Pixel Scroll 1/28/21 And I Looked And Behold A Pale Pixel, And Their Name Who Sat On Them Was ´Scroll Title´

(1) ALL THAT JAZZ. Elle M. has a fascinating commentary on the difference between worldbuilding and lore. Thread starts here. A few quotes follow —

They also use the author of Harry Potter as a compelling example of where lore gets injected at the expense of worldbuilding.

(2) TRENDY PLACES. Sarah Gailey’s Stone Soup blog is hosting “Building Beyond,” an “ongoing series about accessible worldbuilding. Building a world doesn’t have to be hard or scary — or even purposeful. Anyone can do it. To prove that, let’s talk to both a writer and a non-writer about a worldbuilding prompt.” For “Building Beyond: Robot Dating”, editor Brian J. White and writer Suzanne Walker imagine where they’ve gone on a date with a giant robot.

Gailey’s dry synopsis should make you very curious to read the post:  

…Brian’s date is the foundation of a story about a robot who is learning to live in the world, and who just so happens to be inhabiting a city of decadences. Suzanne’s date is the beginning of a world in which robots and humans regularly go out together, and frogs have learned to cater to the complicated ecosystem of needs that arise in such relationships. 

(3) UNDER THE HARROW. Constance Grady and Vox’s critic at large Emily VanDerWerff undertake a “Harrow the Ninth discussion: profound grief and terrible puns” at Vox.

Constance Grady: I have a hard time working out exactly how I feel about volume two of this trilogy. Harrow the Ninth is a trickier book than Gideon the Ninth, in the same way that bitchy, conniving Harrow is a trickier protagonist than sweet basic jock Gideon.

First of all, there’s the problem of tone. Gideon mined enormous amounts of tension and humor out of the contrast between its lurid goth world and Gideon’s straightforward “it looks like a sword, I want to fight it” worldview and her dirty jokes. That’s part of what helps puncture the grandiosity of Muir’s worldbuilding and keep everything feeling accessible and human-scale, no matter how complicated the mythology might be.

But Harrowhark worships all the lurid skeletal nonsense around her with a religious intensity, and she considers boning jokes prurient. So the easy laughter of the first volume fades away: The jokes are meaner in Harrow than they were in Gideon, and darker….

(4) MRS. PEEL, WE’RE NEEDED. [Item by Martin Morse Wooster.] In the January 23 Financial Times, Peter Aspden writes about the 60th anniversary of British TV series The Avengers, which was first broadcast in January 1960.

The plots (of The Avengers), in the meantime, got crazier.  In 1967’s ‘Epic,’ from the fifth season, Peel is kidnapped by a Teutonic film director named ZZ von Schnerk, who is filming a movie called The Destruction Of Emma Peel, for which he needs to kill her in real, or reel, life.  The self-referntiality was off the scale, now.  ‘Gloat all you like, but I am the star of his picture, says captive Peel to the villiainous director, and anyone interested in meta-texts.

Like so many of the fashions of the 1960s, Rigg only lasted a couple of seasons. She left to star in her own Bond Film, On Her Majesty’s Secret Service, in which she showed that her range extended further than understated self-mockery (in fairness, she had also already played Cordelia opposite Paul Scofield’s Lear) by providing one of the franchise’s few genuinely heartbreaking endings.  Peel’s farewell to Steed was itself a rare poignant moment, a peck on the cheek with a final piece of womanly advice:  ‘Always keep your bowler on it times of stress.  And watch out for diabolical masterminds.’

(5) SPLATTERPUNK AWARDS. [Item by Dann.] Nominations are open for the 2021 Splatterpunk Awards through February 14.  Brian Keene and Wrath James White have been experiencing….ummm…difficulties in getting valid nominations.  Someone nominated HP Lovecraft who, being dead, is ineligible.  Also, he hasn’t published anything new in the last year.  Also, also, he hasn’t published anything that is close to being Splatterpunk.

Midnight Pals over on Twitter has the theoretic exchange where Brian and Wrath try to explain how this is supposed to work.  (I’m pretty sure that Dean Koontz didn’t nominate HP Lovecraft.)

The awards will be presented during a ceremony at the 2021 Killercon Convention, taking place in Austin, Texas.

In addition to the Splatterpunk Awards, author John Skipp will receive this year’s J.F. Gonzalez Lifetime Achievement Award for his contributions to the field.

(6) FLOWER POWER. Galactic Journey’s Vicki Lucas encounters a classic of the Sixties: “[January 28, 1966] The Book as Rorschach Test (Flowers for Algernon)”.

