Dublin 2019 Photos by Rich Lynch — Sunday

This is the guy who kept me in fandom 33 years ago

… but that’s another story. (Kees Van Toorn)

More pictures by Rich Lynch after the jump.

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Dublin 2019 WSFS Business Meeting Day 3

Corina Stark provided full notes of the Sunday session in “WSFS Business Meeting 2”, which can be read on Alex Acks’ blog.

Once video of the meeting has been uploaded, it will be available at Worldcon Events on YouTube.

The agenda is available here. The references (e.g. “D7”) refer to items in it.

Site Selection: Washington D.C.’s unopposed bid to hold the 2021 Worldcon is officially voted in. (See File 770 post “Site Selection Confirms Washington DC” for vote count and GoH info.)

Seated Worldcon: CoNZealand made a short presentation. Membership price goes up October 1. Program signups are available now. CoNZealand.nz is the website.

Pass-On Funds: Kevin Roche passes along some funds from Worldcon 76 to Dublin 2019, CoNZealand, and DisCon III.

Continued New Business: Resumed with D8, No Deadline for Nominations Eligibility.

Martin Pyne offered an amendment to add a 2024 sunset clause. Nicholas Whyte, one of the makers of the motion, opposed it because either it [D8] is a good idea or it is not, and a sunset clause would be counterproductive. A vote was called and the amendment failed.

Kevin Standlee said there was an “entryism” problem which is why there originally was a January deadline., and he moved to amend to reinstate January 31 as the deadline. The amendment passed.

A vote was called and D8 passed as amended. It will be forwarded to next year’s agenda for ratification.

D13, Best Game or Interactive Experience. Ira Alexandre, a maker of the motion, spoke in favor. (See Spark’s full notes for argument.)  There was a motion to refer the motion to a committee to report back next year. Ultimately, the business meeting voted to refer D13 to a dedicated subcommittee in the Hugo Awards Study Committee.  The proponents of the proposal were invited to join the committee as part of this consideration.

D7, Five and Five. Rafe Richards moved to amend the motion so it does not subtract six or add five to rule 3.8.1 – which the chair explained would keep the number of finalists at 6 but still get rid of the existing sunset clause (reversing the intent of the original motion.)  

When the meeting voted on the amendment (to keep 6, and to get rid of the sunset clause) it passed. The amended main motion also passed, keeping 6 and removing the sunset clause. It will be forwarded to next year’s agenda for ratification.

Then the meting considered B4, Suspend 5 and 6 for 2020, and the voters rejected the motion, keeping 5 and 6 for 2020.

D11 is Clear Up the Definition of Public in the Artist Category Forever. An attempt to refer the proposal to committee failed. The main motion passed. It will be forwarded to next year’s agenda for ratification.

Proposed Resolution: The meeting next took up B.5, Credit to Translators of Written Fiction. B5 would award a Hugo to the credited translator of a novel, novella, novelette, and short story, when the original text is not in English. Kent Bloom argued against, confused about what this is trying to do – it is within the authority of the administering Worldcon or dealt with as a constitutional amendment depending on what they are trying to do, so is not appropriate as a resolution. The meeting voted against the resolution.

Standing Rules Change. As a result of a handout being distributed at the business meeting this weekend, there was a proposed B.6 Standing Rule Change, which would require someone making a written response to new business to submit it 14 days before the business meeting so the originators of the new business can have a chance to respond in the same (written) fashion.

Don Eastlake III moved to refer the rule change to the Nitpicking and Flyspecking for next year. The proposal was referred to committee.

Business carried over: Items D9 and D10 will be considered at Monday’s business meeting.

2021 Site Selection Confirms Washington DC

Washington D.C.’s unopposed bid to host the 2021 Worldcon was officially voted in this weekend at Dublin 2019. The name of the convention will be DisCon III. Bill Lawhorn and Colette H. Fozard are the co-chairs.

The committee announced their current guests are: Nancy Kress, Author GoH; Malka Older, Special Guest; Sheree Renée Thomas, Special Guest; Toni Weisskopf, Editor GoH; and Ben Yalow, Fan GoH.

Total valid votes: 878

DC in 2021 798
None of the Above 18
Miscellaneous write-ins 26
No Preference 36
Invalid ballots 2

The complete details (with all write-ins) are here [PDF file.]

2019 Hugo Awards

The winners of the 2019 Hugo Awards were presented August 18 at a ceremony in Dublin, Ireland.

Hugo Administrator Nicholas Whyte reported there were 3,097 total votes cast (3,089 online, 8 paper ballots). The voting statistics are online here [PDF file].

