Category Archives: Pixel Scroll

Pixel Scroll 5/21/23 I Was Born Under A Scrollin’ Star

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(1) HUGO FINALISTS AGED IN THE CASK. At Young People Read Old SFF, James Davis Nicoll gets the panel’s reaction to William F. Wu’s story “Hong’s Bluff”.

This month’s Young People Read Old Hugo Finalists story is William F. Wu’s Hugo and Nebula-nominated ​“Hong’s Bluff”. Wu has had a long career—the 50th anniversary of his first sale is only three years off — with a respectable collection of nominations and accolades. However, honesty requires me to admit this is the first Wu story I have ever read. It was certainly… energetic. Wu is now on my acquire list….

(2) DOCUMENTING THE IMPACT OF TREK. Nana Visitor is writing a book about the women of Star Trek and their effect on culture, and would like to hear from any women who are in the medical field and were inspired by Star Trek.

(3) BURIED ALIVE IN $$$. Paste Magazine’s Jacob Oller says, “The IP Era’s Venture Capital Philosophy Has Poisoned Movies”.

Among so many heinous problems trickling down on our heads from the top of the film industry is that of intellectual property. It’s not that adaptations are new, but that the ability to make a living by creating anything else has only recently been destroyed. IP obsession has killed the mid-budget movie, it’s killed the movie star, and it’s coming for the rest of the industry. This is as much a problem for audiences as for filmmakers (at any level), and it all comes from the same place: Unchecked greed, and the familiarity with which we accept it.

Tidy, consistent, sustainable profits—the kind of thing generated by movie studios that once offered a diverse slate of reasonably budgeted adult dramas, teen-date rom-coms, family films, and fence-swinging art movies—are a thing of the past for those in charge of the industry. Other forces from the entertainment world are certainly at play, specifically the rise of prestige TV as a destination for what the movies have abandoned. But the pivot to the IP Era feels simple, because it feels familiar. It’s because tidy, consistent, sustainable profits aren’t enough. There must be growth. There must be domination. There must be Shared Universes.

This attitude goes beyond being risk-averse. Risk aversion isn’t new. Single-minded speculation, trying to alchemize IP into gold, is.

The management decisions keeping workers from their fair pay—as described by Writers Guild of America board member John Rogers in a thread about the current strike—are the same ones milking old IP for all it’s worth: “The new robber barons of Hollywood are on a suicide run.” This shift is tech-bro economics, Wall Street-fellating “vulture capitalism” here to feast on the industry, not further it….

(4) ALT-INTELLIGENCE. Chris Panatier tweeted a very funny thread about an AI writing program run amuck. Thread starts here.

Here is another excerpt:

(5) NEBULA WINNERS CONSIDERED. Cora Buhlert offers “Some Thoughts on the 2022 Nebula Award Winners”. For example:

… The winner of the 2022 Nebula Award for Best Novella is Even Though I Knew the End by C.L. Polk. This is one win I’m fully aboard with, because Even Though I Knew the End mixes a lot of elements I like – urban fantasy with a retro noir setting, a hardboiled detective story and a wonderful love story. It’s a great novella and I hope to see it on the Hugo ballot this year….

(6) A TOY STORY. Cora Buhlert also released a new “Masters-of-the-Universe-Piece Theatre: ‘Playing for Dinner’”.

…So enjoy this story of Orko and Man-e-Faces, the two entertainers at the royal palace, teaming up and taking their show on the road.

On the market place of the city of Sarnscepter…

(7) AFROPANTHEOLOGY. The latest If This Goes On (Don’t Panic) podcast features “Publishing in Africa: Afropantheology with Oghenechovwe Donald Ekpeki”.

In this Episode of Publishing in Africa, Oghenechovwe and Alan [Bailey] discuss the meaning behind Afropantheology, Oghenechovwe’s plans for Afropantheology (including a new line of books), and the International Conference for Fantasy in the Arts.

(8) DEJA FU. This seemed like the perfect video to discover on the day I began rereading the Murderbot series. “Tesla Bot Update”.

(9) IT’S TIME. See “The Muppet Show” theater at LEGO Ideas. (And there are a lot more images in the updates.)

…For nearly 70 years, Jim Henson’s creations have captured the hearts of millions of fans around the world in movies, TV shows, Disney attractions, concerts, and more. Now, for the first time ever, join Kermit the Frog, Fozzie Bear, Miss Piggy, and the Great Gonzo in this zany recreation of the Muppet Show in LEGO form!

This miniature playset beautifully houses some of the Muppet’s most hilarious and endearing production numbers through the years. The theater proscenium features an ornate red and gold facade harkening back to the show’s vaudevillian roots. Look closely at some of the art deco decor… you might spot a few easter eggs hiding in the design.

The mainstage includes three mini diorama sets and a detachable balcony. With ‘you’ as the guest star, start off the show beneath the Muppet Show’s iconic opening theme arches. Then, you’ll be able to act out wacky experiments in Muppet Labs, cook up a feast in the Swedish Chef’s Kitchen, rock out with the Electric Mayhem, or explore the final frontier on the set of the USS Swinetrek. If that’s not enough, Statler and Waldorf will throw in a quick heckle or two from their balcony seats….

(10) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

Kazuo Ishiguro, a Japanese-born British writer, has  written four SF novels including The Buried Giant: A Novel which is where our Beginning is from, the other three being Klara and The Sun, Never Let Me Go and The Unconsoled.

It was published eight years ago by Alford Knopf. It didn’t win any awards but it was nominated for both a Mythopoeic and World Fantasy Award.

The British Council, yes the British Council has a very nice literature section on their website.  They, say that “Ishiguro’s novels are preoccupied by memories, their potential to digress and distort, to forget and to silence, and, above all, to haunt.”

February of this year, the Hollywood Reporter said that Netflix planned on adapting the novel into an animated film. It will have Guillermo del Toro as director and Dennis Kelly as writer.

With that, here’s the Beginning…

The Buried Giant: A Novel to The Buried Giant: A Novel 

You would have searched a long time for the sort of winding lane or tranquil meadow for which England later became celebrated. There were instead miles of desolate, uncultivated land; here and there rough-hewn paths over craggy hills or bleak moorland. Most of the roads left by the Romans would by then have become broken or overgrown, often fading into wilderness. Icy fogs hung over rivers and marshes, serving all too well the ogres that were then the still native to this land. The people who lived nearby—one wonders what desperation led them to settle in such gloomy spots—might well have feared these creatures, whose panting breaths could be heard long before their deformed figures emerged from the mist. But such monsters were not cause for astonishment. People then would have regarded them as everyday hazards, and in those days there was so much else to worry about. How to get food out of the hard ground; how not to run out of firewood; how to stop the sickness that could kill a dozen pigs in a single day and produce green rashes on the cheeks of children.

In any case, ogres were not so bad provided one did not provoke them. One had to accept that every so often, perhaps following some obscure dispute in their ranks, a creature would come blundering into a village in a terrible rage, and despite shouts and brandishings of weapons, rampage about injuring anyone slow to move out of its path. Or that every so often, an ogre might carry off a child into the mist. The people of the day had to be philosophical about such outrages

In one such area on the edge of a vast bog, in the shadow of some jagged hills, lived an elderly couple, Axl and Beatrice. Perhaps these were not their exact or full names, but for ease, this is how we will refer to them. I would say this couple lived an isolated life, but in those days few were “isolated” in any sense we would understand. For warmth and protection, the villagers lived in shelters, many of them dug deep into the hillside, connecting one to the other by underground passages and covered corridors. Our elderly couple lived within one such sprawling warren—“building” would be too grand a word—with roughly sixty other villagers. If you came out of their warren and walked for twenty minutes around the hill, you would have reached the next settlement, and to your eyes, this one would have seemed identical to the first. But to the inhabitants themselves, there would have been many distinguishing details of which they would have been proud or ashamed.

I have no wish to give the impression that this was all there was to the Britain of those days; that at a time when magnificent civilisations flourished elsewhere in the world, we were here not much beyond the Iron Age. Had you been able to roam the countryside at will, you might well have discovered castles containing music, fine food, athletic excellence; or monasteries with inhabitants steeped in learning. But there is no getting around it. Even on a strong horse, in good weather, you could have ridden for days without spotting any castle or monastery looming out of the greenery. Mostly you would have found communities like the one I have just described, and unless you had with you gifts of food or clothing, or were ferociously armed, you would not have been sure of a welcome. I am sorry to paint such a picture of our country at that time, but there you are.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 21, 1903 — Manly Wade Wellman. I remember reading the John the Balladeer collection Karl E. Wagner did and then seeking out the rest of those stories. Amazing stuff! Read the Complete John Thunstone a few years back — strongly recommended. What else by him should I read? And I should note he’s not that well stocked at the usual suspects. (Died 1986.)
  • Born May 21, 1917 — Raymond Burr. Speaking of lawyers, we have the Birthday of the man who played Perry Mason. It looks the 1949 film Black Magic with him playing Dumas, Jr. was his first genre performance. Bride of the Gorilla was his next with Lou Chaney Jr. co-starring and Curt Siodmak directing. He goes on to be Grand Vizier Boreg al Buzzar in The Magic Carpet before being Vargo in Tarzan and the She-Devil. And finally he’s in a Godzilla film, Godzilla, King of the Monsters! To be precise, as Steve Martin says. And unfortunately he played the same role in Godzilla 1985 which earned him a Golden Raspberry Award. (Died 1993.)
  • Born May 21, 1918 — Jeanne Bates. She’s Diana Palmer in the Forties The Phantom serial, possibly the first one done. Her first genre was as Miss Norcutt in The Return of the Vampire, in a not authorized sequel to Lugosi’s 1931 Universal Studios film Dracula. Most of the films she’s known for are such horror films such as The Soul of a Monster and Back from the Dead. (Died 2007.)
  • Born May 21, 1940 — Booker Bradshaw. A record producer, film and TV actor, and Motown executive. He’s here because he’s one of those rare secondary characters that showed up more than once on Trek. He played Dr. M’Benga in “Obsession” and “That Which Survives”. Because his background story was that he served under Captain Christopher Pike, his character has been recast on Strange New Worlds and is played by Babs Olusanmokun. (Died 2003.)
  • Born May 21, 1945 — Richard Hatch. He’s best known for his role as Captain Apollo in Battlestar Galactica. He is also widely known for his role as Tom Zarek in the second Battlestar Galactica series. He also wrote a series of tie-in novels co-authored with Christopher Golden, Stan Timmons, Alan Rodgers and Brad Linaweaver. (Died 2017.)
  • Born May 21, 1954 — Paul Collins, 69. Australian writer who has been nominated for an astounding twenty Ditmar Awards. In the nineties, he won a William Atheling Jr Award for Criticism or Review for The MUP Encyclopaedia of Australian Science Fiction & Fantasy published by Melbourne University Press which alas was never updated. In his twenties, he began published and edited Void Science Fiction and Fantasy, a semi-prozine.

(12) REASON WHY A FAMOUS COMIC SHUTTERED. “’People Would Be Wishing Me Dead’: Why Calvin & Hobbes’ Creator Ended the Comic Despite Its Popularity” at MSN.com.

Bill Watterson, the creative mind behind Calvin and Hobbes, has no issues with how he left his beloved comic strip. An interview reveals Watterson’s reasoning for ending the cartoon and why he still remains confident in his decision….

…While many fans might have preferred the adventures of the comedic duo to continue, Watterson was quite happy to bring Calvin and Hobbes to its natural conclusion. In an interview with The Cleveland Plain Dealer in 2010, Watterson looks back on his career fifteen years after leaving his strip behind, saying:

“This isn’t as hard to understand as people try to make it. By the end of 10 years, I’d said pretty much everything I had come there to say.

“It’s always better to leave the party early. If I had rolled along with the strip’s popularity and repeated myself for another five, 10 or 20 years, the people now “grieving” for “Calvin and Hobbes” would be wishing me dead and cursing newspapers for running tedious, ancient strips like mine instead of acquiring fresher, livelier talent. And I’d be agreeing with them.”

(13) COLLECTIBLES. [Item by Ben Bird Person.] YouTuber Jules Burt just posted this video of his SF/horror Pan Books paperback collection featuring novels by Arthur C. Clarke, Robert Heinlein, and Frederik Pohl: “INCREDIBLE – Vintage PAN SF & Horror – Paperbacks – 1945 to 1979 – Herbert van Thal – John Burke”.

(14) I’VE HEARD THAT NAME BEFORE. Andrew (not Werdna) caught an interesting reference while watching the most recent episode of The Flash. A startled Chester Runk (from 2049) exclaims “Sweet N. K. Jemisin!”

It’s also mentioned in the Arrowverse Wiki episode recap “A New World, Part Three”.

(15) SHARK WEEK’S 35TH ANNIVERSARY. Entertainment Weekly reports “Aquaman himself Jason Momoa will host Shark Week”.

Aquaman star Jason Momoa has been announced as host for the annual Discovery Channel event, news that came out of the Warner Bros. Discovery upfront presentations in New York on Wednesday.

“As the host of Shark Week, I am beyond excited to take you along on this journey,” Momoa said in a statement. “This project means more to me than a week of talking about sharks. It’s a chance for me to learn and share my connection to these amazing creatures. My love of sharks came long before my time as Aquaman — it began several generations before me.”…

(16) PIPPI IN THE BEGINNING. Witness History – “Pippi Longstocking” at BBC Sounds.

In Stockholm in 1941, Astrid Lindgren made up a story for her seven-year-old daughter, Karin, about a young girl who lived alone and had super-human strength. 

Karin named her Pippi Långstrump, or Pippi Longstocking in English. 

Four years later, Astrid submitted her story into a competition and it won. Her book, Pippi Långstrump, was published and became an overnight success. It’s now been translated into more than 70 languages, as well as being made into more than 40 TV series and films. 

Rachel Naylor speaks to Astrid’s daughter, Karin Nyman. 

(17) JWST RESULTS CHALLENGE MODELS. It may be even bigger on the inside than they knew: “Rethinking the Universe: Astronomers Disturbed by the Unexpected Scale of James Webb’s Galaxies”.

… The first results from the James Webb Space Telescope have hinted at galaxies so early and so massive that they are in tension with our understanding of the formation of structure in the Universe. Various explanations have been proposed that may alleviate this tension. But now a new study from the Cosmic Dawn Center suggests an effect that has never before been studied at such early epochs, indicating that the galaxies may be even more massive.

If you have been following the first results from the James Webb Space Telescope, you have probably heard about the paramount issue with the observations of the earliest galaxies:

They are too big.

From a few days after the release of the first images, and repeatedly through the coming months, new reports of ever-more distant galaxies appeared. Disturbingly, several of the galaxies seemed to be “too massive.”

From our currently accepted concordance model of the structure and evolution of the Universe, the so-called ΛCDM model, they simply shouldn’t have had the time to form so many stars.

Although ΛCDM is not a holy indestructible grail, there are many reasons to wait before claiming a paradigm shift: The measured epochs at which we see the galaxies could be underestimated.

(18) VIDEO OF THE DAY. “It’s Quieter In The Twilight” is a documentary about the people who keep the Voyager mission going.

In an unremarkable office space, a select group of aging engineers sacrificed promotion, postponed retirement, and dedicated their lives to stay with the longest running and farthest reaching mission in NASA’s history. Fighting outdated technology and time, Voyager’s flight-team pursues humankind’s greatest exploration.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Francis Hamit, Danny Sichel, Ben Bird Person, Andrew (not Werdna), Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Niall McAuley.]

Pixel Scroll 5/20/23 I’m Not A Doctor, But People Are Saying Pixels Are A Perfect Cure For Social Isolation

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(1) RIC BERGMAN UPDATE. [Item by Chris Barkley.] As of this past Tuesday, the Cincinnati Police Department and the Hamilton County Coroner’s Office were unable to locate any of the late Ric Bergman’s relatives. If no one had been found, Ric’s body would be processed and buried in a pauper’s area of a local cemetery.

I say would have been, had I not been very attentive Wednesday morning.

At just a little before 10:00 a.m, I received a message on Twitter from a fan named Paul Hattori. Mr. Hattori stated that he had read the tribute I wrote and was moved to contact me.

He provided the names and phone numbers of several relatives who live locally, including a sister, Beth Kelley.

I relayed all of this to my fellow CFG member Tanya Carter (who had been in contact with local authorities), who in turn contacted the family members.

The relatives quickly swung into action and forestalled any further action by Hamilton County. 

This past Thursday, Beth Kelley professed her thanks to the CFG for notifying the family members and wrote the following in the CFG Facebook page:

“Hi everyone, I’m Ric Bergman’s sister. Thanks so much for getting in touch with us. I should be getting access to his apartment sometime today.  I was thinking of having prayer cards made for him, but I want to do something that really says “Ric Bergman” … Please feel free to contact me. I’ll keep you all posted as I know more.  Thanks for being there for him.

If anyone is interested I was thinking about having a get together a little later in the summer.  He’s going to at least partially get his viking funeral!!   There’s a small park in Covedale I was going to rent for a day.  Also there are soooooooo many books and movies. I’ll try to get pictures of them today and tomorrow while we’re packing up his belongings. I will be selling a lot of that stuff to help pay for this….

Please let me know what you guys think and if anyone would like to attend.  Thanks again!”

(2) MARCHING TO A DIFFERENT DRUMMER. Meanwhile, in the Guardian “M John Harrison: ‘I want to be the first human to imitate ChatGPT’”.

How do you feel about the emergence of AI?
I’d separate the thing itself from the boosterism around it. We’re at a familiar point on the curve when it comes to the overenthusiastic selling of new scientific ideas, where one discovery or tech variant is going to solve all our problems. I’d say wait and see. Meanwhile I’ll be plotting to outwrite it; I want to be the first human being to imitate ChatGPT perfectly. I bet you it’s already got mimickable traits.

(3) FREE ONLINE POE READING. The Baltimore Sun tells about a marathon Poe reading that’s in progress NOW. “In Fells Point, reading Edgar Allan Poe through the night for ‘Doomsday’ is ‘quirky, like Baltimore’”. The article is behind a paywall, but the reading can be viewed free on YouTube.