…Try as I might, I have great difficulty thinking of this novel as a science-fiction story. It could be conceived of as a psychological thriller, but no one dies except a mouse. It is deeply psychological and delves as far into the brain as anyone can get right now, accepting Freudian analysis as routine, while it is Jung’s “individuation” that the main character, Charlie Gordon, seeks without a guide except for his reading.

…I recommend this book, no matter its genre, and hope that anyone who reads it finds him- or herself touched by the plight of both those who are “exceptional” on the low end and those “exceptional” on the high end.

What will you see in it?

I see five stars.

(7) TAPPING INTO TED WHITE. Fanac.org posted a second installment of Ted White’s livestreamed interview, conducted by John D. Berry.

Ted White has been a science fiction fan for over 70 years, as well as an artist, fanzine editor and publisher, professional writer, editor and jazz critic. Interviewer John D. Berry has known Ted for more than 50 years. 

In part 2 of the January 23, 2021 interview, Ted talks about how he began writing professional science fiction, and the influence of Marion Zimmer Bradley, Terry Carr, Bob Tucker and others. There are anecdotes of the New York Fanoclasts and of how the bid for the 1967 NyCon3 came about. 

Ted discusses “The Club House” column in Amazing Stories, responsible for bringing many into fandom in the early 1970s, and speaks of his many fanzine collaborations, along with challenges along the way. This Zoom interview was very well received by all the attendees, who clamored for more. Look for the next part of the interview.

(8) WATER UNDER THE BRIDGE. Camestros Felapton risked his eyeballs – will you? “I watched Star Trek – Lower Decks”.

…Pitched as humorous, adult-orientated animated series in the Star Trek universe, the series creator is Mike McMahan, a lead writer from Rick and Morty. However, the show’s humour is both less crude and less imaginative than that show, indeed overall it pitches itself at ‘amusing’ rather than ‘funny’. The obvious comparison is with The Orville, rather than Galaxy Quest or John Scalzi’s Redshirts….

(9) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published the fifth issue of Imaginary Papers, a quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination. (Use this link to subscribe for future issues.)

Issue #5 features writing from games critic Emma Kostopolus, on the space opera game Mass Effect 3 (2012), and writer and educator Malik Toms, on John Sayles’ The Brother from Another Planet (1984), as well as a piece from me about the collection Scotland in Space (2019).

 (10) MEMORY LANE.

  • 2000 — Twenty one years ago at Chicon 2000, Galaxy Quest, a DreamWorks film, would win the Hugo for Best Dramatic Presentation. It would edge out The Matrix (which lost by just three votes), The Sixth SenseBeing John Malkovich and The Iron Giant. It was directed by Dean Parisot. Screenwriters David Howard and Robert Gordon worked off the story by David Howard. It’s considered by many Trekkies to the best Trek film ever made. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 28, 1820 – Vilhelm Pedersen.  First illustrator of Hans Christian Andersen; a hundred twenty-five in the five-volume 1849 edition.  Indispensable like Tenniel’s for Lewis Carroll.  Here is “The Top and Ball”.  Here is “The Flying Trunk”.  Here is “Hyldemor”.  Here is “Thumbelina”.  (Died 1859) [JH]
  • Born January 28, 1834 – Sabine Baring-Gould.  Anglican priest, author of fiction, folklorist.  Grandfather of the Holmes scholar.  Wrote “Onward, Christian Soldiers” (music by Sir Arthur Sullivan).  This edition including Curious Myths of the Middle Ages and Were-wolves appeared recently.  (Died 1924) [JH]
  • Born January 28, 1929 Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.) (CE)
  • Born January 28, 1931 – Komatsu Sakyô.  (Personal name last, Japanese style.)  Leading Japanese SF author.  Most famous for Japan Sinks.  Two shorter stories in this collection.  Author Guest of Honor at Nippon2007 the 65th Worldcon – of which, incidentally, you can see my report here (PDF).  (Died 2011) [JH]
  • Born January 28, 1957 – Joanne Findon, Ph.D., age 64.  Assistant Professor of English at Trent Univ. (Peterborough, Ontario).  Two novels for us.  “I blame my two lifelong passions – writing fiction and studying the past – on … Lloyd Alexander.”  More here.  [JH]
  • Born January 28, 1959 Frank Darabont, 62. Early on, he was mostly a screenwriter for horror films such as A Nightmare on Elm Street 3: Dream WarriorsThe Blob and The Fly II, allminor horror filmsAs a director, he’s much better known as he’s done, The Green MileThe Shawshank Redemption and The Mist.  He also developed and executive-produced the first season of The Walking Dead. He also wrote Mary Shelley’s Frankenstein that I like a lot. (CE) 
  • Born January 28, 1961 – Michael Paraskevas, age 60.  Illustrator and animation producer.  With his mother Betty, books and television Maggie and the Ferocious BeastMarvin the Tap-Dancing Horse.  MP encouraged BP, which I think is cool.  A score of books, some with her, some not.  Spaceships and many other things at MP’s Website.  [JH]
  • Born January 28, 1981 Elijah Wood, 40. His first genre role is as Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman In Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed.  He’s done some other genre work as well including playing Todd Brotzman in the Beeb’s superb production of Dirk Gently’s Holistic Detective Agency. (CE) 
  • Born January 28, 1985 Tom Hopper, 36. His principal genre role was on the BBC Merlin series as Sir Percival. He also shows up in Doctor Who playing Jeff during the “The Eleventh Hour” episode which would be during the time of the Eleventh Doctor. He’s also Luther Hargreeves in The Umbrella Academy which is an adaptation of the comic book series of the same name, created by Gerard Way and Gabriel Bá. (CE) 
  • Born January 28, 1986 – Dame Jessica Ennis-Hill, age 35.  This historic champion track & field athlete has recently written half a dozen children’s fantasies with Elen Caldecott, may the name be for a good omen.  Here’s the latest I know of.  [JH]
  • Born January 28, 1998 Ariel Winter, 23. Voice actress whose shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer. (CE)

