The National Cartoonists Society presented the 77th annual Reuben Awards at a ceremony in New York on September 7.
Bill Griffith, creator of Zippy the Pinhead, received the top honor, while the divisional winners included Phil Foglio in the Online Comics – Long Form category.
The Judith A. Markowitz Award for Exceptional New LGBTQ Writers recognizes LGBTQ-identified writers whose work demonstrates their strong potential for promising careers. The award includes a cash prize of $1,500. This year, the award goes to Naseem Jamnia and Maya Salameh.
Naseem Jamnia (they/them) is the Locus-nominated author of The Bruising of Qilwa, a novella introducing their queernormative, Persian-inspired world, which was shortlisted for the IAFA’s Crawford award. Named the inaugural Samuel R. Delany Fellow, they’ve also received fellowships from Lambda Literary and the Otherwise Award, and their nonfiction has appeared in The Rumpus, The Washington Post, Cosmopolitan, New Orleans Review, Sarah Gailey’s Stone Soup newsletter, and other venues. They are the managing editor of Sword & Kettle Press, a tiny independent publishing house of feminist speculative writing, and their debut middle grade horror, Sleepaway, is out in 2025 from Aladdin. Find out more and sign up for their newsletter at naseemwrites.com, or follow them on social @jamsternazzy.
How has access to queer literature/queer stories impacted your life as a queer person and shaped you as a queer writer?
When I was growing up, the closest I saw my gender portrayed in stories was with the “girl disguises herself as a boy to do the thing” trope, a la Mulan and Tamora Pierce’s Alanna books. I had to resort to fanfiction to explore queerness in terms of sexuality (and even then, rarely or never saw a portrayal of someone on the asexual spectrum). Much of my own writing growing up explored these issues inadvertently and vaguely, as I did not know what I was exploring at the time. However, once terms like “nonbinary” or understanding of transness outside a binary entered the public lexicon in the last 10-ish years, the wealth of queer literature we’ve seen explicitly including various identities has made a world of difference, helping me to understand and embrace my own various identities, which has since allowed me to live as my truest self. With this clearer understanding, I’ve taken the lack of what I saw growing up to turn into what I wish I had seen and where I wish we can go in the future. I’m grateful so many queer books exist now for kids and adults alike to explore the multiplicity of queer experiences….
(2) REUBEN FINALISTS INCLUDE TWO SFF ARTISTS. [Item by Dariensync.] Girl Genius creator Phil Foglio and frequent Neil Gaiman collaborator Colleen Doran have both been nominated for Reuben Awards by the National Cartoonist Society. Foglio for Online Comics: Long Form for Girl Genius, Doran for Best Graphic Novel for her adaptation of Neil Gaiman’s Chivalry. “Finalists Announced For 2022 NCS Divisional Awards For The 77th Annual Reubens”.
(3) STARS ON MARS. You can watch the first aired episode of Stars on Mars on the FOX website. William Shatner serves as Mission Control.
Many fans feel that modern fantasy movies began in 2001 with the one-two punch of The Lord of the Rings: The Fellowship of the Ring and Harry Potter and the Sorcerer’s Stone. Both having been produced after the CGI revolution of the 1990s, they applied the full power of the latest visual effects techniques to bring two beloved fantasy book series vividly to life.
But fantasy films go back a lot further than 2001. Since the dawn of movies, imaginative filmmakers have striven to use the medium’s unique capabilities to bring to life visions that cannot exist in reality. Long before computers were rendering T. rexes and Orc armies, special-effects crews had already amassed a huge bag of tricks to put fantastical stories on the screen, including stop-motion, bluescreen, forced perspective, puppets, and giant props.
Three of the four most highly-rated films have effects by Ray Harryahausen. Number one is –
Jason and the Argonauts
A retelling of the myth of the Golden Fleece, 1963’s Jason and the Argonauts was one of the peaks of Ray Harryhausen’s special effects career. Numerous striking effects appear throughout the film, but the show-stopper is the epic battle where Jason and his men confront an army of magically animated skeletons.
I had three men fighting seven skeletons, and each skeleton had five appendages to move in each separate frame of film. This meant at least 35 animation movements, each synchronized to the actor’s movements. Some days I was producing just 13 or 14 frames a day, or to put it another way, less than one second of screen time per day, and in the end the whole sequence took a record four and a half months to capture on film.
(5) YOU SAW IT HERE FIRST. At Galactic Journey, John Boston reviews the issue of Amazing which scored the coup of publishing an excerpt from Delany’s Nova, the novel Campbell declined to serialize in Analog: “[June 6, 1968] The Stalemate Continues (July 1968 Amazing)”.
Once more, all but one item of fiction are reprints, though this issue’s exception is more considerable than some: House A-Fire, by Samuel R. Delany, described as a short novel (at 33 pages!) on the cover and contents page, though editor Harrison acknowledges in the letter column that it is actually an excerpt from Delany’s new novel Nova, forthcoming from Doubleday. Delany’s name is misspelled on the cover and contents page and in Harrison’s editorial, spelled correctly on the story’s title page and in the letter column. Are you getting tired of all this nit-picking? So am I. But the persistent sloppiness of this magazine continues to irritate….
What was it about the horror genre that drew you to it?
I’m less certain that I chose horror; I think horror chose me. Truthfully, from as far back as I can remember, I was drawn to all things dark. As a kid, my earliest recollections of being terrified were watching made-for-TV movies from the 70s like Don’t Be Afraid of the Dark, Gargoyles, and Trilogy of Terror. I can still remember damn near pissing myself when that little Zuni fetish doll from the latter chased poor Karen Black around her apartment! (laughs)
As I got a little older, my Dad would take me to the movies as part of our weekend “buddy days”. They were usually Irwin Allen disaster flicks or movies with a lot of car chases, but then a little film called Jaws was released. I was eight years old and can still feel the knot in my stomach the first time I heard those opening notes of John Williams’ now-legendary score. I think I only made it up to the point that the ill-fated skinny-dipping Chrissie gets slammed into the buoy before I pleaded with my Dad to leave. It would take three subsequent tries before I could make it through the entire film, each time making it a little further into the film before my ever-patient father heard the desperation of the “Please, Daddy…can we leave now?” in my voice. Jaws was a rite of passage for me; it was the first time I needed to summon and sustain any sense of real bravery. When I finally saw those end credits, it was a mark of accomplishment… a hint of manhood, if you will.
1978 was a game changer for me—the cusp of adolescence and the release of John Carpenter’s Halloween. If Jaws hooked me, Halloween reeled me in and cemented what would become a lifelong adoration of both slasher films and a certain actress named Jamie Lee Curtis.
(7) MEMORY LANE.
2005 – [Written by Cat Eldridge from a choice by Mike Glyer.]
I won’t say that Haruki Murakami is author that I’m at familiar as he isn’t. Kafka on the Shore is the English translation of the original Japanese publication which is this, 海辺のカフカ.
Alfred Knopf published the first English language edition eighteen years ago.
It would win a World Fantasy Award.
It is an available from the usual suspects.
And now for our Beginning…
So you’re all set for money, then?” the boy named Crow asks in his typical sluggish voice. The kind of voice like when you’ve just woken up and your mouth still feels heavy and dull. But he’s just pretending. He’s totally awake. As always.
I nod.
“How much?”
I review the numbers in my head. “Close to thirty-five hundred in cash, plus some money I can get from an ATM. I know it’s not a lot, but it should be enough. For the time being.”
“Not bad,” the boy named Crow says. “For the time being.
I give him another nod. “I’m guessing this isn’t Christmas money from Santa Claus.”
“Yeah, you’re right,” I reply.
Crow smirks and looks around.
“I imagine you’ve started by rifling drawers, am I right?”
I don’t say anything.
He knows whose money we’re talking about, so there’s no need for any long-winded interrogations.
He’s just giving me a hard time.
“No matter,” Crow says. “You really need this money and you’re going to get it—beg, borrow, or steal. It’s your father’s money, so who cares, right? Get your hands on that much and you should be able to make it. For the time being. But what’s the plan after it’s all gone? Money isn’t like mushrooms in a forest—it doesn’t just pop up on its own, you know. You’ll need to eat, a place to sleep. One day you’re going to run out.”
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 7, 1944 — Mildred Downey Broxon, 79. Author of three novels and some short stories, heavy on Nordic-German mythology. The Demon of Scattery was co-written with Poul Anderson. There are no digital books available for her and her printed editions are out of print now. I see no sign that her short fiction has been collected into a volume to date.
Born June 7, 1952 — Liam Neeson, 71. He first shows up in genre films as Gawain in Excalibur and as Kegan in Krull. He plays Martin Brogan in High Spirits, a film I enjoy immensely. Next up is the title role in Darkman, a film I’ve watched myriad times. He’s Dr. David Marrow in The Haunting which I’d contend is loosely off of The Haunting of Hill House by Shirley Jackson. Now we get him as Qui-Gon Jinn in The Phantom Menace. Followed unfortunately by his horrid take as Ra’s al Ghul in Batman Begins and as a cameo in the The Dark Knight Rises. Now he voiced Aslan with amazing dignity in The Chronicles of Narnia franchise and voiced Zeus as well in the Titans franchise.
Born June 7, 1954 — Louise Erdrich, 69. Writer of novels, poetry, and children’s books featuring Native American characters and settings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians. Her genre work includes according to ISFDB the Ojibwe series of The Antelope Wife which won a World Fantasy Award and The Painted Drum, plus stand-alone novels of The Crown of Columbus (co-written with her husband Michael Dorris) and Future Home of the Living God.
Born June 7, 1968 — Sarah Parish, 55. In “The Runaway Bride“, a Tenth Doctor story, she got to play, with the assistance of extensive CGI, one of the nastiest Who villains to date, The Empress of the Racnoss, an oversized vicious spider with a human face. Great episode. It’s our introduction to Donna Noble, his Companion for quite some time to come. In a much lighter role, she played Pasiphaë on BBC’s Atlantis series.
Born June 7, 1969 — Anthony Simcoe, 54. Ka D’Argo in Farscape, one of the best SF series ever done. If you don’t watch anything else, just watch the finale, The Peacekeeper Wars as it’s fairly self contained. Farscape is the SF he did. If you can find a copy, Matt Bacon’s No Strings Attached: The Inside Story of Jim Henson’s Creature Shop is a wonderful look at the creation of the creatures on the show including D’Argo facial appendages.