Best Novel

  • The Calculating Stars, by Mary Robinette Kowal (Tor)

Best Novella

  • Artificial Condition, by Martha Wells (Tor.com Publishing)

Best Novelette

  • “If at First You Don’t Succeed, Try, Try Again,” by Zen Cho (B&N Sci-Fi and Fantasy Blog, 29 November 2018)

Best Short Story

  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow (Apex Magazine, February 2018)

Best Series

  • Wayfarers, by Becky Chambers (Hodder & Stoughton / Harper Voyager)

Best Related Work

  • Archive of Our Own, a project of the Organization for Transformative Works

Best Graphic Story

  • Monstress, Volume 3: Haven, written by Marjorie Liu, art by Sana Takeda (Image Comics)

Best Dramatic Presentation, Long Form

  • Spider-Man: Into the Spider-Verse, screenplay by Phil Lord and Rodney Rothman, directed by Bob Persichetti, Peter Ramsey and Rodney Rothman (Sony)

Best Dramatic Presentation, Short Form

  • The Good Place: “Janet(s),” written by Josh Siegal & Dylan Morgan, directed by Morgan Sackett (NBC) 

Best Professional Editor, Short Form

  • Gardner Dozois

Best Professional Editor, Long Form

  • Navah Wolfe

Best Professional Artist

  • Charles Vess 

Best Semiprozine

  • Uncanny Magazine, publishers/editors-in-chief Lynne M. Thomas and Michael Damian Thomas, managing editor Michi Trota, podcast producers Erika Ensign and Steven Schapansky, Disabled People Destroy Science Fiction Special Issue editors-in-chief Elsa Sjunneson-Henry and Dominik Parisien

Best Fanzine

  • Lady Business, editors Ira, Jodie, KJ, Renay & Susan

Best Fancast

  • Our Opinions Are Correct, hosted by Annalee Newitz and Charlie Jane Anders

Best Fan Writer

  • Foz Meadows

Best Fan Artist

  • Likhain (Mia Sereno)

Best Art Book

  • The Books of Earthsea: The Complete Illustrated Edition, illustrated by Charles Vess, written by Ursula K. Le Guin (Saga Press /Gollancz)

John W. Campbell Award for Best New Writer

  • Jeannette Ng (2nd year of eligibility)

Lodestar Award for Best Young Adult Book

  • Children of Blood and Bone, by Tomi Adeyemi (Henry Holt / Macmillan Children’s Books)

Closing note: There was a distracting mistake placed onscreen by the closed captioning service early in the ceremonies. Chair James Bacon immediately apologized for it on the convention’s Facebook page:

I would like to apologise for the problems with the closed captioning. I am dreadfully sorry for my decisions that led to us using a system that failed. I would lI would like to apologise for the problems with the closed captioning during the Hugo Awards ceremony. I am dreadfully sorry for my decisions that led to us using a system that failed.  I would like to apologise to anybody who we have upset by this and we totally understand that our members and community will be disappointed in this failure for which I accept total responsibility. I am very sorry and am ready to apologise personally to those who were hurt.

Sometimes we put too much trust in new technology and that was my failing tonight. Artificial intelligence still has a way to go in coping with human expression in all its variety. The poor transcription was stopped, but not before it undercut a number of very important speeches. Stopping it also deprived some of our audience of access to the later speeches. We are working on producing the corrected archival version of the ceremony which will be available online.

My sincerest apologies,
James Bacon

https://twitter.com/RuthEJBooth/status/1163195012504576001
https://twitter.com/RuthEJBooth/status/1163191658747502595
https://twitter.com/AZinosAmaro/status/1163184725076271104

Barkley — So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Three

DAY THREE

By Chris M. Barkley:

Field Notes

  • I have been hearing that these reports are being widely read favorably reviewed. It’s been quite a while since I have tried to write, much less report, on a daily basis. For this, I am quite grateful.
  • For those of you wondering, I usually get up before my partner and flatmates to write. I make a scalding cup of tea, fire up the tablet and start pecking away. It’s a little strange for me to have the BBC News playing in the background instead of my usual source, National Public Radio but I have no complaints whatsoever.
  • I also try to keep up with my beloved Cincinnati Reds while I’m here. My birthday is on the 25th and all I want is for the team to break even at the .500 mark. Also, Astrides Aquino IS REAL. If you’re a baseball fan, google him. You will be astounded.
  • Many people have complained about the lines for events and the size of the convention center. Well, this may not be the Worldcon we want but it is the Worldcon we have. I have it on good authority that these restrictions were imposed by those who run the center, not the Dublin Worldcon Committee. My advice to attendees is to embrace to moment and enjoy the experience of a Worldcon in this marvelous country.
  • When I made the decision to do a daily report, I quickly became aware that I could not report on EVERYTHING going on, especially panels. So what I am attempting to do is give you, the reader, an exciting personal overview of what’s happening here and I hope it inspires  those of you who haven’t been to a Worldcon the incentive to attend and get active in fandom.
  • I am quite certain I am the only one here with a Justice League animated series cap. At least, pretty sure.
  • As of this post, Carole’s wallet has not been found. We remain hopeful that it will turn up before the convention ends.
  • Please, please, PLEASE, do not send me any saltpeter!!!!! I’m good. OK?

The day began with the Main Session of the Business Meeting. I won’t bore you with the details of everything that was argued over (and if you ARE interested, a video of all of the sessions will be posted on YouTube after the convention).