(12) COMICS SECTION.

At xkcd Randall Munroe has a couple more installments on his living in a scaled world series:

(13) SPACE UNICORNS SOUND OFF. You have until February 8 to make your voice heard: “Uncanny Celebrates Reader Favorites of 2020!”

We’ve set up a poll for Uncanny readers to vote for their top three favorite original short stories from 2020. (You can find links to all of the stories here.)

The poll will be open from January 11 to February 8, after which we’ll announce the results. We’re excited for you to share which Uncanny stories made you feel!

snazzy certificate will be given to the creator whose work comes out on top of  the poll!

(14) CON CALLS ON FANS FOR HELP. “Otakon Discusses Future, Asks for Donations” reports the Anime News Network. Their 2021 event is scheduled to be held at Walter E. Washington Convention Center in Washington, D.C. from August 6 to 8. Last year’s Otakon was cancelled.

Otakorp president Brooke Zerrlaut announced in a newsletter on Thursday that the organization is requesting donations for the first time. The Otakon convention’s staff are continuing to evaluate plans for 2021 and noted that the event may “potentially close” permanently.

The newsletter explained that Otakorp, a volunteer-run non-profit organization, runs the annual Otakon convention dedicated to Asian culture. Because of the cancelation of Otakon 2020 due to the effects of the COVID-19 pandemic, the organization is in a “precarious position.”

(15) A WRITER’S BEGINNING AND END. Book and Film Globe in“The Tragedy of Karl Edward Wagner” reviews a documentary about the acclaimed fantasy writer and editor.

The makers of the new Vimeo documentary, The Last Wolf: Karl Edward Wagner, have trained their lens on an elusive horror and fantasy writer with a cult following. Besides the stories of supernatural and psychological terror collected in In a Lonely Place (1983) and Why Not You and I? (1987), Wagner spun tales about Kane, a hero sometimes compared to Robert E. Howard’s Conan the Barbarian, who wanders and fights his way through a fantasy realm peopled with brigands, thieves, sorcerers, monks, and shapeshifters. This body of work exceeds the better-known Conan mythos in its sexuality and violence, tropes that Wagner used with uneven results.

Wagner was also a longtime editor of the Year’s Best Horror Stories series, showcasing the work of Stephen King, Ramsey Campbell, Harlan Ellison, Robert Bloch, Brian Lumley, Elizabeth Hand, David J. Schow, T.E.D. Klein, Charles L. Grant, Dennis Etchison, and dozens of others in the field. A few of these scribes appear in The Last Wolf, with especially vivid remembrances coming from Campbell and Etchison. Peter Straub, who wrote a foreword to In a Lonely Place, also has a lot to say.

…The sources interviewed in The Last Wolf render a portrait of an ambitious youth who collected paperbacks, became well known to the staff of a used bookshop in Knoxville through constant visits, and liked to freak out his nephews with spooky tales as they lay in their beds by an open window. While still in high school, Wagner meets a charming young woman, Barbara Mott, on a double date. He later marries her. His career enters high gear in the 1970s as he churns out stories, but not novels, and he stays busy writing and editing through the 1980s and 1990s, almost right up to his death.