If you stumble through Fells Point late enough Saturday (or early enough the next day), swing by the independent bookstore on the corner of Aliceanna and South Ann streets, and peer into the window, you’ll catch a glimpse of something strange: a group of people reading aloud while the city sleeps.

Don’t be spooked — they’ll be celebrating “Doomsday,” an annual event started last year by Baltimore’s National Edgar Allan Poe Theatre. This year, the 24-hour Poe-themed read-a-thon will be co-hosted at Greedy Reads’ Fells Point shop. Enoch Pratt Free Library is also a partner in the event.

“It’s quirky, like Baltimore is,” said Alex Zavistovich, the founder and artistic director of The National Edgar Allan Poe Theatre.

Zavistovich started “Doomsday” last summer as a locally oriented take on “Bloomsday,” an international celebration of the Irish writer James Joyce’s “Ulysses.”

“Why focus on an inscrutable Irish writer when we have a perfectly inscrutable American writer, right here in Baltimore?” said Zavistovich, 62….

…Local celebrities, including Maryland State Del. Mark Edelson, WYPR host Tom Hall and Baltimore-based authors Brandi Collins-Dexter, Sarah Pinsker, Jeannie Vanasco and Jung Yun, are slated to participate….

(4) VERY BAD NO GOOD. Walter Jon Williams calls his visit to Malta the “Worst. Trip. Ever.” After you read the medical problems that beset him and his wife Kathy when they got to the island, you won’t disagree.

(5) KUANG Q&A. “Rebecca F Kuang: ‘Who has the right to tell a story? It’s the wrong question to ask’” in the Guardian.

… Yellowface’s protagonist, who describes herself as a boring “brown-eyed, brown-haired June Hayward from Philly”, is viciously jealous of fellow writer Athena Liu, a “beautiful, Yale-educated, international, ambiguously queer woman of colour”, whose education in British boarding schools equips her with “a posh, unplaceable foreign accent”. “Publishing picks a winner,” June thinks; Athena, with her string of bestsellers, is the anointed one. After Athena suddenly dies, June discovers a manuscript she had been working on, about the 95,000-strong Chinese Labour Corps who supported Britain in the first world war. It’s intimidatingly good. When June polishes it up and passes it off as her own, the book shoots her to literary stardom.

Reviewers then debate June’s right to tell the story, echoing familiar conversations on whether authors should write about characters and histories outside their own race or lived experiences. In Yellowface, that initial query spirals into increasingly outlandish backlashes, and everything that was once coherent and proportionate disappears under a mountain of tweets. Kuang’s view, however, is clearer. “I really do not like this framework,” she says. Concerns about “who has permission to tell these stories, or who has the right, or who is qualified” seem like “the wrong questions to ask”.

“We’re storytellers, and the point of storytelling is, among other things, to imagine outside of your lived experience and empathise with people who are not you, and to ideally write truthfully, and with compassion, a whole range of characters,” she continues. “Otherwise all we could ever publish are memoirs and autobiographies and nobody wants that.” For her, more interesting is how authors approach these stories: “Are they engaging critically with tropes and stereotypes that already exist in the genre? Or are they just replicating them? What is their relationship to the people who are being represented?” And, “most importantly, does the work do something interesting? Is it good?” While some concerns about the “permission to speak” come from desires to support underrepresented authors, Kuang thinks it “usually gets wielded as a double-edged sword against marginalised writers, to pigeonhole them into only writing about their marginalised experiences. And I hate this. It really functions as another form of gatekeeping.”

(6) CLASSIC FILK MANUAL. Fanac.org has added the 2001 combined edition of Bruce Pelz’s Filksong Manual.  Originally published in 4 parts, the combined edition is 101 pages long. Cover by Stu Shiffman.

This index is intended to be ordered chronologically, but I’ve listed this right after the original publication of part 2. If you’ve wanted to find the words to the Gilbert and Sullivan parodies, or “The Childish Edda”, here’s your chance. There are songs by Poul Anderson, Randall Garrett, Tom Digby, Ted Johnstone, and of course, Bruce Pelz. Plus many others. The original publications were in 1965-1969, and some of the songs are considerably older. “Think of the Old Tacky Stuff as Of Historical Interest. To Someone. Somewhere. Somewhen. And blame the appearance of this revision/reprinting -three years after I started it — on Lee Gold.”

(7) MEMORY LANE.

1980 – [Compiled by Cat Eldridge.]

So let’s talk about Walter S. Tevis whose Mockingbird is the source of our Beginning this Scroll. Tevis wrote not only The Man Who Fell to Earth which is definitely genre and I think has had at least two film versions so far, along with the near future SF novel The Steps of the Sun but also the delicious chess novel The Queen’s Gambit which also became a film of some distinction.

This novel was published by Doubleday in 1980. The cover illustration is by Fred Marcellino. 

It was nominated for both the Ditmar and Nebula Awards. 

And now for our Beginning…

Spofforth

Walking up Fifth Avenue at midnight, Spofforth begins to whistle. He does not know the name of the tune nor does he care to know; it is a complicated tune, one he whistles often when alone. He is naked to the waist and barefoot, dressed only in khaki trousers; he can feel the worn old paving beneath his feet. Although he walks up the middle of the broad avenue he can see patches of grass and tall weeds on either side of him where the sidewalk has long before been cracked and broken away, awaiting repairs that will never be made. From these patches Spofforth hears a chorus of diverse clickings and wing rubbings of insects. The sounds make him uneasy, as they always do this time of year, in spring. He puts his big hands into his trouser pockets. Then, uncomfortable, he takes them out again and begins to jog, huge and light-footed, athletic, up toward the massive form of the Empire State Building. 

The doorway to the building had eyes and a voice; its brain was the brain of a moron—single-minded and insensitive. ‘Closed for repairs,’ the voice said to Spofforth as he approached.

‘Shut up and open,’ Spofforth said. 

And then, ‘I am Robert Spofforth. Make Nine.’ 

‘Sorry, sir,’ the door said. ‘Couldn’t see…’ ‘Yes. 

Open up. And tell the express elevator to be down for me.’ 

The door was silent for a moment. 

Then it said, ‘Elevator’s not working, sir.’ ‘Shit,’ Spofforth said. 

And then, ‘I’ll walk up.’

The door opened and Spofforth walked in and headed across the dark lobby toward the stairway. He muted the pain circuits in his legs and lungs, and began to climb. He was no longer whistling; his elaborate mind had become fixed narrowly now upon his annual intent. 

When he reached the edge of the platform, as high above the city as one could stand, Spofforth sent the command to the nerves in his legs and the pain surged into them. He wobbled slightly from it, high and alone in the black night, with no moon above him and the stars dim. The surface underfoot was smooth, polished; once years before Spofforth had almost slipped. Immediately he had thought, in disappointment, If only that would happen again, at the edge. But it did not.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 20, 1911 — Gardner F. Fox. Writer for DC comics and other companies as well. He was prolific enough that historians of the field estimate he wrote more than four thousand comics stories, including 1,500 for just DC Comics. For DC, He created The Flash, Adam Strange and The Atom, plus the Justice Society of America. His first SF novel was Escape Across the Cosmos though he wrote a tie-in novel, Jules Verne’s Five Weeks in a Balloon, previously. (Died 1986.)
  • Born May 20, 1928 — Shirley Rousseau Murphy, 95. Author of the Joe Grey series of mysteries. Its narrator is a feline who speaks and who solves mysteries which is definitely genre. Excellent series which gets better in characterization as it goes along. And the audiobooks as narrated by Susan Boyce are a great deal of fun listening. She also did some more traditional genre fiction, none of which I’ve read in the Children of Ynell series and the Dragonbard trilogy. 
  • Born May 20, 1936 — Anthony Zerbe, 87. Zerbe played the major role of Matthias, the news anchor turned mutant albino cult leader determined to kill Charlton Heston’s Richard Neville in The Omega Man, the loosely-adapated 1971 film version of Richard Matheson’s novel, I Am Legend. He  was the villain Milton Krest in the Licence to Kill bond film;  Roger Stuart in Steven King’s The Dead Zone; Admiral Dougherty in Star Trek: Insurrection; and Councillor Hamann in The Matrix Reloaded and The Matrix Revolutions. Series wise, he showed up on the Wild, Wild West and five episodes of Mission: Impossible as five different characters, he was Dr. Charles Napier on the Asteroid series on NBC in 1997 that I never heard of. 
  • Born May 20, 1940 — Joan Staley. She showed up twice as Okie Annie on Batman in “It’s How You Play the Game” and “Come Back, Shame“. She played Ginny in Mission Impossible’s two-parter, “The Council”, and she was in Prehistoric Valley (Dinosaurs! Caveman! Playboy mates in bikinis!) She also played Fiona in Brigadoon which has to be genre, isn’t it? (Died 2019.)
  • Born May 20, 1946 — Cher, 77. Yes she was Alexandra Medford in The Witches of Eastwick, a film that I absolutely love and adore, (and no I’ve not read the novel) which is really her only genre credit. She did appear as Romana on The Man from U.N.C.L.E. in “The Hot Number Affair” and she’s voicing herself in The New Scooby-Doo Movies which despite the name was actually a series, but that’s it. 
  • Born May 20, 1951 — Steve Jackson, 72. The UK game designer (not to be confused with the owner of Steve Jackson Games). With Ian Livingstone, he founded Games Workshop and also the Fighting Fantasy gamebooks, the two most dominant aspects of the UK games industry before it came to be essentially wiped by the advent of videogames. I’m fairly sure the only one of his works that I’ve played is Starship Traveller which I’d have been playing around the same time as Traveller.
  • Born May 20, 1961 — Owen Teale, 62. Best known role is as Alliser Thorne on the just-concluded Game of Thrones. He also was Will Scarlet in the superb Robin Hood where the lead role was performed by Patrick Bergin, he played the theologian Pelagius in 2004 King Arthur, was Vatrenus in yet another riff on Arthurian myth called The Last Legion, was Maldak in the “Vengeance on Varos” episode in the Era of the Sixth Doctor, and was Evan Sherman in the “Countrycide” episode of Torchwood. He’s currently playing Peter Knox in A Discovery of Witches based on the All Souls trilogy by Deborah Harkness, named after the first book in the trilogy. I read most if not all of that series and it’s quite excellent. Keeping with my firm belief of never watching a series based on fiction that I really, really liked, I have not seen the series. 

(9) IN A HOLE IN THE GROUND. Space.com’s review says “’Crater’ on Disney Plus offers kids out-of-this-world charm”.

NASA’s Artemis program is stirring up renewed interest in lunar exploration, and retro-style coming-of-age flicks from Hollywood are proving to be very popular with audiences and viewers.

So Disney Plus has decided to merge those two elements for its new kid-friendly sci-fi film, “Crater.”

Directed by Kyle Patrick Alvarez (“C.O.G.”), “Crater” unfolds its gripping tale of five adventurous kids in the year 2257 living at a protected mining colony on the surface of the moon who steal a research rover and embark on a wild overland romp to explore a notorious crater….

(10) ROGER CORMAN APPEARANCE IN LA. Fans will have an opportunity to meet Roger Corman at Chris Alexander’s book signing on June 10.

Canadian writer, editor, music composer and filmmaker Chris Alexander (former editor-in-chief of iconic horror film magazine FANGORIA and editor-in-chief/co-founder of DELIRIUM magazine), and legendary American film director, producer and actor Roger Corman are meeting in Los Angeles on Saturday, June 10th for a signing of CORMAN/POE: Interviews and Essays Exploring the Making of Roger Corman’s Edgar Allan Poe Films, 1960–1964. The book will hit shelves June 6th.

Written by author and filmmaker Chris Alexander, CORMAN/POE: Interviews and Essays Exploring the Making of Roger Corman’s Edgar Allan Poe Films, 1960–1964 is the only book to fully examine this important chapter in horror film history. In-depth conversations with the maverick Roger Corman are book-ended by engaging critical analyses of each of the eight films, which together stand as a fully realized and consistent creative vision.

WHEN: Saturday, June 10th, 3pm – 5pm PST

WHERE: Dark Delicacies, 822 N Hollywood Way, Burbank, CA 91505

(11) NEW FAMILY TRADITION. “Orcas have sunk 3 boats in Europe and appear to be teaching others to do the same. But why?” Can Live Science really not guess the answer?

Orcas have attacked and sunk a third boat off the Iberian coast of Europe, and experts now believe the behavior is being copied by the rest of the population.

Three orcas (Orcinus orca), also known as killer whales, struck the yacht on the night of May 4 in the Strait of Gibraltar, off the coast of Spain, and pierced the rudder. “There were two smaller and one larger orca,” skipper Werner Schaufelberger told the German publication Yacht. “The little ones shook the rudder at the back while the big one repeatedly backed up and rammed the ship with full force from the side.” 

Schaufelberger said he saw the smaller orcas imitate the larger one. “The two little orcas observed the bigger one’s technique and, with a slight run-up, they too slammed into the boat.” Spanish coast guards rescued the crew and towed the boat to Barbate, but it sank at the port entrance.

Two days earlier, a pod of six orcas assailed another sailboat navigating the strait. Greg Blackburn, who was aboard the vessel, looked on as a mother orca appeared to teach her calf how to charge into the rudder. “It was definitely some form of education, teaching going on,” Blackburn told 9news.

Reports of aggressive encounters with orcas off the Iberian coast began in May 2020 and are becoming more frequent, according to a study published June 2022 in the journal Marine Mammal Science. Assaults seem to be mainly directed at sailing boats and follow a clear pattern, with orcas approaching from the stern to strike the rudder, then losing interest once they have successfully stopped the boat.

(12) HUNGRY ALIENS. [Item by SF Concatenation’s Jonathan Cowie.] Over at Science and Futurism Isaac Arthur is more SFnal than usual with a second genre-related posting, this time on hungry aliens and another possible answer to the Fermi Paradox…

The galaxy is a dark, mysterious, and silent place – perhaps it is quiet and empty because some great predator already consumed all in its path, and if so, might we be next?

(13) LEAVING A BIG WAKE. PBS Space Time host Matt O’Dowd has been wondering whether we can detect alien space craft’s gravitational wake… “Could LIGO Find MASSIVE Alien Spaceships?”

Whenever we open a new window on the universe, we discover things that no one expected. Our newfound ability to measure ripples in the fabric of spacetime—gravitational waves—is a very new window, and so far we’ve seen a lot of wild stuff. We’ve observed black holes colliding, and their oddly high masses challenges our understanding of black hole formation and growth. We’ve seen colliding neutron stars that have forced us to rewrite our ideas of how many of the elements of the periodic table get made. But what else might be hiding in the ripples’ of spacetime? Oh, I know: how about the gravitational wakes caused by planet-sized alien spacecraft accelerating to near light speed….

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven French, SF Concatenation’s Jonathan Cowie, Jeffrey Smith, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Kevin Harkness.]

Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

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(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:

The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.

(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.

…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.

So, last night as I was nursing my sadness about probably never getting to go, I started thinking… 

If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…

(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:

…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta…

Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …

(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.

…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.

While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.

I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books. 

Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.

As they say: lol….

(5) INNOCENT BYSTANDER. Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.

L. Marie Wood

I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.

L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise Keeper, Cacophony, Accursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.

We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.

(7) WHEN THEY WERE THE FUTURE. Fanac.org has posted video of a panel from this year’s Eastercon: “Conversation 2023 – The Third Row w/ John Coxon, Niall Harrison, Emily January & Abigail Nussbaum”.

At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004). 

Moderated by Meg MacDonald,  the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon. 

Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.

Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.

Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.

(8) WORRA Q&A. The Horror Writers Association blog continues its series: “Asian Heritage in Horror: Interview with Bryan Thao Worra”.

What inspired you to start writing? 

These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….

(9) KNOW YOUR CONTRACT. “Editing Clauses in Publishing Contracts: What to Watch For” — Victoria Strauss issues warnings at Writer Beware.

Editing Clauses of Concern

Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):

“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”

What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.

(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”

(11) MEMORY LANE.

1996 – [Compiled by Cat Eldridge.]

Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed. 

It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.

The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet. 

It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration. 

The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send. 

The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later. 

The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God. 

They meant no harm.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 19, 1937 — Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
  • Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight.  Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
  • Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
  • Born May 19, 1948 — Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop! 
  • Born May 19, 1966 — Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder).  She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
  • Born May 19, 1966 — Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
  • Born May 19, 1996 — Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes.  The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.

(13) COMICS SECTION.

  • Speed Bump shows even the ultimate Creator needs prompts.
  • The Far Side, on the other hand, shares an idea about Hell.  
  • The Far Side also imagined how this Star Trek personality would spend his time in Hell.

(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.

The first English translations of the original novellas about the iconic kaijū Godzilla

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

(15) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published Imaginary Papers, Issue 14, their latest quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

 In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.

(16) WHERE THE SKELETONS ARE. Ranker takes up “The Story of Theodore Rex, The Bizarre Whoopi Goldberg Dinosaur Film”.

Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)

Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)

Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.

Ranker’s first little-known fact is –

Whoopi Goldberg Was Forced By Law To Be In This Movie

Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.

(17) CASE SOLVED? “Who Stole Dorothy’s Ruby Slippers? A Minnesota Man Is Charged.” reports the New York Times.

A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.

The red-sequined pumps were recovered in a sting operation that ended in Minneapolis in 2018, but the authorities said at the time that their investigation was continuing and they did not name any suspects.

On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….

Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)

(18) AU REVOIR. Deadline has posted a list of what’s being pulled: “Disney To Remove Dozens Of Series, Including ‘Big Shot’, ‘Willow’, ‘Y’ & ‘Dollface’”.

