginia, There is a Santa Clause,” is not a story about space monsters or tentacles, it’s a story about a Christmas miracle imposed by God, and fairly evangelical as interpreted by many. (Whether it can be taken as an ‘adventure’ story, is an argument I won’t go into here). I immediately take your word that your intent is not to “indoctrinate the readers into a particular [in this case Christian] worldview” and even “reject that premise with scorn and umbrage”. But I do know that for many who are not Christian (like me), the story *may* read as evangelical and indoctrinating. So, if you didn’t have any agenda and just wanted to tell a good story, the interpretation of indoctrination is purely based on a difference between what is close to you and what is close to non-religious readers. And that, I think, is exactly the same the other way around. I am fairly sure that John Chu didn’t have any political agenda when he wrote a story with gay characters (“The Water That Falls On You From Nowhere”), and I’m a 100% sure that I didn’t have a political agenda when I wrote my first Hugo-nominated story, “The Boy Who Cast No Shadow” (which also happened to feature a gay character). I’ve read many misassumptions that stories like these are always part of some bigger conspiracy to push a social agenda. But that’s nonsense. I don’t have an agenda, except to write what I think are good stories. They may differ from what you think are good stories, and that’s perfectly fine. That’s the real diversity in sciencefiction and fantasy.

Let me state this: people who write different stories than what you know or like, not necessarily have “sad and narrow lives”. You glorify what you know. I glorify what I know. Stephen King glorifies what he knows. Whether it’s God, or a gay tentacle, or an evil clown – as long as they are good stories, who cares?

(9) Otherwise, a typical day at the office for John C. Wright – “More of the Same”

I note that Mr George RR Martin calls for a return to civility in the Sad Puppies debate (http://grrm.livejournal.com/440444.html). I welcome the idea and would not be displeased if the Puppykickers were men of such character as to be able to carry through with it. But I applaud the gesture….

They addicts of Social Justice seek forever to be outraged at some nonexistent injustice, so that they can paint themselves as martyrs and crusaders in a righteous cause, but without the inconvenience of suffering martyrdom or the travail of crusade which would accompany any fight against a real injustice.

One sign of Morlockery is to pen a missive asking one’s foes to abandon their arms and surrender in the name of compromise or civility or somesuch hogwash, while offering nothing, nothing whatsoever, in return, not even basic honesty.

Nor is Mr. Martin in a position to offer anything. Like the Sad Puppies, his side is a loose coalition of likeminded but independent members.

If he refrains from incivility, but his allies do not, I gain nothing by forswearing the use of such colorful terms as ‘Morlocks’ or accurate terms as ‘Christ-haters.’ If I wanted to be bland and inaccurate, I would adopt the flaccid language of political correctness.

And, by an entirely expected coincidence, during the same fortnight as Mr. Martin’s call for civility, we find other members of the SocJus movement busily not being civil or honest:

The surrealistic sensation of finding oneself subject to the two-minute hate for things one did not say by  eager Witch-hunters (leveling silly, false and negligent accusations apparently in hopes of gaining a reputation for zealotry) is not one I would wish on any unstoical soul. In this week’s episode, we find that I call men bad names not because they betray my trust, ruin my favorite show, and seek to worm their sick doctrines into the minds of impressionable children, but because I do not like women befriending women. Who knew?

https://quoteside.wordpress.com/2015/09/05/the-weekly-round-up-592015/

(10) Philip Sandifer – “Weird Kitties: Best Novel Open Thread”

So far, for my part, I’ve gotten through Seveneves, which I thought a good but not great Neal Stephenson novel, and am about a third of the way through The Vorrh, which is very much the sort of novel you’d expect Alan Moore to call “the current century’s first landmark work of fantasy and ranking amongst the best pieces ever written in that genre.” The latter will almost certainly make my ballot; the former could be knocked off without too much trouble. I’ll probably not get to The Shepherd’s Crown, since I’ve not read a Discworld novel in decades, but may well nominate it just because a Hugo ballot without it would just feel wrong somehow.

(11) The argument against reblogging entire posts:

[Thanks to Shao Ping, Mark, Steve Davidson and John King Tarpinian for some of these links. Title credit goes to File 770 contributing editor of the day Jack Lint.]

“Repent, Harlequin!” Said the Tick Tock Dog 6/27

aka The Hugo Chronicles: Puppies of Spring Barking

Today roundup features Steve Davidson, Aditya Manu Jha, Kevin Harkness, Nick Mamatas, Scott Bakal, Vivienne Raper and Spacefaring Kitten. (Title credit belongs to — Anna Nimmhaus, who was inspired by The Phantom Tollbooth, and John Seavey.)

Steve Davidson on Amazing Stories

“FANS Need to Take the Moral High Ground” – June 26

I would like to call for the following actions on the part of fans everywhere:

First, the crafting of a formal statement that articulates the position that Fandom and Fans (which includes authors, artists, editors, podcasters, bloggers, fan writers, fan artists and everyone) do not game awards (or other fannish institutions) for personal, political or financial gain.  Further, that individuals who may be eligible for awards state formally that they do not grant permission for third parties to include them or their works in voting campaigns or slates or organized voting blocs and that if their names or works are found on such, it is without their express permission.*

Second, the creation of a publicly accessible web-based archive that publishes the above statement and allows individuals to publicly endorse the statement.

Third, that an amendment to the WSFS by-laws be written and formally adopted (after the appropriate votes), stating that the members of WSFS do not endorse or support voting slates, voting campaigns or organized bloc voting for the awards that WSFS oversees.  Further, that rules be crafted that would allow WSFS to deny or withdraw membership privileges from individuals who violate the by-law.

Fourth, that SFWA craft and adopt a formal statement that engaging in actions the same as or similar to those described previously are considered by the organization to be unethical and unprofessional actions on the part of its members that could result (after proper internal review) in censure or withdrawal of membership privileges.

 

https://twitter.com/LibertarianBlue/status/614954954764238848

Aditya Mani Jha on The Sunday Guardian

“How a hate-mongering group gamed the Hugos” – June 28

Vox Day and his sexist, homophobic lobby group Rabid Puppies have “played” the science fiction world successfully and tarnished the Hugo Awards, perhaps irreparably….

…What the Puppies (both sets) did was publish a “voting slate,” a curated list of titles that they urged their follows to put on the ballot. It worked, and how: out of the 60 nominated by the Sad Puppies, 51 were on the initial ballot. The corresponding figure was 58 out of 67 for the Rabid Puppies….

To top it all, Day has put himself on the slate: twice over, actually, which has made him a double nominee for this year. His publishing firm, Castalia House, has received nine Hugo nominations in total…

 

Kevin Harkness

“The Hugo Awards Controversy” – June 27

Cent One: The Sad and Rabid Puppy slates don’t work, and will eventually turn around and bite the people who created them.  By showing the effectiveness of recruiting voters, you make this into a contest of numbers, not quality.  And, considering demographics and mortality rates, I think the 21st century is going to beat the 20th in that fight.

Cent Two: Their reasoning isn’t going to win the Puppies a new generation of converts and so boost their numbers.  For example, one of the Puppy arguments I’ve run across is that Hugo-winners are preachy, the so-called SJWs (sidebar: I’m ashamed to say it took me forever to figure out who they were mad at, Single Jewish Women?  Slow Jesuit Wardens?).  But have the Puppies read Heinlein or Niven and Pournelle?  Their old-timey sic-fi adventures are infomercials for their politics, and not very subtle ones either.  By the time I was 18, I was yelling, “Shut up and tell the story!” at my last Heinlein books.  A second irritating point is the puppies claim the current Hugoists are too literary . . .for a literary award.  Yikes!

As a writer with no awards and never a hope for a Hugo, I can say this with the utmost objectivity: stop messing with the system just because the results offend you.  Create your own awards.  Or better yet, vote as an individual and leave slates for the world of politics.  I’m afraid I won’t change a single Puppy’s mind with this blog, because for them, the Hugo Awards are political.  It follows then that writing itself is political, and, by extension, all art.  If art is political, it must serve the politics of its maker.  Come to think of it, that’s what Chairman Mao said.  Maybe he was a secret Puppy.

 

https://twitter.com/NMamatas/status/614888459057016832/photo/1

 

 

 

Scott Bakal on Instagram

Catching up a little bit with some news: I’m honored that this piece I did for Tor and @irenegallo was given a Distinguished Merit Award from 3×3 Magazine along with 10 other pieces. Thank you to the judges! It’s special because this is one of my recent favorites.

https://instagram.com/p/4cNh0LpKH5/

 

https://twitter.com/OddlyDinosaur/status/614827808674697216

 

Vivienne Raper on Futures Less Traveled

“Reading the Rockets – Best Graphic Story” – June 27

[Reviews all five nominees.]

#1 Saga Volume 3

I was reading Saga before the Hugo nomination for Volume 3. I love this series and the strange future-fantasy world the author has created. Volume 3 isn’t the best volume, but it’s hard for me to judge as a standalone as I’ve read the others.

The series follows two former soldiers from long-warring alien races and their struggle to care for their daughter, Hazel, as they’re chased by the authorities. Hazel is born at the beginning of Volume 1 and narrates part of the story as an adult.

Saga has lost narrative momentum as the series has progressed, but I’ve found it remains imaginative and  entertaining. I don’t think there’s one baseline human here. In Volume 1 artist Fiona Staples even solved one of my longstanding character niggles – how do you dress a person with more than two legs? (Answer: a prom skirt)

There are flying tree spaceships. There are Egyptian lying cats. There are family feuds, blood feuds, assassins, deaths, births, love affairs, lots of running away. The standard palate of all-purpose human conflict that has driven good storytelling from time eternal. Big thumbs up from me.

 

Spacefaring Kitten on Spacefaring, Extradimensional Happy Kittens

“The Shittiest Unrelated Drivel in the History of Hugo Awards — Michael Z. Williamson: Wisdom from My Internet” – June 27

This. Was. Shit.