“The Fourth Seal” is about a scientist looking to cure cancer. Wagner became the victim of something comparable its destructiveness. The Last Wolf doesn’t skirt around the plunge into alcoholism that drew growing concern on the part of Wagner’s peers in the weird field and led to the end of his marriage. Some of the recollections are hard to take. 

(16) BUY BUTLER. The London Review Bookshop’s Author of the Month is Octavia E. Butler.

Our Author of the Month for February is the American Science Fiction writer Octavia E. Butler.

In her many sometimes interlocking works Butler asks questions about race, gender and, pre-eminently, hierarchy in startling ways, and to offer equally startling versions of possible futures, often dystopian, that are uncannily like the present. This is extraordinary writing, written against the grain of gender and race prejudice and against the grain of Butler’s own persistent writer’s block.

Start with her masterpiece Kindred. We’re next to certain you won’t stop there.

(17) A GLIMPSE OF SF HISTORY. Samuel R. Delany reminisced about Judith Merril in a Facebook post.

Judith Merrill [sic] (Boston, 21 Jan 1923—Toronto, 12 Sept 1997), was—for the last years of her life, one of my best friends in the science fiction world, and thus, like all of her friends, to me she was “Judy” and I—to her—was “Chip.” We could never quite agree about where we met. During the time I was sharing a room with my friend, Bob Aarenberg, at the St. Marks Arms, on West 113th St., in NYC, and in our upstairs neighbor Randy Garrett took me to a party in Greenwich Village, where I met her and talked with her quite a while. But a few years later, she had no memory of that meeting. But as a kid I’d read her collaborations with C. M. [K]ornbluth (the Gunner Cade books), and thoroughly enjoyed them; I’d read a handful full of her stories—”Only a Mother,” which I felt was okay, but also “Dead Center” which I felt was much stronger (and still do after several rereadings of both and others)—but the writings of hers that meant most to me was her critical work….

(18) BUT THEY DID. James Davis Nicoll remembers “Five SF Empires That Seemed Too Big to Fail”, by authors Andre Norton, Phyillis Eisenstein, John Scalzi, Walter Jon Williams, and H. Beam Piper.

(19) FOR THE EAR AND THE EYE. Cora Buhlert’s spotlight series detours to visit with the creator of a semiprozine: “Not-a-Fanzine Spotlight: Simultaneous Times”.

Why did you decide to start your site or zine?

…The Simultaneous Times Newsletter started when the pandemic lockdowns started. Usually I’m at my bookstore six days a week, and since we specialize in science fiction, most of my conversations center around the genre. Immediately I began to miss the conversations and my customers, so I started the newsletter as a way to stay connected with science fiction fans. Since then it has just grown. But we still give free subscriptions. I thought people would prefer to get a letter in the mail over receiving an email.

What format do you use for your site or zine (blog, e-mail newsletter, PDF zine, paper zine) and why did you choose this format?

Several members of my team, including myself, have a background in radio. When we all started talking about starting a podcast we decided that we wanted to produce the program the way that radio shows were produced in the past. Really take the radio arts approach instead of going with modern trends in podcasting. Since then we’ve even teamed up with the radio station KZZH 96.7 in Northern California, so our program did end up on the air.

The Newsletter is print because I wanted to put something physical in people’s hands, especially during this time of not being able to see each other. That being said, I have started to put the back issues on our website, so the archive is available to everyone

(20) IT’S PEOPLE! Shiv Ramdas comments on a trending topic. Thread starts here.

(21) THE SINS OF STARSHIP TROOPERS. [Item by Dann.] The guys at Cinema Sins have  “Everything Wrong With Starship Troopers in 19 Minutes or Less”. (Parenthetically, I’m not looking for the 5,681st iteration of “The book is better than the movie” or the 12,259th iteration of “Verhoeven never read the book!”.  I like ’em both for different reasons.  And the Cinema Sins guys are great.)

(22) TINGLE REVIEWED IN THE GUARDIAN. [Item by PhilRM.] Here are words I never expected to read in the Guardian: “’My Antifa Lover’: I read the weirdest Trump-era erotica so you don’t have to” by J. Oliver Cromwell.