Big Shot [Disney+]
Turner & Hooch [Disney+]
The Mysterious Benedict Society [Disney+]
The Mighty Ducks: Game Changers [Disney+]
Willow [Disney+]
The Making Of Willow [Disney+]
Diary of a Future President [Disney+]
Just Beyond [Disney+]
The World According to Jeff Goldblum [Disney+]
Marvel’s Project Hero [Disney+]
Marvel’s MPower [Disney+]
Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+]
Cheaper by the Dozen remake [Disney+]
The One and Only Ivan [Disney+]
Stargirl [Disney+]
Artemis Fowl [Disney+]
The Princess [Disney+]
Encore! [Disney+]
A Spark Story [Disney+]
Black Beauty [Disney+]
Clouds [Disney+]
America the Beautiful [Disney+]
Better Nate Than Ever [Disney+]
Weird but True! [Disney+]
Timmy Failure [Disney+]
Be Our Chef [Disney+]
Magic Camp [Disney+]
Howard [Disney+]
Earth to Ned [Disney+]
Foodtastic [Disney+]
Stuntman [Disney+]
Disney Fairy Tale Weddings [Disney+]
Wolfgang [Disney+]
It’s a Dog’s Life with Bill Farmer [Disney+]
The Real Right Stuff [Disney+]
The Big Fib [Disney+]
Rogue Trip [Disney+]
More Than Robots [Disney+]
Shop Class [Disney+]
Pick the Litter [Disney+]
Own the Room [Disney+]
Among the Stars [Disney+]
Harmonious Live! [Disney+]
Pentatonix: Around the World for the Holidays [Disney+]
Y: The Last Man [FX/Hulu]
Pistol [FX/Hulu]
Little Demon [FX/Hulu]
Maggie [Hulu]
Dollface [Hulu]
The Hot Zone [Nat Geo/Hulu]
The Premise [Hulu]
Love in the Time of Corona [Hulu]
Everything’s Trash [Hulu]
Best in Snow [Hulu]
Best in Dough [Hulu]
Darby and the Dead [Hulu]
The Quest [Hulu]
Rosaline [Hulu]

(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.

What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 5/18/23 The Sound Of Tiny Pixels In The Walls Chittering Quietly To Themselves

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(0) The Scroll is light because I had a medical appointment and also took some time to write the BasedCon post. Will make it up to you tomorrow!

(1) THE APPLAUSE METER. [Item by Mike Kennedy.] Apparently a five minute ovation is no big deal at Cannes. Actually, I pretty much believe that. “‘Indiana Jones 5’ Gets Lukewarm Five-Minute Cannes Ovation as Harrison Ford Says an Emotional Goodbye” in Variety.

[When] the credits rolled, Cannes mustered a muted standing ovation for Indy’s latest adventure. Yes, the applause lasted for five minutes, but by Cannes standards, that’s more of a polite formality.

But regardless of how the crowd felt about the film, the biggest cheers of the night were reserved for Ford. The actor arrived on the carpet with wife Calista Flockhart, and an announcer introduced the duo as “Indiana Jones and Calista Flockhart.” Ford received a true movie’s star welcome, as thousands of fans screamed his name and the audience in the Palais jumped up to welcome him as he set foot inside the theater.

As the night began, Ford was summoned to the stage by Cannes festival director Thierry Frémaux to receive a surprise Palme d’Or after a reel of his greatest roles — from “Star Wars” to “The Fugitive” — played onscreen.

“I’m very moved by this,” Ford said. “They say when you’re about to die, you see your life flash before your eyes, and I just saw my life flash before my eyes. A great part of my life, but not all of my life. My life has been enabled by my lovely wife, who has supported my passion and my dreams, and I’m grateful.”…

(2) DON’T TOUCH THAT DIAL. And other than that, Mrs. Lincoln, how was the play?  “The ‘Indiana Jones 5’ Reviews Are In” and Dark Horizons has a roundup of critics reactions to Indiana Jones and the Dial of Destiny.

 Here’s a sampling of reviews thus far:

“Exciting and excessive in equal measure, so over-the-top that an audience needs to throw up its collective hands and suspend disbelief… There are some beautifully affecting moments. If this is the final Indiana Jones movie, as it most likely will be, it’s nice to see that they stuck the landing. ” – Steve Pond, The Wrap

“However much action swirls on the surface of this kind of film, its foundations are built of reassuring nostalgia…[Mangold] is never anything but brisk… it moves along in the frame-by-comic book frame way that ‘Raiders’ did, but with more international destinations.” – Stephanie Bunbury, Deadline

“The final reel may take a serious flight of fantasy, but unlike those aliens in Kingdom of the Crystal Skull, it somehow feels an apt journey for Indy. Perhaps the film could’ve been more daring – it feels fairly safe – but fans will leave cinemas feeling like their old hero had one final great outing in him” – James Mottram, Radio Times

“Nobody with a brain in their heads will compare Dial of Destiny favourably to the first three films. There is a sense throughout of a project struggling to stand beneath the weight of its history. But Mangold… knows how to keep his foot on the pedal… Think of it as one of those halfway decent David Bowie albums from the 1990s” – Donald Clarke, The Irish Times

(3) ROTHFUSS NOVELLA ANNOUNCED. Patrick Rothfuss returns to the universe he conjured in the Kingkiller Chronicle with The Narrow Road Between Desires, an expansion and reimagining of his story The Lightning Tree, illustrated by Nate Taylor. Announced by Rothfuss via Twitch and his blog, The Narrow Road Between Desires marks Rothfuss’s first new release since The Slow Regard of Silent Things in 2014.

A DAW press release says, “The Narrow Road Between Desires is Bast’s story, told over the course of a single day as the charming fae schemes and sneaks, and dances into trouble and back out again with uncanny grace.” It will be released in hardcover on November 14, 2023 from DAW Books and Gollancz, of the Orion Publishing Group.

Rothfuss discussed the news release at length on his blog: “New Novella – An announcement in Three Parts”.

Ever since book two was delayed more than a decade ago, I’ve promised y’all that when a new book is going to be coming out, you’ll hear the news from me first.

The reason for this is a little complicated. But it boils down to this:

When you create something people like, they want to know when you’re going to make a similar thing so they can enjoy that too. If they like it a *lot* then they *REALLY* want to know when you’re doing it again.

If the thing you create is say… a batch of cookies for your kids, this isn’t a problem. They want more cookies, so you can let them know the cookie release schedule. If they forget, you can remind them. If the schedule changes, you explain why.

Even if your kids want more cookies than you can produce, and they complain, or whine, or nag at you, the whole thing is still manageable. (Though as anyone who has dealt with kids can attest to, dealing with over-insistent kids can be rough.) But it works because the number of kids is (statistically speaking) only about 2-3. This makes clear and consistent communication possible. Since you’re all on the same page, everyone gets to anticipate cookies together.

All of this goes out the window if, say, instead of making cookies, you make a book. And instead of a 2-3 kids, you end up with several million readers.

When I was first published. I thought communicating with folks online would be easy. I post an update, everyone reads it. Easy peasy. Right?

It only took a couple years to realize it doesn’t work that way. I can spend 10 hours writing a blog about how my Dad’s in hospice, explaining how the whole thing’s upheaved my life, been hard on my boys, and utterly destroyed any semblance of normalcy in my world…. Then later that day still get half a dozen people pinging me on different platforms asking me why it’s been years since my last book was out.

I can post updates on my blog, on twitter, on facebook, on Twitch, but that doesn’t mean people will read them. What’s more, all it takes is a rumor on a reddit thread to spread bad information and make people think there’s a new book coming out. If amazon’s ordering system auto-fills a publication date for Doors of Stone, people think it’s real, then get pissed when no book comes out on that not-real timeline.

It’s something that I still don’t know how to come to grips with. And the only solution I do have is the promise I made years back: That when there *is* a publication date for DOS, or I put out a different book, you’ll hear about it directly from me first. And no matter where else I make the announcement. (Like today on Twitch, for example.) I’ll also post about it here on the blog.

It’s not a perfect solution, but this way, if people hear a rumor, they can at least come over here and check out whether or not it’s real.

When I first promised that, I thought it would be easy. But at this point, I think we all know that I can be terribly naive….

…When I told Betsy I wanted to be first to break news like this to y’all, she agreed. And since then both Betsy and the other lovely folks on the publishing team have gone along with it, despite the fact that it makes things harder for them.

They have to do extra work in order to keep things secret, and it ties their hands a little. Believe it or not, promoting and marketing a book is way harder when nobody knows a book is in the works. Despite all this, we’ve all been keeping news about the novella secret, and the lovely folks at DAW have done that extra work so that I can make the announcement here first.

There are some downsides, though. If I’m going to be the first to break the news, I have to do so fairly early in the publication process so that marketing and PR people can do important things like… talk to bookstores and see if any of them would be interested in, y’know, putting it on the shelves so people can buy it.

The bad news is that since this is early in the process, it means the book is still in development. I’m still tweaking the text… 

(4) PLATE ARMOR RATHER THAN MAIL, ACTUALLY. Brian Blessed poses with his Blackadder stamp in a photo released by Royal Mail Stamps & Collectibles on Facebook.

(5) GALACTIC STARCRUISER BOUND FOR SHIPBREAKERS? People reports “Disney to Close Star Wars Hotel, Galactic Starcruiser, that Opened in March 2022”.

Disney is permanently docking its Galactic Starcruiser hotel, it announced just 15 months after the massive project first opened.

“Star Wars: Galactic Starcruiser is one of our most creative projects ever and has been praised by our guests and recognized for setting a new bar for innovation and immersive entertainment,” Disney said in a statement shared with PEOPLE. “This premium, boutique experience gave us the opportunity to try new things on a smaller scale of 100 rooms, and as we prepare for its final voyage, we will take what we’ve learned to create future experiences that can reach more of our guests and fans.”

Its final voyage will take place in September.

Disney will be contacting guests who previously booked a stay for after Sept. 30 to modify their reservations. New bookings are currently paused until May 26….

… Starcruiser is also unique in that it requires guests to participate in a full voyage, meaning they can’t hop into the parks at will (though there is an “excursion” to Batuu, aka Disney Studios’ Star Wars: Galaxy’s Edge land) or choose their own dining options. And seeing as the Halcyon is hurtling through space, the property lacks a few other standard Disney resort offerings, like a pool or varied outdoor spaces to enjoy the Florida weather.

The experience does include some truly unique activities that should delight Star Wars aficionados and casual fans alike, like lightsaber training, a lesson in bridge operations — how to operate, shield (and yes, shoot from, when necessary) the impressive vessel — and two unique dining experiences where they can sample specialties like a blue iced Felucian shrimp cocktail and braised Bantha beef….

(6) GRAPHIC PROOF. Neil Clarke showed Facebook readers that Clarkesworld is still battling the flood of ChatGPT-written submissions.

Chart shows the number of bans issued since November, almost entirely courtesy of ChatGPT and other LLMs being used to write bad SF/F and submitted against our guidelines. (Not interested in having a debate about the merits of our policy. Our reasons have not changed and those issues have not been settled.) Anyhow, the dip in March/April was thanks to some mitigation efforts that were more successful than expected. (Some people are still bouncing off those walls.) New approach this month was much more targeted and brought us back to February levels. Some of the tools I’ve put in place are making it a bit easier, but volume can eventually break anything. Problem is clearly getting worse. The May numbers just passed February and in fewer days.

(7) MEMORY LANE.

2015 – [Compiled by Cat Eldridge.]

Mike picked Paolo Bacigalupi for the Beginning and I picked The Water Knife as the work. Why that work?  I’ll tell you in a moment.

But first some notes about Bacigalupi and this novel. He won a Hugo at Aussiecon 4 for The Windup Girl novel, and a World Fantasy Award for his Tangled Lands collection. I’m very fond of his Ship Breaker novel. 

The Water Knife was published by Alfred A. Knopf eight years ago, and the cover illustration is by Oliver Munday. It’s based on The Tamarisk Hunter story he did which was published in The Magazine of Fantasy & Science Fiction in their May 2007 issue. 

So why this novel? Because I think it’s one of his most interesting near future stories with fascinating characters and a fully realized setting. Now that’s all I’ll say given our policy of avoiding spoilers at all costs. 

So now let’s have his Beginning…. 

There were stories in sweat. 

The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing. The sweat of a ten-year-old boy staring into the barrel of a SIG Sauer was different from the sweat of a woman struggling across the desert and praying to the Virgin that a water cache was going to turn out to be exactly where her coyote’s map told her it would be. 

Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.

To Angel Velasquez, perched high above Cypress 1’ s central bore and watching Charles Braxton as he lumbered up the Cascade Trail, the sweat on a lawyer’s brow said that some people weren’t near as important as they liked to think. 

Braxton might strut in his offices and scream at his secretaries. He might stalk courtrooms like an ax murderer hunting new victims. But no matter how much swagger the lawyer carried, at the end of the day Catherine Case owned his ass—and when Catherine Case told you to get something done quick, you didn’t just run, pendejo, you ran until your heart gave out and there wasn’t no running left. 

Braxton ducked under ferns and stumbled past banyan climbing vines, following the slow rise of the trail as it wound around the cooling bore. He shoved through groups of tourists posing for selfies before the braided waterfalls and hanging gardens that spilled down the arcology’s levels. He kept on, flushed and dogged. Joggers zipped past him in shorts and tank tops, their ears flooded with music and the thud of their healthy hearts.

You could learn a lot from a man’s sweat. Braxton’s sweat meant he still had fear. 

And to Angel, that meant he was still reliable.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 18, 1930 — Fred Saberhagen. I’m reasonably sure I’ve read the entirety of his Berserker series though not in the order they were intended to be read. Some are outstanding, some less so. I’d recommend Berserker Man, Shiva in Steel and the original Berserker collection.  Of his Dracula sequence, the only one I think that I’ve read is The Holmes-Dracula File which is superb. And I know I’ve read most of the Swords tales as they came out in various magazines. His only Hugo nomination was at NYCon 3 for his “Mr. Jester” short story published in If, January 1966. (Died 2007.)
  • Born May 18, 1934 — Elizabeth Rogers. Trek geeking time. She had two roles in the series. She provided the uncredited voice for “The Companion” in the “Metamorphosis” episode. She also portrayed Lt. Palmer, a communications officer who took the place of Uhura, in “The Doomsday Machine”, “The Way to Eden”, and the very last episode of the series, “Turnabout Intruder”. She also had appearances on Time Tunnel, Land of The Giants, Bewitched, The Swarm and Something Evil. (Died 2004.)
  • Born May 18, 1946 — Andreas Katsulas. I knew him as Ambassador G’Kar on Babylon 5 but had forgotten he played played the Romulan Commander Tomalak on Star Trek: The Next Generation. His first genre role on television was playing Snout in A Midsummer Night’s Dream and he had a recurring role in Max Headroom as Mr. Bartlett. He also had appearances on Alien Nation, The Death of the Incredible Hulk, Millennium, Star Trek: Enterprise and The Real Adventures of Jonny Quest. (Died 2006.)
  • Born May 18, 1948 — R-Laurraine Tutihasi, 75. She’s a member of LASFS and the N3F. She publishes Feline Mewsings for FAPA. She won the N3F’s Kaymar Award in 2009. Not surprisingly, she’s had a number of SJW creds in her life and her website here gives a look at her beloved cats and a lot of information on her fanzines. 
  • Born May 18, 1949 — Rick Wakeman, 74. Keyboardist and composer best known for his tenure with the pioneering space-rock band Yes. Wakeman has also released musical adaptations of the novels Journey to the Center of the Earth and 1984. The former album reached #1 in the UK and #3 in the US. He also wrote an album, Out There, dedicated to the memories of the astronauts who died in the Columbia disaster. (Xtifr)
  • Born May 18, 1950 — Mark Mothersbaugh, 73. Founder and main songwriter for the new wave band Devo, which regularly featured science-fictional themes in their music and stage shows. The band’s tongue-in-cheek conceit was that they had devolved from full humanity–hence the name. The title of their first album, Q. Are We Not Men? A. We Are Devo!, was a shout-out to The Island of Doctor Moreau. Mothersbaugh is also a prolific composer for films, tv, and games. His credits include the theme for the underrated SyFy show Eureka and much more. (Xtifr)
  • Born May 18, 1952 — Diane Duane, 71. She’s known for the Young Wizards YA series though I’d like to single her out for her lesser-known Feline Wizards series where SJW creds maintain the gates that wizards use for travel throughout the multiverse. A most wonderful thing for felines to do! Her Tale of the Five series was inducted into the Gaylactic Spectrum Award Hall of Fame in 2003. She also has won The Faust Award for Lifetime Achievement given by The International Association of Media Tie-In Writers. 
  • Born May 18, 1958 — Jonathan Maberry, 65. The only thing I’ve read by him is a number of works in the Joe Ledger Series which has a high body count and an even higher improbability index. I see that he’s done scripts for Dark Horse, IDW and Marvel early on. And that he’s responsible for Captain America: Hail Hydra. 
  • Born May 18, 1969 — Ty Franck, 54. Half of the writing team along with Daniel Abraham that’s James Corey, author of the Expanse series. I’ll admit that I’ve fallen behind by a volume or two as there’s just too many good series out there too keep up with all of them, damn it!

(9) CHINESE NEBULA AWARDS. China.org.cn, China’s national online news service, ran an extensive profile of the 14th Xingyun (Nebula) Award winners: “China’s top sci-fi award recognizes young talent”.

Chinese writer Tianrui Shuofu won the top award for his novel “Once Upon a Time in Nanjing” at the 14th Chinese Nebula Awards on Saturday in Guanghan, Sichuan province, demonstrating the rise of young talent in Chinese sci-fi.

Tianrui Shuofu, a 27-year-old online writer whose real name is He Jian, has created several popular sci-fi novels including “Die on Mars.” His latest work, “Once Upon a Time in Nanjing” (also known as “We Live in Nanjing”), was serialized on the literary site qidian.com in 2021. The story follows a high school senior in the city of Nanjing in 2019 who communicates via radio with a girl from 2040 who lives in the same city and learns about the apocalyptic future world. Together, they embark on a mission to save the Earth….

(10) GAIMAN PICKETS. “Neil Gaiman Joins the WGA Picket Line With a Classic T-Shirt” – The Mary Sue has the story.

…Since the strike began, many recognizable faces have joined the picket lines. Many are writers, while others are actors and other entertainment industry professionals expressing solidarity with writers.

Earlier this week, a Tumblr user fuckyeahgoodomens spotted Gaiman at one picket site, holding a sign and wearing a striking red t-shirt….

https://www.tumblr.com/fuckyeahgoodomens/717479437159088128/precious-man-not-in-black-sighted-xx-neil

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/17/23 Star-Lord Shot First!

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(1) FIGHTING BOOK BANS. “PEN America, Penguin Random House Sue Florida School District Over ‘Unconstitutional’ Book Bans” — Publishers Weekly has details.