Born June 7, 1972 — Karl Urban, 51. He’s in the second and third installments of The Lord of the Rings trilogy as Éomer. He is McCoy in the Trek reboot franchise, Cupid on Xena: Warrior Princess and Hercules: The Legendary Journeys, John Kennex on Almost Human, Vaako in the Riddick film franchise, and Judge Dredd in Dredd. For the record, I liked both Dredd films for varied reasons.
Born June 7, 1974 — David Filoni, 49. Creator and an executive producer on Star Wars Rebels, a most awesome series, for all four seasons, and was supervising director and a writer on another excellent series, Star Wars: The Clone Wars. (I like the animated series far better than the live action films.) He makes his live acting debut in The Mandalorian playing Trapper Wolf, an X-Wing pilot, in “The Prisoner” episode. It’s also worth noting that he his first job was directing episodes during the first season of animated series Avatar: The Last Airbender
Born June 7, 1979 — Anna Torv, 44. She’s best known for her role as FBI agent Olivia Dunham on Fringe. She also played an ITU nurse in Frankenstein, a modern adaptation of that novel. She voiced the lead of Nariko in the animated Heavenly Sword film based off the game of the same name.
(9) COMICS SECTION.
The Argyle Sweaterreveals an astronomical feature apparently known only to Federation navigators.
…Above you see the first page of a letter sent by Jack Liebowitz to Jerry Siegel on September 28, 1938. For context, as this point, ACTION COMICS #5 had been published and the character of Superman was heating up. The McClure Newspaper Syndicate, which had been noncommittal about their interest in developing Superman as a newspaper strip, suddenly showed new signs of life, which had caused Siegel to write to Detective Comics and request that they return all rights but first publication to Superman to Siegel and Shuster. As you can imagine, Jack Liebowitz and his boss Harry Donenfeld weren’t having any part of that….
(11) VISITING SPACE. [Item by Mike Kennedy.] This $50 Lego set was inspired by a group of “space travel posters” created by the Jet Propulsion Laboratory for NASA. In turn, those were inspired in part by classic travel posters from the golden age of luxury travel. “Retro NASA Space Tourism Posters made from LEGO Bricks are a Space Nerd Must-Have” at Yanko Design.
Here are the four LEGO “posters”.
Here are examples of NASA’s space travel posters.
(12) JEOPARDY! [Item by David Goldfarb.] On Monday’s episode, a clue from Single Jeopardy and one from Double Jeopardy.
In the first round, the category was “Task: Force”, and the $400 clue:
This term for a fictional energy barrier has been traced back to the 1931 sci-fi story “Islands of Space”
Returning champion Jared Watson knew it was a force field.
In the second round, “Movie Continents” for $2000:
Antarctica: a shape-shifting alien menaces helicopter pilot Kurt Russell
Harrison Seidel identified “The Thing”.
On Tuesday’s episode, “Books and Authors” had this at the $2000 level:
Her novel “Kindred” tells of Dana, a young Black woman who is transported from the 1970s back in time to the pre-Civil War South
Jared Watson (who gave the Vulcan sign during the intro, and made the A in Jared into a little Star Trek glyph) responded correctly.
(13) FREE FLASH SF EVENT. Space Cowboys Books of Joshua Tree, CA is hosting a “Flash Science Fiction Night Online Event” on Tuesday June 27 beginning at 6:00 p.m. Pacific. Register for free here.
Join us online for an evening of short science fiction readings (1000 words or less) with Shacklebound Books authors Marisca Pichette, Eric Fomley, and Jenna Hanchey. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Goldfarb, Dariensync, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) WORLDCON PROGRAM. DisCon III has posted a basic outline of the times programming will take place – on their website here. They’ve also included specific times on significant events and for important DisCon III locations, such as Registration and the Exhibit Hall.
… A.3.2: Hugo Awards Study Committee – I was one of the original proposers of this committee. I am very disappointed with the results. The only concrete output that it has achieved in four years of existence is the addition of the words “or Comic” to the category title of “Best Graphic Story”. In the meantime other proposed changes have been killed off by referring them to this committee, which has then failed to consider them. I would not support the continuation of this committee’s mandate. I do not blame anyone, especially in the circumstances of the last two years, but I think we have proved that this is not a format that will deliver change.
On the other hand, if it is renewed, I would prefer to continue as a member, and I strongly urge (yet again!) that it takes the reform of the Best Artist categories as a priority. This was the main motivation for my proposing the committee in the first place. It is the single issue that has caused most headaches in my four years of Hugo administration. The Artist category definitions are very out of date, and present a risk to the future reputation of the awards because it would be very easy to make a public and embarrassing mistake. A bit more on this further down….
(3) C.J. CHERRYH HEALTH UPDATE. In a public Facebook post, C.J. Cherryh discusses the effects of her chemotherapy.
Coming to grips with chemo and change…
I’ve decided to go with the Gandalf look. I had reconciled myself to the Yul Brynner or Zhaan look, but I didn’t lose the hair with chemo. It just went snow-white and brittle. It’s not bad, now that I’m not trying to be Cher. I think I’ll let it grow and see if I can rock the look. I have a light hat I can wear when the wind’s blowing, so I don’t look like sfx surround me—it’s super light, and doesn’t stay put.
Complexion—well, that’s aged a whole lot. Dropping 40 sudden pounds will do that to you: I am developing…character. That’s my take on it. Always wondered where the lines would go. Not too bad.
Strength: that’s the big one. I don’t have much stamina for standing upright—or for walking very far…
She is getting a portable powered scooter and plans to attend cons as they continue to open up again.
…[On] on Friday, …activist-performers Holly Stars, Georgia Frost and Richard Energy held a protest ahead of Saturday’s Trans Day of Remembrance in front of Rowling’s Scotland home to protest what many see as the author’s anti-trans viewpoints. They held signs that read “Don’t Be a Cissy” and ‘Trans Liberation Now” and, while there, took a photo in front of Rowling’s house in which the address was visible, then posted it on Twitter.
Last Friday, my family’s address was posted on Twitter by three activist actors who took pictures of themselves in front of our house, carefully positioning themselves to ensure that our address was visible. 1/8
… According to Pink News, their demonstration outside Rowling’s home in Edinburgh, Scotland, was in support of the International Transgender Day of Remembrance, an annual event to memorialize the scores of trans and gender nonconforming people murdered every year.
The Post Millennial reported Stars, Frost and Energy stood by their tweeting of the photo, but Stars tweeted they made the decision to delete it after a backlash from Rowling supporters:
“Yesterday we posted a picture we took at JK Rowling’s house. While we stand by the photo, since posting it we have received an overwhelming amount of serious and threatening transphobic messages so have decided to take the photo down. Love to our trans siblings.”
(5) PLAYING MONOPOLY. Kristine Kathryn Rusch thinks about what-might-have-been if the DOJ had been on the job sooner: “Business Musings: The If-Only Lawsuit”.
All the promises in the world mean nothing when large companies merge.
I read the complaint for the suit the day the suit was announced. The complaint is worth reading because, if nothing else, it’s a what-if. What if the DOJ had been on this as the mergers started twenty years ago? What would the traditional publishing landscape look like now?
I can tell you: It would look completely different. Instead of the traditional part of the industry being dominated by five large conglomerates, the traditional part of the industry would look the same or better than it did in the early 1990s. There would be a lot of publishing houses, a lot of working editors, a lot of imprints, and a lot of competition….
(6) DC METRO NEWS. [Item by Martin Morse Wooster.] This article about the problems of the Washington Metro is important because it’s going to affect DisCon III attendees. The short version: one of the 7000 series of Metrorail cars derailed on October 12 and Metro pulled these cars out of service. They haven’t brought them back yet. So Discon attendees should factor in extra time when using the troubled Washington D.C. subway. “Metro extends limited rail service through December”.
Metro will operate with reduced rail service through the end of the year as it works to return its 7000-series rail cars to the tracks, the transit agency announced Monday.
The trains, the newest in Metro’s inventory, make up 60 percent of the transit agency’s fleet but have been sidelined since the October derailment of a Blue Line train near the Arlington Cemetery station….
[Manager Paul J. Wiedefeld] said a more likely scenario would be a gradual ramp-up of service as trains are cleared to resume carrying passengers. In all, Metro has 748 rail cars in the series. The transit agency is operating with about 45 trains using its older 2000-, 3000- and 6000-series rail cars.
Wiedefeld said rail ridership, which had been around 30 percent of pre-pandemic levels, has dipped to about 28 percent in recent weeks.
No one was injured in the Oct. 12 incident, but an initial investigation by the National Transportation Safety Board found defects in the trains’ wheelsets that could make them more prone to derailment.
(7) OKORAFOR IN THE NEWS. In the Chicago Tribune, an article (which you may find blocked by a paywall) refers to fantasy writer Nnedi Okorafor in reporting on Black residents who have moved out of the Chicago area. “Black residents leaving Chicago with few regrets”. Here are the paragraphs about her:
Award-winning fantasy writer Nnedi Okorafor said she moved from the south suburbs to Phoenix earlier this year, drawn there by its year-round warmth. The author of 19 books, Okorafor said her resolve to stay in the Southwest grew after her daughter, Anyaugo, was accepted at Arizona State University.
“Each time I’ve gone (to Arizona), I’ve gradually fallen in love with the area because I love heat and the desert,” she told the Tribune. “Once (my daughter) got into ASU, it all just lined up and made sense.”
(8) MEDIA BIRTHDAY.
1996 — Twenty-five years ago, Star Trek: First Contact premiered. It was the eighth film of the Trek films, and the second of the Next Gen films following Star Trek Generations. It was directed by Jonathan Frakes from the screenplay by Brannon Braga and Ronald D. Moore. The story was written by Rick Berman, Brannon Braga and Ronald D. Moore. It of course starred the Nex Gen cast plus guest stars Alfre Woodard, James Cromwell and Alice Krige, the latter as the Borg Queen.