…In recent years, Amazon’s e-books market has nurtured a flourishing cottage industry of self-published romance and erotic literature – and the Trump years have inspired many to put pen to paper. The most successful authors (most write under pseudonyms) are known for their prolific publication, thesaurus-aided descriptions of the human anatomy, and responsiveness to current events.

The surreality of the past four years was particularly generative of their creative juices. With the Trump era now drawn to a chaotic close, we decided to review four of the most memorable entries in this niche literary genre.

I’m strangely drawn to the title “My Antifa Lover”, although slightly disappointed that Conroy opted to review Chuck Tingle’s Pounded In The Butt By The Handsome Physical Manifestation Of Tromp’s [sic] Twitter Ban That Should’ve Come Years Sooner But Fine Now That It’s Here High Five rather than the frankly superior Domald Tromp [sic] Pounded In The Butt By The Handsome Russian T-Rex Who Also Peed On His Butt And Then Blackmailed Him With The Videos Of His Butt Getting Peed On. No, I have no idea how the internet got us here either, really.

I feel compelled to note that the reviewer gave Tingle’s work 5/5.

(23) VIDEO OF THE DAY. In the 1780s, a charismatic healer caused a stir in Paris. An amusing video about the history of Mesmer’s methods and how he influenced medicine in the late 18th Century. Vox recalls The phony health craze that inspired hypnotism”.

Scientific progress in the 18th century in Europe, a period known as the “Age of Enlightenment,” was demystifying the universe with breakthroughs in chemistry, physics, and philosophy. But medical practices were still relying on centuries-old treatments, like leeching and bloodletting, which were painful and often ineffective. So when Franz Anton Mesmer, a charismatic physician from Vienna, began “healing” people in Paris using an alternative therapeutic practice he called “animal magnetism,” it got a lot of attention. Mesmer claimed that an invisible magnetic fluid was the life force that connected all things and that he had the power to regulate it to restore health in his patients. He was a celebrity figure until the King of France, Louis XVI, commissioned a group of leading scientists to investigate his methods in 1784. Benjamin Franklin headed the commission, and they debunked the existence of the magnetic fluid in the first-known blind experiment. Mesmer was ruined, but “mesmerism” didn’t end there. The report also acknowledged that Mesmer’s methods were making his patients feel better, which they attributed to the power of the human imagination. This experiment ultimately laid the groundwork for our understanding of the placebo effect and inspired an evolution of Mesmer’s practice into something more recognizable today: hypnotism.

[Thanks to JJ, Martin Morse Wooster, Dann, Andrew Porter, Cora Buhlert, Cat Eldridge, Michael Toman, John Hertz, Mike Kennedy, Mlex, Joey Eschrich, Rob Thornton, Michael J. Walsh, PhilRM, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Peer, who has ridden the fourth horse once before.]

Pixel Scroll 6/28/17 Hot Patootie, Bless My Soul, I Really Love That Pixel Scroll

(1) MINIONS GETTING PAID. The Seattle law firm Rekhi & Wolk, P.S. sends word they have settled the class action they were litigating against Emerald City Comicon (See Scroll for 5/18/16, item #13).

Former volunteer Jerry Brooks alleged Emerald City Comicon violated Washington State law by failing to pay people classified as volunteers – which they called “minions” — the minimum wages they were owed under Washington laws for performing services at the 2014 and/or 2015 Emerald City Comicons in Seattle.

The defendant denied the claim, reported Seattlish, emphasizing that “…The volunteers not only willingly enter into an agreement stating that they’ll work for free, but the culture of the convention fosters a competitiveness for the volunteer positions.”

According to the FAQ about the class action settlement, Emerald City Comicon will pay $493,227.84 to resolve all claims, some of which will go to attorneys, the plaintiff, and the settlement administrator, with the remaining approximately $348,397.33 to be distributed to Class Members who submit Claim Forms by July 31. (Click on the FAQ for additional information.)

Remembering this was at bottom a complaint about unpaid wages, it’s only fair that payroll taxes will be levied on the distributions:

One-half (50%) of each award to a Class Member will be treated as wages and subject to normal payroll tax withholdings and payments. The other one-half (50%) of each award to a Class Member will be treated as non-wages on which there will be no tax withholding.

(2) BARNUM. The Verge introduces the new trailer: “Watch the first trailer for Hugh Jackman’s movie musical The Greatest Showman”

The first trailer for 20th Century Fox’s P.T. Barnum biopic and original musical The Greatest Showman is here. Hugh Jackman plays Barnum, a charming, down-on-his-luck guy in a top hat, hanging out in Connecticut in the early 1800s. From what we can see, he’s going to be smooching Michelle Williams, teaming up with Zac Efron, and eventually inventing the circus as we know it. “Every one of us is special, and nobody is like anyone else. That’s the point of my show,” he tells a child. Sure! I’m buying it.