In response to a troubling wave of book bans, PEN America, Penguin Random House, a group of authors, and a group of parents have filed a federal lawsuit against a Florida school district over the “unconstitutional” removal of books from school libraries.

The suit, filed on May 16 in the Northern district of Florida in Pensacola, alleges that administrators and school board members in Florida’s Escambia County School District are violating the First Amendment as well as the 14th Amendment (the Equal Protection Clause of the Constitution) because the books being singled out are “disproportionately books by non-white and/or LGBTQ+ authors” and often address “themes or topics” related to race or LGBTQ+ community.

The suit seeks to have the district’s actions declared unconstitutional and to have the banned books returned to library shelves.

“In every decision to remove a book, the School District has sided with a challenger expressing openly discriminatory bases for challenge, overruling the recommendations of review committees at the school and district levels,” the complaint alleges. “These restrictions and removals have disproportionately targeted books by or about people of color and/or LGBTQ people, and have prescribed an orthodoxy of opinion that violates the First and Fourteenth Amendments…. Today, Escambia County seeks to bar books critics view as too ‘woke.’ In the 1970s, schools sought to bar Slaughterhouse-Five and books edited by Langston Hughes. Tomorrow, it could be books about Christianity, the country’s founders, or war heroes. All of these removals run afoul of the First Amendment, which is rightly disinterested in the cause du jour.”…

(2) KEEP WATCHING THE MARQUEE. Was there ever a save-the-kid science fiction story I didn’t fall for? I’m confident this will be no exception: “The Creator Teaser Trailer”.

“This is a fight for our very existence.” The Creator arrives in theaters September 29.

(3) STOP. Sarah A. Hoyt gives a whole list of favors people shouldn’t be asking her for – or any other writer, for that matter – in “We’re Not Responsible for….” at Mad Genius Club.

…Stop sending me five covers from stock sites and asking me which fits your novel, when we never talked to each other before and I don’t know who you are. I might, if I’m in the mood, do that for friends or friendly acquaintances, but I have a house, family, cats, a garden, and about 40 novels waiting to be written. I’m not your mommy. Go look at covers and make your own evaluation. Or get another friend who is better at it, and ask them. I haven’t even read your novel. And no, this isn’t a suggestion to send it to me….

(4) 300 BOOKS, 10 JUDGES, 1 WINNER. Mark Lawrence started taking entries for Self-Published Fantasy Blog-Off 9 today: “SPFBO 9, Phase 1”. He explained one of the fine points in the eligibility screening process.

…The most common reason for a book being replaced is that although the author might think of themselves as self-published, they are in fact published by a small/indy press. The details get messy, but if we started accepting small presses then most would appreciate that “small” is impossible to define/enforce effectively. And this is laid out in the rules which everyone indicates they have read….

(5) INDIES NAVIGATE AMAZON. A new entry in “The Indie Files” series at the SFWA Blog sees William Tracy offering “Author tips and tricks for selling on Amazon”.

Congrats! You’re an indie author! You’ve written a book, (hopefully) had critiques and edited it, put it all together, and thrown it up on Amazon. Time to watch the money roll in, right?

Well, not exactly. Amazon books don’t sell themselves. Especially in these waning years of the golden indie author rush, you’ll have to make sure others see your book to even know it exists. In 2010 or 2012, you could feasibly get away with assuming people would see what you’d written. Not now. I wince when people very proudly tell me they’ve written a book and are going to sell it on Amazon. I always have qualifying questions, which usually make their eyes go wide.

Here’s a brief list of tips and tricks to help your book get seen by more shoppers. Because that’s the first secret. Amazon is not a sales platform. Amazon is a very well-tuned search engine. You want to make it as easy as possible for people to stumble over your book as they search. This will not be an exhaustive list, but it’ll give you a starting point for your own research….

(6) A DEAD FISH STINKS FROM THE HEAD. “The Time Has Come for Hollywood C.E.O.s to Strike” – a humor piece from The New Yorker.

Day Zero: Hollywood C.E.O.s have had enough. The Writers Guild of America refused to leave the bargaining table even when we very clearly indicated that we didn’t want to be there anymore. That’s not just bad table manners—because we are C.E.O.s, this threatens the livelihood of our families, and also the livelihood of our second, secret families. In a unanimous vote of twelve for, zero against, the C.E.O.s have authorized a strike.

Day One: The work stoppage begins immediately. All C.E.O.s have changed their e-mail auto-responses from “I am vacationing in Moldova and will be slow to respond” to “I am vacationing in Moldova and also I’m on strike.” The people who work for us will obviously be expected to continue performing their jobs, and also we will obviously keep getting paid. Other than that, the industry will grind to a halt until our demands are met….

(7) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

Our Beginning comes from Graham Joyce’s Some Kind of Fairy Tale which was first published by Victor Gollancz in the United Kingdom eleven years ago. 

He won the BFS’ Robert Holdstock Award for it, one of four such Awards for him, and was nominated for the August Derleth Award for best Horror Novel and the World Fantasy Award for Best Novel as well. 

I like Joyce a lot as his horror has a certain Britishness to it that is appealing. This along with The Tooth Fairy and The Limits of Enchantment are my favorite works by him. 

And now for our Beginning…

We are spirits of another sort. 

OBERON, KING OF SHADOWS. WILLIAM SHAKESPEARE 

In the deepest heart of England there is a place where everything is at fault. That is to say that the land rests upon a fault; and there, ancient rocks are sent hurtling from the deep to the surface of the earth with such force that they break free like oceanic waves, or like monstrous sea creatures coming up for air. Some say that the land has still to settle and that it continues to roil and breathe fumes, and that out of these fumes pour stories. Others are confident that the old volcanoes are long dead, and that all its tales are told. Of course, everything depends on who is telling the story. It always does. I have a story and though there are considerable parts I’ve had to imagine, the way I saw it was as follows.

It WAS CHRISTMAS DAY of that year and Dell Martin hovered at the double-glazed PVC window of his tidy home, conducting a survey of the bruised clouds and concluding that it might just snow; and if it did snow then someone would have to pay. At the very beginning of the year Dell had laid down two crisp twenty-pound notes on the bookie’s Formica counter, just as he had done every year for the past ten. The odds changed slightly each year and this time he’d settled good odds at seven-to-one. 

For a White Christmas to be official—that is, to force the bookmakers to pay—a flake of snow must be observed to fall between midnight on December 24 and midnight on December 25 at four designated sites. The sites are the cities of London, Glasgow, Cardiff, and Manchester. The snow is not required to lie deep nor crisp nor evenly upon the ground and it doesn’t matter if it’s mixed with rain. One solitary flake would do it, fallen and melted, observed and recorded.

Living in a place somewhere between all of those great cities, Dell had never collected in all those ten years, nor had he seen a single flake of Christmas Day snow hanging in the air of his hometown. “Are you going to come and carve?” Mary called from the kitchen. 

This year they were having goose. After decades of turkey dinners on Christmas Day they were having a change, because a change is as good as a rest, and sometimes you needed a rest even from Christmas. Nevertheless the table had been laid out, just as in previous years. Crisp linen and the best cutlery. Two heavy crystal wineglasses that, year round, were kept in a box and stowed at the back of a kitchen cupboard.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 17, 1913 — Peter B. Germano. Though neither of his SF novels was of great distinction (go ahead, disagree) — The Interplanetary Adventures and The Pyramids from Space (written as Jack Berlin) — his scriptwriter output was so as he worked on The Time Tunnel, Voyage to the Bottom of the Sea, Land of the Lost, Battle of the Planets and the revival version of The Next Step Beyond, which warrants his being noted here. (Died 1983.)
  • Born May 17, 1936 — Dennis Hopper. I think his first genre film would be Tarzan and Jane Regained… Sort of, an Andy Warhol film. Queen of Blood, a vampire thinly disguised as SF film, was his next genre film. My Science Project was his next outing before he took part in The Texas Chainsaw Massacre 2. And now we get to the Super Mario Bros. where he played King Koopa. What a weird film that was! Of he followed that by being Deacon on Waterworld… And then doing Space Truckers. Ouch. Really ouch. He’s El Niño in The Crow: Wicked Prayer, a film I barely remember seeing and I like the Crow character. His final role was voicing one of the animated wolves in Alpha and Omega. (Died 2010.)
  • Born May 17, 1946 — F. Paul Wilson, 77. I’ve read, let me check, oh about half I see of the Repairman Jack novels. Anyone here finished them off, and should I do so? What else by him is worth my time? He’s won five Prometheus Awards for Best Libertarian SF Novel, very impressive indeed. 
  • Born May 17, 1950 — Mark Leeper, 73. As Mark says on his site, “In and out of science fiction circles Mark and Evelyn Leeper are one of the best known writing couples on the Internet. Mark became an avid science fiction fan at age six with TV’s Commando Cody. Both went to the University of Massachusetts in 1968.” And as Bill Higgins says here, their MT VOID fanzine is one of the longest published ones still going. 
  • Born May 17, 1954 — Bryce Zabel, 69. A producer, director and writer. Genre wise, he’s been involved as a producer or director with M.A.N.T.I.S., Dark Skies, Blackbeard, Lois & Clark: The New Adventures of Superman and The Crow: Stairway to Heaven. Writing-wise, he has written for most of these shows plus the Mortal Kombat: Annihilation and Atlantis: The Lost Empire screenplays.
  • Born May 17, 1954 — Colin Greenland, 69. His partner is the Susanna Clarke who was the author of our Beginning last Scroll, with whom he has lived since 1996. The Entropy Exhibition: Michael Moorcock and the British ‘New Wave’ in Science Fiction whichwas based on his PhD thesis. His most successful fictional work is the Plenty series that starts with Take Back Plenty and continues with Seasons of Plenty, The Plenty Principle and wraps up with Mother of Plenty. In the Eighties and Ninties, he was involved in the editorial work of Foundation: The Review of Science Fiction and Interzone.
  • Born May 17, 1956 — Dave Sim, 67. Did you know there was a Cerebus radio series at one point? Well there was – Cerberus the Radio Show. Need I say that I read the entire run of Cerebus. The three hundred issues ran from 1977 until 2004. It was created by Sim, written and drawn by him and remained solely his undertaking until background artist Garhard joined up with sixty-fifth issue. As Cerebus continued, it incorporated more and more of Sim’s very controversial views, particularly on women, feminism and the fall of Western Society from those factors. Collected Letters: 2004 and Dave Sim’s Collected Letters 2 contains his responses to the letters he got criticizing him but not the letters themselves. 

(9) COMICS SECTION.

  • Poorly Drawn Lines shows that in space no one can hear your loneliness.

(10) JIMI HENDRIX SFF COMIC. This Fall, Titan Comics will be publishing Jimi Hendrix: Purple Haze, an original graphic novel written by Mellow Brown (American Gods, Blade Runner: Origins) with DJ Benhameen, illustrated by artist Tom Mandrake (Captain Kronos, The Spectre), and in collaboration with Jimi’s sister, Janie Hendrix.

This epic adventure sees the iconic Jimi Hendrix as you’ve never seen him before! The story sees Hendrix embark on a perilous quest to the very center of the universe in search of a magical talisman powerful enough to unlock the incredible latent power of his trademark sound, so that he can free a diverse population starved of rock ‘n’ roll by a tyrannical intergalactic force hellbent on silencing music and enslaving all life.

Jimi Hendrix: Purple Haze blends classic sci-fi pulp, and Afro-futurism to craft a psychedelic space odyssey that captures the magic, hope and rebellion that Jimi’s legendary music is known for.

Jimi Hendrix (November 27, 1942 – September 18, 1970) was an influential guitarist, singer and songwriter. Although his career spanned only three studio albums – Are You Experienced (1967), Axis: Bold as Love (1967), & Electric Ladyland (1968) – he is widely recognized as one of the most creative guitarists in the history of music, and one of the most celebrated musicians of the 20th century.

Jimi Hendrix: Purple Haze (128pp, hardcover, $29.99, 9781787731899) is set for release in comic shops, bookstores and on digital devices in November 2023. Pre-order now at Barnes & Noble, Amazon and Forbidden Planet for UK & Europe.

(11) BROS. “Marvellous Moderns: The Brothers Perrault” at The Public Domain Review.

Charles Perrault is celebrated as the collector of some of the world’s best-known fairy tales. But his brothers were just as remarkable: Claude, an architect of the Louvre, and Pierre, who discovered the hydrological cycle. As Hugh Aldersey-Williams explores, all three were able to use positions within the orbit of the Sun King to advance their modern ideas about the world….

…Best remembered today is the youngest of the brothers, Charles (1628–1703), who is famous now as the collector and author of fairy stories — including “Sleeping Beauty”, “Little Red Riding Hood”, “Cinderella”, “Puss in Boots”, and “Bluebeard” — known as the Mother Goose Tales. Before turning to writing, however, he served at the French court as a cultural advisor to Louis’ all-powerful minister, Jean-Baptiste Colbert….

(12) BOOMER SOONER (OR LATER). Scientific American thinks “Betelgeuse’s Brightening Raises Hopes for a Supernova Spectacle”.

Even if you don’t know it by name, the red supergiant star Betelgeuse is one of the most familiar sights in the heavens above—a gleaming ruddy dot at the shoulder of the constellation Orion. Although already quite difficult to overlook, Betelgeuse has become even more eye-catching across the past few years because of major changes in its appearance—unexpected fluctuations in its brightness that remain poorly understood. In recent weeks, the star has at times shone more than 50 percent brighter than normal, drawing renewed attention from amateur sky watchers and professional astronomers alike. These individuals hopefully await a historic celestial event. Someday, you see, Betelgeuse will explosively end its life in a supernova—and from our planetary perch just 650 light-years away, we Earthlings will have front-row seats to this spectacular cosmic cataclysm.

But does the current bout of brightening presage Betelgeuse blowing its top? And what would such a nearby supernova look like?…

(13) LET’S DO THE TIME WARP AGAIN. The cast of The Rocky Horror Show perpetrated a flashmob at Birmingham New Street in the UK.

The cast of Rocky Horror Show were out of this world when they performed at Birmingham New Street this afternoon! If you didn’t manage to catch them at the station, here it is.

(14) VIDEO OF THE DAY. The first twenty-five seconds of Ryan George’s “Guardians of the Galaxy Vol. 3 Pitch Meeting” are pretty wry. And it goes on from there.

So you got some Marvel content for me?

Yes sir, I do some freaking Guardians of the Galaxy.

Nice!

Now did you want to make a movie or take a secondary character and stretch a story out over eight episodes and shove that on Disney+?

I was thinking like a third movie.

You sure?

Yeah, plus we already did that I Am Groot short series on Disney+.

We did?

Yeah, I’m pretty sure that’s a thing that exists, really.

Wow! We might have to slow this machine down. I have no recollection of that…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Daniel Dern, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/16/23 I Gave Them My Haploid Heart But They Wanted My Scroll

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(1) BRITISH FANTASY AWARDS TAKING NOMINATIONS. Voting for the British Fantasy Awards is open through May 31.

You can vote for the BFAs if you are any of the following:
– A member of the British Fantasy Society
– An attendee at FantasyCon 2022 (London Heathrow)
– A ticket-holder for FantasyCon 2023 (Birmingham)

In each category the four titles or names with the highest number of recommendations will make the shortlist of nominations.

The BFA also has put out a “Call for BFA jurors” – “ANYONE can apply to become a juror and we would actively encourage non-members to volunteer as jurors.”

(2) BRITISH BOOK AWARDS. R.F. Kuang’s novel has won again – this time a British Book Award. The complete list of winners is at the link.

Fiction, supported by Good Housekeeping

RF Kuang

Babel (HarperCollins / Harper Voyager)

(3) ABSCISSION. “New Leaf Literary & Media Faces Backlash After Dropping Authors” – Publishers Weekly monitored authors’ social media and is pursuing the story.

…The controversy unfolded shortly after New Leaf announced a series of changes to its staff structure. Hamessley has not returned requests for comment, and New Leaf emphasized that they cannot speak to any circumstances around her departure.

In an official statement on the matter, the Authors Guild expressed concern that Hamessley’s clients continue to be supported through the transition. “The Authors Guild strongly believes that every agent needs to have a succession plan for their authors in case of disabling ill health or death, and we instruct authors to inquire about such a contingency plan. We have seen far too many authors left in the lurch over the years.”

The statement continued: “New Leaf authors who were impacted by this sudden shakeup can reach out to us, though we can only represent Authors Guild members in legal matters. Authors who are members of the Authors Guild should send in their agency agreements to our legal staff so we can advise them on their rights.”

New Leaf told PW that it has been actively reaching out to Authors Guild representatives to clarify the situation.

In a statement to PW, author Stephanie Lucianovic said: “Undoubtedly, you’ll find out a lot about our reactions to these unceremoniously abrupt, late, Friday-night agency oustings on our socials, but our primary concern for the last 48+ hours has been about gathering our shocked and distraught agent-mate community and taking care of one another as best we can.”

(4) VALENTE Q&A. Catherynne M. Valente talks about Eurovision, Aliens and Mythpunk with Moid Moidelhoff at Media Death Cult.

(5) STARTING EARLIER. [Item by Dann.] What if… …the 1960s were the age of Marvel and DC movies?  This thread reimagines classic actors as classic heroes and villains. Thread starts here.

(6) TUNING UP. WhatsOnStage polled readers: “Top 100 musicals of all time revealed”. Six of the top 20 are sff. Believe it!

Audiences have been voting in their thousands across the month of April to find the top musicals of all time – and the results are now in!

We run down the top 20 below, with the subsequent 80 listed at the bottom. Where did your fave end up?

In terms of figures, leading the way with the highest number of musicals appearing is Stephen Sondheim on nine as composer and lyricist and a further two as lyricist. Andrew Lloyd Webber follows one behind on eight, including second place The Phantom of the Opera….

(7) TOR HIRE. Publishers Lunch reports Stephanie Stein has joined Tor Books as senior editor, acquiring adult science fiction and fantasy. She was previously at Harper Children’s.

(8) STAR WARS PROP GEMS. Paper City profiles the exhibition of a spectacular collection: “Star Wars Exhibit Wows With Galaxy Firsts at Valobra Master Jewelers — The Force Is Strong In Houston”.