Moreover, Wisdom from My Internet is hard evidence of the fact that there were at least 200 sheer, hundred-percent, honest-go-god trolls sending in nominating ballots. It’s a collection of supposedly humorous, bad to reprehensible tweets with no SFF content whatsoever and — let’s face it — it’s on the ballot to piss off anybody who voted for Kameron Hurley last year.

The time I had to use to write these three sentences is all I’m going to devote to discussing this drivel.

 

Snapshots 151 Bacardi

Here are 26 developments of interest to fans.

(1) There’s been a lot of reaction to File 770’s latest motto, including a suggestion that I put it on a badge ribbon for distribution at the Worldcon.

But it’s too long to fit on one ribbon, and it might be a little presumptuous to ask people wear a set — “The 770 Blog, that Wretched Hive” “continued next ribbon” “of Scum and Villainy.” “continued next ribbon” “John C. Wright”…

(2) Meanwhile, Bronycon is pushing the envelope of convention socializing with a set of color-coded bages:

We’ve adapted the color-coded badges popularized by the Autistic Self Advocacy Network (ASAN) and made them available for people who want to express their communication preferences quickly and non-verbally. By doing this, you can notify everyone whether you want to be approached for interactions or not.

Here’s what the badges look like and what they mean:

  • “Come Talk To Me!” A person wearing a green badge is actively seeking interaction. They may have trouble initating conversations, but it’s okay to come up and start a conversation with them.
  • “Do I Know You?” A yellow badge means its wearer only wants to talk to people they recognize. Unless you’ve met this person face-to-face before, don’t start a conversation with them. If they start talking to you, you’re welcome to talk back.
  • “Not Right Now.” If a person has a red badge showing, they do not want anyone to talk to them. They may approach others to talk, in which case it’s okay to respond. But unless you’ve been told you’re on someone’s “red list”, don’t start interacting with them.

(3) Lou Antonelli visited Heinlein’s birthplace and blogged about it in a post titled “Pilgrimage to Butler (or how Robert Heinlein’s ghost pranked me)”:

When I drove on Friday Kansas City to attend ConQuest, I noticed that Butler, Missouri – the birthplace of Robert Heinlein – was on the way. I decided that on the way back I would stop and visit the house where he was born in 1907. Monday morning I pulled off southbound Hwy. 71 and drove into Butler. The city has a few small signs noting the direction to the house, and I found it fairly easily. It is located at 805 North Fulton Street; a sign – which apparently once hung from a post – marking the spot (“Birthplace of Robert Heinlein, Dean of Science Fiction writers”) was propped up against the bottom of the porch. I took the obligatory selfie – which was hard to do because the sign was so low to the ground – and then hopped back into my car to continue the journey home. Crank. Grind. It wouldn’t turn over! I was completely shocked, because the car hadn’t given me a lick of trouble all weekend. It sounded fine, but wouldn’t kick in. I said, “Bob, if this is a prank, it’s not funny!”

(4) Adam Nimoy had planned to make a documentary called For The Love of Spock even before his dad, Leonard Nimoy, passed away. He has launched a Kickstarter appeal to help pay for it.

The funding of this film through Kickstarter will enable us to continue with production — which will mostly take the form of filming interviews of Dad’s friends, colleagues and family members. It will also enable us to license the hundreds of film clips and still photographs of Mr. Spock as he has appeared on television and in feature films over the last fifty years. Funding will then buy us time in the editing room, where I will be poring over the film clips and photographs and never-before-seen home movies as well as Star Trek artifacts — some of which have not seen the light of day for nearly fifty years!

As of this writing there has been $400,448 pledged of the $600,000 goal.

(5) Actor Lon Chaney Jr. is the only person to play all of the classic Hollywood movie monsters — the Wolf Man (“The Wolf Man”), Frankenstein’s monster (“The Ghost of Frankenstein”), Kharis, The Mummy (“The Mummy’s Tomb”) and Count Anthony Alucard, Dracula’s son (“Son of Dracula”).

(6) Alex Pappademas on Grantland makes some novel comparisons between pop and high culture in his review “’Mad Max’ As Hell: The Masterful, Maniacal, Surprisingly Feminist ‘Fury Road’”

J.G. Ballard — who knew a thing or two about speed, wastelands, the human death drive, and the mortification of flesh by flying auto parts — once described 1981’s The Road Warrior, the second of George Miller’s Mad Max movies, as “punk’s Sistine Chapel.” Ballard was not as big a fan of 1985’s Mad Max Beyond Thunderdome. But even Michelangelo wasn’t immune to the impulse to sequelize, returning to the Apostolic Palace after nearly 25 years (and the Sack of Rome) to paint The Last Judgment above the chapel’s altar. It features a buff, wrathful Jesus, tons of un-fig-leafed full-frontal nudity, chaotic composition that rejected all notions of universal hierarchy, two-fisted angels clobbering wretched sinners, demons dragging the condemned down into hellfire, a likeness of one of Michelangelo’s critics with a snake’s jaws clamped on his nuts, and a cameo by the artist himself as a face on some flayed skin. The lesson here: If you have to come back, it’s best to come back hard-core.

(7) Trek-themed garden gnomes from ThinkGeek will give the Little People a laugh

Did you realize there’s a whole subculture of Star Trek horticulturists? There are daylilies named after Trek, a handful of hostas, and even a Star Trek begonia.

The perfect statuary to go with your newly-acquired Star Trek plants? Why, that would be the Star Trek Garden Gnomes, of course! They come in four flavors. Here’s how the base reads on each:

  • Kirk – To boldly go where no man has gone before
  • Kirk & Gorn – I shall be merciful and quick – Gorn
  • Redshirt – Join Starfleet they said. It’d be fun they said
  • Spock – Live long and prosper

hujt_trek_garden_gnomes(8) The star of Hannibal is a huge draw at the Shanghai Comic Convention?

Unlike many of her counterparts at the first Shanghai Comic Convention, she had decided to forgo a costume. But the 23-year-old automotive quality-control clerk nevertheless was living out her personal fantasy, plunking down $115 — 20% of her monthly salary — for a fleeting meeting with her idol, Mads Mikkelsen of the NBC show “Hannibal.”

Bashfully clutching photographic proof of her star encounter (“I look terrible next to him,” she lamented), Yang struggled to compose herself. She seemed unsure of whether she had just made the best decision of her life — or the worst.

“All fans are idiots, in a way,” she said, laughing at her profligate ways. “We will do anything to meet him, to talk to him, even for a few seconds.”

(9) Very amusing artwork by Murray Groat showing what it would be like if the adventures of Hergé’s classic comic character Tintin took place in a universe created by H.P. Lovecraft.

(10) Who ya gonna call? The firehouse from Ghostbusters will close for renovation,

The  Ladder 8  company firehouse at  14 North Moore Street  in Tribeca is about to be closed for a three-year gut renovation, despite having a received a perfectly good renovation circa 1984 from Drs. Venkman, Stanz, and Spengler,  in the movie Ghostbusters . A  Fire Department spokesperson claims  that the renovation is being done so that the house will be better able to accommodate modern firetrucks, which are larger and heavier than they used to be.

But we know the real reason:  Walter Peck from the Environmental Protection Agency  tipped somebody off to the fact that there are dangerous and possibly hazardous waste chemicals, in the form of liquified ghosts, being stored in the basement.

(11) Anne Lamott, the writer’s writer, turned 61 and decided to share everything she’s learned with her Facebook followers:

  1. Chocolate with 70% cacao is not actually a food. It’s best use is as bait in snake traps.
  2. Writing: shitty first drafts. Butt in chair. Just do it. You own everything that happened to you. You are going to feel like hell if you never write the stuff that is tugging on the sleeves in your heart–your stories, visions, memories, songs: your truth, your version of things, in your voice. That is really all you have to offer us, and it’s why you were born

(12) Amy Sterling Casil’s business is perfecting a system for producing fixed format and flowable ePubs and perfect print books. Here’s her argument why it matters:

I just happened to buy the Stephen Jay Gould book not long after finishing the Bone Music ePub, and we spent plenty of time on that. I knew exactly what was wrong with the Gould book (W.W. Norton) and could tell the exact errors they made in producing it. Errors they would have seen immediately if they’d spent 1 second testing it on an actual device! And there are editing errors like typos etc. For $9.99. A disgrace.

(13) Doug Faunt, who was among those rescued when the HMS Bounty went down in a storm in 2012, is back at sea aboard a new tall ship.

(14) Larry Correia has a good cover story:

People ask me how much say an author has over their cover. At first? Zip. And by the time you are successful enough that your opinion actually does count, that means you’ve sold enough books that you trust the people who sell them for you.

(15) In Kenneth Turan’s coverage of the Cannes Film Festival includes interesting observations about the host city.

It’s not just the films that change here from year to year here, it’s the city as well.

The oldest gay bar in the south of France is now a gelato emporium. The once-spacious post office is now a luxury hotel. And the Cannes English Bookshop, a landmark for three decades, is going to be sold and possibly go out of business.

(16) Nick Mamatas on Storify shares some wisdom about short stories:

I’ve been reading a few short stories from students lately, and this is what I have noticed about them.

(17) Murray Leinster’s “Runaway Skyscraper” is coming back as a fancy hotel. Andrew Porter observes, “Rooms starting at $500 a night, so maybe not a good venue for an SF convention.”

(The Wikipedia can fill you in about the original 1919 Murray Leinster story.)

(18) Daniel Dern sends along a brief rumination on Neal Stephenson’s new book Seveneves. (The title of which, a friend pointed out, is a palindrome.)