(3) YOUNG KING. Once upon a time Stephen King came to hang out at sf conventions. Someone with a camera was present when he spoke at the 1983 DeepSouthCon. Next best thing to a time machine.

Raw photojournalist footage of a panel discussion from a SF/Horror convention held in Knoxville in 1983. Participants include Stephen King, Peter Straub, Karl Edward Wagner, Charles Grant, Chelsea Quinn Yarbro, Whitley Streiber, Dennis Etchison, and others.

(4) BROSNAN ZINES SOUGHT. Twenty-two years after his death, John Brosnan has inspired a devoted Australian fan to want to read all his stuff, even his Sixties fanzines. “John Brosnan’s 1960s pre-internet fanzines sought by new fan at National Library”.

The work of an almost forgotten Australian writer has been unearthed and made available to a new audience following the chance discovery of a 1960s fanzine in a comic collection at the National Library of Australia (NLA).

Perth-born John Brosnan (1947-2005) specialised in science-fiction….

His sci-fi fanzine Big Scab was a joint winner of the 1974 UK Nova Award.

NLA cataloguer Alison Carriage became fascinated with Brosnan’s work after stumbling across an issue of his 1960s fanzine Why Bother? in the library’s John Ryan comic collection.

She was struck by the “wonderfully entertaining” way he wrote and the insight the fanzine provided into the pre-internet era.

Brosnan’s accounts of everyday life include getting mugged, looking for a job and being bitten by a tick.

“I kind of compare it to Seinfeld — the episodes were about nothing, but they were nothings you could relate to and therefore you found them really funny,” Ms Carriage said.

“His work’s still relatable and still really important.”

(5) AMAZONIAN LOVE. Hope Nicholson and Karen K. Burrows tell SciFiNow readers “Let’s be Straight: Wonder Woman is into Women”.

Wonder Woman, Catwoman, Mystique, Harley Quinn, and Poison Ivy are names that even non-comic book fans can identify, thanks to their films.

Aside from being leading ladies of comics (Catwoman, the oldest at 77 years old, our pal Harley Quinn a millennial baby at just 24 years old), each of these characters have another thing in common: they’re bisexual in the pages of (some) of their comics, but not yet identified as such in their movie counterparts.

Despite increased representation in the source comics, more recognizable queer characters rarely cross that barrier to film. Representation matters in every form – but blockbuster films have a greater reach than comics. Confirming in worldwide media that characters who have been part of the popular consciousness for decades can also be queer would be a true step forward!

Let’s take a closer look at the queer history of these characters and think about what might have been – and what still could!

(6) THE FILMING LAMP IS LIT. An update on item #15 from the May 16 Scroll: George R.R. Martin announced progress on the TV adaptation of another of his stories:

The SyFy Channel has just greenlit the pilot for a proposed NIGHTFLYERS series, based on my 1980 Hugo-losing novella, one of my SF/ horror hybrids.

(7) SUPPORT DIVERSE GRANTS. The Speculative Literature Foundation is raising money at Generosity.com to fund their Diverse Worlds & Diverse Writers Grants.

The Speculative Literature Foundation’s Diverse Worlds and Diverse Writers Grants were launched in 2013 after an initial fundraiser covered the grants for three years. Help us keep both grants going for five more years!

The $500 Diverse Writers grant is intended to support new and emerging writers from underrepresented and underprivileged groups, such as writers of color, women, queer writers, disabled writers, working-class writers, etc. — those whose marginalized identities may present additional obstacles in the writing / publishing process.

The $500 Diverse Worlds grant is intended for work that best presents a diverse world, regardless of the writer’s background.

So far they have raised $695 towards the $5,000 goal.

(8) BOND OBIT. Paddington Bear creator Michael Bond died June 27 at the age of 91.

Bond published his first book, A Bear Called Paddington, in 1958.

The character, a marmalade-loving bear from “deepest, darkest Peru” who comes to live in London, went on to inspire a series of books, an animated TV series and a successful 2014 film.

Born in Newbury in 1926, Bond began his career at the BBC and later worked on Blue Peter as a cameraman.

He served with the RAF and the army during World War II and began writing in 1945 while stationed in Cairo.

More than 35 million Paddington books have been sold worldwide. The most recent, Paddington’s Finest Hour, was published in April.

