Sandra Bond Nominators: John D. Berry (North America), Claire Brialey (Europe), Caroline Mullan (Europe), Alison Scott (Europe), Ted White (North America).
Mikołaj Kowalewski Nominators: Marcin Kłak (Europe), Esther MacCallum-Stewart (Europe), Carolina Gómez Lagerlöf (Europe), Kat O’Steen Jones (North America), Ian Stockdale (North America).
Read the candidates’ platforms on the ballot.
The TAFF-trip goes to Pemmi-con, the 2023 NASFiC, being held July 20-23.
The Trans-Atlantic Fan Fund administrators Fia Karlsson and “Orange Mike” Lowrey have announced the candidates for the 2023 TAFF trip from Europe to North America, with itineraries expected to include Pemmi-Con, the 2023 NASFIC in Winnipeg.
The candidates are:
Sandra Bond Nominators: John D. Berry (North America), Claire Brialey (Europe), Caroline Mullan (Europe), Alison Scott (Europe), Ted White (North America).
Mikołaj Kowalewski Nominators: Marcin Kłak (Europe), Esther MacCallum-Stewart (Europe), Carolina Gómez Lagerlöf (Europe), Kat O’Steen Jones (North America), Ian Stockdale (North America).
Bonds have been posted and platforms have been received. The date voting will begin is TBA.
The 2023 TAFF (Trans-Atlantic Fan Fund) Race is now officially open for nominations.
With no Worldcon in Europe or North America in 2023, the next delegate will travel to Pemmi-con 2023, the NASFiC (North American Science Fiction Convention) in Winnipeg, Canada. It takes place on July 20–23, 2023 and is bound to be an exciting event!
Who can become a candidate?
Assuming you have the time, the wish to go, and the nominators to back you up, any European science fiction fan can volunteer to become a TAFF candidate.
For this race, you need two North American nominators, and three European nominators, who will then proceed to contact the current TAFF administrators (details below) by December 4, 2022, informing the administrators of whom they nominate for this honor.
You will also need to send an official statement of standing for TAFF to the administrators listing your nominators, plus a 101-word platform statement, and a £10/€12 bond fee sent via PayPal to [email protected].
What do you do as a TAFF delegate?
TAFF sends the chosen delegate across the Atlantic where they get to visit different fannish communities and make friends across the continent. Each trip has a target convention, which is the only pre-set destination for the trip, the rest is up to you. Afterwards, you come home and take over the European administration part of this fan fund. Delegates help raise money for the fund, for example by hosting fan fund auctions and other events, prior to, during, or (usually) after your trip.
Who can become a nominator?
Anyone in North American or European science fiction fandom who is not a current administrator. Meaning, you can’t ask either Fia or Orange Mike to nominate you. Not this time, anyway.
The nomination period will close on December 4. Voting to elect said TAFF delegate will commence five days later on December 9, 2022, and close on April 11, 2023.
Note: When counting the votes, if there are more than three candidates, we will not apply the “20% rule” until the candidates with the fewest votes have been eliminated and there are just three candidates left.
More details about TAFF can be found at David Langford’s excellent website, taff.org.uk. If you are interested in standing for the 2023 TAFF Race or would like to nominate some deserving fan, please contact Fia Karlsson, the European Administrator ([email protected]), or the North American Administrator, Michael Lowrey ([email protected]). Good luck!
Fia Karlsson, European Administrator. [email protected]. Lönngatan 44 C, 214 49 Malmö, Sweden
Michael J. Lowrey, North American Administrator. [email protected]. 1847 N 2nd Str., Milwaukee, WI 53212
Fan Fund activities at Chicon 8 brought in a total of $4,649.64 reports Geri Sullivan, a past administrator of the Trans-Atlantic Fan Fund.
Fan funds enable a well-known fan to attend a major science fiction convention in another country or region.
The Live Auction brought in $2,160 with fans bidding on flash fiction by Michael Swanwick, dill chips from TAFF delegate Fia Karlsson, a hand-beaded/hand-knit lace shawl from Esther MacCallum-Stewart, and an original poem by Jane Yolen as well as one by Jo Walton. Also going under the hammer were Tuckerizations by Mary Robinette Kowal, Cat Valente, and Steven Barnes in collaboration with Larry Niven.
OTHER ACTIVITIES
$1,432.64 Dublin/Glasgow suite (Comic & book sales, bar tips, & Tammy’s Tastings Ukraine); with thanks to CoNZealand
$ 303.00 Yard Sale
$ 584.00 Silent Auction
$ 170.00 Other donations ($2 given to Lynelle, DUFF 50th Party, Jeanne Mealy, Comic sales to Greg Ketter)
Geri Sullivan says: “Not only did we do remarkably well overall, 31% of the proceeds came from the utterly splendid support of the Dublin/Glasgow suite. A healthy but undetermined amount of that came from the sale of a box of Ben Yalow’s comics and copies of Mad Magazine from the 1960s-1980s while several hundred dollars clearly came from the tip jar and Tammy’s Tastings Ukraine cocktail event. Huge thanks to James Bacon for carrying on and expanding the support started at DisCon III, and to CoNZealand as well as Dublin and Glasgow. Those daily great big, gronking wads of money were amazing!”
The distributions to participating fan funds worked out to:
$1,132.66 Trans-Atlantic Fan Fund
$1,245.39 Down Under Fan Fund
$1,086.62 GUFF (Get Up-and-over Fan Fund or the Going Under Fan Fund)
$1,172.95 FFANZ (Fan Fund of Australia and New Zealand)
$12.02 PayPal Fees
(1) WONDERS NEVER CEASE. The 1982 Trans-Atlantic Fan Fund delegate Kevin Smith has finished his trip report: “I finally got a round tuit”. You can read it online here: “TAFF Trip”.
40 years ago, in September 1982, I went to the USA, primarily to attend Chicon IV, the World Science Fiction Convention in Chicago. The trip was paid for by TAFF, the Trans-Atlantic Fan Fund, and one of the expectations is that anyone going on a TAFF Trip should write a report about it. That’s what I’ve done, finally. You can find it under ‘TAFF Trip’ in the menu bar above.
From the “Introduction”:
What I said before I left America to come home was: “I’ll write a short trip report, but do it quickly when I get back.”
As I recall, I wrote this in my next fanzine: “It were great!”
Well, it met the ‘short’ and ‘do it quickly’ criteria, but probably failed the ‘trip report’ hurdle.
So here we are. It has taken a mere 40 years, but is quite short. What more could you ask…?
[That’s what we call a rhetorical question, in the trade. You’re not supposed to answer it. Especially not like that, it’s not nice.]
(2) SCARES IN THE REAR-VIEW MIRROR. Scares That Care announced in a press release they are discontinuing their Charity Weekend event:
Since its founding in 2006, the Scares That Care charity has raised nearly $400,000 for organizations, children, and families impacted by illness, burns, or breast cancer. We’ve achieved that thanks to the generosity of you – our Scares That Care family. Due to rising costs involved in producing a show of this type, the Board of Directors has unanimously decided to discontinue our Charity Weekend event. This will allow us to focus on our other fundraising efforts, so that we can expand our goals. While we understand that many of you will be disappointed by this news, we ask you to remember that we have never been a charity that supports a convention. Rather, the convention has always supported the charity. As such, our overall mission continues, and we invite our Scares That Care family to support our other upcoming fundraisers and events. Details on our annual Christmas Dance, AuthorCon II, and other surprises are forthcoming.
Brian Keene added in his newsletter:
…But I do want to assure people that the convention was profitable. That’s not the issue. the issue is that we are a charity, and as a charity, we need to look at costs versus profit. The economy and rising costs in everything from fuel to food is hitting all of these big multi-media conventions….
(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Richard Butner and Veronica Schanoes in-person on Wednesday, August 17 at 7:00 p.m. Eastern. Masks welcome.
Richard Butner
Richard Butner’s short fiction has appeared in Year’s Best Fantasy & Horror, been shortlisted for the Speculative Literature Foundation’s Fountain Award, and nominated for the Shirley Jackson Award. His collection The Adventuristswas published by Small Beer Press in March. He lives in North Carolina, where he runs the annual Sycamore Hill Writers’ Conference.
Veronica Schanoes
Veronica Schanoes is a writer whose debut short story collection, Burning Girls and Other Stories, appeared in paperback from Tordotcom in June. She is also an associate professor in the English department of Queens College – CUNY. In both guises, she works with fairy tales and fantasy.
Where: KGB Bar, 85 East 4th Street, New York, NY 10003. (Just off 2nd Ave, upstairs)
(4) NEWS FROM THE FRONT. In “Covers! What are They Good For?” Sarah A. Hoyt continues her Mad Genius Club series about book covers by telling us —
What covers aren’t for:
1- to be beautiful. I mean, the eye is attracted to beautiful things, so beauty helps, but is not needed.
2- to be an accurate representation of your book. Again, if your character is a slim redhead and the cover model is a zaftig brunette (who is also very pretty) no one cares. Before they read the book, the readers don’t know that. And after they read the book they might leave a review that says “I don’t know where the cover brunette came from” but that won’t stop them promoting you if they loved the book.
3- be exactly what you envisioned in your head while writing the book. Unless of course, you’re an amazing cover artist on the side, and know exactly what sells in your genre or subgenre the month your book comes out.
4- (Contra insty trolls) signaling to the world how smart and sophisticated you are. (Unless you’re selling litewawy and little because the illusion of smart and sophisticated is essential there.)
She follows that beginning with a longer list of what covers are for.
The collection Westerns of the 40s (1977) surprised me when I saw who the editor was, Damon Knight. That pillar of the Science Fiction community published the award-winning anthology series Orbit for decades. But he also did a couple of books about Pulp SF from the 1930s and 1940s. So why not some Cowboy stories from the same time period?
The bigger surprise was who he chose for that book. Not your usual W. C. Tuttle, Luke Short and Walter Tompkins stuff. Nope, Clifford D. Simak, John D. MacDonald and Murray Leinster. Three of the seven were written by Science Fiction authors. Now you can make the case for John D. MacDonald’s true fame is in the detective/suspense field. This is true, but old John D. did write Science Fiction for a spell before he quit it because it was too easy….
Conan, King Kull, Cormac, Bran Mak Morn — names that conjure magic, characters often imitated, but never duplicated. These creations of Robert E. Howard (circa 1930) started the Sword and Sorcery boom of the 1960s and early 1970s. Then there are the barbarian warriors inspired by Howard — “Clonans,” as one writer recently referred to these sword-slinging, muscle-bound characters. A fair observation, but in some cases, not so true….