I
have been reading Seveneves,
The new big book from Neal Stephes[1]:
The moon
breaks in seven peaze,
Each piece has seven paths,
Each path has seven maths.
Some maths are delta-Vs, and
The plot has many keys[2].
Characters,
sub-plots and lots of peaze,
Many pages is Seveneves.
[1] Stephenson, that is, of course
[2] Including hams doing Morse code, and some, cough, paper pads

(19) John J. Miller would like to tag some newly discovered planetoids with Lovecraftian names:

I’m starting to think of the places we haven’t reconnoitered. Last year, when astronomers announced the existence of 2012 VP113 — a tiny planetoid well beyond the orbit of Pluto — I took to the website of National Review and made a suggestion: “Its name should be Yuggoth, in tribute to the writer H. P. Lovecraft.” I e-mailed the idea to Leslie S. Klinger, editor of The New Annotated Lovecraft. He replied that this wasn’t quite right, because Lovecraft clearly defined Yuggoth as Pluto, rather than as another thing. Then he mentioned an overlooked line from a fevered passage in “The Haunter of the Dark,” the last story Lovecraft ever wrote: “I remember Yuggoth, and more distant Shaggai, and the ultimate void of the black planets.” It recalled something that the astronomer Gerard P. Kuiper (of Kuiper-belt fame) once said to Clyde Tombaugh: “The finding of Pluto was an important discovery, but what you did not find out there is even more important.” Pluto may come into the clutches of our scientists and engineers, but the rest of us can always dream of Shaggai — a permanently undiscovered country.

(20) Alastair Reynolds may yet get the hang of writing filksongs.

https://twitter.com/AquilaRift/status/610836019286573056

https://twitter.com/AquilaRift/status/610836499957985280

(21) A Canadian library has documentary evidence that Han Solo shot first.

According to CBC (Canadian Broadcasting Corporation), while trying to digitize the University of New Brunswick Library’s science fiction collection, librarian Kristian Brown stumbled upon an early draft of the “Star Wars” script.

The script, which is marked as a “fourth draft,” is dated March 15, 1976, well ahead of the film’s eventual 1977 release.

The most striking revelation centers around one of the most famous scenes in the film.

While at the Cantina Bar, Han Solo (Harrison Ford) is confronted by Jabba the Hutt’s henchman Greedo, who demands Han finally pay Jabba the money he owes him. The two of them come to blows, and Han Solo emerges as victorious. While that isn’t disputed, the real debate lies in whether Han or Gredo shot first.

 

(22) CBS Sunday Morning did a nice profile of the person who sat-in for Ray at the last Ray Bradbury Creativity Award — Bo Derek.  Bo gave the award to Kirk Douglas.  Bo and Ray were lifelong friends, who met in France.

By the way, Bo Derek will be in Sharknado 3. (So added to the Ray Bradbury reference this paragraph counts as a score for two File 770 narratives… )

(23) The LA Weekly enthusiastically reviewed Universal Studios’ new Simpsons-themed Springfield Area

Built to surround and enhance the Simpsons Ride, which opened in 2008, the fully-immersive environment includes over a hogshead’s worth of living references. Some of them as huge and obvious as the Duff Brewery, Moe’s Tavern and Krusty Burger. Others are smaller and subtler, the kind of nerdy nuggets that give us geeks an extra special spring in our steps (Smilin’ Joe Fission!? Stools around Moe’s pool table in a nod to Uncle Moe’s Family Feedbag!? Yes.)

….Things just went full bizarro from there. We walked into a perfectly recreated Moe’s Tavern behind producer/animator/director David Silverman and the theme-park bartender asked him if he wanted a Duff…and he had one.  All we could think was, “It’s the local lug who fills your mug with the drug you chug! And the guy who conceived it….drinking it….in it…b-b-but what about the dank? If Uncle Moe threatens ya, do you get a free steak?” Words can’t describe the feeling of self-referential meltdown that happened in that moment — so we won’t even try.

Universal’s food folks took their best shot at the artery-clogging victuals of Springfield (“The World’s Fattest Town”) with Krusty Burgers, Ribwiches, donuts and even Cletus’ Chicken Shack. Cletus’ employees didn’t know if they had anything that could flash-fry a buffalo in forty seconds, and that’s ok. All the food was awesomely outrageous (and full of secret hobo spices). Just don’t get on that gut-buggering jumble of a ride right afterward, you’ll probably regret it.

Besides the food, the gallons of Duff and the non-alcoholic (and presumably cough syrup-free) Flaming Moe’s, they packed the place with all sorts of crazy crap, a further immersive Krustyland, a Kwik-e-Mart and, yes, even a Disco Stu’s Disco (facade only, sadly). For the folks who might not get everything, or for those folks who need the reassurance, screens throughout the are played carefully curated snippets of Simpsons episodes. Satire piled upon satire, surrounded by hints and attribution…wrapped in riddles…wrapped in unexplained bacon.

On our way out, we were invited to take one of the larger-than-life-but-actually-real giant iconic pink donuts. To keep us in the spirit, and as if on cue, some slack-jawed yokel asked if these donuts, branded as Lard Lad, came in a “gluten free form.” No. No they do not. Where’s a good satirist when you need one?

(24) On the opposite coast, Anthony Bourdain plans to open a giant Blade Runner-themed food market in NYC.

Hidden throughout New York City are bustling food halls like Gansevoort Market or Smorgasburg. But for those who ever said, “I had in mind something a little more radical,” Anthony Bourdain has the solution. The celebrity chef will soon open a 100,000-square-foot International Food Market at the newly renovated SuperPier on Pier 57. Oh, and did I mention it’s inspired by Blade Runner?

Yes, the chaos and clamor of the market place from Ridley Scott’s dystopian masterpiece will be coming to Manhattan’s West Side. “It is meant to be crowded and chaotic because that’s what hawker centres should be,” said Bourdain’s partner Stephen Wether at the 2015 World Street Food Congress in Singapore. “It should activate all of your senses.”

Plans for the space, which eats up pretty much all of the SuperPier’s retail allotment, include a farmers market, hawker-style street food stalls, a 1,500-square-foot oyster bar, a bakery, butchers, a tapas bar, a tea shop, a pastry shop, and potentially even an outdoor Asian-themed beer garden. As Bourdain put it, foodies will be able to enjoy “expertly sliced Iberico ham and some Cava or Kuching-style laksa [soup], Chinese lamb noodles, Vietnamese pho or a decent barbecue brisket all in one place.”

(25) Whatever happened to “No shirt, no pants, no service”?

I guess the rules are different for Spartans:

Fortunately, during this unusual detachment no one fought and all survived. In the subway, “Spartans” advertised access to DVD movie “300: Dawn of empire.”

(26) Harlan Ellison was interviewed by The Jewish Advocate on the occasion of his 81st birthday.

Like any good Jewish son, Ellison had a Jewish mother. Serita Ellison survived her husband by 27 years, all of which were spent trying to figure out her increasingly famous author-screenwriterlecturer son.

“If something happened that was adventurous,” he says, “I would tell my mother. My mother would be very pleased, but I’m not quite sure she realized what it meant. She was more concerned with ‘Was I healthy? Was I working? Was I happily married? Was I unhappily married?’ She would come and visit me and tidy up the house. She was a regular Jewish mama.”

An autodidact, Ellison took pleasure in lecturing at hundreds of colleges that he never attended. The only person happier at his countless college appearances was Serita. “The moment I made my mother proud of me was when she came up from Florida in the middle of winter and was sitting in when I spoke at Yale. People would come up and present one of my books to her and would say, ‘Would you sign my book?’ My mother was in heaven. Afterward, we walked in the snow to a luncheon with a group of eminent scientists and she said, ‘I’m very proud of you.’ I swelled twelve times my size. I had made my mother proud.”

[Credit for these links goes out to Andrew Porter, Amy Sterling Casil, David K.M. Klaus,Martin Morse Wooster,  and John King Tarpinian.]

The Hammer of Tor 6/19

aka Sad Puppies Strictly Cash

Peter Grant, Vox Day, John Wright, Chris Meadows, Adam, Steve Davidson, Natalie Luhrs, Alexandra Erin, Nick Mamatas, Lela E. Buis, Lawrence Person, Soon Lee, Lis Carey, Melina D, Joe Sherry, and May Tree. (Title credit belongs to File 770 contributing editors of the day William Reichard and Rev. Bob.)

Peter Grant on Bayou Renaissance Man

”The Tor boycott is on” – June 19

Regrettably, due to the apparent lack of action by (and the deafening silence from) Tor and Macmillan, the time has come to do as I promised.  I therefore ask all those who believe, as I do, that the recent statement by Irene Gallo, and the pattern of behavior and statements from others at Tor whom I’ve previously named, are completely unacceptable, to join me in refusing to buy any of Tor’s products from now on. I support and endorse what Larry Correia said about this yesterday.

… this is between Tor and its readers who feel insulted, not the Sad Puppies campaign or the people who ran it … To the Sad Puppies supporters, do what you think is right. All I’m asking is that whatever you do, try to be as civil as possible in your disagreements. Stick with the facts.

There’s much more at the link.  (Recommended reading for background and more information.)

I am not a member of, and I do not speak for, either the ‘Sad Puppies’ or ‘Rabid Puppies’ campaigns (although I support the former).  I don’t represent cute puppies, playful puppies, cuddly puppies or hush puppies – only myself.  If you share, in whole or in part, my values and outlook on life, I invite you to join me in this boycott.  Don’t do so just because I, or anyone else, is asking you to do so.  Act on the basis of your own informed conscience and reasoned judgment.

There are those who protest that a boycott of Tor will prevent them buying books they want to read, and/or hurt their favorite authors.  I can only point out that used copies of those books are usually available from many sources soon after publication, often in very good to excellent condition, and sometimes at prices much lower than a new copy.  As for your favorite authors, if you buy a used copy of their book(s), why not send them the money they would have made as a royalty if you’d bought it new?  In fact, given that many royalties are a pittance, why not send them more than that?  Many authors have so-called ‘tip jars’ on their blogs or Web sites, or you can write to them enclosing a check or money order.

There are those who doubt that a boycott can achieve anything.  I can only reply that ‘doing the right thing’ is important in itself.  It’s a matter of honor – and although any mention of honor may be greeted with scorn and derision in these ‘modern’ times, I was raised to value the concept and live by it.  I still do.  I doubt I’m alone in that.