I do want to report on one exception: one of the items passed on from yesterday was a recommendation from the Hugo Study Committee for  a minor change in the Graphic Story category changing the title to Best Graphic Story or Comic, clarifying and expanding for nominators what might be honored in the category.

There were objections from some of the BM members that the change really was superfluous and not needed. As one of the originators of the category, I spoke at the podium to state that speaking for myself, it was always my intention to include “Comics” in the title.

Rene Walling, the 2009 Worldcon Chair was highly involved in the establishment of the category and when there was a fierce debate about what the title should be, offered the current title.

It was ironic that he rose to object to the name change because it did not include manga. Mr. Walling, who was quite involved in the establishment of the category and had persuaded his committee to invoke the Special Award clause in the WSFS Constitution to award a Hugo as a test at the Montreal Worldcon in 2009.

Mr. Walling made a compelling argument (including statistics and chart) to include manga but his proposed amendment was defeated. When asked, Mr. Walling was undeterred and told me that he hoped to re-introduce the measure at the New Zealand Worldcon next year. 

Mark Richards sense of the meeting proposal to advise future Hugo Administrators to give translators of a winning work with a Hugo was introduced at the meeting and will be taken up in the Sunday Session, time permitting.

After two and a half hours of making sausage (which is available online on YouTube), the Business Meeting mercifully adjourned. Juli and I were hungry and spotted a very nice Asian fusion place across from the Spenser Hotel called J2. Juli had the chicken stir fry udon and I had the seafood udon soup, with a side of calamari rings.

We were seated across from two writers from America, Troy Carrol Bucher, a retired thirty-year veteran of the US Army and Nick Martell, a young writer from Pennsylvania. Both have new novels coming out this month; Mr. Bucher’s second novel is called Lies of Descent, an epic fantasy novel from DAW Books and Mr. Martell’s debut book is The Kingdom of Liars, is being published by Saga Press. Both men were excited to be in Dublin for the Worldcon and were very engaging lunch companions.

Bucher and Martell

On our way back to the convention center, we stopped at the intersection right before a drawbridge. Waiting to cross on the other side the street was super fan Mike Wilmoth. At this point, I want to point out that the city of Dublin has clearly marked the streets with dire warning to LOOK BOTH WAYS and LOOK TO THE LEFT and RIGHT. These warns are not for the natives but the tourists, many of them Worldcon members who are not natives, so they are not placed in dire straits by the unfamiliar surroundings. Mr. Willmoth bravely glanced in all directions and upon seeing nothing in the immediate vicinity, then boldly strode across the street just before the light turned green for the rest of us.

“Way to go, Mike! That’s confidence, jaywalking in a foreign country! WELL DONE, SIR, BRAVO”, I shouted at him. He accordingly cracked up. I would have high-fived him but the crowd was too big.

My three o’clock panel was not exactly a panel but more of a meetup. The official title was The People of African Descent Meetup. It was moderated by UK based fan Russell A. Smith and the Dr. Wanda Kurtku of the San Francisco Bay Area. I had some difficulty getting to Wicklow Room Five because the crowd minders had declared the corridor leading to the room as filled to capacity. The only way I got through was by frantically waving my Program Participant ribbon.

I neglected to count the number of people there but I would guesstimate that there were at least twenty people of color all gathered together.

The People of African Descent Meetup
Dr. Wanda Kurtku

Now, I have to admit that I have never been a fan of the concept of “safe spaces” mainly because I’m almost sixty-three years old and toughed it out this far without it and getting quite curmudgeonly lately (but only because I’ve been hanging out with David Gerrold too much, but I digress…)    

But now, having experienced a “safe space”, in the company of such fine, eloquent and intelligent people, I finally get it.

This is not an act of self segregation, as I had originally thought and feared since I had first heard of the concept, but one of representations, mutual acknowledgement and empowerment.

Mr. Smith pointed out an obvious example of how people of color acknowledge each other in public, by eye contact, a knowing smile and a nod of the head in passing. Not only has this happened to me on many occasions in the United States throughout my life, but many times here during my stay in Ireland.

We arranged our chairs into a circle, introduced ourselves and gave a capsule history of the way we fell in love with fantasy and sf or how we found our way into fandom and conventions.

My friend Maria from Baltimore and I were two of the oldest fans in the room, she went to her first convention in 1974 and I in the summer of 1976. I casually dropped that the Dublin Worldcon was my 29th, a factoid that drew a few gasps in the crowd.

We had people representing Europe, Africa, the US and the Caribbean island nations. Also among us was one of the 2019 Hugo nominated editors of FIYAH Magazine of Black Speculative Fiction (whose name I unfortunately forgot to record). Several people chimed in that they’d given his magazine their first place votes in the Best Semiprozine category which made him extremely happy (and nervous, because he might be called upon to make a speech Sunday evening).

When the group was asked how can we better support each other, I spoke up and said please read this column on File 770.com and PLEASE feel free to comment. I jokingly refer to myself as the Senior Black Correspondent at File 770 and I was not quite sure that I was the only black writer. My good friend Pablo Manuel Miguel Alberto Vazquez chimed in and said, “Yeah Chris, you’re pretty much it.”