(7) WRITING FOR ANIMATION. [Item by Cora Buhlert.] The For Eternia podcast has a lengthy interview with Tim Sheridan, who was one of the writers of Masters of the Universe: Revelation and also worked on a lot of other animated shows. Even if you haven’t watched the show, Sheridan has a lot of things to say about writing and storytelling.
Image Comics turns 30 this year and we’re ready to celebrate! This bundle is all about Image in the 2000s, including the debuts of well-loved series like Invincible Volume 1: Family Matters, The Walking Dead Volume 1: Days Gone By, and Fear Agent: Final Edition Volume 1! On top of the new heroes, villains, and sagas the decade brought, this bundle also includes the continuing adventures of fan-favorite Image characters Spawn,The Darkness, and Savage Dragon. Grab this bundle and help support BINC (Book Industry Charitable Foundation)!
Daniel Dern comments on the deal: “At this price (range), if you have any interest in these Image titles — or even want to see if you’re interested — it’s a hard bargain to resist.
“(Note, I only recently discovered Eric Larsen’s Savage Dragon. They are great! A mix of whacky plots, text/character/art references to Marvel, DC and other bits, and more. (Caution: Lots of violence, sex, gore and bad science. If you want to start ’em from the beginning, Hoopla has them — the Archives editions have more per borrow (~25 issues each), but, IIRC, are in black-and-white, it’s possible (I haven’t checked) that the fewer-paged non-Archives are in color.)”
(9) RAYMOND BRIGGS (1934-2022). [Item by Cora Buhlert.] Writer and illustrator Raymond Briggs died August 9 aged 88. He is best known for The Snowman (which is genre, because it features a magical flying snowman), but a lot of his other work such as Fungus the Bogeyman is genre as well. He also wrote and drew the terribly depressing nuclear war graphic novel (also filmed) Where the Wind Blows, where a nice elderly British couple dies slowly of radiation poisoning in spite of attempting to follow the official UK government civil defense guidelines.
2008 – [By Cat Eldridge.] Fourteen years ago on this day, the animated Star Wars: The Clone Wars premiered. It is the first fully animated film in the Star Wars franchise and takes place shortly after Episode II – Attack of the Clones, at the start of the Clone Wars.
Ok let me note that I was in the minority of individuals that really liked it. I liked the voice acting and thought the story was quite excellent. Yes, the animation was odd, but Lucas has the right to do what he wants as it’s his damn universe, not ours, something’s fans seem to keep forgetting.
It received largely hostile, and I mean hostile reviews mainly due to both the story here and the animation style which offended, well, almost everyone. Now that’s out of the way let’s look at it.
It was written by Henry Gilroy, Steven Melching and Scott Murphy. Keep the first writer in mind as he will go to be the writer on oh-so-stellar Star Wars: The Clone Wars which will run for seven series and over one hundred and thirty episodes.
The voice talent was second to none: Matt Lanter, Ashley Eckstein, James Arnold Taylor, Dee Bradley Baker, Ian Abercrombie, Catherine Taber, Christopher Lee, Samuel L. Jackson and Anthony Daniels. Many of these will carry over into the later series. Tom Kane is the narrator here as he is in later series.
So why the hostile reaction? The style is an homage to the stylized looks of both Japanese anime and manga, something fans and critics alike weren’t expecting. Roger Ebert in his review said, “the characters have hair that looks molded from Play-Doh, bodies that seem arthritic, and moving lips on half-frozen faces—all signs that shortcuts were taken in the animation work.”
Curiously the New York Post in its review lauded the original Star Wars film for its depth of character development (huh?) saying of this film, “Director Dave Filoni is so concentrated on the action that we’re never given the chance to care who lives and who is blown into spare parts.”
Also curious is the claim that Star Wars: The Clone Wars did very poorly at the box office. Yes, compared to the live action films in the franchise it was a disaster, but animated features generally never do as well as live action films. (Spider-Man: Into the Spider-Verse is the very rare exception.) It cost eight million to make and made sixty-three million in its first run, not bad at all. It obviously put a lot of asses in the seats that autumn.
Audience reviewers at Rotten Tomatoes currently give a middling forty percent. What I must note is Lucas had in mind all along a Star Wars: The Clone Wars series which debuted in October of that year. That series holds a ninety-three percent rating over there.
Oh, and the animation style for that series is the same. Just saying.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 10, 1896 — John Gloag. His first SF novel, Tomorrow’s Yesterday, depicts a race of cat people from the distant future observing human society. It was one of five SF novels and a double handful of short stories he wrote in the Thirties and Forties. (Died 1981.)
Born August 10, 1902 — Curt Siodmak. He is known for his work in horror and sf films such as The Wolf Man and Donovan’s Brain. The latter was made from his own novel and ISFDB notes it was part of the Dr. Patrick Cory series. He wrote quite a few other genre novels as well. Donovan’s Brain and just a few other works are available in digital form. (Died 2000.)
Born August 10, 1903 — Ward Moore. Author of Bring the Jubilee which everyone knows about as it’s often added to that mythical genre canon, and several more that I’m fairly sure almost no one knows of. More interestingly to me was that he was a keen writer of recipes. ISFDB documents that four of his appeared in Anne McCaffrey’s Cooking Out of This World: “Kidneys — Like Father Used to Make” and “Pea Soup — Potage Ste. Germaine“ being two of them. (Died 1978.)
Born August 10, 1913 — Noah Beery Jr. Genre-wise, he’s best remembered as Maj. William Corrigan on the Fifties classic SF film Rocketship X-M, but he showed up in other genre undertakings as well such as 7 Faces of Dr. Lao, The Six Million Dollar Man, Fantasy Island, Beyond Witch Mountain, The Ghost of Cypress Swamp and The Cat Creeps. I think he appeared in one of the earliest Zorro films made where he’s credited just as a boy, he’d be seven then, The Mark of Zorro which had Douglas Fairbanks Sr. and his father, Noah Beery Sr. (Died 1994.)
Born August 10, 1952 — David C. Smith, 70. He is best known for his fantasy novels, particularly those co-authored with Richard L. Tierney, featuring characters created by Robert E. Howard. Most notable are the six novels which involved Red Sonja. Those novels are available on Apple Books but not on Kindle.
Born August 10, 1955 — Tom Kidd, 67. Genre illustrator, he’s won an impressive seven Chelsey Awards. Though he didn’t win a Hugo for Best Professional Artist, he was nominated at Aussiecon Two, Nolacon, Conspiracy ‘87 and ConFiction. Since I’m fond of this Poul Anderson series, I’m giving you his cover for Maurai & Kith.
Born August 10, 1955 — Eddie Campbell, 67. Best known as the illustrator and publisher of From Hell (written by Alan Moore) which is, errr, interesting and won an IHG Award, and Bacchus, a series about the few Greek gods who have made to our time. Though not genre, I highly recommend The Black Diamond Detective Agency which he did. It’s adaptation of an as-yet unmade screenplay by C. Gaby Mitchell.
Born August 10, 1965 — Claudia Christian, 57. Best-known role is Commander Susan Ivanova on Babylon 5. She has done other genre roles such as being Brenda Lee Van Buren in The Hidden, Katherine Shelley in Lancelot: Guardian of Time, Quinn in Arena, Lucy in The Haunting of Hell House and Kate Dematti in Meteor Apocalypse. She’s had one-offs on Space Rangers, Highlander, Quantum Leap, Relic Hunter and Grimm. She’s Captain Belinda Blowhard on Starhyke, a six-episode series shot in ‘05 you can watch on Amazon Prime.
(12) WONG TO PEN DEADPOOL. Alyssa Wong and Martin Coccolo launch Deadpool’s next era in November.
Deadpool’s new ongoing series will be written by Alyssa Wong, known for her acclaimed work on thrilling books like Star Wars: Doctor Aphra and Iron Fist, and drawn by Martin Coccolo, the artist currently wowing readers in the action-packed Hulk vs. Thor: Banner of War crossover. The two rising Marvel stars will take out their pent up aggression on everyone’s pizza-faced, jabber-mouthed, misguided, hate-to-love, love-to-hate fave in new Deadpool adventures loaded with riotous violence and relentless body horror. Deadpool’s latest solo exploits will kick off with a bang as a new mercenary group sends Deadpool on one of his most dangerous missions, an intoxicating villain unleashes a twisted plan on Wade’s body with horrifying side effects, and a hot new romance arrives on the scene to drive Wade crazy!
The world knows Wade Wilson is one of the top mercenary/assassins in the Marvel Universe, even if he is simultaneously the most annoying one…but he’s pushing to make that recognition official as he auditions for the elite group known as the Atelier. Now, he has 48 hours to kill one of the world’s most famous supervillains. Only problem? He’s been kidnapped, and something…strange…is GROWING INSIDE HIM.
“I love chaos. And what is Deadpool if not chaos incarnate? I’m honored to take the reins for Wade’s next solo adventure–expect romance, expect body horror, and expect a wild time!” Wong promises….
(14) ARTIFICIAL BURRITO INTELLIGENCE. Midjourney creates a portrait of John Scalzi. Then Chuck Wendig gets it to answer the question “What if you are what you eat?”
(15) CATCH THE WAVE. [Item by Martin Morse Wooster.] Jason Momoa talks about his roles in fantasy movies, including an explanation about why the 2011 Conan The Barbarian was awful, and reveals that Denis Villeneuve would like to adapt Dune Messiah into a third Dune movie in the British GQ article “Jason Momoa, Aquaman and real life superhero, is on a quest to save the ocean”.
Jason Momoa doesn’t exactly love that he keeps dying, if you really want to get into it. “My kids are always like, ‘Are you gonna die again? You always die,” he says, a little forlornly. “I obviously made a name for myself dying so if you see me it’s like, ‘Momoa’s gonna jump on the bomb, I know it!’”
Thus far he has been shot in the head, blown up, smothered, died by suicide, had his throat slashed, and been stabbed in both the stomach and the chest. It was watching his most recent death, in Denis Villeneuve’s sci-fi spectacular Dune with his 12-year-old son, that really got to him. “It was pretty heart wrenching, cause I was like, ‘I’m right here buddy!’ But he was like, ‘Papa nooooooooo,’ he recalls, howling like a dog at the moon. “I said: ‘Listen dude: if you’re gonna go out, go out big.’”