What’s more, in a SF/F market that’s increasingly dominated by independent authors, with cratering sales among mainstream publishers and tight financial margins, even a small boycott may have an impact out of all proportion to its size.  I’m certain, on the basis of support already voiced, that we can achieve a short-term six-figure reduction in Tor’s annual turnover.  All that’ll take is a couple of thousand people not spending their usual $50 per year on Tor books (and many have, until now, spent a lot more than that – for example, see here).  With more supporters and/or bigger spenders involved, the impact will be correspondingly greater.  I believe that over time, as word spreads and more join the boycott, we can grow this into a seven-figure annual impact – particularly when, in markets where we have a strong presence, we start talking to bookstores that carry Tor products.  Given current economic conditions and the present and predicted state of the SF/F market, our boycott may in due course make the difference between a profit and a loss in Tor’s annual trading accounts.

 

Vox Day on Vox Popoli

“Tor boycott announced” – June 19

As you can see, I have been a Tor Books customer since 1986, when I bought a mass market paperback copy of The Edge of Tomorrow, by Isaac Asimov. And because I have considerably more experience of Tor Books and the consistently abusive and unprofessional behavior of its senior employees, I will go a little further than Mr. Grant has. Until Irene Gallo and Patrick Nielsen Hayden are no longer employed by Tor Books or Tor.com, I will not:

  1. Purchase any books published by Tor Books
  2. Read any books published by Tor Books

Given (2), this means that if Ms. Gallo and Mr. Nielsen Hayden are still employed by Tor Books in 2016, I will not nominate any books published by Tor Books for any awards. I encourage those who deem Ms. Gallo’s behavior to be unprofessional and unacceptable to follow Mr. Grant’s lead and join the Tor Books boycott. I am the leader of the Rabid Puppies, I do speak for them, and I have absolutely no doubt whatsoever that they will follow my lead in this regard. I am not concerned about whether the boycott is “successful” or not. The simple fact is that if Macmillan is at all interested in the long-term success of Tor Books, it will jettison both Ms Gallo and Mr. Nielsen Hayden on the basis of their disloyalty, their unprofessional behavior, and their repeated violations of the Macmillan Code of Conduct, regardless of what any outside parties may happen to believe. I simply won’t have anything to do with Tor Books as long as those two individuals are employed there.

 

John C. Wright

“Embargo On” – June 19

Since I am Tor author and hitherto have been very proud of my association with that fine and famous imprint, I am fascinated (if mildly aghast) that the Tor management has allowed the situation to degenerate to this point.

Because of a financial conflict of interest on my part, it would be untoward of me to express fulsome support and applause for the boycott, and tell the boycotters their position is the principled and correct stand.

Nor will I point out, because it is obvious, that if you buy my books from Tor, then some part of your precious book-buying dollars goes into the wages of several people at Tor (but by no means all, or even most) who hate both you and me with a sick and soul-destroying hatred, a hatred like a disease that withers the heart and rots the brain.

Nor will I point out, because it should also be obvious, that any Christian gentleman would be willing to forgo a worldly reward of your generous book-buying dollars if he may have your spiritual reward of your loyalty instead. If the gentle reader feels compassion for me in my hour of need, or fears the boycott will harm my finances, I have a tip jar on this page.

So I cannot express support for this boycott.

The people with whom I work, my editor and cover art director, have a perfect right to expect me not to undermine their position, untenable as it may be. If the management wants to set the company policy as one of indifference to our patrons and clients on whom our livelihood depends, or contempt, or enmity, or loathing, that business decision is in their bailiwick.

 

Chris Meadows on Teleread

“Sad Puppies supporters, opponents respectively call for boycott, buying of Tor books”   – June 19

However, even leaving aside that Vox Day certainly does speak for the Rabid Puppies, what Correia and Grant miss is that, as a grass-roots movement (I was going to say “ostensibly grass-roots,” but what the heck, I’ll give them the benefit of the doubt), “Sad Puppies” doesn’t really have a true “leadership” to speak for it at this point. Whether you’re an official “member” or not, if you identify with the movement, you’re going to be identified with the movement, especially by the movement’s opponents.

Make a lot of noise in support of Sad Puppy goals, and voila, you’re a Sad Puppy, and anything you do reflects on them. And likewise, anything the rest of them do reflects on you—which is why the Puppies movement as a whole is, rightly or wrongly, often tarred with the black brush that most accurately applies only to Vox Day and others like him. (Indeed, it’s why a lot of people use “Sad Puppies” as a shorthand to refer to both the Sad and Rabid Puppies.) And it’s why anti-Puppies (some have suggested the term “Happy Kittens”) feel justified in calling this a “Sad Puppies” boycott.

 

Adam on The Noisy Rogue

“The Boycott of Tor Books” – June 19

Even John C Wright, one of Tor’s own published writers, is unable to express support for Tor in this situation. Make your own minds up, dear readers. But rest assured that the culture wars have not been lost. They were only originally winning in the first place because our side couldn’t be bothered turning up. Now it’s on.

 

Steve Davidson on Amazing Stories

“Today is Buy From Tor Day” – June 19

Just a reminder that if you would like to express support for Irene Gallo, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Moshe Feder and TOR books, today is the day to go out and buy a TOR book.

You can learn a bit more about this here.

 

Peter Grant on Bayou Renaissance Man

“Moshe Feder doubles down (again) on the lies” – June 19

Friends, I give you Moshe Feder on Facebook earlier today:

Feder 2015-06-19 Facebook screen capture

….I’m still not going to call for the resignation or dismissal of any of the Tor employees I’ve named.  Nevertheless, if I needed any more justification for why I’m boycotting Tor, Mr. Feder has provided it.  I suppose I should thank him for that – and if he wishes to call me an ‘idiot’, well, I’ve been called a lot worse than that in my time.  Furthermore, for all Mr. Feder’s vitriol directed against him, he’s just made Vox Day look like a sensible, reasonable participant in this debate.  Vox might want to thank him, too . . .

 

https://twitter.com/eilatan/status/612027207758823424

 

 

 

Lela E. Buis

“Adding fuel to the flames” – June 19

What ever happened to that discussion about the Hugos?

What Hugos?

By this time, it should be fairly clear that the current debacle has nothing to do with the Hugo Awards. It isn’t really about the liberal versus conservative content of a few Tor books, either. I concede that there may be an ideological component to the attack. If Day is a a “fundamentalist Southern Baptist,” as he has been characterized, then it is likely that he’s offended by liberal viewpoints in general. Still, that’s no reason to go after Tor in particular. Publication of LGBTQ novels, for example, has been increasing across all major publishers in the last few years. Tor has no franchise on liberalism.

That makes it more likely that Day has launched a personal vendetta undercover of the conflict over the Hugo Awards. He has moved from naming Irene Gallo to Moshe Feder to Patrick Nielsen Hayden in the last few days. Most likely this is his actual target. Hayden is the man quoted in news reports announcing John Scalzi’s recent $3.4 million contract with Tor.

It’s a vendetta, folks. Day is pursuing a long-running feud with John Scalzi. That means that anyone who supports Day’s flame war by responding to him is only perpetuating the problem. Tor has got it right. It’s time to hunker down and wait him out.

 

Lawrence Person on Battleswarm Blog

“Sad Puppies Redux (Or Why That Tor Boycott Won’t Work)” – June 19

Since then, a few people on Twitter have been calling for a boycott of Tor Books over the incident. About this I would just like to make a few points:

  • Though the editorial stuff does lean toward the SJW side, plenty of conservative authors are published by Tor.
  • An ad hoc, Twitter-organized boycott is deeply unlikely to work. Given the way book sales are tracked, it’s unlikely the financial effects of any boycott would stand out from sales figures more than background noise. Most SF readers probably aren’t even active on Twitter, and even fewer have been following every twist and turn of the Sad Puppy Saga.
  • Given that Tor is a very small part of the Bertelsmann international conglomerate, chances are even less likely that that any boycott would be effective or even noticed.
  • Larry Correia has categorically stated that the Sad Puppies are not calling for any boycotts. He also notes, as he invariably does, “All I’m asking is that whatever you do, try to be as civil as possible in your disagreements.”

So put me down in the category of thinking a boycott is foolish, pointless and counterproductive.

One big point on the Sad Puppies campaign: Most recent domestic Worldcons have topped out in the 4,000-6,000 members range. I recently bought a Supporting Membership in Sasquan, and my membership number was in the 9,000s. This tends to indicate that the Hugos have indeed become a test of strength in the culture wars.

 

 

 

Lis Carey on Lis Carey’s Library

“Sucker Punch, by Eric S. Raymond” – June 19

Eric S. Raymond is a 2015 nominee for the John W. Campbell Award for Best New Writer. This is a perfectly competently written MilSF…vignette. It’s not a story. It describes a couple of important and unfortunate advances in military weapons and tactics, and presents the resulting dilemma quite poignantly.

 

Joe Sherry on Adventures In Reading

“Thoughts on the Hugo Award Nominees: Novella” – June 19

….The big surprise in this category, at least for me, was Tom Kratman’s Big Boys Don’t Cry. I had expected a very aggressive narrative designed to offend those of a more liberal persuasion, but what I got was a surprisingly graceful story of a dying sentient tank. That may sound weird, but given advancement in artificial intelligence and this being a science fiction story, it works. It works remarkably well, especially the deeper Kratman brings the story into Magnolia’s history.  Yes, there are also some clumsier jabs at how military tactics have been handled by those not committed to the mission or by those who don’t fully understand what it takes to win, and politicians get the sharp end of the stick in that regard (rightly so, in some cases).

If all of Arlan Andrews’ “Flow” was as successful as the second half of the story, I might have been able to move it up another space on my ballot, but unfortunately the beginning of the story was something of a chore to push through. The primitive ice world (a partially frozen post apocalyptic Earth) was tough to take, less because of the writing and more because of what I was wanted / was getting from the story. I’ll willingly take the hit that part of this is on me, but I often bounce off of fiction dealing with significantly more primitive Earth cultures unless the writing / storytelling can just grab a hold of me and make me care about the characters and / or the setting. “Flow” didn’t…until it did, midway through as Rist began to discover more of the world and realized that what his people taught may not be the way things actually work. I’m now curious to find “Thaw”, a previous story in this setting, and move on to “Fall”, the next in the setting.  I’d like to see where Andrews is taking this.