The hour we had together ended far too soon as far as we were all concerned. We all signed a notebook with our email addresses for future reference. 

After standing in two queues and collecting two lanyards for the Masquerade, Juli and I retreated to the apartment so I could finish writing up Day Two’s events. At around 4:30 p.m., I suddenly felt very, very tired. So I laid down for a quick nap, waking up around sixty minutes later feeling a bit better, if not totally refreshed.

While Juli was taking some time to read, I left the apartment and took a short walk to the East Restaurant attached to the Spenser Hotel to find the File 770 meetup. I did this for two reasons; a) to prove to the readers of this column that I was capable of FINDING a Filer meetup and b) getting in my Fitbit steps.

The dinner meetup was in full swing when I got there and I was meeting many of them in the flesh for the first time. Hampus Eckerman introduced himself and told me that Juli and I had gone to the right place but the Filers were tossed off of the third floor by the queue minders at around 6:30 and had moved to the Martin Hoare Memorial bar one floor down. Oh well.

Since I was trying to meet a self-imposed deadline for filing Day Two, I bid them farewell after fifteen minutes but not before I took pictures of the two tables, because, you know, pictures or it didn’t happen.

Filer meetup on Saturday #1
Filer meetup Saturday #2

Juli had dinner waiting for me upon my return. As I wrote and edited, she informed me that Memphis (Tennessee, not Egypt) had announced a bid for the 2023 bid, headed up by Kate Secor and Cliff Dunn. She then read a transcription of some of the Q & A from the Fannish Inquisition, which were quite interesting and worth your while to look up.

Best of Luck kids; like all Worldcon bids, you’re going to need it.  

On our way to the Masquerade we made the acquaintance of Stephan Herman of British Columbia, a professional comedian who is moonlighting as a joke writer for Dublin. Resplendent in a zoot suit jacket, he regaled us with his various observations of the convention as we rode the tram.  

Stephan Herman

I have posted pictures from the Masquerade on my Facebook page for your viewing pleasure. (www.facebook.com/chris.barkley). Usually, I have eschewed going to this particular item BUT since I am covering the main events of this Worldcon, I felt obligated to go. And I was so glad I did.

Juli did not have a full pass for seating in the Press Area so I went down to the on the main floor on my own which she was seated elsewhere.

Worldcon 76 Chair Kevin Roche was the Masquerade director and ablly hosted by Ric Bretschneider.  

I am not a noted critic of costumes per say, but I can tell you that if there is a video of the show available, you should go out of your way to see it. In particular, I want to draw your attention to the very final entry of the evening, an awesome, show stopping display of technical skill, bravado design and magnificently breathtaking execution. When it finished, there was NO DOUBT in anyone’s mind which entry was the overall best in show.

No, I will not describe it. Look at the pictures on my Facebook wall or google it. You won’t be sorry.

Although I did not stay for the entire “halftime show”, I was incredibly entertained by Mr.  Bretschneider’s ingenious game show, PowerPoint Karaoke.

Each victim, er, ah, contestant, is placed on stage facing the audience and viewing a screen displaying images, which are also projected for the audience as well. The object of the contest is to make a cohesive narrative from the random pictures which would be switched at any point of Mr. Bretschneider’s choosing.

The first victim, Hugo nominee Mary Robinette Kowal, made a brilliant historical parody of the US Space program and never flinched at any of the ridiculous images thrown at her. She received a resounding cheer as she finished.

What Chris Garcia lacked in coherency, he made up in shouting and goofy noises much to the delight of the crowd. The aforementioned Mr. Herman also delivered a show stopping performance, combining comic timing and an outrageous impersonation of a late night QVC television huckster selling lifestyle enhancement products.

After all that, it was downhill all the way. I was fast asleep as soon as my head hit the pillow… 

Correction: The author misspelled the name of Milk Willmoth’s name as Mike Willmont. We honestly can’t regret it because it’s funny as hell. Just Sayin’…

(Note to Mike, leave the name “Milk” in there, let’s see if he notices…?)


Masquerade Photos

Pixel Scroll 8/17/19 There Is Something You Should Scroll – I Am Not Left-Pixelled

(1) DUBLIN 2019 MASQUERADE. The convention tweeted photos of the winners:

Other entries:

(2) DUBLIN 2019 ATTENDANCE. At the end of Thursday, Dublin 2019’s daily newzine reported the “total warm bodies registered” at 4,700.

(3) 2019 HUGO LIVESTREAM. Here’s where you find the 2019 Hugo Awards Ceremony on Vimeo tomorrow.

The premiere event of the Worldcon will take place on Sunday evening, as we celebrate the best science fiction and fantasy of 2018. Hosted by Afua Richardson and Michael Scott, we invite you to join us in congratulating this year’s finalists and winners of the prestigious Hugo Awards.