Which might make it sound as though the Aquaman actor is a mere mortal, but if you saw Jason Momoa walking down the street (and not, say, emerging from the ocean with a trident in his hand, and the promise of avenging his sea queen mother glinting in his eye) you might still wonder if this towering man didn’t arrive on dry land using a branch of coral as a surfboard, having caught a wave from a kingdom far more exciting than anywhere on planet earth….
(16) PRIME TARGET. Cyber warfare is unleashed in The Enigma Factor, first in the twelve-book Enigma Series by Charles Breakfield and Rox Burkey.
A brilliant programmer is targeted by cyber predators! Jacob Michaels, computer network security-tester extraordinaire, tries to settle into a quiet life of work to polish his cyber security skills after the death of his mother. Jacob is unaware that his growing reputation makes him a person of interest. Cyber-criminals are hunting for new recruits. They target this brilliant programmer to seduce him into joining their cause. More people are hunting him than just the Russian cyber kingpin. Jacob sets off to find those who are targeting him. He discovers he’s in the crosshairs of previously unknown global experts. Of course, having his identity erased puts him front and center above anything else.
Buzz, when looking for the easy way, makes a ghastly judgement error and inadvertently crosses the line to the darknet. He pleads to his best friend Jacob for help. Jacob, brilliant as he is, doesn’t have enough experience to help Buzz on his own. Jacob battles against global cyber masterminds using his knowledge of programming, identity theft, and hacking. He is pulled up short when his security knowledge is dwarfed following his introduction to the distractingly beautiful encryptionist Petra. Jacob’s challenge is how to keep ahead of the criminals and learn who to trust. In their debut TechnoThriller, The Enigma Factor, award-winning authors Breakfield and Burkey weave a complex tale of danger, intrigue, and international cyber combat. They use a relevant technology foundation, then layer on travel, romance, humor and mystery. Like rust, the cat and mouse game of the new cyber warfare age never sleeps.
The book is published by ICABOD Press and is available worldwide across all platforms including from Amazon.com, Amazon.ca, and as an audiobook.
Charles Breakfield is a technology expert in security, networking, voice, and anything digital. Rox Burkey is a technology professional who excels at optimizing technology and business investments. Together these Texas authors create award-winning stories that resonate with males and females, as well as young and experienced adults.
Chinese astronomers aim to peer for the first time into the cosmic “dark ages,” an unexplored era about 200 million years after the Big Bang, by using the Moon as a shield to block out noisy radio signals caused by human activity on Earth, reports the South China Morning Post.
The Discovering the Sky at the Longest Wavelength (DSL) mission envisions sending a fleet of satellites to the Moon that could capture ultralong radio waves made by hydrogen atoms in the darkness before cosmic dawn, when the first stars were born bursting with radiant light….
Called the Lunar Crater Radio Telescope (LCRT), the proposal is the brainchild of Saptarshi Bandyopadhyay, a robotics technologist at NASA’s Jet Propulsion Laboratory. On Tuesday, LCRT was selected for initial “Phase 1” funding ($125,000) by NASA Innovative Advanced Concepts (NIAC) program, which aims to explore advanced, far-future technologies.
LCRT is still in “very early stages of development,” said Bandyopadhyay in an email, noting that “the objective of Phase 1 is to study the feasibility of the LCRT concept.”
“[W]e will mostly be focusing on the mechanical design of LCRT, searching for suitable craters on the Moon, and comparing the performance of LCRT against other ideas that have been proposed in the literature,” he added.
Bandyopadhyay envisions building the LCRT in a crater that measures about three to five kilometers (two to three miles) in diameter. The telescope’s wire-mesh scaffolding could be delivered and erected by wall-climbing robots, such as NASA’s DuAxel rovers, which would be capable of scaling the vertical slopes of the crater…
…“LCRT could enable tremendous scientific discoveries in the field of cosmology by observing the early universe in the 10–50m wavelength band (i.e., 6–30MHz frequency band), which has not been explored by humans to date.”
In particular, the telescope could shed new light on the mysterious processes that occurred more than 13 billion years ago, as the first stars in the universe were being born, according to a 2018 paper led by Bandyopadhyay. It could also examine fine details about exoplanets that orbit other stars….
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Mario Strikers: Battle League,” the Screen Junkies say that this newest edition of the Mario franchise you can have your favorite Mario characters fight each other in a battle royale that’s vaguely like soccer except people actually score goals and you can drop kick your opponents into a giant banana. “This is a fun family game to play together,” the narrator says, “which will naturally lead to you cussing out your friends and family while you’re in front of the TV.”
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Camestros Felapton.]
(1) WSFS BUSINESS MEETING AGENDA UPDATE. Chicon 8 has released an expanded Business Meeting agenda — 2022-WSFS-Agenda as of 20220807. One of the many items added since the first draft came out in July is a motion to create a Best Game or Interactive Work Hugo.
(2) NEVALA-LEE’S LATEST. Pradeep Niroula deconstructs the figure at the center of Alec Nevala-Lee’s Inventor of the Future: The Visionary Life of Buckminster Fuller, who “became a counterculture icon while entrenched in the very things that betrayed its spirit” in “The Making of a Prophet” for LA Review of Books.
HOW DO YOU write a biography of a man who lived like a demigod? A man for whom the vocabulary and syntax of the English language was so inadequate that he had to invent words, including “synergy,” “ephemeralization,” and “livingry” (a spiritual antithesis to weaponry, which, of course, leads to “killingry”), to articulate his ideas. A man who wore three wristwatches set to three different time zones to organize his day and who angrily banged his fists if you dared ask him for his address (“Young man, I live on Planet Earth!”). A man who believed that it fell to him to save the planet….
Why should SFF fans in general and Hugo voters in particular read this book?
In short, it’s a history of fandom as a community — not just the capital F literary traditions/community, but of the wider history of fandom and how it’s evolved and changed over the decades.
This was a particularly fascinating thing to watch as I interviewed folks or pored over documents from Fanac.org: how did the act of costuming become an institution within the worldcon scene, and how did it grow out and fracture as fandom expanded and Balkanized as science fiction and fantasy entertainment began to take over movie theaters, television sets, and video game consoles? It’s a really fascinating evolution, and one that I think is well worth paying attention to, culturally.
It’s a high-level overview of the larger fan world, one that touches on a bunch of these various tribes. I wanted to make sure that it was approachable to folks who have been fans for decades, long-time costumers/cosplayers/makers, and to folks who were just casual fans or who wanted to learn a little more. Hopefully, it’s a good entry point to understand the larger cosplay — and fan — world.
(4) FROM ORION TO APOLLO. The Compact Ella Parkeris the latest addition to the Trans-Atlantic Fan Fund’s library of free downloads. And if you enjoy the book, a donation to TAFF is a fine way to express your appreciation:
Ella Parker was a prominent, London-based British fan of the 1950s and 1960s who published the highly regarded fanzine Orion from 1958 to 1962 and the later Compact in 1963-1964. Which should explain the ebook title The Compact Ella Parker. She was a founder member of the Science Fiction Club of London and of the British Science Fiction Association.
As a follow-up to his presentation of her 1961 North American trip report with third-party fannish commentary as The Harpy Stateside (2021), Rob Hansen has compiled this selection of Ella Parker’s other fan writing both before and after the famous excursion. As he writes in his Foreword, “I wasn’t sure that Ella – never the most prolific of fanwriters – had written enough to warrant such a volume but, happily, I was wrong. Taken together, the pieces she produced are the best account that we have of London fandom as it was in the first half of the 1960s. They also offer an interesting look into the larger fannish politics and convention issues of that period.” As a bonus there’s a long report, crammed with sense of wonder, of her attendance at the launch of Apollo 16 in 1972.
Sword-and-sorcery continues to show stirrings, and life. Outlets like Tales from the Magician’s Skull, DMR Books, new projects like Whetstone, New Edge, etc., are publishing new authors and new stories that embrace its old forms and conventions. Obviously the genre ain’t what it used to be circa 1970, but who knows what the future may hold for us aging diehards.
I speculate on some of the reasons why S&S died off in Flame and Crimson (which, by the way, just surpassed 100 ratings on Amazon—thank you to everyone who took the time to rate or review the book, as these help with visibility in some arcane, Amazon protected manner). I won’t rehash them all here, they are available in the book.
What I haven’t written as much about is why Grimdark filled the void, what makes that genre popular with modern readers, and what we might have to learn from this transition.
First, I am of the opinion that Grimdark is the spiritual successor to S&S. One of them, at least. I agree with the main thrust of this article by John Fultz. S&S has many spiritual successors, from heavy metal bands to video games to Dungeons and Dragons. But in terms of literature, the works of Richard Morgan, Joe Abercrombie, and George R.R. Martin, bear some of the hallmarks of S&S, while also being something markedly different….
(7) ROLAND J. GREEN (1944-2021). Author Roland J. Green died on April 20, 2021. File 770 just became aware of his passing. Green wrote many books under his own name, and 28 books in the Richard Blade series published under the pen name “Jeffrey Lord.”
His first novel, Wandor’s Ride, was a sword & sorcery tale published in 1973
His alternate history short story “The King of Poland’s Foot Cavalry” from Alternate Tyrants was a Sidewise Award nominee in 1998.
…Roland became an established science fiction/fantasy writer after his first novel was published in 1973, writing more than 60 works in his 30+ year writing career.
He was involved in historical re-enactments and could brilliantly spout off historical trivia. He enjoyed reading (favoring maritime history), drawing, and a good pun. When working or during leisure time you could always find one of his cats curled up next to him. Most of all he cherished and loved being a family man….
He is survived by his wife, Freida, a daughter, and a grandchild.
(8) MEDIA BIRTHDAY.
1981 – [By Cat Eldridge.] Forty-two years ago on a very hot summer day not dissimilar to this one, I saw the Heavy Metal film which premiered today. I was familiar with the Heavy Metal magazine being an on-and-off reader of it. The illustrations were quite good and occasionally the stories were brilliant as well.
The film was directed by Gerald Potterton who previously done animation on Yellow Submarine which was nominated for a Hugo at St. Louiscon. (Now there’s a film I hadn’t thought of as being genre.)
As it was an anthology, a lot of folk were responsible for the source material: there was original art and stories by Richard Corben, Angus McKie, Dan O’Bannon (doesn’t he show up in the most interesting places?), Thomas Warkentin and Bernie Wrightson.
It was produced by Ivan Reitman, known for his comedy work such as Stripes which I really liked and Ghostbusters II which I thought wasn’t nearly as good as the first film was, and Leonard Mogel who, well did pretty much this and nothing else. The screenplay was written by Daniel Goldberg, who also wrote the Stripes screenplay and Len Blum, who did the same.