My Vote

1. “Pale Realms of Shade”
2. Big Boys Don’t Cry
3. “Flow”
4. “The Plural of Helen of Troy”
5. No Award
6. One Bright Star to Guide Them

 

Melina D on Subversive Reader

“Hugos 2015 Reading: Short Story” – June 19

Without too much further procrastination, it’s onto the stories. This was another full puppy-supported slate, so – to put it mildly – my expectations of good writing were low. I was pleasantly surprised by one story, meh over a couple of others and (predictably) was ready to set a thousand fires to another.

 

May Tree in a comment on File 770 – June 18

(The original is here if you don’t know it.) The original inspiration for looking at this source material was that “Voxie” rhymes with “Roxie.”

[Excerpt is only one-third of the whole parody.]

[PUPS] Hah! They had it coming! They had it coming! They took a genre in its prime And then they used it And they abused it We’ll slate the Hugos – It’s not a crime!

[SARAH] Now, I’m typing on my blog post, carvin’ up the SJWs for the Puppies, minding my own business, in storms Mike Glyer, in a jealous rage. “You’re a hydrophobe!” he says. He was crazy and he kept posting, “You’re a hydrophobe!” And then he ran into my axiom. He ran into my axiom ten times!

[PUPS] If you’d have been there If you’d have read it I betcha you would have thought the same!

[JULIETTE] Oenq, V nz fbeel, ohg vs lbh jvyy or ynoryvat zr nf n fnq chccl V jvyy unir gb nfx lbh gb jvguqenj zr sebz lbhe yvfg. Lbh qvq abg fnl lbh jrer tbvat gb or pnyyvat vg gur Fnq Chccvrf yvfg. V srry yvxr lbh jrer zvfercerfragvat vg. V’z unccl gb or bar bs lbhe Uhtb erpbzzraqngvbaf. Guvf vf qvssrerag.

[BRAD] Yeah, but will you be on my slate?

[JULIETTE] UH UH, not Puppy!

[LARRY] My buddy Brad and I had this Sad Puppy act, and my “devil” Voxie traveled around with us. Now, for the most recent year in our slate, we nommed 20 of Brad’s buddies in a row. One, two, three, four, five…Kratman, Freer, Antonelli, Reid, one right after the other. Well, this one night we were ranting about liberals, the three of us, boozing and having a few laughs, and we run out of ice. So I go out to get some. I come back, open the door, and there’s Brad and Voxie nomming Number Seventeen – “Wisdom From My Internet.” Well, I was in such a state of shock, I completely blacked out. I can’t remember a thing. It wasn’t until later, when I was washing the toner off my hands, I even knew they were Rabid.

[PUPS] They had it coming! They had it coming! Ann Leckie does her genders wrong! I didn’t read her! But if I read her I wouldn’t know which “she” has a schlong!

 

The Twilight Bone 6/10

aka Hound of the Basket Cases

In today’s roundup: Suw Charman-Anderson, John C. Wright, Tom Knighton, Vox Day, Lela E. Buis, R. K. Modena, Jason Cordova, Samuel Edwards, Solarbird, Peter Grant, Dr. Mauser, T.C. McCarthy, Chris Meadows, John ONeill, Annalee Newirtz, Rachel Swirsky, Ferret Steinmetz, Brian Niemeier, Jim Butcher, George R.R. Martin,  Matt Wallace, John Scalzi, Nick Mamatas, Paul Anthony Shortt, Rick Wright, David Gerrold, Quilly Mammoth, Spacefaring Kitten, Lis Carey, Andrew Hickey, Rebekah Golden, Adam-Troy Castro. (Title credit goes to File 770 contributing editors of the day Ryan H and Troutwaxer.)

Suw Charman-Anderson on Strange Attractor

“How Tor failed Social Media 101” – June 10

  1. Take enough time, but not too much or too little

When the shit hits the social media fan, it is important to respond in a timely manner, but it’s even more important to avoid a kneejerk reaction. If an issue needs further inquiry before a full response is issued, then it’s acceptable to publicly acknowledge the complaint and say that it’s being looked into.

It may even be that no response is required – not every complaint is deserving of employer intervention. If an employee has a disagreement with a member of the public on her own Facebook page, it is possible that her apology on said Facebook page is sufficient, and that her employer need not step in at all. One can debate whether that was the case here or not, but it is an option that should have been considered, along with all others.

Doherty’s response reads very much like a kneejerk reaction. it is, to all intents and purposes, a public disciplining of Gallo, which is entirely inappropriate no matter what Gallo did. If you address a complaint, you do not use it as an opportunity to shame your staff. Doherty should have taken more time to think about exactly what was going on and how his post would be read by the broader Tor community.

 

  1. Remember there are three sides to every argument

Any public response to a public complaint is made more complex by the fact that there are three parties involved: You, them, and the audience. In his rush to appease Gallo’s critics, Doherty appears to have forgotten that he might also anger people who agree or sympathise with Gallo, or who do not believe that the complaint against her has merit, or who, after reading his post, believe that the complaint has merit but that his response was inappropriate, etc.

In chastising Gallo online, Doherty has alienated a lot of people, and that in and of itself is a massive failure for Tor that Doherty himself should be disciplined for. You simply do not rush in with a response that inflames the situation, especially when it’s obvious from the beginning that tempers are running high and offence is being easily taken. Indeed, the taking of offence is a key weapon in grievance politics, and Doherty should have both realised there was a major risk that his response as written might make the situation worse rather than better.

 

John C. Wright

“Honor is Satisfied” – June 10

A reader asked what I meant when I said, that as a matter of formality, Irene Gallo’s pro forma and possibly insincere apology for her pro-forma and possibly insincerely insult satisfied my sense of honor.

It is difficult for me to explain something that is second nature to me, which is alien to the modern world at every point. In the military, the soldier is obligated to salute the uniform wore by officers of higher rank, not the man wearing it, and the man wearing it is obligated to behave as the uniform requires. The salute satisfies the formality.

An apology satisfies the demand for apology; if the person proffer it did so with deceptive intent, God Almighty, who sees and knows the hearts of the sinners, will punish the falsehood with penalties nightmarish, vehement, absolute, and infinite, that my heart quails to contemplate them. I cannot burn a disembodied soul in hell forever, and neither can I read minds and hearts. Hence, I am not in a position judge the sincerity of an apology, nor do I have the least desire to do so….

I, for one, will regret the event, since a woman of such superlative skill will be hard to replace, but I am confident that Mr Doherty will not insist on keeping her at her tasks in the face of her own shame and regret.

How could she, in good conscience, design a book cover for authors she has so bitterly, absurdly and erratically libeled, and proffer it to book buyers for whom she equally has shone such scorn and mind-destroying hate? It would be cruel of Mr Doherty to insist on Irene Gallo continuing to labor under such adverse and unhappy conditions.

 

Tom Knighton

“Note to my fellow Sad Puppies: Chill just a bit” – June 10

You see, her job isn’t necessarily secure.  She issued an apology of sorts, probably because she was told to.  A post was made at Tor.com distancing her employer from her comments.  That may look like all there will be, but that’s not necessarily the case.  All of that could just be the initial stages of crisis management that may or may not result in her termination.

And if not, I’m still going to ask folks to pull an Elsa and “Let it go”.  I’m not saying to accept the apology.  I’m not saying to forgive Gallo.  That’s up to each and every individual to decide for themselves.  Instead, I’m saying to just let it go and move on.  Gallo’s opinions have been noted, and those who work with her in the future may wish to ask if there is someone else they could work with instead.  Or not.

Folks, we need to be reasonable here.  Yes, we were grievously insulted.  Even if you blow off the “neo-nazi” comment, what followed was little better.  However, she wasn’t the first to use those terms.  Unfortunately, I suspect she won’t be the last either.

Unlike many others, she apparently got a stern lesson about such things.  We got a post that admits that yes, the Puppies did include women and people of color (I hate that term. Sounds too much like “colored people” for me to be comfortable writing it) as well as Tor authors.  I suspect that Irene Gallo will be much more careful going forward.

 

Vox Day on Vox Popoli

“Peter Grant issues a second warning” – June 10

The Evil Legion of Evil has not yet called for a boycott by the many Tor customers attacked by Ms Gallo. It has, after all, only been two days since the management at Tor Books learned about her attack on them. But the one thing they must understand is that an apology is not enough. We expect a resignation. Sooner or later, Ms Gallo will resign. It’s only a question of how much damage Tor Books, and perhaps more importantly, Macmillan, are willing to take first.

 

Lela E. Buis

“A word about power structures” – June 10

One of the problems with social justice attacks in general, and the recent Sad Puppy/Rabid Puppy challenge specifically, is that the rants are often mis-aimed. This means they cause hard feelings, and of course, set off nasty flame wars.

Social justice endeavors can have different motivations. For one, the writer is inflamed by something s/he sees and is motivated to climb on a soapbox for a cathartic, fist-shaking rant. For another, the writer is affronted by some injustice and sits down to plan out a calculated crusade against the problem. In either of these cases, the SJW may have a closely held belief or value that trips off the attack. S/he is hoping it will make people mad and therefore lead to some discussion

 

R. K. Modena on Shadowdancer Studios

“Nazi is not a term you throw around lightly” – June 10

This is why I prefaced this post with a history of who I am, and a rather summarized description of my experiences. I have faced real racism, real discrimination. I have stood OPENLY in support of the Jews, of Israel, for which I have been stalked by someone on the side of the Antis FOR NEARLY SEVEN YEARS AND RECEIVED THREATS AGAINST MY CHILDREN FOR.

Peter Grant has fought against it.

Brad Torgersen goes to fight ISIS / DAESH – against REAL terrorists, REAL religiously motivated hatred, REAL rape culture, REAL KILLINGS OF GAYS.