(4) DUBLIN 2019 ART SHOW AWARDS. The daily newzine posted the results:

  • Best Jewellery Collection: Angela Jones-Parker  
  • Best Collection Of Work: Maja Winnacka  
  • Best Traditional Original: Johnman (John Green) for We Are All Majestic  
  • Best Artwork: Jim Burns for Jane Delawney Had Her Dreams  
  • Best Digital Art: Fred Gambino for 2nd Gen  
  • Spirit Of Dublin: Paul Sheridan for An Unexpected Pub Crawl  
  • Best 3D: Didier Cottier for Le Grand Chambellan  
  • Best Textile Art: Sarah Haddock aka Cryptozoo

With thanks to the judging panel, Alice Lawson, Colin Harris, Jo Playford and Serena Culfeather, who had a hard task.

(5) RETRO HUGO VOTING STATISTICS. Hugo Administrator Nicholas White has published the Retro-Hugo results for this year. He also tweeted an analysis of how differently this year’s Retro Hugos would have been reported if the “Notability Still Matters” amendment had been in force for this year’s awards. The thread starts here.

(6) T WRECKS. Camestros Felapton revisits Rachel Swirsky’s Nebula-winning story: “Hugosauriad 4.4: If You Were a Dinosaur, My Love by Rachel Swirsky”.

But there is something (intentionally) not quite right from the start. A T-Rex? The tyrannosaur has been stomping through dinosaur stories throughout this project and in almost every instance they have been symbols of sudden violence and an agent of vengeance and punishment of the wicked or cowardly. Symbolically in dinosaur stories the T-rex has been a kind of saurian Fury punishing the cowardly or those who in hubris forgot to show the proper respect to time-travel or dinosaurs.

Yet, in the very next sentence Swirsky flips this around, emphasising the vulnerability and muted scale of this fantasy T-Rex. The tyrant lizard is more of a benevolent and humane despot with fragile bones like a bird and a gentle gaze. The contrast is severe and adds to the sense that there is something going on here other than a fanciful musing.

(7) TOLKIEN’S ART. James Trilling considers “One Man’s Modernism: J. R. R. Tolkien” at the Yale Review. Robin Reid sent the link with a note, “I bristled a bit at the opening section about the ‘academic and critical community’ (seemed way oversimplistic) but was intrigued by the shift to focus on his visual art and provide some commentary.” The article focuses on Tolkien’s artwork, and the catalog of the recent Bodleian exhibit Tolkien: Maker of Middle-Earth, edited by Catherine McIlwaine.

…Only in one respect does the new catalogue suggest a new approach [from the Bodleian’s previous exhibit]: the greater attention paid to Tolkien’s achievements as a visual artist. His visual world was complex and unresolved. He made, for example, naturalistic, largely academic early drawings in pen and ink, depicting buildings and landscape features. One of the best, from 1912, is reproduced in the catalogue. It is recognized that Tolkien’s most important drawing teacher was his mother. Even her handwriting shimmers with energy and elegance (see, e.g., cat. 17), and it is tempting to see in it the basis of her son’s medievalizing fantasies. Unfortunately we are deprived–like Tolkien himself–of the chance to investigate her influence in detail. After her tragically early death in 1904, her sister-in-law burned her papers: not from fear of any scandal, but because she simply could not imagine anybody wanting them.

(8) WILLIAMS OBIT. Animator Richard Williams, famed for his work on Who Framed Roger Rabbit, died August 16 at the age of 86. The NBC News profile begins:

The Oscar-winning artist died from cancer at his home in Bristol, England, on Friday, his daughter Natasha Sutton Williams said Saturday.

Williams’ career straddled the “Golden Age of Animation,” which petered out between the 1950s and 1960s, and the rise of computer-assisted animation in the 1990s and beyond.

His best-known work may be as director of animation for “Who Framed Roger Rabbit,” a 1988 film that married live action cinema and cartoons from all eras, a process involved the laborious insertion of animated characters into each individual frame and complex lighting effects. The result — a madcap and slightly dark comedy where “toons” and humans interact seamlessly against a live action film noir background — was commercial and critical hit and helped revitalize Disney’s flagging animation department.

He won Oscars for Who Framed Roger Rabbit? and A Christmas Carol.

(9) TODAY IN HISTORY.