In a climate-controlled garage, not so far away, sat one of the world’s most impressive Star Wars memorabilia collections, second only to that of the collection of George Lucas, the Jedi mind behind the science fiction franchise. That is until Franco Valobra, founder and CEO of Valobra Master Jewelers, decided to showcase the rare pieces for a limited engagement in his Houston store. 

Carrie Fisher’s (aka Princess Leia)  personally annotated script for The Empire Strikes Back, a fully functional R2D2 used for Star Wars promotions in the 1970s and a life-size original Darth Vader costume from the first Star Wars movie in 1977 are among the astonishing artifacts that were on display through Saturday, May 13.

Franco Valobra, a renowned luxury car collector, shares a “garage” with a close friend, storing his Ferraris and Maseratis alongside an array of astonishing memorabilia such as a model-size X-Wing Fighter and a Stormtrooper Blaster used in Star Wars: A New Hope. …

(9) MEMORY LANE.

2006 – [Compiled by Cat Eldridge.]

Some of you I think are likely more familiar with Susanna Clarke by way of her two novels, Jonathan Strange & Mr Norrell and Piranesi, than you are with her short stories.  It turns out that she is most excellent when it comes to this form.

She’s not written a lot of short stories but eight of these were collected in The Ladies of Grace Adieu and Other Stories, published seventeen years ago by Bloomsbury USA. The cover illustration (there’s no dust jacket) which I not surprisingly really love is by Charles Vess. 

All of them are set in the same alternative history as Jonathan Strange & Mr Norrell. 

Our Beginning is drawn from one of them, “The Ladies of Grace Adieu Above”. And now here it is for you to read…

The Ladies of Grace Adieu Above all remember this: that magic belongs as much to the heart as to the head and everything which is done, should be done from love or joy or righteous anger. 

And if we honour this principle we shall discover that our magic is much greater than all the sum of all the spells that were ever taught. Then magic is to us as flight is to the birds, because then our magic comes from the dark and dreaming heart, just as the flight of a bird comes from the heart. And we will feel the same joy in performing that magic that the bird feels as it casts itself into the void and we will know that magic is part of what a man is, just as flight is part of what a bird is.

This understanding is a gift to us from the Raven King, the dear king of all magicians, who stands between England and the Other Lands, between all wild creatures and the world of men. From The Book of the Lady Catherine of Winchester (1209-67), translated from the Latin by Jane Tobias (1775-1819) 

When Mrs Field died, her grieving widower looked around him and discovered that the world seemed quite as full of pretty, young women as it had been in his youth. It further occurred to him that he was just as rich as ever and that, though his home already contained one pretty, young woman (his niece and ward, Cassandra Parbringer), he did not believe that another would go amiss. He did not think that he was at all changed from what he had been and Cassandra was entirely of his opinion, for (she thought to herself) I am sure, sir, that you were every bit as tedious at twenty-one as you are at forty-nine. So Mr Field married again. The lady was pretty and clever and only a year older than Cassandra, but, in her defence, we may say that she had no money and must either marry Mr Field or go and be a teacher in a school. The second Mrs Field and Cassandra were very pleased with each other and soon became very fond of each other. Indeed the sad truth was that they were a great deal fonder of each other than either was of Mr Field. There was another lady who was their friend (her name was Miss Tobias) and the three were often seen walking together near the village where lived-Grace Adieu in Gloucestershire.

Cassandra Parbringer at twenty was considered an ideal of a certain type of beauty to which some gentlemen are particularly partial. A white skin was agreeably tinged with pink. Light blue eyes harmonized very prettily with silvery-gold curls and the whole was a picture in which womanliness and childishness were sweetly combined. Mr Field, a gentleman not remarkable for his powers of observation, confidently supposed her to have a character childishly naive and full of pleasant, feminine submission in keeping with her face.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 16, 1918 — Barry Atwater. Surak in “The Savage Curtain” episode where several reliable sources say he had serious trouble making Vulcan hand gesture. He did a lot of other genre work from Night Stalker where he played the vampire Janos Skorzeny to The Man From U.N.C.L.E., The Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, Night Gallery, The Wild Wild West and The Outer Limits. (Died 1978.)
  • Born May 16, 1937 — Yvonne Craig. Batgirl on Batman, and that green skinned Orion slave girl Marta in “Whom Gods Destroy”. She also appeared in The Man from U.N.C.L.E., The Wild Wild West, Voyage to The Bottom of the Sea, The Ghost & Mrs. Muir, Land of the Giants, Six Million Dollar Man and, err, Mars Needs Women. (Died 2015.)
  • Born May 16, 1950 — Bruce Coville, 73. He’s won three Golden Duck Awards for Excellence in Children’s Science Fiction. He won first for his My Teacher Glows in the Dark, the second for his I Was a 6th Grade Alien, and the third for producing an audio adaptation of Heinlein’s The Rolling Stones. And NESFA also presented him with the Edward E. Smith Memorial Award for Imaginative Fiction. He was twice nominated for the Mythopoeic Fantasy Award for Children’s Literature. 
  • Born May 16, 1953 — Pierce Brosnan, 70. Louis XIV in The Moon and the Sun adaptation of Vonda McIntyre’s novel, shot in 2014 then not released til 2022. James Bond in a remarkably undistinguished series of such films. Seriously, what do you remember about his Bond films? Dr. Lawrence Angelo in The Lawnmower Man, and he was lunch, errr, Professor Donald Kessler in Mars Attacks! and Mike Noonan in Bag of Bones.
  • Born May 16, 1955 — Debra Winger, 68. Not I grant you an extensive genre resume but interesting one nonetheless. Her first genre appearance is in E.T. the Extra-Terrestrial in uncredited turn as, and I kid you, a Halloween Zombie Nurse with a poodle. Really I’m not kidding. And she appeared in three episodes of the Seventies Wonder Woman as Drusilla / Wonder Girl. If you want to stretch it, she was Rebecca in The Red Tent film.
  • Born May 16, 1969 — David Boreanaz, 54. Am I the only one that thought Angel was for the most part a better series than Buffy? And the perfect episode was I think “Smile Time” when Angel gets turned into a puppet. It even spawned its own rather great toy line. He’s currently Master Chief Special Warfare Operator Jason Hayes on SEAL Team which has migrated to Paramount + which means that the adult language barrier has been shattered so it’s quite amusing to hear a very foul mouthed Boreanaz. 
  • Born May 16, 1977 — Lynn Collins, 46. She was an excellent Dejah Thoris in the much underrated John Carter. Her first genre role was Assistant D.A. Jessica Manning on the very short lived horror UPN drama Hauntings, and she showed up in True Blood as Dawn Green. She survived longer on The Walking Dead as Leah Shaw.  Back to films, she was in X-Men Origins: Wolverine and The Wolverine as Kayla Silverfox, Rim of The World as Major Collins and Blood Creek as Barb. 

(11) COMICS SECTION.

(12) SIMULTANEOUS TIMES. Space Cowboy Books presents the Simultaneous Times podcast Episode 63 with stories by Elad Haber and Brent A. Harris. Stories featured in this episode:

“They Promised Trees” by Elad Haber. Music by Fall Precauxions 

“The Story That Never Was” by Brent A. Harris. Music by Phog Masheeen

Theme music by Dain Luscombe

(13) THEY GOT ME. If you disdain clickbait then you won’t click on “Fun Facts About the 1960s ‘Batman’ Series You Probably Didn’t Know” at Sportzbonanza.

Alan Napier

Before getting to the audition for the show, Alan Napier had no clue who Batman was. He never heard of the character, and he didn’t take the casting that seriously. The truth is, when the producers offered him a part of Batman’s butler Alfred, Alan was a skeptic, and he even considered not accepting the part. The story and idea seemed funny and ridiculous to him.

Luckily, after Napier’s agent showed him the income that the role could get him, he immediately changed his mind and said yes.

(14) WOTF 39. Today is the official release of Writers of the Future Volume 39 book, ebook and audiobook.

(15) MORE WATER TRACES ON THE SURFACE OF MARS. [Item by SF Concatenation’s Jonathan Cowie.] And they are in the low latitudes, away from the poles. In the Science Advances journal article “Modern water at low latitudes on Mars: Potential evidence from dune surfaces” Chinese researchers —

…report crusts, cracks, aggregates, and bright polygonal ridges on the surfaces of hydrated salt-rich dunes of southern Utopia Planitia (~25°N) from in situ exploration by the Zhurong rover. These surface features were inferred to form after 1.4 to 0.4 million years ago. Wind and CO2 frost processes can be ruled out as potential mechanisms. Instead, involvement of saline water from thawed frost/snow is the most likely cause. This discovery sheds light on more humid conditions of the modern Martian climate and provides critical clues to future exploration missions searching for signs of extant life, particularly at low latitudes with comparatively warmer, more amenable surface temperatures.

(16) WORSE THAN KUDZU. “Restart the Earth review – Chinese sci-fi is pacy plant-based apocalypse” says the Guardian.

No doubt to Alan Titchmarsh’s great relief, the horticultural arm of the post-apocalypse flick is finally entering the growth phase, with the likes of Annihilation, The Last of Us and now this lightweight effort from Chinese director Lin Zhenzhao. The hubris here is that mankind has overcompensated for the desertification of the planet with cutting-edge research to promote plant growth, accidentally creating a super-species of sentient flora that has choked the Earth, and whose roving vines hunt down people to snack on….

When a drug to replicate plant cells creates a sentient form of flower, the planet is over taken by flora and humankind is depleted. A Chinese task force, a widowed father and his young daughter fight to survive in a mission to inject an antidote to the core of the plants to reverse their growth.

(17) VIDEO OF THE DAY. Mike Lynch Cartoons tells who’s who in this 1945 video “John Nesbitt’s Passing Parade: ‘People on Paper'”: H.H. Knerr (Katzenjammer Kids), Bud Fisher (Mutt and Jeff), Fred Lasswell (Barney Google and Snuffy Smith), Frank King (Gasoline Alley), Chester Gould (Dick Tracy), Dick Calkins (Buck Rogers in the 25th Century), Milton Caniff (Terry and the Pirates), Chic Young (Blondie), Raeburn Van Buren (Abbie an’ Slats), Ham Fisher (Joe Palooka), Hal Foster (Prince Valiant), Harold Gray (Little Orphan Annie), and Al Capp (Li’l Abner).

[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, SF Concatenation’s Jonathan Cowie, Lise Andreasen, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/15/23 It’s More Like A Big Ball Of Wibbly-Wobbly, Pixelly-Scrolly Stuff

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(1) WRITERS STRIKE: MORE THOUGHTS ON AI. Justine Bateman tweeted this warning for SAG-AFTRA members:

(2) FREE HWA AI WEBINAR. The Horror Writers Association will host a free webinar on May 15 about what AI means for the future of writing and publishing to help writers understand the facts and realities of what AI does and what it might accomplish in the future. Register here: “Artificial Intelligence and Writing — What AI Means for the Future of Fiction Writing and Publishing”. James Chambers will be leading the panel, joined by Colleen Anderson, CW Briar, R Leigh Hennig, Matthew Kressel, John Edward Lawson, Angela Yuriko Smith, and Leonard Speiser.

AI and WRITING PANEL UPDATE: Greetings! This Monday, May 15, at 8 p.m. ET, the HWA’s Horror University Online program will sponsor a FREE panel discussion about Artificial Intelligence and Writing. This panel is open to all. You don’t have to be an HWA member to attend.

I’ll be leading a group of seven people who bring a wide range of experience and knowledge as authors, editors, organizers in the horror community, publishers, and technology experts to this conversation. We will discuss what artificial intelligence is, how it works, its limitations, how it might change, and how it might affect writing and publishing. Our goal for the discussion is to provide information and insight for writers, editors, and publishers as a springboard for further conversation and understanding and to help them navigate evolving technology so that it does not ever diminish the work of human writers.

The genesis of this panel came a few months back when I heard a lot of chatter online, in the news, and in my writing groups about AI and what this technology means for writers. The sincere anxiety and uncertainty expressed in those conversations made me think the HWA’s Horror University Online could be a good platform to open a fact-based conversation to address these very real concerns and help people wrap their heads around it.

Likewise, I thought, it would be a good forum in which to discuss what the future might hold because, whether we like it or not, we must now work in a world where AI exists. How can human writers, editors, and publishers avoid AI pitfalls? What should we expect on the business side of our industry, such as changes to contract language, submission guidelines, and so on? What are elements of AI we must watch most closely to protect what we do as writers, editors, and publishers? These are just some of the things our panel will discuss.

Among of the core missions of the HWA and Horror University are to support writers, help them develop and improve, help them succeed, share knowledge, and build community. This panel is aligned with those goals. I encourage everyone interested to register at the link below. We will be taking questions during the panel. Even if you can’t attend the live session, you may access the recording.

(3) FIYAH GRANTS. FIYAH Literary Magazine is taking applications for its Grants. Full details at the link.

The FIYAH Literary Magazine Grant Series is intended to assist Black writers of speculative fiction in defraying costs associated with honing their craft. 

The series includes three $1,000 grants to be distributed annually based on a set of submission requirements. All grants with the exception of the Emergency Grant will be issued and awarded as part of Juneteenth every year. The emergency grant will be awarded twice a year in $500 amounts.

(4) NAVARRO SHARES EXPERIENCES. The Horror Writers Association continues its thematic Q&A series: “Celebrating Our Elders: Interview with Yvonne Navarro”.

Do you think you’ve encountered ageism? If so, how do you counteract or deal with it?

Yes, I do. Thanks to self-publishing, younger authors will accept a shamefully lower amount of money for books while older, experienced authors still want to be decently paid for their work. Recently, a younger writer with less experience in a certain media tie-in universe in which I have worked extensively was chosen over me for a project. Unless someone has a mystical wand, I don’t see any way to fight this

(5) ABOUT PTSD. Francis Hamit says, “This is the best, most comprehensive article about PTSD I have ever read:  This is a condition that I’ve suffered from most of my life and, based upon observation I think that many people in Fandom are also afflicted.   Others in Fandom are unkind and go out of their way to make PTSD worse.” “Understanding PTSD in Security Professionals: Unveiling the Impact and Effective Approaches for Support and Recovery” at Security Guards.

PTSD Post-Traumatic Stress Disorder (PTSD) is a mental health condition that can develop in individuals who have experienced or witnessed a traumatic event. It is a complex disorder that affects the mind and body, causing significant distress and impairing daily functioning. In this article, we will explore the key aspects of PTSD, including its causes, symptoms, diagnosis, and treatment options….

(6) THE HOLE TRUTH. At Speculiction, Jesse Hudson is ready to send for the coroner: “Tailspin: The Decline of Hulu’s The Handmaid’s Tale Series”.

…A lot of shows have plot holes, and The Handmaid’s Tale is no exception. I will not go into detail here. But I will say that they are coming faster and with more frequency. Where Atwood’s novel (aka Season 1) is a tightly wound tale in a finite setting whose pieces fit nicely together, each subsequent season frays this rope. Where characters once acted and behaved according to the personalities Atwood established, they begin to deviate in ways that seem more plot-serving than character-oriented. The show’s writers need to get Person A from point 1 to 2, so they introduce situation X, a situation that goes beyond the limits of the world already established (i.e. plot hole). Or they introduce decision point Y, which keeps the wheels of plot moving but don’t seem true to character or setting. I read a shit-ton of books. I am a forgiving person in plot-hole land. But the series has become too much. It has lost touch with the ground it grew from and now floats in the sky above, the ground only in sight. Nothing is interesting when everything is possible…

(7) MEMORY LANE.

1984 – [Compiled by Cat Eldridge.]

This novel was published by Bantam the same year R.A. MacAvoy won the Astounding Award for Best New Writer. I’m very fond of her as she would write The Black Dragon series, Tea with the Black Dragon and Twisting the Rope.

Our Beginning this Scroll is from the first novel of the Damiano series and it too is called Damiano.  It was published by Bantam Books in 1984 with the cover illustration by Jim Burns. 

It is a fantastic series and the Beginning which follows gives you a taste of what this novel and the series as a whole is like. So let’s get started…

A string buzzed against his fingernail; the finger itself slipped, and the beat was lost. Damiano muttered something that was a bit profane.

“The problem isn’t in your hand at all. It’s here,” said Damiano’s teacher, and he laid his ivory hand on the young man’s right shoulder. Damiano turned his head in surprise, his coarse black ringlets trailing over the fair skin of that hand. He shifted within his winter robe, which was colored like a tarnished brass coin and heavy as coins. The color suited Damiano, whose complexion was rather more warm than fair.

“My shoulder is tight?” Damiano asked, knowing the answer already. He sighed and let his arm relax. His fingers slid limply across the yew-wood face of the liuto that lay propped on his right thigh. The sleeve of the robe, much longer than his arm and banded in scarlet, toppled over his wrist. He flipped the cloth up with a practiced, unconscious movement that also managed to toss his tangle of hair back from his face. Damiano’s hand, arm, and shoulder were slim and loosely jointed, as was the rest of him.

“Again?” he continued. “I thought I had overcome that tightness months ago.” His eyes and eyelashes were as soft and black as the woolen mourning cloth that half the women of the town wore, and his eyes grew even blacker in his discouragement. He sighed once more.

Raphael’s grip on the youth tightened. He shook him gently, laughing, and drew Damiano against him. “You did. And you will overcome it again and again. As many times as it crops up. As long as you play the instrument. As long as you wear flesh.” 

Damiano glanced up. “As long as I … Well, in that case may I fight my problem a good hundred years! Is that why you never make mistakes, Seraph? No flesh?” His toothy smile apologized for the witticism even as he spoke it. Without waiting for an answer, he dropped his eyes to the liuto and began to play, first the treble line of the dance, then the bass line, then both together.

Raphael listened, his eyes quiet, blue as lapis. His hand still lay on Damiano’s shoulder, encouraging him. Raphael’s great glistening wings twitched slightly with the beat of the music. They caught the cloudy daylight and sent pearly glints against the tiles of the wall. 