You who sling mud at us, who question our honor our integrity, our hardships and experiences are doing so FOR THE PETTY REASON OF AN AWARD FOR FICTION.

With Irene Gallo’s original response to the protests of her words, and her subsequent non-apology, it is clear she is unrepentant in her contempt, in her hatred.

 

Janet on Dear Author

“Wednesday News: Tor v. Irene Gallo, Warner Bros. v Friends fans,…” – June 10

So Irene Gallo, creative director and associate publisher for Tor, made a strongly worded comment about the Sad and Rabid Puppies on her personal Facebook page. Afterward, she clarified that the comment was personal and not said in her capacity as a Tor employee. The Sad/Rabid Puppies got mad and then loud about it. Which resulted in Tor publisher Tom Doherty publicly condemning Gallo and basically apologizing to the Sad and Rabid Puppies. I figure the fact that I agree with Chuck Wendig on this is an indication of how gross this situation really is.

 

Jason Cordova

“Eric Flint and the Sad Puppy” – June 10

I’m glad that Eric [Flint] took Tor editor Irene Gallo to task for calling Sad Puppies neonazis. That’s probably the one and only insult that really, really pisses me off. I can stand being called everything else, but once you go past petty and into full-blown turnip with your insults, then I get angry.

Seriously. Ask around. I’ve kind of teetered between confusion and amusement at all this. Confusion because I’m still trying to figure out how I’m a misogynistic racist whose homophobic tendencies override rhyme and reason. Amusement because the amount of bullshit one would have to peddle to make any of that true could fuel a mission to Mars.

But at this point I don’t think it matters. This is the Internet. People don’t take a step back and think “Holy hell, what the **** am I saying?” very often. More often than not a person will double down and keep flinging poo. I’m guilty of it as much as the next I suppose.

 

Samuel Edwards at On Fairy Stories

“Irene Gallo and Boycotting TOR” – June 10

What saddens me the most is reading John C. Wright’s post about Irene Gallo. John C. Wright, a self-professed Sad Puppy, has worked with Irene Gallo at TOR. John is published by TOR and some of his covers were the result of Irene Gallo’s work. That she would be so quick to ascribe falsehoods to the Sad Puppies (and by extension, John) is befuddling. She referred to works which she had a hand in producing (albeit a cover) as ‘bad to reprehensible’. To me, it sounds like she’s been drinking too much of the SJW koolaid. Not only is John published by TOR, but so are other Puppy nominations such as Kevin J. Anderson. This kind of disrespect towards your employer wouldn’t stand in most other companies.

 

Solarbird on crime and the forces of evil

co-signed, strong letter to follow – June 10

I have raged about this so many times. When I was a software developer, I literally sidetracked my career so that I could spend quite literally another full-time job’s worth of time fighting against groups trying to make me illegal. And by illegal, I mean fucking illegal, as in direct threat to my life and freedom, by design. That was the intent and goal, so it’s not like I had any sort of goddamn options.

When I talk about spending “blood and treasure” on this, the blood comes from the street assaults, the treasure comes, in part, from this. All that lost time and money, fighting off people who not only enjoyed but actively made a living from trying to make my existence illegal.

And just as much, the people trying to make me and people like me at best into sub-citizens and at worst into dead people? They enjoyed their work, and made money at it.

Just like the Puppies enjoy their bullshit. They’re having a great time.

 

Peter Grant on Bayou Renaissance Man

“The Tor imbroglio and the progressive narrative” – June 10

Notice how the commenters cited above [at Tor.com] aren’t addressing the specifics of what Ms. Gallo said – they’re saying that she’s right regardless of those specifics, because of other, often extraneous factors.  “My mind’s made up.  Don’t confuse me with the facts!”  They also freely insult others, regardless of the fact that they would never accept or tolerate the same insults being directed against them.  To call anyone a ‘sub-human piece of filth’, as quoted above, is barbaric . . . yet some of them revel in that sort of thing.  That says far more about them than it does about the person they’re accusing.

Another favorite tactic of such individuals is to ignore the overall thrust of the problem by nit-picking the details to death.  If someone makes an allegation of a pattern of misconduct, they respond by taking every single element of the allegation, separating it from the others and nickel-and-diming it to death, demanding verification, supporting evidence, etc.  They can (and do) spin out the process in such depth and for so long that others lose patience and walk away . . . whereupon they claim victory because the original allegation “has not been proved” (to their satisfaction, anyway).

 

Dr. Mauser on Shoplifting in the Marketplace of Ideas

“The Elements of an Apology” – June 10

Apparently, in this day and age, people have forgotten how to properly apologize for their misdeeds. We now live in an era where Ego and Hubris have reached the point that offense is not an objective thing, but in the eye of the offended, who CLEARLY must be delusional, since we can all do no wrong. Well, others can do wrong, and when they do, they MUST be compelled to make an apology. But since they are subject to this same attitude, they only mouth the words that will get other people off their backs.

This leads to a lot of shitty non-apologies that never accomplish what a public apology is meant to do, which is serve as a form of social correction for doing wrong.

There are four things that an apology should contain….

 

 

Chris Meadows on TeleRead

“Sad Puppies roundup, and the Irene Gallo controversy” – June 10

Personally, I’m rather surprised Tor.com left the comments open on Doherty’s statement at all. Usually whenever Tor.com posts something even remotely likely to be controversial (such as statements from Macmillan chief John Sargent in the agency pricing/anti-trust days), it keeps comments firmly closed. It makes me wonder if it might have been done as a passive act of protest against a mandate coming down from Tor’s parent company Macmillan, or perhaps even their corporate owner Holtzbrinck, that Doherty had to issue such a statement. (It wouldn’t be the first time Tor was subject to corporate interference.) But I could be reading too much into it.

Some Puppy supporters, such as Cedar Sanderson and Amanda Green, feel Gallo’s apology didn’t go far enough. On the other side, Chuck Wendig, Gawker, and The Mary Sue have excoriated Tor and Doherty for capitulating. Kameron Hurley, author of the book Gallo’s post originally concerned, has a few comments as well, and The Daily Dot has a good roundup of some of the social media reactions to the affair.

Regardless, it has certainly given rise to a great deal of sound and fury, signifying…well, not a whole lot. Puppies supporters and opponents have both had ample opportunity to show more of their true colors, each providing more ammunition that the other side can use to say, “See? See what they are?” It hasn’t brought us any closer to universal Hugo harmony. But then, we’re probably never going to have that again, at least not for a good long while.

 

John ONeill on Black Gate

“Internet Explodes Around Irene Gallo” – June 10

If you’ve been following science fiction publishing for the past 48 hours, you may have found yourself asking, “Who the heck is Irene Gallo?”

The talented Ms Gallo is the Creative Director of Tor Books, and the associate publisher of the marvelous Tor.com, where she’s done some exemplary work. On May 11, in response to a question on her personal Facebook page, she wrote a quick and rather clueless assessment of the Sad Puppies/Rabid Puppies movement:…

 

David Gerrold on Facebook – June 10

Apparently, there is no mistake so insignifcant that it does not deserve a call to action by the outrage committee. Torches, pitchforks, tar and feathers. Even the smallest of sins must be punished by an internet pile-on, public shaming, and boycotts of everyone in the same neighborhood.

Is there anybody who has not yet earned their Drama Queen merit badge? I guess not. We keep stirring this can of worms to make sure the sauce gets evenly distributed.

The only winner in this (so far) is a certain lunatic attention-whore who needs to demonstrate how important he is by the size of the uproar he can create. And the rest of us have bought into it.

There was a Star Trek episode, “The Day Of The Dove” — in which the crew of the Enterprise and several Klingon warriors were at each other’s throats until they realized that there was an energy creature aboard, feeding on their hatred. Eventually both sides laughed at it — “We don’t need your help hating each other.”

We can continue to rip apart our community and eventually both sides will claim some kind of exhausted victory over whatever shambles remain. The grudges and feuds will last at least a generation because being right has become more important than being friends or colleagues.

 

https://twitter.com/Annaleen/status/608437763160047616

 

 

 

 

 

Jim Butcher in a comment on Eric Flint’s “In Defense of the Sad Puppies” – June 9

[If the link doesn’t work — http://www.ericflint.net/index.php/2015/06/08/in-defense-of-the-sad-puppies/comment-page-2/#comment-2591662 ]

I don’t know if Ms. Gallo’s apology was sincere or insincere.

I don’t know that, because I can’t read her freaking mind.

And neither, presumably, can anyone else.

I work with words professionally. I know exactly how powerful they can be. I am also well aware of their limits–and when it comes to expression complex thoughts in emotionally tense situations over the goddamned internet, the magic of written language has little power.

How can it? It’s missing too much. You can’t read tone of voice, or the expression on a person’s face when they’re making keys click. Pretty much all you get is “clickity click click.”

I’m also an English major. So I’m very aware of how skilled human beings can be at reading all kinds of absolute horse manure into other people’s writing, and then declaring it “subtext” or “internally consistent logic.”

But it isn’t. It’s you, guessing. And your guess is probably prejudiced to one degree or another, most often by projecting things into it that were never meant to be there. Or, put another way:

http://weknowmemes.com/wp-content/uploads/2012/06/what-the-author-meant.jpg

Maybe Ms. Gallo wrote the apology with a smirk and a cigarette hanging off of one lip while reciting nasty twitter quotes at every individual member of Science Fiction Fandom. Or maybe she was crying and upset and genuinely trying to make amends. Or maybe she was just numb and exhausted. I don’t know.

Neither do you. That’s kind of my point.

But maybe it’s simplest if the curtains were fucking blue, we take her words at face value, and extend a bit of human courtesy and trust to a fellow science fiction nerd. Because she is one, whether that pleases you or not.

Deep breaths here, guys. Her comment was out of line and made a lot of people upset. She apologized to those people.

The curtains were fucking blue.

Can we just get on with life, please?