It had a big voice cast which frankly I don’t recognize outside of John Candy and Harold Ramis.
I’m not going to discuss the film itself as it has far too many stories to do so, nor will I talk about the more controversial aspects of it in the form of the nudity, sex, and graphic violence, though the critics below will. I liked some of it but thought most of it was just badly done. I certainly haven’t had any reason to go see it again. There was a sequel, Heavy Metal 2000, which I’ve no desire to see.
The reception among critics at the time was, to say the least, was mixed. Gene Siskel of the Chicago Tribune really liked it but criticized it for being sexist and overly violent. And Sheila Benson of the Los Angeles Times condemned it for its explicit sadism. Reading through the reviews, a common note was that they thought the animation was really poor. And almost everyone criticized it for being overly sexist and way too violent.
It probably broke even as it cost very little to make, nine million, and made twenty million. It has, as many a site notes, a cult following now.
Audience reviewers at Rotten Tomatoes currently give it a rather excellent sixty-seven percent rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 7, 1884 — Billie Burke. This Birthday is new this year as she popped up on a list I subscribe to. Her best remembered role was as the Glinda the Good Witch of the North in oh-so-stellar The Wizard of Oz. But she did have some other genre roles. She is also remembered for her appearances in the Topper film series as Clara Topper, not altogether a favorable role but memorable none the less. She also starred in a version of “Dr. Heidegger’s Experiment” about a search for the Fountain of Youth on the TV’s Lights Out. (Died 1970.)
Born August 7, 1918 — Jane Adams. Actress who showed in the Forties Batman and Robin film as Vickie Vale, Girl Reporter. (That’s how she’s listed at the time.) Other genre credits were House of Dracula, Tarzan’s Magic Fountain, Master Minds (eat too much sugar and you can see the future — it was sponsored by a cereal company) and the Adventures of Superman series. (Died 2014.)
Born August 7, 1944 — John Glover, 78. He’s got a wealth of genre roles, so I’m going to be highly selective. (Go ahead and complain.) He was Brice Cummings in the Bill Murray fronted Scrooged, and he voiced a great Edward Nygma who was The Riddler in Batman: The Animated Series, in Brimstone, he was both The Devil and The Angel, and he was Daniel Clamp in the second Gremlins film.
Born August 7, 1933 — Jerry Pournelle. Some years ago, I got an email from a J. R. Pournelle about some SF novel they wanted Green Man to review. I of course thought it was that Pournelle. No, it was his daughter, Jennifer. And that’s how I came to find out there was a third Motie novel called, errrr, Moties. It’s much better than The Gripping Hand was. His best novel is of course The Mote in God’s Eye which he wrote with with Niven. And yes, I’ve read a lot of his military space opera when I was a lot younger. At that age, I liked it. I expect the Suck Fairy with her steel toe boots wouldn’t be kind to it now if I read any of it, so I won’t. I see though he hasn’t won any Hugos, that he has a number of nominations starting at Torcon II for “The Mercenary” novella followed by a nomination at DisCon II for his “ He Fell into a Dark Hole” novelette. The next year at the first Aussiecon, The Mote in God’s Eye got nominated and his Extreme Prejudice novel also got a nod. MidAmericaCon saw Inferno by him and Niven get nominated and his “Tinker” novelette also was on the ballot. Lucifer’s Hammer with Niven got on the ballot at IgunaCon II and his final nomination was at ConFederation for Footfall with Niven. Oh and at MidAmericaCon II, he got a nomination for Best Editor, Short Form. And yes, I was a devoted reader of his Byte column. (Died 2017.)
Born August 7, 1957 — Paul Dini, 65. First, he is largely responsible for the existence of Batman: The Animated Series, Superman: The Animated Series, The New Batman/Superman Adventures, Batman Beyond, and yes Duck Dodgers And Tiny Toons as well. He’s recently been writing for the Ultimate Spider-Man series which is quite good. He co-authored with Pat Cadigan, Harley Quinn: Mad Love. He’s responsible for the single best animated Batman film, Batman Beyond: Return of the Joker, as he wrote it. If you see it, see the R rated version.
Born August 7, 1957 — Lis Carey, 65. A prolific reader whose reviews fill the shelves at Lis Carey’s Library. She is also a frequent Filer, contributor of numerous cat photos and even more book reviews. She is a longtime member of NESFA, and chaired Boskone 46 in 2009. (OGH)
Born August 7, 1960 — Melissa Scott, 62. I think the first work I read by her was Trouble and Her Friends which holds up well even now. I’m also fond of Night Sky Mine and The Jazz. I see that she has an entire series set in the Stargate Atlantis universe. She won the Astounding Award for Best New Writer, and four Lambda Awards, the first for Trouble and Her Friends, a second for Shadow Man, a third for Point of Dreams and a fourth for Death by Silver.
Eighth Tower is proud to reprint the rare and long time out of stock compilation “Nyarlathotep – A Tribute To Howard Phillips Lovecraft”, originally released in 1997 by the label KADATH. With this remastered release Eighth Tower brings to light a jewel of the Portuguese post-industrial tape culture, featuring some of the most interesting projects from the late 90’s Portuguese, Italian and French underground.
(11) D&D&B. Chris Barkley passed this along with a comment that “This is fandom at its BEST.” Thread starts here.
But my character was really a sorcery-using spy for a rival kingdom, and the baby was really my cat familiar in disguise. They even wrote some custom abilities so that when I *appeared* to pause play to nurse or change a diaper, I was really receiving secret information. 2/3 pic.twitter.com/cWobaeM8vd
The latest stage of the Smithsonian National Air and Space Museum’s renovations may have the museum temporarily closed, but Trekkies will have something to look forward to when it reopens on October 14: The Enterprise studio model used in Star Trek: The Original Series. The Museum is reintroducing the popular display as a part of its reopening later in the fall, unveiling 8 new galleries in the transformed space….
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Steven H Silver, Cora Buhlert, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Dominey.]
It’s a cliché to say that we live in science fictional times. But recently it’s felt like we’re living in every science fictional time simultaneously. The world’s richest man decides to purchase a global communications platform on a whim, then decides to back out on a whim. Climate change heat waves lead governments to patrol borders with robot dogs. Meanwhile, a global pandemic rages on, new dystopian technologies are unveiled every day, and the wealthy work on their plans to escape into space. When a scroll through the news reveals a dozen dystopian scenarios—and the daily tasks of work, life, and family trudge on—what’s a novelist who hopes to capture our reality to do?
Maybe novels must do everything too.
In the last couple of years, there’s been a wave of ambitious genre-bending novels whose wide scopes and wild imaginings reflect the surreal state of our times. I’ve come to think of the form as “the speculative epic.” “Speculative” is used here as an umbrella term for science fiction, fantasy, magical realism, and other fictional modes that imagine worlds different from ours. Examples of these speculative epics from the last two years include Emily St. John Mandel’s Sea of Tranquility, Matt Bell’s Appleseed, Anthony Doerr’s Cloud Cuckoo Land, Sequoia Nagamatsu’s How High We Go in the Dark, Monica Byrne’s The Actual Star, Vauhini Vara’s The Immortal King Rao, Hanya Yanagihara’s To Paradise, and Kim Stanley Robinson’s The Ministry for the Future. These novels vary in style and range from breakout debuts to works from established masters, but they all share an epic scope and the use of speculative premises to tackle the biggest concerns of our day….
(3) TAFF SELLING TWO CHICON 8 MEMBERSHIPS. [Item by Michael J. “Orange Mike” Lowrey.) The Trans-Atlantic Fan Fund has received a generous donation of two Chicon 8 (2022 Worldcon) attending memberships, Hugo voting and site selection rights intact, from two members who sadly cannot attend.
If you are interested in buying one or both of these, please contact the TAFF administrators, Johan Anglemark ([email protected]) and Michael J. Lowrey ([email protected]) for further instructions. The price asked is $150 per membership.
(4) FAST TIMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses the gaming subculture of “speedrunning” or going through a game as quickly as possible. The speed record for The Elden Ring is 21 minutes.
Speedrunners often specialise in classic game series–Doom, Mario, Zelda–and certain new titles, such as platformer Celeste, have become popular and there is even a community dedicated to lengthy Japanese role-playing games. The ingenuity of these players is remarkable–community members have specific roles such as ‘routers,’ who pore over a game to work out the optimal sequence of actions to get the fastest time, or ‘glitch-hunters,’ who look for flaws in the game’s code which can be exploited to gain seconds.
In new release Lego Star Wars: The Skywalker Saga, a speedrunner realised that child characters cannot be killed, so if you hit one upwards and continually slash them with your lightsabre, you can fly infinitely through the air, bypassing all manner of obstacles. This technique has been dubbed ‘child flight.’
(5) TUNE INTO HORROR. [Item by Jonathan Cowie.] English Rose is a new, five-part, fantastical horror on BBC Radio 4 and BBC Sounds.
It is a #MeToo take on a traditional fantasy horror genre of which I don’t want to say more lest it counts as a spoiler. Risking this last, our protagonist – 18 year-old Rose – leaves Whitby to go to New York to be a nanny for a very wealthy couple. Episode 1: The Call of the Wild sees us realize that Rose is leaving behind a family and suggests that she did something that has caused her family to fear being hunted. There is also more than a suggestion that she is on a mission and has a target… Enough said. The radio play is by the novelist and playwright Helen Cross.
The special effects for this radio drama rely on the best technology: the human brain.
(6) FANS GATHER IN LONDON. [Item by Jonathan Cowie.] The Northumberland Heath SF group had its 2nd Thursday of the month meeting this week in southeast London.
Somewhat slightly depleted due to a few members away on holiday but in the mix is the daughter of a former Worldcon fan GoH Vince Clarke (see picture).
The group resumed its monthly meets in the spring following a winter CoVID lockdown.
All fans in London’s Bexley borough or on the 89 and 229 bus routes are most welcome. Details here and Facebook page here.
Apologies – the pic is a smartphone mosaic. (Not mine – don’t use smart phones – sustainability, rare earth metals etc)
(7) HERBERT W. FRANKE (1927-2022). Austrian scientist, artist, and SF writer Herbert W. Franke died July 16 at the age of 95. A major science fiction writer in the German language, he was a guest of honor at the 1970 Worldcon. He also was a computer graphics pioneer. His wife Susanne announced his death on Twitter, which he had just joined in March.