(9) THE FUNDAMENTAL THINGS REMAIN AS TIME GOES BY. The Filer who sent the link said they were surprised that Steven Johnson’s article for the New York Times, “Greetings, E.T. (Please Don’t Murder Us)”, doesn’t mention The Three-Body Problem.

In Nov. 16, 1974, a few hundred astronomers, government officials and other dignitaries gathered in the tropical forests of Puerto Rico’s northwest interior, a four-hour drive from San Juan. The occasion was a rechristening of the Arecibo Observatory, at the time the largest radio telescope in the world. The mammoth structure — an immense concrete-and-aluminum saucer as wide as the Eiffel Tower is tall, planted implausibly inside a limestone sinkhole in the middle of a mountainous jungle — had been upgraded to ensure its ability to survive the volatile hurricane season and to increase its precision tenfold.

To celebrate the reopening, the astronomers who maintained the observatory decided to take the most sensitive device yet constructed for listening to the cosmos and transform it, briefly, into a machine for talking back. After a series of speeches, the assembled crowd sat in silence at the edge of the telescope while the public-address system blasted nearly three minutes of two-tone noise through the muggy afternoon heat. To the listeners, the pattern was indecipherable, but somehow the experience of hearing those two notes oscillating in the air moved many in the crowd to tears.

That 168 seconds of noise, now known as the Arecibo message, was the brainchild of the astronomer Frank Drake, then the director of the organization that oversaw the Arecibo facility. The broadcast marked the first time a human being had intentionally transmitted a message targeting another solar system. The engineers had translated the missive into sound, so that the assembled group would have something to experience during the transmission. But its true medium was the silent, invisible pulse of radio waves, traveling at the speed of light.

It seemed to most of the onlookers to be a hopeful act, if a largely symbolic one: a message in a bottle tossed into the sea of deep space. But within days, the Royal Astronomer of England, Martin Ryle, released a thunderous condemnation of Drake’s stunt. By alerting the cosmos of our existence, Ryle wrote, we were risking catastrophe. Arguing that ‘‘any creatures out there [might be] malevolent or hungry,’’ Ryle demanded that the International Astronomical Union denounce Drake’s message and explicitly forbid any further communications. It was irresponsible, Ryle fumed, to tinker with interstellar outreach when such gestures, however noble their intentions, might lead to the destruction of all life on earth….

But in the 40 years since Drake transmitted the message, just over a dozen intentional messages have been sent to the stars, most of them stunts of one fashion or another, including one broadcast of the Beatles’ ‘‘Across the Universe’’ to commemorate the 40th anniversary of that song’s recording. (We can only hope the aliens, if they exist, receive that message before they find the Hitler footage.)…

Now this taciturn phase may be coming to an end, if a growing multidisciplinary group of scientists and amateur space enthusiasts have their way. A newly formed group known as METI (Messaging Extra Terrestrial Intelligence), led by the former SETI scientist Douglas Vakoch, is planning an ongoing series of messages to begin in 2018. And Milner’s Breakthrough Listen endeavor has also promised to support a ‘‘Breakthrough Message’’ companion project, including an open competition to design the messages that we will transmit to the stars. But as messaging schemes proliferate, they have been met with resistance. The intellectual descendants of Martin Ryle include luminaries like Elon Musk and Stephen Hawking, and they caution that an assumption of interstellar friendship is the wrong way to approach the question of extraterrestrial life. They argue that an advanced alien civilization might well respond to our interstellar greetings with the same graciousness that Cortés showed the Aztecs, making silence the more prudent option.

If you believe that these broadcasts have a plausible chance of making contact with an alien intelligence, the choice to send them must rank as one of the most important decisions we will ever make as a species. Are we going to be galactic introverts, huddled behind the door and merely listening for signs of life outside? Or are we going to be extroverts, conversation-starters? And if it’s the latter, what should we say?

(10) CARNEGIE MEDAL. Colson Whitehead accepted the Andrew Carnegie Medal for Excellence in Fiction at the American Library Association’s Annual Conference in Chicago on June 24. The award was announced in January.

The Andrew Carnegie Medals for Excellence in Fiction and Nonfiction were established in 2012 to recognize the best fiction and nonfiction books for adult readers published in the U.S. the previous year. The winners (one for fiction, one for nonfiction) are announced at an event at the ALA Midwinter Meeting; winning authors receive a $5,000 cash award, and two finalists in each category receive $1,500.

Michael Chabon’s non-sf novel Moonglow was one of the fiction runner-ups.