Damiano played again, this time with authority, and smoothly passed the place where he had to change the meter—two strokes, very fast, plucked by the middle finger. When he was done, he looked up, his face flushed with success, his lower lip red because he’d been biting down on it.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 15, 1856 — L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a very splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz franchise, nor have I read anything else by him. Nor have I seen any of the later adaptations of the Oz fiction. What’s the rest of his fiction like?  There is, by the way, an amazing amount of fanfic out here involving Oz and some of it is slash which is a really, really scary idea. (Died 1919.)
  • Born May 15, 1877 — William Bowen. His most notable work was The Old Tobacco Shop, a fantasy novel that was one runner-up for the inaugural Newbery Medal in 1922. He also had a long running children’s series with a young girl named Merrimeg whom a narrator told her adventures with all sorts of folkloric beings. (Died 1937.)
  • Born May 15, 1926 — Anthony Shaffer. His genre screenplays were Alfred Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including the Agatha Christie-based Evil Under the Sun, Death on the Nile, and Murder on the Orient Express. (Died 2001.)
  • Born May 15, 1948 — Brian Eno, 75. Worth noting if only for A Multimedia Album Based on the Complete Text of Robert Sheckley’s In a Land of Clear Colors, though all of his albums have a vague SF feeling to them such as Music for Civic Recovery Centre, January 07003: Bell Studies for the Clock of The Long Now and Everything That Happens Will Happen Today which could the name of Culture mind ships. Huh. I wonder if his music will show up in the forthcoming Culture series?
  • Born May 15, 1955 — Lee Horsley, 68. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare Man, The Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls as it has a cop with psychic powers and a serial killer.
  • Born May 15, 1966 — Greg Wise, 57. I’m including him solely for being in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (maybe) but damn fun.
  • Born May 15, 1971 — Samantha Hunt, 52. If you read nothing else by her, do read The Invention of Everything, a might be look at the last days in the life of Nikola Tesla. It’s mostly set within the New Yorker Hotel, a great concept. I’m avoiding spoilers naturally. She’s written two other genre novels, Mr. Splitfoot and The Seas, plus a handful of stories. 

(9) COMICS SECTION.

(10) MAKES YOU WONDER. “Wonder Woman’s daughter Trinity arrives in upcoming DC comic” reports Entertainment Weekly. Yeah, I’m sure you’re asking that question, too, but the article doesn’t answer it.

Wonder Woman has been a superhero, a feminist icon, and a movie star over the decades, but this year she’s going to add another title to her resume: mother.

IGN revealed on Friday that DC Comics is introducing Trinity, Wonder Woman’s daughter, in the upcoming anniversary issue Wonder Woman #800. She was created by writer Tom King and artist Daniel Sampere, who are taking over the monthly Wonder Woman comic when it relaunches with a new issue #1 this September….

(11) IT WILL TAKE YOU BY SURPRISE. Jennifer Hawthorne encourages everyone to check out this “super-cool space-themed art.” It lives up to her billing! “Astronaut sculpture from an ex-physicist” at Reddit.

(12) CSSF VIRTUAL BOOK CLUB CHOICE. The Gunn Center for the Study of Science Fiction has announced their final Virtual Book Club Event of the academic year. To join them Friday, May 19 at noon (Central) for a virtual meeting, register here.

For the month of May, the Center has chosen short story, “We Travel the Spaceways” by Victor LaValle.

Otherworldly interference in real world New York City? Or delusions? For the answer, follow two strangers in an astonishing short story of faith and hope. Grimace is a homeless man on a holy mission to free Black Americans from emotional slavery. His empty soda cans told him as much. Then he meets Kim, a transgender runaway who joins Grimace on his heroic quest. Is Grimace receiving aluminum missives from the gods, or is he a madman? Kim will find out soon enough on a strange journey they are destined to share. Available for free with Amazon Prime account. 

(13) ALTERNATE MCU. CinemaBlend eavesdrops on his commencement address at USC where “Kevin Feige Talks Forks In Life And How Robert Downey Jr. Only Landed The Iron Man Role After Marvel’s ‘Top Choice’ Passed”.

The Marvel Cinematic Universe is, in great, the powerhouse that it is today due to the efforts of studio head Kevin Feige and the countless individuals who work at Marvel Studios. Of course, an actor by the name of Robert Downey Jr. deserves some credit as well, as his debut performance as Tony Stark in 2008’s Iron Man helped to propel the film to box office success. After all these years, it’s honestly hard to imagine anyone else playing the role of the mustachioed hero except for Downey. Believe it or not though, he wasn’t the studio’s “top choice” for Stark, as the other name they had in mind passed. Feige recently recalled that situation while discussing forks in life and more during a recent speech….

Oscar nominee Clive Owen is certainly a gifted actor and could’ve been an interesting choice for Tony Stark. Entertainment enthusiasts probably know him best from his performances in Closer, Close My Eyes, Sin City and more. While the notion of him playing the character is intriguing, I don’t think he could’ve brought Tony Stark the way that Robert Downey Jr. did….

… “And that is the unwritten rule of luck – not getting your first choice might just be the greatest thing that can happen. Because you know what’s better than getting your first choice, getting the right choice. In our case, of course, that was Robert Downey Jr., and the first movie we ever made as a studio ended up being one of the best reviewed and highest grossing movies of the year.”

(14) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] This month’s Sci-Fi Sunday over at Isaac Arthur’s Futures YouTube channel is on “Hive Worlds”.

Science fiction often shows us dark, grimy, dystopian mega-cities in the future, but are such planet-wide cities possible, what would they be like, and how many people could they hold?

[Thanks to Michael Toman, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Daniel Dern, Jennifer Hawthorne, Francis Hamit, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]

Pixel Scroll 5/14/23 Pixelberry Jam On Filer Buttered Scrolls

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(1) BAFTA TV AWARDS. The genre cupboard was practically bare when the winners of the BAFTA TV Awards 2023 were revealed tonight. “Memorable Moment” — the only publicly-voted category – proved the exception, won by “’Platinum Jubilee – Party at the Palace’ – Paddington meets Queen Elizabeth II”. 

…Ben Whishaw was a part of Queen Elizabeth II’s Paddington Bear skit – as the voice of Paddington – which won an 2023 BAFTA TV award for most memorable moment, the only prize voted on by the public. The skit beat out Nick and Charlie’s first kiss in “Heartstopper” and the “Running Up That Hill” moment in “Stranger Things,” among other nominees…

(2) CRUISING. [Item by Cora Buhlert.] I took my Masters of the Universe figures out into the garden and posted another photo story: “Masters-of-the-Universe-Piece Theatre: ‘Adam’s Day Out’”.

“I just love getting out of the palace and enjoying the peace and quiet of the Eternian wilderness in springtime. And the Road Ripper really packs a punch. Too bad it’s only a one-seater, so I can’t take Cringer along. Or Teela…”

“Still, nothing beats racing across the plains of Eternia. No Prince Adam, no royal duties, no He-Man, just me and the unspoiled wilderness and… – Oh, raptor crossing!”

SCREECH!

(3) EUROVISION BOOK CONTEST. [Item by Cora Buhlert.] The finalists for the Eurovision Book Contest (like the Eurovision Song Contest, only with books) have been announced and there is at least one genre finalist, the German entry The Perfume by Patrick Süsskind, which won the 1987 World Fantasy Award: “Elena Ferrante and Marian Keyes among authors competing in Eurovision book contest” in the Guardian.

In March, the literary festival asked the public to submit their favourite fiction from any of the 37 countries that take part in the music competition each year. Suggestions could be of any genre and language but they had to have been published in the years since Eurovision began in 1956.

The final selection of one book from each country was chosen by an expert panel, who were aiming to come up with “an ambitious reading list” of books that will “inspire, examine and entertain”.

This also illustrates IMO the issue with that contest. The Perfume was released in 1985, i.e. it’s almost forty years old. The Irish contestant Rachel’s Holiday by Marian Keyes came out in 1998. That Georgian contestant is a novel written in German by a Georgian expat. Two finalists are graphic novels. The selection is just weird.

(4) A CROWNING ACHIEVEMENT. Connie Willis shared her delight in Charles’ coronation with Facebook readers.  

“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. What is delightful to have passed? A Coronation.” — Horace Walpole

Saturday I got up early to watch Charles III’s coronation. It was the second one I’d seen. The first was Elizabeth II’s which I watched seventy years ago on someone else’s TV because we didn’t own one yet. It was an impossibly grainy image on a tiny screen of a Cinderella-looking carriage drawn by four horses. I was only seven years old, but I have a vivid memory of it, probably because I was so fascinated by fairy tales and princesses and queens and golden coaches made out of pumpkins.

This time my husband and I watched it in color on a much larger screen while talking on the phone to our daughter in California the whole time as she kept us updated with texts from her friends and comments on Tumblr. Now, seventy years later, I am no longer all that fascinated by princess and carriages, but I am fascinated by history, and in terms of historical events, a coronation simply can’t be beat….

(5) ROBOTIC ROBBERY. Lincoln Michel knows “The Endgame for A.I. Is Clear: Rip Off Everyone”.

…But let’s talk about the more specific ways companies plan to rip off writers with “A.I.” as the excuse.

A strong hint can be found in the current Writers Guild of America strike. A key sticking point is the use of A.I. writing. The writers aren’t asking for Hollywood to ban the use of A.I., rather they are asking that A.I writing not count as “literary material” or “source material.” This is technical Hollywood language related to the realities of how contracts work and how much money writers get. With the hard realities of capitalism and how corporations look to rip off writers.

The concern isn’t that ChatGPT can replace writers, but that studios will get chatbots to produce a crappy script then hire a writer at a lower rate to fix up the script into something usable. Fixing up a mess of ChatGPT vomit could take more work than writing a script from scratch, but cost the corporation less money.

I think this fear is completely justified and one that writers everywhere should take note of. Will websites and magazines start hiring writers or editors to “fix” chatbot outputs for less pay and no credit? Will book publishers decide they can feed an idea into ChatGPT then hire a novelist as a ghostwriter to rewrite it?

Again, the chatbots don’t have to produce good or even usable writing for this to be a threat. The threat is A.I being an excuse to rip off writers. If you hire a screenwriter to rewrite a chatbot script, you can pay them less. If you hire an author to rewrite a chatbot draft, you can avoid royalties. Etc ….

(6) FOUNDATION. GeekTyrant walks viewers through a “Thrilling New Trailer for Apple Adaptation of Isaac Asimov’s FOUNDATION Season 2”.

…Season 2 is set more than a century after the finale of the first season, “tension mounts throughout the galaxy in Foundation season two. As the Cleons unravel, a vengeful queen plots to destroy Empire from within. Hari, Gaal, and Salvor discover a colony of Mentalics with psionic abilities that threaten to alter psychohistory itself. The Foundation has entered its religious phase, promulgating the Church of Seldon throughout the Outer Reach and inciting the Second Crisis: war with Empire. Foundation chronicles the stories of four crucial individuals transcending space and time as they overcome deadly crises, shifting loyalties, and complicated relationships that will ultimately determine the fate of humanity.”…

(7) TAKING CARE OF BUSINESS AND WORKING OVERTIME. New Amazing Stories editor Lloyd Penney has been interviewed by Angelique Fawns for The Horror Tree, a website for horror writers and markets.

AF: What personal projects are you working on? What do you do in your spare time?

LP: Spare time? What is this ‘spare time’ you speak of? These days, I go into a publications office in Toronto’s east end twice a week to do the proofreader/copyeditor thing for one print magazine and two e-magazines. Then, I am the occasional editor for a British author’s long-time series of books, D.J. Holmes and his Empire Rising series of space adventures. And, for the past 40 years, I have been a regular correspondent and writer in the Letters Column for a long series of fannish publications, fanzines. I try my best to juggle all of this, and I hope not to drop anything. I have been an editor/copyeditor/proofreader for most of my working life, and I have always been an SF reader, so this is the first time I’ve been able to combine the two, and I have tried my best to run with it. I was told it should be fun, and it has been.

(8) PRO TIP. “Tim Dowling: my wife is gardening. I’m in my shed writing. It’s a risky situation”. The author is quoted in the Guardian saying —

“A long time ago I read a quotation in a book of advice, which held that the hardest thing about being a writer is convincing your spouse that looking out of the window is part of your job. I have never been able to track down the exact wording or the author of that quotation; when I look online the only source I can find for it is me, because I cite it so regularly. This is perhaps fitting, since my wife thinks I made it up.”

(9) ONE SUMMER TO A CUSTOMER. Jonathan Clarke investigates “Rod Serling’s Enduring Appeal” for City Journal.

…You might have guessed by now that in “Walking Distance,” Serling was telling his own story. He was 35 when the episode appeared, and he had come a long way from a charmed boyhood in Binghamton, New York. Like Martin Sloan, he had good reason to be tired, and good reason, despite his considerable success, to want to go home again. As his success grew, that desire would grow stronger, too.

It’s easy to forget now that television was once regarded as a creative nullity, good only for selling product. In the medium’s early decades, the programming was mostly quiz shows, Westerns, and police procedurals. Corporate sponsors had considerable creative control, and in tone and style, the industry was not unlike Madison Avenue, slick and a bit shameless. At the same time, because the medium was so new, conventions hadn’t yet hardened, and barriers to entry were lower, especially for writers. Serling, with his early work for two important live series, Kraft Television Theatre and Playhouse 90, became one of a handful of creators pushing television forward. Even so, he accepted that it was a second-rate form, inherently inferior to theater and film. Interviewed by Mike Wallace in 1959, shortly before The Twilight Zone debuted, Serling argued that he was writing “serious, adult” scripts, but he didn’t claim the privileges of an artist. “I’m a dramatist for television,” he said, by way of apology. “This is the medium I know.”

By then, Serling was the most recognizable writer in the country. The face he showed to the public was an appealing one, and very much an American face—principled but modest, industrious, courageous. Beneath that there was a different man: vain, self-indulgent, needy. And underneath that there was a sensitive artist, and a traumatized war veteran, and a young man who lost his father too early. The inmost Serling was perhaps ever that eager boy in Binghamton, standing on his tiptoes to be seen. (As an adult, he stood just 5’5”.) As a writer, he sought to integrate these different selves, to find the sense of coherence that evaded him in life. He would never quite feel that he had done so….

(10) GERALD ROSE (1935-2023). Illustrator and teacher Gerald Rose died May 5 at the age of 87 reports the Guardian. He was the youngest winner of the Kate Greenaway medal for children’s book illustration, in 1960.

…As well as the books with [his wife] Elizabeth, Gerald illustrated the work of many other authors, including Ted Hughes’s Nessie the Mannerless Monster (1964), James Joyce’s The Cat and the Devil (1965), Paul Jennings’ The Hopping Basket (1965) and The Great Jelly of London (1967), Lewis Carroll’s Jabberwocky and Other Poems (1968) and a number of Norman Hunter’s Professor Branestawm titles (1981-83). His own later picturebooks included the award-winning Ahhh! Said Stork (1986) and The Tiger Skin Rug (2011)….

(11) LAST FAREWELL. “RIP John Mansfield”, Kevin Standlee’s tribute to our friend, includes a link to the video of the service.

As most of you who follow me may know, John Mansfield, chair of the 1994 Winnipeg Worldcon and an important figure in Canadian fandom, passed away a few days ago after a long period of decline. His funeral service in Winnipeg was today, and was live streamed and recorded so that people (including me) who could not come to Winnipeg could attend virtually….

(12) MEMORY LANE.

1990 – [Compiled by Cat Eldridge.]

Charles de Lint’s Drink Down the Moon which is where this Beginning comes from is one of my favorite novels by him. Published by Ace Books in 1990, it is the second novel of his Jack of Kinrowan series, one of his Ottawa set novels. 

I like them because they are tighter, less sprawling than the later Newford novels are. They have a simplicity that sometimes gets lost in those novels.

And here’s our beginning, complete with fey music…

He slipped through the darkness in the 4/ 4 tempo of a slow reel, startled an owl in its perch, and crept through the trees to join the quiet murmur of the Rideau River as it quickened by Carleton University. At length, he came to the ears of a young woman who was sitting on the flat stones on the south bank of the river. 

The fiddle playing that tune had a mute on its bridge, substantially reducing the volume of the music, but it was still loud enough for the woman to lift her head and smile when she heard it. She knew that tune, if not the fiddler, and yet she had a sense of the fiddler as well. There was something–an echo of familiarity–that let her guess who it was, because she knew from whom he’d learned to play. 

Every good fiddler has a distinctive sound. No matter how many play the same tune, each can’t help but play it differently. Some might use an up stroke where another would a down. One might bow a series of quick single notes where another would play them all with one long draw of the bow. Some might play a double stop where others would a single string. If the listener’s ear was good enough, she could tell the difference. But you had to know the tunes, and the players, for the differences were minute.

“There’s still a bit of you plays on, Old Tom,” she whispered to the night as she stood up to follow the music to its source. 

She was a small woman with brown hair cropped short to her scalp and a heart-shaped face. Her build was more wiry than slender; her features striking rather than handsome. She wore faded jeans, frayed at the back of the hems, sneakers, and a dark blue sweatshirt that was a size or so too big for her. Slipping through the trees, she moved so quietly that she found the fiddler and stood watching him for some time before he was aware of her presence. 

She knew him by sight as soon as she saw him, confirming her earlier guess. It was Old Tom’s grandson, Johnny Faw. He was a head taller than her own four foot eleven, the fiddle tucked under his clean-shaven chin, his head bent down over it as he drew the music from its strings. His hair was a darker brown than her own, an unruly thatch that hung over his shirt collar in back and covered his ears to just above his lobes. He wore a light blue shirt, brown corduroys, and black Chinese rubber-soled slippers. The multi-coloured scarf around his neck and the gold loops glinting in each earlobe gave him the air of a Gypsy. His beat-up black fiddle case lay beside him with a brown quilted-cotton jacket lying next to it. 