First Contact received generally positive reviews upon release. The Independent said “For the first time, a Star Trek movie actually looks like something more ambitious than an extended TV show.” And the Los Angeles Times exclaimed, “First Contact does everything you’d want a Star Trek film to do, and it does it with cheerfulness and style.” It did very well at the box office making one hundred fifty million against a budget of fifty million. Audience reviewers at Rotten Tomatoes currently give it a most excellent rating of ninety percent.
It was nominated for a Hugo at LoneStarCon 2, the year that Babylon 5’s “Severed Dreams” won.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 22, 1932 — Robert Vaughn. His best-known genre work was as Napoleon Solo in The Man from U.N.C.L.E. with other genre work being in Teenage Caveman, Starship Invasions, The Lucifer Complex, Virus, Hangar 18, Battle Beyond the Stars, Superman III, C.H.U.D. II: Bud the C.H.U.D. (seriously who penned that awful title?), Transylvania Twist and Witch Academy. Oh, and he wrote the introduction to The Man from U.N.C.L.E. series companion that came out a generation after the series aired. (Died 2016.)
Born November 22, 1940 — Terry Gilliam, 81. He’s directed many films of which the vast majority are firmly genre. I think I’ve seen most of them though I though I’ve not seen The Man Who Killed Don Quixote, Tideland, The Zero Theorem or The Imaginarium of Doctor Parnassus. I’ve seen everything else. Yes, I skipped past his start as the animator for Monty Python’s Flying Circus which grew out of his work for the children’s series Do Not Adjust Your Set which had the staff of Eric Idle, Terry Jones, and Michael Palin. Though he largely was the animator in the series and the films, he did occasionally take acting roles according to his autobiography, particularly roles no one else wanted such those requiring extensive makeup. He’s also co-directed a number of scenes. Awards? Of course. Twelve Monkeys is the most decorated followed by Brazil with two and Time Bandits and The Fisher King which each have but one. He’s not won any Hugos though he has been nominated for four — Monty Python and the Holy Grail, Time Bandits, Brazil and Twelve Monkeys. My favorite films by him? Oh, the one I’ve watched the most is The Adventures of Baron Munchausen followed by Time Bandits.
Born November 22, 1943 — William Kotzwinkle, 78. Fata Morgana might be in my opinion his best novel though Doctor Rat which he won the World Fantasy Award for is in the running for that honor as well. And his short stories of which there are many are quite excellent too. Did you know Kotzwinkle wrote the novelization of the screenplay for E.T. the Extra-Terrestrial? The usual digital suspects are well stocked with his books.
Born November 22, 1949 — John Grant. He’d make the Birthday list solely for being involved in the stellar Encyclopedia of Fantasy which won a Hugo at BucConeer. And he did win another well-deserved Hugo at Noreascon 4 for Best Related Work for The Chesley Awards for Science Fiction and Fantasy Art: A Retrospective. Most of His short fiction has been set in the Lone Wolf universe though I see that he did a Judge Dredd novel too. (Died 2020.)
Born November 22, 1957 — Kim Yale. Married to John Ostrander until 1993 when she died of breast cancer, she was a writer whose first work was in the New America series, a spin-off of Truman’s Scout series. With Truman, she developed the Barbara Gordon Oracle character, created the Manhunter series, worked on Suicide Squad, and was an editor at D.C. where she oversaw such licenses as Star Trek: The Next Generation. For First Comics, she co-wrote much of the amazing Grimjack with her husband.
Born November 22, 1958 — Jamie Lee Curtis, 63. Can we agree that she was the best Scream Queen for her film debut in the 1978 Halloween film in which she played the role of Laurie Strode? No? Well, that’s my claim. She followed up with yet more horror films, The Fog and Prom Night. In all, she’s the only character that survives. She would reprise the role of Laurie in six sequels, including Halloween H20, Halloween: Resurrection, Halloween II and Halloween III: Season of the Witch, Halloween (a direct sequel to the first Halloween) and Halloween Kills. She shows up in one of my fav SF films, The Adventures of Buckaroo Banzai Across the 8th Dimension as Sandra Banzai but you’ll need to see the director’s extended version as she’s only there in that version. Is True Lies genre? Probably not, but for her performance, Curtis won the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy and the Saturn Award for Best Actress. Damn impressive I’d say. No, I’m not listing all her films here as OGH would likely start growling. Suffice to say she’s had a very impressive career.
Born November 22, 1979 — Leeanna Walsman, 42. Spoiler alert. She’s best known as the assassin Zam Wesell from Attack of The Clones. Being Australian, she’s shown up on Farscape, a Hercules series (but not that series), the BeastMaster and Thunderstone series, and Spellbinder: Land of the Dragon Lord.
Born November 22, 1984 — Scarlett Johansson, 37. Best known perhaps for her role as the Black Widow in the MCU films including the present Black Widow film but she has other genre appearances including playing Motoko Kusanagi in Ghost in the Shell which was controversial for whitewashing the cast, particularly her character who was supposed to be Japanese.
Ray Billingsley didn’t much like his second-floor Harlem home on Bradhurst Avenue back then. It was affordable — this being the mid-’80s — but he felt isolated, and he knew crime was a threat: “One evening while in bed with the window open, I actually heard three guys planning on burglarizing my apartment.”Yet this setting was also where, later that night after going to bed, Billingsley drew inspiration. He awoke with a creative burst. “I had a vision of these two kids. I sketched them down in the dark and went back to sleep. That morning, I found the first images of Curtis and Barry.”
There they were, two cartoon brothers — the taller one wearing Curtis’s signature ball cap, the shorter one in suspenders. With minimal line work, he had rendered his future….
…When DC’s League of Super-Pets comes to theaters next year, fans will get an odd pairing as Superman and Lex Luthor: facing off against Marc Maron’s scheming Luthor will be a Man of Steel voiced by The Office star John Krasinski. Sharing a still from the upcoming, animated movie, Krasinski revealed not only that he is Superman, but what his Superman will look like. The costume owes a debt to the one from the Max Fleischer cartoons of the 1940s — a look that recently popped back up again in flashbacks of Tyler Hoechlin’s character on Superman & Lois.
While the Super-Pets getting their own feature film may seem strange, the movie has an absolutely stacked cast providing the voices for its characters. Dwayne “The Rock” Johnson is starring in the film as Krypto the Superdog, the canine pal of one Superman. Kevin Hart, Johnson’s friend and frequent collaborator, will be voicing Batman’s four-legged friend, Ace the Bat-Hound….
(12) FAMOUS LIGHTSABERS AND WANDS. Julien’s Auctions “Icons And Idols: Hollywood” auction starts December 2. “I am almost grateful that I don’t have unlimited funds,” says John King Tarpinian, who sent links to such items as this lightsaber.
From the Harry Potter franchise: David Thewlis’ wand in his role as Professor Remus Lupin from the 2004 installment Harry Potter & The Prisoner of Azkaban ($5,000-$7,000), a wand used by Death Eater “Alecto Carrow” in the 2011 film Harry Potter & The Deathly Hallows and Rupert Grint’s hero wand in his role as “Ron Weasley” from the same film as well as signed stamp sheets by the cast members, Daniel Radcliffe, Emma Watson, and Rupert Grint, call sheets and Hogwarts acceptance letter;
Also included in the collection is a signed animation cel from 1958 featuring five of Blanc’s famous characters, Porky Pig, Tweety Bird, Bugs Bunny, Sylvester the Cat, and Daffy Duck.
The cel is inscribed in black fountain pen ink on the background page, which reads, ‘For Pat/ with love from/ ‘Uncle’ Mel Blanc/ 4/8/58.’
(13) FIRST BLACK VOICES MATTER ACQUISITION. Angry Robot Books has officially announced their first signing through the Black Voices Matter unagented submissions.
Denise Crittendon
Denise Crittendon is a former editor of NAACP’s The Crisis, and her debut Where it Rains in Colour infuses romance, mystery and the mythology of the Dogon tribe of Mali, West Africa in a magical mythological retelling. Significantly inspired by her time in Zimbabwe, Crittendon questions and plays with universal beauty standards, and challenges the structure and system in which they live. Where it Rains in Colour will be published in December 2022.
Launched as an open submissions program for sff novels by Black authors in the wake of the Black Lives Matter protests last year, this window was originally meant to run from July to September 2020, but Angry Robot Books has since announced it would be extended indefinitely. For more details, click through here.
(14) ZERO GRAVITY NEWS. [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport talks about how he experienced weightlessness for only $7,500 on a Zero-G flight from Dulles Airport, as he talks about adapting to weightlessness and how these flights give a lot of encouragement to disabled people who get to stand for the first time in years. “You don’t have to go to space to experience weightlessness”.
… I did the flips, flew arms wide like Superman, did the Spider-Man crawl along the ceiling, all in an airplane with a couple dozen others as part of a flight organized by Zero Gravity Corp. (Zero-G) that flew out of Dulles Airport in Northern Virginia earlier this month.
For years, the company has been able to create an experience for customers that mimics the weightless experience of going to space by flying in parabolic arcs. The plane flies up on a pitched ascent, and then crests over like a roller coaster into a steep dive that allows passengers to float for about 30 seconds at a time.
In a hollowed-out cabin of a 727 jet, with padding all around, your body rises involuntarily, and you float, effortlessly, as if you were a molecule in a state of matter that suddenly went from a solid to freewheeling gas, pinging around with abandon….
Our nearest neighbor, Alpha Centauri, is 4.37 light-years from Earth, which is super close from a cosmological perspective but achingly far from a human point of view. A new telescope promises to bring this intriguing star system, and any habitable planets it holds, into closer view.
The new mission, called TOLIMAN, was announced today in a press release. TOLIMAN is the ancient Arabic name for Alpha Centauri—the closest star system to Earth—but it’s also an acronym for Telescope for Orbit Locus Interferometric Monitoring of our Astronomical Neighbourhood. Once in space, astronomers will use the orbital observatory to search for potentially habitable exoplanets around Alpha Centauri.
The international collaboration includes teams from the University of Sydney, Breakthrough Initiatives, Saber Astronautics, and NASA’s Jet Propulsion Laboratory. Peter Tuthill from the Sydney Institute for Astronomy at the University of Sydney will lead the project.