  • August 17, 1939The Man They Could Not Hang debuted in theatres.
  • August 17, 1960 The Time Machine premiered in theaters, later losing the Hugo to a TV show called The Twilight Zone.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 17, 1917 — Oliver Crawford. Screenwriter who overcame the Hollywood blacklist during the McCarthy Era of the 1950s. He wrote three scripts for Trek, “The Cloud Minders”, “Let That Be Your Last Battlefield” and “The Galileo Seven”.  He also wrote for The Outer Limits (“The Special One”), Voyage to the Bottom of the Sea (“The Lost Bomb”) and The Wild Wild West (“The Night of the Cossacks” and “The Night of Sudden Death”). No, that’s not everything hescripted. (Died 2008.)
  • Born August 17, 1930 — Harve Bennett. The individual who gave us Star Trek II: The Wrath of Khan. Really he did. He would then serve as produced on the next three Trek films, The Search for SpockThe Voyage Home and The Final Frontier. His only on scene appearance is in the latter as Starfleet Chief of Staff. (Died 2015.)
  • Born August 17, 1945 — Rachel Pollack, 74. She’s best known is well known for her run of issues 64–87 (mid-Nineties) on DC’s Doom Patrol which took it up to its cancellation. She also had a run on the New Gods, the Jack Kirby created mythos.  Two of her novels won major awards. Unquenchable Fire won the Arthur C. Clarke Award; Godmother Night won the World Fantasy Award. 
  • Born August 17, 1956 — John Romita Jr., 63. If you’ve read Spider-Man since the Sixties, it’s very likely that you’ve seen his artwork as he had six stints on it between 1980 and 2009. He find a number of other titles on Marvel and DC including Superman, Ghost Rider, Hulk, All-Star Batman, Eternals, Captain America and Daredevil to name but a few of the titles he illustrated. He also worked with Mark Miller at Image Comics on Kick-Ass, and did the one shot Punisher/Batman: Deadly Knights
  • Born August 17, 1960 — Chris Baker, 59. He’s the cover artist for British and German versions of the Redwall books, as well as a storyboard and conceptual artist having worked with Steven Spielberg, Stanley Kubrick and Tim Burton. Among his films are Big Fish, Skyfall, Charlie and the Chocolate FactoryA.I. Artificial Intelligence and Corpse Bride
  • Born August 17, 1962 — Laura Resnick, 57. Daughter of Mike Resnick. She is a winner of the John W. Campbell Award for Best New Writer in Science Fiction for “No Room for the Unicorn”. I’ve not read her Manhattan Magic series so I’m interested to know what y’all think of it. She’s readily available ion iBooks and Kindle. 
  • Born August 17, 1966 — Neil Clarke, 53. Editor in Chief of Clarkesworld Magazine which has won an impressive three Best Semiprozine Hugos. SFWA also gave him a Kate Wilhelm Solstice Award. He edits The Best Science Fiction of the Year series for Night Shade Books.  

(11) THE SHEEP SHOW UP. A reliable source says an anonymous package was waiting for RedWombat at her panel this afternoon…

(12) THE BIRDS. “The New ‘DuckTales’ Is ‘Game of Thrones’ for Kids” according to Fatherly’s Andy Kryza:

The new Disney DuckTales reboot has taken on a mythology all its own, one far more complicated than the show we might remember from the nineties. The theme song threatens “racecars, lasers, aeroplanes,” but those things seem tame compared to what the ducks are facing now: Duels on erupting volcanoes, shadow creatures, sorceresses, gladiators, sky pirates, undersea realms, cursed talismans, and full-blown demigods. That’s more than a duck-blur. This is some Game of Thrones action, only with less murder, more jokes and a lack of crushing disappointment from the conclusion. At least for now. 

Sound silly? Well, the new version of Ducktales; which started in 2017 and recently ended its stellar second season on — of course — a cliffhanger, has more in common with the world of Westeros than the Disney-verse of old. And not just because its characters are perpetually pantsless…. 

(13) TRUE LOVE. The News arm of The Beeb brings us an in depth article (Why I ‘married’ an anime character) about a young man who fell in love with Miku, an anime character.

There is a word in Japanese for people who are obsessed with video games and anime – otaku. An increasing number of otaku now say they have fallen in love with anime characters and given up on the idea of real-world romance, reports the BBC’s Stephanie Hegarty.

Akihiko Kondo wakes up every day to the sound of his wife’s voice. She calls him from across the room in her high-pitched, girlish, sing-song voice. She dances and swirls around, urging him to get out of bed.

At the same time, he’s holding her in his arms on the bottom tier of their metal-framed bunk bed – and if he was more awake he could be watching an illustrated cartoon of her singing on YouTube.

This is because Akihiko’s “wife” is an idea – an anime character called Miku.

She’s the hologram that lives in a glass capsule on a shelf in the corner of the room, and the cuddly toy with its big soft head and small body that he holds close at night. But she can take innumerable other forms.

(14) BY A WHISKER. I’d Watch That shows how the upcoming CATS musical is even scarier when it comes from the mind of Stephen King!

(15) ONE SMALL STEP. BBC reports “Nasa picks headquarters for Moon lander”.

A Nasa facility in Alabama that developed the giant rocket for the Apollo programme in the 1960s will play a key role in sending astronauts down to the Moon’s surface in 2024.

The Marshall Space Flight Center in Huntsville will lead the development of a vehicle that will land astronauts on the body for the first time since 1972.

The decision was announced by Nasa’s administrator Jim Bridenstine.

But it’s a disappointment for Texas, which was in the running.

The White House wants to send a man and a woman to the South Pole of the Moon in five years, under a programme called Artemis.