His fiction won the Deutscher Science Fiction Preis for Best Novel in 1985 and 1991, and the Kurd Lasswitz prize for sff in 1985, 1986, and 2007. The European Science Fiction Society named him “European Grand Master of Science Fiction” in 2016.
Herbert loved to call himself the dinosaur of computer art.
I am, Susanne, devastated to announce that our beloved dinosaur has left the earth.
He passed away knowing there is a community of artists and art enthusiasts deeply caring about his art and legacy. pic.twitter.com/iTGzrkmmui
1987 – [By Cat Eldridge.] “True enough,” Willy said with a rueful quirk of an eyebrow. “All right. There are certain days associated with magic. Halloween, May Eve, the solstices and equinoxes, a few others. Some are more favorable to one Court than the other. The next big event is Midsummer’s Eve, which is a good one for the Seelie Court. The Eve itself is a truce period. But the Sidhe would like to hold off and fight soon after that, when we’re still strong.” — Willy to Eddi
Emma Bull’s War for The Oaks was published in paperback by Ace Books thirty-five years ago this month. And then that publisher promptly tied up the rights so that it would be fourteen years before Tor Books could release another edition. Yeah Emma wasn’t happy.
SPOILERS ABOUND!
I’ve read it at least a half dozen times, usually in the summer. I’m reasonably sure it was one of a handful of books that I took overseas with me.
I love Eddi McCandry, a musician who dumps her quite nasty boyfriend and in the process of doing that finds herself chosen to be the agent of Good in the fight between the two sides of the Fey.
Everything here is spot-on including the shapeshifter who’s chosen to protect Eddi and falls in love with her. For her first novel, Emma does am exceedingly great job of writing the characters here so that each is a true individual. Seelie, unseelie and just plain human characters all seem real.
The story here is that a concert at Midsummer’s Eve will determine if the Seelie or Unseelie Court will hold sway for the next six months. The same premise was used in Gael Baudino’s rather stellar Gossamer Axe.
Now it won’t surprise you, and yes this is why I said there would be spoilers, that Eddi McCandry and her band of human and seelie musicians will triumph and Good will sway for now.
END OF SPOILERS!
Fourteen years after Ace tied the rights to the novels up in, well, I can’t use the language I’d like to use, Tor published it in a nifty trade paper. Now they almost published it in a hardcover edition as well though that hardcover did come out as an Orb / SFBC edition.
I have two signed editions here, one hardcover and one softcover. One was signed just after she broke both her forearms at a RenFaire (water and catching yourself don’t mix) and is quite shaky, the other from much later on is quite better.
They made a trailer of this novel. Yes they did. Will Shetterly decided not to run for Governor and spent the money here instead. Or so he tells me. Emma plays the Seelie Queen. And the music is by Boiled in Lead. See how many members of Minnesota fandom that you spot.
You can watch it here courtesy of Green Man who has exclusive online rights.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 16, 1876 — David Lindsay. Best remembered for A Voyage to Arcturus which C.S. Lewis has acknowledged was a great influence on Out of the Silent Planet, Perelandra, and That Hideous Strength. His other genre works were fantasies including The Haunted Woman and The Witch. A Voyage to Arcturus is available from the usual suspects for free. And weirdly it’s available in seven audio narratives. Huh. Seven? (Died 1945.)
Born July 16, 1882 — Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in “The Deadly Years” episode. Other genre appearances included Curse of the Faceless Man, The Twilight Zone, Frankenstein’s Daughter, The Munsters, House of the Damned, The Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.)
Born July 16, 1928 — Robert Sheckley. I knew that his short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based off his Immortality, Inc. novel. I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) being my favorite work by him. Sheckley is very well stocked on the usual suspects. He had two Hugo nominations, at NYCon II (1956) for his “Spy Story” short story, and at Detention (1959) for his Time Killer novel. His Seventh Victim novel was nominated for a Hugo at the 1954 Retro Hugos at Noreascon 4. (Died 2005.)
Born July 16, 1929 — Sheri Tepper. I think I’m going to single out her Marianne Trilogy (Marianne, The Magus and The Manticore; Marianne, the Madam and the Momentary Gods; Marianne, the Matchbox and the Malachite Mouse) as her best work. Both the setting and the characters are unique, the story fascinating. She got the World Fantasy Award for Lifetime Achievement. (Died 2016.)
Born July 16, 1943 — Steve Stiles. Fan artist who was nominated way too many times for Best Fan Artist to list here. He did win once at MidAmeriCon II (2016). I can’t begin to list everything he’s done, so I’m sending you to Mike’s eulogy here. (Died 2020.)
Born July 16, 1951 — Esther Friesner, 71. She’s won the Nebula Awards for Best Short Story twice with “Death and the Librarian” and “A Birthday”. I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. NESFA presented her with the Edward E. Smith Memorial Award for Imaginative Fiction (“Skylark”) in 1994, a lifetime achievement award. She’s very well stocked at the usual suspects. L.A. Con III (1996) saw her nominated for a short story Hugo for “A Birthday” and she was Toastmaster at Millennium Philcon (2001).
Born July 16, 1963 — Phoebe Cates, 59. Ok, so her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. Yes I’ll admit that they’re two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon them what-so-ever. Update: I’ve discovered since I last noted her Birthday that she was in Drop Dead Fred, a dark fantasy. She also stopped acting seven years ago.
Born July 16, 1966 — Scott Derrickson, 56. Director and Writer of Doctor Strange who also had a hand in The Day the Earth Stood Still (as Director), The Exorcism of Emily Rose (Director and Writer), Urban Legends: Final Cut (Director and Producer) and the forthcoming Labyrinth sequel (Director and Writer). His latest film is the supernatural horror The Black Phone based on the short story by Joe Hill.
The nonprofit publisher Library of America has released almost two hundred seventy volumes of classic American writing. Its black dust jackets with an image of the author and a simple red, white, and blue stripe running below the author’s name, rendered in a fountain-pen-like hand, help give the clothbound volumes a timeless feel, as if copies might have been found in F. Scott Fitzgerald’s dorm room or Henry James’s steamer trunk. But the series is nowhere near that old. It began publication in 1982.It did, however, take a long time to become a reality.
Jason Epstein remembers the day he joined Edmund Wilson at the bar of the Princeton Club, in New York City, where, in the presence of numerous martinis, Wilson said exactly what he wanted the publishing industry to do: bring out a series of books that would be small enough to fit in the pocket of his raincoat and be filled with classic American writing.
(11) KNIGHTWHO? [Item by Francis Hamit.] Knightscope. Yeah, they look like Daleks. Sheer coincidence. Bill Li had never heard of Daleks when he started the company. A Knightscope robot is a supplement not a replacement for a human guard but does have some pretty neat features that humans can’t replicate such a license plate reading, 360-degree vision and other sensors.
Augment your existing security program at a fraction of the average rate for one 24-hour security post. Our Autonomous Security Robots (ASRs) are Made in the USA – Designed and Built in Silicon Valley by Knightscope – and offer security patrols as well as a physical presence that deliver real-time, actionable intelligence anytime and anywhere, giving you and your security team the ability to detect and react faster.
The Pokémon Company and Toyohashi Museum of Natural History have made it possible to see the Pokémon Fossil Museum without being anywhere near Japan. Pokémon fans can now take a virtual tour around the exhibit — which is open until November — to see the collection of real and Pokémon fossils, from a tyrannosaurus to a Tyrantrum.
Designed to teach children about fossils and dinosaurs, the exhibit includes models of Pokémon side-by-side with fossilised versions and information panels to educate amid the fun.
… Ancient Pokémon obtained through fossils have always existed in the games and anime, and just like the normal pocket monsters (Pikachu being the mouse Pokémon), they’re based on species in the real world.
(13) LIGHTS! CAMERA! TENTACLES! Apparently this genre-inspired ad campaign for a brand of rum ran several years ago. But it’s news to me! “Kraken Rum Bus” from Oink Creative.
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Bill Higgins, SF Concatenation’s Jonathan Cowie, Francis Hamit, Michael J. Lowrey, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
…Kim Stanley Robinson, who described himself as a science fiction writer, asked how Buddhism can help science. His Holiness told him that scientists have been interested to discuss ways to achieve peace of mind because they recognise that if the mind is disturbed people won’t be happy. He emphasised the benefits of discovering more about mental consciousness and learning to train it on the basis of reasoning…
(2) VERTLIEB MEDICAL UPDATE. Steve Vertlieb returned to Facebook as he begins his long recovery from major heart surgery.
… My time on Facebook will, for the present, be limited, I fear, in the days ahead, but I just wanted to let everyone know that I’ve survived. I came home from the hospital yesterday (Thursday) after a ten day stay following major open-heart surgery. The procedure lasted approximately six hours, during which my surgeons replaced one heart valve, repaired another, stitched back together the hole in my heart, and stopped my internal bleeding.
This procedure was far more involved and life threatening than I ever imagined or was advised. The second time, it seems, is not the charm, but the entire bracelet. They had to cut through an already existing incision, breaking once healed bones protecting my heart cavity yet again, in order to reach and operate upon the newly troubled areas. My recovery, consequently, will also be far more difficult than my original transition back to health, healing, and wholeness twelve years ago.
The good news, however, is that when I asked my surgeon the chances for a complete recovery, he responded “ONE HUNDRED PERCENT.” Doing anything beyond menial movement and chores over the next several months will be severely limited. My brother Erwin is here with me for the next month or so, and he’ll be taking care of me….
(3) LOWREY ARRIVES. Trans-Atlantic Fan Fund delegate “Orange Mike” Lowrey has returned. “As of 5 p.m. Milwaukee (11 p.m. GMT), I’m off the plane and have already been put back to work here at the bookstore. (Yes, the gout’s still painful.)” Welcome back! Sorry about the gout…
(4) YEAR’S BEST SERIES IN ABEYANCE. Jonathan Strahan, praising a story at his Notes from Coode Street blog, said:
In the meantime, since I’m not currently editing a year’s best anthology series for anyone, I’ll try to note some of the best short fiction I’m reading about the place. My favourite story of the moment is Maureen McHugh’s wonderful “The Goldfish Man“, from Uncanny 45. Because it’s online and shareable, you should go read it if you see this. It would be in my year’s best.
Sadly, those were not successful and they opted not to proceed. I have been looking for new publisher for the series, but to no avail so far.
It was news to me.
(5) I’M WORKING, REALLY. [Item by Martin Morse Wooster.] Anne Helen Petersen explains how remote workers can show the home office they’re busy by turning work into a LARP: “LARPing your job” at Culture Study.