…In the first real-world test of a technique that could someday be used to protect Earth from a threatening space rock, a spacecraft is scheduled to blast off from Vandenberg Space Force Base in California on Tuesday at 10:20 p.m. PST.
The golf-cart-size spacecraft will travel to an asteroid that’s more than 6 million miles away — and poses no danger to Earth — and ram into it. Scientists will then watch to see how the asteroid’s trajectory changes.
NASA has identified and tracked almost all of the nearby asteroids of a size that would cause world-altering damage if they ever struck Earth. For the foreseeable future, none that big are headed our way. But there are plenty of smaller asteroids, the size that could take out a city, that still haven’t been found and tracked.
It’s a space rock of that smaller size that the DART mission — short for Double Asteroid Redirection Test — will take head-on…
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jim Meadows III, Chris Barkley, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
…Flux – Chapter One: The Halloween Apocalypse gets off to a rollicking start. Mid escapade. High peril. No hanging about. Well, unless you’re Yaz and the Doctor, who, as we join them, are dangling from a “gravity bar” over an ocean of roiling acid. The pace is set for a fast, fun-packed opener, impressively achieved by Chibnall and his team in the face of COVID.
Shorn of former sidekicks Ryan and Graham, the Doctor (Jodie Whittaker) and Yaz (Mandip Gill) make good sparring partners, fielding a balance of amity and antagonism, and falling into the trad pattern in which the Time Lord withholds vital information, imperilling the companion’s life, who in turn proves to be plucky and resourceful….
The overnight viewing figures for yesterday’s episode of Doctor Who are in, with the series 13 premiere drawing in almost 4.5 million viewers.
BBC News entertainment correspondent Lizo Mzimba shared the audience statistics on Twitter, writing that an audience of 4.43 million watched series 13’s first episode – Chapter One: The Halloween Apocalypse.
While the figures are higher than most of series 12’s overnight statistics, they are lower than those for last season’s premiere, which was watched by 4.88 million.
… Obviously, there’s a lot to dissect from the episode – but one of the most striking moments had to be the introduction of new (or possibly old) baddie Swarm, who claims to be an ancient foe of the Doctor now wiped from her memory (thanks to events glimpsed in series 12 finale The Timeless Children)….
(4) WORK OF A LIFETIME. Artist James A. Owen has launched a Kickstarter appeal to fund an art book retrospective/meditation/collection of illustration, comics, pop culture, and stories celebrating his career: “Illustrations & Illuminations by James A. Owen”. As of this writing, it’s raised $13,421 of the $30,000 goal.
…I envisioned this book as the place where I could collect and display the very best of that work: the color covers and best pages from STARCHILD; the line art, color covers, and process drawings for illustrations from the IMAGINARIUM GEOGRAPHICA books; the drawings I made of J.R.R. TOLKIEN, C.S. LEWIS, and the other Inklings of Oxford from Diana Glyer’s book BANDERSNATCH; the lost graphic novel proposal for Peter Beagle’s THE LAST UNICORN; covers for books by Jeff VanderMeer & Cat Rambo, and Alma Alexander, and Catherynne Valente; illustrations and covers for the emagazine THE INTERGALACTIC MEDICINE SHOW; comics adaptations of a song by TORI AMOS and a story by F. PAUL WILSON; unseen art for LOST TREASURES OF THE PIRATES OF THE CARIBBEAN; the covers from my periodical WORDS & PICTURES; designs for the magazines ARGOSY and INTERNATIONAL STUDIO; spot illustrations and pinups from every era of my career; and much, much more….
… Eternals was originally scheduled to open in the region on Nov. 11.
While official reasons weren’t provided by either the studio or the local territories, here’s our understanding of what went down:
In Saudi Arabia, Bahrain and Oman, the censors were seeking further cuts beyond any scenes of intimacy and that Disney opted not to make the edits, hence distribution certificates weren’t issued.
Meanwhile in Kuwait and Qatar, the Chloe Zhao-directed super-gods movie was blocked. The issue, we hear, may not solely be the same-sex kiss, but rather that overall these markets have historically had a problem with the depiction of gods and prophets, something they consider blasphemous.
In the United Arab Emirates, Jordan, Lebanon and Egypt we understand that a version of the film will be released that removes all scenes of intimacy — be they heterosexual or homosexual. This is generally normal practice for these markets…
Tolkien’s Lost Chaucer is a book about a book that was doomed from the start….
… However, the entire book is really about how the fertile imagination and poetry of Chaucer provides an unceasingly rich bed for Tolkien’s scholarship and mythopoeic work. Tolkien’s Lost Chaucer really does reveal Tolkien’s thinking about words, accents, language development, regional dialects, poetic beauty, storytelling, character development, and moral and creative rooting. It is also an excellent book for showing Tolkien’s process as a thinker and editor. Readers of the Middle-earth histories and other Tolkien archival collections (like Christopher Tolkien’s publication of Beowulf) will recognize the patterns of intensive work, attention to detail, harried productivity, and chronic procrastination endemic to Tolkien’s lifetime at the desk.
When I mention “parallels” between Chaucer and Tolkien, I really mean that this is what the book is about. These parallels are often striking, sometimes surprising, and almost always thoughtful (even when they are peculiar). I wish, as I always do of writers about intertextual influence, that Bowers would have better distinguished the different kinds of probability of influence on a case-by-case basis. Usually, though, the reader can make that decision, deciding if this is a Chaucerian moment in Tolkien or merely a striking coincidence….
(7) MODEL LYRICS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Helen Brown says that Gilbert and Sullivan’s “The Major General’s Song” from The Pirates of Penzance (you know, “I am the very model of a modern major general”) has surprising sf resonances because of Tom Lehrer.
The smart-alecky language and precision-engineered rhyme scheme of (W.S.) Gilbert’s original lyrics made their way, via (Tom) Lehrer, into 20th-century science-fiction nerd culture, which made the song a perfect fit for tv shows. On a 1978 episode of the BBC’s Dr. Who written by Douglas Adams (The Pirate Planet) Tom Baker’s incarnation of the Time Lord sang, ‘I am the very model of a Gallifreyan Buccaneer.’ The song was also sung in episodes of Star Trek: The Next Generation (1992), Babylon 5 (1997), and Star Trek: Discovery (2019)… In 2017, the adorably chaotic minions from Universal’s animated film Despicable Me 3 turned the song into giddy gibberish as “Papa Mamma Loca Pipa.” As their helium-high voices tear into lines like ‘toka bocca pissa lalasagnaa,’ you can imagine Gilbert laughing from beyond the grave.
What do science fiction and social science have in common? Much in the way economists and political scientists forecast the results of social and economic structures, science-fiction writers envision future civilizations, both utopian and dystopian, through systematic world-building. Paul Krugman, distinguished professor of economics at the CUNY Graduate Center, joins in a conversation about the connection between the social sciences and fantasy fiction, and how they often inspire each other. The panel, including sci-fi novelists and social scientists who often refer to fiction in their writing and interviews, includes: Henry Farrell, a professor working on democracy and international affairs at Johns Hopkins University and editor-in-chief of the Monkey Cage blog at The Washington Post; Ada Palmer, author of the Terra Ignota series and associate professor of history at the University of Chicago; Noah Smith, who writes about economics at Noahpinion and is a former Bloomberg columnist and assistant professor at Stony Brook University; and Jo Walton, whose many books include Tooth and Claw, Ha’Penney, and the recent Or What You Will.
(9) SLIME TIME. “Ghostbusters Confidential: Inside The Original Ghost Shop” is an in-person Artist Talk being presented at the Museum of Neon Art in Glendale, CA on Saturday, November 20 at 5:00 p.m. Pacific. If you’re going to be in the neighborhood, tickets are available for $10 at the link.
To celebrate the release of Ghostbusters: Afterlife, neon and kinetic sculptor Stuart Ziff returns to MONA to share an entertaining, behind-the-scenes glimpse of the creatures in the original 1984 Ghostbusters movie. As “Head of Ghost Shop,” Stuart managed over 50 artists and technicians to create the film’s iconic monsters and creatures. Stuart will explain the creature-creation process–from concept drawings to filming on set– for fan-favorite creatures including “Slimer”, “Terror Dogs”, and The “Stay Puft Marshmallow Man.”
In 1966, a bunch of science fiction fans, myself included, checked out holding our annual World Science Ficrtion Convention at the then-Statler-Hilton. I remember being shown around. Sights included the enormous drained swimming pools, over which were built office space, as well as all the function rooms, some of which no longer exist. We did indeed hold the convention there, with numerous problems, including that the elevator operators were on strike because they were being automated out of existence. I remember the hotel rooms had window air conditioners, but also had hot, cold, and ice water faucets in the bathrooms, from the days before air conditioning was installed. Over the 1960s to 1990s, numerous science fiction, comics and Star Trek conventions were held in the hotel, and I have numerous photos with those facilities behind the people. Or just Google “1967 World Science Fiction Convention” to see reports, photos, etc.
All the hotel fittings were auctioned in September, and the building is expected to be demolished .
(11) MEDIA BIRTHDAY.
1996 – Twenty-five years ago, DS9’s “Trials and Tribble-ations” first aired in syndication. A most delightful episode, it blended footage from the original “The Trouble with Tribbles” into the new episode in a manner that allowed the characters from DS9 to appear to interact with the original Trek crew. The story was by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe with Ronald D. Moore and René Echevarria writing the actual script.
Paramount promoted the episode by arranging the placement of around a quarter million tribbles in subways and buses across the United States. Huh. Critics loved it. Really. Truly. They all turned into fanboys. And everyone loved that they brought Charlie Brill back to film new scenes. It was nominated for a Hugo at LoneStarCon 2 but lost out to Babylon 5’s “Severed Dreams”. I personally think it should’ve won.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 4, 1912 — Wendayne Ackerman. Was the translator-in-chief of 137 novels of the German space opera series Perry Rhodan, the majority published by Ace Books. She left Germany before WWII to escape anti-Semitism, working as a nurse in France and London. After the war she emigrated to Israel where she married her first husband and had a son. Following their divorce she moved to LA in 1948, and soon met and married Forrest J Ackerman. (Died 1990.)