She waited until the tune was done–”The King of the Fairies” having made way for a Scots reel called “Miss Shepherd’s”–and then stepped out into the little clearing where he sat playing. He looked up, startled at her soft hello and sudden appearance. As she sat down facing him, he took the fiddle from under his chin and held it and the bow on his lap.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 14, 1929 — Kay Elliot. The actress who shows up in “I, Mudd” as the android form of Harry Mudd’s wife Stella Mudd. SPOILER ALERT (I promised our OGH I’d put these in. It’s possible someone here hasn’t seen “I, Mudd”.) Need I say she ends getting the upper hand in the end? She also had appearances in The Man from U.N.C.L.E. as Miss Prendergast in “The It’s All Greek to Me Affair” episode and multiple roles on Bewitched. That’s it, but she died young. (Died 1982.)
  • Born May 14, 1935 — Peter J. Reed. A Vonnegut specialist with a long history starting with Kurt Vonnegut, Jr.: The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds, and Kurt Vonnegut: Images and Representations with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut” and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (Died 2018.)
  • Born May 14, 1944 — George Lucas, 79. For better and worse I suppose, he created the Star Wars and Indiana Jones franchises. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. I adore the original Trilogy.) And let’s not forget THX 1138. My fav works that he was involved in? Labyrinth, Raiders of the Lost Ark, The Empire Strikes Back and Willow. Oh, and and The Young Indiana Jones series. 
  • Born May 14, 1945 — Francesca Annis, 78. Lady Jessica in David Lynch’s Dune, Lady Macbeth in Roman Polanski’s Macbeth. I know only two roles, but what a pair of roles they were! She also appeared in Krull as The Widow of The Web but I’ll be damned if I can remember her in that role. 
  • Born May 14, 1947 — Edward James, 76. Winner at Interaction of Best Related Non-Fiction Book for The Cambridge Companion to Science Fiction which he did with Farah Mendlesohn. A companion volume, The Cambridge Companion to Fantasy Literature, was also edited with Mendlesohn. He was the editor of Foundation: The International Review of Science Fiction from 1986 to 2001.
  • Born May 14, 1952 — Robert Zemeckis, 71. He’s responsible for some of my favorite films including the Back to the Future trilogy, The Muppet Christmas Carol, The Witches, Who Framed Roger Rabbit and the savagely funny in a twisted sort of way Death Becomes Her. So what’s your favorite films that’s he had a hand in? 
  • Born May 14, 1952 — Kathleen Ann Goonan. Her Nanotech Quartet is most excellent, particularly the first novel, Queen City Jazz. Her only Award was given for In War Times which garnered a John W. Campbell Memorial Award. She’s wrote an interesting essay on the relationship between sf and music,  “Science Fiction and All That Jazz”. (Died 2021.)
  • Born May 14, 1955 — Rob Tapert, 68. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary Journeys, M.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved more than the adult series. He’s married to actress Lucy Lawless. 

(14) COMICS SECTION.

  • Tom Gauld says this job is not that easy!

(15) KEEP A SHARP EAR OUT. You’ve still got 18 days to bid on some prime Star Trek: The Original Series collectibles available in “The Comisar Collection Platinum Signature® Auction” at Heritage Auctions.

(16) HUANG’S OUTLAWS. At Nerds of a Feather, Paul Weimer starts with history — “Review: The Water Outlaws by S. L. Huang”.

… In Classic Chinese literature, there are a number of canonical novels, core books that are the backbone of a strand of Chinese history, culture and society….

…The Water Margin is set in the Song Dynasty, the last native Chinese Dynasty before the invasion of the Mongols. The Water Margin is a story that in its 50000 foot level will be familiar to Western readers. A group of diversely outlaws in an inaccessible area, fighting against corrupt officials who are oppressing the people? Yes, in the most broad of senses, The Water Margin is the Chinese parallel to the story of Robin Hood. It’s bigger scale, (108 outlaws in all, much larger than Robin’s band), larger stakes–fighting against full imperial armies, and, sadly, ends in a tragedy, the heroism of the outlaws ending not quite in a happily ever after.

And it is The Water Margin that is the story that S. L. Huang retells in The Water Outlaws.

S. L. Huang puts us in a slightly different China right from the get go by giving it a more feminist approach, starting with genderflipping the main character, Lin Chong. In Huang’s slightly alternate China, women have a significantly better role and place in society, but not so much that sexism and oppression of women are still not huge obstacles. But as a guard captain, Lin Chong is certainly in a position she would have not had in our own history. In this way, The Water Outlaws invites for me, comparisons to Shelley Parker-Chan’s She Who Became the Sun, which has a genderflipped protagonist, but she is a character who hides her gender. And her story is at the end of the Yuan dynasty, a century or more after the events of The Water Margin. But the queer, feminist lens of Chinese history and the perspective that it brings is strong in both works.

(17) LUNAR ORDERS. Also at Nerds of a Feather, Alex Wallace’s hook “Murder, Monks, and the Moon! What’s not to like?” gets readers started: “Review: Poor Man’s Sky by Wil McCarthy”.

There’s something about the great black void above us that attracts a wide variety of peculiar people. In our world, we have the likes of Elon Musk (who promises settlements on Mars when not driving Twitter to implosion) and other billionaires with god complexes and more money than sense. This is a theme that runs through Poor Man’s Sky Wil McCarthy’s most recent novel, a sequel to 2021’s Rich Man’s Sky….

(18) TINY DANCERS. The New York Times takes readers “Inside the Big World of Small Objects” — “For over 40 years, Tom Bishop’s dollhouse miniatures show has been the gold standard for serious collectors and hobbyists alike.”

Moments before 10 a.m., a security guard thanked the crowd for being cooperative.

When the clock struck the hour, it became clear why: The doors of the Marriott Chicago O’Hare conference center opened, and hundreds of attendees, a majority of whom were over the age of 60, bee-lined as fast as they could to the booths.

Many had studied the color-coded map ahead of time listing each booth’s location and came prepared with a shopping plan — a scene that could easily be mistaken for a Black Friday sale. Instead, it was the Chicago International Miniatures Show.

Despite the gathering touting itself as “the World’s No. 1 Dollhouse Miniatures Show,” there aren’t many actual dollhouses. Attendees instead sift through thousands of tiny objects that fill these tiny homes: miniature sponges, chocolate fondue fountains, rocking chairs, barbecue sets, Tupperware containers or fly swatters.

“The largest miniature dollhouse convention” may sound like a silly distinction to some, but it is no joking matter for the sellers. For many, the Tom Bishop show is where they hope to make the bulk of their annual sales.

The Tom Bishop show, as many attendees call it, is considered by its founder, Mr. Bishop, to be the largest dollhouse miniatures event in the world. Numbers appear to support that claim. This year, over 250 vendors traveled from 21 countries and 35 states.

More than 3,000 people attended, filling three large conference rooms, with hallway spillover. The weeklong event, from April 24 to April 30, included ticketed workshops with themes like “Lobsterfest” (focused on making miniature lobster boil accouterments); trade shows; and three days of ticketed shopping for the public….

(19) FULL GROWN DANCERS. Boris Karloff narrated “The Peppermint Twist” on Shindig 1965.

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Steven French, John Hertz, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 5/13/23 When Scrolls Collide

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(1) BLACKADDER GOES POSTAL. Guess who the Royal Mail has put on an issue of stamps? “Blackadder’s 40th anniversary celebrated with new stamps” at BBC News.

The 40th anniversary of BBC comedy series Blackadder is being celebrated with a special set of stamps.

The classic sitcom, which spanned hundreds of years of British history over four series, was first broadcast on 15 June 1983.

Four decades later the show, which launched the careers of some of the UK’s most recognisable actors, remains a favourite with British viewers.

Now some of its most famous scenes have made it on to eight new stamps.

… Writer Richard Curtis said he was “very amused and delighted” to see his creation on the stamps

“It’s a great relief for Blackadder to have his head on a stamp, instead of on a stake,” he added….

(2) MEMORIAL CELEBRATES 25 YEARS. Author Michael Ward shared photos on Facebook of a C.S. Lewis-related feature at Oxford.

It’s twenty-five years since the Addison’s Walk memorial at Magdalen College was installed to mark the centenary of C.S. Lewis’s birth. The then President of Magdalen, the late Anthony Smith, unveiled it, and the late Walter Hooper, Lewis’s editor and biographer, recited the poem engraved thereon to the gathered crowd. The event was preceded by Evensong in the college chapel, at which lessons were read by Jill Flewett (Lady Freud), who was an evacuee at The Kilns during the Second World War, and by the late Laurence Harwood, Lewis’s godson….

He posted a close-up of the commemorative plaque here.

(3) ACCESSIBILITY GROWING IN VIDEO GAMES. [Item by Mike Kennedy.] A number of game designers are giving more thought to adaptations for players with disabilities. The PBS NewsHour’s website takes a look: “Why developers are designing video games for accessibility”.

… “I think it’s still really early and we’re still learning and we’re still growing, so there’s so much more I think we can do,” Brennecke said. “This is the first iteration of a lot of these ideas and I think, over time, we’re going to continue to improve that as an industry.”

Disability advocate Zigmont believes this push for accessibility will ultimately benefit everyone who picks up a controller. She explained that when engineers design with disabilities in mind, it often leads to benefits for everyone. Adding curb cuts at a crosswalk, for instance, makes it easier for wheelchair access, but also for parents pushing strollers and workers moving items on a hand truck.

“If you build for the disability community, you make it better for the whole community,” she said.

(4) MAY THE FOURTH BE WITH MONTREAL. [Item by Danny Sichel.] From the MTL Blog: “The STM Redid The Montreal Metro Map With ‘Star Wars’-Themed Station Names For May The 4th”. (STM = Société de Transport de Montréal. They run the metro and the buses.)

True, the puns work better if you’re familiar with (a) Star Wars in French, and (b) the normal Montreal metro map, but still….

(5) JOSEPH P. MARTINO (1931-2023). A regular fixture of Analog in the Sixties, author Joseph P. Martino died July 29, 2022 (though File 770 just recently learned of his death.) The family obituary appeared in the Dayton Daily News. He is survived by his wife Nancy and twelve children and step-children.

…He served in the Air Force for 22 years. His duty stations included Air Force research laboratories throughout the United States, and a tour of duty in Thailand during the Vietnam War. Joseph retired from the Air Force in the grade of Colonel in 1975. After retirement from the Air Force, he joined the University of Dayton Research Institute as a Research Scientist and worked there for 18 years until his retirement from the University….

One of his better-known stories, “Pushbutton War” (1960), is available at Project Gutenberg. In addition to his fiction, he wrote several books on technological forecasting.

(6) MEMORY LANE.

1986 – [Compiled by Cat Eldridge.]

Bob Shaw’s one of my favorite writers. I’ve read The Orbitsville trilogy several times and the Warren Peace books are equally enjoyable. 

He would win Hugos for Best Fan Writer at Seacon ‘79 and Noreascon Two. His short story “Light of Other Days” was nominated for a Hugo Award, as was The Ragged Astronaut novel which is where our Beginning is from this Scroll.  It did win a BSFA. 

The Ragged Astronaut novel was published by Gollancz in 1986 with the cover illustration by Alan Brooks.

It is a Meredith Moment at the usual suspects. 

And now for our Beginning…

It had become obvious to Toller Maraquine and some others watching on the ground that the airship was heading into danger, but–incredibly–its captain appeared not to notice.

‘What does the fool think he’s doing?’ Toller said, speaking aloud although there was nobody within earshot. He shaded his eyes from the sun to harden his perception of what was happening. The background was a familiar one to anybody who lived in those longitudes of Land–flawless indigo sea, a sky of pale blue feathered with white, and the misty vastness of the sister world, Overland, hanging motionless near the zenith, its disk crossed again and again by swathes of cloud. In spite of the foreday glare a number of stars were visible, including the nine brightest which made up the constellation of the Tree.

Against that backdrop the airship was drifting in on a light sea breeze, the commander conserving power crystals. The vessel was heading directly towards the shore, its blue-and-grey envelope foreshortened to a circle, a tiny visual echo of Overland. It was making steady progress, but what its captain had apparently failed to appreciate was that the onshore breeze in which he was travelling was very shallow, with a depth of not more than three hundred feet. Above it and moving in the opposite direction was a westerly wind streaming down from the Haffanger Plateau.

Toller could trace the flow and counter flow of air with precision because the columns of vapour from the pikon reduction pans along the shore were drifting inland only a short distance before rising and being wafted back out to sea. Among those man-made bands of mist were ribbons of cloud from the roof of the plateau–therein lay the danger to the airship. 

Toller took from his pocket the stubby telescope he had carried since childhood and used it to scan the cloud layers. As he had half expected, he was able within seconds to pick out several blurry specks of blue and magenta suspended in the matrix of white vapour. A casual observer might have failed to notice them at all, or have dismissed the vague motes as an optical effect, but Toller’s sense of alarm grew more intense. The fact that he had been able to spot some ptertha so quickly meant that the entire cloud must be heavily seeded with them, invisibly bearing hundreds of the creatures towards the airship.

‘Use a sunwriter,’ he bellowed with the full power of his lungs.

 ‘Tell the fool to veer off, or go up or down, or …’ Rendered incoherent by urgency, Toller looked all about him as he tried to decide on a course of action. The only people visible among the rectangular pans and fuel bins were semi-naked stokers and rakers. It appeared that all of the overseers and clerks were inside the wide-eaved buildings of the station proper, escaping the day’s increasing heat. The low structures were of traditional Kolcorronian design, orange and yellow brick laid in complex diamond patterns, dressed with red sandstone at all corners and edges–and had something of the look of snakes drowsing in the intense sunlight. Toller could not even see any officials at the narrow vertical windows. Pressing a hand to his sword to hold it steady, he ran towards the supervisors’ building.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 13, 1937 — Roger Zelazny. Where do I start? The Amber Chronicles are a favorite (well the first story, not the second at all) as is the Isle of The Dead, To Die in Italbar, and well, there’s very there’s very little by him that I can’t pick him and enjoy for a night’s reading. To my knowledge there’s only one thing he recorded reading and that’s a book he said was one of his favorite works, A Night in the Lonesome October. No, I’ve not forgotten about his Hugos. Roger Zelazny would win his first Hugo for …And Call Me Conrad which would later be called This Immortal.  It would be the first of six Hugos that he would win and one of two for Best Novel, the other being for Lord of Light. His other four Hugos would be for the “Home Is the Hangman” novella, the “Unicorn Variation“ novelette, “24 Views of Mt. Fuji, by Hokusai” novella and “Permafrost” novelette. Very, very impressive! (Died 1995.)
  • Born May 13, 1945 — Maria Tatar, 78. Folklorist who if you’re not familiar with her you should be. She’s written, among several works, The Annotated Brothers Grimm, The Annotated Peter Pan and The Annotated Hans Christian Andersen which is reviewed here on Green Man.
  • Born May 13, 1946 — Marv Wolfman, 77. He worked for Marvel Comics on The Tomb of Dracula series for which he and artist Gene Colan created Blade, and the Crisis on Infinite Earths series in which he temporarily untangled DC’s complicated history with George Pérez. And he worked with Pérez on the direct-to-DVD movie adaptation of the popular “Judas Contract” storyline from their tenure on Teen Titans. (I’m not going to list his IMDB credits here. Hell, he even wrote a Reboot episode!) 
  • Born May 13, 1949 — Zoë Wanamaker, 74. She’s been Elle in amazing Raggedy Rawney which was a far better fantasy than Harry Potter and the Philosopher’s Stone where she was Madame Hooch. And she was Cassandra in two Ninth Doctor stories,” The End of the World” and “New Earth”. 
  • Born May 13, 1951 — Gregory Frost, 72. His retelling of The Tain is marvellous. Pair it with Ciaran Carson and China Miéville’s takes on the same legend for an interesting look at taking an legend and remaking it through modern fiction writing. Fitcher’s Brides, his Bluebeard and Fitcher’s Bird fairy tales, is a fantastic novel.
  • Born May 13, 1958 — Frances Barber, 65. Madame Kovarian, a prime antagonist during the time of The Eleventh Doctor showing up in seven episodes in totality. Fittingly she played Lady Macbeth in Macbeth at the Royal Exchange in Manchester. I’ve got her doing one-offs on Space Precinct, Red Dwarf and The IT Crowd. 
  • Born May 13, 1958 — Bruce Byfield, 65. No idea if he has academic training, but he certainly has a fascination with Leiber. He wrote Witches of the Mind: A Critical Study of Fritz Leiber which was nominated for a Locus Award for Best Non-Fiction, and many fascination sounding essays on Lieber and his fiction including “The Allure of the Eccentric in the Poetry and Fiction of Fritz Leiber” and “Fafhrd and Fritz”.

(8) COMICS SECTION.

  • Six Chix has an idea about how it would look if the fantasy characters we read about were real.
  • Arlo and Janis show what not to name your car.
  • From Tom Gauld:

(9) GOOD OMENS FOR THIS SUMMER. Comicbook.com lets us know: “Good Omens Season 2 Premiere Date Announced by Prime Video”. It’s July 28.

…The second season of Good Omens is expected to follow Crowley and Aziraphale living amongst the humans in London’s Soho. According to Amazon, things begin to get apocalyptic once again “when an unexpected messenger presents a surprising mystery.” 

“Good Omens 2 just would not be the same without the astonishing Jon Hamm as Gabriel, everyone’s worst boss,” Gaiman said in a statement when the second season was announced. “The story that Terry Pratchett and I created all those years ago continues to take us from London’s Soho into Heaven and Hell. It’s a delight for me to bring back characters we loved (or hated) and bring in new characters, from the shiniest top floors of Heaven to the dankest basements of Hell, to love (or to hate, or to love to hate or hate to love). All of them are part of the strange and unusually beloved family of Good Omens.”…

(10) WORLDS APART. [Item by Steven French.] Hugely positive review of M John Harrison’s latest in the Guardian: “Wish I Was Here by M John Harrison review – a masterly ‘anti-memoir’”.

…Throughout his writing life, Harrison has refused the generic, escapist iterations of fantasy and science fiction as “easy things to think, a waste of the power of the big visionary-apocalyptic machine”. It is central to his practice that novels be recognised not as immersive experiences, illusory spaces to inhabit, but for the artificial constructs they are. They aren’t alternative worlds, but the work of a writer in our own….

(11) THE ONE WITH THE BORG WHALES. [Item by Ben Bird Person.] Illustrator gravelyhumerus posted this sketch playing off the 1986 film Star Trek IV: The Voyage Home and the pesky Borg from Star Trek: The Next Generation, etc.