(11) UNACQUIRED TASTES. Joe Sherry tackles the Hugo-nominated novels at Nerds of a Feather. Too Like the Lightning landed below No Award on his ballot, Death’s End just above. Jemisin’s novel ranks first.

Too Like the Lightning: I tried, folks.  I tried. Except for Death’s End, this was the finalist I was more concerned about reading. Something about the futuristic utopia written with stylistic flourishes harkening back to the 1800’s (despite being set in the 2400’s) just didn’t work for me. I know I gave up on the book too soon, but three chapters / 40 pages seemed to be enough to know that I didn’t care enough to even to the central mystery / conceit / story of Too Like the Lightning. Reading other reviews suggest that there is richness to be found, if only I take the time to push through. Perhaps I will try again in the future (after all, my reading of This-Census Taker changed on a second go-round), especially if this happens to win the Hugo Award. Though, given how other awards have shaken out so far this year, this seems somewhat unlikely. I do subscribe to the idea that sometimes we come to a book at the wrong time to appreciate or enjoy the work and coming to it again at a different time results in a different and stronger appreciation. Hopefully that’ll happen here, otherwise this is just a miss for me.

(12) MÍEVILLE. Camestros Felapton is also posting about his award reading: “Review: This Census Taker – Hugo2017 Novella”

China Miéville’s novella This Census Taker is not a roman à clef although it does feature keys but it has the aesthetics of an unsolvable puzzle. The story points at things as if they are clues but those elements (the deep hole into which things are thrown, the father’s affectless violence, the boy/narrator’s inconsistent recollections) don’t ever come together as a finished puzzle. The novella is like a painting of an unfinished jigsaw puzzle – the edges artfully done but with the looming chasm of the centre incomplete.

(13) DOG YEARS. Felapton has worked up a new diagram tracing how the Puppy movements are playing out, “Rise of the Scrappy Doos”.

In terms of existing movements they are closest to the Superversive movement and the Pulp Revolutions movement. Those two movements* can be seen as offshoots of the Rabid Puppies but this can be misleading. The Rabids had a core of straight Alt-Right griefers willing to do exactly what Vox Day told them to do for the lulz. Superversive began independently of the Rabids but has attached itself to Castalia for promotion and is focused on literary works (although of a right leaning nature). Pulp Revolution arose from the Castalia House blog and hence is more closely connected to Rabid Puppies but again is not the same as the griefing group.

[eta – paragraph went astray] Whereas the Rabids collectively were not particularly interested in the field of SFF, the Scrappy-Doos have more in common with the Sad Puppies in so far as they tend to be actively involved in writing, publishing and books. In this sense they are more like other groupings in fandom. However, where significant voices in Sad Puppies (Correia, Torgersen, Hoyt, Freer) had had some success in trad-publishing (mainly centred around Baen Books), the Scrappy Doos are involved with small publishing groups or self-published.

(14) SPUD ON WHEELS. Marek Baczynski told his YouTube followers:

I made a self driving potato. And then named him “Pontus” and adopted him as a pet. This went well. By popular demand, I wrote a detailed list of parts, you can find it in this reddit comment: https://www.reddit.com/r/shittyrobots…

One commenter summed up the experience:

I’m not quite sure of what I just saw but it was highly emotional to me and I loved it.

(15) TAPPING OUT. The step after psychometric ID? “This man had the chip from his travel card implanted under his skin”.

This Australian can now tap in and out at train stations with a travel card chip implanted in his left hand.

Meow-Ludo Disco Gamma Meow-Meow (yes, that’s his legal name) says he had it put under his skin by a professional piercer….

“If someone stole my wallet I could still get home,” he told ABC News.

It’s not the best super power in the world, but it’s better than nothing.

(16) CELEBRATE THE 42ND ANNIVERSARY OF JAWS. “We’re gonna need a bigger beer can,” says Andrew Porter. So popular they’re now on backorder — “Honor the Man Jaws Poster”.

Jaws fans have seen this poster in liquor stores and begged the clerks to buy them… They’ve sent emails and called our contact line in search of this awesome poster too. Maybe you’ve even bargained with us at promotions to no avail… Well, here at Narragansett Beer, we’re all about making dreams come true which is why we’ve printed large 27″x40″ limited edition wall posters just for you!

[Thanks to John King Tarpinian, JJ, DMS, Lis Carey, elusis, Chip Hitchcock, Cat Eldridge, and Andrew Porter for some of these stories. Title credit goes to  File 770 contributing editor of the day Charon D.]