Born November 4, 1917 — Babette Rosmond. She worked at magazine publisher Street & Smith, editing Doc Savage and The Shadow in the late Forties. Rosmond’s first story, co-written by Leonard M. Lake, “Are You Run-Down, Tired-“ was published in the October 1942 issue of Unknown Worlds. Error Hurled was her only genre novel and she only wrote three short genre pieces. She’s not available at the usual suspects. (Died 1997.)
Born November 4, 1920 — Sydney Bounds. Writer, Editor, and Fan from Britain who was a prolific author of short fiction, and novels — not just science fiction, but also horror, Westerns, mysteries, and juvenile fiction — from 1946 until his death in 2006. He was an early fan who joined Britain’s Science Fiction Association in 1937. He worked as an electrician on the Enigma machine during World War II, and while in the service, he started publishing the fanzine Cosmic Cuts. The film The Last Days on Mars (an adaptation of “The Animators”) and the Tales of the Darkside episode “The Circus” are based on stories by him. In 2005, two collections of his fiction were released under the title The Best of Sydney J. Bounds: Strange Portrait and Other Stories, and The Wayward Ship and other Stories. In 2007, the British Fantasy Society honored him by renaming their award for best new writer after him. (Died 2006.)
Born November 4, 1934 — Gregg Calkins. Gregg Calkins, Writer, Editor, and Fan. Mike Glyer’s tribute to him reads: “Longtime fan Gregg Calkins died July 31, 2017 after suffering a fall. He was 82. Gregg got active in fandom in the Fifties and his fanzine Oopsla (1952-1961) is fondly remembered. He was living in the Bay Area and serving as the Official Editor of FAPA when I applied to join its waitlist in the Seventies. He was Fan GoH at the 1976 Westercon. Calkins later moved to Costa Rica. In contrast to most of his generation, he was highly active in social media, frequently posting on Facebook where it was his pleasure to carry the conservative side of debates. He is survived by his wife, Carol.”
Born November 4, 1953 — Kara Dalkey, 68. Writer of YA fiction and historical fantasy. She is a member of the Pre-Joycean Fellowship (which if memory serves me right includes both Emma Bull and Stephen Brust) and the Scribblies. Her works include The Sword of Sagamore, Steel Rose, Little Sister and The Nightingale. And her Water trilogy blends together Atlantean and Arthurian mythologies. She’s been nominated for the Mythopoeic and Otherwise Awards.
Born November 4, 1953 — Stephen Jones, 68. Editor, and that is putting quite mildly, as he went well over the century mark in edited anthologies edited quite some time ago. The Mammoth Book of Best New Horror accounts for eighteen volumes by itself and The Mammoth Book of (Pick A Title) runs for at least another for another dozen. He also, no surprise, to me, has authored a number of horror reference works such as The Art of Horror Movies: An Illustrated History, Basil Copper: A Life in Books and H. P. Lovecraft in Britain. He’s also done hundreds of essays, con reports, obituaries and such showing up, well, just about everywhere. He’s won a number of World Fantasy Awards and far too many BFAs to count.
Born November 4, 1955 — Lani Tupu, 66. He’d be here just for being Crais and the voice of the Pilot on the Farscape series but he’s actually been in several other genre undertakings including the 1989 Punisher as Laccone, and Gordon Standish in Robotropolis. He also had roles in Tales of the South Seas, Time Trax and The Lost World. All of which we can guess were filmed in Australia. Lastly he appears in the Australian remake of the Mission: Impossible series which if you haven’t seen it is quite excellent. I just found it in DVD format several years back.
Born November 4, 1960 — James Vickery, 61. In Babylon 5, he played Neroon which is where I remember him from as he was a Right Bastard there. His major Trek universe role was as Rusot, a member of Damar’s Cardassian resistance group, appearing in the DS9 episodes “The Changing Face of Evil”, “When It Rains…” and “Tacking Into the Wind”. He also played a Betazoid in Next Gen’s “Night Terrors” and a Klingon in Enterprise‘s “Judgment” episode. And he voiced the character Legolas in a radio adaptation of The Lord of the Rings.
There are plenty of theories why the John Lewis Christmas ad no longer hits as hard as it once did. You could look at the fortunes of John Lewis itself, which has spent the last couple of years locked in a nightmare of plunging revenues and store closures. You could look at how aggressively every other retailer has attempted to rip off the tear-jerky John Lewis Christmas ad formula, to the extent that sitting through an ITV commercial break in November or December is now exactly the same as suffering through the first 10 minutes of Up on a neverending loop in an abandoned corn silo full of crying children.
But judging by this year’s offering, you might also suggest that John Lewis has run out of ideas. Because this year’s ad is such a straight-down-the-line John Lewis Christmas advert that you can only imagine it was assembled by tombola.
Sweet children? Check. Bittersweet ending? Check. Maudlin cover version of a song you once liked? Check, in this case a version of Together in Electric Dreams that sounds like it was performed by someone who has tumbled down a well and just realised nobody is coming to rescue her….
(16) REN FAIRES. Maryland’s NPR outlet produced a segment about “The Timeless Endurance Of Renaissance Faires”. Listen to it at the link. The guests are Eleanor Janega, a guest teacher in women’s history at the London School of Economics and Political Science; host, “Going Medieval;” author, “The Middle Ages: A Graphic History”; Kevin Patterson, executive director, Red Barn Productions; son of the founders of the original Renaissance Faire; and Rachel Lee Rubin, professor and chair of American Studies, University of Massachusetts-Boston; author, “Well Met: Renaissance Faires and the American Counterculture.” There’s also a sizable photo gallery.
The modern Renaissance Faire blossomed from a children’s arts education program in Agoura, California, in 1963.
Now, almost 60 years later, it’s a nationwide industry.
More than 200 festivals operate around the country — complete with jousters, performers, carnival games, vendors selling bespoke costume pieces, and various meats on a stick.
So why has the Renaissance Faire endured, nay, proliferated, all these years later?
(17) VIDEO OF THE DAY. An Audi is such a powerful car that it lets customers buy scary houses!
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, John A Arkansawyer, Bill, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna) riffing off an idea by Jon Meltzer.]
(1) MARY SUE ORIGIN STORY. [Item by Jerry Kaufman.] This
recent article from the London Review of Books
is about fandom, or fandoms as the case may be, the woman who identified the
“Mary Sue”, and her recent writing. (I am the real Jerry Kaufman –
accept no other) – “On
Sophie Collins”. (Registration required to
read full article.)
A ‘Mary Sue’ is an implausibly skilful, attractive or successful protagonist who seems to be a stand-in for the author, especially in fanfiction. The term comes from Paula Smith’s parodic story ‘A Trekkie’s Tale’ (1973), originally published in a mimeographed journal for Star Trek fans. In mocking ‘Mary Sue’, Smith was not attacking fanfiction but trying to bolster its literary quality against fans who used it naively for wish fulfilment. Most of these fans were (like Smith) female. As the term, and the critique, became more common, some fans, and some feminist critics, pushed back. They saw fan communities, and the defiantly unprofessional cultural production that emerged from them, as a kind of safe space, where the rules imposed by a patriarchal outside world about what one can say, and who one can be, could be ignored.
Council Member Fernando Cabrera’s proposal aims to honor Stan Lee’s Bronx roots by co-naming a section of University Avenue between Brandt Place and West 176th Street after the comic book genius.
The city council voted Tuesday to approve the proposal.
… “Stan Lee was a Bronx native who grew up in my district,” said Cabrera. “Stan Lee was a creative genius who co-created iconic super heroes including Spider-Man, the X-Men, the Hulk, Doctor Strange, Ant-Man, Black Panther and more. Mr. Lee’s amazing talent brought joy and entertainment to countless children and adults and he deserves to be permanently memorialized in his home borough, the Bronx.”
(3) BUILDING A STORY WITH MAGIC. Juliette Wade’s new Dive
Into Worldbuilding introduces readers to “Julie
Czerneda and The Gossamer Mage“. View the video interview,
and/or read the summary notes at the link.
…I asked her where the idea for the book started, and she said it started with a pen – and proceeded to show us the pen in question! She brought a lot of cool props to show us, so I encourage you all to check out the video if you’re curious about them.
One of the things that Julie explored while writing this was the history of ink. Battles were fought over areas of the world that provided good ink ingredients, and pirates stole ink as well as other things.
I’ve always found constrained magic systems very interesting, so I asked her to tell us about the magic system she used in The Gossamer Mage. Julie said she agreed with me that she liked constrained systems. She said she liked it when everyone knows how to use the magic, but wait, it’s not so simple. This particular magic system is constrained in part because it requires writing, which means it requires a particular type of scholarship. You have to be able to write words that are not human words, and to intend them. Further, this magic can only be done in the one place in the world where magic remains. One important ingredient here is that magic used to be in more of the world, but is no longer present except in one region, ringed with mountains.
Thus, magic is constrained physically, and it is constrained to scholars….
(4) BOOK MAKER. Shelf Awareness does a Q&A with Babylon-5
creator, who recently published his autobiography Becoming Superman: “Reading
with… J. Michael Straczynski”.
On your nightstand now:
Rereading A Coney Island of the Mind by Lawrence Ferlinghetti. I believe that an appreciation of poetry is essential for any writer in any field. That economy of language reminds you of the importance of choosing exactly the right word, not the word next to the right one on the shelf. On a conceptual level, I admire Ferlinghetti’s writing which comes at you from a right angle with a huge impact, so I reread his work every couple of years to keep my brain flexible.
And so, drip by drip, crumb by crumb, inch by inch, Straczynski manages to become a writer, and it turns out that not only can he write to deadline, he’s really good at it. Even projects that seem silly or trivial on their face, like writing for He-Man or The Real Ghostbusters, are treated with such intense seriousness that they just kill.
But this being Hollywood, where, famously, nobody knows anything, every success that Straczynski ekes out is eventually scuttled by venality, cowardice, grift, or all three, as greedy execs and bullshit-slinging consultants demand that he compromise on what he knows is right. And Straczynski being Straczynski — being the survivor of a campaign of terror visited upon him by a literal Nazi — refuses to back down, because despite the mountain of shit he’s climbed to get where he is, the prospect of falling down to the bottom is incapable of scaring him beyond his threshold of tolerability.