(12) CAN WE KEEP HUMAN FAILINGS OUT OF SPACE? [Item by SF Concatenation’s Jonathan Cowie.] The prospect of settling the Moon, Mars and elsewhere requires urgent conversations about issues such as labor and reproductive rights far from Earth. “Ethics in outer space: can we make interplanetary exploration just?” – book reviews in Nature:

 Off-Earth: Ethical Questions and Quandaries for Living in Outer Space Erika Nesvold MIT Press (2023)

Reclaiming Space: Progressive and Multicultural Visions of Space Exploration James S. J. Schwartz, Linda Billings and Erika Nesvold (eds) Oxford Univ. Press (2023)

…From Star Trek to Apollo 17, space exploration is often framed as humanity pushing collectively towards a better future. But those utopian visions probably won’t mesh with reality. The book Off-Earth explores the ethical implications of humans moving into outer space — and whether those who do can avoid bringing along Earthly problems such as environmental destruction and social injustice. Nature spoke to its author, Erika Nesvold.

Nesvold is a computational astrophysicist, game developer and a member of the team behind Universe Sandbox, a physics-based space simulator. Based in Severn, Maryland, she is also co-founder of the JustSpace Alliance, a non-profit organization that works for a more inclusive and ethical future in space, and co-editor of Reclaiming Space, a collection of essays that explores similar themes….

Why is now a good time to talk about ethics in space exploration?

A lot of people are talking about these topics because of the growth of the private space-flight industry. For decades, human space exploration was done by national agencies with different motivations, different rhetoric surrounding it and different levels of public participation. With private space flight, members of the public — if they get rich enough — can actually think about going into space….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Steven French, Danny Sichel, Ben Bird Person, Kathy Sullivan, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/12/23 I’m A Citizens For Boisenberry Space Jam Of The Galaxy Fan

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(1) UNDERSTANDING A SOCIAL MEDIA SUCCESS STORY. [Item by Cora Buhlert.] Grace P. Fong explains how Twitter’s algorithm caused that Bigolas Dickolas tweet to go viral: “This is How Bigolas Dickolas Won the Twitter”.

…Basically, I think this not a case of lightning striking but more a case of two long-term successes colliding in a way that was socially unlikely (although algorithmically possible), followed by a snowball effect in part of the sheer novelty of these two social groups.

So first, you need to understand the social media algorithm…

We know that the algorithm groups people based off who they follow and who follows them back. This is why ‘top’ people in a particular circle will actually have similar follower counts give or take a few K. For example, pop stars will have followings in the 100Ks, visual artists at 20Kish, and writers at 10Kish. Posts that do well are first elevated to members of the same circle.

That’s the key to success here: the post by Bigolas Dickolas (who I’ll call BD to save space) hopped circles. A much bigger circle than the speculative fiction circle: the Trigun circle….

(2) TOLKIEN SCHOLARSHIP. Robin Anne Reid has published “My Presentation for the ‘Tolkien and Medieval Constructions of Race’ Roundtable” at Writing from Ithilien.

…I would like to thank Kris and Mariana for organizing this roundtable. I second their call to foreground work by medievalists of colour and to expand scholarship on Tolkien that draws on critical race, intersectional, postcolonial, and neo-colonial theories. However, my focus today is not on what Tolkien wrote. Instead, I argue that Tolkien studies is dominated by white scholars who too often defend their beloved author with the shield of authorial intentionality, and that we need to turn an analytical gaze on ourselves and the systemic racism that is the foundation of our field (and of Anglophone academia). What follows is an overview of that process in my own work.

My 2017 bibliographic essay on “Race and Tolkien” in Christopher Vaccaro and Yvette Kisor’s Tolkien and Alterity analyzes twenty-three essays and two books on the topic that were published between 2003-2013. The essays include a handful of entries in Michael Drout’s Tolkien Encyclopedia, but most are peer-reviewed publications. The conflict between those who defend what are held to be the author’s personal beliefs and those who analyze the texts is clear. My conclusion is that it is futile to frame the research question as “Is Tolkien racist or not?” as opposed to the question of “how does Tolkien’s work criticize and reproduce the racist/imperialistic/colonialist systems of the world in which he lived?” My bibliographic essay is the only one of the eleven chapters in the first collection on “Alterity” that engages with the topic of race and racisms as opposed to the other types of alterity which, by the unstated default, are primarily White: queerness; women; femininity; language, and identities….

(3) A WINDOW ON PUBLISHING ISSUES. The New York Times profiles R. F. Kuang, author of Yellowface, in “She Wrote a Blistering Satire About Publishing. The Publishing Industry Loves It.”

Everything about R.F. Kuang’s novel “Yellowface” feels engineered to make readers uncomfortable. There’s the title, which is awkward to say out loud, and the cover, which features a garish racial stereotype — cartoonish slanted eyes imposed on a block of yellow.

Then there’s the story itself. In the opening chapters, a white author steals a manuscript from the home of a Chinese American novelist who has died in a bizarre accident, and plots to pass it off as her own. What follows is a twisty thriller and a scorching indictment of the publishing industry’s pervasive whiteness and racial blind spots.

If people in the literary world bristle at Kuang’s withering depiction of the book business — or cringe in recognition — well, that’s exactly the point, she said.

“Reading about racism should not be a feel-good experience,” she said. “I do want people to be uncomfortable with the way that they’re trained to write about and market and sell books, and be uncomfortable with who’s in the room, and how they’re talking about who’s in the room.

“And it’s also functioning on a different level for writers of color,” she added, “to think about how we are moving through those spaces, and the traps that are set for us.”…

(4) AUDIOBOOKS MAKING NOISE. Publishing Perspectives shows that in February in the U.S. “Audio in Adult Titles Surpasses Ebooks”.

… The AAP’s report points to February as the first time that digital audio has surpassed ebooks in books for adults. We emphasize the “for adults” element only to stress that the handy lead taken by digital audio over ebooks in February is no across the board, but limited to adult content….

(5) SHOOTING THE MOON. [Item by Danny Sichel.] Andrew McCarthy used two telescopes for five years and stitched together +280,000 individual photos of the Moon to produce the “Gigamoon”, the most detailed image of the Moon on record. It’s over a billion pixels large, and he’s made an interactive version available.

Try zooming in — at EasyZoom.

(6) KGB. Ellen Datlow has posted her photos from the Fantastic Fiction at KGB readings on May 10, 2023 which featured guests Paul Tremblay and John Langan.

(7) SURVIVOR MARS — OR — THROW SHAT FROM THE HABITAT. [Item by Mike Kennedy.] Just when you thought every stupid “celebrity“ elimination show had been made, along comes Stars on Mars. Hosted by William Shatner on Fox, a dozen B-, C-, and mostly D-List celebrities will be gathered in a simulated Mars habitat and compete with each other to prevent being “sent back to Earth.“

Speaking for themselves, the Futurism article says, “We’ll probably be tuning in — even if it’s just so you don’t have to.” In any case, you’ve been warned. “New Show Traps Lance Armstrong and Ariel Winter in Simulated Mars Base”

…The show, set to premiere next month, will be hosted by none other than “Star Trek” legend and depressed space tourist William Shatner.

“Thanks to lower gravity on Mars, you’ll weigh 62 percent less,” Shatner quipped during a promo video. “Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”

The guest list is a bizarre mashup of VIPs, from UFC champion Ronda Rousey and “Real Housewives of Atlanta” reality star Porsha Williams Guobadia to actor Christopher Mintz-Plasse, who you might remember as McLovin’ from the comedy “Superbad.”

The show will vaguely mimic a NASA analog mission, with contestants living and working inside a mockup of a Martian colony, though it’s unclear for how long.

They will also compete with each other during several challenges set by Shatner and vote each other off of the show — “send them back to Earth” — until a single “space invader” is left standing, according to a press release….

(8) LIVE STAGE EFFECTS. The New York Times continues its periodic series with “5 Tony-Nominated Broadway Shows, 5 Stagecraft Secrets”. Includes the very bloody Sweeney Todd.

…Theater, at its best, is a form of magic — it enchants us, transforms us and often makes us wonder, “How do they do that?”

On Broadway, where craft is polished and spectacle is heightened, there is much at which to marvel. So this spring, now that all the 2022-23 plays and musicals have opened, we have once again asked a few of the Tony-nominated shows to let us peek behind the metaphorical curtain, exploring how they came up with, and pulled off, some of the sensational stagecraft that caught our attention this season.

Warning: Spoilers ahead….

(9) JERRY LAPIDUS (1948-2023). Fanzine fan Jerry Lapidus died about April 19 in his home in Ormond Beach, Florida announced D. Gary Grady.

I remember Jerry’s genzine Tomorrow and… which was published in a slightly exotic format on legal length paper (see issues at Fanac.org.) From 1968-1972 he also did an annual compilation of the current Worldcon constitution in The Legal Rules which identified the latest changes and published notes on the actions of the business meeting.   

Outside of fandom, recalls Grady, “For many years Jerry worked with Actors Equity in New York, negotiating Equity contracts with regional theaters all over the country. Later he took a position helping run a large performing arts center in Daytona Beach, the Seaside Music Theater, and more recently he was a volunteer at a small nonprofit theater in Palm Coast.”

Jerry’s wife Anita died in 2015. He is survived by his daughter, Kim.

(10) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

May I start off by saying we are so blessed to have Pat Cadigan among as both an individual and as a writer? Truly blessed? She’s an amazing person that has been honored with multiple Hugo nominations but only one win which was for “The Girl-Thing Who Went Out for Sushi”, the source of our Beginning this time. 

It was published in Jonathan Strahan’s Edge of Infinity anthology in 2012.

And now Cadigan demonstrates her most excellent wordsmithing in this Beginning…

Nine decs into her second hitch, Fry hit a berg in the Main ring and broke her leg. And she didn’t just splinter the bone—compound fracture! Yow! What a mess! Fortunately, we’d finished servicing most of the eyes, a job that I thought was more busywork than work-work. But those were the last decs before Okeke-Hightower hit and everybody had comet fever.

There hadn’t been an observable impact on the Big J for almost three hundred (Dirt) years—Shoemaker-Somethingorother—and no one was close enough to get a good look back then. Now every news channel, research institute, and moneybags everywhere in the solar system was paying Jovian Operations for a ringside view. Every JovOp crew was on the case, putting cameras on cameras and backup cameras on the backup cameras—visible, infrared, X-ray, and everything else. Fry was pretty excited about it herself, talking about how great it was she would get to see it live. Girl-thing should have been watching where she wasn’t supposed to be going.

I was coated and I knew Fry’s suit would hold, but featherless bipeds are prone to vertigo when they’re injured. So I blew a bubble big enough for both of us, cocooned her leg, pumped her full of drugs, and called an ambulance. The jellie with the rest of the crew was already on the other side of the Big J. I let them know we’d scrubbed and someone would have to finish the last few eyes in the radian for us. Girl-thing was one hell of a stiff two-stepper, staying just as calm as if we were unwinding end-of-shift. The only thing she seemed to have a little trouble with was the O. Fry picked up consensus orientation faster than any other two-stepper I’d ever worked with but she’d never done it on drugs. I tried to keep her distracted by telling her all the gossip I knew and when I ran out, I made shit up.

Then all of a sudden, she said, “Well, Arkae, that’s it for me.”

Her voice was so damned final, I thought she was quitting. And I deflated because I had taken quite a liking to our girl-thing. I said, “Aw, honey, we’ll all miss you out here.”

But she laughed. “No, no, no, I’m not leaving. I’m going out for sushi.”

I gave her a pat on the shoulder, thinking it was the junk in her system talking. Fry was no ordinary girl-thing—she was great out here but she’d always been special. Back in the Dirt, she’d been a brain-box, top-level scholar and a beauty queen. That’s right—a featherless biped genius beauty queen. Believe it or leave it, as Sheerluck says.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 12, 1907 — Leslie Charteris. I really hadn’t thought of the Simon Templar aka The Saint series as being genre but both ISFDB and ESF list the series with the latter noting that “Several short stories featuring Templar are sf or fantasy, typically dealing with odd Inventions or Monsters (including the Loch Ness Monster and Caribbean Zombies.” (Died 1993.)
  • Born May 12, 1928 — Robert Coulson. Writer, well-known fan, filk songwriter and fanzine editor. He and his wife, writer and fellow filker Juanita Coulson, edited the fanzine Yandro which they produced on a mimeograph machine, and which was nominated for the Hugo Award ten years running right through 1968, and won in 1965. Yandro was particularly strong on reviewing other fanzines. Characters modeled on and named after him appear in two novels by Wilson Tucker, Resurrection Days and To the Tombaugh Station. (Died 1999.)
  • Born May 12, 1937 — George Carlin. Rufus in Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. He also showed up in Scary Movie 3 and Tarzan II. I once met him many decades ago at a Maine summer resort. He was really personable and nice. (Died 2008.)
  • Born May 12, 1938 — David Pelham, 85. Artist and Art Director at Penguin Books from 1968 to 1979, who was responsible for some of the most recognizable cover art in genre books to date. He did the cog-eyed droog for Anthony Burgess’s novel A Clockwork Orange in 1972.
  • Born May 12, 1942 — Barry Longyear, 81. Best known for the Hugo- and Nebula Award–winning novella Enemy Mine, which became a film by that name as well. An expanded version of the original novella as well as two novels completing the trilogy, The Tomorrow Testament and The Last Enemy make up The Enemy Papers. I’m very fond of his Circus World series, less so of his Infinity Hold series.
  • Born May 12, 1950 — Bruce Boxleitner, 73. His greatest genre role was obviously Captain John Sheridan on Babylon 5. (Yes, I loved the show.) Other genre appearances being Alan T. Bradley in Tron and Tron: Legacy, and voicing that character in the Tron: Uprising series. He has a recurring role on Supergirl as President Baker.
  • Born May 12, 1958 — Heather Rose Jones, 65. Part of our File 770 community.  She received the Gaylactic Spectrum Award for the Mother of Souls, the third novel in her Alpennia series which has now seen four novels published, quite an accomplishment. For six years now, she has presented the Lesbian Historic Motif Podcast subseries of the Lesbian Talk Show.

(12) COMICS SECTION.

  • Frazz explains some indiocyncratic English pluralization(s).

(13) PIONEERING THE COMIC STORE BUSINESS. The Comics Journal interviews the current owner of L.A.’s famed “Golden Apple Comics” who inherited in from his father.

Just to step back historically for a moment, Golden Apple was one of the earliest comic stores in L.A., and became one of the most important stores nationally for comic retail. So, to your mind, what led to that influence? What was the key to your dad’s strategy?

First and foremost, his passion, his creativity, his drive, his vision. He was a retail pioneer for comic books. There were comic book stores in the 1970s, but they were run by fans, and they weren’t even legitimate businesses. My dad is actually the one who really pushed for cash registers, for example. Everybody else was using cigar boxes or whatever, and they weren’t paying their taxes, they weren’t doing inventory or anything. 

And selection was always a big thing for us. It was a really big store, the original store. We probably carried more new titles and deeper stock than anybody. We would just have hundreds of copies of every major Batman, Spider-Man, X-Men, Image title. Because here’s the thing about Golden Apple: we didn’t do subscriptions, like pull lists or traditional subscription boxes, which are sort of the backbone of the industry. My dad didn’t believe in it. He felt that it took away from the shopping aspect of [the store]: that they would come in, and buy [their holds], and walk out the door and not even look around. And he was wrong. There are a small handful who do that, and I always look at them and go, “Oh, you’re the ones my dad was fearing.” But it’s a very small amount of regulars.

Obviously, one of the main keys was, [Golden Apple] is a place to meet your heroes, whether it’s a comic creator, a celebrity, a movie star, a musician. If you had a comic book that you were trying to promote, you came through Golden Apple. So Wizard magazine did an article called “Comic Shop to the Stars” – we basically [had] kept it under wraps for years, as a sign of respect, and I didn’t want to publicly call out these celebrities that had been shopping in our store. And then one day, Wizard magazine said, “Hey, I heard X, Y and Z shop here.” And my dad said, “You know what? I think it’s time to tell the world.” And we did, and ever since then, our star has just risen: more celebrities come in, I think, because of it. Michael Jackson was famously a customer. It was the only comic store he went to, and we would close the place down for him. And he brought his kids and everything – we’re the last documented store where photographers took pictures of Michael and his three children before he died.

Have you ever felt there’s a downside to that – whether adding that level of glitz detracts from your identity as a comic shop in any way?

It’s a pure plus. I can’t tell you the countless amount of customers who have been in the store when a big celebrity comes in. It makes their day….

(14) BITE ME. “Soap can make humans more attractive to mosquitoes, study finds” reports the Guardian.

Lathering up with soap might seem a reasonable mosquito-evasion strategy on the basis that if they can’t smell you, they can’t bite you.

However, a study suggests that rather than helping you go incognito, soapy fragrances could make you a more attractive target, with mosquitoes favouring the scent of volunteers who washed with three out of four popular soap brands tested.

The scientists behind the research said mosquitoes may be attracted to soap because, when they are not feeding on blood, they supplement their sugar intake with plant nectars.

“The fact we are taking those flowery, fruity smells and putting them on our bodies means that now the same object smells like a flower and a person at the same time,” said Clément Vinauger, who led the work at Virginia Polytechnic Institute and State University. “It would be like waking up and smelling something that was like both coffee and muffins. Very appealing.”…

(15) HAMILTONIAN HUMOR. [Curated by Daniel Dern.]

At the 30th annual Easter Bonnet Competition, the company of Hamilton took top honors for transforming their opening number into an homage to Stephen Sondheim’s Sweeney Todd. Lin-Manuel Miranda chillingly portrayed the “demon barber of Fleet Street” as his fellow cast members retold the dark, twisted tale.

(16) VIDEO OF THE DAY. The faux “Lord of the Rings by Wes Anderson Trailer” is a big hit online. Jennifer Hawthorne says, “If you’ve seen any Wes Anderson movies this is hilarious, and if you haven’t it’s still pretty fun (and also, you should go see some Wes Anderson movies.)”

It was made using AI – the maker has posted an explanation about how they did it: “AI Filmmaking”.

[Thanks to Andrew Porter, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, Cora Buhlert, Daniel Dern, Danny Sichel, Ellen Datlow, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]