…The compulsion to LARP is for those who have to feel accountable to some larger salary god, one who takes earthly shape in the form of our manager, our manager’s manager, and/or our coworkers, all of whom are constantly deciding whether or not we deserve the salaried, privileged position in which we’ve found ourselves. This is largely bullshit, of course: yes, our managers do think about how much we’re producing, but only the worst of them are clocking how many hours our green dot is showing up on Slack. Most of our coworkers are too worried about LARPing their own jobs to worry about how much you’re LARPing yours.
We’re performing, in other words, largely for ourselves. Justifying to ourselves that we deserve the place that we’ve found ourselves. Justifying to ourselves that writing for the internet is a vocation that deserves steady payment. At heart, this is a manifestation of a general undervaluing of our own work: we still navigate the workplace as if getting paid to produce knowledge means we’re getting away with something, and have to do everything possible to make sure no one realizes they’ve made a massive mistake.
Of course, there are myriad cultural and societal forces that have led us to this point of disbelief. Every time someone made fun of my undergrad degree, or my dissertation, or my Ph.D. Every time someone made fun of BuzzFeed, or denigrated writing about celebrities or pop culture generally. Every time someone at a family gathering said something like “must be fun to get paid to go to the movies?” All of those messages come together to tell me that my work is either easy or pointless. No wonder I spend so much time trying to communicate how hard I work…
(6) LOUD AND CLEAR. [Item by Martin Morse Wooster.] This is a documentary that Penguin Random House UK putout in late April about the new Discworld audiobooks. This is corporate promotion but still worth 20 minutes in part because you get a sense of how an audiobook is made and also because you get to hear some of the actors who are narrating, as well as Pratchett’s literary executor, Rob Wilkins. One important point is that these books have been called “full cast” audiobooks and they’re not; a single actor narrates each one of the Discworld subseries, with the great Bill Nighy providing the footnotes. Of the narrators I thought Andy Serkis (who now has a pompadour) was the most interesting. “Turning Terry Pratchett’s Discworld into Audiobooks”.
This documentary follows Penguin Audio’s ambitious project of turning the entire Discworld catalog into audiobook format. Click here to find out more: https://linktr.ee/Discworld This is Discworld like you’ve never heard it before. With an incredible cast of names from British stage and screen, including Bill Nighy, Peter Serafinowicz, Indira Varma, Colin Morgan, Andy Serkis and Sian Clifford. This ambitious project, taking 40 unabridged books, containing nearly 4 million words, recording over 135 days and featuring over 420 hours of audio is being produced and directed by Neil Gardner – the multiple award-winning radio writer & director – who is a life-long Terry Pratchett superfan.
… When I looked at very different libraries all across the country, I saw the same low supply of science fiction that I had observed in that first elementary school library, but I also saw a high demand for it. In each library, only about 3% of the books were science fiction. I expected to see a corresponding low number of checkouts. Instead, the records showed that science fiction books were getting checked out more often per book than other genres. While realistic fiction books were checked out, on average, one to three times per book and fantasy books were checked out three to four times per book, science fiction books’ checkout numbers were as high as six times per book. These libraries may not have many science fiction books available, but the children seem to compensate by collectively checking out the available books more often.
The librarians were just as surprised as I was. Library software doesn’t keep track of each book’s genre, and so librarians have no easy way of knowing that science fiction books are being checked out so often. Librarians are, however, aware that there isn’t much science fiction available. There just aren’t as many choices as there are for other genres…
Nearly 30 years since the Scott Bakula-led original series signed off after a five-season run on NBC, the broadcast network has handed out a formal series order to the sequel series starring Raymond Lee.
The drama, which was formally picked up to pilot in January, recently wrapped production and is one of a handful of comedies and dramas that is expected to be in formal consideration for the 2022-23 fall schedule.
Written by God Friended Me and Alcatraz duo Steven Lilien and Bryan Wynbrandt — who will now have two shows on NBC with rookie La Brea having already been renewed — the new Quantum Leap follows a new team that has been assembled to restart the Quantum Leap project in the hopes of understanding the mysteries behind the machine and the man who created it 30 years since Dr. Sam Beckett stepped into the accelerator and vanished….
(9) MEDIA BIRTHDAY.
1960 – [By Cat Eldridge.]
This is Gart Williams, age thirty-eight, a man protected by a suit of armor all held together by one bolt. Just a moment ago, someone removed the bolt, and Mr. Williams’ protection fell away from him, and left him a naked target. He’s been cannonaded this afternoon by all the enemies of his life. His insecurity has shelled him, his sensitivity has straddled him with humiliation, his deep-rooted disquiet about his own worth has zeroed in on him, landed on target, and blown him apart. Mr. Gart Williams, ad agency exec, who in just a moment, will move into the Twilight Zone—in a desperate search for survival. — opening narration of “A Stop at Willoughby”
Sixty-two years ago this evening CBS aired TheTwilight Zone’s “A Stop at Willoughby”. So why am I essaying this Scroll? It is because, although I cannot give you an original source for it, it is said that Rod Serling cited this as his favorite story from the first season of the series. This being a story of the Twilight Zone, I’m willing to accept that as a true story.
So “A Stop at Willoughby” concerns a man so lonely, so unhappy with his life that he starts dreaming as he takes a short nap on the train while commuting home one snowy November day. Waking he finds his dream is real and he is in Willoughby in 1888, which Serling describes as a “peaceful, restful place, where a man can slow down to a walk and live his life full measure.” Even the train, where he’s the only passenger, is eighty years old.
He returns to Willoughby several times where he’s created as if he’s actually resident there but this being the reality of the Twilight Zone, things don’t end as he hopes. I am most definitely not saying what happens as that’d be a major spoiler and there might actually be someone here who hasn’t yet seen it. Though I find that extremely unlikely.
It shows up repeatedly in popular culture with some instances I’ll note here. The For All Time film starring Mark Harmon was based on this episode. An animated Rugrats “Family Reunion” episode has all of the Pickles family taking the train to Willoughby, with the conductor saying, “Next stop Willoughby!” And in Stargate Atlantis’ “The Real World” episode, Dr. Elizabeth Weir awakens in the Acute Care Unit of Willoughby State Hospital.
The Twilight Zone is streaming on Paramount +.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 6, 1914 — Randall Jarrell. Author of the ever so charming The Animal Family which is illustrated by Maurice Sendak. Go read it — you’ll be smiling afterwards. The Anchor Book of Stories has more of his genre friendly stories. (Died 1965.)
Born May 6, 1915 — Orson Welles. Certainly the broadcast of “The War of the Worlds” in 1938 was his pinnacle of genre success, but for the Federal Theatre Project he also did the 1936 adaptation of Macbeth with an entirely African American cast that was absolutely amazing. That was known as the Voodoo Macbeth which might give you an idea of what he did to it. He would later do a more straightforward film of Macbeth. And of course he made a most excellent radio Shadow as well! (Died 1985.)
Born May 6, 1946 — Nancy Kilpatrick, 76. Fangoria called her “Canada’s answer to Anne Rice”. I do recommend the anthology she edited Danse Macabre: Close Encounters with the Reaper as it’s a most excellent horror collection.
Born May 6, 1952 — Michael O’Hare. He was best known for playing Commander Jeffrey Sinclair in the first season of Babylon 5. Other genre appearances were limited — he played Fuller in the 1984 film C.H.U.D, was Jimmy in the “Heretic” episode of Tales from the Darkside and appeared as a thug on the subway train in The Trial of the Incredible Hulk. And yes, he’s one of Babylon 5 actors who died well before they should’ve. (Died 2012.)
Born May 6, 1961 — Carlos Lauchu, 61. Anubis, the captain of Ra’s personal guard, in the original Stargate film. His only other genre acting was two appearances in the Monsters anthology series.
(11) COMICS SECTION.
Bizarro has Superman explaining why you can’t afford to be subtle in comics.
It’s not every day that one can write a sentence that reasonably connects the Fox animated series “Bob’s Burgers,” the House of Terror museum of fascist and communist regimes in Hungary, and the Marvel Cinematic Universe — but in 2022, anything is possible.
Let’s back up. Ever since the Marvel Studios series “Moon Knight” debuted on Disney+ on March 30, eagle-eyed viewers have noticed a series of semi-conspicuous QR codes in the background of scenes in the first, second and fifth episodes of the show. Scanning the codes sends viewers to a special website that contains a weekly free web comic featuring the Moon Knight character through the run of the show, from his first appearance in 1975 through his most recent issue in 2019.
It’s a savvy way to expand viewers’ comic book knowledge for a character even serious Marvel fans may never have read, and it’s been wildly successful: According to Disney, the landing page has been visited over 1.5 million times, leading to over 500,000 full comics read to date…
(13) DOUBLE-CROSSOVER. [Item by Danny Sichel.] in 2004, KC Carlson compiled an Oral History of the JLA/Avengers crossover from the early 80s. The one that was never published. The Oral History wasn’t published either — possibly because it presents a rather unpleasant image of many of the people involved. But now here it is. At Comics Beat:
George Pérez: “It just ended up being one thing after another — accusations both from DC and Marvel towards each other — until I realized there was a lot more private politics that seemed to be going on which were killing the book I really wanted to work on. After a while I became very bitter about the entire thing. It was never more apparent to me that, as much as I love drawing comics, it’s still a business, and politics and petty squabbles can kill a project, even such a potential money-maker.” — Modern Masters Volume 2: George Pérez, 2003
George nailed it. If there ever was a single comics project that embodied company politics, petty squabbles, and flying accusations, it was the original JLA/Avengers crossover, scheduled to be jointly published between Marvel Comics and DC Comics in the summer of 1983 — the fifth in a series of highly successful team-ups. Pairing the legendary Justice League of America (JLA) and the mighty Avengers, this project would include virtually all of the quintessential characters from the two companies’ lineups….
George Pérez: “I had been drawing for two weeks and was already starting page 21, when I received a call from Len Wein saying they needed to find out what changes I was making in the plot. (DC staffer) Joey Cavalieri had to do a piecemeal plot based on things I had changed — ideas, if not actual explanations — since I hadn’t quite worked out everything as I was going along yet.” — Comics Interview #6, August 1983
Gerry Conway, unwilling to do another draft of the plot, leaves the project at this point. Cavalieri, in consultation with Perez and Wein, cobbles together a new plot — draft #3 — and Giordano rushes it into Shooter’s hands….