And, remarkably, despite industry concentration and a thousand variations of “you’ll never work in this town again,” Straczynski continues to work. His story is a beautiful parable about how luck is made: the way it’s told, it seems like Straczynski has a horseshoe up his ass, with opportunities dropping appearing over the horizon just a little faster than the burn-rate of the bridges he’s torched behind him, but when you look a little closer, you realize that the most improbable thing here isn’t the opportunities, but rather Straczynski’s relentless, singleminded determination to seize them, writing (for example) entire seasons of his TV shows when the studios’ dumb mistakes leave them shorthanded.
(6) REVOLUTIONARY DATA. Can you imagine Brent Spiner
playing John Adams in 1776? There’s a concept. He’s the guest on the
latest Maltin on
Movies podcast.
Forever to be remembered as Lt. Commander Data on Star Trek: the Next Generation and other treks to follow, Brent Spiner is a versatile actor and performer with notable Broadway credits—and two fervent fans in Leonard and Jessie, who saw him play John Adams in a masterful revival of 1776. He’s happy to discuss all facets of his career, from musical theater to his memorable role in Independence Day. Even longtime fans may learn things they didn’t already know about Brent in this delightful chat.
(7) THIS IS COOL. The
earth seen from outer space — here is a visualization of how Planet’s
satellites assemble swatches of remote sensing tiles to complete a global
observation in 24 hours:
In four years, Planet has flown on 18 successful launches and deployed 293 satellites successfully into low Earth orbit. With more than 150 satellites currently in orbit, Planet has the largest constellation of Earth imaging satellites in history.
As you may notice, the satellites are not always taking photos (or sending / “beaming” the data down to Earth). Parts of the landmass can also be missing due to complete cloud cover that day. See the Amazon, Central Africa, or Northern Australia for example.
A companion piece reveals more about the satellites themselves; the “doves”, “RapidEyes”, and “SkySats”. Explaining their sizes, the numbers out there already and the types of images they capture. Check out the story here!
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 26, 1883 — Edwin Balmer. Together with author Philip Wylie, he penned When Worlds Collide and After Worlds Collide. The first was made into the 1951 movie by George Pal. He also wrote several detective novels and collaborated with William MacHarg on The Achievements of Luther Trant, an early collection of detective short stories. The latter are not genre, despite being listed as ISFDB as I’ve read them. (Died 1959.)
Born July 26, 1894 — Aldous Huxley. Brave New World is fascinating. I knew I had it assigned and sort of discussed in a High School class and at least one Uni class decades ago. So what else is genre by him and worth reading? (Died 1963.)
Born July 26, 1919 — James Lovelock, 99. Just shy of a century now in life, the Gaia theorist wrote a genre novel with Michael Allaby, The Greening of Mars, of the transformation of the red planet into a green one. His newest work, Novacene: The Coming Age of Hyperintelligence, thinks that hyperintelligent machines are coming into being by our own hand and that we better be prepared for their arrival.
Born July 26, 1928 — Stanley Kubrick. I’m reasonably sure 2001: A Space Odyssey was the first film I saw by him but Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb was the one that impressed me the most. A Clockwork Orange was just damn depressing. And I’m not a horror fan as such so I never saw The Shining. Barry Lyndon is great but it’s not genre by any means. (Died 1999.)
Born July 26, 1945 — M. John Harrison, 74. TheViriconium sequence, I hesitate to call it a series, starting with The Pastel City, is some of the most elegant fantasy I’ve read. And I see he’s a SJW as he’s written the Tag, the Cat series which I need to take a look at. He’s not published deep in digital form at this time.
Born July 26, 1945 — Helen Mirren, 74. She first graces our presences as Hermia in A Midsummer Night’s Dream. She next shows up in a genre role as Alice Rage in The Fiendish Plot of Dr. Fu Manchu, Peter Sellers’ last film. She’s an ever so delicious Morgana in Excalibur and then leaps into the future as Tanya Kirbuk in 2010: The Year We Make Contact. She voices the evil lead role in The Snow Queen, and likewise is Deep Thought in The Hitchhiker’s Guide to the Galaxy.
Born July 26, 1957 — Nana Visitor,62. Kira Nerys on Deep Space Nine which for my money is the best of the Trek series to date. After DS9 ended, Visitor had a recurring role as villain Dr. Elizabeth Renfro on Dark Angel. In 1987, Visitor appeared as Ellen Dolan in a never developed series pilot for Will Eisner’s The Spirit with Sam J. Jones as The Spirit.
Born July 26, 1971 — Mary Anne Mohanraj, 48. Writer and editor. Founder of Strange Horizons, a genre fiction magazine. She has one genre novel, The Stars That Change, and two stories published in the Wild Cards Universe, “Low Chicago” and “Ties That Bind”. She also an anthology, Without A Map, co-edited with Nnedi Okorafor.
Born July 26, 1978 — Eve Myles, 41. She’s a a Welsh actress from Ystradgynlais, convenient as she played Gwen Cooper on Torchwood which was set in and shot in Cardiff. She previously played the servant girl Gwyneth in the Doctor Who episode “The Unquiet Dead” during the Ninth Doctor’s time. She and the full Torchwood cast did an an BBC 4 Radio Play called Golden Age in which they time travelled back to Imperial India. Highly recommended.
…Amazon’s new 8-episode series The Boys – about a team of non-powered mercenaries determined to take down the world’s premier team of evil, corrupt, soulless-corporate-shill superheroes – chooses to play in a sandbox that’s seen its share of use. A sandbox that’s been sitting out in the sun and rain and wind for decades, filling up with cigarette butts and cat poop and old toys left by previous storytellers, who’ve hit precisely the same themes.
This is even more true today than it was in 2006, when the comics series The Boys, by writer Garth Ennis and artist Darick Robertson – from which the Amazon show has been adapted, freely – first debuted.
…What The Boys was, at the time — especially if you’d been reading comics for years — was tiresome, more than anything else: Really? We’re still doing … this?
I’m happy to report that the Amazon series improves on its source material. It does so by taking the comics’ lazy inciting incident – the accidental death-by-superhero of the girlfriend of its main character Hughie (Jack Quaid) – and treating it as something more than solely a plot trigger. The series gives Hughie time to absorb, to grieve, to soak in the brutal incident so – even though it is depicted, lovingly, in garish slow-motion – it becomes something more than another nihilistic gag.
That’s a hallmark of the show, as it turns out. Where the comic was content to steer headlong into bloody spectacle and smugly snicker, the show serves up the spectacle (on a budget) and then … takes the time to inspect it, examine it, unpack it. To legitimately honor it, in other words. In its way.
(10) NEW TENANT IN THE WHITE HOUSE. Zombieland: Double
Tap comes to theaters October 18.
A decade after Zombieland became a hit film and a cult classic, the lead cast (Woody Harrelson, Jesse Eisenberg, Abigail Breslin, and Emma Stone) have reunited with director Ruben Fleischer (Venom) and the original writers Rhett Reese & Paul Wernick (Deadpool) for Zombieland 2: Double Tap. In the sequel, written by Rhett Reese & Paul Wernick and Dave Callaham, through comic mayhem that stretches from the White House and through the heartland, these four slayers must face off against the many new kinds of zombies that have evolved since the first movie, as well as some new human survivors. But most of all, they have to face the growing pains of their own snarky, makeshift family.
Although wackiness levels vary from video to video, the run times are all wisely kept brief. The only things that run longer than the time it takes to decide between regular avocados and organic ones are the cooking tutorials. Everything else—including charm-infused shorts like Christmas in Germany, produced by Condé Nast Traveler, which mixes traditional animation with stop-motion footage of Pfeffernüsse cookies and other German delicacies—runs at around the one-minute mark, making for a thoroughly undemanding watch.
This one’s very stfnal –
While this one’s just plain funky –
(12) NASFIC/WESTERCON IN UTAH. Rodford Edmiston has posted an
album
of photos from Spikecon at Flickr. Whether
intentionally or not, the photographer showed a genius for standing at the back
of a hall in which the only people were in the front row and on the platform.
(13) REUBEN AWARD. Stephan Pastis won the 2018
Reuben Award for Cartoonist of the Year given by the National Cartoonists
Society. The award was announced during
the NCS Annual Reuben Awards Weekend in May.
STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Andrews McMeel Syndication. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children.
Covered up by a secretive Soviet Union at the time, the true number of deaths and illnesses caused by the nuclear accident are only now becoming clear.
Springtime was always the busiest time of year for the women working at the wool processing plant in Chernihiv, northern Ukraine. More than 21,000 tons of wool passed through the factory from farms all across the country during the annual sheep shearing period. The April and May of 1986 were no exception.
The workers pulled 12-hour shifts as they sorted the piles of raw fleece by hand before they were washed and baled. But then the women started getting sick.
Some suffered nosebleeds, others complained of dizziness and nausea. When the authorities were called to investigate, they found radiation levels in the factory of up to 180mSv/hr. Anyone exposed at these levels would exceed the total annual dose considered to be safe in many parts of the world today in less than a minute.
Fifty miles away was the Chernobyl nuclear power plant. On 26 April 1986 reactor number four at the power plant suffered a catastrophic explosion that exposed the core and threw clouds of radioactive material over the surrounding area as a fire burned uncontrollably.
But Chernihiv was regarded to be well outside the exclusion zone that was hastily thrown up around the stricken plant and readings elsewhere in the town had shown it to have comparatively low levels of radiation.
…Had Hauer played Batty as another stone-faced Eurobaddie, “Blade Runner” itself might have been a more comfortably classifiable genre effort, the kind of movie that many viewers expected in 1982, the kind that promised to pit Ford, the star so familiar to us as Han Solo and Indiana Jones, against a new kind of futuristic nemesis. Instead, audiences were thrown off by the knotty neo-noir that Scott and the screenwriters Hampton Fancher and David Webb Peoples delivered, the film flopped, and a cult masterpiece was born.