(16) VIDEO OF THE DAY. “New Civilization VI Theme *EPIC CHOIR* Performance” on YouTube is the Oregon State University choir singing the theme music to the video game Civilization VI.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Michael Toman, Robin Reid, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]

Barkley — So Glad You (Didn’t) Ask — Special Irish Worldcon Edition, Day Two

DAY TWO

By Chris M. Barkley: When I woke up Friday morning, I reminded myself that I was not in my own home, that I was, for better or worse, a representative of the United States and should be on my best behavior as a guest in the warm and welcoming community of the Republic of Ireland.

And then I turned on the news and heard that the “president” of my country has seriously floated the idea of BUYING THE ISLAND OF GREENLAND! (Because he doesn’t have enough real estate for golf courses in the US?)

As usual, the rest of the world made fun of this delightful development on the internet, the best of which was New Yorker satirist Andy Borowitz, whose headline story read, “DENMARK OFFERS TO BUY U.S.” The one stipulation was that the offer was only good for the land, NOT the current government.

I must say that as an American, I am proud to know that no matter how bad our situation seems at the moment, that we, on the whole, have a wonderful sense of irony and humor that will see us through. I hope.

Juli and I rode the tram which stopped right near our apartment. We also bumped into fan Mike Willmoth and Dublin Hugo Administrator Nicholas Whyte, who, like us, were on their way to the Preliminary Business Meeting.

Mike Willmoth and Nicholas Whyte

The meeting was chaired for the first time by a well-known acquaintance of ours, Jessi Lipp. We started at 10:20 am. They appeared a little nervous but we wished them well because managing the Business Meeting is much akin to the sport of herding cats.

I was nervous for a different reason, Item D-14 on the proposal for the Best Translated Novel. If it passed a procedural vote, the amendment would be passed along to the Main Session on Friday to be debated.

Before the meeting started, I sought out and formally apologized to Cliff Dunn, the Chair of the Hugo Study Committee. I also offered my resignation from the Committee, which he accepted.

The Committee had voted and recommended that the Translated Novel proposal should be discussed for another year. I had willingly broken an unwritten protocol regarding this; I, committee member Mark Richards and Juli had drafted a full amendment for this year’s Business Meeting. While the idea had been batted around the email list intermittently last year, we were adamantly certain that the drafted amendment would pass muster. We sat with Mark as all of this played out.

I admit that I was particularly impatient with the progress of the committee on this issue. When Mark stated that he would support an amendment, I recruited him and my partner Juli on this rogue operation. 

As single item on the agenda was passed and scheduled a debate time, I tried to calm myself and expect the worst. And it was.

After Mx. Lipp announced the proposal several people immediately jumped to their feet shouting “postpone indefinitely”, and my heart sank. Mr. Dunn was recognized and he stated that he thought the amendment needed more study.

Mx. Lipp scheduled four minutes of debate time for the matter. I had drafted a longer speech but due to time constraints, I put it in my back pocket and decided to wing it. After Mr Dunn spoke, I was recognized by the chair and went to the podium.

I stated briefly that in these troubled times, we need to be the vanguard of diversity, not the rear guard. That this community was in a perfect position to tell the world that we believed in diversity.

Jo Van Ekeren, a member of the Study Committee stated that a foundation for a new category had not been established and that another year of demographic and statistical study was needed.

Mark Richards offered a defense of the amendment, saying it was needed now more than ever to ensure some measure of diversity on the Hugo Award ballot.

Mark Richards and Chris Garcia

Alas, it was all for naught, the proposal was postponed until such time as the Hugo Study Committee issued a final report.

Cliff apologized to me during the first break in the morning. He told me that in essence, he saved the proposal from being killed outright (which is entirely correct) because he wanted to be assured that the amendment would be perfect for passage.

I thanked him for his efforts but in effect told him that the Best Translated Novel was now in his committee’s hands, not mine.

It was at this moment that Mark Richards came up with the idea of proposing a formal advisory directive from the Business Meeting to future Hugo Administrators that if a translated work should be awarded a Hugo, the translator must be given an award as well. While not being formally codified into the WSFS Constitution, this advisory notice should serve a placeholder for a legal insertion at some later date and as a sign that the Business Meeting is aware of the good work being done in this realm. 

In the end, I was not angry or bitter, just sadly disappointed that others could not see what we see and take the necessary action needed to ensure the right thing gets done.

Vanessa Applegate and Juli Marr

There have been times over the past few months that my thoughts have turned to John Adam’s character in the classic musical 1776. Adams, considered a visionary and the intellectual equal of many of the Founding Fathers of America, was also seen by many of his peers as a crank, self-aggrandizing, egotistical and arrogant.

And, it seems, it is as I am by some of my peers in fandom.

My partner Juli consoled me as Abigail Adams did for her partner. In fact, she told me she was thinking of 1776 all day Friday as things unfolded. She cited a significant moment in the musical and posted it on her Facebook page for me to see:

John: ” You must tell me what it is. l… Well, I have always been dissatisfied.”

Abby: “I know that.”