… The introduction to the collection is a quick summary of the rise of a totalitarian regime, New Dawn, whose control over society was possible because “we accepted their offer that an eye in the sky might protect us from… ourselves.” With the assurance of total visibility, an immediate problem emerged regarding privacy and deviancy, and the regime decided that “what they struggled to see, they began to deem not worthy of being seen—inconsistent, off standard. Began calling it dirty—unfit to be swallowed by their eyes.”
In the backstory that this introduction presents, the new social category of the dirty started being applied to modes of thought and identity that did not fit the rigid standards of the regime. The stories that compose this collection explore various characters’ struggle to reclaim, preserve, and even celebrate the dirty….
Star Trek: Strange New Worlds heads to the franchise’s past to tell adventure stories for a bright, optimistic future—but its very first episode has looked to our own recent history to provide a proxy that has some very unfortunate connotations.
Part of the first episode of the new series, titled “Strange New Worlds” itself, sees the Enterprise’s Captain Pike (Anson Mount), Lt. Spock (Ethan Peck), and Lt. Noonien-Singh (Christina Chong) beam down to an alien world, Kiley 279, in an attempt to recover missing Starfleet officers in the wake of a First Contact meeting. The trio arrives to find the world a pre-warp civilization being torn apart by a conflict between the planetary government and a local uprising…
…Shortly after the away team lands on Kiley 279, they come across a crowd of civilians watching a news broadcast on an outside monitor, discussing an overnight series of protests taking place across the Kiley civilization. However, the footage shown is from much closer to our home than the world of Star Trek: it’s footage taken during the late 2013-early 2014 civil unrest in Ukraine known as “Euromaidan,” or the Maidan Uprising.
…Footage from the Maidan Uprising is not the only archival protest footage used in the episode—later on in the episode, Captain Pike shows the Kiley 279 government a selection of footage from Earth’s history as a precedent to World War III in Star Trek’s timeline, notably using footage from the January 6th 2021 riots at the U.S. Capitol as Pike draws a direct line between a “second Civil War, and then the Eugenics War, and then finally just World War III.”…
(16) ROBOHOP. [Item by Mike Kennedy.] Dine Brands—corporate parent of both IHOP and Applebee’s—is among the restaurant companies beginning or expanding experiments with robotics. The bots have roles both back-of-house (e.g., food prep) and front-of-house (e.g., delivering food or busing tables). Labor shortages are said to be the biggest inspiration. “Applebee’s And IHOP Are Adding New Technologies, Including Robotics, To Offset Labor Shortages” at Forbes.
…Further, IHOP has a new point-of-sale system that streamlines orders across channels and a franchisee is also testing a robot that can deliver food to guests and bus tables. Robotic servers are starting to pop up across the casual dining segment, including at Denny’s and Chili’s, the latter of which just expanded deployment to 51 more restaurants.
It’s too early to tell if such an approach is worth a broader rollout. Peyton did say, however, that the robot makes servers more productive and efficient and “guests and kids think it’s super cool.”
“Also, borrowing from QSR, we’re testing a robotic arm that can work the fryer station,” he said. “If we have one less cook in the kitchen, this can help them be more efficient and productive.”…
This is ESP_073055_1675 from HiRISE camera onboard Mars Reconnaissance Orbiter. Frame height is approximately 1km taken from an orbit height of 250km. Source was denoised, blended, graded, rescaled & animated to create the footage. HiRISE (High Resolution Imaging Science Experiment) is the most powerful camera ever sent to another planet, one of six instruments onboard the Mars Reconnaissance Orbiter. The color you see in HiRISE images is not the “true” color human eyes would see on Mars. This is because the HiRISE camera views Mars in a different part of the spectrum than human eyes do. The camera has three different color filtered CCDs: red, blue-green, and near-infrared. False color imagery is extremely valuable because it illuminates the distinction between different materials and textures.
(18) MAKE A DOUBLE BATCH. [Item by Mike Kennedy.] Do you know where your Cumberbatch is? James Cordon of The Late Late Show, Elizabeth Olsen, Benedict Cumberbatch, and Benedict Cumberbatch dispute whether telling news-based jokes or drinking margaritas is more important on Cinco de Mayo. Or maybe it’s figuring out which Benedict Cumberbatch is from our universe. “Benedict Cumberbatch and Elizabeth Olsen interrupting James Corden’s monologue is sheer chaos” at Mashable.
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rob Thornton, Andrew (Not Werdna), Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) FREE COMIC BOOK DAY DRAWS NEAR. May 7 is Free Comic Book Day, a single day when participating comic book specialty shops across North America and around the world give away comic books to anyone who comes in. Check out the Free Comic Book Day Catalog and see what’s available. Different shops have policies on how many free comics you can receive, but you will receive at least one free comic if you enter a participating shop location. Use the Store Locator tool to find the shop near you.
(2) TAFF DELEGATE COMING HOME. Trans-Atlantic Fan Fund delegate Michael “Orange Mike” Lowrey made it through the Covid protocol and is scheduled to return to the U.S. from the U.K. tomorrow.
(3) FLAME ON. The House of the Dragon official teaser trailer is live.
History does not remember blood. It remembers names. August 21.
(4) OPERATION FANTAST LEGACY BUSINESS ENDING. [Item by Andrew Porter.] Susie Haynes, owner of Fantast Three, will close the business after importing and distributing the July/August issues of The Magazine of Fantasy & Science Fiction, Analog SF, and Asimov’s SF, the US SF magazines she imports. She has already sold off her remaining stock of science fiction books.
It was originally begun as “Operation Fantast” by British SF fan Ken Slater, who played a major role in restarting British science fiction fandom after World War II.
He created Operation Fantast to get around British post-WW II import and currency restrictions. This was turned into the bookseller Fantast (Medway) Ltd. in 1955. When Slater died in 2008 his daughter took over the business. Between them, the business had existed for 75 years.
(5) OVERCOMER HONORED. The American Library Association announces: “Martha Hickson receives the 2022 Lemony Snicket Prize for Noble Librarians Faced with Adversity”. The award was established in 2014 by the American Library Association in partnership with Snicket series author Daniel Handler. The prize, which is co-administered by ALA’s Governance Office and the Office for Intellectual Freedom, annually recognizes and honors a librarian who has faced adversity with integrity and dignity intact. The prize is $10,000, a certificate and “an odd, symbolic object.”
Martha Hickson, media specialist at North Hunterdon High School in Annandale, New Jersey, has been selected as the recipient of the 2022 Lemony Snicket Prize for Noble Librarians Faced with Adversity. Daniel Handler, also known as Lemony Snicket, will present Hickson with the award—a cash prize and an object from Handler’s private collection—during the American Library Association (ALA) Annual Conference & Exhibition on Sunday, June 26, 2022 in Washington DC.
There has been no shortage of high-profile censorship challenges infesting school libraries across the United States since students returned from pandemic confinement in the Fall of 2021, but it was a fight that Hickson had already been fighting, tooth and nail. In fact, she has persevered through several book challenges since she began as a high school librarian in 2005. In 2021, however, the battle reached a new peak.
When a community group attended the Board of Education (BOE) meeting and demanded that two award-winning books with LGBTQ+ themes—Gender Queer by Maia Kobabe and Lawn Boy by Jonathan Evison (and later three additional LGBTQ+ titles)—be pulled from the library shelves, their allegations not only attacked the books but Hickson herself, labeling her by name as a pornographer and pedophile for providing children with access to the titles in question. In the following weeks, she endured personal attacks from the community, hate mail, threats, nuisance vandalism, and even questions about her judgment and integrity from her administration. In fact, the open adversity became so pervasive and extreme that her blood pressure and anxiety rose to the dangerous point where her physician removed her from her workplace.
Despite this adversity, however, Hickson persisted and persevered in her unwavering defense of her students’ right to intellectual freedom and right to read, including galvanizing a group of community allies to attend the BOE meetings, gathering testimonies from LGBTQ+ students, recruiting local author David Levithan to write a statement of support, and even consulting and offering advice on censorship battles to the library community at large. At the January BOE meeting, the resolution to ban the five books in question was effectively voted down, and all challenged books remain proudly on the North Hunterdon High School library shelf….
A fraudster has been impersonating a HarperCollins editorial director and sending out messages offering book contracts.
Phoebe Morgan, editorial director at HarperFiction, revealed on Twitter that someone has been using a fake HarperCollins account and claiming to be her. She said the impersonator has been using her photo and background information, but could be identified as a fraud by the email address, which replaced the two “l’ letters in HarperCollins with the number “1”.
She tweeted: “If someone says they’re a crime editor wanting to offer a contract please flag as suspicious. HC would never contact you in that way”.
The tactic is similar to the one said to be used by Filippo Bernardini, a former rights assistant at S&S UK who was arrested and charged by the FBI with allegedly stealing hundreds of book manuscripts over several years….
Kimmel’s crew asked random people on Hollywood Boulevard questions about the space opera franchise and U.S. history.
(8) HAVE YOU RED? [Item by Joey Eschrich.] On June 1, Future Tense is cohosting the latest in our Science Fiction/Real Policy Book Club series, discussing All Systems Red by Martha Wells. Here are the details. I should note that the author won’t be joining us—for this book club series, we want to focus on discussion and deliberation, rather than on getting the behind-the-scenes. RSVP here.
The novel explores a spacefaring future in which corporate-driven exploratory missions rely heavily on security androids. In Wells’ engaging – at times funny – tale, one such android hacks its own system to attain more autonomy from the humans he is accompanying. The result is a thought-provoking inquiry into the evolving nature of potential human-robot relations.
Join Future Tense and Issues in Science and Technology at 6pm ET on Wednesday, June 1 to discuss the novel and its real-world implications. The book club will feature breakout rooms (they’re fun and stress-free, we promise) where we can all compare notes and share reactions, even if we didn’t finish the book (though we picked a short one this time!).
(9) AND BEYOND. This promo for Lightyear dropped today.
…Like all good Belgian comics fans, I’m fascinated by the adventures of Tintin and by their creator. This is a really interesting biographical study, by a writer who met Hergé an interviewed him a couple of times, and has now lived long enough to absorb the mass of critical commentary on Hergé’s work that has emerged over the decades.
I learned a lot from it. In particular, I learned that it’s very difficult to navigate exactly how close Hergé came to collaboration with the occupying Germans during the war…
(11) MEDIA BIRTHDAY.
1992 — [By Cat Eldridge.]Forever Knight, a vampire detective series, premiered thirty years ago, and concluded with the third-season finale just over three years later. This series was filmed and set in Toronto.