Look no further than Batty’s extended final battle with Deckard to see both the evidence of the movie’s idiosyncratic tone and how Hauer’s remarkable performance enhances it, practically deconstructing the simple plot before our eyes. The replicant chases the beleaguered, frightened Deckard around an abandoned building, toying with the cop and playing singsong children’s games. But there’s still a catch in Batty’s words, slight pauses scattered in unusual places. Seeing that Deckard has killed his replicant lover, Pris (Daryl Hannah), Batty offers, “I thought you were good. Aren’t you the … good man?” The awkwardness of the words, combined with the pause before “good man” seems to question the film’s very moral universe…
(16) X MARKS THE PLOT. ScreenRant fires up another Pitch
Meeting – this one for Dark Phoenix.
The X-Men franchise has been running for nearly two decades, and it all culminates with Dark Phoenix, a storyline that the movies already covered in 2006. Once again, Jean Grey goes absolutely bonkers with power, but this time Wolverine isn’t around to stab her. The movie has a pretty awful score on Rotten Tomatoes and definitely raises a lot of questions. Like what’s the deal with the aliens, are they bulletproof or not? Why was Quicksilver dismissed from the movie so quickly? What was up with that Phoenix moment in X-Men Apocalypse? Why do these movies keep jumping forward a decade each time? Is Magneto supposed to be 62 years old, and if so, why is a 42-year-old with no make-up playing him? Why did they show Mystique dying in the trailer?
[Thanks to Jerry Kaufman, Juliette Wade, John Hertz, Chip
Hitchcock, JJ, Mike Kennedy, Carl Slaughter, Andrew Porter, mlex, John King
Tarpinian, Cat Eldridge, and Martin Morse Wooster for some of these stories.
Title credit belongs to File 770 contributing editor of the day Andrew.]
Just an appetizer Scroll today, as my cold has devolved to the flu.
(1) DEMON MEME. And I‘ll make the first course of this appetizer “Occult sandwiches”. No excerpt (can’t get more lo-cal than that) because it looks to be one long Imgur graphic. Its style of humor will reward the attention of anyone who likes the kind of wordplay indulged in by Gaiman and Pratchett.
(2) THE REAL ATWOOD. Years ago all the focus was on Margaret Atwood’s insistence that she didn’t write science fiction. It kept us from learning so many very interesting things about her, as illustrated by this Guardian profile about “Margaret Atwood: a high priestess of fiction who embraces the digital age”.
At 77, Atwood combines the loftiness of a high priestess who does not suffer fools gladly with an unstinting generosity to those she deems not to be foolish. She is a passionate environmentalist, with a particular interest in birds, which she shares with her husband, Graeme Gibson.
If her determination to live by her principles occasionally seems incidentally comic — as when she embarked by boat on an international tour of a stage show publicising the second novel of her MaddAddam trilogy, The Year of the Flood — she also brings to her politics a healthy dose of intentional humour.
On a recent visit to her Toronto home, her longtime UK publisher Lennie Goodings was surprised to meet her carrying a paper bag bulging with four large rubber turkeys. “She showed them to me with that funny, head on a tilt, wicked smile of hers. They squawked when she pressed them.” It turned out that she and Gibson were about to present the prizes at an annual RSPB competition. “The winners each receive a rubber turkey from Margaret, at which point she conducts them in a squeezing squawking choir.”
Atwood traces her concern with the environment back to a childhood spent criss-crossing the forests of Canada with her entomologist father. She was the second of three children, and the family’s itinerant lifestyle meant that she did not go to full-time school until she was eight years old. She began publishing her poetry while a student at the University of Toronto, won her first major literary prize for a poetry collection published in 1964, and three collections later diversified into fiction in 1969 with The Edible Woman, about a woman driven mad by consumerism
(3) I KNOW I DIDN’T VOTE FOR IT. Edmonton’s Hugo Award Book Club blog just came online in May and they’ve attracted attention with their verdict:
1973: The Worst Hugo Award
1973 was a very good year. Income inequality was at its historical lowest in America, union density was at its highest, major victories were happening in civil rights.
But in the world of science fiction, it was the year that one of the worst novels ever to win the top Hugo award was honoured for all the wrong reasons.
And, yes, they already took into account the traditional loser in the debate.
(4) ELVISH. Greg Hullender (via Nicholas Whyte’s website) discovered Carl F. Hostetter’s “Elvish as She Is Spoke” [PDF file] and he enthusiastically forwarded the link with a flurry of comments.
It’s a linguistic assessment of attempts to flesh out Tolkien’s two Elvish languages.
The first key point is that Tolkien obviously wasn’t fluent in either language himself, partly because he kept changing them both, and partly because he doesn’t seem to have ever worked out all the details of the syntax. He doesn’t seem to have been trying to construct a language like Esperanto that anyone would actually use; he was simply having fun. So this is why he didn’t leave a lot of examples of Elvish text behind: he had difficulty writing anything in Elvish himself.
Second, the “neo” languages that people have tried to construct from Tolkien’s work are terribly naive, and often contradict some of the little bits of Elvish that Tolkien actually left us. The author compares it to the hilarious 19th-Century work “English as She is Spoke.” (If you don’t read anything else, skip to page 249, starting with “Elvish as She is Spoke.”)
That said, I think the author is a little hard on the neo-Elvish folks. Tolkien simply didn’t leave enough behind for them to do what they want to do. Lacking that, they’ve tried to be inventive. In the process, they’ve produced something that at least has a very Elvish “feel” to it, and (judging from the movies) sounds very nice. Also, the things that would make it more realistic (e.g. irregularity and polysemy) would make it much harder for native English speakers to learn. Even though neo-Elvish doesn’t withstand close study, it’s good enough for most people to suspend disbelief. That’s probably the most you can reasonably ask of a fantasy language.
Carl Hostetter is part of the Elvish Linguistic Fellowship which has spent decades having scholarly fun exploring Tolkien’s languages.
(5) COMIC SECTION. Wiley in Non Sequitur today comments on the cartoonists’ favorite award, the Reuben.
(6) REUBEN AWARD. The National Cartoonist Society will present the Reuben Awards on May 278. The 2016 Cartoonist of the Year nominees were announced March 2.
LYNDA BARRY is a cartoonist and writer. She’s authored 21 books and received numerous awards and honors including an Honorary Doctor of Fine Arts degree from University of the Arts, Philadelphia, two Will Eisner Awards, The American Library Association’s Alex Award, the Washington State Governor’s Award, the Wisconsin Library Associations RR Donnelly Award, the Wisconsin Visual Art Lifetime Achievement Award, and was inducted into the Will Eisner Hall of Fame in 2016. Her book, “One! Hundred! Demons!” was required reading for all incoming freshmen at Stanford University in 2008. She’s currently Associate Professor of Interdisciplinary Creativity and Director of The Image Lab at the University of Wisconsin-Madison were she teaches writing and picture-making. Lynda was nominated for Cartoonist of the Year for 2016 and will be the recipient of the Milton Caniff Lifetime Achievement Award at the 71st Reuben Awards dinner in Portland Oregon this year. You can follow Lynda on Twitter at @NearSightedMonkey.
STEPHAN PASTIS is the creator of the daily comic strip Pearls Before Swine, syndicated by Universal Uclick. Stephan practiced law in the San Fransisco Bay area before following his love of cartooning and eventually seeing syndication with Pearls, which was launched in newspapers beginning December 31, 2001. The National Cartoonists Society awarded Pearls Before Swine the Best Newspaper Comic Strip in 2003 and in 2006. Stephan is also the author of the children’s book series Timmy Failure. Stephan lives in northern California with his wife Staci and their two children. This is his ninth nomination for Cartoonist of the Year. Visit Stephan’s blog and the Pearls Before Swine website.
HILARY PRICE is the creator of Rhymes With Orange, a daily newspaper comic strip syndicated by King Features Syndicate. Created in 1995, Rhymes With Orange has won the NCS Best Newspaper Panel Division four times (2007, 2009, 2012 and 2014). Her work has also appeared in Parade Magazine, The Funny Times, People and Glamour. When she began drawing Rhymes With Orange, she was the youngest woman to ever have a syndicated strip. Hilary draws the strip in an old toothbrush factory that has since been converted to studio space for artists. She lives in western Massachusetts. This is Hilary’s fourth nomination for the Cartoonist of the Year. You can visit Rhymes With Orange online here.
MARK TATULLI is an internationally syndicated cartoonist, best known for his popular comic strips Heart of the City and Lio, which appear in 400 newspapers all over the world. He currently has written three books in a children’s illustrated novel series titled Desmond Pucket, which has been optioned for TV by Radical Sheep. He also has two planned children’s picture books coming from Roaring Book Press, an imprint of McMillian Publishing. The first, Daydreaming, will hit bookstores in September 2016. Lio has been nominated three times for the National Cartoonists Society’s Best Comic Strip, winning in 2009. Lio was nominated for Germany’s Max and Moritz Award in 2010. This is Mark’s third nomination for Cartoonist of the Year. You can follow Mark on Facebook at https://www.facebook.com/mtatulli/ and find his Lio strips here http://www.gocomics.com/lio.
ANN TELNAES creates editorial cartoons in various mediums- animation, visual essays, live sketches, and traditional print- for the Washington Post. She won the Pulitzer Prize in 2001 for her print cartoons. Telnaes’ print work was shown in a solo exhibition at the Great Hall in the Thomas Jefferson Building of the Library of Congress in 2004. Her first book, “Humor’s Edge”, was published by Pomegranate Press and the Library of Congress in 2004. A collection of Vice President Cheney cartoons, “Dick”, was self-published by Telnaes and Sara Thaves in 2006. Other awards include: The National Cartoonists Society Reuben division award for Editorial Cartoons (2016), The National Press Foundation’s Berryman Award (2006) — The Maggie Award, Planned Parenthood (2002) — 15th Annual International Dutch Cartoon Festival (2007) — The National Headliner Award (1997) — The Population Institute XVII Global Media Awards (1996) — Sixth Annual Environmental Media Awards (1996).
Telnaes worked for several years as a designer for Walt Disney Imagineering. She has also animated and designed for various studios in Los Angeles, New York, London, and Taiwan.
Telnaes is the current president of the Association of American Editorial Cartoonists (AAEC) and is a member of the National Cartoonists Society (NCS). This is Ann’s first Cartoonist of the Year nomination.You can visit Ann’s website, http://www.anntelnaes.com, and follow her on twitter at @AnnTelnaes.