John:  “But lately, I find that I reek of discontentment.
It fills my throat and it floods my brain.
Sometimes I fear there is no longer a dream,
but only the discontentment. “

Abby: “Oh, John. Can you really know
so little about yourself? Can you think so little of me
that you’d believe I’d marry the man you’ve described?
Have you forgotten what you used to say to me?”

John: “I haven’t. “Commitment” Abby.”

Abby: “Commitment.” There are only two creatures of
value on the face of this Earth. Those with a commitment, and those who require the commitment of others.”
Do you remember, John?”
 
John : “Yes, I remember.”

And sometimes I am reminded that commitment has been the key to why I have dedicated myself to seeing Hugo Awards become more successful and diverse. In twenty years of fan activism I have seen many changes and advances. I am quite satisfied if that is all I am known for.  And  I am happy and grateful for the love of a kind and loving person to remind me that I am loved and have worth.

I Love You, Juli Marr.

Apparently, Friday was Pizza Day: Mr. Richards, Juli and I dined at Milano’s and were treated to an excellent, authentic-looking sausage and cheese pie that was quite delicious.

We then made a courtesy visit to the Press Office for details about where members of the press were going to be seated and stood in yet another queue for a 7 p.m. blue entry lanyard for the symphony concert scheduled for 8 that evening. We were joined in line by our good friends Gary, Carole and John who are fellow members of the Cincinnati Fantasy Group.

The Worldcon Philharmonic – Dublin was led by Conductor Keith Slade who was accompanied by a nearly fifty-piece orchestra. Also on the program were Traditional Flute soloist Eimear McGeown, Mezzo-Soprano Naomi Rogers and our host, two time Worldcon Chair Vincent Docherty.

The program consisted of selections from Game of Thrones, The Lord of the Rings, two pieces from Ms. McGeown’s album “Inis”, a ferocious version of Mussorgsky’s NIght on Bald Mountain and several other well-known classical works.

The highlights of the evening were the magnificent renditions of the various themes of Star Trek films and series and John Williams scores from E.T., The Force Awakens and most memorably, Episode IV, A New Hope.

I used my phone to broadcast the Star Trek and Star Wars selections live on Facebook, much to the delight of several of my Facebook friends who happened to be online at the time. As I tried to keep the phone focused on the orchestra, my feeling of disappointment melted away as Williams’ powerful scores unleashed a torrent of joyful tears streamed down my face in the darkened theater. As the concert concluded and the lights came up, everyone saw me wipe my dampened face and I did not care who knew I had been moved so much.

Unfortunately, the evening ended on a rather bad note; the five of us took taxis to the Temple Bar area on the other side of the river in search of food. We tried to get into Difontaine’s, a hole-in-the-wall pizza joint about the size of a Volkswagen Beetle and packed with young people intent on becoming obese by sunrise.

Luckily, there was a formal sitdown Italian restaurant called Cafe Topolis was only a few doors away from the awful, doughy bacchanal

Gary had a regular pie with pepperoni while Juli, Carole, John and I dined on a traditional thin crust white pizza with olive oil, sausage, mushrooms and basil. DELICIOUS!

We were hit with the bad news as we divided the bill; Carole could not find her wallet, which contained all of her cards and a majority of her cash. It was quite fortunate that Carole had her passport and phone, but little else.

As we retraced our movements, we all became certain that she must have put the wallet down the side of the seat instead of an intended pocket.

Carole and Gary, who were in the cab in question, could not remember the name of the cabbie or the cab number. We flagged a passing cab and sought some advice. The driver said that as a rule they are very honest and they usually make sure the car is clear before the end of the shift. He advised us to go to the nearest police station and file a report

We googled and found a Garda precinct about 1000 meters from where we were. Carole wanted us to gome home and not worry about her but we were having none of it. When a fan is in trouble we should do everything possible to make sure they get home, no matter what has happened or how late the hour becomes.

We trooped into the station at around 1:30 a.m. local time. Gary, Juli and I sat down with a drunken man who was rambling incoherently, mostly at three women standing at the desk. It turns out that the two women had led a third woman, whom, it turned out to be a stranger they happened upon and did not know, could barely stand due to her total inebriation. As an officer took Carol’s information, the two women sat the drunk on a nearby bench for another officer to collect. As the two women left, the drunk woman made a run for it and made it out the door. I was going to run after her myself but the officer coming to retrieve her and the two samaritans  chased her down and caught her before she ran into traffic. The very cross officer proceeded to drag the drunk woman into a holding area for her own safety and we all breathed a sigh of relief.

After Carole was done, we all went out and caught cabs to our various residences; Carol and John in one and the rest of us in another. As of this writing, there has been no word on whether the wallet has been found.              

CORRECTION: I was accosted by Edie Stern and was chastised for NOT mentioning that her partner, Joe Siclari, was also a Worldcon Chair (MagiCon, the 50th Worldcon held in Orlando, FL). File 770 regrets the error. We also want to point out that while no currency was seen changing hands at this semi-clandestine meeting, we cannot be certain it had not already changed hands at the time of the incident.

In other words, Just Sayin’… 


The Scene in Martin Hoare’s Bar