It was created by Barney Cohen who wrote Friday the 13th: The Final Chapter, and James D. Parriott, who was responsible for Misfits of Science.
It starred Geraint Wyn Davies, Catherine Disher, Nigel Bennett, Ben Bass, Deborah Duchêne and Blu Mankuma. It is considered the predecessor to such series as Angel.
It managed in its short span to run on CBS (the first season), first-run syndication (the second season) and the USA Network (the third and final season).
So what was its reception? Well the Canadian TV industry loved it but I suspect that was because it was providing a lot of jobs. Seriously it wasn’t for the quality of the scripts. I watched it enough to see that it was really badly written. Forever Knight was nominated for thirteen industry Gemini Awards, and won once in 1996.
It was as one reviewer at the time noted a soap opera: “The acting in this one is decent but there was more time than I can count where I was rolling my eyes by how much the cast was hamming it up. The characters are fun but they often slip away into the cliched void of day time soaps.”
I don’t think it is streaming anywhere currently.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 5, 1908 — Pat Frank. Author of Alas, Babylon who also wrote a 160-page non-fiction book, How To Survive the H Bomb And Why (1962). (Insert irony here if you want.) Forbidden Area, another novel, he wrote, was adapted by Rod Serling for the 1957 debut episode of Playhouse 90. (Died 1964.)
Born May 5, 1922 — Joseph Stefano. Screenwriter who adapted Bloch’s novel as the script for Hitchcock’s Psycho. He was also a producer for the first season of Outer Limits and wrote a total of twelve episodes. He also the screenwriter for the very horrifying Eye of The Cat. He wrote Next Generation’s “Skin of Evil” episode. And he was producer on the original Swamp Thing. (Died 2006.)
Born May 5, 1942 — Lee Killough, 80. Author of two series, the Brill and Maxwell series which I read a very long time ago and remember immensely enjoying, and the Bloodwalk series which doesn’t ring even a faint bell. I see she’s written a number of stand-alone novels as well – who’s read deeply of her? Her only Hugo nomination was at Aussiecon Two for her short story, “Symphony for a Lost Traveler”. And in the early Eighties, she wrote an interesting essay called “Checking On Culture: A Checklist for Culture Building”. Who’s read it?
Born May 5, 1943 — Michael Palin, 79. Monty Python of course. I’ll single him out for writing the BFA-winning Monty Python’s The Meaning of Life and co-writing the BSFA-winning Time Bandits with Terry Gilliam. He and the rest of the troupe were Hugo finalists in 1976 for Monty Python and the Holy Grail. And it might be at least genre adjacent, so I’m going to single him out for being in A Fish Called Wanda for which he won the BAFTA Award for Best Actor in a Supporting Role.
Born May 5, 1944 — John Rhys-Davies, 78. He’s known for his portrayal of Gimli and the voice of Treebeard in the Lord of the Rings trilogy, General Leonid Pushkin in The Living Daylights, King Richard I in Robin of Sherwood, Professor Maximillian Arturo in Sliders, a most excellent Hades in the animated Justice League Unlimted series, Hades in Justice League and Sallah in the Indiana Jones films. Oh, and voicing Macbeth in the exemplary Gargoyles animated series too. He’s getting his action figure shortly of Macbeth from NECA!
Born May 5, 1957 — Richard E. Grant, 64. He first shows up in our world as Giles Redferne in Warlock, begore going on to be Jack Seward in Bram Stoker’s Dracula. On a lighter note, he’s Frederick Sackville-Bagg in The Little Vampire, and the voice of Lord Barkis Bittern in Corpse Bride. He breaks into the MCU as Xander Rice in Logan, and the Star Wars universe by being Allegiant General Enric Pryde in Star Wars: The Rise of Skywalker. Now I had forgotten that he’s in the Whoverse twice, once seriously and once very not. The first appearance was the latter as he in Doctor Who and the Curse of Fatal Death as The Conceited Doctor. And then he plays the Great Intelligence in three episodes of Doctor Who.
Born May 5, 1979 — Catherynne Valente, 43. I personally think her best work is The Orphan’s Tales which The Night Garden got Otherwise and Mythopoeic Awards, while the second work, In The Cities of Coin and Spice, garnered the latter Award as well. Palimpsest which is one weird novel picked up, not at all surprisingly a Lambda and was nominated for a Hugo at Aussiecon 4. The first novel in the incredibly neat Fairyland series, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, picked up a coveted Norton. (Well I think it’s coveted.) Next up is “Fade to White,” novelette nominated for a Hugo at LoneStarCon 3, and a favorite of mine, the “Six-Gun Snow White” novella, was a nominee at LonCon 3. Let’s finish by noting that she was part of SF Squeecast which won two Hugos, the first at Chicon 7 then at LoneStarCon 3.
(13) COMICS SECTION.
Garfield requires your imagination to fill in the horrific vision.
…The sale starts with flourish: lot 1 is the best available copy of the signed limited edition of Ray Bradbury’s Fahrenheit 451 (NY: 1953), bound in ‘Johns-Manville Quinterra an asbestos material with exceptional resistance to pyrolysis’ it is estimated at $13000 to 18000, but has a reserve at just $10,000. This is accompanied by 14 other lots of similar works, including 2 others from Bradbury (Dark Carnival [Sauk City: Arkham, 1947], and an excellent copy of the 1st paperback edition of 451 [NY: Ballantine; 1953]).
During February 2022, I challenged 3D artists with the Infinite Journeys 3D challenge, where I provided artists with a simple animation of a moving “vehicle” and they built out their own customs scenes. Of the 2,448 entires, the top 100 were chosen for this montage, and 5 of them walked away with insane prizes from Maxon, Rokoko, Camp Mograph, Wacom, Looking Glass Factory, and mograph.com.
(16) DOES CRIME PAY? At Nerds of a Feather, Roseanna Pendlebury’s “Microreview [Book]: Book of Night by Holly Black” includes some criticisms but overall gives strong reasons to add this book to our TBR piles.
… The story follows Charlie Hall, a reformed con artist and thief who used to work adjacent to the shady (ha) world of the gloamists, who work magic on shadows, but she’s now trying to keep on the straight and narrow. She’s working a normal job bartending at a dive bar, dating a reliable boyfriend about whom she’s having some doubts and trying to help her little sister get into college. Obviously, this doesn’t last, and she gets pulled back into the world she tried to leave behind. Much like Black’s YA books, the plotting isn’t desperately original, but that’s also not what it’s aiming for, really.
What it is aiming for, and succeeds at, is a fun, dark, enthralling bit of world building, something that the reader can immediately get sucked into and get the feel of, while still with plenty of mileage to build throughout the story. And her gloamists are absolutely that. There’s sexy crime – daring heists of secret magical books – as well as secrecy, hidden arts, a potential pedigree stretching way back into history – the secret magical tomes to be stolen have to come from somewhere, right? – and plenty of scope for there being downtrodden people who can use their wits to outfox the powerful….
(17) BE PREPARED. And Paul Weimer, in “Centireview: Inheritors of Power by Juliette Wade”, advises Nerds of a Feather readers that to really enjoy this third novel in the author’s series they ought to start at book one:
…That all said, however, as much as Wade can prepare a reader new to the world to the complexities of the Varin and their very alien human society, this is a novel that really relies on knowledge of the previous two books, both on a high worldbuilding and also on a character level to really succeed. With the basis of that two novels, though, it is clear to me here, that this is a rich and deep and complex story that I get the feeling Wade has wanted to tell from the beginning, and from this point.
There is a theory in writing that one of the keys to writing any work of fiction is to know where the story begins and to start the story at that point,. In some ways, the rich story of this novel, of which I will speak shortly, seems to be the story that Wade has wanted to tell since the beginning of Mazes of Power. In Wade’s case, however, and for the readers, this story only really can work as a story if you have the background of the first two novels in order to get the full force and impact of what happens here….
…“At 6,500 ft, Rocket Lab’s Sikorsky S-92 helicopter rendezvoused with the returning stage and used a hook on a long line to capture the parachute line,” Rocket Lab said in a release. “After the catch, the helicopter pilot detected different load characteristics than previously experienced in testing and offloaded the stage for a successful splashdown.”
For this specific launch, the catch ended up being more of a catch-and-release, but that attempt still went an important way to demonstrating the viability of the option. Knowing that the release worked—that the helicopter crew was able to snag the rocket and then determine they needed to jettison the booster—is a key part of proving viability. A method that involves helicopters but jeopardizes them pairs reusability with risk to the human crew….
(19) FLY ME TO THE MOON. [Item by Mike Kennedy.] Well, OK, not to the Moon. Not even to low Earth orbit. But almost 5 miles is still fairly high. For the first time, SpinLaunch put a camera onboard one of the projectiles for their suborbital centrifugal launch test platform. Choosing a camera for the payload was probably a good idea, since I don’t think even fruit flies would have enjoyed the ride.
…Such tests are becoming routine for SpinLaunch, with the first demonstration of the kinetic launch system occurring last October. This time, however, the company did something new by strapping a camera, or “optical payload,” onto the 10-foot-long (3-meter) projectile.
Footage from the onboard camera shows the projectile hurtling upwards from the kinetic launch system at speeds in excess of 1,000 miles per hour (1,600 kilometers per hour). The flight lasted for 82 seconds, during which time the test vehicle reached an altitude of over 25,000 feet (7,620 meters), according to David Wrenn, vice president of technology at SpinLaunch….
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Goblet of fire Pitch Meeting,” Ryan George says the fourth Harry Potter film brings back many familiar plot points, including the speech from Dumbledore about the many ways Hgwarts students can die. The producer,being told of a test where several characters nearly drown, says “wizards are not OK people.” Trivia lovers will note this film was Robert Pattinson’s debut.
[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Jennifer Hawthorne, Lise Andreasen, Joey Eschrich, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian, for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]
Trans-Atlantic Fan Fund delegate Michael J. “Orange Mike” Lowrey reported today, “I have tested positive for COVID-19. The UK advises that I self-isolate for five days, at which point I should not be contagious; which means a single room somewhere, not the hostel I’m in now.”
“One of the Danes with whom I met on the 24th has tested positive; I may have gotten it from him,” says Lowrey, who visited Swedish fans in Uppsala and Malmö last week after attending Eastercon. “I do not feel ill. I’m hoarse, but I’ve credited that to talking to people almost non-stop for four weeks.”
He had recently returned to the UK before wrapping up his trip. TAFF administrator Johan Anglemark confirmed the fund will underwrite the costs of a hotel room etc. while Orange Mike is stranded by Covid protocols.