And there are 45 nominees in 15 NCS Divisional Categories. Needless to say, it’s a lot more entertaining to look at the illustrated lists over at the NCS site.
(7) BATTLE OF THE BOTTLES. Ommegang Brewery is coming out with an additional three beers in its Game of Thrones series, this time in a new line called “Bend the Knee”.
Bend the Knee:
When fans last gripped their glasses at the end of Game of Thrones’ sixth season, the great houses of Westeros were on the brink of an epic conflict. Cersei had ascended to the Iron Throne as the first queen of Westeros, Jon Snow and Sansa Stark had just reclaimed the North, and Daenerys Targaryen had set sail for the Seven Kingdoms. To commemorate the coming melee in the Emmy® Award-winning show’s epic seventh season, Brewery Ommegang and HBO Global Licensing are excited to announce a new beer in their collaborative series: Bend the Knee Golden Ale.
Paying homage to the struggle for control of the Seven Kingdoms, Bend the Knee will be available on draft and in a series of three collectible 750ml bottles, all finished in matte black and adorned with one of the three Great House sigils: Stark, Targaryen, or Lannister.
And while the show returns on July 16, fans can mark their calendars for the official nationwide release of the beer, which will be on shelves around Memorial Day.
(8) A CARD OF HIS OWN. At last night’s Nebula Award ceremony veteran SFWA volunteer Steven H Silver was given a great surprise — he has been added to the Science Fiction Historical Trading Cards Series.
[Thanks to John King Tarpinian, Cat Eldridge, Greg Hullender, Martin Morse Wooster, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Peer Sylvester.]
The Large Hadron Collider particle accelerator at Cern is offline after a short circuit – caused by a weasel.
The unfortunate creature did not survive the encounter with a high-voltage transformer at the site near Geneva in Switzerland.
The LHC was running when a “severe electrical perturbation” occurred in the early hours of Friday morning.
What did they discover when they bombarded the weasel with neutrinos? That it just made him mad?
(2) TIME FOR REFLECTION. They took the covers off the mirrors of the James Webb Space Telescope for the next round of work, the BBC reports.
Revealed for the first time in all its glory – the main mirror of the James Webb Space Telescope, which will be launched in 2018.
JWST is regarded as the successor to Hubble, and will carry technologies capable of detecting the light from the first stars to shine in the Universe.
Paramount in that quest will be a large primary reflecting surface.
And with a width of 6.5m, JWST’s will have roughly seven times the light-collecting area of Hubble’s mirror.
It is so big in fact that it must be capable of folding. Only by turning the edges inwards will the beryllium segments fit inside the telescope’s launch rocket.
The observatory is currently under construction at the US space agency’s Goddard Space Flight Center in Maryland.
When in recent months engineers stuck down the segments to their support structure, each hexagon had a cover on it.
Only now, as the engineers prepare to move to the next stage of assembly, have those covers been removed to reveal the full mirror….
Leaving such a sensitive surface exposed even for a short time may appear risky. The fear would be that it might get scratched. But the European Space Agency’s JWST project scientist, Pierre Ferruit, said that was unlikely.
“The main danger is to get some accumulation of dust. But it’s a cleanroom so that accumulation is very slow,” he told BBC News.
“They need to rotate the telescope to get access to the back, and the protective covers were only resting on the mirror segments, so they had to be removed before the rotation.
“When the mirror is upside down, the exposure to dust will be much less, and I doubt anyone will be allowed to walk underneath.”
(3) NEWT SCAMANDER SCREENPLAY. The “Thursday Book Beat” post at Women Write About Comics alerts Harry Potter fans that another Rowling publication is on the way.
Potterheads might not be getting an eighth novel in the Harry Potter series, but J.K. Rowling seems committed to giving her fans new material to devour. She announced that Fantastic Beasts and Where to Find Them wouldn’t just be available as a film on November 18, but that the screenplay would also be published on November 19. Newt Scamander’s adventures in the United States may be a balm for readers who can’t get to London to see Harry Potter and the Cursed Child, though this announcement also begs the question: why publish the screenplay in the first place when the film will still come out first?
(4) REUBEN NOMINEES. The five cartoonists nominated for this year’s Reuben Award have been announced. This award is generally considered the highest honor a US cartoonist can receive. It is presented yearly by the National Cartoonists Society.
Personally, I love retellings. As a kid, I had a collection of picture books retelling the Cinderella story in a dozen different settings. SFWA president Cat Rambo and I are teaching a class on the subject.
(6) EDELMAN’S LATEST ALSO HIS EARLIEST. Scott Edelman time travels to 2001 and interviews Samuel R. Delany for Episode 7 of Eating the Fantastic.
The latest episode of Eating the Fantastic was recorded 15 years before Eating the Fantastic began.
How is that possible?
Well, when it comes to Chip Delany, all things are possible.
On June 18, 2001, while Chip was in the middle of a book tour supporting the 25th anniversary republication of Dhalgren, I interviewed him at Bistro Bis in the Hotel George. The recording I made that day wasn’t created to be heard, but was merely a tool so it could be transcribed and run as text in Science Fiction Weekly, a site I edited during my 13 years at the Syfy Channel….
Samuel R. Delany and Scott Edelman
Who’ll be on the next installment of this podcast?
I’m not yet sure of the identity of my next guest, but I’ll be at StokerCon in Las Vegas the second weekend of May—where I’ll either win a Stoker Award or, in losing, tie at six for the most nominations without a win—and while there I plan to record several new episodes.
So it might be award-winning poet Linda Addison. Or writer Mary Turzillo, who won a Nebula Award for a story I published when I edited Science Fiction Age. Or it could be writer Gene O’Neill, with whom I attended the Clarion writers workshop way back in 1979 when we were still both getting started. (More time traveling!)
(7) TODAY IN HISTORY
April 29, 1983 — David Bowie stars in Tony Scott’s vampire film The Hunger.
April 29, 1983 — Something Wicked This Way Comes opens in theaters.
(8) TODAY’S BIRTHDAY GIRL
Born April 29, 1955 — Kate Mulgrew.
(9) TODAY’S BIRTHDAY BOY
Born April 29, 1923 — Director Irvin “Kersh” Kershner is born in Philadelphia.
“Cup and Table” is my favorite of Tim Pratt’s stories–and it has a lot of competition. To explain how much competition, let me tell an anecdote about the audio magazine I used to edit, PodCastle.
I was no longer on staff when this happened, but at one point, the editors I who took over after I left received a letter. That letter complained of how many stories about lesbians were in the magazine, arguing that PodCastle should just be called LesbianCastle. One of the editors deviously ran the numbers and found that, proportionally, they did not actually run that many stories about lesbians. However, they did run a surprisingly high percentage of Tim Pratt stories. A percentage that, in fact, exceeded the percentage of stories about lesbians. He suggested that they call themselves PrattCastle instead.
(12) LIFE IN THE VAST LANE. In BBC’s article “Where to find life in the blackest vacuum of outer space” there is, says Chip Hitchcock, a “Shoutout to Hoyle, but not Anderson (who IIRC wrote about something much more like their topic).”
On the face of it space is dark, cold and full of lethal radiation – but maybe life has found a way to cling on in the blackness
First, we had better agree on what counts as “life”. It does not necessarily have to look like anything familiar.
As an extreme case, we can imagine something like the Black Cloud in astronomer Fred Hoyle’s classic 1959 science-fiction novel of that name: a kind of sentient gas that floats around in interstellar space, and is surprised to discover life on a planet.
But Hoyle could not offer a plausible explanation for how a gas, with an unspecified chemical make-up, could become intelligent. We probably need to imagine something literally a bit more solid.
While we cannot be sure that all life is carbon-based, as it is on Earth, there are good reasons to think that it is likely. Carbon is much more versatile as a building block for complex molecules than, say, silicon, the favourite element for speculations about alternative alien biochemistries.
(13) WARP SPEED. Larry Correia’s lengthy “Europe Trip Recap” doesn’t end in time to avoid an extraneous complaint about the LA Times’ Hugo coverage. Otherwise it’s an entertaining account of his just-completed overseas tour.
The next day we drove across all of Germany to the Czech Republic, and I got to experience the autobahn, which my whole life has been this sort of mythical place that has no speed limits, and is filled with drivers that understand slow traffic stays right, and where they never camp in the left lane, and in fact, if you’re blocking the left lane, they’ll come right up on your bumper at 100 miles an hour, honking, and flashing their lights. It was a place devoid of mercy, unforgiving of weakness. So we set out.
Apparently there are two kinds of tourist drivers on the autobahn. Those who are weak, fearful, whose crying pillows smell of lilacs and shame, who stay in the truck lane, or who wander out into the left occasionally, timidly, to be honked at and chased aside by awesome Teutonic Super Drivers…
And the other kind is the American who manages to average 180km an hour across all of Germany in a Volvo diesel station wagon.
It was AMAZING. I felt like a race car driver across an entire country. You know why German cars don’t have cup holders? Because if you stop to drink while driving, YOU WILL DIE. And you should. You need to be on. I’d get a gap, jump out to the left, floor it (because fuel economy is for hippies I’m on the mother f’ing autobahn!), and nobody pulls out in front of me in a minivan to enforce their personal speed limit, people ahead of me going slower (like 100mph) immediately get out of the way, and when some bad ass comes up behind me in a super car, I get out of his way, and then they blast past me like I’m standing still.
Martin is a dedicated user of the WordStar word processor software, which was the preeminent word processor back in the 1980s, that ran on Microsoft DOS. Martin is one of a handful of famous writers who use the WordStar 4.0 Computer that utilizes a DOS operating system. The other notable users are William F. Buckley Jr., Ralph Ellison, Robert J Sawyer, Anne Rice, and Andy Breckman (of the tv show Monk). So he’s one of the few people left on planet Earth that uses this word processor.
In an interview with Conan O’Brien, George R. R. Martin explained his reason for choosing such a classic program. “Well, I actually like it. It does everything I want a word processing program to do, and it doesn’t do anything else,” Martin said. “I don’t want any help. I hate some of these modern systems where you type a lowercase letter and it becomes a capital. I don’t want a capital! If I’d wanted a capital, I would have typed a capital. I know how to work a shift key!”
[Thanks to Chip Hitchcock, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day ULTRAGOTHA.]