 

George R.R. Martin on Not A Blog

“Wars, Woes, Work” – June 10

I want to single out the postings of Eric Flint. The latest, at http://www.ericflint.net/index.php/2015/06/09/a-response-to-brad-torgersen/ , is a devastating point-by-point deconstruction and refutation of the latest round of Puppystuff from Brad Torgersen. Flint says what I would have said, if I had the time or the energy, but he says it better than I ever could. ((I will be nominating him for a Hugo too. For Best Fan Writer)). His earlier posts on Puppygate are all worth reading too. He is a voice of reason in a sea of venom.

I will add one point. The emptiness of the Puppy arguments is indicated clearly by how much time they seem to spend in coming up with new insulting terms for those who oppose them. The facts are against them, logic is against them, history is against them, so they go for sneers and mocking names. First it was SJWs. Then CHORFs. The latest is “Puppy-kickers.” Next week, no doubt, they will have something else. Reading all the blogs and comments that Glyer links to from FILE 770 has convinced me that anyone who starts throwing these terms around can pretty much be discounted; you will find no sense in what they say, only sneers and talking points….

Yes, I know that THE HOLLYWOOD REPORTER named me “the third most powerful writer in Hollywood” last December. You would be surprised at how little that means. I cannot control what anyone else says or does, or make them stop saying or doing it, be it on the fannish or professional fronts. What I can control is what happens in my books, so I am going to return to that chapter I’ve been writing on THE WINDS OF WINTER now, thank you very much.

 

Matt Wallace

“When We Drive out the Innovators We Are Left Only with the Sad and Rabid” – June 9

I don’t know how you feel about what she wrote about the Puppies and I don’t really give a shit. What is not open for debate is the fact Irene has helped and is helping innovate a major appendage of a major publisher and is one among several pairs of hands shaping a better, more interesting, more diverse future for authors and readers of SFF. That is not only needed, it is necessary. It is absolutely vital. She should be elevated for that, not sacrificed to a small clan of mediocre throwbacks because they can be the most vocal on the fucking internet.

Tor’s position on this, among myriad other ways that position is f’ed up, is one of trading innovation and a wider audience for the utterly narrow; a narrow viewpoint expressed by a narrow demographic of the narrow-minded.

The Puppies keep saying they want change, but what they want is things to go back to the way they were.

That’s what really pisses them off so much.

They want things to stay the same.

They don’t want change.

That excludes folks like Irene Gallo, who are literally changing everything for the better.

And in what creatively-driven industry or form has not changing ever been a good thing?

From a strictly business standpoint, she is worth more than a few hundred anonymous user names in a website comments thread will ever be. Alienating your company’s innovators is simply bad business. From a creative standpoint, her involvement is vital to the future of SFF and SFF publishing.

From a human standpoint, Irene simply deserved better.

Much better.

But my opinions are selfish. I want to be part of the future, not the past. I want to be part of a publisher that innovates and spreads my stories to new corners of the internet AND the world of the real. I want to be part of something new, something exciting, something great.

Irene Gallo is taking me and the rest of the Tor.com authors there, the same way she’s helped so many Tor authors in the past.

I need her.

Treat her the fuck better.

That is all.

 

John Scalzi on Whatever

“A Refresher Course On What I’m Obliged to Write About” – June 10

  1. The Internet doesn’t need me to weigh in on everything. It certainly didn’t in this case — there were more than enough people willing to engage both Irene’s initial comment, and Tor’s letter about it and the aftermath. In the former case, here’s something by Eric Flint; in the latter cases, something by Kameron Hurley and Chuck Wendig. These three are the figurative tip of an iceberg comprised of blog entries, comments, tweets and Facebook posts.

The Internet did not wait for me on this; it doesn’t wait for me on anything. Why are you waiting for me? I mean, thanks, I guess? It’s nice you want to know what I think? But I do hope you recognize the difference between you having an interest in my public thoughts on something — which is great! Thanks! — and thinking I’m obliged to share my thoughts on something in a public manner — which is not great, and which I don’t agree with.

 

Nick Mamatas

“Why Can’t Publishers Make Writers Behave?” – June 10

[This is the closing section of a detailed and informative article.]

Push too far, too hard, too often, and a publisher may just find its headcount is much larger than it believed. And even if not, the publisher still gets to experience the annoyance and hassle of an investigation. If a publisher wants to play the game of “You’ll never eat lunch in this town again!” in public or even in writing, that could lead to the freelancer, do-this-or-you-are-fired email in hand, giving the unemployment-filing trick a whirl.

This is one reason why all those tweets and emails and blog-comment huffing about a publisher doing something or at least saying something about that nasty, awful person whose books they publish are almost never going to get any kind of public hey-there-this-is-evidence response from a publisher.

There are other reasons too—awful people, up to and including criminals and the more blood-soaked breed of politician, write books all the time. There’s a massive tradition of carceral literature in existence. If you’ve attended college, you almost certainly read the writing of some criminals, or even material that was written inside prisons. Don’t think that awful blog posts or sneakity-doo trickery on the Internet will faze many publishers. Think of James Frey, who lied to millions of people, who had to settle a lawsuit because his memoir was wall-to-wall lies, and who was yelled at by Oprah (patron saint of nice people) on her show. Where did he end up? At the head of his own YA fiction sweatshop, and getting movies made from “his” stuff.

Publishing just ain’t about “nice” when it comes to its writers, and that is true in both how it treats writers, and what it can expect from writers.

 

Paul Anthony Shortt

“Tor Books, Inclusiveness Does Not Mean Permitting Prejudice” – June 10

There is an erroneous thought drifting in the wind. This thought tells us that, in order to be truly inclusive, we must not only accept that there are people whose opinions are abhorrent to us, not only allow them to have such thoughts, but also grant them a stage for their thoughts, even if we’re the ones who own the stage. More so, we’re told that it’s our responsibility, as fair, inclusive people, to even sit and listen while these attitudes are shoved in our faces. We’re told me must defend these people from any critic. Not from people trying to stop them, mind, but from people disagreeing with them. When you champion those who would close doors and hoard their power, you are not being inclusive.

When you defend those who rail and abuse minorities from having their opinions challenged, on the grounds of “free speech”, you are not being inclusive. When you shame a woman before the entire world, using your position as a bastion of your industry to reach your audience, just because she had the courage to come out and hold prejudice up for what it is, you are not being inclusive.

Shame on Tom Doherty. He has shown his company as promoting an environment where those who speak up against that which is wrong will be punished.

 

Rick Wright on Mangy Dog

“Morning coffee 2015-06-10 – Jude and Christianized America” – June 10

I went on record (not for the first time) as saying we should not call for Gallo to be fired. Someone disagreed and explained why. I stand by my original position. Just because some teacher or journalist or publisher says something insulting or offensive does not mean we should always want that person to lose her/his job. Disciplined? Sure. Consequences? Probably. But not fired. Not except in the most extreme cases. This is a simple matter of Treat Others As We Would Like Them To Treat Us. If we are sick and tired of conservative or traditional Christians (or whatever) losing their jobs because they express an opinion at odds with the current Zeitgeist then we should not return the disfavor yes?

 

 

David Gerrold on Facebook – June 10

I have begun filling out my Hugo ballot. There were two categories where I voted for individuals who were on the sad puppy slate — because regardless of the slate-mongering, I felt their work was award-worthy. They deserved to be on the ballot.

This is consistent with what I have been saying all along. Read the stories, vote your conscience.

 

Andrew Hickey on Sci-Ence! Justice Leak!

“Hugo Blogging ‘Best’ Fan Writer” – June 10

And so once again I dip into the sewer. The “Best” Fan Writer category in the Hugos is apparently meant to encourage SF fans to write about SF. This year, it seems to be largely made up of people who claim to be professional writers, but who can’t string a sentence together.

 

Spacefaring Kitten on Spacefaring Extradimensional Happy Kittens

“On Time” – June 10

Agenda-setting-wise, they have been very successful, though. Most of the fans who are critical of Sad Puppies (lets call them Happy Kittens for short) have been diverted to waste their precious time and energy on refuting what badly thought out garbage some Rabid or Sad Puppy managed to spit out. Most likely the garbage in question was highly illogical and the Happy Kitten in question had little trouble with demonstrating that.

But the fact is, Happy Kitten energies were wasted on fighting a culture war on a battleground selected by the opposing side when they could instead have been reading, writing, buying, enjoying and celebrating some first rate SFF. The Puppies are opposed to SFF that is diverse or deals with gender or political issues or is technically ambitious. I think there’s a lot that Happy Kittens can do for that sort of SFF, apart from engaging in a debate where nobody is really going to change their views.

 

Rebekah Golden

“2015 Hugo Awards Best Fan Writer: Reviewing A S Green” – June 10

All of [Amanda S.] Green’s post are very well written. Except for the excessive use of acronyms which obviously speak to an in group her writing is very clear.

Only one of the posts she submitted seems to have anything to do with sci-fi/fantasy fandom and that is the one on Star Trek canon. The other two posts have to do with feminism and society in general and maybe conference attendance. Again, I’m looking for someone who is positively enthusiastic about something sci-fi/fantasy related, deep in the details and sharing the love. That is what I am looking for to give someone the label of best fan writer.

 

Lis Carey on Lis Carey’s Library

“Best Professional Artist Hugo Nominees” – June 10

Carter Reid: No. Sorry, no.  I feel no hesitation in saying that Reid’s art is just not very good.

Nick Greenwood: I’m sorry, no, these just do not work for me. No one should take this as a criticism of their taste; in this area, I have none.

Alan Pollack: Very nice work, but they don’t move me much beyond “very nice.”

Julie Dillon: Very lovely work, that I’d like to see more of.

Kirk DouPonce: This is also lovely work, that I’m pretty sure would make me reach for the book. That’s one of the main purposes of commercial art, right? But not the only purpose of professional science fiction and fantasy art. I’ll have to give serious thought to the choice between DouPonce and Dillon.

 

Font Folly

“Hugo Ballot Reviews: Novellete” – June 10

“The Day the World Turned Upside Down,” by Thomas Olde Heuvelt, translated by Lia Belt. This story was a delight! I was sucked into its very surreal premise immediately. Inexplicably, gravity reverses… at least for solid objects—people, cars, grocery bags, you name it—suddenly start falling into the sky. That this happens shortly after the protagonist is dumped by his girlfriend makes you wonder, for a while, whether or not this is all happening in the protagonist’s head, but I was soon so caught up in is quixotic adventure to somehow keep her pet goldfish alive, transport it to her (by clinging to objects fixed to the ground, and so forth), and effect her rescue.

The misadventures that follow, in which (among other things) the narrator rescues a child clinging to a swing set who longs for her mother who fell into the sky, all slowly build to a climax that is sad, poignant, yet completely fitting. It’s that magical sort of ending that you occasionally encounter where it isn’t what you expected, yet once you reach it, it seems inevitable and the only possible way it could end.

I really, really liked this story! And having read it, I was filled with a renewed hope for the rest of the novellas!

 

Adam-Troy Castro

“Your Approved Safe Story” – June 9

Welcome to your approved safe story.

In this safe story, the characters are guaranteed likeable.

They are guaranteed to make all the most admirable decisions.

Nothing bad happens to them.

Nothing bad is done by them.

There is no evil in the world around them.

They are presented with minor obstacles that challenge them in no way.

Everybody respects everybody else.

Everybody deserves respect from everybody else.

Everybody is enlightened.

You will not have to disapprove of anything they do or say.

Your opinions will not be challenged by anything they do or so…..

 

The Dingolarity 6/5

aka Is All of Time and Space Truly Curred?

Pawing through the roundup we find Juan Tabo, S. Harris, Glenn Hauman, David Mack, John Scalzi, Charles Stross, Nick Mamatas, Jeffro Johnson, Barry Deutsch, Mcjulie McGalliard, Russell Blackford, Lis Carey, Rhiannon Thomas, Rebekah Golden, Chris M. Neill and cryptic others. (Title credit goes to File 770 contributing editors of the day Kate and James H. Burns.)

We begin with dueling parodies of Rachel Swirsky’s frequently debated “If You Were A Dinosaur, My Love.”

Juan Tabo and S. Harris on Vox Popoli

“If You Were an Award, My Love” – June 5

If you were an award, my love, then you would be a Hugo™. You’d be a big one, five feet, ten inches, the same height as human-you and twice the height of Regular Size John Scalzi, You’d be made of brass, and wood and plastic, and difficult to take on an airplane as carry on due to enhanced security precautions. Your eyes wouldn’t exist, because you were a rocket, stupid.

If you were a Hugo®, then I would become Taller, Stronger John Scalzi so that I could spend all my time with you. I’d bring you raw chickens and live goats, if you were into that kind of thing.  I’d make my bed right under the trophy case, in the basement where my wife lets me sleep. When I couldn’t sleep, I’d sing you lullabies. If I sang you lullabies, I’d soon notice how you were still a statue. You’d just sit there, because you were still a statue.

 

By Glenn Hauman and David Mack on Crazy 8 Press

“If You Were A Puppy, My Sweet” – June 5

If you were a puppy, my sweet, you would be a wild one. You’d be big and neutered, just like human-you. You’d bound from place to place, unburdened by any thought of consequences, full of energy and bereft of conscience. Some would delight in your antics, your perverse rejection of dignity. Others would quail from your manic slobbering and call you a nuisance, but you would be excused, because that’s just how puppies behave….

If you were sad and rabid, I would bring you with me to the wide-open rampart, and we would watch the mighty spaceships fly. I’d tell you to look up, and we’d see those ships break our world’s surly bonds to depart for alien shores. We’d wish their crews well as they explored great wonders yet unknown. Then you’d fill the lengthening dusk with your pitiful whimpers as the shiny rockets soared away … without you … never to return.

 

David Mack on The Analog Blog

“Speaking Truth to Puppies” – June 5

Though our story mimics the style of Ms. Swirsky’s, Glenn and I want to make clear that we intend no disrespect to her or to her story. Our reason for choosing it as our template was the story seems to have become a lightning rod for the ire of Rabid Puppy and Sad Puppy supporters — two of whom today published a far more mean-spirited parody of it on the blog of Theodore Beale, aka Vox Day.

 

 

https://twitter.com/cstross/status/606939179021398017

 

Nick Mamatas

“Rocket To The Red Planet”  – June 5

It’s actually the Puppies who are the Marxists. Their agent of change is a subaltern proletariat—those workaday beer-money fans who have gone unheard and who must be organized by an intellectual caste into a fighting force.

 

Jeffro Johnson on Jeffro’s Space Gaming Blog

“Withering Criticism for me Compliments of ‘Mark’ from File770” – June 5

Okay, I gotta say. It takes a lot of nerve to go over to File770 and say I’m willing to answer anything they want to ask. It seems crazy. I men, my gut feeling on that was that it would be sort of like attempting to have a rational discussion in the middle of a food fight.

But to be fair to those folks, there are more than a couple of people over there that notice the effort. Like Meredith, for instance:….

 

Barry Deutsch at Alas, A Blog

“Hugo 2014 Graphic Story Nominees” – June 5

Amptoons graphic story noms COMP

The Graphic Story Nominees are a nearly puppy-free category; four of the five nominees didn’t come from puppies. The five nominated works are (in order of my ranking):

  1. Sex Criminals Volume 1: One Weird Trick, written by Matt Fraction, art by Chip Zdarsky (Image Comics)
  2. Ms. Marvel Volume 1: No Normal, written by G. Willow Wilson, illustrated by Adrian Alphona and Jake Wyatt, (Marvel Comics)
  3. Rat Queens Volume 1: Sass and Sorcery, written by Kurtis J. Weibe, art by Roc Upchurch (Image Comics)
  4. Saga Volume 3, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

The remaining nominee, The Zombie Nation by Carter Reid, I’m going to regretfully rank below “no award.”

Although – as you’ll see – I have criticisms of all these works, I also think this is one of the best Hugo lists I’ve seen in this category. All four non-puppy nominees are standout mainstream comics, entertaining and well crafted.

 

 

Russell Blackford on Metamagician and The Hellfire Club

“Steven Diamond and Kary English stories – Hugo Awards Voting”  – June 5

I’ll be quite brief about these. “A Single Samurai” is a fantasy story involving a magical samurai warrior’s attempt to halt the path of a mountain-sized kaiju monster. Leaving aside a couple of small verbal infelicities, it is a well-written, well-crafted piece told in the first person by the samurai, whose character – one marked by honour, tradition, and invincible determination – is conveyed effectively. So vast is the kaiju that the samurai’s efforts appear ineffectual and futile, but read on… All in all, this is a solid short story, if marred by something of a deus ex machina style of ending. By all means give it a try and see what you think.

“Totaled” is a more innovative and sophisticated story, and I think it’s a genuine contender for the award. It’s difficult to describe this one without giving away too much and spoiling the effect. Suffice to say that it’s told – mainly in present tense, and for good reasons – from a very unusual point of view. Kary English was not previously on my radar but appears to be a noteworthy talent.

 

Lis Carey on Lis Carey’s Library

“The Three Body Problem, by Cixin Liu” – June 5

The Best Novel category is going to be a tough decision this year. I loved The Goblin Emperor  I’m currently enjoying the Ancillary Sword audiobook. And now I’ve just finished this amazing novel by Cixin Liu.

 

Lis Carey on Lis Carey’s Library

“Tea and Jeopardy, Emma Newton (presenter, writer), Peter Newman (presenter, writer)” – June 5

http://teaandjeopardy.geekplanetonline.com/

Another Best Fancast Hugo nominee.

Another sf-focused interview podcast. Emma Newman hosts, with Peter Newman playing Latimer, her butler. In the sample episode included in the Hugo Voters packet, some people may find the introductory segment a bit longer than necessary, and sadly lacking in any hint of what type of program this is, but it is charming. In this episode, she interviews Ramez Naam, one of last year’s Campbell Award nominees, about his fiction, movies, and the portrayal of science and scientists in both print and media fiction. It’s friendly, intelligent, interesting, and engaging. I really enjoyed this, I think more than any of the others so far.

 

Rhiannon Thomas on Feminist Fiction

“Hugo Nominees 2015: Ancillary Sword by Ann Leckie” – June 5

Ancillary Sword is an excellently crafted and compelling novel. It’s less complex than its award-winning predecessor Ancillary Justice, but it’s also far more accessible, making it arguably a better read over all.

Ancillary Sword has the same conceptual set-up as the first in the series. Our protagonist, Breq, was once the AI of a ship, built by a society without gender, that controlled hundreds of once-human ancillaries and became trapped in one of the ancillary bodies when the rest of the ship was destroyed. Breq dedicated herself to destroying the ruler of the universe in revenge for both her own death and the order that forced her to kill her beloved captain.

As far as unusual protagonists go, she’s pretty high up on the list.

 

Rebekah Golden

“Review: Ancillary Justice by Ann Leckie” – June 4

The short review of this book is it blew my mind and I loved it. Deep, transformative, and complex.

 

Marion on Deeds & Words

“The Hugos, 2015, Chapter Six; Novelettes” – June 4

The novelette category was heavily influenced by the splinter group(s). The challenge in this category is similar to the problem I had with the novellas. A couple of these are decent reads, or interesting stories, but are these really the best novelettes published in 2014?

 

Adult Onset Atheist

“SNARL: The Journeyman: In the Stone House” – June 4

I really wanted to like this story. It had some fun characters engaging in delightful dialog. It even provided some jokes for the reader to enjoy at the expense of the characters. I hope the author had fun writing this, because it read as if he did. Unfortunately this does not have enough story in it to make it a great story, and some of the failed experiments the author try to hold it back from even being a good story. However, I had fun reading this story, and that should count for something; actually it counts for quite a bit, and this story will get five stars (out of ten).

 

 

https://twitter.com/HistoryCarper/status/606859285746851840